[{"data":1,"prerenderedAt":18054},["ShallowReactive",2],{"sanity-TSnzhcihRd":3,"sanity-QY7YS2MzzG":18,"sanity-0jsZJl0Ayx":93,"sanity-KKDeoSpBZt":299},{"settings":4},{"infoTicker":5},[6],{"_type":7,"link":8,"text":17},"textBlock",{"external":9,"internal":10},null,{"_id":11,"_type":12,"seo":9,"slug":13,"title":16},"41136a5b-9ca3-47dd-bbfd-95441aeea85f","event",{"_type":14,"current":15},"slug","join-our-november-town-hall","Join Our November Town Hall","Our next chapter: join us at the Town Hall in November",{"settings":19},{"footerContent":20},[21,40,74],{"_type":22,"text":23},"column",[24],{"_key":25,"_type":26,"children":27,"markDefs":38,"style":39},"9ba1ff2774db","block",[28,34],{"_key":29,"_type":30,"marks":31,"text":33},"62aea327f1ba0","span",[32],"strong","School of Commons",{"_key":35,"_type":30,"marks":36,"text":37},"824f15d725be",[],"\nZurich University of the Arts, \nPfingstweidstrasse 96, Zürich, \nSwitzerland CH-8031",[],"normal",{"_type":22,"text":41},[42,59],{"_key":43,"_type":26,"children":44,"markDefs":54,"style":39},"f4e1c09ec54c",[45,49],{"_key":46,"_type":30,"marks":47,"text":48},"f0946d1cc1200",[],"For questions and inquiries, email ",{"_key":50,"_type":30,"marks":51,"text":53},"9b54b88c41e7",[52,32],"35af72dc7c3b","hello@schoolofcommons.org",[55],{"_key":52,"_type":56,"blank":57,"href":58},"link",true,"mailto:hello@schoolofcommons.org",{"_key":60,"_type":26,"children":61,"markDefs":71,"style":39},"da2c873ba6a8",[62,66],{"_key":63,"_type":30,"marks":64,"text":65},"bae050db11cc",[],"Instagram ",{"_key":67,"_type":30,"marks":68,"text":70},"74ca0d12c986",[69,32],"2fe450c38ca8","@schoolofcommons",[72],{"_key":69,"_type":56,"blank":57,"href":73},"https://www.instagram.com/schoolofcommons",{"_type":22,"text":75},[76],{"_key":77,"_type":26,"children":78,"markDefs":84,"style":39},"101913bbb053",[79],{"_key":80,"_type":30,"marks":81,"text":83},"08c425f91b22",[82],"699491732a7e","Code of Conduct",[85],{"_key":82,"_type":86,"reference":87},"internalLink",{"_id":88,"_type":89,"seo":9,"slug":90,"title":92},"e6bda39c-0413-42dd-a8cd-6d4a340a64d3","pubBlogsAArticle",{"_type":14,"current":91},"school-of-commons-code-of-conduct","School of Commons: Code of Conduct",{"aboutPage":94,"community":100,"eventsPage":143,"makingPublic":148,"newsPage":179,"program":184,"projectsPage":227,"settings":232},{"_id":95,"_type":96,"seo":9,"slug":97,"title":99},"805023c9-0e48-4f3c-8767-498c6435d040","pageA",{"_type":14,"current":98},"about","About",{"types":101},[102,108,113,118,123,128,133,138],{"_id":103,"_type":104,"seo":9,"slug":105,"title":107},"d308a184-20ae-43c0-94df-dcec23d2d03b","profileFilterType",{"_type":14,"current":106},"team","Team",{"_id":109,"_type":104,"seo":9,"slug":110,"title":112},"780a7a38-600c-455a-b7bf-6a44010db8c6",{"_type":14,"current":111},"participants","Participants",{"_id":114,"_type":104,"seo":9,"slug":115,"title":117},"51d0d208-df23-47c9-a1b5-6b20f9450bf1",{"_type":14,"current":116},"contributors","Contributors",{"_id":119,"_type":104,"seo":9,"slug":120,"title":122},"8f452cd8-caa2-4ef6-8f4b-6c338f431cf6",{"_type":14,"current":121},"partners","Partners",{"_id":124,"_type":104,"seo":9,"slug":125,"title":127},"437d3362-7990-456e-b048-8dfacf9b9c7e",{"_type":14,"current":126},"former-team-members","Former Team Members",{"_id":129,"_type":104,"seo":9,"slug":130,"title":132},"2ebb2da2-29dd-4c1c-84d7-816d8c491f59",{"_type":14,"current":131},"funders","Funders",{"_id":134,"_type":104,"seo":9,"slug":135,"title":137},"52553c22-020e-4cb7-b883-fc4cd6bc70ea",{"_type":14,"current":136},"collaborators","Collaborators",{"_id":139,"_type":104,"seo":9,"slug":140,"title":142},"8620e237-0fd4-4e13-9e35-81d2e40ec3a7",{"_type":14,"current":141},"participant","Participant",{"_id":144,"_type":144,"seo":9,"slug":145,"title":147},"eventsPage",{"_type":14,"current":146},"events","Events",{"blogPage":149,"inContextPage":154,"issuesPage":159,"overview":164,"rrPage":169,"wwPage":174},{"_id":150,"_type":150,"seo":9,"slug":151,"title":153},"pubBlogsAPage",{"_type":14,"current":152},"blog","SoC Blog",{"_id":155,"_type":155,"seo":9,"slug":156,"title":158},"pubInContextPage",{"_type":14,"current":157},"soc-in-context","SoC in Context",{"_id":160,"_type":160,"seo":9,"slug":161,"title":163},"pubIssuesPage",{"_type":14,"current":162},"issues","Issues",{"_id":165,"_type":165,"seo":9,"slug":166,"title":168},"pubPage",{"_type":14,"current":167},"making-public","Making Public",{"_id":170,"_type":170,"seo":9,"slug":171,"title":173},"pubRRPage",{"_type":14,"current":172},"reading-room-library","Reading Room Library",{"_id":175,"_type":175,"seo":9,"slug":176,"title":178},"pubWWPage",{"_type":14,"current":177},"ways-and-workings","Ways & Workings",{"_id":180,"_type":180,"seo":9,"slug":181,"title":183},"newsPage",{"_type":14,"current":182},"news","News",{"current":185,"previous":191},{"_id":186,"_type":187,"seo":9,"slug":188,"title":190},"e0f0ed05-5866-487d-b403-dfe038849a6c","filterYear",{"_type":14,"current":189},"2026",2026,[192,197,202,207,212,217,222],{"_id":193,"_type":187,"seo":9,"slug":194,"title":196},"b46caacb-55c3-459f-ac66-1cc197382f9a",{"_type":14,"current":195},"2025",2025,{"_id":198,"_type":187,"seo":9,"slug":199,"title":201},"74a0f7bb-ffe2-4bb6-b6cd-11fc491093a9",{"_type":14,"current":200},"2024",2024,{"_id":203,"_type":187,"seo":9,"slug":204,"title":206},"4387ff77-99a3-491a-bf5e-de078e46ae9a",{"_type":14,"current":205},"2023",2023,{"_id":208,"_type":187,"seo":9,"slug":209,"title":211},"c7c0a8e0-7322-4141-b9ab-8731e5ed0823",{"_type":14,"current":210},"2022",2022,{"_id":213,"_type":187,"seo":9,"slug":214,"title":216},"a6d578a0-c337-480f-8836-2cb60bd0a964",{"_type":14,"current":215},"2021",2021,{"_id":218,"_type":187,"seo":9,"slug":219,"title":221},"863dd961-f65e-404a-b60e-55cdb373c03d",{"_type":14,"current":220},"2020",2020,{"_id":223,"_type":187,"seo":9,"slug":224,"title":226},"1becde98-3b23-4d2f-9b8e-00f3e8190919",{"_type":14,"current":225},"2019",2019,{"_id":228,"_type":228,"seo":9,"slug":229,"title":231},"projectsPage",{"_type":14,"current":230},"projects","Projects",{"menuAbout":233,"menuProgram":239,"menuProjects":246,"mySocLink":294},[234],{"_id":235,"_type":96,"seo":9,"slug":236,"title":238},"461bab44-e556-49c0-b751-57e5afa89e9a",{"_type":14,"current":237},"faqs","FAQs",[240],{"_id":241,"_type":242,"seo":9,"slug":243,"title":245},"b572685b-63aa-4b8f-b3af-91a57255a705","project",{"_type":14,"current":244},"workshops","Workshops",[247,253,259,265,271,277,288],{"_id":248,"_type":242,"pages":249,"seo":9,"slug":250,"title":252},"06332752-433d-44c9-81dd-0c4a8718620c",[],{"_type":14,"current":251},"to-gather-saco-x-soc","To-Gather: SACO Contemporary Art Festival x SoC",{"_id":254,"_type":242,"pages":255,"seo":9,"slug":256,"title":258},"0fd487cf-5bba-4a76-997c-17bbb16f546d",[],{"_type":14,"current":257},"re-make-diversity","Re:make Diversity",{"_id":260,"_type":242,"pages":261,"seo":9,"slug":262,"title":264},"54a3448d-2e9a-4fd8-a3a6-521d52badf9a",[],{"_type":14,"current":263},"soc-assembly","SoC Assembly ",{"_id":266,"_type":242,"pages":267,"seo":9,"slug":268,"title":270},"9e256f06-0963-44f4-aa69-c4ec5e368c0d",[],{"_type":14,"current":269},"footnotes-2045","FOOTNOTES 2045",{"_id":272,"_type":242,"pages":273,"seo":9,"slug":274,"title":276},"a737168c-52a6-4b20-9b6d-cae61e7ceec0",[],{"_type":14,"current":275},"the-commons-online","The Commons Online",{"_id":241,"_type":242,"pages":278,"seo":9,"slug":287,"title":245},[279],{"_id":280,"_type":281,"project":282,"seo":9,"slug":284,"title":286},"90f59ca4-3058-45aa-8204-10c25d9c53d8","projectPageA",{"_id":241,"_type":242,"seo":9,"slug":283,"title":245},{"_type":14,"current":244},{"_type":14,"current":285},"key-concepts-of-collaboration","Key Concepts of Collaboration",{"_type":14,"current":244},{"_id":289,"_type":242,"pages":290,"seo":9,"slug":291,"title":293},"e2564d2d-294d-4f7e-9bb7-399fedfab1f8",[],{"_type":14,"current":292},"ideasquare-x-soc","IdeaSquare x SoC",{"_id":295,"_type":96,"seo":9,"slug":296,"title":298},"b8552de2-1be0-4ff8-b876-05cbc5520a1f",{"_type":14,"current":297},"my-soc","My SoC",{"currentProgram":300,"events":7503,"eventsPage":10700,"homePage":10702,"news":18015,"newsPage":18045,"programPage":18047,"projectsPage":18050,"pubPage":18052},{"labs":301},[302,1107,1622,1829,1981,3306,3816,4093,4369,4639,5074,5183,5661,5926,6647,6937],{"_id":303,"_type":304,"categories":305,"credits":385,"featuredImage":824,"filterables":832,"footnotes":849,"locations":850,"logbook":863,"pageBuilder":934,"researchQuestion":9,"researchQuestions":1045,"searchables":1087,"seo":9,"slug":1104,"title":1106,"year":190},"d42fd9ea-916b-4078-acb4-7bc23cb87fce","lab",[306,315,322,329,336,343,350,357,364,371,378],{"_id":307,"_type":308,"colorPrimary":309,"seo":9,"slug":312,"title":314},"02c9420d-b9bc-4bc8-bfdb-1e6c47ef29ea","filterCategory",{"label":310,"value":311},"Custom","#ff7f40",{"_type":14,"current":313},"collective-memory","Collective Memory",{"_id":316,"_type":308,"colorPrimary":317,"seo":9,"slug":319,"title":321},"1b650668-ff96-40b9-b911-879ed6138bc5",{"label":310,"value":318},"#5050ff",{"_type":14,"current":320},"artistic-research","Artistic Research",{"_id":323,"_type":308,"colorPrimary":324,"seo":9,"slug":326,"title":328},"8b0e0d61-6905-4fc9-8962-c10dc64f9112",{"label":310,"value":325},"#f0f000",{"_type":14,"current":327},"learning-environment-spaces-of-knowledge","Learning Environment / Spaces of Knowledge",{"_id":330,"_type":308,"colorPrimary":331,"seo":9,"slug":333,"title":335},"9052dfd6-d318-4418-86dc-5514b760237c",{"label":310,"value":332},"#ffa0f0",{"_type":14,"current":334},"situational-knowledge","Situational knowledge",{"_id":337,"_type":308,"colorPrimary":338,"seo":9,"slug":340,"title":342},"a8815eb0-2521-492f-b551-acc1ede0761a",{"label":310,"value":339},"#ffb4f0",{"_type":14,"current":341},"performative-activism","Performative Activism",{"_id":344,"_type":308,"colorPrimary":345,"seo":9,"slug":347,"title":349},"f95c574d-81b0-4de8-a0c2-418f0542d392",{"label":310,"value":346},"#ff0f00",{"_type":14,"current":348},"feminist-knowledge-transfer","Feminist Knowledge Transfer",{"_id":351,"_type":308,"colorPrimary":352,"seo":9,"slug":354,"title":356},"aed32dc3-d00b-4581-ba62-b40a9fe8b415",{"label":310,"value":353},"#7878ff",{"_type":14,"current":355},"field-work","Field Work",{"_id":358,"_type":308,"colorPrimary":359,"seo":9,"slug":361,"title":363},"abca80c8-225c-47ae-867a-a9957093a581",{"label":310,"value":360},"#cdff00",{"_type":14,"current":362},"d-i-w-o-do-it-with-others","D.I.W.O (Do it with others)",{"_id":365,"_type":308,"colorPrimary":366,"seo":9,"slug":368,"title":370},"7d165795-adc7-4d9c-89f0-b9a98b92be93",{"label":310,"value":367},"#c800c8",{"_type":14,"current":369},"dreaming","Dreaming",{"_id":372,"_type":308,"colorPrimary":373,"seo":9,"slug":375,"title":377},"94928389-00d6-4863-9539-2ab335dfa297",{"label":310,"value":374},"#00a500",{"_type":14,"current":376},"interconnectedness","Interconnectedness",{"_id":379,"_type":308,"colorPrimary":380,"seo":9,"slug":382,"title":384},"7af01134-c406-4e73-9714-7d3067405659",{"label":310,"value":381},"#ff7878",{"_type":14,"current":383},"concocting","Concocting",{"other":9,"profiles":386},[387,477],{"_id":388,"_type":389,"activeYears":390,"bio":393,"bioShort":434,"featuredImage":435,"filterables":444,"links":447,"locations":455,"searchables":472,"seo":9,"slug":474,"title":476},"a755f586-d866-4a41-971d-b19543c3051a","profile",[391],{"_id":186,"_type":187,"seo":9,"slug":392,"title":190},{"_type":14,"current":189},[394,410,418,426],{"_key":395,"_type":26,"children":396,"markDefs":409,"style":39},"73a57d6aa604",[397,401,405],{"_key":398,"_type":30,"marks":399,"text":400},"fbb218ee250a0",[],"Sabine Hagmann (she /her) is a transdisciplinary artist, educator and activist, based in Zürich. She collaborates with Susanne Hofer on the project ",{"_key":402,"_type":30,"marks":403,"text":404},"47137fc4322e",[32],"A Woman In The World AWITW",{"_key":406,"_type":30,"marks":407,"text":408},"4b144174fd30",[],".",[],{"_key":411,"_type":26,"children":412,"markDefs":417,"style":39},"12abbc1d3eb6",[413],{"_key":414,"_type":30,"marks":415,"text":416},"1e1ed604cd630",[],"Her practice revolves around the questions of who we are, how we move in and between worlds and how we relate to others. She is interested in small-scale tales, basic questions, and everyday existential experiences. She works with ideas, photography, video, words, and people. She also creates installations, performances and participatory events – often in collaboration with others. She has exhibited widely and worked in several artist collectives.",[],{"_key":419,"_type":26,"children":420,"markDefs":425,"style":39},"4692e9ff6d2a",[421],{"_key":422,"_type":30,"marks":423,"text":424},"b5982fc904270",[],"She studied at the University of Basel, the Basel School of Art, at the Schule für Gestaltung Zürich/ZHdK (diploma in Photography in 1994), and at Goldsmiths College/University of London (MA Fine Art in 2000). ",[],{"_key":427,"_type":26,"children":428,"markDefs":433,"style":39},"423f2b2b5d68",[429],{"_key":430,"_type":30,"marks":431,"text":432},"bedb36191f990",[],"Based in Zurich, she has worked abroad as part of artist residencies in Genoa/Italy, Bamako/Mali, Marseille/France, Arbroath/Scotland, Tbilisi/Georgia and longer stays in Istanbul and London. Sabine Hagmann has been teaching internationally.",[],"Sabine Hagmann (she /her) is a transdisciplinary artist and educator, based in Zürich. She collaborates with Susanne Hofer on the project A Woman In The World AWITW.",{"alt":436,"asset":437},"foryoureyesonly",{"_id":438,"height":439,"orientation":440,"ratio":441,"url":442,"width":443},"image-08591ef44b404dd4912f43015ad1926f01e6bba6-480x800-png",800,"portrait",0.6,"https://cdn.sanity.io/images/eodip22e/production/08591ef44b404dd4912f43015ad1926f01e6bba6-480x800.png",480,{"filterYear":445},[446],{"_id":186,"title":190},[448,452],{"_type":449,"label":450,"url":451},"externalLink","Website","https://sabinehagmann.kleio.com/",{"_type":449,"label":453,"url":454},"Instagram","https://www.instagram.com/sabine_hagmann/",{"locations":456,"other":463},[457],{"_id":458,"_type":459,"seo":9,"slug":460,"title":462},"65793d9b-2ab7-4b5d-934d-5443d165dca8","filterLocation",{"_type":14,"current":461},"europe","Europe",[464],{"_key":465,"_type":26,"children":466,"markDefs":471,"style":39},"0473f732c4be",[467],{"_key":468,"_type":30,"marks":469,"text":470},"c42a7943c7cb",[],"Based in Zürich, sometimes in London",[],[473,189],"sabine hagmann",{"_type":14,"current":475},"sabine-hagmann","Sabine Hagmann",{"_id":478,"_type":389,"activeYears":479,"bio":482,"bioShort":784,"featuredImage":785,"filterables":793,"links":796,"locations":806,"searchables":819,"seo":9,"slug":821,"title":823},"c66435eb-de78-4589-aa04-f131035fc864",[480],{"_id":186,"_type":187,"seo":9,"slug":481,"title":190},{"_type":14,"current":189},[483,531,563,603,634,658,674,714,722,761],{"_key":484,"_type":26,"children":485,"markDefs":530,"style":39},"8be5a0979f74",[486,490,494,498,502,506,510,514,518,522,526],{"_key":487,"_type":30,"marks":488,"text":489},"a37361a9d4750",[],"Born 1966 in Linz a.d. Donau ",{"_key":491,"_type":30,"marks":492,"text":493},"a37361a9d4751",[32],"Austria",{"_key":495,"_type":30,"marks":496,"text":497},"a37361a9d4752",[]," studied ",{"_key":499,"_type":30,"marks":500,"text":501},"a37361a9d4753",[32],"Technical Mathematics",{"_key":503,"_type":30,"marks":504,"text":505},"a37361a9d4754",[]," at JKU Linz, moved to Zurich at the age of 23, and studied ",{"_key":507,"_type":30,"marks":508,"text":509},"a37361a9d4755",[32],"Fine Arts, Film/Video",{"_key":511,"_type":30,"marks":512,"text":513},"a37361a9d4756",[]," and ",{"_key":515,"_type":30,"marks":516,"text":517},"a37361a9d4757",[32],"Transdisciplinarity",{"_key":519,"_type":30,"marks":520,"text":521},"a37361a9d4758",[]," at the Zurich University of the Arts (ZHdK). After graduating film school in 1997, she worked as a camera assistant and cinematographer for ",{"_key":523,"_type":30,"marks":524,"text":525},"a37361a9d4759",[32],"feature and documentary films",{"_key":527,"_type":30,"marks":528,"text":529},"a37361a9d47510",[],".\n",[],{"_key":532,"_type":26,"children":533,"markDefs":562,"style":39},"c89f66a38190",[534,538,542,546,550,554,558],{"_key":535,"_type":30,"marks":536,"text":537},"a90b50f7388b0",[],"From ",{"_key":539,"_type":30,"marks":540,"text":541},"a90b50f7388b1",[32],"1998 to 2002",{"_key":543,"_type":30,"marks":544,"text":545},"a90b50f7388b2",[],", she was the ",{"_key":547,"_type":30,"marks":548,"text":549},"a90b50f7388b3",[32],"co-author",{"_key":551,"_type":30,"marks":552,"text":553},"a90b50f7388b4",[]," of the ",{"_key":555,"_type":30,"marks":556,"text":557},"a90b50f7388b5",[32],"trans-media Expo.02 project Cyberhelvetia",{"_key":559,"_type":30,"marks":560,"text":561},"a90b50f7388b6",[],", which, in the pre-Facebook era, presented a virtual Switzerland online in search of “The Identity of the Swiss.” In 2002, it was exhibited as a staged, virtual swimming pool at the Expo in Biel, where participants could dive not into water but into various virtual realities. After developing the story concept, she was also responsible for the project’s visual execution.\n",[],{"_key":564,"_type":26,"children":565,"markDefs":602,"style":39},"89593ce96417",[566,570,574,578,582,586,590,594,598],{"_key":567,"_type":30,"marks":568,"text":569},"68a18c1429900",[],"Following Cyberhelvetia, Susanne Hofer co-founded the ",{"_key":571,"_type":30,"marks":572,"text":573},"68a18c1429901",[32],"video production company flimmern.ch",{"_key":575,"_type":30,"marks":576,"text":577},"68a18c1429902",[]," with Katrin Oettli in 2003 and has since produced her own videos and films as a ",{"_key":579,"_type":30,"marks":580,"text":581},"68a18c1429903",[32],"director, cinematographer and editor",{"_key":583,"_type":30,"marks":584,"text":585},"68a18c1429904",[],". Additionally, in recent years, she has ",{"_key":587,"_type":30,"marks":588,"text":589},"68a18c1429905",[32],"specialised",{"_key":591,"_type":30,"marks":592,"text":593},"68a18c1429906",[]," in visual effects and ",{"_key":595,"_type":30,"marks":596,"text":597},"68a18c1429907",[32],"animations",{"_key":599,"_type":30,"marks":600,"text":601},"68a18c1429908",[],", such as for the experimental documentary Looking Like My Mother by Dominique Margot, where she developed the visual concept and created the animations.",[],{"_key":604,"_type":26,"children":605,"markDefs":633,"style":39},"0e32df0690c1",[606,610,614,618,622,626,630],{"_key":607,"_type":30,"marks":608,"text":609},"caed8302cd360",[],"With flimmern GmbH, she produces ",{"_key":611,"_type":30,"marks":612,"text":613},"caed8302cd361",[32],"commissioned films for NGOs, corporate image films",{"_key":615,"_type":30,"marks":616,"text":617},"caed8302cd362",[]," (Bodum, Swiss National Library, ETH Zurich, etc.), for international ",{"_key":619,"_type":30,"marks":620,"text":621},"caed8302cd363",[32],"museums and exhibitions, festivals",{"_key":623,"_type":30,"marks":624,"text":625},"caed8302cd364",[],", and location-specific video installations, as well as ",{"_key":627,"_type":30,"marks":628,"text":629},"caed8302cd365",[32],"experimental videos and animations",{"_key":631,"_type":30,"marks":632,"text":408},"caed8302cd366",[],[],{"_key":635,"_type":26,"children":636,"markDefs":657,"style":39},"b59c08450003",[637,641,645,649,653],{"_key":638,"_type":30,"marks":639,"text":640},"82a1980d36260",[],"Since 2005, she has collaborated regularly ",{"_key":642,"_type":30,"marks":643,"text":644},"82a1980d36261",[32],"theater and dance",{"_key":646,"_type":30,"marks":647,"text":648},"82a1980d36262",[]," directors, producing ",{"_key":650,"_type":30,"marks":651,"text":652},"82a1980d36263",[32],"stage projections and experimental films",{"_key":654,"_type":30,"marks":655,"text":656},"82a1980d36264",[]," for their theater productions.",[],{"_key":659,"_type":26,"children":660,"markDefs":673,"style":39},"2eb04720ebfe",[661,665,669],{"_key":662,"_type":30,"marks":663,"text":664},"b4f4fccd0a980",[],"From 2004 to the present, she has been ",{"_key":666,"_type":30,"marks":667,"text":668},"b4f4fccd0a981",[32],"teaching",{"_key":670,"_type":30,"marks":671,"text":672},"b4f4fccd0a982",[],":",[],{"_key":675,"_type":26,"children":676,"markDefs":713,"style":39},"dea6996d1789",[677,681,685,689,693,697,701,705,709],{"_key":678,"_type":30,"marks":679,"text":680},"0fc906ab14a00",[],"at the Institute of Landscape Architectur at ",{"_key":682,"_type":30,"marks":683,"text":684},"0fc906ab14a01",[32],"ETH Zurich",{"_key":686,"_type":30,"marks":687,"text":688},"0fc906ab14a02",[],", where she taught „Cinematic Perception of Space“ and ",{"_key":690,"_type":30,"marks":691,"text":692},"0fc906ab14a03",[32],"headed the MediaLab",{"_key":694,"_type":30,"marks":695,"text":696},"0fc906ab14a04",[],", subsequently offering continous interdisciplinary courses at ",{"_key":698,"_type":30,"marks":699,"text":700},"0fc906ab14a05",[32],"HSLU",{"_key":702,"_type":30,"marks":703,"text":704},"0fc906ab14a06",[]," (Module IDA), teaching in the Digital Ideation program at the intersection of Computer Science and Art, and at ",{"_key":706,"_type":30,"marks":707,"text":708},"0fc906ab14a07",[32],"ZHdK",{"_key":710,"_type":30,"marks":711,"text":712},"0fc906ab14a08",[]," (Art Education).",[],{"_key":715,"_type":26,"children":716,"markDefs":721,"style":39},"1fd3cbb8622d",[717],{"_key":718,"_type":30,"marks":719,"text":720},"596999faf7550",[],"",[],{"_key":723,"_type":26,"children":724,"markDefs":760,"style":39},"a1c4bf8345df",[725,729,733,737,741,745,749,753,757],{"_key":726,"_type":30,"marks":727,"text":728},"e18b4b587c500",[],"Since 2013, she has been part of the ",{"_key":730,"_type":30,"marks":731,"text":732},"e18b4b587c501",[32],"collective INTOPOLITIKS",{"_key":734,"_type":30,"marks":735,"text":736},"e18b4b587c502",[]," with Antonia Beamish and Dominique Margot. Together, they are working on a ",{"_key":738,"_type":30,"marks":739,"text":740},"e18b4b587c503",[32],"transmedia project for children",{"_key":742,"_type":30,"marks":743,"text":744},"e18b4b587c504",[],", which was awarded and supported as one of four projects by Swiss Transmedia Projects (BAK, ProHelvetia, Solothurn Film Festival, and Focal). The project continues to run on various channels. The latest endeavour is an immersive theater piece ",{"_key":746,"_type":30,"marks":747,"text":748},"e18b4b587c505",[32],"NOëLAND Cie",{"_key":750,"_type":30,"marks":751,"text":752},"e18b4b587c506",[]," in collaboration with the Fabriktheater Rote Fabrik and a documentary about the vision into the future of our youth. Working Title ",{"_key":754,"_type":30,"marks":755,"text":756},"e18b4b587c507",[32],"Memory into the future",{"_key":758,"_type":30,"marks":759,"text":408},"e18b4b587c508",[],[],{"_key":762,"_type":26,"children":763,"markDefs":783,"style":39},"045cfdb1e2c8",[764,768,771,775,779],{"_key":765,"_type":30,"marks":766,"text":767},"85a27478f6dc",[],"And in 2024 she teamed up with ",{"_key":769,"_type":30,"marks":770,"text":476},"81ec373e6532",[32],{"_key":772,"_type":30,"marks":773,"text":774},"26d18bfcc586",[]," for the Project ",{"_key":776,"_type":30,"marks":777,"text":778},"a6eb7f0e5b22",[32],"A Woman in the World",{"_key":780,"_type":30,"marks":781,"text":782},"9ba30113f298",[],". A participatory transmedia project in the making.",[],"Born 1966 in Linz, Austria; studied Mathematics in Linz and Fine Arts, Film and Transdisciplinarity at ZHdK. Co-founded flimmern.ch with K. Oettli and works as director, cinematographer, editor and animator. And teaches at art schools for 20+ years.",{"alt":9,"asset":786},{"_id":787,"height":788,"orientation":789,"ratio":790,"url":791,"width":792},"image-5a0339ccdc1452cbf14564c66693328e71531865-2056x1942-jpg",1942,"landscape",1.05870236869207,"https://cdn.sanity.io/images/eodip22e/production/5a0339ccdc1452cbf14564c66693328e71531865-2056x1942.jpg",2056,{"filterYear":794},[795],{"_id":186,"title":190},[797,800,803],{"_type":449,"label":798,"url":799},"flimmern","http:/www.flimmern.ch",{"_type":449,"label":801,"url":802},"intopolitiks","https://www.intopolitiks.com",{"_type":449,"label":804,"url":805},"Working Space Collective","https://www.kontrast.ch",{"locations":807,"other":810},[808],{"_id":458,"_type":459,"seo":9,"slug":809,"title":462},{"_type":14,"current":461},[811],{"_key":812,"_type":26,"children":813,"markDefs":818,"style":39},"36d712b7310c",[814],{"_key":815,"_type":30,"marks":816,"text":817},"0b96a7aa4053",[],"Zurich, Vienna",[],[820,189],"susanne hofer",{"_type":14,"current":822},"susanne-hofer","Susanne Hofer",{"alt":825,"asset":826},"A Woman in The World AWITW",{"_id":827,"height":828,"orientation":440,"ratio":829,"url":830,"width":831},"image-551c33c016c9e09683bd34e4afe138a378f21e01-1115x1711-jpg",1711,0.6516656925774401,"https://cdn.sanity.io/images/eodip22e/production/551c33c016c9e09683bd34e4afe138a378f21e01-1115x1711.jpg",1115,{"filterCategory":833,"filterLocation":845,"filterYear":847},[834,835,836,837,838,839,840,841,842,843,844],{"_id":307,"title":314},{"_id":316,"title":321},{"_id":323,"title":328},{"_id":330,"title":335},{"_id":337,"title":342},{"_id":344,"title":349},{"_id":351,"title":356},{"_id":358,"title":363},{"_id":365,"title":370},{"_id":372,"title":377},{"_id":379,"title":384},[846],{"_id":458,"title":462},[848],{"_id":186,"title":190},[],{"locations":851,"other":854},[852],{"_id":458,"_type":459,"seo":9,"slug":853,"title":462},{"_type":14,"current":461},[855],{"_key":856,"_type":26,"children":857,"markDefs":862,"style":39},"e7dfc6300244",[858],{"_key":859,"_type":30,"marks":860,"text":861},"363736132b820",[],"Based in Zürich",[],[864,881,889,896,912,920,927],{"_key":865,"_type":26,"children":866,"markDefs":880,"style":39},"6c15a9d2da19",[867,871,876],{"_key":868,"_type":30,"marks":869,"text":870},"5d1bfdaa1f5f",[],"May 2026 ",{"_key":872,"_type":30,"marks":873,"text":875},"1edc22d779f9",[874],"em","Denken & Essen",{"_key":877,"_type":30,"marks":878,"text":879},"79ceb46ae51f",[]," event N°6",[],{"_key":882,"_type":26,"children":883,"markDefs":888,"style":39},"3b9409428c48",[884],{"_key":885,"_type":30,"marks":886,"text":887},"0677254b82a5",[],"on turning points, decisions and social attributions",[],{"_key":890,"_type":26,"children":891,"markDefs":895,"style":39},"dc66c805e0c0",[892],{"_key":893,"_type":30,"marks":894,"text":720},"ff1cedf63e79",[],[],{"_key":897,"_type":26,"children":898,"markDefs":911,"style":39},"e4c4dd558f9c",[899,903,907],{"_key":900,"_type":30,"marks":901,"text":902},"690a87e2b63b",[],"April 2026",{"_key":904,"_type":30,"marks":905,"text":906},"fe82dacea3d4",[874]," Denken & Essen",{"_key":908,"_type":30,"marks":909,"text":910},"2eee222fc91c",[]," event N°5",[],{"_key":913,"_type":26,"children":914,"markDefs":919,"style":39},"4ec38e049f84",[915],{"_key":916,"_type":30,"marks":917,"text":918},"92b4956ea163",[],"about learning and unlearning what it means to be a woman",[],{"_key":921,"_type":26,"children":922,"markDefs":926,"style":39},"269207fe11ff",[923],{"_key":924,"_type":30,"marks":925,"text":720},"60aac79e45b0",[],[],{"_key":928,"_type":26,"children":929,"markDefs":933,"style":39},"6331ff86d163",[930],{"_key":931,"_type":30,"marks":932,"text":720},"21a5a0de4eb1",[],[],[935,939],{"_type":936,"caption":9,"image":937},"imageBlock",{"alt":9,"asset":938},{"_id":827,"height":828,"orientation":440,"ratio":829,"url":830,"width":831},{"_type":7,"settings":940,"text":942},{"textColumnCount":941},"1",[943,954,962,970,985,993,1000,1015,1022,1030],{"_key":944,"_type":26,"children":945,"markDefs":953,"style":39},"0d2e8e25c8eb",[946,949],{"_key":947,"_type":30,"marks":948,"text":404},"c398da7f652f0",[32,874],{"_key":950,"_type":30,"marks":951,"text":952},"c398da7f652f1",[]," is an artistic practice-based research project. It originated when we noticed common ground in our respective film and art practices: a series of interviews with women about decisions and turning points (Susanne Hofer), and care work combined with research into the multifaceted life of an older woman (Sabine Hagmann).\n",[],{"_key":955,"_type":26,"children":956,"markDefs":961,"style":39},"babb3b299906",[957],{"_key":958,"_type":30,"marks":959,"text":960},"c4bf34e880dc0",[],"Our shared interest in the expectations of a life as a woman was the starting point for our collaboration. We are now exploring what it means to age as a woman. There are neither enough role models for young women, nor are post-menopausal women adequately represented in Western society.\n",[],{"_key":963,"_type":26,"children":964,"markDefs":969,"style":39},"49a4cd8e7818",[965],{"_key":966,"_type":30,"marks":967,"text":968},"b511c5425ccd0",[],"We aim to promote the diversity of women’s life paths through what might ultimately take the form of a ‘transdisciplinary installation road movie’ (working format). We plan to do this through a series of encounters with women whom we visit. We intend to record our conversations with them (and possibly some of their friends) and develop a staged photograph together with them.\n",[],{"_key":971,"_type":26,"children":972,"markDefs":984,"style":39},"ff2fb9f8558a",[973,977,980],{"_key":974,"_type":30,"marks":975,"text":976},"2ca252360f460",[],"To help us to narrow the focus of our project, we have launched a series of brainstorming sessions in the form of dinner events: ",{"_key":978,"_type":30,"marks":979,"text":875},"2ca252360f461",[32,874],{"_key":981,"_type":30,"marks":982,"text":983},"2ca252360f462",[]," (Thinking & Eating). To each of these participatory events, we invite a selected group of around four women.\n",[],{"_key":986,"_type":26,"children":987,"markDefs":992,"style":39},"f67e64163598",[988],{"_key":989,"_type":30,"marks":990,"text":991},"f6fee29de2e40",[],"We cook a nice meal and, during dinner, discuss a specific topic that has been announced in advance, structured around questions and exercises.",[],{"_key":994,"_type":26,"children":995,"markDefs":999,"style":39},"181d956e97d7",[996],{"_key":997,"_type":30,"marks":998,"text":720},"1704042dadba0",[],[],{"_key":1001,"_type":26,"children":1002,"markDefs":1014,"style":39},"b54da85e2de2",[1003,1007,1011],{"_key":1004,"_type":30,"marks":1005,"text":1006},"4bcf2d8f67930",[],"The topics of the dinners we have organised so far were: ",{"_key":1008,"_type":30,"marks":1009,"text":1010},"4bcf2d8f67931",[874],"female roles/female role models, middle age as a woman (post menopause), mothers, learning and unlearning, body images",{"_key":1012,"_type":30,"marks":1013,"text":408},"4bcf2d8f67932",[],[],{"_key":1016,"_type":26,"children":1017,"markDefs":1021,"style":39},"c65759560323",[1018],{"_key":1019,"_type":30,"marks":1020,"text":720},"65b85d31d9880",[],[],{"_key":1023,"_type":26,"children":1024,"markDefs":1029,"style":39},"2444d7b591d9",[1025],{"_key":1026,"_type":30,"marks":1027,"text":1028},"a4466d67aad50",[],"The dinners were intense, intimate and very enriching for all participants. We have recognised that there is a great desire for spaces that enable discussion and exchange on these topics. The dinners have evolved into a project in their own right, a search for the creation and establishment of a common space for (ageing) women to share their experiences in dealing with expectations of what a woman’s life should look like.",[],{"_key":1031,"_type":26,"children":1032,"markDefs":1044,"style":39},"f1296a06222a",[1033,1037,1040],{"_key":1034,"_type":30,"marks":1035,"text":1036},"b9b2b4964a0f0",[],"Our project therefore consists of two parallel initiatives: the continuation of the ",{"_key":1038,"_type":30,"marks":1039,"text":875},"b9b2b4964a0f1",[874],{"_key":1041,"_type":30,"marks":1042,"text":1043},"b9b2b4964a0f2",[]," dinner events and the development of the road movie. We aim to approach this in a playful and joyful manner, seeking connections, solidarity and intergenerational dialogue.",[],[1046,1057,1067,1077],{"_type":1047,"question":1048},"researchQuestion",[1049],{"_key":1050,"_type":26,"children":1051,"markDefs":1056,"style":39},"7279a512bfe4",[1052],{"_key":1053,"_type":30,"marks":1054,"text":1055},"59b525648f160",[],"How do we involve the women we want to meet in our project?",[],{"_type":1047,"question":1058},[1059],{"_key":1060,"_type":26,"children":1061,"markDefs":1066,"style":39},"a101e2816fb9",[1062],{"_key":1063,"_type":30,"marks":1064,"text":1065},"49725bbbcc49",[],"How can we navigate between a participatory approach and individual authorship?",[],{"_type":1047,"question":1068},[1069],{"_key":1070,"_type":26,"children":1071,"markDefs":1076,"style":39},"420d6eb167c0",[1072],{"_key":1073,"_type":30,"marks":1074,"text":1075},"77b58717635a",[],"How can we develop a concept for our final (road movie) project?",[],{"_type":1047,"question":1078},[1079],{"_key":1080,"_type":26,"children":1081,"markDefs":1086,"style":39},"5c6d7701437f",[1082],{"_key":1083,"_type":30,"marks":1084,"text":1085},"7e202af2455e",[],"How can we create a community beyond the individual events? How do we make the process and findings within the project accessible and sustainable for more than the momentary participants?",[],[1088,189,1089,1090,1091,1092,1093,461,1094,473,820,1095,1096,1097,1098,1099,1100,1101,1102,1103,369,376,383],"a woman in the world (awitw)","how do we involve the women we want to meet in our project?","how can we navigate between a participatory approach and individual authorship?","how can we develop a concept for our final (road movie) project?","how can we create a community beyond the individual events? how do we make the process and findings within the project accessible and sustainable for more than the momentary participants?","may 2026 denken & essen event n°6\n\non turning points, decisions and social attributions\n\n\n\napril 2026 denken & essen event n°5\n\nabout learning and unlearning what it means to be a woman\n\n\n\n","based in zürich","a woman in the world awitw is an artistic practice-based research project. it originated when we noticed common ground in our respective film and art practices: a series of interviews with women about decisions and turning points (susanne hofer), and care work combined with research into the multifaceted life of an older woman (sabine hagmann).\n\n\nour shared interest in the expectations of a life as a woman was the starting point for our collaboration. we are now exploring what it means to age as a woman. there are neither enough role models for young women, nor are post-menopausal women adequately represented in western society.\n\n\nwe aim to promote the diversity of women’s life paths through what might ultimately take the form of a ‘transdisciplinary installation road movie’ (working format). we plan to do this through a series of encounters with women whom we visit. we intend to record our conversations with them (and possibly some of their friends) and develop a staged photograph together with them.\n\n\nto help us to narrow the focus of our project, we have launched a series of brainstorming sessions in the form of dinner events: denken & essen (thinking & eating). to each of these participatory events, we invite a selected group of around four women.\n\n\nwe cook a nice meal and, during dinner, discuss a specific topic that has been announced in advance, structured around questions and exercises.\n\n\n\nthe topics of the dinners we have organised so far were: female roles/female role models, middle age as a woman (post menopause), mothers, learning and unlearning, body images.\n\n\n\nthe dinners were intense, intimate and very enriching for all participants. we have recognised that there is a great desire for spaces that enable discussion and exchange on these topics. the dinners have evolved into a project in their own right, a search for the creation and establishment of a common space for (ageing) women to share their experiences in dealing with expectations of what a woman’s life should look like.\n\nour project therefore consists of two parallel initiatives: the continuation of the denken & essen dinner events and the development of the road movie. we aim to approach this in a playful and joyful manner, seeking connections, solidarity and intergenerational dialogue.","collective memory","artistic research","learning environment / spaces of knowledge","situational knowledge","performative activism","feminist knowledge transfer","field work","d.i.w.o (do it with others)",{"_type":14,"current":1105},"a-woman-in-the-world-awitw","A Woman in The World (AWITW)",{"_id":1108,"_type":304,"categories":1109,"credits":1141,"featuredImage":1433,"filterables":1441,"footnotes":1454,"locations":1455,"logbook":1460,"pageBuilder":1546,"researchQuestion":9,"researchQuestions":1558,"searchables":1610,"seo":9,"slug":1620,"title":1621,"year":190},"b485be6c-72d2-4ac3-af3f-1ccabfcf58f0",[1110,1113,1120,1127,1134],{"_id":323,"_type":308,"colorPrimary":1111,"seo":9,"slug":1112,"title":328},{"label":310,"value":325},{"_type":14,"current":327},{"_id":1114,"_type":308,"colorPrimary":1115,"seo":9,"slug":1117,"title":1119},"e3525d54-ed8f-454f-915c-12c953e9b9e1",{"label":310,"value":1116},"#ff7300",{"_type":14,"current":1118},"workshop","Workshop",{"_id":1121,"_type":308,"colorPrimary":1122,"seo":9,"slug":1124,"title":1126},"1f41fb9e-babf-4b30-8a9c-d7cec40cc9ac",{"label":310,"value":1123},"#f0f0ff",{"_type":14,"current":1125},"playground","Playground",{"_id":1128,"_type":308,"colorPrimary":1129,"seo":9,"slug":1131,"title":1133},"dc7c74a5-7627-4c58-9e66-d5f78b294983",{"label":310,"value":1130},"#00ff55",{"_type":14,"current":1132},"alongside-learning","Alongside Learning",{"_id":1135,"_type":308,"colorPrimary":1136,"seo":9,"slug":1138,"title":1140},"546b349f-3bb2-4aef-bedd-969fa7cd71d8",{"label":310,"value":1137},"#00ff41",{"_type":14,"current":1139},"expert-learner","Expert Learner",{"other":1142,"profiles":1191},[1143],{"_key":1144,"_type":26,"children":1145,"markDefs":1190,"style":39},"dd455a46bf2e",[1146,1150,1154,1158,1162,1166,1170,1174,1178,1182,1186],{"_key":1147,"_type":30,"marks":1148,"text":1149},"022b278ef1130",[32],"‘",{"_key":1151,"_type":30,"marks":1152,"text":1153},"022b278ef1131",[874],"The Expert Learner’",{"_key":1155,"_type":30,"marks":1156,"text":1157},"022b278ef1132",[]," experiments with ",{"_key":1159,"_type":30,"marks":1160,"text":1161},"022b278ef1133",[874],"how to learn",{"_key":1163,"_type":30,"marks":1164,"text":1165},"022b278ef1134",[]," (or learning how) rather than ",{"_key":1167,"_type":30,"marks":1168,"text":1169},"022b278ef1135",[874],"what to learn",{"_key":1171,"_type":30,"marks":1172,"text":1173},"022b278ef1136",[],". Refuting the master/pupil duality and acknowledging learning as a continuum, where individuals are at different stages in their learning which changes their position in the continuum. ‘",{"_key":1175,"_type":30,"marks":1176,"text":1177},"022b278ef1137",[874],"Show Don’t Tell’ ",{"_key":1179,"_type":30,"marks":1180,"text":1181},"022b278ef1138",[],"is a collective doing/exploration where information sharing uses a variety of methods including demonstration, dialogue, and practical co-making. Aiming to acknowledge the roles (makers, dreamers, filmmakers, observers) that offer modes of engagement, reframing collaboration. ‘",{"_key":1183,"_type":30,"marks":1184,"text":1185},"022b278ef1139",[874],"Convivial Parallel Play’ ",{"_key":1187,"_type":30,"marks":1188,"text":1189},"022b278ef11310",[],"explores cooperation growing organically rather than the dominant prevalence of enforced collaboration as a learning strategy. Collaboration can be more complex and not beneficial for some learners who are neurodiverse or not easily welcomed in the university due to class or race. Our research focuses on processes of learning that allow for individual outcomes/insights/breakthroughs.",[],[1192,1304,1364],{"_id":1193,"_type":389,"activeYears":1194,"bio":1197,"bioShort":1265,"featuredImage":1266,"filterables":1274,"links":1277,"locations":1286,"searchables":1299,"seo":9,"slug":1301,"title":1303},"402b9963-e47f-4150-ab7c-2080b5eb2d2b",[1195],{"_id":186,"_type":187,"seo":9,"slug":1196,"title":190},{"_type":14,"current":189},[1198,1206,1225],{"_key":1199,"_type":26,"children":1200,"markDefs":1205,"style":39},"386c3c33c5cb",[1201],{"_key":1202,"_type":30,"marks":1203,"text":1204},"dba8d53381bd0",[],"O’Neill is an artist, author, and educator whose practice engages with profound cultural issues that often leave us mute, such as isolation and loss. Through her writing and artworks, she explores the search for meaning in the face of life experiences that can render existence chaotic and incomprehensible.",[],{"_key":1207,"_type":26,"children":1208,"markDefs":1222,"style":39},"be61076f00e7",[1209,1213,1218],{"_key":1210,"_type":30,"marks":1211,"text":1212},"9ca9f021438e0",[],"Her recent projects draw on maritime language and the laws of salvage as metaphors to reflect on both personal grief and the collective losses inherent in an ever-changing world. From an original interest in ephemeral art and notions of mortality and immortality, her research has developed to explore intangible culture, in particular the lost skills that are embodied in museum objects. These works weave together moving images, sculpture, text, and sound, ranging from spoken word to recordings of the natural environment. ",{"_key":1214,"_type":30,"marks":1215,"text":1217},"9ca9f021438e1",[1216],"e6339662ed93","The Wolfe Island Collection ",{"_key":1219,"_type":30,"marks":1220,"text":1221},"152de1eb8be1",[],"is a series of artefacts and fictive academic publications that document the history of the now abandoned island and its inhabitants.",[1223],{"_key":1216,"_type":56,"href":1224},"https://maryoneill884258.substack.com",{"_key":1226,"_type":26,"children":1227,"markDefs":1259,"style":39},"3d8b58935101",[1228,1232,1237,1241,1246,1250,1254],{"_key":1229,"_type":30,"marks":1230,"text":1231},"b08b886bf9eb0",[],"Recent short films",{"_key":1233,"_type":30,"marks":1234,"text":1236},"b08b886bf9eb1",[1235,874],"74f08c4c6386","Re-creative Practice: Learning from the Past",{"_key":1238,"_type":30,"marks":1239,"text":1240},"b08b886bf9eb2",[],", and ",{"_key":1242,"_type":30,"marks":1243,"text":1245},"b08b886bf9eb3",[1244,874],"7eaf0dac676b","Museum of Leathercraft – Ordinary Objects: Extraordinary Stories",{"_key":1247,"_type":30,"marks":1248,"text":1249},"b08b886bf9eb4",[874],",",{"_key":1251,"_type":30,"marks":1252,"text":1253},"b08b886bf9eb5",[]," in collaboration with film maker Nik Trzcinowicz, explore the role of museum as repositories of knowledge and the potential of re-creative practice to afford a deep engagement with history and to re-vivify museum ",{"_key":1255,"_type":30,"marks":1256,"text":1258},"3c589bc81779",[1257],"598af53b19c5","objects.",[1260,1262,1264],{"_key":1235,"_type":56,"blank":57,"href":1261},"https://www.youtube.com/watch?v=K29EF7idwa0&t=3s",{"_key":1244,"_type":56,"href":1263},"https://vimeo.com/890603281",{"_key":1257,"_type":56},"Mary O’Neill is an artist, author, and educator whose practice engages with profound cultural issues that often leave us mute, such as isolation and loss. Through her artworks and publications she explores the search for meaning in the face of life experiences that can render the world chaotic and incomprehensible.",{"alt":1267,"asset":1268},"Dr Mary O’Neill",{"_id":1269,"height":1270,"orientation":440,"ratio":1271,"url":1272,"width":1273},"image-aff35d5dafda37e212f47d171d1a341a83eb500f-1072x1620-png",1620,0.6617283950617284,"https://cdn.sanity.io/images/eodip22e/production/aff35d5dafda37e212f47d171d1a341a83eb500f-1072x1620.png",1072,{"filterYear":1275},[1276],{"_id":186,"title":190},[1278,1280,1282,1284],{"_type":449,"label":450,"url":1279},"https://www.dmu.ac.uk/about-dmu/academic-staff/art-design-humanities/mary-oneill/mary-oneill.aspx",{"_type":449,"label":1281,"url":1224},"Wolfe Island Collection",{"_type":449,"label":1283,"url":1263}," Ordinary Objects; Extraordinary Stories ",{"_type":449,"label":1285,"url":1261},"Re-creative: Learning from the past influence the future",{"locations":1287,"other":1290},[1288],{"_id":458,"_type":459,"seo":9,"slug":1289,"title":462},{"_type":14,"current":461},[1291],{"_key":1292,"_type":26,"children":1293,"markDefs":1298,"style":39},"2036305386d5",[1294],{"_key":1295,"_type":30,"marks":1296,"text":1297},"e1b9c66e4fc2",[],"Irish based in Leicester, United Kingdom.",[],[1300,189],"mary o’neill",{"_type":14,"current":1302},"dr-mary-o-neill","Mary O’Neill",{"_id":1305,"_type":389,"activeYears":1306,"bio":1309,"bioShort":1334,"featuredImage":1335,"filterables":1343,"links":9,"locations":1346,"searchables":1359,"seo":9,"slug":1361,"title":1363},"d8b5e983-1b66-4225-b979-7caa413d4de1",[1307],{"_id":186,"_type":187,"seo":9,"slug":1308,"title":190},{"_type":14,"current":189},[1310,1318,1326],{"_key":1311,"_type":26,"children":1312,"markDefs":1317,"style":39},"e459c098228a",[1313],{"_key":1314,"_type":30,"marks":1315,"text":1316},"f7f185ece6a80",[],"Artist and Curator. My research focuses on democracy and knowledge exchange, and critical pedagogy as a curatorial and artistic methodology. Co-lead research contract with Natural England on nature based collaborative creative stroy telling for nature recovery and engagement.",[],{"_key":1319,"_type":26,"children":1320,"markDefs":1325,"style":39},"95f1ecb6762e",[1321],{"_key":1322,"_type":30,"marks":1323,"text":1324},"e9e4c40f8b4d0",[],"Key highlights: Brent Biennial 2025, films selected for the London Film Festival and winner of best experimental at the experimental Busam Film festival. Curated over 20 exhibitions across the UK and Europe. Author of Art, Critical Pedagogy and Capitalism (Routledge 2021) co-author a new monograph on Educational Aesthetics with Bloomsbury (due 2024). Founder of the Middlesbrough Art Weekender and The Alternative Art College. Innovation in academic study and curatorial learning.",[],{"_key":1327,"_type":26,"children":1328,"markDefs":1333,"style":39},"35ca363fb671",[1329],{"_key":1330,"_type":30,"marks":1331,"text":1332},"1942e912fe160",[],"Principal lecturer at Teesside University and leads the MA Curating programme.  PhD (2018) Teesside University and a MA in Art and Politics from Goldsmiths College as well as a BA (Hons) Degree in Fine Art from Lincoln University. Co-founded the Middlesbrough Art Weekender in and has set up collectives including the Alternative Art College  and currently working with Sarah Perks as Forms of Circulation. ",[],"Paul Stewart is a socially engaged artist and curator, based in Newcastle, using film, performance, and sound to explore how histories are shared, and how knowledge can be embodied when working with multiple voices and communities. ",{"alt":1336,"asset":1337},"head shot, wihte man wearing a hat looking to the left in black and white",{"_id":1338,"height":1339,"orientation":440,"ratio":1340,"url":1341,"width":1342},"image-d3474a6e000c7d5d5c3b6cff672905d7c7e9dce9-590x756-png",756,0.7804232804232805,"https://cdn.sanity.io/images/eodip22e/production/d3474a6e000c7d5d5c3b6cff672905d7c7e9dce9-590x756.png",590,{"filterYear":1344},[1345],{"_id":186,"title":190},{"locations":1347,"other":1350},[1348],{"_id":458,"_type":459,"seo":9,"slug":1349,"title":462},{"_type":14,"current":461},[1351],{"_key":1352,"_type":26,"children":1353,"markDefs":1358,"style":39},"a2a5ffa4f125",[1354],{"_key":1355,"_type":30,"marks":1356,"text":1357},"2775aed488cc",[],"United Kingdom",[],[1360,189],"paul alexander stewart",{"_type":14,"current":1362},"paul-alexander-stewart","Paul Alexander Stewart",{"_id":1365,"_type":389,"activeYears":1366,"bio":1369,"bioShort":1409,"featuredImage":9,"filterables":1410,"links":1413,"locations":1416,"searchables":1428,"seo":9,"slug":1430,"title":1432},"c57a6190-1e79-4dfb-95bc-009970808107",[1367],{"_id":186,"_type":187,"seo":9,"slug":1368,"title":190},{"_type":14,"current":189},[1370,1378],{"_key":1371,"_type":26,"children":1372,"markDefs":1377,"style":39},"39382a02caa5",[1373],{"_key":1374,"_type":30,"marks":1375,"text":1376},"811b5d7e0d220",[],"Anouk Hoogendoorn is an artistic researcher that works with text, textile, and performance. The (spoken) texts, textiles, sketches, and sounds that come out of this practice are moments of processes rather than presentations fixed once and for all. They are currently doing a practice-based PhD at School of Arts and Creative Industries, TeessideUniversity (UK) and Institute for Performing Arts and Film, Zurich University of the Arts (CH). Their research explores the materiality and material conditions of writing and reading. Here the material is meant in twofold: both the socio-political dimension (informed by queer and disability studies) and the artistic (informed by language-based artistic research).",[],{"_key":1379,"_type":26,"children":1380,"markDefs":1408,"style":39},"0b7f19fe278d",[1381,1385,1389,1393,1397,1400,1404],{"_key":1382,"_type":30,"marks":1383,"text":1384},"ea1d278efd07",[],"\nAnouk has a practice that always has an important collaborative, experimental, and pedagogical orientation to it.Currently they are Theory and Artistic Research Tutor at BEAR Fine Arts, are a part of the School of Commons ’26 Cohort, and co-host the special interest group ",{"_key":1386,"_type":30,"marks":1387,"text":1388},"811b5d7e0d2249",[874],"Words",{"_key":1390,"_type":30,"marks":1391,"text":1392},"811b5d7e0d2250",[]," ",{"_key":1394,"_type":30,"marks":1395,"text":1396},"811b5d7e0d2251",[874],"as",{"_key":1398,"_type":30,"marks":1399,"text":1392},"811b5d7e0d2252",[],{"_key":1401,"_type":30,"marks":1402,"text":1403},"811b5d7e0d2253",[874],"Matter",{"_key":1405,"_type":30,"marks":1406,"text":1407},"811b5d7e0d2254",[]," at the Language-Based Artistic Research Group. Anouk often shares their research at symposia and through workshops. They have done (guest) teaching at Master in Curating Teesside University (UK), Åbo Akademi (FI), and Sandberg Institute (NL) among others. In the last couple of years, they were visiting researcher at Access in the Making Lab (CA), artist in residence at Titanik Gallery (FI) and Casa Liquida (BR), and part of the Nida Doctoral School (LI). Prior to this, they were part of the PEERS ’22/’23 cohort and No Academy 2021.",[],"Anouk Hoogendoorn is an artistic researcher that works with text, textile, and performance. The (spoken) texts, textiles, sketches, and sounds that come out of this practice are moments of processes rather than presentations fixed once and for all. ",{"filterYear":1411},[1412],{"_id":186,"title":190},[1414],{"_type":449,"label":450,"url":1415},"https://www.anoukhoogendoorn.com/",{"locations":1417,"other":1420},[1418],{"_id":458,"_type":459,"seo":9,"slug":1419,"title":462},{"_type":14,"current":461},[1421],{"_key":1422,"_type":26,"children":1423,"markDefs":1427,"style":39},"25145542c81f",[1424],{"_key":1425,"_type":30,"marks":1426,"text":1357},"8a3b50e9e1b5",[],[],[1429,189],"anouk hoogendoorn",{"_type":14,"current":1431},"anouk-hoogendoorn","Anouk Hoogendoorn",{"alt":1434,"asset":1435},"Show don't tell - learning alongside",{"_id":1436,"height":1437,"orientation":789,"ratio":1438,"url":1439,"width":1440},"image-66e6ceb4687d217cf39b9b37fa3e95038f7d749f-3536x2102-jpg",2102,1.6822074215033302,"https://cdn.sanity.io/images/eodip22e/production/66e6ceb4687d217cf39b9b37fa3e95038f7d749f-3536x2102.jpg",3536,{"filterCategory":1442,"filterLocation":1448,"filterYear":1452},[1443,1444,1445,1446,1447],{"_id":323,"title":328},{"_id":1114,"title":1119},{"_id":1121,"title":1126},{"_id":1128,"title":1133},{"_id":1135,"title":1140},[1449],{"_id":1450,"title":1451},"1b718342-43d5-4f76-a0af-48df3b287726","Transnational",[1453],{"_id":186,"title":190},[],{"locations":1456,"other":9},[1457],{"_id":1450,"_type":459,"seo":9,"slug":1458,"title":1451},{"_type":14,"current":1459},"transnational",[1461,1469,1488,1496,1510,1522,1530,1538],{"_key":1462,"_type":26,"children":1463,"markDefs":1468,"style":39},"1129039779aa",[1464],{"_key":1465,"_type":30,"marks":1466,"text":1467},"5fcfe0751f13",[],"Beginning and Bending - meeting outcome.",[],{"_key":1470,"_type":26,"children":1471,"markDefs":1485,"style":39},"b849df02b3ac",[1472,1476,1481],{"_key":1473,"_type":30,"marks":1474,"text":1475},"833e3f273fb0",[],"How can we think about learning as 'beginning and bending' rather than beginning and ",{"_key":1477,"_type":30,"marks":1478,"text":1480},"0bad4d7c3460",[1479],"51479d35a654","ending.",{"_key":1482,"_type":30,"marks":1483,"text":1484},"6e2b27fc43bf",[]," Learning isn't finite - there is no real ending but along the way there may be bending. ",[1486],{"_key":1479,"_type":1487,"file":9},"fileUploadLink",{"_key":1489,"_type":26,"children":1490,"markDefs":1495,"style":39},"944f9d68f700",[1491],{"_key":1492,"_type":30,"marks":1493,"text":1494},"bc2e3c615a41",[],"Bends - ",[],{"_key":1497,"_type":26,"children":1498,"level":1507,"listItem":1508,"markDefs":1509,"style":39},"fe61b1d37901",[1499,1503],{"_key":1500,"_type":30,"marks":1501,"text":1502},"770fb2bbf6320",[32],"Verb (action):",{"_key":1504,"_type":30,"marks":1505,"text":1506},"770fb2bbf6321",[]," Curve, twist, flex, bow, stoop, warp, curl, loop, veer, buckle.",1,"bullet",[],{"_key":1511,"_type":26,"children":1512,"level":1507,"listItem":1508,"markDefs":1521,"style":39},"2d1397fc353e",[1513,1517],{"_key":1514,"_type":30,"marks":1515,"text":1516},"18fee4a7191e0",[32],"Noun (shape):",{"_key":1518,"_type":30,"marks":1519,"text":1520},"18fee4a7191e1",[]," Curve, angle, arc, crook, corner, turn, curvature, loop.",[],{"_key":1523,"_type":26,"children":1524,"level":1507,"listItem":1508,"markDefs":1529,"style":39},"b40b5048d612",[1525],{"_key":1526,"_type":30,"marks":1527,"text":1528},"7153509ceb47",[],"or perhaps ",[],{"_key":1531,"_type":26,"children":1532,"markDefs":1537,"style":39},"612c506eb0a2",[1533],{"_key":1534,"_type":30,"marks":1535,"text":1536},"4e290e95292f0",[],"\"The bends\" (decompression sickness) is a, sometimes fatal, condition caused by nitrogen bubbles forming in the blood and tissues due to a rapid decrease in surrounding pressure. ",[],{"_key":1539,"_type":26,"children":1540,"markDefs":1545,"style":39},"0752fa0e25dc",[1541],{"_key":1542,"_type":30,"marks":1543,"text":1544},"7833f8de73f50",[],"divers who surface too quickly.",[],[1547],{"_type":7,"settings":1548,"text":1549},{"textColumnCount":941},[1550],{"_key":1551,"_type":26,"children":1552,"markDefs":1557,"style":39},"5bdd96acf444",[1553],{"_key":1554,"_type":30,"marks":1555,"text":1556},"17ab6b17c343",[],"“Alongside: learning as a parallel action to proximate peers, projects and things in the neighbourhood” will be explored through three propositions: “The Expert Learner” which alters the master/pupil duality into learning on a continuum; “Show Don’t Tell” where sharing is rethought and remade; “Parallel Play in Conviviality” where conviviality is thought as a learning side-by-side rather than one-plus-one. The propositions posit the commons or commoning, not as collaboration, but working in parallel or alongside, recognising difference and avoid the conflation of collaboration as agreement or singular but multiple. \n\nOur collective of three exists of teachers and students from different generations, where x tutored y, y tutored z, and z will tutor a student to come. But rather than seeing it as a formal system of hierarchies, we somehow ended up following each other's learning in a matter of being alongside, as being each other’s expert-learners. We want to explore how this came to be and how we can give this forward. \n\nThe project isn't pre-existing but it builds on a legacy of over 30 years of combined learning and making around the topics of commoning, learning, becoming, and activism through art and pedagogy. As a trio, we strive to all be present for the programme with at least two of us at all times. The expert learner doesn’t dismiss prior knowledge or experience but acknowledges the multiple ways knowledge is held and shared. It positions the teacher as not the expert on knowledge but the expert on learning, they have learnt how to orate or share. Through ‘being with’ both others, materials, and ideas, the ambition is to explore without prescribed notions, using durational working, following energy, stopping, not aiming for end goals but experiencing the process. This method allows for individually negotiated or defined notions of ‘success’ and acknowledges that each member of the session will be at a different learning stage, it shifts the capitalist malaise from learning as a thing to get through for accumulation to becoming the essence of commoning, the activity of being with and of the world.",[],[1559,1580,1597],{"_type":1047,"question":1560},[1561,1573],{"_key":1562,"_type":26,"children":1563,"markDefs":1569,"style":39},"ffeced3c8f3c",[1564],{"_key":1565,"_type":30,"marks":1566,"text":1568},"82166941289e0",[1567],"6f264bef2d07","How can we develop supportive and inclusive strategies that do not rely on traditional models of expert teachers and passive students that acknowledge fluidity, risk, not-knowing and chance as key elements of the development of any creative practice? ",[1570],{"_key":1567,"_type":1571,"label":310,"value":1572},"highlightColor","#00ff04",{"_key":1574,"_type":26,"children":1575,"markDefs":1579,"style":39},"3e891cb68915",[1576],{"_key":1577,"_type":30,"marks":1578,"text":720},"ca3486931497",[],[],{"_type":1047,"question":1581},[1582],{"_key":1583,"_type":26,"children":1584,"markDefs":1594,"style":39},"457ee29cc3a9",[1585,1590],{"_key":1586,"_type":30,"marks":1587,"text":1589},"abb80d27f59b",[1588],"4c105e4d8764","What does it mean to engage in 'learning as becoming' rather than learning for accumulation or measurable success?",{"_key":1591,"_type":30,"marks":1592,"text":1593},"16f3cd147f8f",[]," ",[1595],{"_key":1588,"_type":1571,"label":310,"value":1596},"#01aefe",{"_type":1047,"question":1598},[1599],{"_key":1600,"_type":26,"children":1601,"markDefs":1607,"style":39},"ea6d0111c8a4",[1602],{"_key":1603,"_type":30,"marks":1604,"text":1606},"29aa4ab3f5dd",[1605],"1a7eba49d1bd","How can teaching be a form of being an expert on learning, in a manner of being alongside the learning?",[1608],{"_key":1605,"_type":1571,"label":310,"value":1609},"#db02ff",[1611,189,1612,1613,1614,1615,1459,1300,1360,1429,1616,1617,1098,1118,1125,1618,1619],"alongside","how can we develop supportive and inclusive strategies that do not rely on traditional models of expert teachers and passive students that acknowledge fluidity, risk, not-knowing and chance as key elements of the development of any creative practice? \n\n","what does it mean to engage in 'learning as becoming' rather than learning for accumulation or measurable success? ","how can teaching be a form of being an expert on learning, in a manner of being alongside the learning?","beginning and bending - meeting outcome.\n\nhow can we think about learning as 'beginning and bending' rather than beginning and ending. learning isn't finite - there is no real ending but along the way there may be bending. \n\nbends - \n\nverb (action): curve, twist, flex, bow, stoop, warp, curl, loop, veer, buckle.\n\nnoun (shape): curve, angle, arc, crook, corner, turn, curvature, loop.\n\nor perhaps \n\n\"the bends\" (decompression sickness) is a, sometimes fatal, condition caused by nitrogen bubbles forming in the blood and tissues due to a rapid decrease in surrounding pressure. \n\ndivers who surface too quickly.","‘the expert learner’ experiments with how to learn (or learning how) rather than what to learn. refuting the master/pupil duality and acknowledging learning as a continuum, where individuals are at different stages in their learning which changes their position in the continuum. ‘show don’t tell’ is a collective doing/exploration where information sharing uses a variety of methods including demonstration, dialogue, and practical co-making. aiming to acknowledge the roles (makers, dreamers, filmmakers, observers) that offer modes of engagement, reframing collaboration. ‘convivial parallel play’ explores cooperation growing organically rather than the dominant prevalence of enforced collaboration as a learning strategy. collaboration can be more complex and not beneficial for some learners who are neurodiverse or not easily welcomed in the university due to class or race. our research focuses on processes of learning that allow for individual outcomes/insights/breakthroughs.","“alongside: learning as a parallel action to proximate peers, projects and things in the neighbourhood” will be explored through three propositions: “the expert learner” which alters the master/pupil duality into learning on a continuum; “show don’t tell” where sharing is rethought and remade; “parallel play in conviviality” where conviviality is thought as a learning side-by-side rather than one-plus-one. the propositions posit the commons or commoning, not as collaboration, but working in parallel or alongside, recognising difference and avoid the conflation of collaboration as agreement or singular but multiple. \n\nour collective of three exists of teachers and students from different generations, where x tutored y, y tutored z, and z will tutor a student to come. but rather than seeing it as a formal system of hierarchies, we somehow ended up following each other's learning in a matter of being alongside, as being each other’s expert-learners. we want to explore how this came to be and how we can give this forward. \n\nthe project isn't pre-existing but it builds on a legacy of over 30 years of combined learning and making around the topics of commoning, learning, becoming, and activism through art and pedagogy. as a trio, we strive to all be present for the programme with at least two of us at all times. the expert learner doesn’t dismiss prior knowledge or experience but acknowledges the multiple ways knowledge is held and shared. it positions the teacher as not the expert on knowledge but the expert on learning, they have learnt how to orate or share. through ‘being with’ both others, materials, and ideas, the ambition is to explore without prescribed notions, using durational working, following energy, stopping, not aiming for end goals but experiencing the process. this method allows for individually negotiated or defined notions of ‘success’ and acknowledges that each member of the session will be at a different learning stage, it shifts the capitalist malaise from learning as a thing to get through for accumulation to becoming the essence of commoning, the activity of being with and of the world.","alongside learning","expert learner",{"_type":14,"current":1611},"Alongside",{"_id":1623,"_type":304,"categories":1624,"credits":1631,"featuredImage":1742,"filterables":1750,"footnotes":1758,"locations":1759,"logbook":9,"pageBuilder":1772,"researchQuestion":9,"researchQuestions":1788,"searchables":1819,"seo":9,"slug":1826,"title":1828,"year":190},"b42752b7-d03e-4814-aa4d-dcbd20595e4c",[1625,1628],{"_id":316,"_type":308,"colorPrimary":1626,"seo":9,"slug":1627,"title":321},{"label":310,"value":318},{"_type":14,"current":320},{"_id":323,"_type":308,"colorPrimary":1629,"seo":9,"slug":1630,"title":328},{"label":310,"value":325},{"_type":14,"current":327},{"other":9,"profiles":1632},[1633],{"_id":1634,"_type":389,"activeYears":1635,"bio":1638,"bioShort":1719,"featuredImage":1720,"filterables":1727,"links":1730,"locations":1733,"searchables":1737,"seo":9,"slug":1739,"title":1741},"01631306-0bc4-4a63-ae57-2f88d3b409ff",[1636],{"_id":186,"_type":187,"seo":9,"slug":1637,"title":190},{"_type":14,"current":189},[1639],{"_key":1640,"_type":26,"children":1641,"markDefs":1704,"style":39},"4118b0e0a6f6",[1642,1646,1651,1655,1660,1664,1669,1673,1678,1682,1687,1691,1695,1699],{"_key":1643,"_type":30,"marks":1644,"text":1645},"4e42720d32ac0",[],"Art critic, art curator and media manager\n\n♿️ The creator of the inclusive art project \"",{"_key":1647,"_type":30,"marks":1648,"text":1650},"a3f1a0099e1b",[1649],"f44ace9e2394","I will come",{"_key":1652,"_type":30,"marks":1653,"text":1654},"353b2c8a2d93",[],"\" \n🎨 The telegram channel \"",{"_key":1656,"_type":30,"marks":1657,"text":1659},"aa80b4cb8051",[1658],"55b6ea859b86","About art and more",{"_key":1661,"_type":30,"marks":1662,"text":1663},"75f5517e5f31",[],"\" \n🇵🇱 Telegram chats \"",{"_key":1665,"_type":30,"marks":1666,"text":1668},"30035dc8bd6e",[1667],"20dc76bbd0f0","Inclusive Poland",{"_key":1670,"_type":30,"marks":1671,"text":1672},"b96c4d0296ba",[],"\" \n✨ \"",{"_key":1674,"_type":30,"marks":1675,"text":1677},"6b934e543bf0",[1676],"f06fe575fa5d","Inclusive Poland. Autism",{"_key":1679,"_type":30,"marks":1680,"text":1681},"c24a90959191",[],"\"\n🖼 ArtPolska ",{"_key":1683,"_type":30,"marks":1684,"text":1686},"85a6d8960564",[1685],"1300a7917427","Virtual gallery of artists in Poland",{"_key":1688,"_type":30,"marks":1689,"text":1690},"80aafe19598d",[],"\n🖥 Channel about people with disabilities \"",{"_key":1692,"_type":30,"marks":1693,"text":1650},"b4819f01e3a9",[1694],"6f8040fff40f",{"_key":1696,"_type":30,"marks":1697,"text":1698},"728da99e95e1",[],"\" \n✌️ I invite you to the art community of ",{"_key":1700,"_type":30,"marks":1701,"text":1703},"a78fee80c9d3",[1702],"2f601513d809","emigrant artists in Poland",[1705,1707,1709,1711,1713,1715,1717],{"_key":1649,"_type":56,"blank":57,"href":1706},"https://instagram.com/ya_priedu",{"_key":1658,"_type":56,"blank":57,"href":1708},"https://t.me/ya_priedu",{"_key":1667,"_type":56,"blank":57,"href":1710},"https://t.me/inclusivepoland",{"_key":1676,"_type":56,"blank":57,"href":1712},"https://t.me/inclusivepolandautism",{"_key":1685,"_type":56,"href":1714},"https://t.me/ArtPolska",{"_key":1694,"_type":56,"blank":57,"href":1716},"https://youtube.com/@Yapriedu",{"_key":1702,"_type":56,"blank":57,"href":1718},"https://t.me/+ESsg6ny7QGM5YTIx","Art critic, art curator and media manager",{"alt":9,"asset":1721},{"_id":1722,"height":1723,"orientation":440,"ratio":1724,"url":1725,"width":1726},"image-0480468251afe89b4500a5ebe75eecaa10cf09ef-720x1280-jpg",1280,0.5625,"https://cdn.sanity.io/images/eodip22e/production/0480468251afe89b4500a5ebe75eecaa10cf09ef-720x1280.jpg",720,{"filterYear":1728},[1729],{"_id":186,"title":190},[1731],{"_type":449,"label":453,"url":1732},"https://www.instagram.com/elvirakoroleva007",{"locations":1734,"other":9},[1735],{"_id":458,"_type":459,"seo":9,"slug":1736,"title":462},{"_type":14,"current":461},[1738,189],"elvira koroleva",{"_type":14,"current":1740},"elvira-koroleva","Elvira Koroleva",{"alt":1743,"asset":1744},"Art in Exile by Elvira Koroleva",{"_id":1745,"height":1746,"orientation":440,"ratio":1747,"url":1748,"width":1749},"image-b11be0acd9794995cbabbe2f351c50327710e9f9-602x1092-png",1092,0.5512820512820513,"https://cdn.sanity.io/images/eodip22e/production/b11be0acd9794995cbabbe2f351c50327710e9f9-602x1092.png",602,{"filterCategory":1751,"filterLocation":1754,"filterYear":1756},[1752,1753],{"_id":316,"title":321},{"_id":323,"title":328},[1755],{"_id":458,"title":462},[1757],{"_id":186,"title":190},[],{"locations":1760,"other":1763},[1761],{"_id":458,"_type":459,"seo":9,"slug":1762,"title":462},{"_type":14,"current":461},[1764],{"_key":1765,"_type":26,"children":1766,"markDefs":1771,"style":39},"a2054dbb0633",[1767],{"_key":1768,"_type":30,"marks":1769,"text":1770},"d59c8ebf2e390",[],"Based in Warsaw",[],[1773],{"_type":7,"settings":1774,"text":1775},{"textColumnCount":941},[1776],{"_key":1777,"_type":26,"children":1778,"markDefs":1787,"style":39},"a2095c572ae9",[1779,1783],{"_key":1780,"_type":30,"marks":1781,"text":1782},"f6440a7e9df80",[32],"Inclusive Art in Switzerland: Artists with Disabilities and Migration Experience as an Essential Part of the Artistic Landscape",{"_key":1784,"_type":30,"marks":1785,"text":1786},"f6440a7e9df81",[]," explores how artists with disabilities and migration backgrounds contribute to contemporary art and cultural life in Switzerland. The project focuses on issues of visibility, access, representation, and belonging, examining how artists with lived experiences of disability and displacement challenge dominant narratives and enrich artistic ecosystems. Through research, interviews, curatorial inquiry, and engagement with artists, institutions, and communities, the project aims to identify more inclusive models of cultural participation and support. It also investigates how museums, residency programs, and cultural organizations can create sustainable conditions for artistic development and equal participation. By connecting disability studies, migration, and curatorial practice, the project seeks to contribute to broader discussions on diversity, accessibility, and social justice in contemporary art. ",[],[1789,1799,1809],{"_type":1047,"question":1790},[1791],{"_key":1792,"_type":26,"children":1793,"markDefs":1798,"style":39},"c1de1c7f89fb",[1794],{"_key":1795,"_type":30,"marks":1796,"text":1797},"4487f02580ed",[],"How can artists with disabilities and migration backgrounds be more fully recognized and integrated as essential contributors to contemporary art ecosystems in Switzerland?",[],{"_type":1047,"question":1800},[1801],{"_key":1802,"_type":26,"children":1803,"markDefs":1808,"style":39},"f95d8a9b0f69",[1804],{"_key":1805,"_type":30,"marks":1806,"text":1807},"94fda60d1fa0",[],"What curatorial, institutional, and community-based models best support their visibility, agency, and professional development?",[],{"_type":1047,"question":1810},[1811],{"_key":1812,"_type":26,"children":1813,"markDefs":1818,"style":39},"3f6aa3dadd8e",[1814],{"_key":1815,"_type":30,"marks":1816,"text":1817},"1356f7e17433",[],"How do experiences of disability and migration influence artistic practices and cultural narratives?",[],[1820,189,1821,1822,1823,461,1824,1738,1825,1097,1098],"art in exile","how can artists with disabilities and migration backgrounds be more fully recognized and integrated as essential contributors to contemporary art ecosystems in switzerland?","what curatorial, institutional, and community-based models best support their visibility, agency, and professional development?","how do experiences of disability and migration influence artistic practices and cultural narratives?","based in warsaw","inclusive art in switzerland: artists with disabilities and migration experience as an essential part of the artistic landscape explores how artists with disabilities and migration backgrounds contribute to contemporary art and cultural life in switzerland. the project focuses on issues of visibility, access, representation, and belonging, examining how artists with lived experiences of disability and displacement challenge dominant narratives and enrich artistic ecosystems. through research, interviews, curatorial inquiry, and engagement with artists, institutions, and communities, the project aims to identify more inclusive models of cultural participation and support. it also investigates how museums, residency programs, and cultural organizations can create sustainable conditions for artistic development and equal participation. by connecting disability studies, migration, and curatorial practice, the project seeks to contribute to broader discussions on diversity, accessibility, and social justice in contemporary art. ",{"_type":14,"current":1827},"art-in-exile","Art in Exile",{"_id":1830,"_type":304,"categories":1831,"credits":1856,"featuredImage":1919,"filterables":1926,"footnotes":1939,"locations":1940,"logbook":9,"pageBuilder":1947,"researchQuestion":9,"researchQuestions":1951,"searchables":1972,"seo":9,"slug":1978,"title":1980,"year":190},"70ef6710-a0ea-4691-80e8-d4d9f7edaeba",[1832,1839,1846,1849],{"_id":1833,"_type":308,"colorPrimary":1834,"seo":9,"slug":1836,"title":1838},"541ccb60-4547-42b2-b936-3d0390cd1936",{"label":310,"value":1835},"#555bda",{"_type":14,"current":1837},"embracing-chaos"," Embracing Chaos",{"_id":1840,"_type":308,"colorPrimary":1841,"seo":9,"slug":1843,"title":1845},"a9ee7628-1bba-4f68-b838-15fd1ebce6d1",{"label":310,"value":1842},"#ff1414",{"_type":14,"current":1844},"intervention","Intervention",{"_id":307,"_type":308,"colorPrimary":1847,"seo":9,"slug":1848,"title":314},{"label":310,"value":311},{"_type":14,"current":313},{"_id":1850,"_type":308,"colorPrimary":1851,"seo":9,"slug":1853,"title":1855},"b4635838-4e01-46d7-a689-10e6a0210ac5",{"label":310,"value":1852},"#69ff00",{"_type":14,"current":1854},"body-experience","Body Experience",{"other":9,"profiles":1857},[1858],{"_id":1859,"_type":389,"activeYears":1860,"bio":1863,"bioShort":1896,"featuredImage":1897,"filterables":1904,"links":1907,"locations":1910,"searchables":1914,"seo":9,"slug":1916,"title":1918},"753bbe0a-45b7-4146-8666-83b0dcaeb850",[1861],{"_id":186,"_type":187,"seo":9,"slug":1862,"title":190},{"_type":14,"current":189},[1864,1872,1880,1888],{"_key":1865,"_type":26,"children":1866,"markDefs":1871,"style":39},"76ce265e70b8",[1867],{"_key":1868,"_type":30,"marks":1869,"text":1870},"ef7d6db76a38",[],"Manning is a dancer and choreographer currently base in Zurich",[],{"_key":1873,"_type":26,"children":1874,"markDefs":1879,"style":39},"a661f0b9298a",[1875],{"_key":1876,"_type":30,"marks":1877,"text":1878},"95edcb31cd86",[],"After completing BA ballet performance in Shanghai Theatre Academy, she joined Suzhou Ballet as a soloist, where she won the First Prize and Best Performance Award at Ballet Grand Prix Vienna. She travelled to Austria to study contemporary dance and now completing her MA choreography in University of the Arts Zurich. She is also a registered trainer of Gyrokinesis®.",[],{"_key":1881,"_type":26,"children":1882,"markDefs":1887,"style":39},"712164ef61b6",[1883],{"_key":1884,"_type":30,"marks":1885,"text":1886},"291cc58892a40",[],"She was a member of the ATLAS choreography programme at the Impulstanz Festival 2024 Vienna and assistant at the Semperoper Ballet in Dresden. She has performed her own works in different places. Such as Gessneralle zurich, kulturmarkt , Kunsthaus Zurich etc.",[],{"_key":1889,"_type":26,"children":1890,"markDefs":1895,"style":39},"a92b43bc53b6",[1891],{"_key":1892,"_type":30,"marks":1893,"text":1894},"76b3334f4e520",[],"She is interested in interdisciplinary collaborative work. She uses physicality, sociality and self-exploration as choreographic tools in the hope that the public will perceive the emotional core and message of the work.",[],"Manning is a dancer and choreographer currently base in Zurich.",{"alt":9,"asset":1898},{"_id":1899,"height":1900,"orientation":440,"ratio":1901,"url":1902,"width":1903},"image-00f8d76b36281401360e7d4c352be9027ec104e9-6137x9205-jpg",9205,0.6667028788701792,"https://cdn.sanity.io/images/eodip22e/production/00f8d76b36281401360e7d4c352be9027ec104e9-6137x9205.jpg",6137,{"filterYear":1905},[1906],{"_id":186,"title":190},[1908],{"_type":449,"label":453,"url":1909},"https://www.instagram.com/manning_dd",{"locations":1911,"other":9},[1912],{"_id":458,"_type":459,"seo":9,"slug":1913,"title":462},{"_type":14,"current":461},[1915,189],"manning dong",{"_type":14,"current":1917},"manning-dong","Manning Dong",{"alt":9,"asset":1920},{"_id":1921,"height":1922,"orientation":789,"ratio":1923,"url":1924,"width":1925},"image-620b8b0f0449e9284271d387771289340824b2c3-6192x4128-jpg",4128,1.5,"https://cdn.sanity.io/images/eodip22e/production/620b8b0f0449e9284271d387771289340824b2c3-6192x4128.jpg",6192,{"filterCategory":1927,"filterLocation":1932,"filterYear":1937},[1928,1929,1930,1931],{"_id":1833,"title":1838},{"_id":1840,"title":1845},{"_id":307,"title":314},{"_id":1850,"title":1855},[1933,1934],{"_id":458,"title":462},{"_id":1935,"title":1936},"a16ad564-4aca-4532-ab00-6682defbf12b","Asia",[1938],{"_id":186,"title":190},[],{"locations":1941,"other":9},[1942,1944],{"_id":458,"_type":459,"seo":9,"slug":1943,"title":462},{"_type":14,"current":461},{"_id":1935,"_type":459,"seo":9,"slug":1945,"title":1936},{"_type":14,"current":1946},"asia",[1948],{"_type":936,"caption":9,"image":1949},{"alt":9,"asset":1950},{"_id":1921,"height":1922,"orientation":789,"ratio":1923,"url":1924,"width":1925},[1952,1962],{"_type":1047,"question":1953},[1954],{"_key":1955,"_type":26,"children":1956,"markDefs":1961,"style":39},"4fe1be271429",[1957],{"_key":1958,"_type":30,"marks":1959,"text":1960},"e4449838a2c00",[],"How does power act on bodies and groups through social institutions and norms in the research and artistic practice of corporeality, ‘the relationship between power structures and social systems’?",[],{"_type":1047,"question":1963},[1964],{"_key":1965,"_type":26,"children":1966,"markDefs":1971,"style":39},"1d27a979ea90",[1967],{"_key":1968,"_type":30,"marks":1969,"text":1970},"50e258c44a220",[],"Is it possible for us to re-understand and change the social structures in which we live through bodily experience?",[],[1973,189,1974,1975,461,1946,1915,1976,1844,1096,1977],"hard boiled wonderland","how does power act on bodies and groups through social institutions and norms in the research and artistic practice of corporeality, ‘the relationship between power structures and social systems’?","is it possible for us to re-understand and change the social structures in which we live through bodily experience?"," embracing chaos","body experience",{"_type":14,"current":1979},"hard-boiled-wonderland","Hard Boiled Wonderland",{"_id":1982,"_type":304,"categories":1983,"credits":2027,"featuredImage":2180,"filterables":2188,"footnotes":2203,"locations":2204,"logbook":2217,"pageBuilder":2226,"researchQuestion":9,"researchQuestions":3212,"searchables":3280,"seo":3301,"slug":3303,"title":3305,"year":190},"0e44f9ab-e8af-4c2f-9f22-b706c0395736",[1984,1987,1994,1997,2000,2007,2010,2013,2020],{"_id":307,"_type":308,"colorPrimary":1985,"seo":9,"slug":1986,"title":314},{"label":310,"value":311},{"_type":14,"current":313},{"_id":1988,"_type":308,"colorPrimary":1989,"seo":9,"slug":1991,"title":1993},"1415b664-050f-45b5-897a-06c0477971f8",{"label":310,"value":1990},"#00ffd7",{"_type":14,"current":1992},"methods-for-knowledge-decentralisation","Methods for knowledge decentralisation",{"_id":316,"_type":308,"colorPrimary":1995,"seo":9,"slug":1996,"title":321},{"label":310,"value":318},{"_type":14,"current":320},{"_id":1121,"_type":308,"colorPrimary":1998,"seo":9,"slug":1999,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":2001,"_type":308,"colorPrimary":2002,"seo":9,"slug":2004,"title":2006},"2d2e69e2-3a2b-4b36-a8de-dc1bbe27eda0",{"label":310,"value":2003},"#ff2300",{"_type":14,"current":2005},"worlding","Worlding",{"_id":365,"_type":308,"colorPrimary":2008,"seo":9,"slug":2009,"title":370},{"label":310,"value":367},{"_type":14,"current":369},{"_id":337,"_type":308,"colorPrimary":2011,"seo":9,"slug":2012,"title":342},{"label":310,"value":339},{"_type":14,"current":341},{"_id":2014,"_type":308,"colorPrimary":2015,"seo":9,"slug":2017,"title":2019},"8f161900-d62f-4bc1-a9ba-93dfbdb0add8",{"label":310,"value":2016},"#7f00be",{"_type":14,"current":2018},"drag","DRAG",{"_id":2021,"_type":308,"colorPrimary":2022,"seo":9,"slug":2024,"title":2026},"95a8792a-7623-423b-9b2d-a7a217963678",{"label":310,"value":2023},"#0055ff",{"_type":14,"current":2025},"exchange","Exchange",{"other":9,"profiles":2028},[2029],{"_id":2030,"_type":389,"activeYears":2031,"bio":2034,"bioShort":2135,"featuredImage":2136,"filterables":2144,"links":2147,"locations":2154,"searchables":2175,"seo":9,"slug":2177,"title":2179},"ee22de80-8328-470b-86df-cca95bdb803e",[2032],{"_id":186,"_type":187,"seo":9,"slug":2033,"title":190},{"_type":14,"current":189},[2035,2089,2111,2119],{"_key":2036,"_type":26,"children":2037,"markDefs":2077,"style":39},"b0db43de521d",[2038,2044,2048,2054,2058,2064,2067,2073],{"_key":2039,"_type":30,"marks":2040,"text":2043},"b0db99967fa80",[2041,2042],"0443b1f42e58","676edc308e06","Nova Despov (fka Mairlyn Nova White) ",{"_key":2045,"_type":30,"marks":2046,"text":2047},"55f08fb95c47",[],"(they/them) is a Berlin-based ",{"_key":2049,"_type":30,"marks":2050,"text":2053},"e9e351fe6943",[2051,2052],"722ba586f84c","3adb91c70e30","Performer",{"_key":2055,"_type":30,"marks":2056,"text":2057},"dfd84b4bed77",[],", ",{"_key":2059,"_type":30,"marks":2060,"text":2063},"a985b5401b75",[2061,2062],"84b7ff9b38c2","4e140893e54b","Actor",{"_key":2065,"_type":30,"marks":2066,"text":513},"c20c8dccaed1",[],{"_key":2068,"_type":30,"marks":2069,"text":2072},"6e9097b5ca5f",[2070,2071],"2966a7de22ed","29e9a6fb95d1","Drag King",{"_key":2074,"_type":30,"marks":2075,"text":2076},"69399c992649",[]," working at the intersection of performance, intimacy and artistic research. Their practice moves between stage, workshop, and embodied experimentation, exploring how identity is constructed, performed, and transformed.",[2078,2080,2083,2084,2085,2086,2087,2088],{"_key":2041,"_type":1571,"label":310,"value":2079},"#000000",{"_key":2042,"_type":2081,"color":9,"label":310,"value":2082},"textColor","#ffffff",{"_key":2051,"_type":2081,"color":9,"label":310,"value":2082},{"_key":2052,"_type":1571,"label":310,"value":2079},{"_key":2061,"_type":1571,"label":310,"value":2079},{"_key":2070,"_type":1571,"label":310,"value":2079},{"_key":2062,"_type":2081,"color":9,"label":310,"value":2082},{"_key":2071,"_type":2081,"color":9,"label":310,"value":2082},{"_key":2090,"_type":26,"children":2091,"markDefs":2109,"style":39},"53ac683cf13c",[2092,2096,2100,2104],{"_key":2093,"_type":30,"marks":2094,"text":2095},"4caacdb9e59b0",[],"Rooted in their Bulgarian heritage and shaped by their work as a Drag King and facilitator,  Marilyn investigates gender as a fluid, relational practice. Through their long-term Drag King project ",{"_key":2097,"_type":30,"marks":2098,"text":2099},"4caacdb9e59b1",[874],"MALED IT!",{"_key":2101,"_type":30,"marks":2102,"text":2103},"4caacdb9e59b2",[],", they develop spaces where gender can be tried on, exaggerated, undone, and reimagined ",{"_key":2105,"_type":30,"marks":2106,"text":2108},"14697716e71e",[2107],"bbfb90de7841","collectively.",[2110],{"_key":2107,"_type":2081,"color":9},{"_key":2112,"_type":26,"children":2113,"markDefs":2118,"style":39},"e1ce8d4c65fc",[2114],{"_key":2115,"_type":30,"marks":2116,"text":2117},"e76200bac0260",[],"Their work combines movement, body, humor, and biographical fragments — often blurring the lines between fine lines and lived experience. At the core is an interest in Drag Kinging as a method of embodied knowledge production, collective un/learning, and queer world-making.",[],{"_key":2120,"_type":26,"children":2121,"markDefs":2134,"style":39},"96d340a13ebb",[2122,2126,2130],{"_key":2123,"_type":30,"marks":2124,"text":2125},"591860e3ec350",[],"At SoC, Marilyn develops ",{"_key":2127,"_type":30,"marks":2128,"text":2129},"591860e3ec351",[874],"Drag King Utopia",{"_key":2131,"_type":30,"marks":2132,"text":2133},"591860e3ec352",[]," as a shared, commons-based practice: a temporary space for experimentation, transformation, and the possibility of becoming otherwise.",[],"Nova Despov (fka Marilyn Nova White) (they/them) is a Berlin-based Performer, Actor and Drag King working at the intersection of performance, intimacy and artistic research. Their practice moves between stage, workshop, and embodied experimentation, exploring how identity is constructed, performed, and transformed.",{"alt":2137,"asset":2138},"Portrait of Nova Despov (fka Marilyn Nova White)",{"_id":2139,"height":2140,"orientation":440,"ratio":2141,"url":2142,"width":2143},"image-251bb7da49abfc701071741ab344e9e6526bfb26-944x994-png",994,0.9496981891348089,"https://cdn.sanity.io/images/eodip22e/production/251bb7da49abfc701071741ab344e9e6526bfb26-944x994.png",944,{"filterYear":2145},[2146],{"_id":186,"title":190},[2148,2151],{"_type":449,"label":2149,"url":2150},"website","https://www.novadespov.com/",{"_type":449,"label":2152,"url":2153},"insta","https://www.instagram.com/novadespov/",{"locations":2155,"other":2158},[2156],{"_id":458,"_type":459,"seo":9,"slug":2157,"title":462},{"_type":14,"current":461},[2159,2167],{"_key":2160,"_type":26,"children":2161,"markDefs":2166,"style":39},"228e5d7fd1e7",[2162],{"_key":2163,"_type":30,"marks":2164,"text":2165},"0f847b2bef98",[],"Berlin",[],{"_key":2168,"_type":26,"children":2169,"markDefs":2174,"style":39},"cba221a8fae3",[2170],{"_key":2171,"_type":30,"marks":2172,"text":2173},"394a869cb763",[],"Bulgaria",[],[2176,189],"nova despov (fka marilyn nova white)",{"_type":14,"current":2178},"nova-despov-fka-marilyn-nova-white","Nova Despov (fka Marilyn Nova White)",{"alt":2181,"asset":2182},"MALED IT! Utopia backround",{"_id":2183,"height":2184,"orientation":789,"ratio":2185,"url":2186,"width":2187},"image-f2b2c781da4f847113ff72457879cf7d8f601901-1920x1080-jpg",1080,1.7777777777777777,"https://cdn.sanity.io/images/eodip22e/production/f2b2c781da4f847113ff72457879cf7d8f601901-1920x1080.jpg",1920,{"filterCategory":2189,"filterLocation":2199,"filterYear":2201},[2190,2191,2192,2193,2194,2195,2196,2197,2198],{"_id":307,"title":314},{"_id":1988,"title":1993},{"_id":316,"title":321},{"_id":1121,"title":1126},{"_id":2001,"title":2006},{"_id":365,"title":370},{"_id":337,"title":342},{"_id":2014,"title":2019},{"_id":2021,"title":2026},[2200],{"_id":458,"title":462},[2202],{"_id":186,"title":190},[],{"locations":2205,"other":2208},[2206],{"_id":458,"_type":459,"seo":9,"slug":2207,"title":462},{"_type":14,"current":461},[2209],{"_key":2210,"_type":26,"children":2211,"markDefs":2216,"style":39},"85e1c0d41357",[2212],{"_key":2213,"_type":30,"marks":2214,"text":2215},"a43d6c28f1a1",[],"Between Berlin and Bulgaria",[],[2218],{"_key":2219,"_type":26,"children":2220,"markDefs":2225,"style":39},"e773e13e7c49",[2221],{"_key":2222,"_type":30,"marks":2223,"text":2224},"46b6e40fccfe",[],"Who what why where is Diddy Daddy?",[],[2227,2246,2276,2541,2589,2646,2692,2744,2782,2810,2847,2852,2890,2941,3014,3041,3064,3079,3112,3130],{"_type":7,"settings":2228,"text":2229},{"textColumnCount":941},[2230,2238],{"_key":2231,"_type":26,"children":2232,"markDefs":2237,"style":39},"5cce46ba470e",[2233],{"_key":2234,"_type":30,"marks":2235,"text":2236},"3fd54c2ab81a0",[],"This project explores Drag Kinging as a method of embodied, collective knowledge production. It is rooted in queer-feminist, anti-normative practices and unfolds through MALED IT! – a long-term workshop series I have been developing since 2018. MALED IT! empowers queer, trans*, non-binary and FLINTA* persons through drag as a form of joyful resistance and transformation.",[],{"_key":2239,"_type":26,"children":2240,"markDefs":2245,"style":39},"391a1c3f9f28",[2241],{"_key":2242,"_type":30,"marks":2243,"text":2244},"0b0da03771a5",[]," My interest within the School of Commons lies in further developing Drag Kinging as a commons-based methodology for peer learning, critical play, and transdisciplinary research. The focus is not on performance as outcome, but on what becomes possible through the act of becoming someone else together – shifting norms, reclaiming agency, and imagining other futures through the body.",[],{"_type":2247,"slides":2248},"sliderBlock",[2249,2252,2260,2268],{"_type":936,"caption":9,"image":2250},{"alt":9,"asset":2251},{"_id":2139,"height":2140,"orientation":440,"ratio":2141,"url":2142,"width":2143},{"_type":936,"caption":9,"image":2253},{"alt":9,"asset":2254},{"_id":2255,"height":2256,"orientation":440,"ratio":2257,"url":2258,"width":2259},"image-efefdf2709da4a9f285ba267689a6e1a32e13153-690x928-png",928,0.7435344827586207,"https://cdn.sanity.io/images/eodip22e/production/efefdf2709da4a9f285ba267689a6e1a32e13153-690x928.png",690,{"_type":936,"caption":9,"image":2261},{"alt":9,"asset":2262},{"_id":2263,"height":2264,"orientation":440,"ratio":2265,"url":2266,"width":2267},"image-70767253215029f6120205ceeb7b059e2541f803-662x888-png",888,0.7454954954954955,"https://cdn.sanity.io/images/eodip22e/production/70767253215029f6120205ceeb7b059e2541f803-662x888.png",662,{"_type":936,"caption":9,"image":2269},{"alt":9,"asset":2270},{"_id":2271,"height":2272,"orientation":440,"ratio":2273,"url":2274,"width":2275},"image-f32389b6c05bb6b10b25faec8ed4c0e5cc0a4e8d-2316x3088-jpg",3088,0.75,"https://cdn.sanity.io/images/eodip22e/production/f32389b6c05bb6b10b25faec8ed4c0e5cc0a4e8d-2316x3088.jpg",2316,{"_type":7,"settings":2277,"text":2278},{"textColumnCount":941},[2279,2294,2302,2315,2322,2330,2344,2352,2360,2368,2376,2384,2392,2400,2408,2416,2424,2432,2440,2448,2456,2464,2472,2480,2488,2496,2504,2512,2520,2527,2534],{"_key":2280,"_type":26,"children":2281,"markDefs":2291,"style":39},"4a02aa318293",[2282,2287],{"_key":2283,"_type":30,"marks":2284,"text":2286},"b708cd83804f",[32,2285],"d88da1fa904b","+++",{"_key":2288,"_type":30,"marks":2289,"text":2290},"0372c4a43ff6",[32]," SoC Gathering",[2292],{"_key":2285,"_type":2081,"color":9,"label":310,"value":2293},"#6301dd",{"_key":2295,"_type":26,"children":2296,"markDefs":2301,"style":39},"b1dd89acd6bc",[2297],{"_key":2298,"_type":30,"marks":2299,"text":2300},"9e22203194d7",[32],"July 3 - 5 in 2026 ",[],{"_key":2303,"_type":26,"children":2304,"markDefs":2313,"style":39},"ac6bdf71aa3f",[2305,2309],{"_key":2306,"_type":30,"marks":2307,"text":2308},"6e8df102e5dc",[32],"@ZHdK Zürich ",{"_key":2310,"_type":30,"marks":2311,"text":2286},"883e9a1542bd",[32,2312],"1d79a393ff7f",[2314],{"_key":2312,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2316,"_type":26,"children":2317,"markDefs":2321,"style":39},"8123a86eb0a9",[2318],{"_key":2319,"_type":30,"marks":2320,"text":720},"37dad5d10e94",[],[],{"_key":2323,"_type":26,"children":2324,"markDefs":2329,"style":39},"efdc2331635a",[2325],{"_key":2326,"_type":30,"marks":2327,"text":2328},"5de9b5262d20",[32],"____",[],{"_key":2331,"_type":26,"children":2332,"markDefs":2342,"style":39},"0a7c1d919f94",[2333,2337],{"_key":2334,"_type":30,"marks":2335,"text":2336},"d3bee6984b690",[],"Welcome to ",{"_key":2338,"_type":30,"marks":2339,"text":2341},"462ad1bffdd1",[32,2340],"9d02a9c40fa4","Drag King Utopia: A Collective Rehearsal",[2343],{"_key":2340,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2345,"_type":26,"children":2346,"markDefs":2351,"style":39},"0fe0b4542772",[2347],{"_key":2348,"_type":30,"marks":2349,"text":2350},"77bbc399434f0",[],"For the next hour, I would like to invite you into a temporary experiment.",[],{"_key":2353,"_type":26,"children":2354,"markDefs":2359,"style":39},"2615df237aff",[2355],{"_key":2356,"_type":30,"marks":2357,"text":2358},"80fb712b174b0",[],"Before we begin, a few words about Drag Kings and masculinity*.",[],{"_key":2361,"_type":26,"children":2362,"markDefs":2367,"style":39},"bd28af7d4fb7",[2363],{"_key":2364,"_type":30,"marks":2365,"text":2366},"17d372b504780",[],"My name is Marilyn Nova or Marilyn Moustache.",[],{"_key":2369,"_type":26,"children":2370,"markDefs":2375,"style":39},"27b69e0d89ff",[2371],{"_key":2372,"_type":30,"marks":2373,"text":2374},"f40a3d911f980",[],"Drag Kings are performers, artists, and researchers who explore masculinity* through embodiment, transformation, exaggeration, imitation, and play. Rather than treating masculinity* as something natural or fixed, Drag Kinging approaches it as something that can be observed, learned, rehearsed, questioned, and reinvented.",[],{"_key":2377,"_type":26,"children":2378,"markDefs":2383,"style":39},"49a0a27043e9",[2379],{"_key":2380,"_type":30,"marks":2381,"text":2382},"e36d09d5f73f0",[],"In this workshop, masculinity* is not understood as something that belongs to men.",[],{"_key":2385,"_type":26,"children":2386,"markDefs":2391,"style":39},"21c34bfd14b9",[2387],{"_key":2388,"_type":30,"marks":2389,"text":2390},"dccdd044132b0",[],"Instead, I invite us to think of masculinity* as a collection of gestures, behaviours, postures, expectations, fantasies, privileges, vulnerabilities, and ways of relating to others. Some of these we inherit. Some we resist. Some we consciously choose. Others we may still need to invent.",[],{"_key":2393,"_type":26,"children":2394,"markDefs":2399,"style":39},"eb9d37f578bd",[2395],{"_key":2396,"_type":30,"marks":2397,"text":2398},"2393b108fdaf0",[],"My interest is not in defining what masculinity* is or teaching you how to become a Drag King.",[],{"_key":2401,"_type":26,"children":2402,"markDefs":2407,"style":39},"af0adb786614",[2403],{"_key":2404,"_type":30,"marks":2405,"text":2406},"9e04afb311440",[],"My interest is in asking:",[],{"_key":2409,"_type":26,"children":2410,"markDefs":2415,"style":39},"8b9677c4a7e7",[2411],{"_key":2412,"_type":30,"marks":2413,"text":2414},"b356867d2b200",[],"How does masculinity* move through bodies?\nHow is it learned?\nHow is it performed?\nHow can it be transformed?",[],{"_key":2417,"_type":26,"children":2418,"markDefs":2423,"style":39},"3e8699b2221e",[2419],{"_key":2420,"_type":30,"marks":2421,"text":2422},"4782cb86d12b0",[],"And I am interested in the knowledge that lives in our bodies.",[],{"_key":2425,"_type":26,"children":2426,"markDefs":2431,"style":39},"134e72d531f3",[2427],{"_key":2428,"_type":30,"marks":2429,"text":2430},"3840a63fa2240",[],"The knowledge we inherit.\nThe knowledge we perform.\nThe knowledge we resist.\nThe knowledge we pass on to others without even noticing.",[],{"_key":2433,"_type":26,"children":2434,"markDefs":2439,"style":39},"5e20335d0f6d",[2435],{"_key":2436,"_type":30,"marks":2437,"text":2438},"b5ddb65a78360",[],"Today, we will use Drag Kinging not as a performance genre, but as a research tool.",[],{"_key":2441,"_type":26,"children":2442,"markDefs":2447,"style":39},"4ad673b4b9e7",[2443],{"_key":2444,"_type":30,"marks":2445,"text":2446},"7fdeaf2433bb0",[],"Recently, two terms have been accompanying my research: Body Rebellion and Flowing Knowledge.",[],{"_key":2449,"_type":26,"children":2450,"markDefs":2455,"style":39},"f8b2c009f2b3",[2451],{"_key":2452,"_type":30,"marks":2453,"text":2454},"58b143e127600",[],"Body Rebellion makes me wonder:\nWhere does resistance live in the body?\nWhat parts of ourselves have learned to adapt?\nWhat parts still refuse?",[],{"_key":2457,"_type":26,"children":2458,"markDefs":2463,"style":39},"28174cdb93a9",[2459],{"_key":2460,"_type":30,"marks":2461,"text":2462},"637bf39cbcdd0",[],"Flowing Knowledge makes me wonder:\nHow does knowledge travel?\nWhat happens when it moves from one body to another?\nWhat changes along the way?\nWhat gets lost?\nWhat gets invented?",[],{"_key":2465,"_type":26,"children":2466,"markDefs":2471,"style":39},"465128b0bd4c",[2467],{"_key":2468,"_type":30,"marks":2469,"text":2470},"3269fe5240700",[],"For the next hour, I would like us to approach these questions together.",[],{"_key":2473,"_type":26,"children":2474,"markDefs":2479,"style":39},"81c992df5b2c",[2475],{"_key":2476,"_type":30,"marks":2477,"text":2478},"74a23619d0700",[],"You will be invited to write, move, observe, speak, imagine, and perhaps try on a beard.",[],{"_key":2481,"_type":26,"children":2482,"markDefs":2487,"style":39},"e8c36d811565",[2483],{"_key":2484,"_type":30,"marks":2485,"text":2486},"e4755a6b2a880",[],"You don't need any previous experience with drag.\nYou don't need to perform.\nYou don't need to know the right answer.",[],{"_key":2489,"_type":26,"children":2490,"markDefs":2495,"style":39},"5ecf22b1b838",[2491],{"_key":2492,"_type":30,"marks":2493,"text":2494},"b59ab8f009d30",[],"I am not looking for expertise.\nI am looking for traces.",[],{"_key":2497,"_type":26,"children":2498,"markDefs":2503,"style":39},"2a30202c8d01",[2499],{"_key":2500,"_type":30,"marks":2501,"text":2502},"5e118a27721b0",[],"Traces of knowledge.\nTraces of rebellion.\nTraces of transformation.",[],{"_key":2505,"_type":26,"children":2506,"markDefs":2511,"style":39},"b7efefd87761",[2507],{"_key":2508,"_type":30,"marks":2509,"text":2510},"aee3842f28790",[],"Together, we will create a temporary Drag King Utopia: not a perfect place, but a space where other ways of being can be rehearsed.",[],{"_key":2513,"_type":26,"children":2514,"markDefs":2519,"style":39},"414506a21c05",[2515],{"_key":2516,"_type":30,"marks":2517,"text":2518},"4918b55593550",[],"Let's begin.",[],{"_key":2521,"_type":26,"children":2522,"markDefs":2526,"style":39},"7f8e6ac079fa",[2523],{"_key":2524,"_type":30,"marks":2525,"text":720},"f1dcd3d506e8",[],[],{"_key":2528,"_type":26,"children":2529,"markDefs":2533,"style":39},"dc9711a38185",[2530],{"_key":2531,"_type":30,"marks":2532,"text":720},"5a75cf62bb7d",[],[],{"_key":2535,"_type":26,"children":2536,"markDefs":2540,"style":39},"73fd95c7e711",[2537],{"_key":2538,"_type":30,"marks":2539,"text":720},"4d468ecd80ac",[],[],{"_type":7,"settings":2542,"text":2543},{"textColumnCount":941},[2544,2551,2561,2571],{"_key":2545,"_type":26,"children":2546,"markDefs":2550,"style":39},"63904c40d79d",[2547],{"_key":2548,"_type":30,"marks":2549,"text":2328},"144ef2f4fb38",[32],[],{"_key":2552,"_type":26,"children":2553,"markDefs":2559,"style":39},"114298e11d23",[2554],{"_key":2555,"_type":30,"marks":2556,"text":2558},"c78af749a3db",[32,2557],"6c4afe52935b","The Knowledge Exchange",[2560],{"_key":2557,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2562,"_type":26,"children":2563,"markDefs":2569,"style":39},"c60ea5e53f7f",[2564],{"_key":2565,"_type":30,"marks":2566,"text":2568},"4369363d32ca",[32,2567],"49f640999366","the cover",[2570],{"_key":2567,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2572,"_type":26,"children":2573,"markDefs":2586,"style":39},"79cdb60afea6",[2574,2578,2582],{"_key":2575,"_type":30,"marks":2576,"text":2286},"f5f1a01f80cf",[32,2577],"bbda55888361",{"_key":2579,"_type":30,"marks":2580,"text":2581},"e1323a13aa1b0",[]," What knowledge lives in your body? Knowledge travels. From body to body. Think of a skill, habit, gesture, survival strategy or piece of knowledge that has shaped you. ",{"_key":2583,"_type":30,"marks":2584,"text":2286},"110294e422d2",[32,2585],"6944a053a4b8",[2587,2588],{"_key":2585,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2577,"_type":2081,"color":9,"label":310,"value":2293},{"_type":2590,"images":2591,"settings":2644},"imagesBlock",[2592,2600,2604,2608,2612,2616,2620,2624,2628,2632,2636,2640],{"_type":2593,"alt":2594,"asset":2595},"image","MALED IT! Workshop Zürich - Drag king Utopia: A Collective Rehearsal",{"_id":2596,"height":2597,"orientation":440,"ratio":2273,"url":2598,"width":2599},"image-96a2f9fc503361c8a73af91f69aeca2569a437f2-3024x4032-jpg",4032,"https://cdn.sanity.io/images/eodip22e/production/96a2f9fc503361c8a73af91f69aeca2569a437f2-3024x4032.jpg",3024,{"_type":2593,"alt":2594,"asset":2601},{"_id":2602,"height":2597,"orientation":440,"ratio":2273,"url":2603,"width":2599},"image-ec72a71e8de7bb9f0a9362890ea6ce8e00513211-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/ec72a71e8de7bb9f0a9362890ea6ce8e00513211-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2605},{"_id":2606,"height":2597,"orientation":440,"ratio":2273,"url":2607,"width":2599},"image-b96406d301612409d78cc52d9db58072b331dbfe-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/b96406d301612409d78cc52d9db58072b331dbfe-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2609},{"_id":2610,"height":2597,"orientation":440,"ratio":2273,"url":2611,"width":2599},"image-025127329bb0bc56fc5f6ecf166164180308a2d4-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/025127329bb0bc56fc5f6ecf166164180308a2d4-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2613},{"_id":2614,"height":2597,"orientation":440,"ratio":2273,"url":2615,"width":2599},"image-2af1c0ba62b49457c1e71c4a4c4489dc4e99c501-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/2af1c0ba62b49457c1e71c4a4c4489dc4e99c501-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2617},{"_id":2618,"height":2597,"orientation":440,"ratio":2273,"url":2619,"width":2599},"image-56d387e530736e637052c87d1fac72c18570c3f8-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/56d387e530736e637052c87d1fac72c18570c3f8-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2621},{"_id":2622,"height":2597,"orientation":440,"ratio":2273,"url":2623,"width":2599},"image-9153d3013a934fb8e5c21040467f773ddf4c5b2e-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/9153d3013a934fb8e5c21040467f773ddf4c5b2e-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2625},{"_id":2626,"height":2597,"orientation":440,"ratio":2273,"url":2627,"width":2599},"image-07729bd5995ade749c32bc169b353ac1cc517858-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/07729bd5995ade749c32bc169b353ac1cc517858-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2629},{"_id":2630,"height":2597,"orientation":440,"ratio":2273,"url":2631,"width":2599},"image-1432ca46e034f4c30bd89fd329c6b3debcac3b20-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/1432ca46e034f4c30bd89fd329c6b3debcac3b20-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2633},{"_id":2634,"height":2597,"orientation":440,"ratio":2273,"url":2635,"width":2599},"image-f05137e3a6f22389963479806028b0f4a4a3acca-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/f05137e3a6f22389963479806028b0f4a4a3acca-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2637},{"_id":2638,"height":2597,"orientation":440,"ratio":2273,"url":2639,"width":2599},"image-77fe92883a02694846239afb591d0e534379fc4c-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/77fe92883a02694846239afb591d0e534379fc4c-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2641},{"_id":2642,"height":2597,"orientation":440,"ratio":2273,"url":2643,"width":2599},"image-6a203c1b297132bc5e32447755e70f1e0e9ac682-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/6a203c1b297132bc5e32447755e70f1e0e9ac682-3024x4032.jpg",{"gridSize":2645},"4",{"_type":7,"settings":2647,"text":2648},{"textColumnCount":941},[2649,2656,2666,2679],{"_key":2650,"_type":26,"children":2651,"markDefs":2655,"style":39},"6a55eb496009",[2652],{"_key":2653,"_type":30,"marks":2654,"text":2328},"c75753e04216",[32],[],{"_key":2657,"_type":26,"children":2658,"markDefs":2664,"style":39},"8815e1fbf541",[2659],{"_key":2660,"_type":30,"marks":2661,"text":2663},"4598b3beda67",[32,2662],"e25bb98645dd","page 1 & 2",[2665],{"_key":2662,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2667,"_type":26,"children":2668,"markDefs":2677,"style":39},"123b70820d9c",[2669,2673],{"_key":2670,"_type":30,"marks":2671,"text":2286},"6431df5b9d1e",[32,2672],"1f8832e367b0",{"_key":2674,"_type":30,"marks":2675,"text":2676},"f14aa41eb91a",[]," Which parts of the body symbolise rebellion?",[2678],{"_key":2672,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2680,"_type":26,"children":2681,"markDefs":2690,"style":39},"4a6bfbc6e7d4",[2682,2686],{"_key":2683,"_type":30,"marks":2684,"text":2685},"c6d1edcbd657",[],"Which ones symbolise conformity? ",{"_key":2687,"_type":30,"marks":2688,"text":2286},"93bafcff59f2",[32,2689],"a0c251cb2f75",[2691],{"_key":2689,"_type":2081,"color":9,"label":310,"value":2293},{"_type":2590,"images":2693,"settings":2743},[2694,2699,2703,2707,2711,2715,2719,2723,2727,2731,2735,2739],{"_type":2593,"alt":2594,"asset":2695},{"_id":2696,"height":2599,"orientation":789,"ratio":2697,"url":2698,"width":2597},"image-4e35e4da1a94fd911199b9cbad60b73eaa3c0a56-4032x3024-jpg",1.3333333333333333,"https://cdn.sanity.io/images/eodip22e/production/4e35e4da1a94fd911199b9cbad60b73eaa3c0a56-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2700},{"_id":2701,"height":2599,"orientation":789,"ratio":2697,"url":2702,"width":2597},"image-e75079e469d41dfd17728dc4c03cfe6b41565684-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/e75079e469d41dfd17728dc4c03cfe6b41565684-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2704},{"_id":2705,"height":2599,"orientation":789,"ratio":2697,"url":2706,"width":2597},"image-dc322a930fffac3b0485499948cda209e40dd884-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/dc322a930fffac3b0485499948cda209e40dd884-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2708},{"_id":2709,"height":2599,"orientation":789,"ratio":2697,"url":2710,"width":2597},"image-e44f3d51be0949aefc93b9f20dbcb64b23818afe-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/e44f3d51be0949aefc93b9f20dbcb64b23818afe-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2712},{"_id":2713,"height":2599,"orientation":789,"ratio":2697,"url":2714,"width":2597},"image-eb1d83f509da49dec6d722a49c10cd9f5463a89f-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/eb1d83f509da49dec6d722a49c10cd9f5463a89f-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2716},{"_id":2717,"height":2599,"orientation":789,"ratio":2697,"url":2718,"width":2597},"image-0c4452042c9cb0c5933673b49afcda255576640b-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/0c4452042c9cb0c5933673b49afcda255576640b-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2720},{"_id":2721,"height":2599,"orientation":789,"ratio":2697,"url":2722,"width":2597},"image-c9f50ed76498587abd8e90a0570e549c1dc4fa43-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/c9f50ed76498587abd8e90a0570e549c1dc4fa43-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2724},{"_id":2725,"height":2599,"orientation":789,"ratio":2697,"url":2726,"width":2597},"image-a2e55979a94d5c1d49c28dd5cf1e083a8093ff0f-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/a2e55979a94d5c1d49c28dd5cf1e083a8093ff0f-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2728},{"_id":2729,"height":2599,"orientation":789,"ratio":2697,"url":2730,"width":2597},"image-26c112325329ae323cfd9484d371dd7589efb058-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/26c112325329ae323cfd9484d371dd7589efb058-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2732},{"_id":2733,"height":2599,"orientation":789,"ratio":2697,"url":2734,"width":2597},"image-fdf40e326ad2f2444f99e6030e9efd8f2ccde79d-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/fdf40e326ad2f2444f99e6030e9efd8f2ccde79d-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2736},{"_id":2737,"height":2599,"orientation":789,"ratio":2697,"url":2738,"width":2597},"image-8fff4adb68d191490824fffe51f1d66297ce4eb0-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/8fff4adb68d191490824fffe51f1d66297ce4eb0-4032x3024.jpg",{"_type":2593,"alt":2594,"asset":2740},{"_id":2741,"height":2599,"orientation":789,"ratio":2697,"url":2742,"width":2597},"image-947cb67073ba524cbe4d4224adce50885fbc6ad7-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/947cb67073ba524cbe4d4224adce50885fbc6ad7-4032x3024.jpg",{"gridSize":2645},{"_type":7,"settings":2745,"text":2746},{"textColumnCount":941},[2747,2754],{"_key":2748,"_type":26,"children":2749,"markDefs":2753,"style":39},"48eb151ee663",[2750],{"_key":2751,"_type":30,"marks":2752,"text":2328},"e8fc313cd553",[32],[],{"_key":2755,"_type":26,"children":2756,"markDefs":2778,"style":39},"191f64e65156",[2757,2762,2766,2770,2774],{"_key":2758,"_type":30,"marks":2759,"text":2761},"eeee3a53fb39",[32,2760],"b0dcf983f6a1","Drag King Utopia Census",{"_key":2763,"_type":30,"marks":2764,"text":2765},"0113a483f1cc",[],"\n\n",{"_key":2767,"_type":30,"marks":2768,"text":2286},"12840da0c373",[32,2769],"8d70711b603c",{"_key":2771,"_type":30,"marks":2772,"text":2773},"f3477da982a2",[]," I learned masculinity* from ",{"_key":2775,"_type":30,"marks":2776,"text":2286},"710ade5034ee",[32,2777],"e198eb027597",[2779,2780,2781],{"_key":2777,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2769,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2760,"_type":2081,"color":9,"label":310,"value":2293},{"_type":2590,"images":2783,"settings":2809},[2784,2789,2793,2797,2801,2805],{"_type":2593,"alt":2785,"asset":2786},"MALED IT! Workshop Zürich - Drag King Utopia: A Collective Rehearsal",{"_id":2787,"height":2597,"orientation":440,"ratio":2273,"url":2788,"width":2599},"image-7f3c55eb4d691ae04d5e6dd7ef851cd4ff2c4387-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/7f3c55eb4d691ae04d5e6dd7ef851cd4ff2c4387-3024x4032.jpg",{"_type":2593,"alt":2785,"asset":2790},{"_id":2791,"height":2597,"orientation":440,"ratio":2273,"url":2792,"width":2599},"image-48f5675ea4ccfc760bce5340d14bc845e2e44ca6-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/48f5675ea4ccfc760bce5340d14bc845e2e44ca6-3024x4032.jpg",{"_type":2593,"alt":2785,"asset":2794},{"_id":2795,"height":2597,"orientation":440,"ratio":2273,"url":2796,"width":2599},"image-5d855d3ceb189c89abb80a552200dd43782d602e-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/5d855d3ceb189c89abb80a552200dd43782d602e-3024x4032.jpg",{"_type":2593,"alt":2785,"asset":2798},{"_id":2799,"height":2597,"orientation":440,"ratio":2273,"url":2800,"width":2599},"image-7b9362204d81a1f5516a03235b65213f9d4ba75a-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/7b9362204d81a1f5516a03235b65213f9d4ba75a-3024x4032.jpg",{"_type":2593,"alt":2785,"asset":2802},{"_id":2803,"height":2597,"orientation":440,"ratio":2273,"url":2804,"width":2599},"image-dd31003fa12be1cc2a6ed0c9b9dfcddd37f2a583-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/dd31003fa12be1cc2a6ed0c9b9dfcddd37f2a583-3024x4032.jpg",{"_type":2593,"alt":2785,"asset":2806},{"_id":2807,"height":2597,"orientation":440,"ratio":2273,"url":2808,"width":2599},"image-fcc7fcb157300509a6b1b8678f097fa8330aaafd-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/fcc7fcb157300509a6b1b8678f097fa8330aaafd-3024x4032.jpg",{"gridSize":2645},{"_type":7,"settings":2811,"text":2812},{"textColumnCount":941},[2813,2820],{"_key":2814,"_type":26,"children":2815,"markDefs":2819,"style":39},"db93afb044d1",[2816],{"_key":2817,"_type":30,"marks":2818,"text":2328},"b623e5906121",[32],[],{"_key":2821,"_type":26,"children":2822,"markDefs":2843,"style":39},"71062d48b8a2",[2823,2828,2831,2835,2839],{"_key":2824,"_type":30,"marks":2825,"text":2827},"e24952d1d8c3",[32,2826],"5d0a070619a3","The hangers remain empty",{"_key":2829,"_type":30,"marks":2830,"text":2765},"7b0717a72d3b",[32],{"_key":2832,"_type":30,"marks":2833,"text":2286},"4b2614cf545b",[32,2834],"11f429bfdd4d",{"_key":2836,"_type":30,"marks":2837,"text":2838},"8e89ae82e455",[]," What are you wearing even when nobody sees it? ",{"_key":2840,"_type":30,"marks":2841,"text":2286},"51e358d99a57",[32,2842],"4b60513d3a6e",[2844,2845,2846],{"_key":2826,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2842,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2834,"_type":2081,"color":9,"label":310,"value":2293},{"_type":936,"caption":9,"image":2848},{"alt":2594,"asset":2849},{"_id":2850,"height":2597,"orientation":440,"ratio":2273,"url":2851,"width":2599},"image-b876b01193d902330f1de2a1329db06a74df158b-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/b876b01193d902330f1de2a1329db06a74df158b-3024x4032.jpg",{"_type":7,"settings":2853,"text":2854},{"textColumnCount":941},[2855,2862,2872],{"_key":2856,"_type":26,"children":2857,"markDefs":2861,"style":39},"a75a4cbd1123",[2858],{"_key":2859,"_type":30,"marks":2860,"text":2328},"7075017020a7",[32],[],{"_key":2863,"_type":26,"children":2864,"markDefs":2870,"style":39},"7389c2fc87eb",[2865],{"_key":2866,"_type":30,"marks":2867,"text":2869},"3256c878c9cd",[32,2868],"df7d76f82730","page 3",[2871],{"_key":2868,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2873,"_type":26,"children":2874,"markDefs":2887,"style":39},"8fe9a805e8dc",[2875,2879,2883],{"_key":2876,"_type":30,"marks":2877,"text":2286},"3f232e0d17ef",[32,2878],"d5fbe3673591",{"_key":2880,"_type":30,"marks":2881,"text":2882},"fe4050c69a0b0",[32]," R  eflection ",{"_key":2884,"_type":30,"marks":2885,"text":2286},"a3ff67e3f2de",[32,2886],"50b18d81ccd7",[2888,2889],{"_key":2886,"_type":2081,"color":9,"label":310,"value":2293},{"_key":2878,"_type":2081,"color":9,"label":310,"value":2293},{"_type":2590,"images":2891,"settings":2940},[2892,2896,2900,2904,2908,2912,2916,2920,2924,2928,2932,2936],{"_type":2593,"alt":2594,"asset":2893},{"_id":2894,"height":2597,"orientation":440,"ratio":2273,"url":2895,"width":2599},"image-9427a5e6e4f5d02c44f640b63c7a9be72e4f97ae-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/9427a5e6e4f5d02c44f640b63c7a9be72e4f97ae-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2897},{"_id":2898,"height":2597,"orientation":440,"ratio":2273,"url":2899,"width":2599},"image-48616508004e254f2112e0fad21993daf61ab0cc-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/48616508004e254f2112e0fad21993daf61ab0cc-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2901},{"_id":2902,"height":2597,"orientation":440,"ratio":2273,"url":2903,"width":2599},"image-b2d3400ad3e5e87ce58a983f81b894114a29c37f-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/b2d3400ad3e5e87ce58a983f81b894114a29c37f-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2905},{"_id":2906,"height":2597,"orientation":440,"ratio":2273,"url":2907,"width":2599},"image-b0bf6f951932e071c92208e2d8f8b2ef8b74600c-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/b0bf6f951932e071c92208e2d8f8b2ef8b74600c-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2909},{"_id":2910,"height":2597,"orientation":440,"ratio":2273,"url":2911,"width":2599},"image-c7792b68aa30387208b9d7bf8ca985495b8e5bb6-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/c7792b68aa30387208b9d7bf8ca985495b8e5bb6-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2913},{"_id":2914,"height":2597,"orientation":440,"ratio":2273,"url":2915,"width":2599},"image-65aae13f8a3da365a880ad51178287e6b62bde20-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/65aae13f8a3da365a880ad51178287e6b62bde20-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2917},{"_id":2918,"height":2597,"orientation":440,"ratio":2273,"url":2919,"width":2599},"image-229b65a1a2de8b44db41447e8e547218637ad7ef-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/229b65a1a2de8b44db41447e8e547218637ad7ef-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2921},{"_id":2922,"height":2597,"orientation":440,"ratio":2273,"url":2923,"width":2599},"image-90e62c98cb74cbcaeb5c3359b34a80828bc69f88-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/90e62c98cb74cbcaeb5c3359b34a80828bc69f88-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2925},{"_id":2926,"height":2597,"orientation":440,"ratio":2273,"url":2927,"width":2599},"image-2aeab54f26adef01718d54eb49691907aa56e7bf-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/2aeab54f26adef01718d54eb49691907aa56e7bf-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2929},{"_id":2930,"height":2597,"orientation":440,"ratio":2273,"url":2931,"width":2599},"image-3112ef6187000a5abcfcebf9f6291575537fd1b2-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/3112ef6187000a5abcfcebf9f6291575537fd1b2-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2933},{"_id":2934,"height":2597,"orientation":440,"ratio":2273,"url":2935,"width":2599},"image-50c12cd1d067048ef06277160b982e7248dce324-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/50c12cd1d067048ef06277160b982e7248dce324-3024x4032.jpg",{"_type":2593,"alt":2594,"asset":2937},{"_id":2938,"height":2597,"orientation":440,"ratio":2273,"url":2939,"width":2599},"image-2096c42cf1b03bce1d80a5220a68e9de738ebbbc-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/2096c42cf1b03bce1d80a5220a68e9de738ebbbc-3024x4032.jpg",{"gridSize":2645},{"_type":7,"settings":2942,"text":2943},{"textColumnCount":941},[2944,2952,2959,2966,2973,2980,2988,2995],{"_key":2945,"_type":26,"children":2946,"markDefs":2951,"style":39},"1b366ef48fa3",[2947],{"_key":2948,"_type":30,"marks":2949,"text":2950},"d5e2fc14b20c",[],"whisper",[],{"_key":2953,"_type":26,"children":2954,"markDefs":2958,"style":39},"d94ac72b540d",[2955],{"_key":2956,"_type":30,"marks":2957,"text":2950},"13f8985bd92e",[],[],{"_key":2960,"_type":26,"children":2961,"markDefs":2965,"style":39},"ab1cf755f429",[2962],{"_key":2963,"_type":30,"marks":2964,"text":2950},"0afc72ff1f42",[],[],{"_key":2967,"_type":26,"children":2968,"markDefs":2972,"style":39},"1c52a2f14dc7",[2969],{"_key":2970,"_type":30,"marks":2971,"text":2950},"0d6bbfed3bf7",[],[],{"_key":2974,"_type":26,"children":2975,"markDefs":2979,"style":39},"7ebad6d8ead0",[2976],{"_key":2977,"_type":30,"marks":2978,"text":720},"550c96095539",[],[],{"_key":2981,"_type":26,"children":2982,"markDefs":2987,"style":39},"682df4d52520",[2983],{"_key":2984,"_type":30,"marks":2985,"text":2986},"56a5b6addd16",[],"who you could become?",[],{"_key":2989,"_type":26,"children":2990,"markDefs":2994,"style":39},"188883fbc914",[2991],{"_key":2992,"_type":30,"marks":2993,"text":720},"edf7dc0c5461",[],[],{"_key":2996,"_type":26,"children":2997,"markDefs":3010,"style":3013},"acf81545bf55",[2998,3002,3006],{"_key":2999,"_type":30,"marks":3000,"text":2286},"85508b2dee4e",[32,3001],"65b23a98bde5",{"_key":3003,"_type":30,"marks":3004,"text":3005},"09d6903069e5",[32]," Rehearsal end ",{"_key":3007,"_type":30,"marks":3008,"text":2286},"6b86a502caf6",[32,3009],"865eab8dd503",[3011,3012],{"_key":3001,"_type":2081,"color":9,"label":310,"value":2293},{"_key":3009,"_type":2081,"color":9,"label":310,"value":2293},"h3",{"_type":2247,"slides":3015},[3016,3021,3026,3031,3036],{"_type":936,"caption":9,"image":3017},{"alt":2594,"asset":3018},{"_id":3019,"height":2597,"orientation":440,"ratio":2273,"url":3020,"width":2599},"image-52a1e033e1c39b7d6331032cd314885de4e2eba4-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/52a1e033e1c39b7d6331032cd314885de4e2eba4-3024x4032.jpg",{"_type":936,"caption":9,"image":3022},{"alt":2594,"asset":3023},{"_id":3024,"height":2597,"orientation":440,"ratio":2273,"url":3025,"width":2599},"image-fbf62097f8ed6608850237348de45b2d7771c8ae-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/fbf62097f8ed6608850237348de45b2d7771c8ae-3024x4032.jpg",{"_type":936,"caption":9,"image":3027},{"alt":9,"asset":3028},{"_id":3029,"height":2599,"orientation":789,"ratio":2697,"url":3030,"width":2597},"image-b460722b5bb53b84cdbed9292ad0dbc6fd89e0b4-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/b460722b5bb53b84cdbed9292ad0dbc6fd89e0b4-4032x3024.jpg",{"_type":936,"caption":9,"image":3032},{"alt":2594,"asset":3033},{"_id":3034,"height":2597,"orientation":440,"ratio":2273,"url":3035,"width":2599},"image-e8a2feef5f213d1c8778ad7deb467c32e528ec24-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/e8a2feef5f213d1c8778ad7deb467c32e528ec24-3024x4032.jpg",{"_type":936,"caption":9,"image":3037},{"alt":2594,"asset":3038},{"_id":3039,"height":2597,"orientation":440,"ratio":2273,"url":3040,"width":2599},"image-87afb8f8ae0623eb4d7cfc39a9325501dab26320-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/87afb8f8ae0623eb4d7cfc39a9325501dab26320-3024x4032.jpg",{"_type":7,"settings":3042,"text":3043},{"textColumnCount":941},[3044,3054],{"_key":3045,"_type":26,"children":3046,"markDefs":3052,"style":3013},"9ea16fed16f7",[3047],{"_key":3048,"_type":30,"marks":3049,"text":3051},"455f3eb262d0",[32,3050,874],"21976ac04147","Diddy",[3053],{"_key":3050,"_type":2081,"color":9,"label":310,"value":2293},{"_key":3055,"_type":26,"children":3056,"markDefs":3062,"style":3013},"26fb85a018d8",[3057],{"_key":3058,"_type":30,"marks":3059,"text":3061},"2b3cd7fe8272",[32,3060,874],"16e0b00c7d34","Daddy",[3063],{"_key":3060,"_type":2081,"color":9,"label":310,"value":2293},{"_type":936,"caption":3065,"image":3074},[3066],{"_key":3067,"_type":26,"children":3068,"markDefs":3073,"style":39},"e74b02e73740",[3069],{"_key":3070,"_type":30,"marks":3071,"text":3072},"c7cc01fc4583",[],"eggplant inspires Diddy Daddy",[],{"alt":3075,"asset":3076},"Diddy Daddy eggplant",{"_id":3077,"height":2597,"orientation":440,"ratio":2273,"url":3078,"width":2599},"image-594cf8df3281455469f6019e81e5f502a43c4946-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/594cf8df3281455469f6019e81e5f502a43c4946-3024x4032.jpg",{"_type":7,"settings":3080,"text":3081},{"textColumnCount":941},[3082,3089,3104],{"_key":3083,"_type":26,"children":3084,"markDefs":3088,"style":39},"7cf01f0b988b",[3085],{"_key":3086,"_type":30,"marks":3087,"text":2286},"04714ebe0079",[],[],{"_key":3090,"_type":26,"children":3091,"markDefs":3103,"style":39},"acac9bbc62e5",[3092,3096,3100],{"_key":3093,"_type":30,"marks":3094,"text":3095},"feeb5dc27b67",[],"🦋🦋🦋",{"_key":3097,"_type":30,"marks":3098,"text":3099},"fca6f9010db6",[32]," Interactive answers ",{"_key":3101,"_type":30,"marks":3102,"text":3095},"a11076f7f426",[],[],{"_key":3105,"_type":26,"children":3106,"markDefs":3111,"style":39},"65fae23f41a6",[3107],{"_key":3108,"_type":30,"marks":3109,"text":3110},"9c480cb46d02",[],"An attempt to find some answers. An open online survey featuring the following questions on Drag Kinging and un/learning:",[],{"_type":936,"caption":3113,"image":3122},[3114],{"_key":3115,"_type":26,"children":3116,"markDefs":3121,"style":39},"e0973670b69f",[3117],{"_key":3118,"_type":30,"marks":3119,"text":3120},"8e63616fa592",[],"How to ",[],{"alt":3123,"asset":3124},"Rules of Drag King ulnearning",{"_id":3125,"height":3126,"orientation":789,"ratio":3127,"url":3128,"width":3129},"image-1dac3ba7b425e07526d837b26536e4c39e51fdc2-1804x862-png",862,2.0928074245939676,"https://cdn.sanity.io/images/eodip22e/production/1dac3ba7b425e07526d837b26536e4c39e51fdc2-1804x862.png",1804,{"_type":2247,"slides":3131},[3132,3141,3150,3159,3168,3177,3185,3194,3203],{"_type":936,"caption":9,"image":3133},{"alt":3134,"asset":3135},"Have you heard of Drag Kings before?",{"_id":3136,"height":3137,"orientation":789,"ratio":3138,"url":3139,"width":3140},"image-31aadda4f8b7700d92af467c86d43d7bbcbd7766-1364x902-png",902,1.5121951219512195,"https://cdn.sanity.io/images/eodip22e/production/31aadda4f8b7700d92af467c86d43d7bbcbd7766-1364x902.png",1364,{"_type":936,"caption":9,"image":3142},{"alt":3143,"asset":3144},"What can Drag Kinging do?",{"_id":3145,"height":3146,"orientation":789,"ratio":3147,"url":3148,"width":3149},"image-37c1c394f1c311b61ce5466b13a5550943eb9c13-1642x632-png",632,2.598101265822785,"https://cdn.sanity.io/images/eodip22e/production/37c1c394f1c311b61ce5466b13a5550943eb9c13-1642x632.png",1642,{"_type":936,"caption":9,"image":3151},{"alt":3152,"asset":3153},"Who has the longest one",{"_id":3154,"height":3155,"orientation":789,"ratio":3156,"url":3157,"width":3158},"image-24dd97bbb68e29167d797ade7e86ec0e013bf134-1310x1174-png",1174,1.1158432708688246,"https://cdn.sanity.io/images/eodip22e/production/24dd97bbb68e29167d797ade7e86ec0e013bf134-1310x1174.png",1310,{"_type":936,"caption":9,"image":3160},{"alt":3161,"asset":3162},"Stuff in your mind",{"_id":3163,"height":3164,"orientation":789,"ratio":3165,"url":3166,"width":3167},"image-5453f44ca185f88925df642715b36c944c5460db-1550x706-png",706,2.1954674220963173,"https://cdn.sanity.io/images/eodip22e/production/5453f44ca185f88925df642715b36c944c5460db-1550x706.png",1550,{"_type":936,"caption":9,"image":3169},{"alt":3170,"asset":3171},"What do you need to be present?",{"_id":3172,"height":3173,"orientation":789,"ratio":3174,"url":3175,"width":3176},"image-62756118744089fc99a087a4bf3db0a0b09f387d-1124x802-png",802,1.401496259351621,"https://cdn.sanity.io/images/eodip22e/production/62756118744089fc99a087a4bf3db0a0b09f387d-1124x802.png",1124,{"_type":936,"caption":9,"image":3178},{"alt":3179,"asset":3180},"Personal UTOPIA",{"_id":3181,"height":2143,"orientation":789,"ratio":3182,"url":3183,"width":3184},"image-ba1d8c8c0671923703e2730b66b19afc4e6f6974-1164x944-png",1.2330508474576272,"https://cdn.sanity.io/images/eodip22e/production/ba1d8c8c0671923703e2730b66b19afc4e6f6974-1164x944.png",1164,{"_type":936,"caption":9,"image":3186},{"alt":3187,"asset":3188},"Unlearning",{"_id":3189,"height":3190,"orientation":789,"ratio":3191,"url":3192,"width":3193},"image-7b4bc41ed846db018cb521ddda9c6f66fc4d0b04-1974x848-png",848,2.327830188679245,"https://cdn.sanity.io/images/eodip22e/production/7b4bc41ed846db018cb521ddda9c6f66fc4d0b04-1974x848.png",1974,{"_type":936,"caption":9,"image":3195},{"alt":3196,"asset":3197},"Unlearning useful",{"_id":3198,"height":3199,"orientation":789,"ratio":3200,"url":3201,"width":3202},"image-9934789f18b0a8394168ca3ef564851846623251-1874x470-png",470,3.9872340425531916,"https://cdn.sanity.io/images/eodip22e/production/9934789f18b0a8394168ca3ef564851846623251-1874x470.png",1874,{"_type":936,"caption":9,"image":3204},{"alt":3205,"asset":3206},"What is needed for unlearning?",{"_id":3207,"height":3208,"orientation":789,"ratio":3209,"url":3210,"width":3211},"image-213e448a22cadbde51d127b872f35243c93cf981-2168x1026-png",1026,2.1130604288499026,"https://cdn.sanity.io/images/eodip22e/production/213e448a22cadbde51d127b872f35243c93cf981-2168x1026.png",2168,[3213,3230,3240,3250,3260,3270],{"_type":1047,"question":3214},[3215,3223],{"_key":3216,"_type":26,"children":3217,"markDefs":3222,"style":39},"77454f38603e",[3218],{"_key":3219,"_type":30,"marks":3220,"text":3221},"9d7eca3bcabb0",[],"How can Drag Kinging become a shared method for collective learning, unlearning, and knowledge production?",[],{"_key":3224,"_type":26,"children":3225,"markDefs":3229,"style":39},"625ce27b11e3",[3226],{"_key":3227,"_type":30,"marks":3228,"text":720},"de19bbc38d5e",[],[],{"_type":1047,"question":3231},[3232],{"_key":3233,"_type":26,"children":3234,"markDefs":3239,"style":39},"977622975012",[3235],{"_key":3236,"_type":30,"marks":3237,"text":3238},"c404bd0a1dcd0",[],"What knowledge is accessed when we step into alternative masculinities* and gender roles – and how can this be documented, shared, and opened up to others?",[],{"_type":1047,"question":3241},[3242],{"_key":3243,"_type":26,"children":3244,"markDefs":3249,"style":39},"38f0bd465e9e",[3245],{"_key":3246,"_type":30,"marks":3247,"text":3248},"3cd9760af0440",[],"What can the body know that language cannot articulate?",[],{"_type":1047,"question":3251},[3252],{"_key":3253,"_type":26,"children":3254,"markDefs":3259,"style":39},"eac8e8a53be7",[3255],{"_key":3256,"_type":30,"marks":3257,"text":3258},"b24749e52b7c0",[],"What role does cultural memory play in embodied gender performance?",[],{"_type":1047,"question":3261},[3262],{"_key":3263,"_type":26,"children":3264,"markDefs":3269,"style":39},"9cee3df0f515",[3265],{"_key":3266,"_type":30,"marks":3267,"text":3268},"c2ffed14f60a0",[],"What does an archive of gestures look like?",[],{"_type":1047,"question":3271},[3272],{"_key":3273,"_type":26,"children":3274,"markDefs":3279,"style":39},"0975fded3084",[3275],{"_key":3276,"_type":30,"marks":3277,"text":3278},"14ebef56abdd0",[],"How can utopia be made visible without fixing it?",[],[3281,189,3282,3283,3284,3285,3286,3287,3288,461,3289,2176,3290,3291,3292,3293,3294,3295,3296,3297,3298,3299,1096,3300,1097,1125,2005,369,1100,2018,2025],"maled it! – body rebellion and flowing knowledge: drag kinging as a collective utopia & un/learning","how can drag kinging become a shared method for collective learning, unlearning, and knowledge production?\n\n","what knowledge is accessed when we step into alternative masculinities* and gender roles – and how can this be documented, shared, and opened up to others?","what can the body know that language cannot articulate?","what role does cultural memory play in embodied gender performance?","what does an archive of gestures look like?","how can utopia be made visible without fixing it?","who what why where is diddy daddy?","between berlin and bulgaria","this project explores drag kinging as a method of embodied, collective knowledge production. it is rooted in queer-feminist, anti-normative practices and unfolds through maled it! – a long-term workshop series i have been developing since 2018. maled it! empowers queer, trans*, non-binary and flinta* persons through drag as a form of joyful resistance and transformation.\n\n my interest within the school of commons lies in further developing drag kinging as a commons-based methodology for peer learning, critical play, and transdisciplinary research. the focus is not on performance as outcome, but on what becomes possible through the act of becoming someone else together – shifting norms, reclaiming agency, and imagining other futures through the body.","+++ soc gathering\n\njuly 3 - 5 in 2026 \n\n@zhdk zürich +++\n\n\n\n____\n\nwelcome to drag king utopia: a collective rehearsal\n\nfor the next hour, i would like to invite you into a temporary experiment.\n\nbefore we begin, a few words about drag kings and masculinity*.\n\nmy name is marilyn nova or marilyn moustache.\n\ndrag kings are performers, artists, and researchers who explore masculinity* through embodiment, transformation, exaggeration, imitation, and play. rather than treating masculinity* as something natural or fixed, drag kinging approaches it as something that can be observed, learned, rehearsed, questioned, and reinvented.\n\nin this workshop, masculinity* is not understood as something that belongs to men.\n\ninstead, i invite us to think of masculinity* as a collection of gestures, behaviours, postures, expectations, fantasies, privileges, vulnerabilities, and ways of relating to others. some of these we inherit. some we resist. some we consciously choose. others we may still need to invent.\n\nmy interest is not in defining what masculinity* is or teaching you how to become a drag king.\n\nmy interest is in asking:\n\nhow does masculinity* move through bodies?\nhow is it learned?\nhow is it performed?\nhow can it be transformed?\n\nand i am interested in the knowledge that lives in our bodies.\n\nthe knowledge we inherit.\nthe knowledge we perform.\nthe knowledge we resist.\nthe knowledge we pass on to others without even noticing.\n\ntoday, we will use drag kinging not as a performance genre, but as a research tool.\n\nrecently, two terms have been accompanying my research: body rebellion and flowing knowledge.\n\nbody rebellion makes me wonder:\nwhere does resistance live in the body?\nwhat parts of ourselves have learned to adapt?\nwhat parts still refuse?\n\nflowing knowledge makes me wonder:\nhow does knowledge travel?\nwhat happens when it moves from one body to another?\nwhat changes along the way?\nwhat gets lost?\nwhat gets invented?\n\nfor the next hour, i would like us to approach these questions together.\n\nyou will be invited to write, move, observe, speak, imagine, and perhaps try on a beard.\n\nyou don't need any previous experience with drag.\nyou don't need to perform.\nyou don't need to know the right answer.\n\ni am not looking for expertise.\ni am looking for traces.\n\ntraces of knowledge.\ntraces of rebellion.\ntraces of transformation.\n\ntogether, we will create a temporary drag king utopia: not a perfect place, but a space where other ways of being can be rehearsed.\n\nlet's begin.\n\n\n\n\n\n","____\n\nthe knowledge exchange\n\nthe cover\n\n+++ what knowledge lives in your body? knowledge travels. from body to body. think of a skill, habit, gesture, survival strategy or piece of knowledge that has shaped you. +++","____\n\npage 1 & 2\n\n+++ which parts of the body symbolise rebellion?\n\nwhich ones symbolise conformity? +++","____\n\ndrag king utopia census\n\n+++ i learned masculinity* from +++","____\n\nthe hangers remain empty\n\n+++ what are you wearing even when nobody sees it? +++","____\n\npage 3\n\n+++ r  eflection +++","whisper\n\nwhisper\n\nwhisper\n\nwhisper\n\n\n\nwho you could become?\n\n\n\n+++ rehearsal end +++","diddy\n\ndaddy","+++\n\n🦋🦋🦋 interactive answers 🦋🦋🦋\n\nan attempt to find some answers. an open online survey featuring the following questions on drag kinging and un/learning:","methods for knowledge decentralisation",{"metaDescription":9,"metaTitle":3302,"shareImage":9},"MALED IT! Body Rebellion Drag King Collective Utopia",{"_type":14,"current":3304},"maled-it","MALED IT! – Body Rebellion and Flowing Knowledge: Drag Kinging as a Collective Utopia & Un/learning",{"_id":3307,"_type":304,"categories":3308,"credits":3336,"featuredImage":3568,"filterables":3576,"footnotes":3586,"locations":3587,"logbook":3607,"pageBuilder":3640,"researchQuestion":9,"researchQuestions":3748,"searchables":3799,"seo":9,"slug":3814,"title":3569,"year":190},"755dd2a1-4a67-44cc-8225-d1f27643a276",[3309,3316,3323,3330],{"_id":3310,"_type":308,"colorPrimary":3311,"seo":9,"slug":3313,"title":3315},"374d8e34-4faa-46f1-b6af-3b725c550ed3",{"label":310,"value":3312},"#00ffc3",{"_type":14,"current":3314},"walking-together-along-your-river","Walking Together Along Your River",{"_id":3317,"_type":308,"colorPrimary":3318,"seo":9,"slug":3320,"title":3322},"8509d736-dc07-4cc5-a1a7-c41e28c1eaa0",{"label":310,"value":3319},"#61bfe8",{"_type":14,"current":3321},"seasalt-farm-school","Seasalt Farm School",{"_id":3324,"_type":308,"colorPrimary":3325,"seo":9,"slug":3327,"title":3329},"e15d9cab-c5e8-4795-8be7-d3bf58a869c3",{"label":310,"value":3326},"#407fff",{"_type":14,"current":3328},"Embodied knowledge","Embodied Knowledge",{"_id":3331,"_type":308,"colorPrimary":3332,"seo":9,"slug":3333,"title":3335},"c0b15fd9-0fb0-4d5a-9b86-d7f2a97556e9",{"label":310,"value":311},{"_type":14,"current":3334},"geography-of-becoming","Geography of Becoming",{"other":3337,"profiles":3346},[3338],{"_key":3339,"_type":26,"children":3340,"markDefs":3345,"style":39},"0593ee84280c",[3341],{"_key":3342,"_type":30,"marks":3343,"text":3344},"618eacff5246",[],"About our collective: Our transdisciplinary team includes a community leader, artists, a social science researcher, an ethnographic writer and an environmental expert. Together, we approach bio-cultural practice through multiple lenses and foster dialogue among communities navigating ecosystem degradation, the erosion of cultural memory, and governance challenges—especially the marginalization of local knowledge in environmental governance.",[],[3347,3406,3441,3476,3503,3539],{"_id":3348,"_type":389,"activeYears":3349,"bio":3352,"bioShort":3361,"featuredImage":3362,"filterables":3370,"links":3373,"locations":3376,"searchables":3402,"seo":9,"slug":3404,"title":3363},"11ed1aa1-a0c2-4669-8551-8b0a3393cab9",[3350],{"_id":186,"_type":187,"seo":9,"slug":3351,"title":190},{"_type":14,"current":189},[3353],{"_key":3354,"_type":26,"children":3355,"markDefs":3360,"style":39},"23e5513d6366",[3356],{"_key":3357,"_type":30,"marks":3358,"text":3359},"ed8609a977280",[],"Chengwei is an artist from Sichuan, China, currently based in London. Her practice moves across drawing, writing, and making, approaching art as a slow, relational process of co-presence, care, and cultivation. Her work unfolds through long-term attention to specific places and relationships. It brings together personal narrative, local knowledge, and embodied experience, taking shape through practices such as foraging, growing, and making. Through these processes, she attends to non-linear temporalities and to forms of knowledge that are often overlooked or marginalized, exploring how they might be sensed, remembered, and re-articulated.",[],"Chengwei is an artist from Sichuan, China, currently based in London. Her practice moves across drawing, writing, and making, approaching art as a slow, relational process of co-presence, care, and cultivation. Her work unfolds through long-term attention to specific places and relationships.",{"alt":3363,"asset":3364},"Chengwei Xia",{"_id":3365,"height":3366,"orientation":440,"ratio":3367,"url":3368,"width":3369},"image-3236525d8907bb21de27c1b3a9bc0368906a502c-1024x1544-jpg",1544,0.6632124352331606,"https://cdn.sanity.io/images/eodip22e/production/3236525d8907bb21de27c1b3a9bc0368906a502c-1024x1544.jpg",1024,{"filterYear":3371},[3372],{"_id":186,"title":190},[3374],{"_type":449,"label":450,"url":3375},"https://chengweixia.com",{"locations":3377,"other":3385},[3378,3383],{"_id":3379,"_type":459,"seo":9,"slug":3380,"title":3382},"715d6004-576a-4e25-b9e4-5aee292263af",{"_type":14,"current":3381},"china","China",{"_id":458,"_type":459,"seo":9,"slug":3384,"title":462},{"_type":14,"current":461},[3386,3394],{"_key":3387,"_type":26,"children":3388,"markDefs":3393,"style":39},"d228b1fb3491",[3389],{"_key":3390,"_type":30,"marks":3391,"text":3392},"a941fa69b7be",[],"Sichuan",[],{"_key":3395,"_type":26,"children":3396,"markDefs":3401,"style":39},"ed74e1bbe28a",[3397],{"_key":3398,"_type":30,"marks":3399,"text":3400},"625f6bfbeef6",[],"London",[],[3403,189],"chengwei xia",{"_type":14,"current":3405},"chengwei-xia",{"_id":3407,"_type":389,"activeYears":3408,"bio":3411,"bioShort":3420,"featuredImage":3421,"filterables":3427,"links":9,"locations":3430,"searchables":3436,"seo":9,"slug":3438,"title":3440},"084e8179-6ffb-4e0e-802b-7326246863b8",[3409],{"_id":186,"_type":187,"seo":9,"slug":3410,"title":190},{"_type":14,"current":189},[3412],{"_key":3413,"_type":26,"children":3414,"markDefs":3419,"style":39},"b9b33e86273f",[3415],{"_key":3416,"_type":30,"marks":3417,"text":3418},"de5334e415b7",[],"Huiqiao (丘慧巧) is a social scientist who is interested in exploring art as a method to facilitate ethical and emancipatory knowledge production in relation to entanglement between human and more-than-human. My past initiatives include collaboration with other artists and practitioners, supported by local NGOs, aiming at facilitate residents' narratives around water, climate, food through applied theatre, participatory workshops, community-based events, and other participatory methods.    ",[],"Huiqiao (丘慧巧) is a social science researcher in Development Planning, examining how local practices and relationality could inform solutions toward socio-environmental challenges. ",{"alt":9,"asset":3422},{"_id":3423,"height":3424,"orientation":440,"ratio":2273,"url":3425,"width":3426},"image-0b1aaf3f4eac28e64a82ab2767ff562e12a3ef09-1200x1600-jpg",1600,"https://cdn.sanity.io/images/eodip22e/production/0b1aaf3f4eac28e64a82ab2767ff562e12a3ef09-1200x1600.jpg",1200,{"filterYear":3428},[3429],{"_id":186,"title":190},{"locations":3431,"other":9},[3432,3434],{"_id":3379,"_type":459,"seo":9,"slug":3433,"title":3382},{"_type":14,"current":3381},{"_id":458,"_type":459,"seo":9,"slug":3435,"title":462},{"_type":14,"current":461},[3437,189],"huiqiao qiu",{"_type":14,"current":3439},"huiqiao-qiu","Huiqiao Qiu",{"_id":3442,"_type":389,"activeYears":3443,"bio":3446,"bioShort":3462,"featuredImage":3463,"filterables":3468,"links":9,"locations":9,"searchables":3471,"seo":9,"slug":3473,"title":3475},"b83c9754-5f08-4185-9577-b5377d849aa5",[3444],{"_id":186,"_type":187,"seo":9,"slug":3445,"title":190},{"_type":14,"current":189},[3447,3455],{"_key":3448,"_type":26,"children":3449,"markDefs":3454,"style":39},"1f1a677c6b3d",[3450],{"_key":3451,"_type":30,"marks":3452,"text":3453},"30c7c56e8a6a0",[],"Shuhao Lin (林树浩) is an advisor to the Haikou Duotan Wetland Research Institute; a member of the IUCN Horseshoe Crab Specialist Group; designer and editor of popular science books; freshwater fish surveys.",[],{"_key":3456,"_type":26,"children":3457,"markDefs":3461,"style":39},"0e27746ebfd8",[3458],{"_key":3459,"_type":30,"marks":3460,"text":720},"e8c6006a45f50",[],[],"An advisor to the Haikou Duotan Wetland Research Institute; a member of the IUCN Horseshoe Crab Specialist Group; designer and editor of popular science books; freshwater fish surveys.",{"alt":9,"asset":3464},{"_id":3465,"height":2184,"orientation":789,"ratio":2697,"url":3466,"width":3467},"image-a351d1c1f3c651456eda0da51c432710126bb822-1440x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/a351d1c1f3c651456eda0da51c432710126bb822-1440x1080.jpg",1440,{"filterYear":3469},[3470],{"_id":186,"title":190},[3472,189],"shuhao lin",{"_type":14,"current":3474},"shuhao-lin","Shuhao Lin",{"_id":3477,"_type":389,"activeYears":3478,"bio":3481,"bioShort":3490,"featuredImage":3491,"filterables":3495,"links":9,"locations":9,"searchables":3498,"seo":9,"slug":3500,"title":3502},"35f6f048-410c-4e13-b8b6-f16d786d8a64",[3479],{"_id":186,"_type":187,"seo":9,"slug":3480,"title":190},{"_type":14,"current":189},[3482],{"_key":3483,"_type":26,"children":3484,"markDefs":3489,"style":39},"fae80c390296",[3485],{"_key":3486,"_type":30,"marks":3487,"text":3488},"7207c978a0c00",[],"Songzi is an independent writer who explores the relationship between people and nature in local communities, she uses interviews and writing to uncover local experiences and ecological knowledge. Her work has appeared in publications such as Huaxia Geography, Sixth Tone, and The Paper.",[],"Songzi (王松子) is an independent writer who explores the relationship between people and nature in local communities, she uses interviews and writing to uncover local experiences and ecological knowledge.  ",{"alt":9,"asset":3492},{"_id":3493,"height":2184,"orientation":789,"ratio":1923,"url":3494,"width":1270},"image-e0cdc8d75788e290c6c9a6d5a3c2ed58beb6c4a5-1620x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/e0cdc8d75788e290c6c9a6d5a3c2ed58beb6c4a5-1620x1080.jpg",{"filterYear":3496},[3497],{"_id":186,"title":190},[3499,189],"songzi wang",{"_type":14,"current":3501},"songzi-wang","Songzi Wang",{"_id":3504,"_type":389,"activeYears":3505,"bio":3508,"bioShort":3517,"featuredImage":3518,"filterables":3522,"links":9,"locations":3525,"searchables":3534,"seo":9,"slug":3536,"title":3538},"3cecc579-db08-466e-b0fa-9cfbff3a48f7",[3506],{"_id":186,"_type":187,"seo":9,"slug":3507,"title":190},{"_type":14,"current":189},[3509],{"_key":3510,"_type":26,"children":3511,"markDefs":3516,"style":39},"819274124582",[3512],{"_key":3513,"_type":30,"marks":3514,"text":3515},"e52286e6ed7d0",[],"Hello everyone, I'm Alan Tan (谭喜云), the former chief of Laoshi Village. With over 10 years of experience in architectural design and project management and 8 years of experience in community govermance and sustainable development. I'm thrilled to join SoC to explore how 'commoning' can reshape rural spaces and facilitate local residents.",[],"The former chief of Laoshi Village. With over 10 years of experience in architectural design and project management and 8 years of experience in community govermance and sustainable development. I'm thrilled to join SoC to explore how 'commoning' can reshape rural spaces and facilitate local residents.",{"alt":9,"asset":3519},{"_id":3520,"height":1723,"orientation":789,"ratio":1923,"url":3521,"width":2187},"image-891814d7d73c8533fd2cfbbc7cb38c79eb859e8a-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/891814d7d73c8533fd2cfbbc7cb38c79eb859e8a-1920x1280.jpg",{"filterYear":3523},[3524],{"_id":186,"title":190},{"locations":3526,"other":9},[3527,3529],{"_id":3379,"_type":459,"seo":9,"slug":3528,"title":3382},{"_type":14,"current":3381},{"_id":3530,"_type":459,"seo":9,"slug":3531,"title":3533},"dd3e3abc-4ccb-4b7b-86ba-8bfeb7e4f9e4",{"_type":14,"current":3532},"north-america","North America",[3535,189],"xiyun tan",{"_type":14,"current":3537},"xiyun-tan","Xiyun Tan",{"_id":3540,"_type":389,"activeYears":9,"bio":3541,"bioShort":3550,"featuredImage":3551,"filterables":3558,"links":9,"locations":3559,"searchables":3563,"seo":9,"slug":3565,"title":3567},"6a919eb5-7e44-4958-b126-fca2cad37411",[3542],{"_key":3543,"_type":26,"children":3544,"markDefs":3549,"style":39},"9a85b435b75a",[3545],{"_key":3546,"_type":30,"marks":3547,"text":3548},"ab0bc32f3ca10",[],"Gu Qiu (顾秋) comes from an island of southern China. As a content creator whose primary mediums are photography and poetry, she focuses on community transformation and individual emotional memories—exploring how a place is remembered and how individuals navigate their own memories. She is currently working on a project involving image editing and self-curation: the “Bedside Solo Exhibition series—I Planted a Tree by My Bedside”.\n",[],"A content creator whose primary mediums are photography and poetry.\n",{"alt":9,"asset":3552},{"_id":3553,"height":3554,"orientation":440,"ratio":3555,"url":3556,"width":3557},"image-ab10dadfd5a4561f22b5440b8d8a18e036c064a2-1081x1619-jpg",1619,0.6676961087090797,"https://cdn.sanity.io/images/eodip22e/production/ab10dadfd5a4561f22b5440b8d8a18e036c064a2-1081x1619.jpg",1081,{"filterYear":9},{"locations":3560,"other":9},[3561],{"_id":3379,"_type":459,"seo":9,"slug":3562,"title":3382},{"_type":14,"current":3381},[3564],"gu qiu ",{"_type":14,"current":3566},"gu-qiu","Gu Qiu ",{"alt":3569,"asset":3570},"Mou Gan Project",{"_id":3571,"height":3572,"orientation":789,"ratio":3573,"url":3574,"width":3575},"image-afe1a59bfeb735e4c098fc50ff5fa02795505d0f-1256x960-jpg",960,1.3083333333333333,"https://cdn.sanity.io/images/eodip22e/production/afe1a59bfeb735e4c098fc50ff5fa02795505d0f-1256x960.jpg",1256,{"filterCategory":3577,"filterLocation":3582,"filterYear":3584},[3578,3579,3580,3581],{"_id":3310,"title":3315},{"_id":3317,"title":3322},{"_id":3324,"title":3329},{"_id":3331,"title":3335},[3583],{"_id":3379,"title":3382},[3585],{"_id":186,"title":190},[],{"locations":3588,"other":3591},[3589],{"_id":3379,"_type":459,"seo":9,"slug":3590,"title":3382},{"_type":14,"current":3381},[3592,3600],{"_key":3593,"_type":26,"children":3594,"markDefs":3599,"style":39},"d64b704ef06b",[3595],{"_key":3596,"_type":30,"marks":3597,"text":3598},"d86ba5bf3d510",[],"Laoshi village, the site of the project, is located in the western region of Hainan Island, the southernmost province of China. It sits near a harbour where seawater meets freshwater flowing down from the central mountains. This mingling of salt and fresh water sustains a rich local biodiversity, while also making possible the traditional livelihood of sea salt production, both historically and in the present.",[],{"_key":3601,"_type":26,"children":3602,"markDefs":3606,"style":39},"0edc0d749e13",[3603],{"_key":3604,"_type":30,"marks":3605,"text":720},"8950afb2312e",[],[],[3608,3616,3624,3632],{"_key":3609,"_type":26,"children":3610,"markDefs":3615,"style":39},"0b26908c6016",[3611],{"_key":3612,"_type":30,"marks":3613,"text":3614},"e3d7302fbc0c",[],"04/2026",[],{"_key":3617,"_type":26,"children":3618,"markDefs":3623,"style":39},"8af6bba90288",[3619],{"_key":3620,"_type":30,"marks":3621,"text":3622},"80db0447ab74",[],"Mou Gan Project emerges from the long-term cultivation of eco-cultural relations within the local community of Laoshi, in Danzhou, Hainan. The project centers situated and embodied knowledge, activated through local narratives, relational mapping, and forms of labor, alongside ongoing reflective dialogue. It seeks to recognize and foreground marginalized local knowledge within contemporary environmental governance.",[],{"_key":3625,"_type":26,"children":3626,"markDefs":3631,"style":39},"be0af8c3a28a",[3627],{"_key":3628,"_type":30,"marks":3629,"text":3630},"7e16eb06458c",[],"The project brings together community residents, scientists, social scientists/ethnographers, and artists. It also operates as a space of encounter between local culture, ecosystems, and diverse knowledge systems.",[],{"_key":3633,"_type":26,"children":3634,"markDefs":3639,"style":39},"5af0e18668b8",[3635],{"_key":3636,"_type":30,"marks":3637,"text":3638},"810e0afe6de4",[],"In April 2026, collective members Songzi, Shuhao, and Gu Qiu traveled to Laoshi to prepare for the upcoming Mapping and Sea Salt Farm School workshops in June. They engaged with local eco-cultural relations through transdisciplinary approaches, including river-centered walking practices attentive to encounters between human and more-than-human actors, photography, sea salt making, and the gathering of local narratives.",[],[3641,3661,3717,3732],{"_type":936,"caption":3642,"image":3659},[3643,3651],{"_key":3644,"_type":26,"children":3645,"markDefs":3650,"style":39},"eb4f57a9a0bf",[3646],{"_key":3647,"_type":30,"marks":3648,"text":3649},"1ce40b196693",[],"Chengwei Xia | Estuary",[],{"_key":3652,"_type":26,"children":3653,"markDefs":3658,"style":39},"b819b76991ef",[3654],{"_key":3655,"_type":30,"marks":3656,"text":3657},"c3e88a120ffa",[],"walnut ink, Chinese ink, and watercolor on Nepalese mountain paper\n2025",[],{"alt":3569,"asset":3660},{"_id":3571,"height":3572,"orientation":789,"ratio":3573,"url":3574,"width":3575},{"_type":7,"settings":3662,"text":3663},{"textColumnCount":941},[3664,3672,3679,3687,3694,3702,3709],{"_key":3665,"_type":26,"children":3666,"markDefs":3671,"style":39},"af0ffba6e78b",[3667],{"_key":3668,"_type":30,"marks":3669,"text":3670},"383ea54054380",[],"In the local language of the rural community where our project is based, \"Mou Gan\" means the roots and trunk of a tree. The community is surrounded by a forest of tamarind trees planted by ancestors. These trees play a vital ecological role in preventing soil erosion along a local estuary that brings seawater to the village's salt farm which is essential to local livelihoods. By naming our project “Mou Gan,” we honour the ecological significance of these trees while expressing our wish for the project to be deeply rooted in local soil, nurtured by the community, and to provide shade and resources for the village while also extending our reach to a broader context.",[],{"_key":3673,"_type":26,"children":3674,"markDefs":3678,"style":39},"ce6cc5fd60e7",[3675],{"_key":3676,"_type":30,"marks":3677,"text":720},"191cdbafb5b30",[],[],{"_key":3680,"_type":26,"children":3681,"markDefs":3686,"style":39},"f0d179d1a38b",[3682],{"_key":3683,"_type":30,"marks":3684,"text":3685},"014da6943e8c0",[],"Our collective invites villagers and the public to explore the ecological and cultural life surrounding the major ecosystems of the village. Developed as a platform for co-learning bio-cultural connections, we aim to challenge top-down models of environmental governance that prioritize technocracy. We aim to center traditional knowledge, embodied experiences, and emotional connections as valid forms of environmental understanding. We follow three main trajectories: learning from local knowledge systems through embodied experiences, fostering collaborative practices via art, science, storytelling, and governance, and connecting this learning to broader environmental discourses.",[],{"_key":3688,"_type":26,"children":3689,"markDefs":3693,"style":39},"9348dfdd6f19",[3690],{"_key":3691,"_type":30,"marks":3692,"text":720},"1ae8e0ac1aee0",[],[],{"_key":3695,"_type":26,"children":3696,"markDefs":3701,"style":39},"c3d9d5acf88f",[3697],{"_key":3698,"_type":30,"marks":3699,"text":3700},"f6fbc156b7b80",[],"We will use participatory, interactive, and embodied approaches in two main activities: transect walks and salt-making. Transect walks along the local river will bring together residents, officials, planners, collective members, and others to move through and reflect on community spaces. We will hold mapping workshops to co-create participatory maps of ecological change, memory, and daily life. These maps will be shared both in the village and on our digital platform, forming a living archive. We will also launch a Seasalt Farm School, where participants will learn salt-making from local salt farmers and the environment itself—reading tides, sunlight, and weather. This labor fosters intimate, bodily relationships with place and reframes knowledge as something lived, sensed, and shared.",[],{"_key":3703,"_type":26,"children":3704,"markDefs":3708,"style":39},"38aef5a11375",[3705],{"_key":3706,"_type":30,"marks":3707,"text":720},"163c4d4ac46a0",[],[],{"_key":3710,"_type":26,"children":3711,"markDefs":3716,"style":39},"100c6fc73d17",[3712],{"_key":3713,"_type":30,"marks":3714,"text":3715},"255ec18b5f600",[],"These activities support eco-centered, embodied knowledge as an essential part of environmental governance. They also offer spaces for local people to collectively revisit bio-cultural memory and activate their stewardship with nature and place.",[],{"_type":936,"caption":3718,"image":3727},[3719],{"_key":3720,"_type":26,"children":3721,"markDefs":3726,"style":39},"aad38a7e2776",[3722],{"_key":3723,"_type":30,"marks":3724,"text":3725},"26689d6236fd",[],"Shuhao Lin | May prosperity to the boat @ Haitou",[],{"alt":9,"asset":3728},{"_id":3729,"height":2187,"orientation":789,"ratio":1923,"url":3730,"width":3731},"image-c759cba4869440947efb7d2b7b1aaacd1557f601-2880x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/c759cba4869440947efb7d2b7b1aaacd1557f601-2880x1920.jpg",2880,{"_type":936,"caption":3733,"image":3742},[3734],{"_key":3735,"_type":26,"children":3736,"markDefs":3741,"style":39},"9af471107615",[3737],{"_key":3738,"_type":30,"marks":3739,"text":3740},"4582fcd24d56",[],"Gu Qiu | Light on a fish boat",[],{"alt":9,"asset":3743},{"_id":3744,"height":2187,"orientation":440,"ratio":3745,"url":3746,"width":3747},"image-3dfbb3f546022c25481ba93c152063d31accd6c8-1279x1920-jpg",0.6661458333333333,"https://cdn.sanity.io/images/eodip22e/production/3dfbb3f546022c25481ba93c152063d31accd6c8-1279x1920.jpg",1279,[3749,3759,3769,3779,3789],{"_type":1047,"question":3750},[3751],{"_key":3752,"_type":26,"children":3753,"markDefs":3758,"style":39},"37d469a42232",[3754],{"_key":3755,"_type":30,"marks":3756,"text":3757},"2570d1f537ee0",[],"To push the boundary of knowledge and challenge the knowledge politics behind environmental governance, we proposed three key questions to understand and engage with the village’s bio-cultural history and its present as a living entanglement of the biosphere, local traditions, foodways, beliefs, and the interactions between human and non-human entities:",[],{"_type":1047,"question":3760},[3761],{"_key":3762,"_type":26,"children":3763,"markDefs":3768,"style":39},"b72cedfec8e6",[3764],{"_key":3765,"_type":30,"marks":3766,"text":3767},"505ecc9c67cd",[],"1. How do residents culturally and socially shape the relationships between ecological systems and community life in their everyday practices?",[],{"_type":1047,"question":3770},[3771],{"_key":3772,"_type":26,"children":3773,"markDefs":3778,"style":39},"389525d37511",[3774],{"_key":3775,"_type":30,"marks":3776,"text":3777},"dbdc79fe58a0",[],"2. What collaborative actions can we take—through art, science, storytelling, and governance—that nurture, restore, or reimagine the connections between local ecologies and culture?",[],{"_type":1047,"question":3780},[3781],{"_key":3782,"_type":26,"children":3783,"markDefs":3788,"style":39},"121929438239",[3784],{"_key":3785,"_type":30,"marks":3786,"text":3787},"4c2bbbb819aa",[],"3. How does learning from a specific local knowledge system and its practices inform our understanding of knowledge production and governance in a broader context?",[],{"_type":1047,"question":3790},[3791],{"_key":3792,"_type":26,"children":3793,"markDefs":3798,"style":39},"692cf9f8b948",[3794],{"_key":3795,"_type":30,"marks":3796,"text":3797},"edd2aecfbd94",[],"Like the growth of a tamarind tree, the first question serves as the root, firmly grasping the local context and allowing us to thoroughly study the local system. The second question represents the trunk, linking the roots to the branches and facilitating exchanges between the local environment and the outside world. The third question embodies the branches and foliage, illustrating how our project extends to a wider context, responding to governance crisis beyond our village.",[],[3800,189,3801,3802,3803,3804,3805,3806,3381,3807,3403,3437,3472,3499,3535,3564,3808,3809,3810,3811,3812,3813],"mou gan project","to push the boundary of knowledge and challenge the knowledge politics behind environmental governance, we proposed three key questions to understand and engage with the village’s bio-cultural history and its present as a living entanglement of the biosphere, local traditions, foodways, beliefs, and the interactions between human and non-human entities:","1. how do residents culturally and socially shape the relationships between ecological systems and community life in their everyday practices?","2. what collaborative actions can we take—through art, science, storytelling, and governance—that nurture, restore, or reimagine the connections between local ecologies and culture?","3. how does learning from a specific local knowledge system and its practices inform our understanding of knowledge production and governance in a broader context?","like the growth of a tamarind tree, the first question serves as the root, firmly grasping the local context and allowing us to thoroughly study the local system. the second question represents the trunk, linking the roots to the branches and facilitating exchanges between the local environment and the outside world. the third question embodies the branches and foliage, illustrating how our project extends to a wider context, responding to governance crisis beyond our village.","04/2026\n\nmou gan project emerges from the long-term cultivation of eco-cultural relations within the local community of laoshi, in danzhou, hainan. the project centers situated and embodied knowledge, activated through local narratives, relational mapping, and forms of labor, alongside ongoing reflective dialogue. it seeks to recognize and foreground marginalized local knowledge within contemporary environmental governance.\n\nthe project brings together community residents, scientists, social scientists/ethnographers, and artists. it also operates as a space of encounter between local culture, ecosystems, and diverse knowledge systems.\n\nin april 2026, collective members songzi, shuhao, and gu qiu traveled to laoshi to prepare for the upcoming mapping and sea salt farm school workshops in june. they engaged with local eco-cultural relations through transdisciplinary approaches, including river-centered walking practices attentive to encounters between human and more-than-human actors, photography, sea salt making, and the gathering of local narratives.","laoshi village, the site of the project, is located in the western region of hainan island, the southernmost province of china. it sits near a harbour where seawater meets freshwater flowing down from the central mountains. this mingling of salt and fresh water sustains a rich local biodiversity, while also making possible the traditional livelihood of sea salt production, both historically and in the present.\n\n","about our collective: our transdisciplinary team includes a community leader, artists, a social science researcher, an ethnographic writer and an environmental expert. together, we approach bio-cultural practice through multiple lenses and foster dialogue among communities navigating ecosystem degradation, the erosion of cultural memory, and governance challenges—especially the marginalization of local knowledge in environmental governance.","in the local language of the rural community where our project is based, \"mou gan\" means the roots and trunk of a tree. the community is surrounded by a forest of tamarind trees planted by ancestors. these trees play a vital ecological role in preventing soil erosion along a local estuary that brings seawater to the village's salt farm which is essential to local livelihoods. by naming our project “mou gan,” we honour the ecological significance of these trees while expressing our wish for the project to be deeply rooted in local soil, nurtured by the community, and to provide shade and resources for the village while also extending our reach to a broader context.\n\n\n\nour collective invites villagers and the public to explore the ecological and cultural life surrounding the major ecosystems of the village. developed as a platform for co-learning bio-cultural connections, we aim to challenge top-down models of environmental governance that prioritize technocracy. we aim to center traditional knowledge, embodied experiences, and emotional connections as valid forms of environmental understanding. we follow three main trajectories: learning from local knowledge systems through embodied experiences, fostering collaborative practices via art, science, storytelling, and governance, and connecting this learning to broader environmental discourses.\n\n\n\nwe will use participatory, interactive, and embodied approaches in two main activities: transect walks and salt-making. transect walks along the local river will bring together residents, officials, planners, collective members, and others to move through and reflect on community spaces. we will hold mapping workshops to co-create participatory maps of ecological change, memory, and daily life. these maps will be shared both in the village and on our digital platform, forming a living archive. we will also launch a seasalt farm school, where participants will learn salt-making from local salt farmers and the environment itself—reading tides, sunlight, and weather. this labor fosters intimate, bodily relationships with place and reframes knowledge as something lived, sensed, and shared.\n\n\n\nthese activities support eco-centered, embodied knowledge as an essential part of environmental governance. they also offer spaces for local people to collectively revisit bio-cultural memory and activate their stewardship with nature and place.","walking together along your river","seasalt farm school","embodied knowledge","geography of becoming",{"_type":14,"current":3815},"mou-gan-project",{"_id":3817,"_type":304,"categories":3818,"credits":3870,"featuredImage":4045,"filterables":4049,"footnotes":4065,"locations":4066,"logbook":9,"pageBuilder":9,"researchQuestion":9,"researchQuestions":4072,"searchables":4083,"seo":9,"slug":4090,"title":4092,"year":190},"15e2ba21-5243-4317-8cba-acfe813bb778",[3819,3822,3829,3836,3843,3846,3853,3856,3863],{"_id":1121,"_type":308,"colorPrimary":3820,"seo":9,"slug":3821,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":3823,"_type":308,"colorPrimary":3824,"seo":9,"slug":3826,"title":3828},"97fe4b0c-e89b-4f9e-a503-b6b176c3ede0",{"label":310,"value":3825},"#00ffa5",{"_type":14,"current":3827},"commons-based-methods-and-practices","Commons-based methods and practices",{"_id":3830,"_type":308,"colorPrimary":3831,"seo":9,"slug":3833,"title":3835},"8df81f7e-c0c7-4c65-87d7-635377872fab",{"label":310,"value":3832},"#ff8c8c",{"_type":14,"current":3834},"live-action-role-playing-larp","Live Action Role-Playing (LARP)",{"_id":3837,"_type":308,"colorPrimary":3838,"seo":9,"slug":3840,"title":3842},"816bc42a-02ea-4947-8bfa-361a5ed6b328",{"label":310,"value":3839},"#8c8c8c",{"_type":14,"current":3841},"peerticipation","Peerticipation",{"_id":2001,"_type":308,"colorPrimary":3844,"seo":9,"slug":3845,"title":2006},{"label":310,"value":2003},{"_type":14,"current":2005},{"_id":3847,"_type":308,"colorPrimary":3848,"seo":9,"slug":3850,"title":3852},"96c026fe-3280-4596-b6ec-e15f898d38e5",{"label":310,"value":3849},"#4100ff",{"_type":14,"current":3851},"storytelling","Storytelling",{"_id":1840,"_type":308,"colorPrimary":3854,"seo":9,"slug":3855,"title":1845},{"label":310,"value":1842},{"_type":14,"current":1844},{"_id":3857,"_type":308,"colorPrimary":3858,"seo":9,"slug":3860,"title":3862},"f38bbd65-923a-488e-9b38-1ed102345f77",{"label":310,"value":3859},"#ff6464",{"_type":14,"current":3861},"self-organised-practices","Self-Organised Practices",{"_id":3864,"_type":308,"colorPrimary":3865,"seo":9,"slug":3867,"title":3869},"e54d43e0-43e4-4813-8bc6-15bd3904a9f2",{"label":310,"value":3866},"#00ffb9",{"_type":14,"current":3868},"commoning","Commoning",{"other":9,"profiles":3871},[3872,3901],{"_id":3873,"_type":389,"activeYears":3874,"bio":3877,"bioShort":3886,"featuredImage":9,"filterables":3887,"links":9,"locations":3890,"searchables":3896,"seo":9,"slug":3898,"title":3900},"68a1fc56-d126-4c65-856f-503440ac84cb",[3875],{"_id":186,"_type":187,"seo":9,"slug":3876,"title":190},{"_type":14,"current":189},[3878],{"_key":3879,"_type":26,"children":3880,"markDefs":3885,"style":39},"0bac316d45f1",[3881],{"_key":3882,"_type":30,"marks":3883,"text":3884},"4b1fa4a516950",[],"Rok Kranjc is a researcher and artist working with games and performative methods as engines for networked post-capitalist imagination. He holds a BA in Sociology and an MSc in Environmental Governance. He is president of the Crypto Commons Association, founder of Futurescraft, and collaborates regularly with the P2P Foundation, Aksioma – Institute for Contemporary Art, Maska Institute, Krater Collective, ŠUM Journal and others. His work has been presented at the The Seashore of Endless Worlds (Geneva, 2023), panke.gallery (Berlin, 2023), the International Computer Arts Festival (Maribor, 2024), and in Ljubljana at the Museum of Modern Art (2025) and the Museum of Contemporary Art Metelkova (2025). He participated with Game-Changers: The Game in Aksioma’s U30+ programme (2022) and Akademie Schloss Solitude’s Polymorphic Futures residency (2026), and developed Future 14b (2023–2025) through Maska Institute’s Yugofuturism programme.",[],"Rok is a researcher and artist working with games and performative methods as engines for networked post-capitalist imagination. With a background in sociology and political ecology, he leads and collaborates with initiatives including the Crypto Commons Association, Futurescraft, Aksioma, Maska Institute, and the P2P Foundation.",{"filterYear":3888},[3889],{"_id":186,"title":190},{"locations":3891,"other":9},[3892,3894],{"_id":458,"_type":459,"seo":9,"slug":3893,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":3895,"title":1451},{"_type":14,"current":1459},[3897,189],"\u2028rok kranjc",{"_type":14,"current":3899},"rok-kranjc","\u2028Rok Kranjc",{"_id":3902,"_type":389,"activeYears":3903,"bio":3906,"bioShort":4011,"featuredImage":4012,"filterables":4019,"links":4022,"locations":4029,"searchables":4040,"seo":9,"slug":4042,"title":4044},"fd19b32d-d5a9-4696-8da8-712f00c2e8f3",[3904],{"_id":186,"_type":187,"seo":9,"slug":3905,"title":190},{"_type":14,"current":189},[3907,3915,3922,3996,4003],{"_key":3908,"_type":26,"children":3909,"markDefs":3914,"style":39},"4f66911883fe",[3910],{"_key":3911,"_type":30,"marks":3912,"text":3913},"40b0a554a0280",[],"Pablo (Mexico City, 1992) works as a designer, programmer and artist creating ambiguous software, generative systems, transmedia narratives, collaborative tactics and odd music. Their practice explores prefigurative politics, alternative economies, structural violence, decentralized technologies and the commons, while engaging with the politics of computation, language, value, time and games.",[],{"_key":3916,"_type":26,"children":3917,"markDefs":3921,"style":39},"fddbdd30d234",[3918],{"_key":3919,"_type":30,"marks":3920,"text":720},"bdcd6912f4ed",[],[],{"_key":3923,"_type":26,"children":3924,"markDefs":3983,"style":39},"827805d546bd",[3925,3929,3934,3938,3943,3947,3952,3956,3961,3965,3970,3974,3979],{"_key":3926,"_type":30,"marks":3927,"text":3928},"d4ce29ce5568",[],"Pablo is part of ",{"_key":3930,"_type":30,"marks":3931,"text":3933},"14ceaf4fa267",[3932],"31574e8f93eb","sudoraع",{"_key":3935,"_type":30,"marks":3936,"text":3937},"10083c8597ff",[]," A collective based in Bremen around sound, music and action. A core contributor to the ",{"_key":3939,"_type":30,"marks":3940,"text":3942},"44e7a5d599a6",[3941],"c3c17d44b425","Economic Space Agency (ECSA)",{"_key":3944,"_type":30,"marks":3945,"text":3946},"17888705cfaa",[]," an economic technology and imagination network for distributed economic agency . A participant in ",{"_key":3948,"_type":30,"marks":3949,"text":3951},"c5f760d6ae3d",[3950],"491123083bfa","XORG",{"_key":3953,"_type":30,"marks":3954,"text":3955},"2288eaa3d263",[]," a collective playing at the intersection of games and organizations . Half of the duo ",{"_key":3957,"_type":30,"marks":3958,"text":3960},"ab365ccf3c62",[3959],"3eb1cc78e315","Actual Occasions",{"_key":3962,"_type":30,"marks":3963,"text":3964},"9513b273f608",[]," An ongoing sound & distribution exploratory practice inspired by philosophies of affect, materiality and modulation. A member of the ",{"_key":3966,"_type":30,"marks":3967,"text":3969},"801c8b15b803",[3968],"c9ec8063a55a","Crypto Commons Association (CCA)",{"_key":3971,"_type":30,"marks":3972,"text":3973},"1798dbb09b45",[]," A non-profit organization exploring the use of distributed ledger technologies for furthering the commons. A member of the",{"_key":3975,"_type":30,"marks":3976,"text":3978},"8f064622e665",[3977],"273154f90f57"," Liberatory Computing Front",{"_key":3980,"_type":30,"marks":3981,"text":3982},"113104abac77",[],": a loose collective of researchers, artists, and activists working to liberate computing from capitalism.",[3984,3986,3988,3990,3992,3994],{"_key":3941,"_type":56,"blank":57,"href":3985},"https://economicspace.agency/",{"_key":3950,"_type":56,"blank":57,"href":3987},"https://xorg.how/",{"_key":3959,"_type":56,"blank":57,"href":3989},"https://actualoccasions.xyz/",{"_key":3968,"_type":56,"blank":57,"href":3991},"https://www.crypto-commons.org/",{"_key":3932,"_type":56,"blank":57,"href":3993},"https://www.instagram.com/sudora3___/",{"_key":3977,"_type":56,"blank":57,"href":3995},"https://www.libcomp.org/",{"_key":3997,"_type":26,"children":3998,"markDefs":4002,"style":39},"19f95107f88b",[3999],{"_key":4000,"_type":30,"marks":4001,"text":720},"340c96084ffe",[],[],{"_key":4004,"_type":26,"children":4005,"markDefs":4010,"style":39},"6e4859db6579",[4006],{"_key":4007,"_type":30,"marks":4008,"text":4009},"f189213c767b",[],"Pablo's worked has been presented in various places in Mexico and Europe including Casa del Lago UNAM CDMX, Centro de Cultura Digital CDMX, Museo Tamayo CDMX, Centro Cultural Tlatelolco, Spedition Bremen Deichtorhallen Hamburg, STRP Festival Eindhoven, Panke Gallery Berlin, Matadero Medialab Madrid and MFRU International Festival for Computer Arts, Maribor among others.",[],"Pablo's practice explores prefigurative politics, alternative economies, structural violence, decentralized technologies and the commons, while engaging with the politics of computation, language, value, time and games.",{"alt":4013,"asset":4014},"Ambiguous human figure walking down a colorful street",{"_id":4015,"height":831,"orientation":440,"ratio":4016,"url":4017,"width":4018},"image-a2d91cb3721955cdd228159b607a0bf75a614075-750x1115-jpg",0.672645739910314,"https://cdn.sanity.io/images/eodip22e/production/a2d91cb3721955cdd228159b607a0bf75a614075-750x1115.jpg",750,{"filterYear":4020},[4021],{"_id":186,"title":190},[4023,4026],{"_type":449,"label":4024,"url":4025},"personal website","https://pablo.sx/",{"_type":449,"label":4027,"url":4028},"instagram :(","https://www.instagram.com/palabro_/",{"locations":4030,"other":9},[4031,4036,4038],{"_id":4032,"_type":459,"seo":9,"slug":4033,"title":4035},"8d802e3d-6cab-4db2-9a47-b36509258e48",{"_type":14,"current":4034},"central-america","Central America",{"_id":458,"_type":459,"seo":9,"slug":4037,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":4039,"title":1451},{"_type":14,"current":1459},[4041,189],"pablo somonte ruano",{"_type":14,"current":4043},"pablo-somonte-ruano","Pablo Somonte Ruano",{"alt":9,"asset":4046},{"_id":4047,"height":3572,"orientation":789,"ratio":2697,"url":4048,"width":1723},"image-ca7357d3aef482edcc55cbfe4b975651045e8cc0-1280x960-jpg","https://cdn.sanity.io/images/eodip22e/production/ca7357d3aef482edcc55cbfe4b975651045e8cc0-1280x960.jpg",{"filterCategory":4050,"filterLocation":4060,"filterYear":4063},[4051,4052,4053,4054,4055,4056,4057,4058,4059],{"_id":1121,"title":1126},{"_id":3823,"title":3828},{"_id":3830,"title":3835},{"_id":3837,"title":3842},{"_id":2001,"title":2006},{"_id":3847,"title":3852},{"_id":1840,"title":1845},{"_id":3857,"title":3862},{"_id":3864,"title":3869},[4061,4062],{"_id":458,"title":462},{"_id":4032,"title":4035},[4064],{"_id":186,"title":190},[],{"locations":4067,"other":9},[4068,4070],{"_id":458,"_type":459,"seo":9,"slug":4069,"title":462},{"_type":14,"current":461},{"_id":4032,"_type":459,"seo":9,"slug":4071,"title":4035},{"_type":14,"current":4034},[4073],{"_type":1047,"question":4074},[4075],{"_key":4076,"_type":26,"children":4077,"markDefs":4082,"style":39},"b3dbc02aca7f",[4078],{"_key":4079,"_type":30,"marks":4080,"text":4081},"7fa9f503f9600",[],"How can speculative design, worlding, and LARPing function as hyperstitional tools to build shared, self-sustaining fiction commons for prefigurative politics and collective economic experimentation?",[],[4084,189,4085,461,4086,3897,4041,1125,4087,4088,3841,2005,3851,1844,4089,3868],"peerticipatory worldplay","how can speculative design, worlding, and larping function as hyperstitional tools to build shared, self-sustaining fiction commons for prefigurative politics and collective economic experimentation?","central america","commons-based methods and practices","live action role-playing (larp)","self-organised practices",{"_type":14,"current":4091},"peerticipatory-worldplay","Peerticipatory Worldplay",{"_id":4094,"_type":304,"categories":4095,"credits":4115,"featuredImage":4245,"filterables":4251,"footnotes":4261,"locations":4262,"logbook":9,"pageBuilder":4275,"researchQuestion":9,"researchQuestions":4326,"searchables":4357,"seo":9,"slug":4366,"title":4368,"year":190},"78d738c1-cb5d-4015-9cef-a6f70e52620d",[4096,4099,4105,4112],{"_id":316,"_type":308,"colorPrimary":4097,"seo":9,"slug":4098,"title":321},{"label":310,"value":318},{"_type":14,"current":320},{"_id":4100,"_type":308,"colorPrimary":4101,"seo":9,"slug":4103,"title":4104},"80872517-220b-4033-a6b0-f19ce0a96e16",{"label":310,"value":4102},"#ff3700",{"_type":14,"current":177},"Ways and Workings",{"_id":4106,"_type":308,"colorPrimary":4107,"seo":9,"slug":4109,"title":4111},"96cceca5-83b7-4889-825c-cc437cdc9a7a",{"label":310,"value":4108},"#91ff00",{"_type":14,"current":4110},"peer-to-peer","Peer to Peer",{"_id":3823,"_type":308,"colorPrimary":4113,"seo":9,"slug":4114,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"other":9,"profiles":4116},[4117,4182],{"_id":4118,"_type":389,"activeYears":4119,"bio":4122,"bioShort":9,"featuredImage":4150,"filterables":4157,"links":9,"locations":4160,"searchables":4177,"seo":9,"slug":4179,"title":4181},"9fbeea2e-a9e6-4eab-b831-27e2251acb3b",[4120],{"_id":186,"_type":187,"seo":9,"slug":4121,"title":190},{"_type":14,"current":189},[4123,4131],{"_key":4124,"_type":26,"children":4125,"markDefs":4130,"style":39},"ec24d856f66a",[4126],{"_key":4127,"_type":30,"marks":4128,"text":4129},"b4cef495c3ec",[],"Marianna Stefanitsi is an artist, researcher, and cultural worker. Her practice explores artistic labour, cultural institutions, precarity, institutional critique, activism, and feminism. She holds a BA from the Athens School of Fine Arts and Master's degrees from Panteion University and Utrecht University. ",[],{"_key":4132,"_type":26,"children":4133,"markDefs":4147,"style":39},"b795f263e3be",[4134,4138,4143],{"_key":4135,"_type":30,"marks":4136,"text":4137},"a8f61d8aaecd",[],"Since 2019, she has been a member of the ",{"_key":4139,"_type":30,"marks":4140,"text":4142},"b2c0f71b681c",[4141],"9da6324f2a78","Center of New Media and Feminist Public Practices",{"_key":4144,"_type":30,"marks":4145,"text":4146},"e52e03a8a670",[],". Her work has been presented through exhibitions, research projects, and residency programs in Greece and internationally.",[4148],{"_key":4141,"_type":56,"href":4149},"https://schoolofcommons.org/community/profiles/centre-of-new-media-and-feminist-public-practices",{"alt":9,"asset":4151},{"_id":4152,"height":4153,"orientation":440,"ratio":4154,"url":4155,"width":4156},"image-1281c24cb333f3402dabfa492f16eb43f1e6e612-3487x4649-jpg",4649,0.7500537750053775,"https://cdn.sanity.io/images/eodip22e/production/1281c24cb333f3402dabfa492f16eb43f1e6e612-3487x4649.jpg",3487,{"filterYear":4158},[4159],{"_id":186,"title":190},{"locations":9,"other":4161},[4162,4169],{"_key":4163,"_type":26,"children":4164,"markDefs":4168,"style":39},"f0d11e650104",[4165],{"_key":4166,"_type":30,"marks":4167,"text":720},"fc13d8e885080",[],[],{"_key":4170,"_type":26,"children":4171,"markDefs":4176,"style":39},"0c064745131f",[4172],{"_key":4173,"_type":30,"marks":4174,"text":4175},"ad8c1a8cf2fe0",[],"\n",[],[4178,189],"marianna stefanitsi",{"_type":14,"current":4180},"marianna-stefanitsi","Marianna Stefanitsi",{"_id":4183,"_type":389,"activeYears":4184,"bio":4187,"bioShort":4220,"featuredImage":9,"filterables":4221,"links":4224,"locations":4227,"searchables":4240,"seo":9,"slug":4242,"title":4244},"b4967e9f-b101-48ff-b9a7-4c0704846a83",[4185],{"_id":186,"_type":187,"seo":9,"slug":4186,"title":190},{"_type":14,"current":189},[4188,4196,4204,4212],{"_key":4189,"_type":26,"children":4190,"markDefs":4195,"style":39},"779d5cb90225",[4191],{"_key":4192,"_type":30,"marks":4193,"text":4194},"2aaeb8b0f1350",[],"Dedicated to the production, postproduction, distribution and support of feminist practices and development of feminist theory. The centre is an innovative initiative which by definition involves application of information and technology, imagination and diverse methods in deriving new and different values and ethos in new media, feminist practice and public space. The center organizes an on-going relational archive of relevant practices. ",[],{"_key":4197,"_type":26,"children":4198,"markDefs":4203,"style":39},"ea109c240708",[4199],{"_key":4200,"_type":30,"marks":4201,"text":4202},"0349d5deea5c",[],"Through workshops, seminars, tutorials and lectures, it provides the theoretical and technical expertise for starting projects combined with media, public space, labor and intellectual work in order to produce (symbolic) capital. Diverse and innovative methodologies are introduced in order for the local potential to succeed in the ever changing and increasing competitive global environment. ",[],{"_key":4205,"_type":26,"children":4206,"markDefs":4211,"style":39},"73c61400baa3",[4207],{"_key":4208,"_type":30,"marks":4209,"text":4210},"f53281b9b702",[],"The connection of technology and feminism is crucial at the time of globalized technology, post-digital condition, expanded capitalism, and the crisis of institutions where patriarchal structures and traditional powers are resiling, and they confirm that feminist claims are no more than a finished affair.",[],{"_key":4213,"_type":26,"children":4214,"markDefs":4219,"style":39},"8d026346c651",[4215],{"_key":4216,"_type":30,"marks":4217,"text":4218},"25d18fde2ac1",[],"The CNMFPP operates as a spectral institution, without a permanent fundraising infrastructure, but supported by a strong network of partners and kins, undertaking small and medium scale projects.\n",[],"Dedicated to the production, postproduction, distribution and support of feminist practices and development of feminist theory.",{"filterYear":4222},[4223],{"_id":186,"title":190},[4225],{"_type":449,"label":450,"url":4226},"https://www.centrefeministmedia.arch.uth.gr",{"locations":4228,"other":4231},[4229],{"_id":458,"_type":459,"seo":9,"slug":4230,"title":462},{"_type":14,"current":461},[4232],{"_key":4233,"_type":26,"children":4234,"markDefs":4239,"style":39},"faa049e5200e",[4235],{"_key":4236,"_type":30,"marks":4237,"text":4238},"01bc430e875a",[],"Italy / London / Greece ",[],[4241,189],"centre of new media and feminist public practices",{"_type":14,"current":4243},"centre-of-new-media-and-feminist-public-practices","Centre of New Media and Feminist Public Practices",{"alt":9,"asset":4246},{"_id":4247,"height":4248,"orientation":440,"ratio":2273,"url":4249,"width":4250},"image-450ba85cd2f4e2178f6d2d1369e179706343fc63-1536x2048-jpg",2048,"https://cdn.sanity.io/images/eodip22e/production/450ba85cd2f4e2178f6d2d1369e179706343fc63-1536x2048.jpg",1536,{"filterCategory":4252,"filterLocation":4257,"filterYear":4259},[4253,4254,4255,4256],{"_id":316,"title":321},{"_id":4100,"title":4104},{"_id":4106,"title":4111},{"_id":3823,"title":3828},[4258],{"_id":458,"title":462},[4260],{"_id":186,"title":190},[],{"locations":4263,"other":4266},[4264],{"_id":458,"_type":459,"seo":9,"slug":4265,"title":462},{"_type":14,"current":461},[4267],{"_key":4268,"_type":26,"children":4269,"markDefs":4274,"style":39},"6a336c9e1c82",[4270],{"_key":4271,"_type":30,"marks":4272,"text":4273},"c5c824be85a40",[],"Greece",[],[4276],{"_type":7,"settings":4277,"text":4278},{"textColumnCount":941},[4279,4287,4311,4319],{"_key":4280,"_type":26,"children":4281,"markDefs":4286,"style":39},"889f03386e2f",[4282],{"_key":4283,"_type":30,"marks":4284,"text":4285},"a23e38b353c70",[],"Provisional Infrastructures: artistic mobility as practice and experiment in commoning unfolds as the artistic research of Marianna Stefanitsi and Centre of New Media and Feminist Public Practices. ",[],{"_key":4288,"_type":26,"children":4289,"markDefs":4310,"style":39},"5b7bfefa2c24",[4290,4294,4298,4302,4306],{"_key":4291,"_type":30,"marks":4292,"text":4293},"c649a14d8a92",[],"The work is built around through two complementary methodologies. ",{"_key":4295,"_type":30,"marks":4296,"text":4297},"a23e38b353c71",[874],"Commoning as Infrastructure",{"_key":4299,"_type":30,"marks":4300,"text":4301},"a23e38b353c72",[]," experiments with speculative instituting, co-learning sessions and shared meals, creating moments of encounter that extend mobility beyond elite or exclusive circuits. These gatherings become micro-infrastructures of solidarity, small but potent interventions that disrupt institutional rhythms, expectations, and logics of productivity. In parallel, ",{"_key":4303,"_type":30,"marks":4304,"text":4305},"a23e38b353c73",[874],"Kinship and Togetherness",{"_key":4307,"_type":30,"marks":4308,"text":4309},"a23e38b353c74",[]," moves through walking practices, grocery runs, and rituals of miscommunication, probing the tension between visibility and invisibility in artistic labor and the hierarchies of validation. Togetherness is practiced as a method, rehearsing kinship and refusal as political and artistic acts that emerge in the gaps and cracks of official mobility programs.",[],{"_key":4312,"_type":26,"children":4313,"markDefs":4318,"style":39},"ce76fd301be6",[4314],{"_key":4315,"_type":30,"marks":4316,"text":4317},"b6c36092624d0",[],"Throughout, the project remains attentive to the paradigms that frame mobility today. From EU cultural policies to digital platforms that circulate calls and shape visibility, the work positions itself within these systems, not as an outsider critique, but as artists entangled in these networks, tracing the possibilities of shared infrastructures and testing how solidarity can be enacted, rehearsed, and sustained.",[],{"_key":4320,"_type":26,"children":4321,"markDefs":4325,"style":39},"acec040637af",[4322],{"_key":4323,"_type":30,"marks":4324,"text":4175},"5efb37f0e7950",[],[],[4327,4337,4347],{"_type":1047,"question":4328},[4329],{"_key":4330,"_type":26,"children":4331,"markDefs":4336,"style":39},"5d1ab544e986",[4332],{"_key":4333,"_type":30,"marks":4334,"text":4335},"c1d5a875eacd0",[],"In the contemporary, globalized, and digitalized art context, how is artistic mobility experienced and understood, particularly across centres and peripheries, and what potential does it hold for commoning?",[],{"_type":1047,"question":4338},[4339],{"_key":4340,"_type":26,"children":4341,"markDefs":4346,"style":39},"14880a048d20",[4342],{"_key":4343,"_type":30,"marks":4344,"text":4345},"14cf8809b5c00",[],"In what ways is the movement of artists and creative professionals interpreted and valued?",[],{"_type":1047,"question":4348},[4349],{"_key":4350,"_type":26,"children":4351,"markDefs":4356,"style":39},"4ed8a35ce2d9",[4352],{"_key":4353,"_type":30,"marks":4354,"text":4355},"29f3f9c72efd0",[],"How does mobility intersect with broader questions of national belonging, inclusivity, privilege, temporality, solidarity, unequal access to movement, and the gendered, racialized, and classed conditions that shape mobility?",[],[4358,189,4359,4360,4361,461,4362,4178,4241,4363,1097,4364,4365,4087],"provisional infrastructures: artistic mobility as practice and experiment in commoning","in the contemporary, globalized, and digitalized art context, how is artistic mobility experienced and understood, particularly across centres and peripheries, and what potential does it hold for commoning?","in what ways is the movement of artists and creative professionals interpreted and valued?","how does mobility intersect with broader questions of national belonging, inclusivity, privilege, temporality, solidarity, unequal access to movement, and the gendered, racialized, and classed conditions that shape mobility?","greece","provisional infrastructures: artistic mobility as practice and experiment in commoning unfolds as the artistic research of marianna stefanitsi and centre of new media and feminist public practices. \n\nthe work is built around through two complementary methodologies. commoning as infrastructure experiments with speculative instituting, co-learning sessions and shared meals, creating moments of encounter that extend mobility beyond elite or exclusive circuits. these gatherings become micro-infrastructures of solidarity, small but potent interventions that disrupt institutional rhythms, expectations, and logics of productivity. in parallel, kinship and togetherness moves through walking practices, grocery runs, and rituals of miscommunication, probing the tension between visibility and invisibility in artistic labor and the hierarchies of validation. togetherness is practiced as a method, rehearsing kinship and refusal as political and artistic acts that emerge in the gaps and cracks of official mobility programs.\n\nthroughout, the project remains attentive to the paradigms that frame mobility today. from eu cultural policies to digital platforms that circulate calls and shape visibility, the work positions itself within these systems, not as an outsider critique, but as artists entangled in these networks, tracing the possibilities of shared infrastructures and testing how solidarity can be enacted, rehearsed, and sustained.\n\n\n","ways and workings","peer to peer",{"_type":14,"current":4367},"provisional-infrastructures-artistic-mobility-as-practice-and-experiment-in-commoning","Provisional Infrastructures: artistic mobility as practice and experiment in commoning",{"_id":4370,"_type":304,"categories":4371,"credits":4399,"featuredImage":4491,"filterables":4499,"footnotes":4510,"locations":4511,"logbook":9,"pageBuilder":4524,"researchQuestion":9,"researchQuestions":4581,"searchables":4626,"seo":9,"slug":4636,"title":4638,"year":190},"2e11a51f-f314-4fd3-a601-9646ccb28574",[4372,4379,4382,4385,4392],{"_id":4373,"_type":308,"colorPrimary":4374,"seo":9,"slug":4376,"title":4378},"53d12372-724a-42fa-a7a9-1a21407ed51b",{"label":310,"value":4375},"#50ff50",{"_type":14,"current":4377},"ecology","Ecology",{"_id":323,"_type":308,"colorPrimary":4380,"seo":9,"slug":4381,"title":328},{"label":310,"value":325},{"_type":14,"current":327},{"_id":330,"_type":308,"colorPrimary":4383,"seo":9,"slug":4384,"title":335},{"label":310,"value":332},{"_type":14,"current":334},{"_id":4386,"_type":308,"colorPrimary":4387,"seo":9,"slug":4389,"title":4391},"b8488d06-7a16-40d4-aa87-1c07e1902936",{"label":310,"value":4388},"#fff0b4",{"_type":14,"current":4390},"study-and-planning","Study & Planning",{"_id":4393,"_type":308,"colorPrimary":4394,"seo":9,"slug":4396,"title":4398},"d8c57b0b-491d-412a-a93b-2d9e5d54372a",{"label":310,"value":4395},"#be7f00",{"_type":14,"current":4397},"inclusi-ve-space","Inclusi(vE)Space ",{"other":4400,"profiles":4412},[4401],{"_key":4402,"_type":26,"children":4403,"markDefs":4409,"style":39},"28808ee928ee",[4404],{"_key":4405,"_type":30,"marks":4406,"text":4408},"fba886242a6f0",[4407],"5ba92906bbc0","The Owl House, Goa",[4410],{"_key":4407,"_type":56,"blank":57,"href":4411},"https://www.theowlhousegoa.org",[4413],{"_id":4414,"_type":389,"activeYears":4415,"bio":4418,"bioShort":4459,"featuredImage":4460,"filterables":4468,"links":4471,"locations":4474,"searchables":4487,"seo":9,"slug":4489,"title":4461},"e5736300-6633-466d-8aab-30a00e9b39f7",[4416],{"_id":186,"_type":187,"seo":9,"slug":4417,"title":190},{"_type":14,"current":189},[4419,4427,4435,4443,4451],{"_key":4420,"_type":26,"children":4421,"markDefs":4426,"style":39},"fc939e3d5aac",[4422],{"_key":4423,"_type":30,"marks":4424,"text":4425},"25fb4471111e0",[],"Pakhi Sen is a visual artist, illustrator, and educator based in Goa. Her practice is rooted in storytelling, using drawing as a way to observe, record, and make sense of the worlds she moves through. Working across oil painting, oil pastel, and pencil, she creates meditative works shaped by close attention to landscape, memory, and everyday encounters.",[],{"_key":4428,"_type":26,"children":4429,"markDefs":4434,"style":39},"688f679a08a6",[4430],{"_key":4431,"_type":30,"marks":4432,"text":4433},"8bf4fa7725450",[],"Journaling is central to her process. Through walking, collecting, and observational drawing, she develops a body of visual research that informs her larger works and ongoing enquiries into the stories of ecology, place, and community and their in-betweens. ",[],{"_key":4436,"_type":26,"children":4437,"markDefs":4442,"style":39},"0f19216329db",[4438],{"_key":4439,"_type":30,"marks":4440,"text":4441},"17eae0fb4aaa0",[],"Alongside her studio practice, Pakhi works as an illustrator, using digital and interactive interfaces to engage with archives and community-oriented storytelling. She collaborates with organizations and publications working in socio-political and cultural spaces, using art as a way to visualize stories and make layered ideas differently accessible.",[],{"_key":4444,"_type":26,"children":4445,"markDefs":4450,"style":39},"7a6a519b73df",[4446],{"_key":4447,"_type":30,"marks":4448,"text":4449},"ef285c056ead0",[],"As an educator, she develops arts pedagogy and learning modules at The Owl House, a learning centre for neurodivergent individuals, building frameworks for creative learning that centre experimentation, sensitivity, and self-expression.",[],{"_key":4452,"_type":26,"children":4453,"markDefs":4458,"style":39},"fcb276f62f5f",[4454],{"_key":4455,"_type":30,"marks":4456,"text":4457},"8a374ab2ed870",[],"Pakhi has exhibited at Serendipity Arts Festival and India Art Fair with GallerySKE, and regularly with Goa Open Arts. She sees her practice as an ongoing dialogue with place and community, excited by the intimacy of living systems that hold the world together.",[],"Pakhi is a visual artist, educator, and illustrator based in Goa. Her work moves across painting, comics, and participatory storytelling - exploring ecology, memory, and community through journaling and visual research. She also develops arts pedagogy with neurodiverse learners at The Owl House.",{"alt":4461,"asset":4462},"Pakhi Sen",{"_id":4463,"height":4464,"orientation":789,"ratio":4465,"url":4466,"width":4467},"image-8c6529680cdda9e98460aea73ef2b2140ccfed3a-5333x4000-jpg",4000,1.33325,"https://cdn.sanity.io/images/eodip22e/production/8c6529680cdda9e98460aea73ef2b2140ccfed3a-5333x4000.jpg",5333,{"filterYear":4469},[4470],{"_id":186,"title":190},[4472],{"_type":449,"label":453,"url":4473},"https://www.instagram.com/pakhi.sen/?hl=en",{"locations":4475,"other":4478},[4476],{"_id":1935,"_type":459,"seo":9,"slug":4477,"title":1936},{"_type":14,"current":1946},[4479],{"_key":4480,"_type":26,"children":4481,"markDefs":4486,"style":39},"0becea5f115e",[4482],{"_key":4483,"_type":30,"marks":4484,"text":4485},"e6b5c0784be8",[],"Aldona, Goa, India",[],[4488,189],"pakhi sen",{"_type":14,"current":4490},"pakhi-sen",{"alt":4492,"asset":4493},"painting of a cobra, two marine creatures and some abstract forms and patterns.",{"_id":4494,"height":4495,"orientation":789,"ratio":4496,"url":4497,"width":4498},"image-ecc3e03bb6700627c4ced200c3d35890267882aa-2718x1976-jpg",1976,1.375506072874494,"https://cdn.sanity.io/images/eodip22e/production/ecc3e03bb6700627c4ced200c3d35890267882aa-2718x1976.jpg",2718,{"filterCategory":4500,"filterLocation":4506,"filterYear":4508},[4501,4502,4503,4504,4505],{"_id":4373,"title":4378},{"_id":323,"title":328},{"_id":330,"title":335},{"_id":4386,"title":4391},{"_id":4393,"title":4398},[4507],{"_id":1935,"title":1936},[4509],{"_id":186,"title":190},[],{"locations":4512,"other":4515},[4513],{"_id":1935,"_type":459,"seo":9,"slug":4514,"title":1936},{"_type":14,"current":1946},[4516],{"_key":4517,"_type":26,"children":4518,"markDefs":4523,"style":39},"f8299a6ecf7b",[4519],{"_key":4520,"_type":30,"marks":4521,"text":4522},"69fae5de5b560",[],"Set in Aldona, North Goa, the project draws from the Khazan wetlands, a unique socio-ecological landscape shaped by tidal rhythms, biodiversity, and collective stewardship.",[],[4525,4559,4564,4569,4576],{"_type":7,"settings":4526,"text":4527},{"textColumnCount":941},[4528,4536,4544,4551],{"_key":4529,"_type":26,"children":4530,"markDefs":4535,"style":39},"b3a5e203afeb",[4531],{"_key":4532,"_type":30,"marks":4533,"text":4534},"d6164443ecdb",[],"Roots and Nerves is a participatory ecological arts initiative based in the khazan landscapes of Aldona, Goa. Working with neurodivergent learners at The Owl House, it explores how sensory perception shapes our relationship with environment, and how different cognitive orientations can offer distinct ways of encountering ecology. Through guided excursions and practices of drawing, play, observation, and sensory repetition, learners form intimate relationships with landscape by attending closely to texture, sound, rhythm, movement, and material presence.",[],{"_key":4537,"_type":26,"children":4538,"markDefs":4543,"style":39},"49bf3355d62b",[4539],{"_key":4540,"_type":30,"marks":4541,"text":4542},"b42a6feeea1a",[],"Grounded in Goa’s estuarine wetlands, where mangroves, agricultural fields, waterways, and human habitation remain deeply intertwined, the work approaches ecology as something lived and felt rather than simply studied or represented. At its core is an interest in relationality: how humans, animals, plants, objects, and technologies come into meaningful contact, and what becomes possible when we widen our understanding of perception and belonging.",[],{"_key":4545,"_type":26,"children":4546,"markDefs":4550,"style":39},"b7a9da160adb",[4547],{"_key":4548,"_type":30,"marks":4549,"text":720},"bb5cb237ad14",[],[],{"_key":4552,"_type":26,"children":4553,"markDefs":4558,"style":39},"19344eccc5d3",[4554],{"_key":4555,"_type":30,"marks":4556,"text":4557},"a4bcbc13a6d7",[],"The Owl House is a learning and community space in Aldona, Goa, for neurodivergent individuals, creating room for alternative rhythms of learning, expression, and relation.",[],{"_type":936,"caption":9,"image":4560},{"alt":9,"asset":4561},{"_id":4562,"height":2597,"orientation":440,"ratio":2273,"url":4563,"width":2599},"image-6610f2e4d06bc82351cc7bd93b539d2e0b6d3bd4-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/6610f2e4d06bc82351cc7bd93b539d2e0b6d3bd4-3024x4032.jpg",{"_type":936,"caption":9,"image":4565},{"alt":9,"asset":4566},{"_id":4567,"height":2597,"orientation":440,"ratio":2273,"url":4568,"width":2599},"image-94332f6bb0ffff133f0dbdd096a51fc4ba55e60a-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/94332f6bb0ffff133f0dbdd096a51fc4ba55e60a-3024x4032.jpg",{"_type":936,"caption":9,"image":4570},{"alt":9,"asset":4571},{"_id":4572,"height":4573,"orientation":440,"ratio":4574,"url":4575,"width":3467},"image-3e7cba05995276296ce5836cde249a80bab50d2a-1440x1800-jpg",1800,0.8,"https://cdn.sanity.io/images/eodip22e/production/3e7cba05995276296ce5836cde249a80bab50d2a-1440x1800.jpg",{"_type":936,"caption":9,"image":4577},{"alt":9,"asset":4578},{"_id":4579,"height":4573,"orientation":440,"ratio":4574,"url":4580,"width":3467},"image-48456316b9bdb4e9f973017d771167498525fc41-1440x1800-jpg","https://cdn.sanity.io/images/eodip22e/production/48456316b9bdb4e9f973017d771167498525fc41-1440x1800.jpg",[4582,4599,4616],{"_type":1047,"question":4583},[4584,4592],{"_key":4585,"_type":26,"children":4586,"markDefs":4591,"style":39},"bfa936a6d9f3",[4587],{"_key":4588,"_type":30,"marks":4589,"text":4590},"8c7248db6e370",[],"How can ecological engagement be made accessible without reducing its complexity?",[],{"_key":4593,"_type":26,"children":4594,"markDefs":4598,"style":39},"c0ece26db90d",[4595],{"_key":4596,"_type":30,"marks":4597,"text":720},"1806b5a01f240",[],[],{"_type":1047,"question":4600},[4601,4609],{"_key":4602,"_type":26,"children":4603,"markDefs":4608,"style":39},"c0d86c3e4655",[4604],{"_key":4605,"_type":30,"marks":4606,"text":4607},"1221acd48f99",[],"How do neurodivergent modes of perception reconfigure what it means to relate to an environment?",[],{"_key":4610,"_type":26,"children":4611,"markDefs":4615,"style":39},"c52cc8c87490",[4612],{"_key":4613,"_type":30,"marks":4614,"text":720},"b9a21b855a68",[],[],{"_type":1047,"question":4617},[4618],{"_key":4619,"_type":26,"children":4620,"markDefs":4625,"style":39},"8128f9d8f35a",[4621],{"_key":4622,"_type":30,"marks":4623,"text":4624},"5302f492a07d0",[],"What constitutes relationality across human, technological, material, and ecological domains?",[],[4627,189,4628,4629,4630,1946,4631,4488,4632,4633,4377,1098,1099,4634,4635],"roots and nerves","how can ecological engagement be made accessible without reducing its complexity?\n\n","how do neurodivergent modes of perception reconfigure what it means to relate to an environment?\n\n","what constitutes relationality across human, technological, material, and ecological domains?","set in aldona, north goa, the project draws from the khazan wetlands, a unique socio-ecological landscape shaped by tidal rhythms, biodiversity, and collective stewardship.","the owl house, goa","roots and nerves is a participatory ecological arts initiative based in the khazan landscapes of aldona, goa. working with neurodivergent learners at the owl house, it explores how sensory perception shapes our relationship with environment, and how different cognitive orientations can offer distinct ways of encountering ecology. through guided excursions and practices of drawing, play, observation, and sensory repetition, learners form intimate relationships with landscape by attending closely to texture, sound, rhythm, movement, and material presence.\n\ngrounded in goa’s estuarine wetlands, where mangroves, agricultural fields, waterways, and human habitation remain deeply intertwined, the work approaches ecology as something lived and felt rather than simply studied or represented. at its core is an interest in relationality: how humans, animals, plants, objects, and technologies come into meaningful contact, and what becomes possible when we widen our understanding of perception and belonging.\n\n\n\nthe owl house is a learning and community space in aldona, goa, for neurodivergent individuals, creating room for alternative rhythms of learning, expression, and relation.","study & planning","inclusi(ve)space ",{"_type":14,"current":4637},"roots-and-nerves","Roots and Nerves",{"_id":4640,"_type":304,"categories":4641,"credits":4712,"featuredImage":4783,"filterables":4791,"footnotes":4811,"locations":4812,"logbook":4816,"pageBuilder":4828,"researchQuestion":9,"researchQuestions":5008,"searchables":5061,"seo":9,"slug":5071,"title":5073,"year":190},"17171530-88dc-4633-b011-70e16f9110e2",[4642,4645,4648,4651,4658,4665,4672,4679,4686,4689,4696,4699,4702,4705],{"_id":307,"_type":308,"colorPrimary":4643,"seo":9,"slug":4644,"title":314},{"label":310,"value":311},{"_type":14,"current":313},{"_id":1988,"_type":308,"colorPrimary":4646,"seo":9,"slug":4647,"title":1993},{"label":310,"value":1990},{"_type":14,"current":1992},{"_id":316,"_type":308,"colorPrimary":4649,"seo":9,"slug":4650,"title":321},{"label":310,"value":318},{"_type":14,"current":320},{"_id":4652,"_type":308,"colorPrimary":4653,"seo":9,"slug":4655,"title":4657},"2cdae031-6d65-40a2-bbb5-1db3ed011203",{"label":310,"value":4654},"#f500ff",{"_type":14,"current":4656},"roundtable","Roundtable",{"_id":4659,"_type":308,"colorPrimary":4660,"seo":9,"slug":4662,"title":4664},"4cb2d264-6b69-4210-8671-0207568d7d6c",{"label":310,"value":4661},"#ffc8c8",{"_type":14,"current":4663},"cathedral-thinking","Cathedral Thinking",{"_id":4666,"_type":308,"colorPrimary":4667,"seo":9,"slug":4669,"title":4671},"5ac3c53e-cfd3-4314-9a6b-62a187c85813",{"label":310,"value":4668},"#b9ff00",{"_type":14,"current":4670},"unpacking-the-terms-together","Unpacking the terms together",{"_id":4673,"_type":308,"colorPrimary":4674,"seo":9,"slug":4676,"title":4678},"8278cfac-f399-4827-aac9-72f0df73379b",{"label":310,"value":4675},"#af0000",{"_type":14,"current":4677},"conference","Conference",{"_id":4680,"_type":308,"colorPrimary":4681,"seo":9,"slug":4683,"title":4685},"8a75771e-8c38-4533-8373-4be230876cfc",{"label":310,"value":4682},"#f0fff0",{"_type":14,"current":4684},"archive","Archive",{"_id":323,"_type":308,"colorPrimary":4687,"seo":9,"slug":4688,"title":328},{"label":310,"value":325},{"_type":14,"current":327},{"_id":4690,"_type":308,"colorPrimary":4691,"seo":9,"slug":4693,"title":4695},"8d1816ad-e7f6-45f0-ba86-8b0b3ecb8fb4",{"label":310,"value":4692},"#a0a0ff",{"_type":14,"current":4694},"curatorial-research","Curatorial Research",{"_id":330,"_type":308,"colorPrimary":4697,"seo":9,"slug":4698,"title":335},{"label":310,"value":332},{"_type":14,"current":334},{"_id":3823,"_type":308,"colorPrimary":4700,"seo":9,"slug":4701,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"_id":372,"_type":308,"colorPrimary":4703,"seo":9,"slug":4704,"title":377},{"label":310,"value":374},{"_type":14,"current":376},{"_id":4706,"_type":308,"colorPrimary":4707,"seo":9,"slug":4709,"title":4711},"93599a26-52a7-43cb-aee6-913fd6fe9eb7",{"label":310,"value":4708},"#fff028",{"_type":14,"current":4710},"ephemeral-memorials","Ephemeral Memorials",{"other":9,"profiles":4713},[4714],{"_id":4715,"_type":389,"activeYears":4716,"bio":4719,"bioShort":4726,"featuredImage":4752,"filterables":4760,"links":4763,"locations":4766,"searchables":4779,"seo":9,"slug":4781,"title":4753},"12d684d0-9901-4e24-b3e6-25dea918554b",[4717],{"_id":186,"_type":187,"seo":9,"slug":4718,"title":190},{"_type":14,"current":189},[4720,4728,4736,4744],{"_key":4721,"_type":26,"children":4722,"markDefs":4727,"style":39},"a2b0843e0b01",[4723],{"_key":4724,"_type":30,"marks":4725,"text":4726},"a5e1e3a309240",[],"Martha works in transdisciplinary projects at the intersection of art, theory, and space.",[],{"_key":4729,"_type":26,"children":4730,"markDefs":4735,"style":39},"acdff185199c",[4731],{"_key":4732,"_type":30,"marks":4733,"text":4734},"61eaa0f51e7f0",[],"Her practice combines documentary, scenographic, and essayistic formats to explore processes of thinking, perception, and memory.",[],{"_key":4737,"_type":26,"children":4738,"markDefs":4743,"style":39},"e8d60713c6fd",[4739],{"_key":4740,"_type":30,"marks":4741,"text":4742},"ec2d673416560",[],"She studied Applied Theatre Studies in Giessen and Time-Based Media in Linz and is currently a Master’s student in Transdisciplinarity in the Arts at ZHdK.",[],{"_key":4745,"_type":26,"children":4746,"markDefs":4751,"style":39},"32651582bbf7",[4747],{"_key":4748,"_type":30,"marks":4749,"text":4750},"998d8b33d0f00",[],"Alongside her studies, she works in scenography and conceptual development.",[],{"alt":4753,"asset":4754},"Martha Oelschläger",{"_id":4755,"height":4756,"orientation":440,"ratio":4757,"url":4758,"width":4759},"image-0ee383416d5fa22c0f1b053955bb66b2fe3a65d9-1246x1662-jpg",1662,0.7496991576413959,"https://cdn.sanity.io/images/eodip22e/production/0ee383416d5fa22c0f1b053955bb66b2fe3a65d9-1246x1662.jpg",1246,{"filterYear":4761},[4762],{"_id":186,"title":190},[4764],{"_type":449,"label":453,"url":4765},"https://www.instagram.com/some.magical.realism/",{"locations":4767,"other":4770},[4768],{"_id":458,"_type":459,"seo":9,"slug":4769,"title":462},{"_type":14,"current":461},[4771],{"_key":4772,"_type":26,"children":4773,"markDefs":4778,"style":39},"99a243085931",[4774],{"_key":4775,"_type":30,"marks":4776,"text":4777},"7eda85ad94a5",[],"Zurich",[],[4780,189],"martha oelschläger",{"_type":14,"current":4782},"martha-oelschlaeger",{"alt":4784,"asset":4785},"Grafik: Tim Frei",{"_id":4786,"height":4787,"orientation":440,"ratio":4788,"url":4789,"width":4790},"image-344004e870402e4ea873d1ed24f8ca5835a75eb4-3508x4961-jpg",4961,0.7071155009070752,"https://cdn.sanity.io/images/eodip22e/production/344004e870402e4ea873d1ed24f8ca5835a75eb4-3508x4961.jpg",3508,{"filterCategory":4792,"filterLocation":4807,"filterYear":4809},[4793,4794,4795,4796,4797,4798,4799,4800,4801,4802,4803,4804,4805,4806],{"_id":307,"title":314},{"_id":1988,"title":1993},{"_id":316,"title":321},{"_id":4652,"title":4657},{"_id":4659,"title":4664},{"_id":4666,"title":4671},{"_id":4673,"title":4678},{"_id":4680,"title":4685},{"_id":323,"title":328},{"_id":4690,"title":4695},{"_id":330,"title":335},{"_id":3823,"title":3828},{"_id":372,"title":377},{"_id":4706,"title":4711},[4808],{"_id":458,"title":462},[4810],{"_id":186,"title":190},[],{"locations":4813,"other":9},[4814],{"_id":458,"_type":459,"seo":9,"slug":4815,"title":462},{"_type":14,"current":461},[4817],{"_key":4818,"_type":26,"children":4819,"markDefs":4825,"style":39},"d5aa48d154e9",[4820],{"_key":4821,"_type":30,"marks":4822,"text":4824},"d9a857b79d300",[4823],"2703761c480a","Interview: Bringing spaces of thought into dialogue",[4826],{"_key":4823,"_type":56,"blank":57,"href":4827},"https://www.zhdk.ch/en/news/bringing-spaces-of-thought-into-dialogue-9032",[4829,4851,4909,4923,4938,4952,4966,4980,4994],{"_type":936,"caption":4830,"image":4847},[4831],{"_key":4832,"_type":26,"children":4833,"markDefs":4846,"style":39},"c4a5076d20d7",[4834,4838,4842],{"_key":4835,"_type":30,"marks":4836,"text":4837},"ba8e74e9c710",[],"Poster \"Gedankenräume - Metaphern als Erkenntnisform zwischen Kunst und Wissenschaft\" (",{"_key":4839,"_type":30,"marks":4840,"text":4841},"8ae38d660b27",[874],"Spaces of Thought – Metaphors as Forms of Knowledge between Art and Science",{"_key":4843,"_type":30,"marks":4844,"text":4845},"93a77bb2ef18",[],"), Februar 2026; Konzept & Umsetzung: Martha Oelschläger / Grafik: Tim Frei",[],{"alt":9,"asset":4848},{"_id":4849,"height":4787,"orientation":440,"ratio":4788,"url":4850,"width":4790},"image-bdca5bf15c1d6ac9e107653e6a8996d03ce146a4-3508x4961-jpg","https://cdn.sanity.io/images/eodip22e/production/bdca5bf15c1d6ac9e107653e6a8996d03ce146a4-3508x4961.jpg",{"_type":7,"settings":4852,"text":4853},{"textColumnCount":941},[4854,4862,4870,4885,4901],{"_key":4855,"_type":26,"children":4856,"markDefs":4861,"style":39},"4177d995760e",[4857],{"_key":4858,"_type":30,"marks":4859,"text":4860},"9aade5d8012f0",[],"The starting point of this thesis is the observation that we often speak about thinking through spatial images: we orient ourselves, lose the thread, move between positions, or venture into unknown territory. Such metaphors do not merely serve as illustrations; they actively structure perception, thought, and the production of knowledge.",[],{"_key":4863,"_type":26,"children":4864,"markDefs":4869,"style":39},"c5d05baf1adb",[4865],{"_key":4866,"_type":30,"marks":4867,"text":4868},"9f4cc9e650630",[],"This thesis investigates spatial images and metaphors as epistemic tools at the intersection of art and science. It explores how different disciplines employ spatial figures of thought to organize knowledge and what happens when these distinct ways of thinking encounter one another within a shared setting.",[],{"_key":4871,"_type":26,"children":4872,"markDefs":4884,"style":39},"de074592a139",[4873,4877,4880],{"_key":4874,"_type":30,"marks":4875,"text":4876},"ed80b38d9ea10",[],"Methodologically, the project combines two levels of inquiry. First, it includes the conception and realization of the symposium and exhibition ",{"_key":4878,"_type":30,"marks":4879,"text":4841},"ed80b38d9ea11",[874],{"_key":4881,"_type":30,"marks":4882,"text":4883},"ed80b38d9ea12",[],", understood as a curatorial and scenographic experimental arrangement. Second, it draws on a qualitative analysis of the contributions, conversations, and materials that emerged from this event.",[],{"_key":4886,"_type":26,"children":4887,"markDefs":4900,"style":39},"c002ea205250",[4888,4892,4896],{"_key":4889,"_type":30,"marks":4890,"text":4891},"37445198402b0",[],"From this investigation, a glossary of nineteen ",{"_key":4893,"_type":30,"marks":4894,"text":4895},"37445198402b1",[32],"spatial metaphors",{"_key":4897,"_type":30,"marks":4898,"text":4899},"37445198402b2",[]," was developed, including Archive, Atelier, Construction Site, Bridge, House, Labyrinth, Resonance Space, and Mirror. These concepts are not treated as fixed definitions but as figures of thought in which different forms of knowledge encounter one another.",[],{"_key":4902,"_type":26,"children":4903,"markDefs":4908,"style":39},"477380f2521f",[4904],{"_key":4905,"_type":30,"marks":4906,"text":4907},"a88d30912e5a0",[],"The thesis understands transdisciplinarity not as the fusion of disciplines, but as the creation of in-between spaces in which new perspectives, relationships, and forms of knowledge can emerge.",[],{"_type":936,"caption":4910,"image":4919},[4911],{"_key":4912,"_type":26,"children":4913,"markDefs":4918,"style":39},"94ce3372a01c",[4914],{"_key":4915,"_type":30,"marks":4916,"text":4917},"4da402fffcd90",[],"Impression aus dem Kunstraum, ZHdK, Veranstaltungsort des Symposiums ©Guillaume Musset",[],{"alt":9,"asset":4920},{"_id":4921,"height":1723,"orientation":789,"ratio":1923,"url":4922,"width":2187},"image-2e25c4dbe5faa68b7fa2696014c4012adec816e7-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/2e25c4dbe5faa68b7fa2696014c4012adec816e7-1920x1280.jpg",{"_type":936,"caption":4924,"image":4933},[4925],{"_key":4926,"_type":26,"children":4927,"markDefs":4932,"style":39},"2ea1acd52b3c",[4928],{"_key":4929,"_type":30,"marks":4930,"text":4931},"8f37e2b59d9a0",[],"Eröffnung des Events durch Organisatorin Martha Oelschläger ©Guillaume Musset",[],{"alt":9,"asset":4934},{"_id":4935,"height":2187,"orientation":440,"ratio":4936,"url":4937,"width":1723},"image-5d250dc7f3cebf6e20aa61fbe7e4e688dcd5fe1e-1280x1920-jpg",0.6666666666666666,"https://cdn.sanity.io/images/eodip22e/production/5d250dc7f3cebf6e20aa61fbe7e4e688dcd5fe1e-1280x1920.jpg",{"_type":936,"caption":4939,"image":4948},[4940],{"_key":4941,"_type":26,"children":4942,"markDefs":4947,"style":39},"7c033332e56d",[4943],{"_key":4944,"_type":30,"marks":4945,"text":4946},"91c09849f4450",[],"Impression aus dem Kunstraum, Detail: Post-it Zeichnung ©Guillaume Musset",[],{"alt":9,"asset":4949},{"_id":4950,"height":2187,"orientation":440,"ratio":4936,"url":4951,"width":1723},"image-55f5e689003f35d8f05de2c5647e9f803987d8ae-1280x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/55f5e689003f35d8f05de2c5647e9f803987d8ae-1280x1920.jpg",{"_type":936,"caption":4953,"image":4962},[4954],{"_key":4955,"_type":26,"children":4956,"markDefs":4961,"style":39},"b1c37ead9d6d",[4957],{"_key":4958,"_type":30,"marks":4959,"text":4960},"27a1e95453e30",[],"Impression aus dem Kunstraum, Vortrag von Bernhard Siebert ©Guillaume Musset",[],{"alt":9,"asset":4963},{"_id":4964,"height":1723,"orientation":789,"ratio":1923,"url":4965,"width":2187},"image-e0f0de5654ca3e35fb4e8fda1e32cb91aaacde05-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/e0f0de5654ca3e35fb4e8fda1e32cb91aaacde05-1920x1280.jpg",{"_type":936,"caption":4967,"image":4976},[4968],{"_key":4969,"_type":26,"children":4970,"markDefs":4975,"style":39},"626cb5694e5b",[4971],{"_key":4972,"_type":30,"marks":4973,"text":4974},"1e3ac3eae51f0",[],"Impression von der Diskussion im Kunstraum ©Guillaume Musset",[],{"alt":9,"asset":4977},{"_id":4978,"height":1723,"orientation":789,"ratio":1923,"url":4979,"width":2187},"image-5df50f43753c549522a8cbe772096316cdf1be8a-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/5df50f43753c549522a8cbe772096316cdf1be8a-1920x1280.jpg",{"_type":936,"caption":4981,"image":4990},[4982],{"_key":4983,"_type":26,"children":4984,"markDefs":4989,"style":39},"8eb49633e140",[4985],{"_key":4986,"_type":30,"marks":4987,"text":4988},"eda72756d3ba0",[],"Impression aus dem Aktionsraum, ZHdK, Veranstaltungsort der Ausstellung ©Guillaume Musset",[],{"alt":9,"asset":4991},{"_id":4992,"height":1723,"orientation":789,"ratio":1923,"url":4993,"width":2187},"image-918f5e340ed6cb2369114ebcb3ffe05ba2024aeb-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/918f5e340ed6cb2369114ebcb3ffe05ba2024aeb-1920x1280.jpg",{"_type":936,"caption":4995,"image":5004},[4996],{"_key":4997,"_type":26,"children":4998,"markDefs":5003,"style":39},"2b47cac78e18",[4999],{"_key":5000,"_type":30,"marks":5001,"text":5002},"d1d909bb2d8c0",[],"Impression aus dem Aktionsraum / Installation der Zines von Jonas Balmer ©Guillaume Musset",[],{"alt":9,"asset":5005},{"_id":5006,"height":1723,"orientation":789,"ratio":1923,"url":5007,"width":2187},"image-992e7bfb08d8ecb5a33205d6e5ec018c7724d64a-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/992e7bfb08d8ecb5a33205d6e5ec018c7724d64a-1920x1280.jpg",[5009,5019],{"_type":1047,"question":5010},[5011],{"_key":5012,"_type":26,"children":5013,"markDefs":5018,"style":39},"8d2f4fb3bec7",[5014],{"_key":5015,"_type":30,"marks":5016,"text":5017},"18f54a8549410",[],"How do spatial images and metaphors function as epistemic tools in different disciplinary contexts, and how can their roles and potentials be made visible and tangible through a spatially organized transdisciplinary setting?",[],{"_type":1047,"question":5020},[5021,5029,5037,5045,5053],{"_key":5022,"_type":26,"children":5023,"level":1507,"listItem":1508,"markDefs":5028,"style":39},"0610c98944da",[5024],{"_key":5025,"_type":30,"marks":5026,"text":5027},"542927d5d8ec0",[],"How do spatial metaphors structure processes of thinking and knowledge production in art and science?",[],{"_key":5030,"_type":26,"children":5031,"level":1507,"listItem":1508,"markDefs":5036,"style":39},"e36d0ad62f0a",[5032],{"_key":5033,"_type":30,"marks":5034,"text":5035},"036df1040aed0",[],"What kinds of spaces of thought emerge from discipline-specific spatial imaginaries?",[],{"_key":5038,"_type":26,"children":5039,"level":1507,"listItem":1508,"markDefs":5044,"style":39},"e97a5b56e646",[5040],{"_key":5041,"_type":30,"marks":5042,"text":5043},"09006ce9d1f70",[],"What happens when these metaphors encounter one another within a shared space?",[],{"_key":5046,"_type":26,"children":5047,"level":1507,"listItem":1508,"markDefs":5052,"style":39},"618b38f2f1c2",[5048],{"_key":5049,"_type":30,"marks":5050,"text":5051},"a6798babcfad0",[],"To what extent can a symposium and exhibition function as instruments of knowledge production?",[],{"_key":5054,"_type":26,"children":5055,"level":1507,"listItem":1508,"markDefs":5060,"style":39},"4ff918a289d9",[5056],{"_key":5057,"_type":30,"marks":5058,"text":5059},"47e010e784a70",[],"What forms of knowledge emerge between language, experience, and spatial arrangement?",[],[5062,189,5063,5064,5065,461,4780,5066,1096,3300,1097,4656,5067,5068,4677,4684,1098,5069,1099,4087,376,5070],"spaces of thought","how do spatial images and metaphors function as epistemic tools in different disciplinary contexts, and how can their roles and potentials be made visible and tangible through a spatially organized transdisciplinary setting?","how do spatial metaphors structure processes of thinking and knowledge production in art and science?\n\nwhat kinds of spaces of thought emerge from discipline-specific spatial imaginaries?\n\nwhat happens when these metaphors encounter one another within a shared space?\n\nto what extent can a symposium and exhibition function as instruments of knowledge production?\n\nwhat forms of knowledge emerge between language, experience, and spatial arrangement?","interview: bringing spaces of thought into dialogue","the starting point of this thesis is the observation that we often speak about thinking through spatial images: we orient ourselves, lose the thread, move between positions, or venture into unknown territory. such metaphors do not merely serve as illustrations; they actively structure perception, thought, and the production of knowledge.\n\nthis thesis investigates spatial images and metaphors as epistemic tools at the intersection of art and science. it explores how different disciplines employ spatial figures of thought to organize knowledge and what happens when these distinct ways of thinking encounter one another within a shared setting.\n\nmethodologically, the project combines two levels of inquiry. first, it includes the conception and realization of the symposium and exhibition spaces of thought – metaphors as forms of knowledge between art and science, understood as a curatorial and scenographic experimental arrangement. second, it draws on a qualitative analysis of the contributions, conversations, and materials that emerged from this event.\n\nfrom this investigation, a glossary of nineteen spatial metaphors was developed, including archive, atelier, construction site, bridge, house, labyrinth, resonance space, and mirror. these concepts are not treated as fixed definitions but as figures of thought in which different forms of knowledge encounter one another.\n\nthe thesis understands transdisciplinarity not as the fusion of disciplines, but as the creation of in-between spaces in which new perspectives, relationships, and forms of knowledge can emerge.","cathedral thinking","unpacking the terms together","curatorial research","ephemeral memorials",{"_type":14,"current":5072},"spaces-of-thought","Spaces of Thought",{"_id":5075,"_type":304,"categories":5076,"credits":5087,"featuredImage":5134,"filterables":5142,"footnotes":5150,"locations":5151,"logbook":9,"pageBuilder":5163,"researchQuestion":9,"researchQuestions":9,"searchables":5175,"seo":9,"slug":5180,"title":5182,"year":190},"8933688b-0907-4b30-9fe7-61fa1a3bb935",[5077,5080],{"_id":307,"_type":308,"colorPrimary":5078,"seo":9,"slug":5079,"title":314},{"label":310,"value":311},{"_type":14,"current":313},{"_id":5081,"_type":308,"colorPrimary":5082,"seo":9,"slug":5084,"title":5086},"3bc8cec2-4fd7-4b9d-861a-6322af8b1058",{"label":310,"value":5083},"#7fbe00",{"_type":14,"current":5085},"gemeinnuetzigkeit","Gemeinnützigkeit",{"other":9,"profiles":5088},[5089],{"_id":5090,"_type":389,"activeYears":5091,"bio":5094,"bioShort":5103,"featuredImage":5104,"filterables":5110,"links":5113,"locations":5116,"searchables":5129,"seo":9,"slug":5131,"title":5133},"450c9249-657c-4541-a633-35b921d764c6",[5092],{"_id":186,"_type":187,"seo":9,"slug":5093,"title":190},{"_type":14,"current":189},[5095],{"_key":5096,"_type":26,"children":5097,"markDefs":5102,"style":39},"e5ef502f0dbb",[5098],{"_key":5099,"_type":30,"marks":5100,"text":5101},"3e511bbe47220",[],"Top – Association for the Promotion of Cultural Practice has been active in Berlin since 2002. Its members are artists, researchers and activists whose work spans individual research, project-space curation and international collaboration. The association supports interdisciplinary projects that foster cross-border exchange in experimental contexts, drawing on an infrastructure that includes a project space, a biolab and a web server. Working largely within a postdigital framework, >top develops artistic forms and approaches that explore the interplay of the digital, the organic and the cultural — pointing toward a humanization of digital technologies. The association champions collaborations that advance dialogue and a diversity of artistic forms and attitudes, contributing to the development of civil society.",[],"Top – Association for the Promotion of Cultural Practice has been active in Berlin since 2002. Its members are artists, researchers and activists whose work spans individual research, project-space curation and international collaboration. ",{"alt":9,"asset":5105},{"_id":5106,"height":5107,"orientation":789,"ratio":2697,"url":5108,"width":5109},"image-d9c09060fbea11290fb84ecc80b66c593a50f3cb-512x384-jpg",384,"https://cdn.sanity.io/images/eodip22e/production/d9c09060fbea11290fb84ecc80b66c593a50f3cb-512x384.jpg",512,{"filterYear":5111},[5112],{"_id":186,"title":190},[5114],{"_type":449,"label":450,"url":5115},"https://www.top-ev.de/",{"locations":5117,"other":5120},[5118],{"_id":458,"_type":459,"seo":9,"slug":5119,"title":462},{"_type":14,"current":461},[5121],{"_key":5122,"_type":26,"children":5123,"markDefs":5128,"style":39},"feafa1f7002f",[5124],{"_key":5125,"_type":30,"marks":5126,"text":5127},"4119bf3bd264",[],"Based in Berlin",[],[5130,189],"top e.v",{"_type":14,"current":5132},"top-e-v","Top e.V",{"alt":5135,"asset":5136},"Mountainous landscape in eastern Turkey, golden hillside with green patches",{"_id":5137,"height":5138,"orientation":789,"ratio":5139,"url":5140,"width":5141},"image-86ae327f5709f74ed6e3fa2523e11a67e03b51a4-2000x1274-jpg",1274,1.5698587127158556,"https://cdn.sanity.io/images/eodip22e/production/86ae327f5709f74ed6e3fa2523e11a67e03b51a4-2000x1274.jpg",2000,{"filterCategory":5143,"filterLocation":5146,"filterYear":5148},[5144,5145],{"_id":307,"title":314},{"_id":5081,"title":5086},[5147],{"_id":458,"title":462},[5149],{"_id":186,"title":190},[],{"locations":5152,"other":5155},[5153],{"_id":458,"_type":459,"seo":9,"slug":5154,"title":462},{"_type":14,"current":461},[5156],{"_key":5157,"_type":26,"children":5158,"markDefs":5162,"style":39},"4c78db9fcca8",[5159],{"_key":5160,"_type":30,"marks":5161,"text":5127},"741f25fd093c",[],[],[5164],{"_type":7,"settings":5165,"text":5166},{"textColumnCount":941},[5167],{"_key":5168,"_type":26,"children":5169,"markDefs":5174,"style":39},"22810df8a8b1",[5170],{"_key":5171,"_type":30,"marks":5172,"text":5173},"6e9240cd01ae",[],"Spatial Narratives of Commoning: Beyond Geographies is a research project that will be facilitated by a duo who is part of a wider artist-run project space and association; each of who work respectively across spatial and artistic practice, research and pedagogy, commons and commoning. It is envisaged as a collaborative research environment and public program dedicated to exploring commoning practices through the lens of architecture and spatial practice beyond disciplinary, geographic, and institutional boundaries. \n\nHow can we find zones of encounter, situated choreographies of commoning, across times and territories? \n\nThe series of public talks and encounters will bring together a diverse group of practitioners—architects, researchers, activists, and artists—who work at the intersections of commoning, community-based design, cultural heritage, and socio-ecological transformation. Through the sharing of research, practice, and stories, the formats developed through the series aim to uncover and speculate upon alternative architectural narratives that emerge from contested territories, peripheral geographies, and informal or collective spatial strategies. \n\nA red thread of questioning will ask: How can architectural and spatial practices respond to displacement, ecological crisis, and social marginalization and prefigure modes of dwelling in common across difference? What kinds of built environments and spatial imaginaries emerge from solidarity, memory, and repair? \n\nThe series, hosted at the artist-run project space of which we are members, will not just include public talks, but also screenings, workshops, roundtable discussions, and alternative happenings—crucially, an ethos of commoning will be embedded throughout the collective learning process, situated in place and the body, in attunement with non-human and non-industrial rhythms, we will invite the public collectivity to become co-researchers and co-protagonists of the documentary and forthcoming spatial narratives of commoning. We envisage that the program will engage with themes such as spatial practices of commoning, feminist urbanism, decolonial pedagogies, traditional construction techniques, the preservation of cultural heritage, and participatory restoration — alongside what evolves organically over the course of the year, shaped by the urgencies and contributions of its participants. \n\nContributors from various regions—including Turkey, Italy, Lebanon, Greece, New Zealand, and Germany—will bring lived experience and critical insights from their local contexts into shared dialogue. The series will culminate in a final public assembly and small exhibition at the artist-run project space of which we are part of inputs collated throughout the process.",[],[5176,189,461,5177,5130,5178,1096,5179],"spatial narratives of commoning: beyond geographies","based in berlin","spatial narratives of commoning: beyond geographies is a research project that will be facilitated by a duo who is part of a wider artist-run project space and association; each of who work respectively across spatial and artistic practice, research and pedagogy, commons and commoning. it is envisaged as a collaborative research environment and public program dedicated to exploring commoning practices through the lens of architecture and spatial practice beyond disciplinary, geographic, and institutional boundaries. \n\nhow can we find zones of encounter, situated choreographies of commoning, across times and territories? \n\nthe series of public talks and encounters will bring together a diverse group of practitioners—architects, researchers, activists, and artists—who work at the intersections of commoning, community-based design, cultural heritage, and socio-ecological transformation. through the sharing of research, practice, and stories, the formats developed through the series aim to uncover and speculate upon alternative architectural narratives that emerge from contested territories, peripheral geographies, and informal or collective spatial strategies. \n\na red thread of questioning will ask: how can architectural and spatial practices respond to displacement, ecological crisis, and social marginalization and prefigure modes of dwelling in common across difference? what kinds of built environments and spatial imaginaries emerge from solidarity, memory, and repair? \n\nthe series, hosted at the artist-run project space of which we are members, will not just include public talks, but also screenings, workshops, roundtable discussions, and alternative happenings—crucially, an ethos of commoning will be embedded throughout the collective learning process, situated in place and the body, in attunement with non-human and non-industrial rhythms, we will invite the public collectivity to become co-researchers and co-protagonists of the documentary and forthcoming spatial narratives of commoning. we envisage that the program will engage with themes such as spatial practices of commoning, feminist urbanism, decolonial pedagogies, traditional construction techniques, the preservation of cultural heritage, and participatory restoration — alongside what evolves organically over the course of the year, shaped by the urgencies and contributions of its participants. \n\ncontributors from various regions—including turkey, italy, lebanon, greece, new zealand, and germany—will bring lived experience and critical insights from their local contexts into shared dialogue. the series will culminate in a final public assembly and small exhibition at the artist-run project space of which we are part of inputs collated throughout the process.","gemeinnützigkeit",{"_type":14,"current":5181},"spatial-narratives-of-commoning-beyond-geographies","Spatial Narratives of Commoning: Beyond Geographies",{"_id":5184,"_type":304,"categories":9,"credits":5185,"featuredImage":5581,"filterables":5584,"footnotes":5589,"locations":5590,"logbook":9,"pageBuilder":5594,"researchQuestion":9,"researchQuestions":5621,"searchables":5652,"seo":9,"slug":5658,"title":5660,"year":190},"2762c232-0a73-4155-8fb3-7a6f157e2e41",{"other":9,"profiles":5186},[5187,5296,5451,5532],{"_id":5188,"_type":389,"activeYears":5189,"bio":5192,"bioShort":5272,"featuredImage":5273,"filterables":5279,"links":5282,"locations":5290,"searchables":5294,"seo":9,"slug":5295,"title":5199},"f0598e03-ce47-47b6-a7fd-e9c5143157b2",[5190],{"_id":186,"_type":187,"seo":9,"slug":5191,"title":190},{"_type":14,"current":189},[5193,5205,5212,5224,5236,5244,5252,5260],{"_key":5194,"_type":26,"children":5195,"markDefs":5204,"style":39},"aad36a45c241",[5196,5200],{"_key":5197,"_type":30,"marks":5198,"text":5199},"18893a15cb270",[874],"footnotes",{"_key":5201,"_type":30,"marks":5202,"text":5203},"bb9febbf95ed",[]," consist of Eliana Kirkcaldy, Johanna Ackva and Lotta Beckers who have met on a crossroad of intersecting curiosities for historical and contemporary languages of desire. Looking at (mostly female*) writing on longing, the erotic, one’s own and/or the lover’s body, we search for those moments in which (hetero)normative representations of desire are getting messed up, counterpointed and deprived of their power to shape relationships and intimacy.",[],{"_key":5206,"_type":26,"children":5207,"markDefs":5211,"style":39},"f402c2ee3d93",[5208],{"_key":5209,"_type":30,"marks":5210,"text":720},"0eece55c15c6",[],[],{"_key":5213,"_type":26,"children":5214,"markDefs":5223,"style":39},"473fe38ca849",[5215,5219],{"_key":5216,"_type":30,"marks":5217,"text":5218},"8034d6383cfe0",[32],"Johanna Ackva",{"_key":5220,"_type":30,"marks":5221,"text":5222},"8034d6383cfe1",[],"'s artistic practice revolves around the entanglements between so called physical and metaphysical movements. Her works address the mutual influences between body and thought, the living and the dead, the world and our perception of it. As a dance maker, teacher, author, and curator, she is mainly active in Berlin. In Uckermark, she is part of the team that runs Denk- und Produktionsort Libken. Johanna has realized various performances in Berlin, e.g. at Tanzfabrik and Vierte Welt. As part of a team of four, she's currently running the artistic residency Denk- und Produktionsort Libken in the region Uckermark.",[],{"_key":5225,"_type":26,"children":5226,"markDefs":5235,"style":39},"0175989b0f1c",[5227,5231],{"_key":5228,"_type":30,"marks":5229,"text":5230},"5c35c54a604d",[32],"Lotta Beckers",{"_key":5232,"_type":30,"marks":5233,"text":5234},"56a92497d7aa",[]," (she/they) lives in Berlin and works as a dramaturge and artist. She studied Applied Theatre Studies in University Gießen, Choreography and Dance at the Danish National School of Performing Arts in Copenhagen and holds an M.A. in European Media Studies from the University of Potsdam. She is part of the class for performative arts led by Anna Zett and Jule Flierl at Hochschule für Grafik und Buchkunst Leipzig (HGB). ",[],{"_key":5237,"_type":26,"children":5238,"markDefs":5243,"style":39},"1eb93b8ca1bb",[5239],{"_key":5240,"_type":30,"marks":5241,"text":5242},"4b0dabb3b809",[],"As a freelance dramaturge she works in dance and performance, as well as in documentary theatre. She is engaged in an ongoing collaboration with theatre director Noam Brusilovsky and costume and stage designer Magdalena Emmerig. She also collaborates closely as a dramaturge and sometimes performer with choreographer Deva Schubert.",[],{"_key":5245,"_type":26,"children":5246,"markDefs":5251,"style":39},"ee7c735b9fdd",[5247],{"_key":5248,"_type":30,"marks":5249,"text":5250},"10b2a81ec635",[],"Lotta’s own artistic research evolves around the entanglements of desire, affects and power – sometimes through archive research, often in collaborations, sometimes through solo work. The form of the work and the medium are always re-defined through the artistic engagement with a theme and the specific context in which it is realized. At the moment she is particularly curious about movement and text.",[],{"_key":5253,"_type":26,"children":5254,"markDefs":5259,"style":39},"8b38380535b1",[5255],{"_key":5256,"_type":30,"marks":5257,"text":5258},"54bc79021fb8",[],"In her artistic approach, she situates herself between the documentary and the poetic, the intimate and the public and searches for the historical and structural within personal feeling. Theory serves as a driving force in her work, encouraging new modes of perception and experience.",[],{"_key":5261,"_type":26,"children":5262,"markDefs":5271,"style":39},"b9efaebc0d88",[5263,5267],{"_key":5264,"_type":30,"marks":5265,"text":5266},"0ad8c6673cac0",[32],"Eliana Kirkcaldy ",{"_key":5268,"_type":30,"marks":5269,"text":5270},"0ad8c6673cac1",[],"studied contemporary dance and cultural studies in Cologne, Hildesheim, Porto and Berlin. Her research currently deals with questions around societal power structures and their effect on physical practices. She is furthermore interested in exploring collective working structures and has been part of the collective AnaConda am Ufer, currently she is part of Berlin based poetry collective Das Ad Hoc. Together with Vanessa Engelmann, Eliana is working on new translations of the writings of Colette Peignot, which will be published by Matthes & Seitz Berlin. Eliana is a member of the editorial board of literary magazine Berlin Review.",[],"footnotes consist of Eliana Kirkcaldy, Johanna Ackva and Lotta Beckers. The collective researches languages of desire and investigates writing as a means to mess up, counterpoint and subvert (hetero)normative representations of love, intimacy and the erotic.",{"alt":5274,"asset":5275},"splashed liquid on concrete floor, dispersed strawberries",{"_id":5276,"height":3126,"orientation":789,"ratio":5277,"url":5278,"width":1723},"image-4a3368892d8f2a7eb009fbb75ca9960b08d54824-1280x862-jpg",1.4849187935034802,"https://cdn.sanity.io/images/eodip22e/production/4a3368892d8f2a7eb009fbb75ca9960b08d54824-1280x862.jpg",{"filterYear":5280},[5281],{"_id":186,"title":190},[5283,5286,5288],{"_type":449,"label":5284,"url":5285},"Eliana Kirkcaldy","https://www.instagram.com/elianakirkcaldy/",{"_type":449,"label":5218,"url":5287},"https://www.instagram.com/johannaackva/",{"_type":449,"label":5230,"url":5289},"https://www.instagram.com/lott_lott_lott_/",{"locations":5291,"other":9},[5292],{"_id":458,"_type":459,"seo":9,"slug":5293,"title":462},{"_type":14,"current":461},[5199,189],{"_type":14,"current":5199},{"_id":5297,"_type":389,"activeYears":5298,"bio":5301,"bioShort":5414,"featuredImage":5415,"filterables":5423,"links":5426,"locations":5434,"searchables":5447,"seo":9,"slug":5449,"title":5218},"88aa7c21-25b5-43bf-bd42-23dd71af66d4",[5299],{"_id":186,"_type":187,"seo":9,"slug":5300,"title":190},{"_type":14,"current":189},[5302,5310,5379],{"_key":5303,"_type":26,"children":5304,"markDefs":5309,"style":39},"c42be418bfa0",[5305],{"_key":5306,"_type":30,"marks":5307,"text":5308},"e65cd299f6660",[],"Johanna (*1989, Berlin) lives and works in Berlin and in the Uckermark region. Her work draws from trans-disciplinary artistic research, performative practice, and anthropological methods. Alongside body- and movement-based approaches, conversations - with experts, strangers and friends alike - are central to Johanna's work. In her performative, textual, sculptural, and editorial projects, Johanna examines phenomena of individual experience as embedded within collectively shaped social, material, and affective lifeworlds - as moments of encounter in which self and world are continuously re-shaped. By foregrounding the processual and the porous, she connects phases of research, experimentation and production with those of public sharing.",[],{"_key":5311,"_type":26,"children":5312,"markDefs":5378,"style":39},"9828efbb56d4",[5313,5317,5321,5324,5328,5331,5335,5339,5343,5346,5350,5354,5358,5362,5366,5370,5374],{"_key":5314,"_type":30,"marks":5315,"text":5316},"86ad3d53b0530",[],"Since 2015, Johanna’s often collaboratively realised projects have engaged with themes such as labor and its value (",{"_key":5318,"_type":30,"marks":5319,"text":5320},"21650684b0d4",[874],"The Agreement",{"_key":5322,"_type":30,"marks":5323,"text":2057},"f2d4e53bb96a",[],{"_key":5325,"_type":30,"marks":5326,"text":5327},"8e20dd99fdaa",[874],"AG Arbeit",{"_key":5329,"_type":30,"marks":5330,"text":2057},"ddfeef72a887",[],{"_key":5332,"_type":30,"marks":5333,"text":5334},"397b3521c65d",[874],"They Ate Our Day",{"_key":5336,"_type":30,"marks":5337,"text":5338},"ce63bb770e80",[],"), mysticism and experiences of nature (",{"_key":5340,"_type":30,"marks":5341,"text":5342},"3d45b33a2289",[874],"Salt Lake",{"_key":5344,"_type":30,"marks":5345,"text":2057},"56921242a295",[],{"_key":5347,"_type":30,"marks":5348,"text":5349},"89aaba484db2",[874],"Zweitlandschaften",{"_key":5351,"_type":30,"marks":5352,"text":5353},"d153c7bfa06e",[],"), voice(s) and breath (",{"_key":5355,"_type":30,"marks":5356,"text":5357},"e333f22ed846",[874],"singalongs, High Fidelity, ~4E8A∞~",{"_key":5359,"_type":30,"marks":5360,"text":5361},"d3edd091cfcf",[],"), longing, intimacy and shame (",{"_key":5363,"_type":30,"marks":5364,"text":5365},"bd785370f76f",[874],"Women And Watery Men, wherever you are",{"_key":5367,"_type":30,"marks":5368,"text":5369},"b9bd599f2b61",[],"), as well as death, grief, and our relationship to the dead (",{"_key":5371,"_type":30,"marks":5372,"text":5373},"2226a6b95817",[874],"Clouds On Clear Sky, Grandmothers, aus dem was sprachfähig war, forever goodbye",{"_key":5375,"_type":30,"marks":5376,"text":5377},"99251399fa6b",[],").",[],{"_key":5380,"_type":26,"children":5381,"markDefs":5413,"style":39},"9d858cdf0b17",[5382,5386,5390,5394,5398,5402,5405,5409],{"_key":5383,"_type":30,"marks":5384,"text":5385},"2e6adc0ef05b0",[],"Alongside her artistic work, Johanna regularly teaches as a guest lecturer in the Studium Generale program at the Berlin University of the Arts. Together with Anna Zett and Marie DuPasquier, among others, she has curated and hosted various event series and projects such as the performative exhibition ",{"_key":5387,"_type":30,"marks":5388,"text":5389},"9bb2c5a6691d",[874],"Postindependent",{"_key":5391,"_type":30,"marks":5392,"text":5393},"20f20dbfc192",[],". Since 2019, she has been involved in shaping and curating ",{"_key":5395,"_type":30,"marks":5396,"text":5397},"a2e43ed98b37",[874],"Libken Denk- und Produktionsort",{"_key":5399,"_type":30,"marks":5400,"text":5401},"be72e496cd6c",[]," (Uckermark), since 2021 as part of its artistic leadership team. Most recently, she conceived and accompanied the interdisciplinary residency program",{"_key":5403,"_type":30,"marks":5404,"text":1593},"8a2e8805bfa2",[32],{"_key":5406,"_type":30,"marks":5407,"text":5408},"85db9bcbfd43",[874],"into the fields",{"_key":5410,"_type":30,"marks":5411,"text":5412},"d0bd60e1ad1d",[],", which invited artists from rural regions in Poland, Germany, and the Czech Republic to work together.",[],"Johanna (*1989) is a trans-disciplinary artist, performer and writer based between Berlin and the Uckermark region.",{"alt":5416,"asset":5417},"Johanna Ackva, lying on the floor with their hands in an illuminated square on the floor.",{"_id":5418,"height":5419,"orientation":789,"ratio":5420,"url":5421,"width":5422},"image-52bf736fa657577cfc147f998abca5864b3c5fc1-1930x1432-png",1432,1.3477653631284916,"https://cdn.sanity.io/images/eodip22e/production/52bf736fa657577cfc147f998abca5864b3c5fc1-1930x1432.png",1930,{"filterYear":5424},[5425],{"_id":186,"title":190},[5427,5428,5431],{"_type":449,"label":453,"url":5287},{"_type":449,"label":5429,"url":5430},"Sounds","https://on.soundcloud.com/i9IpQ6BO0H9LChHlbD",{"_type":449,"label":5432,"url":5433},"Hosting ","https://libken.de/en/libken-home/",{"locations":5435,"other":5438},[5436],{"_id":458,"_type":459,"seo":9,"slug":5437,"title":462},{"_type":14,"current":461},[5439],{"_key":5440,"_type":26,"children":5441,"markDefs":5446,"style":39},"43aa3f522b70",[5442],{"_key":5443,"_type":30,"marks":5444,"text":5445},"949cfc34b018",[],"Berlin / Uckermark",[],[5448,189],"johanna ackva",{"_type":14,"current":5450},"johanna-ackva",{"_id":5452,"_type":389,"activeYears":5453,"bio":5456,"bioShort":5463,"featuredImage":5504,"filterables":5511,"links":5514,"locations":5516,"searchables":5528,"seo":9,"slug":5530,"title":5230},"193d30a6-5cfa-47b0-9283-eb923f080d48",[5454],{"_id":186,"_type":187,"seo":9,"slug":5455,"title":190},{"_type":14,"current":189},[5457,5465,5473,5481,5489],{"_key":5458,"_type":26,"children":5459,"markDefs":5464,"style":39},"eedb148a0825",[5460],{"_key":5461,"_type":30,"marks":5462,"text":5463},"72b240012e540",[],"Lotta (she/they) is a Berlin-based dramaturg and artist working across performance, dance, and documentary theatre. She’s into awkward presence, pathetic writing, slowness, cutting and feeling touched (by art). ",[],{"_key":5466,"_type":26,"children":5467,"markDefs":5472,"style":39},"09f687d22867",[5468],{"_key":5469,"_type":30,"marks":5470,"text":5471},"36f04cb94473",[],"With an academic background spanning applied theatre studies in Gießen, dance and choreography in Copenhagen, European media studies in Potsdam, and further development in the class for performative arts at the art academy in Leipzig, she combines theoretical insight with a strong interest in embodied practices.",[],{"_key":5474,"_type":26,"children":5475,"markDefs":5480,"style":39},"31a53cf2cba0",[5476],{"_key":5477,"_type":30,"marks":5478,"text":5479},"0baa065b9bb30",[],"Since many years, she is engaged in a collaboration with theatre director Noam Brusilovsky and costume and stage designer Magdalena Emmerig, developing research-based documentary theatre projects that interrogate power structures and explore the limits of representation on stage. Lotta also collaborates closely as a dramaturge and sometimes performer with choreographer Deva Schubert, whose voice-based dance performances explore the power of intimacy in social relations.",[],{"_key":5482,"_type":26,"children":5483,"markDefs":5488,"style":39},"b2910648add5",[5484],{"_key":5485,"_type":30,"marks":5486,"text":5487},"06bef23eebb10",[],"Her own artistic approach is situated between the documentary and the poetic, the intimate and the public and searches for the historical and structural within the personal feeling. Theory serves as a driving force in her work, encouraging new modes of perception and experience. At the moment she is particularly curious about choreography and text.",[],{"_key":5490,"_type":26,"children":5491,"markDefs":5503,"style":39},"b6fb4e989328",[5492,5496,5499],{"_key":5493,"_type":30,"marks":5494,"text":5495},"205ede0389230",[],"Together with Johanna Ackva and Eliana Kirkcaldy, she is part of ",{"_key":5497,"_type":30,"marks":5498,"text":5199},"205ede0389231",[874],{"_key":5500,"_type":30,"marks":5501,"text":5502},"205ede0389232",[],", dedicated to researching on ways of writing and performing desire.",[],{"alt":5505,"asset":5506},"Person with white shirt, silver chain, bangs, leaning against a blue curtain",{"_id":5507,"height":5508,"orientation":440,"ratio":4936,"url":5509,"width":5510},"image-cc495c43d27a457e2d9fa27e2b1ea16f4a7f8937-3648x5472-jpg",5472,"https://cdn.sanity.io/images/eodip22e/production/cc495c43d27a457e2d9fa27e2b1ea16f4a7f8937-3648x5472.jpg",3648,{"filterYear":5512},[5513],{"_id":186,"title":190},[5515],{"_type":449,"label":453,"url":5289},{"locations":5517,"other":5520},[5518],{"_id":458,"_type":459,"seo":9,"slug":5519,"title":462},{"_type":14,"current":461},[5521],{"_key":5522,"_type":26,"children":5523,"markDefs":5527,"style":39},"13efeacccf30",[5524],{"_key":5525,"_type":30,"marks":5526,"text":5127},"1781c4745461",[],[],[5529,189],"lotta beckers",{"_type":14,"current":5531},"lotta-beckers",{"_id":5533,"_type":389,"activeYears":5534,"bio":5537,"bioShort":5562,"featuredImage":5563,"filterables":5568,"links":5571,"locations":5573,"searchables":5577,"seo":9,"slug":5579,"title":5284},"dd0fe01b-beb8-4b9f-9e8f-1d7b9bfaf654",[5535],{"_id":186,"_type":187,"seo":9,"slug":5536,"title":190},{"_type":14,"current":189},[5538],{"_key":5539,"_type":26,"children":5540,"markDefs":5561,"style":39},"42bdcf988f21",[5541,5545,5549,5553,5557],{"_key":5542,"_type":30,"marks":5543,"text":5544},"7fe7a065412b0",[],"Eliana Kirkcaldy is a writer and performer based in Berlin with a background in contemporary dance and cultural studies.\nShe is a founding member of ",{"_key":5546,"_type":30,"marks":5547,"text":5548},"f4686b6d873b",[874],"Berlin Review",{"_key":5550,"_type":30,"marks":5551,"text":5552},"323260f39a78",[]," magazine and part of the poetry collective ",{"_key":5554,"_type":30,"marks":5555,"text":5556},"7b65fce8592b",[874],"das ad hoc",{"_key":5558,"_type":30,"marks":5559,"text":5560},"419f8adb5192",[],". Currently, Eliana is working on a publication project on the French author Colette Peignot.\nIn recent years, she has conducted research on Kathy Acker and, more broadly, on language(s) and the articulation of desire together with Lotta Beckers and Johanna Ackva.",[],"Eliana Kirkcaldy is a Berlin-based writer and performer.",{"alt":5564,"asset":5565},"A person with brown hair tied up, wearing a black hoodie, sits outdoors in front of green, bushy plants, looking at the camera.",{"_id":5566,"height":3126,"orientation":789,"ratio":5277,"url":5567,"width":1723},"image-c2d77679d5819a559e7b341f8acde96c622f69d3-1280x862-jpg","https://cdn.sanity.io/images/eodip22e/production/c2d77679d5819a559e7b341f8acde96c622f69d3-1280x862.jpg",{"filterYear":5569},[5570],{"_id":186,"title":190},[5572],{"_type":449,"label":453,"url":5285},{"locations":5574,"other":9},[5575],{"_id":458,"_type":459,"seo":9,"slug":5576,"title":462},{"_type":14,"current":461},[5578,189],"eliana kirkcaldy",{"_type":14,"current":5580},"eliana-kirkcaldy",{"alt":5582,"asset":5583},"splashed liquid and disperced strawberries on concrete floor",{"_id":5276,"height":3126,"orientation":789,"ratio":5277,"url":5278,"width":1723},{"filterCategory":9,"filterLocation":5585,"filterYear":5587},[5586],{"_id":458,"title":462},[5588],{"_id":186,"title":190},[],{"locations":5591,"other":9},[5592],{"_id":458,"_type":459,"seo":9,"slug":5593,"title":462},{"_type":14,"current":461},[5595,5598],{"_type":936,"caption":9,"image":5596},{"alt":9,"asset":5597},{"_id":5276,"height":3126,"orientation":789,"ratio":5277,"url":5278,"width":1723},{"_type":7,"settings":5599,"text":5600},{"textColumnCount":941},[5601],{"_key":5602,"_type":26,"children":5603,"markDefs":5620,"style":39},"77f47b65031c",[5604,5608,5612,5616],{"_key":5605,"_type":30,"marks":5606,"text":5607},"1dfe5f1b06a5",[32],"THE TEXT BITES ITS TONGUE",{"_key":5609,"_type":30,"marks":5610,"text":5611},"7eb81757b7ed",[]," is a trans-disciplinary collaborative research that seeks to investigate written and spoken languages of ",{"_key":5613,"_type":30,"marks":5614,"text":5615},"3cb5cb623f75",[874],"desire",{"_key":5617,"_type":30,"marks":5618,"text":5619},"63849e96f52e",[]," - understood as a messy field of ever changing coordinates in which sensuality, sexuality, intimacy and affect meet. At the centre of our research, language, the characteristics of its grammars, the comical and the attractiveness of text itself, play as much of a role as the visceral experience of what it seeks to describe and the unconscious which it fails to grasp. \n\nInside the gap between physical experience and text, between the mouth and the tongue that it speaks, we look for a motor to feel into and de-personalize “private” experience and to uncover structures of feelings. We are curious about in which language can transform the sensual, restricted, and libidinous body, whereby working with and through pain and shame is one important layer. ",[],[5622,5632,5642],{"_type":1047,"question":5623},[5624],{"_key":5625,"_type":26,"children":5626,"markDefs":5631,"style":39},"b4b7f6f32b9a",[5627],{"_key":5628,"_type":30,"marks":5629,"text":5630},"f02ca82ee84a0",[],"How can the experience of desire be transformed by commoning its languages?",[],{"_type":1047,"question":5633},[5634],{"_key":5635,"_type":26,"children":5636,"markDefs":5641,"style":39},"29eed527260a",[5637],{"_key":5638,"_type":30,"marks":5639,"text":5640},"c6eaf93b0a7f",[],"How does the writing and speaking of desire reveal its more-than-personal, structural, and social dimensions?",[],{"_type":1047,"question":5643},[5644],{"_key":5645,"_type":26,"children":5646,"markDefs":5651,"style":39},"dd5cf0deec0a",[5647],{"_key":5648,"_type":30,"marks":5649,"text":5650},"88f96aff1d8a",[],"How can we foster languages of desire as a way to search for a desirable world?",[],[5653,189,5654,5655,5656,461,5199,5448,5529,5578,5657],"the text bites its tongue","how can the experience of desire be transformed by commoning its languages?","how does the writing and speaking of desire reveal its more-than-personal, structural, and social dimensions?","how can we foster languages of desire as a way to search for a desirable world?","the text bites its tongue is a trans-disciplinary collaborative research that seeks to investigate written and spoken languages of desire - understood as a messy field of ever changing coordinates in which sensuality, sexuality, intimacy and affect meet. at the centre of our research, language, the characteristics of its grammars, the comical and the attractiveness of text itself, play as much of a role as the visceral experience of what it seeks to describe and the unconscious which it fails to grasp. \n\ninside the gap between physical experience and text, between the mouth and the tongue that it speaks, we look for a motor to feel into and de-personalize “private” experience and to uncover structures of feelings. we are curious about in which language can transform the sensual, restricted, and libidinous body, whereby working with and through pain and shame is one important layer. ",{"_type":14,"current":5659},"the-text-bites-its-tongue","The Text Bites Its Tongue",{"_id":5662,"_type":304,"categories":5663,"credits":5687,"featuredImage":5760,"filterables":5768,"footnotes":5779,"locations":5780,"logbook":9,"pageBuilder":5784,"researchQuestion":9,"researchQuestions":5855,"searchables":5913,"seo":9,"slug":5923,"title":5925,"year":190},"b36546ee-73c6-4bd1-a22a-c61d1e041a28",[5664,5667,5670,5677,5680],{"_id":316,"_type":308,"colorPrimary":5665,"seo":9,"slug":5666,"title":321},{"label":310,"value":318},{"_type":14,"current":320},{"_id":4373,"_type":308,"colorPrimary":5668,"seo":9,"slug":5669,"title":4378},{"label":310,"value":4375},{"_type":14,"current":4377},{"_id":5671,"_type":308,"colorPrimary":5672,"seo":9,"slug":5674,"title":5676},"1b458848-128f-4e90-acff-fe6c46232754",{"label":310,"value":5673},"#0095a4",{"_type":14,"current":5675},"climate-knowledge","Climate Knowledge",{"_id":337,"_type":308,"colorPrimary":5678,"seo":9,"slug":5679,"title":342},{"label":310,"value":339},{"_type":14,"current":341},{"_id":5681,"_type":308,"colorPrimary":5682,"seo":9,"slug":5684,"title":5686},"1940baa6-46af-4999-86f4-9abe7ce45b9d",{"label":310,"value":5683},"#dcdc00",{"_type":14,"current":5685},"spatial-forensics","Spatial Forensics",{"other":9,"profiles":5688},[5689],{"_id":5690,"_type":389,"activeYears":5691,"bio":5694,"bioShort":5727,"featuredImage":5728,"filterables":5734,"links":5737,"locations":5742,"searchables":5755,"seo":9,"slug":5757,"title":5759},"3b640bf7-7e68-4a63-afeb-f8f69732c79d",[5692],{"_id":186,"_type":187,"seo":9,"slug":5693,"title":190},{"_type":14,"current":189},[5695,5703,5711],{"_key":5696,"_type":26,"children":5697,"markDefs":5702,"style":39},"d5106e03a2cb",[5698],{"_key":5699,"_type":30,"marks":5700,"text":5701},"49be741cf4370",[],"Emidio is an Italian interdisciplinary artist and art director based in Milan. Trained in photography at ÉCAL in Lausanne, his practice examines how images, technologies, and infrastructures shape systems of power, visibility, memory, and ecological relation. Working across installation, image-making, AI, and computational tools, Battipaglia explores the moment in which images cease to simply represent the world and begin to organize perception, knowledge, and behavior.",[],{"_key":5704,"_type":26,"children":5705,"markDefs":5710,"style":39},"67aa39873526",[5706],{"_key":5707,"_type":30,"marks":5708,"text":5709},"358b6ab468600",[],"Through machine vision, data systems, and more-than-human intelligences, his work investigates the structures through which visibility, labour, memory, and extraction are produced. Bringing together physical materials, archival research, generative processes, and responsive environments, Battipaglia approaches technology not only as a tool, but as a material condition that shapes how bodies, environments, and histories are seen, measured, and made legible.",[],{"_key":5712,"_type":26,"children":5713,"markDefs":5726,"style":39},"f5630dd6af02",[5714,5718,5722],{"_key":5715,"_type":30,"marks":5716,"text":5717},"918e30673ec70",[],"Battipaglia’s work has been exhibited internationally. He received the Art Vontobel Contemporary Photography Prize 2023, ",{"_key":5719,"_type":30,"marks":5720,"text":5721},"918e30673ec71",[874],"A New Gaze",{"_key":5723,"_type":30,"marks":5724,"text":5725},"918e30673ec72",[],", and in 2026 has taken part in a residency programme developed by the Visual Arts Commission of Saudi Arabia’s Ministry of Culture.",[],"Emidio is an Italian interdisciplinary artist and art director. Trained in photography at ÉCAL in Lausanne, his practice examines how images, technologies, and infrastructures shape systems of power, visibility, memory, and ecological relation. ",{"alt":9,"asset":5729},{"_id":5730,"height":5731,"orientation":440,"ratio":4574,"url":5732,"width":5733},"image-0d9abcee05ebdf6ef3a6e16df5110bec19ff4c5d-2652x3315-jpg",3315,"https://cdn.sanity.io/images/eodip22e/production/0d9abcee05ebdf6ef3a6e16df5110bec19ff4c5d-2652x3315.jpg",2652,{"filterYear":5735},[5736],{"_id":186,"title":190},[5738,5740],{"_type":449,"label":450,"url":5739},"https://www.emidiobattipaglia.com/",{"_type":449,"label":453,"url":5741},"https://www.instagram.com/emidiobattipaglia/",{"locations":5743,"other":5746},[5744],{"_id":458,"_type":459,"seo":9,"slug":5745,"title":462},{"_type":14,"current":461},[5747],{"_key":5748,"_type":26,"children":5749,"markDefs":5754,"style":39},"bcfaa2bc5d17",[5750],{"_key":5751,"_type":30,"marks":5752,"text":5753},"2a6ca935f352",[],"Based in Milan",[],[5756,189],"emidio battipaglia",{"_type":14,"current":5758},"emidio-battipaglia","Emidio Battipaglia",{"alt":5761,"asset":5762},"Ecology, Technology and Politics",{"_id":5763,"height":5764,"orientation":789,"ratio":5765,"url":5766,"width":5767},"image-76a09509fbe40b6f19def13b17f7cda06403d2fb-1672x941-png",941,1.7768331562167907,"https://cdn.sanity.io/images/eodip22e/production/76a09509fbe40b6f19def13b17f7cda06403d2fb-1672x941.png",1672,{"filterCategory":5769,"filterLocation":5775,"filterYear":5777},[5770,5771,5772,5773,5774],{"_id":316,"title":321},{"_id":4373,"title":4378},{"_id":5671,"title":5676},{"_id":337,"title":342},{"_id":5681,"title":5686},[5776],{"_id":458,"title":462},[5778],{"_id":186,"title":190},[],{"locations":5781,"other":9},[5782],{"_id":458,"_type":459,"seo":9,"slug":5783,"title":462},{"_type":14,"current":461},[5785,5796],{"_type":936,"caption":5786,"image":5794},[5787],{"_key":5788,"_type":26,"children":5789,"markDefs":5793,"style":39},"a4fd60a6c153",[5790],{"_key":5791,"_type":30,"marks":5792,"text":5761},"13b144b0a4a80",[],[],{"alt":5761,"asset":5795},{"_id":5763,"height":5764,"orientation":789,"ratio":5765,"url":5766,"width":5767},{"_type":7,"settings":5797,"text":5798},{"textColumnCount":941},[5799,5807,5815,5823,5831,5839,5847],{"_key":5800,"_type":26,"children":5801,"markDefs":5806,"style":39},"3c447493eb65",[5802],{"_key":5803,"_type":30,"marks":5804,"text":5805},"5b70d5f9ed7f0",[],"To Command the Clouds Is to Own the Future is an artistic research project about control, territory, and invisible infrastructures. It investigates how contemporary power is no longer limited to the occupation of land, but extends into atmospheric, digital, algorithmic, and intimate realms.",[],{"_key":5808,"_type":26,"children":5809,"markDefs":5814,"style":39},"1d8614a9a41c",[5810],{"_key":5811,"_type":30,"marks":5812,"text":5813},"5856ad5435920",[],"The project begins from the double meaning of the cloud. The cloud is atmospheric: air, weather, climate, vapor, movement. But it is also digital: data centers, servers, networks, storage, computation. In both cases, the cloud appears immaterial and distant, yet it is deeply connected to infrastructure, extraction, energy, surveillance, and political power. To command the clouds means to control not only a physical environment, but the conditions through which life is predicted, organized, and governed.",[],{"_key":5816,"_type":26,"children":5817,"markDefs":5822,"style":39},"6ff2b382d3d9",[5818],{"_key":5819,"_type":30,"marks":5820,"text":5821},"3cd707b922600",[],"The project traces how older forms of territorial ambition are reappearing in new and less visible forms. The desire to control land is extended into the desire to control weather, airspace, satellites, data flows, algorithmic systems, and behavior. Power increasingly operates through prediction, optimization, automation, and command. It does not only draw borders on the ground; it creates invisible borders through infrastructures, protocols, permissions, and systems of access.",[],{"_key":5824,"_type":26,"children":5825,"markDefs":5830,"style":39},"1d8e4df66438",[5826],{"_key":5827,"_type":30,"marks":5828,"text":5829},"5d220fd5a1dd0",[],"Within this framework, refusal becomes a central gesture. Refusal is not understood as simple negation, but as a way of interrupting the logic of domination. To refuse is to question the assumption that everything must be measured, controlled, extracted, or made useful. It is a way to resist the transformation of shared, unstable, or intimate spaces into territories of command.",[],{"_key":5832,"_type":26,"children":5833,"markDefs":5838,"style":39},"26211df57f52",[5834],{"_key":5835,"_type":30,"marks":5836,"text":5837},"56443b0606d30",[],"The project asks what forms of resistance can emerge when control is not always visible. How can artistic practice expose systems that are hidden behind the language of neutrality, progress, security, or innovation? How can refusal create space for opacity, uncertainty, intimacy, and other ways of relating to the world?",[],{"_key":5840,"_type":26,"children":5841,"markDefs":5846,"style":39},"d32ee9a0f9c5",[5842],{"_key":5843,"_type":30,"marks":5844,"text":5845},"1785964752800",[],"To Command the Clouds Is to Own the Future proposes the cloud as a political and poetic figure of the present. It is a site where atmosphere, technology, infrastructure, and power meet. Through installation, spatial research, writing, and critical storytelling, the project examines how the future is being claimed, and how it might still be refused.",[],{"_key":5848,"_type":26,"children":5849,"markDefs":5854,"style":39},"19fc5478bb8e",[5850],{"_key":5851,"_type":30,"marks":5852,"text":5853},"0cf0645045560",[],"To Own the Air is the first chapter of To Command the Clouds Is to Own the Future. It focuses on the atmosphere as the first invisible territory of the project.",[],[5856,5866,5876,5886,5903],{"_type":1047,"question":5857},[5858],{"_key":5859,"_type":26,"children":5860,"markDefs":5865,"style":39},"3f0037e376d6",[5861],{"_key":5862,"_type":30,"marks":5863,"text":5864},"6d9e498a79770",[],"What forms of control are hidden inside the language of protection, prediction, and security?",[],{"_type":1047,"question":5867},[5868],{"_key":5869,"_type":26,"children":5870,"markDefs":5875,"style":39},"b2f77b06b89f",[5871],{"_key":5872,"_type":30,"marks":5873,"text":5874},"43e0cc5a028a0",[],"Can refusal offer a way to resist the transformation of air, weather, data, and intimacy into spaces of prediction, extraction, and ownership?",[],{"_type":1047,"question":5877},[5878],{"_key":5879,"_type":26,"children":5880,"markDefs":5885,"style":39},"7b0b5aa5cbaf",[5881],{"_key":5882,"_type":30,"marks":5883,"text":5884},"f4752c05ea700",[],"What does the cloud conceal when it appears weightless, neutral, or beyond reach?",[],{"_type":1047,"question":5887},[5888,5896],{"_key":5889,"_type":26,"children":5890,"markDefs":5895,"style":39},"736f1d165319",[5891],{"_key":5892,"_type":30,"marks":5893,"text":5894},"7d83bb632af20",[],"How can artistic practice make visible the forces that transform air, weather, and the sky into spaces of command?",[],{"_key":5897,"_type":26,"children":5898,"markDefs":5902,"style":39},"b4493561a42b",[5899],{"_key":5900,"_type":30,"marks":5901,"text":720},"1d502fcf1d2b0",[],[],{"_type":1047,"question":5904},[5905],{"_key":5906,"_type":26,"children":5907,"markDefs":5912,"style":39},"abf717523d58",[5908],{"_key":5909,"_type":30,"marks":5910,"text":5911},"ff359bb31f550",[],"How does the atmosphere become political when it is measured, monitored, militarized, and treated as infrastructure?",[],[5914,189,5915,5916,5917,5918,5919,461,5756,5920,1097,4377,5921,1100,5922],"to command the clouds is to own the future: to own the air","what forms of control are hidden inside the language of protection, prediction, and security?","can refusal offer a way to resist the transformation of air, weather, data, and intimacy into spaces of prediction, extraction, and ownership?","what does the cloud conceal when it appears weightless, neutral, or beyond reach?","how can artistic practice make visible the forces that transform air, weather, and the sky into spaces of command?\n\n","how does the atmosphere become political when it is measured, monitored, militarized, and treated as infrastructure?","to command the clouds is to own the future is an artistic research project about control, territory, and invisible infrastructures. it investigates how contemporary power is no longer limited to the occupation of land, but extends into atmospheric, digital, algorithmic, and intimate realms.\n\nthe project begins from the double meaning of the cloud. the cloud is atmospheric: air, weather, climate, vapor, movement. but it is also digital: data centers, servers, networks, storage, computation. in both cases, the cloud appears immaterial and distant, yet it is deeply connected to infrastructure, extraction, energy, surveillance, and political power. to command the clouds means to control not only a physical environment, but the conditions through which life is predicted, organized, and governed.\n\nthe project traces how older forms of territorial ambition are reappearing in new and less visible forms. the desire to control land is extended into the desire to control weather, airspace, satellites, data flows, algorithmic systems, and behavior. power increasingly operates through prediction, optimization, automation, and command. it does not only draw borders on the ground; it creates invisible borders through infrastructures, protocols, permissions, and systems of access.\n\nwithin this framework, refusal becomes a central gesture. refusal is not understood as simple negation, but as a way of interrupting the logic of domination. to refuse is to question the assumption that everything must be measured, controlled, extracted, or made useful. it is a way to resist the transformation of shared, unstable, or intimate spaces into territories of command.\n\nthe project asks what forms of resistance can emerge when control is not always visible. how can artistic practice expose systems that are hidden behind the language of neutrality, progress, security, or innovation? how can refusal create space for opacity, uncertainty, intimacy, and other ways of relating to the world?\n\nto command the clouds is to own the future proposes the cloud as a political and poetic figure of the present. it is a site where atmosphere, technology, infrastructure, and power meet. through installation, spatial research, writing, and critical storytelling, the project examines how the future is being claimed, and how it might still be refused.\n\nto own the air is the first chapter of to command the clouds is to own the future. it focuses on the atmosphere as the first invisible territory of the project.","climate knowledge","spatial forensics",{"_type":14,"current":5924},"to-command-the-clouds-is-to-own-the-future","To Command the Clouds Is to Own the Future: To Own the Air",{"_id":5927,"_type":304,"categories":5928,"credits":5954,"featuredImage":6054,"filterables":6058,"footnotes":6071,"locations":6072,"logbook":6084,"pageBuilder":6237,"researchQuestion":9,"researchQuestions":6556,"searchables":6636,"seo":9,"slug":6644,"title":6646,"year":190},"d6c521b4-eb4a-4dea-99cd-10d5512908b6",[5929,5932,5935,5938,5941,5944,5947],{"_id":5671,"_type":308,"colorPrimary":5930,"seo":9,"slug":5931,"title":5676},{"label":310,"value":5673},{"_type":14,"current":5675},{"_id":316,"_type":308,"colorPrimary":5933,"seo":9,"slug":5934,"title":321},{"label":310,"value":318},{"_type":14,"current":320},{"_id":337,"_type":308,"colorPrimary":5936,"seo":9,"slug":5937,"title":342},{"label":310,"value":339},{"_type":14,"current":341},{"_id":4666,"_type":308,"colorPrimary":5939,"seo":9,"slug":5940,"title":4671},{"label":310,"value":4668},{"_type":14,"current":4670},{"_id":4690,"_type":308,"colorPrimary":5942,"seo":9,"slug":5943,"title":4695},{"label":310,"value":4692},{"_type":14,"current":4694},{"_id":4373,"_type":308,"colorPrimary":5945,"seo":9,"slug":5946,"title":4378},{"label":310,"value":4375},{"_type":14,"current":4377},{"_id":5948,"_type":308,"colorPrimary":5949,"seo":9,"slug":5951,"title":5953},"9b14bbbc-4a9d-4861-8be6-880a5d3c69ce",{"label":310,"value":5950},"#ff9b00",{"_type":14,"current":5952},"creative-climate-communicating","Creative Climate Communicating",{"other":9,"profiles":5955},[5956,5997],{"_id":5957,"_type":389,"activeYears":5958,"bio":5961,"bioShort":5968,"featuredImage":9,"filterables":5977,"links":9,"locations":5980,"searchables":5992,"seo":9,"slug":5994,"title":5996},"ba722a8a-d04e-40bf-8ecf-d0c1f0af2f64",[5959],{"_id":186,"_type":187,"seo":9,"slug":5960,"title":190},{"_type":14,"current":189},[5962,5970],{"_key":5963,"_type":26,"children":5964,"markDefs":5969,"style":39},"75a67e99adab",[5965],{"_key":5966,"_type":30,"marks":5967,"text":5968},"b8d35fbb05b40",[],"Anna is a Fine Arts students at ZHdK, Zurcher Hochschule der Kunst, born in Rome, Italy.",[],{"_key":5971,"_type":26,"children":5972,"markDefs":5976,"style":39},"b67245e4eb9f",[5973],{"_key":5974,"_type":30,"marks":5975,"text":720},"af5f10719518",[],[],{"filterYear":5978},[5979],{"_id":186,"title":190},{"locations":5981,"other":5984},[5982],{"_id":458,"_type":459,"seo":9,"slug":5983,"title":462},{"_type":14,"current":461},[5985],{"_key":5986,"_type":26,"children":5987,"markDefs":5991,"style":39},"dc24712cba42",[5988],{"_key":5989,"_type":30,"marks":5990,"text":4777},"69a87321d1ed",[],[],[5993,189],"anna campani",{"_type":14,"current":5995},"anna-campani","Anna Campani",{"_id":5998,"_type":389,"activeYears":5999,"bio":6014,"bioShort":6023,"featuredImage":9,"filterables":6024,"links":6033,"locations":6036,"searchables":6049,"seo":9,"slug":6051,"title":6053},"c8be7162-2392-45c5-a94b-897e73004b41",[6000,6002,6004,6006,6008,6010,6012],{"_id":223,"_type":187,"seo":9,"slug":6001,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":6003,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":6005,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":6007,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":6009,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":6011,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":6013,"title":196},{"_type":14,"current":195},[6015],{"_key":6016,"_type":26,"children":6017,"markDefs":6022,"style":39},"7ffe2a4ac168",[6018],{"_key":6019,"_type":30,"marks":6020,"text":6021},"b42fe50295920",[],"The study and research programme covers the areas of art education, design, film, fine arts, music, dance, theatre and transdisciplinary studies. It is a state university with its own legal personality and is institutionally accredited.",[],"One of the leading art universities in Europe. ",{"filterYear":6025},[6026,6027,6028,6029,6030,6031,6032],{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[6034],{"_type":449,"label":450,"url":6035},"https://www.zhdk.ch/",{"locations":6037,"other":6040},[6038],{"_id":458,"_type":459,"seo":9,"slug":6039,"title":462},{"_type":14,"current":461},[6041],{"_key":6042,"_type":26,"children":6043,"markDefs":6048,"style":39},"9368f950e09b",[6044],{"_key":6045,"_type":30,"marks":6046,"text":6047},"f4ddbc768a680",[],"Pfingstweidstrasse 96, 8005 Zürich, Switzerland",[],[6050,225,220,215,210,205,200,195],"zhdk – zürcher hochschule der künste",{"_type":14,"current":6052},"zhdk-zuercher-hochschule-der-kuenste","ZHdK – Zürcher Hochschule der Künste",{"alt":9,"asset":6055},{"_id":6056,"height":2597,"orientation":440,"ratio":2273,"url":6057,"width":2599},"image-f851c2f3e0b332c9581c46904a32eb650a49687c-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/f851c2f3e0b332c9581c46904a32eb650a49687c-3024x4032.jpg",{"filterCategory":6059,"filterLocation":6067,"filterYear":6069},[6060,6061,6062,6063,6064,6065,6066],{"_id":5671,"title":5676},{"_id":316,"title":321},{"_id":337,"title":342},{"_id":4666,"title":4671},{"_id":4690,"title":4695},{"_id":4373,"title":4378},{"_id":5948,"title":5953},[6068],{"_id":458,"title":462},[6070],{"_id":186,"title":190},[],{"locations":6073,"other":6076},[6074],{"_id":458,"_type":459,"seo":9,"slug":6075,"title":462},{"_type":14,"current":461},[6077],{"_key":6078,"_type":26,"children":6079,"markDefs":6083,"style":39},"bce2c08d82a2",[6080],{"_key":6081,"_type":30,"marks":6082,"text":4777},"bd2662263aad",[],[],[6085,6101,6124,6140,6156,6172,6187,6202,6214,6230],{"_key":6086,"_type":26,"children":6087,"markDefs":6100,"style":39},"412b40059ded",[6088,6092,6096],{"_key":6089,"_type":30,"marks":6090,"text":6091},"071933588f0d0",[],"How do we ",{"_key":6093,"_type":30,"marks":6094,"text":6095},"2dce6509a900",[32],"get informed",{"_key":6097,"_type":30,"marks":6098,"text":6099},"a8d5fb13a461",[]," through social media?",[],{"_key":6102,"_type":26,"children":6103,"markDefs":6123,"style":39},"0f92dba13284",[6104,6108,6112,6115,6119],{"_key":6105,"_type":30,"marks":6106,"text":6107},"6130a74404ea0",[],"What effect does receiving and looking at ",{"_key":6109,"_type":30,"marks":6110,"text":6111},"47a98d602d4e",[32],"decontextualized",{"_key":6113,"_type":30,"marks":6114,"text":4175},"a9c8cbaff43b",[],{"_key":6116,"_type":30,"marks":6117,"text":6118},"5bd3f1093f42",[32],"images",{"_key":6120,"_type":30,"marks":6121,"text":6122},"0c9f32a08fc9",[]," have on our understanding of news?",[],{"_key":6125,"_type":26,"children":6126,"markDefs":6139,"style":39},"e2449a20b63a",[6127,6131,6135],{"_key":6128,"_type":30,"marks":6129,"text":6130},"f1bb0ed6d0d5",[],"How do digital images shape our ",{"_key":6132,"_type":30,"marks":6133,"text":6134},"018a19909b91",[32],"idea of reality",{"_key":6136,"_type":30,"marks":6137,"text":6138},"3f4ee60a7016",[],"?",[],{"_key":6141,"_type":26,"children":6142,"markDefs":6155,"style":39},"3f15ba224e12",[6143,6147,6151],{"_key":6144,"_type":30,"marks":6145,"text":6146},"d18070ce96f7",[],"How could ",{"_key":6148,"_type":30,"marks":6149,"text":6150},"8723ecb35dec",[32],"we as artists react",{"_key":6152,"_type":30,"marks":6153,"text":6154},"994bb9975344",[]," to the saturation of non-physical images?",[],{"_key":6157,"_type":26,"children":6158,"markDefs":6171,"style":39},"c873592aaeaa",[6159,6163,6167],{"_key":6160,"_type":30,"marks":6161,"text":6162},"762554bdbaff",[],"How can the ",{"_key":6164,"_type":30,"marks":6165,"text":6166},"98724ec84592",[32],"physicality of a picture",{"_key":6168,"_type":30,"marks":6169,"text":6170},"e88aa7df967e",[]," be brought back?",[],{"_key":6173,"_type":26,"children":6174,"markDefs":6186,"style":39},"c05db75569a9",[6175,6179,6183],{"_key":6176,"_type":30,"marks":6177,"text":6178},"6993052ba96e",[],"What does art have to do with the ",{"_key":6180,"_type":30,"marks":6181,"text":6182},"f1088f678c9a",[32],"documentation of reality",{"_key":6184,"_type":30,"marks":6185,"text":6138},"b87681a8bbd0",[],[],{"_key":6188,"_type":26,"children":6189,"markDefs":6201,"style":39},"86b5cb0b5d38",[6190,6194,6198],{"_key":6191,"_type":30,"marks":6192,"text":6193},"b9f402841a8c",[],"Could we speak of ",{"_key":6195,"_type":30,"marks":6196,"text":6197},"ed975cc33a70",[32],"artistic journalism",{"_key":6199,"_type":30,"marks":6200,"text":6138},"97959903137c",[],[],{"_key":6203,"_type":26,"children":6204,"markDefs":6213,"style":39},"9e9b3613dc9c",[6205,6209],{"_key":6206,"_type":30,"marks":6207,"text":6208},"f4c94f000879",[],"If we consider art as a form of resistance, what practices could be the ",{"_key":6210,"_type":30,"marks":6211,"text":6212},"b2491ee005b5",[32],"most effective to make a change?",[],{"_key":6215,"_type":26,"children":6216,"markDefs":6229,"style":39},"93a903cf9ebf",[6217,6221,6225],{"_key":6218,"_type":30,"marks":6219,"text":6220},"4b0b48eb4259",[],"Can ",{"_key":6222,"_type":30,"marks":6223,"text":6224},"b116f186b785",[32],"non-violent civil resistance",{"_key":6226,"_type":30,"marks":6227,"text":6228},"e519dfab00c1",[]," be the core of an art practice?",[],{"_key":6231,"_type":26,"children":6232,"markDefs":6236,"style":39},"1e939a3852fb",[6233],{"_key":6234,"_type":30,"marks":6235,"text":720},"0be84bc40e2d",[],[],[6238,6293,6357,6414,6496],{"_type":7,"settings":6239,"text":6240},{"textColumnCount":941},[6241,6249,6273,6285],{"_key":6242,"_type":26,"children":6243,"markDefs":6248,"style":39},"22e166017ad5",[6244],{"_key":6245,"_type":30,"marks":6246,"text":6247},"f7c16ad1dfe40",[],"My tentative question has its basis on two main topics that have been floating inside my head for a while now, and that for this application I am finally pushing myself in spitting them out.",[],{"_key":6250,"_type":26,"children":6251,"markDefs":6272,"style":39},"39a288e120d7",[6252,6256,6260,6264,6268],{"_key":6253,"_type":30,"marks":6254,"text":6255},"9d480b31e7a80",[],"Being an art student since a young age, I have been noticing more and more how big is the lack of affordable materials that students have at their disposal in order to experiment and develop their artistic practice. This ",{"_key":6257,"_type":30,"marks":6258,"text":6259},"9d480b31e7a81",[32],"first problem",{"_key":6261,"_type":30,"marks":6262,"text":6263},"9d480b31e7a82",[]," holds them back from trying new techniques and therefore enrich their knowledge on a certain material or art topic. The second theme of interest of mine has its roots in museums – as well as art galleries and exhibition spaces in general –, and more specifically ",{"_key":6265,"_type":30,"marks":6266,"text":6267},"9d480b31e7a83",[32],"addresses the waste and its big foot-print that the displaying of art has on our environment",{"_key":6269,"_type":30,"marks":6270,"text":6271},"9d480b31e7a84",[],". In fact exhibition spaces produce a big amount of waste on a regular basis, starting from the design elements no more in use of the just ended exhibition, old wrapping materials from the archival or the outdated storage furniture. Such materials – whether caused by the lack of space, the moving in a new storage space, or the invention/discovery of a more efficient preserving material – are still in good enough condition for experimental purposes, try-out samples, or even to create mixed media sculptures, paintings, installations by art students that are eager to learn.",[],{"_key":6274,"_type":26,"children":6275,"markDefs":6284,"style":39},"21b00e01799b",[6276,6280],{"_key":6277,"_type":30,"marks":6278,"text":6279},"b65bf38958c20",[],"Therefore my question is: ",{"_key":6281,"_type":30,"marks":6282,"text":6283},"b65bf38958c21",[32],"how can I put in dialogue museums/gallery/exhibition spaces with students who seek materials to develop their artistic practice? How can I make this topic visible to both these target groups so to finally create a direct link between them, a strong cooperation against the climate crisis?",[],{"_key":6286,"_type":26,"children":6287,"markDefs":6292,"style":39},"f065f7c5240c",[6288],{"_key":6289,"_type":30,"marks":6290,"text":6291},"92538c20b5fc",[],"But let me arrive straight to the point. By creating art only with left over materials not only could this topic be brought to the ecologists rounded table, but could also crate an exchange-platform where museums can give away for free or low price their off-cut materials to students, who are going to give them a new artist life.",[],{"_type":6294,"image":6295,"settings":6310,"text":6312},"textImageBlock",{"alt":9,"asset":6296,"caption":6301},{"_id":6297,"height":6298,"orientation":440,"ratio":1724,"url":6299,"width":6300},"image-ef5eb4d1487b0316e2801cc651f692db0155b5c4-2160x3840-jpg",3840,"https://cdn.sanity.io/images/eodip22e/production/ef5eb4d1487b0316e2801cc651f692db0155b5c4-2160x3840.jpg",2160,[6302],{"_key":6303,"_type":26,"children":6304,"markDefs":6309,"style":39},"19588442d9f6",[6305],{"_key":6306,"_type":30,"marks":6307,"text":6308},"264eae26fb23",[],"Untitled, 2025 - House & Garden Exhibition in CAPNapoliEst, Napoli, Italy",[],{"mediaPosition":6311},"right",[6313,6333,6349],{"_key":6314,"_type":26,"children":6315,"markDefs":6332,"style":39},"3f591ff721f6",[6316,6320,6324,6328],{"_key":6317,"_type":30,"marks":6318,"text":6319},"c7fd8dbcf9990",[32],"Objective",{"_key":6321,"_type":30,"marks":6322,"text":6323},"8b858ffeed18",[],"(s)\n• Show to my peer students that it ",{"_key":6325,"_type":30,"marks":6326,"text":6327},"272e4c4feb57",[32],"is possible to build an art\npractice based on high quality recycled materials",{"_key":6329,"_type":30,"marks":6330,"text":6331},"fe372d996936",[],", using my BA\nfinal art piece as a starting point;\n• Bring the academic and institutional discourse on:",[],{"_key":6334,"_type":26,"children":6335,"level":1507,"listItem":1508,"markDefs":6348,"style":39},"5d3944d14f4f",[6336,6340,6344],{"_key":6337,"_type":30,"marks":6338,"text":6339},"4c12601e45d5",[],"how we think about art conservation and weather our current\n",{"_key":6341,"_type":30,"marks":6342,"text":6343},"d4e282a34a7c",[32],"conservation methods are sustainable (or not)",{"_key":6345,"_type":30,"marks":6346,"text":6347},"248dc5f120a1",[],";",[],{"_key":6350,"_type":26,"children":6351,"level":1507,"listItem":1508,"markDefs":6356,"style":39},"a0b183782217",[6352],{"_key":6353,"_type":30,"marks":6354,"text":6355},"904a684918f8",[],"the consumer awareness, as art students, on news that we get on\ninstagram, and how ca we react to that.",[],{"_type":6294,"image":6358,"settings":6379,"text":6381},{"alt":9,"asset":6359,"caption":6362},{"_id":6360,"height":2597,"orientation":440,"ratio":2273,"url":6361,"width":2599},"image-4f1b57d70253e5f0b841a7dd5ad7a49a3729c8a7-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/4f1b57d70253e5f0b841a7dd5ad7a49a3729c8a7-3024x4032.jpg",[6363],{"_key":6364,"_type":26,"children":6365,"markDefs":6378,"style":39},"5ae038603292",[6366,6370,6374],{"_key":6367,"_type":30,"marks":6368,"text":6369},"fef17fed943d",[],"Nessuno potrà dire io non sapevo ",{"_key":6371,"_type":30,"marks":6372,"text":6373},"d4139e911928",[874],"No one could ever say I didn't know, 2025 - \"",{"_key":6375,"_type":30,"marks":6376,"text":6377},"063d251d5236",[],"I Have been Wanting To scream For a while Now\" duo exhibition at ZHdK, Zurich, Switzerland",[],{"mediaPosition":6380},"left",[6382],{"_key":6383,"_type":26,"children":6384,"markDefs":6413,"style":39},"fc465987457d",[6385,6389,6393,6397,6401,6405,6409],{"_key":6386,"_type":30,"marks":6387,"text":6388},"eec8b1afe1e1",[32],"Method",{"_key":6390,"_type":30,"marks":6391,"text":6392},"85a1ff5bef5e",[],"(s)\n• Since I have been studying in Zurich, a good 95% (in volume) of\nthe materials of my pieces had a previous life;\n• ",{"_key":6394,"_type":30,"marks":6395,"text":6396},"6e1b7ba4bdc6",[32],"Communication is the key",{"_key":6398,"_type":30,"marks":6399,"text":6400},"df5fd79ce900",[],": I bring up the topic during all the\npresentations of my pieces;\n• ",{"_key":6402,"_type":30,"marks":6403,"text":6404},"a4f8b9bd426a",[32],"Caring is sharing:",{"_key":6406,"_type":30,"marks":6407,"text":6408},"9fb3216b9613",[]," I bring useful material that I get during my\ninternships to ZHdK in the recycling-areas in the building;\n• Spending time in the exhibition space as much as possible to\nengage in conversation with the viewers;\n• ",{"_key":6410,"_type":30,"marks":6411,"text":6412},"38fe0bd49e80",[32],"Including bibliography, where the references come from in my\npieces.",[],{"_type":6294,"image":6415,"settings":6431,"text":6432},{"alt":9,"asset":6416,"caption":6422},{"_id":6417,"height":6418,"orientation":789,"ratio":6419,"url":6420,"width":6421},"image-4e4ce364d97b5f1209e2ef93e518d3eab7d2ed26-4025x2683-jpg",2683,1.5001863585538575,"https://cdn.sanity.io/images/eodip22e/production/4e4ce364d97b5f1209e2ef93e518d3eab7d2ed26-4025x2683.jpg",4025,[6423],{"_key":6424,"_type":26,"children":6425,"markDefs":6430,"style":39},"39ed654ede78",[6426],{"_key":6427,"_type":30,"marks":6428,"text":6429},"8669b960469e",[],"sketch for my diploma project",[],{"mediaPosition":6311},[6433,6456,6472,6488],{"_key":6434,"_type":26,"children":6435,"markDefs":6455,"style":39},"a40bb8487a49",[6436,6440,6444,6448,6452],{"_key":6437,"_type":30,"marks":6438,"text":6439},"f6837906a7980",[],"In ",{"_key":6441,"_type":30,"marks":6442,"text":6443},"6c9f740ec8af",[32],"practice",{"_key":6445,"_type":30,"marks":6446,"text":6447},"a11e439e8a2b",[],"\n• I will “ask” my research question to the art public during my\ndiploma show through a ",{"_key":6449,"_type":30,"marks":6450,"text":6451},"e63bae621daf",[32],"performative action",{"_key":6453,"_type":30,"marks":6454,"text":672},"3e79cfe0394f",[],[],{"_key":6457,"_type":26,"children":6458,"level":1507,"listItem":1508,"markDefs":6471,"style":39},"4f6df896b64a",[6459,6463,6467],{"_key":6460,"_type":30,"marks":6461,"text":6462},"5e06e9074bf7",[],"In which the ",{"_key":6464,"_type":30,"marks":6465,"text":6466},"b1da17cf7be2",[32],"waste in art production",{"_key":6468,"_type":30,"marks":6469,"text":6470},"78c1072654dc",[]," is one of the main focus;",[],{"_key":6473,"_type":26,"children":6474,"level":1507,"listItem":1508,"markDefs":6487,"style":39},"cd6b4f47964e",[6475,6479,6483],{"_key":6476,"_type":30,"marks":6477,"text":6478},"760c71d788c9",[],"While bringing the attention to disinformation on ",{"_key":6480,"_type":30,"marks":6481,"text":6482},"9693c0e6da3c",[32],"ongoing conflicts",{"_key":6484,"_type":30,"marks":6485,"text":6486},"4470eefc907a",[],"\n(f.i. Genocide in Palestine, Israeli-US relations etc...) that Instagram as\nsocial media is “offering” us;",[],{"_key":6489,"_type":26,"children":6490,"level":1507,"listItem":1508,"markDefs":6495,"style":39},"32bd2e753e28",[6491],{"_key":6492,"_type":30,"marks":6493,"text":6494},"4341561021a5",[],"For which I’m now making the installation with which I will\ninteract.",[],{"_type":6294,"image":6497,"settings":6514,"text":6515},{"alt":9,"asset":6498,"caption":6501},{"_id":6499,"height":6298,"orientation":440,"ratio":1724,"url":6500,"width":6300},"image-13ae2ec36ec5750b26f7132d5b71ca2845f4b6cd-2160x3840-jpg","https://cdn.sanity.io/images/eodip22e/production/13ae2ec36ec5750b26f7132d5b71ca2845f4b6cd-2160x3840.jpg",[6502],{"_key":6503,"_type":26,"children":6504,"markDefs":6513,"style":39},"fc94ba74b89c",[6505,6509],{"_key":6506,"_type":30,"marks":6507,"text":6508},"c5d79fee8343",[],"TINA ",{"_key":6510,"_type":30,"marks":6511,"text":6512},"84ecf2826694",[874],"There Is No Alternative, 2024",[],{"mediaPosition":6380},[6516],{"_key":6517,"_type":26,"children":6518,"markDefs":6555,"style":39},"afe066c94296",[6519,6523,6527,6531,6535,6539,6543,6547,6551],{"_key":6520,"_type":30,"marks":6521,"text":6522},"71dbea159331",[32],"Further plan",{"_key":6524,"_type":30,"marks":6525,"text":6526},"b9929bf49f4a",[],"(s)\n• Try to ",{"_key":6528,"_type":30,"marks":6529,"text":6530},"5079d9e625de",[32],"directly connect museums",{"_key":6532,"_type":30,"marks":6533,"text":6534},"76c1cecdadfe",[],", exhibition spaces, art\ngalleries to art academies and ",{"_key":6536,"_type":30,"marks":6537,"text":6538},"1b8d8895b87e",[32],"artists studios",{"_key":6540,"_type":30,"marks":6541,"text":6542},"6b1e3dc4bf13",[]," (through a\nRicardo/Marketplace like app) – like ReBiennale in Venice;\n• Made this the ",{"_key":6544,"_type":30,"marks":6545,"text":6546},"c2c13f4a43cf",[32],"main topic of my practice",{"_key":6548,"_type":30,"marks":6549,"text":6550},"33ca72d41aad",[]," so to give it more\nrelevance;\n• ",{"_key":6552,"_type":30,"marks":6553,"text":6554},"9401cdaebe91",[32],"Activism as a form of art.",[],[6557,6605],{"_type":1047,"question":6558},[6559],{"_key":6560,"_type":26,"children":6561,"markDefs":6604,"style":39},"24c1e277db3d",[6562,6566,6570,6573,6577,6581,6585,6589,6593,6597,6601],{"_key":6563,"_type":30,"marks":6564,"text":6565},"fbc7c5aab9b20",[],"How can I ",{"_key":6567,"_type":30,"marks":6568,"text":6569},"34792cb6d5c3",[32],"put",{"_key":6571,"_type":30,"marks":6572,"text":1593},"f9984f45c0f5",[],{"_key":6574,"_type":30,"marks":6575,"text":6576},"9df7d861f69a",[32],"museums",{"_key":6578,"_type":30,"marks":6579,"text":6580},"a7ec053f4c4d",[],"/gallery/exhibition spaces ",{"_key":6582,"_type":30,"marks":6583,"text":6584},"fa4aae8a113c",[32],"in dialogue ",{"_key":6586,"_type":30,"marks":6587,"text":6588},"0756b9672488",[],"with ",{"_key":6590,"_type":30,"marks":6591,"text":6592},"cd2c09339991",[32],"students",{"_key":6594,"_type":30,"marks":6595,"text":6596},"e2da08100f7a",[]," who seek materials ",{"_key":6598,"_type":30,"marks":6599,"text":6600},"e687e6c4f7ad",[32],"to develop their artistic practice",{"_key":6602,"_type":30,"marks":6603,"text":6138},"dbd18547dc14",[],[],{"_type":1047,"question":6606},[6607],{"_key":6608,"_type":26,"children":6609,"markDefs":6635,"style":39},"5452d4c6c68d",[6610,6614,6618,6621,6624,6628,6632],{"_key":6611,"_type":30,"marks":6612,"text":6613},"99ad5b097b30",[],"How can I make this topic visible to both these target groups so to finally create a ",{"_key":6615,"_type":30,"marks":6616,"text":6617},"ef9cca5fc2cb",[32],"direct",{"_key":6619,"_type":30,"marks":6620,"text":1593},"aa03b07c318c",[],{"_key":6622,"_type":30,"marks":6623,"text":56},"0f8eecd158c6",[32],{"_key":6625,"_type":30,"marks":6626,"text":6627},"a7e005deef8c",[]," between them, a ",{"_key":6629,"_type":30,"marks":6630,"text":6631},"bcb719f629a0",[32],"strong cooperation against the climate crisis",{"_key":6633,"_type":30,"marks":6634,"text":6138},"2308224b44dc",[],[],[6637,189,6638,6639,6640,461,6641,5993,6050,6642,5921,1097,1100,5068,5069,4377,6643],"unwrapping the arts","how can i put museums/gallery/exhibition spaces in dialogue with students who seek materials to develop their artistic practice?","how can i make this topic visible to both these target groups so to finally create a direct link between them, a strong cooperation against the climate crisis?","how do we get informed through social media?\n\nwhat effect does receiving and looking at decontextualized\nimages have on our understanding of news?\n\nhow do digital images shape our idea of reality?\n\nhow could we as artists react to the saturation of non-physical images?\n\nhow can the physicality of a picture be brought back?\n\nwhat does art have to do with the documentation of reality?\n\ncould we speak of artistic journalism?\n\nif we consider art as a form of resistance, what practices could be the most effective to make a change?\n\ncan non-violent civil resistance be the core of an art practice?\n\n","zurich","my tentative question has its basis on two main topics that have been floating inside my head for a while now, and that for this application i am finally pushing myself in spitting them out.\n\nbeing an art student since a young age, i have been noticing more and more how big is the lack of affordable materials that students have at their disposal in order to experiment and develop their artistic practice. this first problem holds them back from trying new techniques and therefore enrich their knowledge on a certain material or art topic. the second theme of interest of mine has its roots in museums – as well as art galleries and exhibition spaces in general –, and more specifically addresses the waste and its big foot-print that the displaying of art has on our environment. in fact exhibition spaces produce a big amount of waste on a regular basis, starting from the design elements no more in use of the just ended exhibition, old wrapping materials from the archival or the outdated storage furniture. such materials – whether caused by the lack of space, the moving in a new storage space, or the invention/discovery of a more efficient preserving material – are still in good enough condition for experimental purposes, try-out samples, or even to create mixed media sculptures, paintings, installations by art students that are eager to learn.\n\ntherefore my question is: how can i put in dialogue museums/gallery/exhibition spaces with students who seek materials to develop their artistic practice? how can i make this topic visible to both these target groups so to finally create a direct link between them, a strong cooperation against the climate crisis?\n\nbut let me arrive straight to the point. by creating art only with left over materials not only could this topic be brought to the ecologists rounded table, but could also crate an exchange-platform where museums can give away for free or low price their off-cut materials to students, who are going to give them a new artist life.","creative climate communicating",{"_type":14,"current":6645},"unwrapping-the-arts","Unwrapping The Arts",{"_id":6648,"_type":304,"categories":6649,"credits":6680,"featuredImage":6774,"filterables":6779,"footnotes":6791,"locations":6792,"logbook":9,"pageBuilder":6796,"researchQuestion":9,"researchQuestions":6895,"searchables":6927,"seo":9,"slug":6935,"title":6928,"year":190},"568d5083-ebc9-4405-92ce-7161bbf555db",[6650,6653,6660,6667,6670,6673],{"_id":307,"_type":308,"colorPrimary":6651,"seo":9,"slug":6652,"title":314},{"label":310,"value":311},{"_type":14,"current":313},{"_id":6654,"_type":308,"colorPrimary":6655,"seo":9,"slug":6657,"title":6659},"1442cfb6-76fe-4ed5-a398-220a5406e3f1",{"label":310,"value":6656},"#8c8c00",{"_type":14,"current":6658},"dialogic-decolonial-pedagogic-practice","Dialogic Decolonial Pedagogic Practice",{"_id":6661,"_type":308,"colorPrimary":6662,"seo":9,"slug":6664,"title":6666},"75a9cd21-9ed7-480b-b189-fb8c446ddd14",{"label":310,"value":6663},"#b4b400",{"_type":14,"current":6665},"translocal-connectivity","Translocal connectivity",{"_id":3847,"_type":308,"colorPrimary":6668,"seo":9,"slug":6669,"title":3852},{"label":310,"value":3849},{"_type":14,"current":3851},{"_id":358,"_type":308,"colorPrimary":6671,"seo":9,"slug":6672,"title":363},{"label":310,"value":360},{"_type":14,"current":362},{"_id":6674,"_type":308,"colorPrimary":6675,"seo":9,"slug":6677,"title":6679},"dfe2df94-69bb-4cac-9f1f-d4aa049df378",{"label":310,"value":6676},"#b4ffb4",{"_type":14,"current":6678},"deep-hanging-out","Deep Hanging Out",{"other":9,"profiles":6681},[6682,6721],{"_id":6683,"_type":389,"activeYears":6684,"bio":6687,"bioShort":6704,"featuredImage":6705,"filterables":6710,"links":6713,"locations":9,"searchables":6716,"seo":9,"slug":6718,"title":6720},"3ea66ce3-37aa-4da5-a6ad-c3af2e1ffdf8",[6685],{"_id":186,"_type":187,"seo":9,"slug":6686,"title":190},{"_type":14,"current":189},[6688,6696],{"_key":6689,"_type":26,"children":6690,"markDefs":6695,"style":39},"1d25ea35a3ce",[6691],{"_key":6692,"_type":30,"marks":6693,"text":6694},"bd9271edd8f70",[],"\"Where to go back to? Where do they and we go back to?\"",[],{"_key":6697,"_type":26,"children":6698,"markDefs":6703,"style":39},"80ffa745cb25",[6699],{"_key":6700,"_type":30,"marks":6701,"text":6702},"79a01a1693840",[],"I wrote these last two lines in a recent poem, thinking about my home and the fate of Palestinians living under oppression. In some way, they give me a clearer image of my home, a home that has always remained in the air, both geographically—a highland strip—and ancestral roots—a group of oppressed people. Then there are other homes, spontaneous anchors that come and go, things that are no longer here, things that exist in memory; amidst them, I see a small fragment of their pain. Above all, how can my home be shared with their home? What dreams will heal the wounds, not only theirs but also those of many others?",[],"Nguyễn Phương Anh (PA)\n\nwrite poems, be in the water, grow vegetables, continue to learn walking while hugging tangled fibres, practice simple writing and self-decaying freely",{"alt":9,"asset":6706},{"_id":6707,"height":6708,"orientation":789,"ratio":2697,"url":6709,"width":5510},"image-4446de798bbe29467f206542648714acb8577725-3648x2736-jpg",2736,"https://cdn.sanity.io/images/eodip22e/production/4446de798bbe29467f206542648714acb8577725-3648x2736.jpg",{"filterYear":6711},[6712],{"_id":186,"title":190},[6714],{"_type":449,"label":2149,"url":6715},"https://caileubay.wordpress.com/",[6717,189],"nguyễn phương anh",{"_type":14,"current":6719},"nguyen-phuong-anh","Nguyễn Phương Anh",{"_id":6722,"_type":389,"activeYears":6723,"bio":6726,"bioShort":6733,"featuredImage":6751,"filterables":6757,"links":9,"locations":6760,"searchables":6769,"seo":9,"slug":6771,"title":6773},"76eb9ad2-2ec4-4dfa-990c-be36fd88a2f1",[6724],{"_id":186,"_type":187,"seo":9,"slug":6725,"title":190},{"_type":14,"current":189},[6727,6735,6743],{"_key":6728,"_type":26,"children":6729,"markDefs":6734,"style":39},"2ab8af137c09",[6730],{"_key":6731,"_type":30,"marks":6732,"text":6733},"a517356db5de0",[],"Angela is an Australian-Canadian interdisciplinary artist, facilitator and steward of two acres of rural land in Ontario, Canada. Her practice-led research is centred around themes of co-regulation, interconnectedness and material biographies.",[],{"_key":6736,"_type":26,"children":6737,"markDefs":6742,"style":39},"98eace277f79",[6738],{"_key":6739,"_type":30,"marks":6740,"text":6741},"b2bfa016d4250",[],"Angela facilitates seasonally-framed art projects and residency placements on the land she and her family care for. She often works with locally sourced textiles and earth/plant pigments. In her masters degree, she led a residency placement for Canadian educators. This research assessed the impact of creative embodied practice on awareness of the self and others. ",[],{"_key":6744,"_type":26,"children":6745,"markDefs":6750,"style":39},"cdec3de4fdf3",[6746],{"_key":6747,"_type":30,"marks":6748,"text":6749},"d91e299c53db0",[],"She holds a BA in Psychology (University of Queensland, Australia), a BFA in Sculpture and Installation (OCADU, Canada) and a MA Intercultural Practices (Central Saint Martins, The University of the Arts London, UK).",[],{"alt":6752,"asset":6753},"light-skinned hand grasping forked branch with woven willow stems; greenery and willow branches, with a person's brown pants and boot in the background",{"_id":6754,"height":5141,"orientation":440,"ratio":2273,"url":6755,"width":6756},"image-80891df5f0fe396e9434363d035cf06caef10f1e-1500x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/80891df5f0fe396e9434363d035cf06caef10f1e-1500x2000.jpg",1500,{"filterYear":6758},[6759],{"_id":186,"title":190},{"locations":6761,"other":9},[6762,6764],{"_id":3530,"_type":459,"seo":9,"slug":6763,"title":3533},{"_type":14,"current":3532},{"_id":6765,"_type":459,"seo":9,"slug":6766,"title":6768},"183e5f68-ab6d-45e6-85d1-d6428d490e2e",{"_type":14,"current":6767},"pacific","Pacific",[6770,189],"angela mcintosh",{"_type":14,"current":6772},"angela-mcintosh","Angela McIntosh",{"alt":6775,"asset":6776},"handwritten invitation in black ink on rectangular sheet of light brown Vietnamese dó paper, resting on a shrub",{"_id":6777,"height":5141,"orientation":440,"ratio":2273,"url":6778,"width":6756},"image-286cf3a25a57d330854d0ad844e4cb07fba321b6-1500x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/286cf3a25a57d330854d0ad844e4cb07fba321b6-1500x2000.jpg",{"filterCategory":6780,"filterLocation":6787,"filterYear":6789},[6781,6782,6783,6784,6785,6786],{"_id":307,"title":314},{"_id":6654,"title":6659},{"_id":6661,"title":6666},{"_id":3847,"title":3852},{"_id":358,"title":363},{"_id":6674,"title":6679},[6788],{"_id":1450,"title":1451},[6790],{"_id":186,"title":190},[],{"locations":6793,"other":9},[6794],{"_id":1450,"_type":459,"seo":9,"slug":6795,"title":1451},{"_type":14,"current":1459},[6797,6855],{"_type":7,"settings":6798,"text":6799},{"textColumnCount":941},[6800,6812,6820,6827,6839,6847],{"_key":6801,"_type":26,"children":6802,"markDefs":6811,"style":39},"c31a0d271f71",[6803,6807],{"_key":6804,"_type":30,"marks":6805,"text":6806},"6911440a452e",[32],"‘Home’",{"_key":6808,"_type":30,"marks":6809,"text":6810},"cac857325e36",[]," is perceived differently by each person. Some leave and enter many homes. Some never feel at home. Some always have a home. Some view home as within the self. What does ‘home’ mean and what does it look like? The idea of home could be elusive, a short memory, a specific smell, a combat within one’s own body, a dominant culture, a violent scene, a warm hug, a plant, an imaginary forest, an old book, a breath, a relationship that is no longer there, a fading star. What else?",[],{"_key":6813,"_type":26,"children":6814,"markDefs":6819,"style":39},"6a4b9b4a60b4",[6815],{"_key":6816,"_type":30,"marks":6817,"text":6818},"43e3cb843cf1",[],"In the context of an increasingly complex world, one might not feel at home within one’s own home place. How can we extend our understanding of home beyond the familiar, and what can we do differently?",[],{"_key":6821,"_type":26,"children":6822,"markDefs":6826,"style":39},"b1d21b0c7cdb",[6823],{"_key":6824,"_type":30,"marks":6825,"text":720},"41fa53ebf35a",[],[],{"_key":6828,"_type":26,"children":6829,"markDefs":6838,"style":39},"ff19ee8e3f9d",[6830,6834],{"_key":6831,"_type":30,"marks":6832,"text":6833},"b2d16e3a0f6b",[874,32],"an",{"_key":6835,"_type":30,"marks":6836,"text":6837},"22e7017f7b7e",[32],"- collaboration",[],{"_key":6840,"_type":26,"children":6841,"markDefs":6846,"style":39},"22effab99ba8",[6842],{"_key":6843,"_type":30,"marks":6844,"text":6845},"0efe8e67eb94",[],"As a duo, we are one Vietnamese living in Switzerland, working closely with plants and words; and one Australian-Canadian, working closely with earth and plant pigments, and textiles. Together, through our different but resonant set of practices, we bring an intercultural and intergenerational sensibility, and a love of contributing to diverse communities. ",[],{"_key":6848,"_type":26,"children":6849,"markDefs":6854,"style":39},"b1907acb0958",[6850],{"_key":6851,"_type":30,"marks":6852,"text":6853},"ce0608af2f52",[],"Our topic arose from shared personal experiences of feeling uprooted as a result of settling in new lands and cultures, at different ages and stages of life. We have a common interest in learning ways to navigate complexity through care-based, collaborative practices. Mediated through creative exploration, including poetry and mapping, we seek to create intimate spaces for dialogic exchange. By collaborating with each other and extending that collaboration to those in our respective communities, both in-person and online, we hope to touch on the space of 'homeness' to unearth deeper awareness of what home may mean in different contexts and from different perspectives and positionalities.",[],{"_type":6294,"image":6856,"settings":6873,"text":6874},{"alt":6857,"asset":6858,"caption":6864},"handwritten invitation in black ink on two rectangular sheets of light brown Vietnamese dó paper, resting on a shrub",{"_id":6859,"height":6860,"orientation":789,"ratio":6861,"url":6862,"width":6863},"image-050966df7238a99baf598364304009fa48995f87-1392x1383-jpg",1383,1.0065075921908895,"https://cdn.sanity.io/images/eodip22e/production/050966df7238a99baf598364304009fa48995f87-1392x1383.jpg",1392,[6865],{"_key":6866,"_type":26,"children":6867,"markDefs":6872,"style":39},"9cf111578c59",[6868],{"_key":6869,"_type":30,"marks":6870,"text":6871},"e5006ea2793e0",[874],"Handwritten invitation on Vietnamese dó paper",[],{"mediaPosition":6311},[6875,6883],{"_key":6876,"_type":26,"children":6877,"markDefs":6882,"style":39},"e9925335c465",[6878],{"_key":6879,"_type":30,"marks":6880,"text":6881},"22bcd9171d000",[32],"preliminary research: e-lettering",[],{"_key":6884,"_type":26,"children":6885,"markDefs":6894,"style":39},"e17491925cc0",[6886,6890],{"_key":6887,"_type":30,"marks":6888,"text":6889},"22bcd9171d001",[874],"\"dear you\"",{"_key":6891,"_type":30,"marks":6892,"text":6893},"949c0f2a4054",[]," was an invitation to people in our close relational network to provide intimate reflections on what home meant to them and why. Spread across continents, generations and life-experiences, we selected email (e-lettering) as the primary way to communicate. It is a simple, accessible form that allows space for reflection and a way to navigate different time zones. From this preliminary research, a number of themes are emerging, which are informing our next steps.",[],[6896,6917],{"_type":1047,"question":6897},[6898,6909],{"_key":6899,"_type":26,"children":6900,"markDefs":6908,"style":39},"aa9defd9e154",[6901,6905],{"_key":6902,"_type":30,"marks":6903,"text":6904},"f0be2be7530f0",[32],"What are some ways of perceiving the concept of ‘home’ or ’nhà’* in different circumstances?",{"_key":6906,"_type":30,"marks":6907,"text":4175},"76c4a63c6b80",[],[],{"_key":6910,"_type":26,"children":6911,"markDefs":6916,"style":39},"66d786cf473b",[6912],{"_key":6913,"_type":30,"marks":6914,"text":6915},"abca0fc92ca00",[874],"*a note on translation: while our shared working language is English, Vietnamese is the mother tongue of one of us. Home and house both mean 'nhà' in Vietnamese: a place to come back to, and can also be understood as hometown.",[],{"_type":1047,"question":6918},[6919],{"_key":6920,"_type":26,"children":6921,"markDefs":6926,"style":39},"be69a6b31027",[6922],{"_key":6923,"_type":30,"marks":6924,"text":6925},"5c5b26d84dff0",[32],"How can we extend our understanding of home beyond the familiar? What can we do differently?",[],[6928,189,6929,6930,1459,6717,6770,6931,1096,6932,6933,3851,1103,6934],"a poetry of homing","what are some ways of perceiving the concept of ‘home’ or ’nhà’* in different circumstances?\n\n\n*a note on translation: while our shared working language is english, vietnamese is the mother tongue of one of us. home and house both mean 'nhà' in vietnamese: a place to come back to, and can also be understood as hometown.","how can we extend our understanding of home beyond the familiar? what can we do differently?","‘home’ is perceived differently by each person. some leave and enter many homes. some never feel at home. some always have a home. some view home as within the self. what does ‘home’ mean and what does it look like? the idea of home could be elusive, a short memory, a specific smell, a combat within one’s own body, a dominant culture, a violent scene, a warm hug, a plant, an imaginary forest, an old book, a breath, a relationship that is no longer there, a fading star. what else?\n\nin the context of an increasingly complex world, one might not feel at home within one’s own home place. how can we extend our understanding of home beyond the familiar, and what can we do differently?\n\n\n\nan- collaboration\n\nas a duo, we are one vietnamese living in switzerland, working closely with plants and words; and one australian-canadian, working closely with earth and plant pigments, and textiles. together, through our different but resonant set of practices, we bring an intercultural and intergenerational sensibility, and a love of contributing to diverse communities. \n\nour topic arose from shared personal experiences of feeling uprooted as a result of settling in new lands and cultures, at different ages and stages of life. we have a common interest in learning ways to navigate complexity through care-based, collaborative practices. mediated through creative exploration, including poetry and mapping, we seek to create intimate spaces for dialogic exchange. by collaborating with each other and extending that collaboration to those in our respective communities, both in-person and online, we hope to touch on the space of 'homeness' to unearth deeper awareness of what home may mean in different contexts and from different perspectives and positionalities.","dialogic decolonial pedagogic practice","translocal connectivity","deep hanging out",{"_type":14,"current":6936},"a-poetry-of-homing",{"_id":6938,"_type":304,"categories":6939,"credits":6963,"featuredImage":7289,"filterables":7293,"footnotes":7304,"locations":7305,"logbook":9,"pageBuilder":7309,"researchQuestion":9,"researchQuestions":7460,"searchables":7491,"seo":9,"slug":7500,"title":7502,"year":190},"cfa8640c-6d9f-436f-85ba-34ce4b24fac7",[6940,6947,6950,6953,6960],{"_id":6941,"_type":308,"colorPrimary":6942,"seo":9,"slug":6944,"title":6946},"68fc4bda-1fbb-44cf-832e-9a17905c1771",{"label":310,"value":6943},"#8cff8c",{"_type":14,"current":6945},"etherport","EtherPort",{"_id":5681,"_type":308,"colorPrimary":6948,"seo":9,"slug":6949,"title":5686},{"label":310,"value":5683},{"_type":14,"current":5685},{"_id":4393,"_type":308,"colorPrimary":6951,"seo":9,"slug":6952,"title":4398},{"label":310,"value":4395},{"_type":14,"current":4397},{"_id":6954,"_type":308,"colorPrimary":6955,"seo":9,"slug":6957,"title":6959},"e12273b7-8dba-4489-a7ed-3899e8f11858",{"label":310,"value":6956},"#ff4b00",{"_type":14,"current":6958},"mutual-aid","Mutual Support",{"_id":3857,"_type":308,"colorPrimary":6961,"seo":9,"slug":6962,"title":3862},{"label":310,"value":3859},{"_type":14,"current":3861},{"other":6964,"profiles":6997},[6965,6973,6985],{"_key":6966,"_type":26,"children":6967,"markDefs":6972,"style":39},"092bbc3df958",[6968],{"_key":6969,"_type":30,"marks":6970,"text":6971},"7911759cd185",[32],"ÉTÈ Institute (Eternal Terra Ear) Consultant (Internal Advisor):",[],{"_key":6974,"_type":26,"children":6975,"markDefs":6984,"style":39},"24f2e9167af7",[6976,6980],{"_key":6977,"_type":30,"marks":6978,"text":6979},"cc80340cffa50",[32],"Mónica Avella ",{"_key":6981,"_type":30,"marks":6982,"text":6983},"af96a7a956f50",[],"International lawyer, policy advisor, and strategist access to justice, women’s empowerment, and humanitarian action across Latin America, Europe, and globally. She holds a MPP from the London School of Economics (LSE), where she founded the Women & Well-Being Forum 2025 with the Colombian Society. Mónica has collaborated with leading international organizations, including UN Women, OHCHR, USAID, Chemonics International, and Sorbonne ONU. Currently, Mónica is developing her involvement with ETENS’ Women’s Entrepreneurship Accelerator.",[],{"_key":6986,"_type":26,"children":6987,"markDefs":6996,"style":39},"d766abb8767f",[6988,6992],{"_key":6989,"_type":30,"marks":6990,"text":6991},"44be2e3f3ece",[32],"Komun.aes ",{"_key":6993,"_type":30,"marks":6994,"text":6995},"964a3fea050f",[],"Security, anti-capitalism & community self-defense project.",[],[6998,7125,7177,7222],{"_id":6999,"_type":389,"activeYears":7000,"bio":7003,"bioShort":7092,"featuredImage":7093,"filterables":7100,"links":7103,"locations":7114,"searchables":7120,"seo":9,"slug":7122,"title":7124},"89121237-4017-4e9f-8f8b-2ce6b85426c7",[7001],{"_id":186,"_type":187,"seo":9,"slug":7002,"title":190},{"_type":14,"current":189},[7004,7012,7020,7036,7044,7052,7060,7076,7084],{"_key":7005,"_type":26,"children":7006,"markDefs":7011,"style":39},"1aad022395a5",[7007],{"_key":7008,"_type":30,"marks":7009,"text":7010},"47ec83de4a180",[],"I am a systems artist, social architect, and independent writing activist dedicated to investigating how technical and cultural infrastructures can be re-imagined through collective governance. As the founder and lead of Eternal Terra Ear (ÉTÈ), I spearhead a transnational policy initiative that bridges the gap between planetary-scale data and local sovereignty.",[],{"_key":7013,"_type":26,"children":7014,"markDefs":7019,"style":39},"cf355e1e1ec8",[7015],{"_key":7016,"_type":30,"marks":7017,"text":7018},"4c40742e9fdc0",[],"My Practice",[],{"_key":7021,"_type":26,"children":7022,"markDefs":7035,"style":39},"4e9c839509a8",[7023,7027,7031],{"_key":7024,"_type":30,"marks":7025,"text":7026},"2f3737cb934d0",[],"My work focuses on the creation of a \"Trust Layer\", a systemic protocol that integrates orbital remote sensing, transnational cryptography, and sensory intelligence. I utilize tools such as satellite data, drone photogrammetry, and decentralized ledgers to transform invisible environmental signals into verifiable \"Digital Twins\". A core component of my practice is Bio-synaesthesia, where I use ecological intelligent devices like the ",{"_key":7028,"_type":30,"marks":7029,"text":7030},"2f3737cb934d7",[874],"Visceral Sonic Oyster",{"_key":7032,"_type":30,"marks":7033,"text":7034},"2f3737cb934d8",[]," to translate complex data into spatialized acoustic and haptic experiences, allowing communities to \"feel\" the health of their ecosystems.",[],{"_key":7037,"_type":26,"children":7038,"markDefs":7043,"style":39},"c1abd25d502e",[7039],{"_key":7040,"_type":30,"marks":7041,"text":7042},"a77256a6d1f60",[],"Current Research Interests",[],{"_key":7045,"_type":26,"children":7046,"level":1507,"listItem":1508,"markDefs":7051,"style":39},"babf76c12239",[7047],{"_key":7048,"_type":30,"marks":7049,"text":7050},"6e77003985ce0",[],"Experimental Governance & Policy Co-Creation: Researching how collective policy-writing can serve as a creative practice to build inclusive, transborder infrastructures.",[],{"_key":7053,"_type":26,"children":7054,"level":1507,"listItem":1508,"markDefs":7059,"style":39},"e917a9a9bcad",[7055],{"_key":7056,"_type":30,"marks":7057,"text":7058},"8e224542b3630",[],"Sovereign Observation: Investigating ways to shift environmental monitoring from top-down surveillance to community-led verification systems.",[],{"_key":7061,"_type":26,"children":7062,"level":1507,"listItem":1508,"markDefs":7075,"style":39},"21f9ccb4d7f0",[7063,7067,7071],{"_key":7064,"_type":30,"marks":7065,"text":7066},"b8140191753e0",[],"Post-Humanitarian Infrastructure: Exploring the role of underground economies, collective mourning (",{"_key":7068,"_type":30,"marks":7069,"text":7070},"b8140191753e2",[874],"gham",{"_key":7072,"_type":30,"marks":7073,"text":7074},"b8140191753e3",[],"), and self-reliance in the design of future planetary systems.",[],{"_key":7077,"_type":26,"children":7078,"level":1507,"listItem":1508,"markDefs":7083,"style":39},"507f52f4b2b0",[7079],{"_key":7080,"_type":30,"marks":7081,"text":7082},"fd5499f1cf900",[],"Transnational Data Ethics: Analyzing the privacy implications and \"Privacy-by-Design\" requirements of planetary-scale sensing in collaboration with institutions like CPDP Brussels and IMPAKT NL.",[],{"_key":7085,"_type":26,"children":7086,"markDefs":7091,"style":39},"1d67cafb0c65",[7087],{"_key":7088,"_type":30,"marks":7089,"text":7090},"5e46219176f50",[],"My practice currently scales through a series of 2026 fellowships, including the CultTech Lab (Vienna), School of Commons (Zurich), and the CODE Program (Brussels/Utrecht), where I continue to develop the \"International Sky Hub\" as a model for global互联 (interconnected) trust.",[],"Yidi is a systems artist and architect work through large scale infrastructure, transnational cryptography, defining the \"Critical Sovereign Cooperation\".\n",{"alt":9,"asset":7094},{"_id":7095,"height":7096,"orientation":440,"ratio":7097,"url":7098,"width":7099},"image-fe4a6579c4c0c3c49b02788cb7525744d2796390-664x692-jpg",692,0.9595375722543352,"https://cdn.sanity.io/images/eodip22e/production/fe4a6579c4c0c3c49b02788cb7525744d2796390-664x692.jpg",664,{"filterYear":7101},[7102],{"_id":186,"title":190},[7104,7106,7109,7112],{"_type":449,"label":453,"url":7105},"https://www.instagram.com/yidi.lola/",{"_type":449,"label":7107,"url":7108},"Eternal Terra Ear (ÉTÈ)","https://www.instagram.com/eternal_terra_ear/",{"_type":449,"label":7110,"url":7111},"Personal Linktree","https://linktr.ee/yidi.lola",{"_type":449,"label":450,"url":7113},"https://ete.institute/",{"locations":7115,"other":9},[7116,7118],{"_id":3379,"_type":459,"seo":9,"slug":7117,"title":3382},{"_type":14,"current":3381},{"_id":458,"_type":459,"seo":9,"slug":7119,"title":462},{"_type":14,"current":461},[7121,189],"yidi lola ",{"_type":14,"current":7123},"yidi-lola","Yidi Lola ",{"_id":7126,"_type":389,"activeYears":7127,"bio":7130,"bioShort":7147,"featuredImage":7148,"filterables":7154,"links":7157,"locations":7160,"searchables":7173,"seo":9,"slug":7175,"title":7149},"ad3a4bd5-2451-464c-a588-07fb59ea7823",[7128],{"_id":186,"_type":187,"seo":9,"slug":7129,"title":190},{"_type":14,"current":189},[7131,7139],{"_key":7132,"_type":26,"children":7133,"markDefs":7138,"style":39},"7634d22c89b4",[7134],{"_key":7135,"_type":30,"marks":7136,"text":7137},"50d57dd24e2c0",[],"Fatemeh (she/they, b. 1992, Tehran)—also known as Afimoh—is an interdisciplinary artist and researcher whose practice spans material fabrication, fiction writing, archiving, filming, curating, organizing, and hosting. Her work engages with themes of communal grief or غم (/gham/), underground economies, kitsch Iranian visual culture, ritual, and subculture. Developed through conversation and community-oriented collaborations, her approach is deeply rooted in collective experiences.",[],{"_key":7140,"_type":26,"children":7141,"markDefs":7146,"style":39},"069b02e36b54",[7142],{"_key":7143,"_type":30,"marks":7144,"text":7145},"3ca97dfd86730",[],"Kazemi earned a BFA in Painting from the University of Tehran (2014) and an MFA in Studio Art from Syracuse University (2024). Her work moves fluidly across worlds, blending installation, lens-based media, and the poetic flow of creative writing. She has exhibited at Parallel Circuit Space (Tehran), SUB Community (Çanakkale), Ruschman Gallery (Chicago), Navel LA (Los Angeles), Smack Mellon (New York), Bayt Al Mamzar (Dubai), Cue Art Foundation(New York), ISP Whitney (New York), and Sharjah Art Foundation (Sharjah). Her experimental films have been screened at the London Short Film Festival, CulturalHub (New York), LUX Book Fair (London), Dresden Film Festival, Everson Museum of Art (Syracuse), and Foundry By Emaar (Dubai), among other venues.",[],"Fatemeh (she/they, b. 1992, Tehran)—also known as Afimoh—is an interdisciplinary artist and researcher whose practice spans material fabrication, fiction writing, archiving, filming, curating, organizing, and hosting. ",{"alt":7149,"asset":7150},"Fatemeh Kazemi فاطمه کاظمی ",{"_id":7151,"height":3369,"orientation":440,"ratio":2273,"url":7152,"width":7153},"image-2fdb6d82f57f6e964257b2bac7c83cea3343e70a-768x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/2fdb6d82f57f6e964257b2bac7c83cea3343e70a-768x1024.jpg",768,{"filterYear":7155},[7156],{"_id":186,"title":190},[7158],{"_type":449,"label":450,"url":7159},"https://linktr.ee/Afimoh",{"locations":7161,"other":7164},[7162],{"_id":458,"_type":459,"seo":9,"slug":7163,"title":462},{"_type":14,"current":461},[7165],{"_key":7166,"_type":26,"children":7167,"markDefs":7172,"style":39},"bb72447175b0",[7168],{"_key":7169,"_type":30,"marks":7170,"text":7171},"6eff382ebe14",[],"Between Brussel and Berlin",[],[7174,189],"fatemeh kazemi فاطمه کاظمی ",{"_type":14,"current":7176},"fatemeh-kazemi",{"_id":7178,"_type":389,"activeYears":7179,"bio":7182,"bioShort":7191,"featuredImage":7192,"filterables":7199,"links":7202,"locations":7205,"searchables":7217,"seo":9,"slug":7219,"title":7221},"8647ab68-6bf2-4ccb-8dc9-e0289006ea29",[7180],{"_id":186,"_type":187,"seo":9,"slug":7181,"title":190},{"_type":14,"current":189},[7183],{"_key":7184,"_type":26,"children":7185,"markDefs":7190,"style":39},"6af01e9ae403",[7186],{"_key":7187,"_type":30,"marks":7188,"text":7189},"5f5c899fdfff0",[],"Joaquina Salgado (b. 1995, Argentina) is a new media artist based in Berlin whose work explores the intersections of technology, philosophy, and science. She studied Media Arts at the Universidad Nacional de La Plata (UNLP). Combining motion capture, game engines, and custom-built interfaces, she creates interactive installations and virtual environments that question how perception and identity are shaped by technological systems. Her projects have been presented at MUTEK (Buenos Aires, Montreal), Berlin Art Week, and the APAP7 Triennial in Korea, with recent support from Pro Helvetia and the British Council. She presented a solo exhibition at SOMA Berlin in December 2025 and is a member of Amplify D.A.I., a network of women artists and curators in digital arts.",[],"Joaquina (b. 1995, Argentina) is a new media artist based in Berlin whose work explores the intersections of technology, philosophy, and science. She studied Media Arts at the Universidad Nacional de La Plata (UNLP). ",{"alt":7193,"asset":7194},"inclusi(ve)space",{"_id":7195,"height":3424,"orientation":440,"ratio":7196,"url":7197,"width":7198},"image-ba4d3e0f17045c50522b07cc63c00d826558cc14-1066x1600-jpg",0.66625,"https://cdn.sanity.io/images/eodip22e/production/ba4d3e0f17045c50522b07cc63c00d826558cc14-1066x1600.jpg",1066,{"filterYear":7200},[7201],{"_id":186,"title":190},[7203],{"_type":449,"label":450,"url":7204},"https://joaquinasalgado.com/",{"locations":7206,"other":7209},[7207],{"_id":458,"_type":459,"seo":9,"slug":7208,"title":462},{"_type":14,"current":461},[7210],{"_key":7211,"_type":26,"children":7212,"markDefs":7216,"style":39},"0e5e698cfe29",[7213],{"_key":7214,"_type":30,"marks":7215,"text":5127},"f37e49635cbd",[],[],[7218,189],"joaquina salgado",{"_type":14,"current":7220},"joaquina-salgado","Joaquina Salgado",{"_id":7223,"_type":389,"activeYears":7224,"bio":7227,"bioShort":7268,"featuredImage":7269,"filterables":7274,"links":7277,"locations":7280,"searchables":7284,"seo":9,"slug":7286,"title":7288},"a6f4eb4e-6918-4621-82ae-c80a09c07d70",[7225],{"_id":186,"_type":187,"seo":9,"slug":7226,"title":190},{"_type":14,"current":189},[7228,7236,7244,7252,7260],{"_key":7229,"_type":26,"children":7230,"markDefs":7235,"style":39},"c8fc7b0ed6ac",[7231],{"_key":7232,"_type":30,"marks":7233,"text":7234},"92a7615f4ac9",[],"ÉROTÌQ is a Rome-based audiovisual project that fuses glitchy noise-pop music with symbolic and unsettling imagery. On a thematic level, it offers a total immersion in the cynicism and hypocrisy of the contemporary world, tracing the collapse of symbolic structures and the nihilistic drift of mass society.",[],{"_key":7237,"_type":26,"children":7238,"markDefs":7243,"style":39},"a51b7956e96a",[7239],{"_key":7240,"_type":30,"marks":7241,"text":7242},"e85aeb52c9050",[],"It operates as an apotropaic ritual within the landscape of hyperreality, of biotechnologies, epigenetics, algorithmic sexual selection, mass pornography, terrorism, and emerging conspiracy theories.",[],{"_key":7245,"_type":26,"children":7246,"markDefs":7251,"style":39},"016318c4b0fa",[7247],{"_key":7248,"_type":30,"marks":7249,"text":7250},"9b14682119cc0",[],"The visual material is drawn from years of research and collection of raw footage found online. YouTube videos sourced from marginal and hard-to-access channels documenting fragments of rarefied, unsettling realities often far removed from the Western imaginary. In this sense, the internet, an aseptic and mechanical tool, paradoxically becomes a means of reawakening a more primal sense of wonder: a childlike, archaic, almost spiritual curiosity toward the world, largely lost in everyday perception.",[],{"_key":7253,"_type":26,"children":7254,"markDefs":7259,"style":39},"c254ae15d90e",[7255],{"_key":7256,"_type":30,"marks":7257,"text":7258},"34a9067a690b0",[],"This visual archive is then reworked through artificial intelligence, which fragments, distorts, and expands it, mirroring the treatment of percussion and ethnic samples within the music.",[],{"_key":7261,"_type":26,"children":7262,"markDefs":7267,"style":39},"94b64c77d487",[7263],{"_key":7264,"_type":30,"marks":7265,"text":7266},"b3e458a8ecde0",[],"At this point, sound and image synchronize and respond to one another, forming a single flow of abrasive sensory saturation, echoing the overstimulating logic of social media itself. The result is a testament to the contemporary: not a judgmental representation, but a sublimation of the absurdity we are now experiencing without being able to understand.",[],"ÉROTÌQ is a Rome-based audiovisual project that fuses glitchy noise-pop music with symbolic and unsettling imagery. ",{"alt":9,"asset":7270},{"_id":7271,"height":2184,"orientation":7272,"ratio":1507,"url":7273,"width":2184},"image-2a23158775957f57ebfa6d3a79645511f5b2bc1d-1080x1080-png","square","https://cdn.sanity.io/images/eodip22e/production/2a23158775957f57ebfa6d3a79645511f5b2bc1d-1080x1080.png",{"filterYear":7275},[7276],{"_id":186,"title":190},[7278],{"_type":449,"label":450,"url":7279},"https://obvious-commit-994079.framer.app/",{"locations":7281,"other":9},[7282],{"_id":458,"_type":459,"seo":9,"slug":7283,"title":462},{"_type":14,"current":461},[7285,189],"érotìq",{"_type":14,"current":7287},"emiiliano-toulouze","ÉROTÌQ",{"alt":9,"asset":7290},{"_id":7291,"height":3572,"orientation":7272,"ratio":1507,"url":7292,"width":3572},"image-0a6bbe6a304723932b45cb7d9a41e35a2794620f-960x960-jpg","https://cdn.sanity.io/images/eodip22e/production/0a6bbe6a304723932b45cb7d9a41e35a2794620f-960x960.jpg",{"filterCategory":7294,"filterLocation":7300,"filterYear":7302},[7295,7296,7297,7298,7299],{"_id":6941,"title":6946},{"_id":5681,"title":5686},{"_id":4393,"title":4398},{"_id":6954,"title":6959},{"_id":3857,"title":3862},[7301],{"_id":1450,"title":1451},[7303],{"_id":186,"title":190},[],{"locations":7306,"other":9},[7307],{"_id":1450,"_type":459,"seo":9,"slug":7308,"title":1451},{"_type":14,"current":1459},[7310,7321,7400,7415,7429,7443],{"_type":7,"settings":7311,"text":7312},{"textColumnCount":941},[7313],{"_key":7314,"_type":26,"children":7315,"markDefs":7320,"style":39},"56c08e6fe9e8",[7316],{"_key":7317,"_type":30,"marks":7318,"text":7319},"477f287fdc1a0",[],"ETE Institute (Eternal Terra Ear / 永土耳) is a research-led collective that architecturalizes institutional policy and stratospheric geopolitics into 3D hyperbolic geometry. By decoding the \"weaponized computational structures\" of international tech-transfers, the institute investigates the interlinkage between nuclear strategic rationality and digital surveillance regimes. Operating on the principle of \"Sovereignty by Design,\" ETE seeks to transform extractive post-humanitarian infrastructures into sovereign compositions where equilibrium—not output product—is the primary measure of systemic health.",[],{"_type":7,"settings":7322,"text":7323},{"textColumnCount":941},[7324,7336,7344,7352,7360,7368,7376,7384,7392],{"_key":7325,"_type":26,"children":7326,"markDefs":7335,"style":39},"63045f2e11f6",[7327,7331],{"_key":7328,"_type":30,"marks":7329,"text":7330},"ecbf3a16365a",[],"ÉTÈ Institute (Eternal Terra Ear):",{"_key":7332,"_type":30,"marks":7333,"text":7334},"9c4dff4006d50",[32],"\"Post Humanitarian Infrastructure\"",[],{"_key":7337,"_type":26,"children":7338,"markDefs":7343,"style":39},"eec8aaca3179",[7339],{"_key":7340,"_type":30,"marks":7341,"text":7342},"7e03958a85e90",[874],"The concept of Post-Humanitarian Infrastructure marks a transition from aid as a \"gift\" to aid as an extractive \"protocol,\" where humanitarianism is increasingly architecturalized through data stacks, biometric verification, and algorithmic mapping. This infrastructure operates as a nuclear-informed density, utilizing a strategic rationality that dissolves the boundary between human and machine decision-making to govern displaced populations. Unlike traditional humanitarianism grounded in physical presence, this post-humanitarian condition is rooted in the extraction of intelligence and energy, treating refugees as displaced infrastructural redundancy within state and techno-capitalist regimes.",[],{"_key":7345,"_type":26,"children":7346,"markDefs":7351,"style":39},"0571112491e0",[7347],{"_key":7348,"_type":30,"marks":7349,"text":7350},"5220ca6cb2380",[32],"Aid-as-Interface",[],{"_key":7353,"_type":26,"children":7354,"markDefs":7359,"style":39},"e30f20f82012",[7355],{"_key":7356,"_type":30,"marks":7357,"text":7358},"67a35d8aa3580",[874],"It transforms basic survival tools into points of capture, such as iris scanners and blockchain ledgers, which function as automated command networks mirroring bureaucratic surveillance regimes. These systems create a problem of permanence by establishing a \"Sovereign Layer\" that exists outside the laws of the host country, governed by international tech-transfers and private contractors who utilize simulation as a middle layer to connect tactics with strategies.",[],{"_key":7361,"_type":26,"children":7362,"markDefs":7367,"style":39},"1df6eee24aeb",[7363],{"_key":7364,"_type":30,"marks":7365,"text":7366},"5adb7d3ecc650",[32],"Weaponized zoning",[],{"_key":7369,"_type":26,"children":7370,"markDefs":7375,"style":39},"49267577730c",[7371],{"_key":7372,"_type":30,"marks":7373,"text":7374},"9569aad140ee0",[],"extends this logic by drawing digital enclosures through GPS geofencing and real-time monitoring, dividing territories into \"safe\" or \"quarantined\" zones to restrict movement through the use of geometry. This zoning now moves vertically along a stratospheric axis, where high-altitude platforms create \"islands of access\" and \"vertical mediations\" that define atmospheres of unbelonging through selective connectivity and data blackouts.",[],{"_key":7377,"_type":26,"children":7378,"markDefs":7383,"style":39},"2bab0e452f11",[7379],{"_key":7380,"_type":30,"marks":7381,"text":7382},"da38ff7a07fa0",[32],"From Survival to Measurable Biometric Protocols",[],{"_key":7385,"_type":26,"children":7386,"markDefs":7391,"style":39},"7bc55da7019f",[7387],{"_key":7388,"_type":30,"marks":7389,"text":7390},"62871de3f30f0",[],"Identity systems function as the most intimate layer of this infrastructure, tying human survival to biometric protocols that turn the individual into a spatial node within a weaponized system. This creates an extractive identity where the state-led algorithm knows the subject better than the subject knows the system, neutralizing digital epistemology to control displaced populations as part of broader security architectures.",[],{"_key":7393,"_type":26,"children":7394,"markDefs":7399,"style":39},"7b0c1b7e4309",[7395],{"_key":7396,"_type":30,"marks":7397,"text":7398},"ac5826e350080",[],"The ETE Institute perceives these systems as weaponized computational structures that thrive on the enforced separation of the subject from the governing code. By architecturalizing these relations into hyperbolic geometry, the research aims to reveal that systemic friction is a deliberate feature of extractive governance. Through agentic resistance and sovereignty by design, the goal is to transform weaponized zones into sovereign compositions where the geometry of identity is built on equilibrium rather than technocratic control.",[],{"_type":936,"caption":7401,"image":7410},[7402],{"_key":7403,"_type":26,"children":7404,"markDefs":7409,"style":39},"4e296c27e8a4",[7405],{"_key":7406,"_type":30,"marks":7407,"text":7408},"68bb0b8134db",[],"cover",[],{"alt":9,"asset":7411},{"_id":7412,"height":7413,"orientation":440,"ratio":4574,"url":7414,"width":2184},"image-b58264fb0b9f3c920229f9ae37b9dc52860387e6-1080x1350-jpg",1350,"https://cdn.sanity.io/images/eodip22e/production/b58264fb0b9f3c920229f9ae37b9dc52860387e6-1080x1350.jpg",{"_type":936,"caption":7416,"image":7425},[7417],{"_key":7418,"_type":26,"children":7419,"markDefs":7424,"style":39},"979cab754cf0",[7420],{"_key":7421,"_type":30,"marks":7422,"text":7423},"3cef78d81bc1",[],"contents",[],{"alt":9,"asset":7426},{"_id":7427,"height":7413,"orientation":440,"ratio":4574,"url":7428,"width":2184},"image-ec935cc3d053dc80ac4c36ca68e3df684acd0d70-1080x1350-jpg","https://cdn.sanity.io/images/eodip22e/production/ec935cc3d053dc80ac4c36ca68e3df684acd0d70-1080x1350.jpg",{"_type":936,"caption":7430,"image":7439},[7431],{"_key":7432,"_type":26,"children":7433,"markDefs":7438,"style":39},"a2691843770c",[7434],{"_key":7435,"_type":30,"marks":7436,"text":7437},"cf818e37e531",[],"Crisis Economy Symposium: Berlin Science Week 2025",[],{"alt":9,"asset":7440},{"_id":7441,"height":2184,"orientation":7272,"ratio":1507,"url":7442,"width":2184},"image-ebf7ad10945cb496f59b7b3ec6d9f39eae1fdf1b-1080x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/ebf7ad10945cb496f59b7b3ec6d9f39eae1fdf1b-1080x1080.jpg",{"_type":936,"caption":7444,"image":7453},[7445],{"_key":7446,"_type":26,"children":7447,"markDefs":7452,"style":39},"bf36bd8e932a",[7448],{"_key":7449,"_type":30,"marks":7450,"text":7451},"9a5ab75d266d",[],"Esoteric performance by @iphone7segrey",[],{"alt":9,"asset":7454},{"_id":7455,"height":7456,"orientation":789,"ratio":7457,"url":7458,"width":7459},"image-9b78eae794ee4c6571a850b599edfa24d7eabf88-1326x851-png",851,1.5581668625146885,"https://cdn.sanity.io/images/eodip22e/production/9b78eae794ee4c6571a850b599edfa24d7eabf88-1326x851.png",1326,[7461,7471,7481],{"_type":1047,"question":7462},[7463],{"_key":7464,"_type":26,"children":7465,"markDefs":7470,"style":39},"bd4521269e3b",[7466],{"_key":7467,"_type":30,"marks":7468,"text":7469},"70358ef4e9ac0",[],"How do decentralized governance tools enable novel cultural collaboration and mutual aid? ",[],{"_type":1047,"question":7472},[7473],{"_key":7474,"_type":26,"children":7475,"markDefs":7480,"style":39},"3289cc3db428",[7476],{"_key":7477,"_type":30,"marks":7478,"text":7479},"dd3171b4fcae",[],"How does Eternal Terra Ears focus on comparative culture promote cross-cultural dialogue and solidarity, especially among marginalized groups?",[],{"_type":1047,"question":7482},[7483],{"_key":7484,"_type":26,"children":7485,"markDefs":7490,"style":39},"029061955533",[7486],{"_key":7487,"_type":30,"marks":7488,"text":7489},"6282bc9cb18a0",[],"What's the structure of a Post-Humanitarian system?",[],[7492,189,7493,7494,7495,1459,7121,7174,7218,7285,7496,7497,7498,6945,5922,4635,7499,4089],"étè institute (eternal terra ear)","how do decentralized governance tools enable novel cultural collaboration and mutual aid? ","how does eternal terra ears focus on comparative culture promote cross-cultural dialogue and solidarity, especially among marginalized groups?","what's the structure of a post-humanitarian system?","étè institute (eternal terra ear) consultant (internal advisor):\n\nmónica avella international lawyer, policy advisor, and strategist access to justice, women’s empowerment, and humanitarian action across latin america, europe, and globally. she holds a mpp from the london school of economics (lse), where she founded the women & well-being forum 2025 with the colombian society. mónica has collaborated with leading international organizations, including un women, ohchr, usaid, chemonics international, and sorbonne onu. currently, mónica is developing her involvement with etens’ women’s entrepreneurship accelerator.\n\nkomun.aes security, anti-capitalism & community self-defense project.","ete institute (eternal terra ear / 永土耳) is a research-led collective that architecturalizes institutional policy and stratospheric geopolitics into 3d hyperbolic geometry. by decoding the \"weaponized computational structures\" of international tech-transfers, the institute investigates the interlinkage between nuclear strategic rationality and digital surveillance regimes. operating on the principle of \"sovereignty by design,\" ete seeks to transform extractive post-humanitarian infrastructures into sovereign compositions where equilibrium—not output product—is the primary measure of systemic health.","étè institute (eternal terra ear):\"post humanitarian infrastructure\"\n\nthe concept of post-humanitarian infrastructure marks a transition from aid as a \"gift\" to aid as an extractive \"protocol,\" where humanitarianism is increasingly architecturalized through data stacks, biometric verification, and algorithmic mapping. this infrastructure operates as a nuclear-informed density, utilizing a strategic rationality that dissolves the boundary between human and machine decision-making to govern displaced populations. unlike traditional humanitarianism grounded in physical presence, this post-humanitarian condition is rooted in the extraction of intelligence and energy, treating refugees as displaced infrastructural redundancy within state and techno-capitalist regimes.\n\naid-as-interface\n\nit transforms basic survival tools into points of capture, such as iris scanners and blockchain ledgers, which function as automated command networks mirroring bureaucratic surveillance regimes. these systems create a problem of permanence by establishing a \"sovereign layer\" that exists outside the laws of the host country, governed by international tech-transfers and private contractors who utilize simulation as a middle layer to connect tactics with strategies.\n\nweaponized zoning\n\nextends this logic by drawing digital enclosures through gps geofencing and real-time monitoring, dividing territories into \"safe\" or \"quarantined\" zones to restrict movement through the use of geometry. this zoning now moves vertically along a stratospheric axis, where high-altitude platforms create \"islands of access\" and \"vertical mediations\" that define atmospheres of unbelonging through selective connectivity and data blackouts.\n\nfrom survival to measurable biometric protocols\n\nidentity systems function as the most intimate layer of this infrastructure, tying human survival to biometric protocols that turn the individual into a spatial node within a weaponized system. this creates an extractive identity where the state-led algorithm knows the subject better than the subject knows the system, neutralizing digital epistemology to control displaced populations as part of broader security architectures.\n\nthe ete institute perceives these systems as weaponized computational structures that thrive on the enforced separation of the subject from the governing code. by architecturalizing these relations into hyperbolic geometry, the research aims to reveal that systemic friction is a deliberate feature of extractive governance. through agentic resistance and sovereignty by design, the goal is to transform weaponized zones into sovereign compositions where the geometry of identity is built on equilibrium rather than technocratic control.","mutual support",{"_type":14,"current":7501},"ete-institute-eternal-terra-ear","ÉTÈ Institute (Eternal Terra Ear)",[7504,7848,8079,8913],{"_id":7505,"_type":12,"additionalDetails":7506,"categories":7518,"credits":7525,"dates":7748,"events":7751,"featuredImage":7752,"filterables":7757,"labs":9,"locations":7769,"pageBuilder":7774,"parentEvent":9,"searchables":7835,"seo":9,"slug":7840,"summary":7842,"title":7843,"types":7844},"d6484949-cf0d-4fca-b5ea-c1fbdd600753",[7507],{"_key":7508,"_type":26,"children":7509,"markDefs":7515,"style":39},"88c7b703a6a2",[7510],{"_key":7511,"_type":30,"marks":7512,"text":7514},"519a71632d99",[7513],"9950e6c92376","Apply",[7516],{"_key":7513,"_type":56,"blank":57,"href":7517},"https://www.instituteforpostnaturalstudies.org/academy/pip-2027",[7519,7522],{"_id":4106,"_type":308,"colorPrimary":7520,"seo":9,"slug":7521,"title":4111},{"label":310,"value":4108},{"_type":14,"current":4110},{"_id":3823,"_type":308,"colorPrimary":7523,"seo":9,"slug":7524,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"other":9,"profiles":7526},[7527,7592,7644],{"_id":7528,"_type":389,"activeYears":7529,"bio":7554,"bioShort":7563,"featuredImage":7564,"filterables":7565,"links":7576,"locations":7581,"searchables":7588,"seo":9,"slug":7590,"title":33},"59bc0e6f-076c-44fa-b42e-b7cc86e1e23b",[7530,7535,7540,7542,7544,7546,7548,7550,7552],{"_id":7531,"_type":187,"seo":9,"slug":7532,"title":7534},"ea942390-7ed1-4391-9afb-50d2a78fbe65",{"_type":14,"current":7533},"2017",2017,{"_id":7536,"_type":187,"seo":9,"slug":7537,"title":7539},"924e8a6c-ae69-44c3-bc47-be78712ba97f",{"_type":14,"current":7538},"2018",2018,{"_id":223,"_type":187,"seo":9,"slug":7541,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":7543,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":7545,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":7547,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":7549,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":7551,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":7553,"title":196},{"_type":14,"current":195},[7555],{"_key":7556,"_type":26,"children":7557,"markDefs":7562,"style":39},"dd081d98c265",[7558],{"_key":7559,"_type":30,"marks":7560,"text":7561},"b1d00ceb3d510",[],"Dedicated to the study and development of self-organized knowledge through commons-based methods and practices.",[],"Global community-learning space.",{"alt":33,"asset":9},{"filterYear":7566},[7567,7568,7569,7570,7571,7572,7573,7574,7575],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[7577,7580],{"_type":449,"label":7578,"url":7579},"Substack","https://schoolofcommons.substack.com/",{"_type":449,"label":453,"url":73},{"locations":7582,"other":9},[7583],{"_id":7584,"_type":459,"seo":9,"slug":7585,"title":7587},"fc89c38b-6baa-4c4f-bd86-3703e1cc6fa2",{"_type":14,"current":7586},"worldwide","Worldwide",[7589,7533,7538,225,220,215,210,205,200,195],"school of commons",{"_type":14,"current":7591},"school-of-commons",{"_id":7593,"_type":389,"activeYears":7594,"bio":7599,"bioShort":7608,"featuredImage":7609,"filterables":7617,"links":7621,"locations":7626,"searchables":7639,"seo":9,"slug":7641,"title":7643},"2146571c-5d40-4476-96c2-d8702bcfaf0a",[7595,7597],{"_id":198,"_type":187,"seo":9,"slug":7596,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":7598,"title":196},{"_type":14,"current":195},[7600],{"_key":7601,"_type":26,"children":7602,"markDefs":7607,"style":39},"56715c470a65",[7603],{"_key":7604,"_type":30,"marks":7605,"text":7606},"33713bdb3f920",[],"The Institute for Postnatural Studies is a center for artistic experimentation from which to explore and problematize postnature as a framework for contemporary creation. \n\nFounded in 2020, it is conceived as a platform for critical thinking, a network that brings together artists and researchers concerned about the issues of the global ecological crisis through experimental formats of exchange and the production of open knowledge. From a multidisciplinary approach, the Institute develops long-term research focused on issues such as ecology, coexistence, politics, and territories. These lines of investigation take different shapes and formats, including seminars, exhibitions, and residencies as spaces for academic and artistic experimentation. \n\nThe Institute for Postnatural Studies works at the intersection between Spain and international practices and debates. From its headquarters in Madrid, a 300m² warehouse with a workshop, residency spaces, and shared workspaces, invites artists, researchers, and cultural agents to create dialogues with alumni and the broader public. In parallel, the Institute has launched the publishing platform Cthulhu Books.",[],"The Institute for Postnatural Studies is a center for artistic experimentation from which to explore and problematize postnature as a framework for contemporary creation. ",{"alt":7610,"asset":7611},"Courtesy of The Institute for Postnatural Studies",{"_id":7612,"height":7613,"orientation":789,"ratio":7614,"url":7615,"width":7616},"image-905e473755e9660e8559e80c0530d1f310646d4a-1426x950-png",950,1.5010526315789474,"https://cdn.sanity.io/images/eodip22e/production/905e473755e9660e8559e80c0530d1f310646d4a-1426x950.png",1426,{"filterYear":7618},[7619,7620],{"_id":198,"title":201},{"_id":193,"title":196},[7622,7624],{"_type":449,"label":453,"url":7623},"https://www.instagram.com/instituteforpostnaturalstudies/",{"_type":449,"label":450,"url":7625},"https://www.instituteforpostnaturalstudies.org/",{"locations":7627,"other":7630},[7628],{"_id":458,"_type":459,"seo":9,"slug":7629,"title":462},{"_type":14,"current":461},[7631],{"_key":7632,"_type":26,"children":7633,"markDefs":7638,"style":39},"cf7f8afe5206",[7634],{"_key":7635,"_type":30,"marks":7636,"text":7637},"ee28087f5fd80",[],"Madrid, Spain",[],[7640,200,195],"institute for postnatural studies",{"_type":14,"current":7642},"institute-for-postnatural-studies","Institute for Postnatural Studies",{"_id":7645,"_type":389,"activeYears":7646,"bio":7657,"bioShort":7664,"featuredImage":7711,"filterables":7717,"links":7724,"locations":7732,"searchables":7744,"seo":9,"slug":7746,"title":7712},"53278af7-9a90-4532-b7ef-1664b3e25a06",[7647,7649,7651,7653,7655],{"_id":208,"_type":187,"seo":9,"slug":7648,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":7650,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":7652,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":7654,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":7656,"title":190},{"_type":14,"current":189},[7658,7666,7681,7689,7697,7704],{"_key":7659,"_type":26,"children":7660,"markDefs":7665,"style":39},"60546bec4c41",[7661],{"_key":7662,"_type":30,"marks":7663,"text":7664},"e845bc17b9ea",[],"Since 2022, Gabriel has been part of the leadership team at the School of Commons, Zürcher Hochschule der Künste (ZHdK), and oversees the Peer Learning Program.",[],{"_key":7667,"_type":26,"children":7668,"markDefs":7680,"style":39},"63cb8708ad5e",[7669,7673,7676],{"_key":7670,"_type":30,"marks":7671,"text":7672},"09c4a764c0c7",[],"Gabriel",{"_key":7674,"_type":30,"marks":7675,"text":1593},"1e1998a46d82",[32],{"_key":7677,"_type":30,"marks":7678,"text":7679},"a79f8bd836f51",[],"is a visual artist and educator. He works with moving image, performance, and constructed situations that explore possibilities for community and co-existence in the face of current technological developments. He creates exercises, rituals and games collectively with other artists sharing the belief that ‘play’ can be a destabilizing action that loosens the social code and potentially revivifies habituated, reflex-tending forms of life.",[],{"_key":7682,"_type":26,"children":7683,"markDefs":7688,"style":39},"a3ede7d7690b",[7684],{"_key":7685,"_type":30,"marks":7686,"text":7687},"217a327e496a0",[],"Having served as Managing Director, he helped establish and grow Campus Gegenwart (DE) from 2017 to 2022. This transdisciplinary center promoted networking in practice and reflection at the State University of Music and Performing Arts, Stuttgart. ",[],{"_key":7690,"_type":26,"children":7691,"markDefs":7696,"style":39},"8d3ce6dabe78",[7692],{"_key":7693,"_type":30,"marks":7694,"text":7695},"90c50b8b699c0",[],"His work has been presented offline and online in museums, biennials, galleries, film festivals, residencies and public spaces including: Kunst-Werke Berlin (DE), Project Anywhere (NY), B-Tour Festival (DE, SRB), Nida Art Colony (LT), Cité Internationale des Arts, Paris (FR) Art Cube Jerusalem (IL), Viafarini, Milan (IT), Akademie Schloss Solitude (DE), Württembergischer Kunstverein (DE), Sinopale (TR), Brooklyn Film Festival (US), Slamdance Film Festival (US), Manifesta 11, Cabaret der Künstler (CH).",[],{"_key":7698,"_type":26,"children":7699,"markDefs":7703,"style":39},"a789af403820",[7700],{"_key":7701,"_type":30,"marks":7702,"text":720},"753eaec2e92f",[],[],{"_key":7705,"_type":26,"children":7706,"markDefs":7710,"style":39},"39914c703bfd",[7707],{"_key":7708,"_type":30,"marks":7709,"text":720},"c430c34ad729",[],[],{"alt":7712,"asset":7713},"Gabriel Hensche",{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},"image-433e215bbfc2ffe8f078a9ae41ae5069b24d630d-1500x1000-jpg",1000,"https://cdn.sanity.io/images/eodip22e/production/433e215bbfc2ffe8f078a9ae41ae5069b24d630d-1500x1000.jpg",{"filterYear":7718},[7719,7720,7721,7722,7723],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[7725,7727,7730],{"_type":449,"label":450,"url":7726},"https://gabrielhensche.com/",{"_type":449,"label":7728,"url":7729},"How to Love Many in Many Ways","https://engymohsen.com/How-to-Love-Many-in-Many-Ways",{"_type":449,"label":453,"url":7731},"https://www.instagram.com/gabrielhensche/",{"locations":7733,"other":7736},[7734],{"_id":458,"_type":459,"seo":9,"slug":7735,"title":462},{"_type":14,"current":461},[7737],{"_key":7738,"_type":26,"children":7739,"markDefs":7743,"style":39},"545c7a99e117",[7740],{"_key":7741,"_type":30,"marks":7742,"text":5127},"5f75ca2a13310",[],[],[7745,210,205,200,195,189],"gabriel hensche",{"_type":14,"current":7747},"gabriel-hensche",{"endDate":7749,"startDate":7750},"2027-06-12","2027-01-18",[],{"alt":7753,"asset":7754},"instituteforpostnaturalstudies",{"_id":7755,"height":7413,"orientation":440,"ratio":4574,"url":7756,"width":2184},"image-bde67ef63b465926544857d4635d406c666cf022-1080x1350-jpg","https://cdn.sanity.io/images/eodip22e/production/bde67ef63b465926544857d4635d406c666cf022-1080x1350.jpg",{"filterCategory":7758,"filterLocation":7761,"filterType":7765},[7759,7760],{"_id":4106,"title":4111},{"_id":3823,"title":3828},[7762],{"_id":7763,"title":7764},"c3bd4ea7-610a-446f-9362-aa58504513e0","Online",[7766],{"_id":7767,"title":7768},"46ac052d-c96f-4c29-b86d-3f78ee3fed64","Program",{"locations":7770,"other":9},[7771],{"_id":7763,"_type":459,"seo":9,"slug":7772,"title":7764},{"_type":14,"current":7773},"online",[7775],{"_type":7,"settings":7776,"text":7777},{"textColumnCount":941},[7778,7786,7794,7801,7809,7817,7825],{"_key":7779,"_type":26,"children":7780,"markDefs":7785,"style":39},"d19e6bb1b1af",[7781],{"_key":7782,"_type":30,"marks":7783,"text":7784},"5eb6b411cb1a",[],"We're excited to be joining the faculty of Postnatural Independent Program (PIP) 27 at the Institute for Postnatural Studies.",[],{"_key":7787,"_type":26,"children":7788,"markDefs":7793,"style":39},"5a1bbac1528e",[7789],{"_key":7790,"_type":30,"marks":7791,"text":7792},"3d3983c864dc",[],"The PIP, offered by the Institute for Postnatural Studies (IPS) is a hybrid learning space that offers theoretical tools, embodied learning, community building spaces, and expertise to define and examine postnature as a framework for contemporary creation. The PIP offers an experimental platform for ecological thinking and cultural initiatives in an expanded virtual campus, approaching the participants’ potential from a holistic mediation. It also brings together established researchers and art institutions that will host guest lectures, working sessions, and activations.",[],{"_key":7795,"_type":26,"children":7796,"markDefs":7800,"style":39},"c265b9d306c9",[7797],{"_key":7798,"_type":30,"marks":7799,"text":720},"7c60d3427d5e0",[],[],{"_key":7802,"_type":26,"children":7803,"markDefs":7808,"style":39},"33df72291fa6",[7804],{"_key":7805,"_type":30,"marks":7806,"text":7807},"abeb5ba6d9c80",[],"The program is structured in 3 online modules, accompanied by renowned international thinkers, artists, curators, and philosophers, complemented by collective practice laboratories, collective sharing spaces and two in-person encounters in Madrid in which the cohort will share their investigation and practice in a safe environment and engage with the local cultural landscape.\n",[],{"_key":7810,"_type":26,"children":7811,"markDefs":7816,"style":39},"0b858c0b2c40",[7812],{"_key":7813,"_type":30,"marks":7814,"text":7815},"65a0efee90db0",[],"From January 18 — June 12, 2027",[],{"_key":7818,"_type":26,"children":7819,"markDefs":7824,"style":39},"37820973f526",[7820],{"_key":7821,"_type":30,"marks":7822,"text":7823},"a68abe6104e70",[],"Applications open until November 15, 2026",[],{"_key":7826,"_type":26,"children":7827,"markDefs":7833,"style":39},"aa92489472d1",[7828],{"_key":7829,"_type":30,"marks":7830,"text":7832},"d484a129aed9",[7831],"cb8af7513418","Click here for full details",[7834],{"_key":7831,"_type":56,"blank":57,"href":7517},[7836,7773,4365,4087,7837,7838,7839,7589,7640,7745],"pip 27 - applications now open for the fifth edition of the postnatural independent program!","program","we're excited to be joining the faculty of postnatural independent program (pip) 27 at the institute for postnatural studies","we're excited to be joining the faculty of postnatural independent program (pip) 27 at the institute for postnatural studies.\n\nthe pip, offered by the institute for postnatural studies (ips) is a hybrid learning space that offers theoretical tools, embodied learning, community building spaces, and expertise to define and examine postnature as a framework for contemporary creation. the pip offers an experimental platform for ecological thinking and cultural initiatives in an expanded virtual campus, approaching the participants’ potential from a holistic mediation. it also brings together established researchers and art institutions that will host guest lectures, working sessions, and activations.\n\n\n\nthe program is structured in 3 online modules, accompanied by renowned international thinkers, artists, curators, and philosophers, complemented by collective practice laboratories, collective sharing spaces and two in-person encounters in madrid in which the cohort will share their investigation and practice in a safe environment and engage with the local cultural landscape.\n\n\nfrom january 18 — june 12, 2027\n\napplications open until november 15, 2026\n\nclick here for full details",{"_type":14,"current":7841},"pip-27-applications-now-open-for-the-fifth-edition-of-the-postnatural-independent-program","We're excited to be joining the faculty of Postnatural Independent Program (PIP) 27 at the Institute for Postnatural Studies","PIP 27 - Applications now open for the fifth edition of the Postnatural Independent Program!",[7845],{"_id":7767,"_type":7846,"seo":9,"slug":7847,"title":7768},"filterType",{"_type":14,"current":7837},{"_id":11,"_type":12,"additionalDetails":7849,"categories":7863,"credits":7871,"dates":7920,"events":7923,"featuredImage":7924,"filterables":7931,"labs":9,"locations":7938,"pageBuilder":7961,"parentEvent":9,"searchables":8068,"seo":9,"slug":8074,"summary":8075,"title":16,"types":8076},[7850],{"_key":7851,"_type":26,"children":7852,"markDefs":7860,"style":39},"e0a1e5aca36b",[7853,7858],{"_key":7854,"_type":30,"marks":7855,"text":7857},"0b1f3a8e18040",[7856],"6dc6a3fa1881","Register to join",{"_key":7854,"_type":30,"marks":7859,"text":720},[],[7861],{"_key":7856,"_type":56,"blank":57,"href":7862},"https://luma.com/obuda3bw",[7864],{"_id":7865,"_type":308,"colorPrimary":7866,"seo":9,"slug":7868,"title":7870},"9cd40198-cc6e-4a73-9b08-b96f218857f2",{"label":310,"value":7867},"#ebff00",{"_type":14,"current":7869},"townhall","Townhall",{"other":9,"profiles":7872},[7873],{"_id":7528,"_type":389,"activeYears":7874,"bio":7893,"bioShort":7563,"featuredImage":7899,"filterables":7900,"links":7911,"locations":7914,"searchables":7918,"seo":9,"slug":7919,"title":33},[7875,7877,7879,7881,7883,7885,7887,7889,7891],{"_id":7531,"_type":187,"seo":9,"slug":7876,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":7878,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":7880,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":7882,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":7884,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":7886,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":7888,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":7890,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":7892,"title":196},{"_type":14,"current":195},[7894],{"_key":7556,"_type":26,"children":7895,"markDefs":7898,"style":39},[7896],{"_key":7559,"_type":30,"marks":7897,"text":7561},[],[],{"alt":33,"asset":9},{"filterYear":7901},[7902,7903,7904,7905,7906,7907,7908,7909,7910],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[7912,7913],{"_type":449,"label":7578,"url":7579},{"_type":449,"label":453,"url":73},{"locations":7915,"other":9},[7916],{"_id":7584,"_type":459,"seo":9,"slug":7917,"title":7587},{"_type":14,"current":7586},[7589,7533,7538,225,220,215,210,205,200,195],{"_type":14,"current":7591},{"endDate":7921,"other":7922,"startDate":7921},"2026-11-24","18:00- 19:30 CET\n",[],{"alt":16,"asset":7925},{"_id":7926,"height":7927,"orientation":440,"ratio":7928,"url":7929,"width":7930},"image-4a176790259430f8effffe73d9b8c346ab4b0703-986x1038-png",1038,0.9499036608863198,"https://cdn.sanity.io/images/eodip22e/production/4a176790259430f8effffe73d9b8c346ab4b0703-986x1038.png",986,{"filterCategory":7932,"filterLocation":7934,"filterType":7936},[7933],{"_id":7865,"title":7870},[7935],{"_id":7763,"title":7764},[7937],{"_id":7767,"title":7768},{"locations":7939,"other":7942},[7940],{"_id":7763,"_type":459,"seo":9,"slug":7941,"title":7764},{"_type":14,"current":7773},[7943],{"_key":7944,"_type":26,"children":7945,"markDefs":7958,"style":39},"f107353e404d",[7946,7950,7955],{"_key":7947,"_type":30,"marks":7948,"text":7949},"73c3ce456d4f0",[],"Open to the public/Via ",{"_key":7951,"_type":30,"marks":7952,"text":7954},"6c6f3d4e4b1b",[7953],"8eada68fcec3","Zoom",{"_key":7956,"_type":30,"marks":7957,"text":408},"d032dc1d3746",[],[7959],{"_key":7953,"_type":56,"href":7960},"https://zhdk.zoom.us/j/65747718657?pwd=NGlYYnZiYm5oUDF5b1UrTFdncXJYQT09#success",[7962,7997],{"_type":7,"settings":7963,"text":7964},{"textColumnCount":941},[7965,7973,7981,7989],{"_key":7966,"_type":26,"children":7967,"markDefs":7972,"style":39},"1cf7b3d914ca",[7968],{"_key":7969,"_type":30,"marks":7970,"text":7971},"28ae440a331d0",[],"In January, we came together to share that Zurich University of the Arts (ZHdK) will no longer support School of Commons in its current form as of January 2027 and to begin collectively imagining what comes next. Since then, 87 of you have signed our Open Letter, we've continued the search for a new institutional home and joined Global Artivism (21–23 September) to explore new ground.",[],{"_key":7974,"_type":26,"children":7975,"markDefs":7980,"style":39},"0998956fabad",[7976],{"_key":7977,"_type":30,"marks":7978,"text":7979},"7e952851f83f0",[],"This Town Hall is where we regroup: share what's moved, open the next round of collective thinking, and launch the call to action for our fundraising campaign.",[],{"_key":7982,"_type":26,"children":7983,"markDefs":7988,"style":39},"9caf05304470",[7984],{"_key":7985,"_type":30,"marks":7986,"text":7987},"5ccd95f296fb0",[],"Whether you join to listen, to share, or simply to be present, your participation helps sustain and strengthen the future of School of Commons.",[],{"_key":7990,"_type":26,"children":7991,"markDefs":7996,"style":39},"6f4d4d258504",[7992],{"_key":7993,"_type":30,"marks":7994,"text":7995},"2333cff87239",[],"\nTogether, we aim to sustain this commons of learning as it transitions into new ground, supported by solidarities of care and collective imagination.",[],{"_type":7,"settings":7998,"text":7999},{"textColumnCount":941},[8000,8008,8015,8023,8030,8045,8052,8060],{"_key":8001,"_type":26,"children":8002,"markDefs":8007,"style":39},"0c8ee5f7a59c",[8003],{"_key":8004,"_type":30,"marks":8005,"text":8006},"00570efdecf20",[32],"Agenda",[],{"_key":8009,"_type":26,"children":8010,"markDefs":8014,"style":39},"a20679b885bd",[8011],{"_key":8012,"_type":30,"marks":8013,"text":720},"83e2c43c41f7",[],[],{"_key":8016,"_type":26,"children":8017,"markDefs":8022,"style":39},"9ac4e0c6e40a",[8018],{"_key":8019,"_type":30,"marks":8020,"text":8021},"3b5716f5fa8e",[],"18:00–18:10 — Welcome & Framing (10 min) Re-entry into the tensile structures metaphor: what's held, what's shifted since January. Intentions.\n\n18:10–18:25 — Where We Are Now (15 min) An update on SoC's current position: the institutional home search (ongoing), reflections from joining Global Artivism (21–23 September) and the countdown to January 2027.\n\n18:25–18:40 — Open Letter: Progress & Next Signatures (15 min) 87 signatories so far. A look at how the letter has been used and received, and an invitation to widen its reach.\n\n18:40–19:00 — Open Conversation: Pathways Forward (20 min) Collective discussion on institutional homes, structural models, and sustainability, building on January's brainstorm.\n\n19:00–19:20 — Call to Action: Fundraising Campaign (20 min) What the campaign looks like, what kind of support is needed, and how people can get involved (time, skills, networks, funds).\n\n19:20–19:30 — Closing & Next Steps (10 min) What happens after the Town Hall, timelines, and how we stay connected.",[],{"_key":8024,"_type":26,"children":8025,"markDefs":8029,"style":39},"8e6f1fccf028",[8026],{"_key":8027,"_type":30,"marks":8028,"text":720},"942608621da1",[],[],{"_key":8031,"_type":26,"children":8032,"markDefs":8042,"style":39},"234cf07415f6",[8033,8038],{"_key":8034,"_type":30,"marks":8035,"text":8037},"3dbbd1e9a083",[8036],"880090d04de3","Link to Etherpad",{"_key":8039,"_type":30,"marks":8040,"text":8041},"8ffdb61976db",[],", will be updated closer to the day. ",[8043],{"_key":8036,"_type":56,"blank":57,"href":8044},"https://etherpad.servus.at/p/Tensile_Structures_II",{"_key":8046,"_type":26,"children":8047,"markDefs":8051,"style":39},"e52401f87ac4",[8048],{"_key":8049,"_type":30,"marks":8050,"text":720},"5c1ccaf8e2d0",[],[],{"_key":8053,"_type":26,"children":8054,"markDefs":8059,"style":39},"9a004633e740",[8055],{"_key":8056,"_type":30,"marks":8057,"text":8058},"55889a52f953",[],"We hope you can join us.",[],{"_key":8061,"_type":26,"children":8062,"markDefs":8067,"style":39},"a0450e0c43ba",[8063],{"_key":8064,"_type":30,"marks":8065,"text":8066},"8635cbb1df4d",[],"Solidarity, School of Commons",[],[8069,7773,8070,7869,7837,8071,8072,8073,7589],"join our november town hall","open to the public/via zoom.","join us for an open community conversation where we'll share updates following the open letter, reflections on where school of commons is heading, and insights from our work mapping the funding landscape, with space for questions, discussion, and collective thinking. ","in january, we came together to share that zurich university of the arts (zhdk) will no longer support school of commons in its current form as of january 2027 and to begin collectively imagining what comes next. since then, 87 of you have signed our open letter, we've continued the search for a new institutional home and joined global artivism (21–23 september) to explore new ground.\n\nthis town hall is where we regroup: share what's moved, open the next round of collective thinking, and launch the call to action for our fundraising campaign.\n\nwhether you join to listen, to share, or simply to be present, your participation helps sustain and strengthen the future of school of commons.\n\n\ntogether, we aim to sustain this commons of learning as it transitions into new ground, supported by solidarities of care and collective imagination.","agenda\n\n\n\n18:00–18:10 — welcome & framing (10 min) re-entry into the tensile structures metaphor: what's held, what's shifted since january. intentions.\n\n18:10–18:25 — where we are now (15 min) an update on soc's current position: the institutional home search (ongoing), reflections from joining global artivism (21–23 september) and the countdown to january 2027.\n\n18:25–18:40 — open letter: progress & next signatures (15 min) 87 signatories so far. a look at how the letter has been used and received, and an invitation to widen its reach.\n\n18:40–19:00 — open conversation: pathways forward (20 min) collective discussion on institutional homes, structural models, and sustainability, building on january's brainstorm.\n\n19:00–19:20 — call to action: fundraising campaign (20 min) what the campaign looks like, what kind of support is needed, and how people can get involved (time, skills, networks, funds).\n\n19:20–19:30 — closing & next steps (10 min) what happens after the town hall, timelines, and how we stay connected.\n\n\n\nlink to etherpad, will be updated closer to the day. \n\n\n\nwe hope you can join us.\n\nsolidarity, school of commons",{"_type":14,"current":15},"Join us for an open community conversation where we'll share updates following the Open Letter, reflections on where School of Commons is heading, and insights from our work mapping the funding landscape, with space for questions, discussion, and collective thinking. ",[8077],{"_id":7767,"_type":7846,"seo":9,"slug":8078,"title":7768},{"_type":14,"current":7837},{"_id":8080,"_type":12,"additionalDetails":9,"categories":8081,"credits":8096,"dates":8229,"events":8232,"featuredImage":8263,"filterables":8270,"labs":8280,"locations":8720,"pageBuilder":8742,"parentEvent":9,"searchables":8899,"seo":9,"slug":8905,"summary":8907,"title":8908,"types":8909},"be5823a8-6984-4379-b464-735a74b7256b",[8082,8089],{"_id":8083,"_type":308,"colorPrimary":8084,"seo":9,"slug":8086,"title":8088},"a2921516-5f5b-4534-9513-5c1b4fcaabb9",{"label":310,"value":8085},"#ffdcdc",{"_type":14,"current":8087},"chimerizing","Chimerizing",{"_id":8090,"_type":308,"colorPrimary":8091,"seo":9,"slug":8093,"title":8095},"efe60365-74de-4df1-8cd6-d44d248b30df",{"label":310,"value":8092},"#006900",{"_type":14,"current":8094},"monstering","Monstering",{"other":9,"profiles":8097},[8098],{"_id":8099,"_type":389,"activeYears":8100,"bio":8103,"bioShort":8189,"featuredImage":8190,"filterables":8198,"links":8201,"locations":8209,"searchables":8224,"seo":9,"slug":8226,"title":8228},"63628f04-17c8-498b-8c98-4a1aadd45e2e",[8101],{"_id":193,"_type":187,"seo":9,"slug":8102,"title":196},{"_type":14,"current":195},[8104,8112,8120,8128],{"_key":8105,"_type":26,"children":8106,"markDefs":8111,"style":39},"dcdc5d1e13cb",[8107],{"_key":8108,"_type":30,"marks":8109,"text":8110},"9f875c2f19ea",[],"Lou Croff Blake (they/them) is a transgender artist, writer, and performer based in Berlin, Germany. Their work integrates queer theory with ecology and folklore, guided by a collage of regenerative methodologies. Across transmedial projects, they dissolve the barriers between creative play and critical analysis, alchemizing scholarship into transmissible expression. They interweave artistic research, upcycling and costuming, storytelling, and somatic workshops, crafting new narratives on ‘queering’ as a process that extends far beyond gender. ",[],{"_key":8113,"_type":26,"children":8114,"markDefs":8119,"style":39},"88296202dd95",[8115],{"_key":8116,"_type":30,"marks":8117,"text":8118},"e30e3659f3bc",[],"Their work integrates queer theory with ecology and community-building, driven by radical curiosity in regenerative ways of working. In their multidisciplinary body of work, they dissolve the barriers between creative play and critical analysis. Transmedial projects interweave artistic research, upcycling and costuming, storytelling, and somatic workshops, generating collectivist narratives on ‘queering’ as a process that extends far beyond gender. As an advocate for intersectional environmentalism, they focus on connecting dots between ecosystemic thought, social justice and decolonialism, gender diversity, and accessibility.",[],{"_key":8121,"_type":26,"children":8122,"markDefs":8127,"style":39},"8cc41d6d283f",[8123],{"_key":8124,"_type":30,"marks":8125,"text":8126},"445ee90f63bd",[],"Reaching towards allies, they speak and teach on topics of regenerative sustainability and gender inclusivity in fashion and the arts.",[],{"_key":8129,"_type":26,"children":8130,"markDefs":8178,"style":39},"df5f1768aa49",[8131,8135,8140,8144,8149,8153,8158,8162,8166,8170,8175],{"_key":8132,"_type":30,"marks":8133,"text":8134},"24c24733f4940",[],"As “Chimera,” a duo with collaborator ",{"_key":8136,"_type":30,"marks":8137,"text":8139},"24c24733f4941",[8138],"a01c204ca930","Madelyn Byrd",{"_key":8141,"_type":30,"marks":8142,"text":8143},"24c24733f4942",[],", they embark on projects that push the boundaries around what it means to be a citizen of Earth, merging artistic embodied experiments with science and fantasy. In 2025, duo’s speculative worlding manifests in projects at ",{"_key":8145,"_type":30,"marks":8146,"text":8148},"24c24733f4943",[8147],"a4c537bbdaa3","AADK",{"_key":8150,"_type":30,"marks":8151,"text":8152},"24c24733f4944",[],"’s Cruce program (funded by The Goethe Institute’s ",{"_key":8154,"_type":30,"marks":8155,"text":8157},"24c24733f4945",[8156],"8ade40ff0b88","Culture Moves Europe",{"_key":8159,"_type":30,"marks":8160,"text":8161},"24c24733f4946",[]," grant) and ",{"_key":8163,"_type":30,"marks":8164,"text":33},"24c24733f4947",[8165],"82a782e382f4",{"_key":8167,"_type":30,"marks":8168,"text":8169},"24c24733f4948",[],"’ peer learning program (located at ",{"_key":8171,"_type":30,"marks":8172,"text":8174},"24c24733f4949",[8173],"78de344080df","Zürich University of the Arts",{"_key":8176,"_type":30,"marks":8177,"text":5377},"24c24733f49410",[],[8179,8181,8183,8185,8187],{"_key":8138,"_type":56,"href":8180},"https://madelynbyrd.com/",{"_key":8147,"_type":56,"href":8182},"https://aadk.esaadk.eshttp//www.aadk.es",{"_key":8156,"_type":56,"href":8184},"https://www.goethe.de/ins/be/en/kul/eur/cme.html",{"_key":8165,"_type":56,"href":8186},"https://schoolofcommons.org/",{"_key":8173,"_type":56,"href":8188},"https://www.zhdk.ch/en/zurich-university-of-the-arts-1","Lou (they/them) is a transdisciplinary artist, writer, and educator. They collaborate with Madelyn Byrd as the creative duo Chimera.",{"alt":8191,"asset":8192},"Lou Croff Blake with tree on back, photo by Teres Bartůňková",{"_id":8193,"height":8194,"orientation":789,"ratio":8195,"url":8196,"width":8197},"image-3ce32e4a7e68bacc2cd4a5b03a79d6095c06c304-1946x1306-png",1306,1.4900459418070444,"https://cdn.sanity.io/images/eodip22e/production/3ce32e4a7e68bacc2cd4a5b03a79d6095c06c304-1946x1306.png",1946,{"filterYear":8199},[8200],{"_id":193,"title":196},[8202,8204,8206],{"_type":449,"label":450,"url":8203},"https://loucroffblake.xyz/",{"_type":449,"label":453,"url":8205},"https://www.instagram.com/__b.r.i.c.k.s__/",{"_type":449,"label":8207,"url":8208},"Soundcloud","https://soundcloud.com/dj_bricks",{"locations":8210,"other":8215},[8211,8213],{"_id":458,"_type":459,"seo":9,"slug":8212,"title":462},{"_type":14,"current":461},{"_id":7584,"_type":459,"seo":9,"slug":8214,"title":7587},{"_type":14,"current":7586},[8216],{"_key":8217,"_type":26,"children":8218,"markDefs":8223,"style":39},"565f216a047a",[8219],{"_key":8220,"_type":30,"marks":8221,"text":8222},"11d35427524f",[],"Based in Berlin, DE.",[],[8225,195],"lou croff blake",{"_type":14,"current":8227},"lou-croff-blake","Lou Croff Blake",{"endDate":8230,"other":8231,"startDate":8230},"2026-11-10","18:00- 19:30 (CET) ",[8233,8246],{"_id":8234,"_type":12,"dates":8235,"featuredImage":8238,"seo":9,"slug":8242,"summary":8244,"title":8245},"dfec42c0-6a00-46cf-bca0-11aa09760ae9",{"endDate":8236,"other":8237,"startDate":8236},"2026-10-13","16:00 (BST) / 17:00 (CEST) / 10:00 (CST)",{"alt":9,"asset":8239},{"_id":8240,"height":7413,"orientation":440,"ratio":4574,"url":8241,"width":2184},"image-65594a3d9a0250d0e336449aa3977f4d62ddb1ec-1080x1350-png","https://cdn.sanity.io/images/eodip22e/production/65594a3d9a0250d0e336449aa3977f4d62ddb1ec-1080x1350.png",{"_type":14,"current":8243},"feedback-session-counter-care-facilitated-by-loren-beard-and-sheila-shankar","Counter Care attends to the subversive, relational practices that sustain life under conditions designed to exhaust it. We work in response to systems and structures that unevenly distribute care, merging it with coercion, commodifying it, and sustaining it through devalued labor. ","Feedback Session: Counter Care, facilitated by Loren Beard and Sheila Shankar",{"_id":8247,"_type":12,"dates":8248,"featuredImage":8251,"seo":9,"slug":8259,"summary":8261,"title":8262},"286cc0eb-9dad-4a3f-968a-9e1899d03b0f",{"endDate":8249,"other":8250,"startDate":8249},"2026-09-15","18:00- 19:30 (CEST)",{"alt":8252,"asset":8253},"https://cloud.servus.at/s/R6AmMSKeexCfcpG (highly compressed videos of two works by the artist, “bordercontrol.js (ongoing/wip)” and “Berlin Campus 2025)",{"_id":8254,"height":8255,"orientation":789,"ratio":8256,"url":8257,"width":8258},"image-d9cecd723b1da5dcfc964a35584b179f37bb17d0-2110x1142-png",1142,1.8476357267950962,"https://cdn.sanity.io/images/eodip22e/production/d9cecd723b1da5dcfc964a35584b179f37bb17d0-2110x1142.png",2110,{"_type":14,"current":8260},"text-only-home-page","This peer learning / skill sharing session is for multi-disciplinary artists who are interested in exploring text-based computer art / web interventions. An algorithm is control: it is completely defined and knowable (even if it is not known in practice). ","Peer Learning Session: TEXT ONLY HOME PAGE, facilitated by Sasha Kurlyka",{"alt":9,"asset":8264},{"_id":8265,"height":8266,"orientation":440,"ratio":8267,"url":8268,"width":8269},"image-a67f154ef4178c308eb65fea6492aaca97db282f-1748x1792-png",1792,0.9754464285714286,"https://cdn.sanity.io/images/eodip22e/production/a67f154ef4178c308eb65fea6492aaca97db282f-1748x1792.png",1748,{"filterCategory":8271,"filterLocation":8274,"filterType":8276},[8272,8273],{"_id":8083,"title":8088},{"_id":8090,"title":8095},[8275],{"_id":7763,"title":7764},[8277],{"_id":8278,"title":8279},"6ae0ff3d-4375-4faf-a3f8-146b8ece21e5","Alumn*",[8281],{"_id":8282,"_type":304,"categories":8283,"credits":8313,"featuredImage":8535,"filterables":8542,"footnotes":8555,"locations":8556,"logbook":9,"pageBuilder":8568,"researchQuestion":9,"researchQuestions":8678,"searchables":8709,"seo":9,"slug":8718,"title":8719,"year":196},"39081475-3a15-418b-ad02-d478877579b2",[8284,8291,8294,8297,8300,8307,8310],{"_id":8285,"_type":308,"colorPrimary":8286,"seo":9,"slug":8288,"title":8290},"9b92aebe-5ebd-43a4-85ee-01a35ce8d600",{"label":310,"value":8287},"#6464ff",{"_type":14,"current":8289},"against-purity","Against Purity",{"_id":3830,"_type":308,"colorPrimary":8292,"seo":9,"slug":8293,"title":3835},{"label":310,"value":3832},{"_type":14,"current":3834},{"_id":3847,"_type":308,"colorPrimary":8295,"seo":9,"slug":8296,"title":3852},{"label":310,"value":3849},{"_type":14,"current":3851},{"_id":2001,"_type":308,"colorPrimary":8298,"seo":9,"slug":8299,"title":2006},{"label":310,"value":2003},{"_type":14,"current":2005},{"_id":8301,"_type":308,"colorPrimary":8302,"seo":9,"slug":8304,"title":8306},"c4ce1192-22ff-49ec-9a23-a339df887d4f",{"label":310,"value":8303},"#9b0000",{"_type":14,"current":8305},"geographies-of-self","Geographies of Self",{"_id":8083,"_type":308,"colorPrimary":8308,"seo":9,"slug":8309,"title":8088},{"label":310,"value":8085},{"_type":14,"current":8087},{"_id":8090,"_type":308,"colorPrimary":8311,"seo":9,"slug":8312,"title":8095},{"label":310,"value":8092},{"_type":14,"current":8094},{"other":9,"profiles":8314},[8315,8388],{"_id":8099,"_type":389,"activeYears":8316,"bio":8319,"bioShort":8189,"featuredImage":8365,"filterables":8367,"links":8370,"locations":8374,"searchables":8386,"seo":9,"slug":8387,"title":8228},[8317],{"_id":193,"_type":187,"seo":9,"slug":8318,"title":196},{"_type":14,"current":195},[8320,8325,8330,8335],{"_key":8105,"_type":26,"children":8321,"markDefs":8324,"style":39},[8322],{"_key":8108,"_type":30,"marks":8323,"text":8110},[],[],{"_key":8113,"_type":26,"children":8326,"markDefs":8329,"style":39},[8327],{"_key":8116,"_type":30,"marks":8328,"text":8118},[],[],{"_key":8121,"_type":26,"children":8331,"markDefs":8334,"style":39},[8332],{"_key":8124,"_type":30,"marks":8333,"text":8126},[],[],{"_key":8129,"_type":26,"children":8336,"markDefs":8359,"style":39},[8337,8339,8341,8343,8345,8347,8349,8351,8353,8355,8357],{"_key":8132,"_type":30,"marks":8338,"text":8134},[],{"_key":8136,"_type":30,"marks":8340,"text":8139},[8138],{"_key":8141,"_type":30,"marks":8342,"text":8143},[],{"_key":8145,"_type":30,"marks":8344,"text":8148},[8147],{"_key":8150,"_type":30,"marks":8346,"text":8152},[],{"_key":8154,"_type":30,"marks":8348,"text":8157},[8156],{"_key":8159,"_type":30,"marks":8350,"text":8161},[],{"_key":8163,"_type":30,"marks":8352,"text":33},[8165],{"_key":8167,"_type":30,"marks":8354,"text":8169},[],{"_key":8171,"_type":30,"marks":8356,"text":8174},[8173],{"_key":8176,"_type":30,"marks":8358,"text":5377},[],[8360,8361,8362,8363,8364],{"_key":8138,"_type":56,"href":8180},{"_key":8147,"_type":56,"href":8182},{"_key":8156,"_type":56,"href":8184},{"_key":8165,"_type":56,"href":8186},{"_key":8173,"_type":56,"href":8188},{"alt":8191,"asset":8366},{"_id":8193,"height":8194,"orientation":789,"ratio":8195,"url":8196,"width":8197},{"filterYear":8368},[8369],{"_id":193,"title":196},[8371,8372,8373],{"_type":449,"label":450,"url":8203},{"_type":449,"label":453,"url":8205},{"_type":449,"label":8207,"url":8208},{"locations":8375,"other":8380},[8376,8378],{"_id":458,"_type":459,"seo":9,"slug":8377,"title":462},{"_type":14,"current":461},{"_id":7584,"_type":459,"seo":9,"slug":8379,"title":7587},{"_type":14,"current":7586},[8381],{"_key":8217,"_type":26,"children":8382,"markDefs":8385,"style":39},[8383],{"_key":8220,"_type":30,"marks":8384,"text":8222},[],[],[8225,195],{"_type":14,"current":8227},{"_id":8389,"_type":389,"activeYears":8390,"bio":8393,"bioShort":8500,"featuredImage":8501,"filterables":8506,"links":8509,"locations":8516,"searchables":8531,"seo":9,"slug":8533,"title":8139},"c8d4ea85-c69a-4ad1-aaf6-df9e7ba67b6e",[8391],{"_id":193,"_type":187,"seo":9,"slug":8392,"title":196},{"_type":14,"current":195},[8394,8402,8457,8464],{"_key":8395,"_type":26,"children":8396,"markDefs":8401,"style":39},"6bb78b834f41",[8397],{"_key":8398,"_type":30,"marks":8399,"text":8400},"7a4a86094d0b",[],"Madelyn (they/them, b. 1992, USA) is a musician, interdisciplinary artist, and educator investigating connection, home, biophilia, and the adjascent possible. Fostering a deeply collaborative spirit, Madelyn engages with socially engaged art, sound, somatics, and digital media to re-construct the perceptual realm and voice emergent patterns of interconnection. Their research-intensive approach to practice balances playful, unbound creativity with scholarship, positioning them at the fringes of DIY communities and academia.\n",[],{"_key":8403,"_type":26,"children":8404,"markDefs":8448,"style":39},"80552b241d17",[8405,8409,8414,8418,8423,8427,8432,8436,8441,8444],{"_key":8406,"_type":30,"marks":8407,"text":8408},"34361fae29d2",[],"Madelyn holds a Masters in Neuroaesthetics from Goldsmiths, University of London, where they researched the impact of collaborative imagination on measures of connection and hope in social praxis art. They teach ",{"_key":8410,"_type":30,"marks":8411,"text":8413},"c8e66557c6c0",[8412],"99e3a0bab4ca","sonic worldbuilding",{"_key":8415,"_type":30,"marks":8416,"text":8417},"848598b9dd49",[]," theory + music production courses, recently online with ",{"_key":8419,"_type":30,"marks":8420,"text":8422},"56a01a116826",[8421],"b24e0ec8a7ae","Soundial ",{"_key":8424,"_type":30,"marks":8425,"text":8426},"eab72966285a",[],"and in-person at Kwia in Berlin. They produce, perform, and DJ under the genre-defying music moniker, ",{"_key":8428,"_type":30,"marks":8429,"text":8431},"a2110b2e1cbd",[8430],"2ea4289588ac","Slowfoam",{"_key":8433,"_type":30,"marks":8434,"text":8435},"b617839b7d3e",[],", amalgamates material sources - electroacoustics, found drones, spoken word, field recording, and sound design - into speculative relics from the aqueous deep. Madelyn is the co-founder of ",{"_key":8437,"_type":30,"marks":8438,"text":8440},"98f0380e9dd6",[874,8439],"f18bb65ed548","Gravity Pleasure",{"_key":8442,"_type":30,"marks":8443,"text":1249},"5b208e548d47",[874],{"_key":8445,"_type":30,"marks":8446,"text":8447},"def9352f640e",[]," a record label and event series that highlights the intersection of hydrofeminism and queer ecology with music and workshops by women, trans, and non-binary artists. ",[8449,8451,8453,8455],{"_key":8430,"_type":56,"href":8450},"https://soundcloud.com/slowfoam",{"_key":8412,"_type":56,"href":8452},"https://sonicworld.space/",{"_key":8421,"_type":56,"href":8454},"https://soundial.org/",{"_key":8439,"_type":56,"href":8456},"https://www.instagram.com/gravitypleasure/",{"_key":8458,"_type":26,"children":8459,"markDefs":8463,"style":39},"00014eb3204a",[8460],{"_key":8461,"_type":30,"marks":8462,"text":720},"793ee5d4c5b2",[],[],{"_key":8465,"_type":26,"children":8466,"markDefs":8494,"style":39},"707b572500f9",[8467,8470,8474,8477,8481,8485,8490],{"_key":8468,"_type":30,"marks":8469,"text":8134},"f554a592b47b",[],{"_key":8471,"_type":30,"marks":8472,"text":8228},"e848c90ffd2a",[8473],"d18df88caaa8",{"_key":8475,"_type":30,"marks":8476,"text":8143},"bf3a1589dc02",[],{"_key":8478,"_type":30,"marks":8479,"text":8148},"71146960830e",[8480],"33103c3d25b0",{"_key":8482,"_type":30,"marks":8483,"text":8484},"11632f8f4fde",[],"'s Cruce program (funded by ",{"_key":8486,"_type":30,"marks":8487,"text":8489},"92ee2d8f86a9",[8488],"4309149a05ba","The Goethe Institute’s Culture Moves Europe",{"_key":8491,"_type":30,"marks":8492,"text":8493},"bba62461c8d2",[]," grant) and School of Commons’ peer learning program (located at Zürich University of the Arts).",[8495,8496,8498],{"_key":8473,"_type":56,"href":8203},{"_key":8488,"_type":56,"href":8497},"https://www.goethe.de/de/index.html",{"_key":8480,"_type":56,"href":8499},"https://aadk.es/","Madelyn (they/them, b. 1992, USA) is a musician, interdisciplinary artist, and educator investigating connection, home, biophilia, and the adjascent possible. They collaborate with Lou Croff Blake as the creative duo Chimera.",{"alt":8502,"asset":8503},"Madelyn Byrd_SoC Profile",{"_id":8504,"height":7153,"orientation":789,"ratio":2697,"url":8505,"width":3369},"image-e547c05bd3352361beeb6990dd18de13664b445f-1024x768-jpg","https://cdn.sanity.io/images/eodip22e/production/e547c05bd3352361beeb6990dd18de13664b445f-1024x768.jpg",{"filterYear":8507},[8508],{"_id":193,"title":196},[8510,8511,8513],{"_type":449,"label":450,"url":8180},{"_type":449,"label":453,"url":8512},"https://www.instagram.com/slowfoam/",{"_type":449,"label":8514,"url":8515},"Bandcamp","https://slowfoam.bandcamp.com/music",{"locations":8517,"other":8522},[8518,8520],{"_id":458,"_type":459,"seo":9,"slug":8519,"title":462},{"_type":14,"current":461},{"_id":7584,"_type":459,"seo":9,"slug":8521,"title":7587},{"_type":14,"current":7586},[8523],{"_key":8524,"_type":26,"children":8525,"markDefs":8530,"style":39},"59002ea6ca22",[8526],{"_key":8527,"_type":30,"marks":8528,"text":8529},"f39f5ac32d41",[],"Based in Berlin, DE",[],[8532,195],"madelyn byrd",{"_type":14,"current":8534},"madelyn-byrd",{"alt":8536,"asset":8537},"Lou Croff Blake & Madelyn Byrd in costume that connects their heads with a 'tube hood,' part of A Tuned Body, 2024.",{"_id":8538,"height":8539,"orientation":789,"ratio":8540,"url":8541,"width":439},"image-537e4b83b5277e2c6f9650500d65a804f5ac74f5-800x532-png",532,1.5037593984962405,"https://cdn.sanity.io/images/eodip22e/production/537e4b83b5277e2c6f9650500d65a804f5ac74f5-800x532.png",{"filterCategory":8543,"filterLocation":8551,"filterYear":8553},[8544,8545,8546,8547,8548,8549,8550],{"_id":8285,"title":8290},{"_id":3830,"title":3835},{"_id":3847,"title":3852},{"_id":2001,"title":2006},{"_id":8301,"title":8306},{"_id":8083,"title":8088},{"_id":8090,"title":8095},[8552],{"_id":458,"title":462},[8554],{"_id":193,"title":196},[],{"locations":8557,"other":8560},[8558],{"_id":458,"_type":459,"seo":9,"slug":8559,"title":462},{"_type":14,"current":461},[8561],{"_key":8562,"_type":26,"children":8563,"markDefs":8567,"style":39},"f1a96d01bd08",[8564],{"_key":8565,"_type":30,"marks":8566,"text":5127},"e1e564e22d65",[],[],[8569,8588,8599],{"_type":7,"settings":8570,"text":8571},{"textColumnCount":941},[8572,8580],{"_key":8573,"_type":26,"children":8574,"markDefs":8579,"style":39},"1bf54517c720",[8575],{"_key":8576,"_type":30,"marks":8577,"text":8578},"c6e96ff65cf70",[],"CHIMERA is an artistic research project and play-based practice that expands notions of body, identity, and other(ness). Rooted in queer ecology, we reappropriate the genre ‘science fantasy’ to co-create on myths of the more-than-human, forging pararealities through speculation and prefiguration. As a collective worldbuilding experiment, we invite our peers into processes of chimerization, challenging the boundaries around the self and repatterning relational intimacies.",[],{"_key":8581,"_type":26,"children":8582,"markDefs":8587,"style":39},"b0dab75a8d9a",[8583],{"_key":8584,"_type":30,"marks":8585,"text":8586},"41d349bec414",[],"Our methodology includes somatic exercises, speculative costuming,  avataring/worlding, and more.",[],{"_type":936,"caption":8589,"image":8597},[8590],{"_key":8591,"_type":26,"children":8592,"markDefs":8596,"style":39},"2248ee33c36a",[8593],{"_key":8594,"_type":30,"marks":8595,"text":8536},"1d1bdd4d7c720",[],[],{"alt":8536,"asset":8598},{"_id":8538,"height":8539,"orientation":789,"ratio":8540,"url":8541,"width":439},{"_type":7,"settings":8600,"text":8601},{"textColumnCount":941},[8602,8610,8618,8626,8648,8664,8671],{"_key":8603,"_type":26,"children":8604,"markDefs":8609,"style":39},"69e43a2a673d",[8605],{"_key":8606,"_type":30,"marks":8607,"text":8608},"76d3fc395c930",[],"The Chimera originates in Greek mythology, a fire-breathing beast with the mixed anatomy of lion, goat, and snake; she (yes, female, according to the stories) was divine, descended from the great non-human gods who inhabited the world alongside the Titans. The legend, as told in Homer’s Iliad1, states that the hero Bellapheron, mounted on Pegasus, is ordered by the king of Lycia to slay the Chimera, who has been feeding off local cattle. Her death brought glory to Bellapheron, and Lycia was rid of a predator.",[],{"_key":8611,"_type":26,"children":8612,"markDefs":8617,"style":39},"12cc45348821",[8613],{"_key":8614,"_type":30,"marks":8615,"text":8616},"f0995d4e2a890",[],"As Le Guin would put it, this, like many popular Greek myths, is a Killer Story2: it is about the spear thrust, and death is its climax. If we reposition the Chimera as protagonist (not hero, but main character), what would Le Guin’s alternative Life Story be? We have a shining mascot of pluralism, subjected to a colonising king’s attempt to tame the wilderness into which his cows wandered. We have yet another story of a non-conforming creature punished for existing.",[],{"_key":8619,"_type":26,"children":8620,"markDefs":8625,"style":39},"0b832725ab8a",[8621],{"_key":8622,"_type":30,"marks":8623,"text":8624},"dd0ae6921c480",[],"To become a chimera is not only to acknowledge the pluralities and complexities we contain, it challenges us to change contemporary narratives on queer monstrosity. ‘Queering’ is, perhaps, not only for LGBTQIA2+ people; liberation from learned identity doesn’t always result in a change of pronouns, gayness, or hormone therapy.",[],{"_key":8627,"_type":26,"children":8628,"markDefs":8646,"style":39},"f2efe4660c7a",[8629,8633,8637,8641],{"_key":8630,"_type":30,"marks":8631,"text":8632},"b187a792be9a0",[],"1. Homer, ",{"_key":8634,"_type":30,"marks":8635,"text":8636},"b187a792be9a1",[874],"The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes",{"_key":8638,"_type":30,"marks":8639,"text":8640},"b187a792be9a2",[],". Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. ",{"_key":8642,"_type":30,"marks":8643,"text":8645},"b187a792be9a3",[8644],"c791015c3bdb","https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0012.tlg001.perseus-eng1:6.156-6.190",[8647],{"_key":8644,"_type":56,"href":8645},{"_key":8649,"_type":26,"children":8650,"markDefs":8663,"style":39},"2dd9b12a8943",[8651,8655,8659],{"_key":8652,"_type":30,"marks":8653,"text":8654},"331d5e235da70",[],"2. Ursula K. Le Guin and Bul Lee, ",{"_key":8656,"_type":30,"marks":8657,"text":8658},"331d5e235da71",[874],"The Carrier Bag Theory of Fiction",{"_key":8660,"_type":30,"marks":8661,"text":8662},"331d5e235da72",[],", Revised single edition. ([Gardena, California?]: Cosmogenesis, 2024).",[],{"_key":8665,"_type":26,"children":8666,"markDefs":8670,"style":39},"04b95e98e591",[8667],{"_key":8668,"_type":30,"marks":8669,"text":4175},"2ab9c3c12fb10",[],[],{"_key":8672,"_type":26,"children":8673,"markDefs":8677,"style":39},"1fa06c343dcc",[8674],{"_key":8675,"_type":30,"marks":8676,"text":720},"e2222ad84cd2",[],[],[8679,8689,8699],{"_type":1047,"question":8680},[8681],{"_key":8682,"_type":26,"children":8683,"markDefs":8688,"style":39},"b91a8090c122",[8684],{"_key":8685,"_type":30,"marks":8686,"text":8687},"03736184d81d0",[],"How might we use a ‘queering’ tool kit to chimerize our senses of self, embody multiplicity, and become cooperative parts in a larger whole?",[],{"_type":1047,"question":8690},[8691],{"_key":8692,"_type":26,"children":8693,"markDefs":8698,"style":39},"6b86ba7a0297",[8694],{"_key":8695,"_type":30,"marks":8696,"text":8697},"f3ae9092bd280",[],"Could marginalized, embodied knowledges of transformation expand our collective potential to relate, empathize, and collaborate within a pluriverse – a world-sized chimera?",[],{"_type":1047,"question":8700},[8701],{"_key":8702,"_type":26,"children":8703,"markDefs":8708,"style":39},"15d424b4f36d",[8704],{"_key":8705,"_type":30,"marks":8706,"text":8707},"358135ba33930",[],"What new mythologies emerge when we center more-than-human voices?",[],[8710,195,8711,8712,8713,461,5177,8225,8532,8714,8715,8716,4088,3851,2005,8717,8087,8094],"chimera","how might we use a ‘queering’ tool kit to chimerize our senses of self, embody multiplicity, and become cooperative parts in a larger whole?","could marginalized, embodied knowledges of transformation expand our collective potential to relate, empathize, and collaborate within a pluriverse – a world-sized chimera?","what new mythologies emerge when we center more-than-human voices?","chimera is an artistic research project and play-based practice that expands notions of body, identity, and other(ness). rooted in queer ecology, we reappropriate the genre ‘science fantasy’ to co-create on myths of the more-than-human, forging pararealities through speculation and prefiguration. as a collective worldbuilding experiment, we invite our peers into processes of chimerization, challenging the boundaries around the self and repatterning relational intimacies.\n\nour methodology includes somatic exercises, speculative costuming,  avataring/worlding, and more.","the chimera originates in greek mythology, a fire-breathing beast with the mixed anatomy of lion, goat, and snake; she (yes, female, according to the stories) was divine, descended from the great non-human gods who inhabited the world alongside the titans. the legend, as told in homer’s iliad1, states that the hero bellapheron, mounted on pegasus, is ordered by the king of lycia to slay the chimera, who has been feeding off local cattle. her death brought glory to bellapheron, and lycia was rid of a predator.\n\nas le guin would put it, this, like many popular greek myths, is a killer story2: it is about the spear thrust, and death is its climax. if we reposition the chimera as protagonist (not hero, but main character), what would le guin’s alternative life story be? we have a shining mascot of pluralism, subjected to a colonising king’s attempt to tame the wilderness into which his cows wandered. we have yet another story of a non-conforming creature punished for existing.\n\nto become a chimera is not only to acknowledge the pluralities and complexities we contain, it challenges us to change contemporary narratives on queer monstrosity. ‘queering’ is, perhaps, not only for lgbtqia2+ people; liberation from learned identity doesn’t always result in a change of pronouns, gayness, or hormone therapy.\n\n1. homer, the iliad with an english translation by a.t. murray, ph.d. in two volumes. cambridge, ma., harvard university press; london, william heinemann, ltd. 1924. https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greeklit:tlg0012.tlg001.perseus-eng1:6.156-6.190\n\n2. ursula k. le guin and bul lee, the carrier bag theory of fiction, revised single edition. ([gardena, california?]: cosmogenesis, 2024).\n\n\n\n\n","against purity","geographies of self",{"_type":14,"current":8710},"CHIMERA",{"locations":8721,"other":8724},[8722],{"_id":7763,"_type":459,"seo":9,"slug":8723,"title":7764},{"_type":14,"current":7773},[8725],{"_key":8726,"_type":26,"children":8727,"markDefs":8740,"style":39},"c6d9f3f23e83",[8728,8732,8737],{"_key":8729,"_type":30,"marks":8730,"text":8731},"b807013823860",[],"Public / ",{"_key":8733,"_type":30,"marks":8734,"text":8736},"b807013823861",[8735],"37a28ab9617a","Join us via zoom",{"_key":8738,"_type":30,"marks":8739,"text":408},"b807013823862",[],[8741],{"_key":8735,"_type":56,"href":7960},[8743,8746],{"_type":936,"caption":9,"image":8744},{"alt":9,"asset":8745},{"_id":8265,"height":8266,"orientation":440,"ratio":8267,"url":8268,"width":8269},{"_type":7,"settings":8747,"text":8748},{"textColumnCount":941},[8749,8757,8764,8772,8780,8788,8796,8804,8812,8819,8828,8835,8842,8849,8857,8871,8885],{"_key":8750,"_type":26,"children":8751,"markDefs":8756,"style":39},"68485380180d",[8752],{"_key":8753,"_type":30,"marks":8754,"text":8755},"1dc0d90ff59a0",[],"This session explores the language of fashion, and how wearable aesthetic codes shape our movement through the world. In particular, we’ll look into legacies of semiotic dress in marginalized identities and in activist movements, ‘decoding’ our forebearers’s wardrobes. We will also focus on how semiotic dress might be wielded as a current-day tool for speculation, covert communication, and self-exploration in late-stage capitalism. This combi-lecture/workshop synthesises roughly four years of research I’ve been background-tasking on this topic, built upon my Masters’ thesis on queer alternative fashion ecosystems. After a gentle info-dump (with interactive moments), we’ll transition to reflecting on our own semiotics, in a wardrobe diary and visioning exercise. We collectively ask, “what can we communicate on our bodies, and for whose attention?”",[],{"_key":8758,"_type":26,"children":8759,"markDefs":8763,"style":39},"5de39aaa0ea4",[8760],{"_key":8761,"_type":30,"marks":8762,"text":720},"0b81f787ee1b0",[],[],{"_key":8765,"_type":26,"children":8766,"markDefs":8771,"style":39},"0fc51258dffb",[8767],{"_key":8768,"_type":30,"marks":8769,"text":8770},"69d921b200d50",[],"Structure (what can people expect):",[],{"_key":8773,"_type":26,"children":8774,"markDefs":8779,"style":39},"4560e343fa00",[8775],{"_key":8776,"_type":30,"marks":8777,"text":8778},"68ee5e6647500",[],"1.75 hours total",[],{"_key":8781,"_type":26,"children":8782,"markDefs":8787,"style":39},"96da11655cc5",[8783],{"_key":8784,"_type":30,"marks":8785,"text":8786},"7104997574300",[],"Welcome & intro (15min)",[],{"_key":8789,"_type":26,"children":8790,"markDefs":8795,"style":39},"d15edfc941af",[8791],{"_key":8792,"_type":30,"marks":8793,"text":8794},"5f9b3fb148f30",[],"Warmup exercise: somaesthetic scan (5min)",[],{"_key":8797,"_type":26,"children":8798,"markDefs":8803,"style":39},"a7d0df46db2c",[8799],{"_key":8800,"_type":30,"marks":8801,"text":8802},"eb1df06fb58c0",[],"Input: Semiotic dress histories & speculative fashion futures (40min)",[],{"_key":8805,"_type":26,"children":8806,"markDefs":8811,"style":39},"99ce97ad1ca4",[8807],{"_key":8808,"_type":30,"marks":8809,"text":8810},"de9a7b0d5a610",[],"Workshop: Your personal semiotic codes",[],{"_key":8813,"_type":26,"children":8814,"markDefs":8818,"style":39},"626a5d472568",[8815],{"_key":8816,"_type":30,"marks":8817,"text":720},"52e88edcdae00",[],[],{"_key":8820,"_type":26,"children":8821,"markDefs":8826,"style":39},"6c13ece73241",[8822],{"_key":8823,"_type":30,"marks":8824,"text":8203},"7644bec9927b0",[8825],"7e60c094011b",[8827],{"_key":8825,"_type":56,"href":8203},{"_key":8829,"_type":26,"children":8830,"markDefs":8834,"style":39},"3b5130fd7436",[8831],{"_key":8832,"_type":30,"marks":8833,"text":720},"b9695f2c05ae0",[],[],{"_key":8836,"_type":26,"children":8837,"markDefs":8841,"style":39},"b7e150313278",[8838],{"_key":8839,"_type":30,"marks":8840,"text":720},"edf9426ca8b50",[],[],{"_key":8843,"_type":26,"children":8844,"markDefs":8848,"style":39},"dd7ab2a884fa",[8845],{"_key":8846,"_type":30,"marks":8847,"text":720},"40a39bc713150",[],[],{"_key":8850,"_type":26,"children":8851,"markDefs":8856,"style":39},"8983e128fc78",[8852],{"_key":8853,"_type":30,"marks":8854,"text":8855},"3b0a0bed8f180",[32],"Resources:",[],{"_key":8858,"_type":26,"children":8859,"markDefs":8869,"style":39},"c2e9aa7435ef",[8860,8864],{"_key":8861,"_type":30,"marks":8862,"text":8863},"d2c90037999a0",[],"CHIMERA: ",{"_key":8865,"_type":30,"marks":8866,"text":8868},"d2c90037999a1",[8867],"a1d86a04a0e9","https://schoolofcommons.org/program/labs/chimera",[8870],{"_key":8867,"_type":56,"href":8868},{"_key":8872,"_type":26,"children":8873,"markDefs":8883,"style":39},"95711527fdb4",[8874,8878],{"_key":8875,"_type":30,"marks":8876,"text":8877},"21dff9f064730",[],"A Queer Fashion Autoethnography (Blake, 2024): ",{"_key":8879,"_type":30,"marks":8880,"text":8882},"21dff9f064731",[8881],"6e692f60cbbb","https://apria.artez.nl/a-queer-fashion-autoethnography?&category=series&year=2024&title=a-queer-fashion-autoethnography&tag=collection&authors=lou-croff-blake",[8884],{"_key":8881,"_type":56,"href":8882},{"_key":8886,"_type":26,"children":8887,"markDefs":8897,"style":39},"c10c2ba438df",[8888,8892],{"_key":8889,"_type":30,"marks":8890,"text":8891},"7a0272dc2f660",[],"Flagging Chimera (Blake, 2024): ",{"_key":8893,"_type":30,"marks":8894,"text":8896},"7a0272dc2f661",[8895],"793d3dcc2c6d","https://www.justfemmeanddandy.com/06-lou-croff-blake-essay",[8898],{"_key":8895,"_type":56,"href":8896},[8900,7773,8901,8087,8094,8902,8903,8904,8225],"peer learning session: queering somatics, facilitated by louise croff blake","public / join us via zoom.","alumn*","this session explores the language of fashion, and how wearable aesthetic codes shape our movement through the world.","this session explores the language of fashion, and how wearable aesthetic codes shape our movement through the world. in particular, we’ll look into legacies of semiotic dress in marginalized identities and in activist movements, ‘decoding’ our forebearers’s wardrobes. we will also focus on how semiotic dress might be wielded as a current-day tool for speculation, covert communication, and self-exploration in late-stage capitalism. this combi-lecture/workshop synthesises roughly four years of research i’ve been background-tasking on this topic, built upon my masters’ thesis on queer alternative fashion ecosystems. after a gentle info-dump (with interactive moments), we’ll transition to reflecting on our own semiotics, in a wardrobe diary and visioning exercise. we collectively ask, “what can we communicate on our bodies, and for whose attention?”\n\n\n\nstructure (what can people expect):\n\n1.75 hours total\n\nwelcome & intro (15min)\n\nwarmup exercise: somaesthetic scan (5min)\n\ninput: semiotic dress histories & speculative fashion futures (40min)\n\nworkshop: your personal semiotic codes\n\n\n\nhttps://loucroffblake.xyz/\n\n\n\n\n\n\n\nresources:\n\nchimera: https://schoolofcommons.org/program/labs/chimera\n\na queer fashion autoethnography (blake, 2024): https://apria.artez.nl/a-queer-fashion-autoethnography?&category=series&year=2024&title=a-queer-fashion-autoethnography&tag=collection&authors=lou-croff-blake\n\nflagging chimera (blake, 2024): https://www.justfemmeanddandy.com/06-lou-croff-blake-essay",{"_type":14,"current":8906},"peer-learning-session-queering-somatics-facilitated-by-louise-croff-blake","This session explores the language of fashion, and how wearable aesthetic codes shape our movement through the world.","Peer Learning Session: Queering Somatics, facilitated by Louise Croff Blake",[8910],{"_id":8278,"_type":7846,"seo":9,"slug":8911,"title":8279},{"_type":14,"current":8912},"alumn",{"_id":8914,"_type":12,"additionalDetails":9,"categories":8915,"credits":8929,"dates":9337,"events":9340,"featuredImage":9341,"filterables":9346,"labs":9356,"locations":10334,"pageBuilder":10349,"parentEvent":9,"searchables":10687,"seo":9,"slug":10694,"summary":10367,"title":10696,"types":10697},"416a12c5-8a55-44a2-9ede-9edd0ae08084",[8916,8923,8926],{"_id":8917,"_type":308,"colorPrimary":8918,"seo":9,"slug":8920,"title":8922},"e4575509-4e57-4fdd-901d-b1c9c7861f4b",{"label":310,"value":8919},"#ff2828",{"_type":14,"current":8921},"gathering","Gathering",{"_id":1121,"_type":308,"colorPrimary":8924,"seo":9,"slug":8925,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":3837,"_type":308,"colorPrimary":8927,"seo":9,"slug":8928,"title":3842},{"label":310,"value":3839},{"_type":14,"current":3841},{"other":9,"profiles":8930},[8931,8978,9007,9040,9068,9089,9161,9216,9278],{"_id":7528,"_type":389,"activeYears":8932,"bio":8951,"bioShort":7563,"featuredImage":8957,"filterables":8958,"links":8969,"locations":8972,"searchables":8976,"seo":9,"slug":8977,"title":33},[8933,8935,8937,8939,8941,8943,8945,8947,8949],{"_id":7531,"_type":187,"seo":9,"slug":8934,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":8936,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":8938,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":8940,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":8942,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":8944,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":8946,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":8948,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":8950,"title":196},{"_type":14,"current":195},[8952],{"_key":7556,"_type":26,"children":8953,"markDefs":8956,"style":39},[8954],{"_key":7559,"_type":30,"marks":8955,"text":7561},[],[],{"alt":33,"asset":9},{"filterYear":8959},[8960,8961,8962,8963,8964,8965,8966,8967,8968],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[8970,8971],{"_type":449,"label":7578,"url":7579},{"_type":449,"label":453,"url":73},{"locations":8973,"other":9},[8974],{"_id":7584,"_type":459,"seo":9,"slug":8975,"title":7587},{"_type":14,"current":7586},[7589,7533,7538,225,220,215,210,205,200,195],{"_type":14,"current":7591},{"_id":8979,"_type":389,"activeYears":8980,"bio":8983,"bioShort":8990,"featuredImage":9,"filterables":8992,"links":8995,"locations":8998,"searchables":9002,"seo":9,"slug":9004,"title":9006},"e4acd440-0d8f-4ea6-8f49-6cc7bc7a5414",[8981],{"_id":186,"_type":187,"seo":9,"slug":8982,"title":190},{"_type":14,"current":189},[8984],{"_key":8985,"_type":26,"children":8986,"markDefs":8991,"style":39},"0bb4492a608e",[8987],{"_key":8988,"_type":30,"marks":8989,"text":8990},"b0ca56f46d920",[],"A socially engaged art studio that activates public spaces in Florence to strengthen community bonds and open up discussion on important local issues. The studio is strongly committed to commoning values and processes.",[],{"filterYear":8993},[8994],{"_id":186,"title":190},[8996],{"_type":449,"label":453,"url":8997},"https://www.instagram.com/alterazioni_firenze/",{"locations":8999,"other":9},[9000],{"_id":458,"_type":459,"seo":9,"slug":9001,"title":462},{"_type":14,"current":461},[9003,189],"alter'azioni",{"_type":14,"current":9005},"alter-azioni","Alter'azioni",{"_id":9008,"_type":389,"activeYears":9009,"bio":9012,"bioShort":9021,"featuredImage":9,"filterables":9022,"links":9025,"locations":9031,"searchables":9035,"seo":9,"slug":9037,"title":9039},"4e105cfd-98df-4c28-9703-22ffb24e4507",[9010],{"_id":198,"_type":187,"seo":9,"slug":9011,"title":201},{"_type":14,"current":200},[9013],{"_key":9014,"_type":26,"children":9015,"markDefs":9020,"style":39},"3ea3c15c15c8",[9016],{"_key":9017,"_type":30,"marks":9018,"text":9019},"6c7a1a095fc20",[],"His work examines the interplay between art and action, as well as the concepts of “place” and “public space”, with references to cultural, social, historical and environmental contexts. David lives and works in Tuscany where he founded the Studio Alter’azioni – Commoning Arte e Cultura, Florence, which focuses on collective and commoning actions. Beginning in 2008, David has been working in a participatory manner with communities within diverse cultural contexts. Since 2012 David has been reflecting on the context of the Israeli-Palestine reality, through art projects and academic research, founding the MUNDI_Lab (Urban Design Interventions Lab) in 2016, where he researched the issues of Surveillance, Gentrification and Urban Memory in the shared public space of the city of Haifa. His work has been presented internationally and he has created site-specific projects in the UK, Greece, Poland, Israel, France, Italy (including the 53rd Venice Biennale), Brazil, and Germany.",[],"Co-founding member of Common Views, Dr. David Behar-Perahia (Born: Lyon, France) works on the seam between sculpture and architecture, in a site-specific manner, using a diversity of creative languages, such as sculpture, installation, performance, sound and video.",{"filterYear":9023},[9024],{"_id":198,"title":201},[9026,9029],{"_type":449,"label":9027,"url":9028}," @commonviews.art","https://www.instagram.com/commonviews.art/",{"_type":449,"label":450,"url":9030},"https://commonviews.art/",{"locations":9032,"other":9},[9033],{"_id":458,"_type":459,"seo":9,"slug":9034,"title":462},{"_type":14,"current":461},[9036,200],"david behar perahia",{"_type":14,"current":9038},"david-behar-perahia","David Behar Perahia",{"_id":9041,"_type":389,"activeYears":9042,"bio":9045,"bioShort":9054,"featuredImage":9,"filterables":9055,"links":9058,"locations":9,"searchables":9063,"seo":9,"slug":9065,"title":9067},"86c3be81-544d-4c0e-95e1-0b4f69781fd3",[9043],{"_id":198,"_type":187,"seo":9,"slug":9044,"title":201},{"_type":14,"current":200},[9046],{"_key":9047,"_type":26,"children":9048,"markDefs":9053,"style":39},"ec66c5d447c9",[9049],{"_key":9050,"_type":30,"marks":9051,"text":9052},"ed6de66fd32d0",[],"Dan studied fine arts at the School of the Arts Institute of Chicago in the early 1990s, later moving to Germany (1995-2000), France (2000-2003) and then the UK (2003-2015), where he received his MA in Performance in Cultural Location from the Dartington College of Arts in 2007. Dan is currently based in Berlin, Germany, since 2015. Dan’s works incorporate a wide range of media, including fine art, new media and interactive technology, live presence and somatic practice. The central themes touch on issues of consciousness and embodiment, connection to place and presence, addressing social and environmental conflict, and an increasing focus on a post-anthropocentric perspective and a deep connection with nature. These draw on his extensive background and experience in meditation, awareness and embodiment practices, digital practices and a wide range of alternative living approaches. His work includes collaborations with world renowned dance companies and choreographers, has been acclaimed at international festivals including special selection at FIPA, screened on major television networks, such as ABC or Channel4, and presented at the London Olympics, the Shanghai Expo and the Kassel Documenta.",[],"Co-founding member of Common Views, Dan Farberoff (Born: Barranquilla, Colombia) is a multinational, interdisciplinary artist and filmmaker. ",{"filterYear":9056},[9057],{"_id":198,"title":201},[9059,9061],{"_type":449,"label":453,"url":9060},"https://www.instagram.com/iccigucci/",{"_type":449,"label":9062,"url":9030},"Common Views",[9064,200],"dan farberoff",{"_type":14,"current":9066},"dan-farberoff","Dan Farberoff",{"_id":3873,"_type":389,"activeYears":9069,"bio":9072,"bioShort":3886,"featuredImage":9,"filterables":9078,"links":9,"locations":9081,"searchables":9087,"seo":9,"slug":9088,"title":3900},[9070],{"_id":186,"_type":187,"seo":9,"slug":9071,"title":190},{"_type":14,"current":189},[9073],{"_key":3879,"_type":26,"children":9074,"markDefs":9077,"style":39},[9075],{"_key":3882,"_type":30,"marks":9076,"text":3884},[],[],{"filterYear":9079},[9080],{"_id":186,"title":190},{"locations":9082,"other":9},[9083,9085],{"_id":458,"_type":459,"seo":9,"slug":9084,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":9086,"title":1451},{"_type":14,"current":1459},[3897,189],{"_type":14,"current":3899},{"_id":7645,"_type":389,"activeYears":9090,"bio":9101,"bioShort":7664,"featuredImage":9136,"filterables":9138,"links":9145,"locations":9149,"searchables":9159,"seo":9,"slug":9160,"title":7712},[9091,9093,9095,9097,9099],{"_id":208,"_type":187,"seo":9,"slug":9092,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":9094,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":9096,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":9098,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":9100,"title":190},{"_type":14,"current":189},[9102,9107,9116,9121,9126,9131],{"_key":7659,"_type":26,"children":9103,"markDefs":9106,"style":39},[9104],{"_key":7662,"_type":30,"marks":9105,"text":7664},[],[],{"_key":7667,"_type":26,"children":9108,"markDefs":9115,"style":39},[9109,9111,9113],{"_key":7670,"_type":30,"marks":9110,"text":7672},[],{"_key":7674,"_type":30,"marks":9112,"text":1593},[32],{"_key":7677,"_type":30,"marks":9114,"text":7679},[],[],{"_key":7682,"_type":26,"children":9117,"markDefs":9120,"style":39},[9118],{"_key":7685,"_type":30,"marks":9119,"text":7687},[],[],{"_key":7690,"_type":26,"children":9122,"markDefs":9125,"style":39},[9123],{"_key":7693,"_type":30,"marks":9124,"text":7695},[],[],{"_key":7698,"_type":26,"children":9127,"markDefs":9130,"style":39},[9128],{"_key":7701,"_type":30,"marks":9129,"text":720},[],[],{"_key":7705,"_type":26,"children":9132,"markDefs":9135,"style":39},[9133],{"_key":7708,"_type":30,"marks":9134,"text":720},[],[],{"alt":7712,"asset":9137},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":9139},[9140,9141,9142,9143,9144],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[9146,9147,9148],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":9150,"other":9153},[9151],{"_id":458,"_type":459,"seo":9,"slug":9152,"title":462},{"_type":14,"current":461},[9154],{"_key":7738,"_type":26,"children":9155,"markDefs":9158,"style":39},[9156],{"_key":7741,"_type":30,"marks":9157,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"_id":9162,"_type":389,"activeYears":9163,"bio":9166,"bioShort":9182,"featuredImage":9183,"filterables":9189,"links":9192,"locations":9195,"searchables":9211,"seo":9,"slug":9213,"title":9215},"246c6b9f-f5fc-4299-97ae-af513544d96b",[9164],{"_id":193,"_type":187,"seo":9,"slug":9165,"title":196},{"_type":14,"current":195},[9167,9175],{"_key":9168,"_type":26,"children":9169,"markDefs":9174,"style":39},"848f88808762",[9170],{"_key":9171,"_type":30,"marks":9172,"text":9173},"dfa0230017a20",[],"Mariangela is a transdisciplinary artist whose practices explore from individual to collective creation the intersection between traditional media, artisan techniques and experimental electronics along with aesthetic, environmental, social and political concerns often through methodologies inspired by collaborative art and the DIWO (do it with others) practices. She has been an artist in residence of the Colombia-France Year 2017, El Puente_lab, RESÒ 2015 and an ELAP 2012 scholarship holder. Her individual and collaborative projects have been presented in cities such as Cali, Havana, Turin, Strasbourg, Montreal and Buenos Aires. She has a Master’s degree in technology and aesthetics of electronic arts (UNTREF, Buenos Aires) and a degree in visual arts (Universidad del Valle, Cali). She is currently interested in the art-body-life relationship, being a practitioner of Iyengar Yoga and observing plants, fungi and organic materials to create holistic artistic processes.",[],{"_key":9176,"_type":26,"children":9177,"markDefs":9181,"style":39},"ca8dde512aa0",[9178],{"_key":9179,"_type":30,"marks":9180,"text":720},"130df958de300",[],[],"Mariangela is a Colombian transdisciplinary artist whose work merges craft, electronics, and collective practices. She explores the art-body-life link through yoga and organic materials.",{"alt":9,"asset":9184},{"_id":9185,"height":3572,"orientation":440,"ratio":9186,"url":9187,"width":9188},"image-3da75cd961ccdc7e67d405cbeb08fc3c0a9fbfef-958x960-jpg",0.9979166666666667,"https://cdn.sanity.io/images/eodip22e/production/3da75cd961ccdc7e67d405cbeb08fc3c0a9fbfef-958x960.jpg",958,{"filterYear":9190},[9191],{"_id":193,"title":196},[9193],{"_type":449,"label":9194,"url":9194},"https://mariangelaaponte.com/",{"locations":9196,"other":9202},[9197],{"_id":9198,"_type":459,"seo":9,"slug":9199,"title":9201},"1b6d8c13-91e3-450b-917d-29cfeff6d57d",{"_type":14,"current":9200},"south-america","South America",[9203],{"_key":9204,"_type":26,"children":9205,"markDefs":9210,"style":39},"ddb114ec0722",[9206],{"_key":9207,"_type":30,"marks":9208,"text":9209},"f0a7e21c9bb0",[],"Cali, Colombia",[],[9212,195],"mariangela aponte núñez",{"_type":14,"current":9214},"mariangela-aponte-nunez","Mariangela Aponte Núñez",{"_id":9217,"_type":389,"activeYears":9218,"bio":9221,"bioShort":9246,"featuredImage":9247,"filterables":9255,"links":9258,"locations":9261,"searchables":9274,"seo":9,"slug":9276,"title":9248},"1cab2b9d-babe-4399-8323-df17ad0f24b5",[9219],{"_id":193,"_type":187,"seo":9,"slug":9220,"title":196},{"_type":14,"current":195},[9222,9230,9238],{"_key":9223,"_type":26,"children":9224,"markDefs":9229,"style":39},"f317421dbc12",[9225],{"_key":9226,"_type":30,"marks":9227,"text":9228},"1bd0e4f180e50",[],"As an Artist, he has exhibited internationally since 1994. He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",[],{"_key":9231,"_type":26,"children":9232,"markDefs":9237,"style":39},"ca2f8294acd6",[9233],{"_key":9234,"_type":30,"marks":9235,"text":9236},"92d1e9cdacb30",[],"Juan Sandoval realises contemporary art projects, produces objects and images, creates devices for collaboration and collective learning, and publications. He approaches the process of creation through the overlapping of personal experiences, the application of craft production techniques and the observation of social processes. In his research, Sandoval has developed projects in collaboration with cultural associations dealing with issues of immigration, economy and local culture.",[],{"_key":9239,"_type":26,"children":9240,"markDefs":9245,"style":39},"fbb3e1edc947",[9241],{"_key":9242,"_type":30,"marks":9243,"text":9244},"4bac8ee74b460",[],"He obtained a degree in visual arts at the National University of Colombia, Medellín. He has participated in residencies for artists at Cittadellarte- Fondazione Pistoletto in Biella, Italy; Villa Arson in Nice, France; O.K. Centrum in Linz, Austria and Four Corners in London, UK. In 2018 he received the NCTM award for art in Milan, Italy.",[],"As an Artist, he has exhibited internationally since 1994.He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",{"alt":9248,"asset":9249},"Juan Sandoval",{"_id":9250,"height":9251,"orientation":789,"ratio":9252,"url":9253,"width":9254},"image-a4220545da85fd255da3049f95b254c260e457ff-1250x946-jpg",946,1.3213530655391121,"https://cdn.sanity.io/images/eodip22e/production/a4220545da85fd255da3049f95b254c260e457ff-1250x946.jpg",1250,{"filterYear":9256},[9257],{"_id":193,"title":196},[9259],{"_type":449,"label":450,"url":9260},"https://www.tropicalworld.net/",{"locations":9262,"other":9265},[9263],{"_id":458,"_type":459,"seo":9,"slug":9264,"title":462},{"_type":14,"current":461},[9266],{"_key":9267,"_type":26,"children":9268,"markDefs":9273,"style":39},"9907d7df3444",[9269],{"_key":9270,"_type":30,"marks":9271,"text":9272},"75c06bc19ef30",[],"Based in Bologna",[],[9275,195],"juan sandoval",{"_type":14,"current":9277},"Juan-Sandoval",{"_id":9279,"_type":389,"activeYears":9280,"bio":9283,"bioShort":9307,"featuredImage":9308,"filterables":9313,"links":9316,"locations":9320,"searchables":9333,"seo":9,"slug":9335,"title":9309},"878dc0da-0ef2-40b7-9e44-ab53bf918ae0",[9281],{"_id":193,"_type":187,"seo":9,"slug":9282,"title":196},{"_type":14,"current":195},[9284,9292,9300],{"_key":9285,"_type":26,"children":9286,"markDefs":9291,"style":39},"980778399da0",[9287],{"_key":9288,"_type":30,"marks":9289,"text":9290},"3dffec0947b50",[],"Medellin 1979. Master of Fine Arts, Utrecht School of Arts,The Netherlands. He obtained his degree in visual arts from the University of Antioquia in 2003. Winner of the Visual Arts category in the \"Referentes\" Awards for Art and culture 2018, awarded by the Medellin’s municipality. He is co-founder and member of the cultural corporation El puente_lab, cultural activation laboratory; through which he has participated in various projects and workshops with international artists in the city of Medellín; and several exhibitions in Italy, Austria, Lithuania, Turkey and at the XIII Havana Biennial. In 2004 he participated in an artistic residence UNIDEE Fondazione Pistoletto University of Ideas in Biella Italy, and has continued to cooperate with the institution in design and art projects. Vásquez's work has been developing since 2003 taking part in numerous exhibitions throughout the country, including the Regional Artists Salon, Curatorship: \"Investments + Art + Exchanges + Transactions\", Medellín and Armenia. The 42 National Artists Salon in Barranquilla and Cartagena. \"surreptitious Covert Stories\" In the Banasta Gallery. In the exhibition \"Antioquias\", Diversity and Imaginaries of Identity, Museo de Antioquia.",[],{"_key":9293,"_type":26,"children":9294,"markDefs":9299,"style":39},"1faec1595155",[9295],{"_key":9296,"_type":30,"marks":9297,"text":9298},"570b528083b30",[],"He is currently Director of the Paul Bardwell Gallery of Contemporary Art at the Centro Colombo Americano and is in charge of the Deseartepaz program of the same institution.",[],{"_key":9301,"_type":26,"children":9302,"markDefs":9306,"style":39},"7187784b91de",[9303],{"_key":9304,"_type":30,"marks":9305,"text":4175},"41d9dfe1ca400",[],[],"Medellin 1979. Master of Fine Arts, Utrecht School of Arts,The Netherlands. He is currently Director of the Paul Bardwell Gallery of Contemporary Art at the Centro Colombo Americano and is in charge of the Deseartepaz program of the same institution.",{"alt":9309,"asset":9310},"Alejandro Vasquez Salinas",{"_id":9311,"height":3572,"orientation":7272,"ratio":1507,"url":9312,"width":3572},"image-991b46c1c52a07eaa151634035eee37971a410f4-960x960-jpg","https://cdn.sanity.io/images/eodip22e/production/991b46c1c52a07eaa151634035eee37971a410f4-960x960.jpg",{"filterYear":9314},[9315],{"_id":193,"title":196},[9317],{"_type":449,"label":9318,"url":9319},"portfolio","https://olojondro.wixsite.com/portafolio",{"locations":9321,"other":9324},[9322],{"_id":9198,"_type":459,"seo":9,"slug":9323,"title":9201},{"_type":14,"current":9200},[9325],{"_key":9326,"_type":26,"children":9327,"markDefs":9332,"style":39},"8002123ec9bc",[9328],{"_key":9329,"_type":30,"marks":9330,"text":9331},"665b54cbe3f0",[],"Colombia",[],[9334,195],"alejandro vasquez salinas",{"_type":14,"current":9336},"alejandro-vasquez-salinas",{"endDate":9338,"startDate":9339},"2026-10-25","2026-10-24",[],{"alt":9342,"asset":9343},"Commoning as a play form",{"_id":9344,"height":7413,"orientation":440,"ratio":4574,"url":9345,"width":2184},"image-4f85040e13144476518c0de211c90ac0edf7a95c-1080x1350-jpg","https://cdn.sanity.io/images/eodip22e/production/4f85040e13144476518c0de211c90ac0edf7a95c-1080x1350.jpg",{"filterCategory":9347,"filterLocation":9351,"filterType":9354},[9348,9349,9350],{"_id":8917,"title":8922},{"_id":1121,"title":1126},{"_id":3837,"title":3842},[9352,9353],{"_id":7763,"title":7764},{"_id":458,"title":462},[9355],{"_id":8278,"title":8279},[9357,9731,9896,10231],{"_id":9358,"_type":304,"categories":9359,"credits":9384,"featuredImage":9528,"filterables":9534,"footnotes":9544,"locations":9545,"logbook":9549,"pageBuilder":9573,"researchQuestion":9,"researchQuestions":9,"searchables":9723,"seo":9,"slug":9729,"title":7728,"year":211},"b2cf80bb-5011-4861-b6f4-9cb7bcc45b2e",[9360,9367,9374,9377],{"_id":9361,"_type":308,"colorPrimary":9362,"seo":9,"slug":9364,"title":9366},"f94c1ac3-cd4c-48c7-8019-83cddbdfa935",{"label":310,"value":9363},"#ff5f00",{"_type":14,"current":9365},"radical-sharing","Radical Sharing",{"_id":9368,"_type":308,"colorPrimary":9369,"seo":9,"slug":9371,"title":9373},"bfaa093c-5ed2-4e71-9f9f-f2477745e4d9",{"label":310,"value":9370},"#fff0dc",{"_type":14,"current":9372},"feelings","Feelings",{"_id":1121,"_type":308,"colorPrimary":9375,"seo":9,"slug":9376,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":9378,"_type":308,"colorPrimary":9379,"seo":9,"slug":9381,"title":9383},"91d6bd09-91a0-43f1-b546-bfa7a1095443",{"label":310,"value":9380},"#646464",{"_type":14,"current":9382},"read","READ",{"other":9385,"profiles":9402},[9386,9394],{"_key":9387,"_type":26,"children":9388,"markDefs":9393,"style":39},"34ab1dc50b45",[9389],{"_key":9390,"_type":30,"marks":9391,"text":9392},"89164225fb420",[],"Contributors: \nEleonora Toniolo, Eliana Otta, Ingo Niermann (The Army of Love), Mohamed Al-Bakeri, Petra Mrša, Philip Ullrich, Rania Atef, Raúl Hott, Shahd Omar.",[],{"_key":9395,"_type":26,"children":9396,"markDefs":9401,"style":39},"77dc3301c9f3",[9397],{"_key":9398,"_type":30,"marks":9399,"text":9400},"b5ad133c72130",[],"Edited by Ismail Fayed, proof-reading by Jenifer Evans, visual identity by Engy Aly.",[],[9403,9456],{"_id":9404,"_type":389,"activeYears":9405,"bio":9410,"bioShort":9419,"featuredImage":9420,"filterables":9426,"links":9430,"locations":9434,"searchables":9452,"seo":9,"slug":9454,"title":9421},"bcf4d5f8-aa82-48d9-b670-23f0add55f6c",[9406,9408],{"_id":208,"_type":187,"seo":9,"slug":9407,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":9409,"title":206},{"_type":14,"current":205},[9411],{"_key":9412,"_type":26,"children":9413,"markDefs":9418,"style":39},"e5f8729f05a4",[9414],{"_key":9415,"_type":30,"marks":9416,"text":9417},"6843b2b8435d0",[],"Her work examines notions of ‘participation’ and ‘collectivity’ by creating frameworks that invite non-artists and artists to think about how spaces can be organized to include the ‘other’. While spatial thinking remains at the core of her interdisciplinary practice, she works with publishing as a central framework. She is one of the five founding members of K-oh-llective. She was previously part of Artists for Artists (AfA) Masterclass: Radical Care, MASS Alexandria, Roznama Studio Program, and School of Commons. Currently, she is pursuing a master’s degree in Transdisciplinary Studies at Zürich University of the Arts.",[],"Engy is an artist and curator who lives and works between Zürich and Cairo. ",{"alt":9421,"asset":9422},"Engy Mohsen",{"_id":9423,"height":9424,"orientation":7272,"ratio":1507,"url":9425,"width":9424},"image-698f8dfcb70c11c482278872ba2941d164c33ff6-2560x2560-jpg",2560,"https://cdn.sanity.io/images/eodip22e/production/698f8dfcb70c11c482278872ba2941d164c33ff6-2560x2560.jpg",{"filterYear":9427},[9428,9429],{"_id":208,"title":211},{"_id":203,"title":206},[9431,9433],{"_type":449,"label":450,"url":9432},"https://engymohsen.com/",{"_type":449,"label":7728,"url":7729},{"locations":9435,"other":9443},[9436,9438],{"_id":458,"_type":459,"seo":9,"slug":9437,"title":462},{"_type":14,"current":461},{"_id":9439,"_type":459,"seo":9,"slug":9440,"title":9442},"a36224a7-c4fb-46d1-9df9-4e83ecaad864",{"_type":14,"current":9441},"africa","Africa",[9444],{"_key":9445,"_type":26,"children":9446,"markDefs":9451,"style":39},"4f80e2d236ef",[9447],{"_key":9448,"_type":30,"marks":9449,"text":9450},"b9ea8d5c1051",[],"Based between Cairo and Zürich",[],[9453,210,205],"engy mohsen",{"_type":14,"current":9455},"engy-mohsen",{"_id":7645,"_type":389,"activeYears":9457,"bio":9468,"bioShort":7664,"featuredImage":9503,"filterables":9505,"links":9512,"locations":9516,"searchables":9526,"seo":9,"slug":9527,"title":7712},[9458,9460,9462,9464,9466],{"_id":208,"_type":187,"seo":9,"slug":9459,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":9461,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":9463,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":9465,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":9467,"title":190},{"_type":14,"current":189},[9469,9474,9483,9488,9493,9498],{"_key":7659,"_type":26,"children":9470,"markDefs":9473,"style":39},[9471],{"_key":7662,"_type":30,"marks":9472,"text":7664},[],[],{"_key":7667,"_type":26,"children":9475,"markDefs":9482,"style":39},[9476,9478,9480],{"_key":7670,"_type":30,"marks":9477,"text":7672},[],{"_key":7674,"_type":30,"marks":9479,"text":1593},[32],{"_key":7677,"_type":30,"marks":9481,"text":7679},[],[],{"_key":7682,"_type":26,"children":9484,"markDefs":9487,"style":39},[9485],{"_key":7685,"_type":30,"marks":9486,"text":7687},[],[],{"_key":7690,"_type":26,"children":9489,"markDefs":9492,"style":39},[9490],{"_key":7693,"_type":30,"marks":9491,"text":7695},[],[],{"_key":7698,"_type":26,"children":9494,"markDefs":9497,"style":39},[9495],{"_key":7701,"_type":30,"marks":9496,"text":720},[],[],{"_key":7705,"_type":26,"children":9499,"markDefs":9502,"style":39},[9500],{"_key":7708,"_type":30,"marks":9501,"text":720},[],[],{"alt":7712,"asset":9504},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":9506},[9507,9508,9509,9510,9511],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[9513,9514,9515],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":9517,"other":9520},[9518],{"_id":458,"_type":459,"seo":9,"slug":9519,"title":462},{"_type":14,"current":461},[9521],{"_key":7738,"_type":26,"children":9522,"markDefs":9525,"style":39},[9523],{"_key":7741,"_type":30,"marks":9524,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"alt":9529,"asset":9530},"School of Commons - How to Love Many in Many Ways",{"_id":9531,"height":9532,"orientation":7272,"ratio":1507,"url":9533,"width":9532},"image-3ce50ebaa95ed4be1b0f0cd3a7b7097f5eb46fc7-1772x1772-jpg",1772,"https://cdn.sanity.io/images/eodip22e/production/3ce50ebaa95ed4be1b0f0cd3a7b7097f5eb46fc7-1772x1772.jpg",{"filterCategory":9535,"filterLocation":9540,"filterYear":9542},[9536,9537,9538,9539],{"_id":9361,"title":9366},{"_id":9368,"title":9373},{"_id":1121,"title":1126},{"_id":9378,"title":9383},[9541],{"_id":458,"title":462},[9543],{"_id":208,"title":211},[],{"locations":9546,"other":9},[9547],{"_id":458,"_type":459,"seo":9,"slug":9548,"title":462},{"_type":14,"current":461},[9550,9558],{"_key":9551,"_type":26,"children":9552,"markDefs":9557,"style":39},"f6252384b96b",[9553],{"_key":9554,"_type":30,"marks":9555,"text":9556},"5c96dbebf76e0",[],"We invite you to download, play and share these games with others, in your everyday life!",[],{"_key":9559,"_type":26,"children":9560,"markDefs":9570,"style":39},"b67387aa4c28",[9561,9565],{"_key":9562,"_type":30,"marks":9563,"text":9564},"d6140f0da6b90",[32],"❥ ",{"_key":9566,"_type":30,"marks":9567,"text":9569},"1bbf99c8c5ec0",[9568],"8f36feabe189","howtolovemanyinmanyways.com",[9571],{"_key":9568,"_type":56,"href":9572},"https://howtolovemanyinmanyways.com/",[9574,9597,9711],{"_type":936,"caption":9575,"image":9590},[9576],{"_key":9577,"_type":26,"children":9578,"markDefs":9587,"style":39},"8fd6d756ee10",[9579,9583],{"_key":9580,"_type":30,"marks":9581,"text":9582},"af11d478d167",[],"Play: ",{"_key":9584,"_type":30,"marks":9585,"text":2149},"dd66f24dbb66",[9586],"56574470eeb4",[9588],{"_key":9586,"_type":56,"blank":57,"href":9589},"https://engymohsen.com/Games-How-to-Love-Many-in-Many-Ways",{"alt":9,"asset":9591},{"_id":9592,"height":9593,"orientation":789,"ratio":9594,"url":9595,"width":9596},"image-5eebdf4e1414d68aab1279a0b21390c943af9267-2690x1610-png",1610,1.670807453416149,"https://cdn.sanity.io/images/eodip22e/production/5eebdf4e1414d68aab1279a0b21390c943af9267-2690x1610.png",2690,{"_type":7,"settings":9,"text":9598},[9599,9615,9623,9631,9639,9647,9655,9663,9671,9679,9687,9695,9703],{"_key":9600,"_type":26,"children":9601,"markDefs":9614,"style":39},"1a6dbcc731ad",[9602,9606,9610],{"_key":9603,"_type":30,"marks":9604,"text":9605},"347045c1f4ce",[],"The project departs from a question based on the claim that you can intentionally perform falling in love ",{"_key":9607,"_type":30,"marks":9608,"text":9609},"3e9139e14340",[874],"(and subsequently fall out of love as well)",{"_key":9611,"_type":30,"marks":9612,"text":9613},"b7c54de4b9fe",[],". Yet, because we share a ground belief that love is not a private thing and that this question can only be addressed collectively, others were invited to develop an exercise/game responding to the question: How to Love Many in Many Ways?",[],{"_key":9616,"_type":26,"children":9617,"markDefs":9622,"style":39},"a19c1ece6ae9",[9618],{"_key":9619,"_type":30,"marks":9620,"text":9621},"bc8a63d1cd9d",[],"Eight contributors responded to that question. Coming from diverse disciplines and backgrounds, their responses range from the artistic to the scientific, the somatic, and the satirical:",[],{"_key":9624,"_type":26,"children":9625,"level":1507,"listItem":1508,"markDefs":9630,"style":39},"c8b398d73973",[9626],{"_key":9627,"_type":30,"marks":9628,"text":9629},"7a604e899ca9",[],"Engy Mohsen and Gabriel Hensche, artists (Cairo/Berlin), kicked off with the titular “How to Love Many in Many Ways”, a set of exercises that playfully invite you to enact many rituals with many options of potential players; Yourself, Other/s, Other Other/s.",[],{"_key":9632,"_type":26,"children":9633,"level":1507,"listItem":1508,"markDefs":9638,"style":39},"5803eb60c9a0",[9634],{"_key":9635,"_type":30,"marks":9636,"text":9637},"2ac835b91952",[],"Eliana Otta, artist (Lima), responded with “Rehearsing Horizontalities”, a set of exercises to create scenarios where players re-examine their relationship with others by playing with their spatial, choreographic, and acoustic awareness, all while maintaining what she calls a ‘Horizontality Pact’ to reexamine our relationships with others.",[],{"_key":9640,"_type":26,"children":9641,"level":1507,"listItem":1508,"markDefs":9646,"style":39},"5ab5b49ca451",[9642],{"_key":9643,"_type":30,"marks":9644,"text":9645},"e79614f75648",[],"Eleonora Toniolo, interdisciplinary designer (Berlin), responded with NOI Game, a card game that attempts to shift a common understanding of communication that particularly emphasises speaking up as a preferable mode to its supposed opposite: silence.",[],{"_key":9648,"_type":26,"children":9649,"level":1507,"listItem":1508,"markDefs":9654,"style":39},"0410e9908bd0",[9650],{"_key":9651,"_type":30,"marks":9652,"text":9653},"fd5df07edba1",[],"Ingo Niermann (The Army of Love), writer/artist (Basel/Berlin), responded with “Falling in Love with the World”, an exercise that directs the group to overcome aversions and extend notions of love and care to others or objects.",[],{"_key":9656,"_type":26,"children":9657,"level":1507,"listItem":1508,"markDefs":9662,"style":39},"656f6af09a1c",[9658],{"_key":9659,"_type":30,"marks":9660,"text":9661},"fa4d444e59d4",[],"Mohamed Al Bakeri, artist (Cairo/Sierre), responded with “The Things You Do for Love”, a board game that invites players to think of love as a material need and commodity. while navigating the world of online dating.",[],{"_key":9664,"_type":26,"children":9665,"level":1507,"listItem":1508,"markDefs":9670,"style":39},"3eb629c52a93",[9666],{"_key":9667,"_type":30,"marks":9668,"text":9669},"a188d5dba3b7",[],"Petra Mrša, artist/photographer (Berlin), responded with “Shivering Throats, Breaking Walls”, as she plays with alternative notions of intimacy and encounter, ideas of presence and absence, and unconventional modes of communication and exchange.",[],{"_key":9672,"_type":26,"children":9673,"level":1507,"listItem":1508,"markDefs":9678,"style":39},"6dd2e601410a",[9674],{"_key":9675,"_type":30,"marks":9676,"text":9677},"968e8b627698",[],"Philip Ullrich, artist (Zurich/Bern), responded with “Take That Loving Grace”, a game where two players try to win the game ‘Nim’ – one by following computer-generated moves in the role of the ‘machine’, the other on their own as the ‘human’.",[],{"_key":9680,"_type":26,"children":9681,"level":1507,"listItem":1508,"markDefs":9686,"style":39},"d90382da7b52",[9682],{"_key":9683,"_type":30,"marks":9684,"text":9685},"bb199f4c8d32",[],"Rania Atef, artist (Cairo), responded with “Bad Mother”, a card game that critically–and sarcastically–scrutinizes the societal gaze for maternal love and the domestic performance of mothers as well as the criterion of a ‘Good Mother’.",[],{"_key":9688,"_type":26,"children":9689,"level":1507,"listItem":1508,"markDefs":9694,"style":39},"2afd3c91c020",[9690],{"_key":9691,"_type":30,"marks":9692,"text":9693},"8d15edce0aab",[],"Raúl Hott, artist/architect (Santiago), responds with “Total Body”, an invitation to understand radiance, experience new ways of relating to affect, affection, and interact with all living beings, and reconnect with our planet.",[],{"_key":9696,"_type":26,"children":9697,"level":1507,"listItem":1508,"markDefs":9702,"style":39},"c1968a6a2877",[9698],{"_key":9699,"_type":30,"marks":9700,"text":9701},"d1e5ac665606",[],"Shahd Omar, somatic practitioner/architect (Cairo), responded with “Embodied Encounters”, a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges.",[],{"_key":9704,"_type":26,"children":9705,"markDefs":9710,"style":39},"4ce6dae70a9a",[9706],{"_key":9707,"_type":30,"marks":9708,"text":9709},"12359db94bef",[],"We are exploring and testing all games and exercises. Through our lab with School of Commons, we discovered a missing position in the nine current proposals, and hence invited Eleonora Toniolo (SoC alumni) to propose the tenth position.",[],{"_type":2247,"slides":9712},[9713,9718],{"_type":936,"caption":9,"image":9714},{"alt":9,"asset":9715},{"_id":9716,"height":9532,"orientation":7272,"ratio":1507,"url":9717,"width":9532},"image-223db0355b9a6e82df59463434515363b1630dd8-1772x1772-jpg","https://cdn.sanity.io/images/eodip22e/production/223db0355b9a6e82df59463434515363b1630dd8-1772x1772.jpg",{"_type":936,"caption":9,"image":9719},{"alt":9,"asset":9720},{"_id":9721,"height":9254,"orientation":7272,"ratio":1507,"url":9722,"width":9254},"image-0be60466fd72220757ade8853fb1153ed6dc501b-1250x1250-jpg","https://cdn.sanity.io/images/eodip22e/production/0be60466fd72220757ade8853fb1153ed6dc501b-1250x1250.jpg",[9724,210,9725,461,9453,7745,9726,9727,9728,9372,1125,9382],"how to love many in many ways","we invite you to download, play and share these games with others, in your everyday life!\n\n❥ howtolovemanyinmanyways.com","contributors: \neleonora toniolo, eliana otta, ingo niermann (the army of love), mohamed al-bakeri, petra mrša, philip ullrich, rania atef, raúl hott, shahd omar.\n\nedited by ismail fayed, proof-reading by jenifer evans, visual identity by engy aly.","the project departs from a question based on the claim that you can intentionally perform falling in love (and subsequently fall out of love as well). yet, because we share a ground belief that love is not a private thing and that this question can only be addressed collectively, others were invited to develop an exercise/game responding to the question: how to love many in many ways?\n\neight contributors responded to that question. coming from diverse disciplines and backgrounds, their responses range from the artistic to the scientific, the somatic, and the satirical:\n\nengy mohsen and gabriel hensche, artists (cairo/berlin), kicked off with the titular “how to love many in many ways”, a set of exercises that playfully invite you to enact many rituals with many options of potential players; yourself, other/s, other other/s.\n\neliana otta, artist (lima), responded with “rehearsing horizontalities”, a set of exercises to create scenarios where players re-examine their relationship with others by playing with their spatial, choreographic, and acoustic awareness, all while maintaining what she calls a ‘horizontality pact’ to reexamine our relationships with others.\n\neleonora toniolo, interdisciplinary designer (berlin), responded with noi game, a card game that attempts to shift a common understanding of communication that particularly emphasises speaking up as a preferable mode to its supposed opposite: silence.\n\ningo niermann (the army of love), writer/artist (basel/berlin), responded with “falling in love with the world”, an exercise that directs the group to overcome aversions and extend notions of love and care to others or objects.\n\nmohamed al bakeri, artist (cairo/sierre), responded with “the things you do for love”, a board game that invites players to think of love as a material need and commodity. while navigating the world of online dating.\n\npetra mrša, artist/photographer (berlin), responded with “shivering throats, breaking walls”, as she plays with alternative notions of intimacy and encounter, ideas of presence and absence, and unconventional modes of communication and exchange.\n\nphilip ullrich, artist (zurich/bern), responded with “take that loving grace”, a game where two players try to win the game ‘nim’ – one by following computer-generated moves in the role of the ‘machine’, the other on their own as the ‘human’.\n\nrania atef, artist (cairo), responded with “bad mother”, a card game that critically–and sarcastically–scrutinizes the societal gaze for maternal love and the domestic performance of mothers as well as the criterion of a ‘good mother’.\n\nraúl hott, artist/architect (santiago), responds with “total body”, an invitation to understand radiance, experience new ways of relating to affect, affection, and interact with all living beings, and reconnect with our planet.\n\nshahd omar, somatic practitioner/architect (cairo), responded with “embodied encounters”, a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges.\n\nwe are exploring and testing all games and exercises. through our lab with school of commons, we discovered a missing position in the nine current proposals, and hence invited eleonora toniolo (soc alumni) to propose the tenth position.","radical sharing",{"_type":14,"current":9730},"how-to-love-many-in-many-ways",{"_id":3817,"_type":304,"categories":9732,"credits":9760,"featuredImage":9861,"filterables":9863,"footnotes":9879,"locations":9880,"logbook":9,"pageBuilder":9,"researchQuestion":9,"researchQuestions":9886,"searchables":9894,"seo":9,"slug":9895,"title":4092,"year":190},[9733,9736,9739,9742,9745,9748,9751,9754,9757],{"_id":1121,"_type":308,"colorPrimary":9734,"seo":9,"slug":9735,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":3823,"_type":308,"colorPrimary":9737,"seo":9,"slug":9738,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"_id":3830,"_type":308,"colorPrimary":9740,"seo":9,"slug":9741,"title":3835},{"label":310,"value":3832},{"_type":14,"current":3834},{"_id":3837,"_type":308,"colorPrimary":9743,"seo":9,"slug":9744,"title":3842},{"label":310,"value":3839},{"_type":14,"current":3841},{"_id":2001,"_type":308,"colorPrimary":9746,"seo":9,"slug":9747,"title":2006},{"label":310,"value":2003},{"_type":14,"current":2005},{"_id":3847,"_type":308,"colorPrimary":9749,"seo":9,"slug":9750,"title":3852},{"label":310,"value":3849},{"_type":14,"current":3851},{"_id":1840,"_type":308,"colorPrimary":9752,"seo":9,"slug":9753,"title":1845},{"label":310,"value":1842},{"_type":14,"current":1844},{"_id":3857,"_type":308,"colorPrimary":9755,"seo":9,"slug":9756,"title":3862},{"label":310,"value":3859},{"_type":14,"current":3861},{"_id":3864,"_type":308,"colorPrimary":9758,"seo":9,"slug":9759,"title":3869},{"label":310,"value":3866},{"_type":14,"current":3868},{"other":9,"profiles":9761},[9762,9783],{"_id":3873,"_type":389,"activeYears":9763,"bio":9766,"bioShort":3886,"featuredImage":9,"filterables":9772,"links":9,"locations":9775,"searchables":9781,"seo":9,"slug":9782,"title":3900},[9764],{"_id":186,"_type":187,"seo":9,"slug":9765,"title":190},{"_type":14,"current":189},[9767],{"_key":3879,"_type":26,"children":9768,"markDefs":9771,"style":39},[9769],{"_key":3882,"_type":30,"marks":9770,"text":3884},[],[],{"filterYear":9773},[9774],{"_id":186,"title":190},{"locations":9776,"other":9},[9777,9779],{"_id":458,"_type":459,"seo":9,"slug":9778,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":9780,"title":1451},{"_type":14,"current":1459},[3897,189],{"_type":14,"current":3899},{"_id":3902,"_type":389,"activeYears":9784,"bio":9787,"bioShort":4011,"featuredImage":9843,"filterables":9845,"links":9848,"locations":9851,"searchables":9859,"seo":9,"slug":9860,"title":4044},[9785],{"_id":186,"_type":187,"seo":9,"slug":9786,"title":190},{"_type":14,"current":189},[9788,9793,9798,9833,9838],{"_key":3908,"_type":26,"children":9789,"markDefs":9792,"style":39},[9790],{"_key":3911,"_type":30,"marks":9791,"text":3913},[],[],{"_key":3916,"_type":26,"children":9794,"markDefs":9797,"style":39},[9795],{"_key":3919,"_type":30,"marks":9796,"text":720},[],[],{"_key":3923,"_type":26,"children":9799,"markDefs":9826,"style":39},[9800,9802,9804,9806,9808,9810,9812,9814,9816,9818,9820,9822,9824],{"_key":3926,"_type":30,"marks":9801,"text":3928},[],{"_key":3930,"_type":30,"marks":9803,"text":3933},[3932],{"_key":3935,"_type":30,"marks":9805,"text":3937},[],{"_key":3939,"_type":30,"marks":9807,"text":3942},[3941],{"_key":3944,"_type":30,"marks":9809,"text":3946},[],{"_key":3948,"_type":30,"marks":9811,"text":3951},[3950],{"_key":3953,"_type":30,"marks":9813,"text":3955},[],{"_key":3957,"_type":30,"marks":9815,"text":3960},[3959],{"_key":3962,"_type":30,"marks":9817,"text":3964},[],{"_key":3966,"_type":30,"marks":9819,"text":3969},[3968],{"_key":3971,"_type":30,"marks":9821,"text":3973},[],{"_key":3975,"_type":30,"marks":9823,"text":3978},[3977],{"_key":3980,"_type":30,"marks":9825,"text":3982},[],[9827,9828,9829,9830,9831,9832],{"_key":3941,"_type":56,"blank":57,"href":3985},{"_key":3950,"_type":56,"blank":57,"href":3987},{"_key":3959,"_type":56,"blank":57,"href":3989},{"_key":3968,"_type":56,"blank":57,"href":3991},{"_key":3932,"_type":56,"blank":57,"href":3993},{"_key":3977,"_type":56,"blank":57,"href":3995},{"_key":3997,"_type":26,"children":9834,"markDefs":9837,"style":39},[9835],{"_key":4000,"_type":30,"marks":9836,"text":720},[],[],{"_key":4004,"_type":26,"children":9839,"markDefs":9842,"style":39},[9840],{"_key":4007,"_type":30,"marks":9841,"text":4009},[],[],{"alt":4013,"asset":9844},{"_id":4015,"height":831,"orientation":440,"ratio":4016,"url":4017,"width":4018},{"filterYear":9846},[9847],{"_id":186,"title":190},[9849,9850],{"_type":449,"label":4024,"url":4025},{"_type":449,"label":4027,"url":4028},{"locations":9852,"other":9},[9853,9855,9857],{"_id":4032,"_type":459,"seo":9,"slug":9854,"title":4035},{"_type":14,"current":4034},{"_id":458,"_type":459,"seo":9,"slug":9856,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":9858,"title":1451},{"_type":14,"current":1459},[4041,189],{"_type":14,"current":4043},{"alt":9,"asset":9862},{"_id":4047,"height":3572,"orientation":789,"ratio":2697,"url":4048,"width":1723},{"filterCategory":9864,"filterLocation":9874,"filterYear":9877},[9865,9866,9867,9868,9869,9870,9871,9872,9873],{"_id":1121,"title":1126},{"_id":3823,"title":3828},{"_id":3830,"title":3835},{"_id":3837,"title":3842},{"_id":2001,"title":2006},{"_id":3847,"title":3852},{"_id":1840,"title":1845},{"_id":3857,"title":3862},{"_id":3864,"title":3869},[9875,9876],{"_id":458,"title":462},{"_id":4032,"title":4035},[9878],{"_id":186,"title":190},[],{"locations":9881,"other":9},[9882,9884],{"_id":458,"_type":459,"seo":9,"slug":9883,"title":462},{"_type":14,"current":461},{"_id":4032,"_type":459,"seo":9,"slug":9885,"title":4035},{"_type":14,"current":4034},[9887],{"_type":1047,"question":9888},[9889],{"_key":4076,"_type":26,"children":9890,"markDefs":9893,"style":39},[9891],{"_key":4079,"_type":30,"marks":9892,"text":4081},[],[],[4084,189,4085,461,4086,3897,4041,1125,4087,4088,3841,2005,3851,1844,4089,3868],{"_type":14,"current":4091},{"_id":9897,"_type":304,"categories":9898,"credits":9925,"featuredImage":10084,"filterables":10091,"footnotes":10103,"locations":10104,"logbook":9,"pageBuilder":10119,"researchQuestion":9,"researchQuestions":10179,"searchables":10220,"seo":9,"slug":10229,"title":10085,"year":196},"d75af3ae-1aa5-49b8-b05b-0f2a79eac3ad",[9899,9906,9909,9915,9922],{"_id":9900,"_type":308,"colorPrimary":9901,"seo":9,"slug":9903,"title":9905},"bbe8d027-269c-45f2-9a8b-05493815f274",{"label":310,"value":9902},"#ff78f0",{"_type":14,"current":9904},"value","Value",{"_id":1121,"_type":308,"colorPrimary":9907,"seo":9,"slug":9908,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":9910,"_type":308,"colorPrimary":9911,"seo":9,"slug":9912,"title":9914},"84ebd7d7-92eb-468b-baae-1214594947f3",{"label":310,"value":1116},{"_type":14,"current":9913},"open-up","Open Up",{"_id":9916,"_type":308,"colorPrimary":9917,"seo":9,"slug":9919,"title":9921},"e7763d1d-74c3-4d89-92b8-15d7284fd96f",{"label":310,"value":9918},"#b4b4ff",{"_type":14,"current":9920},"d-estructuring","(d)estructuring",{"_id":358,"_type":308,"colorPrimary":9923,"seo":9,"slug":9924,"title":363},{"label":310,"value":360},{"_type":14,"current":362},{"other":9,"profiles":9926},[9927,9961,10000,10039],{"_id":9162,"_type":389,"activeYears":9928,"bio":9931,"bioShort":9182,"featuredImage":9942,"filterables":9944,"links":9947,"locations":9949,"searchables":9959,"seo":9,"slug":9960,"title":9215},[9929],{"_id":193,"_type":187,"seo":9,"slug":9930,"title":196},{"_type":14,"current":195},[9932,9937],{"_key":9168,"_type":26,"children":9933,"markDefs":9936,"style":39},[9934],{"_key":9171,"_type":30,"marks":9935,"text":9173},[],[],{"_key":9176,"_type":26,"children":9938,"markDefs":9941,"style":39},[9939],{"_key":9179,"_type":30,"marks":9940,"text":720},[],[],{"alt":9,"asset":9943},{"_id":9185,"height":3572,"orientation":440,"ratio":9186,"url":9187,"width":9188},{"filterYear":9945},[9946],{"_id":193,"title":196},[9948],{"_type":449,"label":9194,"url":9194},{"locations":9950,"other":9953},[9951],{"_id":9198,"_type":459,"seo":9,"slug":9952,"title":9201},{"_type":14,"current":9200},[9954],{"_key":9204,"_type":26,"children":9955,"markDefs":9958,"style":39},[9956],{"_key":9207,"_type":30,"marks":9957,"text":9209},[],[],[9212,195],{"_type":14,"current":9214},{"_id":9279,"_type":389,"activeYears":9962,"bio":9965,"bioShort":9307,"featuredImage":9981,"filterables":9983,"links":9986,"locations":9988,"searchables":9998,"seo":9,"slug":9999,"title":9309},[9963],{"_id":193,"_type":187,"seo":9,"slug":9964,"title":196},{"_type":14,"current":195},[9966,9971,9976],{"_key":9285,"_type":26,"children":9967,"markDefs":9970,"style":39},[9968],{"_key":9288,"_type":30,"marks":9969,"text":9290},[],[],{"_key":9293,"_type":26,"children":9972,"markDefs":9975,"style":39},[9973],{"_key":9296,"_type":30,"marks":9974,"text":9298},[],[],{"_key":9301,"_type":26,"children":9977,"markDefs":9980,"style":39},[9978],{"_key":9304,"_type":30,"marks":9979,"text":4175},[],[],{"alt":9309,"asset":9982},{"_id":9311,"height":3572,"orientation":7272,"ratio":1507,"url":9312,"width":3572},{"filterYear":9984},[9985],{"_id":193,"title":196},[9987],{"_type":449,"label":9318,"url":9319},{"locations":9989,"other":9992},[9990],{"_id":9198,"_type":459,"seo":9,"slug":9991,"title":9201},{"_type":14,"current":9200},[9993],{"_key":9326,"_type":26,"children":9994,"markDefs":9997,"style":39},[9995],{"_key":9329,"_type":30,"marks":9996,"text":9331},[],[],[9334,195],{"_type":14,"current":9336},{"_id":9217,"_type":389,"activeYears":10001,"bio":10004,"bioShort":9246,"featuredImage":10020,"filterables":10022,"links":10025,"locations":10027,"searchables":10037,"seo":9,"slug":10038,"title":9248},[10002],{"_id":193,"_type":187,"seo":9,"slug":10003,"title":196},{"_type":14,"current":195},[10005,10010,10015],{"_key":9223,"_type":26,"children":10006,"markDefs":10009,"style":39},[10007],{"_key":9226,"_type":30,"marks":10008,"text":9228},[],[],{"_key":9231,"_type":26,"children":10011,"markDefs":10014,"style":39},[10012],{"_key":9234,"_type":30,"marks":10013,"text":9236},[],[],{"_key":9239,"_type":26,"children":10016,"markDefs":10019,"style":39},[10017],{"_key":9242,"_type":30,"marks":10018,"text":9244},[],[],{"alt":9248,"asset":10021},{"_id":9250,"height":9251,"orientation":789,"ratio":9252,"url":9253,"width":9254},{"filterYear":10023},[10024],{"_id":193,"title":196},[10026],{"_type":449,"label":450,"url":9260},{"locations":10028,"other":10031},[10029],{"_id":458,"_type":459,"seo":9,"slug":10030,"title":462},{"_type":14,"current":461},[10032],{"_key":9267,"_type":26,"children":10033,"markDefs":10036,"style":39},[10034],{"_key":9270,"_type":30,"marks":10035,"text":9272},[],[],[9275,195],{"_type":14,"current":9277},{"_id":10040,"_type":389,"activeYears":10041,"bio":10044,"bioShort":9,"featuredImage":10053,"filterables":10059,"links":10062,"locations":10065,"searchables":10080,"seo":9,"slug":10082,"title":10054},"9d951859-385c-4e60-89e8-d6dcc1fb9eb0",[10042],{"_id":193,"_type":187,"seo":9,"slug":10043,"title":196},{"_type":14,"current":195},[10045],{"_key":10046,"_type":26,"children":10047,"markDefs":10052,"style":39},"a498e4a60bb0",[10048],{"_key":10049,"_type":30,"marks":10050,"text":10051},"3a5fb5703f610",[],"El puente_lab is a collective shaped by Juan Esteban Sandoval and Alejandro Vásquez Salinas, It is a platform for artistic and cultural production, active in Medellín - Colombia, which aims to develop cultural projects on a local level, building bridges of communication with artists and experts through a strategy of international cooperation.The projects developed by el puente_lab meet the specific needs of the social context where they are carried out, using artistic creativity as a tool of activation of cultural projects that initiate, facilitate and / or accompany processes of education, communication and urban and social transformation.",[],{"alt":10054,"asset":10055},"El puente_lab",{"_id":10056,"height":10057,"orientation":789,"ratio":2697,"url":10058,"width":3426},"image-48056d6d34bdbcb38bf1b57f6f651459647dcc05-1200x900-jpg",900,"https://cdn.sanity.io/images/eodip22e/production/48056d6d34bdbcb38bf1b57f6f651459647dcc05-1200x900.jpg",{"filterYear":10060},[10061],{"_id":193,"title":196},[10063],{"_type":449,"label":10064,"url":10064},"https://www.elpuentelab.org/",{"locations":10066,"other":10071},[10067,10069],{"_id":9198,"_type":459,"seo":9,"slug":10068,"title":9201},{"_type":14,"current":9200},{"_id":458,"_type":459,"seo":9,"slug":10070,"title":462},{"_type":14,"current":461},[10072],{"_key":10073,"_type":26,"children":10074,"markDefs":10079,"style":39},"f61627920d71",[10075],{"_key":10076,"_type":30,"marks":10077,"text":10078},"9abe7f00f8ef",[],"Medellín, Colombia",[],[10081,195],"el puente_lab",{"_type":14,"current":10083},"el-puente_lab",{"alt":10085,"asset":10086},"(d)estructura",{"_id":10087,"height":10088,"orientation":789,"ratio":1923,"url":10089,"width":10090},"image-7a7c712062fa89c3b4eacfcca120217ac0c96150-4272x2848-jpg",2848,"https://cdn.sanity.io/images/eodip22e/production/7a7c712062fa89c3b4eacfcca120217ac0c96150-4272x2848.jpg",4272,{"filterCategory":10092,"filterLocation":10098,"filterYear":10101},[10093,10094,10095,10096,10097],{"_id":9900,"title":9905},{"_id":1121,"title":1126},{"_id":9910,"title":9914},{"_id":9916,"title":9921},{"_id":358,"title":363},[10099,10100],{"_id":9198,"title":9201},{"_id":458,"title":462},[10102],{"_id":193,"title":196},[],{"locations":10105,"other":10110},[10106,10108],{"_id":9198,"_type":459,"seo":9,"slug":10107,"title":9201},{"_type":14,"current":9200},{"_id":458,"_type":459,"seo":9,"slug":10109,"title":462},{"_type":14,"current":461},[10111],{"_key":10112,"_type":26,"children":10113,"markDefs":10118,"style":39},"6deecd80a524",[10114],{"_key":10115,"_type":30,"marks":10116,"text":10117},"04590a5e4667",[],"Cali, Medellín, Colombia\nCuba\nBuenos Aires, Argentina \nSantiago de Chile\nBiella, Italy",[],[10120,10123],{"_type":10121,"caption":9,"embedCode":10122},"embedBlock","\u003Ciframe title=\"vimeo-player\" src=\"https://player.vimeo.com/video/828877276?h=337db4a570\" width=\"640\" height=\"360\" frameborder=\"0\"    allowfullscreen>\u003C/iframe>",{"_type":7,"settings":10124,"text":10125},{"textColumnCount":941},[10126,10134,10141,10149,10156,10164,10171],{"_key":10127,"_type":26,"children":10128,"markDefs":10133,"style":39},"66c09b922809",[10129],{"_key":10130,"_type":30,"marks":10131,"text":10132},"ab351f6e0d30",[],"(d)estructura is a project focused on collaborative, participatory, and process-oriented creation that invites groups to engage in dialogue about fundamental values of life through playfulness. Situated at the intersection of art, play, and social research, the project embodies the principles of Social Cartography as a game that encourages horizontal forms of social interaction on a micro scale. The aim of (d)estructura is to deconstruct Abraham Maslow's pyramidal theory of human needs developed in 1943 and to reconstruct new collective structures that reflect the voices of the individuals involved, grounded in their personal experiences. This game is played in various contexts, showcasing how human needs evolve based on geographical, social, political, and economic factors, as well as different life stages. ",[],{"_key":10135,"_type":26,"children":10136,"markDefs":10140,"style":39},"0d13166853c3",[10137],{"_key":10138,"_type":30,"marks":10139,"text":720},"b4e2a0ab9097",[],[],{"_key":10142,"_type":26,"children":10143,"markDefs":10148,"style":39},"f22f1e86fe99",[10144],{"_key":10145,"_type":30,"marks":10146,"text":10147},"4d82962ed9ad",[],"The game involves collectively building a structure using colored pieces, each assigned a value linked to the goals and objectives that represent, at an imaginary level, an optimal state of life. Engaging in (d)estructura reveals how individual decisions impact the collective, and conversely, how collective dynamics affect individual choices; the structure can grow or shrink, pieces may change, and tension builds over time. Participants must negotiate collectively about what to include or remove; chance plays a role, but ultimately, the group decides. Since its creation in 2016, (d)estructura has served as an insightful tool for observing and mapping the evolution of changing territories. Its mission is to create new cultural and social cartographies that reflect the diverse array of actors at play. ",[],{"_key":10150,"_type":26,"children":10151,"markDefs":10155,"style":39},"de89fe3210c4",[10152],{"_key":10153,"_type":30,"marks":10154,"text":720},"be77d02eaa2a",[],[],{"_key":10157,"_type":26,"children":10158,"markDefs":10163,"style":39},"38ea33a59266",[10159],{"_key":10160,"_type":30,"marks":10161,"text":10162},"65c0dd04efe7",[],"Over the years, the game has been applied in various contexts, leading to the emergence of new organizational structures grounded in shared values and visions for possible futures. The versatility of (d)estructura allows it to adapt to different environments, ranging from intimate gatherings in private homes, where it exists as a thoughtful board game, to expansive public spaces, where it can manifest as communal sculptures that invite interaction and engagement. This scalability makes it possible to apply methodologies inspired by Do-It-With-Others (DIWO), extending the game’s reach to other communities and contexts. ",[],{"_key":10165,"_type":26,"children":10166,"markDefs":10170,"style":39},"31fcb3e9272a",[10167],{"_key":10168,"_type":30,"marks":10169,"text":720},"3bc2bcf78906",[],[],{"_key":10172,"_type":26,"children":10173,"markDefs":10178,"style":39},"d32db101381a",[10174],{"_key":10175,"_type":30,"marks":10176,"text":10177},"7f1837af3402",[],"Currently, we are contemplating the expansion of participation through the creation of cooperative platforms. These platforms will serve as dynamic spaces for exploration, using the game as a springboard to develop the necessary narratives for a world in flux.",[],[10180,10190,10200,10210],{"_type":1047,"question":10181},[10182],{"_key":10183,"_type":26,"children":10184,"markDefs":10189,"style":39},"eaecd7d79085",[10185],{"_key":10186,"_type":30,"marks":10187,"text":10188},"9a7b49477c1e0",[],"In what ways to expand the possibilities of participation, collaboration, cooperation and co-creation of the current state of the (d)estructura game?",[],{"_type":1047,"question":10191},[10192],{"_key":10193,"_type":26,"children":10194,"markDefs":10199,"style":39},"0b3ee96595a0",[10195],{"_key":10196,"_type":30,"marks":10197,"text":10198},"b59e41ce5e87",[],"How to collect the information that emerges during games and how to create sensitive analysis and visualization to understand that information?",[],{"_type":1047,"question":10201},[10202],{"_key":10203,"_type":26,"children":10204,"markDefs":10209,"style":39},"fb84e8f36cba",[10205],{"_key":10206,"_type":30,"marks":10207,"text":10208},"3419085261de",[],"How might the creation of virtual and physical platforms enhance the exploration and narratives for (d)estructura?",[],{"_type":1047,"question":10211},[10212],{"_key":10213,"_type":26,"children":10214,"markDefs":10219,"style":39},"3c1a3e68dc50",[10215],{"_key":10216,"_type":30,"marks":10217,"text":10218},"4db6e829c990",[],"What potential challenges could arise when attempting to expand the range of participation in the project?",[],[10085,195,10221,10222,10223,10224,10225,461,10226,9212,9334,9275,10081,10227,9904,1125,10228,9921,1103],"in what ways to expand the possibilities of participation, collaboration, cooperation and co-creation of the current state of the (d)estructura game?","how to collect the information that emerges during games and how to create sensitive analysis and visualization to understand that information?","how might the creation of virtual and physical platforms enhance the exploration and narratives for (d)estructura?","what potential challenges could arise when attempting to expand the range of participation in the project?","south america","cali, medellín, colombia\ncuba\nbuenos aires, argentina \nsantiago de chile\nbiella, italy","(d)estructura is a project focused on collaborative, participatory, and process-oriented creation that invites groups to engage in dialogue about fundamental values of life through playfulness. situated at the intersection of art, play, and social research, the project embodies the principles of social cartography as a game that encourages horizontal forms of social interaction on a micro scale. the aim of (d)estructura is to deconstruct abraham maslow's pyramidal theory of human needs developed in 1943 and to reconstruct new collective structures that reflect the voices of the individuals involved, grounded in their personal experiences. this game is played in various contexts, showcasing how human needs evolve based on geographical, social, political, and economic factors, as well as different life stages. \n\n\n\nthe game involves collectively building a structure using colored pieces, each assigned a value linked to the goals and objectives that represent, at an imaginary level, an optimal state of life. engaging in (d)estructura reveals how individual decisions impact the collective, and conversely, how collective dynamics affect individual choices; the structure can grow or shrink, pieces may change, and tension builds over time. participants must negotiate collectively about what to include or remove; chance plays a role, but ultimately, the group decides. since its creation in 2016, (d)estructura has served as an insightful tool for observing and mapping the evolution of changing territories. its mission is to create new cultural and social cartographies that reflect the diverse array of actors at play. \n\n\n\nover the years, the game has been applied in various contexts, leading to the emergence of new organizational structures grounded in shared values and visions for possible futures. the versatility of (d)estructura allows it to adapt to different environments, ranging from intimate gatherings in private homes, where it exists as a thoughtful board game, to expansive public spaces, where it can manifest as communal sculptures that invite interaction and engagement. this scalability makes it possible to apply methodologies inspired by do-it-with-others (diwo), extending the game’s reach to other communities and contexts. \n\n\n\ncurrently, we are contemplating the expansion of participation through the creation of cooperative platforms. these platforms will serve as dynamic spaces for exploration, using the game as a springboard to develop the necessary narratives for a world in flux.","open up",{"_type":14,"current":10230},"d-estructura",{"_id":10232,"_type":304,"categories":10233,"credits":10240,"featuredImage":10282,"filterables":10287,"footnotes":10295,"locations":10296,"logbook":9,"pageBuilder":10300,"researchQuestion":10320,"researchQuestions":9,"searchables":10329,"seo":9,"slug":10332,"title":9062,"year":201},"8e16b1b6-4e96-42bd-9f61-80ddaf09db2f",[10234,10237],{"_id":3864,"_type":308,"colorPrimary":10235,"seo":9,"slug":10236,"title":3869},{"label":310,"value":3866},{"_type":14,"current":3868},{"_id":3823,"_type":308,"colorPrimary":10238,"seo":9,"slug":10239,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"other":9,"profiles":10241},[10242,10260],{"_id":9041,"_type":389,"activeYears":10243,"bio":10246,"bioShort":9054,"featuredImage":9,"filterables":10252,"links":10255,"locations":9,"searchables":10258,"seo":9,"slug":10259,"title":9067},[10244],{"_id":198,"_type":187,"seo":9,"slug":10245,"title":201},{"_type":14,"current":200},[10247],{"_key":9047,"_type":26,"children":10248,"markDefs":10251,"style":39},[10249],{"_key":9050,"_type":30,"marks":10250,"text":9052},[],[],{"filterYear":10253},[10254],{"_id":198,"title":201},[10256,10257],{"_type":449,"label":453,"url":9060},{"_type":449,"label":9062,"url":9030},[9064,200],{"_type":14,"current":9066},{"_id":9008,"_type":389,"activeYears":10261,"bio":10264,"bioShort":9021,"featuredImage":9,"filterables":10270,"links":10273,"locations":10276,"searchables":10280,"seo":9,"slug":10281,"title":9039},[10262],{"_id":198,"_type":187,"seo":9,"slug":10263,"title":201},{"_type":14,"current":200},[10265],{"_key":9014,"_type":26,"children":10266,"markDefs":10269,"style":39},[10267],{"_key":9017,"_type":30,"marks":10268,"text":9019},[],[],{"filterYear":10271},[10272],{"_id":198,"title":201},[10274,10275],{"_type":449,"label":9027,"url":9028},{"_type":449,"label":450,"url":9030},{"locations":10277,"other":9},[10278],{"_id":458,"_type":459,"seo":9,"slug":10279,"title":462},{"_type":14,"current":461},[9036,200],{"_type":14,"current":9038},{"alt":10283,"asset":10284},"Common Views Collective",{"_id":10285,"height":3467,"orientation":789,"ratio":2697,"url":10286,"width":2187},"image-3f2470586669980e3e8028076d0ff63bc5199ab8-1920x1440-jpg","https://cdn.sanity.io/images/eodip22e/production/3f2470586669980e3e8028076d0ff63bc5199ab8-1920x1440.jpg",{"filterCategory":10288,"filterLocation":10291,"filterYear":10293},[10289,10290],{"_id":3864,"title":3869},{"_id":3823,"title":3828},[10292],{"_id":458,"title":462},[10294],{"_id":198,"title":201},[],{"locations":10297,"other":9},[10298],{"_id":458,"_type":459,"seo":9,"slug":10299,"title":462},{"_type":14,"current":461},[10301],{"_type":7,"settings":10302,"text":10303},{"textColumnCount":941},[10304,10312],{"_key":10305,"_type":26,"children":10306,"markDefs":10311,"style":39},"5daabcec2ca9",[10307],{"_key":10308,"_type":30,"marks":10309,"text":10310},"f0b26de000140",[],"The Common Views collective addresses social-ecological concerns at sites-in-conflict. Our methodology of Environmental Reconciliation, which we have been evolving over the course of our work, in a range of sites and with various communities internationally, applies a post-anthropocentric Commoning perspective and a social-ecological re-framing in the context of arts engagement, as a way of working towards understanding, unpacking and redressing contested issues. We employ participatory strategies and aim for horizontality at all levels of a project, an approach that goes beyond project process and structure, forming a basic understanding that questions entrenched hierarchical attitudes of human vs human and human over nature. Our methodology engenders co-learning and calls for an alternative approach to curation, one that is centred on public engagement, mediation and process. ",[],{"_key":10313,"_type":26,"children":10314,"markDefs":10319,"style":39},"f6351408f487",[10315],{"_key":10316,"_type":30,"marks":10317,"text":10318},"fb12870a8908",[],"Our research at the SoC explores Commoning within engaged arts practice, asking how we can expand our collective's shared knowledge- and skills-space and broaden our collaborative learning, exploration, decision-making, creation and reflection, to increase shared-ownership of the creative process and its outcomes with project participants. Specifically, we set out to compile a toolkit of strategies, methods and practices that will facilitate our work as catalysts of a Commoning process, through labbing and reflection, applying the practice of Commoning to the process of examining our own modes of working and interacting as a collective, by engaging in a reciprocal and convivial exchange.",[],[10321],{"_key":10322,"_type":26,"children":10323,"markDefs":10328,"style":39},"43897cfdcc6f",[10324],{"_key":10325,"_type":30,"marks":10326,"text":10327},"c2f0b48797e6",[],"How we can expand our collective's shared knowledge-and skills-space and broaden our collaborative learning, exploration, decision-making, creation and reflection, to increase shared-ownership of the creative process and its outcomes with project participants?",[],[10330,200,461,9064,9036,10331,3868,4087],"common views","the common views collective addresses social-ecological concerns at sites-in-conflict. our methodology of environmental reconciliation, which we have been evolving over the course of our work, in a range of sites and with various communities internationally, applies a post-anthropocentric commoning perspective and a social-ecological re-framing in the context of arts engagement, as a way of working towards understanding, unpacking and redressing contested issues. we employ participatory strategies and aim for horizontality at all levels of a project, an approach that goes beyond project process and structure, forming a basic understanding that questions entrenched hierarchical attitudes of human vs human and human over nature. our methodology engenders co-learning and calls for an alternative approach to curation, one that is centred on public engagement, mediation and process. \n\nour research at the soc explores commoning within engaged arts practice, asking how we can expand our collective's shared knowledge- and skills-space and broaden our collaborative learning, exploration, decision-making, creation and reflection, to increase shared-ownership of the creative process and its outcomes with project participants. specifically, we set out to compile a toolkit of strategies, methods and practices that will facilitate our work as catalysts of a commoning process, through labbing and reflection, applying the practice of commoning to the process of examining our own modes of working and interacting as a collective, by engaging in a reciprocal and convivial exchange.",{"_type":14,"current":10333},"common-views",{"locations":10335,"other":10340},[10336,10338],{"_id":7763,"_type":459,"seo":9,"slug":10337,"title":7764},{"_type":14,"current":7773},{"_id":458,"_type":459,"seo":9,"slug":10339,"title":462},{"_type":14,"current":461},[10341],{"_key":10342,"_type":26,"children":10343,"markDefs":10348,"style":39},"76388b69482b",[10344],{"_key":10345,"_type":30,"marks":10346,"text":10347},"5acb90a1e9270",[],"Saturday: Studio Alter’azioni, via Felice Cavallotti 31/11R, Firenze \nSunday: Le Cascine Public Park, Florence",[],[10350,10392,10523],{"_type":7,"settings":10351,"text":10352},{"textColumnCount":941},[10353,10361,10369,10377,10384],{"_key":10354,"_type":26,"children":10355,"markDefs":10360,"style":39},"857d28b93a13",[10356],{"_key":10357,"_type":30,"marks":10358,"text":10359},"ced67fdbf2530",[32],"A two-day hybrid event · Online and in Florence",[],{"_key":10362,"_type":26,"children":10363,"markDefs":10368,"style":39},"73720c18258f",[10364],{"_key":10365,"_type":30,"marks":10366,"text":10367},"d5fcae7a5f6e0",[],"Playing for the Commons brings together the joy of play and an experiential process that shares the basics of commoning: not through lectures, but through games.",[],{"_key":10370,"_type":26,"children":10371,"markDefs":10376,"style":39},"976ef3c7ca3d",[10372],{"_key":10373,"_type":30,"marks":10374,"text":10375},"b120e135d4920",[],"Organised by Studio Alter'azioni with the support of School of Commons and our Alumn* Network.",[],{"_key":10378,"_type":26,"children":10379,"markDefs":10383,"style":39},"960623ff30e1",[10380],{"_key":10381,"_type":30,"marks":10382,"text":720},"c196d31c8e6c",[],[],{"_key":10385,"_type":26,"children":10386,"markDefs":10391,"style":39},"7c78957bd89f",[10387],{"_key":10388,"_type":30,"marks":10389,"text":10390},"c2407a5d4d53",[],"__________________________________________________________________________________",[],{"_type":7,"settings":10393,"text":10394},{"textColumnCount":941},[10395,10403,10411,10424,10436,10448,10456,10468,10476,10484,10496,10508],{"_key":10396,"_type":26,"children":10397,"markDefs":10402,"style":39},"734be558c292",[10398],{"_key":10399,"_type":30,"marks":10400,"text":10401},"f4da7efcd1fb",[32],"Saturday 24 October",[],{"_key":10404,"_type":26,"children":10405,"markDefs":10410,"style":39},"de530b3bb652",[10406],{"_key":10407,"_type":30,"marks":10408,"text":10409},"adbdd8160d5e",[],"Online session, 16:00–18:00",[],{"_key":10412,"_type":26,"children":10413,"markDefs":10422,"style":39},"d8b4bf3b56a4",[10414,10419],{"_key":10415,"_type":30,"marks":10416,"text":10418},"bbad213a894e",[10417],"c9acf53352a8","Join via zoom.",{"_key":10420,"_type":30,"marks":10421,"text":4175},"6d6c82c1f791",[],[10423],{"_key":10417,"_type":56,"blank":57,"href":7960},{"_key":10425,"_type":26,"children":10426,"markDefs":10435,"style":39},"a7826e339fc3",[10427,10431],{"_key":10428,"_type":30,"marks":10429,"text":10430},"38abc7249659",[32],"16:00–16:10 · Welcome and introduction",{"_key":10432,"_type":30,"marks":10433,"text":10434},"fff0fdd54d15",[]," by Alter'azioni collective",[],{"_key":10437,"_type":26,"children":10438,"markDefs":10447,"style":39},"b2553ed3b7cb",[10439,10443],{"_key":10440,"_type":30,"marks":10441,"text":10442},"7f2950b832e5",[32],"16:10–16:55 · The Seven Generations Brainstorm",{"_key":10444,"_type":30,"marks":10445,"text":10446},"b561f819f8e3",[],", facilitated by Gabriel Hensche (Germany)\nA playful brainstorming and role-playing game that brings seven generations into the room (three before us, three after us) to invent new projects from our own passions and those of our ancestors and descendants. Based on the 7-Generation Principle of the Lenape and other Indigenous communities. In English and German, for ages 6 to 99.",[],{"_key":10449,"_type":26,"children":10450,"markDefs":10455,"style":39},"d130b5f4c993",[10451],{"_key":10452,"_type":30,"marks":10453,"text":10454},"1d0759b6ef96",[32],"16:55–17:00 · Break",[],{"_key":10457,"_type":26,"children":10458,"markDefs":10467,"style":39},"4e899f3235d0",[10459,10463],{"_key":10460,"_type":30,"marks":10461,"text":10462},"d07a726c3b7d",[32],"17:00–17:50 · Game-Changers: The Game",{"_key":10464,"_type":30,"marks":10465,"text":10466},"df05e0ce3f3c",[],", facilitated by Rok Kranjc (Futurescraft, Slovenia)\nA board game and game show in which two teams battle over contested futures, such as Green Growth vs. Degrowth, putting political buzzwords under pressure. The audience scores moves in real time and can contribute new prompt cards.",[],{"_key":10469,"_type":26,"children":10470,"markDefs":10475,"style":39},"02065a15497a",[10471],{"_key":10472,"_type":30,"marks":10473,"text":10474},"783bb365ff2a",[32],"17:50–18:00 · Closing",[],{"_key":10477,"_type":26,"children":10478,"markDefs":10483,"style":39},"e5f486af52b6",[10479],{"_key":10480,"_type":30,"marks":10481,"text":10482},"213e4f4a59c7",[],"In person at Studio Alter'azioni",[],{"_key":10485,"_type":26,"children":10486,"markDefs":10495,"style":39},"bd10d302e554",[10487,10491],{"_key":10488,"_type":30,"marks":10489,"text":10490},"20d4c476c2a5",[32],"18:30 · Exhibition opening: \"Studio, Open, Praxis, Commoning?\"",{"_key":10492,"_type":30,"marks":10493,"text":10494},"f5b6c5937592",[],"\nArtworks, public space interventions and performances exploring commoning and the everyday relationship between art and society, with contributions by The Glorious Mothers, Kilroy (Stefano Bonifazi), The Common Views collective (Dan Farberoff & David Behar Perahia), Giovanni Pietracaprina, Lisa Lazzarini & Stefano Bruschi, Massimo D'Amato, Marina Seghetti, Chiara Mignani and Alex Maze.",[],{"_key":10497,"_type":26,"children":10498,"markDefs":10507,"style":39},"6590872d0866",[10499,10503],{"_key":10500,"_type":30,"marks":10501,"text":10502},"3a80d3b8927a",[32],"19:30 · Congolese Social Dinner\n",{"_key":10504,"_type":30,"marks":10505,"text":10506},"3c7e8402fb48",[],"Cena Casalinga Congolese X Congo Week ",[],{"_key":10509,"_type":26,"children":10510,"markDefs":10520,"style":39},"8c5a41700ce8",[10511,10515],{"_key":10512,"_type":30,"marks":10513,"text":10514},"897b28104337",[],"📍 Studio Alter'azioni, Via Felice Cavallotti 31/11R, Florence, Italy\n",{"_key":10516,"_type":30,"marks":10517,"text":10519},"b44e174df7fc",[10518],"80d40ed27617","Reserve your place here.",[10521],{"_key":10518,"_type":56,"blank":57,"href":10522},"https://www.tickettailor.com/events/alterazionifirenze/2466888",{"_type":7,"settings":10524,"text":10525},{"textColumnCount":941},[10526,10533,10540,10548,10556,10564,10572,10584,10596,10607,10619,10631,10651,10663,10675],{"_key":10527,"_type":26,"children":10528,"markDefs":10532,"style":39},"fa83ae75a269",[10529],{"_key":10530,"_type":30,"marks":10531,"text":10390},"843b91a8e01e",[],[],{"_key":10534,"_type":26,"children":10535,"markDefs":10539,"style":39},"47c2c54b9435",[10536],{"_key":10537,"_type":30,"marks":10538,"text":720},"4c71bf3ecde9",[],[],{"_key":10541,"_type":26,"children":10542,"markDefs":10547,"style":39},"56ddcdd16f60",[10543],{"_key":10544,"_type":30,"marks":10545,"text":10546},"67518e7045f8",[32],"Sunday 25 October",[],{"_key":10549,"_type":26,"children":10550,"markDefs":10555,"style":39},"848224ec3562",[10551],{"_key":10552,"_type":30,"marks":10553,"text":10554},"c5335caa410c",[],"Game circles in the park, 10:00–14:00",[],{"_key":10557,"_type":26,"children":10558,"markDefs":10563,"style":39},"2505dfe4ead7",[10559],{"_key":10560,"_type":30,"marks":10561,"text":10562},"c936f8903dbc",[],"📍 Parco delle Cascine, Florence. The exact meeting point will be shared closer to the day.\n",[],{"_key":10565,"_type":26,"children":10566,"markDefs":10571,"style":39},"fdd72023b016",[10567],{"_key":10568,"_type":30,"marks":10569,"text":10570},"87876b8f607c",[32],"10:30 · Gathering",[],{"_key":10573,"_type":26,"children":10574,"markDefs":10583,"style":39},"70be299dfb67",[10575,10579],{"_key":10576,"_type":30,"marks":10577,"text":10578},"7d80754ef9ab",[32],"10:45 · Commoning game circles",{"_key":10580,"_type":30,"marks":10581,"text":10582},"9ecad6aac520",[],", curated and facilitated by Alter'azioni collective:",[],{"_key":10585,"_type":26,"children":10586,"level":1507,"listItem":1508,"markDefs":10595,"style":39},"427ff716f28f",[10587,10591],{"_key":10588,"_type":30,"marks":10589,"text":10590},"d794add36e090",[32],"The Reverse Musical Chairs Game",{"_key":10592,"_type":30,"marks":10593,"text":10594},"d794add36e091",[]," by Alekos Pantazis (P2P Lab, Greece). Chairs are removed each round, but no one is eliminated: the group must find a way for everyone to sit.",[],{"_key":10597,"_type":26,"children":10598,"level":1507,"listItem":1508,"markDefs":10606,"style":39},"fb42b69cc6a1",[10599,10602],{"_key":10600,"_type":30,"marks":10601,"text":10085},"2763957760380",[32],{"_key":10603,"_type":30,"marks":10604,"text":10605},"2763957760381",[]," by El Puente_Lab (Juan Esteban Sandoval & Alejandro Vásquez Salinas) and Mariangela Aponte Núñez (Colombia). A collective structure grows or shrinks as players negotiate fundamental values and discuss collective visions, by playing the dice, they add or take away the structure.",[],{"_key":10608,"_type":26,"children":10609,"level":1507,"listItem":1508,"markDefs":10618,"style":39},"b8f75bc36c06",[10610,10614],{"_key":10611,"_type":30,"marks":10612,"text":10613},"a074287b2b130",[32],"Zip, Boing, Shiva",{"_key":10615,"_type":30,"marks":10616,"text":10617},"a074287b2b131",[],", a folk theatre warm-up game, contributed by Alter'azioni collective.",[],{"_key":10620,"_type":26,"children":10621,"level":1507,"listItem":1508,"markDefs":10630,"style":39},"f19de71bbe13",[10622,10626],{"_key":10623,"_type":30,"marks":10624,"text":10625},"e604667c4dba0",[32],"Authentic Relating Games",{"_key":10627,"_type":30,"marks":10628,"text":10629},"e604667c4dba1",[]," with Micol Degl'Innocenti (Italy). Curiosity Game, Impulse Game and Human Sculpting: playful practices for meeting one another with presence and honesty.",[],{"_key":10632,"_type":26,"children":10633,"level":1507,"listItem":1508,"markDefs":10650,"style":39},"efc49eb4c78d",[10634,10638,10642,10646],{"_key":10635,"_type":30,"marks":10636,"text":10637},"e9fafb8c58ae0",[32],"Eclipse",{"_key":10639,"_type":30,"marks":10640,"text":10641},"e9fafb8c58ae1",[],", a group movement game from Augusto Boal's ",{"_key":10643,"_type":30,"marks":10644,"text":10645},"e9fafb8c58ae2",[874],"Games for Actors and Non-Actors",{"_key":10647,"_type":30,"marks":10648,"text":10649},"e9fafb8c58ae3",[]," (Brazil).",[],{"_key":10652,"_type":26,"children":10653,"level":1507,"listItem":1508,"markDefs":10662,"style":39},"1179c9eff4b5",[10654,10658],{"_key":10655,"_type":30,"marks":10656,"text":10657},"6c5ffa5e5b560",[32],"Spaghetti Commoning",{"_key":10659,"_type":30,"marks":10660,"text":10661},"6c5ffa5e5b561",[]," by Lisa Lazzarini (Italy). Participants connect with one another by balancing strands of spaghetti between them, without letting go and without breaking them, for as long as possible.",[],{"_key":10664,"_type":26,"children":10665,"level":1507,"listItem":1508,"markDefs":10674,"style":39},"f71ff8adb8fc",[10666,10670],{"_key":10667,"_type":30,"marks":10668,"text":10669},"13a3cd5114410",[32],"The Fox and the Rabbit",{"_key":10671,"_type":30,"marks":10672,"text":10673},"13a3cd5114411",[],", a cooperative game from the New Games movement (USA).",[],{"_key":10676,"_type":26,"children":10677,"markDefs":10686,"style":39},"e16c0b25a085",[10678,10682],{"_key":10679,"_type":30,"marks":10680,"text":10681},"8f90d53781430",[32],"13:00 · Bring-and-share social picnic.",{"_key":10683,"_type":30,"marks":10684,"text":10685},"8f90d53781431",[]," Bring something to share!",[],[10688,7773,461,10689,8921,1125,3841,8902,10690,10691,10692,10693,7589,9003,9036,9064,3897,7745,9212,9275,9334],"playing for the commons: commoning as a game form","saturday: studio alter’azioni, via felice cavallotti 31/11r, firenze \nsunday: le cascine public park, florence","playing for the commons brings together the joy of play and an experiential process that shares the basics of commoning: not through lectures, but through games.","a two-day hybrid event · online and in florence\n\nplaying for the commons brings together the joy of play and an experiential process that shares the basics of commoning: not through lectures, but through games.\n\norganised by studio alter'azioni with the support of school of commons and our alumn* network.\n\n\n\n__________________________________________________________________________________","saturday 24 october\n\nonline session, 16:00–18:00\n\njoin via zoom.\n\n\n16:00–16:10 · welcome and introduction by alter'azioni collective\n\n16:10–16:55 · the seven generations brainstorm, facilitated by gabriel hensche (germany)\na playful brainstorming and role-playing game that brings seven generations into the room (three before us, three after us) to invent new projects from our own passions and those of our ancestors and descendants. based on the 7-generation principle of the lenape and other indigenous communities. in english and german, for ages 6 to 99.\n\n16:55–17:00 · break\n\n17:00–17:50 · game-changers: the game, facilitated by rok kranjc (futurescraft, slovenia)\na board game and game show in which two teams battle over contested futures, such as green growth vs. degrowth, putting political buzzwords under pressure. the audience scores moves in real time and can contribute new prompt cards.\n\n17:50–18:00 · closing\n\nin person at studio alter'azioni\n\n18:30 · exhibition opening: \"studio, open, praxis, commoning?\"\nartworks, public space interventions and performances exploring commoning and the everyday relationship between art and society, with contributions by the glorious mothers, kilroy (stefano bonifazi), the common views collective (dan farberoff & david behar perahia), giovanni pietracaprina, lisa lazzarini & stefano bruschi, massimo d'amato, marina seghetti, chiara mignani and alex maze.\n\n19:30 · congolese social dinner\ncena casalinga congolese x congo week \n\n📍 studio alter'azioni, via felice cavallotti 31/11r, florence, italy\nreserve your place here.","__________________________________________________________________________________\n\n\n\nsunday 25 october\n\ngame circles in the park, 10:00–14:00\n\n📍 parco delle cascine, florence. the exact meeting point will be shared closer to the day.\n\n\n10:30 · gathering\n\n10:45 · commoning game circles, curated and facilitated by alter'azioni collective:\n\nthe reverse musical chairs game by alekos pantazis (p2p lab, greece). chairs are removed each round, but no one is eliminated: the group must find a way for everyone to sit.\n\n(d)estructura by el puente_lab (juan esteban sandoval & alejandro vásquez salinas) and mariangela aponte núñez (colombia). a collective structure grows or shrinks as players negotiate fundamental values and discuss collective visions, by playing the dice, they add or take away the structure.\n\nzip, boing, shiva, a folk theatre warm-up game, contributed by alter'azioni collective.\n\nauthentic relating games with micol degl'innocenti (italy). curiosity game, impulse game and human sculpting: playful practices for meeting one another with presence and honesty.\n\neclipse, a group movement game from augusto boal's games for actors and non-actors (brazil).\n\nspaghetti commoning by lisa lazzarini (italy). participants connect with one another by balancing strands of spaghetti between them, without letting go and without breaking them, for as long as possible.\n\nthe fox and the rabbit, a cooperative game from the new games movement (usa).\n\n13:00 · bring-and-share social picnic. bring something to share!",{"_type":14,"current":10695},"playing-for-the-commons-commoning-as-a-play-form","Playing for the Commons: Commoning as a Game Form",[10698],{"_id":8278,"_type":7846,"seo":9,"slug":10699,"title":8279},{"_type":14,"current":8912},{"_id":144,"_type":144,"seo":9,"slug":10701,"title":147},{"_type":14,"current":146},{"_id":10703,"_type":10703,"events":10704,"introduction":12969,"news":12978,"projects":13015,"pubs":17841,"seo":9,"sliderA":17887,"slug":9,"title":9},"homePage",[10705,10935,12272,12805],{"_id":7505,"_type":12,"additionalDetails":10706,"categories":10713,"credits":10720,"dates":10874,"events":10875,"featuredImage":10876,"filterables":10878,"labs":9,"locations":10886,"pageBuilder":10890,"parentEvent":9,"searchables":10930,"seo":9,"slug":10931,"summary":7842,"title":7843,"types":10932},[10707],{"_key":7508,"_type":26,"children":10708,"markDefs":10711,"style":39},[10709],{"_key":7511,"_type":30,"marks":10710,"text":7514},[7513],[10712],{"_key":7513,"_type":56,"blank":57,"href":7517},[10714,10717],{"_id":4106,"_type":308,"colorPrimary":10715,"seo":9,"slug":10716,"title":4111},{"label":310,"value":4108},{"_type":14,"current":4110},{"_id":3823,"_type":308,"colorPrimary":10718,"seo":9,"slug":10719,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"other":9,"profiles":10721},[10722,10769,10802],{"_id":7528,"_type":389,"activeYears":10723,"bio":10742,"bioShort":7563,"featuredImage":10748,"filterables":10749,"links":10760,"locations":10763,"searchables":10767,"seo":9,"slug":10768,"title":33},[10724,10726,10728,10730,10732,10734,10736,10738,10740],{"_id":7531,"_type":187,"seo":9,"slug":10725,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":10727,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":10729,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":10731,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":10733,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":10735,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":10737,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":10739,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":10741,"title":196},{"_type":14,"current":195},[10743],{"_key":7556,"_type":26,"children":10744,"markDefs":10747,"style":39},[10745],{"_key":7559,"_type":30,"marks":10746,"text":7561},[],[],{"alt":33,"asset":9},{"filterYear":10750},[10751,10752,10753,10754,10755,10756,10757,10758,10759],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[10761,10762],{"_type":449,"label":7578,"url":7579},{"_type":449,"label":453,"url":73},{"locations":10764,"other":9},[10765],{"_id":7584,"_type":459,"seo":9,"slug":10766,"title":7587},{"_type":14,"current":7586},[7589,7533,7538,225,220,215,210,205,200,195],{"_type":14,"current":7591},{"_id":7593,"_type":389,"activeYears":10770,"bio":10775,"bioShort":7608,"featuredImage":10781,"filterables":10783,"links":10787,"locations":10790,"searchables":10800,"seo":9,"slug":10801,"title":7643},[10771,10773],{"_id":198,"_type":187,"seo":9,"slug":10772,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":10774,"title":196},{"_type":14,"current":195},[10776],{"_key":7601,"_type":26,"children":10777,"markDefs":10780,"style":39},[10778],{"_key":7604,"_type":30,"marks":10779,"text":7606},[],[],{"alt":7610,"asset":10782},{"_id":7612,"height":7613,"orientation":789,"ratio":7614,"url":7615,"width":7616},{"filterYear":10784},[10785,10786],{"_id":198,"title":201},{"_id":193,"title":196},[10788,10789],{"_type":449,"label":453,"url":7623},{"_type":449,"label":450,"url":7625},{"locations":10791,"other":10794},[10792],{"_id":458,"_type":459,"seo":9,"slug":10793,"title":462},{"_type":14,"current":461},[10795],{"_key":7632,"_type":26,"children":10796,"markDefs":10799,"style":39},[10797],{"_key":7635,"_type":30,"marks":10798,"text":7637},[],[],[7640,200,195],{"_type":14,"current":7642},{"_id":7645,"_type":389,"activeYears":10803,"bio":10814,"bioShort":7664,"featuredImage":10849,"filterables":10851,"links":10858,"locations":10862,"searchables":10872,"seo":9,"slug":10873,"title":7712},[10804,10806,10808,10810,10812],{"_id":208,"_type":187,"seo":9,"slug":10805,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":10807,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":10809,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":10811,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":10813,"title":190},{"_type":14,"current":189},[10815,10820,10829,10834,10839,10844],{"_key":7659,"_type":26,"children":10816,"markDefs":10819,"style":39},[10817],{"_key":7662,"_type":30,"marks":10818,"text":7664},[],[],{"_key":7667,"_type":26,"children":10821,"markDefs":10828,"style":39},[10822,10824,10826],{"_key":7670,"_type":30,"marks":10823,"text":7672},[],{"_key":7674,"_type":30,"marks":10825,"text":1593},[32],{"_key":7677,"_type":30,"marks":10827,"text":7679},[],[],{"_key":7682,"_type":26,"children":10830,"markDefs":10833,"style":39},[10831],{"_key":7685,"_type":30,"marks":10832,"text":7687},[],[],{"_key":7690,"_type":26,"children":10835,"markDefs":10838,"style":39},[10836],{"_key":7693,"_type":30,"marks":10837,"text":7695},[],[],{"_key":7698,"_type":26,"children":10840,"markDefs":10843,"style":39},[10841],{"_key":7701,"_type":30,"marks":10842,"text":720},[],[],{"_key":7705,"_type":26,"children":10845,"markDefs":10848,"style":39},[10846],{"_key":7708,"_type":30,"marks":10847,"text":720},[],[],{"alt":7712,"asset":10850},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":10852},[10853,10854,10855,10856,10857],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[10859,10860,10861],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":10863,"other":10866},[10864],{"_id":458,"_type":459,"seo":9,"slug":10865,"title":462},{"_type":14,"current":461},[10867],{"_key":7738,"_type":26,"children":10868,"markDefs":10871,"style":39},[10869],{"_key":7741,"_type":30,"marks":10870,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"endDate":7749,"startDate":7750},[],{"alt":7753,"asset":10877},{"_id":7755,"height":7413,"orientation":440,"ratio":4574,"url":7756,"width":2184},{"filterCategory":10879,"filterLocation":10882,"filterType":10884},[10880,10881],{"_id":4106,"title":4111},{"_id":3823,"title":3828},[10883],{"_id":7763,"title":7764},[10885],{"_id":7767,"title":7768},{"locations":10887,"other":9},[10888],{"_id":7763,"_type":459,"seo":9,"slug":10889,"title":7764},{"_type":14,"current":7773},[10891],{"_type":7,"settings":10892,"text":10893},{"textColumnCount":941},[10894,10899,10904,10909,10914,10919,10924],{"_key":7779,"_type":26,"children":10895,"markDefs":10898,"style":39},[10896],{"_key":7782,"_type":30,"marks":10897,"text":7784},[],[],{"_key":7787,"_type":26,"children":10900,"markDefs":10903,"style":39},[10901],{"_key":7790,"_type":30,"marks":10902,"text":7792},[],[],{"_key":7795,"_type":26,"children":10905,"markDefs":10908,"style":39},[10906],{"_key":7798,"_type":30,"marks":10907,"text":720},[],[],{"_key":7802,"_type":26,"children":10910,"markDefs":10913,"style":39},[10911],{"_key":7805,"_type":30,"marks":10912,"text":7807},[],[],{"_key":7810,"_type":26,"children":10915,"markDefs":10918,"style":39},[10916],{"_key":7813,"_type":30,"marks":10917,"text":7815},[],[],{"_key":7818,"_type":26,"children":10920,"markDefs":10923,"style":39},[10921],{"_key":7821,"_type":30,"marks":10922,"text":7823},[],[],{"_key":7826,"_type":26,"children":10925,"markDefs":10928,"style":39},[10926],{"_key":7829,"_type":30,"marks":10927,"text":7832},[7831],[10929],{"_key":7831,"_type":56,"blank":57,"href":7517},[7836,7773,4365,4087,7837,7838,7839,7589,7640,7745],{"_type":14,"current":7841},[10933],{"_id":7767,"_type":7846,"seo":9,"slug":10934,"title":7768},{"_type":14,"current":7837},{"_id":8914,"_type":12,"additionalDetails":9,"categories":10936,"credits":10946,"dates":11261,"events":11262,"featuredImage":11263,"filterables":11265,"labs":11275,"locations":12047,"pageBuilder":12059,"parentEvent":9,"searchables":12267,"seo":9,"slug":12268,"summary":10367,"title":10696,"types":12269},[10937,10940,10943],{"_id":8917,"_type":308,"colorPrimary":10938,"seo":9,"slug":10939,"title":8922},{"label":310,"value":8919},{"_type":14,"current":8921},{"_id":1121,"_type":308,"colorPrimary":10941,"seo":9,"slug":10942,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":3837,"_type":308,"colorPrimary":10944,"seo":9,"slug":10945,"title":3842},{"label":310,"value":3839},{"_type":14,"current":3841},{"other":9,"profiles":10947},[10948,10995,11016,11038,11056,11077,11149,11183,11222],{"_id":7528,"_type":389,"activeYears":10949,"bio":10968,"bioShort":7563,"featuredImage":10974,"filterables":10975,"links":10986,"locations":10989,"searchables":10993,"seo":9,"slug":10994,"title":33},[10950,10952,10954,10956,10958,10960,10962,10964,10966],{"_id":7531,"_type":187,"seo":9,"slug":10951,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":10953,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":10955,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":10957,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":10959,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":10961,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":10963,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":10965,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":10967,"title":196},{"_type":14,"current":195},[10969],{"_key":7556,"_type":26,"children":10970,"markDefs":10973,"style":39},[10971],{"_key":7559,"_type":30,"marks":10972,"text":7561},[],[],{"alt":33,"asset":9},{"filterYear":10976},[10977,10978,10979,10980,10981,10982,10983,10984,10985],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[10987,10988],{"_type":449,"label":7578,"url":7579},{"_type":449,"label":453,"url":73},{"locations":10990,"other":9},[10991],{"_id":7584,"_type":459,"seo":9,"slug":10992,"title":7587},{"_type":14,"current":7586},[7589,7533,7538,225,220,215,210,205,200,195],{"_type":14,"current":7591},{"_id":8979,"_type":389,"activeYears":10996,"bio":10999,"bioShort":8990,"featuredImage":9,"filterables":11005,"links":11008,"locations":11010,"searchables":11014,"seo":9,"slug":11015,"title":9006},[10997],{"_id":186,"_type":187,"seo":9,"slug":10998,"title":190},{"_type":14,"current":189},[11000],{"_key":8985,"_type":26,"children":11001,"markDefs":11004,"style":39},[11002],{"_key":8988,"_type":30,"marks":11003,"text":8990},[],[],{"filterYear":11006},[11007],{"_id":186,"title":190},[11009],{"_type":449,"label":453,"url":8997},{"locations":11011,"other":9},[11012],{"_id":458,"_type":459,"seo":9,"slug":11013,"title":462},{"_type":14,"current":461},[9003,189],{"_type":14,"current":9005},{"_id":9008,"_type":389,"activeYears":11017,"bio":11020,"bioShort":9021,"featuredImage":9,"filterables":11026,"links":11029,"locations":11032,"searchables":11036,"seo":9,"slug":11037,"title":9039},[11018],{"_id":198,"_type":187,"seo":9,"slug":11019,"title":201},{"_type":14,"current":200},[11021],{"_key":9014,"_type":26,"children":11022,"markDefs":11025,"style":39},[11023],{"_key":9017,"_type":30,"marks":11024,"text":9019},[],[],{"filterYear":11027},[11028],{"_id":198,"title":201},[11030,11031],{"_type":449,"label":9027,"url":9028},{"_type":449,"label":450,"url":9030},{"locations":11033,"other":9},[11034],{"_id":458,"_type":459,"seo":9,"slug":11035,"title":462},{"_type":14,"current":461},[9036,200],{"_type":14,"current":9038},{"_id":9041,"_type":389,"activeYears":11039,"bio":11042,"bioShort":9054,"featuredImage":9,"filterables":11048,"links":11051,"locations":9,"searchables":11054,"seo":9,"slug":11055,"title":9067},[11040],{"_id":198,"_type":187,"seo":9,"slug":11041,"title":201},{"_type":14,"current":200},[11043],{"_key":9047,"_type":26,"children":11044,"markDefs":11047,"style":39},[11045],{"_key":9050,"_type":30,"marks":11046,"text":9052},[],[],{"filterYear":11049},[11050],{"_id":198,"title":201},[11052,11053],{"_type":449,"label":453,"url":9060},{"_type":449,"label":9062,"url":9030},[9064,200],{"_type":14,"current":9066},{"_id":3873,"_type":389,"activeYears":11057,"bio":11060,"bioShort":3886,"featuredImage":9,"filterables":11066,"links":9,"locations":11069,"searchables":11075,"seo":9,"slug":11076,"title":3900},[11058],{"_id":186,"_type":187,"seo":9,"slug":11059,"title":190},{"_type":14,"current":189},[11061],{"_key":3879,"_type":26,"children":11062,"markDefs":11065,"style":39},[11063],{"_key":3882,"_type":30,"marks":11064,"text":3884},[],[],{"filterYear":11067},[11068],{"_id":186,"title":190},{"locations":11070,"other":9},[11071,11073],{"_id":458,"_type":459,"seo":9,"slug":11072,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":11074,"title":1451},{"_type":14,"current":1459},[3897,189],{"_type":14,"current":3899},{"_id":7645,"_type":389,"activeYears":11078,"bio":11089,"bioShort":7664,"featuredImage":11124,"filterables":11126,"links":11133,"locations":11137,"searchables":11147,"seo":9,"slug":11148,"title":7712},[11079,11081,11083,11085,11087],{"_id":208,"_type":187,"seo":9,"slug":11080,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":11082,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":11084,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":11086,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":11088,"title":190},{"_type":14,"current":189},[11090,11095,11104,11109,11114,11119],{"_key":7659,"_type":26,"children":11091,"markDefs":11094,"style":39},[11092],{"_key":7662,"_type":30,"marks":11093,"text":7664},[],[],{"_key":7667,"_type":26,"children":11096,"markDefs":11103,"style":39},[11097,11099,11101],{"_key":7670,"_type":30,"marks":11098,"text":7672},[],{"_key":7674,"_type":30,"marks":11100,"text":1593},[32],{"_key":7677,"_type":30,"marks":11102,"text":7679},[],[],{"_key":7682,"_type":26,"children":11105,"markDefs":11108,"style":39},[11106],{"_key":7685,"_type":30,"marks":11107,"text":7687},[],[],{"_key":7690,"_type":26,"children":11110,"markDefs":11113,"style":39},[11111],{"_key":7693,"_type":30,"marks":11112,"text":7695},[],[],{"_key":7698,"_type":26,"children":11115,"markDefs":11118,"style":39},[11116],{"_key":7701,"_type":30,"marks":11117,"text":720},[],[],{"_key":7705,"_type":26,"children":11120,"markDefs":11123,"style":39},[11121],{"_key":7708,"_type":30,"marks":11122,"text":720},[],[],{"alt":7712,"asset":11125},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":11127},[11128,11129,11130,11131,11132],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[11134,11135,11136],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":11138,"other":11141},[11139],{"_id":458,"_type":459,"seo":9,"slug":11140,"title":462},{"_type":14,"current":461},[11142],{"_key":7738,"_type":26,"children":11143,"markDefs":11146,"style":39},[11144],{"_key":7741,"_type":30,"marks":11145,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"_id":9162,"_type":389,"activeYears":11150,"bio":11153,"bioShort":9182,"featuredImage":11164,"filterables":11166,"links":11169,"locations":11171,"searchables":11181,"seo":9,"slug":11182,"title":9215},[11151],{"_id":193,"_type":187,"seo":9,"slug":11152,"title":196},{"_type":14,"current":195},[11154,11159],{"_key":9168,"_type":26,"children":11155,"markDefs":11158,"style":39},[11156],{"_key":9171,"_type":30,"marks":11157,"text":9173},[],[],{"_key":9176,"_type":26,"children":11160,"markDefs":11163,"style":39},[11161],{"_key":9179,"_type":30,"marks":11162,"text":720},[],[],{"alt":9,"asset":11165},{"_id":9185,"height":3572,"orientation":440,"ratio":9186,"url":9187,"width":9188},{"filterYear":11167},[11168],{"_id":193,"title":196},[11170],{"_type":449,"label":9194,"url":9194},{"locations":11172,"other":11175},[11173],{"_id":9198,"_type":459,"seo":9,"slug":11174,"title":9201},{"_type":14,"current":9200},[11176],{"_key":9204,"_type":26,"children":11177,"markDefs":11180,"style":39},[11178],{"_key":9207,"_type":30,"marks":11179,"text":9209},[],[],[9212,195],{"_type":14,"current":9214},{"_id":9217,"_type":389,"activeYears":11184,"bio":11187,"bioShort":9246,"featuredImage":11203,"filterables":11205,"links":11208,"locations":11210,"searchables":11220,"seo":9,"slug":11221,"title":9248},[11185],{"_id":193,"_type":187,"seo":9,"slug":11186,"title":196},{"_type":14,"current":195},[11188,11193,11198],{"_key":9223,"_type":26,"children":11189,"markDefs":11192,"style":39},[11190],{"_key":9226,"_type":30,"marks":11191,"text":9228},[],[],{"_key":9231,"_type":26,"children":11194,"markDefs":11197,"style":39},[11195],{"_key":9234,"_type":30,"marks":11196,"text":9236},[],[],{"_key":9239,"_type":26,"children":11199,"markDefs":11202,"style":39},[11200],{"_key":9242,"_type":30,"marks":11201,"text":9244},[],[],{"alt":9248,"asset":11204},{"_id":9250,"height":9251,"orientation":789,"ratio":9252,"url":9253,"width":9254},{"filterYear":11206},[11207],{"_id":193,"title":196},[11209],{"_type":449,"label":450,"url":9260},{"locations":11211,"other":11214},[11212],{"_id":458,"_type":459,"seo":9,"slug":11213,"title":462},{"_type":14,"current":461},[11215],{"_key":9267,"_type":26,"children":11216,"markDefs":11219,"style":39},[11217],{"_key":9270,"_type":30,"marks":11218,"text":9272},[],[],[9275,195],{"_type":14,"current":9277},{"_id":9279,"_type":389,"activeYears":11223,"bio":11226,"bioShort":9307,"featuredImage":11242,"filterables":11244,"links":11247,"locations":11249,"searchables":11259,"seo":9,"slug":11260,"title":9309},[11224],{"_id":193,"_type":187,"seo":9,"slug":11225,"title":196},{"_type":14,"current":195},[11227,11232,11237],{"_key":9285,"_type":26,"children":11228,"markDefs":11231,"style":39},[11229],{"_key":9288,"_type":30,"marks":11230,"text":9290},[],[],{"_key":9293,"_type":26,"children":11233,"markDefs":11236,"style":39},[11234],{"_key":9296,"_type":30,"marks":11235,"text":9298},[],[],{"_key":9301,"_type":26,"children":11238,"markDefs":11241,"style":39},[11239],{"_key":9304,"_type":30,"marks":11240,"text":4175},[],[],{"alt":9309,"asset":11243},{"_id":9311,"height":3572,"orientation":7272,"ratio":1507,"url":9312,"width":3572},{"filterYear":11245},[11246],{"_id":193,"title":196},[11248],{"_type":449,"label":9318,"url":9319},{"locations":11250,"other":11253},[11251],{"_id":9198,"_type":459,"seo":9,"slug":11252,"title":9201},{"_type":14,"current":9200},[11254],{"_key":9326,"_type":26,"children":11255,"markDefs":11258,"style":39},[11256],{"_key":9329,"_type":30,"marks":11257,"text":9331},[],[],[9334,195],{"_type":14,"current":9336},{"endDate":9338,"startDate":9339},[],{"alt":9342,"asset":11264},{"_id":9344,"height":7413,"orientation":440,"ratio":4574,"url":9345,"width":2184},{"filterCategory":11266,"filterLocation":11270,"filterType":11273},[11267,11268,11269],{"_id":8917,"title":8922},{"_id":1121,"title":1126},{"_id":3837,"title":3842},[11271,11272],{"_id":7763,"title":7764},{"_id":458,"title":462},[11274],{"_id":8278,"title":8279},[11276,11535,11700,11960],{"_id":9358,"_type":304,"categories":11277,"credits":11290,"featuredImage":11410,"filterables":11412,"footnotes":11422,"locations":11423,"logbook":11427,"pageBuilder":11441,"researchQuestion":9,"researchQuestions":9,"searchables":11533,"seo":9,"slug":11534,"title":7728,"year":211},[11278,11281,11284,11287],{"_id":9361,"_type":308,"colorPrimary":11279,"seo":9,"slug":11280,"title":9366},{"label":310,"value":9363},{"_type":14,"current":9365},{"_id":9368,"_type":308,"colorPrimary":11282,"seo":9,"slug":11283,"title":9373},{"label":310,"value":9370},{"_type":14,"current":9372},{"_id":1121,"_type":308,"colorPrimary":11285,"seo":9,"slug":11286,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":9378,"_type":308,"colorPrimary":11288,"seo":9,"slug":11289,"title":9383},{"label":310,"value":9380},{"_type":14,"current":9382},{"other":11291,"profiles":11302},[11292,11297],{"_key":9387,"_type":26,"children":11293,"markDefs":11296,"style":39},[11294],{"_key":9390,"_type":30,"marks":11295,"text":9392},[],[],{"_key":9395,"_type":26,"children":11298,"markDefs":11301,"style":39},[11299],{"_key":9398,"_type":30,"marks":11300,"text":9400},[],[],[11303,11338],{"_id":9404,"_type":389,"activeYears":11304,"bio":11309,"bioShort":9419,"featuredImage":11315,"filterables":11317,"links":11321,"locations":11324,"searchables":11336,"seo":9,"slug":11337,"title":9421},[11305,11307],{"_id":208,"_type":187,"seo":9,"slug":11306,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":11308,"title":206},{"_type":14,"current":205},[11310],{"_key":9412,"_type":26,"children":11311,"markDefs":11314,"style":39},[11312],{"_key":9415,"_type":30,"marks":11313,"text":9417},[],[],{"alt":9421,"asset":11316},{"_id":9423,"height":9424,"orientation":7272,"ratio":1507,"url":9425,"width":9424},{"filterYear":11318},[11319,11320],{"_id":208,"title":211},{"_id":203,"title":206},[11322,11323],{"_type":449,"label":450,"url":9432},{"_type":449,"label":7728,"url":7729},{"locations":11325,"other":11330},[11326,11328],{"_id":458,"_type":459,"seo":9,"slug":11327,"title":462},{"_type":14,"current":461},{"_id":9439,"_type":459,"seo":9,"slug":11329,"title":9442},{"_type":14,"current":9441},[11331],{"_key":9445,"_type":26,"children":11332,"markDefs":11335,"style":39},[11333],{"_key":9448,"_type":30,"marks":11334,"text":9450},[],[],[9453,210,205],{"_type":14,"current":9455},{"_id":7645,"_type":389,"activeYears":11339,"bio":11350,"bioShort":7664,"featuredImage":11385,"filterables":11387,"links":11394,"locations":11398,"searchables":11408,"seo":9,"slug":11409,"title":7712},[11340,11342,11344,11346,11348],{"_id":208,"_type":187,"seo":9,"slug":11341,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":11343,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":11345,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":11347,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":11349,"title":190},{"_type":14,"current":189},[11351,11356,11365,11370,11375,11380],{"_key":7659,"_type":26,"children":11352,"markDefs":11355,"style":39},[11353],{"_key":7662,"_type":30,"marks":11354,"text":7664},[],[],{"_key":7667,"_type":26,"children":11357,"markDefs":11364,"style":39},[11358,11360,11362],{"_key":7670,"_type":30,"marks":11359,"text":7672},[],{"_key":7674,"_type":30,"marks":11361,"text":1593},[32],{"_key":7677,"_type":30,"marks":11363,"text":7679},[],[],{"_key":7682,"_type":26,"children":11366,"markDefs":11369,"style":39},[11367],{"_key":7685,"_type":30,"marks":11368,"text":7687},[],[],{"_key":7690,"_type":26,"children":11371,"markDefs":11374,"style":39},[11372],{"_key":7693,"_type":30,"marks":11373,"text":7695},[],[],{"_key":7698,"_type":26,"children":11376,"markDefs":11379,"style":39},[11377],{"_key":7701,"_type":30,"marks":11378,"text":720},[],[],{"_key":7705,"_type":26,"children":11381,"markDefs":11384,"style":39},[11382],{"_key":7708,"_type":30,"marks":11383,"text":720},[],[],{"alt":7712,"asset":11386},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":11388},[11389,11390,11391,11392,11393],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[11395,11396,11397],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":11399,"other":11402},[11400],{"_id":458,"_type":459,"seo":9,"slug":11401,"title":462},{"_type":14,"current":461},[11403],{"_key":7738,"_type":26,"children":11404,"markDefs":11407,"style":39},[11405],{"_key":7741,"_type":30,"marks":11406,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"alt":9529,"asset":11411},{"_id":9531,"height":9532,"orientation":7272,"ratio":1507,"url":9533,"width":9532},{"filterCategory":11413,"filterLocation":11418,"filterYear":11420},[11414,11415,11416,11417],{"_id":9361,"title":9366},{"_id":9368,"title":9373},{"_id":1121,"title":1126},{"_id":9378,"title":9383},[11419],{"_id":458,"title":462},[11421],{"_id":208,"title":211},[],{"locations":11424,"other":9},[11425],{"_id":458,"_type":459,"seo":9,"slug":11426,"title":462},{"_type":14,"current":461},[11428,11433],{"_key":9551,"_type":26,"children":11429,"markDefs":11432,"style":39},[11430],{"_key":9554,"_type":30,"marks":11431,"text":9556},[],[],{"_key":9559,"_type":26,"children":11434,"markDefs":11439,"style":39},[11435,11437],{"_key":9562,"_type":30,"marks":11436,"text":9564},[32],{"_key":9566,"_type":30,"marks":11438,"text":9569},[9568],[11440],{"_key":9568,"_type":56,"href":9572},[11442,11454,11525],{"_type":936,"caption":11443,"image":11452},[11444],{"_key":9577,"_type":26,"children":11445,"markDefs":11450,"style":39},[11446,11448],{"_key":9580,"_type":30,"marks":11447,"text":9582},[],{"_key":9584,"_type":30,"marks":11449,"text":2149},[9586],[11451],{"_key":9586,"_type":56,"blank":57,"href":9589},{"alt":9,"asset":11453},{"_id":9592,"height":9593,"orientation":789,"ratio":9594,"url":9595,"width":9596},{"_type":7,"settings":9,"text":11455},[11456,11465,11470,11475,11480,11485,11490,11495,11500,11505,11510,11515,11520],{"_key":9600,"_type":26,"children":11457,"markDefs":11464,"style":39},[11458,11460,11462],{"_key":9603,"_type":30,"marks":11459,"text":9605},[],{"_key":9607,"_type":30,"marks":11461,"text":9609},[874],{"_key":9611,"_type":30,"marks":11463,"text":9613},[],[],{"_key":9616,"_type":26,"children":11466,"markDefs":11469,"style":39},[11467],{"_key":9619,"_type":30,"marks":11468,"text":9621},[],[],{"_key":9624,"_type":26,"children":11471,"level":1507,"listItem":1508,"markDefs":11474,"style":39},[11472],{"_key":9627,"_type":30,"marks":11473,"text":9629},[],[],{"_key":9632,"_type":26,"children":11476,"level":1507,"listItem":1508,"markDefs":11479,"style":39},[11477],{"_key":9635,"_type":30,"marks":11478,"text":9637},[],[],{"_key":9640,"_type":26,"children":11481,"level":1507,"listItem":1508,"markDefs":11484,"style":39},[11482],{"_key":9643,"_type":30,"marks":11483,"text":9645},[],[],{"_key":9648,"_type":26,"children":11486,"level":1507,"listItem":1508,"markDefs":11489,"style":39},[11487],{"_key":9651,"_type":30,"marks":11488,"text":9653},[],[],{"_key":9656,"_type":26,"children":11491,"level":1507,"listItem":1508,"markDefs":11494,"style":39},[11492],{"_key":9659,"_type":30,"marks":11493,"text":9661},[],[],{"_key":9664,"_type":26,"children":11496,"level":1507,"listItem":1508,"markDefs":11499,"style":39},[11497],{"_key":9667,"_type":30,"marks":11498,"text":9669},[],[],{"_key":9672,"_type":26,"children":11501,"level":1507,"listItem":1508,"markDefs":11504,"style":39},[11502],{"_key":9675,"_type":30,"marks":11503,"text":9677},[],[],{"_key":9680,"_type":26,"children":11506,"level":1507,"listItem":1508,"markDefs":11509,"style":39},[11507],{"_key":9683,"_type":30,"marks":11508,"text":9685},[],[],{"_key":9688,"_type":26,"children":11511,"level":1507,"listItem":1508,"markDefs":11514,"style":39},[11512],{"_key":9691,"_type":30,"marks":11513,"text":9693},[],[],{"_key":9696,"_type":26,"children":11516,"level":1507,"listItem":1508,"markDefs":11519,"style":39},[11517],{"_key":9699,"_type":30,"marks":11518,"text":9701},[],[],{"_key":9704,"_type":26,"children":11521,"markDefs":11524,"style":39},[11522],{"_key":9707,"_type":30,"marks":11523,"text":9709},[],[],{"_type":2247,"slides":11526},[11527,11530],{"_type":936,"caption":9,"image":11528},{"alt":9,"asset":11529},{"_id":9716,"height":9532,"orientation":7272,"ratio":1507,"url":9717,"width":9532},{"_type":936,"caption":9,"image":11531},{"alt":9,"asset":11532},{"_id":9721,"height":9254,"orientation":7272,"ratio":1507,"url":9722,"width":9254},[9724,210,9725,461,9453,7745,9726,9727,9728,9372,1125,9382],{"_type":14,"current":9730},{"_id":3817,"_type":304,"categories":11536,"credits":11564,"featuredImage":11665,"filterables":11667,"footnotes":11683,"locations":11684,"logbook":9,"pageBuilder":9,"researchQuestion":9,"researchQuestions":11690,"searchables":11698,"seo":9,"slug":11699,"title":4092,"year":190},[11537,11540,11543,11546,11549,11552,11555,11558,11561],{"_id":1121,"_type":308,"colorPrimary":11538,"seo":9,"slug":11539,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":3823,"_type":308,"colorPrimary":11541,"seo":9,"slug":11542,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"_id":3830,"_type":308,"colorPrimary":11544,"seo":9,"slug":11545,"title":3835},{"label":310,"value":3832},{"_type":14,"current":3834},{"_id":3837,"_type":308,"colorPrimary":11547,"seo":9,"slug":11548,"title":3842},{"label":310,"value":3839},{"_type":14,"current":3841},{"_id":2001,"_type":308,"colorPrimary":11550,"seo":9,"slug":11551,"title":2006},{"label":310,"value":2003},{"_type":14,"current":2005},{"_id":3847,"_type":308,"colorPrimary":11553,"seo":9,"slug":11554,"title":3852},{"label":310,"value":3849},{"_type":14,"current":3851},{"_id":1840,"_type":308,"colorPrimary":11556,"seo":9,"slug":11557,"title":1845},{"label":310,"value":1842},{"_type":14,"current":1844},{"_id":3857,"_type":308,"colorPrimary":11559,"seo":9,"slug":11560,"title":3862},{"label":310,"value":3859},{"_type":14,"current":3861},{"_id":3864,"_type":308,"colorPrimary":11562,"seo":9,"slug":11563,"title":3869},{"label":310,"value":3866},{"_type":14,"current":3868},{"other":9,"profiles":11565},[11566,11587],{"_id":3873,"_type":389,"activeYears":11567,"bio":11570,"bioShort":3886,"featuredImage":9,"filterables":11576,"links":9,"locations":11579,"searchables":11585,"seo":9,"slug":11586,"title":3900},[11568],{"_id":186,"_type":187,"seo":9,"slug":11569,"title":190},{"_type":14,"current":189},[11571],{"_key":3879,"_type":26,"children":11572,"markDefs":11575,"style":39},[11573],{"_key":3882,"_type":30,"marks":11574,"text":3884},[],[],{"filterYear":11577},[11578],{"_id":186,"title":190},{"locations":11580,"other":9},[11581,11583],{"_id":458,"_type":459,"seo":9,"slug":11582,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":11584,"title":1451},{"_type":14,"current":1459},[3897,189],{"_type":14,"current":3899},{"_id":3902,"_type":389,"activeYears":11588,"bio":11591,"bioShort":4011,"featuredImage":11647,"filterables":11649,"links":11652,"locations":11655,"searchables":11663,"seo":9,"slug":11664,"title":4044},[11589],{"_id":186,"_type":187,"seo":9,"slug":11590,"title":190},{"_type":14,"current":189},[11592,11597,11602,11637,11642],{"_key":3908,"_type":26,"children":11593,"markDefs":11596,"style":39},[11594],{"_key":3911,"_type":30,"marks":11595,"text":3913},[],[],{"_key":3916,"_type":26,"children":11598,"markDefs":11601,"style":39},[11599],{"_key":3919,"_type":30,"marks":11600,"text":720},[],[],{"_key":3923,"_type":26,"children":11603,"markDefs":11630,"style":39},[11604,11606,11608,11610,11612,11614,11616,11618,11620,11622,11624,11626,11628],{"_key":3926,"_type":30,"marks":11605,"text":3928},[],{"_key":3930,"_type":30,"marks":11607,"text":3933},[3932],{"_key":3935,"_type":30,"marks":11609,"text":3937},[],{"_key":3939,"_type":30,"marks":11611,"text":3942},[3941],{"_key":3944,"_type":30,"marks":11613,"text":3946},[],{"_key":3948,"_type":30,"marks":11615,"text":3951},[3950],{"_key":3953,"_type":30,"marks":11617,"text":3955},[],{"_key":3957,"_type":30,"marks":11619,"text":3960},[3959],{"_key":3962,"_type":30,"marks":11621,"text":3964},[],{"_key":3966,"_type":30,"marks":11623,"text":3969},[3968],{"_key":3971,"_type":30,"marks":11625,"text":3973},[],{"_key":3975,"_type":30,"marks":11627,"text":3978},[3977],{"_key":3980,"_type":30,"marks":11629,"text":3982},[],[11631,11632,11633,11634,11635,11636],{"_key":3941,"_type":56,"blank":57,"href":3985},{"_key":3950,"_type":56,"blank":57,"href":3987},{"_key":3959,"_type":56,"blank":57,"href":3989},{"_key":3968,"_type":56,"blank":57,"href":3991},{"_key":3932,"_type":56,"blank":57,"href":3993},{"_key":3977,"_type":56,"blank":57,"href":3995},{"_key":3997,"_type":26,"children":11638,"markDefs":11641,"style":39},[11639],{"_key":4000,"_type":30,"marks":11640,"text":720},[],[],{"_key":4004,"_type":26,"children":11643,"markDefs":11646,"style":39},[11644],{"_key":4007,"_type":30,"marks":11645,"text":4009},[],[],{"alt":4013,"asset":11648},{"_id":4015,"height":831,"orientation":440,"ratio":4016,"url":4017,"width":4018},{"filterYear":11650},[11651],{"_id":186,"title":190},[11653,11654],{"_type":449,"label":4024,"url":4025},{"_type":449,"label":4027,"url":4028},{"locations":11656,"other":9},[11657,11659,11661],{"_id":4032,"_type":459,"seo":9,"slug":11658,"title":4035},{"_type":14,"current":4034},{"_id":458,"_type":459,"seo":9,"slug":11660,"title":462},{"_type":14,"current":461},{"_id":1450,"_type":459,"seo":9,"slug":11662,"title":1451},{"_type":14,"current":1459},[4041,189],{"_type":14,"current":4043},{"alt":9,"asset":11666},{"_id":4047,"height":3572,"orientation":789,"ratio":2697,"url":4048,"width":1723},{"filterCategory":11668,"filterLocation":11678,"filterYear":11681},[11669,11670,11671,11672,11673,11674,11675,11676,11677],{"_id":1121,"title":1126},{"_id":3823,"title":3828},{"_id":3830,"title":3835},{"_id":3837,"title":3842},{"_id":2001,"title":2006},{"_id":3847,"title":3852},{"_id":1840,"title":1845},{"_id":3857,"title":3862},{"_id":3864,"title":3869},[11679,11680],{"_id":458,"title":462},{"_id":4032,"title":4035},[11682],{"_id":186,"title":190},[],{"locations":11685,"other":9},[11686,11688],{"_id":458,"_type":459,"seo":9,"slug":11687,"title":462},{"_type":14,"current":461},{"_id":4032,"_type":459,"seo":9,"slug":11689,"title":4035},{"_type":14,"current":4034},[11691],{"_type":1047,"question":11692},[11693],{"_key":4076,"_type":26,"children":11694,"markDefs":11697,"style":39},[11695],{"_key":4079,"_type":30,"marks":11696,"text":4081},[],[],[4084,189,4085,461,4086,3897,4041,1125,4087,4088,3841,2005,3851,1844,4089,3868],{"_type":14,"current":4091},{"_id":9897,"_type":304,"categories":11701,"credits":11717,"featuredImage":11862,"filterables":11864,"footnotes":11876,"locations":11877,"logbook":9,"pageBuilder":11889,"researchQuestion":9,"researchQuestions":11929,"searchables":11958,"seo":9,"slug":11959,"title":10085,"year":196},[11702,11705,11708,11711,11714],{"_id":9900,"_type":308,"colorPrimary":11703,"seo":9,"slug":11704,"title":9905},{"label":310,"value":9902},{"_type":14,"current":9904},{"_id":1121,"_type":308,"colorPrimary":11706,"seo":9,"slug":11707,"title":1126},{"label":310,"value":1123},{"_type":14,"current":1125},{"_id":9910,"_type":308,"colorPrimary":11709,"seo":9,"slug":11710,"title":9914},{"label":310,"value":1116},{"_type":14,"current":9913},{"_id":9916,"_type":308,"colorPrimary":11712,"seo":9,"slug":11713,"title":9921},{"label":310,"value":9918},{"_type":14,"current":9920},{"_id":358,"_type":308,"colorPrimary":11715,"seo":9,"slug":11716,"title":363},{"label":310,"value":360},{"_type":14,"current":362},{"other":9,"profiles":11718},[11719,11753,11792,11831],{"_id":9162,"_type":389,"activeYears":11720,"bio":11723,"bioShort":9182,"featuredImage":11734,"filterables":11736,"links":11739,"locations":11741,"searchables":11751,"seo":9,"slug":11752,"title":9215},[11721],{"_id":193,"_type":187,"seo":9,"slug":11722,"title":196},{"_type":14,"current":195},[11724,11729],{"_key":9168,"_type":26,"children":11725,"markDefs":11728,"style":39},[11726],{"_key":9171,"_type":30,"marks":11727,"text":9173},[],[],{"_key":9176,"_type":26,"children":11730,"markDefs":11733,"style":39},[11731],{"_key":9179,"_type":30,"marks":11732,"text":720},[],[],{"alt":9,"asset":11735},{"_id":9185,"height":3572,"orientation":440,"ratio":9186,"url":9187,"width":9188},{"filterYear":11737},[11738],{"_id":193,"title":196},[11740],{"_type":449,"label":9194,"url":9194},{"locations":11742,"other":11745},[11743],{"_id":9198,"_type":459,"seo":9,"slug":11744,"title":9201},{"_type":14,"current":9200},[11746],{"_key":9204,"_type":26,"children":11747,"markDefs":11750,"style":39},[11748],{"_key":9207,"_type":30,"marks":11749,"text":9209},[],[],[9212,195],{"_type":14,"current":9214},{"_id":9279,"_type":389,"activeYears":11754,"bio":11757,"bioShort":9307,"featuredImage":11773,"filterables":11775,"links":11778,"locations":11780,"searchables":11790,"seo":9,"slug":11791,"title":9309},[11755],{"_id":193,"_type":187,"seo":9,"slug":11756,"title":196},{"_type":14,"current":195},[11758,11763,11768],{"_key":9285,"_type":26,"children":11759,"markDefs":11762,"style":39},[11760],{"_key":9288,"_type":30,"marks":11761,"text":9290},[],[],{"_key":9293,"_type":26,"children":11764,"markDefs":11767,"style":39},[11765],{"_key":9296,"_type":30,"marks":11766,"text":9298},[],[],{"_key":9301,"_type":26,"children":11769,"markDefs":11772,"style":39},[11770],{"_key":9304,"_type":30,"marks":11771,"text":4175},[],[],{"alt":9309,"asset":11774},{"_id":9311,"height":3572,"orientation":7272,"ratio":1507,"url":9312,"width":3572},{"filterYear":11776},[11777],{"_id":193,"title":196},[11779],{"_type":449,"label":9318,"url":9319},{"locations":11781,"other":11784},[11782],{"_id":9198,"_type":459,"seo":9,"slug":11783,"title":9201},{"_type":14,"current":9200},[11785],{"_key":9326,"_type":26,"children":11786,"markDefs":11789,"style":39},[11787],{"_key":9329,"_type":30,"marks":11788,"text":9331},[],[],[9334,195],{"_type":14,"current":9336},{"_id":9217,"_type":389,"activeYears":11793,"bio":11796,"bioShort":9246,"featuredImage":11812,"filterables":11814,"links":11817,"locations":11819,"searchables":11829,"seo":9,"slug":11830,"title":9248},[11794],{"_id":193,"_type":187,"seo":9,"slug":11795,"title":196},{"_type":14,"current":195},[11797,11802,11807],{"_key":9223,"_type":26,"children":11798,"markDefs":11801,"style":39},[11799],{"_key":9226,"_type":30,"marks":11800,"text":9228},[],[],{"_key":9231,"_type":26,"children":11803,"markDefs":11806,"style":39},[11804],{"_key":9234,"_type":30,"marks":11805,"text":9236},[],[],{"_key":9239,"_type":26,"children":11808,"markDefs":11811,"style":39},[11809],{"_key":9242,"_type":30,"marks":11810,"text":9244},[],[],{"alt":9248,"asset":11813},{"_id":9250,"height":9251,"orientation":789,"ratio":9252,"url":9253,"width":9254},{"filterYear":11815},[11816],{"_id":193,"title":196},[11818],{"_type":449,"label":450,"url":9260},{"locations":11820,"other":11823},[11821],{"_id":458,"_type":459,"seo":9,"slug":11822,"title":462},{"_type":14,"current":461},[11824],{"_key":9267,"_type":26,"children":11825,"markDefs":11828,"style":39},[11826],{"_key":9270,"_type":30,"marks":11827,"text":9272},[],[],[9275,195],{"_type":14,"current":9277},{"_id":10040,"_type":389,"activeYears":11832,"bio":11835,"bioShort":9,"featuredImage":11841,"filterables":11843,"links":11846,"locations":11848,"searchables":11860,"seo":9,"slug":11861,"title":10054},[11833],{"_id":193,"_type":187,"seo":9,"slug":11834,"title":196},{"_type":14,"current":195},[11836],{"_key":10046,"_type":26,"children":11837,"markDefs":11840,"style":39},[11838],{"_key":10049,"_type":30,"marks":11839,"text":10051},[],[],{"alt":10054,"asset":11842},{"_id":10056,"height":10057,"orientation":789,"ratio":2697,"url":10058,"width":3426},{"filterYear":11844},[11845],{"_id":193,"title":196},[11847],{"_type":449,"label":10064,"url":10064},{"locations":11849,"other":11854},[11850,11852],{"_id":9198,"_type":459,"seo":9,"slug":11851,"title":9201},{"_type":14,"current":9200},{"_id":458,"_type":459,"seo":9,"slug":11853,"title":462},{"_type":14,"current":461},[11855],{"_key":10073,"_type":26,"children":11856,"markDefs":11859,"style":39},[11857],{"_key":10076,"_type":30,"marks":11858,"text":10078},[],[],[10081,195],{"_type":14,"current":10083},{"alt":10085,"asset":11863},{"_id":10087,"height":10088,"orientation":789,"ratio":1923,"url":10089,"width":10090},{"filterCategory":11865,"filterLocation":11871,"filterYear":11874},[11866,11867,11868,11869,11870],{"_id":9900,"title":9905},{"_id":1121,"title":1126},{"_id":9910,"title":9914},{"_id":9916,"title":9921},{"_id":358,"title":363},[11872,11873],{"_id":9198,"title":9201},{"_id":458,"title":462},[11875],{"_id":193,"title":196},[],{"locations":11878,"other":11883},[11879,11881],{"_id":9198,"_type":459,"seo":9,"slug":11880,"title":9201},{"_type":14,"current":9200},{"_id":458,"_type":459,"seo":9,"slug":11882,"title":462},{"_type":14,"current":461},[11884],{"_key":10112,"_type":26,"children":11885,"markDefs":11888,"style":39},[11886],{"_key":10115,"_type":30,"marks":11887,"text":10117},[],[],[11890,11891],{"_type":10121,"caption":9,"embedCode":10122},{"_type":7,"settings":11892,"text":11893},{"textColumnCount":941},[11894,11899,11904,11909,11914,11919,11924],{"_key":10127,"_type":26,"children":11895,"markDefs":11898,"style":39},[11896],{"_key":10130,"_type":30,"marks":11897,"text":10132},[],[],{"_key":10135,"_type":26,"children":11900,"markDefs":11903,"style":39},[11901],{"_key":10138,"_type":30,"marks":11902,"text":720},[],[],{"_key":10142,"_type":26,"children":11905,"markDefs":11908,"style":39},[11906],{"_key":10145,"_type":30,"marks":11907,"text":10147},[],[],{"_key":10150,"_type":26,"children":11910,"markDefs":11913,"style":39},[11911],{"_key":10153,"_type":30,"marks":11912,"text":720},[],[],{"_key":10157,"_type":26,"children":11915,"markDefs":11918,"style":39},[11916],{"_key":10160,"_type":30,"marks":11917,"text":10162},[],[],{"_key":10165,"_type":26,"children":11920,"markDefs":11923,"style":39},[11921],{"_key":10168,"_type":30,"marks":11922,"text":720},[],[],{"_key":10172,"_type":26,"children":11925,"markDefs":11928,"style":39},[11926],{"_key":10175,"_type":30,"marks":11927,"text":10177},[],[],[11930,11937,11944,11951],{"_type":1047,"question":11931},[11932],{"_key":10183,"_type":26,"children":11933,"markDefs":11936,"style":39},[11934],{"_key":10186,"_type":30,"marks":11935,"text":10188},[],[],{"_type":1047,"question":11938},[11939],{"_key":10193,"_type":26,"children":11940,"markDefs":11943,"style":39},[11941],{"_key":10196,"_type":30,"marks":11942,"text":10198},[],[],{"_type":1047,"question":11945},[11946],{"_key":10203,"_type":26,"children":11947,"markDefs":11950,"style":39},[11948],{"_key":10206,"_type":30,"marks":11949,"text":10208},[],[],{"_type":1047,"question":11952},[11953],{"_key":10213,"_type":26,"children":11954,"markDefs":11957,"style":39},[11955],{"_key":10216,"_type":30,"marks":11956,"text":10218},[],[],[10085,195,10221,10222,10223,10224,10225,461,10226,9212,9334,9275,10081,10227,9904,1125,10228,9921,1103],{"_type":14,"current":10230},{"_id":10232,"_type":304,"categories":11961,"credits":11968,"featuredImage":12010,"filterables":12012,"footnotes":12020,"locations":12021,"logbook":9,"pageBuilder":12025,"researchQuestion":12039,"researchQuestions":9,"searchables":12045,"seo":9,"slug":12046,"title":9062,"year":201},[11962,11965],{"_id":3864,"_type":308,"colorPrimary":11963,"seo":9,"slug":11964,"title":3869},{"label":310,"value":3866},{"_type":14,"current":3868},{"_id":3823,"_type":308,"colorPrimary":11966,"seo":9,"slug":11967,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"other":9,"profiles":11969},[11970,11988],{"_id":9041,"_type":389,"activeYears":11971,"bio":11974,"bioShort":9054,"featuredImage":9,"filterables":11980,"links":11983,"locations":9,"searchables":11986,"seo":9,"slug":11987,"title":9067},[11972],{"_id":198,"_type":187,"seo":9,"slug":11973,"title":201},{"_type":14,"current":200},[11975],{"_key":9047,"_type":26,"children":11976,"markDefs":11979,"style":39},[11977],{"_key":9050,"_type":30,"marks":11978,"text":9052},[],[],{"filterYear":11981},[11982],{"_id":198,"title":201},[11984,11985],{"_type":449,"label":453,"url":9060},{"_type":449,"label":9062,"url":9030},[9064,200],{"_type":14,"current":9066},{"_id":9008,"_type":389,"activeYears":11989,"bio":11992,"bioShort":9021,"featuredImage":9,"filterables":11998,"links":12001,"locations":12004,"searchables":12008,"seo":9,"slug":12009,"title":9039},[11990],{"_id":198,"_type":187,"seo":9,"slug":11991,"title":201},{"_type":14,"current":200},[11993],{"_key":9014,"_type":26,"children":11994,"markDefs":11997,"style":39},[11995],{"_key":9017,"_type":30,"marks":11996,"text":9019},[],[],{"filterYear":11999},[12000],{"_id":198,"title":201},[12002,12003],{"_type":449,"label":9027,"url":9028},{"_type":449,"label":450,"url":9030},{"locations":12005,"other":9},[12006],{"_id":458,"_type":459,"seo":9,"slug":12007,"title":462},{"_type":14,"current":461},[9036,200],{"_type":14,"current":9038},{"alt":10283,"asset":12011},{"_id":10285,"height":3467,"orientation":789,"ratio":2697,"url":10286,"width":2187},{"filterCategory":12013,"filterLocation":12016,"filterYear":12018},[12014,12015],{"_id":3864,"title":3869},{"_id":3823,"title":3828},[12017],{"_id":458,"title":462},[12019],{"_id":198,"title":201},[],{"locations":12022,"other":9},[12023],{"_id":458,"_type":459,"seo":9,"slug":12024,"title":462},{"_type":14,"current":461},[12026],{"_type":7,"settings":12027,"text":12028},{"textColumnCount":941},[12029,12034],{"_key":10305,"_type":26,"children":12030,"markDefs":12033,"style":39},[12031],{"_key":10308,"_type":30,"marks":12032,"text":10310},[],[],{"_key":10313,"_type":26,"children":12035,"markDefs":12038,"style":39},[12036],{"_key":10316,"_type":30,"marks":12037,"text":10318},[],[],[12040],{"_key":10322,"_type":26,"children":12041,"markDefs":12044,"style":39},[12042],{"_key":10325,"_type":30,"marks":12043,"text":10327},[],[],[10330,200,461,9064,9036,10331,3868,4087],{"_type":14,"current":10333},{"locations":12048,"other":12053},[12049,12051],{"_id":7763,"_type":459,"seo":9,"slug":12050,"title":7764},{"_type":14,"current":7773},{"_id":458,"_type":459,"seo":9,"slug":12052,"title":462},{"_type":14,"current":461},[12054],{"_key":10342,"_type":26,"children":12055,"markDefs":12058,"style":39},[12056],{"_key":10345,"_type":30,"marks":12057,"text":10347},[],[],[12060,12088,12167],{"_type":7,"settings":12061,"text":12062},{"textColumnCount":941},[12063,12068,12073,12078,12083],{"_key":10354,"_type":26,"children":12064,"markDefs":12067,"style":39},[12065],{"_key":10357,"_type":30,"marks":12066,"text":10359},[32],[],{"_key":10362,"_type":26,"children":12069,"markDefs":12072,"style":39},[12070],{"_key":10365,"_type":30,"marks":12071,"text":10367},[],[],{"_key":10370,"_type":26,"children":12074,"markDefs":12077,"style":39},[12075],{"_key":10373,"_type":30,"marks":12076,"text":10375},[],[],{"_key":10378,"_type":26,"children":12079,"markDefs":12082,"style":39},[12080],{"_key":10381,"_type":30,"marks":12081,"text":720},[],[],{"_key":10385,"_type":26,"children":12084,"markDefs":12087,"style":39},[12085],{"_key":10388,"_type":30,"marks":12086,"text":10390},[],[],{"_type":7,"settings":12089,"text":12090},{"textColumnCount":941},[12091,12096,12101,12109,12116,12123,12128,12135,12140,12145,12152,12159],{"_key":10396,"_type":26,"children":12092,"markDefs":12095,"style":39},[12093],{"_key":10399,"_type":30,"marks":12094,"text":10401},[32],[],{"_key":10404,"_type":26,"children":12097,"markDefs":12100,"style":39},[12098],{"_key":10407,"_type":30,"marks":12099,"text":10409},[],[],{"_key":10412,"_type":26,"children":12102,"markDefs":12107,"style":39},[12103,12105],{"_key":10415,"_type":30,"marks":12104,"text":10418},[10417],{"_key":10420,"_type":30,"marks":12106,"text":4175},[],[12108],{"_key":10417,"_type":56,"blank":57,"href":7960},{"_key":10425,"_type":26,"children":12110,"markDefs":12115,"style":39},[12111,12113],{"_key":10428,"_type":30,"marks":12112,"text":10430},[32],{"_key":10432,"_type":30,"marks":12114,"text":10434},[],[],{"_key":10437,"_type":26,"children":12117,"markDefs":12122,"style":39},[12118,12120],{"_key":10440,"_type":30,"marks":12119,"text":10442},[32],{"_key":10444,"_type":30,"marks":12121,"text":10446},[],[],{"_key":10449,"_type":26,"children":12124,"markDefs":12127,"style":39},[12125],{"_key":10452,"_type":30,"marks":12126,"text":10454},[32],[],{"_key":10457,"_type":26,"children":12129,"markDefs":12134,"style":39},[12130,12132],{"_key":10460,"_type":30,"marks":12131,"text":10462},[32],{"_key":10464,"_type":30,"marks":12133,"text":10466},[],[],{"_key":10469,"_type":26,"children":12136,"markDefs":12139,"style":39},[12137],{"_key":10472,"_type":30,"marks":12138,"text":10474},[32],[],{"_key":10477,"_type":26,"children":12141,"markDefs":12144,"style":39},[12142],{"_key":10480,"_type":30,"marks":12143,"text":10482},[],[],{"_key":10485,"_type":26,"children":12146,"markDefs":12151,"style":39},[12147,12149],{"_key":10488,"_type":30,"marks":12148,"text":10490},[32],{"_key":10492,"_type":30,"marks":12150,"text":10494},[],[],{"_key":10497,"_type":26,"children":12153,"markDefs":12158,"style":39},[12154,12156],{"_key":10500,"_type":30,"marks":12155,"text":10502},[32],{"_key":10504,"_type":30,"marks":12157,"text":10506},[],[],{"_key":10509,"_type":26,"children":12160,"markDefs":12165,"style":39},[12161,12163],{"_key":10512,"_type":30,"marks":12162,"text":10514},[],{"_key":10516,"_type":30,"marks":12164,"text":10519},[10518],[12166],{"_key":10518,"_type":56,"blank":57,"href":10522},{"_type":7,"settings":12168,"text":12169},{"textColumnCount":941},[12170,12175,12180,12185,12190,12195,12200,12207,12214,12221,12228,12235,12246,12253,12260],{"_key":10527,"_type":26,"children":12171,"markDefs":12174,"style":39},[12172],{"_key":10530,"_type":30,"marks":12173,"text":10390},[],[],{"_key":10534,"_type":26,"children":12176,"markDefs":12179,"style":39},[12177],{"_key":10537,"_type":30,"marks":12178,"text":720},[],[],{"_key":10541,"_type":26,"children":12181,"markDefs":12184,"style":39},[12182],{"_key":10544,"_type":30,"marks":12183,"text":10546},[32],[],{"_key":10549,"_type":26,"children":12186,"markDefs":12189,"style":39},[12187],{"_key":10552,"_type":30,"marks":12188,"text":10554},[],[],{"_key":10557,"_type":26,"children":12191,"markDefs":12194,"style":39},[12192],{"_key":10560,"_type":30,"marks":12193,"text":10562},[],[],{"_key":10565,"_type":26,"children":12196,"markDefs":12199,"style":39},[12197],{"_key":10568,"_type":30,"marks":12198,"text":10570},[32],[],{"_key":10573,"_type":26,"children":12201,"markDefs":12206,"style":39},[12202,12204],{"_key":10576,"_type":30,"marks":12203,"text":10578},[32],{"_key":10580,"_type":30,"marks":12205,"text":10582},[],[],{"_key":10585,"_type":26,"children":12208,"level":1507,"listItem":1508,"markDefs":12213,"style":39},[12209,12211],{"_key":10588,"_type":30,"marks":12210,"text":10590},[32],{"_key":10592,"_type":30,"marks":12212,"text":10594},[],[],{"_key":10597,"_type":26,"children":12215,"level":1507,"listItem":1508,"markDefs":12220,"style":39},[12216,12218],{"_key":10600,"_type":30,"marks":12217,"text":10085},[32],{"_key":10603,"_type":30,"marks":12219,"text":10605},[],[],{"_key":10608,"_type":26,"children":12222,"level":1507,"listItem":1508,"markDefs":12227,"style":39},[12223,12225],{"_key":10611,"_type":30,"marks":12224,"text":10613},[32],{"_key":10615,"_type":30,"marks":12226,"text":10617},[],[],{"_key":10620,"_type":26,"children":12229,"level":1507,"listItem":1508,"markDefs":12234,"style":39},[12230,12232],{"_key":10623,"_type":30,"marks":12231,"text":10625},[32],{"_key":10627,"_type":30,"marks":12233,"text":10629},[],[],{"_key":10632,"_type":26,"children":12236,"level":1507,"listItem":1508,"markDefs":12245,"style":39},[12237,12239,12241,12243],{"_key":10635,"_type":30,"marks":12238,"text":10637},[32],{"_key":10639,"_type":30,"marks":12240,"text":10641},[],{"_key":10643,"_type":30,"marks":12242,"text":10645},[874],{"_key":10647,"_type":30,"marks":12244,"text":10649},[],[],{"_key":10652,"_type":26,"children":12247,"level":1507,"listItem":1508,"markDefs":12252,"style":39},[12248,12250],{"_key":10655,"_type":30,"marks":12249,"text":10657},[32],{"_key":10659,"_type":30,"marks":12251,"text":10661},[],[],{"_key":10664,"_type":26,"children":12254,"level":1507,"listItem":1508,"markDefs":12259,"style":39},[12255,12257],{"_key":10667,"_type":30,"marks":12256,"text":10669},[32],{"_key":10671,"_type":30,"marks":12258,"text":10673},[],[],{"_key":10676,"_type":26,"children":12261,"markDefs":12266,"style":39},[12262,12264],{"_key":10679,"_type":30,"marks":12263,"text":10681},[32],{"_key":10683,"_type":30,"marks":12265,"text":10685},[],[],[10688,7773,461,10689,8921,1125,3841,8902,10690,10691,10692,10693,7589,9003,9036,9064,3897,7745,9212,9275,9334],{"_type":14,"current":10695},[12270],{"_id":8278,"_type":7846,"seo":9,"slug":12271,"title":8279},{"_type":14,"current":8912},{"_id":8080,"_type":12,"additionalDetails":9,"categories":12273,"credits":12280,"dates":12355,"events":12356,"featuredImage":12367,"filterables":12369,"labs":12377,"locations":12683,"pageBuilder":12698,"parentEvent":9,"searchables":12800,"seo":9,"slug":12801,"summary":8907,"title":8908,"types":12802},[12274,12277],{"_id":8083,"_type":308,"colorPrimary":12275,"seo":9,"slug":12276,"title":8088},{"label":310,"value":8085},{"_type":14,"current":8087},{"_id":8090,"_type":308,"colorPrimary":12278,"seo":9,"slug":12279,"title":8095},{"label":310,"value":8092},{"_type":14,"current":8094},{"other":9,"profiles":12281},[12282],{"_id":8099,"_type":389,"activeYears":12283,"bio":12286,"bioShort":8189,"featuredImage":12332,"filterables":12334,"links":12337,"locations":12341,"searchables":12353,"seo":9,"slug":12354,"title":8228},[12284],{"_id":193,"_type":187,"seo":9,"slug":12285,"title":196},{"_type":14,"current":195},[12287,12292,12297,12302],{"_key":8105,"_type":26,"children":12288,"markDefs":12291,"style":39},[12289],{"_key":8108,"_type":30,"marks":12290,"text":8110},[],[],{"_key":8113,"_type":26,"children":12293,"markDefs":12296,"style":39},[12294],{"_key":8116,"_type":30,"marks":12295,"text":8118},[],[],{"_key":8121,"_type":26,"children":12298,"markDefs":12301,"style":39},[12299],{"_key":8124,"_type":30,"marks":12300,"text":8126},[],[],{"_key":8129,"_type":26,"children":12303,"markDefs":12326,"style":39},[12304,12306,12308,12310,12312,12314,12316,12318,12320,12322,12324],{"_key":8132,"_type":30,"marks":12305,"text":8134},[],{"_key":8136,"_type":30,"marks":12307,"text":8139},[8138],{"_key":8141,"_type":30,"marks":12309,"text":8143},[],{"_key":8145,"_type":30,"marks":12311,"text":8148},[8147],{"_key":8150,"_type":30,"marks":12313,"text":8152},[],{"_key":8154,"_type":30,"marks":12315,"text":8157},[8156],{"_key":8159,"_type":30,"marks":12317,"text":8161},[],{"_key":8163,"_type":30,"marks":12319,"text":33},[8165],{"_key":8167,"_type":30,"marks":12321,"text":8169},[],{"_key":8171,"_type":30,"marks":12323,"text":8174},[8173],{"_key":8176,"_type":30,"marks":12325,"text":5377},[],[12327,12328,12329,12330,12331],{"_key":8138,"_type":56,"href":8180},{"_key":8147,"_type":56,"href":8182},{"_key":8156,"_type":56,"href":8184},{"_key":8165,"_type":56,"href":8186},{"_key":8173,"_type":56,"href":8188},{"alt":8191,"asset":12333},{"_id":8193,"height":8194,"orientation":789,"ratio":8195,"url":8196,"width":8197},{"filterYear":12335},[12336],{"_id":193,"title":196},[12338,12339,12340],{"_type":449,"label":450,"url":8203},{"_type":449,"label":453,"url":8205},{"_type":449,"label":8207,"url":8208},{"locations":12342,"other":12347},[12343,12345],{"_id":458,"_type":459,"seo":9,"slug":12344,"title":462},{"_type":14,"current":461},{"_id":7584,"_type":459,"seo":9,"slug":12346,"title":7587},{"_type":14,"current":7586},[12348],{"_key":8217,"_type":26,"children":12349,"markDefs":12352,"style":39},[12350],{"_key":8220,"_type":30,"marks":12351,"text":8222},[],[],[8225,195],{"_type":14,"current":8227},{"endDate":8230,"other":8231,"startDate":8230},[12357,12362],{"_id":8234,"_type":12,"dates":12358,"featuredImage":12359,"seo":9,"slug":12361,"summary":8244,"title":8245},{"endDate":8236,"other":8237,"startDate":8236},{"alt":9,"asset":12360},{"_id":8240,"height":7413,"orientation":440,"ratio":4574,"url":8241,"width":2184},{"_type":14,"current":8243},{"_id":8247,"_type":12,"dates":12363,"featuredImage":12364,"seo":9,"slug":12366,"summary":8261,"title":8262},{"endDate":8249,"other":8250,"startDate":8249},{"alt":8252,"asset":12365},{"_id":8254,"height":8255,"orientation":789,"ratio":8256,"url":8257,"width":8258},{"_type":14,"current":8260},{"alt":9,"asset":12368},{"_id":8265,"height":8266,"orientation":440,"ratio":8267,"url":8268,"width":8269},{"filterCategory":12370,"filterLocation":12373,"filterType":12375},[12371,12372],{"_id":8083,"title":8088},{"_id":8090,"title":8095},[12374],{"_id":7763,"title":7764},[12376],{"_id":8278,"title":8279},[12378],{"_id":8282,"_type":304,"categories":12379,"credits":12401,"featuredImage":12561,"filterables":12563,"footnotes":12576,"locations":12577,"logbook":9,"pageBuilder":12587,"researchQuestion":9,"researchQuestions":12659,"searchables":12681,"seo":9,"slug":12682,"title":8719,"year":196},[12380,12383,12386,12389,12392,12395,12398],{"_id":8285,"_type":308,"colorPrimary":12381,"seo":9,"slug":12382,"title":8290},{"label":310,"value":8287},{"_type":14,"current":8289},{"_id":3830,"_type":308,"colorPrimary":12384,"seo":9,"slug":12385,"title":3835},{"label":310,"value":3832},{"_type":14,"current":3834},{"_id":3847,"_type":308,"colorPrimary":12387,"seo":9,"slug":12388,"title":3852},{"label":310,"value":3849},{"_type":14,"current":3851},{"_id":2001,"_type":308,"colorPrimary":12390,"seo":9,"slug":12391,"title":2006},{"label":310,"value":2003},{"_type":14,"current":2005},{"_id":8301,"_type":308,"colorPrimary":12393,"seo":9,"slug":12394,"title":8306},{"label":310,"value":8303},{"_type":14,"current":8305},{"_id":8083,"_type":308,"colorPrimary":12396,"seo":9,"slug":12397,"title":8088},{"label":310,"value":8085},{"_type":14,"current":8087},{"_id":8090,"_type":308,"colorPrimary":12399,"seo":9,"slug":12400,"title":8095},{"label":310,"value":8092},{"_type":14,"current":8094},{"other":9,"profiles":12402},[12403,12476],{"_id":8099,"_type":389,"activeYears":12404,"bio":12407,"bioShort":8189,"featuredImage":12453,"filterables":12455,"links":12458,"locations":12462,"searchables":12474,"seo":9,"slug":12475,"title":8228},[12405],{"_id":193,"_type":187,"seo":9,"slug":12406,"title":196},{"_type":14,"current":195},[12408,12413,12418,12423],{"_key":8105,"_type":26,"children":12409,"markDefs":12412,"style":39},[12410],{"_key":8108,"_type":30,"marks":12411,"text":8110},[],[],{"_key":8113,"_type":26,"children":12414,"markDefs":12417,"style":39},[12415],{"_key":8116,"_type":30,"marks":12416,"text":8118},[],[],{"_key":8121,"_type":26,"children":12419,"markDefs":12422,"style":39},[12420],{"_key":8124,"_type":30,"marks":12421,"text":8126},[],[],{"_key":8129,"_type":26,"children":12424,"markDefs":12447,"style":39},[12425,12427,12429,12431,12433,12435,12437,12439,12441,12443,12445],{"_key":8132,"_type":30,"marks":12426,"text":8134},[],{"_key":8136,"_type":30,"marks":12428,"text":8139},[8138],{"_key":8141,"_type":30,"marks":12430,"text":8143},[],{"_key":8145,"_type":30,"marks":12432,"text":8148},[8147],{"_key":8150,"_type":30,"marks":12434,"text":8152},[],{"_key":8154,"_type":30,"marks":12436,"text":8157},[8156],{"_key":8159,"_type":30,"marks":12438,"text":8161},[],{"_key":8163,"_type":30,"marks":12440,"text":33},[8165],{"_key":8167,"_type":30,"marks":12442,"text":8169},[],{"_key":8171,"_type":30,"marks":12444,"text":8174},[8173],{"_key":8176,"_type":30,"marks":12446,"text":5377},[],[12448,12449,12450,12451,12452],{"_key":8138,"_type":56,"href":8180},{"_key":8147,"_type":56,"href":8182},{"_key":8156,"_type":56,"href":8184},{"_key":8165,"_type":56,"href":8186},{"_key":8173,"_type":56,"href":8188},{"alt":8191,"asset":12454},{"_id":8193,"height":8194,"orientation":789,"ratio":8195,"url":8196,"width":8197},{"filterYear":12456},[12457],{"_id":193,"title":196},[12459,12460,12461],{"_type":449,"label":450,"url":8203},{"_type":449,"label":453,"url":8205},{"_type":449,"label":8207,"url":8208},{"locations":12463,"other":12468},[12464,12466],{"_id":458,"_type":459,"seo":9,"slug":12465,"title":462},{"_type":14,"current":461},{"_id":7584,"_type":459,"seo":9,"slug":12467,"title":7587},{"_type":14,"current":7586},[12469],{"_key":8217,"_type":26,"children":12470,"markDefs":12473,"style":39},[12471],{"_key":8220,"_type":30,"marks":12472,"text":8222},[],[],[8225,195],{"_type":14,"current":8227},{"_id":8389,"_type":389,"activeYears":12477,"bio":12480,"bioShort":8500,"featuredImage":12538,"filterables":12540,"links":12543,"locations":12547,"searchables":12559,"seo":9,"slug":12560,"title":8139},[12478],{"_id":193,"_type":187,"seo":9,"slug":12479,"title":196},{"_type":14,"current":195},[12481,12486,12513,12518],{"_key":8395,"_type":26,"children":12482,"markDefs":12485,"style":39},[12483],{"_key":8398,"_type":30,"marks":12484,"text":8400},[],[],{"_key":8403,"_type":26,"children":12487,"markDefs":12508,"style":39},[12488,12490,12492,12494,12496,12498,12500,12502,12504,12506],{"_key":8406,"_type":30,"marks":12489,"text":8408},[],{"_key":8410,"_type":30,"marks":12491,"text":8413},[8412],{"_key":8415,"_type":30,"marks":12493,"text":8417},[],{"_key":8419,"_type":30,"marks":12495,"text":8422},[8421],{"_key":8424,"_type":30,"marks":12497,"text":8426},[],{"_key":8428,"_type":30,"marks":12499,"text":8431},[8430],{"_key":8433,"_type":30,"marks":12501,"text":8435},[],{"_key":8437,"_type":30,"marks":12503,"text":8440},[874,8439],{"_key":8442,"_type":30,"marks":12505,"text":1249},[874],{"_key":8445,"_type":30,"marks":12507,"text":8447},[],[12509,12510,12511,12512],{"_key":8430,"_type":56,"href":8450},{"_key":8412,"_type":56,"href":8452},{"_key":8421,"_type":56,"href":8454},{"_key":8439,"_type":56,"href":8456},{"_key":8458,"_type":26,"children":12514,"markDefs":12517,"style":39},[12515],{"_key":8461,"_type":30,"marks":12516,"text":720},[],[],{"_key":8465,"_type":26,"children":12519,"markDefs":12534,"style":39},[12520,12522,12524,12526,12528,12530,12532],{"_key":8468,"_type":30,"marks":12521,"text":8134},[],{"_key":8471,"_type":30,"marks":12523,"text":8228},[8473],{"_key":8475,"_type":30,"marks":12525,"text":8143},[],{"_key":8478,"_type":30,"marks":12527,"text":8148},[8480],{"_key":8482,"_type":30,"marks":12529,"text":8484},[],{"_key":8486,"_type":30,"marks":12531,"text":8489},[8488],{"_key":8491,"_type":30,"marks":12533,"text":8493},[],[12535,12536,12537],{"_key":8473,"_type":56,"href":8203},{"_key":8488,"_type":56,"href":8497},{"_key":8480,"_type":56,"href":8499},{"alt":8502,"asset":12539},{"_id":8504,"height":7153,"orientation":789,"ratio":2697,"url":8505,"width":3369},{"filterYear":12541},[12542],{"_id":193,"title":196},[12544,12545,12546],{"_type":449,"label":450,"url":8180},{"_type":449,"label":453,"url":8512},{"_type":449,"label":8514,"url":8515},{"locations":12548,"other":12553},[12549,12551],{"_id":458,"_type":459,"seo":9,"slug":12550,"title":462},{"_type":14,"current":461},{"_id":7584,"_type":459,"seo":9,"slug":12552,"title":7587},{"_type":14,"current":7586},[12554],{"_key":8524,"_type":26,"children":12555,"markDefs":12558,"style":39},[12556],{"_key":8527,"_type":30,"marks":12557,"text":8529},[],[],[8532,195],{"_type":14,"current":8534},{"alt":8536,"asset":12562},{"_id":8538,"height":8539,"orientation":789,"ratio":8540,"url":8541,"width":439},{"filterCategory":12564,"filterLocation":12572,"filterYear":12574},[12565,12566,12567,12568,12569,12570,12571],{"_id":8285,"title":8290},{"_id":3830,"title":3835},{"_id":3847,"title":3852},{"_id":2001,"title":2006},{"_id":8301,"title":8306},{"_id":8083,"title":8088},{"_id":8090,"title":8095},[12573],{"_id":458,"title":462},[12575],{"_id":193,"title":196},[],{"locations":12578,"other":12581},[12579],{"_id":458,"_type":459,"seo":9,"slug":12580,"title":462},{"_type":14,"current":461},[12582],{"_key":8562,"_type":26,"children":12583,"markDefs":12586,"style":39},[12584],{"_key":8565,"_type":30,"marks":12585,"text":5127},[],[],[12588,12601,12610],{"_type":7,"settings":12589,"text":12590},{"textColumnCount":941},[12591,12596],{"_key":8573,"_type":26,"children":12592,"markDefs":12595,"style":39},[12593],{"_key":8576,"_type":30,"marks":12594,"text":8578},[],[],{"_key":8581,"_type":26,"children":12597,"markDefs":12600,"style":39},[12598],{"_key":8584,"_type":30,"marks":12599,"text":8586},[],[],{"_type":936,"caption":12602,"image":12608},[12603],{"_key":8591,"_type":26,"children":12604,"markDefs":12607,"style":39},[12605],{"_key":8594,"_type":30,"marks":12606,"text":8536},[],[],{"alt":8536,"asset":12609},{"_id":8538,"height":8539,"orientation":789,"ratio":8540,"url":8541,"width":439},{"_type":7,"settings":12611,"text":12612},{"textColumnCount":941},[12613,12618,12623,12628,12640,12649,12654],{"_key":8603,"_type":26,"children":12614,"markDefs":12617,"style":39},[12615],{"_key":8606,"_type":30,"marks":12616,"text":8608},[],[],{"_key":8611,"_type":26,"children":12619,"markDefs":12622,"style":39},[12620],{"_key":8614,"_type":30,"marks":12621,"text":8616},[],[],{"_key":8619,"_type":26,"children":12624,"markDefs":12627,"style":39},[12625],{"_key":8622,"_type":30,"marks":12626,"text":8624},[],[],{"_key":8627,"_type":26,"children":12629,"markDefs":12638,"style":39},[12630,12632,12634,12636],{"_key":8630,"_type":30,"marks":12631,"text":8632},[],{"_key":8634,"_type":30,"marks":12633,"text":8636},[874],{"_key":8638,"_type":30,"marks":12635,"text":8640},[],{"_key":8642,"_type":30,"marks":12637,"text":8645},[8644],[12639],{"_key":8644,"_type":56,"href":8645},{"_key":8649,"_type":26,"children":12641,"markDefs":12648,"style":39},[12642,12644,12646],{"_key":8652,"_type":30,"marks":12643,"text":8654},[],{"_key":8656,"_type":30,"marks":12645,"text":8658},[874],{"_key":8660,"_type":30,"marks":12647,"text":8662},[],[],{"_key":8665,"_type":26,"children":12650,"markDefs":12653,"style":39},[12651],{"_key":8668,"_type":30,"marks":12652,"text":4175},[],[],{"_key":8672,"_type":26,"children":12655,"markDefs":12658,"style":39},[12656],{"_key":8675,"_type":30,"marks":12657,"text":720},[],[],[12660,12667,12674],{"_type":1047,"question":12661},[12662],{"_key":8682,"_type":26,"children":12663,"markDefs":12666,"style":39},[12664],{"_key":8685,"_type":30,"marks":12665,"text":8687},[],[],{"_type":1047,"question":12668},[12669],{"_key":8692,"_type":26,"children":12670,"markDefs":12673,"style":39},[12671],{"_key":8695,"_type":30,"marks":12672,"text":8697},[],[],{"_type":1047,"question":12675},[12676],{"_key":8702,"_type":26,"children":12677,"markDefs":12680,"style":39},[12678],{"_key":8705,"_type":30,"marks":12679,"text":8707},[],[],[8710,195,8711,8712,8713,461,5177,8225,8532,8714,8715,8716,4088,3851,2005,8717,8087,8094],{"_type":14,"current":8710},{"locations":12684,"other":12687},[12685],{"_id":7763,"_type":459,"seo":9,"slug":12686,"title":7764},{"_type":14,"current":7773},[12688],{"_key":8726,"_type":26,"children":12689,"markDefs":12696,"style":39},[12690,12692,12694],{"_key":8729,"_type":30,"marks":12691,"text":8731},[],{"_key":8733,"_type":30,"marks":12693,"text":8736},[8735],{"_key":8738,"_type":30,"marks":12695,"text":408},[],[12697],{"_key":8735,"_type":56,"href":7960},[12699,12702],{"_type":936,"caption":9,"image":12700},{"alt":9,"asset":12701},{"_id":8265,"height":8266,"orientation":440,"ratio":8267,"url":8268,"width":8269},{"_type":7,"settings":12703,"text":12704},{"textColumnCount":941},[12705,12710,12715,12720,12725,12730,12735,12740,12745,12750,12756,12761,12766,12771,12776,12784,12792],{"_key":8750,"_type":26,"children":12706,"markDefs":12709,"style":39},[12707],{"_key":8753,"_type":30,"marks":12708,"text":8755},[],[],{"_key":8758,"_type":26,"children":12711,"markDefs":12714,"style":39},[12712],{"_key":8761,"_type":30,"marks":12713,"text":720},[],[],{"_key":8765,"_type":26,"children":12716,"markDefs":12719,"style":39},[12717],{"_key":8768,"_type":30,"marks":12718,"text":8770},[],[],{"_key":8773,"_type":26,"children":12721,"markDefs":12724,"style":39},[12722],{"_key":8776,"_type":30,"marks":12723,"text":8778},[],[],{"_key":8781,"_type":26,"children":12726,"markDefs":12729,"style":39},[12727],{"_key":8784,"_type":30,"marks":12728,"text":8786},[],[],{"_key":8789,"_type":26,"children":12731,"markDefs":12734,"style":39},[12732],{"_key":8792,"_type":30,"marks":12733,"text":8794},[],[],{"_key":8797,"_type":26,"children":12736,"markDefs":12739,"style":39},[12737],{"_key":8800,"_type":30,"marks":12738,"text":8802},[],[],{"_key":8805,"_type":26,"children":12741,"markDefs":12744,"style":39},[12742],{"_key":8808,"_type":30,"marks":12743,"text":8810},[],[],{"_key":8813,"_type":26,"children":12746,"markDefs":12749,"style":39},[12747],{"_key":8816,"_type":30,"marks":12748,"text":720},[],[],{"_key":8820,"_type":26,"children":12751,"markDefs":12754,"style":39},[12752],{"_key":8823,"_type":30,"marks":12753,"text":8203},[8825],[12755],{"_key":8825,"_type":56,"href":8203},{"_key":8829,"_type":26,"children":12757,"markDefs":12760,"style":39},[12758],{"_key":8832,"_type":30,"marks":12759,"text":720},[],[],{"_key":8836,"_type":26,"children":12762,"markDefs":12765,"style":39},[12763],{"_key":8839,"_type":30,"marks":12764,"text":720},[],[],{"_key":8843,"_type":26,"children":12767,"markDefs":12770,"style":39},[12768],{"_key":8846,"_type":30,"marks":12769,"text":720},[],[],{"_key":8850,"_type":26,"children":12772,"markDefs":12775,"style":39},[12773],{"_key":8853,"_type":30,"marks":12774,"text":8855},[32],[],{"_key":8858,"_type":26,"children":12777,"markDefs":12782,"style":39},[12778,12780],{"_key":8861,"_type":30,"marks":12779,"text":8863},[],{"_key":8865,"_type":30,"marks":12781,"text":8868},[8867],[12783],{"_key":8867,"_type":56,"href":8868},{"_key":8872,"_type":26,"children":12785,"markDefs":12790,"style":39},[12786,12788],{"_key":8875,"_type":30,"marks":12787,"text":8877},[],{"_key":8879,"_type":30,"marks":12789,"text":8882},[8881],[12791],{"_key":8881,"_type":56,"href":8882},{"_key":8886,"_type":26,"children":12793,"markDefs":12798,"style":39},[12794,12796],{"_key":8889,"_type":30,"marks":12795,"text":8891},[],{"_key":8893,"_type":30,"marks":12797,"text":8896},[8895],[12799],{"_key":8895,"_type":56,"href":8896},[8900,7773,8901,8087,8094,8902,8903,8904,8225],{"_type":14,"current":8906},[12803],{"_id":8278,"_type":7846,"seo":9,"slug":12804,"title":8279},{"_type":14,"current":8912},{"_id":11,"_type":12,"additionalDetails":12806,"categories":12815,"credits":12819,"dates":12868,"events":12869,"featuredImage":12870,"filterables":12872,"labs":9,"locations":12879,"pageBuilder":12894,"parentEvent":9,"searchables":12964,"seo":9,"slug":12965,"summary":8075,"title":16,"types":12966},[12807],{"_key":7851,"_type":26,"children":12808,"markDefs":12813,"style":39},[12809,12811],{"_key":7854,"_type":30,"marks":12810,"text":7857},[7856],{"_key":7854,"_type":30,"marks":12812,"text":720},[],[12814],{"_key":7856,"_type":56,"blank":57,"href":7862},[12816],{"_id":7865,"_type":308,"colorPrimary":12817,"seo":9,"slug":12818,"title":7870},{"label":310,"value":7867},{"_type":14,"current":7869},{"other":9,"profiles":12820},[12821],{"_id":7528,"_type":389,"activeYears":12822,"bio":12841,"bioShort":7563,"featuredImage":12847,"filterables":12848,"links":12859,"locations":12862,"searchables":12866,"seo":9,"slug":12867,"title":33},[12823,12825,12827,12829,12831,12833,12835,12837,12839],{"_id":7531,"_type":187,"seo":9,"slug":12824,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":12826,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":12828,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":12830,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":12832,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":12834,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":12836,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":12838,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":12840,"title":196},{"_type":14,"current":195},[12842],{"_key":7556,"_type":26,"children":12843,"markDefs":12846,"style":39},[12844],{"_key":7559,"_type":30,"marks":12845,"text":7561},[],[],{"alt":33,"asset":9},{"filterYear":12849},[12850,12851,12852,12853,12854,12855,12856,12857,12858],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[12860,12861],{"_type":449,"label":7578,"url":7579},{"_type":449,"label":453,"url":73},{"locations":12863,"other":9},[12864],{"_id":7584,"_type":459,"seo":9,"slug":12865,"title":7587},{"_type":14,"current":7586},[7589,7533,7538,225,220,215,210,205,200,195],{"_type":14,"current":7591},{"endDate":7921,"other":7922,"startDate":7921},[],{"alt":16,"asset":12871},{"_id":7926,"height":7927,"orientation":440,"ratio":7928,"url":7929,"width":7930},{"filterCategory":12873,"filterLocation":12875,"filterType":12877},[12874],{"_id":7865,"title":7870},[12876],{"_id":7763,"title":7764},[12878],{"_id":7767,"title":7768},{"locations":12880,"other":12883},[12881],{"_id":7763,"_type":459,"seo":9,"slug":12882,"title":7764},{"_type":14,"current":7773},[12884],{"_key":7944,"_type":26,"children":12885,"markDefs":12892,"style":39},[12886,12888,12890],{"_key":7947,"_type":30,"marks":12887,"text":7949},[],{"_key":7951,"_type":30,"marks":12889,"text":7954},[7953],{"_key":7956,"_type":30,"marks":12891,"text":408},[],[12893],{"_key":7953,"_type":56,"href":7960},[12895,12918],{"_type":7,"settings":12896,"text":12897},{"textColumnCount":941},[12898,12903,12908,12913],{"_key":7966,"_type":26,"children":12899,"markDefs":12902,"style":39},[12900],{"_key":7969,"_type":30,"marks":12901,"text":7971},[],[],{"_key":7974,"_type":26,"children":12904,"markDefs":12907,"style":39},[12905],{"_key":7977,"_type":30,"marks":12906,"text":7979},[],[],{"_key":7982,"_type":26,"children":12909,"markDefs":12912,"style":39},[12910],{"_key":7985,"_type":30,"marks":12911,"text":7987},[],[],{"_key":7990,"_type":26,"children":12914,"markDefs":12917,"style":39},[12915],{"_key":7993,"_type":30,"marks":12916,"text":7995},[],[],{"_type":7,"settings":12919,"text":12920},{"textColumnCount":941},[12921,12926,12931,12936,12941,12949,12954,12959],{"_key":8001,"_type":26,"children":12922,"markDefs":12925,"style":39},[12923],{"_key":8004,"_type":30,"marks":12924,"text":8006},[32],[],{"_key":8009,"_type":26,"children":12927,"markDefs":12930,"style":39},[12928],{"_key":8012,"_type":30,"marks":12929,"text":720},[],[],{"_key":8016,"_type":26,"children":12932,"markDefs":12935,"style":39},[12933],{"_key":8019,"_type":30,"marks":12934,"text":8021},[],[],{"_key":8024,"_type":26,"children":12937,"markDefs":12940,"style":39},[12938],{"_key":8027,"_type":30,"marks":12939,"text":720},[],[],{"_key":8031,"_type":26,"children":12942,"markDefs":12947,"style":39},[12943,12945],{"_key":8034,"_type":30,"marks":12944,"text":8037},[8036],{"_key":8039,"_type":30,"marks":12946,"text":8041},[],[12948],{"_key":8036,"_type":56,"blank":57,"href":8044},{"_key":8046,"_type":26,"children":12950,"markDefs":12953,"style":39},[12951],{"_key":8049,"_type":30,"marks":12952,"text":720},[],[],{"_key":8053,"_type":26,"children":12955,"markDefs":12958,"style":39},[12956],{"_key":8056,"_type":30,"marks":12957,"text":8058},[],[],{"_key":8061,"_type":26,"children":12960,"markDefs":12963,"style":39},[12961],{"_key":8064,"_type":30,"marks":12962,"text":8066},[],[],[8069,7773,8070,7869,7837,8071,8072,8073,7589],{"_type":14,"current":15},[12967],{"_id":7767,"_type":7846,"seo":9,"slug":12968,"title":7768},{"_type":14,"current":7837},[12970],{"_key":12971,"_type":26,"children":12972,"markDefs":12977,"style":39},"6f3827e5274c",[12973],{"_key":12974,"_type":30,"marks":12975,"text":12976},"6149b13ae9f4",[],"school of commons (SoC) is a global community-based initiative dedicated to peer learning, and the study and development of self-organized knowledge production—through commons-based methods and practices. hosted at the zürich university of the arts (ZHdK) but the program takes place mostly online.",[],[12979,12992,13000,13009],{"_id":12980,"_type":12981,"categories":9,"link":12982,"publishedDate":12988,"seo":9,"slug":12989,"subtitle":9,"title":12991},"ca61306a-8626-43e3-a466-516427a03c04","newsArticle",{"external":9,"file":9,"internal":12983},{"_id":12984,"_type":89,"seo":9,"slug":12985,"title":12987},"f40e9919-2ba5-4b02-a79f-8866fe778af2",{"_type":14,"current":12986},"open-letter","Open Letter","2026-03-10",{"_type":14,"current":12990},"soc-open-letter","SoC Open Letter",{"_id":12993,"_type":12981,"categories":9,"link":12994,"publishedDate":12996,"seo":9,"slug":12997,"subtitle":9,"title":12999},"86e56d9e-fb2c-478c-a038-c473b3a70a3f",{"external":12995,"file":9,"internal":9},"https://docs.google.com/forms/d/e/1FAIpQLScONVlWNPpEvkMBkPgPaQVEwxvFdSHwYXySKKpReNxQTbs-DA/viewform","2026-06-22",{"_type":14,"current":12998},"support-this-work-through-funding-or-partnership","Support this work through funding or partnership",{"_id":13001,"_type":12981,"categories":9,"link":13002,"publishedDate":13005,"seo":9,"slug":13006,"subtitle":9,"title":13008},"1c7d8d7d-ccd1-4b53-84bd-505ec39580b5",{"external":9,"file":9,"internal":13003},{"_id":160,"_type":160,"seo":9,"slug":13004,"title":163},{"_type":14,"current":162},"2026-02-28",{"_type":14,"current":13007},"issues-2025-exquisite-commons","ISSUES 2025: Exquisite Commons",{"_id":13010,"_type":12981,"categories":9,"link":9,"publishedDate":13011,"seo":9,"slug":13012,"subtitle":9,"title":13014},"aed1ab17-6392-44a6-a003-d8d58a99ab58","2024-09-15",{"_type":14,"current":13013},"zhdk-students-can-now-collect-ects-for-participating-in-our-program","ZHdK students can now collect ECTS for participating in our program",[13016,13618,17290],{"_id":289,"_type":242,"additionalDetails":9,"callToActions":9,"categories":13017,"credits":13031,"featuredImage":13515,"pageBuilder":13521,"seo":9,"slug":13617,"summary":13531,"title":293},[13018,13025,13028],{"_id":13019,"_type":308,"colorPrimary":13020,"seo":9,"slug":13022,"title":13024},"1d2dc5a5-565e-4f1d-9177-70607d591867",{"label":310,"value":13021},"#dc00dc",{"_type":14,"current":13023},"assembling","Assembling",{"_id":4100,"_type":308,"colorPrimary":13026,"seo":9,"slug":13027,"title":4104},{"label":310,"value":4102},{"_type":14,"current":177},{"_id":3823,"_type":308,"colorPrimary":13029,"seo":9,"slug":13030,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"other":9,"profiles":13032},[13033,13063,13135,13248,13338,13379,13414,13452,13470],{"_id":13034,"_type":389,"activeYears":13035,"bio":13038,"bioShort":13047,"featuredImage":9,"filterables":13048,"links":13051,"locations":13054,"searchables":13058,"seo":9,"slug":13060,"title":13062},"61a77cd1-1d42-4ae1-bfc5-86c406488fcc",[13036],{"_id":198,"_type":187,"seo":9,"slug":13037,"title":201},{"_type":14,"current":200},[13039],{"_key":13040,"_type":26,"children":13041,"markDefs":13046,"style":39},"befe2242e46e",[13042],{"_key":13043,"_type":30,"marks":13044,"text":13045},"b23a17809df1",[],"-",[],"The innovation space at CERN",{"filterYear":13049},[13050],{"_id":198,"title":201},[13052],{"_type":449,"label":450,"url":13053},"https://ideasquare.cern/",{"locations":13055,"other":9},[13056],{"_id":458,"_type":459,"seo":9,"slug":13057,"title":462},{"_type":14,"current":461},[13059,200],"idea square",{"_type":14,"current":13061},"idea-square","IDEA Square",{"_id":7645,"_type":389,"activeYears":13064,"bio":13075,"bioShort":7664,"featuredImage":13110,"filterables":13112,"links":13119,"locations":13123,"searchables":13133,"seo":9,"slug":13134,"title":7712},[13065,13067,13069,13071,13073],{"_id":208,"_type":187,"seo":9,"slug":13066,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":13068,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":13070,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13072,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":13074,"title":190},{"_type":14,"current":189},[13076,13081,13090,13095,13100,13105],{"_key":7659,"_type":26,"children":13077,"markDefs":13080,"style":39},[13078],{"_key":7662,"_type":30,"marks":13079,"text":7664},[],[],{"_key":7667,"_type":26,"children":13082,"markDefs":13089,"style":39},[13083,13085,13087],{"_key":7670,"_type":30,"marks":13084,"text":7672},[],{"_key":7674,"_type":30,"marks":13086,"text":1593},[32],{"_key":7677,"_type":30,"marks":13088,"text":7679},[],[],{"_key":7682,"_type":26,"children":13091,"markDefs":13094,"style":39},[13092],{"_key":7685,"_type":30,"marks":13093,"text":7687},[],[],{"_key":7690,"_type":26,"children":13096,"markDefs":13099,"style":39},[13097],{"_key":7693,"_type":30,"marks":13098,"text":7695},[],[],{"_key":7698,"_type":26,"children":13101,"markDefs":13104,"style":39},[13102],{"_key":7701,"_type":30,"marks":13103,"text":720},[],[],{"_key":7705,"_type":26,"children":13106,"markDefs":13109,"style":39},[13107],{"_key":7708,"_type":30,"marks":13108,"text":720},[],[],{"alt":7712,"asset":13111},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":13113},[13114,13115,13116,13117,13118],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[13120,13121,13122],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":13124,"other":13127},[13125],{"_id":458,"_type":459,"seo":9,"slug":13126,"title":462},{"_type":14,"current":461},[13128],{"_key":7738,"_type":26,"children":13129,"markDefs":13132,"style":39},[13130],{"_key":7741,"_type":30,"marks":13131,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"_id":13136,"_type":389,"activeYears":13137,"bio":13150,"bioShort":13157,"featuredImage":13207,"filterables":13215,"links":13223,"locations":13231,"searchables":13244,"seo":9,"slug":13246,"title":13208},"9842005d-14b8-411e-ad52-45b98fbfa3ba",[13138,13140,13142,13144,13146,13148],{"_id":213,"_type":187,"seo":9,"slug":13139,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":13141,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":13143,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":13145,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13147,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":13149,"title":190},{"_type":14,"current":189},[13151,13159,13167,13175,13183],{"_key":13152,"_type":26,"children":13153,"markDefs":13158,"style":39},"3cba22ddaa88",[13154],{"_key":13155,"_type":30,"marks":13156,"text":13157},"8dcd04dcbd2a",[],"Since 2023, Amy has been part of the leadership team at the School of Commons, Zürcher Hochschule der Künste (ZHdK), overseeing the Publishing and Public Program. In 2024, she was appointed Deputy Director.",[],{"_key":13160,"_type":26,"children":13161,"markDefs":13166,"style":39},"3442c2eecba1",[13162],{"_key":13163,"_type":30,"marks":13164,"text":13165},"4812089ce313",[],"Amy Gowen is a writer, editor, and researcher, originally from Hereford, UK, now based in Rotterdam, NL.",[],{"_key":13168,"_type":26,"children":13169,"markDefs":13174,"style":39},"f5c882b06aeb",[13170],{"_key":13171,"_type":30,"marks":13172,"text":13173},"b94e5fc8b08f",[],"Her work, which takes shape and form through various forms of publishing, including: writing, radio, editing, and curating, uses the frameworks of commoning, self-organised practices, and alternative ways of working at its core.",[],{"_key":13176,"_type":26,"children":13177,"markDefs":13182,"style":39},"1909ad0deff3",[13178],{"_key":13179,"_type":30,"marks":13180,"text":13181},"56cfceab7073",[],"As part of her role at SoC she tends to the ‘Making Public’ programme trajectory, translating the processes and practices of the SoC programme into public outputs and publishing instances. She is also Editor-in-Chief of the annual publication ISSUES, and is the programme lead for the annual SoC Assembly which places the practices and processes of SoC into a wider context in collaboration with leading practitioners and thinkers across the fields of alternative education, self-organised practices, commoning, and beyond.",[],{"_key":13184,"_type":26,"children":13185,"markDefs":13206,"style":39},"66372d081c06",[13186,13190,13194,13198,13202],{"_key":13187,"_type":30,"marks":13188,"text":13189},"996b37a6cef90",[],"Outside of SoC, Amy is co-founder of the commons-based publishing project ",{"_key":13191,"_type":30,"marks":13192,"text":13193},"996b37a6cef91",[874],"HumDrumPress",{"_key":13195,"_type":30,"marks":13196,"text":13197},"996b37a6cef92",[]," (Rotterdam). She hosts the monthly radio show, ",{"_key":13199,"_type":30,"marks":13200,"text":13201},"996b37a6cef93",[874],"Off Margin",{"_key":13203,"_type":30,"marks":13204,"text":13205},"996b37a6cef94",[],", on Worm Radio about text that moves off the page, and is part of the core programming team for the International Community Arts Festival (ICAF), Rotterdam.",[],{"alt":13208,"asset":13209},"Amy Gowen",{"_id":13210,"height":13211,"orientation":789,"ratio":13212,"url":13213,"width":13214},"image-528ff05dbd62025637ad2f4bdcd44111fb4782fc-1179x770-jpg",770,1.5311688311688312,"https://cdn.sanity.io/images/eodip22e/production/528ff05dbd62025637ad2f4bdcd44111fb4782fc-1179x770.jpg",1179,{"filterYear":13216},[13217,13218,13219,13220,13221,13222],{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[13224,13226,13228],{"_type":449,"label":453,"url":13225},"https://www.instagram.com/amygow/",{"_type":449,"label":13193,"url":13227},"https://humdrumpress.com/",{"_type":449,"label":13229,"url":13230},"HumDrumPress Instagram","https://www.instagram.com/humdrum_press/",{"locations":13232,"other":13235},[13233],{"_id":458,"_type":459,"seo":9,"slug":13234,"title":462},{"_type":14,"current":461},[13236],{"_key":13237,"_type":26,"children":13238,"markDefs":13243,"style":39},"73bf92e0de5e",[13239],{"_key":13240,"_type":30,"marks":13241,"text":13242},"6d86841cb213",[],"Living in Rotterdam",[],[13245,215,210,205,200,195,189],"amy gowen",{"_type":14,"current":13247},"amy-gowen",{"_id":13249,"_type":389,"activeYears":13250,"bio":13263,"bioShort":13270,"featuredImage":13304,"filterables":13310,"links":13318,"locations":13321,"searchables":13334,"seo":9,"slug":13336,"title":13305},"29c4cf0d-64c2-4f36-8eb4-9a5e1810706f",[13251,13253,13255,13257,13259,13261],{"_id":213,"_type":187,"seo":9,"slug":13252,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":13254,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":13256,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":13258,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13260,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":13262,"title":190},{"_type":14,"current":189},[13264,13272,13280,13288],{"_key":13265,"_type":26,"children":13266,"markDefs":13271,"style":39},"9cd8642f5bbe",[13267],{"_key":13268,"_type":30,"marks":13269,"text":13270},"8b98ef2d49760",[],"Since 2023, Chantelle Lue has been part of the leadership team at School of Commons, Zürcher Hochschule der Künste (ZHdK), where she shapes communications and the Making Public Program.",[],{"_key":13273,"_type":26,"children":13274,"markDefs":13279,"style":39},"872d593c3d7a",[13275],{"_key":13276,"_type":30,"marks":13277,"text":13278},"1788bcddd5540",[],"A researcher and facilitator based in London and originally from Southern Africa, Chantelle's expanded practice explores questions of kinship, liminality, otherness, and belonging. Working across self-organised practices, living archives, and the internet age, she is interested in how knowledge is produced, shared, and sustained through communities.",[],{"_key":13281,"_type":26,"children":13282,"markDefs":13287,"style":39},"1970d46d001e",[13283],{"_key":13284,"_type":30,"marks":13285,"text":13286},"cc01396fd9360",[],"At School of Commons, her role focuses on making the program’s processes, practices, and outcomes publicly accessible, enabling the circulation of knowledge produced through collective learning while advocating for alternative ways of knowing, working, and being together.",[],{"_key":13289,"_type":26,"children":13290,"markDefs":13303,"style":39},"c18554f7d331",[13291,13295,13299],{"_key":13292,"_type":30,"marks":13293,"text":13294},"0744783f21700",[],"Drawing on her research project ",{"_key":13296,"_type":30,"marks":13297,"text":13298},"0744783f21701",[874],"UBUNGXENYE (Parthood)",{"_key":13300,"_type":30,"marks":13301,"text":13302},"0744783f21702",[],", she creatively directed the development of School of Commons’ new website. Conceived as a digital garden and directory for ecosystems, the platform functions as a communal resource for collectively exploring, documenting, and extending the infrastructures that support peer learning, knowledge sharing, and collaborative practice.",[],{"alt":13305,"asset":13306},"Chantelle Lue",{"_id":13307,"height":4018,"orientation":440,"ratio":4574,"url":13308,"width":13309},"image-3a735481f169c321d37207512d3f5c124342a13b-600x750-jpg","https://cdn.sanity.io/images/eodip22e/production/3a735481f169c321d37207512d3f5c124342a13b-600x750.jpg",600,{"filterYear":13311},[13312,13313,13314,13315,13316,13317],{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[13319],{"_type":449,"label":453,"url":13320},"https://www.instagram.com/chan_lue/",{"locations":13322,"other":13325},[13323],{"_id":9439,"_type":459,"seo":9,"slug":13324,"title":9442},{"_type":14,"current":9441},[13326],{"_key":13327,"_type":26,"children":13328,"markDefs":13333,"style":39},"1e5cc2c3afe0",[13329],{"_key":13330,"_type":30,"marks":13331,"text":13332},"6556d49977a2",[],"Between Manzini and London",[],[13335,215,210,205,200,195,189],"chantelle lue",{"_type":14,"current":13337},"chantelle-lue",{"_id":13339,"_type":389,"activeYears":13340,"bio":13345,"bioShort":13354,"featuredImage":13355,"filterables":13363,"links":13367,"locations":13371,"searchables":13375,"seo":9,"slug":13377,"title":13356},"584de74e-3471-45e4-b550-a9d44275841b",[13341,13343],{"_id":198,"_type":187,"seo":9,"slug":13342,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13344,"title":196},{"_type":14,"current":195},[13346],{"_key":13347,"_type":26,"children":13348,"markDefs":13353,"style":39},"b7bc50c3a808",[13349],{"_key":13350,"_type":30,"marks":13351,"text":13352},"4a0c48d793de0",[],"In 2016 she co-directed an art lab in London, UK that worked with technology to consider different and more diverse forms of knowledge creation and information sharing around art and culture, and in 2017 joined the Vancouver Art Gallery as Curatorial Interpretation. During the pandemic she received a scholarship from BC Tech to pursue coding. Later receiving one of the largest Digital Strategy Fund grants to ever be awarded to an individual by the Canada Council for the Arts Digital Strategy Fund. CubeCommons represents a lifetime of working to create a culture of collaboration and increased access within the arts and culture sector.",[],"As a Curator, Ashlee Conery has worked for over seventeen years in museums and galleries, across six countries.",{"alt":13356,"asset":13357},"Ashlee Conery",{"_id":13358,"height":13359,"orientation":789,"ratio":13360,"url":13361,"width":13362},"image-49a1ac6df8288b160b634f5bdef4d83ed6f40aa9-1316x1314-png",1314,1.0015220700152208,"https://cdn.sanity.io/images/eodip22e/production/49a1ac6df8288b160b634f5bdef4d83ed6f40aa9-1316x1314.png",1316,{"filterYear":13364},[13365,13366],{"_id":198,"title":201},{"_id":193,"title":196},[13368],{"_type":449,"label":13369,"url":13370},"Cube Commons","https://cubecommons.ca/",{"locations":13372,"other":9},[13373],{"_id":3530,"_type":459,"seo":9,"slug":13374,"title":3533},{"_type":14,"current":3532},[13376,200,195],"ashlee conery",{"_type":14,"current":13378},"ashlee-conery",{"_id":13380,"_type":389,"activeYears":13381,"bio":13384,"bioShort":13393,"featuredImage":13394,"filterables":13400,"links":13403,"locations":13406,"searchables":13410,"seo":9,"slug":13412,"title":13395},"775351b8-2fc7-4f17-8e29-978fa0671333",[13382],{"_id":198,"_type":187,"seo":9,"slug":13383,"title":201},{"_type":14,"current":200},[13385],{"_key":13386,"_type":26,"children":13387,"markDefs":13392,"style":39},"33e7be429ad4",[13388],{"_key":13389,"_type":30,"marks":13390,"text":13391},"daad2b81b31b0",[],"She investigates evolving digital learning cultures and participative methods for education design as part of the School of Commons (SoC) by the ZHdK. In her SoC lab, she is exploring intuition as a dimension of embodied cognition through somatic practices inspired by the Social Presencing Theater. Prior to that, she worked with international partners on a research project focusing on potential applications of virtual reality in education. Based on her research with immersive media, she has been a lecturer at the Berlin University of the Arts, Northwestern University and Virginia Commonwealth University.",[],"Mariam is an interdisciplinary designer and practice-based researcher in emergent media.",{"alt":13395,"asset":13396},"Mariam Rafehi",{"_id":13397,"height":13398,"orientation":7272,"ratio":1507,"url":13399,"width":13398},"image-4b7b787b4a39ef96ea0d105623c55ad8022aedc6-631x631-png",631,"https://cdn.sanity.io/images/eodip22e/production/4b7b787b4a39ef96ea0d105623c55ad8022aedc6-631x631.png",{"filterYear":13401},[13402],{"_id":198,"title":201},[13404],{"_type":449,"label":450,"url":13405},"https://www.mrafehi.com/",{"locations":13407,"other":9},[13408],{"_id":458,"_type":459,"seo":9,"slug":13409,"title":462},{"_type":14,"current":461},[13411,200],"mariam rafehi",{"_type":14,"current":13413},"mariam-rafehi",{"_id":13415,"_type":389,"activeYears":13416,"bio":13419,"bioShort":13427,"featuredImage":13428,"filterables":13435,"links":9,"locations":13438,"searchables":13448,"seo":9,"slug":13450,"title":13451},"3f978f6e-8eb1-473a-af31-72cf81ab9934",[13417],{"_id":203,"_type":187,"seo":9,"slug":13418,"title":206},{"_type":14,"current":205},[13420],{"_key":13421,"_type":26,"children":13422,"markDefs":13426,"style":39},"b3c2a167e43f",[13423],{"_key":13424,"_type":30,"marks":13425,"text":13045},"bca6467aede5",[],[],"Agata is a passionate mushroom picker of various interests with roots in Eastern Europe, doing work related to food (& its autonomy), agroecology, as well as collaborative living spaces and their limitations.",{"alt":13429,"asset":13430},"agata-gunka",{"_id":13431,"height":13432,"orientation":789,"ratio":13433,"url":13434,"width":9424},"image-367747c8df17e80769fb289dbe0678693455828b-2560x1940-jpg",1940,1.3195876288659794,"https://cdn.sanity.io/images/eodip22e/production/367747c8df17e80769fb289dbe0678693455828b-2560x1940.jpg",{"filterYear":13436},[13437],{"_id":203,"title":206},{"locations":9,"other":13439},[13440],{"_key":13441,"_type":26,"children":13442,"markDefs":13447,"style":39},"04cae9fb289b",[13443],{"_key":13444,"_type":30,"marks":13445,"text":13446},"24c66c599b37",[],"Based in Amsterdam",[],[13449,205],"agata guńka",{"_type":14,"current":13429},"Agata Guńka",{"_id":9041,"_type":389,"activeYears":13453,"bio":13456,"bioShort":9054,"featuredImage":9,"filterables":13462,"links":13465,"locations":9,"searchables":13468,"seo":9,"slug":13469,"title":9067},[13454],{"_id":198,"_type":187,"seo":9,"slug":13455,"title":201},{"_type":14,"current":200},[13457],{"_key":9047,"_type":26,"children":13458,"markDefs":13461,"style":39},[13459],{"_key":9050,"_type":30,"marks":13460,"text":9052},[],[],{"filterYear":13463},[13464],{"_id":198,"title":201},[13466,13467],{"_type":449,"label":453,"url":9060},{"_type":449,"label":9062,"url":9030},[9064,200],{"_type":14,"current":9066},{"_id":5998,"_type":389,"activeYears":13471,"bio":13486,"bioShort":6023,"featuredImage":9,"filterables":13492,"links":13501,"locations":13503,"searchables":13513,"seo":9,"slug":13514,"title":6053},[13472,13474,13476,13478,13480,13482,13484],{"_id":223,"_type":187,"seo":9,"slug":13473,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":13475,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":13477,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":13479,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":13481,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":13483,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13485,"title":196},{"_type":14,"current":195},[13487],{"_key":6016,"_type":26,"children":13488,"markDefs":13491,"style":39},[13489],{"_key":6019,"_type":30,"marks":13490,"text":6021},[],[],{"filterYear":13493},[13494,13495,13496,13497,13498,13499,13500],{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[13502],{"_type":449,"label":450,"url":6035},{"locations":13504,"other":13507},[13505],{"_id":458,"_type":459,"seo":9,"slug":13506,"title":462},{"_type":14,"current":461},[13508],{"_key":6042,"_type":26,"children":13509,"markDefs":13512,"style":39},[13510],{"_key":6045,"_type":30,"marks":13511,"text":6047},[],[],[6050,225,220,215,210,205,200,195],{"_type":14,"current":6052},{"alt":9,"asset":13516},{"_id":13517,"height":13518,"orientation":789,"ratio":13519,"url":13520,"width":13309},"image-c59f702639c03cef3d018cff2c71d609749c804a-600x490-png",490,1.2244897959183674,"https://cdn.sanity.io/images/eodip22e/production/c59f702639c03cef3d018cff2c71d609749c804a-600x490.png",[13522,13586],{"_type":7,"settings":13523,"text":13524},{"textColumnCount":941},[13525,13533,13540,13548,13555,13563,13571,13578],{"_key":13526,"_type":26,"children":13527,"markDefs":13532,"style":39},"38c4bcee2a1f",[13528],{"_key":13529,"_type":30,"marks":13530,"text":13531},"862d62c6a8500",[],"IdeaSquare and School of Commons are collaborating on a series of workshops exploring 'The Future of Collaboration'.",[],{"_key":13534,"_type":26,"children":13535,"markDefs":13539,"style":39},"f2ab3d1a7cd5",[13536],{"_key":13537,"_type":30,"marks":13538,"text":720},"a264edeec3650",[],[],{"_key":13541,"_type":26,"children":13542,"markDefs":13547,"style":39},"4ad0037f08ff",[13543],{"_key":13544,"_type":30,"marks":13545,"text":13546},"53ce5eb3bdac0",[],"How do we prepare for a future we don’t yet know? A future in which collaboration of different forms will be inevitable... What will these collaborations look like in our near and distant futures?",[],{"_key":13549,"_type":26,"children":13550,"markDefs":13554,"style":39},"0a31455eb909",[13551],{"_key":13552,"_type":30,"marks":13553,"text":720},"45caa159cc3e0",[],[],{"_key":13556,"_type":26,"children":13557,"markDefs":13562,"style":39},"def0fd4be411",[13558],{"_key":13559,"_type":30,"marks":13560,"text":13561},"94c144a3eb1c0",[],"The tools and approaches we use today may become obsolete for the futures that lie ahead of us, so how can we prepare for these unknowns? Assuming that collaboration with different forms, such as blended intelligence-like human-AI collaboration-multi-species exchange-like with mushrooms or ants-will become more and more relevant to our functioning and survival, in this workshop we will explore ‘the future of collaboration’ through a multitude of forms and perspectives. What will it feel like collaborating with the more-or-other-than human; with plants, food, objects, technologies, animals? What are the necessary tools, approaches and incentives required in order to create a desirable future collaboration?\n",[],{"_key":13564,"_type":26,"children":13565,"markDefs":13570,"style":39},"522720da2264",[13566],{"_key":13567,"_type":30,"marks":13568,"text":13569},"1030f40f9673",[],"CERN, where the Large Hadron Collider and World Wide Web was born, has a long and established history of anticipating and creating non-incremental ideas and technologies. In this workshop you will explore a collaborative framework for innovation that addresses and centers the unknown. For this series of workshops they are collaborating with School of Commons to explore 'the future of collaboration' through a series of bold and daring 'unknowns'.",[],{"_key":13572,"_type":26,"children":13573,"markDefs":13577,"style":39},"d44cd62f89bf",[13574],{"_key":13575,"_type":30,"marks":13576,"text":720},"8da596b948de",[],[],{"_key":13579,"_type":26,"children":13580,"markDefs":13585,"style":39},"ebafe8527fff",[13581],{"_key":13582,"_type":30,"marks":13583,"text":13584},"61602b052102",[],"The findings from this project will be presented in poster format and exhibited simultaneously during the SoC Assembly at ZHdK and at CERN.",[],{"_type":2590,"images":13587,"settings":13615},[13588,13595,13601,13605,13609],{"_type":2593,"alt":9,"asset":13589},{"_id":13590,"height":13591,"orientation":440,"ratio":13592,"url":13593,"width":13594},"image-a445a5fb0867482775b0317dc052b3495be615bb-982x1396-png",1396,0.7034383954154728,"https://cdn.sanity.io/images/eodip22e/production/a445a5fb0867482775b0317dc052b3495be615bb-982x1396.png",982,{"_type":2593,"alt":9,"asset":13596},{"_id":13597,"height":6863,"orientation":440,"ratio":13598,"url":13599,"width":13600},"image-829b08c853514998a66d594848714ea2c0b80f9b-988x1392-png",0.7097701149425287,"https://cdn.sanity.io/images/eodip22e/production/829b08c853514998a66d594848714ea2c0b80f9b-988x1392.png",988,{"_type":2593,"alt":9,"asset":13602},{"_id":13603,"height":13591,"orientation":440,"ratio":13592,"url":13604,"width":13594},"image-01e658d469a3715724e197dd75f3610388718544-982x1396-png","https://cdn.sanity.io/images/eodip22e/production/01e658d469a3715724e197dd75f3610388718544-982x1396.png",{"_type":2593,"alt":9,"asset":13606},{"_id":13607,"height":13591,"orientation":440,"ratio":13592,"url":13608,"width":13594},"image-d021b4d71c131031b1c5070b02fa2400e43d45b1-982x1396-png","https://cdn.sanity.io/images/eodip22e/production/d021b4d71c131031b1c5070b02fa2400e43d45b1-982x1396.png",{"_type":2593,"alt":9,"asset":13610},{"_id":13611,"height":13591,"orientation":440,"ratio":13612,"url":13613,"width":13614},"image-3d4a0c4e25397b8b4599faff731299b59db2f8cb-980x1396-png",0.7020057306590258,"https://cdn.sanity.io/images/eodip22e/production/3d4a0c4e25397b8b4599faff731299b59db2f8cb-980x1396.png",980,{"gridSize":13616},"2",{"_type":14,"current":292},{"_id":266,"_type":242,"additionalDetails":13619,"callToActions":9,"categories":13628,"credits":13638,"featuredImage":15345,"pageBuilder":15350,"seo":9,"slug":17288,"summary":17289,"title":270},[13620],{"_key":13621,"_type":26,"children":13622,"markDefs":13627,"style":39},"f19df5702cbf",[13623],{"_key":13624,"_type":30,"marks":13625,"text":13626},"8e8a797060440",[],"SoC Summer School\nZürich University of the Arts (ZHdK)\n29 August to 1 September 2022",[],[13629,13632,13635],{"_id":3830,"_type":308,"colorPrimary":13630,"seo":9,"slug":13631,"title":3835},{"label":310,"value":3832},{"_type":14,"current":3834},{"_id":3823,"_type":308,"colorPrimary":13633,"seo":9,"slug":13634,"title":3828},{"label":310,"value":3825},{"_type":14,"current":3827},{"_id":4100,"_type":308,"colorPrimary":13636,"seo":9,"slug":13637,"title":4104},{"label":310,"value":4102},{"_type":14,"current":177},{"other":9,"profiles":13639},[13640,13688,13717,13764,13809,13861,13892,13923,13953,13983,14013,14042,14071,14100,14131,14162,14224,14288,14322,14348,14386,14435,14472,14505,14543,14571,14617,14648,14683,14731,14765,14807,14835,14865,14945,14999,15089,15163,15207,15274,15319],{"_id":13641,"_type":389,"activeYears":13642,"bio":13645,"bioShort":13662,"featuredImage":13663,"filterables":13665,"links":13668,"locations":13671,"searchables":13684,"seo":9,"slug":13686,"title":13664},"bb7d539b-f01a-4b55-beb6-da4e35b8712f",[13643],{"_id":208,"_type":187,"seo":9,"slug":13644,"title":211},{"_type":14,"current":210},[13646,13654],{"_key":13647,"_type":26,"children":13648,"markDefs":13653,"style":39},"e7ee78dede76",[13649],{"_key":13650,"_type":30,"marks":13651,"text":13652},"bddeabe8c9c20",[],"With over 280 members in 52 countries, it represents over 300.000 students in all arts disciplines.",[],{"_key":13655,"_type":26,"children":13656,"markDefs":13661,"style":39},"6159b8c6bf2d",[13657],{"_key":13658,"_type":30,"marks":13659,"text":13660},"3545545d414c0",[],"Our cross-disciplinary quality makes ELIA unique as a network. ELIA advocates for higher arts education by empowering and creating new opportunities for our members and facilitating the exchange of good practices. ELIA collaborates with partner networks around the world.",[],"ELIA is a globally connected European network that provides a dynamic platform for professional exchange and development in higher arts education. ",{"alt":13664,"asset":9}," European League of Institutes of the Arts (ELIA)",{"filterYear":13666},[13667],{"_id":208,"title":211},[13669],{"_type":449,"label":450,"url":13670},"https://elia-artschools.org/",{"locations":13672,"other":13675},[13673],{"_id":458,"_type":459,"seo":9,"slug":13674,"title":462},{"_type":14,"current":461},[13676],{"_key":13677,"_type":26,"children":13678,"markDefs":13683,"style":39},"32583a558338",[13679],{"_key":13680,"_type":30,"marks":13681,"text":13682},"44274f3b118b0",[],"Stichting A Lab Lab 106. Overhoeksplein 2. 1031KS Amsterdam",[],[13685,210]," european league of institutes of the arts (elia)",{"_type":14,"current":13687},"european-league-of-institutes-of-the-arts-elia",{"_id":13689,"_type":389,"activeYears":13690,"bio":13693,"bioShort":13702,"featuredImage":9,"filterables":13703,"links":13706,"locations":13709,"searchables":13713,"seo":9,"slug":13715,"title":13716},"77688819-018d-4cff-afe8-2a9ae1c628e6",[13691],{"_id":208,"_type":187,"seo":9,"slug":13692,"title":211},{"_type":14,"current":210},[13694],{"_key":13695,"_type":26,"children":13696,"markDefs":13701,"style":39},"a23c1ee66ccd",[13697],{"_key":13698,"_type":30,"marks":13699,"text":13700},"4d29f28933650",[],"Be it within Switzerland, with other European countries or elsewhere in the world, Movetia encourages and supports exchange, mobility and cooperation activities in the different sectors of education, ranging from primary school through adult education to university level, as well as promoting extracurricular activities.",[],"The national agency for the promotion of exchanges and mobility in the education system.",{"filterYear":13704},[13705],{"_id":208,"title":211},[13707],{"_type":449,"label":450,"url":13708},"https://www.movetia.ch/en/",{"locations":13710,"other":9},[13711],{"_id":458,"_type":459,"seo":9,"slug":13712,"title":462},{"_type":14,"current":461},[13714,210],"movetia",{"_type":14,"current":13714},"MOVETIA",{"_id":7528,"_type":389,"activeYears":13718,"bio":13737,"bioShort":7563,"featuredImage":13743,"filterables":13744,"links":13755,"locations":13758,"searchables":13762,"seo":9,"slug":13763,"title":33},[13719,13721,13723,13725,13727,13729,13731,13733,13735],{"_id":7531,"_type":187,"seo":9,"slug":13720,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":13722,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":13724,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":13726,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":13728,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":13730,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":13732,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":13734,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13736,"title":196},{"_type":14,"current":195},[13738],{"_key":7556,"_type":26,"children":13739,"markDefs":13742,"style":39},[13740],{"_key":7559,"_type":30,"marks":13741,"text":7561},[],[],{"alt":33,"asset":9},{"filterYear":13745},[13746,13747,13748,13749,13750,13751,13752,13753,13754],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[13756,13757],{"_type":449,"label":7578,"url":7579},{"_type":449,"label":453,"url":73},{"locations":13759,"other":9},[13760],{"_id":7584,"_type":459,"seo":9,"slug":13761,"title":7587},{"_type":14,"current":7586},[7589,7533,7538,225,220,215,210,205,200,195],{"_type":14,"current":7591},{"_id":5998,"_type":389,"activeYears":13765,"bio":13780,"bioShort":6023,"featuredImage":9,"filterables":13786,"links":13795,"locations":13797,"searchables":13807,"seo":9,"slug":13808,"title":6053},[13766,13768,13770,13772,13774,13776,13778],{"_id":223,"_type":187,"seo":9,"slug":13767,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":13769,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":13771,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":13773,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":13775,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":13777,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":13779,"title":196},{"_type":14,"current":195},[13781],{"_key":6016,"_type":26,"children":13782,"markDefs":13785,"style":39},[13783],{"_key":6019,"_type":30,"marks":13784,"text":6021},[],[],{"filterYear":13787},[13788,13789,13790,13791,13792,13793,13794],{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},[13796],{"_type":449,"label":450,"url":6035},{"locations":13798,"other":13801},[13799],{"_id":458,"_type":459,"seo":9,"slug":13800,"title":462},{"_type":14,"current":461},[13802],{"_key":6042,"_type":26,"children":13803,"markDefs":13806,"style":39},[13804],{"_key":6045,"_type":30,"marks":13805,"text":6047},[],[],[6050,225,220,215,210,205,200,195],{"_type":14,"current":6052},{"_id":13810,"_type":389,"activeYears":13811,"bio":13814,"bioShort":13847,"featuredImage":13848,"filterables":13850,"links":9,"locations":13853,"searchables":13857,"seo":9,"slug":13859,"title":13849},"a41231cf-c30a-4d6d-ba24-723a2955f191",[13812],{"_id":208,"_type":187,"seo":9,"slug":13813,"title":211},{"_type":14,"current":210},[13815,13823,13831,13839],{"_key":13816,"_type":26,"children":13817,"markDefs":13822,"style":39},"7b471f2efa0d",[13818],{"_key":13819,"_type":30,"marks":13820,"text":13821},"62f5882b36150",[],"It is a predominantly Dutch-speaking institution located on the Paleizenstraat/Rue de Palais, and at another site, within reachable distance of Brussels' North Station.",[],{"_key":13824,"_type":26,"children":13825,"markDefs":13830,"style":39},"e9e4a171f165",[13826],{"_key":13827,"_type":30,"marks":13828,"text":13829},"9be11dce80ad0",[],"The Hogeschool provides exclusively art-related university-level higher education, hence the name. It houses around 4,000 students across its academic provision, and can trace its roots back to the first foundation of a Sint-Lukas art school in 1880. The school offers master programmes (four years) across the disciplines of audio-visual arts, graphic and publicity design, photography and fine art and bachelor programmes in interior design and construction. It also organizes Transmedia, a postgraduate programme for art students.",[],{"_key":13832,"_type":26,"children":13833,"markDefs":13838,"style":39},"fdfd5fbcab9b",[13834],{"_key":13835,"_type":30,"marks":13836,"text":13837},"b3e296e2fe7b0",[],"The Hogeschool actively encourages student mobility, and maintains several links with art schools across the continent through the Socrates programme and the Erasmus programme, with language of instruction to exchange students being English in the appropriate circumstances.",[],{"_key":13840,"_type":26,"children":13841,"markDefs":13846,"style":39},"0c03f5d8c04d",[13842],{"_key":13843,"_type":30,"marks":13844,"text":13845},"7cc92e57a07e0",[],"It is closely associated with the Sint-Lukas gallery in the city, showcasing contemporary art and its documentation.",[],"Hogeschool Sint-Lukas Brussel, based in the Schaerbeek municipality of Brussels, Belgium, is an independent Flemish art school. ",{"alt":13849,"asset":9},"LUCA School of Arts",{"filterYear":13851},[13852],{"_id":208,"title":211},{"locations":13854,"other":9},[13855],{"_id":458,"_type":459,"seo":9,"slug":13856,"title":462},{"_type":14,"current":461},[13858,210],"luca school of arts",{"_type":14,"current":13860},"luca-school-of-arts",{"_id":13862,"_type":389,"activeYears":13863,"bio":13866,"bioShort":13874,"featuredImage":13875,"filterables":13877,"links":13880,"locations":13883,"searchables":13887,"seo":9,"slug":13889,"title":13891},"b09e0e86-e91a-4134-a1e5-b99209a1557e",[13864],{"_id":208,"_type":187,"seo":9,"slug":13865,"title":211},{"_type":14,"current":210},[13867],{"_key":13868,"_type":26,"children":13869,"markDefs":13873,"style":39},"061439c6244c",[13870],{"_key":13871,"_type":30,"marks":13872,"text":13045},"c6d50e3600ef0",[],[],"AEC is a European cultural and educational network with around 300 member institutions for professional music training in 57 countries.",{"alt":13876,"asset":9}," Association Européenne des Conservatoires,Académies de Musique et MusIkhochschulen (AEC)",{"filterYear":13878},[13879],{"_id":208,"title":211},[13881],{"_type":449,"label":450,"url":13882},"https://aec-music.eu/",{"locations":13884,"other":9},[13885],{"_id":458,"_type":459,"seo":9,"slug":13886,"title":462},{"_type":14,"current":461},[13888,210]," association européenne des conservatoires, académies de musique et musikhochschulen (aec)",{"_type":14,"current":13890},"association-europeenne-des-conservatoires-academies-de-musique-et-musikhochschulen-aec"," Association Européenne des Conservatoires, Académies de Musique et MusIkhochschulen (AEC)",{"_id":13893,"_type":389,"activeYears":13894,"bio":13897,"bioShort":13905,"featuredImage":9,"filterables":13906,"links":13909,"locations":13914,"searchables":13918,"seo":9,"slug":13920,"title":13922},"72b96ebb-851d-4d7c-9f09-8ea18d32325a",[13895],{"_id":208,"_type":187,"seo":9,"slug":13896,"title":211},{"_type":14,"current":210},[13898],{"_key":13899,"_type":26,"children":13900,"markDefs":13904,"style":39},"e4c73879485a",[13901],{"_key":13902,"_type":30,"marks":13903,"text":13045},"e7638a49913e",[],[],"Providing pathways to graduation from apprenticeship to PhD. Our 30000+ students learn in a practice-based environment informed by the latest research and enables by technological advances. ",{"filterYear":13907},[13908],{"_id":208,"title":211},[13910,13912],{"_type":449,"label":450,"url":13911},"https://www.tudublin.ie/",{"_type":449,"label":453,"url":13913},"https://www.instagram.com/tudublin/",{"locations":13915,"other":9},[13916],{"_id":458,"_type":459,"seo":9,"slug":13917,"title":462},{"_type":14,"current":461},[13919,210],"technological university dublin",{"_type":14,"current":13921},"technological-university-dublin","Technological University Dublin",{"_id":13924,"_type":389,"activeYears":13925,"bio":13928,"bioShort":13936,"featuredImage":13937,"filterables":13939,"links":13942,"locations":13945,"searchables":13949,"seo":9,"slug":13951,"title":13938},"7a76d6d5-f1f2-414a-a019-7e5f783771c2",[13926],{"_id":208,"_type":187,"seo":9,"slug":13927,"title":211},{"_type":14,"current":210},[13929],{"_key":13930,"_type":26,"children":13931,"markDefs":13935,"style":39},"91f50da0c556",[13932],{"_key":13933,"_type":30,"marks":13934,"text":13045},"ca224dc1592d",[],[],"Based in Dublin and Belfast",{"alt":13938,"asset":9}," Microsoft Ireland",{"filterYear":13940},[13941],{"_id":208,"title":211},[13943],{"_type":449,"label":450,"url":13944},"https://www.microsoft.com/en-ie/aboutireland",{"locations":13946,"other":9},[13947],{"_id":458,"_type":459,"seo":9,"slug":13948,"title":462},{"_type":14,"current":461},[13950,210]," microsoft ireland",{"_type":14,"current":13952},"microsoft-ireland",{"_id":13954,"_type":389,"activeYears":13955,"bio":13958,"bioShort":13966,"featuredImage":13967,"filterables":13969,"links":13972,"locations":13975,"searchables":13979,"seo":9,"slug":13981,"title":13968},"0f0eb09d-c944-403a-b46c-129d0c29c425",[13956],{"_id":208,"_type":187,"seo":9,"slug":13957,"title":211},{"_type":14,"current":210},[13959],{"_key":13960,"_type":26,"children":13961,"markDefs":13965,"style":39},"4ca300746ace",[13962],{"_key":13963,"_type":30,"marks":13964,"text":13045},"e5077ae16d86",[],[],"EKA is the only public university in Estonia providing higher education in art, design, architecture, media, art history and conservation-restoration.",{"alt":13968,"asset":9},"Estonian Academy of Arts",{"filterYear":13970},[13971],{"_id":208,"title":211},[13973],{"_type":449,"label":450,"url":13974},"https://www.artun.ee/en/home/",{"locations":13976,"other":9},[13977],{"_id":458,"_type":459,"seo":9,"slug":13978,"title":462},{"_type":14,"current":461},[13980,210],"estonian academy of arts",{"_type":14,"current":13982},"estonian-academy-of-arts",{"_id":13984,"_type":389,"activeYears":13985,"bio":13988,"bioShort":13996,"featuredImage":13997,"filterables":13999,"links":14002,"locations":14005,"searchables":14009,"seo":9,"slug":14011,"title":13998},"cce53dce-3293-41e1-aeae-d03da42c4c82",[13986],{"_id":208,"_type":187,"seo":9,"slug":13987,"title":211},{"_type":14,"current":210},[13989],{"_key":13990,"_type":26,"children":13991,"markDefs":13995,"style":39},"ae672c42e506",[13992],{"_key":13993,"_type":30,"marks":13994,"text":13045},"ac533b27f0eb",[],[],"A center for professional resources and higher artistic education in music.",{"alt":13998,"asset":9}," Cefedem Auvergne Rhône-Alpes",{"filterYear":14000},[14001],{"_id":208,"title":211},[14003],{"_type":449,"label":450,"url":14004},"https://cefedem-aura.org/",{"locations":14006,"other":9},[14007],{"_id":458,"_type":459,"seo":9,"slug":14008,"title":462},{"_type":14,"current":461},[14010,210]," cefedem auvergne rhône-alpes",{"_type":14,"current":14012},"cefedem-auvergne-rhone-alpes",{"_id":14014,"_type":389,"activeYears":14015,"bio":14018,"bioShort":14026,"featuredImage":9,"filterables":14027,"links":14030,"locations":14033,"searchables":14037,"seo":9,"slug":14039,"title":14041},"41b12a37-2668-436d-a541-4663297e9e03",[14016],{"_id":208,"_type":187,"seo":9,"slug":14017,"title":211},{"_type":14,"current":210},[14019],{"_key":14020,"_type":26,"children":14021,"markDefs":14025,"style":39},"df9d44e5cb2c",[14022],{"_key":14023,"_type":30,"marks":14024,"text":13045},"cd465bfb6596",[],[],"An interdisciplinary Studio for Audiovisual Art, Digital Design and Creative Research. ",{"filterYear":14028},[14029],{"_id":208,"title":211},[14031],{"_type":449,"label":450,"url":14032},"https://xenorama.com/",{"locations":14034,"other":9},[14035],{"_id":458,"_type":459,"seo":9,"slug":14036,"title":462},{"_type":14,"current":461},[14038,210]," xenorama collective for audio-visual art",{"_type":14,"current":14040},"xenorama-collective-for-audio-visual-art"," Xenorama Collective for Audio-Visual Art",{"_id":14043,"_type":389,"activeYears":14044,"bio":14047,"bioShort":14055,"featuredImage":9,"filterables":14056,"links":14059,"locations":14062,"searchables":14066,"seo":9,"slug":14068,"title":14070},"92f0e4d0-438d-45fe-a075-d9bd99c72268",[14045],{"_id":208,"_type":187,"seo":9,"slug":14046,"title":211},{"_type":14,"current":210},[14048],{"_key":14049,"_type":26,"children":14050,"markDefs":14054,"style":39},"c081af6beaef",[14051],{"_key":14052,"_type":30,"marks":14053,"text":13045},"aeb8a63253ee",[],[],"Providing the highest level of education in music, fine arts, performing arts and writing in Finland. We were established in 2013, when the Academy of Fine Arts, Sibelius Academy and Theatre Academy were merged.",{"filterYear":14057},[14058],{"_id":208,"title":211},[14060],{"_type":449,"label":450,"url":14061},"https://www.uniarts.fi/en/",{"locations":14063,"other":9},[14064],{"_id":458,"_type":459,"seo":9,"slug":14065,"title":462},{"_type":14,"current":461},[14067,210],"university of the arts finland",{"_type":14,"current":14069},"university-of-the-arts-finland","University of the Arts Finland",{"_id":14072,"_type":389,"activeYears":14073,"bio":14076,"bioShort":14084,"featuredImage":9,"filterables":14085,"links":14088,"locations":14091,"searchables":14095,"seo":9,"slug":14097,"title":14099},"5bf27bd8-6a4f-4c43-866c-bc77ccc40b69",[14074],{"_id":208,"_type":187,"seo":9,"slug":14075,"title":211},{"_type":14,"current":210},[14077],{"_key":14078,"_type":26,"children":14079,"markDefs":14083,"style":39},"d06c0771a2ca",[14080],{"_key":14081,"_type":30,"marks":14082,"text":13045},"baa1ae9de58a",[],[],"Connecting different people and organisations by triggering creative disruptions that can lead to individual and collective changes of outlook and attitude.",{"filterYear":14086},[14087],{"_id":208,"title":211},[14089],{"_type":449,"label":450,"url":14090},"https://conexionesimprobables.es/v3/",{"locations":14092,"other":9},[14093],{"_id":458,"_type":459,"seo":9,"slug":14094,"title":462},{"_type":14,"current":461},[14096,210],"conexiones improbables",{"_type":14,"current":14098},"conexiones-improbables","Conexiones Improbables",{"_id":14101,"_type":389,"activeYears":14102,"bio":14105,"bioShort":14114,"featuredImage":14115,"filterables":14117,"links":14120,"locations":14123,"searchables":14127,"seo":9,"slug":14129,"title":14116},"8f1cc17a-ece8-4d36-842c-75488489d2c0",[14103],{"_id":208,"_type":187,"seo":9,"slug":14104,"title":211},{"_type":14,"current":210},[14106],{"_key":14107,"_type":26,"children":14108,"markDefs":14113,"style":39},"6ef8fa73b547",[14109],{"_key":14110,"_type":30,"marks":14111,"text":14112},"ded403ef5f070",[],"Our unique craft-oriented and interdisciplinary education enables creative people to develop their own filmic language. In research and teaching, we focus on both scientific and artistic approaches and, thus, actively contribute to the development of media, science, and society.",[],"A place where film comes alive, a school representing a wealth of different stories and artistic forms, genres and formats, specialization and exchange. ",{"alt":14116,"asset":9}," Film University Babelsberg KONRAD WOLF",{"filterYear":14118},[14119],{"_id":208,"title":211},[14121],{"_type":449,"label":450,"url":14122},"https://www.filmuniversitaet.de/en/",{"locations":14124,"other":9},[14125],{"_id":458,"_type":459,"seo":9,"slug":14126,"title":462},{"_type":14,"current":461},[14128,210]," film university babelsberg konrad wolf",{"_type":14,"current":14130},"film-university-babelsberg-konrad-wolf",{"_id":14132,"_type":389,"activeYears":14133,"bio":14136,"bioShort":14145,"featuredImage":14146,"filterables":14152,"links":14155,"locations":9,"searchables":14158,"seo":9,"slug":14160,"title":14147},"65705b8d-3b5a-4bad-ac70-301c065523e9",[14134],{"_id":208,"_type":187,"seo":9,"slug":14135,"title":211},{"_type":14,"current":210},[14137],{"_key":14138,"_type":26,"children":14139,"markDefs":14144,"style":39},"96af66517116",[14140],{"_key":14141,"_type":30,"marks":14142,"text":14143},"c488248083710",[],"From 2010 to 2018, she articulated cultural programming with rural, peri-urban, and diasporic communities from the Philippines through the OCD, a residency space and social practice platform. In 2013, she co-founded Hardworking Goodlooking, a cottage industry publishing hauz interested in the material vernacular, collectivizing authorship, and the value of the error. Currently, she builds and publishes curriculums at BAK basis voor aktuele kunst as head of Civic Praxis (Community Portal); at Willem de Kooning Academy as a research lecturer in Social Practices; and at Piet Zwart Institute as a midwife for Experimental Publishing. Frequently, she operates under collective or individual aliases that disclose her stewardship in collaborative projects, the latest of which is To Be Determined: a transitional, migratory structure of sleeper cells (Trojan horse networks) that activate–deactivate for leaking access to cultural capital.",[],"Clara (Makati City, Pisces Metal Monkey) is a cultural worker and grey literature circulator. ",{"alt":14147,"asset":14148},"Clara Balaguer ",{"_id":14149,"height":14150,"orientation":7272,"ratio":1507,"url":14151,"width":14150},"image-8fbcac2c6778b1a5d25602a1e9f4bd802432bafe-671x671-png",671,"https://cdn.sanity.io/images/eodip22e/production/8fbcac2c6778b1a5d25602a1e9f4bd802432bafe-671x671.png",{"filterYear":14153},[14154],{"_id":208,"title":211},[14156],{"_type":449,"label":453,"url":14157},"https://www.instagram.com/2bd3t3rm1n3d/",[14159,210],"clara balaguer ",{"_type":14,"current":14161},"clara-balaguer",{"_id":14163,"_type":389,"activeYears":14164,"bio":14167,"bioShort":9,"featuredImage":14208,"filterables":14214,"links":14217,"locations":9,"searchables":14220,"seo":9,"slug":14222,"title":14209},"c55e842d-27b4-4a8c-90cf-3a5afbd57597",[14165],{"_id":208,"_type":187,"seo":9,"slug":14166,"title":211},{"_type":14,"current":210},[14168,14176,14184,14192,14200],{"_key":14169,"_type":26,"children":14170,"markDefs":14175,"style":39},"c7ad0995d99f",[14171],{"_key":14172,"_type":30,"marks":14173,"text":14174},"f6e4fd23bf260",[],"Baruch chose “wouuuo” (it/they) as LARP character (other self).",[],{"_key":14177,"_type":26,"children":14178,"markDefs":14183,"style":3013},"20f3b045e6de",[14179],{"_key":14180,"_type":30,"marks":14181,"text":14182},"96f99c4d2c5f0",[],"Bio",[],{"_key":14185,"_type":26,"children":14186,"markDefs":14191,"style":39},"4c369cee3457",[14187],{"_key":14188,"_type":30,"marks":14189,"text":14190},"42469425d41e0",[],"Dr. Phil. Wouuuo, trained as a filmmaker at Concordia University Montreal, has a doctorate in digital aesthetics from the University of Arts Berlin. From 2005-2008 it was a professor of Media Art at Yonsei University Graduate School for Communication and Arts in Seoul, Korea. They are active member of the Telekommunisten, Arts & Economic Group and laboratoire de déberlinisation artist collectives. Author of “Gratitude for Technology” (ATROPOS 2009), “A Political Economy of the Smallest Things” (ATROPOS 2016), and Digital Materialism (Emerald 2018) currently lecturing in Philosophy of Digital Art at the University of Arts Berlin.",[],{"_key":14193,"_type":26,"children":14194,"markDefs":14199,"style":39},"81223a25fdde",[14195],{"_key":14196,"_type":30,"marks":14197,"text":14198},"2db7afc5f8a40",[],"They are curators of the touring exhibition series “Flusser & the Arts” based on the philosophical writings of Vilém Flusser, which has been presented at ZKM, Karlsruhe, AdK Berlin, West den Haag and GAMU Prague and “FEEDBACK: Marshall McLuhan and the Arts” which has been presented at West den Haag and 34th Chaos Communication Congress, Leipzig, and is traveling to Berlin, Paris, and Toronto. They write extensively on digital media, digital archiving, generative and interactive processes, digital media for public space and on social and political aspects of networked media. Currently a lecturer in digital aesthetics at UdK Berlin and Technical University Cottbus and artistic researcher in residence at West Den Haag.",[],{"_key":14201,"_type":26,"children":14202,"markDefs":14207,"style":39},"4e01bfc4bb4f",[14203],{"_key":14204,"_type":30,"marks":14205,"text":14206},"ad4a8468895f0",[],"baruch#2124 on discord",[],{"alt":14209,"asset":14210},"Baruch Gottlieb",{"_id":14211,"height":14212,"orientation":7272,"ratio":1507,"url":14213,"width":14212},"image-b853ebcfec8c883df71042c92108d9c7bceb356c-1258x1258-png",1258,"https://cdn.sanity.io/images/eodip22e/production/b853ebcfec8c883df71042c92108d9c7bceb356c-1258x1258.png",{"filterYear":14215},[14216],{"_id":208,"title":211},[14218],{"_type":449,"label":450,"url":14219},"http://baruchgottlieb.com/cv.htm",[14221,210],"baruch gottlieb",{"_type":14,"current":14223},"baruch-gottlieb",{"_id":14225,"_type":389,"activeYears":14226,"bio":14229,"bioShort":14268,"featuredImage":14269,"filterables":14277,"links":14280,"locations":9,"searchables":14284,"seo":9,"slug":14286,"title":14270},"5582e6bf-6e77-40de-bf83-154fcf474ccb",[14227],{"_id":208,"_type":187,"seo":9,"slug":14228,"title":211},{"_type":14,"current":210},[14230,14238,14245,14257],{"_key":14231,"_type":26,"children":14232,"markDefs":14237,"style":39},"3ee951b475ee",[14233],{"_key":14234,"_type":30,"marks":14235,"text":14236},"5b3fc874549c0",[],"As part of their stand-up career they have been seen on all big comedy stages of the German-speaking part of Switzerland and on Swiss National Television. During the last two years Edwin was part of the ensemble for “Star Magnolia” and “Monster vs Society” both at Theater Neumarkt, as well as part of New Urgency for the performance “Hier! Tickets für die Revolution at Gessnerallee. They are also a big sci-fi nerd and have organized the occasional tabletop rpg session.",[],{"_key":14239,"_type":26,"children":14240,"markDefs":14244,"style":39},"de07fa22d39a",[14241],{"_key":14242,"_type":30,"marks":14243,"text":720},"15e53c787da00",[],[],{"_key":14246,"_type":26,"children":14247,"markDefs":14256,"style":39},"2e68f4f4cac1",[14248,14252],{"_key":14249,"_type":30,"marks":14250,"text":14251},"49c301322b730",[32],"Criptonite",{"_key":14253,"_type":30,"marks":14254,"text":14255},"f08b1e4a4ddb",[]," is a queer, crip theatre project based founded in 2020 by Edwin Ramirez and Nina Mühlemann. They create various performances using drag, pop culture and dark humor to highlight and discuss various aspects of the broader topic of disability and use access in creative ways to make performance spaces more accessible to disabled performers and audience members.",[],{"_key":14258,"_type":26,"children":14259,"markDefs":14265,"style":39},"89c9ff3cfbc9",[14260],{"_key":14261,"_type":30,"marks":14262,"text":14264},"9208a8db5e800",[14263],"fc4634ca532c","www.criptonite.art",[14266],{"_key":14263,"_type":56,"href":14267},"https://www.criptonite.art/","Edwin (they/them) is a performance artist and stand-up comic based in Zurich. ",{"alt":14270,"asset":14271},"Edwin Ramirez, Criptonite",{"_id":14272,"height":14273,"orientation":789,"ratio":14274,"url":14275,"width":14276},"image-7662061f59b07ad4d229048029c076c2af7dbc65-761x670-png",670,1.135820895522388,"https://cdn.sanity.io/images/eodip22e/production/7662061f59b07ad4d229048029c076c2af7dbc65-761x670.png",761,{"filterYear":14278},[14279],{"_id":208,"title":211},[14281,14283],{"_type":449,"label":450,"url":14282},"https://www.edwinramirezart.com/",{"_type":449,"label":14251,"url":14267},[14285,210],"edwin ramirez, criptonite",{"_type":14,"current":14287},"edwin-ramirez-criptonite",{"_id":14289,"_type":389,"activeYears":14290,"bio":14293,"bioShort":14302,"featuredImage":14303,"filterables":14311,"links":14314,"locations":9,"searchables":14318,"seo":9,"slug":14320,"title":14304},"aae6eba1-2188-43cd-a10e-59ed58629649",[14291],{"_id":208,"_type":187,"seo":9,"slug":14292,"title":211},{"_type":14,"current":210},[14294],{"_key":14295,"_type":26,"children":14296,"markDefs":14301,"style":39},"3406a43def13",[14297],{"_key":14298,"_type":30,"marks":14299,"text":14300},"c484717cc0c90",[],"The members of the group change and fluctuate. Initiated by Noor Abed and Lara Khaldi in 2019, School of Intrusions aims to actively practice the notion of ‘commons’ in everyday work and life.",[],"School of Intrusions is a collective of sorts practicing informal ways of gathering in and around specific urban and rural sites in Palestine. ",{"alt":14304,"asset":14305},"School of Intrusions",{"_id":14306,"height":14307,"orientation":789,"ratio":14308,"url":14309,"width":14310},"image-bb109c0d1d5b41a76ad1a525c013be2fb5ce5a95-899x884-png",884,1.0169683257918551,"https://cdn.sanity.io/images/eodip22e/production/bb109c0d1d5b41a76ad1a525c013be2fb5ce5a95-899x884.png",899,{"filterYear":14312},[14313],{"_id":208,"title":211},[14315],{"_type":449,"label":14316,"url":14317},"Find out more","https://www.onassis.org/initiatives/onassis-air/collaborations/school-of-intrusions",[14319,210],"school of intrusions",{"_type":14,"current":14321},"school-of-intrusions",{"_id":14323,"_type":389,"activeYears":14324,"bio":14327,"bioShort":14336,"featuredImage":9,"filterables":14337,"links":14340,"locations":9,"searchables":14343,"seo":9,"slug":14345,"title":14347},"16e9e4c6-933e-465d-bbd4-a352da7f500a",[14325],{"_id":208,"_type":187,"seo":9,"slug":14326,"title":211},{"_type":14,"current":210},[14328],{"_key":14329,"_type":26,"children":14330,"markDefs":14335,"style":39},"cfeffba3691e",[14331],{"_key":14332,"_type":30,"marks":14333,"text":14334},"05c4c7f546540",[],"Her practice examines notions of choreography and the imaginary relationship of individuals, creating situations where social possibilities are both rehearsed and performed. Abed attended the Whitney Independent Study Program in Νew York in 2015-16, and the Home Workspace Program (HWP) at Ashkal Alwan in Beirut in 2016-17. She received her BA from the International Academy of Arts in Palestine and a MFA from the California Institute of the Arts, Los Angeles. She was a resident at the Skowhegan School of Painting and Sculpture in Maine (2014) and a fellow in documenta (13)’s “Department of Maybe Educatiοn and Public Programs” in Kassel, Germany. A finalist and a third prize-winner in the 2014 Young Artist Award, she was awarded the March Project residency and commission from Sharjah Art Foundation (UAE) in 2016. Abed was awarded residencies at the Cité Internationale des Arts in Paris (France) in 2018, the U-jazdowski Center for Contemporary Art in Warsaw (Poland) in 2020, and Raw Material Company in Dakar (Senegal) in 2019, among others. In 2020, she co-founded, with Lara Khaldi, the “School of Intrusions,” an independent educational platform in Ramallah, Palestine. Abed is currently exploring the critical stance of ‘folklore’ as a source of knowledge, and it’s possible connection to alternative social and representational models in Palestine.",[],"Noor is an interdisciplinary artist and filmmaker.",{"filterYear":14338},[14339],{"_id":208,"title":211},[14341],{"_type":449,"label":14316,"url":14342},"https://theoctopusprogramme.uni-ak.ac.at/index.php/noor-abed/",[14344,210],"noor abed",{"_type":14,"current":14346},"noor-abed","Noor Abed",{"_id":14349,"_type":389,"activeYears":14350,"bio":14353,"bioShort":14373,"featuredImage":14374,"filterables":14379,"links":9,"locations":9,"searchables":14382,"seo":9,"slug":14384,"title":14383},"fc005721-12aa-48fe-9844-2db60bfc7eea",[14351],{"_id":208,"_type":187,"seo":9,"slug":14352,"title":211},{"_type":14,"current":210},[14354],{"_key":14355,"_type":26,"children":14356,"markDefs":14370,"style":39},"a5b5aa4bf605",[14357,14361,14366],{"_key":14358,"_type":30,"marks":14359,"text":14360},"4d11c6b7a40d0",[],"They use what is at hand in a process of magical thinking with attention to ritual aspects of aesthetics. Since 2015, they have co-facilitated ",{"_key":14362,"_type":30,"marks":14363,"text":14365},"db61e041d5871",[14364],"510ddd180993","home school",{"_key":14367,"_type":30,"marks":14368,"text":14369},"db61e041d5872",[],", a free pop-up art school with a curriculum of non-genre-conforming multimedia edutainment. Recent projects have taken place at Veronica, Seattle (2021, solo); Kunstraum Niederösterreich, Vienna (2021); Athens Biennale 7 (2021); HALLE FÜR KUNST Steiermark, Graz (2021); AB Lobby Gallery, Portland State University (2019, solo); Yaby, Madrid (2019, with Precious Okoyomon); MoMA and MoMA PS1, New York (2018); Rhizome and New Museum, New York (2017). abreu has published two books of poetry, List of Consonants (Bottlecap, 2015) and transtrender (Quimérica / Ugly Duckling, 2016), as well as a book of critical writing, Incalculable Loss (Institute for New Connotative Action Press, 2018).",[14371],{"_key":14364,"_type":56,"href":14372},"https://homeschoolpdx.tumblr.com/","manuel (they/them) (b. 1991, Santo Domingo, Dominican Republic) is a non-disciplinary artist from the Bronx who lives and works on lands of Multnomah, Cowlitz, Chinook, Kalapuya, Klackamas, Grand Ronde Confederation, Siletz Confederation, and other First Peoples of the Pacific Northwest. ",{"alt":14375,"asset":14376}," manuel arturo abreu",{"_id":14377,"height":9424,"orientation":7272,"ratio":1507,"url":14378,"width":9424},"image-632f2b9ef39146fa488906a0c822770d3d160de8-2560x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/632f2b9ef39146fa488906a0c822770d3d160de8-2560x2560.jpg",{"filterYear":14380},[14381],{"_id":208,"title":211},[14383,210],"manuel arturo abreu",{"_type":14,"current":14385},"manuel-arturo-abreu",{"_id":14387,"_type":389,"activeYears":14388,"bio":14391,"bioShort":14416,"featuredImage":14417,"filterables":14419,"links":14422,"locations":14426,"searchables":14430,"seo":9,"slug":14432,"title":14434},"1a176047-7986-4b8c-99ab-990d28a94ee4",[14389],{"_id":208,"_type":187,"seo":9,"slug":14390,"title":211},{"_type":14,"current":210},[14392,14400,14408],{"_key":14393,"_type":26,"children":14394,"markDefs":14399,"style":39},"51d1c49ada91",[14395],{"_key":14396,"_type":30,"marks":14397,"text":14398},"b0dcdd57a98b0",[],"Their process-based works and interdisciplinary projects are influenced by science fiction as well as queer-feminist theory and practice. They have shown artistic projects in the fields of film, (sound) installations, performance and music theater at various institutions and festivals.",[],{"_key":14401,"_type":26,"children":14402,"markDefs":14407,"style":39},"6b695143ac4c",[14403],{"_key":14404,"_type":30,"marks":14405,"text":14406},"c9620d42a4b60",[],"For the years 2020-2025, Thea Reifler and Phila Bergmann are working as artistic directors of Shedhalle Zurich. In the years 2021 and 2022 Phila Bergmann and Thea Reifler are also working as the artistic co-directors of Bone Performance Festival in Bern. Thea Reifler teaches art at the architecture department of ETH, the Swiss Federal Institute of Technology in Zürich. Phila Bergmann is part of the research project “COLLECTING THE EPHEMERAL Prerequisites and Possibilities for Making Performance Art Last”, at Lucerne University of Applied Sciences and Art. At HSLU Lucerne, Phila also works as a Docent in Bachelor of Arts.",[],{"_key":14409,"_type":26,"children":14410,"markDefs":14415,"style":39},"f85d2d33d0ff",[14411],{"_key":14412,"_type":30,"marks":14413,"text":14414},"8de71b40d5df0",[],"They have shown artistic projects in the fields of film, (sound) installations, performance and music theater at Hamburger Bahnhof – Museum für Gegenwart (Berlin), at the 3HD-Festival (Berlin), at NOWY Teatr (Warsaw), Mousonturm (Frankfurt) at Zürcher Theater Spektakel (Zurich), at Hellerau – European Center for the Arts (Dresden), at the SPIELART Festival (Munich), at the Darmstadt Opera, at the Performing Arts Festival (Berlin) at the Sophiensælen (Berlin), Radialsystem (Berlin) and at the Pogo Bar at Kunstwerke KW (Berl",[],"Phila and Thea work as curators, artists, social justice trainers, teachers and researchers in the field of visual art and performance. ",{"alt":14418,"asset":9},"Phila Bergmann and Thea Reifler © Laila Kaletta",{"filterYear":14420},[14421],{"_id":208,"title":211},[14423],{"_type":449,"label":14424,"url":14425},"Shedhalle","https://shedhalle.ch/",{"locations":14427,"other":9},[14428],{"_id":458,"_type":459,"seo":9,"slug":14429,"title":462},{"_type":14,"current":461},[14431,210],"phila bergmann and thea reifler ",{"_type":14,"current":14433},"phila-bergmann-and-thea-reifler","Phila Bergmann and Thea Reifler ",{"_id":14436,"_type":389,"activeYears":14437,"bio":14440,"bioShort":14457,"featuredImage":14458,"filterables":14464,"links":9,"locations":9,"searchables":14467,"seo":9,"slug":14469,"title":14471},"ab9c53b9-25d6-4fee-9a73-3e4b6537a662",[14438],{"_id":208,"_type":187,"seo":9,"slug":14439,"title":211},{"_type":14,"current":210},[14441],{"_key":14442,"_type":26,"children":14443,"markDefs":14456,"style":39},"9205bd38dcb9",[14444,14448,14452],{"_key":14445,"_type":30,"marks":14446,"text":14447},"735d6d36e5b20",[],"In 1972, she was co-founder of the International Feminist Collective, which launched the Wages for Housework campaign internationally. In the 1990s, after a period of teaching and research in Nigeria, she was active in the anti-globalization movement and the U.S. anti-death penalty movement. She is one of the co-founders of the Committee for Academic Freedom in Africa, an organization dedicated to generating support for the struggles of students and teachers in Africa against the structural adjustment of African economies and education systems. From 1987 to 2005, she also taught international studies, women’s studies, and political philosophy courses at Hofstra University in Hempstead, NY. Her decades of research and political organizing accompany a long list of publications on philosophy and feminist theory, women’s history, education, culture, international politics, and more recently the worldwide struggle against capitalist globalization and for a feminist reconstruction of the commons. Her steadfast commitment to these issues resounds in her focus on autonomy in what she calls ",{"_key":14449,"_type":30,"marks":14450,"text":14451},"735d6d36e5b22",[874],"self-reproducing movements",{"_key":14453,"_type":30,"marks":14454,"text":14455},"735d6d36e5b23",[]," as a powerful challenge to capitalism through the construction of new social relations.",[],"Silvia is a feminist writer, teacher, and militant. ",{"alt":14459,"asset":14460},"Silvia Federici (she/her)",{"_id":14461,"height":14462,"orientation":7272,"ratio":1507,"url":14463,"width":14462},"image-588d047b0cb7a2e7fcda1dc4562a9199bcfadfad-746x746-png",746,"https://cdn.sanity.io/images/eodip22e/production/588d047b0cb7a2e7fcda1dc4562a9199bcfadfad-746x746.png",{"filterYear":14465},[14466],{"_id":208,"title":211},[14468,210],"silvia federici",{"_type":14,"current":14470},"silvia-federici","Silvia Federici",{"_id":14473,"_type":389,"activeYears":14474,"bio":14477,"bioShort":14486,"featuredImage":14487,"filterables":14490,"links":14493,"locations":14497,"searchables":14501,"seo":9,"slug":14503,"title":14488},"0daa4701-6061-4bd2-b33d-6c744f70a447",[14475],{"_id":208,"_type":187,"seo":9,"slug":14476,"title":211},{"_type":14,"current":210},[14478],{"_key":14479,"_type":26,"children":14480,"markDefs":14485,"style":39},"5bf16288ef12",[14481],{"_key":14482,"_type":30,"marks":14483,"text":14484},"72c13901996f0",[],"They focus on the rich sociality of everyday life and what constitutes good shared lives beyond the nuclear family. They foreground friendship, and entwined people and places, instead of individuated subjects. They are currently participating in the Whitney Independent Study Program and recently exhibited in the Athens Biennale, Bronx Calling: The Fifth AIM Biennial and Everything is Common at Artists Space in New York. ",[],"Jack (they/them) is an artist and architect from Waterford, Ireland. ",{"alt":14488,"asset":14489},"Jack Hogan",{"_id":14461,"height":14462,"orientation":7272,"ratio":1507,"url":14463,"width":14462},{"filterYear":14491},[14492],{"_id":208,"title":211},[14494],{"_type":449,"label":14495,"url":14496},"Linktree","https://linktr.ee/jackhogan",{"locations":14498,"other":9},[14499],{"_id":458,"_type":459,"seo":9,"slug":14500,"title":462},{"_type":14,"current":461},[14502,210],"jack hogan",{"_type":14,"current":14504},"jack-hogan",{"_id":14506,"_type":389,"activeYears":14507,"bio":14510,"bioShort":14530,"featuredImage":14531,"filterables":14536,"links":9,"locations":9,"searchables":14539,"seo":9,"slug":14541,"title":14532},"f0242fa8-3bbb-4d17-891f-e05e186f575e",[14508],{"_id":208,"_type":187,"seo":9,"slug":14509,"title":211},{"_type":14,"current":210},[14511],{"_key":14512,"_type":26,"children":14513,"markDefs":14527,"style":39},"f2f8b2fc05a3",[14514,14518,14523],{"_key":14515,"_type":30,"marks":14516,"text":14517},"f7c3ce8a2f110",[],"She had to forget everything she learned at university in order to do something worthwhile. Action research and popular pedagogy are her greatest passions. She is editor and co-author of “Nociones comunes. Essays between research and militancia”, “A la deriva por los circuitos de la precariedad femenina”, “Madrid: ¿la suma de todos?”, “La internacional feminista. Luchas en los territorios y contra el neoliberalismo” and “Estamos para nosotras: siete tesis para una práctica radical de los cuidados”. She is part of La Laboratoria. Espacio de Investigaciones Feministas ",{"_key":14519,"_type":30,"marks":14520,"text":14522},"f7c3ce8a2f112",[14521],"8edb52daf8c7","www.laboratoria.red",{"_key":14524,"_type":30,"marks":14525,"text":14526},"f7c3ce8a2f113",[],". When she grows up she wants to devote herself exclusively to accompanying others in writing. ",[14528],{"_key":14521,"_type":56,"href":14529},"http://laboratoria.red/","Marta is a translator and feminist researcher.",{"alt":14532,"asset":14533},"Marta Malo de Molina",{"_id":14534,"height":3190,"orientation":7272,"ratio":1507,"url":14535,"width":3190},"image-4451f724ff598f9f67002f9a53739734e72a262b-848x848-png","https://cdn.sanity.io/images/eodip22e/production/4451f724ff598f9f67002f9a53739734e72a262b-848x848.png",{"filterYear":14537},[14538],{"_id":208,"title":211},[14540,210],"marta malo de molina",{"_type":14,"current":14542},"marta-malo-de-molina",{"_id":14544,"_type":389,"activeYears":14545,"bio":14548,"bioShort":14557,"featuredImage":14558,"filterables":14564,"links":9,"locations":9,"searchables":14567,"seo":9,"slug":14569,"title":14559},"79f728a5-b127-4de2-8101-7efb4e4fef91",[14546],{"_id":208,"_type":187,"seo":9,"slug":14547,"title":211},{"_type":14,"current":210},[14549],{"_key":14550,"_type":26,"children":14551,"markDefs":14556,"style":39},"cf4e592c9973",[14552],{"_key":14553,"_type":30,"marks":14554,"text":14555},"b007a8577f3c0",[],"They hold a BA in jazz from the University of the Arts in Philadelphia, an MA in vocal pedagogy as well as a MA in elementary music education from the Zurich University of the Arts. Brandy is an organizational member of the African feminist diaspora collective Bla*sh, on the board of Helvetia Rockt, co-founder of the feminist think-tank collective Mino, which creates new opportunities for increasing the visibility of diversity in the Swiss music scene and has been active in early education and primary schooling for over 15 years. Brandy is the founder of Switzerland’s first ever Drag Story Time, managing and performing with several drag folx who are dedicated to creating fun atmospheres, where children ages 3-8 can be free to play and experiment with their own gender identity.",[],"Brandy is a performance artist, musician, educator, mother, and activist who spends their time creating creative opportunities at the interface of art and community. ",{"alt":14559,"asset":14560},"Brandy Butler",{"_id":14561,"height":14562,"orientation":7272,"ratio":1507,"url":14563,"width":14562},"image-b50bb122de745fd4c91d9cbff17fa68fc2b9c3e3-892x892-png",892,"https://cdn.sanity.io/images/eodip22e/production/b50bb122de745fd4c91d9cbff17fa68fc2b9c3e3-892x892.png",{"filterYear":14565},[14566],{"_id":208,"title":211},[14568,210],"brandy butler",{"_type":14,"current":14570},"brandy-butler",{"_id":14572,"_type":389,"activeYears":14573,"bio":14576,"bioShort":14601,"featuredImage":14602,"filterables":14610,"links":9,"locations":9,"searchables":14613,"seo":9,"slug":14615,"title":14603},"4c506af3-b5dc-49f4-b6a7-894cbcd401ab",[14574],{"_id":208,"_type":187,"seo":9,"slug":14575,"title":211},{"_type":14,"current":210},[14577],{"_key":14578,"_type":26,"children":14579,"markDefs":14600,"style":39},"3dac9d23fbc7",[14580,14584,14588,14592,14596],{"_key":14581,"_type":30,"marks":14582,"text":14583},"81d4e205bbdb0",[],"She studied Fine Arts and received a Ph.D. in Cultural Studies from the Academy of Fine Arts Vienna. She was chairperson of the VBKÖ (Austrian Association of Women Artists) from 2011–2013. She has been working with the eipcp as a researcher and co-editor of the multilingual web-journal ",{"_key":14585,"_type":30,"marks":14586,"text":14587},"81d4e205bbdb2",[874],"Transversal",{"_key":14589,"_type":30,"marks":14590,"text":14591},"81d4e205bbdb3",[]," since 2009. Her work deals with the topics of migration; knowledge production and educational policies; mechanisms of appropriation and privatization of structures such as education, culture, the body, and land; and perspectives for trans-local solidarity. She has been actively involved in knowledge-based social movements in Europe and abroad. She has worked extensively on these topics and has dedicated the book ",{"_key":14593,"_type":30,"marks":14594,"text":14595},"81d4e205bbdb4",[874],"Struggles for Living Learning",{"_key":14597,"_type":30,"marks":14598,"text":14599},"81d4e205bbdb5",[]," (2016) to this topic and these struggles.",[],"Lina works at the intersection between visual art and research/knowledge production. ",{"alt":14603,"asset":14604},"Lina Dokuzović",{"_id":14605,"height":14606,"orientation":789,"ratio":14607,"url":14608,"width":14609},"image-db9cf08127f4affd9822ae606056e2be78c48bc3-611x603-png",603,1.0132669983416251,"https://cdn.sanity.io/images/eodip22e/production/db9cf08127f4affd9822ae606056e2be78c48bc3-611x603.png",611,{"filterYear":14611},[14612],{"_id":208,"title":211},[14614,210],"lina dokuzović",{"_type":14,"current":14616},"lina-dokuzovic",{"_id":14618,"_type":389,"activeYears":14619,"bio":14622,"bioShort":14631,"featuredImage":14632,"filterables":14637,"links":14640,"locations":9,"searchables":14643,"seo":9,"slug":14645,"title":14647},"dc2049f7-77cd-4ddd-916b-e1932ef78ecc",[14620],{"_id":208,"_type":187,"seo":9,"slug":14621,"title":211},{"_type":14,"current":210},[14623],{"_key":14624,"_type":26,"children":14625,"markDefs":14630,"style":39},"0a1c1711be6e",[14626],{"_key":14627,"_type":30,"marks":14628,"text":14629},"21b9bd0b0f800",[],"She is a PhD Candidate, Psychosocial Studies at Birkbeck who’s research is focused on “Pleasurable Practices for Climate Colonialism Resistance” (2018-2022). Ama is also the Planetary Fictions Fellow researching Pleasurable Ecologies – Curation as Future Building (2020 – 2022) with Curatorial Frame (Helsinki) & EVA International (Limerick); and the Keith Haring Fellow in Art and Activism (2020-21) with Bard College’s Centre for Curatorial Studies & Human Rights Department.",[],"Speculative Writer, Artist, Curator and Pleasure Activist. ",{"alt":9,"asset":14633},{"_id":14634,"height":14635,"orientation":7272,"ratio":1507,"url":14636,"width":14635},"image-d6492922a3918aab7774a33b4af8c0d0cf769daa-792x792-png",792,"https://cdn.sanity.io/images/eodip22e/production/d6492922a3918aab7774a33b4af8c0d0cf769daa-792x792.png",{"filterYear":14638},[14639],{"_id":208,"title":211},[14641],{"_type":449,"label":450,"url":14642},"https://www.amajosephine.me/",[14644,210],"ama josephine b. johnstone",{"_type":14,"current":14646},"ama-josephine-b-johnstone","Ama Josephine B. Johnstone",{"_id":14649,"_type":389,"activeYears":14650,"bio":14653,"bioShort":14662,"featuredImage":14663,"filterables":14669,"links":14672,"locations":14675,"searchables":14679,"seo":9,"slug":14681,"title":14664},"b4998e93-64e2-48f7-aeae-b7e794d04b21",[14651],{"_id":208,"_type":187,"seo":9,"slug":14652,"title":211},{"_type":14,"current":210},[14654],{"_key":14655,"_type":26,"children":14656,"markDefs":14661,"style":39},"cd7cd679a665",[14657],{"_key":14658,"_type":30,"marks":14659,"text":14660},"209c3dda3f420",[],"Today, Klasse Klima creates physical and virtual seminars and symposia for the collective negotiation of creative knowledge.",[],"Student-led Klasse Klima, founded at the Berlin University of the Arts in 2009, translates demands for climate justice and degrowth into aesthetic education and practice. ",{"alt":14664,"asset":14665},"Klasse Klima",{"_id":14666,"height":14667,"orientation":7272,"ratio":1507,"url":14668,"width":14667},"image-ed00a80eb455aed97dd0e48c0ab8ee68a59e37f9-400x400-jpg",400,"https://cdn.sanity.io/images/eodip22e/production/ed00a80eb455aed97dd0e48c0ab8ee68a59e37f9-400x400.jpg",{"filterYear":14670},[14671],{"_id":208,"title":211},[14673],{"_type":449,"label":450,"url":14674},"https://www.klasseklima.org/",{"locations":14676,"other":9},[14677],{"_id":458,"_type":459,"seo":9,"slug":14678,"title":462},{"_type":14,"current":461},[14680,210],"klasse klima",{"_type":14,"current":14682},"klasse-klima",{"_id":14684,"_type":389,"activeYears":14685,"bio":14688,"bioShort":14713,"featuredImage":14714,"filterables":14721,"links":14724,"locations":9,"searchables":14727,"seo":9,"slug":14729,"title":14715},"eee5ecca-e3ea-4774-b983-e098caa616bc",[14686],{"_id":218,"_type":187,"seo":9,"slug":14687,"title":221},{"_type":14,"current":220},[14689,14697,14705],{"_key":14690,"_type":26,"children":14691,"markDefs":14696,"style":39},"e83786c93c7c",[14692],{"_key":14693,"_type":30,"marks":14694,"text":14695},"5a9039a350300",[],"These worlds bleed into one. That is where Omsk positions their speculative fictions, through these immersive installations they move into a territory they coined in 2017 called Real Game Play (RGP). Their work aims to induce states that could potentially be a fiction or a yet, unlived reality.",[],{"_key":14698,"_type":26,"children":14699,"markDefs":14704,"style":39},"c18a7893f033",[14700],{"_key":14701,"_type":30,"marks":14702,"text":14703},"01706eac2adc0",[],"Omsk works closely with networks of viewers, everything is unique and unrehearsed. The living installations they create examine virtual egos, popular experiences and political phenomena. Allowing the works to become a dematerialized hybrid of modern-day culture alongside the participant’s unique personal experiences. In the past Omsk Social Club’s Real Game Play immersive environments have introduced landscapes and topics such as otherkin, rave culture, survivalism, catfishing, desire&sacrifice, positive trolling, algorithmic strategies, and decentralized cryptocurrency.",[],{"_key":14706,"_type":26,"children":14707,"markDefs":14712,"style":39},"0867f23bdfd7",[14708],{"_key":14709,"_type":30,"marks":14710,"text":14711},"8a77875ea3300",[],"They have exhibited across Europe in various institutions, galleries, theatres and off-sites such as Martin Gropius Bau, House of Electronic Kunst Basel, HKW, Berlin, Seventeen, London Volksbühne, Berlin, Stroom den Haag, Den Haag the Netherlands and Light Art Space Berlin. They have been included in CTM Festival (2021), 34th Ljubljana Biennial (2021) 6th Athens Biennale (2018), Transmediale Festival (2019), The Influencers (2018) and Impakt Festival (2018). In 2021 they co-curated the 7th Athens Biennale with Larry Ossei-Mensah.",[],"Omsk Social Club’s (they/them) work is created between two lived worlds, one of life as we know it and the other of role play. ",{"alt":14715,"asset":14716},"Omsk Social Club",{"_id":14717,"height":3184,"orientation":789,"ratio":14718,"url":14719,"width":14720},"image-23859d78a1dc8595cd0abb83dce117e8afb5ccb0-1182x1164-jpg",1.0154639175257731,"https://cdn.sanity.io/images/eodip22e/production/23859d78a1dc8595cd0abb83dce117e8afb5ccb0-1182x1164.jpg",1182,{"filterYear":14722},[14723],{"_id":218,"title":221},[14725],{"_type":449,"label":450,"url":14726},"https://omsksocial.club",[14728,220],"omsk social club",{"_type":14,"current":14730},"omsk-social-club",{"_id":14732,"_type":389,"activeYears":14733,"bio":14736,"bioShort":14745,"featuredImage":14746,"filterables":14754,"links":9,"locations":14757,"searchables":14761,"seo":9,"slug":14763,"title":14747},"db0bd018-5b83-48ef-96e7-f42c25838354",[14734],{"_id":208,"_type":187,"seo":9,"slug":14735,"title":211},{"_type":14,"current":210},[14737],{"_key":14738,"_type":26,"children":14739,"markDefs":14744,"style":39},"09c2e33de865",[14740],{"_key":14741,"_type":30,"marks":14742,"text":14743},"46264b25957b0",[],"Building on her study of the history of aesthetic, ecological and economic knowledge, she works with the collective Klasse Klima to establish spaces for the unlearning of extractivist epistemologies in the creative fields and beyond. The bottom-up initiative Klasse Klima was founded in 2019 at Berlin’s University of the Arts to translate demands for climate justice and degrowth into aesthetic education and practice. Today, Klasse Klima creates physical and virtual seminars and symposia for the collective negotiation of creative knowledge.",[],"Lena is a Berlin-based cultural researcher and journalist. ",{"alt":14747,"asset":14748},"Lena Schubert ",{"_id":14749,"height":14750,"orientation":789,"ratio":14751,"url":14752,"width":14753},"image-5e851bd85d4681c0d9b8f3c132ab4874cee4151b-910x906-png",906,1.0044150110375276,"https://cdn.sanity.io/images/eodip22e/production/5e851bd85d4681c0d9b8f3c132ab4874cee4151b-910x906.png",910,{"filterYear":14755},[14756],{"_id":208,"title":211},{"locations":14758,"other":9},[14759],{"_id":458,"_type":459,"seo":9,"slug":14760,"title":462},{"_type":14,"current":461},[14762,210],"lena schubert ",{"_type":14,"current":14764},"lena-schubert",{"_id":14766,"_type":389,"activeYears":14767,"bio":14770,"bioShort":14779,"featuredImage":14780,"filterables":14787,"links":9,"locations":14790,"searchables":14803,"seo":9,"slug":14805,"title":14781},"e66e23ab-f8af-4f9e-a373-edb248791770",[14768],{"_id":208,"_type":187,"seo":9,"slug":14769,"title":211},{"_type":14,"current":210},[14771],{"_key":14772,"_type":26,"children":14773,"markDefs":14778,"style":39},"728b99db38e5",[14774],{"_key":14775,"_type":30,"marks":14776,"text":14777},"914880dabdcf0",[],"He is curious about the internet, technology & the future beyond fossils and interested in serial auditive story telling. Part of different collectives and organizations, Johann works with Klasse Klima on questioning the role and responsibility of art institutions in such a post-fussil future.",[],"Johann (* 1991 in Celle, Germany) works as a dramaturg and journalist. ",{"alt":14781,"asset":14782},"Johann Otten",{"_id":14783,"height":439,"orientation":789,"ratio":14784,"url":14785,"width":14786},"image-491486e027cc55c30cdd41d55af24843252f8d39-818x800-png",1.0225,"https://cdn.sanity.io/images/eodip22e/production/491486e027cc55c30cdd41d55af24843252f8d39-818x800.png",818,{"filterYear":14788},[14789],{"_id":208,"title":211},{"locations":14791,"other":14794},[14792],{"_id":458,"_type":459,"seo":9,"slug":14793,"title":462},{"_type":14,"current":461},[14795],{"_key":14796,"_type":26,"children":14797,"markDefs":14802,"style":39},"66382e6553c3",[14798],{"_key":14799,"_type":30,"marks":14800,"text":14801},"f589730b43e30",[],"Lives in Zürich and Berlin",[],[14804,210],"johann otten",{"_type":14,"current":14806},"johann-otten",{"_id":14808,"_type":389,"activeYears":14809,"bio":14812,"bioShort":14821,"featuredImage":14822,"filterables":14828,"links":9,"locations":9,"searchables":14831,"seo":9,"slug":14833,"title":14823},"e3c00fc5-e2f3-4855-94f8-fc5158ba8c62",[14810],{"_id":208,"_type":187,"seo":9,"slug":14811,"title":211},{"_type":14,"current":210},[14813],{"_key":14814,"_type":26,"children":14815,"markDefs":14820,"style":39},"cee7c4f39786",[14816],{"_key":14817,"_type":30,"marks":14818,"text":14819},"3a900e2566100",[],"In their practice, they explore power dynamics, cultural dislocation, and the intersection of pop culture, blackness, decolonial thought, kuirness, and technology. Born in Portugal, Fredo is based in Berlin, Germany, where since 2017 are the deputy editor of Contemporary And, an art platform focused on international perspectives. In their artistic practice, Will Fredo works with images, body, and text to explore post-decoloniality and Global South epistemologies.",[],"Will (they/elle) is a non-binary artist, writer, and editor of Guatemalan and Cape Verdean heritage.",{"alt":14823,"asset":14824},"Will Fredo Furtado",{"_id":14825,"height":14826,"orientation":7272,"ratio":1507,"url":14827,"width":14826},"image-cbcbc25118e13d2c615a314ea146f3e40b4b03c8-1070x1070-jpg",1070,"https://cdn.sanity.io/images/eodip22e/production/cbcbc25118e13d2c615a314ea146f3e40b4b03c8-1070x1070.jpg",{"filterYear":14829},[14830],{"_id":208,"title":211},[14832,210],"will fredo furtado",{"_type":14,"current":14834},"will-fredo-furtado",{"_id":14836,"_type":389,"activeYears":14837,"bio":14840,"bioShort":14849,"featuredImage":9,"filterables":14850,"links":14853,"locations":14856,"searchables":14860,"seo":9,"slug":14862,"title":14864},"c3d880c0-9fc0-4d83-b851-bfbfde5eabec",[14838],{"_id":208,"_type":187,"seo":9,"slug":14839,"title":211},{"_type":14,"current":210},[14841],{"_key":14842,"_type":26,"children":14843,"markDefs":14848,"style":39},"a2851f3151ee",[14844],{"_key":14845,"_type":30,"marks":14846,"text":14847},"88bcf6957c210",[],"Contemporary And América Latina (C&AL) is C&’s sister platform focusing on the connection between Latin America, the Caribbean, and Africa.",[],"Contemporary And (C&) is an art magazine and a dynamic space for issues and information on contemporary art from Africa and its global diaspora. ",{"filterYear":14851},[14852],{"_id":208,"title":211},[14854],{"_type":449,"label":450,"url":14855},"https://contemporaryand.com/",{"locations":14857,"other":9},[14858],{"_id":7584,"_type":459,"seo":9,"slug":14859,"title":7587},{"_type":14,"current":7586},[14861,210],"contemporary and (c&)",{"_type":14,"current":14863},"contemporary-and-c-and","Contemporary And (C&)",{"_id":14866,"_type":389,"activeYears":14867,"bio":14888,"bioShort":14895,"featuredImage":14905,"filterables":14913,"links":14925,"locations":14928,"searchables":14941,"seo":9,"slug":14943,"title":14906},"b689901e-01ea-47e2-8bbd-b54ede315cb9",[14868,14870,14872,14874,14876,14878,14880,14882,14884,14886],{"_id":7531,"_type":187,"seo":9,"slug":14869,"title":7534},{"_type":14,"current":7533},{"_id":7536,"_type":187,"seo":9,"slug":14871,"title":7539},{"_type":14,"current":7538},{"_id":223,"_type":187,"seo":9,"slug":14873,"title":226},{"_type":14,"current":225},{"_id":218,"_type":187,"seo":9,"slug":14875,"title":221},{"_type":14,"current":220},{"_id":213,"_type":187,"seo":9,"slug":14877,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":14879,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":14881,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":14883,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":14885,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":14887,"title":190},{"_type":14,"current":189},[14889,14897],{"_key":14890,"_type":26,"children":14891,"markDefs":14896,"style":39},"700e4835b5b2",[14892],{"_key":14893,"_type":30,"marks":14894,"text":14895},"436a4d09e640",[],"Marea has been directing the project since its beginnings in late 2016. With an established background in arts education, she earned a BA in Art Education and an MA in Transdisciplinary Studies, from Zürcher Hochschule der Künste (ZHdK).",[],{"_key":14898,"_type":26,"children":14899,"markDefs":14904,"style":39},"d35d838d41df",[14900],{"_key":14901,"_type":30,"marks":14902,"text":14903},"57790450fe96",[],"Marea maintains a focus on the future of education, peer learning, transdisciplinarity and method transfer between disciplines. Marea is committed to increasing accessibility in learning environments, and is currently undertaking the Mercator research project, “Accessibility and Inclusion in Digital and Hybrid Learning Environments”. Alongside her research and practice, Marea is a ceramic artist and runs Studio_MAH.",[],{"alt":14906,"asset":14907},"Marea Hildebrand",{"_id":14908,"height":14909,"orientation":789,"ratio":14910,"url":14911,"width":14912},"image-dfcdd003df275b1a3a9ce7c15262a1d109cd934e-767x740-jpg",740,1.0364864864864864,"https://cdn.sanity.io/images/eodip22e/production/dfcdd003df275b1a3a9ce7c15262a1d109cd934e-767x740.jpg",767,{"filterYear":14914},[14915,14916,14917,14918,14919,14920,14921,14922,14923,14924],{"_id":7531,"title":7534},{"_id":7536,"title":7539},{"_id":223,"title":226},{"_id":218,"title":221},{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[14926],{"_type":449,"label":453,"url":14927},"https://www.instagram.com/studio____mah/",{"locations":14929,"other":14932},[14930],{"_id":458,"_type":459,"seo":9,"slug":14931,"title":462},{"_type":14,"current":461},[14933],{"_key":14934,"_type":26,"children":14935,"markDefs":14940,"style":39},"734017c33dd6",[14936],{"_key":14937,"_type":30,"marks":14938,"text":14939},"f2ed8b8191e4",[],"Based in Zurich",[],[14942,7533,7538,225,220,215,210,205,200,195,189],"marea hildebrand",{"_type":14,"current":14944},"marea-hildebrand",{"_id":14946,"_type":389,"activeYears":14947,"bio":14954,"bioShort":14971,"featuredImage":14972,"filterables":14977,"links":9,"locations":14982,"searchables":14995,"seo":9,"slug":14997,"title":14973},"8b5da72e-560b-4bc8-9a8c-e1c6e82c4696",[14948,14950,14952],{"_id":203,"_type":187,"seo":9,"slug":14949,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":14951,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":14953,"title":196},{"_type":14,"current":195},[14955,14963],{"_key":14956,"_type":26,"children":14957,"markDefs":14962,"style":39},"650321b03db8",[14958],{"_key":14959,"_type":30,"marks":14960,"text":14961},"a38f4c6b1335",[],"Lea is a Social and Cultural Anthropologist, researcher and author. ",[],{"_key":14964,"_type":26,"children":14965,"markDefs":14970,"style":39},"52cdc1a7bda9",[14966],{"_key":14967,"_type":30,"marks":14968,"text":14969},"23a2402f2f29",[],"Lea is interested in the intersection of holistic wellbeing, power relations and complexities of collectivity and solidarity, currently exploring, “Accessibility and Inclusion in Digital and Hybrid Learning Environments” together with School of Commons. The project is founded by the Mercator Foundation.",[],"Lea is a Social and Cultural Anthropologist, researcher and author.",{"alt":14973,"asset":14974},"Lea Minow",{"_id":14975,"height":2187,"orientation":7272,"ratio":1507,"url":14976,"width":2187},"image-0e7be7946c4965a674caff675ad0a0890d74dd79-1920x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/0e7be7946c4965a674caff675ad0a0890d74dd79-1920x1920.jpg",{"filterYear":14978},[14979,14980,14981],{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"locations":14983,"other":14986},[14984],{"_id":458,"_type":459,"seo":9,"slug":14985,"title":462},{"_type":14,"current":461},[14987],{"_key":14988,"_type":26,"children":14989,"markDefs":14994,"style":39},"2520de6008d2",[14990],{"_key":14991,"_type":30,"marks":14992,"text":14993},"79aa70a245d90",[],"Based in Potsdam (DE).",[],[14996,205,200,195],"lea minow",{"_type":14,"current":14998},"lea-minow",{"_id":15000,"_type":389,"activeYears":15001,"bio":15012,"bioShort":15059,"featuredImage":15060,"filterables":15066,"links":9,"locations":15073,"searchables":15085,"seo":9,"slug":15087,"title":15061},"4fca21d4-7721-4465-85aa-020bee8753a9",[15002,15004,15006,15008,15010],{"_id":208,"_type":187,"seo":9,"slug":15003,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":15005,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":15007,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":15009,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":15011,"title":190},{"_type":14,"current":189},[15013,15032,15040],{"_key":15014,"_type":26,"children":15015,"markDefs":15029,"style":39},"3f045952a770",[15016,15020,15025],{"_key":15017,"_type":30,"marks":15018,"text":15019},"cb92f7c22ad20",[],"Jelena Mair is the ",{"_key":15021,"_type":30,"marks":15022,"text":15024},"c4d3489d2d58",[15023],"06d11d871f3d","Creative Director at Below the Skin",{"_key":15026,"_type":30,"marks":15027,"text":15028},"efac135e8a47",[],", co-developing artistic concepts with Aly Khamees. With a background in expressive art therapy, and transdisciplinary studies, as well as a Master’s in International Development and Conflict Transformation, her career spans roles in startups and NGOs focused on social inclusion and organisational sustainability. At School of Commons at Zurich University of the Arts, she co-facilities the program and is responsible for Funding & Partners, the Programm Office and oversees Finances..",[15030],{"_key":15023,"_type":56,"href":15031},"https://www.belowtheskin.company/",{"_key":15033,"_type":26,"children":15034,"markDefs":15039,"style":39},"494150d5b5db",[15035],{"_key":15036,"_type":30,"marks":15037,"text":15038},"17d29aac686f0",[],"Passionate about helping others, Jelena loves guiding people in bringing their project ideas to life—whether it’s through creative brainstorming, organizational strategies, or securing funding. She enjoys supporting others in kickstarting their ventures from idea to reality. For Jelena, art and social change are deeply connected, making her a dedicated organizational architect and lifelong learner.",[],{"_key":15041,"_type":26,"children":15042,"markDefs":15056,"style":39},"c1f7bb63e6db",[15043,15047,15052],{"_key":15044,"_type":30,"marks":15045,"text":15046},"f90cdb03dce20",[],"Jelena is also a certified ",{"_key":15048,"_type":30,"marks":15049,"text":15051},"52e896083077",[15050],"bc253add671a","Organic Intelligence Resiliency Coach",{"_key":15053,"_type":30,"marks":15054,"text":15055},"11e1fda5eb6b",[]," and interested in the trauma, neuroscience and Buddhist psychology.",[15057],{"_key":15050,"_type":56,"href":15058},"https://organicintelligence.org/coaches/18531/jelena-sophia-mair/","Since 2022, Jelena has been part of the leadership team at the School of Commons, Zurich University of the Arts (CH), where she oversees our Office, Finances, and Funding & Partnerships.",{"alt":15061,"asset":15062},"Jelena Mair",{"_id":15063,"height":15064,"orientation":440,"ratio":2273,"url":15065,"width":443},"image-a76709362509f238edb2906af39b4ebffebd8dce-480x640-jpg",640,"https://cdn.sanity.io/images/eodip22e/production/a76709362509f238edb2906af39b4ebffebd8dce-480x640.jpg",{"filterYear":15067},[15068,15069,15070,15071,15072],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},{"locations":15074,"other":15077},[15075],{"_id":458,"_type":459,"seo":9,"slug":15076,"title":462},{"_type":14,"current":461},[15078],{"_key":15079,"_type":26,"children":15080,"markDefs":15084,"style":39},"290561b9ce1f",[15081],{"_key":15082,"_type":30,"marks":15083,"text":14939},"48573f4b24b8",[],[],[15086,210,205,200,195,189],"jelena mair",{"_type":14,"current":15088},"jelena-mair",{"_id":13136,"_type":389,"activeYears":15090,"bio":15103,"bioShort":13157,"featuredImage":15137,"filterables":15139,"links":15147,"locations":15151,"searchables":15161,"seo":9,"slug":15162,"title":13208},[15091,15093,15095,15097,15099,15101],{"_id":213,"_type":187,"seo":9,"slug":15092,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":15094,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":15096,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":15098,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":15100,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":15102,"title":190},{"_type":14,"current":189},[15104,15109,15114,15119,15124],{"_key":13152,"_type":26,"children":15105,"markDefs":15108,"style":39},[15106],{"_key":13155,"_type":30,"marks":15107,"text":13157},[],[],{"_key":13160,"_type":26,"children":15110,"markDefs":15113,"style":39},[15111],{"_key":13163,"_type":30,"marks":15112,"text":13165},[],[],{"_key":13168,"_type":26,"children":15115,"markDefs":15118,"style":39},[15116],{"_key":13171,"_type":30,"marks":15117,"text":13173},[],[],{"_key":13176,"_type":26,"children":15120,"markDefs":15123,"style":39},[15121],{"_key":13179,"_type":30,"marks":15122,"text":13181},[],[],{"_key":13184,"_type":26,"children":15125,"markDefs":15136,"style":39},[15126,15128,15130,15132,15134],{"_key":13187,"_type":30,"marks":15127,"text":13189},[],{"_key":13191,"_type":30,"marks":15129,"text":13193},[874],{"_key":13195,"_type":30,"marks":15131,"text":13197},[],{"_key":13199,"_type":30,"marks":15133,"text":13201},[874],{"_key":13203,"_type":30,"marks":15135,"text":13205},[],[],{"alt":13208,"asset":15138},{"_id":13210,"height":13211,"orientation":789,"ratio":13212,"url":13213,"width":13214},{"filterYear":15140},[15141,15142,15143,15144,15145,15146],{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[15148,15149,15150],{"_type":449,"label":453,"url":13225},{"_type":449,"label":13193,"url":13227},{"_type":449,"label":13229,"url":13230},{"locations":15152,"other":15155},[15153],{"_id":458,"_type":459,"seo":9,"slug":15154,"title":462},{"_type":14,"current":461},[15156],{"_key":13237,"_type":26,"children":15157,"markDefs":15160,"style":39},[15158],{"_key":13240,"_type":30,"marks":15159,"text":13242},[],[],[13245,215,210,205,200,195,189],{"_type":14,"current":13247},{"_id":15164,"_type":389,"activeYears":15165,"bio":15168,"bioShort":15193,"featuredImage":9,"filterables":15194,"links":15197,"locations":9,"searchables":15202,"seo":9,"slug":15204,"title":15206},"2628a468-fc66-4c04-b07c-51b81d4af29a",[15166],{"_id":203,"_type":187,"seo":9,"slug":15167,"title":206},{"_type":14,"current":205},[15169,15177,15185],{"_key":15170,"_type":26,"children":15171,"markDefs":15176,"style":39},"90b2381a5393",[15172],{"_key":15173,"_type":30,"marks":15174,"text":15175},"ab2b365b8dc7",[],"In her practice-based research she is exploring the structures of the Self through a multifaceted analysis of body, mind and environment, by taking into consideration the regressive history of the domination of nature, and social power structures.",[],{"_key":15178,"_type":26,"children":15179,"markDefs":15184,"style":39},"34cfebaf9af5",[15180],{"_key":15181,"_type":30,"marks":15182,"text":15183},"88c5f535650b",[],"Her auto-biographical research on intergenerational trauma, migration and belonging is carried forward within her ongoing collaborations with scientists and diverse communities as part of socially engaged commissions, such as Refugee Week London (2021-2022).",[],{"_key":15186,"_type":26,"children":15187,"markDefs":15192,"style":39},"c209580c4971",[15188],{"_key":15189,"_type":30,"marks":15190,"text":15191},"00f049f67e680",[],"As an artist she has presented her works at international institutions, such as National Gallery Vilnius (2023), Drugo More (2022), Uferstudios Berlin (2021), Kommunale Galerie Bärenzwinger (2019), Tate Exchange at Tate Modern London (2017 & 2018), Arts Catalyst (2016), Foreign Affairs Festival at Berliner Festspiele (2014), and as guest lecturer at SOAS University of London (2022), Garage Museum in Moscow (2019), Al-Quds Bard College (2018), and Chelsea College (2017). Dorniak holds a Master Degree in Art and Science (Department Fine Art) from the Central Saint Martins in London (2017).",[],"Monika is a German-Polish artist with an interdisciplinary background in choreography, psychology and design, who often merges media – specifically performance, (textile) sculpture and multimedia.",{"filterYear":15195},[15196],{"_id":203,"title":206},[15198,15200],{"_type":449,"label":450,"url":15199},"https://monikadorniak.com/",{"_type":449,"label":453,"url":15201},"https://www.instagram.com/monikadorniak/",[15203,205],"monika dorniak",{"_type":14,"current":15205},"monika-dorniak","Monika Dorniak",{"_id":15208,"_type":389,"activeYears":15209,"bio":15212,"bioShort":15239,"featuredImage":15240,"filterables":15247,"links":15250,"locations":15256,"searchables":15269,"seo":9,"slug":15271,"title":15273},"2ced626a-3a73-4ba5-bbc7-8564e079ae9e",[15210],{"_id":213,"_type":187,"seo":9,"slug":15211,"title":216},{"_type":14,"current":215},[15213,15232],{"_key":15214,"_type":26,"children":15215,"markDefs":15229,"style":39},"d89d2f3b578e",[15216,15220,15225],{"_key":15217,"_type":30,"marks":15218,"text":15219},"a0d3733488210",[],"With a background in theater and further education in audiovisual media, performance, critical theory and game design, her artistic practice is marked by a synthesis of different disciplines and perspectives. Her work explores collective worldbuilding, critical empathy, digital commoning and enabling structures. In her ",{"_key":15221,"_type":30,"marks":15222,"text":15224},"a0d3733488214",[15223],"73fc6d2dfa14","research",{"_key":15226,"_type":30,"marks":15227,"text":15228},"a0d3733488215",[]," she develops and assesses Remote Live Game Play, a hybridization of online gaming and performance. Carina is a co-founder of 0ct0p0s.net, a research site for collective and interactive narration.",[15230],{"_key":15223,"_type":56,"href":15231},"https://www.luca-arts.be/nl/carina-erdmanndistant-bodies-and-accomplices-rethinking-the-interaction-between-player-and-avatar",{"_key":15233,"_type":26,"children":15234,"markDefs":15238,"style":39},"b45715b00201",[15235],{"_key":15236,"_type":30,"marks":15237,"text":4175},"d2cf14971c600",[],[],"Carina works as multimedia artist, PhD researcher and mentor at LUCA School of Arts. ",{"alt":15241,"asset":15242},"Carina-Erdmann_Photograph-by-Nikolas-Brummer",{"_id":15243,"height":15244,"orientation":789,"ratio":15245,"url":15246,"width":6756},"image-cd0f3eb337264e6f7a6ac58eff8d013517f649b8-1500x1398-jpg",1398,1.0729613733905579,"https://cdn.sanity.io/images/eodip22e/production/cd0f3eb337264e6f7a6ac58eff8d013517f649b8-1500x1398.jpg",{"filterYear":15248},[15249],{"_id":213,"title":216},[15251,15253],{"_type":449,"label":450,"url":15252},"https://carinaerdmann.com/",{"_type":449,"label":15254,"url":15255},"0ct0p0s","https://0ct0p0s.net/",{"locations":15257,"other":15260},[15258],{"_id":458,"_type":459,"seo":9,"slug":15259,"title":462},{"_type":14,"current":461},[15261],{"_key":15262,"_type":26,"children":15263,"markDefs":15268,"style":39},"bf49936ccf6d",[15264],{"_key":15265,"_type":30,"marks":15266,"text":15267},"7226e088c482",[],"Based in Berlin and Brussels",[],[15270,215],"carina erdmann",{"_type":14,"current":15272},"carina-erdmann","Carina Erdmann",{"_id":15275,"_type":389,"activeYears":15276,"bio":15279,"bioShort":15288,"featuredImage":15289,"filterables":15294,"links":15297,"locations":15301,"searchables":15314,"seo":9,"slug":15316,"title":15318},"e9d3be6f-9d9e-41e5-a396-9af0b71a5c18",[15277],{"_id":208,"_type":187,"seo":9,"slug":15278,"title":211},{"_type":14,"current":210},[15280],{"_key":15281,"_type":26,"children":15282,"markDefs":15287,"style":39},"f31f53107231",[15283],{"_key":15284,"_type":30,"marks":15285,"text":15286},"e7c024d8ddc20",[],"She is interested in questions of materialist aesthetics, that is, the historical contingency of our modes of perception. Her work materialises between writing, sound, (role-playing) games, and is often situated within collaborative or collective settings. Past exhibitions and performances include Roter Salon, Volksbühne (2019), 3HD Festival (2021), Exhibit Gallery Vienna (2022), LAS Art Foundation (2023), HAU (2023), Kunstverein Braunschweig (2023) and Klosterruine Berlin (2023).",[],"Artist and writer. ",{"alt":15290,"asset":15291},"Steph Holl-Trieu: Q_Distant-Bodies---Different-Worlds_Yiou-Penelope-Peng",{"_id":15292,"height":2184,"orientation":7272,"ratio":1507,"url":15293,"width":2184},"image-e5fed23862be07165104beacb714895e2b3f1700-1080x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/e5fed23862be07165104beacb714895e2b3f1700-1080x1080.jpg",{"filterYear":15295},[15296],{"_id":208,"title":211},[15298,15300],{"_type":449,"label":453,"url":15299},"https://www.instagram.com/ste.pdf/",{"_type":449,"label":15254,"url":15255},{"locations":15302,"other":15305},[15303],{"_id":458,"_type":459,"seo":9,"slug":15304,"title":462},{"_type":14,"current":461},[15306],{"_key":15307,"_type":26,"children":15308,"markDefs":15313,"style":39},"a05fb1f9fb93",[15309],{"_key":15310,"_type":30,"marks":15311,"text":15312},"df9e61262e6d0",[],"Based in Berlin and Vienna",[],[15315,210],"steph holl-trieu",{"_type":14,"current":15317},"steph-holl-trieu","Steph Holl-Trieu",{"_id":15320,"_type":389,"activeYears":15321,"bio":15324,"bioShort":15332,"featuredImage":9,"filterables":15333,"links":9,"locations":15336,"searchables":15340,"seo":9,"slug":15342,"title":15344},"419efaf4-3808-4fd0-b981-26d973a41ffa",[15322],{"_id":208,"_type":187,"seo":9,"slug":15323,"title":211},{"_type":14,"current":210},[15325],{"_key":15326,"_type":26,"children":15327,"markDefs":15331,"style":39},"379f069c59d0",[15328],{"_key":15329,"_type":30,"marks":15330,"text":13045},"12ae003ecbca",[],[],"FAST45 is funded by the Erasmus + Knowledge Alliance programme of the European Union.",{"filterYear":15334},[15335],{"_id":208,"title":211},{"locations":15337,"other":9},[15338],{"_id":458,"_type":459,"seo":9,"slug":15339,"title":462},{"_type":14,"current":461},[15341,210],"european union ",{"_type":14,"current":15343},"european-union","European Union ",{"alt":15346,"asset":15347},"FOOTNOTES 2045: Annotating the Futures of Arts Education",{"_id":15348,"height":439,"orientation":7272,"ratio":1507,"url":15349,"width":439},"image-8723a73e2f3041f1a8036d7e55c888ceb531a0c4-800x800-jpg","https://cdn.sanity.io/images/eodip22e/production/8723a73e2f3041f1a8036d7e55c888ceb531a0c4-800x800.jpg",[15351,15490,15611,15653,15678,15713,15745,15810,15842,16079,16110,16134,16445,16468,16670,16689,16715,16732,16779,16790,16809,16828,16858,16877,16895,16936,16955,16974,16993,17041,17060,17079],{"_type":7,"settings":15352,"text":15353},{"textColumnCount":941},[15354,15368,15375,15383,15390,15398,15405,15413,15424,15435,15446,15457,15468,15479],{"_key":15355,"_type":26,"children":15356,"markDefs":15365,"style":39},"dc1b3ec6b89c",[15357,15362],{"_key":15358,"_type":30,"marks":15359,"text":15361},"f1eab455eb4a",[15360],"07c17ea9901a","FAST45 is funded by the Erasmus + Knowledge Alliance programme of the European Union",{"_key":15363,"_type":30,"marks":15364,"text":408},"b39871138746",[],[15366],{"_key":15360,"_type":56,"blank":57,"href":15367},"https://learningplatform.fast45.eu/",{"_key":15369,"_type":26,"children":15370,"markDefs":15374,"style":39},"9e01e0160596",[15371],{"_key":15372,"_type":30,"marks":15373,"text":720},"88d1ae556b78",[],[],{"_key":15376,"_type":26,"children":15377,"markDefs":15382,"style":39},"737976b4d77e",[15378],{"_key":15379,"_type":30,"marks":15380,"text":15381},"d08656e59a65",[],"FAST45 aims to create and test new methodologies, envisage future scenarios, establish long-term international collaboration, and develop tools and initiatives that will empower arts institutions not only to anticipate an unknown future but to actively shape it.",[],{"_key":15384,"_type":26,"children":15385,"markDefs":15389,"style":39},"ca96579f4050",[15386],{"_key":15387,"_type":30,"marks":15388,"text":720},"2897fa398ff8",[],[],{"_key":15391,"_type":26,"children":15392,"markDefs":15397,"style":39},"486510945355",[15393],{"_key":15394,"_type":30,"marks":15395,"text":15396},"cb0efba1177e",[],"FOOTNOTES 2045: Annotating the Futures of Arts Education summer school  was organised by School of Commons, Zürich University of the Arts (ZHdK) and took place from 29 August to 1 September 2022, on the ZHdK campus. The Summer School was part of the FAST45 project (Futures Art School Trends 2045). ",[],{"_key":15399,"_type":26,"children":15400,"markDefs":15404,"style":39},"f214ef439fb5",[15401],{"_key":15402,"_type":30,"marks":15403,"text":720},"b7a84c68ff81",[],[],{"_key":15406,"_type":26,"children":15407,"markDefs":15412,"style":39},"6af500f7939f",[15408],{"_key":15409,"_type":30,"marks":15410,"text":15411},"07cc47b540ac",[],"The 5-day event gathered academics, (art) professionals, students and curious people who jointly worked around seven focus topics surrounding higher arts educational futures:",[],{"_key":15414,"_type":26,"children":15415,"markDefs":15421,"style":39},"dafefa19471a",[15416],{"_key":15417,"_type":30,"marks":15418,"text":15420},"e2427751d6330",[15419],"39f5cb3df543","DIS/CONTINUITIES_Digital Cultures of Education",[15422],{"_key":15419,"_type":56,"href":15423},"https://learningplatform.fast45.eu/themes/dis-continuities-digital-cultures-of-education/",{"_key":15425,"_type":26,"children":15426,"markDefs":15432,"style":39},"bd864380f88f",[15427],{"_key":15428,"_type":30,"marks":15429,"text":15431},"bf8127bf003c0",[15430],"7aaaf4e0fec8","ORGANOLOGY_Art and Society",[15433],{"_key":15430,"_type":56,"href":15434},"https://learningplatform.fast45.eu/themes/organology-art-society/",{"_key":15436,"_type":26,"children":15437,"markDefs":15443,"style":39},"7fdcbae18a82",[15438],{"_key":15439,"_type":30,"marks":15440,"text":15442},"5ab6d8be9fe80",[15441],"76cbc662890b","CHAOS/MOSIS_Inter- and Transdisciplinarity",[15444],{"_key":15441,"_type":56,"href":15445},"https://learningplatform.fast45.eu/themes/chaos-mosis-inter-transdisciplinarity/",{"_key":15447,"_type":26,"children":15448,"markDefs":15454,"style":39},"3108a09d6917",[15449],{"_key":15450,"_type":30,"marks":15451,"text":15453},"4770bbc95ddb0",[15452],"4bf714e1e823","COMMONALITIES_Knowledge Commons",[15455],{"_key":15452,"_type":56,"href":15456},"https://learningplatform.fast45.eu/themes/commonalities-knowledge-commons/",{"_key":15458,"_type":26,"children":15459,"markDefs":15465,"style":39},"7f5b3f0ab4c3",[15460],{"_key":15461,"_type":30,"marks":15462,"text":15464},"dce4b469f4cd0",[15463],"a48400059e84","RE/PROGRAMMING_Institutional Structures and Strategies",[15466],{"_key":15463,"_type":56,"href":15467},"https://learningplatform.fast45.eu/themes/re-programming-institutional-structures-strategies/",{"_key":15469,"_type":26,"children":15470,"markDefs":15476,"style":39},"91088bee17c8",[15471],{"_key":15472,"_type":30,"marks":15473,"text":15475},"ce2dca7b324f0",[15474],"5181774c0c71","SYMBIOSIS_Ecological and Social Sustainability",[15477],{"_key":15474,"_type":56,"href":15478},"https://learningplatform.fast45.eu/themes/symbiosis-ecological-social-sustainability/",{"_key":15480,"_type":26,"children":15481,"markDefs":15487,"style":39},"682745e75405",[15482],{"_key":15483,"_type":30,"marks":15484,"text":15486},"c709708aafa00",[15485],"befc61585ff7","PLASTICITY_the Institutional vs. the Non-Institutional",[15488],{"_key":15485,"_type":56,"href":15489},"https://learningplatform.fast45.eu/themes/plasticity-institutional-vs-non-institutional-education/",{"_type":2247,"slides":15491},[15492,15509,15526,15543,15560,15577,15594],{"_type":936,"caption":15493,"image":15504},[15494],{"_key":15495,"_type":26,"children":15496,"markDefs":15502,"style":39},"6342dc73ef51",[15497],{"_key":15498,"_type":30,"marks":15499,"text":15501},"1944d90e6c600",[15500],"e313f30bb8d0","DIS/CONTINUITIES – Digital Cultures of Education",[15503],{"_key":15500,"_type":56,"href":15423},{"alt":15505,"asset":15506},"School of Commons - DIS/CONTINUITIES – Digital Cultures of Education",{"_id":15507,"height":5141,"orientation":7272,"ratio":1507,"url":15508,"width":5141},"image-b458684a37bdc4eb235a8fd42d9f551b7951270a-2000x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/b458684a37bdc4eb235a8fd42d9f551b7951270a-2000x2000.jpg",{"_type":936,"caption":15510,"image":15521},[15511],{"_key":15512,"_type":26,"children":15513,"markDefs":15519,"style":39},"7683ea02e0d0",[15514],{"_key":15515,"_type":30,"marks":15516,"text":15518},"9e41fcb798ef0",[15517],"a53449ec206c","COMMONALITIES – Knowledge Commons",[15520],{"_key":15517,"_type":56,"href":15456},{"alt":15522,"asset":15523},"School of Commons - COMMONALITIES – Knowledge Commons",{"_id":15524,"height":3369,"orientation":7272,"ratio":1507,"url":15525,"width":3369},"image-3f84f0d1c120fb53b22f4692bccb055b7add7ac3-1024x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/3f84f0d1c120fb53b22f4692bccb055b7add7ac3-1024x1024.jpg",{"_type":936,"caption":15527,"image":15538},[15528],{"_key":15529,"_type":26,"children":15530,"markDefs":15536,"style":39},"b47f58a6ec77",[15531],{"_key":15532,"_type":30,"marks":15533,"text":15535},"01599deb0d6f0",[15534],"b4798b250002","PLASTICITY – Institutional vs. Non-Institutional Education",[15537],{"_key":15534,"_type":56,"href":15489},{"alt":15539,"asset":15540},"School of Commons - PLASTICITY – Institutional vs. Non-Institutional Education",{"_id":15541,"height":3369,"orientation":7272,"ratio":1507,"url":15542,"width":3369},"image-5ba65267a9714a2a042b1bf22def1c39c7ba390f-1024x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/5ba65267a9714a2a042b1bf22def1c39c7ba390f-1024x1024.jpg",{"_type":936,"caption":15544,"image":15555},[15545],{"_key":15546,"_type":26,"children":15547,"markDefs":15553,"style":39},"9617e4d84112",[15548],{"_key":15549,"_type":30,"marks":15550,"text":15552},"876915ad93770",[15551],"22e654c87968","CHAOS/MOSIS – Inter-, Trans- disciplinarity and Beyond",[15554],{"_key":15551,"_type":56,"href":15445},{"alt":15556,"asset":15557},"School of Commons - CHAOS/MOSIS – Inter-, Trans- disciplinarity and Beyond",{"_id":15558,"height":3369,"orientation":7272,"ratio":1507,"url":15559,"width":3369},"image-65c024ea9a76616282a3cd6717678f3aaaf338ba-1024x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/65c024ea9a76616282a3cd6717678f3aaaf338ba-1024x1024.jpg",{"_type":936,"caption":15561,"image":15572},[15562],{"_key":15563,"_type":26,"children":15564,"markDefs":15570,"style":39},"a8f77e0d2bd9",[15565],{"_key":15566,"_type":30,"marks":15567,"text":15569},"c7dbfccbaff90",[15568],"93c622e7eb0e","ORGANOLOGY – Art and Society",[15571],{"_key":15568,"_type":56,"href":15434},{"alt":15573,"asset":15574},"School of Commons - ORGANOLOGY – Art and Society",{"_id":15575,"height":3369,"orientation":7272,"ratio":1507,"url":15576,"width":3369},"image-49188afde59801704c92f5b2eeb7fca463f8bdc5-1024x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/49188afde59801704c92f5b2eeb7fca463f8bdc5-1024x1024.jpg",{"_type":936,"caption":15578,"image":15589},[15579],{"_key":15580,"_type":26,"children":15581,"markDefs":15587,"style":39},"5264098da9a4",[15582],{"_key":15583,"_type":30,"marks":15584,"text":15586},"8e9b0550928f0",[15585],"a69f14393429","RE/PROGRAMMING – Institutional Structures and Strategies",[15588],{"_key":15585,"_type":56,"href":15467},{"alt":15590,"asset":15591},"School of Commons - RE/PROGRAMMING – Institutional Structures and Strategies",{"_id":15592,"height":5141,"orientation":7272,"ratio":1507,"url":15593,"width":5141},"image-97169875d477c5f42f7805739b73975850ab6fb3-2000x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/97169875d477c5f42f7805739b73975850ab6fb3-2000x2000.jpg",{"_type":936,"caption":15595,"image":15606},[15596],{"_key":15597,"_type":26,"children":15598,"markDefs":15604,"style":39},"4693858be72f",[15599],{"_key":15600,"_type":30,"marks":15601,"text":15603},"83df0b6694180",[15602],"e043e9546e14","SYMBIOSIS – Ecological and Social Sustainability",[15605],{"_key":15602,"_type":56,"href":15478},{"alt":15607,"asset":15608},"School of Commons - SYMBIOSIS – Ecological and Social Sustainability",{"_id":15609,"height":3369,"orientation":7272,"ratio":1507,"url":15610,"width":3369},"image-29f5bddec90875c675b26c2796e3448019a12214-1024x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/29f5bddec90875c675b26c2796e3448019a12214-1024x1024.jpg",{"_type":7,"settings":15612,"text":15613},{"textColumnCount":941},[15614],{"_key":15615,"_type":26,"children":15616,"markDefs":15647,"style":39},"2c17093e4926",[15617,15621,15626,15630,15634,15638,15643],{"_key":15618,"_type":30,"marks":15619,"text":15620},"e0a0b6a54756",[],"Throughout Footnotes Summer School, FAST45 explored ",{"_key":15622,"_type":30,"marks":15623,"text":15625},"af418b6233c8",[15624],"0aa67df62582","Live Action Role-Play (LARP)",{"_key":15627,"_type":30,"marks":15628,"text":15629},"3c4752fdac53",[]," as a method for futures thinking with the support of LARP artists Carina Erdmann and Steph Holl-Trieu (",{"_key":15631,"_type":30,"marks":15632,"text":15254},"a5042725a87a",[15633],"f528d9399d27",{"_key":15635,"_type":30,"marks":15636,"text":15637},"61cf05295525",[],"). Following the Live Action Role-Play method, all participants assumed fictional characters for the duration of the summer school and agreed on meeting in the (imagined) year of 2045. All lectures and panel discussions were moderated in live-action role-play character by interdisciplinary artist ",{"_key":15639,"_type":30,"marks":15640,"text":15642},"6218915d4717",[15641],"d880ae60469d","Monika G. Dorniak",{"_key":15644,"_type":30,"marks":15645,"text":15646},"e21144482487",[],". While the basic future scenario of the Footnotes gathering in the year 2045 was set, to a certain extent, by a group of selected organisers and artists, a main element of the workshops and lectures was to develop more detailed future realities of arts education in 2045, together. This process was strongly supported by role-play, which helped to interpret, embody and shape future realities. It was strongly emphasised that for participation in the Summer School, no prior experience in Live Action Role-Play was required.",[15648,15650,15651],{"_key":15624,"_type":56,"href":15649},"https://learningplatform.fast45.eu/larp/",{"_key":15633,"_type":56,"href":15255},{"_key":15641,"_type":56,"href":15652},"https://linktr.ee/dorniak",{"_type":6294,"image":15654,"settings":15667,"text":15668},{"alt":15655,"asset":15656,"caption":15659},"© 0ct0p0s",{"_id":15657,"height":3572,"orientation":7272,"ratio":1507,"url":15658,"width":3572},"image-bcdbdc03019d5cddea7314bc7beee06b058a5557-960x960-jpg","https://cdn.sanity.io/images/eodip22e/production/bcdbdc03019d5cddea7314bc7beee06b058a5557-960x960.jpg",[15660],{"_key":15661,"_type":26,"children":15662,"markDefs":15666,"style":39},"da72bf3a056b",[15663],{"_key":15664,"_type":30,"marks":15665,"text":15655},"e534d7e9f38c0",[],[],{"mediaPosition":6311},[15669],{"_key":15670,"_type":26,"children":15671,"markDefs":15676,"style":15677},"f8c3a0af2825",[15672],{"_key":15673,"_type":30,"marks":15674,"text":15675},"908c9300fdb90",[],"Why \"Footnotes\"?",[],"h2",{"_type":7,"settings":15679,"text":15680},{"textColumnCount":941},[15681,15697],{"_key":15682,"_type":26,"children":15683,"markDefs":15696,"style":39},"ca6368842773",[15684,15688,15692],{"_key":15685,"_type":30,"marks":15686,"text":15687},"bece4662c1370",[],"The full title of the 2022 Summer School was ",{"_key":15689,"_type":30,"marks":15690,"text":15691},"bece4662c1371",[874],"Footnotes: Annotating the futures of arts education.",{"_key":15693,"_type":30,"marks":15694,"text":15695},"bece4662c1372",[]," This title describes both a space and a movement that critically engages with the futures of art education in hybrid spaces and over longer durations of time. As such, communication, exchange and knowledge creation took place before, during and after the Summer School, via a dedicated Learning Platform.",[],{"_key":15698,"_type":26,"children":15699,"markDefs":15712,"style":39},"02e045e6fbac",[15700,15704,15708],{"_key":15701,"_type":30,"marks":15702,"text":15703},"8f3e2a66ccb40",[],"In the context of the Summer School, ",{"_key":15705,"_type":30,"marks":15706,"text":15707},"8f3e2a66ccb41",[874],"Footnotes",{"_key":15709,"_type":30,"marks":15710,"text":15711},"8f3e2a66ccb42",[]," can be defined a place for trans-temporal exchange. It recalls various practices that have historically marginalised, be that as forms of resistance found in feminist practices of critical pedagogy, traditions of black radical thought, artistic gestures of the 19th century, or forms of intervention and conversation experienced between different readers as seen in medieval scriptures. This kind of analysis and annotation was mostly used to critically reflect upon and subvert the Learning Platform and the knowledge body that is enlisted there.",[],{"_type":6294,"image":15714,"settings":15727,"text":15728},{"alt":15655,"asset":15715,"caption":15719},{"_id":15716,"height":15717,"orientation":7272,"ratio":1507,"url":15718,"width":15717},"image-be9bcb0dced7d7087e16942a7eb92e882548ccd7-1826x1826-jpg",1826,"https://cdn.sanity.io/images/eodip22e/production/be9bcb0dced7d7087e16942a7eb92e882548ccd7-1826x1826.jpg",[15720],{"_key":15721,"_type":26,"children":15722,"markDefs":15726,"style":39},"9a9565d9f587",[15723],{"_key":15724,"_type":30,"marks":15725,"text":15655},"18bba6f1defb0",[],[],{"mediaPosition":6380},[15729,15737],{"_key":15730,"_type":26,"children":15731,"markDefs":15736,"style":15677},"ea3e30cf221e",[15732],{"_key":15733,"_type":30,"marks":15734,"text":15735},"50e0c3be003c0",[],"What is Live Action Role-Play (LARP)?",[],{"_key":15738,"_type":26,"children":15739,"markDefs":15744,"style":39},"a7985e3861c5",[15740],{"_key":15741,"_type":30,"marks":15742,"text":15743},"202eadc76fee0",[],"... and how can it be used as a method for futures thinking? Learn more!",[],{"_type":7,"settings":15746,"text":15747},{"textColumnCount":941},[15748,15756,15764,15772,15788],{"_key":15749,"_type":26,"children":15750,"markDefs":15754,"style":15755},"1b815fd538d4",[15751],{"_key":15752,"_type":30,"marks":15753,"text":15735},"57636eec02a40",[],[],"h1",{"_key":15757,"_type":26,"children":15758,"markDefs":15763,"style":39},"f550d1db700f",[15759],{"_key":15760,"_type":30,"marks":15761,"text":15762},"2afcee937a7a0",[],"In Live Action Role-Playing (LARP) Games, players pursue goals within a fictional setting. This setting is landscaped through a real-world environment. The players interact with each other in character. LARP Games can be played in a multiplicity of settings (not solely performative art settings).",[],{"_key":15765,"_type":26,"children":15766,"markDefs":15771,"style":39},"dfd9fd955e09",[15767],{"_key":15768,"_type":30,"marks":15769,"text":15770},"e304e90c65fa0",[],"Through its evolution, Live Action Role-Playing has emerged as a new performative art form that collectively performs realities.",[],{"_key":15773,"_type":26,"children":15774,"markDefs":15787,"style":39},"acd25da4b09b",[15775,15779,15783],{"_key":15776,"_type":30,"marks":15777,"text":15778},"375df7898a4c0",[],"At Footnotes, FAST45 experimented with Live Action Role-Play as a method for futures thinking in art school and ",{"_key":15780,"_type":30,"marks":15781,"text":15782},"375df7898a4c1",[874],"for",{"_key":15784,"_type":30,"marks":15785,"text":15786},"375df7898a4c2",[]," art school futures.",[],{"_key":15789,"_type":26,"children":15790,"markDefs":15807,"style":39},"ab49ce0d1b35",[15791,15795,15798,15803],{"_key":15792,"_type":30,"marks":15793,"text":15794},"c71ddc93f5440",[874],"Do you want to dive deeper into Live Action Role-Play? Jump to the",{"_key":15796,"_type":30,"marks":15797,"text":1392},"c71ddc93f5441",[],{"_key":15799,"_type":30,"marks":15800,"text":15802},"c71ddc93f5442",[874,15801],"949a530814d2","LARP Glossary",{"_key":15804,"_type":30,"marks":15805,"text":15806},"c71ddc93f5443",[874],"!",[15808],{"_key":15801,"_type":56,"href":15809},"https://learningplatform.fast45.eu/larp/#glossary",{"_type":6294,"image":15811,"settings":15824,"text":15825},{"alt":15655,"asset":15812,"caption":15816},{"_id":15813,"height":15814,"orientation":7272,"ratio":1507,"url":15815,"width":15814},"image-f465f7ad6d8d32e21d8e5daa4751fb2bcb5fb4a5-1712x1712-jpg",1712,"https://cdn.sanity.io/images/eodip22e/production/f465f7ad6d8d32e21d8e5daa4751fb2bcb5fb4a5-1712x1712.jpg",[15817],{"_key":15818,"_type":26,"children":15819,"markDefs":15823,"style":39},"0ae6357373d4",[15820],{"_key":15821,"_type":30,"marks":15822,"text":15655},"87ee2921f94e0",[],[],{"mediaPosition":6311},[15826,15834],{"_key":15827,"_type":26,"children":15828,"markDefs":15833,"style":15677},"c1f687022280",[15829],{"_key":15830,"_type":30,"marks":15831,"text":15832},"43b63cb41f8a0",[],"Footnotes Backstory",[],{"_key":15835,"_type":26,"children":15836,"markDefs":15841,"style":39},"2d7e81e540ba",[15837],{"_key":15838,"_type":30,"marks":15839,"text":15840},"0cdbc108798d0",[],"Dive into the scene set for future realties explored during the Footnotes Summer School.",[],{"_type":7,"settings":15843,"text":15844},{"textColumnCount":941},[15845,15881,15897,15905,15923,16021,16029,16037,16053],{"_key":15846,"_type":26,"children":15847,"markDefs":15878,"style":39},"9ad592c04834",[15848,15852,15855,15859,15863,15866,15870,15874],{"_key":15849,"_type":30,"marks":15850,"text":15851},"3ea2f72bc3330",[],"It is the year 2045. This year’s ",{"_key":15853,"_type":30,"marks":15854,"text":15707},"3ea2f72bc3331",[874],{"_key":15856,"_type":30,"marks":15857,"text":15858},"3ea2f72bc3332",[]," gathering will be hosted by the ",{"_key":15860,"_type":30,"marks":15861,"text":33},"3ea2f72bc3333",[874,15862],"a094f8977158",{"_key":15864,"_type":30,"marks":15865,"text":408},"3ea2f72bc3334",[874],{"_key":15867,"_type":30,"marks":15868,"text":15869},"3ea2f72bc3335",[]," This meeting was named after a function within the ",{"_key":15871,"_type":30,"marks":15872,"text":15873},"3ea2f72bc3336",[874],"Learning Platform,",{"_key":15875,"_type":30,"marks":15876,"text":15877},"3ea2f72bc3337",[]," a tool devised in 2021 to facilitate knowledge and resource exchange, host digital learning formats (seminars, lectures, etc.), coordinate the use of physical resources (workshops, seminar rooms, technical equipment, etc.) and publish and present theoretical and artistic practices.",[15879],{"_key":15862,"_type":56,"href":15880},"https://www.schoolofcommons.org/",{"_key":15882,"_type":26,"children":15883,"markDefs":15896,"style":39},"bc253283e573",[15884,15888,15892],{"_key":15885,"_type":30,"marks":15886,"text":15887},"43ac6a9965fb0",[],"Slowly over the last 24 years, the platform was deployed globally across numerous Art and Design Schools. In some places, academies and educational institutions decided to repurpose and cut back on their financing of physical classrooms, studios, and workshops and invest heavily in digital infrastructures such as data centers and connectivity services. The reasoning was that needs-based rentals of workspaces and equipment would be far more economical than the maintenance of often centuries-old buildings. Of course, this was not the case everywhere. Other schools decided to use the ",{"_key":15889,"_type":30,"marks":15890,"text":15891},"43ac6a9965fb1",[874],"Learning Platform",{"_key":15893,"_type":30,"marks":15894,"text":15895},"43ac6a9965fb2",[]," ‘lightly’, emphasising the need to meet and study in physical environments. Without a doubt, these different models emerged due to the changing and asymmetric educational policies adopted by regional, national and international governance bodies.",[],{"_key":15898,"_type":26,"children":15899,"markDefs":15904,"style":39},"c71557f6b1c8",[15900],{"_key":15901,"_type":30,"marks":15902,"text":15903},"f8113bb414d20",[],"Yet over this same time period, another trend emerged, threading its way through faculties and institutions.",[],{"_key":15906,"_type":26,"children":15907,"markDefs":15922,"style":39},"b9558ba92d73",[15908,15911,15915,15918],{"_key":15909,"_type":30,"marks":15910,"text":15707},"1e36a452ce4d0",[874],{"_key":15912,"_type":30,"marks":15913,"text":15914},"1e36a452ce4d1",[],", a standardised functionality hard-coded into the ",{"_key":15916,"_type":30,"marks":15917,"text":15891},"1e36a452ce4d2",[874],{"_key":15919,"_type":30,"marks":15920,"text":15921},"1e36a452ce4d3",[],", grew into a buzzing place of transgenerational exchange. Initially thought to simply comment and annotate an institutionally canonised corpora of knowledge, over time different working groups formed. In activating the space of the margin, these groups revisited feminist theories of critical pedagogy, black radical tradition, decolonial methodologies, artistic gestures of subversion, and practices found in medieval scriptures, to understand this environment as one with a rich history of emancipatory struggle and resistance.",[],{"_key":15924,"_type":26,"children":15925,"markDefs":16005,"style":39},"4ae2adc0d906",[15926,15930,15933,15937,15941,15945,15950,15953,15956,15961,15964,15969,15972,15977,15980,15985,15988,15993,15996,16001],{"_key":15927,"_type":30,"marks":15928,"text":15929},"80cd33c0f77c0",[],"For more than twenty-two years, the ",{"_key":15931,"_type":30,"marks":15932,"text":15707},"80cd33c0f77c1",[874],{"_key":15934,"_type":30,"marks":15935,"text":15936},"80cd33c0f77c2",[]," function of the ",{"_key":15938,"_type":30,"marks":15939,"text":15891},"80cd33c0f77c3",[15940],"76204cb75af5",{"_key":15942,"_type":30,"marks":15943,"text":15944},"80cd33c0f77c4",[]," has become its own platform for individuals and working groups to discuss and organise around issues surrounding arts education. Over time, many different conversations and threads emerged between the lines. These threads coalesced into working groups, in-person meetings, and larger gatherings of translocal exchange. In April 2045, one of these groups called the School of Commons put out a call for a gathering. It didn’t take long until seven engaged groups signed up. They call themselves: ",{"_key":15946,"_type":30,"marks":15947,"text":15949},"80cd33c0f77c5",[15948],"4cfaa5d4adc7","DIS/CONTINUITIES",{"_key":15951,"_type":30,"marks":15952,"text":1249},"80cd33c0f77c6",[32],{"_key":15954,"_type":30,"marks":15955,"text":1392},"80cd33c0f77c7",[],{"_key":15957,"_type":30,"marks":15958,"text":15960},"80cd33c0f77c8",[15959],"8a1cc98c1241","ORGANOLOGY",{"_key":15962,"_type":30,"marks":15963,"text":2057},"80cd33c0f77c9",[],{"_key":15965,"_type":30,"marks":15966,"text":15968},"80cd33c0f77c10",[15967],"444ac05da4d2","CHAOS/MOSIS",{"_key":15970,"_type":30,"marks":15971,"text":2057},"80cd33c0f77c11",[],{"_key":15973,"_type":30,"marks":15974,"text":15976},"80cd33c0f77c12",[15975],"47c5e2990c45","COMMONALITIES",{"_key":15978,"_type":30,"marks":15979,"text":2057},"80cd33c0f77c13",[],{"_key":15981,"_type":30,"marks":15982,"text":15984},"80cd33c0f77c14",[15983],"9e7a8edab926","RE/PROGRAMMING",{"_key":15986,"_type":30,"marks":15987,"text":2057},"80cd33c0f77c15",[],{"_key":15989,"_type":30,"marks":15990,"text":15992},"80cd33c0f77c16",[15991],"309a90010fd0","SYMBIOSIS",{"_key":15994,"_type":30,"marks":15995,"text":1240},"80cd33c0f77c17",[],{"_key":15997,"_type":30,"marks":15998,"text":16000},"80cd33c0f77c18",[15999],"d6401d05ecc1","PLASTICITY",{"_key":16002,"_type":30,"marks":16003,"text":16004},"80cd33c0f77c19",[],". Each group would explore its own unique theme within the Summer School programme.",[16006,16007,16009,16011,16013,16015,16017,16019],{"_key":15940,"_type":56,"href":15367},{"_key":15948,"_type":56,"href":16008},"https://www.notion.so/DIS-CONTINUITIES-eb183debd1974971b3570c264c987082?pvs=21",{"_key":15959,"_type":56,"href":16010},"https://www.notion.so/ORGANOLOGY-45454e108001449fb6e25597ba21d55a?pvs=21",{"_key":15967,"_type":56,"href":16012},"https://www.notion.so/CHAOS-MOSIS-df85134a80aa403fa9346f4c05c765c6?pvs=21",{"_key":15975,"_type":56,"href":16014},"https://www.notion.so/COMMONALITIES-6554ce7b7885428b9468126574240c85?pvs=21",{"_key":15983,"_type":56,"href":16016},"https://www.notion.so/RE-PROGRAMMING-359c3a6526ca42b09d8cfe470ac85a26?pvs=21",{"_key":15991,"_type":56,"href":16018},"https://www.notion.so/SYMBIOSIS-2d544fbe849647918fe50fd21160467b?pvs=21",{"_key":15999,"_type":56,"href":16020},"https://www.notion.so/PLASTICITY-db0ab79259c2457e8cb4879f528f7c43?pvs=21",{"_key":16022,"_type":26,"children":16023,"markDefs":16028,"style":39},"80e84c125980",[16024],{"_key":16025,"_type":30,"marks":16026,"text":16027},"fb289b787c510",[],"In a long message thread, the groups decided that there would be 2 ½ days dedicated to workshops, while the last 1 ½ days would host a conference. The latter would be committed to synthesising the many discussions and thought-forms that emerged over the last decades and were processed during the preliminary workshop sessions.",[],{"_key":16030,"_type":26,"children":16031,"markDefs":16036,"style":39},"de82e2cd51c9",[16032],{"_key":16033,"_type":30,"marks":16034,"text":16035},"453ff8bf329a0",[],"During the workshops, the groups endeavoured to deepen their understanding of their own research and practices, situating them both within their local environments and wider global developments.",[],{"_key":16038,"_type":26,"children":16039,"markDefs":16052,"style":39},"0cbc4581abdc",[16040,16044,16048],{"_key":16041,"_type":30,"marks":16042,"text":16043},"8714f2a72cfe0",[],"Carving out new pathways for arts education and zones to nurture common bodies of knowledge builds on the efforts of many generations. Therefore some of the working groups will be annotating video lectures from ",{"_key":16045,"_type":30,"marks":16046,"text":16047},"8714f2a72cfe1",[874],"future archives",{"_key":16049,"_type":30,"marks":16050,"text":16051},"8714f2a72cfe2",[]," of the past. Others have invited remote speakers to share experiences, provocations, and reflections from their own contexts and conditions.",[],{"_key":16054,"_type":26,"children":16055,"markDefs":16076,"style":39},"33fa14677df6",[16056,16060,16065,16069,16072],{"_key":16057,"_type":30,"marks":16058,"text":16059},"b8c9cc0c49920",[],"Because not everyone will be able to attend, newfound insights will be shared through the ",{"_key":16061,"_type":30,"marks":16062,"text":16064},"b8c9cc0c49921",[16063],"85539c60a7fc","Footnotes Channel",{"_key":16066,"_type":30,"marks":16067,"text":16068},"b8c9cc0c49922",[],", the shared knowledge base of ",{"_key":16070,"_type":30,"marks":16071,"text":15707},"b8c9cc0c49923",[874],{"_key":16073,"_type":30,"marks":16074,"text":16075},"b8c9cc0c49924",[],". In addition, those who are not able to attend will be remotely embodied by a real-life avatar, who will visit the different groups over the course of the workshops and transmit questions and comments.",[16077],{"_key":16063,"_type":56,"href":16078},"https://www.notion.so/Footnotes-Channel-6e38c41bdc5a418282da3dddfe972ffd?pvs=21",{"_type":6294,"image":16080,"settings":16092,"text":16093},{"alt":15655,"asset":16081,"caption":16084},{"_id":16082,"height":3467,"orientation":789,"ratio":2697,"url":16083,"width":2187},"image-3316c406a6c69b38f5efe3df6a0f8a4e0aeeeb1f-1920x1440-jpg","https://cdn.sanity.io/images/eodip22e/production/3316c406a6c69b38f5efe3df6a0f8a4e0aeeeb1f-1920x1440.jpg",[16085],{"_key":16086,"_type":26,"children":16087,"markDefs":16091,"style":39},"6f365a6fc319",[16088],{"_key":16089,"_type":30,"marks":16090,"text":15655},"a98942dc8e270",[],[],{"mediaPosition":6380},[16094,16102],{"_key":16095,"_type":26,"children":16096,"markDefs":16101,"style":15677},"3a591d99a8f2",[16097],{"_key":16098,"_type":30,"marks":16099,"text":16100},"8ccdce0931580",[],"Lectures, Inputs, Discussions",[],{"_key":16103,"_type":26,"children":16104,"markDefs":16109,"style":39},"99066800de51",[16105],{"_key":16106,"_type":30,"marks":16107,"text":16108},"471f395863780",[],"Dive into the Footnotes lectures and cross-temporal discussions...",[],{"_type":7,"settings":16111,"text":16112},{"textColumnCount":941},[16113],{"_key":16114,"_type":26,"children":16115,"markDefs":16132,"style":39},"cf007573534b",[16116,16120,16124,16127],{"_key":16117,"_type":30,"marks":16118,"text":16119},"82b71ebc5cf8",[],"All FOOTNOTES panel discussions and Q&A are ",{"_key":16121,"_type":30,"marks":16122,"text":16123},"cda910a369b5",[32],"moderated by interdisciplinary artist and time traveller",{"_key":16125,"_type":30,"marks":16126,"text":1392},"48b7089041b9",[],{"_key":16128,"_type":30,"marks":16129,"text":16131},"59a6d1d011d6",[32,16130],"1731ae5e7645","Monika Dorniak.",[16133],{"_key":16130,"_type":56,"href":15652},{"_type":7,"settings":16135,"text":16136},{"textColumnCount":941},[16137,16171,16178,16216,16223,16269,16276,16315,16322,16353,16360,16406,16413],{"_key":16138,"_type":26,"children":16139,"markDefs":16165,"style":39},"9ad3616648ac",[16140,16145,16148,16153,16157,16161],{"_key":16141,"_type":30,"marks":16142,"text":16144},"43b696b620e10",[16143],"37c0eacfb84c","DIS/CONTINUITIES:",{"_key":16146,"_type":30,"marks":16147,"text":4175},"e668c187a0e9",[],{"_key":16149,"_type":30,"marks":16150,"text":16152},"1fa1cd0b57400",[16151,32],"01f73f6637b6","Clara Balaguer",{"_key":16154,"_type":30,"marks":16155,"text":16156},"1fa1cd0b57401",[]," (remote)\n",{"_key":16158,"_type":30,"marks":16159,"text":14209},"1fa1cd0b57402",[32,16160],"e55dc32a4c1e",{"_key":16162,"_type":30,"marks":16163,"text":16164},"1fa1cd0b57403",[]," (on-site)",[16166,16167,16169],{"_key":16143,"_type":56,"href":15423},{"_key":16151,"_type":56,"href":16168},"https://learningplatform.fast45.eu/themes/dis-continuities-digital-cultures-of-education/#ClaraBalaguer",{"_key":16160,"_type":56,"href":16170},"https://learningplatform.fast45.eu/themes/dis-continuities-digital-cultures-of-education/#BaruchGottlieb",{"_key":16172,"_type":26,"children":16173,"markDefs":16177,"style":39},"05759e783a90",[16174],{"_key":16175,"_type":30,"marks":16176,"text":720},"27aa6f5bb5ab0",[],[],{"_key":16179,"_type":26,"children":16180,"markDefs":16210,"style":39},"a79996f7e7ad",[16181,16186,16189,16193,16196,16201,16204,16207],{"_key":16182,"_type":30,"marks":16183,"text":16185},"68e628f0ac470",[16184],"477db4beb559","ORGANOLOGY:",{"_key":16187,"_type":30,"marks":16188,"text":4175},"d60881346df3",[],{"_key":16190,"_type":30,"marks":16191,"text":14270},"d91e48a21c330",[16192,32],"cea610e79da6",{"_key":16194,"_type":30,"marks":16195,"text":16156},"d91e48a21c331",[],{"_key":16197,"_type":30,"marks":16198,"text":16200},"d91e48a21c332",[16199,32],"6637bfde56de","Noor Abed & Lara Khaldi,",{"_key":16202,"_type":30,"marks":16203,"text":1392},"d91e48a21c333",[],{"_key":16205,"_type":30,"marks":16206,"text":14304},"d91e48a21c334",[16199,32],{"_key":16208,"_type":30,"marks":16209,"text":16164},"d91e48a21c335",[],[16211,16212,16214],{"_key":16184,"_type":56,"href":15434},{"_key":16192,"_type":56,"href":16213},"https://learningplatform.fast45.eu/themes/organology-art-society/#Criptonite",{"_key":16199,"_type":56,"href":16215},"https://learningplatform.fast45.eu/themes/organology-art-society/#SchoolofIntrusions",{"_key":16217,"_type":26,"children":16218,"markDefs":16222,"style":39},"540ec382d03a",[16219],{"_key":16220,"_type":30,"marks":16221,"text":720},"c95fe30aa2cf0",[],[],{"_key":16224,"_type":26,"children":16225,"markDefs":16263,"style":39},"f4493b5e95aa",[16226,16231,16234,16238,16241,16246,16250,16254,16257,16260],{"_key":16227,"_type":30,"marks":16228,"text":16230},"f3c4f393c3de0",[16229],"8267e6794b0e","CHAOS/MOSIS:",{"_key":16232,"_type":30,"marks":16233,"text":4175},"55c5e18fbb8d",[],{"_key":16235,"_type":30,"marks":16236,"text":14383},"39bdebc21fa80",[16237,32],"8f65b8641f2a",{"_key":16239,"_type":30,"marks":16240,"text":16156},"39bdebc21fa81",[],{"_key":16242,"_type":30,"marks":16243,"text":16245},"39bdebc21fa82",[32,16244],"0c16800b02fc","Philip Bergmann ",{"_key":16247,"_type":30,"marks":16248,"text":16249},"535079eb9fe9",[32],"and ",{"_key":16251,"_type":30,"marks":16252,"text":16253},"1c30ce66bf83",[32,16244],"Thea Reifler",{"_key":16255,"_type":30,"marks":16256,"text":2057},"e0f23f56e87d",[32],{"_key":16258,"_type":30,"marks":16259,"text":14424},"5fb9f81a696c",[32,16244],{"_key":16261,"_type":30,"marks":16262,"text":16164},"39bdebc21fa83",[],[16264,16265,16267],{"_key":16229,"_type":56,"href":15445},{"_key":16237,"_type":56,"href":16266},"https://learningplatform.fast45.eu/themes/chaos-mosis-inter-transdisciplinarity/#manuelarturoabreu",{"_key":16244,"_type":56,"href":16268},"https://learningplatform.fast45.eu/themes/chaos-mosis-inter-transdisciplinarity/#Shedhalle",{"_key":16270,"_type":26,"children":16271,"markDefs":16275,"style":39},"d30c85301ad5",[16272],{"_key":16273,"_type":30,"marks":16274,"text":720},"464410b294a80",[],[],{"_key":16277,"_type":26,"children":16278,"markDefs":16309,"style":39},"1886ebc1e0a5",[16279,16284,16287,16291,16295,16299,16302,16306],{"_key":16280,"_type":30,"marks":16281,"text":16283},"722de9223dcf0",[16282],"0141aaaf79b8","COMMONALITIES:",{"_key":16285,"_type":30,"marks":16286,"text":4175},"5cc4c35c5a63",[],{"_key":16288,"_type":30,"marks":16289,"text":14471},"c6c86f12f3d80",[32,16290],"3e1b333de557",{"_key":16292,"_type":30,"marks":16293,"text":16294},"f5f10fd60d7a",[32]," and J",{"_key":16296,"_type":30,"marks":16297,"text":16298},"3ad628ea028e",[32,16290],"ack Hogan",{"_key":16300,"_type":30,"marks":16301,"text":16156},"c6c86f12f3d81",[],{"_key":16303,"_type":30,"marks":16304,"text":14559},"c6c86f12f3d82",[32,16305],"b8f6327b5ea7",{"_key":16307,"_type":30,"marks":16308,"text":16164},"c6c86f12f3d83",[],[16310,16311,16313],{"_key":16282,"_type":56,"href":15456},{"_key":16290,"_type":56,"href":16312},"https://learningplatform.fast45.eu/themes/commonalities-knowledge-commons/#SilviaFederici&JackHogan",{"_key":16305,"_type":56,"href":16314},"https://learningplatform.fast45.eu/themes/commonalities-knowledge-commons/#BrandyButler",{"_key":16316,"_type":26,"children":16317,"markDefs":16321,"style":39},"c867b6fe28a3",[16318],{"_key":16319,"_type":30,"marks":16320,"text":720},"9d5e36c789bf0",[],[],{"_key":16323,"_type":26,"children":16324,"markDefs":16347,"style":39},"9c691c5091a7",[16325,16330,16333,16337,16340,16344],{"_key":16326,"_type":30,"marks":16327,"text":16329},"058b05d4a3680",[16328],"ba0aef9a3a06","RE/PROGRAMMING:",{"_key":16331,"_type":30,"marks":16332,"text":4175},"8d0be6fb56f9",[],{"_key":16334,"_type":30,"marks":16335,"text":14532},"a72833ef30800",[16336,32],"e4e5de09b0d7",{"_key":16338,"_type":30,"marks":16339,"text":16156},"a72833ef30801",[],{"_key":16341,"_type":30,"marks":16342,"text":14603},"a72833ef30802",[32,16343],"2d1d9eb2413c",{"_key":16345,"_type":30,"marks":16346,"text":16164},"a72833ef30803",[],[16348,16349,16351],{"_key":16328,"_type":56,"href":15467},{"_key":16336,"_type":56,"href":16350},"https://learningplatform.fast45.eu/themes/re-programming-institutional-structures-strategies/#MartaMalodeMolina",{"_key":16343,"_type":56,"href":16352},"https://learningplatform.fast45.eu/themes/re-programming-institutional-structures-strategies/#LinaDokuzovi%C4%87",{"_key":16354,"_type":26,"children":16355,"markDefs":16359,"style":39},"41025b62f04e",[16356],{"_key":16357,"_type":30,"marks":16358,"text":720},"b739cf5a10340",[],[],{"_key":16361,"_type":26,"children":16362,"markDefs":16400,"style":39},"d012a471a5ba",[16363,16368,16371,16375,16378,16382,16386,16389,16393,16397],{"_key":16364,"_type":30,"marks":16365,"text":16367},"0165b23fa2980",[16366],"29dce447eb78","SYMBIOSIS:",{"_key":16369,"_type":30,"marks":16370,"text":4175},"8103fd946350",[],{"_key":16372,"_type":30,"marks":16373,"text":14647},"9317f0bd716b0",[16374,32],"ca371cde48fa",{"_key":16376,"_type":30,"marks":16377,"text":16156},"9317f0bd716b1",[],{"_key":16379,"_type":30,"marks":16380,"text":14664},"9317f0bd716b2",[16381,32],"c7093cb92c32",{"_key":16383,"_type":30,"marks":16384,"text":16385},"9317f0bd716b3",[],", ",{"_key":16387,"_type":30,"marks":16388,"text":14781},"9317f0bd716b5",[16381,32],{"_key":16390,"_type":30,"marks":16391,"text":16392},"9317f0bd716b6",[]," and ",{"_key":16394,"_type":30,"marks":16395,"text":16396},"9317f0bd716b9",[16381,32],"Lena Schubert",{"_key":16398,"_type":30,"marks":16399,"text":16164},"9317f0bd716b10",[],[16401,16402,16404],{"_key":16366,"_type":56,"href":15478},{"_key":16374,"_type":56,"href":16403},"https://learningplatform.fast45.eu/themes/symbiosis-ecological-social-sustainability/#AmaJosephineB.Johnstone",{"_key":16381,"_type":56,"href":16405},"https://learningplatform.fast45.eu/themes/symbiosis-ecological-social-sustainability/#KlasseKlima",{"_key":16407,"_type":26,"children":16408,"markDefs":16412,"style":39},"216a3b7bd035",[16409],{"_key":16410,"_type":30,"marks":16411,"text":720},"09184f1773310",[],[],{"_key":16414,"_type":26,"children":16415,"markDefs":16439,"style":39},"d40b6bf1bda0",[16416,16421,16424,16428,16431,16436],{"_key":16417,"_type":30,"marks":16418,"text":16420},"67aa0957e6920",[16419],"c8097a62a1e6","PLASTICITY:",{"_key":16422,"_type":30,"marks":16423,"text":4175},"b45a9cc675b9",[],{"_key":16425,"_type":30,"marks":16426,"text":14715},"1b2a82e32f530",[16427,32],"db4e16875444",{"_key":16429,"_type":30,"marks":16430,"text":16156},"1b2a82e32f531",[],{"_key":16432,"_type":30,"marks":16433,"text":16435},"1b2a82e32f532",[16434,32],"1235ebfd739a","C&, Will Fredo Furtado",{"_key":16437,"_type":30,"marks":16438,"text":16164},"1b2a82e32f533",[],[16440,16441,16443],{"_key":16419,"_type":56,"href":15489},{"_key":16427,"_type":56,"href":16442},"https://learningplatform.fast45.eu/themes/plasticity-institutional-vs-non-institutional-education/#OmskSocialClub",{"_key":16434,"_type":56,"href":16444},"https://learningplatform.fast45.eu/themes/plasticity-institutional-vs-non-institutional-education/#C&",{"_type":6294,"image":16446,"settings":16458,"text":16459},{"alt":15655,"asset":16447,"caption":16450},{"_id":16448,"height":6756,"orientation":789,"ratio":2697,"url":16449,"width":5141},"image-b5855ab51c10e7c24cf52899669959fc57676e87-2000x1500-jpg","https://cdn.sanity.io/images/eodip22e/production/b5855ab51c10e7c24cf52899669959fc57676e87-2000x1500.jpg",[16451],{"_key":16452,"_type":26,"children":16453,"markDefs":16457,"style":39},"6f86fa222be3",[16454],{"_key":16455,"_type":30,"marks":16456,"text":15655},"f32b78a70ff90",[],[],{"mediaPosition":6311},[16460],{"_key":16461,"_type":26,"children":16462,"markDefs":16467,"style":15677},"5d3aa2d20359",[16463],{"_key":16464,"_type":30,"marks":16465,"text":16466},"419527e1458c0",[],"Footnotes Schedule",[],{"_type":7,"settings":16469,"text":16470},{"textColumnCount":941},[16471,16479,16507,16514,16522,16571,16578],{"_key":16472,"_type":26,"children":16473,"markDefs":16478,"style":3013},"a4fd554da4cc",[16474],{"_key":16475,"_type":30,"marks":16476,"text":16477},"ccba14296992",[32],"Year: 2 0 4 5",[],{"_key":16480,"_type":26,"children":16481,"markDefs":16506,"style":39},"a61cf28086f5",[16482,16486,16490,16494,16498,16502],{"_key":16483,"_type":30,"marks":16484,"text":16485},"96d8d08d6078",[32],"August 29\n",{"_key":16487,"_type":30,"marks":16488,"text":16489},"e94f2d359463",[],"09:00 – 09:30 Arrival\n09:30 – 10:00 Welcome \n10:00 – 12:00 Introduction to Footnotes \n12:00 – 13:30 LUNCH BREAK \n13:30 – 15:00 Group Building \n15:00 – 15:20 BREAK \n15:20 – 16:30 Video Input and Initial Inquiry \n16:30 – 16:45 BREAK \n16:45 – 17:30 ASK: Factor Questions\n17:30 Apéro\n\n",{"_key":16491,"_type":30,"marks":16492,"text":16493},"54e18c8360e1",[32],"August 30",{"_key":16495,"_type":30,"marks":16496,"text":16497},"adb77a7150f9",[],"\n09:30 – 10:50 Creating Common Ground\n10:50 – 11:10 BREAK\n11:10 – 13:00 ANSWER: World\n13:00 – 14:30 LUNCH BREAK \n14:30 – 15:45 Issues and Implications\n15:45 – 16:00 BREAK \n16:00 – 17:30 Preparation Conference\n\n",{"_key":16499,"_type":30,"marks":16500,"text":16501},"3b92da5c5027",[32],"August 31",{"_key":16503,"_type":30,"marks":16504,"text":16505},"c3bbd08c3141",[],"\n09:30 – 10:00 BODYWORK\n10:00 – 11:00 Looking Back\n11:00 – 11:15 BREAK\n11:15 – 13:00 Conference Preparation\n13:00 – 15:30 LUNCH BREAK\n16:00 START ",[],{"_key":16508,"_type":26,"children":16509,"markDefs":16513,"style":39},"97ea0b3d4db7",[16510],{"_key":16511,"_type":30,"marks":16512,"text":720},"6b1a0cc962a70",[],[],{"_key":16515,"_type":26,"children":16516,"markDefs":16521,"style":3013},"b03c6b54a271",[16517],{"_key":16518,"_type":30,"marks":16519,"text":16520},"31a4e93eb0c80",[32],"Conference: August 31 – September 1",[],{"_key":16523,"_type":26,"children":16524,"markDefs":16566,"style":39},"8e978b91f277",[16525,16529,16533,16538,16542,16547,16550,16553,16557,16562],{"_key":16526,"_type":30,"marks":16527,"text":16528},"855d6f57ba140",[32],"August 31 ",{"_key":16530,"_type":30,"marks":16531,"text":16532},"87dacd053a14",[],"\n15:30 – 16:00 Arrival Time and Drinks\n16:00 – 16:10 Welcome Note\n16:10 – 16:40 ",{"_key":16534,"_type":30,"marks":16535,"text":16537},"855d6f57ba141",[16536],"9326f1216f61","Footnotes: The Prologue",{"_key":16539,"_type":30,"marks":16540,"text":16541},"ed92b27a0f0e",[],"\n16:40 – 17:40 ",{"_key":16543,"_type":30,"marks":16544,"text":16546},"855d6f57ba143",[16545],"8e086f9d314e","🫁",{"_key":16548,"_type":30,"marks":16549,"text":1392},"855d6f57ba144",[],{"_key":16551,"_type":30,"marks":16552,"text":16185},"855d6f57ba145",[16545],{"_key":16554,"_type":30,"marks":16555,"text":16556},"8375475998d5",[]," Art School & Society with School of Intrusions\n17:40 – 18:10 BREAK\n18:10 – 19:10 ",{"_key":16558,"_type":30,"marks":16559,"text":16561},"855d6f57ba147",[16560],"44f9be8e589a","🔋 DIS/CONTINUITIES:",{"_key":16563,"_type":30,"marks":16564,"text":16565},"d7459750eac1",[]," Digital Cultures of Education with Baruch Gottlieb\n19:10 – 19:40 Footnotes: Intermission\n19:40 – 20:40 Apéro",[16567,16569,16570],{"_key":16536,"_type":56,"href":16568},"https://learningplatform.fast45.eu/summer-school-footnotes-2045/#Tune%20Into%20Time%20Travel",{"_key":16545,"_type":56,"href":16215},{"_key":16560,"_type":56,"href":16170},{"_key":16572,"_type":26,"children":16573,"markDefs":16577,"style":39},"8081bc867d19",[16574],{"_key":16575,"_type":30,"marks":16576,"text":720},"acbacc2aecd00",[],[],{"_key":16579,"_type":26,"children":16580,"markDefs":16664,"style":39},"06ddd023aae3",[16581,16585,16589,16594,16597,16600,16604,16609,16612,16615,16619,16624,16627,16630,16634,16639,16642,16645,16649,16654,16657,16660],{"_key":16582,"_type":30,"marks":16583,"text":16584},"ebc1b2a1f09b0",[32],"September 1",{"_key":16586,"_type":30,"marks":16587,"text":16588},"fce9da323e75",[],"\n9:00 – 10:00 ☕️ Welcome Coffee\n10:00 – 10:30 Footnotes: Intermission, Intro\n10:30 – 11:30 ",{"_key":16590,"_type":30,"marks":16591,"text":16593},"ebc1b2a1f09b1",[16592],"2e0c17952750","🧠",{"_key":16595,"_type":30,"marks":16596,"text":1392},"ebc1b2a1f09b2",[],{"_key":16598,"_type":30,"marks":16599,"text":16420},"ebc1b2a1f09b3",[16592],{"_key":16601,"_type":30,"marks":16602,"text":16603},"b01927976473",[]," Institutional vs. Non-Institutional Education with Will Fredo Furtado, Contemporary And\n11:30 – 12:30 ",{"_key":16605,"_type":30,"marks":16606,"text":16608},"ebc1b2a1f09b5",[16607],"023f086de787","🕸",{"_key":16610,"_type":30,"marks":16611,"text":1392},"ebc1b2a1f09b6",[],{"_key":16613,"_type":30,"marks":16614,"text":16230},"ebc1b2a1f09b7",[16607],{"_key":16616,"_type":30,"marks":16617,"text":16618},"a34700612a42",[]," Within and Beyond the Discipline with Thea Reifler & Philipp Bergman, Shedhalle\n12:30 – 14:00 LUNCH BREAK\n14:00 – 15:00 ",{"_key":16620,"_type":30,"marks":16621,"text":16623},"ebc1b2a1f09b9",[16622],"f1ad2b96a369","🕹",{"_key":16625,"_type":30,"marks":16626,"text":1392},"ebc1b2a1f09b10",[],{"_key":16628,"_type":30,"marks":16629,"text":16329},"ebc1b2a1f09b11",[16622],{"_key":16631,"_type":30,"marks":16632,"text":16633},"eeb855cc8dd2",[]," Institutional Structures and Strategies with Lina Dokuzović\n15:00 – 16:00 ",{"_key":16635,"_type":30,"marks":16636,"text":16638},"ebc1b2a1f09b13",[16637],"8a712d64d32a","🦠",{"_key":16640,"_type":30,"marks":16641,"text":1392},"ebc1b2a1f09b14",[],{"_key":16643,"_type":30,"marks":16644,"text":15992},"ebc1b2a1f09b15",[16637],{"_key":16646,"_type":30,"marks":16647,"text":16648},"c944ee92ef0f",[]," Ecological and Social Sustainability with Klasse Klima\n16:00 – 16:45 BREAK\n16:45 – 17:45 ",{"_key":16650,"_type":30,"marks":16651,"text":16653},"ebc1b2a1f09b17",[16652],"3136de2289fb","🌀",{"_key":16655,"_type":30,"marks":16656,"text":1392},"ebc1b2a1f09b18",[],{"_key":16658,"_type":30,"marks":16659,"text":16283},"ebc1b2a1f09b19",[16652],{"_key":16661,"_type":30,"marks":16662,"text":16663},"d1e9d1bdeece",[]," Learning from the Commons with Brandy Butler\n17:45 – 18:15 Footnotes: The Epilogue\n18:15 – 19:00 Apéro\n19:00 – 21:00 Dinner",[16665,16666,16667,16668,16669],{"_key":16592,"_type":56,"href":16444},{"_key":16607,"_type":56,"href":16268},{"_key":16622,"_type":56,"href":16352},{"_key":16637,"_type":56,"href":16405},{"_key":16652,"_type":56,"href":16314},{"_type":6294,"image":16671,"settings":16676,"text":16677},{"alt":16672,"asset":16673,"caption":9},"School of Commons - PODPAST – Futures of Arts Education 🔊",{"_id":16674,"height":7715,"orientation":7272,"ratio":1507,"url":16675,"width":7715},"image-9a5401381bd5a96b6862df09bc6d65b5be2087ee-1000x1000-jpg","https://cdn.sanity.io/images/eodip22e/production/9a5401381bd5a96b6862df09bc6d65b5be2087ee-1000x1000.jpg",{"mediaPosition":6311},[16678],{"_key":16679,"_type":26,"children":16680,"markDefs":16686,"style":15755},"3eb9d13b98ec",[16681],{"_key":16682,"_type":30,"marks":16683,"text":16685},"b409acaac0fa0",[16684],"5f3b09afcab1","PODPAST – Futures of Arts Education 🔊",[16687],{"_key":16684,"_type":56,"href":16688},"https://open.spotify.com/show/7pSIzOAZPOBKe8Ys6Q3f8z",{"_type":6294,"image":16690,"settings":16697,"text":16698},{"alt":16691,"asset":16692,"caption":9}," School of Commons -PODPAST – Futures of Arts Education 🔊",{"_id":16693,"height":16694,"orientation":789,"ratio":16695,"url":16696,"width":5141},"image-f0b9ba17c82f6eeec4e81a751eabfdb7b115044e-2000x1965-jpg",1965,1.0178117048346056,"https://cdn.sanity.io/images/eodip22e/production/f0b9ba17c82f6eeec4e81a751eabfdb7b115044e-2000x1965.jpg",{"mediaPosition":6380},[16699,16707],{"_key":16700,"_type":26,"children":16701,"markDefs":16706,"style":39},"6c674c9189f6",[16702],{"_key":16703,"_type":30,"marks":16704,"text":16705},"cdc9ffc6b7ed0",[],"🎧 Turn your headphones on 🎧 and explore a multitude of perspectives from different time-space zones on the presents, pasts, and futures of arts education.",[],{"_key":16708,"_type":26,"children":16709,"markDefs":16714,"style":39},"52e82587a437",[16710],{"_key":16711,"_type":30,"marks":16712,"text":16713},"6ef20dc3afd00",[],"The Footnotes PODPAST travels to listeners directly from the year 2045, to take an in-depth look into arts education systems, structures, functions, forms and futures.",[],{"_type":6294,"image":16716,"settings":16723,"text":16724},{"alt":16717,"asset":16718,"caption":9},"Hosted by Gigi, an ever-curious archivist with a lifelong interest in arts education, in conversation with a broad range of guests from across disciplines, backgrounds and time spaces, the podcast explores the pasts, presents and futures of arts education. All to discuss alternative modes, structures and methods for learning, teaching and instituting, that recall and re-centre historically marginalised ways of working.",{"_id":16719,"height":16720,"orientation":789,"ratio":16721,"url":16722,"width":3369},"image-07ebcc9a2ce2227502d37ec55cf4515284b0a37e-1024x1006-jpg",1006,1.0178926441351888,"https://cdn.sanity.io/images/eodip22e/production/07ebcc9a2ce2227502d37ec55cf4515284b0a37e-1024x1006.jpg",{"mediaPosition":6311},[16725],{"_key":16726,"_type":26,"children":16727,"markDefs":16731,"style":39},"2fc99cd47539",[16728],{"_key":16729,"_type":30,"marks":16730,"text":16717},"3a5d518cbd4b0",[],[],{"_type":7,"settings":16733,"text":16734},{"textColumnCount":941},[16735],{"_key":16736,"_type":26,"children":16737,"markDefs":16773,"style":39},"7e2ae8695902",[16738,16742,16745,16749,16752,16757,16760,16765,16768],{"_key":16739,"_type":30,"marks":16740,"text":16741},"368261bfc6c50",[32],"… listen now",{"_key":16743,"_type":30,"marks":16744,"text":1392},"368261bfc6c51",[],{"_key":16746,"_type":30,"marks":16747,"text":16748},"368261bfc6c52",[32],"on",{"_key":16750,"_type":30,"marks":16751,"text":1392},"368261bfc6c53",[],{"_key":16753,"_type":30,"marks":16754,"text":16756},"368261bfc6c54",[32,16755],"4794aac53e4f","Spotify,",{"_key":16758,"_type":30,"marks":16759,"text":1392},"368261bfc6c55",[],{"_key":16761,"_type":30,"marks":16762,"text":16764},"368261bfc6c56",[32,16763],"75091bd75741","Deezer or",{"_key":16766,"_type":30,"marks":16767,"text":1392},"368261bfc6c57",[],{"_key":16769,"_type":30,"marks":16770,"text":16772},"368261bfc6c58",[16771,32],"2b5f493f825e","Mixcloud!",[16774,16775,16777],{"_key":16755,"_type":56,"href":16688},{"_key":16763,"_type":56,"href":16776},"https://www.deezer.com/show/1000364581",{"_key":16771,"_type":56,"href":16778},"https://www.mixcloud.com/SchoolofCommons/tracks/",{"_type":10121,"caption":16780,"embedCode":16789},[16781],{"_key":16782,"_type":26,"children":16783,"markDefs":16788,"style":39},"38c2e8d9388a",[16784],{"_key":16785,"_type":30,"marks":16786,"text":16787},"6d3f3e2524070",[],"Trailer",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/3RjytPZD98Z4uLxsKMLZ5p?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16791,"embedCode":16808},[16792,16800],{"_key":16793,"_type":26,"children":16794,"markDefs":16799,"style":15677},"147a2b1548d2",[16795],{"_key":16796,"_type":30,"marks":16797,"text":16798},"6b1d44f453ab0",[],"Episode 1 - What is the PODPAST?",[],{"_key":16801,"_type":26,"children":16802,"markDefs":16807,"style":39},"f07798dfcfc2",[16803],{"_key":16804,"_type":30,"marks":16805,"text":16806},"d1ab14841d5e0",[],"This first episode sets the scene for the PODPAST which is grounded in the (fictional) temporal zone of the year 2045. Our moderator Gigi will explain to you how and why the PODPAST spans over different, overlapping time spaces and why it is a total thrill to explore diverse aspects of arts education beyond the borders of time and space.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/1SJkAqASwlaOtQNFOiOOSO?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16810,"embedCode":16827},[16811,16819],{"_key":16812,"_type":26,"children":16813,"markDefs":16818,"style":15677},"ffdc556a69ae",[16814],{"_key":16815,"_type":30,"marks":16816,"text":16817},"1b68208dc7b20",[],"Episode 2 - Tuning into Time Travel: A Journey with 0ct0p0s",[],{"_key":16820,"_type":26,"children":16821,"markDefs":16826,"style":39},"e5f8b9b6ea7c",[16822],{"_key":16823,"_type":30,"marks":16824,"text":16825},"39c185ce1c3f0",[],"This second PODPAST episode is an immersive introduction to time travel. The temporal time keepers Olga and Ora from the 0ct0p0s collective present us with a meditative journey through time and into the future. Sit back, relax and open your mind to possible future realities.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4hSryuntocw2sxi86QfxQq?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16829,"embedCode":16857},[16830,16838],{"_key":16831,"_type":26,"children":16832,"markDefs":16837,"style":15677},"222ac38673b9",[16833],{"_key":16834,"_type":30,"marks":16835,"text":16836},"fccb797aa5280",[],"Episode 3 - Disrupting Systems of Learning, Breaking Down Barriers in Education and Lifelong Learning - A Conversation with Kobe Ardui",[],{"_key":16839,"_type":26,"children":16840,"markDefs":16854,"style":39},"07a370427046",[16841,16845,16850],{"_key":16842,"_type":30,"marks":16843,"text":16844},"0ca0927098c30",[],"This time, Gigi meets Kobe Ardui, head of lifelong learning at ",{"_key":16846,"_type":30,"marks":16847,"text":16849},"0ca0927098c31",[16848],"a0ed8b8a50d5","LUCA School of Arts Belgium",{"_key":16851,"_type":30,"marks":16852,"text":16853},"0ca0927098c32",[],", in the year 2022. Kobe discusses disrupting systems of learning in higher arts institutions, especially in relation to hierarchies of knowledge, disciplines and subjects, as well as the role of lifelong learning, peer learning and breaking down barriers within education.",[16855],{"_key":16848,"_type":56,"href":16856},"https://www.luca-arts.be/en","\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/0wFc8OfI7YFlxF1LUS9ggP?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16859,"embedCode":16876},[16860,16868],{"_key":16861,"_type":26,"children":16862,"markDefs":16867,"style":15677},"6dab68054f31",[16863],{"_key":16864,"_type":30,"marks":16865,"text":16866},"11b31e0f834d0",[],"Episode 4 - Multispecies Art and Multispecies Learning in 2045 with Bifolia",[],{"_key":16869,"_type":26,"children":16870,"markDefs":16875,"style":39},"9e741ac8acae",[16871],{"_key":16872,"_type":30,"marks":16873,"text":16874},"7d0ed6c376b80",[],"In this episode, we will dive into the topic of multispecies learning, and multispecies art together with Gigi’s special guest Bifolia, in the temporal zone of 2045. Bifolia is an artist and researcher at the famous International Institute of Interspecies Art. Interspecies art, an art form in which different species, for example humans and insects, co-create art together is deeply entangled with the idea of multispecies learning based on the ethos that all species are equal and equally complex and that the only way of sharing life on this planet is to learn from and with each other. Bifolia gives us insights into her work and discusses the possibilities and challenges of who has a right to be an art student today in 2045.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/2ztBYaCPL8jzwcm4NQMbqh?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16878,"embedCode":16876},[16879,16887],{"_key":16880,"_type":26,"children":16881,"markDefs":16886,"style":15677},"ced0c30c96f6",[16882],{"_key":16883,"_type":30,"marks":16884,"text":16885},"31fe9ef98d570",[],"Episode 5 - Artistic Freedom, Art Activism and Possible Futures for the Arts in Societies: A Conversation with Kai Lehikoinen, Uni Arts Helsinki",[],{"_key":16888,"_type":26,"children":16889,"markDefs":16894,"style":39},"e4bbe2629fd0",[16890],{"_key":16891,"_type":30,"marks":16892,"text":16893},"399f2d2754ac0",[],"In this episode, the PodPast team successfully establishes a connection to the year 2022 to speak with Kai Lehikoinen, a university researcher specializing in socially engaged arts practices at Uniarts Helsinki, Finland. During the conversation, Kai will provide significant insights into the complex and multi-faceted relationships between arts and society, including the relation between artistic freedom and artistic activism, and new fields the arts might enter in the future",[],{"_type":10121,"caption":16896,"embedCode":16935},[16897,16905,16913,16920],{"_key":16898,"_type":26,"children":16899,"markDefs":16904,"style":15677},"7469349f7673",[16900],{"_key":16901,"_type":30,"marks":16902,"text":16903},"e456098939c00",[],"Episode 6 - Digtial Art, Accessibility and Collaboration in 2045: A Conversation with Lena Gieseke, Film University Babelsberg KONRAD WOLF",[],{"_key":16906,"_type":26,"children":16907,"markDefs":16912,"style":39},"56b02021c1d3",[16908],{"_key":16909,"_type":30,"marks":16910,"text":16911},"3c319453288e0",[],"In this episode, Gigi meets Lena Gieseke from Film University Babelsberg KONRAD WOLF in Germany in the temporal zone of 2045. Lena gives us insights into her ongoing project “Art Collab”, where she works on setting up the virtual art world in a manner that is accessible for everyone, everywhere via an augmented reality art layer. Dive into Lena’s future reality and learn about possible futures approaches to accessibility and collaboration in the arts and arts education, as well as the role of virtual art in the futures.",[],{"_key":16914,"_type":26,"children":16915,"markDefs":16919,"style":39},"77e0c45ea2ae",[16916],{"_key":16917,"_type":30,"marks":16918,"text":720},"c00b53fc8cdf0",[],[],{"_key":16921,"_type":26,"children":16922,"markDefs":16932,"style":39},"8c77769f5600",[16923,16927],{"_key":16924,"_type":30,"marks":16925,"text":16926},"f7a3abebe92e0",[],"For more watch the movie ",{"_key":16928,"_type":30,"marks":16929,"text":16931},"f7a3abebe92e1",[16930],"3d92b3ed6225","ArtCollab Germany 2025",[16933],{"_key":16930,"_type":56,"href":16934},"https://learningplatform.fast45.eu/narratives/arts-schools-and-their-local-communities/#Short%20Film%20","\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4OJjYTUhHaU3407HHZ2oDw?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16937,"embedCode":16954},[16938,16946],{"_key":16939,"_type":26,"children":16940,"markDefs":16945,"style":15677},"df89f883ef9b",[16941],{"_key":16942,"_type":30,"marks":16943,"text":16944},"baf33c3763840",[],"Episode 7 - Climate Futures, Cross-Institutional Learning and Holistic Solutions in 2022 and beyond: A Conversation with Maria Hansen, ELIA",[],{"_key":16947,"_type":26,"children":16948,"markDefs":16953,"style":39},"ecccc35bb854",[16949],{"_key":16950,"_type":30,"marks":16951,"text":16952},"7c50bcde24030",[],"In this PODPAST episode, Gigi successful establishes a connection to the year 2022 to talk with Maria Hansen, the executive director of ELIA, a globally connected European network focused on higher arts education. The conversation addresses the urgent climate crisis on Earth in 2022 and the roles of art universities and artists in addressing this critical issue. Furthermore, Maria gives insights into the emerging trends of transdisciplinarity and cross-institutional and cross-disciplinary learning in the twenties, which offer new approaches to collaboration and problem-solving. Stay tuned to learn more about how art and education are shaping the futures in the midst of global challenges.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/7xbuvuHmT11F75cFScJWnh?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16956,"embedCode":16973},[16957,16965],{"_key":16958,"_type":26,"children":16959,"markDefs":16964,"style":15677},"983ddd8bc3ad",[16960],{"_key":16961,"_type":30,"marks":16962,"text":16963},"f7e38968cd070",[],"Episode 8 - Symbiosis, Sustainability and Common Grounds in 2045: A Conversation with Karel",[],{"_key":16966,"_type":26,"children":16967,"markDefs":16972,"style":39},"2237c81f9d39",[16968],{"_key":16969,"_type":30,"marks":16970,"text":16971},"143c12712de60",[],"In this PODPAST episode, Gigi is in conversation with Karel, an artist and active member of the Footnotes Symbiosis working group in the temporal zone of 2045. In this conversation, Karel introduces the vision and work of the working group and discusses different aspects surrounding sustainability, here meaning, social, ecological and technological sustainability. Furthermore, Karel gives insights into future collaborations of institutes of higher arts education and how to build common grounds to enable these collaborations with other species.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/3iRRsS3gDWvhrAAG3zE8Vk?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16975,"embedCode":16992},[16976,16984],{"_key":16977,"_type":26,"children":16978,"markDefs":16983,"style":15677},"dc6f83966f81",[16979],{"_key":16980,"_type":30,"marks":16981,"text":16982},"106faa032f340",[],"Episode 9 - Informal Knowledge and Universal Basic Income in 2045 - A Conversation with Cif Cif and Rigoberta",[],{"_key":16985,"_type":26,"children":16986,"markDefs":16991,"style":39},"2fd06fd37ddd",[16987],{"_key":16988,"_type":30,"marks":16989,"text":16990},"0ef13a37be230",[],"In this episode, Giggi meets Cif Cif and Rigoberta in the temporal zone of 2045. Cif Cif is the last dean of LUCA School of Arts in Belgium and Rigoberta is a retired educator and curator educator in contemporary arts. Both guests are part of the Footnotes Summer School and are intrigued by the topic of Plasticity. Our discussion will focus on the role of informal knowledge in arts education in 2045, the current roles of artists in society, and how the trend of universal basic income is impacting developments in arts education and the arts as a whole.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4UF6xg0xeIfZxIjOj8SlPi?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":16994,"embedCode":17040},[16995,17003],{"_key":16996,"_type":26,"children":16997,"markDefs":17002,"style":15677},"8c118181a7f0",[16998],{"_key":16999,"_type":30,"marks":17000,"text":17001},"e14f34dd89bf0",[],"Episode 10 - Climate Justice in Higher Arts Education - A Conversation with KLASSE KLIMA",[],{"_key":17004,"_type":26,"children":17005,"markDefs":17035,"style":39},"902f2e7ed7d6",[17006,17010,17014,17018,17022,17026,17031],{"_key":17007,"_type":30,"marks":17008,"text":17009},"1e7f111792f30",[],"In this episode, Gigi is joined by not one, but two guests, Johann and Lena, two members of ",{"_key":17011,"_type":30,"marks":17012,"text":14664},"1e7f111792f31",[17013],"e9c112c1fe8d",{"_key":17015,"_type":30,"marks":17016,"text":17017},"1e7f111792f32",[],", a student-led educational collective established in the year 2019 at Berlin University of the Arts. ",{"_key":17019,"_type":30,"marks":17020,"text":14664},"1e7f111792f33",[17021],"ad6d654203a4",{"_key":17023,"_type":30,"marks":17024,"text":17025},"1e7f111792f34",[]," was created to find creative educational methods to address the urgency of the climate crisis. ",{"_key":17027,"_type":30,"marks":17028,"text":17030},"1e7f111792f35",[17029],"30e2f5ff7678","Klasse Kima",{"_key":17032,"_type":30,"marks":17033,"text":17034},"1e7f111792f36",[]," engages in events and debates on the intersection of art, design and ecology, it therefore seems extremely fitting that their conversation with Gigi focuses on a 2022 time-space perspective of climate justice movements, including C02 accounting and the digital divide, as well as a broader discussion on peer and lifelong learning environments, including where climate change fits into educational structures.",[17036,17038,17039],{"_key":17013,"_type":56,"href":17037},"https://klasseklima.org/",{"_key":17021,"_type":56,"href":17037},{"_key":17029,"_type":56,"href":17037},"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4GAj4TxJCypQJPLnvoALvM?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":17042,"embedCode":17059},[17043,17051],{"_key":17044,"_type":26,"children":17045,"markDefs":17050,"style":15677},"9fa9c010f8d4",[17046],{"_key":17047,"_type":30,"marks":17048,"text":17049},"1410039ca79e0",[],"Episode 11 - The Societal Role of Art Schools, Entrance Exams and Cultural Ownership in 2045: A Conversation with Carl Iseg",[],{"_key":17052,"_type":26,"children":17053,"markDefs":17058,"style":39},"4a010f67fd27",[17054],{"_key":17055,"_type":30,"marks":17056,"text":17057},"6fe3616f42ed0",[],"In this podcast episode, we’re joined by Carl Iseg, music teacher, researcher, and leader of Music Higher Educational Institute in the temporal zone of 2045. We’ll be discussing the function and bureaucracy of art schools, ranging from the meaning of art schools in society, to the role entrance exams play in these very institutions, to the true meaning of Cultural Ownership in 2045. Tune in for a fascinating glimpse into the future of arts and education!",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/3f5uvPsG6gB1P47H3n0dLv?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":10121,"caption":17061,"embedCode":17078},[17062,17070],{"_key":17063,"_type":26,"children":17064,"markDefs":17069,"style":15677},"e43305570729",[17065],{"_key":17066,"_type":30,"marks":17067,"text":17068},"c75c23654f540",[],"Episode 12 - Collegiality, Knowledge Exchange and Essential Ingredients for New Forms of Governance within Higher Education - A Conversation with Tishka and Camille",[],{"_key":17071,"_type":26,"children":17072,"markDefs":17077,"style":39},"03aff401949b",[17073],{"_key":17074,"_type":30,"marks":17075,"text":17076},"0cc72cd743af0",[],"In this episode, Gigi is joined by educators, cultural workers and musicians Tishka and Camille, in the temporal zone of 2045. Together they discuss collegiality, cross-institutional learning, common knowledge exchange and transdisciplinarity… as well as the essential ingredients for new forms of governance within education from a 2045 perspective.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/1VRuZGIukTgRmpiLouy6dW?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":7,"settings":17080,"text":17081},{"textColumnCount":941},[17082,17090,17098,17106,17117,17125,17136,17144,17155,17163,17174,17182,17193,17201,17212,17220,17231,17239,17250,17258,17269,17277],{"_key":17083,"_type":26,"children":17084,"markDefs":17089,"style":15677},"28eab8022043",[17085],{"_key":17086,"_type":30,"marks":17087,"text":17088},"793fa50ae6770",[],"Reader",[],{"_key":17091,"_type":26,"children":17092,"markDefs":17097,"style":39},"4fce2aab2698",[17093],{"_key":17094,"_type":30,"marks":17095,"text":17096},"678173ce7e650",[],"Dive deeper",[],{"_key":17099,"_type":26,"children":17100,"markDefs":17105,"style":39},"d0cdbc722683",[17101],{"_key":17102,"_type":30,"marks":17103,"text":17104},"b197371e38900",[],"01",[],{"_key":17107,"_type":26,"children":17108,"markDefs":17114,"style":39},"aaf6c9625d38",[17109],{"_key":17110,"_type":30,"marks":17111,"text":17113},"912e063091510",[17112],"1cf659473a66","👣 Legacy Russell 2021: AICA-USA Distinguished Lecture.",[17115],{"_key":17112,"_type":56,"href":17116},"https://vimeo.com/656701764",{"_key":17118,"_type":26,"children":17119,"markDefs":17124,"style":39},"d51725ac8067",[17120],{"_key":17121,"_type":30,"marks":17122,"text":17123},"5f71540631640",[],"02",[],{"_key":17126,"_type":26,"children":17127,"markDefs":17133,"style":39},"6c730d16b094",[17128],{"_key":17129,"_type":30,"marks":17130,"text":17132},"b410e08570840",[17131],"1fb2c968c35b","👣 Sadie Plant (1997), Zeroes and Ones. Digital Women and the new technoculture “Only when digital networks arranged themselves in threads and links did footnotes begin to walk all over what had once been the bodies of organized texts.”",[17134],{"_key":17131,"_type":56,"href":17135},"https://monoskop.org/images/1/17/Plant_Sadie_Zeros_and_Ones_Digital_Women_and_the_New_Technoculture_1997.pdf",{"_key":17137,"_type":26,"children":17138,"markDefs":17143,"style":39},"47fbc78459ba",[17139],{"_key":17140,"_type":30,"marks":17141,"text":17142},"e60d09f8c0880",[],"03",[],{"_key":17145,"_type":26,"children":17146,"markDefs":17152,"style":39},"a5f1b99abf41",[17147],{"_key":17148,"_type":30,"marks":17149,"text":17151},"f8e7920282cf0",[17150],"0832e0de2c55","👣 Florian Schneider (2010), Footnotes On Education.",[17153],{"_key":17150,"_type":56,"href":17154},"https://fls.kein.org/view/36",{"_key":17156,"_type":26,"children":17157,"markDefs":17162,"style":39},"ebbbb2f9a174",[17158],{"_key":17159,"_type":30,"marks":17160,"text":17161},"e3efc080ff570",[],"04",[],{"_key":17164,"_type":26,"children":17165,"markDefs":17171,"style":39},"c88aa16bf00b",[17166],{"_key":17167,"_type":30,"marks":17168,"text":17170},"712f26fb583b0",[17169],"7575a78326ab","👣 bell hooks (1994), Teaching to Transgress: Education as the Practice of Freedom.",[17172],{"_key":17169,"_type":56,"href":17173},"https://sites.utexas.edu/lsjcs/files/2018/02/Teaching-to-Transcend.pdf",{"_key":17175,"_type":26,"children":17176,"markDefs":17181,"style":39},"0dfea217847f",[17177],{"_key":17178,"_type":30,"marks":17179,"text":17180},"f48b6e9d70d80",[],"05",[],{"_key":17183,"_type":26,"children":17184,"markDefs":17190,"style":39},"ba886037adfb",[17185],{"_key":17186,"_type":30,"marks":17187,"text":17189},"8b12cb88ee670",[17188],"54f558750860","📄 Nana Adusei-Poku (2020), Catch me if you can.",[17191],{"_key":17188,"_type":56,"href":17192},"https://www.afterall.org/article/catch-me-if-you-can",{"_key":17194,"_type":26,"children":17195,"markDefs":17200,"style":39},"e0c026d56879",[17196],{"_key":17197,"_type":30,"marks":17198,"text":17199},"762b701dde210",[],"06",[],{"_key":17202,"_type":26,"children":17203,"markDefs":17209,"style":39},"4c26419f5347",[17204],{"_key":17205,"_type":30,"marks":17206,"text":17208},"3df7c8b158700",[17207],"408666342e4b","📄 Sophia Kosmaoglou (2019), Syllabus of Radical Pedagogy Research & Reading Groups.",[17210],{"_key":17207,"_type":56,"href":17211},"https://videomole.tv/radical-pedagogy/#draft",{"_key":17213,"_type":26,"children":17214,"markDefs":17219,"style":39},"6c77d8802a04",[17215],{"_key":17216,"_type":30,"marks":17217,"text":17218},"ec28bf9dcde20",[],"07",[],{"_key":17221,"_type":26,"children":17222,"markDefs":17228,"style":39},"f8c877e5b77f",[17223],{"_key":17224,"_type":30,"marks":17225,"text":17227},"c865f53c77c80",[17226],"8b08f89629ec","📄 Patricia Reed (2019), Orientation in a Big World: On the Necessity of Horizonless Perspectives.",[17229],{"_key":17226,"_type":56,"href":17230},"https://www.e-flux.com/journal/101/273343/orientation-in-a-big-world-on-the-necessity-of-horizonless-perspectives/",{"_key":17232,"_type":26,"children":17233,"markDefs":17238,"style":39},"f48a0c822749",[17234],{"_key":17235,"_type":30,"marks":17236,"text":17237},"2f2cdec876bf0",[],"08",[],{"_key":17240,"_type":26,"children":17241,"markDefs":17247,"style":39},"c533277bd2d1",[17242],{"_key":17243,"_type":30,"marks":17244,"text":17246},"c85f8f9cb99e0",[17245],"146dd06d5eac","📄 Sandro Mezzadra / Brett Neilson (2008), Border as Method, or, the Multiplication of Labor.",[17248],{"_key":17245,"_type":56,"href":17249},"https://transversal.at/transversal/0608/mezzadra-neilson/en?hl=border%20as%20method",{"_key":17251,"_type":26,"children":17252,"markDefs":17257,"style":39},"b9168e4af5e2",[17253],{"_key":17254,"_type":30,"marks":17255,"text":17256},"9d09cc64a0580",[],"09",[],{"_key":17259,"_type":26,"children":17260,"markDefs":17266,"style":39},"a5902d848b57",[17261],{"_key":17262,"_type":30,"marks":17263,"text":17265},"c8684f787e590",[17264],"d258c76db32e","📄 Hakim Bey (1991), T.A.Z.: The Temporary Autonomous Zone].",[17267],{"_key":17264,"_type":56,"href":17268},"https://ia800208.us.archive.org/14/items/al_Hakim_Bey_T.A.Z._The_Temporary_Autonomous_Zone_Ontological_Anarchy_Poetic_Terror/Hakim_Bey__T.A.Z.__The_Temporary_Autonomous_Zone__Ontological_Anarchy__Poetic_Terrorism_a4.pdf",{"_key":17270,"_type":26,"children":17271,"markDefs":17276,"style":39},"ec5848180c84",[17272],{"_key":17273,"_type":30,"marks":17274,"text":17275},"22f18f61ce060",[],"10",[],{"_key":17278,"_type":26,"children":17279,"markDefs":17285,"style":39},"74b8eeef4b4e",[17280],{"_key":17281,"_type":30,"marks":17282,"text":17284},"eecbbc42d9ed0",[17283],"10c3ddcac097","📄 Jo Freeman aka Joreen (first print in 1972), The Tyranny of Structurelessness.",[17286],{"_key":17283,"_type":56,"href":17287},"https://www.jofreeman.com/joreen/tyranny.htm",{"_type":14,"current":269},"Annotating the Futures of Arts Education: A summer school that imagines, rethinks and shapes the futures of arts education.",{"_id":248,"_type":242,"additionalDetails":9,"callToActions":9,"categories":17291,"credits":17298,"featuredImage":17549,"pageBuilder":17553,"seo":9,"slug":17839,"summary":17840,"title":252},[17292,17295],{"_id":3864,"_type":308,"colorPrimary":17293,"seo":9,"slug":17294,"title":3869},{"label":310,"value":3866},{"_type":14,"current":3868},{"_id":6661,"_type":308,"colorPrimary":17296,"seo":9,"slug":17297,"title":6666},{"label":310,"value":6663},{"_type":14,"current":6665},{"other":9,"profiles":17299},[17300,17340,17377,17414,17477],{"_id":17301,"_type":389,"activeYears":17302,"bio":17305,"bioShort":17314,"featuredImage":17315,"filterables":17317,"links":17320,"locations":17323,"searchables":17336,"seo":9,"slug":17338,"title":17316},"0d8d3be6-f1e6-49a7-b2e8-693c792cdb45",[17303],{"_id":203,"_type":187,"seo":9,"slug":17304,"title":206},{"_type":14,"current":205},[17306],{"_key":17307,"_type":26,"children":17308,"markDefs":17313,"style":39},"00a39946ff8d",[17309],{"_key":17310,"_type":30,"marks":17311,"text":17312},"05914056eeae0",[],"Its objective is to establish a permanent nucleus of reflection, criticism and dialogue through the work, in the territory marked by the inexistence of institutions dedicated to pursuing these ends. In the world capital of copper mining, he proposes as an alternative to delve into excavations no less valuable, no less urgent and of renewable wealth – creativity and dialogue.",[],"SACO is held annually in the Antofagasta region, in the north of Chile, as an independent initiative of the Collective SE VENDE Mobile Contemporary Art Platform, under the direction of Dagmara Wyskiel and produced by Christian Núñez. ",{"alt":17316,"asset":9},"SACO Contemporary Art Biennial",{"filterYear":17318},[17319],{"_id":203,"title":206},[17321],{"_type":449,"label":17316,"url":17322},"https://www.biennialfoundation.org/biennials/saco/",{"locations":17324,"other":17327},[17325],{"_id":9198,"_type":459,"seo":9,"slug":17326,"title":9201},{"_type":14,"current":9200},[17328],{"_key":17329,"_type":26,"children":17330,"markDefs":17335,"style":39},"26ed435839ee",[17331],{"_key":17332,"_type":30,"marks":17333,"text":17334},"2297dbef031b0",[],"ISLA location and SACO\nGeneral Lagos Office # 0874 Playa Blanca Sector, Antofagasta, Chile",[],[17337,205],"saco contemporary art biennial",{"_type":14,"current":17339},"saco-contemporary-art-biennial",{"_id":17341,"_type":389,"activeYears":17342,"bio":17345,"bioShort":17354,"featuredImage":17355,"filterables":17362,"links":17365,"locations":17369,"searchables":17373,"seo":9,"slug":17375,"title":17356},"b2035aaa-a91c-4bcf-a67a-75c13a2e55ef",[17343],{"_id":203,"_type":187,"seo":9,"slug":17344,"title":206},{"_type":14,"current":205},[17346],{"_key":17347,"_type":26,"children":17348,"markDefs":17353,"style":39},"1129597150d1",[17349],{"_key":17350,"_type":30,"marks":17351,"text":17352},"cd141a072fc4",[],"For fifteen years she has been carrying out multiple curatorial strategies in the Atacama Desert. Manages the Latin American Superior Institute of Art (ISLA). Director and academic author of the diploma course Microcuradurías, curatorships from the margins (2022). She was field editor of the Chile Triennial in 2009. Winner of Grand Prize at the XVII Asia Biennale in Bangladesh with Juego Mixto, 2016.",[],"Dagmara is a Polish visual artist, based in Chile. PhD from the University of Fine Arts in Krakow. Director of the International Biennial of Contemporary Art, SACO. ",{"alt":17356,"asset":17357},"Dagmara Wyskiel",{"_id":17358,"height":17359,"orientation":440,"ratio":4936,"url":17360,"width":17361},"image-e69d4ed9b3c2fa7a1ada1fc760a79c6b03d79466-2320x3480-jpg",3480,"https://cdn.sanity.io/images/eodip22e/production/e69d4ed9b3c2fa7a1ada1fc760a79c6b03d79466-2320x3480.jpg",2320,{"filterYear":17363},[17364],{"_id":203,"title":206},[17366,17368],{"_type":449,"label":450,"url":17367},"http://dagmara.cl/w3/",{"_type":449,"label":17316,"url":17322},{"locations":17370,"other":9},[17371],{"_id":9198,"_type":459,"seo":9,"slug":17372,"title":9201},{"_type":14,"current":9200},[17374,205],"dagmara wyskiel",{"_type":14,"current":17376},"dagmara-wyskiel",{"_id":17378,"_type":389,"activeYears":17379,"bio":17382,"bioShort":17391,"featuredImage":17392,"filterables":17400,"links":17403,"locations":17406,"searchables":17410,"seo":9,"slug":17412,"title":17393},"ba494b6e-3015-48be-9b40-86560f5ffb29",[17380],{"_id":203,"_type":187,"seo":9,"slug":17381,"title":206},{"_type":14,"current":205},[17383],{"_key":17384,"_type":26,"children":17385,"markDefs":17390,"style":39},"aa7bf28c807d",[17386],{"_key":17387,"_type":30,"marks":17388,"text":17389},"0966051026330",[],"Journalist, writer and cultural manager. He has been a reporter and editor in print media and web portals, and has written for various cultural projects in the region. He has received national and international awards for his literature, and has published two books, both of which have received critical acclaim.",[],"Carlos is the Liaison Manager and Management Assistant at SACO Contemporary Art Biennial.",{"alt":17393,"asset":17394},"Carlos Rendón Bejarano",{"_id":17395,"height":17396,"orientation":440,"ratio":17397,"url":17398,"width":17399},"image-2759096fb4a34afbcabaa2663f26af011c230a89-1814x2280-jpg",2280,0.7956140350877193,"https://cdn.sanity.io/images/eodip22e/production/2759096fb4a34afbcabaa2663f26af011c230a89-1814x2280.jpg",1814,{"filterYear":17401},[17402],{"_id":203,"title":206},[17404],{"_type":449,"label":17316,"url":17405},"https://bienalsaco.com/ ",{"locations":17407,"other":9},[17408],{"_id":9198,"_type":459,"seo":9,"slug":17409,"title":9201},{"_type":14,"current":9200},[17411,205],"carlos rendón bejarano",{"_type":14,"current":17413},"carlos-rendon-bejarano",{"_id":13249,"_type":389,"activeYears":17415,"bio":17428,"bioShort":13270,"featuredImage":17453,"filterables":17455,"links":17463,"locations":17465,"searchables":17475,"seo":9,"slug":17476,"title":13305},[17416,17418,17420,17422,17424,17426],{"_id":213,"_type":187,"seo":9,"slug":17417,"title":216},{"_type":14,"current":215},{"_id":208,"_type":187,"seo":9,"slug":17419,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":17421,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":17423,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":17425,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":17427,"title":190},{"_type":14,"current":189},[17429,17434,17439,17444],{"_key":13265,"_type":26,"children":17430,"markDefs":17433,"style":39},[17431],{"_key":13268,"_type":30,"marks":17432,"text":13270},[],[],{"_key":13273,"_type":26,"children":17435,"markDefs":17438,"style":39},[17436],{"_key":13276,"_type":30,"marks":17437,"text":13278},[],[],{"_key":13281,"_type":26,"children":17440,"markDefs":17443,"style":39},[17441],{"_key":13284,"_type":30,"marks":17442,"text":13286},[],[],{"_key":13289,"_type":26,"children":17445,"markDefs":17452,"style":39},[17446,17448,17450],{"_key":13292,"_type":30,"marks":17447,"text":13294},[],{"_key":13296,"_type":30,"marks":17449,"text":13298},[874],{"_key":13300,"_type":30,"marks":17451,"text":13302},[],[],{"alt":13305,"asset":17454},{"_id":13307,"height":4018,"orientation":440,"ratio":4574,"url":13308,"width":13309},{"filterYear":17456},[17457,17458,17459,17460,17461,17462],{"_id":213,"title":216},{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[17464],{"_type":449,"label":453,"url":13320},{"locations":17466,"other":17469},[17467],{"_id":9439,"_type":459,"seo":9,"slug":17468,"title":9442},{"_type":14,"current":9441},[17470],{"_key":13327,"_type":26,"children":17471,"markDefs":17474,"style":39},[17472],{"_key":13330,"_type":30,"marks":17473,"text":13332},[],[],[13335,215,210,205,200,195,189],{"_type":14,"current":13337},{"_id":7645,"_type":389,"activeYears":17478,"bio":17489,"bioShort":7664,"featuredImage":17524,"filterables":17526,"links":17533,"locations":17537,"searchables":17547,"seo":9,"slug":17548,"title":7712},[17479,17481,17483,17485,17487],{"_id":208,"_type":187,"seo":9,"slug":17480,"title":211},{"_type":14,"current":210},{"_id":203,"_type":187,"seo":9,"slug":17482,"title":206},{"_type":14,"current":205},{"_id":198,"_type":187,"seo":9,"slug":17484,"title":201},{"_type":14,"current":200},{"_id":193,"_type":187,"seo":9,"slug":17486,"title":196},{"_type":14,"current":195},{"_id":186,"_type":187,"seo":9,"slug":17488,"title":190},{"_type":14,"current":189},[17490,17495,17504,17509,17514,17519],{"_key":7659,"_type":26,"children":17491,"markDefs":17494,"style":39},[17492],{"_key":7662,"_type":30,"marks":17493,"text":7664},[],[],{"_key":7667,"_type":26,"children":17496,"markDefs":17503,"style":39},[17497,17499,17501],{"_key":7670,"_type":30,"marks":17498,"text":7672},[],{"_key":7674,"_type":30,"marks":17500,"text":1593},[32],{"_key":7677,"_type":30,"marks":17502,"text":7679},[],[],{"_key":7682,"_type":26,"children":17505,"markDefs":17508,"style":39},[17506],{"_key":7685,"_type":30,"marks":17507,"text":7687},[],[],{"_key":7690,"_type":26,"children":17510,"markDefs":17513,"style":39},[17511],{"_key":7693,"_type":30,"marks":17512,"text":7695},[],[],{"_key":7698,"_type":26,"children":17515,"markDefs":17518,"style":39},[17516],{"_key":7701,"_type":30,"marks":17517,"text":720},[],[],{"_key":7705,"_type":26,"children":17520,"markDefs":17523,"style":39},[17521],{"_key":7708,"_type":30,"marks":17522,"text":720},[],[],{"alt":7712,"asset":17525},{"_id":7714,"height":7715,"orientation":789,"ratio":1923,"url":7716,"width":6756},{"filterYear":17527},[17528,17529,17530,17531,17532],{"_id":208,"title":211},{"_id":203,"title":206},{"_id":198,"title":201},{"_id":193,"title":196},{"_id":186,"title":190},[17534,17535,17536],{"_type":449,"label":450,"url":7726},{"_type":449,"label":7728,"url":7729},{"_type":449,"label":453,"url":7731},{"locations":17538,"other":17541},[17539],{"_id":458,"_type":459,"seo":9,"slug":17540,"title":462},{"_type":14,"current":461},[17542],{"_key":7738,"_type":26,"children":17543,"markDefs":17546,"style":39},[17544],{"_key":7741,"_type":30,"marks":17545,"text":5127},[],[],[7745,210,205,200,195,189],{"_type":14,"current":7747},{"alt":251,"asset":17550},{"_id":17551,"height":9424,"orientation":7272,"ratio":1507,"url":17552,"width":9424},"image-ac72b5997423d961deaafd25995e763449d70293-2560x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/ac72b5997423d961deaafd25995e763449d70293-2560x2560.jpg",[17554,17608,17675,17694,17721,17739,17750,17795],{"_type":7,"settings":17555,"text":17556},{"textColumnCount":941},[17557,17576,17584,17592,17600],{"_key":17558,"_type":26,"children":17559,"markDefs":17573,"style":39},"30b001a20cd5",[17560,17564,17569],{"_key":17561,"_type":30,"marks":17562,"text":17563},"22e4a0564bc10",[],"The project sought to increase the flow, dialogue, and exchange of experiences between curators and artists from Switzerland and the South American Altiplano, connecting with specific territories through artistic residencies. Six Latin American projects were selected in the ",{"_key":17565,"_type":30,"marks":17566,"text":17568},"22e4a0564bc11",[17567],"8c5ed761b484","\"To-gather\"",{"_key":17570,"_type":30,"marks":17571,"text":17572},"22e4a0564bc12",[]," call from the Swiss Foundation for Culture Pro Helvetia, a collaboration program between arts professionals and cultural organizations and institutions. The objective was to promote spaces for critical reflection on the current situation, where ideas could be shared to propose more equitable forms of exchange between cultures and contexts, allowing for experimentation with new formats of collaborative work.",[17574],{"_key":17567,"_type":56,"href":17575},"https://southamerica.prohelvetia.org/es/2022/01/14/to-gather-conozca-a-los-proyectos-seleccionados/?fbclid=IwAR0kjkeV1YHYVrEkPsh1xV6dvO4VP9kqdOcQjn5sWa0Tnki3tEEYyhXt5oA",{"_key":17577,"_type":26,"children":17578,"markDefs":17583,"style":39},"64b6e691330e",[17579],{"_key":17580,"_type":30,"marks":17581,"text":17582},"c6d5f2ba9ada0",[],"In March 2023, Chantelle Lue and Gabriel Hensche were welcomed to the Instituto Superior Latinoamericano de Arte (ISLA) as part of the School of Commons (SoC) team.Their visit was made possible by the second stage of the \"To-gather\" program, aimed at strengthening the exchange between curators, organizers, and artists from Switzerland and the Altiplano of South America.",[],{"_key":17585,"_type":26,"children":17586,"markDefs":17591,"style":39},"f3534c1b76d0",[17587],{"_key":17588,"_type":30,"marks":17589,"text":17590},"950808c3fb220",[],"\"Everything during this experience felt like being on a different scale—the landscape, the climate, the challenges. Coming back to Europe was like entering a dollhouse. The deep conversations we shared with the members of the SACO team and the incredible program they prepared for us. These exchanges, impressions, and the ritual of the Chango people will certainly stay with me for a lifetime,\" said Gabriel Hensche.",[],{"_key":17593,"_type":26,"children":17594,"markDefs":17599,"style":39},"c28980acf872",[17595],{"_key":17596,"_type":30,"marks":17597,"text":17598},"8b73af302d9a0",[],"During their stay at ISLA, they observed the work carried out by the biennial, and opportunities for dialogue were created between the work teams, allowing both groups to reflect on new ways of working around art and education. \"I think it was very important to create and maintain these types of alliances. Not only because of the potential collaborations that could arise, but also because by visiting another organization that has similar values and goals but works in a completely different context, you gain a new perspective on your own organization and way of working,\" added Gabriel.",[],{"_key":17601,"_type":26,"children":17602,"markDefs":17607,"style":39},"ab8b7f780c47",[17603],{"_key":17604,"_type":30,"marks":17605,"text":17606},"6d51f40c213e0",[],"During their visit to the region, they visited the Salar de Atacama, the Albemarle lithium plant, the San Pedro de Atacama Archaeological Museum, and Caleta Abtao, accompanied by SACO, where they participated in the closing ceremony of the Local Memory and Family Trajectories of the Chango People project.",[],{"_type":2590,"images":17609,"settings":17674},[17610,17614,17619,17623,17627,17631,17635,17639,17643,17647,17651,17655,17659,17663,17670],{"_type":2593,"alt":9,"asset":17611},{"_id":17612,"height":2597,"orientation":440,"ratio":2273,"url":17613,"width":2599},"image-affd37e38dff5db8f4d8af9f0ca8a7c90ccc9f71-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/affd37e38dff5db8f4d8af9f0ca8a7c90ccc9f71-3024x4032.jpg",{"_type":2593,"alt":9,"asset":17615},{"_id":17616,"height":17617,"orientation":789,"ratio":2185,"url":17618,"width":2597},"image-3541ed5b8af91d19c0efb6a0d297e4d659f8118b-4032x2268-jpg",2268,"https://cdn.sanity.io/images/eodip22e/production/3541ed5b8af91d19c0efb6a0d297e4d659f8118b-4032x2268.jpg",{"_type":2593,"alt":9,"asset":17620},{"_id":17621,"height":2597,"orientation":440,"ratio":2273,"url":17622,"width":2599},"image-3d322c582e24867b8fcfc5f3311e3e7c69662b4f-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/3d322c582e24867b8fcfc5f3311e3e7c69662b4f-3024x4032.jpg",{"_type":2593,"alt":9,"asset":17624},{"_id":17625,"height":2597,"orientation":440,"ratio":2273,"url":17626,"width":2599},"image-554ea3a654881c3819f4f3beb00cbe9225f924c9-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/554ea3a654881c3819f4f3beb00cbe9225f924c9-3024x4032.jpg",{"_type":2593,"alt":9,"asset":17628},{"_id":17629,"height":2597,"orientation":440,"ratio":2273,"url":17630,"width":2599},"image-1494a35eac4c2c110e99c5a3328c99750ef9c418-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/1494a35eac4c2c110e99c5a3328c99750ef9c418-3024x4032.jpg",{"_type":2593,"alt":9,"asset":17632},{"_id":17633,"height":17617,"orientation":789,"ratio":2185,"url":17634,"width":2597},"image-2566f0b4798710b341c90a5acfa9371eca69f717-4032x2268-jpg","https://cdn.sanity.io/images/eodip22e/production/2566f0b4798710b341c90a5acfa9371eca69f717-4032x2268.jpg",{"_type":2593,"alt":9,"asset":17636},{"_id":17637,"height":2597,"orientation":440,"ratio":2273,"url":17638,"width":2599},"image-a3de4fcb70a800090bf2d9bc510811a9e9d4fc4f-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/a3de4fcb70a800090bf2d9bc510811a9e9d4fc4f-3024x4032.jpg",{"_type":2593,"alt":9,"asset":17640},{"_id":17641,"height":2599,"orientation":789,"ratio":2697,"url":17642,"width":2597},"image-3581eaf7105e3885033ca2060c732514b38a7e72-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/3581eaf7105e3885033ca2060c732514b38a7e72-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17644},{"_id":17645,"height":2599,"orientation":789,"ratio":2697,"url":17646,"width":2597},"image-26155171f8a4d990af4c7e4bbe398171cfa7e085-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/26155171f8a4d990af4c7e4bbe398171cfa7e085-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17648},{"_id":17649,"height":2599,"orientation":789,"ratio":2697,"url":17650,"width":2597},"image-0d300975a8d91a04bd96e06c5dc8c2115ad0b335-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/0d300975a8d91a04bd96e06c5dc8c2115ad0b335-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17652},{"_id":17653,"height":2599,"orientation":789,"ratio":2697,"url":17654,"width":2597},"image-b412dd0fcf1b38f570a906de76d86d984f5c5397-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/b412dd0fcf1b38f570a906de76d86d984f5c5397-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17656},{"_id":17657,"height":2599,"orientation":789,"ratio":2697,"url":17658,"width":2597},"image-ad8f142bb7167c9966c951dd51fd0c0d96e64b4c-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/ad8f142bb7167c9966c951dd51fd0c0d96e64b4c-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17660},{"_id":17661,"height":2599,"orientation":789,"ratio":2697,"url":17662,"width":2597},"image-9e46eee712da6d0cd96874e0773e74705fd65e8c-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/9e46eee712da6d0cd96874e0773e74705fd65e8c-4032x3024.jpg",{"_type":2593,"alt":17664,"asset":17665},"Courtesy of SACO Contemporary Art Biennial",{"_id":17666,"height":17667,"orientation":789,"ratio":17668,"url":17669,"width":13432},"image-ab5d2ac09a3e83d203007355938ec43ca166de96-1940x1444-png",1444,1.3434903047091413,"https://cdn.sanity.io/images/eodip22e/production/ab5d2ac09a3e83d203007355938ec43ca166de96-1940x1444.png",{"_type":2593,"alt":9,"asset":17671},{"_id":17672,"height":2597,"orientation":440,"ratio":2273,"url":17673,"width":2599},"image-5cf498d11ec2b3662c38c72f2a59807e9a6a5c08-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/5cf498d11ec2b3662c38c72f2a59807e9a6a5c08-3024x4032.jpg",{"gridSize":2645},{"_type":7,"settings":17676,"text":17677},{"textColumnCount":941},[17678,17686],{"_key":17679,"_type":26,"children":17680,"markDefs":17685,"style":39},"5308025bb8ac",[17681],{"_key":17682,"_type":30,"marks":17683,"text":17684},"085522f60b770",[],"Later, SACO representatives were in Zurich to participate in the Intensive Weekend organized by the School of Commons (SoC), an initiative dedicated to the study and development of self-directed learning among peers, located at the Zurich University of the Arts. During their conference, Dagmara and Carlos talked about the SACO Biennial initiative and the projects that would be developed during 2024. Workshops and training activities were held together with various representatives of cultural institutions from Latin American and European countries, such as Colombia, Switzerland, Finland, Holland, England, Italy, Ukraine, and others.",[],{"_key":17687,"_type":26,"children":17688,"markDefs":17693,"style":39},"bf2ac792f725",[17689],{"_key":17690,"_type":30,"marks":17691,"text":17692},"6b9b3e8eb8a00",[],"To conclude their stay in Zurich, SACO and SoC held meetings that allowed them to forge commitments to mutual support and promote the creation of collaborative projects in the future. SACO's participation in the Intensive Weekend and subsequent meetings with SoC were made possible thanks to the To-gather program, developed in collaboration with the Swiss Foundation for Culture Pro Helvetia, thus concluding the last phase of this alliance with the visit of SACO representatives to Zurich to facilitate cultural exchange between curators, artists, and organizations, in addition to learning about the various work areas of the School of Commons.",[],{"_type":2590,"images":17695,"settings":17720},[17696,17700,17704,17708,17712,17716],{"_type":2593,"alt":9,"asset":17697},{"_id":17698,"height":2597,"orientation":440,"ratio":2273,"url":17699,"width":2599},"image-0639a841ce4923f8145f792d09a1cddadb3903fd-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/0639a841ce4923f8145f792d09a1cddadb3903fd-3024x4032.jpg",{"_type":2593,"alt":9,"asset":17701},{"_id":17702,"height":2599,"orientation":789,"ratio":2697,"url":17703,"width":2597},"image-463e65c5cefa2f9852abd2b8148e45f8958b5979-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/463e65c5cefa2f9852abd2b8148e45f8958b5979-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17705},{"_id":17706,"height":2597,"orientation":440,"ratio":2273,"url":17707,"width":2599},"image-3505c3c454d08c4a82212ab5b6b8bb13183dd31d-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/3505c3c454d08c4a82212ab5b6b8bb13183dd31d-3024x4032.jpg",{"_type":2593,"alt":17664,"asset":17709},{"_id":17710,"height":3426,"orientation":789,"ratio":2697,"url":17711,"width":3424},"image-5bc84264d01ed61629d93ab5067e4926d8cc8d11-1600x1200-jpg","https://cdn.sanity.io/images/eodip22e/production/5bc84264d01ed61629d93ab5067e4926d8cc8d11-1600x1200.jpg",{"_type":2593,"alt":9,"asset":17713},{"_id":17714,"height":2599,"orientation":789,"ratio":2697,"url":17715,"width":2597},"image-5550ab287ae0ca27e246d390114997ad7584f536-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/5550ab287ae0ca27e246d390114997ad7584f536-4032x3024.jpg",{"_type":2593,"alt":9,"asset":17717},{"_id":17718,"height":2599,"orientation":789,"ratio":2697,"url":17719,"width":2597},"image-20df5efa3b3003c7f1760526c7923f1600d30804-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/20df5efa3b3003c7f1760526c7923f1600d30804-4032x3024.jpg",{"gridSize":2645},{"_type":7,"settings":17722,"text":17723},{"textColumnCount":941},[17724,17731],{"_key":17725,"_type":26,"children":17726,"markDefs":17730,"style":39},"2a20959896bc",[17727],{"_key":17728,"_type":30,"marks":17729,"text":720},"6cd67f6ced6c",[32],[],{"_key":17732,"_type":26,"children":17733,"markDefs":17738,"style":39},"5eec21b3e0fd",[17734],{"_key":17735,"_type":30,"marks":17736,"text":17737},"99f256e8de47",[32],"Read more about this exchange via SACOs' Fanzine 2022 – 2023:",[],{"_type":10121,"caption":17740,"embedCode":17749},[17741],{"_key":17742,"_type":26,"children":17743,"markDefs":17748,"style":39},"09c3d8b15e9d",[17744],{"_key":17745,"_type":30,"marks":17746,"text":17747},"a0384786c5090",[],"Read more about this exchange via the SACO Contemporary Art Biennial Fanzine 2022 – 2023. ",[],"\u003Ciframe style=\"border: 1px solid #777;\" src=\"https://indd.adobe.com/embed/4806326f-f756-4f5d-bb0d-d40748a97634?startpage=1&allowFullscreen=true\" width=\"525px\" height=\"371px\" frameborder=\"0\" allowfullscreen=\"\">\u003C/iframe>",{"_type":7,"settings":17751,"text":17752},{"textColumnCount":941},[17753,17761,17777,17788],{"_key":17754,"_type":26,"children":17755,"markDefs":17760,"style":39},"858baaab3ba2",[17756],{"_key":17757,"_type":30,"marks":17758,"text":17759},"cb0d69789f350",[32],"SACO1.2 Contemporary Art Biennial ",[],{"_key":17762,"_type":26,"children":17763,"markDefs":17776,"style":39},"21f1ef1a46a3",[17764,17768,17772],{"_key":17765,"_type":30,"marks":17766,"text":17767},"ebd05f1c39540",[],"The event will take place during 2024 and 2025 in the driest desert in the world, with the curatorial theme ",{"_key":17769,"_type":30,"marks":17770,"text":17771},"ebd05f1c39541",[874],"Dark Ecosystems, ",{"_key":17773,"_type":30,"marks":17774,"text":17775},"ebd05f1c39542",[],"emphasizing the link between art and science. It displays contemporary artworks in spaces across the city, which that invite dialogue and direct contact between the artists and the public.",[],{"_key":17778,"_type":26,"children":17779,"markDefs":17785,"style":39},"f064f3237f72",[17780],{"_key":17781,"_type":30,"marks":17782,"text":17784},"1636f59ddb11",[17783],"c004e412bfdb","Learn more here.",[17786],{"_key":17783,"_type":56,"blank":57,"href":17787},"https://bienalsaco.com/ecosistemas-oscuros-dark-ecosystems/?_thumbnail_id=8300",{"_key":17789,"_type":26,"children":17790,"markDefs":17794,"style":39},"a9f812d34b2a",[17791],{"_key":17792,"_type":30,"marks":17793,"text":720},"7162ad669a1a",[],[],{"_type":7,"settings":17796,"text":17797},{"textColumnCount":941},[17798,17806,17828],{"_key":17799,"_type":26,"children":17800,"markDefs":17805,"style":39},"3171c8c1d09a",[17801],{"_key":17802,"_type":30,"marks":17803,"text":17804},"f7676260900a",[32],"school without school",[],{"_key":17807,"_type":26,"children":17808,"markDefs":17827,"style":39},"c613758b88bd",[17809,17813,17816,17820,17823],{"_key":17810,"_type":30,"marks":17811,"text":17812},"0f2334fa356e",[],"Artistic education is an essential pillar of the operations of SACO. For this reason, ",{"_key":17814,"_type":30,"marks":17815,"text":17804},"08d20ff8b380",[874],{"_key":17817,"_type":30,"marks":17818,"text":17819},"7752f69856d6",[]," brings together, consolidates and deepens various activities in the area of ​​training and professionalisation, in a territory marked by the lack of opportunities for artistic education. Since 2012, SACO have promoted and encouraged artistic development in the region, contributing to the growth of the local creative scene, holding countless ",{"_key":17821,"_type":30,"marks":17822,"text":244},"4521f305d91c",[874],{"_key":17824,"_type":30,"marks":17825,"text":17826},"68a982d72a47",[]," , conferences and colloquia, bringing professionals and artists from Chile and the world to the region. Training self-taught artists, teachers, mediators, and broadly-savvy audiences, and SACO have a high level of loyalty among their listeners and an interest that grows year after year.",[],{"_key":17829,"_type":26,"children":17830,"markDefs":17836,"style":39},"f0d7bc6004de",[17831],{"_key":17832,"_type":30,"marks":17833,"text":17835},"a4d80cdbf20c",[17834],"42a7f59c08e0","Learn more about their program here.",[17837],{"_key":17834,"_type":56,"href":17838},"https://bienalsaco.com/escuela-sin-escuela/",{"_type":14,"current":251},"The project sought to increase the flow, dialogue, and exchange of experiences between curators and artists from Switzerland and the South American Altiplano, connecting with specific territories through artistic residencies. ",[17842,17849,17868],{"_id":17843,"_type":17844,"colorPrimary":17845,"seo":9,"slug":17847,"summary":9,"title":195,"yearTitle":17848},"74f62603-704d-4cab-9ff5-01167c9b51da","pubIssue",{"label":310,"value":17846},"#765ba7",{"_type":14,"current":195},"Exquisite Commons",{"_id":17850,"_type":17851,"featuredImage":17852,"link":17859,"seo":9,"slug":17865,"title":17867},"1c209ea5-932f-4ad9-bc4b-1cc363b307a9","pubInContextLink",{"alt":17853,"asset":17854},"School of Commons - PODPAST Futures of Arts Education",{"_id":17855,"height":788,"orientation":789,"ratio":17856,"url":17857,"width":17858},"image-6db196998aeed4ea06df16e79ed2d145de3dfb14-1978x1942-png",1.0185375901132854,"https://cdn.sanity.io/images/eodip22e/production/6db196998aeed4ea06df16e79ed2d145de3dfb14-1978x1942.png",1978,{"external":9,"file":9,"internal":17860},{"_id":17861,"_type":12,"seo":9,"slug":17862,"title":17864},"65c71faa-3ea6-4bb0-a82e-5eaa7bab8556",{"_type":14,"current":17863},"launch-podpast-futures-of-arts-education","Launch: PODPAST Futures of Arts Education",{"_type":14,"current":17866},"podpast-futures-of-arts-education","PODPAST Futures of Arts Education",{"_id":17869,"_type":17851,"featuredImage":17870,"link":17878,"seo":9,"slug":17884,"title":17886},"504e3224-f4ba-4329-903b-804472ad3f11",{"alt":17871,"asset":17872},"School of Commons READ Book: Researching the Researcher, Noticing why it wanders",{"_id":17873,"height":17874,"orientation":440,"ratio":17875,"url":17876,"width":17877},"image-e9534c958fdcb20c03bdb2cecd8896563401b13c-1153x1622-jpg",1622,0.7108508014796547,"https://cdn.sanity.io/images/eodip22e/production/e9534c958fdcb20c03bdb2cecd8896563401b13c-1153x1622.jpg",1153,{"external":9,"file":9,"internal":17879},{"_id":17880,"_type":89,"seo":9,"slug":17881,"title":17883},"bea6e14b-6c5d-466a-9664-f1202002881a",{"_type":14,"current":17882},"book-researching-the-researcher-noticing-why-it-wanders","Book: Researching the Researcher, Noticing why it wanders",{"_type":14,"current":17885},"researching-the-researcher-noticing-why-it-wanders","Researching the Researcher, Noticing why it wanders",[17888,17901,17913,17925,17941,17953,17965,17980,17991,18005],{"_type":17889,"image":17890,"link":17895,"themeMode":17900,"title":17891,"video":9},"slide",{"alt":17891,"asset":17892},"SoC Gathering, 2026",{"_id":17893,"height":2599,"orientation":789,"ratio":2697,"url":17894,"width":2597},"image-a1d8bdb51a34229ee2b10e9a5bd99433ebd99576-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/a1d8bdb51a34229ee2b10e9a5bd99433ebd99576-4032x3024.jpg",{"external":9,"internal":17896},{"_id":17897,"_type":12,"seo":9,"slug":17898,"title":17891},"89740932-d24e-44d2-90b0-c5a67efaa5be",{"_type":14,"current":17899},"soc-gathering-2026","light",{"_type":17889,"image":17902,"link":17910,"themeMode":17900,"title":12987,"video":9},{"alt":17903,"asset":17904},"SoC Open Letter: Call to Action & Continuation",{"_id":17905,"height":17906,"orientation":789,"ratio":17907,"url":17908,"width":17909},"image-12eb2affd3935d190a72e8217de57a27eca912e7-5958x3333-png",3333,1.7875787578757876,"https://cdn.sanity.io/images/eodip22e/production/12eb2affd3935d190a72e8217de57a27eca912e7-5958x3333.png",5958,{"external":9,"internal":17911},{"_id":12984,"_type":89,"seo":9,"slug":17912,"title":12987},{"_type":14,"current":12986},{"_type":17889,"image":17914,"link":17922,"themeMode":17900,"title":13008,"video":9},{"alt":17915,"asset":17916},"SoC ISSUES 2025: Exquisite Commons",{"_id":17917,"height":17918,"orientation":789,"ratio":17919,"url":17920,"width":17921},"image-6238a5d14425d8340d1bf59b32f0582016a678b2-2979x1667-jpg",1667,1.7870425914817036,"https://cdn.sanity.io/images/eodip22e/production/6238a5d14425d8340d1bf59b32f0582016a678b2-2979x1667.jpg",2979,{"external":9,"internal":17923},{"_id":17843,"_type":17844,"seo":9,"slug":17924,"title":195},{"_type":14,"current":195},{"_type":17889,"image":17926,"link":17934,"themeMode":17940,"title":17927,"video":9},{"alt":17927,"asset":17928},"School of Commons Gathering 2025, Zurich",{"_id":17929,"height":17930,"orientation":789,"ratio":17931,"url":17932,"width":17933},"image-fbd537f158fa20a1080c2e4e3a0f0d762a71e8b2-1390x1034-png",1034,1.3442940038684719,"https://cdn.sanity.io/images/eodip22e/production/fbd537f158fa20a1080c2e4e3a0f0d762a71e8b2-1390x1034.png",1390,{"external":9,"internal":17935},{"_id":17936,"_type":12,"seo":9,"slug":17937,"title":17939},"0d5620b1-8757-402c-8a14-32c8f081a1ce",{"_type":14,"current":17938},"soc-gathering-2025","SoC Gathering, 2025","dark",{"_type":17889,"image":17942,"link":17950,"themeMode":17900,"title":17952,"video":9},{"alt":17943,"asset":17944},"School of Commons W&W methodology",{"_id":17945,"height":17946,"orientation":789,"ratio":17947,"url":17948,"width":17949},"image-85dc38fc8c3dc4ab88c28c0c5c22f66da468aea7-1844x1105-png",1105,1.6687782805429865,"https://cdn.sanity.io/images/eodip22e/production/85dc38fc8c3dc4ab88c28c0c5c22f66da468aea7-1844x1105.png",1844,{"external":17951,"internal":9},"https://schoolofcommons.org/making-public/ways-and-workings","Our Ways and Workings Methodology",{"_type":17889,"image":17954,"link":17959,"themeMode":17900,"title":17964,"video":9},{"alt":17955,"asset":17956},"Driving Design II  Distributed Design Platform featuring School of Commons",{"_id":17957,"height":2184,"orientation":789,"ratio":2185,"url":17958,"width":2187},"image-6dc5632137ccc3e5f3844bcfb57ad24b29105b0e-1920x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/6dc5632137ccc3e5f3844bcfb57ad24b29105b0e-1920x1080.jpg",{"external":9,"internal":17960},{"_id":17961,"_type":89,"seo":9,"slug":17962,"title":17964},"bba70ac0-d9ad-4be5-bbd1-de671ffe2597",{"_type":14,"current":17963},"fostering-learning-environments-for-the-future","Fostering Learning Environments for the Future",{"_type":17889,"image":17966,"link":17973,"themeMode":17900,"title":17979,"video":9},{"alt":17967,"asset":17968},"School of Commons Assembly, 2025 ",{"_id":17969,"height":17970,"orientation":440,"ratio":17971,"url":17972,"width":8269},"image-2eca60945e1fe6143b3ac7e6172b7dba0a9728fe-1748x2480-jpg",2480,0.7048387096774194,"https://cdn.sanity.io/images/eodip22e/production/2eca60945e1fe6143b3ac7e6172b7dba0a9728fe-1748x2480.jpg",{"external":9,"internal":17974},{"_id":17975,"_type":12,"seo":9,"slug":17976,"title":17978},"cad4d6a1-62cc-4000-8df6-27aa9f0f9a86",{"_type":14,"current":17977},"soc-assembly-2025","SoC Assembly 2025","SoC Assembly 2025: 'How to assemble [in our current social, political, economic, ecological times]'.",{"_type":17889,"image":17981,"link":17989,"themeMode":17900,"title":17990,"video":9},{"alt":17982,"asset":17983},"School of Commons Alumn* Events and Updates",{"_id":17984,"height":17985,"orientation":789,"ratio":17986,"url":17987,"width":17988},"image-e7648ab1a3952e9eefcf3fb913c3d19b7f4c35bf-1170x1166-png",1166,1.0034305317324186,"https://cdn.sanity.io/images/eodip22e/production/e7648ab1a3952e9eefcf3fb913c3d19b7f4c35bf-1170x1166.png",1170,{"external":7579,"internal":9},"SoC Alumn* Network: Subscribe for Events and Updates",{"_type":17889,"image":17992,"link":17999,"themeMode":17900,"title":17993,"video":9},{"alt":17993,"asset":17994},"School of Commons Gathering 2024, Zurich",{"_id":17995,"height":17996,"orientation":789,"ratio":17997,"url":17998,"width":2597},"image-f3b20a5023c68a9aa898c6e8ed40248165e57283-4032x2205-jpg",2205,1.8285714285714285,"https://cdn.sanity.io/images/eodip22e/production/f3b20a5023c68a9aa898c6e8ed40248165e57283-4032x2205.jpg",{"external":9,"internal":18000},{"_id":18001,"_type":12,"seo":9,"slug":18002,"title":18004},"69bf354e-f87e-4ea5-a095-a7d337426407",{"_type":14,"current":18003},"soc-gathering-2024","SoC Gathering, 2024 ",{"_type":17889,"image":18006,"link":18011,"themeMode":17900,"title":18014,"video":9},{"alt":18007,"asset":18008},"FOOTNOTES 2045 Summer School - School of Commons",{"_id":18009,"height":2184,"orientation":789,"ratio":2185,"url":18010,"width":2187},"image-d1cf740c4bcfe5f2143c5e69b3e905b3949813b0-1920x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/d1cf740c4bcfe5f2143c5e69b3e905b3949813b0-1920x1080.jpg",{"external":9,"internal":18012},{"_id":266,"_type":242,"seo":9,"slug":18013,"title":270},{"_type":14,"current":269},"FOOTNOTES 2045: SoC Summer School",[18016,18019,18029,18040],{"_id":12993,"_type":12981,"categories":9,"link":18017,"publishedDate":12996,"seo":9,"slug":18018,"subtitle":9,"title":12999},{"external":12995,"file":9,"internal":9},{"_type":14,"current":12998},{"_id":18020,"_type":12981,"categories":9,"link":18021,"publishedDate":18027,"seo":9,"slug":18028,"subtitle":9,"title":18026},"b359784e-b393-4562-b741-fc6b2665bcba",{"external":9,"file":9,"internal":18022},{"_id":18023,"_type":89,"seo":9,"slug":18024,"title":18026},"327540a4-24cc-4121-b58d-470510c0b781",{"_type":14,"current":18025},"call-out-experienced-fundraiser","Call Out: Experienced Fundraiser","2026-03-20",{"_type":14,"current":18025},{"_id":18030,"_type":12981,"categories":9,"link":18031,"publishedDate":12988,"seo":9,"slug":18037,"subtitle":9,"title":18039},"ae7f512f-2097-466b-ad0b-aec7a8da33d1",{"external":9,"file":9,"internal":18032},{"_id":18033,"_type":12,"seo":9,"slug":18034,"title":18036},"512b57a5-d6d6-480f-a6db-dacd9d6e222f",{"_type":14,"current":18035},"soc-cohort-2026","SoC Cohort 2026",{"_type":14,"current":18038},"announcing-soc-cohort-2026","Announcing SoC Cohort 2026",{"_id":12980,"_type":12981,"categories":9,"link":18041,"publishedDate":12988,"seo":9,"slug":18044,"subtitle":9,"title":12991},{"external":9,"file":9,"internal":18042},{"_id":12984,"_type":89,"seo":9,"slug":18043,"title":12987},{"_type":14,"current":12986},{"_type":14,"current":12990},{"_id":180,"_type":180,"seo":9,"slug":18046,"title":183},{"_type":14,"current":182},{"_id":18048,"_type":18048,"seo":9,"slug":18049,"title":7768},"programPage",{"_type":14,"current":7837},{"_id":228,"_type":228,"seo":9,"slug":18051,"title":231},{"_type":14,"current":230},{"_id":165,"_type":165,"seo":9,"slug":18053,"title":168},{"_type":14,"current":167},1792539455607]