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an Artist, he has exhibited internationally since 1994. He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",[],{"_key":153,"_type":11,"children":154,"markDefs":159,"style":24},"ca2f8294acd6",[155],{"_key":156,"_type":15,"marks":157,"text":158},"92d1e9cdacb30",[],"Juan Sandoval realises contemporary art projects, produces objects and images, creates devices for collaboration and collective learning, and publications. He approaches the process of creation through the overlapping of personal experiences, the application of craft production techniques and the observation of social processes. In his research, Sandoval has developed projects in collaboration with cultural associations dealing with issues of immigration, economy and local culture.",[],{"_key":161,"_type":11,"children":162,"markDefs":167,"style":24},"fbb3e1edc947",[163],{"_key":164,"_type":15,"marks":165,"text":166},"4bac8ee74b460",[],"He obtained a degree in visual arts at the National University of Colombia, Medellín. 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Yuguchi's interests centre around illuminating individual stories within specific social, environmental, and political contexts. ",{"filterYear":406},[407],{"_id":101,"title":104},[409,411],{"_type":183,"label":184,"url":410},"https://akioyuguchi.com/",{"_type":183,"label":412,"url":403},"The Society for Alternative-Social Media and Short Videos",{"locations":414,"other":417},[415],{"_id":189,"_type":190,"seo":75,"slug":416,"title":193},{"_type":77,"current":192},[418],{"_key":419,"_type":11,"children":420,"markDefs":425,"style":24},"421812d40364",[421],{"_key":422,"_type":15,"marks":423,"text":424},"ce5b540369990",[],"Based in Berlin",[],[427,103],"akio yuguchi",{"_type":77,"current":429},"akio-yuguchi","Akio Yuguchi",{"_id":432,"_type":139,"activeYears":433,"bio":436,"bioShort":461,"featuredImage":462,"filterables":470,"links":473,"locations":477,"searchables":493,"seo":75,"slug":495,"title":463},"878dc0da-0ef2-40b7-9e44-ab53bf918ae0",[434],{"_id":91,"_type":83,"seo":75,"slug":435,"title":94},{"_type":77,"current":93},[437,445,453],{"_key":438,"_type":11,"children":439,"markDefs":444,"style":24},"980778399da0",[440],{"_key":441,"_type":15,"marks":442,"text":443},"3dffec0947b50",[],"Medellin 1979. Master of Fine Arts, Utrecht School of Arts,The Netherlands. He obtained his degree in visual arts from the University of Antioquia in 2003. Winner of the Visual Arts category in the \"Referentes\" Awards for Art and culture 2018, awarded by the Medellin’s municipality. He is co-founder and member of the cultural corporation El puente_lab, cultural activation laboratory; through which he has participated in various projects and workshops with international artists in the city of Medellín; and several exhibitions in Italy, Austria, Lithuania, Turkey and at the XIII Havana Biennial. In 2004 he participated in an artistic residence UNIDEE Fondazione Pistoletto University of Ideas in Biella Italy, and has continued to cooperate with the institution in design and art projects. Vásquez's work has been developing since 2003 taking part in numerous exhibitions throughout the country, including the Regional Artists Salon, Curatorship: \"Investments + Art + Exchanges + Transactions\", Medellín and Armenia. The 42 National Artists Salon in Barranquilla and Cartagena. \"surreptitious Covert Stories\" In the Banasta Gallery. In the exhibition \"Antioquias\", Diversity and Imaginaries of Identity, Museo de Antioquia.",[],{"_key":446,"_type":11,"children":447,"markDefs":452,"style":24},"1faec1595155",[448],{"_key":449,"_type":15,"marks":450,"text":451},"570b528083b30",[],"He is currently Director of the Paul Bardwell Gallery of Contemporary Art at the Centro Colombo Americano and is in charge of the Deseartepaz program of the same institution.",[],{"_key":454,"_type":11,"children":455,"markDefs":460,"style":24},"7187784b91de",[456],{"_key":457,"_type":15,"marks":458,"text":459},"41d9dfe1ca400",[],"\n",[],"Medellin 1979. 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They are interested in how things are being normalized as part of *Western civilization history* or *global capitalism* or *German democratic history*, looking at how forms of violence materialize and are represented in architectures and aesthetics of the city as well as in institutions and structures of the nation state through which they forms our bodies and minds.",[],{"_key":2945,"_type":11,"children":2946,"markDefs":2951,"style":24},"f9412ed31eae",[2947],{"_key":2948,"_type":15,"marks":2949,"text":2950},"b55d3e72c426",[],"In their research-based work, processes of scrutinization, experimenting, reflecting and embodying happen simultaneously and find into multimedia-based spacial arrangements involving both, bodies of performers and audience. 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Trained in photography at ÉCAL in Lausanne, his practice examines how images, technologies, and infrastructures shape systems of power, visibility, memory, and ecological relation. Working across installation, image-making, AI, and computational tools, Battipaglia explores the moment in which images cease to simply represent the world and begin to organize perception, knowledge, and behavior.",[],{"_key":5081,"_type":11,"children":5082,"markDefs":5087,"style":24},"67aa39873526",[5083],{"_key":5084,"_type":15,"marks":5085,"text":5086},"358b6ab468600",[],"Through machine vision, data systems, and more-than-human intelligences, his work investigates the structures through which visibility, labour, memory, and extraction are produced. 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Looking at (mostly female*) writing on longing, the erotic, one’s own and/or the lover’s body, we search for those moments in which (hetero)normative representations of desire are getting messed up, counterpointed and deprived of their power to shape relationships and intimacy.",[],{"_key":6081,"_type":11,"children":6082,"markDefs":6086,"style":24},"f402c2ee3d93",[6083],{"_key":6084,"_type":15,"marks":6085,"text":1503},"0eece55c15c6",[],[],{"_key":6088,"_type":11,"children":6089,"markDefs":6098,"style":24},"473fe38ca849",[6090,6094],{"_key":6091,"_type":15,"marks":6092,"text":6093},"8034d6383cfe0",[17],"Johanna Ackva",{"_key":6095,"_type":15,"marks":6096,"text":6097},"8034d6383cfe1",[],"'s artistic practice revolves around the entanglements between so called physical and metaphysical movements. Her works address the mutual influences between body and thought, the living and the dead, the world and our perception of it. As a dance maker, teacher, author, and curator, she is mainly active in Berlin. In Uckermark, she is part of the team that runs Denk- und Produktionsort Libken. Johanna has realized various performances in Berlin, e.g. at Tanzfabrik and Vierte Welt. As part of a team of four, she's currently running the artistic residency Denk- und Produktionsort Libken in the region Uckermark.",[],{"_key":6100,"_type":11,"children":6101,"markDefs":6110,"style":24},"0175989b0f1c",[6102,6106],{"_key":6103,"_type":15,"marks":6104,"text":6105},"5c35c54a604d",[17],"Lotta Beckers",{"_key":6107,"_type":15,"marks":6108,"text":6109},"56a92497d7aa",[]," (she/they) lives in Berlin and works as a dramaturge and artist. She studied Applied Theatre Studies in University Gießen, Choreography and Dance at the Danish National School of Performing Arts in Copenhagen and holds an M.A. in European Media Studies from the University of Potsdam. She is part of the class for performative arts led by Anna Zett and Jule Flierl at Hochschule für Grafik und Buchkunst Leipzig (HGB). ",[],{"_key":6112,"_type":11,"children":6113,"markDefs":6118,"style":24},"1eb93b8ca1bb",[6114],{"_key":6115,"_type":15,"marks":6116,"text":6117},"4b0dabb3b809",[],"As a freelance dramaturge she works in dance and performance, as well as in documentary theatre. She is engaged in an ongoing collaboration with theatre director Noam Brusilovsky and costume and stage designer Magdalena Emmerig. She also collaborates closely as a dramaturge and sometimes performer with choreographer Deva Schubert.",[],{"_key":6120,"_type":11,"children":6121,"markDefs":6126,"style":24},"ee7c735b9fdd",[6122],{"_key":6123,"_type":15,"marks":6124,"text":6125},"10b2a81ec635",[],"Lotta’s own artistic research evolves around the entanglements of desire, affects and power – sometimes through archive research, often in collaborations, sometimes through solo work. The form of the work and the medium are always re-defined through the artistic engagement with a theme and the specific context in which it is realized. At the moment she is particularly curious about movement and text.",[],{"_key":6128,"_type":11,"children":6129,"markDefs":6134,"style":24},"8b38380535b1",[6130],{"_key":6131,"_type":15,"marks":6132,"text":6133},"54bc79021fb8",[],"In her artistic approach, she situates herself between the documentary and the poetic, the intimate and the public and searches for the historical and structural within personal feeling. 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Eliana is a member of the editorial board of literary magazine Berlin Review.",[],"footnotes consist of Eliana Kirkcaldy, Johanna Ackva and Lotta Beckers. 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",{"filterYear":7300},[7301],{"_id":101,"title":104},[7303,7306],{"_type":183,"label":7304,"url":7305},"RiverLov","https://riverlov.com/",{"_type":183,"label":574,"url":7307},"https://www.instagram.com/jasmine.alakari/",{"locations":7309,"other":7312},[7310],{"_id":189,"_type":190,"seo":75,"slug":7311,"title":193},{"_type":77,"current":192},[7313],{"_key":7314,"_type":11,"children":7315,"markDefs":7319,"style":24},"3b63d902e3fe",[7316],{"_key":7317,"_type":15,"marks":7318,"text":424},"b91324176934",[],[],[7321,103],"jasmine alakari",{"_type":77,"current":7323},"jasmine-alakari","Jasmine Alakari",{"_id":7326,"_type":139,"activeYears":7327,"bio":7330,"bioShort":75,"featuredImage":75,"filterables":7355,"links":75,"locations":7358,"searchables":7362,"seo":75,"slug":7364,"title":7366},"2e436d28-dc7f-453c-a6c0-810ee6282237",[7328],{"_id":116,"_type":83,"seo":75,"slug":7329,"title":119},{"_type":77,"current":118},[7331,7339,7347],{"_key":7332,"_type":11,"children":7333,"markDefs":7338,"style":24},"25389d9ffc9c",[7334],{"_key":7335,"_type":15,"marks":7336,"text":7337},"8b0687c9d16b0",[],"Jasmine is currently studying her MA in Cultural History and Theory at the Humboldt-Universität zu Berlin.",[],{"_key":7340,"_type":11,"children":7341,"markDefs":7346,"style":24},"58313cfb5471",[7342],{"_key":7343,"_type":15,"marks":7344,"text":7345},"ebee4be56a540",[],"She received her Bachelor’s degree in Media Studies by the Bauhaus University Weimar with a thesis on ecological thought and technological aspects of neocolonial spatial products such as smart cities and Seasteading.",[],{"_key":7348,"_type":11,"children":7349,"markDefs":7354,"style":24},"2f34d00bd383",[7350],{"_key":7351,"_type":15,"marks":7352,"text":7353},"52e14329ec1d0",[],"Her research interests include postcolonial studies, globalization and migration studies, media philosophy, and political ecologies. Her recent projects explore the correlation between perceptibility and responsibility concerning the mediatization within solidarity networks through qualitative methods.",[],{"filterYear":7356},[7357],{"_id":116,"title":119},{"locations":7359,"other":75},[7360],{"_id":189,"_type":190,"seo":75,"slug":7361,"title":193},{"_type":77,"current":192},[7363,118],"jasmine grace wenzel",{"_type":77,"current":7365},"jasmine-grace-wenzel","Jasmine Grace Wenzel",{"_id":7368,"_type":139,"activeYears":7369,"bio":7380,"bioShort":7427,"featuredImage":7428,"filterables":7433,"links":75,"locations":7440,"searchables":7452,"seo":75,"slug":7454,"title":7429},"4fca21d4-7721-4465-85aa-020bee8753a9",[7370,7372,7374,7376,7378],{"_id":106,"_type":83,"seo":75,"slug":7371,"title":109},{"_type":77,"current":108},{"_id":101,"_type":83,"seo":75,"slug":7373,"title":104},{"_type":77,"current":103},{"_id":96,"_type":83,"seo":75,"slug":7375,"title":99},{"_type":77,"current":98},{"_id":91,"_type":83,"seo":75,"slug":7377,"title":94},{"_type":77,"current":93},{"_id":86,"_type":83,"seo":75,"slug":7379,"title":89},{"_type":77,"current":88},[7381,7400,7408],{"_key":7382,"_type":11,"children":7383,"markDefs":7397,"style":24},"3f045952a770",[7384,7388,7393],{"_key":7385,"_type":15,"marks":7386,"text":7387},"cb92f7c22ad20",[],"Jelena Mair is the ",{"_key":7389,"_type":15,"marks":7390,"text":7392},"c4d3489d2d58",[7391],"06d11d871f3d","Creative Director at Below the Skin",{"_key":7394,"_type":15,"marks":7395,"text":7396},"efac135e8a47",[],", co-developing artistic concepts with Aly Khamees. With a background in expressive art therapy, and transdisciplinary studies, as well as a Master’s in International Development and Conflict Transformation, her career spans roles in startups and NGOs focused on social inclusion and organisational sustainability. At School of Commons at Zurich University of the Arts, she co-facilities the program and is responsible for Funding & Partners, the Programm Office and oversees Finances..",[7398],{"_key":7391,"_type":41,"href":7399},"https://www.belowtheskin.company/",{"_key":7401,"_type":11,"children":7402,"markDefs":7407,"style":24},"494150d5b5db",[7403],{"_key":7404,"_type":15,"marks":7405,"text":7406},"17d29aac686f0",[],"Passionate about helping others, Jelena loves guiding people in bringing their project ideas to life—whether it’s through creative brainstorming, organizational strategies, or securing funding. She enjoys supporting others in kickstarting their ventures from idea to reality. For Jelena, art and social change are deeply connected, making her a dedicated organizational architect and lifelong learner.",[],{"_key":7409,"_type":11,"children":7410,"markDefs":7424,"style":24},"c1f7bb63e6db",[7411,7415,7420],{"_key":7412,"_type":15,"marks":7413,"text":7414},"f90cdb03dce20",[],"Jelena is also a certified ",{"_key":7416,"_type":15,"marks":7417,"text":7419},"52e896083077",[7418],"bc253add671a","Organic Intelligence Resiliency Coach",{"_key":7421,"_type":15,"marks":7422,"text":7423},"11e1fda5eb6b",[]," and interested in the trauma, neuroscience and Buddhist psychology.",[7425],{"_key":7418,"_type":41,"href":7426},"https://organicintelligence.org/coaches/18531/jelena-sophia-mair/","Since 2022, Jelena has been part of the leadership team at the School of Commons, Zurich University of the Arts (CH), where she oversees our Office, Finances, and Funding & Partnerships.",{"alt":7429,"asset":7430},"Jelena Mair",{"_id":7431,"height":1722,"orientation":684,"ratio":1421,"url":7432,"width":1724},"image-a76709362509f238edb2906af39b4ebffebd8dce-480x640-jpg","https://cdn.sanity.io/images/eodip22e/production/a76709362509f238edb2906af39b4ebffebd8dce-480x640.jpg",{"filterYear":7434},[7435,7436,7437,7438,7439],{"_id":106,"title":109},{"_id":101,"title":104},{"_id":96,"title":99},{"_id":91,"title":94},{"_id":86,"title":89},{"locations":7441,"other":7444},[7442],{"_id":189,"_type":190,"seo":75,"slug":7443,"title":193},{"_type":77,"current":192},[7445],{"_key":7446,"_type":11,"children":7447,"markDefs":7451,"style":24},"290561b9ce1f",[7448],{"_key":7449,"_type":15,"marks":7450,"text":4360},"48573f4b24b8",[],[],[7453,108,103,98,93,88],"jelena mair",{"_type":77,"current":7455},"jelena-mair",{"_id":7457,"_type":139,"activeYears":7458,"bio":7461,"bioShort":7477,"featuredImage":7478,"filterables":7486,"links":7489,"locations":7492,"searchables":7507,"seo":75,"slug":7509,"title":7511},"56e1763a-8194-4fb8-8d01-62bc77a1d128",[7459],{"_id":91,"_type":83,"seo":75,"slug":7460,"title":94},{"_type":77,"current":93},[7462,7470],{"_key":7463,"_type":11,"children":7464,"markDefs":7469,"style":24},"1f0b90321f74",[7465],{"_key":7466,"_type":15,"marks":7467,"text":7468},"05b0efa23d600",[],"Jere is a Lagos/Berlin-based artist working with performance, and immersive art to examine infrastructure, hyper-identity, marginalized histories, memory and the socio-political landscapes of cities, notably Lagos and Berlin, through installations that recontextualize public and personal archives. A practice with participatory performances, audiovisual elements, XR creating layered, interactive narratives highlighting informal resilience and individual stories. Jere’s artworks blur the line between physical and digital, the past, present, and future, creating a non-linear blend that presents a critical exploration of existing archives and a reimagination of public spaces (physical and digital).\n\nJere is a Magnum Foundation Fellow, a Digital Earth Fellow as well as a World Press Photo grantee and has been selected for the Lagos-Berlin Artist/Curator residency 2021, the Dekoloniale Berlin Residency 2023 as well as 2025 Artist and Scientist in Residence at Ligetizentrum Hamburg. Jere’s work has been shown at the Uferstudios by Tanzfabrik Berlin, Douglas Hyde Gallery, Dublin, 5th Odessa Biennale of Contemporary Art, International Symposium on Electronic Art (ISEA), Durban, the 11th Bienal do Mercosul, Porto Alegre, Savvy contemporary, Berlin, Hong-Gah Museum, Taiwan, ZKU Berlin, 2nd Lagos Biennale and Museum Rietberg, Zurich amongst others.\n\nJere is a member of the curatorial collective Tantdile Xperimenta Lab with work that advocates for intersectional visibility, challenging conventional histories through community-driven storytelling and immersive experiences.",[],{"_key":7471,"_type":11,"children":7472,"markDefs":7476,"style":24},"1fae51d15884",[7473],{"_key":7474,"_type":15,"marks":7475,"text":459},"5a945b20d5700",[],[],"Jere is a Lagos/Berlin-based artist working with performance, and immersive art to examine infrastructure, hyper-identity, marginalized histories, memory and the socio-political landscapes of cities, notably Lagos and Berlin, through installations that recontextualize public and personal archives. ",{"alt":7479,"asset":7480},"Jere Portrait at Ligetizentrum_foto - Carsten Rabe",{"_id":7481,"height":7482,"orientation":684,"ratio":7483,"url":7484,"width":7485},"image-020f965f6fda7e12ed3d8548b0ae86b17919dbd3-754x1150-png",1150,0.6556521739130434,"https://cdn.sanity.io/images/eodip22e/production/020f965f6fda7e12ed3d8548b0ae86b17919dbd3-754x1150.png",754,{"filterYear":7487},[7488],{"_id":91,"title":94},[7490],{"_type":183,"label":184,"url":7491},"https://jereikongio.com/",{"locations":7493,"other":7498},[7494,7496],{"_id":189,"_type":190,"seo":75,"slug":7495,"title":193},{"_type":77,"current":192},{"_id":2112,"_type":190,"seo":75,"slug":7497,"title":2115},{"_type":77,"current":2114},[7499],{"_key":7500,"_type":11,"children":7501,"markDefs":7506,"style":24},"17001e391de2",[7502],{"_key":7503,"_type":15,"marks":7504,"text":7505},"e07cf95b35ce",[],"Based between Lagos and Berlin",[],[7508,93],"jere ikongio",{"_type":77,"current":7510},"jere-ikongio","Jere Ikongio",{"_id":7513,"_type":139,"activeYears":7514,"bio":7517,"bioShort":7548,"featuredImage":7549,"filterables":7557,"links":7560,"locations":75,"searchables":7563,"seo":75,"slug":7565,"title":7567},"30594b81-6fe6-4b05-a5f0-e4d5fe2fff4c",[7515],{"_id":111,"_type":83,"seo":75,"slug":7516,"title":114},{"_type":77,"current":113},[7518],{"_key":7519,"_type":11,"children":7520,"markDefs":7543,"style":24},"57706d30963b",[7521,7525,7530,7534,7539],{"_key":7522,"_type":15,"marks":7523,"text":7524},"bcbd93fc8afe0",[],"She is the author of ",{"_key":7526,"_type":15,"marks":7527,"text":7529},"bcbd93fc8afe2",[7528],"cc6e543a522f","Offline Matters",{"_key":7531,"_type":15,"marks":7532,"text":7533},"bcbd93fc8afe3",[]," (Amsterdam: BIS Publishers, 2020) and founder of ",{"_key":7535,"_type":15,"marks":7536,"text":7538},"bcbd93fc8afe4",[7537],"dc3c72baf690","No Fun Magazine",{"_key":7540,"_type":15,"marks":7541,"text":7542},"bcbd93fc8afe5",[],". Her work explores chronic illness and illness narratives, the social effects of technology, pervasive ideologies around ‘work’ and productivity, and experimental forms of publishing.",[7544,7546],{"_key":7528,"_type":41,"href":7545},"https://offline-matters.com/",{"_key":7537,"_type":41,"href":7547},"http://nofunmag.substack.com/","Jess is a transdisciplinary writer, researcher, and artist from New Zealand. ",{"alt":7550,"asset":7551},"Jess Henderson, photograph by Yumna Al-Arashi",{"_id":7552,"height":7553,"orientation":174,"ratio":7554,"url":7555,"width":7556},"image-cf8f7d085dd67672fa45af10e0da6bcad0d0751d-2045x1364-webp",1364,1.499266862170088,"https://cdn.sanity.io/images/eodip22e/production/cf8f7d085dd67672fa45af10e0da6bcad0d0751d-2045x1364.webp",2045,{"filterYear":7558},[7559],{"_id":111,"title":114},[7561],{"_type":183,"label":184,"url":7562},"https://nofun.tips/about/",[7564,113],"jess henderson",{"_type":77,"current":7566},"jess-henderson","Jess Henderson",{"_id":7569,"_type":139,"activeYears":7570,"bio":7573,"bioShort":7634,"featuredImage":7635,"filterables":7642,"links":7645,"locations":7648,"searchables":7661,"seo":75,"slug":7663,"title":7636},"89d159b4-b56d-41d9-b79c-74706a0f863b",[7571],{"_id":121,"_type":83,"seo":75,"slug":7572,"title":124},{"_type":77,"current":123},[7574],{"_key":7575,"_type":11,"children":7576,"markDefs":7633,"style":24},"6bcb281851b1",[7577,7581,7585,7588,7592,7595,7599,7602,7606,7609,7613,7617,7621,7625,7629],{"_key":7578,"_type":15,"marks":7579,"text":7580},"a91e454125fb0",[],"Her books include ",{"_key":7582,"_type":15,"marks":7583,"text":7584},"a91e454125fb1",[545],"Golden Jackal / Chacal Dorado",{"_key":7586,"_type":15,"marks":7587,"text":550},"a91e454125fb2",[],{"_key":7589,"_type":15,"marks":7590,"text":7591},"a91e454125fb3",[545],"A Furious Oyster",{"_key":7593,"_type":15,"marks":7594,"text":550},"a91e454125fb4",[],{"_key":7596,"_type":15,"marks":7597,"text":7598},"a91e454125fb5",[545],"Rhombus and Oval",{"_key":7600,"_type":15,"marks":7601,"text":550},"a91e454125fb6",[],{"_key":7603,"_type":15,"marks":7604,"text":7605},"a91e454125fb7",[545],"Other Paradises: Poetic Approaches to Thinking in a Technological Age",{"_key":7607,"_type":15,"marks":7608,"text":558},"a91e454125fb8",[],{"_key":7610,"_type":15,"marks":7611,"text":7612},"a91e454125fb9",[545],"A Luminous History of the Palm",{"_key":7614,"_type":15,"marks":7615,"text":7616},"a91e454125fb10",[],", and she has translated many works by Latin American authors, most recently Augusto Monterroso’s ",{"_key":7618,"_type":15,"marks":7619,"text":7620},"a91e454125fb11",[545],"The Gold Seekers",{"_key":7622,"_type":15,"marks":7623,"text":7624},"a91e454125fb12",[],". 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",{"alt":7636,"asset":7637},"Jessica Sequeira",{"_id":7638,"height":4708,"orientation":684,"ratio":7639,"url":7640,"width":7641},"image-0b41ecf56f8ab4bb95420539064184d363691ca6-962x1200-png",0.8016666666666666,"https://cdn.sanity.io/images/eodip22e/production/0b41ecf56f8ab4bb95420539064184d363691ca6-962x1200.png",962,{"filterYear":7643},[7644],{"_id":121,"title":124},[7646],{"_type":183,"label":184,"url":7647},"https://jessicasequeira.com/",{"locations":7649,"other":7652},[7650],{"_id":4153,"_type":190,"seo":75,"slug":7651,"title":4156},{"_type":77,"current":4155},[7653],{"_key":7654,"_type":11,"children":7655,"markDefs":7660,"style":24},"a2669652c702",[7656],{"_key":7657,"_type":15,"marks":7658,"text":7659},"19bd55cc8aeb0",[],"She lives in Santiago, Chile",[],[7662,123],"jessica sequeira",{"_type":77,"current":7664},"jessica-sequeira",{"_id":7666,"_type":139,"activeYears":7667,"bio":7670,"bioShort":7679,"featuredImage":7680,"filterables":7687,"links":7690,"locations":7693,"searchables":7705,"seo":75,"slug":7707,"title":7709},"8647ab68-6bf2-4ccb-8dc9-e0289006ea29",[7668],{"_id":86,"_type":83,"seo":75,"slug":7669,"title":89},{"_type":77,"current":88},[7671],{"_key":7672,"_type":11,"children":7673,"markDefs":7678,"style":24},"6af01e9ae403",[7674],{"_key":7675,"_type":15,"marks":7676,"text":7677},"5f5c899fdfff0",[],"Joaquina Salgado (b. 1995, Argentina) is a new media artist based in Berlin whose work explores the intersections of technology, philosophy, and science. She studied Media Arts at the Universidad Nacional de La Plata (UNLP). Combining motion capture, game engines, and custom-built interfaces, she creates interactive installations and virtual environments that question how perception and identity are shaped by technological systems. Her projects have been presented at MUTEK (Buenos Aires, Montreal), Berlin Art Week, and the APAP7 Triennial in Korea, with recent support from Pro Helvetia and the British Council. She presented a solo exhibition at SOMA Berlin in December 2025 and is a member of Amplify D.A.I., a network of women artists and curators in digital arts.",[],"Joaquina (b. 1995, Argentina) is a new media artist based in Berlin whose work explores the intersections of technology, philosophy, and science. She studied Media Arts at the Universidad Nacional de La Plata (UNLP). 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His work focuses on theories of alterity and the performative, imagery and mediality, philosophy of existence. His latest publications include the monograph Pathos des Leibes. Phänomenologie ästhetischer Praxis (Zürich/Berlin 2016) and the co-edited collection Gegenstände unserer Kindheit. Denkerinnen und Denker über ihr liebstes Objekt (Paderborn 2019).  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Lila investigates cultural phenomena weaving history with mythology, political philosophy with psychoanalysics and architectural theory with popular culture.",[],"Lila is awriter, programmer and researcher with a background in architecture. 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As an artist, I am concerned with how my work emerges in relation to space, histories, and other people, and how to maintain an awareness and acknowledgement of these relations. I have a situated practice both materially and conceptually; I work with what I am in close vicinity to in order to develop a dialogue from my current position historically, geographically, and economically. 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Liliana centers their work on the responses of forest ecosystems to climate change, with a focus on the carbon dioxide uptake and emissions under global warming while keeping a systemic approach that emphasises the interplay of multiple living organisms.",[],{"_key":9437,"_type":11,"children":9438,"markDefs":9443,"style":24},"52de3bf76bb8",[9439],{"_key":9440,"_type":15,"marks":9441,"text":9442},"c274a9e26c9a0",[],"One of Liliana's favorite challenges is to convey complex scientific topics to a non-scientific audience through accurate research on visual communication.",[],{"_key":9445,"_type":11,"children":9446,"markDefs":9450,"style":24},"8dfec150df03",[9447],{"_key":9448,"_type":15,"marks":9449,"text":459},"7db6a700b1540",[],[],"Liliana is a post-doctoral researcher with an interdisciplinary background in ecology, atmospheric science, and ecosystem management, which was developed thanks to an international education setting in Italy, Portugal, Denmark, and Switzerland. ",{"filterYear":9453},[9454],{"_id":91,"title":94},[9456,93],"liliana scapucci ",{"_type":77,"current":9458},"liliana-scapucci","Liliana Scapucci ",{"_id":9461,"_type":139,"activeYears":9462,"bio":9465,"bioShort":9490,"featuredImage":9491,"filterables":9498,"links":75,"locations":75,"searchables":9501,"seo":75,"slug":9503,"title":9492},"4c506af3-b5dc-49f4-b6a7-894cbcd401ab",[9463],{"_id":106,"_type":83,"seo":75,"slug":9464,"title":109},{"_type":77,"current":108},[9466],{"_key":9467,"_type":11,"children":9468,"markDefs":9489,"style":24},"3dac9d23fbc7",[9469,9473,9477,9481,9485],{"_key":9470,"_type":15,"marks":9471,"text":9472},"81d4e205bbdb0",[],"She studied Fine Arts and received a Ph.D. in Cultural Studies from the Academy of Fine Arts Vienna. She was chairperson of the VBKÖ (Austrian Association of Women Artists) from 2011–2013. She has been working with the eipcp as a researcher and co-editor of the multilingual web-journal ",{"_key":9474,"_type":15,"marks":9475,"text":9476},"81d4e205bbdb2",[545],"Transversal",{"_key":9478,"_type":15,"marks":9479,"text":9480},"81d4e205bbdb3",[]," since 2009. Her work deals with the topics of migration; knowledge production and educational policies; mechanisms of appropriation and privatization of structures such as education, culture, the body, and land; and perspectives for trans-local solidarity. She has been actively involved in knowledge-based social movements in Europe and abroad. She has worked extensively on these topics and has dedicated the book ",{"_key":9482,"_type":15,"marks":9483,"text":9484},"81d4e205bbdb4",[545],"Struggles for Living Learning",{"_key":9486,"_type":15,"marks":9487,"text":9488},"81d4e205bbdb5",[]," (2016) to this topic and these struggles.",[],"Lina works at the intersection between visual art and research/knowledge production. 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Drawing on storytelling, field recordings, material experimentation, and cartographic research, the work leads visitors on a sonic and sensory journey from Lamu Island to Basel, tracing tides of memory, relation, and cultural exchange.The project draws conceptual inspiration from Édouard Glissant’s poetics of relation, envisioning mangroves as a metaphor for entangled, non-hierarchical systems of knowledge and belonging. Just as mangrove roots intertwine across borders of land and sea, Mangrove Ecologies explores how distant geographies, such as an ancient Swahili island town, Lamu, and a historic Swiss city, Basel, can be connected through shared experiences, stories, ecologies, and practices of care.Initiated by kuchanua, Planisphere, and the Lamu Youth Alliance, the project embodies a unique collaboration between Switzerland and Kenya. It asks what it means for a landlocked country to listen to marine environments, and how knowledge rooted in local ecosystems can resonate across continents.The exhibition is the culmination of extensive research conducted on Lamu Island, a place shaped by centuries of cultural movement and encounter. Here, the idea of “elsewhereness” emerges, not as disclocation or signifer for exoticism, but as a layered sense of belonging that transcends fixed boundaries.Visitors are invited to step into the humid embrace of the Viktoria haus at the Botanical Garden, where the installation activates the senses through the moisture of the air, glimpses of mangrove creatures, and layered soundscapes from Lamu that echo the ebb and flow of the tides.Mangrove Ecologies is supported by Pro Helvetia and Swiss los, in collaboration with the University ofBasel, EPFL+ECAL Lab, School of Commons and The African Arts Trust. 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Recent projects have taken place at Veronica, Seattle (2021, solo); Kunstraum Niederösterreich, Vienna (2021); Athens Biennale 7 (2021); HALLE FÜR KUNST Steiermark, Graz (2021); AB Lobby Gallery, Portland State University (2019, solo); Yaby, Madrid (2019, with Precious Okoyomon); MoMA and MoMA PS1, New York (2018); Rhizome and New Museum, New York (2017). abreu has published two books of poetry, List of Consonants (Bottlecap, 2015) and transtrender (Quimérica / Ugly Duckling, 2016), as well as a book of critical writing, Incalculable Loss (Institute for New Connotative Action Press, 2018).",[10527],{"_key":10520,"_type":41,"href":10528},"https://homeschoolpdx.tumblr.com/","manuel (they/them) (b. 1991, Santo Domingo, Dominican Republic) is a non-disciplinary artist from the Bronx who lives and works on lands of Multnomah, Cowlitz, Chinook, Kalapuya, Klackamas, Grand Ronde Confederation, Siletz Confederation, and other First Peoples of the Pacific Northwest. 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make me a new culture!”\nGovernments spend billions on militarisation, surveillance and bordering, rather than invest in conflict prevention, community building, and climate change adaptation.\n\nMigration may be framed as a ‘threat’ by a hostile media and politics, but migration is also a space where our struggles and solidarities meet.\nIn our politically locked times, social movements play a critical role in driving positive social change. Our role is to support movements to become more imaginative and resilient.\nCulture work in all its in/formal manifestations has always enabled the Global Majority to resist, survive and dream despite colonisation.\n\nWe reclaim the power of art and culture as integral to social change.\nWe prioritise the imagination of those most oppressed and grow more joyfully accessible, anti-racist and sustainable movements, better able to rehearse and vision beyond the status quo.",[],"Migrants in Culture is led by artists, designers and organisers with lived experience of the UK’s Hostile Immigration System.",{"alt":11787,"asset":11788},"Courtesy of Migrants in Culture ",{"_id":11789,"height":11790,"orientation":174,"ratio":11791,"url":11792,"width":11793},"image-4f7b3b607edf83a1f7acfbd82152c852b4bc7c31-2900x1933-jpg",1933,1.5002586652871184,"https://cdn.sanity.io/images/eodip22e/production/4f7b3b607edf83a1f7acfbd82152c852b4bc7c31-2900x1933.jpg",2900,{"filterYear":11795},[11796,11797],{"_id":96,"title":99},{"_id":91,"title":94},[11799],{"_type":183,"label":574,"url":11800},"https://www.instagram.com/migrantsinculture/",{"locations":11802,"other":75},[11803],{"_id":189,"_type":190,"seo":75,"slug":11804,"title":193},{"_type":77,"current":192},[11806,98,93],"migrants in culture ",{"_type":77,"current":11808},"migrants-in-culture","Migrants in Culture ",{"_id":11811,"_type":139,"activeYears":11812,"bio":11817,"bioShort":11826,"featuredImage":75,"filterables":11827,"links":11831,"locations":11834,"searchables":11838,"seo":75,"slug":11840,"title":11842},"036557fe-8fba-418c-b30f-b4b141ff9d74",[11813,11815],{"_id":96,"_type":83,"seo":75,"slug":11814,"title":99},{"_type":77,"current":98},{"_id":91,"_type":83,"seo":75,"slug":11816,"title":94},{"_type":77,"current":93},[11818],{"_key":11819,"_type":11,"children":11820,"markDefs":11825,"style":24},"74aa8910825e",[11821],{"_key":11822,"_type":15,"marks":11823,"text":11824},"8af24b5f84980",[],"The Migros Museum für Gegenwartskunst has been discussing the pressing issues of our time, since it was established in 1996, inspired by the approaches and works of international contemporary artists. For us, contemporary art is a dynamic product of its time, facilitating a continuous exploration, from both forward-looking and backward-looking perspectives, of different cultural, historical and social contexts, as well as from a global perspective. We offer a forum for active, lively discussions about art in the context of social responsibility, thereby continuing to shoulder the commitment of Migros and its founder Gottlieb Duttweiler. Following in this tradition, we endeavour to reach an audience as diverse and wide as possible. Communicating and conveying information directed at different target groups, understanding their needs, and taking them seriously have been integral parts of our activities from the outset.",[],"The Migros Museum für Gegenwartskunst has supported the production, exhibition and collection of international contemporary art since 1996. ",{"filterYear":11828},[11829,11830],{"_id":96,"title":99},{"_id":91,"title":94},[11832],{"_type":183,"label":184,"url":11833},"https://migrosmuseum.ch/",{"locations":11835,"other":75},[11836],{"_id":189,"_type":190,"seo":75,"slug":11837,"title":193},{"_type":77,"current":192},[11839,98,93],"migros museum für gegenwartskunst",{"_type":77,"current":11841},"migros-museum-fuer-gegenwartskunst","Migros Museum für Gegenwartskunst",{"_id":11844,"_type":139,"activeYears":11845,"bio":11850,"bioShort":11859,"featuredImage":75,"filterables":11860,"links":11864,"locations":11867,"searchables":11871,"seo":75,"slug":11873,"title":11875},"dced5e39-f380-4e87-8407-54a12a3bb868",[11846,11848],{"_id":101,"_type":83,"seo":75,"slug":11847,"title":104},{"_type":77,"current":103},{"_id":96,"_type":83,"seo":75,"slug":11849,"title":99},{"_type":77,"current":98},[11851],{"_key":11852,"_type":11,"children":11853,"markDefs":11858,"style":24},"7022fc2d9bc1",[11854],{"_key":11855,"_type":15,"marks":11856,"text":11857},"bfacf364c9c9",[]," -",[],"Miroslava is a curator, performer, journalist and text performative artist.",{"filterYear":11861},[11862,11863],{"_id":101,"title":104},{"_id":96,"title":99},[11865],{"_type":183,"label":574,"url":11866},"https://www.instagram.com/ibnhasm_/",{"locations":11868,"other":75},[11869],{"_id":189,"_type":190,"seo":75,"slug":11870,"title":193},{"_type":77,"current":192},[11872,103,98],"miraslava tyrina",{"_type":77,"current":11874},"miraslava-tyrina","Miraslava Tyrina",{"_id":11877,"_type":139,"activeYears":11878,"bio":11883,"bioShort":11892,"featuredImage":75,"filterables":11893,"links":11897,"locations":11903,"searchables":11916,"seo":75,"slug":11918,"title":11920},"cebd6dc8-d8d5-41cf-952d-4ee5905432bd",[11879,11881],{"_id":116,"_type":83,"seo":75,"slug":11880,"title":119},{"_type":77,"current":118},{"_id":101,"_type":83,"seo":75,"slug":11882,"title":104},{"_type":77,"current":103},[11884],{"_key":11885,"_type":11,"children":11886,"markDefs":11891,"style":24},"9e97f224f794",[11887],{"_key":11888,"_type":15,"marks":11889,"text":11890},"3d4e37a9c0bd0",[],"With her interests in the discourse of performativity, decolonial thinking and re-narration of histories, Negoro’s curatorial practice aims at encouraging the fluidity of transcultural, non-binary conditions in the global present. She also writes about architecture, space and gender.",[],"Miwa is a curator and researcher working at the intersection of art and performing arts. ",{"filterYear":11894},[11895,11896],{"_id":116,"title":119},{"_id":101,"title":104},[11898,11900,11901],{"_type":183,"label":184,"url":11899},"https://miwanegoro.com/",{"_type":183,"label":2724,"url":2725},{"_type":183,"label":574,"url":11902},"https://www.instagram.com/miwanegoro/",{"locations":11904,"other":11907},[11905],{"_id":189,"_type":190,"seo":75,"slug":11906,"title":193},{"_type":77,"current":192},[11908],{"_key":11909,"_type":11,"children":11910,"markDefs":11915,"style":24},"daebf71591b4",[11911],{"_key":11912,"_type":15,"marks":11913,"text":11914},"5d3c44142afd",[],"Based in Berlin and Vienna",[],[11917,118,103],"miwa negoro",{"_type":77,"current":11919},"miwa-negoro","Miwa Negoro",{"_id":11922,"_type":139,"activeYears":11923,"bio":11926,"bioShort":11951,"featuredImage":75,"filterables":11952,"links":11955,"locations":75,"searchables":11960,"seo":75,"slug":11962,"title":11964},"2628a468-fc66-4c04-b07c-51b81d4af29a",[11924],{"_id":101,"_type":83,"seo":75,"slug":11925,"title":104},{"_type":77,"current":103},[11927,11935,11943],{"_key":11928,"_type":11,"children":11929,"markDefs":11934,"style":24},"90b2381a5393",[11930],{"_key":11931,"_type":15,"marks":11932,"text":11933},"ab2b365b8dc7",[],"In her practice-based research she is exploring the structures of the Self through a multifaceted analysis of body, mind and environment, by taking into consideration the regressive history of the domination of nature, and social power structures.",[],{"_key":11936,"_type":11,"children":11937,"markDefs":11942,"style":24},"34cfebaf9af5",[11938],{"_key":11939,"_type":15,"marks":11940,"text":11941},"88c5f535650b",[],"Her auto-biographical research on intergenerational trauma, migration and belonging is carried forward within her ongoing collaborations with scientists and diverse communities as part of socially engaged commissions, such as Refugee Week London (2021-2022).",[],{"_key":11944,"_type":11,"children":11945,"markDefs":11950,"style":24},"c209580c4971",[11946],{"_key":11947,"_type":15,"marks":11948,"text":11949},"00f049f67e680",[],"As an artist she has presented her works at international institutions, such as National Gallery Vilnius (2023), Drugo More (2022), Uferstudios Berlin (2021), Kommunale Galerie Bärenzwinger (2019), Tate Exchange at Tate Modern London (2017 & 2018), Arts Catalyst (2016), Foreign Affairs Festival at Berliner Festspiele (2014), and as guest lecturer at SOAS University of London (2022), Garage Museum in Moscow (2019), Al-Quds Bard College (2018), and Chelsea College (2017). Dorniak holds a Master Degree in Art and Science (Department Fine Art) from the Central Saint Martins in London (2017).",[],"Monika is a German-Polish artist with an interdisciplinary background in choreography, psychology and design, who often merges media – specifically performance, (textile) sculpture and multimedia.",{"filterYear":11953},[11954],{"_id":101,"title":104},[11956,11958],{"_type":183,"label":184,"url":11957},"https://monikadorniak.com/",{"_type":183,"label":574,"url":11959},"https://www.instagram.com/monikadorniak/",[11961,103],"monika dorniak",{"_type":77,"current":11963},"monika-dorniak","Monika Dorniak",{"_id":11966,"_type":139,"activeYears":11967,"bio":11970,"bioShort":11979,"featuredImage":75,"filterables":11980,"links":11983,"locations":11986,"searchables":11990,"seo":75,"slug":11992,"title":11993},"77688819-018d-4cff-afe8-2a9ae1c628e6",[11968],{"_id":106,"_type":83,"seo":75,"slug":11969,"title":109},{"_type":77,"current":108},[11971],{"_key":11972,"_type":11,"children":11973,"markDefs":11978,"style":24},"a23c1ee66ccd",[11974],{"_key":11975,"_type":15,"marks":11976,"text":11977},"4d29f28933650",[],"Be it within Switzerland, with other European countries or elsewhere in the world, Movetia encourages and supports exchange, mobility and cooperation activities in the different sectors of education, ranging from primary school through adult education to university level, as well as promoting extracurricular activities.",[],"The national agency for the promotion of exchanges and mobility in the education system.",{"filterYear":11981},[11982],{"_id":106,"title":109},[11984],{"_type":183,"label":184,"url":11985},"https://www.movetia.ch/en/",{"locations":11987,"other":75},[11988],{"_id":189,"_type":190,"seo":75,"slug":11989,"title":193},{"_type":77,"current":192},[11991,108],"movetia",{"_type":77,"current":11991},"MOVETIA",{"_id":11995,"_type":139,"activeYears":11996,"bio":11999,"bioShort":75,"featuredImage":75,"filterables":12008,"links":12011,"locations":12014,"searchables":12027,"seo":75,"slug":12029,"title":12031},"022e1514-1a14-4fa4-8e0f-baf6d7d96827",[11997],{"_id":96,"_type":83,"seo":75,"slug":11998,"title":99},{"_type":77,"current":98},[12000],{"_key":12001,"_type":11,"children":12002,"markDefs":12007,"style":24},"6df63ad333bf",[12003],{"_key":12004,"_type":15,"marks":12005,"text":12006},"e59246e8e51d0",[],"Her interdisciplinary practice is occupied with ideas of fiction, history and agency, which are explored through the concepts of archaeology and archive.",[],{"filterYear":12009},[12010],{"_id":96,"title":99},[12012],{"_type":183,"label":574,"url":12013},"https://www.instagram.com/moza.samosa/",{"locations":12015,"other":12018},[12016],{"_id":956,"_type":190,"seo":75,"slug":12017,"title":959},{"_type":77,"current":958},[12019],{"_key":12020,"_type":11,"children":12021,"markDefs":12026,"style":24},"181f15bfbe5c",[12022],{"_key":12023,"_type":15,"marks":12024,"text":12025},"fd26d11ec0fb0",[],"Dubai, United Arab Emirates",[],[12028,98],"moza almazrouei",{"_type":77,"current":12030},"moza-almazrouei","Moza Almazrouei",{"_id":12033,"_type":139,"activeYears":12034,"bio":12037,"bioShort":12046,"featuredImage":12047,"filterables":12053,"links":12056,"locations":12059,"searchables":12071,"seo":75,"slug":12073,"title":12075},"f8354cbb-c7d0-4608-ba6b-594973d281b4",[12035],{"_id":111,"_type":83,"seo":75,"slug":12036,"title":114},{"_type":77,"current":113},[12038],{"_key":12039,"_type":11,"children":12040,"markDefs":12045,"style":24},"e8c6f907f1a7",[12041],{"_key":12042,"_type":15,"marks":12043,"text":12044},"c631e80807020",[],"She completed her master’s degree in Integrated Design, in Dessau, Germany with the thesis topic exploring patriarchal roots of pictogram design. Since then, she was enrolled in several design research workshops, organized by a design platform, Futuress which deals with the politics of design.",[],"Muj is a designer and researcher with interests in collage, writing and community building.",{"alt":12048,"asset":12049},"Muj Abdulzade - From her ongoing research Corporate Aesthetics",{"_id":12050,"height":225,"orientation":684,"ratio":12051,"url":12052,"width":4094},"image-43eab75e055dbc7422ee1eb0aaaf9be2217363ea-1080x1230-jpg",0.8780487804878049,"https://cdn.sanity.io/images/eodip22e/production/43eab75e055dbc7422ee1eb0aaaf9be2217363ea-1080x1230.jpg",{"filterYear":12054},[12055],{"_id":111,"title":114},[12057],{"_type":183,"label":184,"url":12058},"https://imujabd.com/",{"locations":12060,"other":12063},[12061],{"_id":189,"_type":190,"seo":75,"slug":12062,"title":193},{"_type":77,"current":192},[12064],{"_key":12065,"_type":11,"children":12066,"markDefs":12070,"style":24},"c026d90dd286",[12067],{"_key":12068,"_type":15,"marks":12069,"text":424},"bd9edfa6119c0",[],[],[12072,113],"muj abdulzade",{"_type":77,"current":12074},"muj-abdulzade","Muj Abdulzade",{"_id":12077,"_type":139,"activeYears":12078,"bio":12081,"bioShort":12090,"featuredImage":12091,"filterables":12099,"links":12102,"locations":12107,"searchables":12119,"seo":75,"slug":12121,"title":12092},"a9fb509b-6a11-4421-a892-78555159f90a",[12079],{"_id":106,"_type":83,"seo":75,"slug":12080,"title":109},{"_type":77,"current":108},[12082],{"_key":12083,"_type":11,"children":12084,"markDefs":12089,"style":24},"f3e118efab41",[12085],{"_key":12086,"_type":15,"marks":12087,"text":12088},"a62d26df04b40",[],"She is an independent type and graphic designer working with Arabic and Latin scripts. She has set up her practice in 2019 after working for several years in a corporate environment. She leads workshops attempting to connect type design to storytelling, language and archives. She also takes part in initiatives that contribute to opening up the discipline to broader audiences.",[],"Naïm grew up in France with Tunisian heritage. Through her design practice she has been (re)connecting with this heritage. Her interests are in the borders and spaces in between and how they translate in design forms and ideas. ",{"alt":12092,"asset":12093},"Naïma Ben Ayed",{"_id":12094,"height":12095,"orientation":684,"ratio":12096,"url":12097,"width":12098},"image-133b075b7df2c1a946278ffdff748923a69b1955-1417x2124-jpg",2124,0.6671374764595104,"https://cdn.sanity.io/images/eodip22e/production/133b075b7df2c1a946278ffdff748923a69b1955-1417x2124.jpg",1417,{"filterYear":12100},[12101],{"_id":106,"title":109},[12103,12105],{"_type":183,"label":574,"url":12104},"https://www.instagram.com/naimabenayedbureau/",{"_type":183,"label":184,"url":12106},"https://naimabenayedbureau.com/",{"locations":12108,"other":12111},[12109],{"_id":189,"_type":190,"seo":75,"slug":12110,"title":193},{"_type":77,"current":192},[12112],{"_key":12113,"_type":11,"children":12114,"markDefs":12118,"style":24},"2fb0d2920785",[12115],{"_key":12116,"_type":15,"marks":12117,"text":1742},"a2a8dda7446d",[],[],[12120,108],"naïma ben ayed",{"_type":77,"current":12122},"naima-ben-ayed",{"_id":12124,"_type":139,"activeYears":12125,"bio":12128,"bioShort":12145,"featuredImage":75,"filterables":12146,"links":75,"locations":12149,"searchables":12161,"seo":75,"slug":12163,"title":12165},"c9321bf5-98f3-4aea-9839-c94d542c91cb",[12126],{"_id":111,"_type":83,"seo":75,"slug":12127,"title":114},{"_type":77,"current":113},[12129,12137],{"_key":12130,"_type":11,"children":12131,"markDefs":12136,"style":24},"62009b7bf57c",[12132],{"_key":12133,"_type":15,"marks":12134,"text":12135},"fc41cb14c2f3",[],"Nazaket (she/her) is an urbanist, researcher and project manager with a background intertwining between development cooperation, curation, placemaking and participatory planning.",[],{"_key":12138,"_type":11,"children":12139,"markDefs":12144,"style":24},"215fc483f604",[12140],{"_key":12141,"_type":15,"marks":12142,"text":12143},"bb281f5ecf10",[],"In the field of urbanism what really interests her is how the rapid scale urbanization and new development trends within it influence people’s daily lives and long-term well being. With her practice she is trying to understand how people can partake in the formation of the built and soft environment around them, how space is negotiated and in what way people can claim their right to the city.",[],"Nazaket (she/her) is an urbanist, researcher and project manager with a background intertwining between development cooperation, curation, placemaking and participatory planning. ",{"filterYear":12147},[12148],{"_id":111,"title":114},{"locations":12150,"other":12153},[12151],{"_id":189,"_type":190,"seo":75,"slug":12152,"title":193},{"_type":77,"current":192},[12154],{"_key":12155,"_type":11,"children":12156,"markDefs":12160,"style":24},"ff7a42f27cb4",[12157],{"_key":12158,"_type":15,"marks":12159,"text":347},"27952138240a",[],[],[12162,113],"nazakat azimli",{"_type":77,"current":12164},"nazakat-azimli","Nazakat Azimli",{"_id":12167,"_type":139,"activeYears":12168,"bio":12171,"bioShort":75,"featuredImage":75,"filterables":12179,"links":12182,"locations":12185,"searchables":12189,"seo":75,"slug":12191,"title":12193},"31201178-c63d-4dcd-bad5-8a7b4191f341",[12169],{"_id":121,"_type":83,"seo":75,"slug":12170,"title":124},{"_type":77,"current":123},[12172],{"_key":12173,"_type":11,"children":12174,"markDefs":12178,"style":24},"de738aa211d5",[12175],{"_key":12176,"_type":15,"marks":12177,"text":1276},"f9939757c6cb",[],[],{"filterYear":12180},[12181],{"_id":121,"title":124},[12183],{"_type":183,"label":574,"url":12184},"https://www.instagram.com/antikonfluenzia/",{"locations":12186,"other":75},[12187],{"_id":189,"_type":190,"seo":75,"slug":12188,"title":193},{"_type":77,"current":192},[12190,123],"nele solf",{"_type":77,"current":12192},"nele-solf","Nele Solf",{"_id":12195,"_type":139,"activeYears":12196,"bio":12199,"bioShort":12216,"featuredImage":12217,"filterables":12222,"links":12225,"locations":75,"searchables":12229,"seo":75,"slug":12231,"title":12233},"3ea66ce3-37aa-4da5-a6ad-c3af2e1ffdf8",[12197],{"_id":86,"_type":83,"seo":75,"slug":12198,"title":89},{"_type":77,"current":88},[12200,12208],{"_key":12201,"_type":11,"children":12202,"markDefs":12207,"style":24},"1d25ea35a3ce",[12203],{"_key":12204,"_type":15,"marks":12205,"text":12206},"bd9271edd8f70",[],"\"Where to go back to? Where do they and we go back to?\"",[],{"_key":12209,"_type":11,"children":12210,"markDefs":12215,"style":24},"80ffa745cb25",[12211],{"_key":12212,"_type":15,"marks":12213,"text":12214},"79a01a1693840",[],"I wrote these last two lines in a recent poem, thinking about my home and the fate of Palestinians living under oppression. In some way, they give me a clearer image of my home, a home that has always remained in the air, both geographically—a highland strip—and ancestral roots—a group of oppressed people. Then there are other homes, spontaneous anchors that come and go, things that are no longer here, things that exist in memory; amidst them, I see a small fragment of their pain. Above all, how can my home be shared with their home? What dreams will heal the wounds, not only theirs but also those of many others?",[],"Nguyễn Phương Anh (PA)\n\nwrite poems, be in the water, grow vegetables, continue to learn walking while hugging tangled fibres, practice simple writing and self-decaying freely",{"alt":75,"asset":12218},{"_id":12219,"height":12220,"orientation":174,"ratio":4706,"url":12221,"width":9850},"image-4446de798bbe29467f206542648714acb8577725-3648x2736-jpg",2736,"https://cdn.sanity.io/images/eodip22e/production/4446de798bbe29467f206542648714acb8577725-3648x2736.jpg",{"filterYear":12223},[12224],{"_id":86,"title":89},[12226],{"_type":183,"label":12227,"url":12228},"website","https://caileubay.wordpress.com/",[12230,88],"nguyễn phương anh",{"_type":77,"current":12232},"nguyen-phuong-anh","Nguyễn Phương Anh",{"_id":12235,"_type":139,"activeYears":12236,"bio":12239,"bioShort":12248,"featuredImage":12249,"filterables":12256,"links":12259,"locations":12261,"searchables":12273,"seo":75,"slug":12275,"title":12250},"20752c79-517b-4c1f-b06d-0d3889f71c59",[12237],{"_id":96,"_type":83,"seo":75,"slug":12238,"title":99},{"_type":77,"current":98},[12240],{"_key":12241,"_type":11,"children":12242,"markDefs":12247,"style":24},"f555879b30fc",[12243],{"_key":12244,"_type":15,"marks":12245,"text":12246},"c5d21b6434130",[],"Her practice develops through writing and photography and her research is based on the topics of home, objects, and relationships. Focused on curatorial practices and cultural management, Nicole was one of the founders of Casaplanta, a creative studio based in Sao Paulo focused on the development of artistic projects. Over the past ten years, as an exhibition producer, Nicole has collaborated with artists from different backgrounds and coordinated several projects in institutions like CCBB, SESCs, etc. As a member of Co-Making Matters, Nicole contributes to projects both as a producer and creative collaborator.",[],"Nicole is a Brazilian interdisciplinary artist and researcher. 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She initiated the Swiss FluxNet and, together with her team, operates six long-term flux towers. These towers provide a wealth of flux and meteorological data at high temporal resolution, relevant for climate change and management policies. Thus, outreach is also high on Nina's agenda.",[],"blockquote","Nina is a professor at ETH Zurich with long-standing experience in plant ecophysiology and biosphere-atmosphere greenhouse gas exchange. 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In 2020, she co-founded, with Lara Khaldi, the “School of Intrusions,” an independent educational platform in Ramallah, Palestine. Abed is currently exploring the critical stance of ‘folklore’ as a source of knowledge, and it’s possible connection to alternative social and representational models in Palestine.",[],"Noor is an interdisciplinary artist and filmmaker.",{"filterYear":12394},[12395],{"_id":106,"title":109},[12397],{"_type":183,"label":12398,"url":12399},"Find out more","https://theoctopusprogramme.uni-ak.ac.at/index.php/noor-abed/",[12401,108],"noor abed",{"_type":77,"current":12403},"noor-abed","Noor Abed",{"_id":12406,"_type":139,"activeYears":12407,"bio":12410,"bioShort":12427,"featuredImage":75,"filterables":12428,"links":12431,"locations":12436,"searchables":12449,"seo":75,"slug":12451,"title":12453},"723390f4-8117-4db0-9616-9d44bfcb7b2e",[12408],{"_id":91,"_type":83,"seo":75,"slug":12409,"title":94},{"_type":77,"current":93},[12411,12419],{"_key":12412,"_type":11,"children":12413,"markDefs":12418,"style":24},"a26edd99e234",[12414],{"_key":12415,"_type":15,"marks":12416,"text":12417},"9bd9993c076a0",[],"Nora reacts to specific social situations through object-design processes, creating object-encompassing constellations that invite exploration of social interactions which may initially feel familiar. 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That is where Omsk positions their speculative fictions, through these immersive installations they move into a territory they coined in 2017 called Real Game Play (RGP). Their work aims to induce states that could potentially be a fiction or a yet, unlived reality.",[],{"_key":12735,"_type":11,"children":12736,"markDefs":12741,"style":24},"c18a7893f033",[12737],{"_key":12738,"_type":15,"marks":12739,"text":12740},"01706eac2adc0",[],"Omsk works closely with networks of viewers, everything is unique and unrehearsed. The living installations they create examine virtual egos, popular experiences and political phenomena. Allowing the works to become a dematerialized hybrid of modern-day culture alongside the participant’s unique personal experiences. 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",{"filterYear":12850},[12851],{"_id":111,"title":114},[12853,113],"other than human entity",{"_type":77,"current":12855},"other-than-human-entity","Other Than Human Entity",{"_id":12858,"_type":139,"activeYears":12859,"bio":12862,"bioShort":12871,"featuredImage":12872,"filterables":12880,"links":12883,"locations":12893,"searchables":12905,"seo":75,"slug":12907,"title":12873},"b1f999b5-259f-4372-99e3-cd6a76bf9e2b",[12860],{"_id":101,"_type":83,"seo":75,"slug":12861,"title":104},{"_type":77,"current":103},[12863],{"_key":12864,"_type":11,"children":12865,"markDefs":12870,"style":24},"13555846b5df",[12866],{"_key":12867,"_type":15,"marks":12868,"text":12869},"1e9f391d06630",[],"In doing so, we create a space for critical engagement, reflective experimentation and radical solidarity. With the aim of creating an intersectional platform for excellent diasporic, migrant and international art and culture, a place to foster artistic dialogue on locally, nationally and internationally relevant issues, we realise socio-cultural and artistic projects that highlight neurodiverse and class critical perspectives throughout Berlin and internationally. As we see ourselves as an inter- and anti-disciplinary platform for emerging approaches, we work with various artistic disciplines, such as visual arts, performance art, theatre, literature, dance, music and more, that intersect, transcend accepted artistic practices and identify the grey space in between, thus emerge and exist beyond its traditional boundaries. As a foundation to our inter- and anti-disciplinary approach in arts and socioculture, intersectionality is a crucial guiding principle and lived practice at Oyoun. 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Her practice is rooted in storytelling, using drawing as a way to observe, record, and make sense of the worlds she moves through. Working across oil painting, oil pastel, and pencil, she creates meditative works shaped by close attention to landscape, memory, and everyday encounters.",[],{"_key":13065,"_type":11,"children":13066,"markDefs":13071,"style":24},"688f679a08a6",[13067],{"_key":13068,"_type":15,"marks":13069,"text":13070},"8bf4fa7725450",[],"Journaling is central to her process. Through walking, collecting, and observational drawing, she develops a body of visual research that informs her larger works and ongoing enquiries into the stories of ecology, place, and community and their in-betweens. ",[],{"_key":13073,"_type":11,"children":13074,"markDefs":13079,"style":24},"0f19216329db",[13075],{"_key":13076,"_type":15,"marks":13077,"text":13078},"17eae0fb4aaa0",[],"Alongside her studio practice, Pakhi works as an illustrator, using digital and interactive interfaces to engage with archives and community-oriented storytelling. She collaborates with organizations and publications working in socio-political and cultural spaces, using art as a way to visualize stories and make layered ideas differently accessible.",[],{"_key":13081,"_type":11,"children":13082,"markDefs":13087,"style":24},"7a6a519b73df",[13083],{"_key":13084,"_type":15,"marks":13085,"text":13086},"ef285c056ead0",[],"As an educator, she develops arts pedagogy and learning modules at The Owl House, a learning centre for neurodivergent individuals, building frameworks for creative learning that centre experimentation, sensitivity, and self-expression.",[],{"_key":13089,"_type":11,"children":13090,"markDefs":13095,"style":24},"fcb276f62f5f",[13091],{"_key":13092,"_type":15,"marks":13093,"text":13094},"8a374ab2ed870",[],"Pakhi has exhibited at Serendipity Arts Festival and India Art Fair with GallerySKE, and regularly with Goa Open Arts. 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Paloma's projects nourish visions of connection between human and more than human spheres, they dream of emancipation from marginalizing dominant structures, and emphasize practices of care. Her favorite spaces to work range from kitchen to river shore, from international bridge to cropland, from community meeting to aquelarre.\nHer art production takes the form of publications, videos, reading or cooking sessions and installations directed to different public, including human outside of cultural institutions.\nPaloma's work is rooted in her home, the eastern US/MX border landscapes, simultaneously blooming in her current base in Zurich.",[],"Paloma (b. 1980, Matamoros, Mexico) is a visual artist interested in empowering the relationship between domestic living strategies and political contexts. ",{"filterYear":13144},[13145],{"_id":116,"title":119},[13147,13149],{"_type":183,"label":184,"url":13148},"http://www.palomaayala.com/",{"_type":183,"label":574,"url":13150},"https://www.instagram.com/palomito.a/",{"locations":13152,"other":13155},[13153],{"_id":189,"_type":190,"seo":75,"slug":13154,"title":193},{"_type":77,"current":192},[13156],{"_key":13157,"_type":11,"children":13158,"markDefs":13162,"style":24},"d06b7cab5e47",[13159],{"_key":13160,"_type":15,"marks":13161,"text":4360},"9f09c7b48a88",[],[],[13164,118],"paloma ayala",{"_type":77,"current":13166},"paloma-ayala","Paloma Ayala",{"_id":13169,"_type":139,"activeYears":13170,"bio":13173,"bioShort":13182,"featuredImage":13183,"filterables":13189,"links":13192,"locations":13196,"searchables":13209,"seo":75,"slug":13211,"title":13184},"d518ee78-0449-48cd-8ac8-c39c4273431a",[13171],{"_id":106,"_type":83,"seo":75,"slug":13172,"title":109},{"_type":77,"current":108},[13174],{"_key":13175,"_type":11,"children":13176,"markDefs":13181,"style":24},"2655cc3b572a",[13177],{"_key":13178,"_type":15,"marks":13179,"text":13180},"d6594a88650a0",[],"We emerged from the common desire to investigate the role of spatial practitioners in their contemporary ecological and social responsibilities. In proposing work methodologies as a model of internal and external collaboration, PRC locates spatial practice at the intersection of several creative disciplines. Currently, our topics of reflection address culture as a means for regaining control of public commons; empathy and ecology as foundational environments; decentralising and opening up access to spatial discourse; addressing inequality and discrimination in both the origins and effects of creative labour; finding responsibility for the virtual realm, as much as the physical one.",[],"A Pan-European spatial agency founded in 2020.",{"alt":13184,"asset":13185},"Panta Rhei Collaborative",{"_id":13186,"height":13187,"orientation":467,"ratio":468,"url":13188,"width":13187},"image-d761e7ab3d451e7eedd8b5160dc37f73ae457196-225x225-jpg",225,"https://cdn.sanity.io/images/eodip22e/production/d761e7ab3d451e7eedd8b5160dc37f73ae457196-225x225.jpg",{"filterYear":13190},[13191],{"_id":106,"title":109},[13193,13194],{"_type":183,"label":184,"url":8138},{"_type":183,"label":574,"url":13195},"https://www.instagram.com/pantarheicollaborative/",{"locations":13197,"other":13200},[13198],{"_id":189,"_type":190,"seo":75,"slug":13199,"title":193},{"_type":77,"current":192},[13201],{"_key":13202,"_type":11,"children":13203,"markDefs":13208,"style":24},"bbeab8d1989a",[13204],{"_key":13205,"_type":15,"marks":13206,"text":13207},"f710fad7c0290",[],"Currently based in Berlin, London and Zurich",[],[13210,108],"panta rhei collaborative",{"_type":77,"current":13212},"panta-rhei-collaborative",{"_id":13214,"_type":139,"activeYears":13215,"bio":13218,"bioShort":13243,"featuredImage":13244,"filterables":13252,"links":75,"locations":13255,"searchables":13267,"seo":75,"slug":13269,"title":13271},"d8b5e983-1b66-4225-b979-7caa413d4de1",[13216],{"_id":86,"_type":83,"seo":75,"slug":13217,"title":89},{"_type":77,"current":88},[13219,13227,13235],{"_key":13220,"_type":11,"children":13221,"markDefs":13226,"style":24},"e459c098228a",[13222],{"_key":13223,"_type":15,"marks":13224,"text":13225},"f7f185ece6a80",[],"Artist and Curator. My research focuses on democracy and knowledge exchange, and critical pedagogy as a curatorial and artistic methodology. Co-lead research contract with Natural England on nature based collaborative creative stroy telling for nature recovery and engagement.",[],{"_key":13228,"_type":11,"children":13229,"markDefs":13234,"style":24},"95f1ecb6762e",[13230],{"_key":13231,"_type":15,"marks":13232,"text":13233},"e9e4c40f8b4d0",[],"Key highlights: Brent Biennial 2025, films selected for the London Film Festival and winner of best experimental at the experimental Busam Film festival. Curated over 20 exhibitions across the UK and Europe. Author of Art, Critical Pedagogy and Capitalism (Routledge 2021) co-author a new monograph on Educational Aesthetics with Bloomsbury (due 2024). Founder of the Middlesbrough Art Weekender and The Alternative Art College. 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They have shown artistic projects in the fields of film, (sound) installations, performance and music theater at various institutions and festivals.",[],{"_key":13433,"_type":11,"children":13434,"markDefs":13439,"style":24},"6b695143ac4c",[13435],{"_key":13436,"_type":15,"marks":13437,"text":13438},"c9620d42a4b60",[],"For the years 2020-2025, Thea Reifler and Phila Bergmann are working as artistic directors of Shedhalle Zurich. In the years 2021 and 2022 Phila Bergmann and Thea Reifler are also working as the artistic co-directors of Bone Performance Festival in Bern. Thea Reifler teaches art at the architecture department of ETH, the Swiss Federal Institute of Technology in Zürich. Phila Bergmann is part of the research project “COLLECTING THE EPHEMERAL Prerequisites and Possibilities for Making Performance Art Last”, at Lucerne University of Applied Sciences and Art. 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His MA research describes South African cryptolects - secret forms of speech.",[],"Pule kaJanolintji (ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ) ngumcwaningi wolimi lwesiNtu nezabathwa, isazi somlando nemikhuba yokusetshenziswa kwezinkulumo zaseNingizimu, futhi umthuthukisi wezinhlelo zokuloba zezwekazi, njengesiBheqe Sohlamvu. 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She completed a residency on board of a shipping container as part of the Said to Contain project in 2016 and was the artist in residence for the 2018 Labor mit Utopieverdacht. She is the co-founder of QWAS, a multidisciplinary exchange programme between Switzerland and Kazakhstan, and runs an independent bookshop called MATERIAL. Rada Leu has illustrated various publications and is part of the all-female band Acid Amazonians, a Zurich-based electronic music and performance trio.",[],"Rada is an artist, musician and theatre director. Her research interests include digital culture, cyborgs, eyebrows, the global shipping market and DIY subcultures. 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",{"filterYear":13854},[13855],{"_id":106,"title":109},{"locations":13857,"other":13860},[13858],{"_id":480,"_type":190,"seo":75,"slug":13859,"title":483},{"_type":77,"current":482},[13861],{"_key":13862,"_type":11,"children":13863,"markDefs":13868,"style":24},"a3bdf98ed3cd",[13864],{"_key":13865,"_type":15,"marks":13866,"text":13867},"e4042b3c301e0",[],"Based in Curarrehue, Chile",[],[13870,108],"raquel marillanca loncopan",{"_type":77,"current":13872},"raquel-marillanca-loncopan","Raquel Marillanca Loncopan",{"_id":13875,"_type":139,"activeYears":13876,"bio":13879,"bioShort":13888,"featuredImage":75,"filterables":13889,"links":13892,"locations":13897,"searchables":13901,"seo":75,"slug":13903,"title":13905},"ce7cb5d1-0df6-4217-adc4-0ed5f76ceb35",[13877],{"_id":116,"_type":83,"seo":75,"slug":13878,"title":119},{"_type":77,"current":118},[13880],{"_key":13881,"_type":11,"children":13882,"markDefs":13887,"style":24},"93d19dba7ef6",[13883],{"_key":13884,"_type":15,"marks":13885,"text":13886},"37ed1a1d0e1e",[],"She is particularly interested in the impact that communication technology has upon our daily interactions, in how they affect our relationship with our surroundings, with others, and with ourselves. She is currently finishing an MFA in Fine arts at Goldsmiths University of London",[],"Rebeca is a Peruvian artist, currently based in London, UK. Her practice is multidisciplinary; through text, performance, sculpture, sound, and video she questions ideas concerning representation, authorship, and storytelling in the digital age. 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Their previous research has considered this through phenomena such as disappearance and iconoclasm, bull fighting, competition as the dominant organising principle of late stage capitalism, and the desktop, amongst other things.",[],"Rebecca is a social researcher and writer. They graduated from Glasgow School of Art in 2019 and have since been working in the third sector. 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Later on, she continued her education at the Music and Arts University of the City of Vienna where she graduated with a Bachelor of Arts in June 2017. She joined Zfinmalta National dance company under the artistic direction of Paolo Mangiola and Tanzcompagnie Volkstheater Rostock under the artistic direction of Katja Taranu. Rebeka had the opportunity to work with renowned choreographers such as Jose Agudo, Esther Balfe, Saju Hari, Mavin Khoo, Emmanuel Obeya, Georg Reischl. She currently studies MA in Choreography at ZhdK and follows her own creative direction.",[],"Rebeka started her professional dance education.",{"filterYear":13956},[13957],{"_id":106,"title":109},[13959],{"_type":183,"label":574,"url":13960},"https://www.instagram.com/rebeka_mondovics/",{"locations":13962,"other":13965},[13963],{"_id":189,"_type":190,"seo":75,"slug":13964,"title":193},{"_type":77,"current":192},[13966],{"_key":13967,"_type":11,"children":13968,"markDefs":13973,"style":24},"de435cdc6e69",[13969],{"_key":13970,"_type":15,"marks":13971,"text":13972},"27e758581e9c0",[],"Currently based in Zürich",[],[13975,108],"rebeka mondovics",{"_type":77,"current":13977},"rebeka-mondovics","Rebeka Mondovics",{"_id":13980,"_type":139,"activeYears":13981,"bio":13984,"bioShort":13993,"featuredImage":13994,"filterables":13999,"links":14002,"locations":14004,"searchables":14010,"seo":75,"slug":14012,"title":14011},"547163a4-3876-42bd-a098-569e8c850015",[13982],{"_id":96,"_type":83,"seo":75,"slug":13983,"title":99},{"_type":77,"current":98},[13985],{"_key":13986,"_type":11,"children":13987,"markDefs":13992,"style":24},"6e6cea76c996",[13988],{"_key":13989,"_type":15,"marks":13990,"text":13991},"c7524787263c0",[],"We come together to recognize and amplify marginalized Vietnamese youth voices on climate justice and eco-anxiety, hoping to co-create pluriversal, caring, and just futures.",[],"A collective of aspiring Vietnamese peers with diverse backgrounds and skill sets. 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He graduated in Clarinet at the Conservatory of Milan, obtaining a master degree in Bass Clarinet, both with honors and winning the prize as best wind instrumentalist of the institution. He obtained a master degree in contemporary music at the International Ensemble Modern Academy and he won auditions for numerous institutions (Lucerne Contemporary Orchestra, IRCAM Ulysses Ensemble, IEMA etc.). He is the artistic director and ideator of the music festival The No Way Experience. He frequently collaborates with composers of all nationalities in writing solo compositions dedicated to him. Acciarino recorded with labels such as Stradivarius, Hessischer Rundfunk, Limen Music and RAI, Italy's first radio station, from which he was invited for a podcast reserved to the most promising young contemporary performers. 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",{"alt":14807,"asset":14808},"Sepp Eckenhaussen",{"_id":14809,"height":228,"orientation":684,"ratio":1421,"url":14810,"width":466},"image-4758f5e2c07b33dce4d644f0d7669aee25700445-960x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/4758f5e2c07b33dce4d644f0d7669aee25700445-960x1280.jpg",{"filterYear":14812},[14813],{"_id":91,"title":94},{"locations":14815,"other":75},[14816],{"_id":189,"_type":190,"seo":75,"slug":14817,"title":193},{"_type":77,"current":192},[14819,93],"sepp eckenhaussen",{"_type":77,"current":14821},"sepp-eckenhaussen",{"_id":14823,"_type":139,"activeYears":14824,"bio":14827,"bioShort":14836,"featuredImage":75,"filterables":14837,"links":75,"locations":14840,"searchables":14853,"seo":75,"slug":14855,"title":14857},"f6bcb0c1-2d9d-48df-a2bf-c9768d4eeeac",[14825],{"_id":86,"_type":83,"seo":75,"slug":14826,"title":89},{"_type":77,"current":88},[14828],{"_key":14829,"_type":11,"children":14830,"markDefs":14835,"style":24},"bad5f736944b",[14831],{"_key":14832,"_type":15,"marks":14833,"text":14834},"c84ecf66f2300",[],"Sheila is a queer South Asian American therapist, educator, and researcher based in Chicago. 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Her steadfast commitment to these issues resounds in her focus on autonomy in what she calls ",{"_key":15049,"_type":15,"marks":15050,"text":15051},"735d6d36e5b22",[545],"self-reproducing movements",{"_key":15053,"_type":15,"marks":15054,"text":15055},"735d6d36e5b23",[]," as a powerful challenge to capitalism through the construction of new social relations.",[],"Silvia is a feminist writer, teacher, and militant. 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With La Scala, he has toured the famous theatre and abroad, such as when he performed in front of the highest state officials at EXPO 2021 in Dubai. In 2022 he won an audition to become a member of the Gustav Mahler Jugend Orchestra. In between her international concert career and her master's degree in attainment at the Zürcher Hochschule der Künste in Zurich, Sofia Goetz has also turned her attention to research, winning a competition from the School of Commons association in Zurich for a research project in the arts.",[],"Sofia began studying the violin at the age of three thanks to the Suzuki method. Her studies led her to obtain a master's degree in violin at the Conservatorio G. Verdi in Milan, with top marks, honours and an honourable mention. 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Her work has appeared in publications such as Huaxia Geography, Sixth Tone, and The Paper.",[],"Songzi (王松子) is an independent writer who explores the relationship between people and nature in local communities, she uses interviews and writing to uncover local experiences and ecological knowledge.  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",{"alt":15600,"asset":75},"Stiftung Mercator",{"filterYear":15602},[15603,15604],{"_id":101,"title":104},{"_id":96,"title":99},[15606],{"_type":183,"label":184,"url":15607},"https://www.stiftung-mercator.de/en/",{"locations":15609,"other":75},[15610],{"_id":189,"_type":190,"seo":75,"slug":15611,"title":193},{"_type":77,"current":192},[15613,103,98],"stiftung mercator",{"_type":77,"current":15615},"stiftung-mercator",{"_id":15617,"_type":139,"activeYears":15618,"bio":15621,"bioShort":15702,"featuredImage":15703,"filterables":15705,"links":15708,"locations":15714,"searchables":15729,"seo":75,"slug":15731,"title":15704},"439d319d-f26a-4457-8542-9ce8b6af3e03",[15619],{"_id":96,"_type":83,"seo":75,"slug":15620,"title":99},{"_type":77,"current":98},[15622,15630,15649,15668,15675,15694],{"_key":15623,"_type":11,"children":15624,"markDefs":15629,"style":24},"2f4c41ef4883",[15625],{"_key":15626,"_type":15,"marks":15627,"text":15628},"c1b343ddc4620",[],"In 2024, Studio106LA collaborated with the SoC Alumn* community in putting together a series of online exhibitions that showcase projects from the members of the SoC Community.",[],{"_key":15631,"_type":11,"children":15632,"markDefs":15646,"style":24},"a8902ada1ea3",[15633,15637,15642],{"_key":15634,"_type":15,"marks":15635,"text":15636},"ad7819d253670",[],"Since 2020, Studio106LA has orgnized a series of online awareness shows, with",{"_key":15638,"_type":15,"marks":15639,"text":15641},"ad7819d253671",[15640],"674eeae1fb21"," #TalkAboutBeirut",{"_key":15643,"_type":15,"marks":15644,"text":15645},"ad7819d253672",[]," as as the first one. In the aftermath of a major explosion on August 4, 2020, Studio106LA, together with a group of Lebanese architects, artists, and their international friends, put together a collectively-created awareness webpage. Working with UCLA Architecture and Urban Design Department and UCLA’s Urban Humanities Initiative, they also released a podcast episode from the show. Through a united effort by the project organizers and its audience, the project collected donations and contributed to the recovery work by the Red Cross in Beirut.",[15647],{"_key":15640,"_type":41,"href":15648},"https://www.studio1-0-6.com/talkaboutbeirut",{"_key":15650,"_type":11,"children":15651,"markDefs":15665,"style":24},"faa1c6353b12",[15652,15656,15661],{"_key":15653,"_type":15,"marks":15654,"text":15655},"a01dca79a6c40",[],"The second show addressed the air pollution in Belgrade, Serbia. 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As the founder and lead of Eternal Terra Ear (ÉTÈ), I spearhead a transnational policy initiative that bridges the gap between planetary-scale data and local sovereignty.",[],{"_key":17124,"_type":11,"children":17125,"markDefs":17130,"style":24},"cf355e1e1ec8",[17126],{"_key":17127,"_type":15,"marks":17128,"text":17129},"4c40742e9fdc0",[],"My Practice",[],{"_key":17132,"_type":11,"children":17133,"markDefs":17146,"style":24},"4e9c839509a8",[17134,17138,17142],{"_key":17135,"_type":15,"marks":17136,"text":17137},"2f3737cb934d0",[],"My work focuses on the creation of a \"Trust Layer\", a systemic protocol that integrates orbital remote sensing, transnational cryptography, and sensory intelligence. I utilize tools such as satellite data, drone photogrammetry, and decentralized ledgers to transform invisible environmental signals into verifiable \"Digital Twins\". A core component of my practice is Bio-synaesthesia, where I use ecological intelligent devices like the ",{"_key":17139,"_type":15,"marks":17140,"text":17141},"2f3737cb934d7",[545],"Visceral Sonic Oyster",{"_key":17143,"_type":15,"marks":17144,"text":17145},"2f3737cb934d8",[]," to translate complex data into spatialized acoustic and haptic experiences, allowing communities to \"feel\" the health of their ecosystems.",[],{"_key":17148,"_type":11,"children":17149,"markDefs":17154,"style":24},"c1abd25d502e",[17150],{"_key":17151,"_type":15,"marks":17152,"text":17153},"a77256a6d1f60",[],"Current Research Interests",[],{"_key":17156,"_type":11,"children":17157,"level":468,"listItem":815,"markDefs":17162,"style":24},"babf76c12239",[17158],{"_key":17159,"_type":15,"marks":17160,"text":17161},"6e77003985ce0",[],"Experimental Governance & Policy Co-Creation: Researching how collective policy-writing can serve as a creative practice to build inclusive, transborder infrastructures.",[],{"_key":17164,"_type":11,"children":17165,"level":468,"listItem":815,"markDefs":17170,"style":24},"e917a9a9bcad",[17166],{"_key":17167,"_type":15,"marks":17168,"text":17169},"8e224542b3630",[],"Sovereign Observation: Investigating ways to shift environmental monitoring from top-down surveillance to community-led verification systems.",[],{"_key":17172,"_type":11,"children":17173,"level":468,"listItem":815,"markDefs":17185,"style":24},"21f9ccb4d7f0",[17174,17178,17181],{"_key":17175,"_type":15,"marks":17176,"text":17177},"b8140191753e0",[],"Post-Humanitarian Infrastructure: Exploring the role of underground economies, collective mourning (",{"_key":17179,"_type":15,"marks":17180,"text":5620},"b8140191753e2",[545],{"_key":17182,"_type":15,"marks":17183,"text":17184},"b8140191753e3",[],"), and self-reliance in the design of future planetary systems.",[],{"_key":17187,"_type":11,"children":17188,"level":468,"listItem":815,"markDefs":17193,"style":24},"507f52f4b2b0",[17189],{"_key":17190,"_type":15,"marks":17191,"text":17192},"fd5499f1cf900",[],"Transnational Data Ethics: Analyzing the privacy implications and \"Privacy-by-Design\" requirements of planetary-scale sensing in collaboration with institutions like CPDP Brussels and IMPAKT NL.",[],{"_key":17195,"_type":11,"children":17196,"markDefs":17201,"style":24},"1d67cafb0c65",[17197],{"_key":17198,"_type":15,"marks":17199,"text":17200},"5e46219176f50",[],"My practice currently scales through a series of 2026 fellowships, including the CultTech Lab (Vienna), School of Commons (Zurich), and the CODE Program (Brussels/Utrecht), where I continue to develop the \"International Sky Hub\" as a model for global互联 (interconnected) trust.",[],"Yidi is a systems artist and architect work through large scale infrastructure, transnational cryptography, defining the \"Critical Sovereign Cooperation\".\n",{"alt":75,"asset":17204},{"_id":17205,"height":17206,"orientation":684,"ratio":17207,"url":17208,"width":12790},"image-fe4a6579c4c0c3c49b02788cb7525744d2796390-664x692-jpg",692,0.9595375722543352,"https://cdn.sanity.io/images/eodip22e/production/fe4a6579c4c0c3c49b02788cb7525744d2796390-664x692.jpg",{"filterYear":17210},[17211],{"_id":86,"title":89},[17213,17215,17216,17219],{"_type":183,"label":574,"url":17214},"https://www.instagram.com/yidi.lola/",{"_type":183,"label":5628,"url":5637},{"_type":183,"label":17217,"url":17218},"Personal Linktree","https://linktr.ee/yidi.lola",{"_type":183,"label":184,"url":17220},"https://ete.institute/",{"locations":17222,"other":75},[17223,17225],{"_id":3516,"_type":190,"seo":75,"slug":17224,"title":3519},{"_type":77,"current":3518},{"_id":189,"_type":190,"seo":75,"slug":17226,"title":193},{"_type":77,"current":192},[17228,88],"yidi lola ",{"_type":77,"current":17230},"yidi-lola","Yidi Lola ",{"_id":17233,"_type":139,"activeYears":17234,"bio":17237,"bioShort":17246,"featuredImage":17247,"filterables":17250,"links":17253,"locations":17256,"searchables":17268,"seo":75,"slug":17269,"title":17248},"97d31855-ec7e-4c11-9395-24ed6799cee2",[17235],{"_id":101,"_type":83,"seo":75,"slug":17236,"title":104},{"_type":77,"current":103},[17238],{"_key":17239,"_type":11,"children":17240,"markDefs":17245,"style":24},"fc933799eb4c",[17241],{"_key":17242,"_type":15,"marks":17243,"text":17244},"aa9d1c2558bf0",[],"Through their work they try to (co)examine surroundings through recognizing fuzzy boundaries; highlighting through \"both\"/\"and also\", instead of \"either/or\"; seeing non-linear / non-binary / plural, and the necessity to operate from questions and possibilities instead of answers.",[],"Kas is an Amsterdam-based friend, artist, researcher, with roots in Central Asia, involved in various practices related to open/communal space and access to it. ",{"alt":17248,"asset":17249},"yourfriendkas",{"_id":331,"height":332,"orientation":174,"ratio":333,"url":334,"width":335},{"filterYear":17251},[17252],{"_id":101,"title":104},[17254],{"_type":183,"label":574,"url":17255},"https://www.instagram.com/yourfriendkas/",{"locations":17257,"other":17260},[17258],{"_id":189,"_type":190,"seo":75,"slug":17259,"title":193},{"_type":77,"current":192},[17261],{"_key":17262,"_type":11,"children":17263,"markDefs":17267,"style":24},"91292e44149a",[17264],{"_key":17265,"_type":15,"marks":17266,"text":347},"ef45fb0699ff",[],[],[17248,103],{"_type":77,"current":17248},{"_id":17271,"_type":139,"activeYears":17272,"bio":17275,"bioShort":17284,"featuredImage":17285,"filterables":17291,"links":17294,"locations":17300,"searchables":17313,"seo":75,"slug":17315,"title":17286},"29cf27e2-a5c2-491d-9c7c-d7c800943fdd",[17273],{"_id":91,"_type":83,"seo":75,"slug":17274,"title":94},{"_type":77,"current":93},[17276],{"_key":17277,"_type":11,"children":17278,"markDefs":17283,"style":24},"150f0ebb0c4c",[17279],{"_key":17280,"_type":15,"marks":17281,"text":17282},"f6a003fd2bac0",[],"I hold a BA in Fine Arts, a BS in Chemistry, and is currently completing my MFA at Zurich University of the Arts. I have received multiple grants during and after my studies and have participated in international residencies in Austria and China. my work has been exhibited widely across Switzerland, Germany, and China.\nMy artistic practice spans writing, performance, multimedia installations, Chinese ink painting, and calligraphy. This plurality of mediums in artistic practice is essential to how I integrate being a woman and reflecting on ecological issues—just as in real experience, where complexity arises from the entanglement of many forces.\nWriting enables me to articulate the visible gender bias embedded in languages structured by gender binary, as well as to expose the more subtle, often invisible asymmetries within the Chinese language. Calligraphy, unlike alphabetic writing that unfolds linear time perception, intimately incorporates the observation of nature into each stroke—embodying a philosophy of life in which every form, whether organic or inorganic, holds vitality. Similarly, in my Chinese ink paintings, I depict collapsing glaciers, withering lotus leaves, and mountains dissolving into rain, as a response to the vulnerability and ongoing shifts of ecological systems.\nIn performance, I explore the struggling of a woman navigating landscapes shaped by patriarchy, capitalism, and social media. My multimedia installations create immersive spaces in which I investigate one of the core philosophical questions of my work: how differing conceptions of time and space in Eastern and Western traditions inform our relationship with the environment. These conceptual “cracks” offer a moment of clarity—an opening to reimagine how ancient Eastern philosophies might guide new ecological ethics and actions.\nI explore art and science collaboration with a focus on sustainability, foregrounding overlooked women's experiences. My collaboration with ETH Zurich’s Grassland Science Group has been acclaimed in both the arts and sciences, receiving art grants for funding the research as well as bordering the outcome. and the project was selected for presentation at the eLTER Science Conference 2025.",[],"I am a visual artist and artistic researcher committed to equitable knowledge production.",{"alt":17286,"asset":17287},"Yue Wu",{"_id":17288,"height":1420,"orientation":684,"ratio":3140,"url":17289,"width":17290},"image-c7ceb3e1c738166901c1c7f10e6f5ec245164d44-1125x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/c7ceb3e1c738166901c1c7f10e6f5ec245164d44-1125x2000.jpg",1125,{"filterYear":17292},[17293],{"_id":91,"title":94},[17295,17298],{"_type":183,"label":17296,"url":17297},"Homepage","https://www.yuewu.website/",{"_type":183,"label":50,"url":17299},"https://www.instagram.com/yuew_u?igsh=ODdrMTMwZWtwM2lw",{"locations":17301,"other":17304},[17302],{"_id":189,"_type":190,"seo":75,"slug":17303,"title":193},{"_type":77,"current":192},[17305],{"_key":17306,"_type":11,"children":17307,"markDefs":17312,"style":24},"85630b069961",[17308],{"_key":17309,"_type":15,"marks":17310,"text":17311},"d0e67aac09960",[],"At the moment, I am exploring visa and residency options in various European countries, as well as citizenship policies in China’s first-tier cities. Both systems are highly complex and often unfriendly to non-EU citizens and to Chinese nationals alike. For instance, in Switzerland, non-EU graduates are granted only a six-month job-seeking visa, and each year, only 500 work permits are allocated to non-EU citizens—rarely for positions in the arts or cultural fields.\nGermany’s artist visa, while offering a one-year residency, has become less viable than in the past. With recent cuts to cultural funding—especially in Berlin—and a worsening economic climate, sustaining an artistic career there has grown increasingly precarious.\nI have started considering a return to China, where, as an international graduate, I may be eligible for Shanghai residency if I secure a job and pay social insurance for at least one year. However, China’s household registration (hukou) system is designed to regulate population flow into resource-rich cities due to limited access to education and healthcare. As a result, for many Chinese citizens, transferring official residency from one’s hometown to a major city is nearly impossible without property ownership or long-term employment.",[],[17314,93],"yue wu",{"_type":77,"current":17316},"yue-wu",{"_id":17318,"_type":139,"activeYears":17319,"bio":17324,"bioShort":17333,"featuredImage":75,"filterables":17334,"links":17338,"locations":17343,"searchables":17358,"seo":75,"slug":17360,"title":17362},"97b7d03b-c420-4199-a608-6e3dc3fd3f06",[17320,17322],{"_id":96,"_type":83,"seo":75,"slug":17321,"title":99},{"_type":77,"current":98},{"_id":91,"_type":83,"seo":75,"slug":17323,"title":94},{"_type":77,"current":93},[17325],{"_key":17326,"_type":11,"children":17327,"markDefs":17332,"style":24},"5e52e56c8013",[17328],{"_key":17329,"_type":15,"marks":17330,"text":17331},"4fce292f00db0",[],"Yuri is a multidisciplinary Brazilian artist living in Madrid whose work focuses on the investigation of contemporary narratives related to sonic ecologies through collective practices, sound art, installation, and performance. In early 2020, he co-founded the Institute for Postnatural Studies (IPS), a platform for critical thinking and a network that brings together artists and researchers concerned about the issues of the global ecological crisis. More actively, besides academic programming and content direction, he leads workshops with institutions and independent collectives experimenting with new pedagogical models at the crossroads between artistic practice, research, and ecology.",[],"Yuri is a multidisciplinary Brazilian artist living in Madrid whose work focuses on the investigation of contemporary narratives related to sonic ecologies through collective practices, sound art, installation, and performance. ",{"filterYear":17335},[17336,17337],{"_id":96,"title":99},{"_id":91,"title":94},[17339,17341],{"_type":183,"label":574,"url":17340},"https://www.instagram.com/ytuma/",{"_type":183,"label":17342,"url":7038},"Institute of Postnatural Studies Website",{"locations":17344,"other":17349},[17345,17347],{"_id":480,"_type":190,"seo":75,"slug":17346,"title":483},{"_type":77,"current":482},{"_id":189,"_type":190,"seo":75,"slug":17348,"title":193},{"_type":77,"current":192},[17350],{"_key":17351,"_type":11,"children":17352,"markDefs":17357,"style":24},"75254366404c",[17353],{"_key":17354,"_type":15,"marks":17355,"text":17356},"d55027b5493c0",[],"Living in Madrid",[],[17359,98,93],"yuri tuma",{"_type":77,"current":17361},"yuri-tuma","Yuri Tuma",{"_id":17364,"_type":139,"activeYears":17365,"bio":17372,"bioShort":17381,"featuredImage":75,"filterables":17382,"links":17387,"locations":17390,"searchables":17402,"seo":75,"slug":17404,"title":17406},"56955704-6355-45ea-8a24-0fcbf7a87940",[17366,17368,17370],{"_id":106,"_type":83,"seo":75,"slug":17367,"title":109},{"_type":77,"current":108},{"_id":101,"_type":83,"seo":75,"slug":17369,"title":104},{"_type":77,"current":103},{"_id":96,"_type":83,"seo":75,"slug":17371,"title":99},{"_type":77,"current":98},[17373],{"_key":17374,"_type":11,"children":17375,"markDefs":17380,"style":24},"5e2198e03d77",[17376],{"_key":17377,"_type":15,"marks":17378,"text":17379},"da7107e1da0b0",[],"During his carrier, he focused on the topics of gentrification, urban ecology, urban memory, and sustainable urban development. Yusuf places urban issues in the center of his artistic practices. He currently studies MA in Fine Arts at ZHdK.",[],"Yusuf is an urban planner and a contemporary artist from Turkey. He studied urban planning at Mimar Sinan Fine Arts University and at the Technical University of Vienna. ",{"filterYear":17383},[17384,17385,17386],{"_id":106,"title":109},{"_id":101,"title":104},{"_id":96,"title":99},[17388],{"_type":183,"label":574,"url":17389},"https://www.instagram.com/yusufrhan/",{"locations":17391,"other":17394},[17392],{"_id":189,"_type":190,"seo":75,"slug":17393,"title":193},{"_type":77,"current":192},[17395],{"_key":17396,"_type":11,"children":17397,"markDefs":17401,"style":24},"36a5f4eb7aba",[17398],{"_key":17399,"_type":15,"marks":17400,"text":4360},"396a9f93e4c0",[],[],[17403,108,103,98],"yusuf orhan",{"_type":77,"current":17405},"yusuf-orhan","Yusuf Orhan",{"_id":17408,"_type":139,"activeYears":17409,"bio":17412,"bioShort":17487,"featuredImage":75,"filterables":17488,"links":17491,"locations":17494,"searchables":17500,"seo":75,"slug":17502,"title":17504},"e2f7d57c-9be2-41d0-aade-6d76c2d61680",[17410],{"_id":101,"_type":83,"seo":75,"slug":17411,"title":104},{"_type":77,"current":103},[17413],{"_key":17414,"_type":11,"children":17415,"markDefs":17474,"style":24},"83ab7fcbe9db",[17416,17420,17425,17429,17434,17438,17443,17447,17452,17456,17461,17465,17470],{"_key":17417,"_type":15,"marks":17418,"text":17419},"6a2a1f686e84",[],"She is currently running the Istanbul Biennial’s ",{"_key":17421,"_type":15,"marks":17422,"text":17424},"a73ed16d311c",[17423],"84b288ad1a77","Production and Research Program",{"_key":17426,"_type":15,"marks":17427,"text":17428},"dff8a1f8325f",[]," and the Istanbul Cell of ",{"_key":17430,"_type":15,"marks":17431,"text":17433},"c219253445b0",[17432],"93b3fcfc85d8","Fellowship for Situated Practice",{"_key":17435,"_type":15,"marks":17436,"text":17437},"c390e8f9bba5",[]," organized by BAK Utrecht. Together with Köken Ergun, she is co-founder of ",{"_key":17439,"_type":15,"marks":17440,"text":17442},"28054a7cc5b0",[17441],"87f378396351","KIRIK",{"_key":17444,"_type":15,"marks":17445,"text":17446},"d82b961e3a23",[],", an initiative for people and topics in the cracks. She is on the editorial board of",{"_key":17448,"_type":15,"marks":17449,"text":17451},"531a7a314586",[17450],"e44965a16202"," Red Thread Journal",{"_key":17453,"_type":15,"marks":17454,"text":17455},"f026c59a45ec",[]," and also a member of",{"_key":17457,"_type":15,"marks":17458,"text":17460},"fecc482c4877",[17459],"681057ecc1f2"," The Institute of Radical Imagination",{"_key":17462,"_type":15,"marks":17463,"text":17464},"956e1273b85c",[],". She was part of the collective",{"_key":17466,"_type":15,"marks":17467,"text":17469},"17cc6114c11a",[17468],"749c64518154"," Dünyada Mekan (A Place on Earth)",{"_key":17471,"_type":15,"marks":17472,"text":17473},"7ffde4851819",[],", a self-organized solidarity space that provided freelancers with free working space. Zeyno has been involved in several initiatives for freedom of expression and art workers’ rights in Turkey, since 2011.",[17475,17477,17479,17481,17483,17485],{"_key":17423,"_type":41,"href":17476},"https://bienal.iksv.org/en/production-and-research-programme/about",{"_key":17432,"_type":41,"href":17478},"https://www.bakonline.org/nl/2021/09/03/other/announcing-the-bak-fellowship-for-situated-practice-2021-2022-fellows/",{"_key":17441,"_type":41,"href":17480},"https://kirikonline.org/en/about/",{"_key":17450,"_type":41,"href":17482},"http://red-thread.org/en/about/",{"_key":17459,"_type":41,"href":17484},"https://instituteofradicalimagination.org/",{"_key":17468,"_type":41,"href":17486},"https://dunyadamekan.wordpress.com/","Zeyno is an artist whose artistic interventions mostly take the form of videos and installations. 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