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Looking at (mostly female*) writing on longing, the erotic, one’s own and/or the lover’s body, we search for those moments in which (hetero)normative representations of desire are getting messed up, counterpointed and deprived of their power to shape relationships and intimacy.",[],{"_key":308,"_type":11,"children":309,"markDefs":314,"style":24},"f402c2ee3d93",[310],{"_key":311,"_type":15,"marks":312,"text":313},"0eece55c15c6",[],"",[],{"_key":316,"_type":11,"children":317,"markDefs":326,"style":24},"473fe38ca849",[318,322],{"_key":319,"_type":15,"marks":320,"text":321},"8034d6383cfe0",[17],"Johanna Ackva",{"_key":323,"_type":15,"marks":324,"text":325},"8034d6383cfe1",[],"'s artistic practice revolves around the entanglements between so called physical and metaphysical movements. Her works address the mutual influences between body and thought, the living and the dead, the world and our perception of it. As a dance maker, teacher, author, and curator, she is mainly active in Berlin. In Uckermark, she is part of the team that runs Denk- und Produktionsort Libken. Johanna has realized various performances in Berlin, e.g. at Tanzfabrik and Vierte Welt. As part of a team of four, she's currently running the artistic residency Denk- und Produktionsort Libken in the region Uckermark.",[],{"_key":328,"_type":11,"children":329,"markDefs":338,"style":24},"0175989b0f1c",[330,334],{"_key":331,"_type":15,"marks":332,"text":333},"5c35c54a604d",[17],"Lotta Beckers",{"_key":335,"_type":15,"marks":336,"text":337},"56a92497d7aa",[]," (she/they) lives in Berlin and works as a dramaturge and artist. She studied Applied Theatre Studies in University Gießen, Choreography and Dance at the Danish National School of Performing Arts in Copenhagen and holds an M.A. in European Media Studies from the University of Potsdam. She is part of the class for performative arts led by Anna Zett and Jule Flierl at Hochschule für Grafik und Buchkunst Leipzig (HGB). 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At the moment she is particularly curious about movement and text.",[],{"_key":356,"_type":11,"children":357,"markDefs":362,"style":24},"8b38380535b1",[358],{"_key":359,"_type":15,"marks":360,"text":361},"54bc79021fb8",[],"In her artistic approach, she situates herself between the documentary and the poetic, the intimate and the public and searches for the historical and structural within personal feeling. Theory serves as a driving force in her work, encouraging new modes of perception and experience.",[],{"_key":364,"_type":11,"children":365,"markDefs":374,"style":24},"b9efaebc0d88",[366,370],{"_key":367,"_type":15,"marks":368,"text":369},"0ad8c6673cac0",[17],"Eliana Kirkcaldy ",{"_key":371,"_type":15,"marks":372,"text":373},"0ad8c6673cac1",[],"studied contemporary dance and cultural studies in Cologne, Hildesheim, Porto and Berlin. Her research currently deals with questions around societal power structures and their effect on physical practices. She is furthermore interested in exploring collective working structures and has been part of the collective AnaConda am Ufer, currently she is part of Berlin based poetry collective Das Ad Hoc. Together with Vanessa Engelmann, Eliana is working on new translations of the writings of Colette Peignot, which will be published by Matthes & Seitz Berlin. 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