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It is envisaged as a collaborative research environment and public program dedicated to exploring commoning practices through the lens of architecture and spatial practice beyond disciplinary, geographic, and institutional boundaries. \n\nHow can we find zones of encounter, situated choreographies of commoning, across times and territories? \n\nThe series of public talks and encounters will bring together a diverse group of practitioners—architects, researchers, activists, and artists—who work at the intersections of commoning, community-based design, cultural heritage, and socio-ecological transformation. Through the sharing of research, practice, and stories, the formats developed through the series aim to uncover and speculate upon alternative architectural narratives that emerge from contested territories, peripheral geographies, and informal or collective spatial strategies. \n\nA red thread of questioning will ask: How can architectural and spatial practices respond to displacement, ecological crisis, and social marginalization and prefigure modes of dwelling in common across difference? What kinds of built environments and spatial imaginaries emerge from solidarity, memory, and repair? \n\nThe series, hosted at the artist-run project space of which we are members, will not just include public talks, but also screenings, workshops, roundtable discussions, and alternative happenings—crucially, an ethos of commoning will be embedded throughout the collective learning process, situated in place and the body, in attunement with non-human and non-industrial rhythms, we will invite the public collectivity to become co-researchers and co-protagonists of the documentary and forthcoming spatial narratives of commoning. We envisage that the program will engage with themes such as spatial practices of commoning, feminist urbanism, decolonial pedagogies, traditional construction techniques, the preservation of cultural heritage, and participatory restoration — alongside what evolves organically over the course of the year, shaped by the urgencies and contributions of its participants. \n\nContributors from various regions—including Turkey, Italy, Lebanon, Greece, New Zealand, and Germany—will bring lived experience and critical insights from their local contexts into shared dialogue. 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Imaginary Famagusta developed imaginaries of future commons with Greek Cypriot and Turkish Cypriot communities in Famagusta, a city divided for the past 52 years. Merve Gül Özokcu works on the commons, eco-feminist narratives and spatial justice, with Herkes İçin Mimarlık and Arazi Assembly across Turkey.\n",[],{"_key":794,"_type":11,"children":795,"markDefs":800,"style":24},"86453787f124",[796],{"_key":797,"_type":15,"marks":798,"text":799},"a420563e16f4",[],"Each practice presents its work, followed by a conversation moderated by ",[],{"_key":802,"_type":11,"children":803,"markDefs":808,"style":24},"7cc936d90ef8",[804],{"_key":805,"_type":15,"marks":806,"text":807},"4945c76a2153",[],"Melissa Harrison and Yelta Köm, and questions from the 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narratives of commoning","register here","how do people make something in common when the ground under them has been divided, closed off or abandoned?","a conversation with imaginary famagusta and merve gül özokcu\n\n\nhow do people make something in common when the ground under them has been divided, closed off or abandoned?\n\n\nfor the first public conversation of spatial narratives of commoning, we bring together two practices that build common ground on contested land. imaginary famagusta developed imaginaries of future commons with greek cypriot and turkish cypriot communities in famagusta, a city divided for the past 52 years. merve gül özokcu works on the commons, eco-feminist narratives and spatial justice, with herkes için mimarlık and arazi assembly across turkey.\n\n\neach practice presents its work, followed by a conversation moderated by \n\nmelissa harrison and yelta köm, and questions from the audience.",{"_type":77,"current":844},"spatial-narratives-of-commoning","How 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work centers how those at the margins heal and resist in the context of structural violence, exploring themes of interiority, interconnected solidarities, and affective becoming in everyday life.",[],"Loren, (she/?) is a writer, researcher, and PhD Candidate based at the University of Chicago. ",{"filterYear":896},[897],{"_id":881,"title":884},{"locations":899,"other":75},[900],{"_id":901,"_type":121,"seo":75,"slug":902,"title":904},"dd3e3abc-4ccb-4b7b-86ba-8bfeb7e4f9e4",{"_type":77,"current":903},"north-america","North America",[906,883],"loren beard",{"_type":77,"current":908},"loren-beard","Loren Beard",{"_id":911,"_type":576,"activeYears":912,"bio":915,"bioShort":924,"featuredImage":75,"filterables":925,"links":75,"locations":928,"searchables":941,"seo":75,"slug":943,"title":945},"f6bcb0c1-2d9d-48df-a2bf-c9768d4eeeac",[913],{"_id":579,"_type":580,"seo":75,"slug":914,"title":583},{"_type":77,"current":582},[916],{"_key":917,"_type":11,"children":918,"markDefs":923,"style":24},"bad5f736944b",[919],{"_key":920,"_type":15,"marks":921,"text":922},"c84ecf66f2300",[],"Sheila is a queer South Asian American therapist, educator, and researcher based in Chicago. She is curious about what can happen when two or more people gather together in mindful, embodied presence to speak and act honestly. Her work centers marginalized ways of knowing/being/doing to cultivate collective healing and transformation.",[],"Sheila is a queer South Asian American therapist, educator, and researcher. ",{"filterYear":926},[927],{"_id":579,"title":583},{"locations":929,"other":932},[930],{"_id":901,"_type":121,"seo":75,"slug":931,"title":904},{"_type":77,"current":903},[933],{"_key":934,"_type":11,"children":935,"markDefs":940,"style":24},"7177696cdde6",[936],{"_key":937,"_type":15,"marks":938,"text":939},"afea209ca7020",[],"Based in Chicago",[],[942,582],"sheila shankar ",{"_type":77,"current":944},"sheila-shankar","Sheila Shankar ",{"endDate":947,"other":948,"startDate":947},"2026-10-13","16:00 (BST) / 17:00 (CEST) / 10:00 (CST)",[950],{"_id":951,"_type":556,"dates":952,"featuredImage":955,"seo":75,"slug":963,"summary":965,"title":966},"286cc0eb-9dad-4a3f-968a-9e1899d03b0f",{"endDate":953,"other":954,"startDate":953},"2026-09-15","18:00- 19:30 (CEST)",{"alt":956,"asset":957},"https://cloud.servus.at/s/R6AmMSKeexCfcpG (highly compressed videos of two works by the artist, “bordercontrol.js (ongoing/wip)” and “Berlin Campus 2025)",{"_id":958,"height":959,"orientation":598,"ratio":960,"url":961,"width":962},"image-d9cecd723b1da5dcfc964a35584b179f37bb17d0-2110x1142-png",1142,1.8476357267950962,"https://cdn.sanity.io/images/eodip22e/production/d9cecd723b1da5dcfc964a35584b179f37bb17d0-2110x1142.png",2110,{"_type":77,"current":964},"text-only-home-page","This peer learning / skill sharing session is for multi-disciplinary artists who are interested in exploring text-based computer art / web interventions. An algorithm is control: it is completely defined and knowable (even if it is not known in practice). 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In an era of biomedical dominance, pharmaceuticals are also increasingly traversing the global commons – contributing to the broad formation of human pharmaceutical selves and entering into the bodies of aquatic life along the way. Gulf stream researchers, for instance, have identified nearly 60 medications within the bodies of fish in Florida waters, the primary fieldsite for this project. This discovery makes real the expansion of pharmaceutical selves beyond the human and into the aquatic, upending marine mating, migration patterns, and shoaling behaviors.",[],{"_key":1063,"_type":11,"children":1064,"markDefs":1069,"style":24},"48dcfe26e71e",[1065],{"_key":1066,"_type":15,"marks":1067,"text":1068},"7addb5debbe0",[],"Given such anthropogenic infringements, feminist, decolonial, and critical thinkers call for a restructuring of human-non-human relations. Poststructuralists like Guattari offer an “ecosophical” approach to relationally address three ecological registers: human subjectivity, social relations, and the environment. Taking heed of these registers, we ask: How are human and non-human subjectivities entangled in an era of pharmaceuticalization? With drugs acting as a contemporary human-non-human bridge, how can we re-imagine human-non-human healing across ecologies?",[],{"_key":1071,"_type":11,"children":1072,"markDefs":1077,"style":24},"38ff12de0fdf",[1073],{"_key":1074,"_type":15,"marks":1075,"text":1076},"a8b0d5d1bd6b",[],"This project coordinates social scientific and artistic methods to engage with these questions. It also moves to cultivate a shoaling-centered praxis, where shoaling occurs when fish relate in both independent and interdependent ways – akin to dolphin pods and flocks of birds. To do so, this project will pursue various routes of exploration, including “deep hanging out” with professional and citizen scientists, letter-writing to the aquatic, and the incorporation of plastic ephemera, fish sounds, and poetic reflections. Mimicking citizen science maps of microplastic water samples, it will culminate in a digital eco-archive, mapping relations across these materials. In doing so, it aspires towards a multi-sensorial, multi-perspectival piece that will form the Gulf Stream phase of this project.",[],[1079,1087],{"_key":1080,"_type":11,"children":1081,"markDefs":1086,"style":24},"8c355b22b70a",[1082],{"_key":1083,"_type":15,"marks":1084,"text":1085},"0df453c3b4e80",[],"How are human and non-human subjectivities entangled in an era of pharmaceuticalization? ",[],{"_key":1088,"_type":11,"children":1089,"markDefs":1094,"style":24},"4d8a1e460143",[1090],{"_key":1091,"_type":15,"marks":1092,"text":1093},"b4324b8d0dba",[],"With drugs acting as a contemporary human-non-human bridge, how can we re-imagine human-non-human healing across ecologies? ",[],[1096,883,1097,906,1098,1099,305,260,1100,1101],"pharma waters, pharma selves","north america","the oceans are a global commons – belonging to everyone, and no one, at the same time. in an era of biomedical dominance, pharmaceuticals are also increasingly traversing the global commons – contributing to the broad formation of human pharmaceutical selves and entering into the bodies of aquatic life along the way. gulf stream researchers, for instance, have identified nearly 60 medications within the bodies of fish in florida waters, the primary fieldsite for this project. this discovery makes real the expansion of pharmaceutical selves beyond the human and into the aquatic, upending marine mating, migration patterns, and shoaling behaviors.\n\ngiven such anthropogenic infringements, feminist, decolonial, and critical thinkers call for a restructuring of human-non-human relations. poststructuralists like guattari offer an “ecosophical” approach to relationally address three ecological registers: human subjectivity, social relations, and the environment. taking heed of these registers, we ask: how are human and non-human subjectivities entangled in an era of pharmaceuticalization? with drugs acting as a contemporary human-non-human bridge, how can we re-imagine human-non-human healing across ecologies?\n\nthis project coordinates social scientific and artistic methods to engage with these questions. it also moves to cultivate a shoaling-centered praxis, where shoaling occurs when fish relate in both independent and interdependent ways – akin to dolphin pods and flocks of birds. to do so, this project will pursue various routes of exploration, including “deep hanging out” with professional and citizen scientists, letter-writing to the aquatic, and the incorporation of plastic ephemera, fish sounds, and poetic reflections. mimicking citizen science maps of microplastic water samples, it will culminate in a digital eco-archive, mapping relations across these materials. in doing so, it aspires towards a multi-sensorial, multi-perspectival piece that will form the gulf stream phase of this project.","critical healing","artistic research","deep hanging out",{"_type":77,"current":1103},"pharma-waters-pharma-selves","Pharma waters, pharma selves",{"locations":1106,"other":1109},[1107],{"_id":144,"_type":121,"seo":75,"slug":1108,"title":147},{"_type":77,"current":146},[1110],{"_key":1111,"_type":11,"children":1112,"markDefs":1126,"style":24},"e62a9e9e43b9",[1113,1117,1122],{"_key":1114,"_type":15,"marks":1115,"text":1116},"4967490ceb41",[],"Public / ",{"_key":1118,"_type":15,"marks":1119,"text":1121},"76402ff88ebd0",[1120],"96fb73057ebe","Join us via zoom",{"_key":1123,"_type":15,"marks":1124,"text":1125},"76402ff88ebd1",[],".",[1127],{"_key":1120,"_type":41,"href":1128},"https://zhdk.zoom.us/j/65747718657?pwd=NGlYYnZiYm5oUDF5b1UrTFdncXJYQT09#success",[1130,1133,1175,1243],{"_type":813,"caption":75,"image":1131},{"alt":75,"asset":1132},{"_id":969,"height":636,"orientation":637,"ratio":638,"url":970,"width":640},{"_type":728,"settings":1134,"text":1135},{"textColumnCount":730},[1136,1144,1152,1160,1167],{"_key":1137,"_type":11,"children":1138,"markDefs":1143,"style":24},"abf87ed66f50",[1139],{"_key":1140,"_type":15,"marks":1141,"text":1142},"8199ab7ebe15",[],"Counter Care attends to the subversive, relational practices that sustain life under conditions designed to exhaust it. We work in response to systems and structures that unevenly distribute care, merging it with coercion, commodifying it, and sustaining it through devalued labor. Rooted in an intersectional feminist ethic, we take seriously the knowledge produced at these margins: the strategies, improvisations, and refusals that make life possible where institutions withdraw.",[],{"_key":1145,"_type":11,"children":1146,"markDefs":1151,"style":24},"c4547990c4da",[1147],{"_key":1148,"_type":15,"marks":1149,"text":1150},"3f1010ed4a130",[],"",[],{"_key":1153,"_type":11,"children":1154,"markDefs":1159,"style":24},"4f1eab06232d",[1155],{"_key":1156,"_type":15,"marks":1157,"text":1158},"1d0b1ea59b990",[],"Our core project is a living, open-access archive of strategies for survival, kinship, and transformation. The entries trace how marginalized communities craft networks of endurance, mutual aid, and care outside and against systems that work against them. We orient towards care as method and material: a means of unmaking domination and materializing possibility. To practice counter care is to refuse extraction, center interdependence, and compose against collapse.",[],{"_key":1161,"_type":11,"children":1162,"markDefs":1166,"style":24},"f50c809593e4",[1163],{"_key":1164,"_type":15,"marks":1165,"text":1150},"261c0a2282f50",[],[],{"_key":1168,"_type":11,"children":1169,"markDefs":1174,"style":24},"9279c9ff8c35",[1170],{"_key":1171,"_type":15,"marks":1172,"text":1173},"f9f12156cd620",[],"This project is an invitation to engage, contribute, and co-create a shared record of sustenance and resistance. What we build here is partial and ongoing, ever-shifting as the conditions it responds to shift. We return to it, revise it, and expand it as a site of praxis -- remaking what is possible to know and what is possible to do.",[],{"_type":728,"settings":1176,"text":1177},{"textColumnCount":730},[1178,1186,1193,1205,1212,1224,1231],{"_key":1179,"_type":11,"children":1180,"markDefs":1185,"style":24},"e23653b85ab8",[1181],{"_key":1182,"_type":15,"marks":1183,"text":1184},"c1f85f6cdef3",[],"This session spans three phases. We ask participants to arrive with curiosity about their care practices, and the improvisations, refusals, and solidarities that sustain them.",[],{"_key":1187,"_type":11,"children":1188,"markDefs":1192,"style":24},"832d66aeea6d",[1189],{"_key":1190,"_type":15,"marks":1191,"text":1150},"aabe5d12146f0",[],[],{"_key":1194,"_type":11,"children":1195,"markDefs":1204,"style":24},"7ee9ac17dd9e",[1196,1200],{"_key":1197,"_type":15,"marks":1198,"text":1199},"1220e83e2f0b0",[17],"Project overview: Naming the archive (30min)\n",{"_key":1201,"_type":15,"marks":1202,"text":1203},"0cb75c274faf0",[],"Loren and Sheila will introduce Counter Care as a concept and a living project. We will explore what it attends to, how it was made, and why it takes the form of an open-access archive. We’ll also trace the sociopolitical conditions which shape the project and share grounding materials as entry points into its lineage and vision.",[],{"_key":1206,"_type":11,"children":1207,"markDefs":1211,"style":24},"3bb55be3dca9",[1208],{"_key":1209,"_type":15,"marks":1210,"text":1150},"c17a1f48f0580",[],[],{"_key":1213,"_type":11,"children":1214,"markDefs":1223,"style":24},"45eaf2fb3cc9",[1215,1219],{"_key":1216,"_type":15,"marks":1217,"text":1218},"d3588dde8a610",[17],"Reflective exercise: What Is Counter Care? (30min)\n",{"_key":1220,"_type":15,"marks":1221,"text":1222},"23983147ae800",[],"Guided by the question \"How do you practice counter care?\", participants will be invited into a structured writing reflection, followed by small-group exchange. In these groups, we'll surface the range of knowledge and practices that participants carry with them.",[],{"_key":1225,"_type":11,"children":1226,"markDefs":1230,"style":24},"a04189287c03",[1227],{"_key":1228,"_type":15,"marks":1229,"text":1150},"4664799641150",[],[],{"_key":1232,"_type":11,"children":1233,"markDefs":1242,"style":24},"112c34794469",[1234,1238],{"_key":1235,"_type":15,"marks":1236,"text":1237},"73a20c99ca7f0",[17],"Group share out and feedforward (30min)",{"_key":1239,"_type":15,"marks":1240,"text":1241},"8ac3889fbaec",[],"\nWe will reconvene as a group to trace what emerged and close with feedforward. We’ll reflect on: What does this conversation make possible? What do we want to take into the archive, into our own work, into the commons we're building? Participants are welcome to contribute strategies, provocations, or questions to further shape the project.",[],{"_type":728,"settings":1244,"text":1245},{"textColumnCount":730},[1246,1260,1270,1277,1291,1298],{"_key":1247,"_type":11,"children":1248,"markDefs":1257,"style":24},"d23e571cf85a",[1249,1253],{"_key":1250,"_type":15,"marks":1251,"text":1252},"273ffa2e0c3b0",[],"Resources:\n\nPharma waters, pharma selves [2024] by ",{"_key":1254,"_type":15,"marks":1255,"text":909},"273ffa2e0c3b1",[1256],"a5efd1b04652",[1258],{"_key":1256,"_type":41,"href":1259},"https://schoolofcommons.org/community/profiles/loren-beard",{"_key":1261,"_type":11,"children":1262,"markDefs":1268,"style":24},"b83ad2ab1197",[1263],{"_key":1264,"_type":15,"marks":1265,"text":1267},"aba738395e530",[1266],"01c4a1193999","https://schoolofcommons.org/program/labs/pharma-waters-pharma-selves",[1269],{"_key":1266,"_type":41,"href":1267},{"_key":1271,"_type":11,"children":1272,"markDefs":1276,"style":24},"012cd8d911ae",[1273],{"_key":1274,"_type":15,"marks":1275,"text":1150},"da0a5a8aef870",[],[],{"_key":1278,"_type":11,"children":1279,"markDefs":1289,"style":24},"41641726df6d",[1280,1284],{"_key":1281,"_type":15,"marks":1282,"text":1283},"d5aa83c7a94e0",[],"Supplanting biophobic loneliness [2024] by Loren Beard and Sheila Shankar ",{"_key":1285,"_type":15,"marks":1286,"text":1288},"d5aa83c7a94e1",[1287],"e365e1d4adc8","https://www.logancenter.uchicago.edu/pitchit/loneliness",[1290],{"_key":1287,"_type":41,"href":1288},{"_key":1292,"_type":11,"children":1293,"markDefs":1297,"style":24},"87d7a0cabd6b",[1294],{"_key":1295,"_type":15,"marks":1296,"text":1150},"56d60292de300",[],[],{"_key":1299,"_type":11,"children":1300,"markDefs":1310,"style":24},"b40cb2557e8b",[1301,1305],{"_key":1302,"_type":15,"marks":1303,"text":1304},"f2ea0d5b876b0",[],"Closer to home // dream as dissent: a dialogue on Asian American feminist refusal, healing, and possibility [2025] by Sheila Shankar and Soo Young Lee ",{"_key":1306,"_type":15,"marks":1307,"text":1309},"f2ea0d5b876b1",[1308],"4b5924f988f8","https://irw.rutgers.edu/rejoinder-webjournal/issue-10-dissenting-feminisms/754-sheila-shankar-and-soo-young-lee-closer-to-home-dream-as-dissent-a-dialogue-on-asian-american-feminist-refusal-healing-and-possibility",[1311],{"_key":1308,"_type":41,"href":1309},[1313,146,1314,1315,1099,445,1316,200,1317,1318,1319,1320,1321,1322,906,942],"feedback session: counter care, facilitated by loren beard and sheila shankar","public / join us via zoom.","social medicine","constellations toward radical ecologies of care","learning environment / spaces of knowledge","alumn*","counter care attends to the subversive, relational practices that sustain life under conditions designed to exhaust it. we work in response to systems and structures that unevenly distribute care, merging it with coercion, commodifying it, and sustaining it through devalued labor. ","counter care attends to the subversive, relational practices that sustain life under conditions designed to exhaust it. we work in response to systems and structures that unevenly distribute care, merging it with coercion, commodifying it, and sustaining it through devalued labor. rooted in an intersectional feminist ethic, we take seriously the knowledge produced at these margins: the strategies, improvisations, and refusals that make life possible where institutions withdraw.\n\n\n\nour core project is a living, open-access archive of strategies for survival, kinship, and transformation. the entries trace how marginalized communities craft networks of endurance, mutual aid, and care outside and against systems that work against them. we orient towards care as method and material: a means of unmaking domination and materializing possibility. to practice counter care is to refuse extraction, center interdependence, and compose against collapse.\n\n\n\nthis project is an invitation to engage, contribute, and co-create a shared record of sustenance and resistance. what we build here is partial and ongoing, ever-shifting as the conditions it responds to shift. we return to it, revise it, and expand it as a site of praxis -- remaking what is possible to know and what is possible to do.","this session spans three phases. we ask participants to arrive with curiosity about their care practices, and the improvisations, refusals, and solidarities that sustain them.\n\n\n\nproject overview: naming the archive (30min)\nloren and sheila will introduce counter care as a concept and a living project. we will explore what it attends to, how it was made, and why it takes the form of an open-access archive. we’ll also trace the sociopolitical conditions which shape the project and share grounding materials as entry points into its lineage and vision.\n\n\n\nreflective exercise: what is counter care? (30min)\nguided by the question \"how do you practice counter care?\", participants will be invited into a structured writing reflection, followed by small-group exchange. in these groups, we'll surface the range of knowledge and practices that participants carry with them.\n\n\n\ngroup share out and feedforward (30min)\nwe will reconvene as a group to trace what emerged and close with feedforward. we’ll reflect on: what does this conversation make possible? what do we want to take into the archive, into our own work, into the commons we're building? participants are welcome to contribute strategies, provocations, or questions to further shape the project.","resources:\n\npharma waters, pharma selves [2024] by loren beard\n\nhttps://schoolofcommons.org/program/labs/pharma-waters-pharma-selves\n\n\n\nsupplanting biophobic loneliness [2024] by loren beard and sheila shankar https://www.logancenter.uchicago.edu/pitchit/loneliness\n\n\n\ncloser to home // dream as dissent: a dialogue on asian american feminist refusal, healing, and possibility [2025] by sheila shankar and soo young lee https://irw.rutgers.edu/rejoinder-webjournal/issue-10-dissenting-feminisms/754-sheila-shankar-and-soo-young-lee-closer-to-home-dream-as-dissent-a-dialogue-on-asian-american-feminist-refusal-healing-and-possibility",{"_type":77,"current":1324},"feedback-session-counter-care-facilitated-by-loren-beard-and-sheila-shankar","Counter Care attends to the subversive, relational practices that sustain life under conditions designed to exhaust it. We work in response to systems and structures that unevenly distribute care, merging it with coercion, commodifying it, and sustaining it through devalued labor. ","Feedback Session: Counter Care, facilitated by Loren Beard and Sheila Shankar",[1328],{"_id":100,"_type":97,"seo":75,"slug":1329,"title":103},{"_type":77,"current":102},{"_id":1331,"_type":556,"additionalDetails":1332,"categories":75,"credits":1341,"dates":1412,"events":1415,"featuredImage":1416,"filterables":1421,"labs":1426,"locations":1539,"pageBuilder":1552,"parentEvent":75,"searchables":1583,"seo":75,"slug":1588,"summary":1590,"title":1591,"types":1592},"0463f5e4-b074-4819-b97f-7c40019890b0",[1333],{"_key":1334,"_type":11,"children":1335,"markDefs":1340,"style":24},"f28169da982e",[1336],{"_key":1337,"_type":15,"marks":1338,"text":1339},"64b991ac17720",[],"Free — no tickets or experience required. Email georgia117(at)gmail.com for the location.",[],{"other":75,"profiles":1342},[1343],{"_id":1344,"_type":576,"activeYears":1345,"bio":1351,"bioShort":1377,"featuredImage":1378,"filterables":1386,"links":1389,"locations":1393,"searchables":1406,"seo":1408,"slug":1410,"title":1379},"3ba8f84e-f64a-4788-bd7f-4ee213cd575b",[1346],{"_id":1347,"_type":580,"seo":75,"slug":1348,"title":1350},"b46caacb-55c3-459f-ac66-1cc197382f9a",{"_type":77,"current":1349},"2025",2025,[1352],{"_key":1353,"_type":11,"children":1354,"markDefs":1376,"style":24},"cb7ea8630e1d",[1355,1359,1364,1368,1372],{"_key":1356,"_type":15,"marks":1357,"text":1358},"4b70dd217a4a0",[],"Shortwave Collective is an international feminist artist group using the radio spectrum as artistic material. We spend time together remotely and in hybrid forms, making, testing, and sharing. Through this collective practice, we have created a new design for a homemade, ecological, and open radio receiver that connects the listener to a fusion of natural radio emissions and many human-generated transmissions. A year after our founding, we published this design in MAKE magazine (2021) and have since delivered workshops nationally and internationally, developing new models through a participatory practice. During our public art project ",{"_key":1360,"_type":15,"marks":1361,"text":1363},"4b70dd217a4a1",[1362],"em","Living Radio Lab ",{"_key":1365,"_type":15,"marks":1366,"text":1367},"4b70dd217a4a2",[],"as part of Struer Tracks Biennial for Sound and Listening (2023), we invited festival-goers and local residents to develop simple amplifiers in oyster shells with us. We recently published reflections on our methodology for radio-listening as a plural, situated, and embodied endeavour in ",{"_key":1369,"_type":15,"marks":1370,"text":1371},"4b70dd217a4a3",[1362],"Bodies of Sound: Becoming a Feminist Ear ",{"_key":1373,"_type":15,"marks":1374,"text":1375},"4b70dd217a4a4",[],"(eds. Revell & Shin, 2024). We also shared our collective listening practice in a 22-hour radio broadcast for Radio Art Zone (2022), a 24-hour transmission for PAM Common Art Collective (2025), and a piece for BBC Short Cuts (2025).",[],"Shortwave Collective is an international feminist group using the electromagetic spectrum as artistic material. Active members: Alyssa Moxley, Brigitte Hart, Georgia Leigh-Münster, Hannah Kemp-Welch, Maria Papadomanolaki.",{"alt":1379,"asset":1380},"Shortwave Collective",{"_id":1381,"height":1382,"orientation":598,"ratio":1383,"url":1384,"width":1385},"image-0021fb6a0cbb93893ddcc7085fb4204a6f4840ee-964x636-png",636,1.5157232704402517,"https://cdn.sanity.io/images/eodip22e/production/0021fb6a0cbb93893ddcc7085fb4204a6f4840ee-964x636.png",964,{"filterYear":1387},[1388],{"_id":1347,"title":1350},[1390],{"_type":607,"label":1391,"url":1392},"shortwavecollective.net","http://www.shortwavecollective.net",{"locations":1394,"other":1397},[1395],{"_id":149,"_type":121,"seo":75,"slug":1396,"title":152},{"_type":77,"current":151},[1398],{"_key":1399,"_type":11,"children":1400,"markDefs":1405,"style":24},"8ef597b7adfe",[1401],{"_key":1402,"_type":15,"marks":1403,"text":1404},"43b8898fd2d2",[],"International",[],[1407,1349],"shortwave collective",{"metaDescription":1409,"metaTitle":1379,"shareImage":75},"A biography of Shortwave Collective as part of the School of Commons project.",{"_type":77,"current":1411},"shortwave-collective",{"endDate":1413,"other":1414,"startDate":1413},"2026-09-20","Central London · Afternoon low tide",[],{"alt":1417,"asset":1418},"Water Bodies  Organised by Georgia Leigh-Münster and Brigitte Hart",{"_id":1419,"height":636,"orientation":637,"ratio":638,"url":1420,"width":640},"image-d1a07e8808c1c1ed3e004fb23546188851d986c3-1080x1350-png","https://cdn.sanity.io/images/eodip22e/production/d1a07e8808c1c1ed3e004fb23546188851d986c3-1080x1350.png",{"filterCategory":75,"filterLocation":1422,"filterType":1424},[1423],{"_id":139,"title":142},[1425],{"_id":100,"title":103},[1427],{"_id":1428,"_type":107,"categories":1429,"credits":1437,"featuredImage":1477,"filterables":1480,"footnotes":1487,"locations":1488,"logbook":75,"pageBuilder":1492,"researchQuestion":75,"researchQuestions":75,"searchables":1534,"seo":75,"slug":1537,"title":1478,"year":1350},"d3d1357f-6f4b-4816-a632-f531f6afb8ca",[1430],{"_id":1431,"_type":155,"colorPrimary":1432,"seo":75,"slug":1434,"title":1436},"c06f01fd-3dc8-4f26-8faf-b555d48ee20c",{"label":569,"value":1433},"#ff0f00",{"_type":77,"current":1435},"radio","Radio",{"other":75,"profiles":1438},[1439],{"_id":1344,"_type":576,"activeYears":1440,"bio":1443,"bioShort":1377,"featuredImage":1457,"filterables":1459,"links":1462,"locations":1464,"searchables":1474,"seo":1475,"slug":1476,"title":1379},[1441],{"_id":1347,"_type":580,"seo":75,"slug":1442,"title":1350},{"_type":77,"current":1349},[1444],{"_key":1353,"_type":11,"children":1445,"markDefs":1456,"style":24},[1446,1448,1450,1452,1454],{"_key":1356,"_type":15,"marks":1447,"text":1358},[],{"_key":1360,"_type":15,"marks":1449,"text":1363},[1362],{"_key":1365,"_type":15,"marks":1451,"text":1367},[],{"_key":1369,"_type":15,"marks":1453,"text":1371},[1362],{"_key":1373,"_type":15,"marks":1455,"text":1375},[],[],{"alt":1379,"asset":1458},{"_id":1381,"height":1382,"orientation":598,"ratio":1383,"url":1384,"width":1385},{"filterYear":1460},[1461],{"_id":1347,"title":1350},[1463],{"_type":607,"label":1391,"url":1392},{"locations":1465,"other":1468},[1466],{"_id":149,"_type":121,"seo":75,"slug":1467,"title":152},{"_type":77,"current":151},[1469],{"_key":1399,"_type":11,"children":1470,"markDefs":1473,"style":24},[1471],{"_key":1402,"_type":15,"marks":1472,"text":1404},[],[],[1407,1349],{"metaDescription":1409,"metaTitle":1379,"shareImage":75},{"_type":77,"current":1411},{"alt":1478,"asset":1479},"Radio-dreaming into the Electromagnetic Commons",{"_id":1381,"height":1382,"orientation":598,"ratio":1383,"url":1384,"width":1385},{"filterCategory":1481,"filterLocation":1483,"filterYear":1485},[1482],{"_id":1431,"title":1436},[1484],{"_id":149,"title":152},[1486],{"_id":1347,"title":1350},[],{"locations":1489,"other":75},[1490],{"_id":149,"_type":121,"seo":75,"slug":1491,"title":152},{"_type":77,"current":151},[1493],{"_type":728,"settings":1494,"text":1495},{"textColumnCount":730},[1496,1504,1511,1519,1526],{"_key":1497,"_type":11,"children":1498,"markDefs":1503,"style":24},"9d5ee04b60b3",[1499],{"_key":1500,"_type":15,"marks":1501,"text":1502},"34e17066bc510",[],"Over the past five years, our work has focused on broad frequency radio reception: designing radio receivers, antennas and other devices that allow us to transduce the electromagnetic waves around us into sound. We’ve considered ‘plural’ ways of listening and developed a collective practice around radio-making. We’d now like to tune our research to consider what we hear—and what we don’t.",[],{"_key":1505,"_type":11,"children":1506,"markDefs":1510,"style":24},"7002ca3e8172",[1507],{"_key":1508,"_type":15,"marks":1509,"text":1150},"d4dc8aa04a780",[],[],{"_key":1512,"_type":11,"children":1513,"markDefs":1518,"style":24},"ec27c183654a",[1514],{"_key":1515,"_type":15,"marks":1516,"text":1517},"64b032d05e350",[],"The radio spectrum is partitioned into ‘bands’ of frequencies by international coordination and national regulation. Bands are allocated for different purposes, such as broadcasting, aviation, mobile networks, satellites and amateur communications. Though radio waves are infinite, the range of their frequencies is finite, making the spectrum a valuable resource. Corporations that rely on radio waves for their technological products (mobile networks, satellite firms, etc) lobby governments to prioritise their use. As such, control over frequency allocation is both a technical and a political issue.",[],{"_key":1520,"_type":11,"children":1521,"markDefs":1525,"style":24},"3012c8e58a72",[1522],{"_key":1523,"_type":15,"marks":1524,"text":1150},"20a09ac187f20",[],[],{"_key":1527,"_type":11,"children":1528,"markDefs":1533,"style":24},"7bbe255277b9",[1529],{"_key":1530,"_type":15,"marks":1531,"text":1532},"c1bca5fdf9500",[],"We stand with those communities who argue that radio waves, as a natural resource, are a global commons. Access to and use of the spectrum should be fair, transparent and equitable. Learning from the proposals for ‘electromagnetic commons’ by Soph Dyer (2017) as well as the advocacy of Celeste Oram (2024), our project aims to spark collective conversations on this topic and (re)imagine how spectrum could be shared. In so doing, we will think through methodologies for collective resource sharing, drawing from feminist theory and beyond.",[],[1535,1349,151,1407,1536,1435],"radio-dreaming into the electromagnetic commons","over the past five years, our work has focused on broad frequency radio reception: designing radio receivers, antennas and other devices that allow us to transduce the electromagnetic waves around us into sound. we’ve considered ‘plural’ ways of listening and developed a collective practice around radio-making. we’d now like to tune our research to consider what we hear—and what we don’t.\n\n\n\nthe radio spectrum is partitioned into ‘bands’ of frequencies by international coordination and national regulation. bands are allocated for different purposes, such as broadcasting, aviation, mobile networks, satellites and amateur communications. though radio waves are infinite, the range of their frequencies is finite, making the spectrum a valuable resource. corporations that rely on radio waves for their technological products (mobile networks, satellite firms, etc) lobby governments to prioritise their use. as such, control over frequency allocation is both a technical and a political issue.\n\n\n\nwe stand with those communities who argue that radio waves, as a natural resource, are a global commons. access to and use of the spectrum should be fair, transparent and equitable. learning from the proposals for ‘electromagnetic commons’ by soph dyer (2017) as well as the advocacy of celeste oram (2024), our project aims to spark collective conversations on this topic and (re)imagine how spectrum could be shared. in so doing, we will think through methodologies for collective resource sharing, drawing from feminist theory and beyond.",{"_type":77,"current":1538},"radio-dreaming",{"locations":1540,"other":1543},[1541],{"_id":139,"_type":121,"seo":75,"slug":1542,"title":142},{"_type":77,"current":141},[1544],{"_key":1545,"_type":11,"children":1546,"markDefs":1551,"style":24},"075c679567f3",[1547],{"_key":1548,"_type":15,"marks":1549,"text":1550},"df08b81ba84d",[],"1:30pm (BST) start",[],[1553,1580],{"_type":728,"settings":1554,"text":1555},{"textColumnCount":730},[1556,1564,1572],{"_key":1557,"_type":11,"children":1558,"markDefs":1563,"style":24},"f96ac483a219",[1559],{"_key":1560,"_type":15,"marks":1561,"text":1562},"0e597447ee940",[],"Join Georgia and Brigitte on the foreshore Sunday the 20th in central London, where we will explore the Thames' ecology and history at afternoon low tide. Delving into the waters, mud, currents, stories and life within and without, we'll meditate on the greater ecosystem of the water and the different ways we may sense into watery spaces.",[],{"_key":1565,"_type":11,"children":1566,"markDefs":1571,"style":24},"23c8b5f20076",[1567],{"_key":1568,"_type":15,"marks":1569,"text":1570},"a8d0825b85f10",[],"We invite you to dream into the waves with us 🌊",[],{"_key":1573,"_type":11,"children":1574,"markDefs":1579,"style":24},"d3344e886fbd_deduped_4",[1575],{"_key":1576,"_type":15,"marks":1577,"text":1578},"f726d7e98521",[],"Organised by Georgia Leigh-Münster and Brigitte Hart",[],{"_type":813,"caption":75,"image":1581},{"alt":75,"asset":1582},{"_id":1419,"height":636,"orientation":637,"ratio":638,"url":1420,"width":640},[1584,141,1585,1318,1586,1587,1407],"water bodies","1:30pm (bst) start","join us on the foreshore where we will explore the thames’ ecology and history at afternoon low tide. delving into the waters, mud, currents, stories and life within and without, we’ll meditate on the greater ecosystem of the water and the different ways we may sense into watery spaces.","join georgia and brigitte on the foreshore sunday the 20th in central london, where we will explore the thames' ecology and history at afternoon low tide. delving into the waters, mud, currents, stories and life within and without, we'll meditate on the greater ecosystem of the water and the different ways we may sense into watery spaces.\n\nwe invite you to dream into the waves with us 🌊\n\norganised by georgia leigh-münster and brigitte hart",{"_type":77,"current":1589},"water-bodies","Join us on the foreshore where we will explore the Thames’ ecology and history at afternoon low tide. Delving into the waters, mud, currents, stories and life within and without, we’ll meditate on the greater ecosystem of the water and the different ways we may sense into watery spaces.","Water Bodies",[1593],{"_id":100,"_type":97,"seo":75,"slug":1594,"title":103},{"_type":77,"current":102},{"_id":951,"_type":556,"additionalDetails":75,"categories":75,"credits":1596,"dates":1613,"events":1614,"featuredImage":1620,"filterables":1622,"labs":75,"locations":1627,"pageBuilder":1647,"parentEvent":75,"searchables":1777,"seo":75,"slug":1783,"summary":965,"title":966,"types":1784},{"other":1597,"profiles":75},[1598],{"_key":1599,"_type":11,"children":1600,"markDefs":1610,"style":24},"0e04f9f6402d",[1601,1606],{"_key":1602,"_type":15,"marks":1603,"text":1605},"20afb9cf763b",[1604],"d65c50894ab0","Sasha Kurlyka",{"_key":1607,"_type":15,"marks":1608,"text":1609},"c68f96b25c0f",[]," is a Berlin-based multidisciplinary artist working with text, participatory performance, web-based choreography, interactive installation, and figurative practice. Born in Ukraine, and having lived in the USA before Germany, they speak three languages somewhat well, and two more as a learner. Their mother-tongue is early-90s eastern-european economic anxiety.",[1611],{"_key":1604,"_type":41,"href":1612},"https://kurlyka.neocities.org/",{"endDate":953,"other":954,"startDate":953},[1615],{"_id":850,"_type":556,"dates":1616,"featuredImage":1617,"seo":75,"slug":1619,"summary":1325,"title":1326},{"endDate":947,"other":948,"startDate":947},{"alt":75,"asset":1618},{"_id":969,"height":636,"orientation":637,"ratio":638,"url":970,"width":640},{"_type":77,"current":1324},{"alt":956,"asset":1621},{"_id":958,"height":959,"orientation":598,"ratio":960,"url":961,"width":962},{"filterCategory":75,"filterLocation":1623,"filterType":1625},[1624],{"_id":144,"title":147},[1626],{"_id":100,"title":103},{"locations":1628,"other":1631},[1629],{"_id":144,"_type":121,"seo":75,"slug":1630,"title":147},{"_type":77,"current":146},[1632],{"_key":1633,"_type":11,"children":1634,"markDefs":1645,"style":24},"86ad3683abc2",[1635,1638,1642],{"_key":1636,"_type":15,"marks":1637,"text":1116},"da4e6f24e162",[],{"_key":1639,"_type":15,"marks":1640,"text":1121},"f5c03c80f149",[1641],"7232ee4e938a",{"_key":1643,"_type":15,"marks":1644,"text":1125},"d9657b0a7b02",[],[1646],{"_key":1641,"_type":41,"href":1128},[1648,1663,1742],{"_type":813,"caption":1649,"image":1661},[1650],{"_key":1651,"_type":11,"children":1652,"markDefs":1658,"style":24},"ce122219a3cb",[1653],{"_key":1654,"_type":15,"marks":1655,"text":1657},"97667ee968690",[1656],"f32ea26f37b6","Highly compressed videos of two works by the artist, “bordercontrol.js (ongoing/wip)” and “Berlin Campus 2025)",[1659],{"_key":1656,"_type":41,"href":1660},"https://cloud.servus.at/s/R6AmMSKeexCfcpG",{"alt":75,"asset":1662},{"_id":958,"height":959,"orientation":598,"ratio":960,"url":961,"width":962},{"_type":728,"settings":1664,"text":1665},{"textColumnCount":730},[1666,1682,1689,1697,1710,1722,1734],{"_key":1667,"_type":11,"children":1668,"markDefs":1681,"style":24},"bd6114ea9151",[1669,1673,1677],{"_key":1670,"_type":15,"marks":1671,"text":1672},"edf7714fdeb4",[],"This skill sharing session",{"_key":1674,"_type":15,"marks":1675,"text":1676},"be4e2c1af71b",[17]," ",{"_key":1678,"_type":15,"marks":1679,"text":1680},"6edfb59966a2",[],"is for multi-disciplinary artists who are interested in exploring text-based computer art / web interventions. An algorithm is control: it is completely defined and knowable (even if it is not known in practice). But then it meets reality: combinatorial scale, or randomness, and it is no longer controlled. This session is a space to discuss and reflect on our experience of and encounter with existing media, particularly text, in digital spaces; and for multi-disciplinary artists to consider how web-based text artworks or interventions could (or already do) fit into their practice.",[],{"_key":1683,"_type":11,"children":1684,"markDefs":1688,"style":24},"12d46b624624",[1685],{"_key":1686,"_type":15,"marks":1687,"text":1150},"8a3b742d71130",[],[],{"_key":1690,"_type":11,"children":1691,"markDefs":1696,"style":24},"8f0ee8076524",[1692],{"_key":1693,"_type":15,"marks":1694,"text":1695},"ab186c58d7c90",[17],"Structure :",[],{"_key":1698,"_type":11,"children":1699,"level":1033,"listItem":1708,"markDefs":1709,"style":24},"788d93f6cd60",[1700,1704],{"_key":1701,"_type":15,"marks":1702,"text":1703},"27d657848d070",[17],"Computer art minus computer: ",{"_key":1705,"_type":15,"marks":1706,"text":1707},"27d657848d071",[],"Input from historical and current examples of non-computational algorithmic art and writing; in context of genres of text-based work, including combinatorial poetry and ASCII art","bullet",[],{"_key":1711,"_type":11,"children":1712,"level":1033,"listItem":1708,"markDefs":1721,"style":24},"6fe85f3cd719",[1713,1717],{"_key":1714,"_type":15,"marks":1715,"text":1716},"d9050347fb360",[17],"Cultivating critical and creative readership: ",{"_key":1718,"_type":15,"marks":1719,"text":1720},"d9050347fb361",[],"Reflection & discussion exercises for “reading like a writer” as an approach to both creative writing and working with web-based text art as a medium",[],{"_key":1723,"_type":11,"children":1724,"level":1033,"listItem":1708,"markDefs":1733,"style":24},"6098e5af29c3",[1725,1729],{"_key":1726,"_type":15,"marks":1727,"text":1728},"a585853234710",[17],"Making, sharing, and documenting an interactive text-based web intervention: ",{"_key":1730,"_type":15,"marks":1731,"text":1732},"a585853234711",[],"No prior experience with web as a medium or code is required, though interest is a plus. Session includes a walkthrough using neocities for web hosting a static site with HTML and plain JavaScript to create an interactive text-based intervention, and then the ffmpeg tool to make documentation of text with screen recordings much smaller. If you have specific requests to include a particular other related tool, please get in touch!",[],{"_key":1735,"_type":11,"children":1736,"level":1033,"listItem":1708,"markDefs":1741,"style":24},"05edaa2d94c1",[1737],{"_key":1738,"_type":15,"marks":1739,"text":1740},"81abda28f47f0",[],"(This session will not cover generative AI or LLMs, these topics are out of scope.)",[],{"_type":728,"settings":1743,"text":1744},{"textColumnCount":730},[1745,1753],{"_key":1746,"_type":11,"children":1747,"markDefs":1752,"style":24},"a766ef56c59c",[1748],{"_key":1749,"_type":15,"marks":1750,"text":1751},"ee40c7412baf",[17],"Resources: ",[],{"_key":1754,"_type":11,"children":1755,"markDefs":1774,"style":24},"26d415967bf1",[1756,1760,1765,1769],{"_key":1757,"_type":15,"marks":1758,"text":1759},"827b20982f2d",[],"Francine Prose’s Reading Like a Writer\nLegacy Russell’s Glitch Feminism\n",{"_key":1761,"_type":15,"marks":1762,"text":1764},"61b45ba3f4ed",[1763],"26bd3bc84be1","https://smallfile.ca",{"_key":1766,"_type":15,"marks":1767,"text":1768},"0ecaba96da43",[],"\n",{"_key":1770,"_type":15,"marks":1771,"text":1773},"7b6c616ccbea",[1772],"bdf587ef8a28","https://kurlyka.neocities.org/campus",[1775,1776],{"_key":1763,"_type":41,"href":1764},{"_key":1772,"_type":41,"href":1773},[1778,146,1314,1318,1779,1780,1781,1782],"peer learning session: text only home page, facilitated by sasha kurlyka","this peer learning / skill sharing session is for multi-disciplinary artists who are interested in exploring text-based computer art / web interventions. an algorithm is control: it is completely defined and knowable (even if it is not known in practice). ","this skill sharing session is for multi-disciplinary artists who are interested in exploring text-based computer art / web interventions. an algorithm is control: it is completely defined and knowable (even if it is not known in practice). but then it meets reality: combinatorial scale, or randomness, and it is no longer controlled. this session is a space to discuss and reflect on our experience of and encounter with existing media, particularly text, in digital spaces; and for multi-disciplinary artists to consider how web-based text artworks or interventions could (or already do) fit into their practice.\n\n\n\nstructure :\n\ncomputer art minus computer: input from historical and current examples of non-computational algorithmic art and writing; in context of genres of text-based work, including combinatorial poetry and ascii art\n\ncultivating critical and creative readership: reflection & discussion exercises for “reading like a writer” as an approach to both creative writing and working with web-based text art as a medium\n\nmaking, sharing, and documenting an interactive text-based web intervention: no prior experience with web as a medium or code is required, though interest is a plus. session includes a walkthrough using neocities for web hosting a static site with html and plain javascript to create an interactive text-based intervention, and then the ffmpeg tool to make documentation of text with screen recordings much smaller. if you have specific requests to include a particular other related tool, please get in touch!\n\n(this session will not cover generative ai or llms, these topics are out of scope.)","resources: \n\nfrancine prose’s reading like a writer\nlegacy russell’s glitch feminism\nhttps://smallfile.ca\nhttps://kurlyka.neocities.org/campus","sasha kurlyka is a berlin-based multidisciplinary artist working with text, participatory performance, web-based choreography, interactive installation, and figurative practice. born in ukraine, and having lived in the usa before germany, they speak three languages somewhat well, and two more as a learner. their mother-tongue is early-90s eastern-european economic anxiety.",{"_type":77,"current":964},[1785],{"_id":100,"_type":97,"seo":75,"slug":1786,"title":103},{"_type":77,"current":102},{"_id":1788,"_type":556,"additionalDetails":1789,"categories":1798,"credits":1803,"dates":1838,"events":1841,"featuredImage":1842,"filterables":1850,"labs":75,"locations":1855,"pageBuilder":1865,"parentEvent":75,"searchables":2053,"seo":75,"slug":2059,"summary":1938,"title":1843,"types":2061},"1aa31f5d-4b8f-48e5-98da-9b923cf24123",[1790],{"_key":1791,"_type":11,"children":1792,"markDefs":1797,"style":24},"8038a844c8ab",[1793],{"_key":1794,"_type":15,"marks":1795,"text":1796},"91ed76be1656",[],"Please send your proposals to: studio.alterazioni@gmail.com",[],[1799],{"_id":383,"_type":155,"colorPrimary":1800,"seo":75,"slug":1802,"title":386},{"label":569,"value":1801},"#00f500",{"_type":77,"current":385},{"other":75,"profiles":1804},[1805],{"_id":1806,"_type":576,"activeYears":1807,"bio":1810,"bioShort":1819,"featuredImage":75,"filterables":1820,"links":1823,"locations":1829,"searchables":1833,"seo":75,"slug":1835,"title":1837},"4e105cfd-98df-4c28-9703-22ffb24e4507",[1808],{"_id":881,"_type":580,"seo":75,"slug":1809,"title":884},{"_type":77,"current":883},[1811],{"_key":1812,"_type":11,"children":1813,"markDefs":1818,"style":24},"3ea3c15c15c8",[1814],{"_key":1815,"_type":15,"marks":1816,"text":1817},"6c7a1a095fc20",[],"His work examines the interplay between art and action, as well as the concepts of “place” and “public space”, with references to cultural, social, historical and environmental contexts. David lives and works in Tuscany where he founded the Studio Alter’azioni – Commoning Arte e Cultura, Florence, which focuses on collective and commoning actions. Beginning in 2008, David has been working in a participatory manner with communities within diverse cultural contexts. Since 2012 David has been reflecting on the context of the Israeli-Palestine reality, through art projects and academic research, founding the MUNDI_Lab (Urban Design Interventions Lab) in 2016, where he researched the issues of Surveillance, Gentrification and Urban Memory in the shared public space of the city of Haifa. His work has been presented internationally and he has created site-specific projects in the UK, Greece, Poland, Israel, France, Italy (including the 53rd Venice Biennale), Brazil, and Germany.",[],"Co-founding member of Common Views, Dr. David Behar-Perahia (Born: Lyon, France) works on the seam between sculpture and architecture, in a site-specific manner, using a diversity of creative languages, such as sculpture, installation, performance, sound and video.",{"filterYear":1821},[1822],{"_id":881,"title":884},[1824,1827],{"_type":607,"label":1825,"url":1826}," @commonviews.art","https://www.instagram.com/commonviews.art/",{"_type":607,"label":608,"url":1828},"https://commonviews.art/",{"locations":1830,"other":75},[1831],{"_id":139,"_type":121,"seo":75,"slug":1832,"title":142},{"_type":77,"current":141},[1834,883],"david behar perahia",{"_type":77,"current":1836},"david-behar-perahia","David Behar Perahia",{"endDate":1839,"other":1840,"startDate":1839},"2026-09-07","Deadline September 7",[],{"alt":1843,"asset":1844},"Open Call: Commoning as a play form ",{"_id":1845,"height":1846,"orientation":637,"ratio":1847,"url":1848,"width":1849},"image-a4974ade3479b8bb6952ffbcfb862b14be6aee3a-1176x1330-png",1330,0.8842105263157894,"https://cdn.sanity.io/images/eodip22e/production/a4974ade3479b8bb6952ffbcfb862b14be6aee3a-1176x1330.png",1176,{"filterCategory":1851,"filterLocation":75,"filterType":1853},[1852],{"_id":383,"title":386},[1854],{"_id":100,"title":103},{"locations":75,"other":1856},[1857],{"_key":1858,"_type":11,"children":1859,"markDefs":1864,"style":24},"2cbd47e34d5b",[1860],{"_key":1861,"_type":15,"marks":1862,"text":1863},"1888271b7805",[],"Public (In Person) Le Cascine in Florence",[],[1866],{"_type":728,"settings":1867,"text":1868},{"textColumnCount":730},[1869,1884,1891,1909,1917,1925,1932,1940,1947,1955,1962,1970,1977,1985,1992,2000,2007,2014,2021,2029,2036],{"_key":1870,"_type":11,"children":1871,"markDefs":1881,"style":24},"4347149a9023",[1872,1876],{"_key":1873,"_type":15,"marks":1874,"text":1875},"334528f2a57e0",[],"Open call for online contributions for a SoC alumn* day of play, in collaboration with ",{"_key":1877,"_type":15,"marks":1878,"text":1880},"38facae4f571",[1879],"cceb17980853","Alter’azioni Firenze",[1882],{"_key":1879,"_type":41,"blank":42,"href":1883},"https://alterazionifirenze.substack.com",{"_key":1885,"_type":11,"children":1886,"markDefs":1890,"style":24},"18a8e62d0f09",[1887],{"_key":1888,"_type":15,"marks":1889,"text":1150},"2482c9864c2f0",[],[],{"_key":1892,"_type":11,"children":1893,"markDefs":1906,"style":24},"83cc5b242ebf",[1894,1898,1902],{"_key":1895,"_type":15,"marks":1896,"text":1897},"a7c6efd1445e0",[],"Play for the commons, commoning as a game form, convening by ",{"_key":1899,"_type":15,"marks":1900,"text":1837},"a7c6efd1445e1",[1901],"1ab4b844c44e",{"_key":1903,"_type":15,"marks":1904,"text":1905},"a7c6efd1445e2",[],", The Alter'azioni collective Care Group\n",[1907],{"_key":1901,"_type":41,"href":1908},"https://schoolofcommons.org/community/profiles/david-behar-perahia",{"_key":1910,"_type":11,"children":1911,"markDefs":1916,"style":24},"c996394fad5b",[1912],{"_key":1913,"_type":15,"marks":1914,"text":1915},"ec369a4540ee0",[],"Open call for online contributions for a SoC Alumn* day of play, in collaboration with Alter’azioni Firenze",[],{"_key":1918,"_type":11,"children":1919,"markDefs":1924,"style":24},"30739341bbc6",[1920],{"_key":1921,"_type":15,"marks":1922,"text":1923},"8dd6da7066670",[17],"Deadline September 7.",[],{"_key":1926,"_type":11,"children":1927,"markDefs":1931,"style":24},"262e2dcecf8a",[1928],{"_key":1929,"_type":15,"marks":1930,"text":1150},"8def8389ed990",[],[],{"_key":1933,"_type":11,"children":1934,"markDefs":1939,"style":24},"afb40449ab48",[1935],{"_key":1936,"_type":15,"marks":1937,"text":1938},"d30f45802b6a0",[],"We invite you to an event that aspires to bridge the joy of play, and an experiential process that delivers and communicates (indirectly) the basics of commoning.",[],{"_key":1941,"_type":11,"children":1942,"markDefs":1946,"style":24},"acb6e07861c0",[1943],{"_key":1944,"_type":15,"marks":1945,"text":1150},"d3cc277e0c9f0",[],[],{"_key":1948,"_type":11,"children":1949,"markDefs":1954,"style":24},"829ae15d424b",[1950],{"_key":1951,"_type":15,"marks":1952,"text":1953},"38b3abfec7050",[],"For this coming event, we are looking for online proposals for participatory, horizontal, collaborative and non competitive games that can deliver to the players not only joy and social belonging, but also give a sense of building up trust and indicating better future horizons for our communities.",[],{"_key":1956,"_type":11,"children":1957,"markDefs":1961,"style":24},"d58ce87d8e02",[1958],{"_key":1959,"_type":15,"marks":1960,"text":1150},"d84ae2ad06c50",[],[],{"_key":1963,"_type":11,"children":1964,"markDefs":1969,"style":24},"fded669110dd",[1965],{"_key":1966,"_type":15,"marks":1967,"text":1968},"118f0c216b320",[],"The day will be celebrated on the 24th of October 2026, in Florence, the day after, the 25th of October we will perform a live game session in the great park of Le Cascine in Florence.",[],{"_key":1971,"_type":11,"children":1972,"markDefs":1976,"style":24},"644246256649",[1973],{"_key":1974,"_type":15,"marks":1975,"text":1150},"8d4994e8b6870",[],[],{"_key":1978,"_type":11,"children":1979,"markDefs":1984,"style":24},"48fb16e2cab4",[1980],{"_key":1981,"_type":15,"marks":1982,"text":1983},"3a513568c5ac0",[],"The online session framework should be in the time span from 10 minutes the shortest to 25 minutes the longest. You are invited to activate the chat rooms for deeper participation). The audience will be the SoC Alumni group, local Florentines and anyone else that will join us (we kindly ask you to invite your colleagues and friends!).",[],{"_key":1986,"_type":11,"children":1987,"markDefs":1991,"style":24},"b00a37a28ab1",[1988],{"_key":1989,"_type":15,"marks":1990,"text":1150},"a4fb6f6c5a240",[],[],{"_key":1993,"_type":11,"children":1994,"markDefs":1999,"style":24},"c1e792c3df76",[1995],{"_key":1996,"_type":15,"marks":1997,"text":1998},"144807947c900",[],"Apart from the live program curated by Alter’azioni, we ask for online contributions by the SoC alumni and beyond!",[],{"_key":2001,"_type":11,"children":2002,"markDefs":2006,"style":24},"8b7d0d1102b2",[2003],{"_key":2004,"_type":15,"marks":2005,"text":1150},"d304821649fb0",[],[],{"_key":2008,"_type":11,"children":2009,"markDefs":2013,"style":24},"03d12d3dac03",[2010],{"_key":2011,"_type":15,"marks":2012,"text":1796},"d23bfcf5e75f0",[],[],{"_key":2015,"_type":11,"children":2016,"markDefs":2020,"style":24},"127b492701f6",[2017],{"_key":2018,"_type":15,"marks":2019,"text":1150},"9da84e12b4380",[],[],{"_key":2022,"_type":11,"children":2023,"markDefs":2028,"style":24},"cc4847042bab",[2024],{"_key":2025,"_type":15,"marks":2026,"text":2027},"90cdc39386710",[],"We are looking forward to your creative proposals, and creative participation!",[],{"_key":2030,"_type":11,"children":2031,"markDefs":2035,"style":24},"10fcbc339080",[2032],{"_key":2033,"_type":15,"marks":2034,"text":1150},"16d3846877d50",[],[],{"_key":2037,"_type":11,"children":2038,"markDefs":2051,"style":24},"a35d6f7ade1a",[2039,2043,2047],{"_key":2040,"_type":15,"marks":2041,"text":2042},"cb7995e719df0",[],"The Alter’azioni Collective Care Group (",{"_key":2044,"_type":15,"marks":2045,"text":1883},"cb7995e719df1",[2046],"5bab487fec29",{"_key":2048,"_type":15,"marks":2049,"text":2050},"cb7995e719df2",[],")",[2052],{"_key":2046,"_type":41,"href":1883},[2054,2055,2056,1318,2057,2058,1834],"open call: commoning as a play form ","public (in person) le cascine in florence","open call","we invite you to an event that aspires to bridge the joy of play, and an experiential process that delivers and communicates (indirectly) the basics of commoning.","open call for online contributions for a soc alumn* day of play, in collaboration with alter’azioni 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span from 10 minutes the shortest to 25 minutes the longest. you are invited to activate the chat rooms for deeper participation). the audience will be the soc alumni group, local florentines and anyone else that will join us (we kindly ask you to invite your colleagues and friends!).\n\n\n\napart from the live program curated by alter’azioni, we ask for online contributions by the soc alumni and beyond!\n\n\n\nplease send your proposals to: studio.alterazioni@gmail.com\n\n\n\nwe are looking forward to your creative proposals, and creative participation!\n\n\n\nthe alter’azioni collective care group 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to the study and development of self-organized knowledge through commons-based methods and practices.",[],"Global community-learning space.",{"alt":18,"asset":75},{"filterYear":2145},[2146,2147,2148,2149,2150,2151,2152,2153,2154],{"_id":2095,"title":2098},{"_id":2100,"title":2103},{"_id":2105,"title":2108},{"_id":2110,"title":2113},{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},[2156,2159],{"_type":607,"label":2157,"url":2158},"Substack","https://schoolofcommons.substack.com/",{"_type":607,"label":2160,"url":58},"Instagram",{"locations":2162,"other":75},[2163],{"_id":149,"_type":121,"seo":75,"slug":2164,"title":152},{"_type":77,"current":151},[2166,2097,2102,2107,2112,2117,2122,2127,883,1349],"school of 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2023, Amy has been part of the leadership team at the School of Commons, Zürcher Hochschule der Künste (ZHdK), overseeing the Publishing and Public Program. In 2024, she was appointed Deputy Director.",[],{"_key":2194,"_type":11,"children":2195,"markDefs":2200,"style":24},"3442c2eecba1",[2196],{"_key":2197,"_type":15,"marks":2198,"text":2199},"4812089ce313",[],"Amy Gowen is a writer, editor, and researcher, originally from Hereford, UK, now based in Rotterdam, NL.",[],{"_key":2202,"_type":11,"children":2203,"markDefs":2208,"style":24},"f5c882b06aeb",[2204],{"_key":2205,"_type":15,"marks":2206,"text":2207},"b94e5fc8b08f",[],"Her work, which takes shape and form through various forms of publishing, including: writing, radio, editing, and curating, uses the frameworks of commoning, self-organised practices, and alternative ways of working at its core.",[],{"_key":2210,"_type":11,"children":2211,"markDefs":2216,"style":24},"1909ad0deff3",[2212],{"_key":2213,"_type":15,"marks":2214,"text":2215},"56cfceab7073",[],"As part of her role at SoC she tends to the ‘Making Public’ programme trajectory, translating the processes and practices of the SoC programme into public outputs and publishing instances. 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It works as a navigational tool — connecting different sites of work, practice, and research in ways that can be picked up, reshaped, and reused far beyond SoC itself. Our approach is deliberately informal and against-the-grain, focused on the overlooked and underrepresented ways of working that don't usually get named.",[],{"_key":2414,"_type":11,"children":2415,"markDefs":2424,"style":24},"a35ba4ca11b9",[2416,2420],{"_key":2417,"_type":15,"marks":2418,"text":2419},"cedbd23af7fb0",[],"In this session, we'll explore how W&W has supported practices of self-organisation, and sit with a harder question underneath it: ",{"_key":2421,"_type":15,"marks":2422,"text":2423},"cedbd23af7fb1",[1362],"what does it mean to archive the in-between, the ephemeral, and the process — not just the finished outputs?",[],{"_key":2426,"_type":11,"children":2427,"markDefs":2432,"style":24},"6bb3c2239d7a",[2428],{"_key":2429,"_type":15,"marks":2430,"text":2431},"afc16ffb8ddc0",[],"What to expect:",[],{"_key":2434,"_type":11,"children":2435,"level":1033,"listItem":1708,"markDefs":2440,"style":24},"61ba50510740",[2436],{"_key":2437,"_type":15,"marks":2438,"text":2439},"f9c2d9d0f2740",[],"An introduction to Ways & Workings — what we mean by method, environment, and theme",[],{"_key":2442,"_type":11,"children":2443,"level":1033,"listItem":1708,"markDefs":2448,"style":24},"0bb900fab86e",[2444],{"_key":2445,"_type":15,"marks":2446,"text":2447},"b39b21180ce20",[],"A collective look through submissions from our recent Gathering in Zurich, read through navigational, supplementary, and reflective lenses",[],{"_key":2450,"_type":11,"children":2451,"level":1033,"listItem":1708,"markDefs":2456,"style":24},"59e40c97718f",[2452],{"_key":2453,"_type":15,"marks":2454,"text":2455},"ff14558043b90",[],"Open discussion on archiving process and the in-between",[],{"_key":2458,"_type":11,"children":2459,"level":1033,"listItem":1708,"markDefs":2464,"style":24},"0a2def24d749",[2460],{"_key":2461,"_type":15,"marks":2462,"text":2463},"4836a141ec940",[],"Space for personal reflection",[],{"_key":2466,"_type":11,"children":2467,"markDefs":2472,"style":24},"50d6a1ce86b5",[2468],{"_key":2469,"_type":15,"marks":2470,"text":2471},"bca9d8ca1ab00",[],"This workshop is open to the public — so bring a colleague, collaborator, or anyone curious about alternative ways of working and organising.",[],{"_type":728,"settings":2474,"text":2475},{"textColumnCount":730},[2476],{"_key":2477,"_type":11,"children":2478,"markDefs":2517,"style":24},"67bd9d44b783",[2479,2483,2488,2492,2496,2500,2505,2508,2512],{"_key":2480,"_type":15,"marks":2481,"text":2482},"7a8a172cba680",[17],"Resources: \n\nPresentation: ",{"_key":2484,"_type":15,"marks":2485,"text":2487},"9909e9cabcaf0",[2486],"657aa8ccd882","Ways & Workings ",{"_key":2489,"_type":15,"marks":2490,"text":2491},"1227a7c533420",[1362,2486],"What does it mean to archive the in-between, the ephemeral, and the process — not just the finished outputs?",{"_key":2493,"_type":15,"marks":2494,"text":2495},"9865cd241573",[1362],"\n\n",{"_key":2497,"_type":15,"marks":2498,"text":2499},"205bd67fe87e",[17],"Miro Board: ",{"_key":2501,"_type":15,"marks":2502,"text":2504},"d3027d976bb3",[2503],"7916a5b8a0c1","Ways & Workings",{"_key":2506,"_type":15,"marks":2507,"text":2495},"ee48ba6e9055",[],{"_key":2509,"_type":15,"marks":2510,"text":2511},"e2dc1bacf46e0",[17],"Visible as a Collective: ",{"_key":2513,"_type":15,"marks":2514,"text":2516},"c037f71c713c",[2515],"e0f3840d2187","Blog post",[2518,2520,2522],{"_key":2486,"_type":41,"blank":42,"href":2519}," https://docs.google.com/presentation/d/1SkzaD9sL3qSwdLQAPv-QEpoosBQz2WH9LMMm7j6Tpvc/edit",{"_key":2503,"_type":41,"href":2521},"https://miro.com/app/board/uXjVHtkoPXQ=/?share_link_id=307019256958",{"_key":2515,"_type":41,"href":2523},"https://schoolofcommons.org/making-public/blog/visible-as-a-collective",{"_type":813,"caption":75,"image":2525},{"alt":75,"asset":2526},{"_id":2527,"height":2528,"orientation":598,"ratio":2529,"url":2530,"width":2531},"image-86ffb683a78013bf3ddb22cacd1ef34c6508aa62-2926x614-png",614,4.765472312703583,"https://cdn.sanity.io/images/eodip22e/production/86ffb683a78013bf3ddb22cacd1ef34c6508aa62-2926x614.png",2926,{"_type":728,"settings":2533,"text":2534},{"textColumnCount":730},[2535,2543,2551,2559,2567,2575,2583,2591,2599,2607,2615,2623,2631,2639,2647,2655,2663,2671,2678],{"_key":2536,"_type":11,"children":2537,"markDefs":2542,"style":24},"8db4bd820916",[2538],{"_key":2539,"_type":15,"marks":2540,"text":2541},"aa982c1608ff",[17],"Seeded prompts:\n",[],{"_key":2544,"_type":11,"children":2545,"markDefs":2550,"style":24},"0cff1c4db7df",[2546],{"_key":2547,"_type":15,"marks":2548,"text":2549},"67d5dc70f434",[17],"1. What gets lost when we only archive “outputs” and not process?",[],{"_key":2552,"_type":11,"children":2553,"markDefs":2558,"style":24},"589735c287f2",[2554],{"_key":2555,"_type":15,"marks":2556,"text":2557},"0a2edcdf8823",[],"You might reflect on:",[],{"_key":2560,"_type":11,"children":2561,"markDefs":2566,"style":24},"01c49054012b",[2562],{"_key":2563,"_type":15,"marks":2564,"text":2565},"01c31ae3304e",[],"What part of your process do you protect from being made public—and why?",[],{"_key":2568,"_type":11,"children":2569,"markDefs":2574,"style":24},"f877050979dd",[2570],{"_key":2571,"_type":15,"marks":2572,"text":2573},"a4ef275132d0",[],"Which moments in your process feel most like “work” and which feel most like “living”? How do you move between them?",[],{"_key":2576,"_type":11,"children":2577,"markDefs":2582,"style":24},"1d4f109815fe",[2578],{"_key":2579,"_type":15,"marks":2580,"text":2581},"0496bd9de528",[17],"2. What would it mean to intentionally archive the ephemeral — the conversation, the mess, the false start?",[],{"_key":2584,"_type":11,"children":2585,"markDefs":2590,"style":24},"298e10587ca8",[2586],{"_key":2587,"_type":15,"marks":2588,"text":2589},"d6d65da98bb4",[],"You might consider:",[],{"_key":2592,"_type":11,"children":2593,"markDefs":2598,"style":24},"4bae22335781",[2594],{"_key":2595,"_type":15,"marks":2596,"text":2597},"ee970eb3238d",[],"If your process had a rhythm (not steps), how would you describe it? Where does it speed up, stall, loop, or break?",[],{"_key":2600,"_type":11,"children":2601,"markDefs":2606,"style":24},"1c701c5b7050",[2602],{"_key":2603,"_type":15,"marks":2604,"text":2605},"73a1700798c8",[],"What does your workflow assume about your time, energy, and care? Are those assumptions true for you right now?",[],{"_key":2608,"_type":11,"children":2609,"markDefs":2614,"style":24},"a70576928f9d",[2610],{"_key":2611,"_type":15,"marks":2612,"text":2613},"73d1de7703ee",[17],"3. Does archiving the in‑between change how self‑organised groups can learn from each other over time?",[],{"_key":2616,"_type":11,"children":2617,"markDefs":2622,"style":24},"0fee08606f3b",[2618],{"_key":2619,"_type":15,"marks":2620,"text":2621},"6b202d1f69a0",[],"You might think about:",[],{"_key":2624,"_type":11,"children":2625,"markDefs":2630,"style":24},"3f69fc1f3d3f",[2626],{"_key":2627,"_type":15,"marks":2628,"text":2629},"804bbfe74ee9",[],"Where does your workflow depend on other people’s invisible labour? How is that acknowledged, compensated, or hidden?",[],{"_key":2632,"_type":11,"children":2633,"markDefs":2638,"style":24},"f55d9b9cf7ec",[2634],{"_key":2635,"_type":15,"marks":2636,"text":2637},"bbb0b17bfe88",[],"What would need to change for you to share more of your process—or to decide consciously not to?",[],{"_key":2640,"_type":11,"children":2641,"markDefs":2646,"style":24},"735acb385a3a",[2642],{"_key":2643,"_type":15,"marks":2644,"text":2645},"b7716ddf1ed0",[17],"4. Can we think of examples where such archiving is taking place?",[],{"_key":2648,"_type":11,"children":2649,"markDefs":2654,"style":24},"812081aff65d",[2650],{"_key":2651,"_type":15,"marks":2652,"text":2653},"bfb918376382",[],"You might ask yourself:",[],{"_key":2656,"_type":11,"children":2657,"markDefs":2662,"style":24},"1051b8af5559",[2658],{"_key":2659,"_type":15,"marks":2660,"text":2661},"4f43b5123304",[],"If your workflow were a space (room, corridor, threshold), what would it feel like to move through it? Where are the bottlenecks, resting places, or dead ends?",[],{"_key":2664,"_type":11,"children":2665,"markDefs":2670,"style":24},"eff4d5bc1a10",[2666],{"_key":2667,"_type":15,"marks":2668,"text":2669},"cf3145a58c03",[],"What forms of documentation already exist in your practice that capture something of this “in‑between,” even informally?",[],{"_key":2672,"_type":11,"children":2673,"markDefs":2677,"style":24},"b4a2beaedbc6",[2674],{"_key":2675,"_type":15,"marks":2676,"text":1150},"1e310ebe5b16",[],[],{"_key":2679,"_type":11,"children":2680,"markDefs":2689,"style":24},"b72980301a95",[2681,2685],{"_key":2682,"_type":15,"marks":2683,"text":2684},"d3f44f4a24bc",[17],"A small practice note:",{"_key":2686,"_type":15,"marks":2687,"text":2688},"9b12695406bc",[]," what is one aspect of your in‑between that you want to start noticing, naming, or lightly documenting in the coming weeks—not as a manual, but as a living trace of your practice?",[],[2691,146,2692,112,2693,2694,2695,2696,2166,2279,2370],"making public: ways & workings","ways and workings","exploring the methods, environments, and themes shaping the soc cohort 2026.","ways & workings (w&w) is a methodology developed by school of commons that brings together the themes, methods, and environments shaping our learning and knowledge spaces. it works as a navigational tool — connecting different sites of work, practice, and research in ways that can be picked up, reshaped, and reused far beyond soc itself. our approach is deliberately informal and against-the-grain, focused on the overlooked and underrepresented ways of working that don't usually get named.\n\nin this session, we'll explore how w&w has supported practices of self-organisation, and sit with a harder question underneath it: what does it mean to archive the in-between, the ephemeral, and the process — not just the finished outputs?\n\nwhat to expect:\n\nan introduction to ways & workings — what we mean by method, environment, and theme\n\na collective look through submissions from our recent gathering in zurich, read through navigational, supplementary, and reflective lenses\n\nopen discussion on archiving process and the in-between\n\nspace for personal reflection\n\nthis workshop is open to the public — so bring a colleague, collaborator, or anyone curious about alternative ways of working and organising.","resources: \n\npresentation: ways & workings what does it mean to archive the in-between, the ephemeral, and the process — not just the finished outputs?\n\nmiro board: ways & workings\n\nvisible as a collective: blog post","seeded prompts:\n\n\n1. what gets lost when we only archive “outputs” and not process?\n\nyou might reflect on:\n\nwhat part of your process do you protect from being made public—and why?\n\nwhich moments in your process feel most like “work” and which feel most like “living”? 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is a Tunisian publisher/printmaker, researcher and cultural consultant. 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",{"filterYear":3099},[3100],{"_id":1347,"title":1350},[3102],{"_type":607,"label":2160,"url":3103},"https://www.instagram.com/broudou.school",{"locations":3105,"other":75},[3106],{"_id":124,"_type":121,"seo":75,"slug":3107,"title":127},{"_type":77,"current":126},[3109,1349],"sara bouzgarrou",{"_type":77,"current":3111},"sara-bouzgarrou",{"_id":2832,"_type":576,"activeYears":3113,"bio":3116,"bioShort":2860,"featuredImage":75,"filterables":3132,"links":3135,"locations":3137,"searchables":3147,"seo":75,"slug":3148,"title":2883},[3114],{"_id":1347,"_type":580,"seo":75,"slug":3115,"title":1350},{"_type":77,"current":1349},[3117,3122,3127],{"_key":2838,"_type":11,"children":3118,"markDefs":3121,"style":24},[3119],{"_key":2841,"_type":15,"marks":3120,"text":2843},[],[],{"_key":2846,"_type":11,"children":3123,"markDefs":3126,"style":24},[3124],{"_key":2849,"_type":15,"marks":3125,"text":1150},[],[],{"_key":2853,"_type":11,"children":3128,"markDefs":3131,"style":24},[3129],{"_key":2856,"_type":15,"marks":3130,"text":2858},[],[],{"filterYear":3133},[3134],{"_id":1347,"title":1350},[3136],{"_type":607,"label":2160,"url":2813},{"locations":3138,"other":3141},[3139],{"_id":124,"_type":121,"seo":75,"slug":3140,"title":127},{"_type":77,"current":126},[3142],{"_key":2872,"_type":11,"children":3143,"markDefs":3146,"style":24},[3144],{"_key":2875,"_type":15,"marks":3145,"text":2877},[],[],[2880,1349],{"_type":77,"current":2882},{"_id":3150,"_type":576,"activeYears":3151,"bio":3154,"bioShort":3177,"featuredImage":75,"filterables":3178,"links":3181,"locations":3183,"searchables":3187,"seo":75,"slug":3189,"title":3191},"95690075-c5b3-4306-81df-6c4cd1baee58",[3152],{"_id":1347,"_type":580,"seo":75,"slug":3153,"title":1350},{"_type":77,"current":1349},[3155,3163,3170],{"_key":3156,"_type":11,"children":3157,"markDefs":3162,"style":24},"13c4237cfa94",[3158],{"_key":3159,"_type":15,"marks":3160,"text":3161},"613ca05acd560",[],"Aziza is a Tunisian artist and designer who works with multiple mediums such as painting, photography and ceramics. Aziza’s work questions the place of design in the everyday Tunisian social context.",[],{"_key":3164,"_type":11,"children":3165,"markDefs":3169,"style":24},"333329f392c6",[3166],{"_key":3167,"_type":15,"marks":3168,"text":1150},"9b9de94e8fe5",[],[],{"_key":3171,"_type":11,"children":3172,"markDefs":3176,"style":24},"4008cac09e40",[3173],{"_key":3174,"_type":15,"marks":3175,"text":2858},"02672d19e3d4",[],[],"Aziza is a Tunisian artist and designer who works with multiple mediums such as painting, photography and ceramics.",{"filterYear":3179},[3180],{"_id":1347,"title":1350},[3182],{"_type":607,"label":2160,"url":2813},{"locations":3184,"other":75},[3185],{"_id":124,"_type":121,"seo":75,"slug":3186,"title":127},{"_type":77,"current":126},[3188,1349],"aziza gorgi",{"_type":77,"current":3190},"aziza-gorgi","Aziza Gorgi",{"_id":3193,"_type":576,"activeYears":3194,"bio":3197,"bioShort":3220,"featuredImage":75,"filterables":3221,"links":3224,"locations":3226,"searchables":3230,"seo":75,"slug":3232,"title":2789},"d2bd293a-4f35-41c1-ac4a-f819e4995f27",[3195],{"_id":1347,"_type":580,"seo":75,"slug":3196,"title":1350},{"_type":77,"current":1349},[3198,3206,3213],{"_key":3199,"_type":11,"children":3200,"markDefs":3205,"style":24},"13caf58d69dc",[3201],{"_key":3202,"_type":15,"marks":3203,"text":3204},"0afde1f1cd950",[],"Mary is a project coordinator, artist, and researcher whose experiences range from social work to project management, research design, and workshop facilitation.The themes of her artistic work often take a spatial approach to ecological and historical topics. Throughout her academic pathway, she has specialized in social-, ecological- and urban studies and is currently exploring forms of research and communication through the arts.",[],{"_key":3207,"_type":11,"children":3208,"markDefs":3212,"style":24},"3cc9afad3d78",[3209],{"_key":3210,"_type":15,"marks":3211,"text":1150},"b2d139404fdc",[],[],{"_key":3214,"_type":11,"children":3215,"markDefs":3219,"style":24},"8c97758eef1d",[3216],{"_key":3217,"_type":15,"marks":3218,"text":2858},"4f247d4d0888",[],[],"Mary is a project coordinator, artist, and researcher whose experiences range from social work to project management, research design, and workshop facilitation.",{"filterYear":3222},[3223],{"_id":1347,"title":1350},[3225],{"_type":607,"label":2160,"url":2813},{"locations":3227,"other":75},[3228],{"_id":124,"_type":121,"seo":75,"slug":3229,"title":127},{"_type":77,"current":126},[3231,1349],"mary sarsam",{"_type":77,"current":3233},"mary-sarsam",{"_id":3235,"_type":576,"activeYears":3236,"bio":3239,"bioShort":3262,"featuredImage":75,"filterables":3263,"links":3266,"locations":3268,"searchables":3272,"seo":75,"slug":3274,"title":2797},"4f3b4595-a96c-40a2-aedc-ef3a597baeec",[3237],{"_id":1347,"_type":580,"seo":75,"slug":3238,"title":1350},{"_type":77,"current":1349},[3240,3248,3255],{"_key":3241,"_type":11,"children":3242,"markDefs":3247,"style":24},"d903f9ffca82",[3243],{"_key":3244,"_type":15,"marks":3245,"text":3246},"a6f7d5eba3f20",[],"Emily is a Tunis based independent researcher, artist and cultural programer whose work revolves around independent publishing, sound, poetry and food. She is especially interested in the politics of olive oil, commoning practices in rural and agricultural contexts, and the impacts of colonialism on farming, food systems and eating habits.",[],{"_key":3249,"_type":11,"children":3250,"markDefs":3254,"style":24},"41d6abb95041",[3251],{"_key":3252,"_type":15,"marks":3253,"text":1150},"dd7ce34986c3",[],[],{"_key":3256,"_type":11,"children":3257,"markDefs":3261,"style":24},"a5967f7e7e90",[3258],{"_key":3259,"_type":15,"marks":3260,"text":2858},"03a22ecb2e10",[],[],"Emily is a Tunis based independent researcher, artist and cultural programer whose work revolves around independent publishing, sound, poetry and food. ",{"filterYear":3264},[3265],{"_id":1347,"title":1350},[3267],{"_type":607,"label":2160,"url":2813},{"locations":3269,"other":75},[3270],{"_id":124,"_type":121,"seo":75,"slug":3271,"title":127},{"_type":77,"current":126},[3273,1349],"emily sarsam",{"_type":77,"current":3275},"emily-sarsam",{"alt":75,"asset":3277},{"_id":3278,"height":3279,"orientation":598,"ratio":3280,"url":3281,"width":3282},"image-deaddc269f4c4571094473bfbb3df50d41f9d2ad-1126x542-png",542,2.077490774907749,"https://cdn.sanity.io/images/eodip22e/production/deaddc269f4c4571094473bfbb3df50d41f9d2ad-1126x542.png",1126,{"filterCategory":3284,"filterLocation":3290,"filterYear":3292},[3285,3286,3287,3288,3289],{"_id":418,"title":421},{"_id":203,"title":206},{"_id":248,"title":251},{"_id":2984,"title":2989},{"_id":213,"title":216},[3291],{"_id":124,"title":127},[3293],{"_id":1347,"title":1350},[],{"locations":3296,"other":3299},[3297],{"_id":124,"_type":121,"seo":75,"slug":3298,"title":127},{"_type":77,"current":126},[3300],{"_key":3301,"_type":11,"children":3302,"markDefs":3306,"style":24},"bee4e922c006",[3303],{"_key":3304,"_type":15,"marks":3305,"text":2825},"db6d497629cf0",[],[],[3308,3319,3330],{"_type":813,"caption":3309,"image":3317},[3310],{"_key":3311,"_type":11,"children":3312,"markDefs":3316,"style":24},"5c8d49178ece",[3313],{"_key":3314,"_type":15,"marks":3315,"text":2801},"5e574495b2690",[],[],{"alt":2801,"asset":3318},{"_id":3278,"height":3279,"orientation":598,"ratio":3280,"url":3281,"width":3282},{"_type":728,"settings":3320,"text":3321},{"textColumnCount":730},[3322],{"_key":3323,"_type":11,"children":3324,"markDefs":3329,"style":24},"b9d52759acc0",[3325],{"_key":3326,"_type":15,"marks":3327,"text":3328},"e9e1396e3daa0",[],"We wish to create a \"mobile food commons\" as part of SoC’s learning environment, a traveling pop-up space, online and offline gatherings that move between different communities to engage in workshops on harvesting, gardening, food preservation, and collective meals. This \"food lab\" could be a space where participants experiment with alternative food ways, share knowledge, co-create resources for commoning, and exchange about ecological systemic injustices. The mobile commons would allow for trans-local exchange, bringing together diverse voices and experiences while physically embodying the principles of \"Radical Sharing\", reciprocating local communities’ radical hospitality, and \"Commons-based methods\". This playful & experimental space could act as a living lab for reactivating ancestral knowledge & a bond with mother nature, and reimagining food systems as part of the broader effort to address climate change and ecological justice.",[],{"_type":728,"settings":3331,"text":3332},{"textColumnCount":730},[3333,3341,3349],{"_key":3334,"_type":11,"children":3335,"markDefs":3340,"style":24},"0a32275671e2",[3336],{"_key":3337,"_type":15,"marks":3338,"text":3339},"947aae593cf10",[],"Exploring \"Deep Hanging Out\" and \"Dialogic Decolonial Pedagogic Practice\" to build immersive, dialogic environments that link storytelling, sensory activities, and collective rituals like gardening and cooking. These practices will examine how food connects histories, bodies, and environments.",[],{"_key":3342,"_type":11,"children":3343,"markDefs":3348,"style":24},"bdc9f7723682",[3344],{"_key":3345,"_type":15,"marks":3346,"text":3347},"f0c52e58f5300",[],"A key component will be \"Field Work\", reframed as an artistic and communal act, involving visits to farms, markets, or gardens to co-create knowledge with communities addressing postcolonial and ecological challenges. Reflective practices using \"Constellations Toward Radical Ecologies of Care\" will deepen engagement with resilience, autonomy, and environmental justice themes.",[],{"_key":3350,"_type":11,"children":3351,"markDefs":3356,"style":24},"22733a9d34c9",[3352],{"_key":3353,"_type":15,"marks":3354,"text":3355},"133a34fb31c90",[],"Through this, we hope to nurture a pedagogy that bridges ecological awareness and creative collaboration, fostering old and new forms of care and resistance.",[],[3358,3369],{"_type":3359,"question":3360},"researchQuestion",[3361],{"_key":3362,"_type":11,"children":3363,"markDefs":3368,"style":24},"58667ed19596",[3364],{"_key":3365,"_type":15,"marks":3366,"text":3367},"46237107e4c20",[],"How can food sovereignty be redefined through community-driven practices that challenge colonial histories and neoliberal exploitation?",[],{"_type":3359,"question":3370},[3371],{"_key":3372,"_type":11,"children":3373,"markDefs":3378,"style":24},"50761c282fec",[3374],{"_key":3375,"_type":15,"marks":3376,"text":3377},"24e38211d8cb0",[],"How can decolonial education and creative research in the food sector catalyze broader conversations about resilience, justice, and ecological sustainability in the context of Tunisia’s environmental challenges?",[],[2828,1349,3380,3381,126,3382,2828,3109,2880,3188,3231,3273,3383,3384,3385,3386,3387,3388,1316],"how can food sovereignty be redefined through community-driven practices that challenge colonial histories and neoliberal exploitation?","how can decolonial education and creative research in the food sector catalyze broader conversations about resilience, justice, and ecological sustainability in the context of tunisia’s environmental challenges?","tunis","we wish to create a \"mobile food commons\" as part of soc’s learning environment, a traveling pop-up space, online and offline gatherings that move between different communities to engage in workshops on harvesting, gardening, food preservation, and collective meals. this \"food lab\" could be a space where participants experiment with alternative food ways, share knowledge, co-create resources for commoning, and exchange about ecological systemic injustices. the mobile commons would allow for trans-local exchange, bringing together diverse voices and experiences while physically embodying the principles of \"radical sharing\", reciprocating local communities’ radical hospitality, and \"commons-based methods\". this playful & experimental space could act as a living lab for reactivating ancestral knowledge & a bond with mother nature, and reimagining food systems as part of the broader effort to address climate change and ecological justice.","exploring \"deep hanging out\" and \"dialogic decolonial pedagogic practice\" to build immersive, dialogic environments that link storytelling, sensory activities, and collective rituals like gardening and cooking. these practices will examine how food connects histories, bodies, and environments.\n\na key component will be \"field work\", reframed as an artistic and communal act, involving visits to farms, markets, or gardens to co-create knowledge with communities addressing postcolonial and ecological challenges. reflective practices using \"constellations toward radical ecologies of care\" will deepen engagement with resilience, autonomy, and environmental justice themes.\n\nthrough this, we hope to nurture a pedagogy that bridges ecological awareness and creative collaboration, fostering old and new forms of care and resistance.","radical sharing","commons-based methods and practices","dialogic decolonial pedagogic practice","field work",{"_type":77,"current":2830},{"locations":3391,"other":75},[3392],{"_id":144,"_type":121,"seo":75,"slug":3393,"title":147},{"_type":77,"current":146},[3395,3562,3596],{"_type":728,"settings":3396,"text":3397},{"textColumnCount":730},[3398,3406,3414,3426,3434,3442,3458,3466,3482,3490,3498,3506,3514,3522,3530,3538,3546,3554],{"_key":3399,"_type":11,"children":3400,"markDefs":3405,"style":24},"6234bc85d90e",[3401],{"_key":3402,"_type":15,"marks":3403,"text":3404},"dda329e199a10",[17],"What if an exhibition could be planted rather than installed?",[],{"_key":3407,"_type":11,"children":3408,"markDefs":3413,"style":24},"00ea5d2c214d",[3409],{"_key":3410,"_type":15,"marks":3411,"text":3412},"218904c130970",[],"What if images, stories, recipes and conversations could scatter themselves across a digital landscape like seeds—some visible, some hiding close to the ground, waiting for the right conditions to be noticed?",[],{"_key":3415,"_type":11,"children":3416,"markDefs":3425,"style":24},"989fd362a65a",[3417,3421],{"_key":3418,"_type":15,"marks":3419,"text":3420},"70117ae5a9120",[1362],"Food, Seeds and Solidarity",{"_key":3422,"_type":15,"marks":3423,"text":3424},"70117ae5a9121",[]," gathers practices of growing, cooking, remembering and sharing around food as a commons.",[],{"_key":3427,"_type":11,"children":3428,"markDefs":3433,"style":24},"f18333103c41",[3429],{"_key":3430,"_type":15,"marks":3431,"text":3432},"1b3c18dcc13b0",[],"Here, food is never simply something on a plate. It connects us to land, water, labour, migration, memory and politics; it is a living archive of where we come from and how we have learned to survive. Seeds, too, are more than botanical matter. They travel with people, cross borders, disappear into pockets and suitcases, are exchanged, protected, saved and replanted. A seed can carry a landscape with it.",[],{"_key":3435,"_type":11,"children":3436,"markDefs":3441,"style":24},"d62b9b0bcbc4",[3437],{"_key":3438,"_type":15,"marks":3439,"text":3440},"002382daf9f60",[],"The exhibition moves through the work of Broudou School as a mobile food commons—a travelling kitchen, temporary shelter and space of encounter where knowledge is gathered by walking, listening, cooking, tasting and making together.",[],{"_key":3443,"_type":11,"children":3444,"markDefs":3457,"style":24},"4d1f10d56154",[3445,3449,3453],{"_key":3446,"_type":15,"marks":3447,"text":3448},"342c799139470",[],"There are recipes here, but they refuse to behave like instructions. They are closer to living documents—changing as they travel, absorbing new ingredients, memories and circumstances. ",{"_key":3450,"_type":15,"marks":3451,"text":3452},"342c799139471",[1362],"Food for Thought",{"_key":3454,"_type":15,"marks":3455,"text":3456},"342c799139472",[],", initiated by Al Mouhit in Tunis, brings together dishes shaped by journeys between Italy, Palestine, Libya, Thailand and Tunisia, asking what happens to a recipe when it migrates. A dish can become a map; a meal, a history lesson; a kitchen, an archive.",[],{"_key":3459,"_type":11,"children":3460,"markDefs":3465,"style":24},"c20e42adba91",[3461],{"_key":3462,"_type":15,"marks":3463,"text":3464},"bd137687567b0",[],"Elsewhere, the humble spontaneous plant makes an appearance. The plants we might call weeds (or simply fail to notice) begin to look different when we slow down. They grow where they are not expected, resisting our neat ideas of what belongs and what should be controlled. The idea of “resistance plants” emerged through this encounter, even imagining wild plants transformed into colourful sweets: falfoul, perhaps, as a small edible rebellion.",[],{"_key":3467,"_type":11,"children":3468,"markDefs":3481,"style":24},"02da1f9f56ca",[3469,3473,3477],{"_key":3470,"_type":15,"marks":3471,"text":3472},"9644c1b4111f0",[],"Seeds similarly resist disappearance. ",{"_key":3474,"_type":15,"marks":3475,"text":3476},"9644c1b4111f1",[1362],"Seed Season",{"_key":3478,"_type":15,"marks":3479,"text":3480},"9644c1b4111f2",[]," brought together conversations around food sovereignty, diasporic seeds, community seed saving and the rights to seeds. To preserve a seed is not only to store it. A living seed must be planted, cared for, exchanged and allowed to continue.",[],{"_key":3483,"_type":11,"children":3484,"markDefs":3489,"style":24},"7a80e7bfd7bf",[3485],{"_key":3486,"_type":15,"marks":3487,"text":3488},"407963184d580",[],"The urgency of these questions becomes especially palpable in relation to Palestine and Lebanon, where food, land and sovereignty are inseparable from histories of dispossession, ecological destruction, displacement and survival. Here, saving a seed can become an act of continuity; growing, cooking and sharing can become forms of care and resistance.",[],{"_key":3491,"_type":11,"children":3492,"markDefs":3497,"style":24},"b798e228c673",[3493],{"_key":3494,"_type":15,"marks":3495,"text":3496},"d4e46754c10e0",[],"The exhibition itself follows this logic. Its fragments are dispersed rather than neatly arranged: photographs, conversations, recipes, plants and reflections appear across the page, asking the visitor to pause, wander and make connections. This density is deliberate. Knowledge, like food, is something to be passed hand to hand, mouth to mouth, person to person.",[],{"_key":3499,"_type":11,"children":3500,"markDefs":3505,"style":24},"d3860e849d2e",[3501],{"_key":3502,"_type":15,"marks":3503,"text":3504},"c40501905bb70",[],"So stay a little longer.",[],{"_key":3507,"_type":11,"children":3508,"markDefs":3513,"style":24},"1dc467011ae9",[3509],{"_key":3510,"_type":15,"marks":3511,"text":3512},"4452023d1e780",[],"Read another story.",[],{"_key":3515,"_type":11,"children":3516,"markDefs":3521,"style":24},"ff20881b6fb9",[3517],{"_key":3518,"_type":15,"marks":3519,"text":3520},"8eb480b88d660",[],"Follow a seed.",[],{"_key":3523,"_type":11,"children":3524,"markDefs":3529,"style":24},"d92e18238178",[3525],{"_key":3526,"_type":15,"marks":3527,"text":3528},"3f6dc16587c20",[],"Imagine a flavour that might disappear.",[],{"_key":3531,"_type":11,"children":3532,"markDefs":3537,"style":24},"36f3e0d71b0f",[3533],{"_key":3534,"_type":15,"marks":3535,"text":3536},"313b502833530",[],"Notice the plant growing at the edge of the path.",[],{"_key":3539,"_type":11,"children":3540,"markDefs":3545,"style":24},"49613d9b12f5",[3541],{"_key":3542,"_type":15,"marks":3543,"text":3544},"83a263498f5e0",[],"Perhaps pick up a recipe.",[],{"_key":3547,"_type":11,"children":3548,"markDefs":3553,"style":24},"ab3f48366eee",[3549],{"_key":3550,"_type":15,"marks":3551,"text":3552},"1a221bf76bf20",[],"Perhaps pass it on.",[],{"_key":3555,"_type":11,"children":3556,"markDefs":3561,"style":24},"ff323d4613cc",[3557],{"_key":3558,"_type":15,"marks":3559,"text":3560},"76272929d5e90",[],"Something might take root.",[],{"_type":3563,"caption":3564,"embedCode":3595},"embedBlock",[3565],{"_key":3566,"_type":11,"children":3567,"markDefs":3590,"style":24},"350cf00a636d",[3568,3572,3576,3581,3585],{"_key":3569,"_type":15,"marks":3570,"text":3571},"8016550de1bd1",[],"Take an e-walk and discover more insights from Cyrine through the online show titled ",{"_key":3573,"_type":15,"marks":3574,"text":3575},"8016550de1bd3",[1362],"“",{"_key":3577,"_type":15,"marks":3578,"text":3580},"8016550de1bd4",[1362,3579],"79c595efc4e0","Food, Seeds and Solidarity”",{"_key":3582,"_type":15,"marks":3583,"text":3584},"8016550de1bd5",[]," at ",{"_key":3586,"_type":15,"marks":3587,"text":3589},"8016550de1bd8",[3588],"a57b74fe3f91","Studio106LA.",[3591,3593],{"_key":3579,"_type":41,"href":3592},"https://www.studio1-0-6.com/food-seeds-and-solidarity",{"_key":3588,"_type":41,"href":3594},"https://studio1-0-6.com/","\u003Ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/Jm6dIkekLMQ?si=sODzMuUNhlhBBoES\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C/iframe>",{"_type":728,"settings":3597,"text":3598},{"textColumnCount":730},[3599],{"_key":3600,"_type":11,"children":3601,"markDefs":3606,"style":24},"400c0f32b308",[3602],{"_key":3603,"_type":15,"marks":3604,"text":3605},"dead951c580f0",[],"https://substack.com/home/post/p-211680149",[],[3608,146,2692,200,1318,3609,3610,3605,2828,2880,2944],"food, seeds and solidarity","explore food as commons in conversation with broudou school collective's member and soc alumn* cyrine ghrissi.","what if an exhibition could be planted rather than installed?\n\nwhat if images, stories, recipes and conversations could scatter themselves across a digital landscape like seeds—some visible, some hiding close to the ground, waiting for the right conditions to be noticed?\n\nfood, seeds and solidarity gathers practices of growing, cooking, remembering and sharing around food as a commons.\n\nhere, food is never simply something on a plate. it connects us to land, water, labour, migration, memory and politics; it is a living archive of where we come from and how we have learned to survive. seeds, too, are more than botanical matter. they travel with people, cross borders, disappear into pockets and suitcases, are exchanged, protected, saved and replanted. a seed can carry a landscape with it.\n\nthe exhibition moves through the work of broudou school as a mobile food commons—a travelling kitchen, temporary shelter and space of encounter where knowledge is gathered by walking, listening, cooking, tasting and making together.\n\nthere are recipes here, but they refuse to behave like instructions. they are closer to living documents—changing as they travel, absorbing new ingredients, memories and circumstances. food for thought, initiated by al mouhit in tunis, brings together dishes shaped by journeys between italy, palestine, libya, thailand and tunisia, asking what happens to a recipe when it migrates. a dish can become a map; a meal, a history lesson; a kitchen, an archive.\n\nelsewhere, the humble spontaneous plant makes an appearance. the plants we might call weeds (or simply fail to notice) begin to look different when we slow down. they grow where they are not expected, resisting our neat ideas of what belongs and what should be controlled. the idea of “resistance plants” emerged through this encounter, even imagining wild plants transformed into colourful sweets: falfoul, perhaps, as a small edible rebellion.\n\nseeds similarly resist disappearance. seed season brought together conversations around food sovereignty, diasporic seeds, community seed saving and the rights to seeds. to preserve a seed is not only to store it. a living seed must be planted, cared for, exchanged and allowed to continue.\n\nthe urgency of these questions becomes especially palpable in relation to palestine and lebanon, where food, land and sovereignty are inseparable from histories of dispossession, ecological destruction, displacement and survival. here, saving a seed can become an act of continuity; growing, cooking and sharing can become forms of care and resistance.\n\nthe exhibition itself follows this logic. its fragments are dispersed rather than neatly arranged: photographs, conversations, recipes, plants and reflections appear across the page, asking the visitor to pause, wander and make connections. this density is deliberate. knowledge, like food, is something to be passed hand to hand, mouth to mouth, person to person.\n\nso stay a little longer.\n\nread another story.\n\nfollow a seed.\n\nimagine a flavour that might disappear.\n\nnotice the plant growing at the edge of the path.\n\nperhaps pick up a recipe.\n\nperhaps pass it on.\n\nsomething might take root.",{"_type":77,"current":3612},"food-seeds-and-solidarity","Explore food as commons in conversation with Broudou School collective's member and SoC alumn* Cyrine Ghrissi.",[3615],{"_id":100,"_type":97,"seo":75,"slug":3616,"title":103},{"_type":77,"current":102},{"_id":3618,"_type":556,"additionalDetails":75,"categories":3619,"credits":3627,"dates":4044,"events":4047,"featuredImage":4048,"filterables":4056,"labs":4064,"locations":11069,"pageBuilder":11073,"parentEvent":75,"searchables":11160,"seo":75,"slug":11165,"summary":11167,"title":4049,"types":11168},"89740932-d24e-44d2-90b0-c5a67efaa5be",[3620,3624],{"_id":283,"_type":155,"colorPrimary":3621,"seo":75,"slug":3623,"title":286},{"label":569,"value":3622},"#ff2828",{"_type":77,"current":285},{"_id":533,"_type":155,"colorPrimary":3625,"seo":75,"slug":3626,"title":536},{"label":569,"value":2087},{"_type":77,"current":535},{"other":75,"profiles":3628},[3629,3735,3828,3907,3981],{"_id":3630,"_type":576,"activeYears":3631,"bio":3642,"bioShort":3649,"featuredImage":3696,"filterables":3704,"links":3711,"locations":3719,"searchables":3731,"seo":75,"slug":3733,"title":3697},"53278af7-9a90-4532-b7ef-1664b3e25a06",[3632,3634,3636,3638,3640],{"_id":2120,"_type":580,"seo":75,"slug":3633,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":3635,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":3637,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":3639,"title":1350},{"_type":77,"current":1349},{"_id":579,"_type":580,"seo":75,"slug":3641,"title":583},{"_type":77,"current":582},[3643,3651,3666,3674,3682,3689],{"_key":3644,"_type":11,"children":3645,"markDefs":3650,"style":24},"60546bec4c41",[3646],{"_key":3647,"_type":15,"marks":3648,"text":3649},"e845bc17b9ea",[],"Since 2022, Gabriel has been part of the leadership team at the School of Commons, Zürcher Hochschule der Künste (ZHdK), and oversees the Peer Learning Program.",[],{"_key":3652,"_type":11,"children":3653,"markDefs":3665,"style":24},"63cb8708ad5e",[3654,3658,3661],{"_key":3655,"_type":15,"marks":3656,"text":3657},"09c4a764c0c7",[],"Gabriel",{"_key":3659,"_type":15,"marks":3660,"text":1676},"1e1998a46d82",[17],{"_key":3662,"_type":15,"marks":3663,"text":3664},"a79f8bd836f51",[],"is a visual artist and educator. He works with moving image, performance, and constructed situations that explore possibilities for community and co-existence in the face of current technological developments. He creates exercises, rituals and games collectively with other artists sharing the belief that ‘play’ can be a destabilizing action that loosens the social code and potentially revivifies habituated, reflex-tending forms of life.",[],{"_key":3667,"_type":11,"children":3668,"markDefs":3673,"style":24},"a3ede7d7690b",[3669],{"_key":3670,"_type":15,"marks":3671,"text":3672},"217a327e496a0",[],"Having served as Managing Director, he helped establish and grow Campus Gegenwart (DE) from 2017 to 2022. This transdisciplinary center promoted networking in practice and reflection at the State University of Music and Performing Arts, Stuttgart. ",[],{"_key":3675,"_type":11,"children":3676,"markDefs":3681,"style":24},"8d3ce6dabe78",[3677],{"_key":3678,"_type":15,"marks":3679,"text":3680},"90c50b8b699c0",[],"His work has been presented offline and online in museums, biennials, galleries, film festivals, residencies and public spaces including: Kunst-Werke Berlin (DE), Project Anywhere (NY), B-Tour Festival (DE, SRB), Nida Art Colony (LT), Cité Internationale des Arts, Paris (FR) Art Cube Jerusalem (IL), Viafarini, Milan (IT), Akademie Schloss Solitude (DE), Württembergischer Kunstverein (DE), Sinopale (TR), Brooklyn Film Festival (US), Slamdance Film Festival (US), Manifesta 11, Cabaret der Künstler (CH).",[],{"_key":3683,"_type":11,"children":3684,"markDefs":3688,"style":24},"a789af403820",[3685],{"_key":3686,"_type":15,"marks":3687,"text":1150},"753eaec2e92f",[],[],{"_key":3690,"_type":11,"children":3691,"markDefs":3695,"style":24},"39914c703bfd",[3692],{"_key":3693,"_type":15,"marks":3694,"text":1150},"c430c34ad729",[],[],{"alt":3697,"asset":3698},"Gabriel Hensche",{"_id":3699,"height":3700,"orientation":598,"ratio":3701,"url":3702,"width":3703},"image-433e215bbfc2ffe8f078a9ae41ae5069b24d630d-1500x1000-jpg",1000,1.5,"https://cdn.sanity.io/images/eodip22e/production/433e215bbfc2ffe8f078a9ae41ae5069b24d630d-1500x1000.jpg",1500,{"filterYear":3705},[3706,3707,3708,3709,3710],{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},{"_id":579,"title":583},[3712,3714,3717],{"_type":607,"label":608,"url":3713},"https://gabrielhensche.com/",{"_type":607,"label":3715,"url":3716},"How to Love Many in Many Ways","https://engymohsen.com/How-to-Love-Many-in-Many-Ways",{"_type":607,"label":2160,"url":3718},"https://www.instagram.com/gabrielhensche/",{"locations":3720,"other":3723},[3721],{"_id":139,"_type":121,"seo":75,"slug":3722,"title":142},{"_type":77,"current":141},[3724],{"_key":3725,"_type":11,"children":3726,"markDefs":3730,"style":24},"545c7a99e117",[3727],{"_key":3728,"_type":15,"marks":3729,"text":621},"5f75ca2a13310",[],[],[3732,2122,2127,883,1349,582],"gabriel hensche",{"_type":77,"current":3734},"gabriel-hensche",{"_id":3736,"_type":576,"activeYears":3737,"bio":3748,"bioShort":3795,"featuredImage":3796,"filterables":3804,"links":75,"locations":3811,"searchables":3824,"seo":75,"slug":3826,"title":3797},"4fca21d4-7721-4465-85aa-020bee8753a9",[3738,3740,3742,3744,3746],{"_id":2120,"_type":580,"seo":75,"slug":3739,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":3741,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":3743,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":3745,"title":1350},{"_type":77,"current":1349},{"_id":579,"_type":580,"seo":75,"slug":3747,"title":583},{"_type":77,"current":582},[3749,3768,3776],{"_key":3750,"_type":11,"children":3751,"markDefs":3765,"style":24},"3f045952a770",[3752,3756,3761],{"_key":3753,"_type":15,"marks":3754,"text":3755},"cb92f7c22ad20",[],"Jelena Mair is the ",{"_key":3757,"_type":15,"marks":3758,"text":3760},"c4d3489d2d58",[3759],"06d11d871f3d","Creative Director at Below the Skin",{"_key":3762,"_type":15,"marks":3763,"text":3764},"efac135e8a47",[],", co-developing artistic concepts with Aly Khamees. With a background in expressive art therapy, and transdisciplinary studies, as well as a Master’s in International Development and Conflict Transformation, her career spans roles in startups and NGOs focused on social inclusion and organisational sustainability. At School of Commons at Zurich University of the Arts, she co-facilities the program and is responsible for Funding & Partners, the Programm Office and oversees Finances..",[3766],{"_key":3759,"_type":41,"href":3767},"https://www.belowtheskin.company/",{"_key":3769,"_type":11,"children":3770,"markDefs":3775,"style":24},"494150d5b5db",[3771],{"_key":3772,"_type":15,"marks":3773,"text":3774},"17d29aac686f0",[],"Passionate about helping others, Jelena loves guiding people in bringing their project ideas to life—whether it’s through creative brainstorming, organizational strategies, or securing funding. She enjoys supporting others in kickstarting their ventures from idea to reality. 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With an established background in arts education, she earned a BA in Art Education and an MA in Transdisciplinary Studies, from Zürcher Hochschule der Künste (ZHdK).",[],{"_key":3861,"_type":11,"children":3862,"markDefs":3867,"style":24},"d35d838d41df",[3863],{"_key":3864,"_type":15,"marks":3865,"text":3866},"57790450fe96",[],"Marea maintains a focus on the future of education, peer learning, transdisciplinarity and method transfer between disciplines. Marea is committed to increasing accessibility in learning environments, and is currently undertaking the Mercator research project, “Accessibility and Inclusion in Digital and Hybrid Learning Environments”. 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Together, they are working on a ",{"_key":4463,"_type":15,"marks":4464,"text":4465},"e18b4b587c503",[17],"transmedia project for children",{"_key":4467,"_type":15,"marks":4468,"text":4469},"e18b4b587c504",[],", which was awarded and supported as one of four projects by Swiss Transmedia Projects (BAK, ProHelvetia, Solothurn Film Festival, and Focal). The project continues to run on various channels. The latest endeavour is an immersive theater piece ",{"_key":4471,"_type":15,"marks":4472,"text":4473},"e18b4b587c505",[17],"NOëLAND Cie",{"_key":4475,"_type":15,"marks":4476,"text":4477},"e18b4b587c506",[]," in collaboration with the Fabriktheater Rote Fabrik and a documentary about the vision into the future of our youth. Working Title ",{"_key":4479,"_type":15,"marks":4480,"text":4481},"e18b4b587c507",[17],"Memory into the future",{"_key":4483,"_type":15,"marks":4484,"text":1125},"e18b4b587c508",[],[],{"_key":4487,"_type":11,"children":4488,"markDefs":4508,"style":24},"045cfdb1e2c8",[4489,4493,4496,4500,4504],{"_key":4490,"_type":15,"marks":4491,"text":4492},"85a27478f6dc",[],"And in 2024 she teamed up with ",{"_key":4494,"_type":15,"marks":4495,"text":4202},"81ec373e6532",[17],{"_key":4497,"_type":15,"marks":4498,"text":4499},"26d18bfcc586",[]," for the Project ",{"_key":4501,"_type":15,"marks":4502,"text":4503},"a6eb7f0e5b22",[17],"A Woman in the World",{"_key":4505,"_type":15,"marks":4506,"text":4507},"9ba30113f298",[],". A participatory transmedia project in the making.",[],"Born 1966 in Linz, Austria; studied Mathematics in Linz and Fine Arts, Film and Transdisciplinarity at ZHdK. Co-founded flimmern.ch with K. Oettli and works as director, cinematographer, editor and animator. 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It originated when we noticed common ground in our respective film and art practices: a series of interviews with women about decisions and turning points (Susanne Hofer), and care work combined with research into the multifaceted life of an older woman (Sabine Hagmann).\n",[],{"_key":4676,"_type":11,"children":4677,"markDefs":4682,"style":24},"babb3b299906",[4678],{"_key":4679,"_type":15,"marks":4680,"text":4681},"c4bf34e880dc0",[],"Our shared interest in the expectations of a life as a woman was the starting point for our collaboration. We are now exploring what it means to age as a woman. There are neither enough role models for young women, nor are post-menopausal women adequately represented in Western society.\n",[],{"_key":4684,"_type":11,"children":4685,"markDefs":4690,"style":24},"49a4cd8e7818",[4686],{"_key":4687,"_type":15,"marks":4688,"text":4689},"b511c5425ccd0",[],"We aim to promote the diversity of women’s life paths through what might ultimately take the form of a ‘transdisciplinary installation road movie’ (working format). We plan to do this through a series of encounters with women whom we visit. We intend to record our conversations with them (and possibly some of their friends) and develop a staged photograph together with them.\n",[],{"_key":4692,"_type":11,"children":4693,"markDefs":4705,"style":24},"ff2fb9f8558a",[4694,4698,4701],{"_key":4695,"_type":15,"marks":4696,"text":4697},"2ca252360f460",[],"To help us to narrow the focus of our project, we have launched a series of brainstorming sessions in the form of dinner events: ",{"_key":4699,"_type":15,"marks":4700,"text":4598},"2ca252360f461",[17,1362],{"_key":4702,"_type":15,"marks":4703,"text":4704},"2ca252360f462",[]," (Thinking & Eating). To each of these participatory events, we invite a selected group of around four women.\n",[],{"_key":4707,"_type":11,"children":4708,"markDefs":4713,"style":24},"f67e64163598",[4709],{"_key":4710,"_type":15,"marks":4711,"text":4712},"f6fee29de2e40",[],"We cook a nice meal and, during dinner, discuss a specific topic that has been announced in advance, structured around questions and exercises.",[],{"_key":4715,"_type":11,"children":4716,"markDefs":4720,"style":24},"181d956e97d7",[4717],{"_key":4718,"_type":15,"marks":4719,"text":1150},"1704042dadba0",[],[],{"_key":4722,"_type":11,"children":4723,"markDefs":4735,"style":24},"b54da85e2de2",[4724,4728,4732],{"_key":4725,"_type":15,"marks":4726,"text":4727},"4bcf2d8f67930",[],"The topics of the dinners we have organised so far were: ",{"_key":4729,"_type":15,"marks":4730,"text":4731},"4bcf2d8f67931",[1362],"female roles/female role models, middle age as a woman (post menopause), mothers, learning and unlearning, body images",{"_key":4733,"_type":15,"marks":4734,"text":1125},"4bcf2d8f67932",[],[],{"_key":4737,"_type":11,"children":4738,"markDefs":4742,"style":24},"c65759560323",[4739],{"_key":4740,"_type":15,"marks":4741,"text":1150},"65b85d31d9880",[],[],{"_key":4744,"_type":11,"children":4745,"markDefs":4750,"style":24},"2444d7b591d9",[4746],{"_key":4747,"_type":15,"marks":4748,"text":4749},"a4466d67aad50",[],"The dinners were intense, intimate and very enriching for all participants. We have recognised that there is a great desire for spaces that enable discussion and exchange on these topics. The dinners have evolved into a project in their own right, a search for the creation and establishment of a common space for (ageing) women to share their experiences in dealing with expectations of what a woman’s life should look like.",[],{"_key":4752,"_type":11,"children":4753,"markDefs":4765,"style":24},"f1296a06222a",[4754,4758,4761],{"_key":4755,"_type":15,"marks":4756,"text":4757},"b9b2b4964a0f0",[],"Our project therefore consists of two parallel initiatives: the continuation of the ",{"_key":4759,"_type":15,"marks":4760,"text":4598},"b9b2b4964a0f1",[1362],{"_key":4762,"_type":15,"marks":4763,"text":4764},"b9b2b4964a0f2",[]," dinner events and the development of the road movie. We aim to approach this in a playful and joyful manner, seeking connections, solidarity and intergenerational dialogue.",[],[4767,4777,4787,4797],{"_type":3359,"question":4768},[4769],{"_key":4770,"_type":11,"children":4771,"markDefs":4776,"style":24},"7279a512bfe4",[4772],{"_key":4773,"_type":15,"marks":4774,"text":4775},"59b525648f160",[],"How do we involve the women we want to meet in our project?",[],{"_type":3359,"question":4778},[4779],{"_key":4780,"_type":11,"children":4781,"markDefs":4786,"style":24},"a101e2816fb9",[4782],{"_key":4783,"_type":15,"marks":4784,"text":4785},"49725bbbcc49",[],"How can we navigate between a participatory approach and individual authorship?",[],{"_type":3359,"question":4788},[4789],{"_key":4790,"_type":11,"children":4791,"markDefs":4796,"style":24},"420d6eb167c0",[4792],{"_key":4793,"_type":15,"marks":4794,"text":4795},"77b58717635a",[],"How can we develop a concept for our final (road movie) project?",[],{"_type":3359,"question":4798},[4799],{"_key":4800,"_type":11,"children":4801,"markDefs":4806,"style":24},"5c6d7701437f",[4802],{"_key":4803,"_type":15,"marks":4804,"text":4805},"7e202af2455e",[],"How can we create a community beyond the individual events? 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noticed common ground in our respective film and art practices: a series of interviews with women about decisions and turning points (susanne hofer), and care work combined with research into the multifaceted life of an older woman (sabine hagmann).\n\n\nour shared interest in the expectations of a life as a woman was the starting point for our collaboration. we are now exploring what it means to age as a woman. there are neither enough role models for young women, nor are post-menopausal women adequately represented in western society.\n\n\nwe aim to promote the diversity of women’s life paths through what might ultimately take the form of a ‘transdisciplinary installation road movie’ (working format). we plan to do this through a series of encounters with women whom we visit. we intend to record our conversations with them (and possibly some of their friends) and develop a staged photograph together with them.\n\n\nto help us to narrow the focus of our project, we have launched a 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learn",{"_key":4881,"_type":15,"marks":4882,"text":4883},"022b278ef1136",[],". Refuting the master/pupil duality and acknowledging learning as a continuum, where individuals are at different stages in their learning which changes their position in the continuum. ‘",{"_key":4885,"_type":15,"marks":4886,"text":4887},"022b278ef1137",[1362],"Show Don’t Tell’ ",{"_key":4889,"_type":15,"marks":4890,"text":4891},"022b278ef1138",[],"is a collective doing/exploration where information sharing uses a variety of methods including demonstration, dialogue, and practical co-making. Aiming to acknowledge the roles (makers, dreamers, filmmakers, observers) that offer modes of engagement, reframing collaboration. ‘",{"_key":4893,"_type":15,"marks":4894,"text":4895},"022b278ef1139",[1362],"Convivial Parallel Play’ ",{"_key":4897,"_type":15,"marks":4898,"text":4899},"022b278ef11310",[],"explores cooperation growing organically rather than the dominant prevalence of enforced collaboration as a learning strategy. Collaboration can be more complex and not beneficial for some learners who are neurodiverse or not easily welcomed in the university due to class or race. Our research focuses on processes of learning that allow for individual outcomes/insights/breakthroughs.",[],[4902,5014,5074],{"_id":4903,"_type":576,"activeYears":4904,"bio":4907,"bioShort":4975,"featuredImage":4976,"filterables":4984,"links":4987,"locations":4996,"searchables":5009,"seo":75,"slug":5011,"title":5013},"402b9963-e47f-4150-ab7c-2080b5eb2d2b",[4905],{"_id":579,"_type":580,"seo":75,"slug":4906,"title":583},{"_type":77,"current":582},[4908,4916,4935],{"_key":4909,"_type":11,"children":4910,"markDefs":4915,"style":24},"386c3c33c5cb",[4911],{"_key":4912,"_type":15,"marks":4913,"text":4914},"dba8d53381bd0",[],"O’Neill is an artist, author, and educator whose practice engages with profound cultural issues that often leave us mute, such as isolation and loss. 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",{"_key":4924,"_type":15,"marks":4925,"text":4927},"9ca9f021438e1",[4926],"e6339662ed93","The Wolfe Island Collection ",{"_key":4929,"_type":15,"marks":4930,"text":4931},"152de1eb8be1",[],"is a series of artefacts and fictive academic publications that document the history of the now abandoned island and its inhabitants.",[4933],{"_key":4926,"_type":41,"href":4934},"https://maryoneill884258.substack.com",{"_key":4936,"_type":11,"children":4937,"markDefs":4969,"style":24},"3d8b58935101",[4938,4942,4947,4951,4956,4960,4964],{"_key":4939,"_type":15,"marks":4940,"text":4941},"b08b886bf9eb0",[],"Recent short films",{"_key":4943,"_type":15,"marks":4944,"text":4946},"b08b886bf9eb1",[4945,1362],"74f08c4c6386","Re-creative Practice: Learning from the Past",{"_key":4948,"_type":15,"marks":4949,"text":4950},"b08b886bf9eb2",[],", and ",{"_key":4952,"_type":15,"marks":4953,"text":4955},"b08b886bf9eb3",[4954,1362],"7eaf0dac676b","Museum of Leathercraft – Ordinary Objects: Extraordinary Stories",{"_key":4957,"_type":15,"marks":4958,"text":4959},"b08b886bf9eb4",[1362],",",{"_key":4961,"_type":15,"marks":4962,"text":4963},"b08b886bf9eb5",[]," in collaboration with film maker Nik Trzcinowicz, explore the role of museum as repositories of knowledge and the potential of re-creative practice to afford a deep engagement with history and to re-vivify museum ",{"_key":4965,"_type":15,"marks":4966,"text":4968},"3c589bc81779",[4967],"598af53b19c5","objects.",[4970,4972,4974],{"_key":4945,"_type":41,"blank":42,"href":4971},"https://www.youtube.com/watch?v=K29EF7idwa0&t=3s",{"_key":4954,"_type":41,"href":4973},"https://vimeo.com/890603281",{"_key":4967,"_type":41},"Mary O’Neill is an artist, author, and educator whose practice engages with profound cultural issues that often leave us mute, such as isolation and loss. Through her artworks and publications she explores the search for meaning in the face of life experiences that can render the world chaotic and incomprehensible.",{"alt":4977,"asset":4978},"Dr Mary O’Neill",{"_id":4979,"height":4980,"orientation":637,"ratio":4981,"url":4982,"width":4983},"image-aff35d5dafda37e212f47d171d1a341a83eb500f-1072x1620-png",1620,0.6617283950617284,"https://cdn.sanity.io/images/eodip22e/production/aff35d5dafda37e212f47d171d1a341a83eb500f-1072x1620.png",1072,{"filterYear":4985},[4986],{"_id":579,"title":583},[4988,4990,4992,4994],{"_type":607,"label":608,"url":4989},"https://www.dmu.ac.uk/about-dmu/academic-staff/art-design-humanities/mary-oneill/mary-oneill.aspx",{"_type":607,"label":4991,"url":4934},"Wolfe Island Collection",{"_type":607,"label":4993,"url":4973}," Ordinary Objects; Extraordinary Stories ",{"_type":607,"label":4995,"url":4971},"Re-creative: Learning from the past influence the future",{"locations":4997,"other":5000},[4998],{"_id":139,"_type":121,"seo":75,"slug":4999,"title":142},{"_type":77,"current":141},[5001],{"_key":5002,"_type":11,"children":5003,"markDefs":5008,"style":24},"2036305386d5",[5004],{"_key":5005,"_type":15,"marks":5006,"text":5007},"e1b9c66e4fc2",[],"Irish based in Leicester, United Kingdom.",[],[5010,582],"mary o’neill",{"_type":77,"current":5012},"dr-mary-o-neill","Mary O’Neill",{"_id":5015,"_type":576,"activeYears":5016,"bio":5019,"bioShort":5044,"featuredImage":5045,"filterables":5053,"links":75,"locations":5056,"searchables":5069,"seo":75,"slug":5071,"title":5073},"d8b5e983-1b66-4225-b979-7caa413d4de1",[5017],{"_id":579,"_type":580,"seo":75,"slug":5018,"title":583},{"_type":77,"current":582},[5020,5028,5036],{"_key":5021,"_type":11,"children":5022,"markDefs":5027,"style":24},"e459c098228a",[5023],{"_key":5024,"_type":15,"marks":5025,"text":5026},"f7f185ece6a80",[],"Artist and Curator. My research focuses on democracy and knowledge exchange, and critical pedagogy as a curatorial and artistic methodology. Co-lead research contract with Natural England on nature based collaborative creative stroy telling for nature recovery and engagement.",[],{"_key":5029,"_type":11,"children":5030,"markDefs":5035,"style":24},"95f1ecb6762e",[5031],{"_key":5032,"_type":15,"marks":5033,"text":5034},"e9e4c40f8b4d0",[],"Key highlights: Brent Biennial 2025, films selected for the London Film Festival and winner of best experimental at the experimental Busam Film festival. Curated over 20 exhibitions across the UK and Europe. Author of Art, Critical Pedagogy and Capitalism (Routledge 2021) co-author a new monograph on Educational Aesthetics with Bloomsbury (due 2024). Founder of the Middlesbrough Art Weekender and The Alternative Art College. Innovation in academic study and curatorial learning.",[],{"_key":5037,"_type":11,"children":5038,"markDefs":5043,"style":24},"35ca363fb671",[5039],{"_key":5040,"_type":15,"marks":5041,"text":5042},"1942e912fe160",[],"Principal lecturer at Teesside University and leads the MA Curating programme.  PhD (2018) Teesside University and a MA in Art and Politics from Goldsmiths College as well as a BA (Hons) Degree in Fine Art from Lincoln University. Co-founded the Middlesbrough Art Weekender in and has set up collectives including the Alternative Art College  and currently working with Sarah Perks as Forms of Circulation. ",[],"Paul Stewart is a socially engaged artist and curator, based in Newcastle, using film, performance, and sound to explore how histories are shared, and how knowledge can be embodied when working with multiple voices and communities. ",{"alt":5046,"asset":5047},"head shot, wihte man wearing a hat looking to the left in black and white",{"_id":5048,"height":5049,"orientation":637,"ratio":5050,"url":5051,"width":5052},"image-d3474a6e000c7d5d5c3b6cff672905d7c7e9dce9-590x756-png",756,0.7804232804232805,"https://cdn.sanity.io/images/eodip22e/production/d3474a6e000c7d5d5c3b6cff672905d7c7e9dce9-590x756.png",590,{"filterYear":5054},[5055],{"_id":579,"title":583},{"locations":5057,"other":5060},[5058],{"_id":139,"_type":121,"seo":75,"slug":5059,"title":142},{"_type":77,"current":141},[5061],{"_key":5062,"_type":11,"children":5063,"markDefs":5068,"style":24},"a2a5ffa4f125",[5064],{"_key":5065,"_type":15,"marks":5066,"text":5067},"2775aed488cc",[],"United Kingdom",[],[5070,582],"paul alexander stewart",{"_type":77,"current":5072},"paul-alexander-stewart","Paul Alexander Stewart",{"_id":5075,"_type":576,"activeYears":5076,"bio":5079,"bioShort":5119,"featuredImage":75,"filterables":5120,"links":5123,"locations":5126,"searchables":5138,"seo":75,"slug":5140,"title":5142},"c57a6190-1e79-4dfb-95bc-009970808107",[5077],{"_id":579,"_type":580,"seo":75,"slug":5078,"title":583},{"_type":77,"current":582},[5080,5088],{"_key":5081,"_type":11,"children":5082,"markDefs":5087,"style":24},"39382a02caa5",[5083],{"_key":5084,"_type":15,"marks":5085,"text":5086},"811b5d7e0d220",[],"Anouk Hoogendoorn is an artistic researcher that works with text, textile, and performance. The (spoken) texts, textiles, sketches, and sounds that come out of this practice are moments of processes rather than presentations fixed once and for all. They are currently doing a practice-based PhD at School of Arts and Creative Industries, TeessideUniversity (UK) and Institute for Performing Arts and Film, Zurich University of the Arts (CH). Their research explores the materiality and material conditions of writing and reading. Here the material is meant in twofold: both the socio-political dimension (informed by queer and disability studies) and the artistic (informed by language-based artistic research).",[],{"_key":5089,"_type":11,"children":5090,"markDefs":5118,"style":24},"0b7f19fe278d",[5091,5095,5099,5103,5107,5110,5114],{"_key":5092,"_type":15,"marks":5093,"text":5094},"ea1d278efd07",[],"\nAnouk has a practice that always has an important collaborative, experimental, and pedagogical orientation to it.Currently they are Theory and Artistic Research Tutor at BEAR Fine Arts, are a part of the School of Commons ’26 Cohort, and co-host the special interest group ",{"_key":5096,"_type":15,"marks":5097,"text":5098},"811b5d7e0d2249",[1362],"Words",{"_key":5100,"_type":15,"marks":5101,"text":5102},"811b5d7e0d2250",[]," ",{"_key":5104,"_type":15,"marks":5105,"text":5106},"811b5d7e0d2251",[1362],"as",{"_key":5108,"_type":15,"marks":5109,"text":5102},"811b5d7e0d2252",[],{"_key":5111,"_type":15,"marks":5112,"text":5113},"811b5d7e0d2253",[1362],"Matter",{"_key":5115,"_type":15,"marks":5116,"text":5117},"811b5d7e0d2254",[]," at the Language-Based Artistic Research Group. Anouk often shares their research at symposia and through workshops. They have done (guest) teaching at Master in Curating Teesside University (UK), Åbo Akademi (FI), and Sandberg Institute (NL) among others. In the last couple of years, they were visiting researcher at Access in the Making Lab (CA), artist in residence at Titanik Gallery (FI) and Casa Liquida (BR), and part of the Nida Doctoral School (LI). Prior to this, they were part of the PEERS ’22/’23 cohort and No Academy 2021.",[],"Anouk Hoogendoorn is an artistic researcher that works with text, textile, and performance. The (spoken) texts, textiles, sketches, and sounds that come out of this practice are moments of processes rather than presentations fixed once and for all. ",{"filterYear":5121},[5122],{"_id":579,"title":583},[5124],{"_type":607,"label":608,"url":5125},"https://www.anoukhoogendoorn.com/",{"locations":5127,"other":5130},[5128],{"_id":139,"_type":121,"seo":75,"slug":5129,"title":142},{"_type":77,"current":141},[5131],{"_key":5132,"_type":11,"children":5133,"markDefs":5137,"style":24},"25145542c81f",[5134],{"_key":5135,"_type":15,"marks":5136,"text":5067},"8a3b50e9e1b5",[],[],[5139,582],"anouk hoogendoorn",{"_type":77,"current":5141},"anouk-hoogendoorn","Anouk Hoogendoorn",{"alt":5144,"asset":5145},"Show don't tell - learning alongside",{"_id":5146,"height":5147,"orientation":598,"ratio":5148,"url":5149,"width":5150},"image-66e6ceb4687d217cf39b9b37fa3e95038f7d749f-3536x2102-jpg",2102,1.6822074215033302,"https://cdn.sanity.io/images/eodip22e/production/66e6ceb4687d217cf39b9b37fa3e95038f7d749f-3536x2102.jpg",3536,{"filterCategory":5152,"filterLocation":5158,"filterYear":5162},[5153,5154,5155,5156,5157],{"_id":343,"title":346},{"_id":538,"title":541},{"_id":403,"title":406},{"_id":4838,"title":4843},{"_id":4845,"title":4850},[5159],{"_id":5160,"title":5161},"1b718342-43d5-4f76-a0af-48df3b287726","Transnational",[5163],{"_id":579,"title":583},[],{"locations":5166,"other":75},[5167],{"_id":5160,"_type":121,"seo":75,"slug":5168,"title":5161},{"_type":77,"current":5169},"transnational",[5171,5179,5198,5206,5218,5230,5238,5246],{"_key":5172,"_type":11,"children":5173,"markDefs":5178,"style":24},"1129039779aa",[5174],{"_key":5175,"_type":15,"marks":5176,"text":5177},"5fcfe0751f13",[],"Beginning and Bending - meeting outcome.",[],{"_key":5180,"_type":11,"children":5181,"markDefs":5195,"style":24},"b849df02b3ac",[5182,5186,5191],{"_key":5183,"_type":15,"marks":5184,"text":5185},"833e3f273fb0",[],"How can we think about learning as 'beginning and bending' rather than beginning and ",{"_key":5187,"_type":15,"marks":5188,"text":5190},"0bad4d7c3460",[5189],"51479d35a654","ending.",{"_key":5192,"_type":15,"marks":5193,"text":5194},"6e2b27fc43bf",[]," Learning isn't finite - there is no real ending but along the way there may be bending. ",[5196],{"_key":5189,"_type":5197,"file":75},"fileUploadLink",{"_key":5199,"_type":11,"children":5200,"markDefs":5205,"style":24},"944f9d68f700",[5201],{"_key":5202,"_type":15,"marks":5203,"text":5204},"bc2e3c615a41",[],"Bends - ",[],{"_key":5207,"_type":11,"children":5208,"level":1033,"listItem":1708,"markDefs":5217,"style":24},"fe61b1d37901",[5209,5213],{"_key":5210,"_type":15,"marks":5211,"text":5212},"770fb2bbf6320",[17],"Verb (action):",{"_key":5214,"_type":15,"marks":5215,"text":5216},"770fb2bbf6321",[]," Curve, twist, flex, bow, stoop, warp, curl, loop, veer, buckle.",[],{"_key":5219,"_type":11,"children":5220,"level":1033,"listItem":1708,"markDefs":5229,"style":24},"2d1397fc353e",[5221,5225],{"_key":5222,"_type":15,"marks":5223,"text":5224},"18fee4a7191e0",[17],"Noun (shape):",{"_key":5226,"_type":15,"marks":5227,"text":5228},"18fee4a7191e1",[]," Curve, angle, arc, crook, corner, turn, curvature, loop.",[],{"_key":5231,"_type":11,"children":5232,"level":1033,"listItem":1708,"markDefs":5237,"style":24},"b40b5048d612",[5233],{"_key":5234,"_type":15,"marks":5235,"text":5236},"7153509ceb47",[],"or perhaps ",[],{"_key":5239,"_type":11,"children":5240,"markDefs":5245,"style":24},"612c506eb0a2",[5241],{"_key":5242,"_type":15,"marks":5243,"text":5244},"4e290e95292f0",[],"\"The bends\" (decompression sickness) is a, sometimes fatal, condition caused by nitrogen bubbles forming in the blood and tissues due to a rapid decrease in surrounding pressure. ",[],{"_key":5247,"_type":11,"children":5248,"markDefs":5253,"style":24},"0752fa0e25dc",[5249],{"_key":5250,"_type":15,"marks":5251,"text":5252},"7833f8de73f50",[],"divers who surface too quickly.",[],[5255],{"_type":728,"settings":5256,"text":5257},{"textColumnCount":730},[5258],{"_key":5259,"_type":11,"children":5260,"markDefs":5265,"style":24},"5bdd96acf444",[5261],{"_key":5262,"_type":15,"marks":5263,"text":5264},"17ab6b17c343",[],"“Alongside: learning as a parallel action to proximate peers, projects and things in the neighbourhood” will be explored through three propositions: “The Expert Learner” which alters the master/pupil duality into learning on a continuum; “Show Don’t Tell” where sharing is rethought and remade; “Parallel Play in Conviviality” where conviviality is thought as a learning side-by-side rather than one-plus-one. The propositions posit the commons or commoning, not as collaboration, but working in parallel or alongside, recognising difference and avoid the conflation of collaboration as agreement or singular but multiple. \n\nOur collective of three exists of teachers and students from different generations, where x tutored y, y tutored z, and z will tutor a student to come. But rather than seeing it as a formal system of hierarchies, we somehow ended up following each other's learning in a matter of being alongside, as being each other’s expert-learners. We want to explore how this came to be and how we can give this forward. \n\nThe project isn't pre-existing but it builds on a legacy of over 30 years of combined learning and making around the topics of commoning, learning, becoming, and activism through art and pedagogy. As a trio, we strive to all be present for the programme with at least two of us at all times. The expert learner doesn’t dismiss prior knowledge or experience but acknowledges the multiple ways knowledge is held and shared. It positions the teacher as not the expert on knowledge but the expert on learning, they have learnt how to orate or share. Through ‘being with’ both others, materials, and ideas, the ambition is to explore without prescribed notions, using durational working, following energy, stopping, not aiming for end goals but experiencing the process. This method allows for individually negotiated or defined notions of ‘success’ and acknowledges that each member of the session will be at a different learning stage, it shifts the capitalist malaise from learning as a thing to get through for accumulation to becoming the essence of commoning, the activity of being with and of the world.",[],[5267,5288,5304],{"_type":3359,"question":5268},[5269,5281],{"_key":5270,"_type":11,"children":5271,"markDefs":5277,"style":24},"ffeced3c8f3c",[5272],{"_key":5273,"_type":15,"marks":5274,"text":5276},"82166941289e0",[5275],"6f264bef2d07","How can we develop supportive and inclusive strategies that do not rely on traditional models of expert teachers and passive students that acknowledge fluidity, risk, not-knowing and chance as key elements of the development of any creative practice? ",[5278],{"_key":5275,"_type":5279,"label":569,"value":5280},"highlightColor","#00ff04",{"_key":5282,"_type":11,"children":5283,"markDefs":5287,"style":24},"3e891cb68915",[5284],{"_key":5285,"_type":15,"marks":5286,"text":1150},"ca3486931497",[],[],{"_type":3359,"question":5289},[5290],{"_key":5291,"_type":11,"children":5292,"markDefs":5301,"style":24},"457ee29cc3a9",[5293,5298],{"_key":5294,"_type":15,"marks":5295,"text":5297},"abb80d27f59b",[5296],"4c105e4d8764","What does it mean to engage in 'learning as becoming' rather than learning for accumulation or measurable success?",{"_key":5299,"_type":15,"marks":5300,"text":1676},"16f3cd147f8f",[],[5302],{"_key":5296,"_type":5279,"label":569,"value":5303},"#01aefe",{"_type":3359,"question":5305},[5306],{"_key":5307,"_type":11,"children":5308,"markDefs":5314,"style":24},"ea6d0111c8a4",[5309],{"_key":5310,"_type":15,"marks":5311,"text":5313},"29aa4ab3f5dd",[5312],"1a7eba49d1bd","How can teaching be a form of being an expert on learning, in a manner of being alongside the learning?",[5315],{"_key":5312,"_type":5279,"label":569,"value":5316},"#db02ff",[5318,582,5319,5320,5321,5322,5169,5010,5070,5139,5323,5324,1317,540,405,5325,5326],"alongside","how can we develop supportive and inclusive strategies that do not rely on traditional models of expert teachers and passive students that acknowledge fluidity, risk, not-knowing and chance as key elements of the development of any creative practice? \n\n","what does it mean to engage in 'learning as becoming' rather than learning for accumulation or measurable success? ","how can teaching be a form of being an expert on learning, in a manner of being alongside the learning?","beginning and bending - meeting outcome.\n\nhow can we think about learning as 'beginning and bending' rather than beginning and ending. learning isn't finite - there is no real ending but along the way there may be bending. \n\nbends - \n\nverb (action): curve, twist, flex, bow, stoop, warp, curl, loop, veer, buckle.\n\nnoun (shape): curve, angle, arc, crook, corner, turn, curvature, loop.\n\nor perhaps \n\n\"the bends\" (decompression sickness) is a, sometimes fatal, condition caused by nitrogen bubbles forming in the blood and tissues due to a rapid decrease in surrounding pressure. \n\ndivers who surface too quickly.","‘the expert learner’ experiments with how to learn (or learning how) rather than what to learn. refuting the master/pupil duality and acknowledging learning as a continuum, where individuals are at different stages in their learning which changes their position in the continuum. ‘show don’t tell’ is a collective doing/exploration where information sharing uses a variety of methods including demonstration, dialogue, and practical co-making. aiming to acknowledge the roles (makers, dreamers, filmmakers, observers) that offer modes of engagement, reframing collaboration. ‘convivial parallel play’ explores cooperation growing organically rather than the dominant prevalence of enforced collaboration as a learning strategy. collaboration can be more complex and not beneficial for some learners who are neurodiverse or not easily welcomed in the university due to class or race. our research focuses on processes of learning that allow for individual outcomes/insights/breakthroughs.","“alongside: learning as a parallel action to proximate peers, projects and things in the neighbourhood” will be explored through three propositions: “the expert learner” which alters the master/pupil duality into learning on a continuum; “show don’t tell” where sharing is rethought and remade; “parallel play in conviviality” where conviviality is thought as a learning side-by-side rather than one-plus-one. the propositions posit the commons or commoning, not as collaboration, but working in parallel or alongside, recognising difference and avoid the conflation of collaboration as agreement or singular but multiple. \n\nour collective of three exists of teachers and students from different generations, where x tutored y, y tutored z, and z will tutor a student to come. but rather than seeing it as a formal system of hierarchies, we somehow ended up following each other's learning in a matter of being alongside, as being each other’s expert-learners. we want to explore how this came to be and how we can give this forward. \n\nthe project isn't pre-existing but it builds on a legacy of over 30 years of combined learning and making around the topics of commoning, learning, becoming, and activism through art and pedagogy. as a trio, we strive to all be present for the programme with at least two of us at all times. the expert learner doesn’t dismiss prior knowledge or experience but acknowledges the multiple ways knowledge is held and shared. it positions the teacher as not the expert on knowledge but the expert on learning, they have learnt how to orate or share. through ‘being with’ both others, materials, and ideas, the ambition is to explore without prescribed notions, using durational working, following energy, stopping, not aiming for end goals but experiencing the process. this method allows for individually negotiated or defined notions of ‘success’ and acknowledges that each member of the session will be at a different learning stage, it shifts the capitalist malaise from learning as a thing to get through for accumulation to becoming the essence of commoning, the activity of being with and of the world.","alongside learning","expert learner",{"_type":77,"current":5318},"Alongside",{"_id":5330,"_type":107,"categories":5331,"credits":5338,"featuredImage":5449,"filterables":5457,"footnotes":5465,"locations":5466,"logbook":75,"pageBuilder":5479,"researchQuestion":75,"researchQuestions":5495,"searchables":5526,"seo":75,"slug":5533,"title":5535,"year":583},"b42752b7-d03e-4814-aa4d-dcbd20595e4c",[5332,5335],{"_id":173,"_type":155,"colorPrimary":5333,"seo":75,"slug":5334,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":343,"_type":155,"colorPrimary":5336,"seo":75,"slug":5337,"title":346},{"label":569,"value":873},{"_type":77,"current":345},{"other":75,"profiles":5339},[5340],{"_id":5341,"_type":576,"activeYears":5342,"bio":5345,"bioShort":5426,"featuredImage":5427,"filterables":5434,"links":5437,"locations":5440,"searchables":5444,"seo":75,"slug":5446,"title":5448},"01631306-0bc4-4a63-ae57-2f88d3b409ff",[5343],{"_id":579,"_type":580,"seo":75,"slug":5344,"title":583},{"_type":77,"current":582},[5346],{"_key":5347,"_type":11,"children":5348,"markDefs":5411,"style":24},"4118b0e0a6f6",[5349,5353,5358,5362,5367,5371,5376,5380,5385,5389,5394,5398,5402,5406],{"_key":5350,"_type":15,"marks":5351,"text":5352},"4e42720d32ac0",[],"Art critic, art curator and media manager\n\n♿️ The creator of the inclusive art project \"",{"_key":5354,"_type":15,"marks":5355,"text":5357},"a3f1a0099e1b",[5356],"f44ace9e2394","I will come",{"_key":5359,"_type":15,"marks":5360,"text":5361},"353b2c8a2d93",[],"\" \n🎨 The telegram channel \"",{"_key":5363,"_type":15,"marks":5364,"text":5366},"aa80b4cb8051",[5365],"55b6ea859b86","About art and more",{"_key":5368,"_type":15,"marks":5369,"text":5370},"75f5517e5f31",[],"\" \n🇵🇱 Telegram chats \"",{"_key":5372,"_type":15,"marks":5373,"text":5375},"30035dc8bd6e",[5374],"20dc76bbd0f0","Inclusive Poland",{"_key":5377,"_type":15,"marks":5378,"text":5379},"b96c4d0296ba",[],"\" \n✨ \"",{"_key":5381,"_type":15,"marks":5382,"text":5384},"6b934e543bf0",[5383],"f06fe575fa5d","Inclusive Poland. Autism",{"_key":5386,"_type":15,"marks":5387,"text":5388},"c24a90959191",[],"\"\n🖼 ArtPolska ",{"_key":5390,"_type":15,"marks":5391,"text":5393},"85a6d8960564",[5392],"1300a7917427","Virtual gallery of artists in Poland",{"_key":5395,"_type":15,"marks":5396,"text":5397},"80aafe19598d",[],"\n🖥 Channel about people with disabilities \"",{"_key":5399,"_type":15,"marks":5400,"text":5357},"b4819f01e3a9",[5401],"6f8040fff40f",{"_key":5403,"_type":15,"marks":5404,"text":5405},"728da99e95e1",[],"\" \n✌️ I invite you to the art community of ",{"_key":5407,"_type":15,"marks":5408,"text":5410},"a78fee80c9d3",[5409],"2f601513d809","emigrant artists in Poland",[5412,5414,5416,5418,5420,5422,5424],{"_key":5356,"_type":41,"blank":42,"href":5413},"https://instagram.com/ya_priedu",{"_key":5365,"_type":41,"blank":42,"href":5415},"https://t.me/ya_priedu",{"_key":5374,"_type":41,"blank":42,"href":5417},"https://t.me/inclusivepoland",{"_key":5383,"_type":41,"blank":42,"href":5419},"https://t.me/inclusivepolandautism",{"_key":5392,"_type":41,"href":5421},"https://t.me/ArtPolska",{"_key":5401,"_type":41,"blank":42,"href":5423},"https://youtube.com/@Yapriedu",{"_key":5409,"_type":41,"blank":42,"href":5425},"https://t.me/+ESsg6ny7QGM5YTIx","Art critic, art curator and media manager",{"alt":75,"asset":5428},{"_id":5429,"height":5430,"orientation":637,"ratio":5431,"url":5432,"width":5433},"image-0480468251afe89b4500a5ebe75eecaa10cf09ef-720x1280-jpg",1280,0.5625,"https://cdn.sanity.io/images/eodip22e/production/0480468251afe89b4500a5ebe75eecaa10cf09ef-720x1280.jpg",720,{"filterYear":5435},[5436],{"_id":579,"title":583},[5438],{"_type":607,"label":2160,"url":5439},"https://www.instagram.com/elvirakoroleva007",{"locations":5441,"other":75},[5442],{"_id":139,"_type":121,"seo":75,"slug":5443,"title":142},{"_type":77,"current":141},[5445,582],"elvira koroleva",{"_type":77,"current":5447},"elvira-koroleva","Elvira Koroleva",{"alt":5450,"asset":5451},"Art in Exile by Elvira Koroleva",{"_id":5452,"height":5453,"orientation":637,"ratio":5454,"url":5455,"width":5456},"image-b11be0acd9794995cbabbe2f351c50327710e9f9-602x1092-png",1092,0.5512820512820513,"https://cdn.sanity.io/images/eodip22e/production/b11be0acd9794995cbabbe2f351c50327710e9f9-602x1092.png",602,{"filterCategory":5458,"filterLocation":5461,"filterYear":5463},[5459,5460],{"_id":173,"title":176},{"_id":343,"title":346},[5462],{"_id":139,"title":142},[5464],{"_id":579,"title":583},[],{"locations":5467,"other":5470},[5468],{"_id":139,"_type":121,"seo":75,"slug":5469,"title":142},{"_type":77,"current":141},[5471],{"_key":5472,"_type":11,"children":5473,"markDefs":5478,"style":24},"a2054dbb0633",[5474],{"_key":5475,"_type":15,"marks":5476,"text":5477},"d59c8ebf2e390",[],"Based in Warsaw",[],[5480],{"_type":728,"settings":5481,"text":5482},{"textColumnCount":730},[5483],{"_key":5484,"_type":11,"children":5485,"markDefs":5494,"style":24},"a2095c572ae9",[5486,5490],{"_key":5487,"_type":15,"marks":5488,"text":5489},"f6440a7e9df80",[17],"Inclusive Art in Switzerland: Artists with Disabilities and Migration Experience as an Essential Part of the Artistic Landscape",{"_key":5491,"_type":15,"marks":5492,"text":5493},"f6440a7e9df81",[]," explores how artists with disabilities and migration backgrounds contribute to contemporary art and cultural life in Switzerland. The project focuses on issues of visibility, access, representation, and belonging, examining how artists with lived experiences of disability and displacement challenge dominant narratives and enrich artistic ecosystems. Through research, interviews, curatorial inquiry, and engagement with artists, institutions, and communities, the project aims to identify more inclusive models of cultural participation and support. It also investigates how museums, residency programs, and cultural organizations can create sustainable conditions for artistic development and equal participation. By connecting disability studies, migration, and curatorial practice, the project seeks to contribute to broader discussions on diversity, accessibility, and social justice in contemporary art. ",[],[5496,5506,5516],{"_type":3359,"question":5497},[5498],{"_key":5499,"_type":11,"children":5500,"markDefs":5505,"style":24},"c1de1c7f89fb",[5501],{"_key":5502,"_type":15,"marks":5503,"text":5504},"4487f02580ed",[],"How can artists with disabilities and migration backgrounds be more fully recognized and integrated as essential contributors to contemporary art ecosystems in Switzerland?",[],{"_type":3359,"question":5507},[5508],{"_key":5509,"_type":11,"children":5510,"markDefs":5515,"style":24},"f95d8a9b0f69",[5511],{"_key":5512,"_type":15,"marks":5513,"text":5514},"94fda60d1fa0",[],"What curatorial, institutional, and community-based models best support their visibility, agency, and professional development?",[],{"_type":3359,"question":5517},[5518],{"_key":5519,"_type":11,"children":5520,"markDefs":5525,"style":24},"3f6aa3dadd8e",[5521],{"_key":5522,"_type":15,"marks":5523,"text":5524},"1356f7e17433",[],"How do experiences of disability and migration influence artistic practices and cultural narratives?",[],[5527,582,5528,5529,5530,141,5531,5445,5532,1100,1317],"art in exile","how can artists with disabilities and migration backgrounds be more fully recognized and integrated as essential contributors to contemporary art ecosystems in switzerland?","what curatorial, institutional, and community-based models best support their visibility, agency, and professional development?","how do experiences of disability and migration influence artistic practices and cultural narratives?","based in warsaw","inclusive art in switzerland: artists with disabilities and migration experience as an essential part of the artistic landscape explores how artists with disabilities and migration backgrounds contribute to contemporary art and cultural life in switzerland. the project focuses on issues of visibility, access, representation, and belonging, examining how artists with lived experiences of disability and displacement challenge dominant narratives and enrich artistic ecosystems. through research, interviews, curatorial inquiry, and engagement with artists, institutions, and communities, the project aims to identify more inclusive models of cultural participation and support. it also investigates how museums, residency programs, and cultural organizations can create sustainable conditions for artistic development and equal participation. by connecting disability studies, migration, and curatorial practice, the project seeks to contribute to broader discussions on diversity, accessibility, and social justice in contemporary art. ",{"_type":77,"current":5534},"art-in-exile","Art in Exile",{"_id":5537,"_type":107,"categories":5538,"credits":5560,"featuredImage":5623,"filterables":5629,"footnotes":5640,"locations":5641,"logbook":75,"pageBuilder":5647,"researchQuestion":75,"researchQuestions":5651,"searchables":5672,"seo":75,"slug":5678,"title":5680,"year":583},"70ef6710-a0ea-4691-80e8-d4d9f7edaeba",[5539,5546,5550,5553],{"_id":5540,"_type":155,"colorPrimary":5541,"seo":75,"slug":5543,"title":5545},"541ccb60-4547-42b2-b936-3d0390cd1936",{"label":569,"value":5542},"#555bda",{"_type":77,"current":5544},"embracing-chaos"," Embracing Chaos",{"_id":323,"_type":155,"colorPrimary":5547,"seo":75,"slug":5549,"title":326},{"label":569,"value":5548},"#ff1414",{"_type":77,"current":325},{"_id":653,"_type":155,"colorPrimary":5551,"seo":75,"slug":5552,"title":658},{"label":569,"value":655},{"_type":77,"current":657},{"_id":5554,"_type":155,"colorPrimary":5555,"seo":75,"slug":5557,"title":5559},"b4635838-4e01-46d7-a689-10e6a0210ac5",{"label":569,"value":5556},"#69ff00",{"_type":77,"current":5558},"body-experience","Body Experience",{"other":75,"profiles":5561},[5562],{"_id":5563,"_type":576,"activeYears":5564,"bio":5567,"bioShort":5600,"featuredImage":5601,"filterables":5608,"links":5611,"locations":5614,"searchables":5618,"seo":75,"slug":5620,"title":5622},"753bbe0a-45b7-4146-8666-83b0dcaeb850",[5565],{"_id":579,"_type":580,"seo":75,"slug":5566,"title":583},{"_type":77,"current":582},[5568,5576,5584,5592],{"_key":5569,"_type":11,"children":5570,"markDefs":5575,"style":24},"76ce265e70b8",[5571],{"_key":5572,"_type":15,"marks":5573,"text":5574},"ef7d6db76a38",[],"Manning is a dancer and choreographer currently base in Zurich",[],{"_key":5577,"_type":11,"children":5578,"markDefs":5583,"style":24},"a661f0b9298a",[5579],{"_key":5580,"_type":15,"marks":5581,"text":5582},"95edcb31cd86",[],"After completing BA ballet performance in Shanghai Theatre Academy, she joined Suzhou Ballet as a soloist, where she won the First Prize and Best Performance Award at Ballet Grand Prix Vienna. She travelled to Austria to study contemporary dance and now completing her MA choreography in University of the Arts Zurich. She is also a registered trainer of Gyrokinesis®.",[],{"_key":5585,"_type":11,"children":5586,"markDefs":5591,"style":24},"712164ef61b6",[5587],{"_key":5588,"_type":15,"marks":5589,"text":5590},"291cc58892a40",[],"She was a member of the ATLAS choreography programme at the Impulstanz Festival 2024 Vienna and assistant at the Semperoper Ballet in Dresden. She has performed her own works in different places. Such as Gessneralle zurich, kulturmarkt , Kunsthaus Zurich etc.",[],{"_key":5593,"_type":11,"children":5594,"markDefs":5599,"style":24},"a92b43bc53b6",[5595],{"_key":5596,"_type":15,"marks":5597,"text":5598},"76b3334f4e520",[],"She is interested in interdisciplinary collaborative work. She uses physicality, sociality and self-exploration as choreographic tools in the hope that the public will perceive the emotional core and message of the work.",[],"Manning is a dancer and choreographer currently base in Zurich.",{"alt":75,"asset":5602},{"_id":5603,"height":5604,"orientation":637,"ratio":5605,"url":5606,"width":5607},"image-00f8d76b36281401360e7d4c352be9027ec104e9-6137x9205-jpg",9205,0.6667028788701792,"https://cdn.sanity.io/images/eodip22e/production/00f8d76b36281401360e7d4c352be9027ec104e9-6137x9205.jpg",6137,{"filterYear":5609},[5610],{"_id":579,"title":583},[5612],{"_type":607,"label":2160,"url":5613},"https://www.instagram.com/manning_dd",{"locations":5615,"other":75},[5616],{"_id":139,"_type":121,"seo":75,"slug":5617,"title":142},{"_type":77,"current":141},[5619,582],"manning dong",{"_type":77,"current":5621},"manning-dong","Manning 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does power act on bodies and groups through social institutions and norms in the research and artistic practice of corporeality, ‘the relationship between power structures and social systems’?",[],{"_type":3359,"question":5663},[5664],{"_key":5665,"_type":11,"children":5666,"markDefs":5671,"style":24},"1d27a979ea90",[5667],{"_key":5668,"_type":15,"marks":5669,"text":5670},"50e258c44a220",[],"Is it possible for us to re-understand and change the social structures in which we live through bodily experience?",[],[5673,582,5674,5675,141,131,5619,5676,325,744,5677],"hard boiled wonderland","how does power act on bodies and groups through social institutions and norms in the research and artistic practice of corporeality, ‘the relationship between power structures and social systems’?","is it possible for us to re-understand and change the social structures in which we live through bodily experience?"," embracing chaos","body 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It is rooted in queer-feminist, anti-normative practices and unfolds through MALED IT! – a long-term workshop series I have been developing since 2018. MALED IT! empowers queer, trans*, non-binary and FLINTA* persons through drag as a form of joyful resistance and transformation.",[],{"_key":5929,"_type":11,"children":5930,"markDefs":5935,"style":24},"391a1c3f9f28",[5931],{"_key":5932,"_type":15,"marks":5933,"text":5934},"0b0da03771a5",[]," My interest within the School of Commons lies in further developing Drag Kinging as a commons-based methodology for peer learning, critical play, and transdisciplinary research. 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Rather than treating masculinity* as something natural or fixed, Drag Kinging approaches it as something that can be observed, learned, rehearsed, questioned, and reinvented.",[],{"_key":6065,"_type":11,"children":6066,"markDefs":6071,"style":24},"49a0a27043e9",[6067],{"_key":6068,"_type":15,"marks":6069,"text":6070},"e36d09d5f73f0",[],"In this workshop, masculinity* is not understood as something that belongs to men.",[],{"_key":6073,"_type":11,"children":6074,"markDefs":6079,"style":24},"21c34bfd14b9",[6075],{"_key":6076,"_type":15,"marks":6077,"text":6078},"dccdd044132b0",[],"Instead, I invite us to think of masculinity* as a collection of gestures, behaviours, postures, expectations, fantasies, privileges, vulnerabilities, and ways of relating to others. Some of these we inherit. Some we resist. Some we consciously choose. Others we may still need to invent.",[],{"_key":6081,"_type":11,"children":6082,"markDefs":6087,"style":24},"eb9d37f578bd",[6083],{"_key":6084,"_type":15,"marks":6085,"text":6086},"2393b108fdaf0",[],"My interest is not in defining what masculinity* is or teaching you how to become a Drag King.",[],{"_key":6089,"_type":11,"children":6090,"markDefs":6095,"style":24},"af0adb786614",[6091],{"_key":6092,"_type":15,"marks":6093,"text":6094},"9e04afb311440",[],"My interest is in asking:",[],{"_key":6097,"_type":11,"children":6098,"markDefs":6103,"style":24},"8b9677c4a7e7",[6099],{"_key":6100,"_type":15,"marks":6101,"text":6102},"b356867d2b200",[],"How does masculinity* move through bodies?\nHow is it learned?\nHow is it performed?\nHow can it be transformed?",[],{"_key":6105,"_type":11,"children":6106,"markDefs":6111,"style":24},"3e8699b2221e",[6107],{"_key":6108,"_type":15,"marks":6109,"text":6110},"4782cb86d12b0",[],"And I am interested in the knowledge that lives in our bodies.",[],{"_key":6113,"_type":11,"children":6114,"markDefs":6119,"style":24},"134e72d531f3",[6115],{"_key":6116,"_type":15,"marks":6117,"text":6118},"3840a63fa2240",[],"The knowledge we inherit.\nThe knowledge we perform.\nThe knowledge we resist.\nThe knowledge we pass on to others without even noticing.",[],{"_key":6121,"_type":11,"children":6122,"markDefs":6127,"style":24},"5e20335d0f6d",[6123],{"_key":6124,"_type":15,"marks":6125,"text":6126},"b5ddb65a78360",[],"Today, we will use Drag Kinging not as a performance genre, but as a research tool.",[],{"_key":6129,"_type":11,"children":6130,"markDefs":6135,"style":24},"4ad673b4b9e7",[6131],{"_key":6132,"_type":15,"marks":6133,"text":6134},"7fdeaf2433bb0",[],"Recently, two terms have been accompanying my research: Body Rebellion and Flowing Knowledge.",[],{"_key":6137,"_type":11,"children":6138,"markDefs":6143,"style":24},"f8b2c009f2b3",[6139],{"_key":6140,"_type":15,"marks":6141,"text":6142},"58b143e127600",[],"Body Rebellion makes me wonder:\nWhere does resistance live in the body?\nWhat parts of ourselves have learned to adapt?\nWhat parts still refuse?",[],{"_key":6145,"_type":11,"children":6146,"markDefs":6151,"style":24},"28174cdb93a9",[6147],{"_key":6148,"_type":15,"marks":6149,"text":6150},"637bf39cbcdd0",[],"Flowing Knowledge makes me wonder:\nHow does knowledge travel?\nWhat happens when it moves from one body to another?\nWhat changes along the way?\nWhat gets lost?\nWhat gets invented?",[],{"_key":6153,"_type":11,"children":6154,"markDefs":6159,"style":24},"465128b0bd4c",[6155],{"_key":6156,"_type":15,"marks":6157,"text":6158},"3269fe5240700",[],"For the next hour, I would like us to approach these questions together.",[],{"_key":6161,"_type":11,"children":6162,"markDefs":6167,"style":24},"81c992df5b2c",[6163],{"_key":6164,"_type":15,"marks":6165,"text":6166},"74a23619d0700",[],"You will be invited to write, move, observe, speak, imagine, and perhaps try on a beard.",[],{"_key":6169,"_type":11,"children":6170,"markDefs":6175,"style":24},"e8c36d811565",[6171],{"_key":6172,"_type":15,"marks":6173,"text":6174},"e4755a6b2a880",[],"You don't need any previous experience with drag.\nYou don't need to perform.\nYou don't need to know the right answer.",[],{"_key":6177,"_type":11,"children":6178,"markDefs":6183,"style":24},"5ecf22b1b838",[6179],{"_key":6180,"_type":15,"marks":6181,"text":6182},"b59ab8f009d30",[],"I am not looking for expertise.\nI am looking for traces.",[],{"_key":6185,"_type":11,"children":6186,"markDefs":6191,"style":24},"2a30202c8d01",[6187],{"_key":6188,"_type":15,"marks":6189,"text":6190},"5e118a27721b0",[],"Traces of knowledge.\nTraces of rebellion.\nTraces of transformation.",[],{"_key":6193,"_type":11,"children":6194,"markDefs":6199,"style":24},"b7efefd87761",[6195],{"_key":6196,"_type":15,"marks":6197,"text":6198},"aee3842f28790",[],"Together, we will create a temporary Drag King Utopia: not a perfect place, but a space 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and gender roles – and how can this be documented, shared, and opened up to others?","what can the body know that language cannot articulate?","what role does cultural memory play in embodied gender performance?","what does an archive of gestures look like?","how can utopia be made visible without fixing it?","who what why where is diddy daddy?","between berlin and bulgaria","this project explores drag kinging as a method of embodied, collective knowledge production. it is rooted in queer-feminist, anti-normative practices and unfolds through maled it! – a long-term workshop series i have been developing since 2018. maled it! empowers queer, trans*, non-binary and flinta* persons through drag as a form of joyful resistance and transformation.\n\n my interest within the school of commons lies in further developing drag kinging as a commons-based methodology for peer learning, critical play, and transdisciplinary research. the focus is not on performance as outcome, but on what becomes possible through the act of becoming someone else together – shifting norms, reclaiming agency, and imagining other futures through the body.","+++ soc gathering\n\njuly 3 - 5 in 2026 \n\n@zhdk zürich +++\n\n\n\n____\n\nwelcome to drag king utopia: a collective rehearsal\n\nfor the next hour, i would like to invite you into a temporary experiment.\n\nbefore we begin, a few words about drag kings and masculinity*.\n\nmy name is marilyn nova or marilyn moustache.\n\ndrag kings are performers, artists, and researchers who explore masculinity* through embodiment, transformation, exaggeration, imitation, and play. rather than treating masculinity* as something natural or fixed, drag kinging approaches it as something that can be observed, learned, rehearsed, questioned, and reinvented.\n\nin this workshop, masculinity* is not understood as something that belongs to men.\n\ninstead, i invite us to think of masculinity* as a collection of gestures, behaviours, postures, expectations, fantasies, privileges, vulnerabilities, and ways of relating to others. some of these we inherit. some we resist. some we consciously choose. others we may still need to invent.\n\nmy interest is not in defining what masculinity* is or teaching you how to become a drag king.\n\nmy interest is in asking:\n\nhow does masculinity* move through bodies?\nhow is it learned?\nhow is it performed?\nhow can it be transformed?\n\nand i am interested in the knowledge that lives in our bodies.\n\nthe knowledge we inherit.\nthe knowledge we perform.\nthe knowledge we resist.\nthe knowledge we pass on to others without even noticing.\n\ntoday, we will use drag kinging not as a performance genre, but as a research tool.\n\nrecently, two terms have been accompanying my research: body rebellion and flowing knowledge.\n\nbody rebellion makes me wonder:\nwhere does resistance live in the body?\nwhat parts of ourselves have learned to adapt?\nwhat parts still refuse?\n\nflowing knowledge makes me wonder:\nhow does knowledge travel?\nwhat happens when it moves from one body to another?\nwhat changes along the way?\nwhat gets lost?\nwhat gets invented?\n\nfor the next hour, i would like us to approach these questions together.\n\nyou will be invited to write, move, observe, speak, imagine, and perhaps try on a beard.\n\nyou don't need any previous experience with drag.\nyou don't need to perform.\nyou don't need to know the right answer.\n\ni am not looking for expertise.\ni am looking for traces.\n\ntraces of knowledge.\ntraces of rebellion.\ntraces of transformation.\n\ntogether, we will create a temporary drag king utopia: not a perfect place, but a space where other ways of being can be rehearsed.\n\nlet's begin.\n\n\n\n\n\n","____\n\nthe knowledge exchange\n\nthe cover\n\n+++ what knowledge lives in your body? knowledge travels. from body to body. think of a skill, habit, gesture, survival strategy or piece of knowledge that has shaped you. +++","____\n\npage 1 & 2\n\n+++ which parts of the body symbolise rebellion?\n\nwhich ones symbolise conformity? +++","____\n\ndrag king utopia census\n\n+++ i learned masculinity* from +++","____\n\nthe hangers remain empty\n\n+++ what are you wearing even when nobody sees it? +++","____\n\npage 3\n\n+++ r  eflection +++","whisper\n\nwhisper\n\nwhisper\n\nwhisper\n\n\n\nwho you could become?\n\n\n\n+++ rehearsal end +++","diddy\n\ndaddy","+++\n\n🦋🦋🦋 interactive answers 🦋🦋🦋\n\nan attempt to find some answers. an open online survey featuring the following questions on drag kinging and un/learning:","methods for knowledge decentralisation",{"metaDescription":75,"metaTitle":6988,"shareImage":75},"MALED IT! Body Rebellion Drag King Collective Utopia",{"_type":77,"current":6990},"maled-it","MALED IT! – Body Rebellion and Flowing Knowledge: Drag Kinging as a Collective Utopia & Un/learning",{"_id":6993,"_type":107,"categories":6994,"credits":7022,"featuredImage":7250,"filterables":7258,"footnotes":7268,"locations":7269,"logbook":7289,"pageBuilder":7322,"researchQuestion":75,"researchQuestions":7430,"searchables":7481,"seo":75,"slug":7496,"title":7251,"year":583},"755dd2a1-4a67-44cc-8225-d1f27643a276",[6995,7002,7009,7016],{"_id":6996,"_type":155,"colorPrimary":6997,"seo":75,"slug":6999,"title":7001},"374d8e34-4faa-46f1-b6af-3b725c550ed3",{"label":569,"value":6998},"#00ffc3",{"_type":77,"current":7000},"walking-together-along-your-river","Walking Together Along Your River",{"_id":7003,"_type":155,"colorPrimary":7004,"seo":75,"slug":7006,"title":7008},"8509d736-dc07-4cc5-a1a7-c41e28c1eaa0",{"label":569,"value":7005},"#61bfe8",{"_type":77,"current":7007},"seasalt-farm-school","Seasalt Farm School",{"_id":7010,"_type":155,"colorPrimary":7011,"seo":75,"slug":7013,"title":7015},"e15d9cab-c5e8-4795-8be7-d3bf58a869c3",{"label":569,"value":7012},"#407fff",{"_type":77,"current":7014},"Embodied knowledge","Embodied Knowledge",{"_id":7017,"_type":155,"colorPrimary":7018,"seo":75,"slug":7019,"title":7021},"c0b15fd9-0fb0-4d5a-9b86-d7f2a97556e9",{"label":569,"value":655},{"_type":77,"current":7020},"geography-of-becoming","Geography of Becoming",{"other":7023,"profiles":7032},[7024],{"_key":7025,"_type":11,"children":7026,"markDefs":7031,"style":24},"0593ee84280c",[7027],{"_key":7028,"_type":15,"marks":7029,"text":7030},"618eacff5246",[],"About our collective: Our transdisciplinary team includes a community leader, artists, a social science researcher, an ethnographic writer and an environmental expert. Together, we approach bio-cultural practice through multiple lenses and foster dialogue among communities navigating ecosystem degradation, the erosion of cultural memory, and governance challenges—especially the marginalization of local knowledge in environmental governance.",[],[7033,7092,7127,7161,7188,7221],{"_id":7034,"_type":576,"activeYears":7035,"bio":7038,"bioShort":7047,"featuredImage":7048,"filterables":7056,"links":7059,"locations":7062,"searchables":7088,"seo":75,"slug":7090,"title":7049},"11ed1aa1-a0c2-4669-8551-8b0a3393cab9",[7036],{"_id":579,"_type":580,"seo":75,"slug":7037,"title":583},{"_type":77,"current":582},[7039],{"_key":7040,"_type":11,"children":7041,"markDefs":7046,"style":24},"23e5513d6366",[7042],{"_key":7043,"_type":15,"marks":7044,"text":7045},"ed8609a977280",[],"Chengwei is an artist from Sichuan, China, currently based in London. Her practice moves across drawing, writing, and making, approaching art as a slow, relational process of co-presence, care, and cultivation. Her work unfolds through long-term attention to specific places and relationships. It brings together personal narrative, local knowledge, and embodied experience, taking shape through practices such as foraging, growing, and making. Through these processes, she attends to non-linear temporalities and to forms of knowledge that are often overlooked or marginalized, exploring how they might be sensed, remembered, and re-articulated.",[],"Chengwei is an artist from Sichuan, China, currently based in London. Her practice moves across drawing, writing, and making, approaching art as a slow, relational process of co-presence, care, and cultivation. Her work unfolds through long-term attention to specific places and relationships.",{"alt":7049,"asset":7050},"Chengwei Xia",{"_id":7051,"height":7052,"orientation":637,"ratio":7053,"url":7054,"width":7055},"image-3236525d8907bb21de27c1b3a9bc0368906a502c-1024x1544-jpg",1544,0.6632124352331606,"https://cdn.sanity.io/images/eodip22e/production/3236525d8907bb21de27c1b3a9bc0368906a502c-1024x1544.jpg",1024,{"filterYear":7057},[7058],{"_id":579,"title":583},[7060],{"_type":607,"label":608,"url":7061},"https://chengweixia.com",{"locations":7063,"other":7071},[7064,7069],{"_id":7065,"_type":121,"seo":75,"slug":7066,"title":7068},"715d6004-576a-4e25-b9e4-5aee292263af",{"_type":77,"current":7067},"china","China",{"_id":139,"_type":121,"seo":75,"slug":7070,"title":142},{"_type":77,"current":141},[7072,7080],{"_key":7073,"_type":11,"children":7074,"markDefs":7079,"style":24},"d228b1fb3491",[7075],{"_key":7076,"_type":15,"marks":7077,"text":7078},"a941fa69b7be",[],"Sichuan",[],{"_key":7081,"_type":11,"children":7082,"markDefs":7087,"style":24},"ed74e1bbe28a",[7083],{"_key":7084,"_type":15,"marks":7085,"text":7086},"625f6bfbeef6",[],"London",[],[7089,582],"chengwei xia",{"_type":77,"current":7091},"chengwei-xia",{"_id":7093,"_type":576,"activeYears":7094,"bio":7097,"bioShort":7106,"featuredImage":7107,"filterables":7113,"links":75,"locations":7116,"searchables":7122,"seo":75,"slug":7124,"title":7126},"084e8179-6ffb-4e0e-802b-7326246863b8",[7095],{"_id":579,"_type":580,"seo":75,"slug":7096,"title":583},{"_type":77,"current":582},[7098],{"_key":7099,"_type":11,"children":7100,"markDefs":7105,"style":24},"b9b33e86273f",[7101],{"_key":7102,"_type":15,"marks":7103,"text":7104},"de5334e415b7",[],"Huiqiao (丘慧巧) is a social scientist who is interested in exploring art as a method to facilitate ethical and emancipatory knowledge production in relation to entanglement between human and more-than-human. My past initiatives include collaboration with other artists and practitioners, supported by local NGOs, aiming at facilitate residents' narratives around water, climate, food through applied theatre, participatory workshops, community-based events, and other participatory methods.    ",[],"Huiqiao (丘慧巧) is a social science researcher in Development Planning, examining how local practices and relationality could inform solutions toward socio-environmental challenges. ",{"alt":75,"asset":7108},{"_id":7109,"height":7110,"orientation":637,"ratio":3801,"url":7111,"width":7112},"image-0b1aaf3f4eac28e64a82ab2767ff562e12a3ef09-1200x1600-jpg",1600,"https://cdn.sanity.io/images/eodip22e/production/0b1aaf3f4eac28e64a82ab2767ff562e12a3ef09-1200x1600.jpg",1200,{"filterYear":7114},[7115],{"_id":579,"title":583},{"locations":7117,"other":75},[7118,7120],{"_id":7065,"_type":121,"seo":75,"slug":7119,"title":7068},{"_type":77,"current":7067},{"_id":139,"_type":121,"seo":75,"slug":7121,"title":142},{"_type":77,"current":141},[7123,582],"huiqiao qiu",{"_type":77,"current":7125},"huiqiao-qiu","Huiqiao Qiu",{"_id":7128,"_type":576,"activeYears":7129,"bio":7132,"bioShort":7148,"featuredImage":7149,"filterables":7153,"links":75,"locations":75,"searchables":7156,"seo":75,"slug":7158,"title":7160},"b83c9754-5f08-4185-9577-b5377d849aa5",[7130],{"_id":579,"_type":580,"seo":75,"slug":7131,"title":583},{"_type":77,"current":582},[7133,7141],{"_key":7134,"_type":11,"children":7135,"markDefs":7140,"style":24},"1f1a677c6b3d",[7136],{"_key":7137,"_type":15,"marks":7138,"text":7139},"30c7c56e8a6a0",[],"Shuhao Lin (林树浩) is an advisor to the Haikou Duotan Wetland Research Institute; a member of the IUCN Horseshoe Crab Specialist Group; designer and editor of popular science books; freshwater fish surveys.",[],{"_key":7142,"_type":11,"children":7143,"markDefs":7147,"style":24},"0e27746ebfd8",[7144],{"_key":7145,"_type":15,"marks":7146,"text":1150},"e8c6006a45f50",[],[],"An advisor to the Haikou Duotan Wetland Research Institute; a member of the IUCN Horseshoe Crab Specialist Group; designer and editor of popular science books; freshwater fish surveys.",{"alt":75,"asset":7150},{"_id":7151,"height":640,"orientation":598,"ratio":599,"url":7152,"width":2381},"image-a351d1c1f3c651456eda0da51c432710126bb822-1440x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/a351d1c1f3c651456eda0da51c432710126bb822-1440x1080.jpg",{"filterYear":7154},[7155],{"_id":579,"title":583},[7157,582],"shuhao lin",{"_type":77,"current":7159},"shuhao-lin","Shuhao Lin",{"_id":7162,"_type":576,"activeYears":7163,"bio":7166,"bioShort":7175,"featuredImage":7176,"filterables":7180,"links":75,"locations":75,"searchables":7183,"seo":75,"slug":7185,"title":7187},"35f6f048-410c-4e13-b8b6-f16d786d8a64",[7164],{"_id":579,"_type":580,"seo":75,"slug":7165,"title":583},{"_type":77,"current":582},[7167],{"_key":7168,"_type":11,"children":7169,"markDefs":7174,"style":24},"fae80c390296",[7170],{"_key":7171,"_type":15,"marks":7172,"text":7173},"7207c978a0c00",[],"Songzi is an independent writer who explores the relationship between people and nature in local communities, she uses interviews and writing to uncover local experiences and ecological knowledge. Her work has appeared in publications such as Huaxia Geography, Sixth Tone, and The Paper.",[],"Songzi (王松子) is an independent writer who explores the relationship between people and nature in local communities, she uses interviews and writing to uncover local experiences and ecological knowledge.  ",{"alt":75,"asset":7177},{"_id":7178,"height":640,"orientation":598,"ratio":3701,"url":7179,"width":4980},"image-e0cdc8d75788e290c6c9a6d5a3c2ed58beb6c4a5-1620x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/e0cdc8d75788e290c6c9a6d5a3c2ed58beb6c4a5-1620x1080.jpg",{"filterYear":7181},[7182],{"_id":579,"title":583},[7184,582],"songzi wang",{"_type":77,"current":7186},"songzi-wang","Songzi Wang",{"_id":7189,"_type":576,"activeYears":7190,"bio":7193,"bioShort":7202,"featuredImage":7203,"filterables":7207,"links":75,"locations":7210,"searchables":7216,"seo":75,"slug":7218,"title":7220},"3cecc579-db08-466e-b0fa-9cfbff3a48f7",[7191],{"_id":579,"_type":580,"seo":75,"slug":7192,"title":583},{"_type":77,"current":582},[7194],{"_key":7195,"_type":11,"children":7196,"markDefs":7201,"style":24},"819274124582",[7197],{"_key":7198,"_type":15,"marks":7199,"text":7200},"e52286e6ed7d0",[],"Hello everyone, I'm Alan Tan (谭喜云), the former chief of Laoshi Village. With over 10 years of experience in architectural design and project management and 8 years of experience in community govermance and sustainable development. I'm thrilled to join SoC to explore how 'commoning' can reshape rural spaces and facilitate local residents.",[],"The former chief of Laoshi Village. With over 10 years of experience in architectural design and project management and 8 years of experience in community govermance and sustainable development. I'm thrilled to join SoC to explore how 'commoning' can reshape rural spaces and facilitate local residents.",{"alt":75,"asset":7204},{"_id":7205,"height":5430,"orientation":598,"ratio":3701,"url":7206,"width":5877},"image-891814d7d73c8533fd2cfbbc7cb38c79eb859e8a-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/891814d7d73c8533fd2cfbbc7cb38c79eb859e8a-1920x1280.jpg",{"filterYear":7208},[7209],{"_id":579,"title":583},{"locations":7211,"other":75},[7212,7214],{"_id":7065,"_type":121,"seo":75,"slug":7213,"title":7068},{"_type":77,"current":7067},{"_id":901,"_type":121,"seo":75,"slug":7215,"title":904},{"_type":77,"current":903},[7217,582],"xiyun tan",{"_type":77,"current":7219},"xiyun-tan","Xiyun Tan",{"_id":7222,"_type":576,"activeYears":75,"bio":7223,"bioShort":7232,"featuredImage":7233,"filterables":7240,"links":75,"locations":7241,"searchables":7245,"seo":75,"slug":7247,"title":7249},"6a919eb5-7e44-4958-b126-fca2cad37411",[7224],{"_key":7225,"_type":11,"children":7226,"markDefs":7231,"style":24},"9a85b435b75a",[7227],{"_key":7228,"_type":15,"marks":7229,"text":7230},"ab0bc32f3ca10",[],"Gu Qiu (顾秋) comes from an island of southern China. As a content creator whose primary mediums are photography and poetry, she focuses on community transformation and individual emotional memories—exploring how a place is remembered and how individuals navigate their own memories. She is currently working on a project involving image editing and self-curation: the “Bedside Solo Exhibition series—I Planted a Tree by My Bedside”.\n",[],"A content creator whose primary mediums are photography and poetry.\n",{"alt":75,"asset":7234},{"_id":7235,"height":7236,"orientation":637,"ratio":7237,"url":7238,"width":7239},"image-ab10dadfd5a4561f22b5440b8d8a18e036c064a2-1081x1619-jpg",1619,0.6676961087090797,"https://cdn.sanity.io/images/eodip22e/production/ab10dadfd5a4561f22b5440b8d8a18e036c064a2-1081x1619.jpg",1081,{"filterYear":75},{"locations":7242,"other":75},[7243],{"_id":7065,"_type":121,"seo":75,"slug":7244,"title":7068},{"_type":77,"current":7067},[7246],"gu qiu ",{"_type":77,"current":7248},"gu-qiu","Gu Qiu ",{"alt":7251,"asset":7252},"Mou Gan Project",{"_id":7253,"height":7254,"orientation":598,"ratio":7255,"url":7256,"width":7257},"image-afe1a59bfeb735e4c098fc50ff5fa02795505d0f-1256x960-jpg",960,1.3083333333333333,"https://cdn.sanity.io/images/eodip22e/production/afe1a59bfeb735e4c098fc50ff5fa02795505d0f-1256x960.jpg",1256,{"filterCategory":7259,"filterLocation":7264,"filterYear":7266},[7260,7261,7262,7263],{"_id":6996,"title":7001},{"_id":7003,"title":7008},{"_id":7010,"title":7015},{"_id":7017,"title":7021},[7265],{"_id":7065,"title":7068},[7267],{"_id":579,"title":583},[],{"locations":7270,"other":7273},[7271],{"_id":7065,"_type":121,"seo":75,"slug":7272,"title":7068},{"_type":77,"current":7067},[7274,7282],{"_key":7275,"_type":11,"children":7276,"markDefs":7281,"style":24},"d64b704ef06b",[7277],{"_key":7278,"_type":15,"marks":7279,"text":7280},"d86ba5bf3d510",[],"Laoshi village, the site of the project, is located in the western region of Hainan Island, the southernmost province of China. It sits near a harbour where seawater meets freshwater flowing down from the central mountains. This mingling of salt and fresh water sustains a rich local biodiversity, while also making possible the traditional livelihood of sea salt production, both historically and in the present.",[],{"_key":7283,"_type":11,"children":7284,"markDefs":7288,"style":24},"0edc0d749e13",[7285],{"_key":7286,"_type":15,"marks":7287,"text":1150},"8950afb2312e",[],[],[7290,7298,7306,7314],{"_key":7291,"_type":11,"children":7292,"markDefs":7297,"style":24},"0b26908c6016",[7293],{"_key":7294,"_type":15,"marks":7295,"text":7296},"e3d7302fbc0c",[],"04/2026",[],{"_key":7299,"_type":11,"children":7300,"markDefs":7305,"style":24},"8af6bba90288",[7301],{"_key":7302,"_type":15,"marks":7303,"text":7304},"80db0447ab74",[],"Mou Gan Project emerges from the long-term cultivation of eco-cultural relations within the local community of Laoshi, in Danzhou, Hainan. The project centers situated and embodied knowledge, activated through local narratives, relational mapping, and forms of labor, alongside ongoing reflective dialogue. It seeks to recognize and foreground marginalized local knowledge within contemporary environmental governance.",[],{"_key":7307,"_type":11,"children":7308,"markDefs":7313,"style":24},"be0af8c3a28a",[7309],{"_key":7310,"_type":15,"marks":7311,"text":7312},"7e16eb06458c",[],"The project brings together community residents, scientists, social scientists/ethnographers, and artists. It also operates as a space of encounter between local culture, ecosystems, and diverse knowledge systems.",[],{"_key":7315,"_type":11,"children":7316,"markDefs":7321,"style":24},"5af0e18668b8",[7317],{"_key":7318,"_type":15,"marks":7319,"text":7320},"810e0afe6de4",[],"In April 2026, collective members Songzi, Shuhao, and Gu Qiu traveled to Laoshi to prepare for the upcoming Mapping and Sea Salt Farm School workshops in June. They engaged with local eco-cultural relations through transdisciplinary approaches, including river-centered walking practices attentive to encounters between human and more-than-human actors, photography, sea salt making, and the gathering of local narratives.",[],[7323,7343,7399,7414],{"_type":813,"caption":7324,"image":7341},[7325,7333],{"_key":7326,"_type":11,"children":7327,"markDefs":7332,"style":24},"eb4f57a9a0bf",[7328],{"_key":7329,"_type":15,"marks":7330,"text":7331},"1ce40b196693",[],"Chengwei Xia | Estuary",[],{"_key":7334,"_type":11,"children":7335,"markDefs":7340,"style":24},"b819b76991ef",[7336],{"_key":7337,"_type":15,"marks":7338,"text":7339},"c3e88a120ffa",[],"walnut ink, Chinese ink, and watercolor on Nepalese mountain paper\n2025",[],{"alt":7251,"asset":7342},{"_id":7253,"height":7254,"orientation":598,"ratio":7255,"url":7256,"width":7257},{"_type":728,"settings":7344,"text":7345},{"textColumnCount":730},[7346,7354,7361,7369,7376,7384,7391],{"_key":7347,"_type":11,"children":7348,"markDefs":7353,"style":24},"af0ffba6e78b",[7349],{"_key":7350,"_type":15,"marks":7351,"text":7352},"383ea54054380",[],"In the local language of the rural community where our project is based, \"Mou Gan\" means the roots and trunk of a tree. The community is surrounded by a forest of tamarind trees planted by ancestors. These trees play a vital ecological role in preventing soil erosion along a local estuary that brings seawater to the village's salt farm which is essential to local livelihoods. By naming our project “Mou Gan,” we honour the ecological significance of these trees while expressing our wish for the project to be deeply rooted in local soil, nurtured by the community, and to provide shade and resources for the village while also extending our reach to a broader context.",[],{"_key":7355,"_type":11,"children":7356,"markDefs":7360,"style":24},"ce6cc5fd60e7",[7357],{"_key":7358,"_type":15,"marks":7359,"text":1150},"191cdbafb5b30",[],[],{"_key":7362,"_type":11,"children":7363,"markDefs":7368,"style":24},"f0d179d1a38b",[7364],{"_key":7365,"_type":15,"marks":7366,"text":7367},"014da6943e8c0",[],"Our collective invites villagers and the public to explore the ecological and cultural life surrounding the major ecosystems of the village. Developed as a platform for co-learning bio-cultural connections, we aim to challenge top-down models of environmental governance that prioritize technocracy. We aim to center traditional knowledge, embodied experiences, and emotional connections as valid forms of environmental understanding. We follow three main trajectories: learning from local knowledge systems through embodied experiences, fostering collaborative practices via art, science, storytelling, and governance, and connecting this learning to broader environmental discourses.",[],{"_key":7370,"_type":11,"children":7371,"markDefs":7375,"style":24},"9348dfdd6f19",[7372],{"_key":7373,"_type":15,"marks":7374,"text":1150},"1ae8e0ac1aee0",[],[],{"_key":7377,"_type":11,"children":7378,"markDefs":7383,"style":24},"c3d9d5acf88f",[7379],{"_key":7380,"_type":15,"marks":7381,"text":7382},"f6fbc156b7b80",[],"We will use participatory, interactive, and embodied approaches in two main activities: transect walks and salt-making. Transect walks along the local river will bring together residents, officials, planners, collective members, and others to move through and reflect on community spaces. We will hold mapping workshops to co-create participatory maps of ecological change, memory, and daily life. These maps will be shared both in the village and on our digital platform, forming a living archive. We will also launch a Seasalt Farm School, where participants will learn salt-making from local salt farmers and the environment itself—reading tides, sunlight, and weather. This labor fosters intimate, bodily relationships with place and reframes knowledge as something lived, sensed, and shared.",[],{"_key":7385,"_type":11,"children":7386,"markDefs":7390,"style":24},"38aef5a11375",[7387],{"_key":7388,"_type":15,"marks":7389,"text":1150},"163c4d4ac46a0",[],[],{"_key":7392,"_type":11,"children":7393,"markDefs":7398,"style":24},"100c6fc73d17",[7394],{"_key":7395,"_type":15,"marks":7396,"text":7397},"255ec18b5f600",[],"These activities support eco-centered, embodied knowledge as an essential part of environmental governance. They also offer spaces for local people to collectively revisit bio-cultural memory and activate their stewardship with nature and place.",[],{"_type":813,"caption":7400,"image":7409},[7401],{"_key":7402,"_type":11,"children":7403,"markDefs":7408,"style":24},"aad38a7e2776",[7404],{"_key":7405,"_type":15,"marks":7406,"text":7407},"26689d6236fd",[],"Shuhao Lin | May prosperity to the boat @ Haitou",[],{"alt":75,"asset":7410},{"_id":7411,"height":5877,"orientation":598,"ratio":3701,"url":7412,"width":7413},"image-c759cba4869440947efb7d2b7b1aaacd1557f601-2880x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/c759cba4869440947efb7d2b7b1aaacd1557f601-2880x1920.jpg",2880,{"_type":813,"caption":7415,"image":7424},[7416],{"_key":7417,"_type":11,"children":7418,"markDefs":7423,"style":24},"9af471107615",[7419],{"_key":7420,"_type":15,"marks":7421,"text":7422},"4582fcd24d56",[],"Gu Qiu | Light on a fish boat",[],{"alt":75,"asset":7425},{"_id":7426,"height":5877,"orientation":637,"ratio":7427,"url":7428,"width":7429},"image-3dfbb3f546022c25481ba93c152063d31accd6c8-1279x1920-jpg",0.6661458333333333,"https://cdn.sanity.io/images/eodip22e/production/3dfbb3f546022c25481ba93c152063d31accd6c8-1279x1920.jpg",1279,[7431,7441,7451,7461,7471],{"_type":3359,"question":7432},[7433],{"_key":7434,"_type":11,"children":7435,"markDefs":7440,"style":24},"37d469a42232",[7436],{"_key":7437,"_type":15,"marks":7438,"text":7439},"2570d1f537ee0",[],"To push the boundary of knowledge and challenge the knowledge politics behind environmental governance, we proposed three key questions to understand and engage with the village’s bio-cultural history and its present as a living entanglement of the biosphere, local traditions, foodways, beliefs, and the interactions between human and non-human entities:",[],{"_type":3359,"question":7442},[7443],{"_key":7444,"_type":11,"children":7445,"markDefs":7450,"style":24},"b72cedfec8e6",[7446],{"_key":7447,"_type":15,"marks":7448,"text":7449},"505ecc9c67cd",[],"1. How do residents culturally and socially shape the relationships between ecological systems and community life in their everyday practices?",[],{"_type":3359,"question":7452},[7453],{"_key":7454,"_type":11,"children":7455,"markDefs":7460,"style":24},"389525d37511",[7456],{"_key":7457,"_type":15,"marks":7458,"text":7459},"dbdc79fe58a0",[],"2. What collaborative actions can we take—through art, science, storytelling, and governance—that nurture, restore, or reimagine the connections between local ecologies and culture?",[],{"_type":3359,"question":7462},[7463],{"_key":7464,"_type":11,"children":7465,"markDefs":7470,"style":24},"121929438239",[7466],{"_key":7467,"_type":15,"marks":7468,"text":7469},"4c2bbbb819aa",[],"3. How does learning from a specific local knowledge system and its practices inform our understanding of knowledge production and governance in a broader context?",[],{"_type":3359,"question":7472},[7473],{"_key":7474,"_type":11,"children":7475,"markDefs":7480,"style":24},"692cf9f8b948",[7476],{"_key":7477,"_type":15,"marks":7478,"text":7479},"edd2aecfbd94",[],"Like the growth of a tamarind tree, the first question serves as the root, firmly grasping the local context and allowing us to thoroughly study the local system. The second question represents the trunk, linking the roots to the branches and facilitating exchanges between the local environment and the outside world. The third question embodies the branches and foliage, illustrating how our project extends to a wider context, responding to governance crisis beyond our village.",[],[7482,582,7483,7484,7485,7486,7487,7488,7067,7489,7089,7123,7157,7184,7217,7246,7490,7491,7492,7493,7494,7495],"mou gan project","to push the boundary of knowledge and challenge the knowledge politics behind environmental governance, we proposed three key questions to understand and engage with the village’s bio-cultural history and its present as a living entanglement of the biosphere, local traditions, foodways, beliefs, and the interactions between human and non-human entities:","1. how do residents culturally and socially shape the relationships between ecological systems and community life in their everyday practices?","2. what collaborative actions can we take—through art, science, storytelling, and governance—that nurture, restore, or reimagine the connections between local ecologies and culture?","3. how does learning from a specific local knowledge system and its practices inform our understanding of knowledge production and governance in a broader context?","like the growth of a tamarind tree, the first question serves as the root, firmly grasping the local context and allowing us to thoroughly study the local system. the second question represents the trunk, linking the roots to the branches and facilitating exchanges between the local environment and the outside world. the third question embodies the branches and foliage, illustrating how our project extends to a wider context, responding to governance crisis beyond our village.","04/2026\n\nmou gan project emerges from the long-term cultivation of eco-cultural relations within the local community of laoshi, in danzhou, hainan. the project centers situated and embodied knowledge, activated through local narratives, relational mapping, and forms of labor, alongside ongoing reflective dialogue. it seeks to recognize and foreground marginalized local knowledge within contemporary environmental governance.\n\nthe project brings together community residents, scientists, social scientists/ethnographers, and artists. it also operates as a space of encounter between local culture, ecosystems, and diverse knowledge systems.\n\nin april 2026, collective members songzi, shuhao, and gu qiu traveled to laoshi to prepare for the upcoming mapping and sea salt farm school workshops in june. they engaged with local eco-cultural relations through transdisciplinary approaches, including river-centered walking practices attentive to encounters between human and more-than-human actors, photography, sea salt making, and the gathering of local narratives.","laoshi village, the site of the project, is located in the western region of hainan island, the southernmost province of china. it sits near a harbour where seawater meets freshwater flowing down from the central mountains. this mingling of salt and fresh water sustains a rich local biodiversity, while also making possible the traditional livelihood of sea salt production, both historically and in the present.\n\n","about our collective: our transdisciplinary team includes a community leader, artists, a social science researcher, an ethnographic writer and an environmental expert. together, we approach bio-cultural practice through multiple lenses and foster dialogue among communities navigating ecosystem degradation, the erosion of cultural memory, and governance challenges—especially the marginalization of local knowledge in environmental governance.","in the local language of the rural community where our project is based, \"mou gan\" means the roots and trunk of a tree. the community is surrounded by a forest of tamarind trees planted by ancestors. these trees play a vital ecological role in preventing soil erosion along a local estuary that brings seawater to the village's salt farm which is essential to local livelihoods. by naming our project “mou gan,” we honour the ecological significance of these trees while expressing our wish for the project to be deeply rooted in local soil, nurtured by the community, and to provide shade and resources for the village while also extending our reach to a broader context.\n\n\n\nour collective invites villagers and the public to explore the ecological and cultural life surrounding the major ecosystems of the village. developed as a platform for co-learning bio-cultural connections, we aim to challenge top-down models of environmental governance that prioritize technocracy. we aim to center traditional knowledge, embodied experiences, and emotional connections as valid forms of environmental understanding. we follow three main trajectories: learning from local knowledge systems through embodied experiences, fostering collaborative practices via art, science, storytelling, and governance, and connecting this learning to broader environmental discourses.\n\n\n\nwe will use participatory, interactive, and embodied approaches in two main activities: transect walks and salt-making. transect walks along the local river will bring together residents, officials, planners, collective members, and others to move through and reflect on community spaces. we will hold mapping workshops to co-create participatory maps of ecological change, memory, and daily life. these maps will be shared both in the village and on our digital platform, forming a living archive. we will also launch a seasalt farm school, where participants will learn salt-making from local salt farmers and the environment itself—reading tides, sunlight, and weather. this labor fosters intimate, bodily relationships with place and reframes knowledge as something lived, sensed, and shared.\n\n\n\nthese activities support eco-centered, embodied knowledge as an essential part of environmental governance. they also offer spaces for local people to collectively revisit bio-cultural memory and activate their stewardship with nature and place.","walking together along your river","seasalt farm school","embodied knowledge","geography of becoming",{"_type":77,"current":7497},"mou-gan-project",{"_id":7499,"_type":107,"categories":7500,"credits":7535,"featuredImage":7706,"filterables":7710,"footnotes":7726,"locations":7727,"logbook":75,"pageBuilder":75,"researchQuestion":75,"researchQuestions":7733,"searchables":7744,"seo":75,"slug":7750,"title":7752,"year":583},"15e2ba21-5243-4317-8cba-acfe813bb778",[7501,7504,7507,7511,7515,7518,7522,7525,7532],{"_id":403,"_type":155,"colorPrimary":7502,"seo":75,"slug":7503,"title":406},{"label":569,"value":4835},{"_type":77,"current":405},{"_id":203,"_type":155,"colorPrimary":7505,"seo":75,"slug":7506,"title":206},{"label":569,"value":2977},{"_type":77,"current":205},{"_id":358,"_type":155,"colorPrimary":7508,"seo":75,"slug":7510,"title":361},{"label":569,"value":7509},"#ff8c8c",{"_type":77,"current":360},{"_id":393,"_type":155,"colorPrimary":7512,"seo":75,"slug":7514,"title":396},{"label":569,"value":7513},"#8c8c8c",{"_type":77,"current":395},{"_id":543,"_type":155,"colorPrimary":7516,"seo":75,"slug":7517,"title":546},{"label":569,"value":5699},{"_type":77,"current":545},{"_id":483,"_type":155,"colorPrimary":7519,"seo":75,"slug":7521,"title":486},{"label":569,"value":7520},"#4100ff",{"_type":77,"current":485},{"_id":323,"_type":155,"colorPrimary":7523,"seo":75,"slug":7524,"title":326},{"label":569,"value":5548},{"_type":77,"current":325},{"_id":7526,"_type":155,"colorPrimary":7527,"seo":75,"slug":7529,"title":7531},"f38bbd65-923a-488e-9b38-1ed102345f77",{"label":569,"value":7528},"#ff6464",{"_type":77,"current":7530},"self-organised-practices","Self-Organised 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He holds a BA in Sociology and an MSc in Environmental Governance. He is president of the Crypto Commons Association, founder of Futurescraft, and collaborates regularly with the P2P Foundation, Aksioma – Institute for Contemporary Art, Maska Institute, Krater Collective, ŠUM Journal and others. His work has been presented at the The Seashore of Endless Worlds (Geneva, 2023), panke.gallery (Berlin, 2023), the International Computer Arts Festival (Maribor, 2024), and in Ljubljana at the Museum of Modern Art (2025) and the Museum of Contemporary Art Metelkova (2025). He participated with Game-Changers: The Game in Aksioma’s U30+ programme (2022) and Akademie Schloss Solitude’s Polymorphic Futures residency (2026), and developed Future 14b (2023–2025) through Maska Institute’s Yugofuturism programme.",[],"Rok is a researcher and artist working with games and performative methods as engines for networked post-capitalist imagination. With a background in sociology and political ecology, he leads and collaborates with initiatives including the Crypto Commons Association, Futurescraft, Aksioma, Maska Institute, and the P2P Foundation.",{"filterYear":7553},[7554],{"_id":579,"title":583},{"locations":7556,"other":75},[7557,7559],{"_id":139,"_type":121,"seo":75,"slug":7558,"title":142},{"_type":77,"current":141},{"_id":5160,"_type":121,"seo":75,"slug":7560,"title":5161},{"_type":77,"current":5169},[7562,582],"\u2028rok kranjc",{"_type":77,"current":7564},"rok-kranjc","\u2028Rok Kranjc",{"_id":7567,"_type":576,"activeYears":7568,"bio":7571,"bioShort":7676,"featuredImage":7677,"filterables":7683,"links":7686,"locations":7693,"searchables":7701,"seo":75,"slug":7703,"title":7705},"fd19b32d-d5a9-4696-8da8-712f00c2e8f3",[7569],{"_id":579,"_type":580,"seo":75,"slug":7570,"title":583},{"_type":77,"current":582},[7572,7580,7587,7661,7668],{"_key":7573,"_type":11,"children":7574,"markDefs":7579,"style":24},"4f66911883fe",[7575],{"_key":7576,"_type":15,"marks":7577,"text":7578},"40b0a554a0280",[],"Pablo (Mexico City, 1992) works as a designer, programmer and artist creating ambiguous software, generative systems, transmedia narratives, collaborative tactics and odd music. Their practice explores prefigurative politics, alternative economies, structural violence, decentralized technologies and the commons, while engaging with the politics of computation, language, value, time and games.",[],{"_key":7581,"_type":11,"children":7582,"markDefs":7586,"style":24},"fddbdd30d234",[7583],{"_key":7584,"_type":15,"marks":7585,"text":1150},"bdcd6912f4ed",[],[],{"_key":7588,"_type":11,"children":7589,"markDefs":7648,"style":24},"827805d546bd",[7590,7594,7599,7603,7608,7612,7617,7621,7626,7630,7635,7639,7644],{"_key":7591,"_type":15,"marks":7592,"text":7593},"d4ce29ce5568",[],"Pablo is part of ",{"_key":7595,"_type":15,"marks":7596,"text":7598},"14ceaf4fa267",[7597],"31574e8f93eb","sudoraع",{"_key":7600,"_type":15,"marks":7601,"text":7602},"10083c8597ff",[]," A collective based in Bremen around sound, music and action. A core contributor to the ",{"_key":7604,"_type":15,"marks":7605,"text":7607},"44e7a5d599a6",[7606],"c3c17d44b425","Economic Space Agency (ECSA)",{"_key":7609,"_type":15,"marks":7610,"text":7611},"17888705cfaa",[]," an economic technology and imagination network for distributed economic agency . A participant in ",{"_key":7613,"_type":15,"marks":7614,"text":7616},"c5f760d6ae3d",[7615],"491123083bfa","XORG",{"_key":7618,"_type":15,"marks":7619,"text":7620},"2288eaa3d263",[]," a collective playing at the intersection of games and organizations . Half of the duo ",{"_key":7622,"_type":15,"marks":7623,"text":7625},"ab365ccf3c62",[7624],"3eb1cc78e315","Actual Occasions",{"_key":7627,"_type":15,"marks":7628,"text":7629},"9513b273f608",[]," An ongoing sound & distribution exploratory practice inspired by philosophies of affect, materiality and modulation. A member of the ",{"_key":7631,"_type":15,"marks":7632,"text":7634},"801c8b15b803",[7633],"c9ec8063a55a","Crypto Commons Association (CCA)",{"_key":7636,"_type":15,"marks":7637,"text":7638},"1798dbb09b45",[]," A non-profit organization exploring the use of distributed ledger technologies for furthering the commons. A member of the",{"_key":7640,"_type":15,"marks":7641,"text":7643},"8f064622e665",[7642],"273154f90f57"," Liberatory Computing Front",{"_key":7645,"_type":15,"marks":7646,"text":7647},"113104abac77",[],": a loose collective of researchers, artists, and activists working to liberate computing from capitalism.",[7649,7651,7653,7655,7657,7659],{"_key":7606,"_type":41,"blank":42,"href":7650},"https://economicspace.agency/",{"_key":7615,"_type":41,"blank":42,"href":7652},"https://xorg.how/",{"_key":7624,"_type":41,"blank":42,"href":7654},"https://actualoccasions.xyz/",{"_key":7633,"_type":41,"blank":42,"href":7656},"https://www.crypto-commons.org/",{"_key":7597,"_type":41,"blank":42,"href":7658},"https://www.instagram.com/sudora3___/",{"_key":7642,"_type":41,"blank":42,"href":7660},"https://www.libcomp.org/",{"_key":7662,"_type":11,"children":7663,"markDefs":7667,"style":24},"19f95107f88b",[7664],{"_key":7665,"_type":15,"marks":7666,"text":1150},"340c96084ffe",[],[],{"_key":7669,"_type":11,"children":7670,"markDefs":7675,"style":24},"6e4859db6579",[7671],{"_key":7672,"_type":15,"marks":7673,"text":7674},"f189213c767b",[],"Pablo's worked has been presented in various places in Mexico and Europe including Casa del Lago UNAM CDMX, Centro de Cultura Digital CDMX, Museo Tamayo CDMX, Centro Cultural Tlatelolco, Spedition Bremen Deichtorhallen Hamburg, STRP Festival Eindhoven, Panke Gallery Berlin, Matadero Medialab Madrid and MFRU International Festival for Computer Arts, Maribor among others.",[],"Pablo's practice explores prefigurative politics, alternative economies, structural violence, decentralized technologies and the commons, while engaging with the politics of computation, language, value, time and games.",{"alt":7678,"asset":7679},"Ambiguous human figure walking down a colorful street",{"_id":7680,"height":4555,"orientation":637,"ratio":7681,"url":7682,"width":2342},"image-a2d91cb3721955cdd228159b607a0bf75a614075-750x1115-jpg",0.672645739910314,"https://cdn.sanity.io/images/eodip22e/production/a2d91cb3721955cdd228159b607a0bf75a614075-750x1115.jpg",{"filterYear":7684},[7685],{"_id":579,"title":583},[7687,7690],{"_type":607,"label":7688,"url":7689},"personal website","https://pablo.sx/",{"_type":607,"label":7691,"url":7692},"instagram :(","https://www.instagram.com/palabro_/",{"locations":7694,"other":75},[7695,7697,7699],{"_id":134,"_type":121,"seo":75,"slug":7696,"title":137},{"_type":77,"current":136},{"_id":139,"_type":121,"seo":75,"slug":7698,"title":142},{"_type":77,"current":141},{"_id":5160,"_type":121,"seo":75,"slug":7700,"title":5161},{"_type":77,"current":5169},[7702,582],"pablo somonte ruano",{"_type":77,"current":7704},"pablo-somonte-ruano","Pablo Somonte Ruano",{"alt":75,"asset":7707},{"_id":7708,"height":7254,"orientation":598,"ratio":599,"url":7709,"width":5430},"image-ca7357d3aef482edcc55cbfe4b975651045e8cc0-1280x960-jpg","https://cdn.sanity.io/images/eodip22e/production/ca7357d3aef482edcc55cbfe4b975651045e8cc0-1280x960.jpg",{"filterCategory":7711,"filterLocation":7721,"filterYear":7724},[7712,7713,7714,7715,7716,7717,7718,7719,7720],{"_id":403,"title":406},{"_id":203,"title":206},{"_id":358,"title":361},{"_id":393,"title":396},{"_id":543,"title":546},{"_id":483,"title":486},{"_id":323,"title":326},{"_id":7526,"title":7531},{"_id":198,"title":201},[7722,7723],{"_id":139,"title":142},{"_id":134,"title":137},[7725],{"_id":579,"title":583},[],{"locations":7728,"other":75},[7729,7731],{"_id":139,"_type":121,"seo":75,"slug":7730,"title":142},{"_type":77,"current":141},{"_id":134,"_type":121,"seo":75,"slug":7732,"title":137},{"_type":77,"current":136},[7734],{"_type":3359,"question":7735},[7736],{"_key":7737,"_type":11,"children":7738,"markDefs":7743,"style":24},"b3dbc02aca7f",[7739],{"_key":7740,"_type":15,"marks":7741,"text":7742},"7fa9f503f9600",[],"How can speculative design, worlding, and LARPing function as hyperstitional tools to build shared, self-sustaining fiction commons for prefigurative politics and collective economic experimentation?",[],[7745,582,7746,141,7747,7562,7702,405,3386,7748,395,545,485,325,7749,200],"peerticipatory worldplay","how can speculative design, worlding, and larping function as hyperstitional tools to build shared, self-sustaining fiction commons for prefigurative politics and collective economic experimentation?","central america","live action role-playing (larp)","self-organised practices",{"_type":77,"current":7751},"peerticipatory-worldplay","Peerticipatory Worldplay",{"_id":7754,"_type":107,"categories":7755,"credits":7769,"featuredImage":7898,"filterables":7904,"footnotes":7914,"locations":7915,"logbook":75,"pageBuilder":7928,"researchQuestion":75,"researchQuestions":7979,"searchables":8010,"seo":75,"slug":8018,"title":8020,"year":583},"78d738c1-cb5d-4015-9cef-a6f70e52620d",[7756,7759,7762,7766],{"_id":173,"_type":155,"colorPrimary":7757,"seo":75,"slug":7758,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":533,"_type":155,"colorPrimary":7760,"seo":75,"slug":7761,"title":536},{"label":569,"value":2087},{"_type":77,"current":535},{"_id":388,"_type":155,"colorPrimary":7763,"seo":75,"slug":7765,"title":391},{"label":569,"value":7764},"#91ff00",{"_type":77,"current":390},{"_id":203,"_type":155,"colorPrimary":7767,"seo":75,"slug":7768,"title":206},{"label":569,"value":2977},{"_type":77,"current":205},{"other":75,"profiles":7770},[7771,7835],{"_id":7772,"_type":576,"activeYears":7773,"bio":7776,"bioShort":75,"featuredImage":7804,"filterables":7811,"links":75,"locations":7814,"searchables":7830,"seo":75,"slug":7832,"title":7834},"9fbeea2e-a9e6-4eab-b831-27e2251acb3b",[7774],{"_id":579,"_type":580,"seo":75,"slug":7775,"title":583},{"_type":77,"current":582},[7777,7785],{"_key":7778,"_type":11,"children":7779,"markDefs":7784,"style":24},"ec24d856f66a",[7780],{"_key":7781,"_type":15,"marks":7782,"text":7783},"b4cef495c3ec",[],"Marianna Stefanitsi is an artist, researcher, and cultural worker. Her practice explores artistic labour, cultural institutions, precarity, institutional critique, activism, and feminism. She holds a BA from the Athens School of Fine Arts and Master's degrees from Panteion University and Utrecht University. ",[],{"_key":7786,"_type":11,"children":7787,"markDefs":7801,"style":24},"b795f263e3be",[7788,7792,7797],{"_key":7789,"_type":15,"marks":7790,"text":7791},"a8f61d8aaecd",[],"Since 2019, she has been a member of the ",{"_key":7793,"_type":15,"marks":7794,"text":7796},"b2c0f71b681c",[7795],"9da6324f2a78","Center of New Media and Feminist Public Practices",{"_key":7798,"_type":15,"marks":7799,"text":7800},"e52e03a8a670",[],". Her work has been presented through exhibitions, research projects, and residency programs in Greece and internationally.",[7802],{"_key":7795,"_type":41,"href":7803},"https://schoolofcommons.org/community/profiles/centre-of-new-media-and-feminist-public-practices",{"alt":75,"asset":7805},{"_id":7806,"height":7807,"orientation":637,"ratio":7808,"url":7809,"width":7810},"image-1281c24cb333f3402dabfa492f16eb43f1e6e612-3487x4649-jpg",4649,0.7500537750053775,"https://cdn.sanity.io/images/eodip22e/production/1281c24cb333f3402dabfa492f16eb43f1e6e612-3487x4649.jpg",3487,{"filterYear":7812},[7813],{"_id":579,"title":583},{"locations":75,"other":7815},[7816,7823],{"_key":7817,"_type":11,"children":7818,"markDefs":7822,"style":24},"f0d11e650104",[7819],{"_key":7820,"_type":15,"marks":7821,"text":1150},"fc13d8e885080",[],[],{"_key":7824,"_type":11,"children":7825,"markDefs":7829,"style":24},"0c064745131f",[7826],{"_key":7827,"_type":15,"marks":7828,"text":1768},"ad8c1a8cf2fe0",[],[],[7831,582],"marianna stefanitsi",{"_type":77,"current":7833},"marianna-stefanitsi","Marianna Stefanitsi",{"_id":7836,"_type":576,"activeYears":7837,"bio":7840,"bioShort":7873,"featuredImage":75,"filterables":7874,"links":7877,"locations":7880,"searchables":7893,"seo":75,"slug":7895,"title":7897},"b4967e9f-b101-48ff-b9a7-4c0704846a83",[7838],{"_id":579,"_type":580,"seo":75,"slug":7839,"title":583},{"_type":77,"current":582},[7841,7849,7857,7865],{"_key":7842,"_type":11,"children":7843,"markDefs":7848,"style":24},"779d5cb90225",[7844],{"_key":7845,"_type":15,"marks":7846,"text":7847},"2aaeb8b0f1350",[],"Dedicated to the production, postproduction, distribution and support of feminist practices and development of feminist theory. The centre is an innovative initiative which by definition involves application of information and technology, imagination and diverse methods in deriving new and different values and ethos in new media, feminist practice and public space. The center organizes an on-going relational archive of relevant practices. ",[],{"_key":7850,"_type":11,"children":7851,"markDefs":7856,"style":24},"ea109c240708",[7852],{"_key":7853,"_type":15,"marks":7854,"text":7855},"0349d5deea5c",[],"Through workshops, seminars, tutorials and lectures, it provides the theoretical and technical expertise for starting projects combined with media, public space, labor and intellectual work in order to produce (symbolic) capital. Diverse and innovative methodologies are introduced in order for the local potential to succeed in the ever changing and increasing competitive global environment. ",[],{"_key":7858,"_type":11,"children":7859,"markDefs":7864,"style":24},"73c61400baa3",[7860],{"_key":7861,"_type":15,"marks":7862,"text":7863},"f53281b9b702",[],"The connection of technology and feminism is crucial at the time of globalized technology, post-digital condition, expanded capitalism, and the crisis of institutions where patriarchal structures and traditional powers are resiling, and they confirm that feminist claims are no more than a finished affair.",[],{"_key":7866,"_type":11,"children":7867,"markDefs":7872,"style":24},"8d026346c651",[7868],{"_key":7869,"_type":15,"marks":7870,"text":7871},"25d18fde2ac1",[],"The CNMFPP operates as a spectral institution, without a permanent fundraising infrastructure, but supported by a strong network of partners and kins, undertaking small and medium scale projects.\n",[],"Dedicated to the production, postproduction, distribution and support of feminist practices and development of feminist theory.",{"filterYear":7875},[7876],{"_id":579,"title":583},[7878],{"_type":607,"label":608,"url":7879},"https://www.centrefeministmedia.arch.uth.gr",{"locations":7881,"other":7884},[7882],{"_id":139,"_type":121,"seo":75,"slug":7883,"title":142},{"_type":77,"current":141},[7885],{"_key":7886,"_type":11,"children":7887,"markDefs":7892,"style":24},"faa049e5200e",[7888],{"_key":7889,"_type":15,"marks":7890,"text":7891},"01bc430e875a",[],"Italy / London / Greece ",[],[7894,582],"centre of new media and feminist public practices",{"_type":77,"current":7896},"centre-of-new-media-and-feminist-public-practices","Centre of New Media and Feminist Public Practices",{"alt":75,"asset":7899},{"_id":7900,"height":7901,"orientation":637,"ratio":3801,"url":7902,"width":7903},"image-450ba85cd2f4e2178f6d2d1369e179706343fc63-1536x2048-jpg",2048,"https://cdn.sanity.io/images/eodip22e/production/450ba85cd2f4e2178f6d2d1369e179706343fc63-1536x2048.jpg",1536,{"filterCategory":7905,"filterLocation":7910,"filterYear":7912},[7906,7907,7908,7909],{"_id":173,"title":176},{"_id":533,"title":536},{"_id":388,"title":391},{"_id":203,"title":206},[7911],{"_id":139,"title":142},[7913],{"_id":579,"title":583},[],{"locations":7916,"other":7919},[7917],{"_id":139,"_type":121,"seo":75,"slug":7918,"title":142},{"_type":77,"current":141},[7920],{"_key":7921,"_type":11,"children":7922,"markDefs":7927,"style":24},"6a336c9e1c82",[7923],{"_key":7924,"_type":15,"marks":7925,"text":7926},"c5c824be85a40",[],"Greece",[],[7929],{"_type":728,"settings":7930,"text":7931},{"textColumnCount":730},[7932,7940,7964,7972],{"_key":7933,"_type":11,"children":7934,"markDefs":7939,"style":24},"889f03386e2f",[7935],{"_key":7936,"_type":15,"marks":7937,"text":7938},"a23e38b353c70",[],"Provisional Infrastructures: artistic mobility as practice and experiment in commoning unfolds as the artistic research of Marianna Stefanitsi and Centre of New Media and Feminist Public Practices. ",[],{"_key":7941,"_type":11,"children":7942,"markDefs":7963,"style":24},"5b7bfefa2c24",[7943,7947,7951,7955,7959],{"_key":7944,"_type":15,"marks":7945,"text":7946},"c649a14d8a92",[],"The work is built around through two complementary methodologies. ",{"_key":7948,"_type":15,"marks":7949,"text":7950},"a23e38b353c71",[1362],"Commoning as Infrastructure",{"_key":7952,"_type":15,"marks":7953,"text":7954},"a23e38b353c72",[]," experiments with speculative instituting, co-learning sessions and shared meals, creating moments of encounter that extend mobility beyond elite or exclusive circuits. These gatherings become micro-infrastructures of solidarity, small but potent interventions that disrupt institutional rhythms, expectations, and logics of productivity. In parallel, ",{"_key":7956,"_type":15,"marks":7957,"text":7958},"a23e38b353c73",[1362],"Kinship and Togetherness",{"_key":7960,"_type":15,"marks":7961,"text":7962},"a23e38b353c74",[]," moves through walking practices, grocery runs, and rituals of miscommunication, probing the tension between visibility and invisibility in artistic labor and the hierarchies of validation. Togetherness is practiced as a method, rehearsing kinship and refusal as political and artistic acts that emerge in the gaps and cracks of official mobility programs.",[],{"_key":7965,"_type":11,"children":7966,"markDefs":7971,"style":24},"ce76fd301be6",[7967],{"_key":7968,"_type":15,"marks":7969,"text":7970},"b6c36092624d0",[],"Throughout, the project remains attentive to the paradigms that frame mobility today. From EU cultural policies to digital platforms that circulate calls and shape visibility, the work positions itself within these systems, not as an outsider critique, but as artists entangled in these networks, tracing the possibilities of shared infrastructures and testing how solidarity can be enacted, rehearsed, and sustained.",[],{"_key":7973,"_type":11,"children":7974,"markDefs":7978,"style":24},"acec040637af",[7975],{"_key":7976,"_type":15,"marks":7977,"text":1768},"5efb37f0e7950",[],[],[7980,7990,8000],{"_type":3359,"question":7981},[7982],{"_key":7983,"_type":11,"children":7984,"markDefs":7989,"style":24},"5d1ab544e986",[7985],{"_key":7986,"_type":15,"marks":7987,"text":7988},"c1d5a875eacd0",[],"In the contemporary, globalized, and digitalized art context, how is artistic mobility experienced and understood, particularly across centres and peripheries, and what potential does it hold for commoning?",[],{"_type":3359,"question":7991},[7992],{"_key":7993,"_type":11,"children":7994,"markDefs":7999,"style":24},"14880a048d20",[7995],{"_key":7996,"_type":15,"marks":7997,"text":7998},"14cf8809b5c00",[],"In what ways is the movement of artists and creative professionals interpreted and valued?",[],{"_type":3359,"question":8001},[8002],{"_key":8003,"_type":11,"children":8004,"markDefs":8009,"style":24},"4ed8a35ce2d9",[8005],{"_key":8006,"_type":15,"marks":8007,"text":8008},"29f3f9c72efd0",[],"How does mobility intersect with broader questions of national belonging, inclusivity, privilege, temporality, solidarity, unequal access to movement, and the gendered, racialized, and classed conditions that shape mobility?",[],[8011,582,8012,8013,8014,141,8015,7831,7894,8016,1100,2692,8017,3386],"provisional infrastructures: artistic mobility as practice and experiment in commoning","in the contemporary, globalized, and digitalized art context, how is artistic mobility experienced and understood, particularly across centres and peripheries, and what potential does it hold for commoning?","in what ways is the movement of artists and creative professionals interpreted and valued?","how does mobility intersect with broader questions of national belonging, inclusivity, privilege, temporality, solidarity, unequal access to movement, and the gendered, racialized, and classed conditions that shape mobility?","greece","provisional infrastructures: artistic mobility as practice and experiment in commoning unfolds as the artistic research of marianna stefanitsi and centre of new media and feminist public practices. \n\nthe work is built around through two complementary methodologies. commoning as infrastructure experiments with speculative instituting, co-learning sessions and shared meals, creating moments of encounter that extend mobility beyond elite or exclusive circuits. these gatherings become micro-infrastructures of solidarity, small but potent interventions that disrupt institutional rhythms, expectations, and logics of productivity. in parallel, kinship and togetherness moves through walking practices, grocery runs, and rituals of miscommunication, probing the tension between visibility and invisibility in artistic labor and the hierarchies of validation. togetherness is practiced as a method, rehearsing kinship and refusal as political and artistic acts that emerge in the gaps and cracks of official mobility programs.\n\nthroughout, the project remains attentive to the paradigms that frame mobility today. from eu cultural policies to digital platforms that circulate calls and shape visibility, the work positions itself within these systems, not as an outsider critique, but as artists entangled in these networks, tracing the possibilities of shared infrastructures and testing how solidarity can be enacted, rehearsed, and sustained.\n\n\n","peer to peer",{"_type":77,"current":8019},"provisional-infrastructures-artistic-mobility-as-practice-and-experiment-in-commoning","Provisional Infrastructures: artistic mobility as practice and experiment in commoning",{"_id":8022,"_type":107,"categories":8023,"credits":8041,"featuredImage":8133,"filterables":8141,"footnotes":8152,"locations":8153,"logbook":75,"pageBuilder":8166,"researchQuestion":75,"researchQuestions":8222,"searchables":8267,"seo":75,"slug":8277,"title":8279,"year":583},"2e11a51f-f314-4fd3-a601-9646ccb28574",[8024,8027,8030,8033,8037],{"_id":258,"_type":155,"colorPrimary":8025,"seo":75,"slug":8026,"title":261},{"label":569,"value":996},{"_type":77,"current":260},{"_id":343,"_type":155,"colorPrimary":8028,"seo":75,"slug":8029,"title":346},{"label":569,"value":873},{"_type":77,"current":345},{"_id":4078,"_type":155,"colorPrimary":8031,"seo":75,"slug":8032,"title":4083},{"label":569,"value":4080},{"_type":77,"current":4082},{"_id":488,"_type":155,"colorPrimary":8034,"seo":75,"slug":8036,"title":491},{"label":569,"value":8035},"#fff0b4",{"_type":77,"current":490},{"_id":313,"_type":155,"colorPrimary":8038,"seo":75,"slug":8040,"title":316},{"label":569,"value":8039},"#be7f00",{"_type":77,"current":315},{"other":8042,"profiles":8054},[8043],{"_key":8044,"_type":11,"children":8045,"markDefs":8051,"style":24},"28808ee928ee",[8046],{"_key":8047,"_type":15,"marks":8048,"text":8050},"fba886242a6f0",[8049],"5ba92906bbc0","The Owl House, Goa",[8052],{"_key":8049,"_type":41,"blank":42,"href":8053},"https://www.theowlhousegoa.org",[8055],{"_id":8056,"_type":576,"activeYears":8057,"bio":8060,"bioShort":8101,"featuredImage":8102,"filterables":8110,"links":8113,"locations":8116,"searchables":8129,"seo":75,"slug":8131,"title":8103},"e5736300-6633-466d-8aab-30a00e9b39f7",[8058],{"_id":579,"_type":580,"seo":75,"slug":8059,"title":583},{"_type":77,"current":582},[8061,8069,8077,8085,8093],{"_key":8062,"_type":11,"children":8063,"markDefs":8068,"style":24},"fc939e3d5aac",[8064],{"_key":8065,"_type":15,"marks":8066,"text":8067},"25fb4471111e0",[],"Pakhi Sen is a visual artist, illustrator, and educator based in Goa. Her practice is rooted in storytelling, using drawing as a way to observe, record, and make sense of the worlds she moves through. Working across oil painting, oil pastel, and pencil, she creates meditative works shaped by close attention to landscape, memory, and everyday encounters.",[],{"_key":8070,"_type":11,"children":8071,"markDefs":8076,"style":24},"688f679a08a6",[8072],{"_key":8073,"_type":15,"marks":8074,"text":8075},"8bf4fa7725450",[],"Journaling is central to her process. Through walking, collecting, and observational drawing, she develops a body of visual research that informs her larger works and ongoing enquiries into the stories of ecology, place, and community and their in-betweens. ",[],{"_key":8078,"_type":11,"children":8079,"markDefs":8084,"style":24},"0f19216329db",[8080],{"_key":8081,"_type":15,"marks":8082,"text":8083},"17eae0fb4aaa0",[],"Alongside her studio practice, Pakhi works as an illustrator, using digital and interactive interfaces to engage with archives and community-oriented storytelling. She collaborates with organizations and publications working in socio-political and cultural spaces, using art as a way to visualize stories and make layered ideas differently accessible.",[],{"_key":8086,"_type":11,"children":8087,"markDefs":8092,"style":24},"7a6a519b73df",[8088],{"_key":8089,"_type":15,"marks":8090,"text":8091},"ef285c056ead0",[],"As an educator, she develops arts pedagogy and learning modules at The Owl House, a learning centre for neurodivergent individuals, building frameworks for creative learning that centre experimentation, sensitivity, and self-expression.",[],{"_key":8094,"_type":11,"children":8095,"markDefs":8100,"style":24},"fcb276f62f5f",[8096],{"_key":8097,"_type":15,"marks":8098,"text":8099},"8a374ab2ed870",[],"Pakhi has exhibited at Serendipity Arts Festival and India Art Fair with GallerySKE, and regularly with Goa Open Arts. She sees her practice as an ongoing dialogue with place and community, excited by the intimacy of living systems that hold the world together.",[],"Pakhi is a visual artist, educator, and illustrator based in Goa. Her work moves across painting, comics, and participatory storytelling - exploring ecology, memory, and community through journaling and visual research. She also develops arts pedagogy with neurodiverse learners at The Owl House.",{"alt":8103,"asset":8104},"Pakhi Sen",{"_id":8105,"height":8106,"orientation":598,"ratio":8107,"url":8108,"width":8109},"image-8c6529680cdda9e98460aea73ef2b2140ccfed3a-5333x4000-jpg",4000,1.33325,"https://cdn.sanity.io/images/eodip22e/production/8c6529680cdda9e98460aea73ef2b2140ccfed3a-5333x4000.jpg",5333,{"filterYear":8111},[8112],{"_id":579,"title":583},[8114],{"_type":607,"label":2160,"url":8115},"https://www.instagram.com/pakhi.sen/?hl=en",{"locations":8117,"other":8120},[8118],{"_id":129,"_type":121,"seo":75,"slug":8119,"title":132},{"_type":77,"current":131},[8121],{"_key":8122,"_type":11,"children":8123,"markDefs":8128,"style":24},"0becea5f115e",[8124],{"_key":8125,"_type":15,"marks":8126,"text":8127},"e6b5c0784be8",[],"Aldona, Goa, India",[],[8130,582],"pakhi sen",{"_type":77,"current":8132},"pakhi-sen",{"alt":8134,"asset":8135},"painting of a cobra, two marine creatures and some abstract forms and patterns.",{"_id":8136,"height":8137,"orientation":598,"ratio":8138,"url":8139,"width":8140},"image-ecc3e03bb6700627c4ced200c3d35890267882aa-2718x1976-jpg",1976,1.375506072874494,"https://cdn.sanity.io/images/eodip22e/production/ecc3e03bb6700627c4ced200c3d35890267882aa-2718x1976.jpg",2718,{"filterCategory":8142,"filterLocation":8148,"filterYear":8150},[8143,8144,8145,8146,8147],{"_id":258,"title":261},{"_id":343,"title":346},{"_id":4078,"title":4083},{"_id":488,"title":491},{"_id":313,"title":316},[8149],{"_id":129,"title":132},[8151],{"_id":579,"title":583},[],{"locations":8154,"other":8157},[8155],{"_id":129,"_type":121,"seo":75,"slug":8156,"title":132},{"_type":77,"current":131},[8158],{"_key":8159,"_type":11,"children":8160,"markDefs":8165,"style":24},"f8299a6ecf7b",[8161],{"_key":8162,"_type":15,"marks":8163,"text":8164},"69fae5de5b560",[],"Set in Aldona, North Goa, the project draws from the Khazan wetlands, a unique socio-ecological landscape shaped by tidal rhythms, biodiversity, and collective stewardship.",[],[8167,8201,8206,8211,8217],{"_type":728,"settings":8168,"text":8169},{"textColumnCount":730},[8170,8178,8186,8193],{"_key":8171,"_type":11,"children":8172,"markDefs":8177,"style":24},"b3a5e203afeb",[8173],{"_key":8174,"_type":15,"marks":8175,"text":8176},"d6164443ecdb",[],"Roots and Nerves is a participatory ecological arts initiative based in the khazan landscapes of Aldona, Goa. Working with neurodivergent learners at The Owl House, it explores how sensory perception shapes our relationship with environment, and how different cognitive orientations can offer distinct ways of encountering ecology. Through guided excursions and practices of drawing, play, observation, and sensory repetition, learners form intimate relationships with landscape by attending closely to texture, sound, rhythm, movement, and material presence.",[],{"_key":8179,"_type":11,"children":8180,"markDefs":8185,"style":24},"49bf3355d62b",[8181],{"_key":8182,"_type":15,"marks":8183,"text":8184},"b42a6feeea1a",[],"Grounded in Goa’s estuarine wetlands, where mangroves, agricultural fields, waterways, and human habitation remain deeply intertwined, the work approaches ecology as something lived and felt rather than simply studied or represented. At its core is an interest in relationality: how humans, animals, plants, objects, and technologies come into meaningful contact, and what becomes possible when we widen our understanding of perception and belonging.",[],{"_key":8187,"_type":11,"children":8188,"markDefs":8192,"style":24},"b7a9da160adb",[8189],{"_key":8190,"_type":15,"marks":8191,"text":1150},"bb5cb237ad14",[],[],{"_key":8194,"_type":11,"children":8195,"markDefs":8200,"style":24},"19344eccc5d3",[8196],{"_key":8197,"_type":15,"marks":8198,"text":8199},"a4bcbc13a6d7",[],"The Owl House is a learning and community space in Aldona, Goa, for neurodivergent individuals, creating room for alternative rhythms of learning, expression, and relation.",[],{"_type":813,"caption":75,"image":8202},{"alt":75,"asset":8203},{"_id":8204,"height":6285,"orientation":637,"ratio":3801,"url":8205,"width":6287},"image-6610f2e4d06bc82351cc7bd93b539d2e0b6d3bd4-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/6610f2e4d06bc82351cc7bd93b539d2e0b6d3bd4-3024x4032.jpg",{"_type":813,"caption":75,"image":8207},{"alt":75,"asset":8208},{"_id":8209,"height":6285,"orientation":637,"ratio":3801,"url":8210,"width":6287},"image-94332f6bb0ffff133f0dbdd096a51fc4ba55e60a-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/94332f6bb0ffff133f0dbdd096a51fc4ba55e60a-3024x4032.jpg",{"_type":813,"caption":75,"image":8212},{"alt":75,"asset":8213},{"_id":8214,"height":8215,"orientation":637,"ratio":638,"url":8216,"width":2381},"image-3e7cba05995276296ce5836cde249a80bab50d2a-1440x1800-jpg",1800,"https://cdn.sanity.io/images/eodip22e/production/3e7cba05995276296ce5836cde249a80bab50d2a-1440x1800.jpg",{"_type":813,"caption":75,"image":8218},{"alt":75,"asset":8219},{"_id":8220,"height":8215,"orientation":637,"ratio":638,"url":8221,"width":2381},"image-48456316b9bdb4e9f973017d771167498525fc41-1440x1800-jpg","https://cdn.sanity.io/images/eodip22e/production/48456316b9bdb4e9f973017d771167498525fc41-1440x1800.jpg",[8223,8240,8257],{"_type":3359,"question":8224},[8225,8233],{"_key":8226,"_type":11,"children":8227,"markDefs":8232,"style":24},"bfa936a6d9f3",[8228],{"_key":8229,"_type":15,"marks":8230,"text":8231},"8c7248db6e370",[],"How can ecological engagement be made accessible without reducing its complexity?",[],{"_key":8234,"_type":11,"children":8235,"markDefs":8239,"style":24},"c0ece26db90d",[8236],{"_key":8237,"_type":15,"marks":8238,"text":1150},"1806b5a01f240",[],[],{"_type":3359,"question":8241},[8242,8250],{"_key":8243,"_type":11,"children":8244,"markDefs":8249,"style":24},"c0d86c3e4655",[8245],{"_key":8246,"_type":15,"marks":8247,"text":8248},"1221acd48f99",[],"How do neurodivergent modes of perception reconfigure what it means to relate to an environment?",[],{"_key":8251,"_type":11,"children":8252,"markDefs":8256,"style":24},"c52cc8c87490",[8253],{"_key":8254,"_type":15,"marks":8255,"text":1150},"b9a21b855a68",[],[],{"_type":3359,"question":8258},[8259],{"_key":8260,"_type":11,"children":8261,"markDefs":8266,"style":24},"8128f9d8f35a",[8262],{"_key":8263,"_type":15,"marks":8264,"text":8265},"5302f492a07d0",[],"What constitutes relationality across human, technological, material, and ecological domains?",[],[8268,582,8269,8270,8271,131,8272,8130,8273,8274,260,1317,4816,8275,8276],"roots and nerves","how can ecological engagement be made accessible without reducing its complexity?\n\n","how do neurodivergent modes of perception reconfigure what it means to relate to an environment?\n\n","what constitutes relationality across human, technological, material, and ecological domains?","set in aldona, north goa, the project draws from the khazan wetlands, a unique socio-ecological landscape shaped by tidal rhythms, biodiversity, and collective stewardship.","the owl house, goa","roots and nerves is a participatory ecological arts initiative based in the khazan landscapes of aldona, goa. working with neurodivergent learners at the owl house, it explores how sensory perception shapes our relationship with environment, and how different cognitive orientations can offer distinct ways of encountering ecology. through guided excursions and practices of drawing, play, observation, and sensory repetition, learners form intimate relationships with landscape by attending closely to texture, sound, rhythm, movement, and material presence.\n\ngrounded in goa’s estuarine wetlands, where mangroves, agricultural fields, waterways, and human habitation remain deeply intertwined, the work approaches ecology as something lived and felt rather than simply studied or represented. at its core is an interest in relationality: how humans, animals, plants, objects, and technologies come into meaningful contact, and what becomes possible when we widen our understanding of perception and belonging.\n\n\n\nthe owl house is a learning and community space in aldona, goa, for neurodivergent individuals, creating room for alternative rhythms of learning, expression, and relation.","study & planning","inclusi(ve)space ",{"_type":77,"current":8278},"roots-and-nerves","Roots and 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Bringing spaces of thought into dialogue",[8449],{"_key":8446,"_type":41,"blank":42,"href":8450},"https://www.zhdk.ch/en/news/bringing-spaces-of-thought-into-dialogue-9032",[8452,8474,8532,8546,8561,8575,8589,8603,8617],{"_type":813,"caption":8453,"image":8470},[8454],{"_key":8455,"_type":11,"children":8456,"markDefs":8469,"style":24},"c4a5076d20d7",[8457,8461,8465],{"_key":8458,"_type":15,"marks":8459,"text":8460},"ba8e74e9c710",[],"Poster \"Gedankenräume - Metaphern als Erkenntnisform zwischen Kunst und Wissenschaft\" (",{"_key":8462,"_type":15,"marks":8463,"text":8464},"8ae38d660b27",[1362],"Spaces of Thought – Metaphors as Forms of Knowledge between Art and Science",{"_key":8466,"_type":15,"marks":8467,"text":8468},"93a77bb2ef18",[],"), Februar 2026; Konzept & Umsetzung: Martha Oelschläger / Grafik: Tim Frei",[],{"alt":75,"asset":8471},{"_id":8472,"height":8410,"orientation":637,"ratio":8411,"url":8473,"width":8413},"image-bdca5bf15c1d6ac9e107653e6a8996d03ce146a4-3508x4961-jpg","https://cdn.sanity.io/images/eodip22e/production/bdca5bf15c1d6ac9e107653e6a8996d03ce146a4-3508x4961.jpg",{"_type":728,"settings":8475,"text":8476},{"textColumnCount":730},[8477,8485,8493,8508,8524],{"_key":8478,"_type":11,"children":8479,"markDefs":8484,"style":24},"4177d995760e",[8480],{"_key":8481,"_type":15,"marks":8482,"text":8483},"9aade5d8012f0",[],"The starting point of this thesis is the observation that we often speak about thinking through spatial images: we orient ourselves, lose the thread, move between positions, or venture into unknown territory. Such metaphors do not merely serve as illustrations; they actively structure perception, thought, and the production of knowledge.",[],{"_key":8486,"_type":11,"children":8487,"markDefs":8492,"style":24},"c5d05baf1adb",[8488],{"_key":8489,"_type":15,"marks":8490,"text":8491},"9f4cc9e650630",[],"This thesis investigates spatial images and metaphors as epistemic tools at the intersection of art and science. It explores how different disciplines employ spatial figures of thought to organize knowledge and what happens when these distinct ways of thinking encounter one another within a shared setting.",[],{"_key":8494,"_type":11,"children":8495,"markDefs":8507,"style":24},"de074592a139",[8496,8500,8503],{"_key":8497,"_type":15,"marks":8498,"text":8499},"ed80b38d9ea10",[],"Methodologically, the project combines two levels of inquiry. First, it includes the conception and realization of the symposium and exhibition ",{"_key":8501,"_type":15,"marks":8502,"text":8464},"ed80b38d9ea11",[1362],{"_key":8504,"_type":15,"marks":8505,"text":8506},"ed80b38d9ea12",[],", understood as a curatorial and scenographic experimental arrangement. Second, it draws on a qualitative analysis of the contributions, conversations, and materials that emerged from this event.",[],{"_key":8509,"_type":11,"children":8510,"markDefs":8523,"style":24},"c002ea205250",[8511,8515,8519],{"_key":8512,"_type":15,"marks":8513,"text":8514},"37445198402b0",[],"From this investigation, a glossary of nineteen ",{"_key":8516,"_type":15,"marks":8517,"text":8518},"37445198402b1",[17],"spatial metaphors",{"_key":8520,"_type":15,"marks":8521,"text":8522},"37445198402b2",[]," was developed, including Archive, Atelier, Construction Site, Bridge, House, Labyrinth, Resonance Space, and Mirror. These concepts are not treated as fixed definitions but as figures of thought in which different forms of knowledge encounter one another.",[],{"_key":8525,"_type":11,"children":8526,"markDefs":8531,"style":24},"477380f2521f",[8527],{"_key":8528,"_type":15,"marks":8529,"text":8530},"a88d30912e5a0",[],"The thesis understands transdisciplinarity not as the fusion of disciplines, but as the creation of in-between spaces in which new perspectives, relationships, and forms of knowledge can emerge.",[],{"_type":813,"caption":8533,"image":8542},[8534],{"_key":8535,"_type":11,"children":8536,"markDefs":8541,"style":24},"94ce3372a01c",[8537],{"_key":8538,"_type":15,"marks":8539,"text":8540},"4da402fffcd90",[],"Impression aus dem Kunstraum, ZHdK, Veranstaltungsort des Symposiums ©Guillaume 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Musset",[],{"alt":75,"asset":8628},{"_id":8629,"height":5430,"orientation":598,"ratio":3701,"url":8630,"width":5877},"image-992e7bfb08d8ecb5a33205d6e5ec018c7724d64a-1920x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/992e7bfb08d8ecb5a33205d6e5ec018c7724d64a-1920x1280.jpg",[8632,8642],{"_type":3359,"question":8633},[8634],{"_key":8635,"_type":11,"children":8636,"markDefs":8641,"style":24},"8d2f4fb3bec7",[8637],{"_key":8638,"_type":15,"marks":8639,"text":8640},"18f54a8549410",[],"How do spatial images and metaphors function as epistemic tools in different disciplinary contexts, and how can their roles and potentials be made visible and tangible through a spatially organized transdisciplinary setting?",[],{"_type":3359,"question":8643},[8644,8652,8660,8668,8676],{"_key":8645,"_type":11,"children":8646,"level":1033,"listItem":1708,"markDefs":8651,"style":24},"0610c98944da",[8647],{"_key":8648,"_type":15,"marks":8649,"text":8650},"542927d5d8ec0",[],"How do spatial metaphors structure processes of thinking and knowledge production in art and science?",[],{"_key":8653,"_type":11,"children":8654,"level":1033,"listItem":1708,"markDefs":8659,"style":24},"e36d0ad62f0a",[8655],{"_key":8656,"_type":15,"marks":8657,"text":8658},"036df1040aed0",[],"What kinds of spaces of thought emerge from discipline-specific spatial imaginaries?",[],{"_key":8661,"_type":11,"children":8662,"level":1033,"listItem":1708,"markDefs":8667,"style":24},"e97a5b56e646",[8663],{"_key":8664,"_type":15,"marks":8665,"text":8666},"09006ce9d1f70",[],"What happens when these metaphors encounter one another within a shared space?",[],{"_key":8669,"_type":11,"children":8670,"level":1033,"listItem":1708,"markDefs":8675,"style":24},"618b38f2f1c2",[8671],{"_key":8672,"_type":15,"marks":8673,"text":8674},"a6798babcfad0",[],"To what extent can a symposium and exhibition function as instruments of knowledge production?",[],{"_key":8677,"_type":11,"children":8678,"level":1033,"listItem":1708,"markDefs":8683,"style":24},"4ff918a289d9",[8679],{"_key":8680,"_type":15,"marks":8681,"text":8682},"47e010e784a70",[],"What forms of knowledge emerge between language, experience, and spatial arrangement?",[],[8685,582,8686,8687,8688,141,8403,8689,744,6986,1100,435,8690,8691,210,170,1317,8692,4816,3386,4113,8693],"spaces of thought","how do spatial images and metaphors function as epistemic tools in different disciplinary contexts, and how can their roles and potentials be made visible and tangible through a spatially organized transdisciplinary setting?","how do spatial metaphors structure processes of thinking and knowledge production in art and science?\n\nwhat kinds of spaces of thought emerge from discipline-specific spatial imaginaries?\n\nwhat happens when these metaphors encounter one another within a shared space?\n\nto what extent can a symposium and exhibition function as instruments of knowledge production?\n\nwhat forms of knowledge emerge between language, experience, and spatial arrangement?","interview: bringing spaces of thought into dialogue","the starting point of this thesis is the observation that we often speak about thinking through spatial images: we orient ourselves, lose the thread, move between positions, or venture into unknown territory. such metaphors do not merely serve as illustrations; they actively structure perception, thought, and the production of knowledge.\n\nthis thesis investigates spatial images and metaphors as epistemic tools at the intersection of art and science. it explores how different disciplines employ spatial figures of thought to organize knowledge and what happens when these distinct ways of thinking encounter one another within a shared setting.\n\nmethodologically, the project combines two levels of inquiry. first, it includes the conception and realization of the symposium and exhibition spaces of thought – metaphors as forms of knowledge between art and science, understood as a curatorial and scenographic experimental arrangement. second, it draws on a qualitative analysis of the contributions, conversations, and materials that emerged from this event.\n\nfrom this investigation, a glossary of nineteen spatial metaphors was developed, including archive, atelier, construction site, bridge, house, labyrinth, resonance space, and mirror. these concepts are not treated as fixed definitions but as figures of thought in which different forms of knowledge encounter one another.\n\nthe thesis understands transdisciplinarity not as the fusion of disciplines, but as the creation of in-between spaces in which new perspectives, relationships, and forms of knowledge can emerge.","cathedral thinking","unpacking the terms together","curatorial research","ephemeral memorials",{"_type":77,"current":8695},"spaces-of-thought","Spaces of Thought",{"_id":650,"_type":107,"categories":8698,"credits":8705,"featuredImage":8736,"filterables":8738,"footnotes":8746,"locations":8747,"logbook":75,"pageBuilder":8757,"researchQuestion":75,"researchQuestions":75,"searchables":8766,"seo":75,"slug":8767,"title":748,"year":583},[8699,8702],{"_id":653,"_type":155,"colorPrimary":8700,"seo":75,"slug":8701,"title":658},{"label":569,"value":655},{"_type":77,"current":657},{"_id":660,"_type":155,"colorPrimary":8703,"seo":75,"slug":8704,"title":665},{"label":569,"value":662},{"_type":77,"current":664},{"other":75,"profiles":8706},[8707],{"_id":575,"_type":576,"activeYears":8708,"bio":8711,"bioShort":593,"featuredImage":8717,"filterables":8719,"links":8722,"locations":8724,"searchables":8734,"seo":75,"slug":8735,"title":627},[8709],{"_id":579,"_type":580,"seo":75,"slug":8710,"title":583},{"_type":77,"current":582},[8712],{"_key":586,"_type":11,"children":8713,"markDefs":8716,"style":24},[8714],{"_key":589,"_type":15,"marks":8715,"text":591},[],[],{"alt":75,"asset":8718},{"_id":596,"height":597,"orientation":598,"ratio":599,"url":600,"width":601},{"filterYear":8720},[8721],{"_id":579,"title":583},[8723],{"_type":607,"label":608,"url":609},{"locations":8725,"other":8728},[8726],{"_id":139,"_type":121,"seo":75,"slug":8727,"title":142},{"_type":77,"current":141},[8729],{"_key":616,"_type":11,"children":8730,"markDefs":8733,"style":24},[8731],{"_key":619,"_type":15,"marks":8732,"text":621},[],[],[624,582],{"_type":77,"current":626},{"alt":698,"asset":8737},{"_id":700,"height":701,"orientation":598,"ratio":702,"url":703,"width":704},{"filterCategory":8739,"filterLocation":8742,"filterYear":8744},[8740,8741],{"_id":653,"title":658},{"_id":660,"title":665},[8743],{"_id":139,"title":142},[8745],{"_id":579,"title":583},[],{"locations":8748,"other":8751},[8749],{"_id":139,"_type":121,"seo":75,"slug":8750,"title":142},{"_type":77,"current":141},[8752],{"_key":720,"_type":11,"children":8753,"markDefs":8756,"style":24},[8754],{"_key":723,"_type":15,"marks":8755,"text":621},[],[],[8758],{"_type":728,"settings":8759,"text":8760},{"textColumnCount":730},[8761],{"_key":733,"_type":11,"children":8762,"markDefs":8765,"style":24},[8763],{"_key":736,"_type":15,"marks":8764,"text":738},[],[],[741,582,141,742,624,743,744,745],{"_type":77,"current":747},{"_id":8769,"_type":107,"categories":75,"credits":8770,"featuredImage":9166,"filterables":9169,"footnotes":9174,"locations":9175,"logbook":75,"pageBuilder":9179,"researchQuestion":75,"researchQuestions":9206,"searchables":9237,"seo":75,"slug":9243,"title":9245,"year":583},"2762c232-0a73-4155-8fb3-7a6f157e2e41",{"other":75,"profiles":8771},[8772,8881,9036,9117],{"_id":8773,"_type":576,"activeYears":8774,"bio":8777,"bioShort":8857,"featuredImage":8858,"filterables":8864,"links":8867,"locations":8875,"searchables":8879,"seo":75,"slug":8880,"title":8784},"f0598e03-ce47-47b6-a7fd-e9c5143157b2",[8775],{"_id":579,"_type":580,"seo":75,"slug":8776,"title":583},{"_type":77,"current":582},[8778,8790,8797,8809,8821,8829,8837,8845],{"_key":8779,"_type":11,"children":8780,"markDefs":8789,"style":24},"aad36a45c241",[8781,8785],{"_key":8782,"_type":15,"marks":8783,"text":8784},"18893a15cb270",[1362],"footnotes",{"_key":8786,"_type":15,"marks":8787,"text":8788},"bb9febbf95ed",[]," consist of Eliana Kirkcaldy, Johanna Ackva and Lotta Beckers who have met on a crossroad of intersecting curiosities for historical and contemporary languages of desire. Looking at (mostly female*) writing on longing, the erotic, one’s own and/or the lover’s body, we search for those moments in which (hetero)normative representations of desire are getting messed up, counterpointed and deprived of their power to shape relationships and intimacy.",[],{"_key":8791,"_type":11,"children":8792,"markDefs":8796,"style":24},"f402c2ee3d93",[8793],{"_key":8794,"_type":15,"marks":8795,"text":1150},"0eece55c15c6",[],[],{"_key":8798,"_type":11,"children":8799,"markDefs":8808,"style":24},"473fe38ca849",[8800,8804],{"_key":8801,"_type":15,"marks":8802,"text":8803},"8034d6383cfe0",[17],"Johanna Ackva",{"_key":8805,"_type":15,"marks":8806,"text":8807},"8034d6383cfe1",[],"'s artistic practice revolves around the entanglements between so called physical and metaphysical movements. Her works address the mutual influences between body and thought, the living and the dead, the world and our perception of it. As a dance maker, teacher, author, and curator, she is mainly active in Berlin. In Uckermark, she is part of the team that runs Denk- und Produktionsort Libken. Johanna has realized various performances in Berlin, e.g. at Tanzfabrik and Vierte Welt. As part of a team of four, she's currently running the artistic residency Denk- und Produktionsort Libken in the region Uckermark.",[],{"_key":8810,"_type":11,"children":8811,"markDefs":8820,"style":24},"0175989b0f1c",[8812,8816],{"_key":8813,"_type":15,"marks":8814,"text":8815},"5c35c54a604d",[17],"Lotta Beckers",{"_key":8817,"_type":15,"marks":8818,"text":8819},"56a92497d7aa",[]," (she/they) lives in Berlin and works as a dramaturge and artist. She studied Applied Theatre Studies in University Gießen, Choreography and Dance at the Danish National School of Performing Arts in Copenhagen and holds an M.A. in European Media Studies from the University of Potsdam. She is part of the class for performative arts led by Anna Zett and Jule Flierl at Hochschule für Grafik und Buchkunst Leipzig (HGB). ",[],{"_key":8822,"_type":11,"children":8823,"markDefs":8828,"style":24},"1eb93b8ca1bb",[8824],{"_key":8825,"_type":15,"marks":8826,"text":8827},"4b0dabb3b809",[],"As a freelance dramaturge she works in dance and performance, as well as in documentary theatre. She is engaged in an ongoing collaboration with theatre director Noam Brusilovsky and costume and stage designer Magdalena Emmerig. She also collaborates closely as a dramaturge and sometimes performer with choreographer Deva Schubert.",[],{"_key":8830,"_type":11,"children":8831,"markDefs":8836,"style":24},"ee7c735b9fdd",[8832],{"_key":8833,"_type":15,"marks":8834,"text":8835},"10b2a81ec635",[],"Lotta’s own artistic research evolves around the entanglements of desire, affects and power – sometimes through archive research, often in collaborations, sometimes through solo work. The form of the work and the medium are always re-defined through the artistic engagement with a theme and the specific context in which it is realized. At the moment she is particularly curious about movement and text.",[],{"_key":8838,"_type":11,"children":8839,"markDefs":8844,"style":24},"8b38380535b1",[8840],{"_key":8841,"_type":15,"marks":8842,"text":8843},"54bc79021fb8",[],"In her artistic approach, she situates herself between the documentary and the poetic, the intimate and the public and searches for the historical and structural within personal feeling. Theory serves as a driving force in her work, encouraging new modes of perception and experience.",[],{"_key":8846,"_type":11,"children":8847,"markDefs":8856,"style":24},"b9efaebc0d88",[8848,8852],{"_key":8849,"_type":15,"marks":8850,"text":8851},"0ad8c6673cac0",[17],"Eliana Kirkcaldy ",{"_key":8853,"_type":15,"marks":8854,"text":8855},"0ad8c6673cac1",[],"studied contemporary dance and cultural studies in Cologne, Hildesheim, Porto and Berlin. Her research currently deals with questions around societal power structures and their effect on physical practices. She is furthermore interested in exploring collective working structures and has been part of the collective AnaConda am Ufer, currently she is part of Berlin based poetry collective Das Ad Hoc. Together with Vanessa Engelmann, Eliana is working on new translations of the writings of Colette Peignot, which will be published by Matthes & Seitz Berlin. Eliana is a member of the editorial board of literary magazine Berlin Review.",[],"footnotes consist of Eliana Kirkcaldy, Johanna Ackva and Lotta Beckers. The collective researches languages of desire and investigates writing as a means to mess up, counterpoint and subvert (hetero)normative representations of love, intimacy and the erotic.",{"alt":8859,"asset":8860},"splashed liquid on concrete floor, dispersed strawberries",{"_id":8861,"height":6812,"orientation":598,"ratio":8862,"url":8863,"width":5430},"image-4a3368892d8f2a7eb009fbb75ca9960b08d54824-1280x862-jpg",1.4849187935034802,"https://cdn.sanity.io/images/eodip22e/production/4a3368892d8f2a7eb009fbb75ca9960b08d54824-1280x862.jpg",{"filterYear":8865},[8866],{"_id":579,"title":583},[8868,8871,8873],{"_type":607,"label":8869,"url":8870},"Eliana Kirkcaldy","https://www.instagram.com/elianakirkcaldy/",{"_type":607,"label":8803,"url":8872},"https://www.instagram.com/johannaackva/",{"_type":607,"label":8815,"url":8874},"https://www.instagram.com/lott_lott_lott_/",{"locations":8876,"other":75},[8877],{"_id":139,"_type":121,"seo":75,"slug":8878,"title":142},{"_type":77,"current":141},[8784,582],{"_type":77,"current":8784},{"_id":8882,"_type":576,"activeYears":8883,"bio":8886,"bioShort":8999,"featuredImage":9000,"filterables":9008,"links":9011,"locations":9019,"searchables":9032,"seo":75,"slug":9034,"title":8803},"88aa7c21-25b5-43bf-bd42-23dd71af66d4",[8884],{"_id":579,"_type":580,"seo":75,"slug":8885,"title":583},{"_type":77,"current":582},[8887,8895,8964],{"_key":8888,"_type":11,"children":8889,"markDefs":8894,"style":24},"c42be418bfa0",[8890],{"_key":8891,"_type":15,"marks":8892,"text":8893},"e65cd299f6660",[],"Johanna (*1989, Berlin) lives and works in Berlin and in the Uckermark region. Her work draws from trans-disciplinary artistic research, performative practice, and anthropological methods. Alongside body- and movement-based approaches, conversations - with experts, strangers and friends alike - are central to Johanna's work. In her performative, textual, sculptural, and editorial projects, Johanna examines phenomena of individual experience as embedded within collectively shaped social, material, and affective lifeworlds - as moments of encounter in which self and world are continuously re-shaped. By foregrounding the processual and the porous, she connects phases of research, experimentation and production with those of public sharing.",[],{"_key":8896,"_type":11,"children":8897,"markDefs":8963,"style":24},"9828efbb56d4",[8898,8902,8906,8909,8913,8916,8920,8924,8928,8931,8935,8939,8943,8947,8951,8955,8959],{"_key":8899,"_type":15,"marks":8900,"text":8901},"86ad3d53b0530",[],"Since 2015, Johanna’s often collaboratively realised projects have engaged with themes such as labor and its value (",{"_key":8903,"_type":15,"marks":8904,"text":8905},"21650684b0d4",[1362],"The Agreement",{"_key":8907,"_type":15,"marks":8908,"text":5748},"f2d4e53bb96a",[],{"_key":8910,"_type":15,"marks":8911,"text":8912},"8e20dd99fdaa",[1362],"AG Arbeit",{"_key":8914,"_type":15,"marks":8915,"text":5748},"ddfeef72a887",[],{"_key":8917,"_type":15,"marks":8918,"text":8919},"397b3521c65d",[1362],"They Ate Our Day",{"_key":8921,"_type":15,"marks":8922,"text":8923},"ce63bb770e80",[],"), mysticism and experiences of nature (",{"_key":8925,"_type":15,"marks":8926,"text":8927},"3d45b33a2289",[1362],"Salt Lake",{"_key":8929,"_type":15,"marks":8930,"text":5748},"56921242a295",[],{"_key":8932,"_type":15,"marks":8933,"text":8934},"89aaba484db2",[1362],"Zweitlandschaften",{"_key":8936,"_type":15,"marks":8937,"text":8938},"d153c7bfa06e",[],"), voice(s) and breath (",{"_key":8940,"_type":15,"marks":8941,"text":8942},"e333f22ed846",[1362],"singalongs, High Fidelity, ~4E8A∞~",{"_key":8944,"_type":15,"marks":8945,"text":8946},"d3edd091cfcf",[],"), longing, intimacy and shame (",{"_key":8948,"_type":15,"marks":8949,"text":8950},"bd785370f76f",[1362],"Women And Watery Men, wherever you are",{"_key":8952,"_type":15,"marks":8953,"text":8954},"b9bd599f2b61",[],"), as well as death, grief, and our relationship to the dead (",{"_key":8956,"_type":15,"marks":8957,"text":8958},"2226a6b95817",[1362],"Clouds On Clear Sky, Grandmothers, aus dem was sprachfähig war, forever goodbye",{"_key":8960,"_type":15,"marks":8961,"text":8962},"99251399fa6b",[],").",[],{"_key":8965,"_type":11,"children":8966,"markDefs":8998,"style":24},"9d858cdf0b17",[8967,8971,8975,8979,8983,8987,8990,8994],{"_key":8968,"_type":15,"marks":8969,"text":8970},"2e6adc0ef05b0",[],"Alongside her artistic work, Johanna regularly teaches as a guest lecturer in the Studium Generale program at the Berlin University of the Arts. Together with Anna Zett and Marie DuPasquier, among others, she has curated and hosted various event series and projects such as the performative exhibition ",{"_key":8972,"_type":15,"marks":8973,"text":8974},"9bb2c5a6691d",[1362],"Postindependent",{"_key":8976,"_type":15,"marks":8977,"text":8978},"20f20dbfc192",[],". Since 2019, she has been involved in shaping and curating ",{"_key":8980,"_type":15,"marks":8981,"text":8982},"a2e43ed98b37",[1362],"Libken Denk- und Produktionsort",{"_key":8984,"_type":15,"marks":8985,"text":8986},"be72e496cd6c",[]," (Uckermark), since 2021 as part of its artistic leadership team. Most recently, she conceived and accompanied the interdisciplinary residency program",{"_key":8988,"_type":15,"marks":8989,"text":1676},"8a2e8805bfa2",[17],{"_key":8991,"_type":15,"marks":8992,"text":8993},"85db9bcbfd43",[1362],"into the fields",{"_key":8995,"_type":15,"marks":8996,"text":8997},"d0bd60e1ad1d",[],", which invited artists from rural regions in Poland, Germany, and the Czech Republic to work together.",[],"Johanna (*1989) is a trans-disciplinary artist, performer and writer based between Berlin and the Uckermark region.",{"alt":9001,"asset":9002},"Johanna Ackva, lying on the floor with their hands in an illuminated square on the floor.",{"_id":9003,"height":9004,"orientation":598,"ratio":9005,"url":9006,"width":9007},"image-52bf736fa657577cfc147f998abca5864b3c5fc1-1930x1432-png",1432,1.3477653631284916,"https://cdn.sanity.io/images/eodip22e/production/52bf736fa657577cfc147f998abca5864b3c5fc1-1930x1432.png",1930,{"filterYear":9009},[9010],{"_id":579,"title":583},[9012,9013,9016],{"_type":607,"label":2160,"url":8872},{"_type":607,"label":9014,"url":9015},"Sounds","https://on.soundcloud.com/i9IpQ6BO0H9LChHlbD",{"_type":607,"label":9017,"url":9018},"Hosting ","https://libken.de/en/libken-home/",{"locations":9020,"other":9023},[9021],{"_id":139,"_type":121,"seo":75,"slug":9022,"title":142},{"_type":77,"current":141},[9024],{"_key":9025,"_type":11,"children":9026,"markDefs":9031,"style":24},"43aa3f522b70",[9027],{"_key":9028,"_type":15,"marks":9029,"text":9030},"949cfc34b018",[],"Berlin / Uckermark",[],[9033,582],"johanna ackva",{"_type":77,"current":9035},"johanna-ackva",{"_id":9037,"_type":576,"activeYears":9038,"bio":9041,"bioShort":9048,"featuredImage":9089,"filterables":9096,"links":9099,"locations":9101,"searchables":9113,"seo":75,"slug":9115,"title":8815},"193d30a6-5cfa-47b0-9283-eb923f080d48",[9039],{"_id":579,"_type":580,"seo":75,"slug":9040,"title":583},{"_type":77,"current":582},[9042,9050,9058,9066,9074],{"_key":9043,"_type":11,"children":9044,"markDefs":9049,"style":24},"eedb148a0825",[9045],{"_key":9046,"_type":15,"marks":9047,"text":9048},"72b240012e540",[],"Lotta (she/they) is a Berlin-based dramaturg and artist working across performance, dance, and documentary theatre. She’s into awkward presence, pathetic writing, slowness, cutting and feeling touched (by art). ",[],{"_key":9051,"_type":11,"children":9052,"markDefs":9057,"style":24},"09f687d22867",[9053],{"_key":9054,"_type":15,"marks":9055,"text":9056},"36f04cb94473",[],"With an academic background spanning applied theatre studies in Gießen, dance and choreography in Copenhagen, European media studies in Potsdam, and further development in the class for performative arts at the art academy in Leipzig, she combines theoretical insight with a strong interest in embodied practices.",[],{"_key":9059,"_type":11,"children":9060,"markDefs":9065,"style":24},"31a53cf2cba0",[9061],{"_key":9062,"_type":15,"marks":9063,"text":9064},"0baa065b9bb30",[],"Since many years, she is engaged in a collaboration with theatre director Noam Brusilovsky and costume and stage designer Magdalena Emmerig, developing research-based documentary theatre projects that interrogate power structures and explore the limits of representation on stage. Lotta also collaborates closely as a dramaturge and sometimes performer with choreographer Deva Schubert, whose voice-based dance performances explore the power of intimacy in social relations.",[],{"_key":9067,"_type":11,"children":9068,"markDefs":9073,"style":24},"b2910648add5",[9069],{"_key":9070,"_type":15,"marks":9071,"text":9072},"06bef23eebb10",[],"Her own artistic approach is situated between the documentary and the poetic, the intimate and the public and searches for the historical and structural within the personal feeling. Theory serves as a driving force in her work, encouraging new modes of perception and experience. At the moment she is particularly curious about choreography and text.",[],{"_key":9075,"_type":11,"children":9076,"markDefs":9088,"style":24},"b6fb4e989328",[9077,9081,9084],{"_key":9078,"_type":15,"marks":9079,"text":9080},"205ede0389230",[],"Together with Johanna Ackva and Eliana Kirkcaldy, she is part of ",{"_key":9082,"_type":15,"marks":9083,"text":8784},"205ede0389231",[1362],{"_key":9085,"_type":15,"marks":9086,"text":9087},"205ede0389232",[],", dedicated to researching on ways of writing and performing desire.",[],{"alt":9090,"asset":9091},"Person with white shirt, silver chain, bangs, leaning against a blue curtain",{"_id":9092,"height":9093,"orientation":637,"ratio":8559,"url":9094,"width":9095},"image-cc495c43d27a457e2d9fa27e2b1ea16f4a7f8937-3648x5472-jpg",5472,"https://cdn.sanity.io/images/eodip22e/production/cc495c43d27a457e2d9fa27e2b1ea16f4a7f8937-3648x5472.jpg",3648,{"filterYear":9097},[9098],{"_id":579,"title":583},[9100],{"_type":607,"label":2160,"url":8874},{"locations":9102,"other":9105},[9103],{"_id":139,"_type":121,"seo":75,"slug":9104,"title":142},{"_type":77,"current":141},[9106],{"_key":9107,"_type":11,"children":9108,"markDefs":9112,"style":24},"13efeacccf30",[9109],{"_key":9110,"_type":15,"marks":9111,"text":621},"1781c4745461",[],[],[9114,582],"lotta beckers",{"_type":77,"current":9116},"lotta-beckers",{"_id":9118,"_type":576,"activeYears":9119,"bio":9122,"bioShort":9147,"featuredImage":9148,"filterables":9153,"links":9156,"locations":9158,"searchables":9162,"seo":75,"slug":9164,"title":8869},"dd0fe01b-beb8-4b9f-9e8f-1d7b9bfaf654",[9120],{"_id":579,"_type":580,"seo":75,"slug":9121,"title":583},{"_type":77,"current":582},[9123],{"_key":9124,"_type":11,"children":9125,"markDefs":9146,"style":24},"42bdcf988f21",[9126,9130,9134,9138,9142],{"_key":9127,"_type":15,"marks":9128,"text":9129},"7fe7a065412b0",[],"Eliana Kirkcaldy is a writer and performer based in Berlin with a background in contemporary dance and cultural studies.\nShe is a founding member of ",{"_key":9131,"_type":15,"marks":9132,"text":9133},"f4686b6d873b",[1362],"Berlin Review",{"_key":9135,"_type":15,"marks":9136,"text":9137},"323260f39a78",[]," magazine and part of the poetry collective ",{"_key":9139,"_type":15,"marks":9140,"text":9141},"7b65fce8592b",[1362],"das ad hoc",{"_key":9143,"_type":15,"marks":9144,"text":9145},"419f8adb5192",[],". Currently, Eliana is working on a publication project on the French author Colette Peignot.\nIn recent years, she has conducted research on Kathy Acker and, more broadly, on language(s) and the articulation of desire together with Lotta Beckers and Johanna Ackva.",[],"Eliana Kirkcaldy is a Berlin-based writer and performer.",{"alt":9149,"asset":9150},"A person with brown hair tied up, wearing a black hoodie, sits outdoors in front of green, bushy plants, looking at the camera.",{"_id":9151,"height":6812,"orientation":598,"ratio":8862,"url":9152,"width":5430},"image-c2d77679d5819a559e7b341f8acde96c622f69d3-1280x862-jpg","https://cdn.sanity.io/images/eodip22e/production/c2d77679d5819a559e7b341f8acde96c622f69d3-1280x862.jpg",{"filterYear":9154},[9155],{"_id":579,"title":583},[9157],{"_type":607,"label":2160,"url":8870},{"locations":9159,"other":75},[9160],{"_id":139,"_type":121,"seo":75,"slug":9161,"title":142},{"_type":77,"current":141},[9163,582],"eliana kirkcaldy",{"_type":77,"current":9165},"eliana-kirkcaldy",{"alt":9167,"asset":9168},"splashed liquid and disperced strawberries on concrete floor",{"_id":8861,"height":6812,"orientation":598,"ratio":8862,"url":8863,"width":5430},{"filterCategory":75,"filterLocation":9170,"filterYear":9172},[9171],{"_id":139,"title":142},[9173],{"_id":579,"title":583},[],{"locations":9176,"other":75},[9177],{"_id":139,"_type":121,"seo":75,"slug":9178,"title":142},{"_type":77,"current":141},[9180,9183],{"_type":813,"caption":75,"image":9181},{"alt":75,"asset":9182},{"_id":8861,"height":6812,"orientation":598,"ratio":8862,"url":8863,"width":5430},{"_type":728,"settings":9184,"text":9185},{"textColumnCount":730},[9186],{"_key":9187,"_type":11,"children":9188,"markDefs":9205,"style":24},"77f47b65031c",[9189,9193,9197,9201],{"_key":9190,"_type":15,"marks":9191,"text":9192},"1dfe5f1b06a5",[17],"THE TEXT BITES ITS TONGUE",{"_key":9194,"_type":15,"marks":9195,"text":9196},"7eb81757b7ed",[]," is a trans-disciplinary collaborative research that seeks to investigate written and spoken languages of ",{"_key":9198,"_type":15,"marks":9199,"text":9200},"3cb5cb623f75",[1362],"desire",{"_key":9202,"_type":15,"marks":9203,"text":9204},"63849e96f52e",[]," - understood as a messy field of ever changing coordinates in which sensuality, sexuality, intimacy and affect meet. At the centre of our research, language, the characteristics of its grammars, the comical and the attractiveness of text itself, play as much of a role as the visceral experience of what it seeks to describe and the unconscious which it fails to grasp. \n\nInside the gap between physical experience and text, between the mouth and the tongue that it speaks, we look for a motor to feel into and de-personalize “private” experience and to uncover structures of feelings. We are curious about in which language can transform the sensual, restricted, and libidinous body, whereby working with and through pain and shame is one important layer. ",[],[9207,9217,9227],{"_type":3359,"question":9208},[9209],{"_key":9210,"_type":11,"children":9211,"markDefs":9216,"style":24},"b4b7f6f32b9a",[9212],{"_key":9213,"_type":15,"marks":9214,"text":9215},"f02ca82ee84a0",[],"How can the experience of desire be transformed by commoning its languages?",[],{"_type":3359,"question":9218},[9219],{"_key":9220,"_type":11,"children":9221,"markDefs":9226,"style":24},"29eed527260a",[9222],{"_key":9223,"_type":15,"marks":9224,"text":9225},"c6eaf93b0a7f",[],"How does the writing and speaking of desire reveal its more-than-personal, structural, and social dimensions?",[],{"_type":3359,"question":9228},[9229],{"_key":9230,"_type":11,"children":9231,"markDefs":9236,"style":24},"dd5cf0deec0a",[9232],{"_key":9233,"_type":15,"marks":9234,"text":9235},"88f96aff1d8a",[],"How can we foster languages of desire as a way to search for a desirable world?",[],[9238,582,9239,9240,9241,141,8784,9033,9114,9163,9242],"the text bites its tongue","how can the experience of desire be transformed by commoning its languages?","how does the writing and speaking of desire reveal its more-than-personal, structural, and social dimensions?","how can we foster languages of desire as a way to search for a desirable world?","the text bites its tongue is a trans-disciplinary collaborative research that seeks to investigate written and spoken languages of desire - understood as a messy field of ever changing coordinates in which sensuality, sexuality, intimacy and affect meet. at the centre of our research, language, the characteristics of its grammars, the comical and the attractiveness of text itself, play as much of a role as the visceral experience of what it seeks to describe and the unconscious which it fails to grasp. \n\ninside the gap between physical experience and text, between the mouth and the tongue that it speaks, we look for a motor to feel into and de-personalize “private” experience and to uncover structures of feelings. we are curious about in which language can transform the sensual, restricted, and libidinous body, whereby working with and through pain and shame is one important layer. ",{"_type":77,"current":9244},"the-text-bites-its-tongue","The Text Bites Its Tongue",{"_id":9247,"_type":107,"categories":9248,"credits":9272,"featuredImage":9345,"filterables":9353,"footnotes":9364,"locations":9365,"logbook":75,"pageBuilder":9369,"researchQuestion":75,"researchQuestions":9440,"searchables":9498,"seo":75,"slug":9508,"title":9510,"year":583},"b36546ee-73c6-4bd1-a22a-c61d1e041a28",[9249,9252,9255,9262,9265],{"_id":173,"_type":155,"colorPrimary":9250,"seo":75,"slug":9251,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":258,"_type":155,"colorPrimary":9253,"seo":75,"slug":9254,"title":261},{"label":569,"value":996},{"_type":77,"current":260},{"_id":9256,"_type":155,"colorPrimary":9257,"seo":75,"slug":9259,"title":9261},"1b458848-128f-4e90-acff-fe6c46232754",{"label":569,"value":9258},"#0095a4",{"_type":77,"current":9260},"climate-knowledge","Climate Knowledge",{"_id":4085,"_type":155,"colorPrimary":9263,"seo":75,"slug":9264,"title":4090},{"label":569,"value":4087},{"_type":77,"current":4089},{"_id":9266,"_type":155,"colorPrimary":9267,"seo":75,"slug":9269,"title":9271},"1940baa6-46af-4999-86f4-9abe7ce45b9d",{"label":569,"value":9268},"#dcdc00",{"_type":77,"current":9270},"spatial-forensics","Spatial Forensics",{"other":75,"profiles":9273},[9274],{"_id":9275,"_type":576,"activeYears":9276,"bio":9279,"bioShort":9312,"featuredImage":9313,"filterables":9319,"links":9322,"locations":9327,"searchables":9340,"seo":75,"slug":9342,"title":9344},"3b640bf7-7e68-4a63-afeb-f8f69732c79d",[9277],{"_id":579,"_type":580,"seo":75,"slug":9278,"title":583},{"_type":77,"current":582},[9280,9288,9296],{"_key":9281,"_type":11,"children":9282,"markDefs":9287,"style":24},"d5106e03a2cb",[9283],{"_key":9284,"_type":15,"marks":9285,"text":9286},"49be741cf4370",[],"Emidio is an Italian interdisciplinary artist and art director based in Milan. Trained in photography at ÉCAL in Lausanne, his practice examines how images, technologies, and infrastructures shape systems of power, visibility, memory, and ecological relation. Working across installation, image-making, AI, and computational tools, Battipaglia explores the moment in which images cease to simply represent the world and begin to organize perception, knowledge, and behavior.",[],{"_key":9289,"_type":11,"children":9290,"markDefs":9295,"style":24},"67aa39873526",[9291],{"_key":9292,"_type":15,"marks":9293,"text":9294},"358b6ab468600",[],"Through machine vision, data systems, and more-than-human intelligences, his work investigates the structures through which visibility, labour, memory, and extraction are produced. Bringing together physical materials, archival research, generative processes, and responsive environments, Battipaglia approaches technology not only as a tool, but as a material condition that shapes how bodies, environments, and histories are seen, measured, and made legible.",[],{"_key":9297,"_type":11,"children":9298,"markDefs":9311,"style":24},"f5630dd6af02",[9299,9303,9307],{"_key":9300,"_type":15,"marks":9301,"text":9302},"918e30673ec70",[],"Battipaglia’s work has been exhibited internationally. He received the Art Vontobel Contemporary Photography Prize 2023, ",{"_key":9304,"_type":15,"marks":9305,"text":9306},"918e30673ec71",[1362],"A New Gaze",{"_key":9308,"_type":15,"marks":9309,"text":9310},"918e30673ec72",[],", and in 2026 has taken part in a residency programme developed by the Visual Arts Commission of Saudi Arabia’s Ministry of Culture.",[],"Emidio is an Italian interdisciplinary artist and art director. Trained in photography at ÉCAL in Lausanne, his practice examines how images, technologies, and infrastructures shape systems of power, visibility, memory, and ecological relation. ",{"alt":75,"asset":9314},{"_id":9315,"height":9316,"orientation":637,"ratio":638,"url":9317,"width":9318},"image-0d9abcee05ebdf6ef3a6e16df5110bec19ff4c5d-2652x3315-jpg",3315,"https://cdn.sanity.io/images/eodip22e/production/0d9abcee05ebdf6ef3a6e16df5110bec19ff4c5d-2652x3315.jpg",2652,{"filterYear":9320},[9321],{"_id":579,"title":583},[9323,9325],{"_type":607,"label":608,"url":9324},"https://www.emidiobattipaglia.com/",{"_type":607,"label":2160,"url":9326},"https://www.instagram.com/emidiobattipaglia/",{"locations":9328,"other":9331},[9329],{"_id":139,"_type":121,"seo":75,"slug":9330,"title":142},{"_type":77,"current":141},[9332],{"_key":9333,"_type":11,"children":9334,"markDefs":9339,"style":24},"bcfaa2bc5d17",[9335],{"_key":9336,"_type":15,"marks":9337,"text":9338},"2a6ca935f352",[],"Based in Milan",[],[9341,582],"emidio battipaglia",{"_type":77,"current":9343},"emidio-battipaglia","Emidio Battipaglia",{"alt":9346,"asset":9347},"Ecology, Technology and Politics",{"_id":9348,"height":9349,"orientation":598,"ratio":9350,"url":9351,"width":9352},"image-76a09509fbe40b6f19def13b17f7cda06403d2fb-1672x941-png",941,1.7768331562167907,"https://cdn.sanity.io/images/eodip22e/production/76a09509fbe40b6f19def13b17f7cda06403d2fb-1672x941.png",1672,{"filterCategory":9354,"filterLocation":9360,"filterYear":9362},[9355,9356,9357,9358,9359],{"_id":173,"title":176},{"_id":258,"title":261},{"_id":9256,"title":9261},{"_id":4085,"title":4090},{"_id":9266,"title":9271},[9361],{"_id":139,"title":142},[9363],{"_id":579,"title":583},[],{"locations":9366,"other":75},[9367],{"_id":139,"_type":121,"seo":75,"slug":9368,"title":142},{"_type":77,"current":141},[9370,9381],{"_type":813,"caption":9371,"image":9379},[9372],{"_key":9373,"_type":11,"children":9374,"markDefs":9378,"style":24},"a4fd60a6c153",[9375],{"_key":9376,"_type":15,"marks":9377,"text":9346},"13b144b0a4a80",[],[],{"alt":9346,"asset":9380},{"_id":9348,"height":9349,"orientation":598,"ratio":9350,"url":9351,"width":9352},{"_type":728,"settings":9382,"text":9383},{"textColumnCount":730},[9384,9392,9400,9408,9416,9424,9432],{"_key":9385,"_type":11,"children":9386,"markDefs":9391,"style":24},"3c447493eb65",[9387],{"_key":9388,"_type":15,"marks":9389,"text":9390},"5b70d5f9ed7f0",[],"To Command the Clouds Is to Own the Future is an artistic research project about control, territory, and invisible infrastructures. It investigates how contemporary power is no longer limited to the occupation of land, but extends into atmospheric, digital, algorithmic, and intimate realms.",[],{"_key":9393,"_type":11,"children":9394,"markDefs":9399,"style":24},"1d8614a9a41c",[9395],{"_key":9396,"_type":15,"marks":9397,"text":9398},"5856ad5435920",[],"The project begins from the double meaning of the cloud. The cloud is atmospheric: air, weather, climate, vapor, movement. But it is also digital: data centers, servers, networks, storage, computation. In both cases, the cloud appears immaterial and distant, yet it is deeply connected to infrastructure, extraction, energy, surveillance, and political power. To command the clouds means to control not only a physical environment, but the conditions through which life is predicted, organized, and governed.",[],{"_key":9401,"_type":11,"children":9402,"markDefs":9407,"style":24},"6ff2b382d3d9",[9403],{"_key":9404,"_type":15,"marks":9405,"text":9406},"3cd707b922600",[],"The project traces how older forms of territorial ambition are reappearing in new and less visible forms. The desire to control land is extended into the desire to control weather, airspace, satellites, data flows, algorithmic systems, and behavior. Power increasingly operates through prediction, optimization, automation, and command. It does not only draw borders on the ground; it creates invisible borders through infrastructures, protocols, permissions, and systems of access.",[],{"_key":9409,"_type":11,"children":9410,"markDefs":9415,"style":24},"1d8e4df66438",[9411],{"_key":9412,"_type":15,"marks":9413,"text":9414},"5d220fd5a1dd0",[],"Within this framework, refusal becomes a central gesture. Refusal is not understood as simple negation, but as a way of interrupting the logic of domination. To refuse is to question the assumption that everything must be measured, controlled, extracted, or made useful. It is a way to resist the transformation of shared, unstable, or intimate spaces into territories of command.",[],{"_key":9417,"_type":11,"children":9418,"markDefs":9423,"style":24},"26211df57f52",[9419],{"_key":9420,"_type":15,"marks":9421,"text":9422},"56443b0606d30",[],"The project asks what forms of resistance can emerge when control is not always visible. How can artistic practice expose systems that are hidden behind the language of neutrality, progress, security, or innovation? How can refusal create space for opacity, uncertainty, intimacy, and other ways of relating to the world?",[],{"_key":9425,"_type":11,"children":9426,"markDefs":9431,"style":24},"d32ee9a0f9c5",[9427],{"_key":9428,"_type":15,"marks":9429,"text":9430},"1785964752800",[],"To Command the Clouds Is to Own the Future proposes the cloud as a political and poetic figure of the present. It is a site where atmosphere, technology, infrastructure, and power meet. Through installation, spatial research, writing, and critical storytelling, the project examines how the future is being claimed, and how it might still be refused.",[],{"_key":9433,"_type":11,"children":9434,"markDefs":9439,"style":24},"19fc5478bb8e",[9435],{"_key":9436,"_type":15,"marks":9437,"text":9438},"0cf0645045560",[],"To Own the Air is the first chapter of To Command the Clouds Is to Own the Future. It focuses on the atmosphere as the first invisible territory of the project.",[],[9441,9451,9461,9471,9488],{"_type":3359,"question":9442},[9443],{"_key":9444,"_type":11,"children":9445,"markDefs":9450,"style":24},"3f0037e376d6",[9446],{"_key":9447,"_type":15,"marks":9448,"text":9449},"6d9e498a79770",[],"What forms of control are hidden inside the language of protection, prediction, and security?",[],{"_type":3359,"question":9452},[9453],{"_key":9454,"_type":11,"children":9455,"markDefs":9460,"style":24},"b2f77b06b89f",[9456],{"_key":9457,"_type":15,"marks":9458,"text":9459},"43e0cc5a028a0",[],"Can refusal offer a way to resist the transformation of air, weather, data, and intimacy into spaces of prediction, extraction, and ownership?",[],{"_type":3359,"question":9462},[9463],{"_key":9464,"_type":11,"children":9465,"markDefs":9470,"style":24},"7b0b5aa5cbaf",[9466],{"_key":9467,"_type":15,"marks":9468,"text":9469},"f4752c05ea700",[],"What does the cloud conceal when it appears weightless, neutral, or beyond reach?",[],{"_type":3359,"question":9472},[9473,9481],{"_key":9474,"_type":11,"children":9475,"markDefs":9480,"style":24},"736f1d165319",[9476],{"_key":9477,"_type":15,"marks":9478,"text":9479},"7d83bb632af20",[],"How can artistic practice make visible the forces that transform air, weather, and the sky into spaces of command?",[],{"_key":9482,"_type":11,"children":9483,"markDefs":9487,"style":24},"b4493561a42b",[9484],{"_key":9485,"_type":15,"marks":9486,"text":1150},"1d502fcf1d2b0",[],[],{"_type":3359,"question":9489},[9490],{"_key":9491,"_type":11,"children":9492,"markDefs":9497,"style":24},"abf717523d58",[9493],{"_key":9494,"_type":15,"marks":9495,"text":9496},"ff359bb31f550",[],"How does the atmosphere become political when it is measured, monitored, militarized, and treated as infrastructure?",[],[9499,582,9500,9501,9502,9503,9504,141,9341,9505,1100,260,9506,4817,9507],"to command the clouds is to own the future: to own the air","what forms of control are hidden inside the language of protection, prediction, and security?","can refusal offer a way to resist the transformation of air, weather, data, and intimacy into spaces of prediction, extraction, and ownership?","what does the cloud conceal when it appears weightless, neutral, or beyond reach?","how can artistic practice make visible the forces that transform air, weather, and the sky into spaces of command?\n\n","how does the atmosphere become political when it is measured, monitored, militarized, and treated as infrastructure?","to command the clouds is to own the future is an artistic research project about control, territory, and invisible infrastructures. it investigates how contemporary power is no longer limited to the occupation of land, but extends into atmospheric, digital, algorithmic, and intimate realms.\n\nthe project begins from the double meaning of the cloud. the cloud is atmospheric: air, weather, climate, vapor, movement. but it is also digital: data centers, servers, networks, storage, computation. in both cases, the cloud appears immaterial and distant, yet it is deeply connected to infrastructure, extraction, energy, surveillance, and political power. to command the clouds means to control not only a physical environment, but the conditions through which life is predicted, organized, and governed.\n\nthe project traces how older forms of territorial ambition are reappearing in new and less visible forms. the desire to control land is extended into the desire to control weather, airspace, satellites, data flows, algorithmic systems, and behavior. power increasingly operates through prediction, optimization, automation, and command. it does not only draw borders on the ground; it creates invisible borders through infrastructures, protocols, permissions, and systems of access.\n\nwithin this framework, refusal becomes a central gesture. refusal is not understood as simple negation, but as a way of interrupting the logic of domination. to refuse is to question the assumption that everything must be measured, controlled, extracted, or made useful. it is a way to resist the transformation of shared, unstable, or intimate spaces into territories of command.\n\nthe project asks what forms of resistance can emerge when control is not always visible. how can artistic practice expose systems that are hidden behind the language of neutrality, progress, security, or innovation? how can refusal create space for opacity, uncertainty, intimacy, and other ways of relating to the world?\n\nto command the clouds is to own the future proposes the cloud as a political and poetic figure of the present. it is a site where atmosphere, technology, infrastructure, and power meet. through installation, spatial research, writing, and critical storytelling, the project examines how the future is being claimed, and how it might still be refused.\n\nto own the air is the first chapter of to command the clouds is to own the future. it focuses on the atmosphere as the first invisible territory of the project.","climate knowledge","spatial forensics",{"_type":77,"current":9509},"to-command-the-clouds-is-to-own-the-future","To Command the Clouds Is to Own the Future: To Own the Air",{"_id":9512,"_type":107,"categories":9513,"credits":9539,"featuredImage":9639,"filterables":9643,"footnotes":9656,"locations":9657,"logbook":9669,"pageBuilder":9822,"researchQuestion":75,"researchQuestions":10141,"searchables":10221,"seo":75,"slug":10229,"title":10231,"year":583},"d6c521b4-eb4a-4dea-99cd-10d5512908b6",[9514,9517,9520,9523,9526,9529,9532],{"_id":9256,"_type":155,"colorPrimary":9515,"seo":75,"slug":9516,"title":9261},{"label":569,"value":9258},{"_type":77,"current":9260},{"_id":173,"_type":155,"colorPrimary":9518,"seo":75,"slug":9519,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":4085,"_type":155,"colorPrimary":9521,"seo":75,"slug":9522,"title":4090},{"label":569,"value":4087},{"_type":77,"current":4089},{"_id":523,"_type":155,"colorPrimary":9524,"seo":75,"slug":9525,"title":526},{"label":569,"value":8302},{"_type":77,"current":525},{"_id":228,"_type":155,"colorPrimary":9527,"seo":75,"slug":9528,"title":231},{"label":569,"value":8317},{"_type":77,"current":230},{"_id":258,"_type":155,"colorPrimary":9530,"seo":75,"slug":9531,"title":261},{"label":569,"value":996},{"_type":77,"current":260},{"_id":9533,"_type":155,"colorPrimary":9534,"seo":75,"slug":9536,"title":9538},"9b14bbbc-4a9d-4861-8be6-880a5d3c69ce",{"label":569,"value":9535},"#ff9b00",{"_type":77,"current":9537},"creative-climate-communicating","Creative Climate Communicating",{"other":75,"profiles":9540},[9541,9582],{"_id":9542,"_type":576,"activeYears":9543,"bio":9546,"bioShort":9553,"featuredImage":75,"filterables":9562,"links":75,"locations":9565,"searchables":9577,"seo":75,"slug":9579,"title":9581},"ba722a8a-d04e-40bf-8ecf-d0c1f0af2f64",[9544],{"_id":579,"_type":580,"seo":75,"slug":9545,"title":583},{"_type":77,"current":582},[9547,9555],{"_key":9548,"_type":11,"children":9549,"markDefs":9554,"style":24},"75a67e99adab",[9550],{"_key":9551,"_type":15,"marks":9552,"text":9553},"b8d35fbb05b40",[],"Anna is a Fine Arts students at ZHdK, Zurcher Hochschule der Kunst, born in Rome, Italy.",[],{"_key":9556,"_type":11,"children":9557,"markDefs":9561,"style":24},"b67245e4eb9f",[9558],{"_key":9559,"_type":15,"marks":9560,"text":1150},"af5f10719518",[],[],{"filterYear":9563},[9564],{"_id":579,"title":583},{"locations":9566,"other":9569},[9567],{"_id":139,"_type":121,"seo":75,"slug":9568,"title":142},{"_type":77,"current":141},[9570],{"_key":9571,"_type":11,"children":9572,"markDefs":9576,"style":24},"dc24712cba42",[9573],{"_key":9574,"_type":15,"marks":9575,"text":8400},"69a87321d1ed",[],[],[9578,582],"anna campani",{"_type":77,"current":9580},"anna-campani","Anna Campani",{"_id":9583,"_type":576,"activeYears":9584,"bio":9599,"bioShort":9608,"featuredImage":75,"filterables":9609,"links":9618,"locations":9621,"searchables":9634,"seo":75,"slug":9636,"title":9638},"c8be7162-2392-45c5-a94b-897e73004b41",[9585,9587,9589,9591,9593,9595,9597],{"_id":2105,"_type":580,"seo":75,"slug":9586,"title":2108},{"_type":77,"current":2107},{"_id":2110,"_type":580,"seo":75,"slug":9588,"title":2113},{"_type":77,"current":2112},{"_id":2115,"_type":580,"seo":75,"slug":9590,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":9592,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":9594,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":9596,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":9598,"title":1350},{"_type":77,"current":1349},[9600],{"_key":9601,"_type":11,"children":9602,"markDefs":9607,"style":24},"7ffe2a4ac168",[9603],{"_key":9604,"_type":15,"marks":9605,"text":9606},"b42fe50295920",[],"The study and research programme covers the areas of art education, design, film, fine arts, music, dance, theatre and transdisciplinary studies. 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back?",[],{"_key":9758,"_type":11,"children":9759,"markDefs":9771,"style":24},"c05db75569a9",[9760,9764,9768],{"_key":9761,"_type":15,"marks":9762,"text":9763},"6993052ba96e",[],"What does art have to do with the ",{"_key":9765,"_type":15,"marks":9766,"text":9767},"f1088f678c9a",[17],"documentation of reality",{"_key":9769,"_type":15,"marks":9770,"text":9723},"b87681a8bbd0",[],[],{"_key":9773,"_type":11,"children":9774,"markDefs":9786,"style":24},"86b5cb0b5d38",[9775,9779,9783],{"_key":9776,"_type":15,"marks":9777,"text":9778},"b9f402841a8c",[],"Could we speak of ",{"_key":9780,"_type":15,"marks":9781,"text":9782},"ed975cc33a70",[17],"artistic journalism",{"_key":9784,"_type":15,"marks":9785,"text":9723},"97959903137c",[],[],{"_key":9788,"_type":11,"children":9789,"markDefs":9798,"style":24},"9e9b3613dc9c",[9790,9794],{"_key":9791,"_type":15,"marks":9792,"text":9793},"f4c94f000879",[],"If we consider art as a form of resistance, what practices could be the ",{"_key":9795,"_type":15,"marks":9796,"text":9797},"b2491ee005b5",[17],"most effective to make a change?",[],{"_key":9800,"_type":11,"children":9801,"markDefs":9814,"style":24},"93a903cf9ebf",[9802,9806,9810],{"_key":9803,"_type":15,"marks":9804,"text":9805},"4b0b48eb4259",[],"Can ",{"_key":9807,"_type":15,"marks":9808,"text":9809},"b116f186b785",[17],"non-violent civil resistance",{"_key":9811,"_type":15,"marks":9812,"text":9813},"e519dfab00c1",[]," be the core of an art practice?",[],{"_key":9816,"_type":11,"children":9817,"markDefs":9821,"style":24},"1e939a3852fb",[9818],{"_key":9819,"_type":15,"marks":9820,"text":1150},"0be84bc40e2d",[],[],[9823,9878,9942,9999,10081],{"_type":728,"settings":9824,"text":9825},{"textColumnCount":730},[9826,9834,9858,9870],{"_key":9827,"_type":11,"children":9828,"markDefs":9833,"style":24},"22e166017ad5",[9829],{"_key":9830,"_type":15,"marks":9831,"text":9832},"f7c16ad1dfe40",[],"My tentative question has its basis on two main topics that have been floating inside my head for a while now, and that for this application I am finally pushing myself in spitting them out.",[],{"_key":9835,"_type":11,"children":9836,"markDefs":9857,"style":24},"39a288e120d7",[9837,9841,9845,9849,9853],{"_key":9838,"_type":15,"marks":9839,"text":9840},"9d480b31e7a80",[],"Being an art student since a young age, I have been noticing more and more how big is the lack of affordable materials that students have at their disposal in order to experiment and develop their artistic practice. This ",{"_key":9842,"_type":15,"marks":9843,"text":9844},"9d480b31e7a81",[17],"first problem",{"_key":9846,"_type":15,"marks":9847,"text":9848},"9d480b31e7a82",[]," holds them back from trying new techniques and therefore enrich their knowledge on a certain material or art topic. The second theme of interest of mine has its roots in museums – as well as art galleries and exhibition spaces in general –, and more specifically ",{"_key":9850,"_type":15,"marks":9851,"text":9852},"9d480b31e7a83",[17],"addresses the waste and its big foot-print that the displaying of art has on our environment",{"_key":9854,"_type":15,"marks":9855,"text":9856},"9d480b31e7a84",[],". In fact exhibition spaces produce a big amount of waste on a regular basis, starting from the design elements no more in use of the just ended exhibition, old wrapping materials from the archival or the outdated storage furniture. Such materials – whether caused by the lack of space, the moving in a new storage space, or the invention/discovery of a more efficient preserving material – are still in good enough condition for experimental purposes, try-out samples, or even to create mixed media sculptures, paintings, installations by art students that are eager to learn.",[],{"_key":9859,"_type":11,"children":9860,"markDefs":9869,"style":24},"21b00e01799b",[9861,9865],{"_key":9862,"_type":15,"marks":9863,"text":9864},"b65bf38958c20",[],"Therefore my question is: ",{"_key":9866,"_type":15,"marks":9867,"text":9868},"b65bf38958c21",[17],"how can I put in dialogue museums/gallery/exhibition spaces with students who seek materials to develop their artistic practice? How can I make this topic visible to both these target groups so to finally create a direct link between them, a strong cooperation against the climate crisis?",[],{"_key":9871,"_type":11,"children":9872,"markDefs":9877,"style":24},"f065f7c5240c",[9873],{"_key":9874,"_type":15,"marks":9875,"text":9876},"92538c20b5fc",[],"But let me arrive straight to the point. By creating art only with left over materials not only could this topic be brought to the ecologists rounded table, but could also crate an exchange-platform where museums can give away for free or low price their off-cut materials to students, who are going to give them a new artist life.",[],{"_type":9879,"image":9880,"settings":9895,"text":9897},"textImageBlock",{"alt":75,"asset":9881,"caption":9886},{"_id":9882,"height":9883,"orientation":637,"ratio":5431,"url":9884,"width":9885},"image-ef5eb4d1487b0316e2801cc651f692db0155b5c4-2160x3840-jpg",3840,"https://cdn.sanity.io/images/eodip22e/production/ef5eb4d1487b0316e2801cc651f692db0155b5c4-2160x3840.jpg",2160,[9887],{"_key":9888,"_type":11,"children":9889,"markDefs":9894,"style":24},"19588442d9f6",[9890],{"_key":9891,"_type":15,"marks":9892,"text":9893},"264eae26fb23",[],"Untitled, 2025 - House & Garden Exhibition in CAPNapoliEst, Napoli, Italy",[],{"mediaPosition":9896},"right",[9898,9918,9934],{"_key":9899,"_type":11,"children":9900,"markDefs":9917,"style":24},"3f591ff721f6",[9901,9905,9909,9913],{"_key":9902,"_type":15,"marks":9903,"text":9904},"c7fd8dbcf9990",[17],"Objective",{"_key":9906,"_type":15,"marks":9907,"text":9908},"8b858ffeed18",[],"(s)\n• Show to my peer students that it ",{"_key":9910,"_type":15,"marks":9911,"text":9912},"272e4c4feb57",[17],"is possible to build an art\npractice based on high quality recycled materials",{"_key":9914,"_type":15,"marks":9915,"text":9916},"fe372d996936",[],", using my BA\nfinal art piece as a starting point;\n• Bring the academic and institutional discourse on:",[],{"_key":9919,"_type":11,"children":9920,"level":1033,"listItem":1708,"markDefs":9933,"style":24},"5d3944d14f4f",[9921,9925,9929],{"_key":9922,"_type":15,"marks":9923,"text":9924},"4c12601e45d5",[],"how we think about art conservation and weather our current\n",{"_key":9926,"_type":15,"marks":9927,"text":9928},"d4e282a34a7c",[17],"conservation methods are sustainable (or not)",{"_key":9930,"_type":15,"marks":9931,"text":9932},"248dc5f120a1",[],";",[],{"_key":9935,"_type":11,"children":9936,"level":1033,"listItem":1708,"markDefs":9941,"style":24},"a0b183782217",[9937],{"_key":9938,"_type":15,"marks":9939,"text":9940},"904a684918f8",[],"the consumer awareness, as art students, on news that we get on\ninstagram, and how ca we react to that.",[],{"_type":9879,"image":9943,"settings":9964,"text":9966},{"alt":75,"asset":9944,"caption":9947},{"_id":9945,"height":6285,"orientation":637,"ratio":3801,"url":9946,"width":6287},"image-4f1b57d70253e5f0b841a7dd5ad7a49a3729c8a7-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/4f1b57d70253e5f0b841a7dd5ad7a49a3729c8a7-3024x4032.jpg",[9948],{"_key":9949,"_type":11,"children":9950,"markDefs":9963,"style":24},"5ae038603292",[9951,9955,9959],{"_key":9952,"_type":15,"marks":9953,"text":9954},"fef17fed943d",[],"Nessuno potrà dire io non sapevo ",{"_key":9956,"_type":15,"marks":9957,"text":9958},"d4139e911928",[1362],"No one could ever say I didn't know, 2025 - \"",{"_key":9960,"_type":15,"marks":9961,"text":9962},"063d251d5236",[],"I Have been Wanting To scream For a while Now\" duo exhibition at ZHdK, Zurich, Switzerland",[],{"mediaPosition":9965},"left",[9967],{"_key":9968,"_type":11,"children":9969,"markDefs":9998,"style":24},"fc465987457d",[9970,9974,9978,9982,9986,9990,9994],{"_key":9971,"_type":15,"marks":9972,"text":9973},"eec8b1afe1e1",[17],"Method",{"_key":9975,"_type":15,"marks":9976,"text":9977},"85a1ff5bef5e",[],"(s)\n• Since I have been studying in Zurich, a good 95% (in volume) of\nthe materials of my pieces had a previous life;\n• ",{"_key":9979,"_type":15,"marks":9980,"text":9981},"6e1b7ba4bdc6",[17],"Communication is the key",{"_key":9983,"_type":15,"marks":9984,"text":9985},"df5fd79ce900",[],": I bring up the topic during all the\npresentations of my pieces;\n• ",{"_key":9987,"_type":15,"marks":9988,"text":9989},"a4f8b9bd426a",[17],"Caring is sharing:",{"_key":9991,"_type":15,"marks":9992,"text":9993},"9fb3216b9613",[]," I bring useful material that I get during my\ninternships to ZHdK in the recycling-areas in the building;\n• Spending time in the exhibition space as much as possible to\nengage in conversation with the viewers;\n• ",{"_key":9995,"_type":15,"marks":9996,"text":9997},"38fe0bd49e80",[17],"Including bibliography, where the references come from in my\npieces.",[],{"_type":9879,"image":10000,"settings":10016,"text":10017},{"alt":75,"asset":10001,"caption":10007},{"_id":10002,"height":10003,"orientation":598,"ratio":10004,"url":10005,"width":10006},"image-4e4ce364d97b5f1209e2ef93e518d3eab7d2ed26-4025x2683-jpg",2683,1.5001863585538575,"https://cdn.sanity.io/images/eodip22e/production/4e4ce364d97b5f1209e2ef93e518d3eab7d2ed26-4025x2683.jpg",4025,[10008],{"_key":10009,"_type":11,"children":10010,"markDefs":10015,"style":24},"39ed654ede78",[10011],{"_key":10012,"_type":15,"marks":10013,"text":10014},"8669b960469e",[],"sketch for my diploma project",[],{"mediaPosition":9896},[10018,10041,10057,10073],{"_key":10019,"_type":11,"children":10020,"markDefs":10040,"style":24},"a40bb8487a49",[10021,10025,10029,10033,10037],{"_key":10022,"_type":15,"marks":10023,"text":10024},"f6837906a7980",[],"In ",{"_key":10026,"_type":15,"marks":10027,"text":10028},"6c9f740ec8af",[17],"practice",{"_key":10030,"_type":15,"marks":10031,"text":10032},"a11e439e8a2b",[],"\n• I will “ask” my research question to the art public during my\ndiploma show through a ",{"_key":10034,"_type":15,"marks":10035,"text":10036},"e63bae621daf",[17],"performative action",{"_key":10038,"_type":15,"marks":10039,"text":4398},"3e79cfe0394f",[],[],{"_key":10042,"_type":11,"children":10043,"level":1033,"listItem":1708,"markDefs":10056,"style":24},"4f6df896b64a",[10044,10048,10052],{"_key":10045,"_type":15,"marks":10046,"text":10047},"5e06e9074bf7",[],"In which the ",{"_key":10049,"_type":15,"marks":10050,"text":10051},"b1da17cf7be2",[17],"waste in art production",{"_key":10053,"_type":15,"marks":10054,"text":10055},"78c1072654dc",[]," is one of the main focus;",[],{"_key":10058,"_type":11,"children":10059,"level":1033,"listItem":1708,"markDefs":10072,"style":24},"cd6b4f47964e",[10060,10064,10068],{"_key":10061,"_type":15,"marks":10062,"text":10063},"760c71d788c9",[],"While bringing the attention to disinformation on ",{"_key":10065,"_type":15,"marks":10066,"text":10067},"9693c0e6da3c",[17],"ongoing conflicts",{"_key":10069,"_type":15,"marks":10070,"text":10071},"4470eefc907a",[],"\n(f.i. Genocide in Palestine, Israeli-US relations etc...) that Instagram as\nsocial media is “offering” us;",[],{"_key":10074,"_type":11,"children":10075,"level":1033,"listItem":1708,"markDefs":10080,"style":24},"32bd2e753e28",[10076],{"_key":10077,"_type":15,"marks":10078,"text":10079},"4341561021a5",[],"For which I’m now making the installation with which I will\ninteract.",[],{"_type":9879,"image":10082,"settings":10099,"text":10100},{"alt":75,"asset":10083,"caption":10086},{"_id":10084,"height":9883,"orientation":637,"ratio":5431,"url":10085,"width":9885},"image-13ae2ec36ec5750b26f7132d5b71ca2845f4b6cd-2160x3840-jpg","https://cdn.sanity.io/images/eodip22e/production/13ae2ec36ec5750b26f7132d5b71ca2845f4b6cd-2160x3840.jpg",[10087],{"_key":10088,"_type":11,"children":10089,"markDefs":10098,"style":24},"fc94ba74b89c",[10090,10094],{"_key":10091,"_type":15,"marks":10092,"text":10093},"c5d79fee8343",[],"TINA ",{"_key":10095,"_type":15,"marks":10096,"text":10097},"84ecf2826694",[1362],"There Is No Alternative, 2024",[],{"mediaPosition":9965},[10101],{"_key":10102,"_type":11,"children":10103,"markDefs":10140,"style":24},"afe066c94296",[10104,10108,10112,10116,10120,10124,10128,10132,10136],{"_key":10105,"_type":15,"marks":10106,"text":10107},"71dbea159331",[17],"Further plan",{"_key":10109,"_type":15,"marks":10110,"text":10111},"b9929bf49f4a",[],"(s)\n• Try to ",{"_key":10113,"_type":15,"marks":10114,"text":10115},"5079d9e625de",[17],"directly connect museums",{"_key":10117,"_type":15,"marks":10118,"text":10119},"76c1cecdadfe",[],", exhibition spaces, art\ngalleries to art academies and ",{"_key":10121,"_type":15,"marks":10122,"text":10123},"1b8d8895b87e",[17],"artists studios",{"_key":10125,"_type":15,"marks":10126,"text":10127},"6b1e3dc4bf13",[]," (through a\nRicardo/Marketplace like app) – like ReBiennale in Venice;\n• Made this the ",{"_key":10129,"_type":15,"marks":10130,"text":10131},"c2c13f4a43cf",[17],"main topic of my practice",{"_key":10133,"_type":15,"marks":10134,"text":10135},"33ca72d41aad",[]," so to give it more\nrelevance;\n• ",{"_key":10137,"_type":15,"marks":10138,"text":10139},"9401cdaebe91",[17],"Activism as a form of art.",[],[10142,10190],{"_type":3359,"question":10143},[10144],{"_key":10145,"_type":11,"children":10146,"markDefs":10189,"style":24},"24c1e277db3d",[10147,10151,10155,10158,10162,10166,10170,10174,10178,10182,10186],{"_key":10148,"_type":15,"marks":10149,"text":10150},"fbc7c5aab9b20",[],"How can I ",{"_key":10152,"_type":15,"marks":10153,"text":10154},"34792cb6d5c3",[17],"put",{"_key":10156,"_type":15,"marks":10157,"text":1676},"f9984f45c0f5",[],{"_key":10159,"_type":15,"marks":10160,"text":10161},"9df7d861f69a",[17],"museums",{"_key":10163,"_type":15,"marks":10164,"text":10165},"a7ec053f4c4d",[],"/gallery/exhibition spaces ",{"_key":10167,"_type":15,"marks":10168,"text":10169},"fa4aae8a113c",[17],"in dialogue ",{"_key":10171,"_type":15,"marks":10172,"text":10173},"0756b9672488",[],"with ",{"_key":10175,"_type":15,"marks":10176,"text":10177},"cd2c09339991",[17],"students",{"_key":10179,"_type":15,"marks":10180,"text":10181},"e2da08100f7a",[]," who seek materials ",{"_key":10183,"_type":15,"marks":10184,"text":10185},"e687e6c4f7ad",[17],"to develop their artistic practice",{"_key":10187,"_type":15,"marks":10188,"text":9723},"dbd18547dc14",[],[],{"_type":3359,"question":10191},[10192],{"_key":10193,"_type":11,"children":10194,"markDefs":10220,"style":24},"5452d4c6c68d",[10195,10199,10203,10206,10209,10213,10217],{"_key":10196,"_type":15,"marks":10197,"text":10198},"99ad5b097b30",[],"How can I make this topic visible to both these target groups so to finally create a ",{"_key":10200,"_type":15,"marks":10201,"text":10202},"ef9cca5fc2cb",[17],"direct",{"_key":10204,"_type":15,"marks":10205,"text":1676},"aa03b07c318c",[],{"_key":10207,"_type":15,"marks":10208,"text":41},"0f8eecd158c6",[17],{"_key":10210,"_type":15,"marks":10211,"text":10212},"a7e005deef8c",[]," between them, a ",{"_key":10214,"_type":15,"marks":10215,"text":10216},"bcb719f629a0",[17],"strong cooperation against the climate crisis",{"_key":10218,"_type":15,"marks":10219,"text":9723},"2308224b44dc",[],[],[10222,582,10223,10224,10225,141,10226,9578,9635,10227,9506,1100,4817,8691,8692,260,10228],"unwrapping the arts","how can i put museums/gallery/exhibition spaces in dialogue with students who seek materials to develop their artistic practice?","how can i make this topic visible to both these target groups so to finally create a direct link between them, a strong cooperation against the climate crisis?","how do we get informed through social media?\n\nwhat effect does receiving and looking at decontextualized\nimages have on our understanding of news?\n\nhow do digital images shape our idea of reality?\n\nhow could we as artists react to the saturation of non-physical images?\n\nhow can the physicality of a picture be brought back?\n\nwhat does art have to do with the documentation of reality?\n\ncould we speak of artistic journalism?\n\nif we consider art as a form of resistance, what practices could be the most effective to make a change?\n\ncan non-violent civil resistance be the core of an art practice?\n\n","zurich","my tentative question has its basis on two main topics that have been floating inside my head for a while now, and that for this application i am finally pushing myself in spitting them out.\n\nbeing an art student since a young age, i have been noticing more and more how big is the lack of affordable materials that students have at their disposal in order to experiment and develop their artistic practice. this first problem holds them back from trying new techniques and therefore enrich their knowledge on a certain material or art topic. the second theme of interest of mine has its roots in museums – as well as art galleries and exhibition spaces in general –, and more specifically addresses the waste and its big foot-print that the displaying of art has on our environment. in fact exhibition spaces produce a big amount of waste on a regular basis, starting from the design elements no more in use of the just ended exhibition, old wrapping materials from the archival or the outdated storage furniture. such materials – whether caused by the lack of space, the moving in a new storage space, or the invention/discovery of a more efficient preserving material – are still in good enough condition for experimental purposes, try-out samples, or even to create mixed media sculptures, paintings, installations by art students that are eager to learn.\n\ntherefore my question is: how can i put in dialogue museums/gallery/exhibition spaces with students who seek materials to develop their artistic practice? how can i make this topic visible to both these target groups so to finally create a direct link between them, a strong cooperation against the climate crisis?\n\nbut let me arrive straight to the point. by creating art only with left over materials not only could this topic be brought to the ecologists rounded table, but could also crate an exchange-platform where museums can give away for free or low price their off-cut materials to students, who are going to give them a new artist life.","creative climate communicating",{"_type":77,"current":10230},"unwrapping-the-arts","Unwrapping The 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to go back to? Where do they and we go back to?\"",[],{"_key":10271,"_type":11,"children":10272,"markDefs":10277,"style":24},"80ffa745cb25",[10273],{"_key":10274,"_type":15,"marks":10275,"text":10276},"79a01a1693840",[],"I wrote these last two lines in a recent poem, thinking about my home and the fate of Palestinians living under oppression. In some way, they give me a clearer image of my home, a home that has always remained in the air, both geographically—a highland strip—and ancestral roots—a group of oppressed people. Then there are other homes, spontaneous anchors that come and go, things that are no longer here, things that exist in memory; amidst them, I see a small fragment of their pain. Above all, how can my home be shared with their home? What dreams will heal the wounds, not only theirs but also those of many others?",[],"Nguyễn Phương Anh (PA)\n\nwrite poems, be in the water, grow vegetables, continue to learn walking while hugging tangled fibres, practice simple writing and self-decaying freely",{"alt":75,"asset":10280},{"_id":10281,"height":10282,"orientation":598,"ratio":599,"url":10283,"width":9095},"image-4446de798bbe29467f206542648714acb8577725-3648x2736-jpg",2736,"https://cdn.sanity.io/images/eodip22e/production/4446de798bbe29467f206542648714acb8577725-3648x2736.jpg",{"filterYear":10285},[10286],{"_id":579,"title":583},[10288],{"_type":607,"label":5840,"url":10289},"https://caileubay.wordpress.com/",[10291,582],"nguyễn phương anh",{"_type":77,"current":10293},"nguyen-phuong-anh","Nguyễn Phương Anh",{"_id":10296,"_type":576,"activeYears":10297,"bio":10300,"bioShort":10307,"featuredImage":10325,"filterables":10330,"links":75,"locations":10333,"searchables":10342,"seo":75,"slug":10344,"title":10346},"76eb9ad2-2ec4-4dfa-990c-be36fd88a2f1",[10298],{"_id":579,"_type":580,"seo":75,"slug":10299,"title":583},{"_type":77,"current":582},[10301,10309,10317],{"_key":10302,"_type":11,"children":10303,"markDefs":10308,"style":24},"2ab8af137c09",[10304],{"_key":10305,"_type":15,"marks":10306,"text":10307},"a517356db5de0",[],"Angela is an Australian-Canadian interdisciplinary artist, facilitator and steward of two acres of rural land in Ontario, Canada. Her practice-led research is centred around themes of co-regulation, interconnectedness and material biographies.",[],{"_key":10310,"_type":11,"children":10311,"markDefs":10316,"style":24},"98eace277f79",[10312],{"_key":10313,"_type":15,"marks":10314,"text":10315},"b2bfa016d4250",[],"Angela facilitates seasonally-framed art projects and residency placements on the land she and her family care for. She often works with locally sourced textiles and earth/plant pigments. In her masters degree, she led a residency placement for Canadian educators. This research assessed the impact of creative embodied practice on awareness of the self and others. ",[],{"_key":10318,"_type":11,"children":10319,"markDefs":10324,"style":24},"cdec3de4fdf3",[10320],{"_key":10321,"_type":15,"marks":10322,"text":10323},"d91e299c53db0",[],"She holds a BA in Psychology (University of Queensland, Australia), a BFA in Sculpture and Installation (OCADU, Canada) and a MA Intercultural Practices (Central Saint Martins, The University of the Arts London, UK).",[],{"alt":10326,"asset":10327},"light-skinned hand grasping forked branch with woven willow stems; greenery and willow branches, with a person's brown pants and boot in the background",{"_id":10328,"height":704,"orientation":637,"ratio":3801,"url":10329,"width":3703},"image-80891df5f0fe396e9434363d035cf06caef10f1e-1500x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/80891df5f0fe396e9434363d035cf06caef10f1e-1500x2000.jpg",{"filterYear":10331},[10332],{"_id":579,"title":583},{"locations":10334,"other":75},[10335,10337],{"_id":901,"_type":121,"seo":75,"slug":10336,"title":904},{"_type":77,"current":903},{"_id":10338,"_type":121,"seo":75,"slug":10339,"title":10341},"183e5f68-ab6d-45e6-85d1-d6428d490e2e",{"_type":77,"current":10340},"pacific","Pacific",[10343,582],"angela mcintosh",{"_type":77,"current":10345},"angela-mcintosh","Angela McIntosh",{"alt":10348,"asset":10349},"handwritten invitation in black ink on rectangular sheet of light brown Vietnamese dó paper, resting on a shrub",{"_id":10350,"height":704,"orientation":637,"ratio":3801,"url":10351,"width":3703},"image-286cf3a25a57d330854d0ad844e4cb07fba321b6-1500x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/286cf3a25a57d330854d0ad844e4cb07fba321b6-1500x2000.jpg",{"filterCategory":10353,"filterLocation":10360,"filterYear":10362},[10354,10355,10356,10357,10358,10359],{"_id":653,"title":658},{"_id":248,"title":251},{"_id":513,"title":516},{"_id":483,"title":486},{"_id":233,"title":236},{"_id":238,"title":241},[10361],{"_id":5160,"title":5161},[10363],{"_id":579,"title":583},[],{"locations":10366,"other":75},[10367],{"_id":5160,"_type":121,"seo":75,"slug":10368,"title":5161},{"_type":77,"current":5169},[10370,10428],{"_type":728,"settings":10371,"text":10372},{"textColumnCount":730},[10373,10385,10393,10400,10412,10420],{"_key":10374,"_type":11,"children":10375,"markDefs":10384,"style":24},"c31a0d271f71",[10376,10380],{"_key":10377,"_type":15,"marks":10378,"text":10379},"6911440a452e",[17],"‘Home’",{"_key":10381,"_type":15,"marks":10382,"text":10383},"cac857325e36",[]," is perceived differently by each person. Some leave and enter many homes. Some never feel at home. Some always have a home. Some view home as within the self. What does ‘home’ mean and what does it look like? The idea of home could be elusive, a short memory, a specific smell, a combat within one’s own body, a dominant culture, a violent scene, a warm hug, a plant, an imaginary forest, an old book, a breath, a relationship that is no longer there, a fading star. What else?",[],{"_key":10386,"_type":11,"children":10387,"markDefs":10392,"style":24},"6a4b9b4a60b4",[10388],{"_key":10389,"_type":15,"marks":10390,"text":10391},"43e3cb843cf1",[],"In the context of an increasingly complex world, one might not feel at home within one’s own home place. How can we extend our understanding of home beyond the familiar, and what can we do differently?",[],{"_key":10394,"_type":11,"children":10395,"markDefs":10399,"style":24},"b1d21b0c7cdb",[10396],{"_key":10397,"_type":15,"marks":10398,"text":1150},"41fa53ebf35a",[],[],{"_key":10401,"_type":11,"children":10402,"markDefs":10411,"style":24},"ff19ee8e3f9d",[10403,10407],{"_key":10404,"_type":15,"marks":10405,"text":10406},"b2d16e3a0f6b",[1362,17],"an",{"_key":10408,"_type":15,"marks":10409,"text":10410},"22e7017f7b7e",[17],"- collaboration",[],{"_key":10413,"_type":11,"children":10414,"markDefs":10419,"style":24},"22effab99ba8",[10415],{"_key":10416,"_type":15,"marks":10417,"text":10418},"0efe8e67eb94",[],"As a duo, we are one Vietnamese living in Switzerland, working closely with plants and words; and one Australian-Canadian, working closely with earth and plant pigments, and textiles. Together, through our different but resonant set of practices, we bring an intercultural and intergenerational sensibility, and a love of contributing to diverse communities. ",[],{"_key":10421,"_type":11,"children":10422,"markDefs":10427,"style":24},"b1907acb0958",[10423],{"_key":10424,"_type":15,"marks":10425,"text":10426},"ce0608af2f52",[],"Our topic arose from shared personal experiences of feeling uprooted as a result of settling in new lands and cultures, at different ages and stages of life. We have a common interest in learning ways to navigate complexity through care-based, collaborative practices. Mediated through creative exploration, including poetry and mapping, we seek to create intimate spaces for dialogic exchange. By collaborating with each other and extending that collaboration to those in our respective communities, both in-person and online, we hope to touch on the space of 'homeness' to unearth deeper awareness of what home may mean in different contexts and from different perspectives and positionalities.",[],{"_type":9879,"image":10429,"settings":10446,"text":10447},{"alt":10430,"asset":10431,"caption":10437},"handwritten invitation in black ink on two rectangular sheets of light brown Vietnamese dó paper, resting on a shrub",{"_id":10432,"height":10433,"orientation":598,"ratio":10434,"url":10435,"width":10436},"image-050966df7238a99baf598364304009fa48995f87-1392x1383-jpg",1383,1.0065075921908895,"https://cdn.sanity.io/images/eodip22e/production/050966df7238a99baf598364304009fa48995f87-1392x1383.jpg",1392,[10438],{"_key":10439,"_type":11,"children":10440,"markDefs":10445,"style":24},"9cf111578c59",[10441],{"_key":10442,"_type":15,"marks":10443,"text":10444},"e5006ea2793e0",[1362],"Handwritten invitation on Vietnamese dó paper",[],{"mediaPosition":9896},[10448,10456],{"_key":10449,"_type":11,"children":10450,"markDefs":10455,"style":24},"e9925335c465",[10451],{"_key":10452,"_type":15,"marks":10453,"text":10454},"22bcd9171d000",[17],"preliminary research: e-lettering",[],{"_key":10457,"_type":11,"children":10458,"markDefs":10467,"style":24},"e17491925cc0",[10459,10463],{"_key":10460,"_type":15,"marks":10461,"text":10462},"22bcd9171d001",[1362],"\"dear you\"",{"_key":10464,"_type":15,"marks":10465,"text":10466},"949c0f2a4054",[]," was an invitation to people in our close relational network to provide intimate reflections on what home meant to them and why. Spread across continents, generations and life-experiences, we selected email (e-lettering) as the primary way to communicate. It is a simple, accessible form that allows space for reflection and a way to navigate different time zones. From this preliminary research, a number of themes are emerging, which are informing our next steps.",[],[10469,10490],{"_type":3359,"question":10470},[10471,10482],{"_key":10472,"_type":11,"children":10473,"markDefs":10481,"style":24},"aa9defd9e154",[10474,10478],{"_key":10475,"_type":15,"marks":10476,"text":10477},"f0be2be7530f0",[17],"What are some ways of perceiving the concept of ‘home’ or ’nhà’* in different circumstances?",{"_key":10479,"_type":15,"marks":10480,"text":1768},"76c4a63c6b80",[],[],{"_key":10483,"_type":11,"children":10484,"markDefs":10489,"style":24},"66d786cf473b",[10485],{"_key":10486,"_type":15,"marks":10487,"text":10488},"abca0fc92ca00",[1362],"*a note on translation: while our shared working language is English, Vietnamese is the mother tongue of one of us. Home and house both mean 'nhà' in Vietnamese: a place to come back to, and can also be understood as hometown.",[],{"_type":3359,"question":10491},[10492],{"_key":10493,"_type":11,"children":10494,"markDefs":10499,"style":24},"be69a6b31027",[10495],{"_key":10496,"_type":15,"marks":10497,"text":10498},"5c5b26d84dff0",[17],"How can we extend our understanding of home beyond the familiar? What can we do differently?",[],[10501,582,10502,10503,5169,10291,10343,10504,744,3387,10505,485,4819,1101],"a poetry of homing","what are some ways of perceiving the concept of ‘home’ or ’nhà’* in different circumstances?\n\n\n*a note on translation: while our shared working language is english, vietnamese is the mother tongue of one of us. home and house both mean 'nhà' in vietnamese: a place to come back to, and can also be understood as hometown.","how can we extend our understanding of home beyond the familiar? what can we do differently?","‘home’ is perceived differently by each person. some leave and enter many homes. some never feel at home. some always have a home. some view home as within the self. what does ‘home’ mean and what does it look like? the idea of home could be elusive, a short memory, a specific smell, a combat within one’s own body, a dominant culture, a violent scene, a warm hug, a plant, an imaginary forest, an old book, a breath, a relationship that is no longer there, a fading star. what else?\n\nin the context of an increasingly complex world, one might not feel at home within one’s own home place. how can we extend our understanding of home beyond the familiar, and what can we do differently?\n\n\n\nan- collaboration\n\nas a duo, we are one vietnamese living in switzerland, working closely with plants and words; and one australian-canadian, working closely with earth and plant pigments, and textiles. together, through our different but resonant set of practices, we bring an intercultural and intergenerational sensibility, and a love of contributing to diverse communities. \n\nour topic arose from shared personal experiences of feeling uprooted as a result of settling in new lands and cultures, at different ages and stages of life. we have a common interest in learning ways to navigate complexity through care-based, collaborative practices. mediated through creative exploration, including poetry and mapping, we seek to create intimate spaces for dialogic exchange. by collaborating with each other and extending that collaboration to those in our respective communities, both in-person and online, we hope to touch on the space of 'homeness' to unearth deeper awareness of what home may mean in different contexts and from different perspectives and positionalities.","translocal connectivity",{"_type":77,"current":10507},"a-poetry-of-homing",{"_id":10509,"_type":107,"categories":10510,"credits":10531,"featuredImage":10856,"filterables":10860,"footnotes":10871,"locations":10872,"logbook":75,"pageBuilder":10876,"researchQuestion":75,"researchQuestions":11026,"searchables":11057,"seo":75,"slug":11066,"title":11068,"year":583},"cfa8640c-6d9f-436f-85ba-34ce4b24fac7",[10511,10518,10521,10524,10528],{"_id":10512,"_type":155,"colorPrimary":10513,"seo":75,"slug":10515,"title":10517},"68fc4bda-1fbb-44cf-832e-9a17905c1771",{"label":569,"value":10514},"#8cff8c",{"_type":77,"current":10516},"etherport","EtherPort",{"_id":9266,"_type":155,"colorPrimary":10519,"seo":75,"slug":10520,"title":9271},{"label":569,"value":9268},{"_type":77,"current":9270},{"_id":313,"_type":155,"colorPrimary":10522,"seo":75,"slug":10523,"title":316},{"label":569,"value":8039},{"_type":77,"current":315},{"_id":378,"_type":155,"colorPrimary":10525,"seo":75,"slug":10527,"title":381},{"label":569,"value":10526},"#ff4b00",{"_type":77,"current":380},{"_id":7526,"_type":155,"colorPrimary":10529,"seo":75,"slug":10530,"title":7531},{"label":569,"value":7528},{"_type":77,"current":7530},{"other":10532,"profiles":10565},[10533,10541,10553],{"_key":10534,"_type":11,"children":10535,"markDefs":10540,"style":24},"092bbc3df958",[10536],{"_key":10537,"_type":15,"marks":10538,"text":10539},"7911759cd185",[17],"ÉTÈ Institute (Eternal Terra Ear) Consultant (Internal Advisor):",[],{"_key":10542,"_type":11,"children":10543,"markDefs":10552,"style":24},"24f2e9167af7",[10544,10548],{"_key":10545,"_type":15,"marks":10546,"text":10547},"cc80340cffa50",[17],"Mónica Avella ",{"_key":10549,"_type":15,"marks":10550,"text":10551},"af96a7a956f50",[],"International lawyer, policy advisor, and strategist access to justice, women’s empowerment, and humanitarian action across Latin America, Europe, and globally. She holds a MPP from the London School of Economics (LSE), where she founded the Women & Well-Being Forum 2025 with the Colombian Society. Mónica has collaborated with leading international organizations, including UN Women, OHCHR, USAID, Chemonics International, and Sorbonne ONU. Currently, Mónica is developing her involvement with ETENS’ Women’s Entrepreneurship Accelerator.",[],{"_key":10554,"_type":11,"children":10555,"markDefs":10564,"style":24},"d766abb8767f",[10556,10560],{"_key":10557,"_type":15,"marks":10558,"text":10559},"44be2e3f3ece",[17],"Komun.aes ",{"_key":10561,"_type":15,"marks":10562,"text":10563},"964a3fea050f",[],"Security, anti-capitalism & community self-defense project.",[],[10566,10693,10745,10790],{"_id":10567,"_type":576,"activeYears":10568,"bio":10571,"bioShort":10660,"featuredImage":10661,"filterables":10668,"links":10671,"locations":10682,"searchables":10688,"seo":75,"slug":10690,"title":10692},"89121237-4017-4e9f-8f8b-2ce6b85426c7",[10569],{"_id":579,"_type":580,"seo":75,"slug":10570,"title":583},{"_type":77,"current":582},[10572,10580,10588,10604,10612,10620,10628,10644,10652],{"_key":10573,"_type":11,"children":10574,"markDefs":10579,"style":24},"1aad022395a5",[10575],{"_key":10576,"_type":15,"marks":10577,"text":10578},"47ec83de4a180",[],"I am a systems artist, social architect, and independent writing activist dedicated to investigating how technical and cultural infrastructures can be re-imagined through collective governance. As the founder and lead of Eternal Terra Ear (ÉTÈ), I spearhead a transnational policy initiative that bridges the gap between planetary-scale data and local sovereignty.",[],{"_key":10581,"_type":11,"children":10582,"markDefs":10587,"style":24},"cf355e1e1ec8",[10583],{"_key":10584,"_type":15,"marks":10585,"text":10586},"4c40742e9fdc0",[],"My Practice",[],{"_key":10589,"_type":11,"children":10590,"markDefs":10603,"style":24},"4e9c839509a8",[10591,10595,10599],{"_key":10592,"_type":15,"marks":10593,"text":10594},"2f3737cb934d0",[],"My work focuses on the creation of a \"Trust Layer\", a systemic protocol that integrates orbital remote sensing, transnational cryptography, and sensory intelligence. I utilize tools such as satellite data, drone photogrammetry, and decentralized ledgers to transform invisible environmental signals into verifiable \"Digital Twins\". A core component of my practice is Bio-synaesthesia, where I use ecological intelligent devices like the ",{"_key":10596,"_type":15,"marks":10597,"text":10598},"2f3737cb934d7",[1362],"Visceral Sonic Oyster",{"_key":10600,"_type":15,"marks":10601,"text":10602},"2f3737cb934d8",[]," to translate complex data into spatialized acoustic and haptic experiences, allowing communities to \"feel\" the health of their ecosystems.",[],{"_key":10605,"_type":11,"children":10606,"markDefs":10611,"style":24},"c1abd25d502e",[10607],{"_key":10608,"_type":15,"marks":10609,"text":10610},"a77256a6d1f60",[],"Current Research Interests",[],{"_key":10613,"_type":11,"children":10614,"level":1033,"listItem":1708,"markDefs":10619,"style":24},"babf76c12239",[10615],{"_key":10616,"_type":15,"marks":10617,"text":10618},"6e77003985ce0",[],"Experimental Governance & Policy Co-Creation: Researching how collective policy-writing can serve as a creative practice to build inclusive, transborder infrastructures.",[],{"_key":10621,"_type":11,"children":10622,"level":1033,"listItem":1708,"markDefs":10627,"style":24},"e917a9a9bcad",[10623],{"_key":10624,"_type":15,"marks":10625,"text":10626},"8e224542b3630",[],"Sovereign Observation: Investigating ways to shift environmental monitoring from top-down surveillance to community-led verification systems.",[],{"_key":10629,"_type":11,"children":10630,"level":1033,"listItem":1708,"markDefs":10643,"style":24},"21f9ccb4d7f0",[10631,10635,10639],{"_key":10632,"_type":15,"marks":10633,"text":10634},"b8140191753e0",[],"Post-Humanitarian Infrastructure: Exploring the role of underground economies, collective mourning (",{"_key":10636,"_type":15,"marks":10637,"text":10638},"b8140191753e2",[1362],"gham",{"_key":10640,"_type":15,"marks":10641,"text":10642},"b8140191753e3",[],"), and self-reliance in the design of future planetary systems.",[],{"_key":10645,"_type":11,"children":10646,"level":1033,"listItem":1708,"markDefs":10651,"style":24},"507f52f4b2b0",[10647],{"_key":10648,"_type":15,"marks":10649,"text":10650},"fd5499f1cf900",[],"Transnational Data Ethics: Analyzing the privacy implications and \"Privacy-by-Design\" requirements of planetary-scale sensing in collaboration with institutions like CPDP Brussels and IMPAKT NL.",[],{"_key":10653,"_type":11,"children":10654,"markDefs":10659,"style":24},"1d67cafb0c65",[10655],{"_key":10656,"_type":15,"marks":10657,"text":10658},"5e46219176f50",[],"My practice currently scales through a series of 2026 fellowships, including the CultTech Lab (Vienna), School of Commons (Zurich), and the CODE Program (Brussels/Utrecht), where I continue to develop the \"International Sky Hub\" as a model for global互联 (interconnected) trust.",[],"Yidi is a systems artist and architect work through large scale infrastructure, transnational cryptography, defining the \"Critical Sovereign Cooperation\".\n",{"alt":75,"asset":10662},{"_id":10663,"height":10664,"orientation":637,"ratio":10665,"url":10666,"width":10667},"image-fe4a6579c4c0c3c49b02788cb7525744d2796390-664x692-jpg",692,0.9595375722543352,"https://cdn.sanity.io/images/eodip22e/production/fe4a6579c4c0c3c49b02788cb7525744d2796390-664x692.jpg",664,{"filterYear":10669},[10670],{"_id":579,"title":583},[10672,10674,10677,10680],{"_type":607,"label":2160,"url":10673},"https://www.instagram.com/yidi.lola/",{"_type":607,"label":10675,"url":10676},"Eternal Terra Ear (ÉTÈ)","https://www.instagram.com/eternal_terra_ear/",{"_type":607,"label":10678,"url":10679},"Personal Linktree","https://linktr.ee/yidi.lola",{"_type":607,"label":608,"url":10681},"https://ete.institute/",{"locations":10683,"other":75},[10684,10686],{"_id":7065,"_type":121,"seo":75,"slug":10685,"title":7068},{"_type":77,"current":7067},{"_id":139,"_type":121,"seo":75,"slug":10687,"title":142},{"_type":77,"current":141},[10689,582],"yidi lola ",{"_type":77,"current":10691},"yidi-lola","Yidi Lola ",{"_id":10694,"_type":576,"activeYears":10695,"bio":10698,"bioShort":10715,"featuredImage":10716,"filterables":10722,"links":10725,"locations":10728,"searchables":10741,"seo":75,"slug":10743,"title":10717},"ad3a4bd5-2451-464c-a588-07fb59ea7823",[10696],{"_id":579,"_type":580,"seo":75,"slug":10697,"title":583},{"_type":77,"current":582},[10699,10707],{"_key":10700,"_type":11,"children":10701,"markDefs":10706,"style":24},"7634d22c89b4",[10702],{"_key":10703,"_type":15,"marks":10704,"text":10705},"50d57dd24e2c0",[],"Fatemeh (she/they, b. 1992, Tehran)—also known as Afimoh—is an interdisciplinary artist and researcher whose practice spans material fabrication, fiction writing, archiving, filming, curating, organizing, and hosting. Her work engages with themes of communal grief or غم (/gham/), underground economies, kitsch Iranian visual culture, ritual, and subculture. Developed through conversation and community-oriented collaborations, her approach is deeply rooted in collective experiences.",[],{"_key":10708,"_type":11,"children":10709,"markDefs":10714,"style":24},"069b02e36b54",[10710],{"_key":10711,"_type":15,"marks":10712,"text":10713},"3ca97dfd86730",[],"Kazemi earned a BFA in Painting from the University of Tehran (2014) and an MFA in Studio Art from Syracuse University (2024). Her work moves fluidly across worlds, blending installation, lens-based media, and the poetic flow of creative writing. She has exhibited at Parallel Circuit Space (Tehran), SUB Community (Çanakkale), Ruschman Gallery (Chicago), Navel LA (Los Angeles), Smack Mellon (New York), Bayt Al Mamzar (Dubai), Cue Art Foundation(New York), ISP Whitney (New York), and Sharjah Art Foundation (Sharjah). Her experimental films have been screened at the London Short Film Festival, CulturalHub (New York), LUX Book Fair (London), Dresden Film Festival, Everson Museum of Art (Syracuse), and Foundry By Emaar (Dubai), among other venues.",[],"Fatemeh (she/they, b. 1992, Tehran)—also known as Afimoh—is an interdisciplinary artist and researcher whose practice spans material fabrication, fiction writing, archiving, filming, curating, organizing, and hosting. ",{"alt":10717,"asset":10718},"Fatemeh Kazemi فاطمه کاظمی ",{"_id":10719,"height":7055,"orientation":637,"ratio":3801,"url":10720,"width":10721},"image-2fdb6d82f57f6e964257b2bac7c83cea3343e70a-768x1024-jpg","https://cdn.sanity.io/images/eodip22e/production/2fdb6d82f57f6e964257b2bac7c83cea3343e70a-768x1024.jpg",768,{"filterYear":10723},[10724],{"_id":579,"title":583},[10726],{"_type":607,"label":608,"url":10727},"https://linktr.ee/Afimoh",{"locations":10729,"other":10732},[10730],{"_id":139,"_type":121,"seo":75,"slug":10731,"title":142},{"_type":77,"current":141},[10733],{"_key":10734,"_type":11,"children":10735,"markDefs":10740,"style":24},"bb72447175b0",[10736],{"_key":10737,"_type":15,"marks":10738,"text":10739},"6eff382ebe14",[],"Between Brussel and Berlin",[],[10742,582],"fatemeh kazemi فاطمه کاظمی ",{"_type":77,"current":10744},"fatemeh-kazemi",{"_id":10746,"_type":576,"activeYears":10747,"bio":10750,"bioShort":10759,"featuredImage":10760,"filterables":10767,"links":10770,"locations":10773,"searchables":10785,"seo":75,"slug":10787,"title":10789},"8647ab68-6bf2-4ccb-8dc9-e0289006ea29",[10748],{"_id":579,"_type":580,"seo":75,"slug":10749,"title":583},{"_type":77,"current":582},[10751],{"_key":10752,"_type":11,"children":10753,"markDefs":10758,"style":24},"6af01e9ae403",[10754],{"_key":10755,"_type":15,"marks":10756,"text":10757},"5f5c899fdfff0",[],"Joaquina Salgado (b. 1995, Argentina) is a new media artist based in Berlin whose work explores the intersections of technology, philosophy, and science. She studied Media Arts at the Universidad Nacional de La Plata (UNLP). Combining motion capture, game engines, and custom-built interfaces, she creates interactive installations and virtual environments that question how perception and identity are shaped by technological systems. Her projects have been presented at MUTEK (Buenos Aires, Montreal), Berlin Art Week, and the APAP7 Triennial in Korea, with recent support from Pro Helvetia and the British Council. She presented a solo exhibition at SOMA Berlin in December 2025 and is a member of Amplify D.A.I., a network of women artists and curators in digital arts.",[],"Joaquina (b. 1995, Argentina) is a new media artist based in Berlin whose work explores the intersections of technology, philosophy, and science. She studied Media Arts at the Universidad Nacional de La Plata (UNLP). ",{"alt":10761,"asset":10762},"inclusi(ve)space",{"_id":10763,"height":7110,"orientation":637,"ratio":10764,"url":10765,"width":10766},"image-ba4d3e0f17045c50522b07cc63c00d826558cc14-1066x1600-jpg",0.66625,"https://cdn.sanity.io/images/eodip22e/production/ba4d3e0f17045c50522b07cc63c00d826558cc14-1066x1600.jpg",1066,{"filterYear":10768},[10769],{"_id":579,"title":583},[10771],{"_type":607,"label":608,"url":10772},"https://joaquinasalgado.com/",{"locations":10774,"other":10777},[10775],{"_id":139,"_type":121,"seo":75,"slug":10776,"title":142},{"_type":77,"current":141},[10778],{"_key":10779,"_type":11,"children":10780,"markDefs":10784,"style":24},"0e5e698cfe29",[10781],{"_key":10782,"_type":15,"marks":10783,"text":621},"f37e49635cbd",[],[],[10786,582],"joaquina salgado",{"_type":77,"current":10788},"joaquina-salgado","Joaquina Salgado",{"_id":10791,"_type":576,"activeYears":10792,"bio":10795,"bioShort":10836,"featuredImage":10837,"filterables":10841,"links":10844,"locations":10847,"searchables":10851,"seo":75,"slug":10853,"title":10855},"a6f4eb4e-6918-4621-82ae-c80a09c07d70",[10793],{"_id":579,"_type":580,"seo":75,"slug":10794,"title":583},{"_type":77,"current":582},[10796,10804,10812,10820,10828],{"_key":10797,"_type":11,"children":10798,"markDefs":10803,"style":24},"c8fc7b0ed6ac",[10799],{"_key":10800,"_type":15,"marks":10801,"text":10802},"92a7615f4ac9",[],"ÉROTÌQ is a Rome-based audiovisual project that fuses glitchy noise-pop music with symbolic and unsettling imagery. On a thematic level, it offers a total immersion in the cynicism and hypocrisy of the contemporary world, tracing the collapse of symbolic structures and the nihilistic drift of mass society.",[],{"_key":10805,"_type":11,"children":10806,"markDefs":10811,"style":24},"a51b7956e96a",[10807],{"_key":10808,"_type":15,"marks":10809,"text":10810},"e85aeb52c9050",[],"It operates as an apotropaic ritual within the landscape of hyperreality, of biotechnologies, epigenetics, algorithmic sexual selection, mass pornography, terrorism, and emerging conspiracy theories.",[],{"_key":10813,"_type":11,"children":10814,"markDefs":10819,"style":24},"016318c4b0fa",[10815],{"_key":10816,"_type":15,"marks":10817,"text":10818},"9b14682119cc0",[],"The visual material is drawn from years of research and collection of raw footage found online. YouTube videos sourced from marginal and hard-to-access channels documenting fragments of rarefied, unsettling realities often far removed from the Western imaginary. In this sense, the internet, an aseptic and mechanical tool, paradoxically becomes a means of reawakening a more primal sense of wonder: a childlike, archaic, almost spiritual curiosity toward the world, largely lost in everyday perception.",[],{"_key":10821,"_type":11,"children":10822,"markDefs":10827,"style":24},"c254ae15d90e",[10823],{"_key":10824,"_type":15,"marks":10825,"text":10826},"34a9067a690b0",[],"This visual archive is then reworked through artificial intelligence, which fragments, distorts, and expands it, mirroring the treatment of percussion and ethnic samples within the music.",[],{"_key":10829,"_type":11,"children":10830,"markDefs":10835,"style":24},"94b64c77d487",[10831],{"_key":10832,"_type":15,"marks":10833,"text":10834},"b3e458a8ecde0",[],"At this point, sound and image synchronize and respond to one another, forming a single flow of abrasive sensory saturation, echoing the overstimulating logic of social media itself. The result is a testament to the contemporary: not a judgmental representation, but a sublimation of the absurdity we are now experiencing without being able to understand.",[],"ÉROTÌQ is a Rome-based audiovisual project that fuses glitchy noise-pop music with symbolic and unsettling imagery. ",{"alt":75,"asset":10838},{"_id":10839,"height":640,"orientation":1032,"ratio":1033,"url":10840,"width":640},"image-2a23158775957f57ebfa6d3a79645511f5b2bc1d-1080x1080-png","https://cdn.sanity.io/images/eodip22e/production/2a23158775957f57ebfa6d3a79645511f5b2bc1d-1080x1080.png",{"filterYear":10842},[10843],{"_id":579,"title":583},[10845],{"_type":607,"label":608,"url":10846},"https://obvious-commit-994079.framer.app/",{"locations":10848,"other":75},[10849],{"_id":139,"_type":121,"seo":75,"slug":10850,"title":142},{"_type":77,"current":141},[10852,582],"érotìq",{"_type":77,"current":10854},"emiiliano-toulouze","ÉROTÌQ",{"alt":75,"asset":10857},{"_id":10858,"height":7254,"orientation":1032,"ratio":1033,"url":10859,"width":7254},"image-0a6bbe6a304723932b45cb7d9a41e35a2794620f-960x960-jpg","https://cdn.sanity.io/images/eodip22e/production/0a6bbe6a304723932b45cb7d9a41e35a2794620f-960x960.jpg",{"filterCategory":10861,"filterLocation":10867,"filterYear":10869},[10862,10863,10864,10865,10866],{"_id":10512,"title":10517},{"_id":9266,"title":9271},{"_id":313,"title":316},{"_id":378,"title":381},{"_id":7526,"title":7531},[10868],{"_id":5160,"title":5161},[10870],{"_id":579,"title":583},[],{"locations":10873,"other":75},[10874],{"_id":5160,"_type":121,"seo":75,"slug":10875,"title":5161},{"_type":77,"current":5169},[10877,10888,10967,10981,10995,11009],{"_type":728,"settings":10878,"text":10879},{"textColumnCount":730},[10880],{"_key":10881,"_type":11,"children":10882,"markDefs":10887,"style":24},"56c08e6fe9e8",[10883],{"_key":10884,"_type":15,"marks":10885,"text":10886},"477f287fdc1a0",[],"ETE Institute (Eternal Terra Ear / 永土耳) is a research-led collective that architecturalizes institutional policy and stratospheric geopolitics into 3D hyperbolic geometry. By decoding the \"weaponized computational structures\" of international tech-transfers, the institute investigates the interlinkage between nuclear strategic rationality and digital surveillance regimes. Operating on the principle of \"Sovereignty by Design,\" ETE seeks to transform extractive post-humanitarian infrastructures into sovereign compositions where equilibrium—not output product—is the primary measure of systemic health.",[],{"_type":728,"settings":10889,"text":10890},{"textColumnCount":730},[10891,10903,10911,10919,10927,10935,10943,10951,10959],{"_key":10892,"_type":11,"children":10893,"markDefs":10902,"style":24},"63045f2e11f6",[10894,10898],{"_key":10895,"_type":15,"marks":10896,"text":10897},"ecbf3a16365a",[],"ÉTÈ Institute (Eternal Terra Ear):",{"_key":10899,"_type":15,"marks":10900,"text":10901},"9c4dff4006d50",[17],"\"Post Humanitarian Infrastructure\"",[],{"_key":10904,"_type":11,"children":10905,"markDefs":10910,"style":24},"eec8aaca3179",[10906],{"_key":10907,"_type":15,"marks":10908,"text":10909},"7e03958a85e90",[1362],"The concept of Post-Humanitarian Infrastructure marks a transition from aid as a \"gift\" to aid as an extractive \"protocol,\" where humanitarianism is increasingly architecturalized through data stacks, biometric verification, and algorithmic mapping. This infrastructure operates as a nuclear-informed density, utilizing a strategic rationality that dissolves the boundary between human and machine decision-making to govern displaced populations. Unlike traditional humanitarianism grounded in physical presence, this post-humanitarian condition is rooted in the extraction of intelligence and energy, treating refugees as displaced infrastructural redundancy within state and techno-capitalist regimes.",[],{"_key":10912,"_type":11,"children":10913,"markDefs":10918,"style":24},"0571112491e0",[10914],{"_key":10915,"_type":15,"marks":10916,"text":10917},"5220ca6cb2380",[17],"Aid-as-Interface",[],{"_key":10920,"_type":11,"children":10921,"markDefs":10926,"style":24},"e30f20f82012",[10922],{"_key":10923,"_type":15,"marks":10924,"text":10925},"67a35d8aa3580",[1362],"It transforms basic survival tools into points of capture, such as iris scanners and blockchain ledgers, which function as automated command networks mirroring bureaucratic surveillance regimes. These systems create a problem of permanence by establishing a \"Sovereign Layer\" that exists outside the laws of the host country, governed by international tech-transfers and private contractors who utilize simulation as a middle layer to connect tactics with strategies.",[],{"_key":10928,"_type":11,"children":10929,"markDefs":10934,"style":24},"1df6eee24aeb",[10930],{"_key":10931,"_type":15,"marks":10932,"text":10933},"5adb7d3ecc650",[17],"Weaponized zoning",[],{"_key":10936,"_type":11,"children":10937,"markDefs":10942,"style":24},"49267577730c",[10938],{"_key":10939,"_type":15,"marks":10940,"text":10941},"9569aad140ee0",[],"extends this logic by drawing digital enclosures through GPS geofencing and real-time monitoring, dividing territories into \"safe\" or \"quarantined\" zones to restrict movement through the use of geometry. This zoning now moves vertically along a stratospheric axis, where high-altitude platforms create \"islands of access\" and \"vertical mediations\" that define atmospheres of unbelonging through selective connectivity and data blackouts.",[],{"_key":10944,"_type":11,"children":10945,"markDefs":10950,"style":24},"2bab0e452f11",[10946],{"_key":10947,"_type":15,"marks":10948,"text":10949},"da38ff7a07fa0",[17],"From Survival to Measurable Biometric Protocols",[],{"_key":10952,"_type":11,"children":10953,"markDefs":10958,"style":24},"7bc55da7019f",[10954],{"_key":10955,"_type":15,"marks":10956,"text":10957},"62871de3f30f0",[],"Identity systems function as the most intimate layer of this infrastructure, tying human survival to biometric protocols that turn the individual into a spatial node within a weaponized system. This creates an extractive identity where the state-led algorithm knows the subject better than the subject knows the system, neutralizing digital epistemology to control displaced populations as part of broader security architectures.",[],{"_key":10960,"_type":11,"children":10961,"markDefs":10966,"style":24},"7b0c1b7e4309",[10962],{"_key":10963,"_type":15,"marks":10964,"text":10965},"ac5826e350080",[],"The ETE Institute perceives these systems as weaponized computational structures that thrive on the enforced separation of the subject from the governing code. By architecturalizing these relations into hyperbolic geometry, the research aims to reveal that systemic friction is a deliberate feature of extractive governance. Through agentic resistance and sovereignty by design, the goal is to transform weaponized zones into sovereign compositions where the geometry of identity is built on equilibrium rather than technocratic control.",[],{"_type":813,"caption":10968,"image":10977},[10969],{"_key":10970,"_type":11,"children":10971,"markDefs":10976,"style":24},"4e296c27e8a4",[10972],{"_key":10973,"_type":15,"marks":10974,"text":10975},"68bb0b8134db",[],"cover",[],{"alt":75,"asset":10978},{"_id":10979,"height":636,"orientation":637,"ratio":638,"url":10980,"width":640},"image-b58264fb0b9f3c920229f9ae37b9dc52860387e6-1080x1350-jpg","https://cdn.sanity.io/images/eodip22e/production/b58264fb0b9f3c920229f9ae37b9dc52860387e6-1080x1350.jpg",{"_type":813,"caption":10982,"image":10991},[10983],{"_key":10984,"_type":11,"children":10985,"markDefs":10990,"style":24},"979cab754cf0",[10986],{"_key":10987,"_type":15,"marks":10988,"text":10989},"3cef78d81bc1",[],"contents",[],{"alt":75,"asset":10992},{"_id":10993,"height":636,"orientation":637,"ratio":638,"url":10994,"width":640},"image-ec935cc3d053dc80ac4c36ca68e3df684acd0d70-1080x1350-jpg","https://cdn.sanity.io/images/eodip22e/production/ec935cc3d053dc80ac4c36ca68e3df684acd0d70-1080x1350.jpg",{"_type":813,"caption":10996,"image":11005},[10997],{"_key":10998,"_type":11,"children":10999,"markDefs":11004,"style":24},"a2691843770c",[11000],{"_key":11001,"_type":15,"marks":11002,"text":11003},"cf818e37e531",[],"Crisis Economy Symposium: Berlin Science Week 2025",[],{"alt":75,"asset":11006},{"_id":11007,"height":640,"orientation":1032,"ratio":1033,"url":11008,"width":640},"image-ebf7ad10945cb496f59b7b3ec6d9f39eae1fdf1b-1080x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/ebf7ad10945cb496f59b7b3ec6d9f39eae1fdf1b-1080x1080.jpg",{"_type":813,"caption":11010,"image":11019},[11011],{"_key":11012,"_type":11,"children":11013,"markDefs":11018,"style":24},"bf36bd8e932a",[11014],{"_key":11015,"_type":15,"marks":11016,"text":11017},"9a5ab75d266d",[],"Esoteric performance by @iphone7segrey",[],{"alt":75,"asset":11020},{"_id":11021,"height":11022,"orientation":598,"ratio":11023,"url":11024,"width":11025},"image-9b78eae794ee4c6571a850b599edfa24d7eabf88-1326x851-png",851,1.5581668625146885,"https://cdn.sanity.io/images/eodip22e/production/9b78eae794ee4c6571a850b599edfa24d7eabf88-1326x851.png",1326,[11027,11037,11047],{"_type":3359,"question":11028},[11029],{"_key":11030,"_type":11,"children":11031,"markDefs":11036,"style":24},"bd4521269e3b",[11032],{"_key":11033,"_type":15,"marks":11034,"text":11035},"70358ef4e9ac0",[],"How do decentralized governance tools enable novel cultural collaboration and mutual aid? ",[],{"_type":3359,"question":11038},[11039],{"_key":11040,"_type":11,"children":11041,"markDefs":11046,"style":24},"3289cc3db428",[11042],{"_key":11043,"_type":15,"marks":11044,"text":11045},"dd3171b4fcae",[],"How does Eternal Terra Ears focus on comparative culture promote cross-cultural dialogue and solidarity, especially among marginalized groups?",[],{"_type":3359,"question":11048},[11049],{"_key":11050,"_type":11,"children":11051,"markDefs":11056,"style":24},"029061955533",[11052],{"_key":11053,"_type":15,"marks":11054,"text":11055},"6282bc9cb18a0",[],"What's the structure of a Post-Humanitarian system?",[],[11058,582,11059,11060,11061,5169,10689,10742,10786,10852,11062,11063,11064,10516,9507,8276,11065,7749],"étè institute (eternal terra ear)","how do decentralized governance tools enable novel cultural collaboration and mutual aid? ","how does eternal terra ears focus on comparative culture promote cross-cultural dialogue and solidarity, especially among marginalized groups?","what's the structure of a post-humanitarian system?","étè institute (eternal terra ear) consultant (internal advisor):\n\nmónica avella international lawyer, policy advisor, and strategist access to justice, women’s empowerment, and humanitarian action across latin america, europe, and globally. she holds a mpp from the london school of economics (lse), where she founded the women & well-being forum 2025 with the colombian society. mónica has collaborated with leading international organizations, including un women, ohchr, usaid, chemonics international, and sorbonne onu. currently, mónica is developing her involvement with etens’ women’s entrepreneurship accelerator.\n\nkomun.aes security, anti-capitalism & community self-defense project.","ete institute (eternal terra ear / 永土耳) is a research-led collective that architecturalizes institutional policy and stratospheric geopolitics into 3d hyperbolic geometry. by decoding the \"weaponized computational structures\" of international tech-transfers, the institute investigates the interlinkage between nuclear strategic rationality and digital surveillance regimes. operating on the principle of \"sovereignty by design,\" ete seeks to transform extractive post-humanitarian infrastructures into sovereign compositions where equilibrium—not output product—is the primary measure of systemic health.","étè institute (eternal terra ear):\"post humanitarian infrastructure\"\n\nthe concept of post-humanitarian infrastructure marks a transition from aid as a \"gift\" to aid as an extractive \"protocol,\" where humanitarianism is increasingly architecturalized through data stacks, biometric verification, and algorithmic mapping. this infrastructure operates as a nuclear-informed density, utilizing a strategic rationality that dissolves the boundary between human and machine decision-making to govern displaced populations. unlike traditional humanitarianism grounded in physical presence, this post-humanitarian condition is rooted in the extraction of intelligence and energy, treating refugees as displaced infrastructural redundancy within state and techno-capitalist regimes.\n\naid-as-interface\n\nit transforms basic survival tools into points of capture, such as iris scanners and blockchain ledgers, which function as automated command networks mirroring bureaucratic surveillance regimes. these systems create a problem of permanence by establishing a \"sovereign layer\" that exists outside the laws of the host country, governed by international tech-transfers and private contractors who utilize simulation as a middle layer to connect tactics with strategies.\n\nweaponized zoning\n\nextends this logic by drawing digital enclosures through gps geofencing and real-time monitoring, dividing territories into \"safe\" or \"quarantined\" zones to restrict movement through the use of geometry. this zoning now moves vertically along a stratospheric axis, where high-altitude platforms create \"islands of access\" and \"vertical mediations\" that define atmospheres of unbelonging through selective connectivity and data blackouts.\n\nfrom survival to measurable biometric protocols\n\nidentity systems function as the most intimate layer of this infrastructure, tying human survival to biometric protocols that turn the individual into a spatial node within a weaponized system. this creates an extractive identity where the state-led algorithm knows the subject better than the subject knows the system, neutralizing digital epistemology to control displaced populations as part of broader security architectures.\n\nthe ete institute perceives these systems as weaponized computational structures that thrive on the enforced separation of the subject from the governing code. by architecturalizing these relations into hyperbolic geometry, the research aims to reveal that systemic friction is a deliberate feature of extractive governance. through agentic resistance and sovereignty by design, the goal is to transform weaponized zones into sovereign compositions where the geometry of identity is built on equilibrium rather than technocratic control.","mutual support",{"_type":77,"current":11067},"ete-institute-eternal-terra-ear","ÉTÈ Institute (Eternal Terra Ear)",{"locations":11070,"other":75},[11071],{"_id":139,"_type":121,"seo":75,"slug":11072,"title":142},{"_type":77,"current":141},[11074,11082,11117,11125,11152],{"_type":813,"caption":75,"image":11075},{"alt":75,"asset":11076},{"_id":11077,"height":11078,"orientation":598,"ratio":11079,"url":11080,"width":11081},"image-48b57c7c68018ac56c48f3f8f31d8e63f33c91f8-2002x1492-png",1492,1.341823056300268,"https://cdn.sanity.io/images/eodip22e/production/48b57c7c68018ac56c48f3f8f31d8e63f33c91f8-2002x1492.png",2002,{"_type":728,"settings":11083,"text":11084},{"textColumnCount":730},[11085,11093,11101,11109],{"_key":11086,"_type":11,"children":11087,"markDefs":11092,"style":24},"7396297a64dd",[11088],{"_key":11089,"_type":15,"marks":11090,"text":11091},"9dcd9ae6d2320",[],"This July, we began our annual Gathering with a visit to CERN IdeaSquare in Geneva, continuing our collaboration with CERN for a second year.",[],{"_key":11094,"_type":11,"children":11095,"markDefs":11100,"style":24},"367f64b84ac3",[11096],{"_key":11097,"_type":15,"marks":11098,"text":11099},"d52ed72e85b20",[],"Across four sessions — three online and one in person — participants worked in interdisciplinary teams, co-facilitated by CERN and School of Commons, to imagine bold responses to complex societal challenges. Together, they explored what it might take to build a new society from the ground up, considering questions of governance, education, healthcare, infrastructure, ecology, and collective care.",[],{"_key":11102,"_type":11,"children":11103,"markDefs":11108,"style":24},"8903c36c5ac3",[11104],{"_key":11105,"_type":15,"marks":11106,"text":11107},"e789fd949dca0",[],"During the in-person workshop at CERN, participants also met students from the Stony Brook Center, who were exploring related challenges in parallel. The exchange created an opportunity to share perspectives across disciplines and institutions before everyone travelled on to Zurich for the School of Commons Gathering.",[],{"_key":11110,"_type":11,"children":11111,"markDefs":11116,"style":24},"307cab913258",[11112],{"_key":11113,"_type":15,"marks":11114,"text":11115},"99b7438ba9090",[],"Over the following three days, our community gathered to share practices, exchange methods, and reflect on what it means to learn, create, and organise in common.",[],{"_type":813,"caption":75,"image":11118},{"alt":75,"asset":11119},{"_id":11120,"height":11121,"orientation":598,"ratio":11122,"url":11123,"width":11124},"image-15615dfc5c1364a9bcc58eb72b9bc95039745d7f-2500x1495-jpg",1495,1.6722408026755853,"https://cdn.sanity.io/images/eodip22e/production/15615dfc5c1364a9bcc58eb72b9bc95039745d7f-2500x1495.jpg",2500,{"_type":728,"settings":11126,"text":11127},{"textColumnCount":730},[11128,11136,11144],{"_key":11129,"_type":11,"children":11130,"markDefs":11135,"style":24},"5d6e4cdf408d",[11131],{"_key":11132,"_type":15,"marks":11133,"text":11134},"51edefb844970",[],"Over four days, we shared conversations, workshops, walks, meals, moments of experimentation, and quiet reflection.",[],{"_key":11137,"_type":11,"children":11138,"markDefs":11143,"style":24},"dd02b53b0f4a",[11139],{"_key":11140,"_type":15,"marks":11141,"text":11142},"fb688f7bf9340",[],"What stays with us isn’t simply the programme, but the generosity, attentiveness, curiosity, and openness everyone brought. Thank you for showing up with your full selves and for helping to create a space where learning could unfold through trust, care, and exchange.",[],{"_key":11145,"_type":11,"children":11146,"markDefs":11151,"style":24},"17196f4a937b",[11147],{"_key":11148,"_type":15,"marks":11149,"text":11150},"674c3881d48e0",[],"The Gathering reminded us that School of Commons is more than a programme — it is a community, shaped through relationships, mutual learning, and collective care. 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Drawing from their work as an embodiment social designer, Camille Sapara Barton will share practices and perspectives that connect body-based awareness with socially engaged art making.\n\nThrough a combination of gentle somatic exercises, guided reflection, and open conversation, the session offers space to arrive, to anchor, and to think together. 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hub, hirschwang an der rax, austria","worldplay is an opening move for a network that explores the revolutionary potential of play: what changes when we treat games as ways of organising, not just expressing? how do those changes expand from one gathering to many, carried by people, through their practice?","worldplay is an opening move for a network that explores the revolutionary potential of play: what changes when we treat games as ways of organising, not just expressing? how do those changes expand from one gathering to many, carried by people, through their practice?\n\n\n\nit's also the title of a new event series, conceived as a pop-up hub for prefiguring radical futures – economic, social and cultural – through fiction, design, performance and play. the first edition of worldplay issues a call to game designers and players, artivists, weird economists and utopian dreamers. together, we will:\n\n\n\ndesign and play upon the canvas of the world\n\nscribble futures and materialise speculative artifacts from parallel presents\n\ncompose living archives of/for radical imagination\n\ndevise ways to hijack public spaces, cyberspace and realities themselves.\n\n\n\npart experimental playground, part aspiring peer-to-peer guerrilla futuring network, worldplay channels underground postcapitalist desire by sowing counter-hegemonic fiction engines as seeds and games as social organisations.\n\n\n\nwhere and when\n\n\n\nthe inaugural edition of worldplay takes place between june 7–13, 2026, at the commons hub, a co-working, co-living and event venue in the austrian alps that harbours artists, digital movements and decentralized communities.\n\n\n\nbuilt for a peer community\n\n\n\nthe event will feature a programme that is partly curated and partly self-organised in unconference style, with a strong emphasis on establishing lasting peer support and collaboration networks:\n\n● participants can shape the programme in advance and on-site by pitching sessions and co-labs\n\n● digital publishing with partner organisations like the institute of network cultures\n\n● selected games will be prototyped, resourced for production, and shared as open designs\n\n● distributed nodes of practice stay connected after the event through shared project threads\n\n● we’ll explore alternative revenue and self-sustaining models for keeping the worldplay network alive—co-ops, art daos, fiction-fueled crowdfunds, functional guerrilla futuring merch, and more\n\n\n\nvenue\n\n\n\ncommons hub (hirschwang an der rax, austria), a co-working, co-living and event venue in the austrian alps that harbours artists, digital movements and decentralized communities. access to 3d printer, laser cutter, sewing station, farmbot, book binding station and various workshop rooms.\n\n\n\n\n\nseed programme offerings\n\n\n\ninterwoven threads and daily themes will include:\n\n\n\n🎭 playing with reality\n\n✒️ socio-economic science fictions & open-source worlds\n\n🛠 parallel economic worlding & guerrilla futuring\n\n🎲 iterating eutopia on the tabletop & game commons\n\n🌱 infrastructures for imagination & peerticipation\n\n\n\n& any other angles, reality-bending games, unfinished stories, interactive performances, larps, experimental films and music, or “fake it till you make it” theories of change you bring with you\n\n\n\nmore info (further breakdown of seed programme offerings)\n\n\n\n🎭 playing with reality\n\n● treating culture and social conventions as reprogrammable design spaces\n\nexamples: the yes men, bureau of inverse technology, billboard liberation front, center for political beauty, luther blisset project, situationist international\n\n\n\n✒️ socio-economic science fictions\n\n● short-form, poetic, and hyperstitional fictions grounded in prefigurative politics and weird economies\n\n● workshopping and peer-supporting speculative writing in small, care-based constellations\n\n● co-authoring alternative worlds and futures through games and other experimental formats\n\nexamples: walkaway, the ministry for the future, multispecies cities: solarpunk urban futures, an oral history of the new york commune, 2052–2072\n\n\n\n🛠 parallel economic worlding & guerrilla futuring\n\n● creating physical and digital artefacts drawn from parallel or future (eutopian/dystopian) realities\n\n● soft larps, improvisational roleplay and worldbuilding exercises like “sell me this postcapitalist pen”\n\n● taking speculative artefacts into streets and social media feeds—guerrilla interventions, flashmobs, appropriations of social media, and aesthetic commonist propaganda/memes\n\nexamples: futurematic, tomorrow’s energy today, a night at the orfelia, the treaty of finsbury park, queer embassy of possible futures, nova: future thoughts on surviving together, future 14b\n\n\n\n🎲 iterating eutopia on the tabletop & game commons\n\n● sharing, playing, deconstructing and appropriating radical analogue (and digital/hybrid) games\n\n● prototyping a game commons: co-created game artefacts, mechanics, and tools that anyone can remix, contribute to, and play with, collectively owned and sustained as a cultural and design commons\n\nexamples: utopia on the tabletop, game-changers: the game, game commons online platform, half-earth socialism, post-growth toolkit – the game, the social strike game\n\n\n\n🌱 infrastructures for imagination & peerticipation\n\n● going beyond conventional models of co-design, co-authorship and participation/interaction\n\n● prototyping open-source world-making platforms and online anticipatory fiction archives\n\n● methods for establishing and connecting distributed nodes of reality-bending practice\n\nexamples: witnesspedia, pocas, nordic larp wiki, green mediaography, board game mechanics repository, artists, activists, and worldbuilders on 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Since 2023 Alex is leading ‘Life after growth’ a research & practice project exploring post-growth pathways of collective action and organising. Alex’s research is focusing on value perceptions from a commons perspective and implications for technology and organisational practices. He has extensive experience from research and innovation projects and project management, and has worked as a consultant for private and public organisations. His research interests include digital commons; theory of value; innovation policy; cooperativism; and distributed ledger technologies.",[],"Alex is researcher at the Ragnar Nurkse Department of Innovation and Governance, Tallinn University of Technology and Core Member of P2P Lab. 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With more than 15 years of experience in strategy development, facilitation and community-centred learning, she has worked with grassroots groups and international organisations alike, including serving as Deputy Director for Amnesty International’s Global Strategy Programme. Maro’s research explores how the politics of time, the ethics of care and post-work theories shape possibilities for more just and sustainable futures. She has collaborated with several universities and civil society networks on projects seeking to unpack how social change happens. Her teaching and facilitation emphasise connected knowing, creative reflection and practices of commoning, inviting participants to rethink how we live, work and care together in times of crisis and transformation.",[],"Maro works at the intersection of participatory education, collaborative research and collective action. ",{"alt":75,"asset":12913},{"_id":12875,"height":12876,"orientation":598,"ratio":12877,"url":12878,"width":5430},{"filterYear":12915},[12916],{"_id":579,"title":583},[12918,12919],{"_type":607,"label":12884,"url":12885},{"_type":607,"label":12887,"url":12888},{"locations":12921,"other":75},[12922],{"_id":139,"_type":121,"seo":75,"slug":12923,"title":142},{"_type":77,"current":141},[12925,582],"maro pantazidou",{"_type":77,"current":12927},"Maro Pantazidou",{"endDate":12929,"other":12930,"startDate":12929},"2026-06-02","18:00-19:30 CEST",[],{"alt":75,"asset":12933},{"_id":12875,"height":12876,"orientation":598,"ratio":12877,"url":12878,"width":5430},{"filterCategory":12935,"filterLocation":12938,"filterType":12940},[12936,12937],{"_id":348,"title":351},{"_id":198,"title":201},[12939],{"_id":144,"title":147},[12941],{"_id":110,"title":113},{"locations":12943,"other":12946},[12944],{"_id":144,"_type":121,"seo":75,"slug":12945,"title":147},{"_type":77,"current":146},[12947],{"_key":12948,"_type":11,"children":12949,"markDefs":12957,"style":24},"3c8d144332b4",[12950,12954],{"_key":12951,"_type":15,"marks":12952,"text":1121},"21b00999f5140",[12953],"81aab98d7e90",{"_key":12955,"_type":15,"marks":12956,"text":1125},"21b00999f5141",[],[12958],{"_key":12953,"_type":41,"href":1128},[12960,12986,12997],{"_type":728,"settings":12961,"text":12962},{"textColumnCount":730},[12963,12971,12978],{"_key":12964,"_type":11,"children":12965,"markDefs":12970,"style":24},"0c04c85169d6",[12966],{"_key":12967,"_type":15,"marks":12968,"text":12969},"cbbab5e47cfe0",[],"As part of our Digital Commons series, we are excited to welcome Maro Pantazidou & Alex Pazaitis of P2P Lab for their guest lecture, \"Transforming time(s): The politics of the commons (in) challenging time(s).",[],{"_key":12972,"_type":11,"children":12973,"markDefs":12977,"style":24},"14530ee13dbf",[12974],{"_key":12975,"_type":15,"marks":12976,"text":1150},"4b52328eca17",[],[],{"_key":12979,"_type":11,"children":12980,"markDefs":12985,"style":24},"7f710b73be8f",[12981],{"_key":12982,"_type":15,"marks":12983,"text":12984},"c111722c5ef0",[],"How does the system of production influence the way we perceive time? \n\nIn our everyday lives we think and act upon time in ways that we measure, divide, exchange, debit and credit it. We lose time or gain time; we struggle to ‘invest’ time to our loved ones, our leisure, and rest. \n\nWhile our struggles focus on valuing time as an individual asset, not much different from financial or real estate assets, we remain blind to how much of its “value” we owe to the struggles of others. Time is infinite, affective, and collectively created. \n\nTime, much like our forests, the oceans, the rivers and the air we breathe, is one of those things that we often take for granted. Until we are desperately running out of them. As we are currently running out of time on an unprecedented planetary scale, it is high time we take a closer look at how time is created and reproduced as a social and political creature. \n\nCan the commons provide a transcending perspective that emancipates us from the treadmill of our times?",[],{"_type":728,"settings":12987,"text":12988},{"textColumnCount":730},[12989],{"_key":12990,"_type":11,"children":12991,"markDefs":12996,"style":24},"c876becb4290",[12992],{"_key":12993,"_type":15,"marks":12994,"text":12995},"d5ba93fcfa780",[],"Maro and Alex are friends and collaborators in research and pedagogy. Over the past few years, they have been plotting various schemes to take over the world, perhaps most notably the summer school 'Life After Growth' taking place since 2023 on the Tzoumerka mountains of Greece. They are core members of two action-research collectives P2P Lab and Quokka, which keep them rather meaningfully occupied to fend off their existential despair, while working to advance commons-based alternatives.",[],{"_type":3563,"caption":12998,"embedCode":13007},[12999],{"_key":13000,"_type":11,"children":13001,"markDefs":13006,"style":24},"47b08aca7738",[13002],{"_key":13003,"_type":15,"marks":13004,"text":13005},"708d1be6d976",[],"Guest lecture by p2p lab / Maro Pantazidou & Alex Pazaitis",[],"\u003Ciframe src=\"https://cubecommons.ca/embed/570b7350-ad62-4f06-b0aa-b0c1f0482114\" style=\"width:100%; height:100%;\" allow=\"fullscreen\" frameborder=\"0\">\u003C/iframe>",[13009,146,11331,350,200,112,13010,13011,13012,2166,12894,12925],"digital commons: transforming time(s)","transforming time(s): the politics of the commons (in) challenging time(s)","as part of our digital commons series, we are excited to welcome maro pantazidou & alex pazaitis of p2p lab for their guest lecture, \"transforming time(s): the politics of the commons (in) challenging time(s).\n\n\n\nhow does the system of production influence the way we perceive time? \n\nin our everyday lives we think and act upon time in ways that we measure, divide, exchange, debit and credit it. we lose time or gain time; we struggle to ‘invest’ time to our loved ones, our leisure, and rest. \n\nwhile our struggles focus on valuing time as an individual asset, not much different from financial or real estate assets, we remain blind to how much of its “value” we owe to the struggles of others. time is infinite, affective, and collectively created. \n\ntime, much like our forests, the oceans, the rivers and the air we breathe, is one of those things that we often take for granted. until we are desperately running out of them. as we are currently running out of time on an unprecedented planetary scale, it is high time we take a closer look at how time is created and reproduced as a social and political creature. \n\ncan the commons provide a transcending perspective that emancipates us from the treadmill of our times?","maro and alex are friends and collaborators in research and pedagogy. over the past few years, they have been plotting various schemes to take over the world, perhaps most notably the summer school 'life after growth' taking place since 2023 on the tzoumerka mountains of greece. they are core members of two action-research collectives p2p lab and quokka, which keep them rather meaningfully occupied to fend off their existential despair, while working to advance commons-based alternatives.",{"_type":77,"current":13014},"digital-commons-transforming-times","Transforming time(s): The politics of the commons (in) challenging time(s)","Digital Commons: Transforming time(s)",[13018],{"_id":110,"_type":97,"seo":75,"slug":13019,"title":113},{"_type":77,"current":112},{"_id":13021,"_type":556,"additionalDetails":75,"categories":13022,"credits":13027,"dates":13245,"events":13248,"featuredImage":13249,"filterables":13257,"labs":13264,"locations":13486,"pageBuilder":13506,"parentEvent":75,"searchables":13793,"seo":75,"slug":13800,"summary":13802,"title":13250,"types":13803},"60833ba4-25e8-493b-b8a4-5d97417ad5a3",[13023],{"_id":528,"_type":155,"colorPrimary":13024,"seo":75,"slug":13026,"title":531},{"label":569,"value":13025},"#a500ff",{"_type":77,"current":530},{"other":13028,"profiles":13041},[13029],{"_key":13030,"_type":11,"children":13031,"markDefs":13040,"style":24},"118ce9793d19",[13032,13036],{"_key":13033,"_type":15,"marks":13034,"text":13035},"123ac1eeb5f90",[],"The collective consists of ",{"_key":13037,"_type":15,"marks":13038,"text":13039},"123ac1eeb5f91",[17],"Aysel Akhundova, Ilaha Abasli, Mujgan Abdulzade, and Nazakat Azimli.",[],[13042,13086,13202],{"_id":13043,"_type":576,"activeYears":13044,"bio":13047,"bioShort":13056,"featuredImage":13057,"filterables":13063,"links":13066,"locations":13069,"searchables":13081,"seo":75,"slug":13083,"title":13085},"f8354cbb-c7d0-4608-ba6b-594973d281b4",[13045],{"_id":2115,"_type":580,"seo":75,"slug":13046,"title":2118},{"_type":77,"current":2117},[13048],{"_key":13049,"_type":11,"children":13050,"markDefs":13055,"style":24},"e8c6f907f1a7",[13051],{"_key":13052,"_type":15,"marks":13053,"text":13054},"c631e80807020",[],"She completed her master’s degree in Integrated Design, in Dessau, Germany with the thesis topic exploring patriarchal roots of pictogram design. 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A coastline appears, then a kitchen, then a copybook in a handwriting you almost recognise. The Caspian Sea — recurring, brackish, half-imagined —holds it all together the way salt holds a dish: invisibly, essentially. Nourishing us.",[],{"_key":13574,"_type":11,"children":13575,"markDefs":13583,"style":24},"ae194ff299d4",[13576,13580],{"_key":13577,"_type":15,"marks":13578,"text":13579},"6d94bb9099c90",[1362],"The online show gathers material from Salt Traces sessions, workshops, and the people who joined them, temporarily and tenderly, unfolding as something collective happening sometime ago. Stories submitted by participants, featured in a newsletter, sit alongside the collective's own practices. Neither is the centre. 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","how to follow salt traces without the map...~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~....................~ ~ ~ ~ ~ ~ ~ ~........................................................................................................................................................~ ~ ~ ~ ~ ~ ~ ~..........................\n................................................................~ ~ ~ ~ ~ ~ ~ ~......................~ ~ ~ ~ ~ ~ ~ ~......................~ ~ ~ ~ ~ ~ ~ ~\n\nyou can follow a recipe. you can follow directions. you can follow a map from a to b, arriving precisely where you meant to go, and still having missed everything in between... salt traces doesn't offer you a map. instead, it offers you a unfolding path of stories— extended, living, unhurried, and deliberately unfinished. with a pinch of salt, like it is noted in grandmother's recipe.\n\nthis is meant to be a curatorial text, an announcement of the show. but instead—we keep it to be an open invitation. this online show lives on studio106 as a long scroll (not mindless, but viscerally inviting to be present)— a form that refuses the click, the chapter, the tidy resolution. storylines here arrive in fragments. memories overlap and unfold in visual garments. a coastline appears, then a kitchen, then a copybook in a handwriting you almost recognise. the caspian sea — recurring, brackish, half-imagined —holds it all together the way salt holds a dish: invisibly, essentially. nourishing us.\n\nthe online show gathers material from salt traces sessions, workshops, and the people who joined them, temporarily and tenderly, unfolding as something collective happening sometime ago. stories submitted by participants, featured in a newsletter, sit alongside the collective's own practices. neither is the centre. neither is a footnote.\n\n\n\nwhat's in it really?\n\nmemories of water\n\ninherited recipes (missing pages welcome)\n\nimagined realities\n\ncaspian sea\n\ncommunity\ngathered and dispersed alphabets in transition —forming stories that last\nthings learned from water\nthings learned from land\nthings learned from grandmothers\n\nno final answer\n\nan ongoing unfolding\n\n\nthe show is also, as mentioned, quietly—an invitation. salt traces works in asynchronous ways, but also through participatory formats —workshops, reading sessions, writing circles, where the boundary between audience and author tends to dissolve. if the online show leaves a residue, follow it. find it alive, somewhere on substack. type salt traces.\n\nhow to move through it\n\n— begin anywhere. the path has no correct starting point— let storylines cross without resolving. that's intentional.— if something reminds you of something, that's the work doing its work.— you don't need to finish it. salt traces rarely does — it continues in its workshops, in its letters, in its next session with whoever arrives.\n\n~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ \n\ncollective: salt traces \nplatform: studio106 \nformat: online long-scroll storyline— participatory and unfolding","the collective consists of aysel akhundova, ilaha abasli, mujgan abdulzade, and nazakat azimli.",{"_type":77,"current":13801},"care-fully-following-the-salt-traces","How to follow salt traces without the map...\n\n~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~\n....................~ ~ ~ ~ ~ ~ ~ ~............................................................................\n............................................................................ 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We explore the idea of ephemeral memorials with sonic interventions using living archives.",[],{"_key":16038,"_type":11,"children":16039,"markDefs":16044,"style":24},"868cb29506ea",[16040],{"_key":16041,"_type":15,"marks":16042,"text":16043},"010ca116acc50",[],"The experience allows participants to contribute to an open-source sound environment, proposed as a knowledge garden, where memory is planted, echoed, and continuously reshaped. The project uses an interactive MaxMSP patch with spoken word poetry and sound art elements.",[],{"_key":16046,"_type":11,"children":16047,"markDefs":16052,"style":24},"15d8b0efb225",[16048],{"_key":16049,"_type":15,"marks":16050,"text":16051},"b18b6eca969b0",[],"Participants are invited to add their own recordings, contributing to a living library that continues as a sound installation. The project reimagines this archive as a living, collaborative practice by guiding participants to reflect on their personal and collective memories through their interests and storytelling.",[],{"_type":813,"caption":16054,"image":16063},[16055],{"_key":16056,"_type":11,"children":16057,"markDefs":16062,"style":24},"824b25d1ec1d",[16058],{"_key":16059,"_type":15,"marks":16060,"text":16061},"14e447c3a4cf0",[],"Detail, setting for intervention",[],{"alt":16061,"asset":16064},{"_id":16065,"height":16066,"orientation":637,"ratio":16067,"url":16068,"width":16069},"image-86d97437d0f806f0d26009423db00ec0e906c88a-914x1220-png",1220,0.7491803278688525,"https://cdn.sanity.io/images/eodip22e/production/86d97437d0f806f0d26009423db00ec0e906c88a-914x1220.png",914,{"_type":728,"settings":16071,"text":16072},{"textColumnCount":730},[16073,16081],{"_key":16074,"_type":11,"children":16075,"markDefs":16080,"style":24},"5638734da11b",[16076],{"_key":16077,"_type":15,"marks":16078,"text":16079},"1c11b7f4eb34",[],"Drawing from the work of thinkers such as Achille Mbembe and Chimurenga, the project explores colonial temporalities and knowledge hierarchies by transforming the ephemeral and oral into a shared, audible commons.",[],{"_key":16082,"_type":11,"children":16083,"markDefs":16088,"style":24},"4c481b2b571e",[16084],{"_key":16085,"_type":15,"marks":16086,"text":16087},"2425d397b7a0",[],"The project has been developed and presented as part of Artist and Scientist in residence 2025 programme at the Ligeti Zentrum, a joint project founded by the Hamburg University of Music and Theatre, the Technical University of Hamburg, the Hamburg University of Applied Sciences and the University Medical Center Hamburg-Eppendorf.",[],{"_type":813,"caption":16090,"image":16099},[16091],{"_key":16092,"_type":11,"children":16093,"markDefs":16098,"style":24},"fa0020f21d2c",[16094],{"_key":16095,"_type":15,"marks":16096,"text":16097},"72eba6e5c01b0",[],"public intervention, residency program, Ligetizentrum_foto - Carsten Rabe.jpg.jpg",[],{"alt":16097,"asset":16100},{"_id":16101,"height":16102,"orientation":598,"ratio":16103,"url":16104,"width":16105},"image-e8d517fff1606265216ac8eee14a69afb575b964-1414x936-png",936,1.5106837606837606,"https://cdn.sanity.io/images/eodip22e/production/e8d517fff1606265216ac8eee14a69afb575b964-1414x936.png",1414,{"_type":728,"settings":16107,"text":16108},{"textColumnCount":730},[16109],{"_key":16110,"_type":11,"children":16111,"markDefs":16116,"style":24},"1bb2ee1c66da",[16112],{"_key":16113,"_type":15,"marks":16114,"text":16115},"87635b628de4",[],"At the moment there is ongoing research as part of the 2025 cohort of the prestigious School of Commons programme. An intervention is scheduled for the Reeperbahn festival 2026, Hamburg.",[],{"_type":813,"caption":16118,"image":16127},[16119],{"_key":16120,"_type":11,"children":16121,"markDefs":16126,"style":24},"c63f720b448a",[16122],{"_key":16123,"_type":15,"marks":16124,"text":16125},"3bbe2876223b0",[],"Intervention, Ligetizentrum_foto - Carsten Rabe",[],{"alt":16125,"asset":16128},{"_id":16129,"height":16130,"orientation":637,"ratio":16131,"url":16132,"width":3282},"image-120e4c8a87c616ba70cac1ec335efca2fe05bf06-1126x1688-png",1688,0.6670616113744076,"https://cdn.sanity.io/images/eodip22e/production/120e4c8a87c616ba70cac1ec335efca2fe05bf06-1126x1688.png",[16134,16144,16154],{"_type":3359,"question":16135},[16136],{"_key":16137,"_type":11,"children":16138,"markDefs":16143,"style":24},"f1f6a426b613",[16139],{"_key":16140,"_type":15,"marks":16141,"text":16142},"432001f3a3600",[],"How can the notion of “the archive” be reimagined beyond Western epistemologies to include knowledge systems rooted in oral traditions, ephemeral art, and embodied experience?",[],{"_type":3359,"question":16145},[16146],{"_key":16147,"_type":11,"children":16148,"markDefs":16153,"style":24},"f240f7920079",[16149],{"_key":16150,"_type":15,"marks":16151,"text":16152},"f0564a3af813",[],"How can decolonial frameworks, like those articulated by Mbembe in his reflections on the “postcolony,” inform the development of a multi-modal, collaborative knowledge platform?",[],{"_type":3359,"question":16155},[16156],{"_key":16157,"_type":11,"children":16158,"markDefs":16163,"style":24},"1b93730fbaf0",[16159],{"_key":16160,"_type":15,"marks":16161,"text":16162},"9da96ec74755",[],"What role do public spaces and the digital/physical environment play in reshaping historical narratives through participatory art and collective memory?",[],[16165,1349,16166,16167,16168,16007,141,126,15979,16169,16170,16171,8693,8017,16172],"likon'yor - decolonising knowledge production through the unseen","how can the notion of “the archive” be reimagined beyond western epistemologies to include knowledge systems rooted in oral traditions, ephemeral art, and embodied experience?","how can decolonial frameworks, like those articulated by mbembe in his reflections on the “postcolony,” inform the development of a multi-modal, collaborative knowledge platform?","what role do public spaces and the digital/physical environment play in reshaping historical narratives through participatory art and collective memory?","a sonic intervention based on decolonial theory, and african-centered & indigenous epistemologies. we explore the idea of ephemeral memorials with sonic interventions using living archives.\n\nthe experience allows participants to contribute to an open-source sound environment, proposed as a knowledge garden, where memory is planted, echoed, and continuously reshaped. the project uses an interactive maxmsp patch with spoken word poetry and sound art elements.\n\nparticipants are invited to add their own recordings, contributing to a living library that continues as a sound installation. the project reimagines this archive as a living, collaborative practice by guiding participants to reflect on their personal and collective memories through their interests and storytelling.","drawing from the work of thinkers such as achille mbembe and chimurenga, the project explores colonial temporalities and knowledge hierarchies by transforming the ephemeral and oral into a shared, audible commons.\n\nthe project has been developed and presented as part of artist and scientist in residence 2025 programme at the ligeti zentrum, a joint project founded by the hamburg university of music and theatre, the technical university of hamburg, the hamburg university of applied sciences and the university medical center hamburg-eppendorf.","at the moment there is ongoing research as part of the 2025 cohort of the prestigious school of commons programme. an intervention is scheduled for the reeperbahn festival 2026, hamburg.","oral historicity",{"_type":77,"current":16174},"likon-yor-decolonising-knowledge-production-through-the-unseen","Likon'yor - decolonising knowledge production through the unseen",{"_id":16177,"_type":107,"categories":16178,"credits":16186,"featuredImage":16260,"filterables":16265,"footnotes":16272,"locations":16273,"logbook":75,"pageBuilder":16277,"researchQuestion":75,"researchQuestions":16357,"searchables":16368,"seo":75,"slug":16374,"title":16369,"year":1350},"aa9e1ab4-154a-4d06-8d73-97d96eaa509f",[16179],{"_id":16180,"_type":155,"colorPrimary":16181,"seo":75,"slug":16183,"title":16185},"dd30adec-cc1e-4fbf-b276-81cd439a07ca",{"label":569,"value":16182},"#00b900",{"_type":77,"current":16184},"family","\"Family\"",{"other":75,"profiles":16187},[16188],{"_id":16189,"_type":576,"activeYears":16190,"bio":16193,"bioShort":16200,"featuredImage":16233,"filterables":16240,"links":75,"locations":16243,"searchables":16256,"seo":75,"slug":16258,"title":16257},"176ac6d1-f92d-465f-8f31-fb00af7edf06",[16191],{"_id":1347,"_type":580,"seo":75,"slug":16192,"title":1350},{"_type":77,"current":1349},[16194,16202,16210,16218,16225],{"_key":16195,"_type":11,"children":16196,"markDefs":16201,"style":24},"b8f8d48f25c5",[16197],{"_key":16198,"_type":15,"marks":16199,"text":16200},"27cb066ab5a0",[],"Research-based theatre and multi-media arts.",[],{"_key":16203,"_type":11,"children":16204,"markDefs":16209,"style":24},"88e857a2c2d0",[16205],{"_key":16206,"_type":15,"marks":16207,"text":16208},"7120e1a9b9ce",[],"In their work caro looks at social and political conditions under which we live, work, practice, act and become to be “someone”. They are interested in how things are being normalized as part of *Western civilization history* or *global capitalism* or *German democratic history*, looking at how forms of violence materialize and are represented in architectures and aesthetics of the city as well as in institutions and structures of the nation state through which they forms our bodies and minds.",[],{"_key":16211,"_type":11,"children":16212,"markDefs":16217,"style":24},"f9412ed31eae",[16213],{"_key":16214,"_type":15,"marks":16215,"text":16216},"b55d3e72c426",[],"In their research-based work, processes of scrutinization, experimenting, reflecting and embodying happen simultaneously and find into multimedia-based spacial arrangements involving both, bodies of performers and audience. They have realized theatre plays/performances as well as site-specific installations including sound, video and text.",[],{"_key":16219,"_type":11,"children":16220,"markDefs":16224,"style":24},"d5d947078a88",[16221],{"_key":16222,"_type":15,"marks":16223,"text":1150},"1228450a282e",[],[],{"_key":16226,"_type":11,"children":16227,"markDefs":16232,"style":24},"c3dd07679f3f",[16228],{"_key":16229,"_type":15,"marks":16230,"text":16231},"8f23375c5f1f",[],"Currently researching on family as an institution and a practice, caro looks at their own family background and heritage scrutinizing how silences within politics of remembrance foundational to the German national state cohere with the ones within their own family constellation.",[],{"alt":75,"asset":16234},{"_id":16235,"height":16236,"orientation":598,"ratio":16237,"url":16238,"width":16239},"image-c5ed562865733110c68d23f6bebedc49d273e290-804x604-png",604,1.3311258278145695,"https://cdn.sanity.io/images/eodip22e/production/c5ed562865733110c68d23f6bebedc49d273e290-804x604.png",804,{"filterYear":16241},[16242],{"_id":1347,"title":1350},{"locations":16244,"other":16247},[16245],{"_id":139,"_type":121,"seo":75,"slug":16246,"title":142},{"_type":77,"current":141},[16248],{"_key":16249,"_type":11,"children":16250,"markDefs":16255,"style":24},"0b3590c17dbd",[16251],{"_key":16252,"_type":15,"marks":16253,"text":16254},"d93b44b9e2740",[],"berlin, cologne",[],[16257,1349],"caro bodensteiner",{"_type":77,"current":16259},"caro-bodensteiner",{"alt":16261,"asset":16262},"by caro bodensteiner",{"_id":16263,"height":3703,"orientation":598,"ratio":599,"url":16264,"width":704},"image-0edacdc07b08c44417ce04e35b57ea4129f6a6bf-2000x1500-jpg","https://cdn.sanity.io/images/eodip22e/production/0edacdc07b08c44417ce04e35b57ea4129f6a6bf-2000x1500.jpg",{"filterCategory":16266,"filterLocation":16268,"filterYear":16270},[16267],{"_id":16180,"title":16185},[16269],{"_id":139,"title":142},[16271],{"_id":1347,"title":1350},[],{"locations":16274,"other":75},[16275],{"_id":139,"_type":121,"seo":75,"slug":16276,"title":142},{"_type":77,"current":141},[16278,16291,16318,16345],{"_type":728,"settings":16279,"text":16280},{"textColumnCount":730},[16281],{"_key":16282,"_type":11,"children":16283,"markDefs":16290,"style":24},"7b316250d088",[16284,16288],{"_key":16285,"_type":15,"marks":16286,"text":16287},"8275d807b78a0",[1362],"'reformulating responsibility as collective effort and form of care within family structures and beyond as social practice that doesn’t maintain status quo again and again but cares for continuous and sustainable (re)production of sociality and solidarity'",{"_key":16285,"_type":15,"marks":16289,"text":1150},[],[],{"_type":728,"settings":16292,"text":16293},{"textColumnCount":730},[16294,16310],{"_key":16295,"_type":11,"children":16296,"markDefs":16309,"style":24},"a626d3a44229",[16297,16301,16305],{"_key":16298,"_type":15,"marks":16299,"text":16300},"4878660463ed0",[],"Is located around family as fundamental relation most of us share in context-specific and individual forms. Going beyond idealized notions of *perfect families* and the idea of one generative family – often a patriarchal and heteronormative institution, built to reproduce and maintain the status quo – leaving the atomic family of “western” contexts behind, individualized in privatized isolation, ",{"_key":16302,"_type":15,"marks":16303,"text":16304},"4878660463ed1",[1362],"Practicing family",{"_key":16306,"_type":15,"marks":16307,"text":16308},"4878660463ed2",[]," wants to understand family as first place where we learn about the world and thus a collection of knowledges coming from histories, individual and collective experiences, cultural practices ... how can this knowledge become a more conscious part of living life in the present? How can it become something else than avoiding problematic parts of one’s history leading to passiveness, called “neutrality”? But activating for mutual accountability, a practice, conscious about historical heritage?",[],{"_key":16311,"_type":11,"children":16312,"markDefs":16317,"style":24},"4c468739fed9",[16313],{"_key":16314,"_type":15,"marks":16315,"text":16316},"c112e7990fa10",[],"The project wants to look at family practice as transformative, ongoing process, as a counter practice against the nation state, through which logics of whiteness as lifestyle in which the ones who produce tons of waste are not the ones to take care of that waste (and that work is being outsourced along the separation lines of race, class and gender), are being legitimized and naturalized.",[],{"_type":728,"settings":16319,"text":16320},{"textColumnCount":730},[16321,16329,16337],{"_key":16322,"_type":11,"children":16323,"markDefs":16328,"style":24},"191b1b3076b3",[16324],{"_key":16325,"_type":15,"marks":16326,"text":16327},"d44ca6e88299",[17],"What is family?",[],{"_key":16330,"_type":11,"children":16331,"markDefs":16336,"style":24},"9fb4ca3cff27",[16332],{"_key":16333,"_type":15,"marks":16334,"text":16335},"032ccbe863de",[1362],"(incomplete list)",[],{"_key":16338,"_type":11,"children":16339,"markDefs":16344,"style":24},"72a2d2ba1c90",[16340],{"_key":16341,"_type":15,"marks":16342,"text":16343},"601751c268f2",[],"A group of people\nA social norm\nBlood\nChosen\nBelonging, love, care, safety, unconditionality, …\nAvoidance, pain, trauma, guilt, violence, …\nTo be continued, promising a permanence\nA (legal) institution reproducing the status quo – patriarchal, heteronormative, atomic individualized, isolated in private households, “non-political”\nCommunity, collectivity,\nThere is no generative family\nTo be abolished?\nKnowledge, practice, basic relationship amongst individuals or people or\nbodies, social relation\nA counter practice against the nation-state_ an ongoing transformative process\nA space for each other, held by each other\nOpenness, honesty, solidarity\nKinship, sharing, critique, growing, questioning, exploring",[],{"_type":813,"caption":16346,"image":16355},[16347],{"_key":16348,"_type":11,"children":16349,"markDefs":16354,"style":24},"b0193360622e",[16350],{"_key":16351,"_type":15,"marks":16352,"text":16353},"5ed135654e4f",[],"'family portrait' by caro bodensteiner (SoC Gathering, Zurich 2025)",[],{"alt":75,"asset":16356},{"_id":16263,"height":3703,"orientation":598,"ratio":599,"url":16264,"width":704},[16358],{"_type":3359,"question":16359},[16360],{"_key":16361,"_type":11,"children":16362,"markDefs":16367,"style":24},"e4bf7abde9d7",[16363],{"_key":16364,"_type":15,"marks":16365,"text":16366},"a0f6591483520",[],"How can it become something other than the avoidance of problematic parts of one’s history—an avoidance that leads to passivity, often called ‘neutrality’? How can it instead be activated as a practice of mutual accountability, one that remains conscious of historical heritage?",[],[16369,1349,16370,141,16257,16287,16371,16372,16373],"practicing family","how can it become something other than the avoidance of problematic parts of one’s history—an avoidance that leads to passivity, often called ‘neutrality’? how can it instead be activated as a practice of mutual accountability, one that remains conscious of historical heritage?","is located around family as fundamental relation most of us share in context-specific and individual forms. going beyond idealized notions of *perfect families* and the idea of one generative family – often a patriarchal and heteronormative institution, built to reproduce and maintain the status quo – leaving the atomic family of “western” contexts behind, individualized in privatized isolation, practicing family wants to understand family as first place where we learn about the world and thus a collection of knowledges coming from histories, individual and collective experiences, cultural practices ... how can this knowledge become a more conscious part of living life in the present? how can it become something else than avoiding problematic parts of one’s history leading to passiveness, called “neutrality”? but activating for mutual accountability, a practice, conscious about historical heritage?\n\nthe project wants to look at family practice as transformative, ongoing process, as a counter practice against the nation state, through which logics of whiteness as lifestyle in which the ones who produce tons of waste are not the ones to take care of that waste (and that work is being outsourced along the separation lines of race, class and gender), are being legitimized and naturalized.","what is family?\n\n(incomplete list)\n\na group of people\na social norm\nblood\nchosen\nbelonging, love, care, safety, unconditionality, …\navoidance, pain, trauma, guilt, violence, …\nto be continued, promising a permanence\na (legal) institution reproducing the status quo – patriarchal, heteronormative, atomic individualized, isolated in private households, “non-political”\ncommunity, collectivity,\nthere is no generative family\nto be abolished?\nknowledge, practice, basic relationship amongst individuals or people or\nbodies, social relation\na counter practice against the nation-state_ an ongoing transformative process\na space for each other, held by each other\nopenness, honesty, solidarity\nkinship, sharing, critique, growing, questioning, exploring","\"family\"",{"_type":77,"current":16375},"practicing-family",{"_id":16377,"_type":107,"categories":16378,"credits":16386,"featuredImage":75,"filterables":16437,"footnotes":16442,"locations":75,"logbook":75,"pageBuilder":16443,"researchQuestion":75,"researchQuestions":16775,"searchables":16836,"seo":75,"slug":16847,"title":16457,"year":1350},"b21680a7-ee51-4c54-b59b-5d7310f34284",[16379],{"_id":16380,"_type":155,"colorPrimary":16381,"seo":75,"slug":16383,"title":16385},"eda6d35e-98aa-4faa-971b-fa97773891aa",{"label":569,"value":16382},"#a0ffa0",{"_type":77,"current":16384},"sedimentation","Sedimentation",{"other":75,"profiles":16387},[16388],{"_id":16389,"_type":576,"activeYears":16390,"bio":16393,"bioShort":16410,"featuredImage":75,"filterables":16411,"links":16414,"locations":16419,"searchables":16432,"seo":75,"slug":16434,"title":16436},"723390f4-8117-4db0-9616-9d44bfcb7b2e",[16391],{"_id":1347,"_type":580,"seo":75,"slug":16392,"title":1350},{"_type":77,"current":1349},[16394,16402],{"_key":16395,"_type":11,"children":16396,"markDefs":16401,"style":24},"a26edd99e234",[16397],{"_key":16398,"_type":15,"marks":16399,"text":16400},"9bd9993c076a0",[],"Nora reacts to specific social situations through object-design processes, creating object-encompassing constellations that invite exploration of social interactions which may initially feel familiar. In doing so, Nora is interested in making aspects of social interaction that tend to remain implicit momentarily explicit, opening them up for collective discussion and negotiation. ",[],{"_key":16403,"_type":11,"children":16404,"markDefs":16409,"style":24},"fc088cd3b096",[16405],{"_key":16406,"_type":15,"marks":16407,"text":16408},"7e99392dcbea",[],"Nora is a founding member of the music performance collective [sic]nals, which creates performances within installative settings and through the examination of early and newly composed music. She is currently pursuing a Master’s degree in Transdisciplinary Studies at the Zurich University of the Arts.",[],"Nora reacts to specific social situations through object-design processes that invite exploration of social interactions which may initially feel familiar. ",{"filterYear":16412},[16413],{"_id":1347,"title":1350},[16415,16417],{"_type":607,"label":2160,"url":16416},"https://www.instagram.com/nora_sobbe/",{"_type":607,"label":608,"url":16418},"https://norasobbe.com",{"locations":16420,"other":16423},[16421],{"_id":139,"_type":121,"seo":75,"slug":16422,"title":142},{"_type":77,"current":141},[16424],{"_key":16425,"_type":11,"children":16426,"markDefs":16431,"style":24},"8dc556d02dc3",[16427],{"_key":16428,"_type":15,"marks":16429,"text":16430},"49b1a2cb0fc7",[],"based in Zurich ",[],[16433,1349],"nora sobbe",{"_type":77,"current":16435},"nora-sobbe","Nora Sobbe",{"filterCategory":16438,"filterLocation":75,"filterYear":16440},[16439],{"_id":16380,"title":16385},[16441],{"_id":1347,"title":1350},[],[16444,16495,16525,16544,16753],{"_type":728,"settings":16445,"text":16446},{"textColumnCount":730},[16447,16463,16471,16479,16487],{"_key":16448,"_type":11,"children":16449,"markDefs":16462,"style":24},"19fcbfb2ea9b",[16450,16454,16458],{"_key":16451,"_type":15,"marks":16452,"text":16453},"a9d570308d2c0",[],"The project ",{"_key":16455,"_type":15,"marks":16456,"text":16457},"a9d570308d2c1",[1362],"Mentoring as Practice",{"_key":16459,"_type":15,"marks":16460,"text":16461},"a9d570308d2c6",[]," introduces a note-spitting machine (a machine, which spits out small pieces of paper with short text inputs) to people currently engaged as mentees or mentors, as well as to those interested in starting a mentoring relationship. Mentoring is a vessel for learning/teaching, often part of everyday study life at art universities. Students are accompanied by a mentor in developing their projects, with the mentor responding to the topics or projects the mentee brings to each session. The exact way of working is usually left to the individuals involved, making mentoring a format that raises the question of how and in what constellations we want to learn together.",[],{"_key":16464,"_type":11,"children":16465,"markDefs":16470,"style":24},"483fa3db7f64",[16466],{"_key":16467,"_type":15,"marks":16468,"text":16469},"43a0f3fb80920",[],"As a mentee, I often was not fully aware that, with each mentoring session, I was actually involved in shaping how mentoring could unfold; instead, I found myself questioning certain interactions in terms of how well they aligned with my preconceived notions of what mentoring is meant to be. I realized that unspoken and undiscussed assumptions about the mentee/mentor relationship may limit how we experiment with different ways of learning as mentees/mentors.",[],{"_key":16472,"_type":11,"children":16473,"markDefs":16478,"style":24},"237288f1de14",[16474],{"_key":16475,"_type":15,"marks":16476,"text":16477},"9019e4f872170",[],"This finding motivated the development of a note-spitting machine that initiates an exchange between various mentee/mentor constellations by circulating statements, questions, gestures, and methods. The machine accompanies mentoring sessions, spitting out notes randomly toward mentee or mentor and prompting both to reflect on and discuss their preconceptions of mentoring. A feeding station invites mentee and mentor to feed the mechanism with findings from their own exchange, which will inform upcoming mentoring sessions.",[],{"_key":16480,"_type":11,"children":16481,"markDefs":16486,"style":24},"37449a9f2ae5",[16482],{"_key":16483,"_type":15,"marks":16484,"text":16485},"98e819b0a8d40",[1362],"The project questions whether a structuralization of mentoring sessions might help to hold the openness of mentoring as a learning format and invite mentees and mentors to shape/enact mentoring as a practice.\n",[],{"_key":16488,"_type":11,"children":16489,"markDefs":16494,"style":24},"5c955ef1f380",[16490],{"_key":16491,"_type":15,"marks":16492,"text":16493},"e7f075fa67a00",[1362],"Kann eine punktuelle Formalisierung von Mentoring-Sessions Gestaltungsspielraum öffnen?",[],{"_type":813,"caption":16496,"image":16520},[16497,16505,16513],{"_key":16498,"_type":11,"children":16499,"markDefs":16504,"style":24},"54f40067d422",[16500],{"_key":16501,"_type":15,"marks":16502,"text":16503},"f19fe9e08f07",[],"note-spitting mechanism ",[],{"_key":16506,"_type":11,"children":16507,"markDefs":16512,"style":24},"6ae9f13990af",[16508],{"_key":16509,"_type":15,"marks":16510,"text":16511},"f978dcab1488",[],"concept object: Nora Sobbe\nrealization object: Johannes Reck, Marcel Rickli\nphoto: ©Marcel Rickli",[],{"_key":16514,"_type":11,"children":16515,"markDefs":16519,"style":24},"d1db48abf8a7",[16516],{"_key":16517,"_type":15,"marks":16518,"text":1150},"df02a4d0ea3f",[],[],{"alt":75,"asset":16521},{"_id":16522,"height":16523,"orientation":598,"ratio":599,"url":16524,"width":11124},"image-4a3d6a0debfddd7dcf8e9ee3c8ba28bf31b27a48-2500x1875-jpg",1875,"https://cdn.sanity.io/images/eodip22e/production/4a3d6a0debfddd7dcf8e9ee3c8ba28bf31b27a48-2500x1875.jpg",{"_type":728,"settings":16526,"text":16527},{"textColumnCount":730},[16528,16536],{"_key":16529,"_type":11,"children":16530,"markDefs":16535,"style":24},"06d0c04bf13a",[16531],{"_key":16532,"_type":15,"marks":16533,"text":16534},"5f277cdfe1fb0",[],"HOW THE NOTE-SPITTING-MACHINE WORKS: ",[],{"_key":16537,"_type":11,"children":16538,"markDefs":16543,"style":24},"9cebc4587382",[16539],{"_key":16540,"_type":15,"marks":16541,"text":16542},"9e86eeb07997",[],"The object is positioned during mentoring sessions between mentee (A) and mentor (B) and spits out notes at defined time intervals (within a random range) in the direction of A/B. The notes contain utterances/questions/gestures/methods. A or B is invited to read the note aloud to their counterpart in several ways: as an offer for interaction; by distancing themselves from it and thereby updating the mentoring setting as it exists; modifying it in contrast to the slip of paper; and so on. A feeding station is crucial for the setting, where the pool of statements and questions from which the object randomly selects is generated. Mentees and mentors are invited to type on a keyboard utterances/questions they would have liked to say/ask in a mentoring session to note actions waiting to be realized within a mentoring session (“I actually wish I had recorded the conversation.”) or to note actions/gestures that could become a method (“I brought strawberries from my neighbor’s garden, just take some!”). The notes are digitally saved and can be assigned to either A or B, or they are saved under the category “A/B”: here the object randomly decides whether the statement/question will be spat in the direction of A or B during upcoming mentoring sessions. The note-spitting machine draws on the digital storage that is generated by mentees and mentors at the feeding station.",[],{"_type":728,"settings":16545,"text":16546},{"textColumnCount":730},[16547,16555,16570,16578,16586,16594,16601,16609,16617,16625,16633,16641,16649,16657,16665,16673,16681,16689,16697,16705,16713,16721,16729,16745],{"_key":16548,"_type":11,"children":16549,"markDefs":16554,"style":24},"c0d712080dad",[16550],{"_key":16551,"_type":15,"marks":16552,"text":16553},"ac698c7cc70f0",[],"WORKSHOP WITH THE PEERS OF THE 25/26 SCHOOL OF COMMONS COHORT: ",[],{"_key":16556,"_type":11,"children":16557,"markDefs":16569,"style":24},"05fa31814427",[16558,16562,16565],{"_key":16559,"_type":15,"marks":16560,"text":16561},"cd1d51e23f20",[],"During the ",{"_key":16563,"_type":15,"marks":16564,"text":18},"ac698c7cc70f1",[1362],{"_key":16566,"_type":15,"marks":16567,"text":16568},"ac698c7cc70f6",[]," Gathering from July 4–6, I collected slips of paper with the peersof the 25/26 cohort for the note-spitting-machine. It was one of the first opportunities to generate notes for the spitting mechanism. In a roughly 50-minute workshop, we simulated mentoring sessions in which the note-spitting object was involved in an adapted form.",[],{"_key":16571,"_type":11,"children":16572,"markDefs":16577,"style":24},"0f8825e1edce",[16573],{"_key":16574,"_type":15,"marks":16575,"text":16576},"036d28e1535d0",[],"I asked the workshop participants to form groups of three. Each group member briefly introduced a topic or project they were currently working on and would like to explore further through discussion. In the next step, each group selected one of these topics or projects. The person who had proposed the chosen topic became the mentee, while the other two negotiated who would take on the role of note-taker during the conversation and who would act as the mentor. For approximately 30 minutes, participants were then invited to discuss the mentee’s topic, or, in the case of the note-taker, to document the conversation. The mentee could express in advance any preferences regarding what the notes should focus on.",[],{"_key":16579,"_type":11,"children":16580,"markDefs":16585,"style":24},"5be1fb2abdd7",[16581],{"_key":16582,"_type":15,"marks":16583,"text":16584},"27e978170e490",[],"To involve the note-spitting-machine in this setting with several mentoring sessions of three-person groups, it was necessary to adapt the way the object functioned, since it existed and currently exists only in a single version and cannot participate in multiple mentoring sessions simultaneously. I therefore positioned myself next to the spit mechanism, and every time the mechanism would have stuck out its tongue and spat out a slip, I projected a note labeled “Mentee:” / “Mentor.” Additionally, a small auditory signal was needed to draw the mentee’s and mentor’s attention to the “spat-out” slip. The mentee and mentor could then decide whether to integrate the statement/question/method/gesture written on the slip into their conversation or to distance themselves from it.",[],{"_key":16587,"_type":11,"children":16588,"markDefs":16593,"style":24},"0fd61bb2b221",[16589],{"_key":16590,"_type":15,"marks":16591,"text":16592},"a853b6835fee0",[],"At the end of the workshop, the groups were asked to use the final ten minutes to write down statements, questions, methods, or gestures that could inform future mentoring sessions:",[],{"_key":16595,"_type":11,"children":16596,"markDefs":16600,"style":24},"ee5c1427a5d5",[16597],{"_key":16598,"_type":15,"marks":16599,"text":1150},"c794d371b177",[],[],{"_key":16602,"_type":11,"children":16603,"markDefs":16608,"style":24},"17b238ab7bd3",[16604],{"_key":16605,"_type":15,"marks":16606,"text":16607},"50a7d9eea2c60",[],"Mentor: How does it show up/display in your context/culture?",[],{"_key":16610,"_type":11,"children":16611,"markDefs":16616,"style":24},"9bea667006e0",[16612],{"_key":16613,"_type":15,"marks":16614,"text":16615},"a6cd9173c7670",[],"Mentee/Mentor: Why is it not possible?",[],{"_key":16618,"_type":11,"children":16619,"markDefs":16624,"style":24},"76decda34a6a",[16620],{"_key":16621,"_type":15,"marks":16622,"text":16623},"0b1cdaad48510",[],"Mentee: How to work collectively? How to equally share responsibility in collective work?",[],{"_key":16626,"_type":11,"children":16627,"markDefs":16632,"style":24},"5b1770737109",[16628],{"_key":16629,"_type":15,"marks":16630,"text":16631},"60aca93a85f10",[],"Mentor: What are the challenges the Mentee faces from their own experience? Situated Knowledge",[],{"_key":16634,"_type":11,"children":16635,"markDefs":16640,"style":24},"8657e47a769d",[16636],{"_key":16637,"_type":15,"marks":16638,"text":16639},"05ca8819dfe80",[],"Mentor: Is a leader important? Is it leading or is it care work?",[],{"_key":16642,"_type":11,"children":16643,"markDefs":16648,"style":24},"b3f2ce64d545",[16644],{"_key":16645,"_type":15,"marks":16646,"text":16647},"03559e97b3f50",[],"Mentor: How did you first come up with the idea?",[],{"_key":16650,"_type":11,"children":16651,"markDefs":16656,"style":24},"8329eb9ac3dd",[16652],{"_key":16653,"_type":15,"marks":16654,"text":16655},"84911603e22a0",[],"Mentee: What made you ask this question?",[],{"_key":16658,"_type":11,"children":16659,"markDefs":16664,"style":24},"01a8a1148f7f",[16660],{"_key":16661,"_type":15,"marks":16662,"text":16663},"97cb9629dd9c0",[],"Mentor: Was what I just said helpful?",[],{"_key":16666,"_type":11,"children":16667,"markDefs":16672,"style":24},"f3db7719c5bd",[16668],{"_key":16669,"_type":15,"marks":16670,"text":16671},"c1b1745fd8170",[],"Mentor: Turn back to yourself!",[],{"_key":16674,"_type":11,"children":16675,"markDefs":16680,"style":24},"c9e46641e781",[16676],{"_key":16677,"_type":15,"marks":16678,"text":16679},"9006ed1b7c340",[],"Mentor: Let’s bring ChatGPT into conversation.",[],{"_key":16682,"_type":11,"children":16683,"markDefs":16688,"style":24},"cf7eb5833dfa",[16684],{"_key":16685,"_type":15,"marks":16686,"text":16687},"a56a8064c1db0",[],"Mentee: You could form a silly research/mutual aid group.",[],{"_key":16690,"_type":11,"children":16691,"markDefs":16696,"style":24},"4ae92f5648e3",[16692],{"_key":16693,"_type":15,"marks":16694,"text":16695},"80e9fb5110520",[],"Mentee/Mentor: How do you practice what you teach?",[],{"_key":16698,"_type":11,"children":16699,"markDefs":16704,"style":24},"5b9cc2c2c66c",[16700],{"_key":16701,"_type":15,"marks":16702,"text":16703},"669ae847e33b0",[],"Mentor: How can we be more silly + playful together?",[],{"_key":16706,"_type":11,"children":16707,"markDefs":16712,"style":24},"ea84a3e1cca5",[16708],{"_key":16709,"_type":15,"marks":16710,"text":16711},"b599614e68f60",[],"Mentee/Mentor: Both share personal experiences about the subject!",[],{"_key":16714,"_type":11,"children":16715,"markDefs":16720,"style":24},"77f0cb909376",[16716],{"_key":16717,"_type":15,"marks":16718,"text":16719},"3f3aeaec358d0",[],"Mentee/Mentor: Can you think about a starting point/initial state or instructions to start the book/practice?",[],{"_key":16722,"_type":11,"children":16723,"markDefs":16728,"style":24},"6d9c28c90c03",[16724],{"_key":16725,"_type":15,"marks":16726,"text":16727},"e9857d515d030",[],"Mentee/Mentor: When is it a good moment to receive feedback?",[],{"_key":16730,"_type":11,"children":16731,"markDefs":16744,"style":24},"839fb01664f9",[16732,16736,16740],{"_key":16733,"_type":15,"marks":16734,"text":16735},"37ed0a597fe50",[],"Mentee/Mentor: To use ",{"_key":16737,"_type":15,"marks":16738,"text":16739},"37ed0a597fe51",[1362],"DAS Theatre",{"_key":16741,"_type":15,"marks":16742,"text":16743},"37ed0a597fe54",[]," methods when a Mentor (What kind of feedback would you like).",[],{"_key":16746,"_type":11,"children":16747,"markDefs":16752,"style":24},"3f211f336037",[16748],{"_key":16749,"_type":15,"marks":16750,"text":16751},"a464dd958db30",[],"Mentor: What is another project/interest you have (for more perspective)?",[],{"_type":813,"caption":16754,"image":16770},[16755,16763],{"_key":16756,"_type":11,"children":16757,"markDefs":16762,"style":24},"23432acf2f2e",[16758],{"_key":16759,"_type":15,"marks":16760,"text":16761},"de2164e212f00",[],"notes collected within the SoC Cohort 2025/2026",[],{"_key":16764,"_type":11,"children":16765,"markDefs":16769,"style":24},"285f6ec63d8c",[16766],{"_key":16767,"_type":15,"marks":16768,"text":2495},"7dc17c2220de0",[],[],{"alt":75,"asset":16771},{"_id":16772,"height":12754,"orientation":598,"ratio":3701,"url":16773,"width":16774},"image-081b89d08f766d02aa6358c8a26fea71523d9a13-2280x1520-jpg","https://cdn.sanity.io/images/eodip22e/production/081b89d08f766d02aa6358c8a26fea71523d9a13-2280x1520.jpg",2280,[16776,16786,16796,16806,16816,16826],{"_type":3359,"question":16777},[16778],{"_key":16779,"_type":11,"children":16780,"markDefs":16785,"style":24},"77227da3d17b",[16781],{"_key":16782,"_type":15,"marks":16783,"text":16784},"c047776ba6210",[],"What resources are needed in order to enter into mentoring relationships?",[],{"_type":3359,"question":16787},[16788],{"_key":16789,"_type":11,"children":16790,"markDefs":16795,"style":24},"2ff6b23deb9e",[16791],{"_key":16792,"_type":15,"marks":16793,"text":16794},"48c66898e6ab",[],"How are mentoring relationships initiated?",[],{"_type":3359,"question":16797},[16798],{"_key":16799,"_type":11,"children":16800,"markDefs":16805,"style":24},"b70a89784986",[16801],{"_key":16802,"_type":15,"marks":16803,"text":16804},"b677e57b4567",[],"What role do differences in experience play in this form of relationship – or can they be understood as peer-to-peer encounters?",[],{"_type":3359,"question":16807},[16808],{"_key":16809,"_type":11,"children":16810,"markDefs":16815,"style":24},"dc4e5ace61e7",[16811],{"_key":16812,"_type":15,"marks":16813,"text":16814},"0ac40de0911e",[],"How does group mentoring differ from one-on-one mentoring situations?",[],{"_type":3359,"question":16817},[16818],{"_key":16819,"_type":11,"children":16820,"markDefs":16825,"style":24},"b4630a3b601f",[16821],{"_key":16822,"_type":15,"marks":16823,"text":16824},"d69a0b4864db",[],"How do mentoring relationships relate to other social forms such as friendship, partnership, or (chosen) family? Could mentoring perhaps be understood as a conversational mode that friendships, partnerships, and other relationships may temporarily adopt? Or does mentoring extend beyond the moment of speaking?",[],{"_type":3359,"question":16827},[16828],{"_key":16829,"_type":11,"children":16830,"markDefs":16835,"style":24},"6e748c2e93c3",[16831],{"_key":16832,"_type":15,"marks":16833,"text":16834},"737a58f0a3f1",[],"Do mentoring relationships serve a broader purpose that exceeds the one-on-one encounter?",[],[16837,1349,16838,16839,16840,16841,16842,16843,16433,16844,16845,16846,16384],"mentoring as practice","what resources are needed in order to enter into mentoring relationships?","how are mentoring relationships initiated?","what role do differences in experience play in this form of relationship – or can they be understood as peer-to-peer encounters?","how does group mentoring differ from one-on-one mentoring situations?","how do mentoring relationships relate to other social forms such as friendship, partnership, or (chosen) family? could mentoring perhaps be understood as a conversational mode that friendships, partnerships, and other relationships may temporarily adopt? or does mentoring extend beyond the moment of speaking?","do mentoring relationships serve a broader purpose that exceeds the one-on-one encounter?","the project mentoring as practice introduces a note-spitting machine (a machine, which spits out small pieces of paper with short text inputs) to people currently engaged as mentees or mentors, as well as to those interested in starting a mentoring relationship. mentoring is a vessel for learning/teaching, often part of everyday study life at art universities. students are accompanied by a mentor in developing their projects, with the mentor responding to the topics or projects the mentee brings to each session. the exact way of working is usually left to the individuals involved, making mentoring a format that raises the question of how and in what constellations we want to learn together.\n\nas a mentee, i often was not fully aware that, with each mentoring session, i was actually involved in shaping how mentoring could unfold; instead, i found myself questioning certain interactions in terms of how well they aligned with my preconceived notions of what mentoring is meant to be. i realized that unspoken and undiscussed assumptions about the mentee/mentor relationship may limit how we experiment with different ways of learning as mentees/mentors.\n\nthis finding motivated the development of a note-spitting machine that initiates an exchange between various mentee/mentor constellations by circulating statements, questions, gestures, and methods. the machine accompanies mentoring sessions, spitting out notes randomly toward mentee or mentor and prompting both to reflect on and discuss their preconceptions of mentoring. a feeding station invites mentee and mentor to feed the mechanism with findings from their own exchange, which will inform upcoming mentoring sessions.\n\nthe project questions whether a structuralization of mentoring sessions might help to hold the openness of mentoring as a learning format and invite mentees and mentors to shape/enact mentoring as a practice.\n\n\nkann eine punktuelle formalisierung von mentoring-sessions gestaltungsspielraum öffnen?","how the note-spitting-machine works: \n\nthe object is positioned during mentoring sessions between mentee (a) and mentor (b) and spits out notes at defined time intervals (within a random range) in the direction of a/b. the notes contain utterances/questions/gestures/methods. a or b is invited to read the note aloud to their counterpart in several ways: as an offer for interaction; by distancing themselves from it and thereby updating the mentoring setting as it exists; modifying it in contrast to the slip of paper; and so on. a feeding station is crucial for the setting, where the pool of statements and questions from which the object randomly selects is generated. mentees and mentors are invited to type on a keyboard utterances/questions they would have liked to say/ask in a mentoring session to note actions waiting to be realized within a mentoring session (“i actually wish i had recorded the conversation.”) or to note actions/gestures that could become a method (“i brought strawberries from my neighbor’s garden, just take some!”). the notes are digitally saved and can be assigned to either a or b, or they are saved under the category “a/b”: here the object randomly decides whether the statement/question will be spat in the direction of a or b during upcoming mentoring sessions. the note-spitting machine draws on the digital storage that is generated by mentees and mentors at the feeding station.","workshop with the peers of the 25/26 school of commons cohort: \n\nduring the school of commons gathering from july 4–6, i collected slips of paper with the peersof the 25/26 cohort for the note-spitting-machine. it was one of the first opportunities to generate notes for the spitting mechanism. in a roughly 50-minute workshop, we simulated mentoring sessions in which the note-spitting object was involved in an adapted form.\n\ni asked the workshop participants to form groups of three. each group member briefly introduced a topic or project they were currently working on and would like to explore further through discussion. in the next step, each group selected one of these topics or projects. the person who had proposed the chosen topic became the mentee, while the other two negotiated who would take on the role of note-taker during the conversation and who would act as the mentor. for approximately 30 minutes, participants were then invited to discuss the mentee’s topic, or, in the case of the note-taker, to document the conversation. the mentee could express in advance any preferences regarding what the notes should focus on.\n\nto involve the note-spitting-machine in this setting with several mentoring sessions of three-person groups, it was necessary to adapt the way the object functioned, since it existed and currently exists only in a single version and cannot participate in multiple mentoring sessions simultaneously. i therefore positioned myself next to the spit mechanism, and every time the mechanism would have stuck out its tongue and spat out a slip, i projected a note labeled “mentee:” / “mentor.” additionally, a small auditory signal was needed to draw the mentee’s and mentor’s attention to the “spat-out” slip. the mentee and mentor could then decide whether to integrate the statement/question/method/gesture written on the slip into their conversation or to distance themselves from it.\n\nat the end of the workshop, the groups were asked to use the final ten minutes to write down statements, questions, methods, or gestures that could inform future mentoring sessions:\n\n\n\nmentor: how does it show up/display in your context/culture?\n\nmentee/mentor: why is it not possible?\n\nmentee: how to work collectively? how to equally share responsibility in collective work?\n\nmentor: what are the challenges the mentee faces from their own experience? situated knowledge\n\nmentor: is a leader important? is it leading or is it care work?\n\nmentor: how did you first come up with the idea?\n\nmentee: what made you ask this question?\n\nmentor: was what i just said helpful?\n\nmentor: turn back to yourself!\n\nmentor: let’s bring chatgpt into conversation.\n\nmentee: you could form a silly research/mutual aid group.\n\nmentee/mentor: how do you practice what you teach?\n\nmentor: how can we be more silly + playful together?\n\nmentee/mentor: both share personal experiences about the subject!\n\nmentee/mentor: can you think about a starting point/initial state or instructions to start the book/practice?\n\nmentee/mentor: when is it a good moment to receive feedback?\n\nmentee/mentor: to use das theatre methods when a mentor (what kind of feedback would you like).\n\nmentor: what is another project/interest you have (for more perspective)?",{"_type":77,"current":16848},"mentoring-as-practice",{"_id":16850,"_type":107,"categories":16851,"credits":16883,"featuredImage":16935,"filterables":16942,"footnotes":16954,"locations":16955,"logbook":75,"pageBuilder":16959,"researchQuestion":75,"researchQuestions":75,"searchables":17121,"seo":75,"slug":17129,"title":16962,"year":1350},"37a61af4-0ac1-470a-8bf6-ffcd03b0793c",[16852,16855,16859,16863,16869,16876],{"_id":173,"_type":155,"colorPrimary":16853,"seo":75,"slug":16854,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":288,"_type":155,"colorPrimary":16856,"seo":75,"slug":16858,"title":291},{"label":569,"value":16857},"#9b0000",{"_type":77,"current":290},{"_id":423,"_type":155,"colorPrimary":16860,"seo":75,"slug":16862,"title":426},{"label":569,"value":16861},"#8c008c",{"_type":77,"current":425},{"_id":16864,"_type":155,"colorPrimary":16865,"seo":75,"slug":16866,"title":16868},"187e4d20-e8be-46ea-9e46-b77f0edb22f3",{"label":569,"value":4087},{"_type":77,"current":16867},"choreography","Choreography",{"_id":16870,"_type":155,"colorPrimary":16871,"seo":75,"slug":16873,"title":16875},"b8b7b800-e3ea-419d-b38b-88f79e30933f",{"label":569,"value":16872},"#3c3cff",{"_type":77,"current":16874},"movement-research","Movement Research ",{"_id":16877,"_type":155,"colorPrimary":16878,"seo":75,"slug":16880,"title":16882},"748d198e-7b5d-4a53-8c17-b081efa46714",{"label":569,"value":16879},"#a000a0",{"_type":77,"current":16881},"stretching","Stretching",{"other":75,"profiles":16884},[16885],{"_id":16886,"_type":576,"activeYears":16887,"bio":16890,"bioShort":16897,"featuredImage":16899,"filterables":16907,"links":75,"locations":16910,"searchables":16930,"seo":75,"slug":16932,"title":16934},"0c6d2464-00bf-4a47-bf63-bbbd0e4e1146",[16888],{"_id":1347,"_type":580,"seo":75,"slug":16889,"title":1350},{"_type":77,"current":1349},[16891],{"_key":16892,"_type":11,"children":16893,"markDefs":16898,"style":24},"343091b7e1f5",[16894],{"_key":16895,"_type":15,"marks":16896,"text":16897},"13a2f6b2139a0",[],"Ula (she/her) is a transdisciplinary artist who works in dance, choreography, and contemporary performance, engaging with the fields of ecofeminism, queer theory, and environmental studies.",[],{"alt":16900,"asset":16901},"Ula Liagaitė, foto by skulskyte",{"_id":16902,"height":16903,"orientation":637,"ratio":16904,"url":16905,"width":16906},"image-4e5984900236429934aa105e91e3e76e5a0d4119-213x320-jpg",320,0.665625,"https://cdn.sanity.io/images/eodip22e/production/4e5984900236429934aa105e91e3e76e5a0d4119-213x320.jpg",213,{"filterYear":16908},[16909],{"_id":1347,"title":1350},{"locations":16911,"other":16914},[16912],{"_id":139,"_type":121,"seo":75,"slug":16913,"title":142},{"_type":77,"current":141},[16915,16923],{"_key":16916,"_type":11,"children":16917,"markDefs":16922,"style":24},"0ae1001b2b51",[16918],{"_key":16919,"_type":15,"marks":16920,"text":16921},"909fdf9ee9f5",[],"Between Lithuania, Switzerland and Germany ",[],{"_key":16924,"_type":11,"children":16925,"markDefs":16929,"style":24},"4246c76ed255",[16926],{"_key":16927,"_type":15,"marks":16928,"text":3822},"a16919246f5d",[],[],[16931,1349],"ula liagaitė",{"_type":77,"current":16933},"ula-liagait","Ula Liagaitė",{"alt":75,"asset":16936},{"_id":16937,"height":16938,"orientation":598,"ratio":16939,"url":16940,"width":16941},"image-a5394368feffaf4714a96ab7df2cbe65af4dbbb3-1278x668-png",668,1.9131736526946108,"https://cdn.sanity.io/images/eodip22e/production/a5394368feffaf4714a96ab7df2cbe65af4dbbb3-1278x668.png",1278,{"filterCategory":16943,"filterLocation":16950,"filterYear":16952},[16944,16945,16946,16947,16948,16949],{"_id":173,"title":176},{"_id":288,"title":291},{"_id":423,"title":426},{"_id":16864,"title":16868},{"_id":16870,"title":16875},{"_id":16877,"title":16882},[16951],{"_id":139,"title":142},[16953],{"_id":1347,"title":1350},[],{"locations":16956,"other":75},[16957],{"_id":139,"_type":121,"seo":75,"slug":16958,"title":142},{"_type":77,"current":141},[16960,16968,16991,16998,17013,17016,17038,17087],{"_type":813,"caption":75,"image":16961},{"alt":16962,"asset":16963},"Sick Practice: Stretching Exercises to Feel Climate Change",{"_id":16964,"height":16965,"orientation":598,"ratio":16966,"url":16967,"width":701},"image-60009b4abcf76b3e262fa2fe6918cbc7304d1c98-1274x660-png",660,1.9303030303030304,"https://cdn.sanity.io/images/eodip22e/production/60009b4abcf76b3e262fa2fe6918cbc7304d1c98-1274x660.png",{"_type":728,"settings":16969,"text":16970},{"textColumnCount":730},[16971,16983],{"_key":16972,"_type":11,"children":16973,"markDefs":16982,"style":24},"56e60d9fa1e3",[16974,16978],{"_key":16975,"_type":15,"marks":16976,"text":16977},"ceae62ec7a4e0",[1362],"Stretching Exercises to Feel Climate Change ",{"_key":16979,"_type":15,"marks":16980,"text":16981},"ceae62ec7a4e1",[],"is an ongoing, practice based research on what it feels like to live in times of global (environmental) crisis. It looks for visceral, body based, more-than-human, collective forms of knowledge and calls for resistance.",[],{"_key":16984,"_type":11,"children":16985,"markDefs":16990,"style":24},"86e3ddf922a8",[16986],{"_key":16987,"_type":15,"marks":16988,"text":16989},"8f08c1a2ce5b0",[],"I have been busy thinking of climate change and how we could re-imagine the future, embracing the unstoppable and the irreversible and talking about strategies of survival. I want to queer futures, scenarios and imaginaries, to move away from the doomsday versions, drawn by those who seem to want to enable any form of resistance.",[],{"_type":813,"caption":75,"image":16992},{"alt":16962,"asset":16993},{"_id":16994,"height":10667,"orientation":598,"ratio":16995,"url":16996,"width":16997},"image-eea6985e77c257d74d251749f7073f30fa3fb216-1272x664-png",1.9156626506024097,"https://cdn.sanity.io/images/eodip22e/production/eea6985e77c257d74d251749f7073f30fa3fb216-1272x664.png",1272,{"_type":728,"settings":16999,"text":17000},{"textColumnCount":730},[17001],{"_key":17002,"_type":11,"children":17003,"markDefs":17012,"style":24},"c93d51ba0850",[17004,17008],{"_key":17005,"_type":15,"marks":17006,"text":17007},"dcf769d15a310",[17],"How",{"_key":17009,"_type":15,"marks":17010,"text":17011},"36ffeb7ab92c",[],"\n\nThe project explores strategies for cultivating sustainability, togetherness and collaboration, in a context of a global crisis. How can embodied practice, focused on learning with more- than- human entities, make us feel and move with the emotional and ecological impacts of climate change? This research draws from the writings of Anna Tsing, Astrida Neimanis and Brigite Schneider and investigates how movement, sensory perception, and dance can foster a sense of interconnection with the environment and transform climate-related despair, paralysis and helplessness into collective resilience. The study aims to develop tools that move climate awareness from intellectual understanding to embodied action (from head to the heart), offering pathways for navigating the complexities of ecological crises.",[],{"_type":813,"caption":75,"image":17014},{"alt":16962,"asset":17015},{"_id":16937,"height":16938,"orientation":598,"ratio":16939,"url":16940,"width":16941},{"_type":728,"settings":17017,"text":17018},{"textColumnCount":730},[17019],{"_key":17020,"_type":11,"children":17021,"markDefs":17037,"style":24},"114d6aaa637d",[17022,17026,17029,17033],{"_key":17023,"_type":15,"marks":17024,"text":17025},"328731b400c70",[17],"What is seen",{"_key":17027,"_type":15,"marks":17028,"text":2495},"2717e474c3ad",[],{"_key":17030,"_type":15,"marks":17031,"text":17032},"24a1954d6920",[1362],"First exercise: An Attempt on Weathering the Waterfall, an audiovisual installation + performance as part of the Annual Diploma Show of the MA in Transdisciplinary Studies at ZHDK (May 2025).",{"_key":17034,"_type":15,"marks":17035,"text":17036},"943991fc6da5",[],"\n\nThe work explores embodied and collective modes of sensing environmental crisis and engages with the temporal and emotional dimensions of climate change. The performance takes place within the audiovisual installation created during a research trip to Oaxaca, Mexico in early 2025, together with a Anto Logy.\n\nIn the video, next to the waterfall, a human figure is seen, dressed in a way that camouflages and merges with the rocks. The video is edited in loops of multiple lengths, breaking the movement of the figure, as it tries to find its way on the rock.\n\n\u003C...> climb up, try to get close, look for a way to be close, get humbled by its magnitude and solid performance, troubled, lay down, press the (queer eastern european) cheek on its rough, dusty and still a little wet surface, smell the sour and the sulfur, listen, surrender, submit..\n\nnot allowed to be here, trespassing the signs that say ‘no entrance’, not allowed to be here, yet made the way and laid down and thanks to grandmother's magical knitting, camouflage, ask questions and hopefully have it answer, have a non verbal dialogue with the non verbal more-than-human ancient monster, a transformer, that lurks, reminding that the western human way of counting time can f*** right off, ask for a weather report ? \u003C...> (by Ula Liagaitė).\n\nThe video material works as a visual exploration of the concept of “thick time” and sets the tone and climate of the performance.\n\n\u003C...> the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. \u003C...> (the term coined by scholars Astrida Neimanis and Rachel Loewen Walker).\n\n\u003C...> gradually, like a lego being constructed piece by piece, from micro plastics and space debris, smog and oil spillages hovering over the (hyper) sea - here you are, a magnificent monster. You are so hot. The weather is perfect. The sun blasts through that ever-thinning layer of invisible co2, which once protected us from burning. It's getting so hot here. Come towards me, I open all the doors and windows, take a few pills of vitamin D in summer, put spf 1500 hell knows how many UVA and UVA and UVB filters on my face. Just the face, because the skin on hands is a lost cause anyway \u003C...> ( by Ula Liagaitė)",[],{"_type":728,"settings":17039,"text":17040},{"textColumnCount":730},[17041],{"_key":17042,"_type":11,"children":17043,"markDefs":17082,"style":24},"cda286a3ca6d",[17044,17048,17052,17056,17060,17064,17069,17073,17077],{"_key":17045,"_type":15,"marks":17046,"text":17047},"03c28e1f2efd",[1362],"Second exercise: A Manual On Stretching (coming soon)",{"_key":17049,"_type":15,"marks":17050,"text":17051},"fc9853e15508",[],"\n\nA text work, contributing to ISSUES - an annual, peer-led digital publication which serves as the milestone collective public offering for each School of Commons (SoC) program cycle. ISSUES collates and contextualises the processes, practices and methodologies of each participating project within SoC. For this publication a mixed media work is being developed (drawing, writing, collage, sketch, map) as some sort of a manual on what kind of exercises can be practiced in order to feel the crisis and the change and how to move this knowledge from ‘head to heart’. It is a conceptual, yet practical way of landing the thoughts on paper, that will take shape as a physical publication, as well as an open access online publication.\n\n",{"_key":17053,"_type":15,"marks":17054,"text":17055},"b091907c9b4f",[1362],"Third exercise: Alone Together Somewhere Hot (public showing in December 2025, location tbc). ",{"_key":17057,"_type":15,"marks":17058,"text":17059},"2297e1ed37c6",[],"\n\nFrom October 2025, Ula will hold weekly, regular, group movement practice in her dance studio in Zürich. It will softly transform into a rehearsal period towards the end of November and into the show(s) mid December 2025. We will present a transdisciplinary dance-theater work, in the form of an open rehearsal or an exercise.\n\n\u003C...> Precarity is a state of acknowledgment of our vulnerability to others. In order to survive, we need help, and help is always the service of another, with or without intent. When I sprain my ankle, a stout stick may help me walk, and I enlist its assistance. I am now an encounter in motion, a woman-and-stick. It is hard for me to think of any challenge I might face without soliciting the assistance of others, human and not human. It is an unselfconscious privilege that allows us to fantasise—counterfactually—that we each survive alone \u003C...> (The Mushroom at the End of the World by Anna Tsing).\n\n",{"_key":17061,"_type":15,"marks":17062,"text":17063},"a3d70d86ec54",[17],"If you need to move and would like to participate in the regular, guided movement practice in Zürich, write a letter to ",{"_key":17065,"_type":15,"marks":17066,"text":17068},"dfdae786869c",[17,17067],"7a1d435c8c18","ula.juroj@gmail.com",{"_key":17070,"_type":15,"marks":17071,"text":17072},"b5462d6d47ef",[17],". ",{"_key":17074,"_type":15,"marks":17075,"text":17076},"a5c80d2daa81",[],"\n\nTo view the installation video, visit ",{"_key":17078,"_type":15,"marks":17079,"text":17081},"627a6470af00",[17080],"dae05da3adcf","www.ulaliagaite.com",[17083,17085],{"_key":17067,"_type":41,"href":17084},"mailto:ula.juroj@gmail.com",{"_key":17080,"_type":41,"href":17086},"https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.ulaliagaite.com%2F&data=05%7C02%7Cchantelle.lueelton%40zhdk.ch%7C0f6461d9a77449e84cd208ddefac8cb6%7Ceff1ebf773e54e3dbefd52d69e759214%7C1%7C0%7C638930246591524001%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=1e1GqHp9Vg1cDvg9NRCuVQHb7lfwtD22ojoT1ievahM%3D&reserved=0",{"_type":810,"slides":17088},[17089,17105,17111,17116],{"_type":813,"caption":17090,"image":17099},[17091],{"_key":17092,"_type":11,"children":17093,"markDefs":17098,"style":24},"12722a1c28a7",[17094],{"_key":17095,"_type":15,"marks":17096,"text":17097},"91cce5ed8359",[],"'An Attempt on Weathering the Waterfall, an audiovisual installation + performance' by Ula Liagaitė, as part of the Annual Diploma Show of the MA in Transdisciplinary Studies at ZHDK (May 2025).",[],{"alt":17097,"asset":17100},{"_id":17101,"height":13253,"orientation":598,"ratio":17102,"url":17103,"width":17104},"image-7084adf9344361807bebce67f48e2e9b0b107162-1002x752-jpg",1.3324468085106382,"https://cdn.sanity.io/images/eodip22e/production/7084adf9344361807bebce67f48e2e9b0b107162-1002x752.jpg",1002,{"_type":813,"caption":75,"image":17106},{"alt":17107,"asset":17108},"An Attempt on Weathering the Waterfall, an audiovisual installation + performance as part of the Annual Diploma Show of the MA in Transdisciplinary Studies at ZHDK (May 2025).",{"_id":17109,"height":10721,"orientation":598,"ratio":599,"url":17110,"width":7055},"image-965eff5c9f99077567aa5e089eb7e38b19963be5-1024x768-jpg","https://cdn.sanity.io/images/eodip22e/production/965eff5c9f99077567aa5e089eb7e38b19963be5-1024x768.jpg",{"_type":813,"caption":75,"image":17112},{"alt":17107,"asset":17113},{"_id":17114,"height":10721,"orientation":598,"ratio":599,"url":17115,"width":7055},"image-690db1a366bdb8473d628749a2b02d0f47b42f13-1024x768-jpg","https://cdn.sanity.io/images/eodip22e/production/690db1a366bdb8473d628749a2b02d0f47b42f13-1024x768.jpg",{"_type":813,"caption":75,"image":17117},{"alt":75,"asset":17118},{"_id":17119,"height":4174,"orientation":637,"ratio":3801,"url":17120,"width":2344},"image-8abe9d06b0409302dcec862cd2e2046a3ba5256f-600x800-jpg","https://cdn.sanity.io/images/eodip22e/production/8abe9d06b0409302dcec862cd2e2046a3ba5256f-600x800.jpg",[17122,1349,141,16931,17123,17124,17125,17126,1100,17127,425,16867,17128,16881],"sick practice: stretching exercises to feel climate change","stretching exercises to feel climate change is an ongoing, practice based research on what it feels like to live in times of global (environmental) crisis. it looks for visceral, body based, more-than-human, collective forms of knowledge and calls for resistance.\n\ni have been busy thinking of climate change and how we could re-imagine the future, embracing the unstoppable and the irreversible and talking about strategies of survival. i want to queer futures, scenarios and imaginaries, to move away from the doomsday versions, drawn by those who seem to want to enable any form of resistance.","how\n\nthe project explores strategies for cultivating sustainability, togetherness and collaboration, in a context of a global crisis. how can embodied practice, focused on learning with more- than- human entities, make us feel and move with the emotional and ecological impacts of climate change? this research draws from the writings of anna tsing, astrida neimanis and brigite schneider and investigates how movement, sensory perception, and dance can foster a sense of interconnection with the environment and transform climate-related despair, paralysis and helplessness into collective resilience. the study aims to develop tools that move climate awareness from intellectual understanding to embodied action (from head to the heart), offering pathways for navigating the complexities of ecological crises.","what is seen\n\nfirst exercise: an attempt on weathering the waterfall, an audiovisual installation + performance as part of the annual diploma show of the ma in transdisciplinary studies at zhdk (may 2025).\n\nthe work explores embodied and collective modes of sensing environmental crisis and engages with the temporal and emotional dimensions of climate change. the performance takes place within the audiovisual installation created during a research trip to oaxaca, mexico in early 2025, together with a anto logy.\n\nin the video, next to the waterfall, a human figure is seen, dressed in a way that camouflages and merges with the rocks. the video is edited in loops of multiple lengths, breaking the movement of the figure, as it tries to find its way on the rock.\n\n\u003C...> climb up, try to get close, look for a way to be close, get humbled by its magnitude and solid performance, troubled, lay down, press the (queer eastern european) cheek on its rough, dusty and still a little wet surface, smell the sour and the sulfur, listen, surrender, submit..\n\nnot allowed to be here, trespassing the signs that say ‘no entrance’, not allowed to be here, yet made the way and laid down and thanks to grandmother's magical knitting, camouflage, ask questions and hopefully have it answer, have a non verbal dialogue with the non verbal more-than-human ancient monster, a transformer, that lurks, reminding that the western human way of counting time can f*** right off, ask for a weather report ? \u003C...> (by ula liagaitė).\n\nthe video material works as a visual exploration of the concept of “thick time” and sets the tone and climate of the performance.\n\n\u003C...> the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. \u003C...> (the term coined by scholars astrida neimanis and rachel loewen walker).\n\n\u003C...> gradually, like a lego being constructed piece by piece, from micro plastics and space debris, smog and oil spillages hovering over the (hyper) sea - here you are, a magnificent monster. you are so hot. the weather is perfect. the sun blasts through that ever-thinning layer of invisible co2, which once protected us from burning. it's getting so hot here. come towards me, i open all the doors and windows, take a few pills of vitamin d in summer, put spf 1500 hell knows how many uva and uva and uvb filters on my face. just the face, because the skin on hands is a lost cause anyway \u003C...> ( by ula liagaitė)","second exercise: a manual on stretching (coming soon)\n\na text work, contributing to issues - an annual, peer-led digital publication which serves as the milestone collective public offering for each school of commons (soc) program cycle. issues collates and contextualises the processes, practices and methodologies of each participating project within soc. for this publication a mixed media work is being developed (drawing, writing, collage, sketch, map) as some sort of a manual on what kind of exercises can be practiced in order to feel the crisis and the change and how to move this knowledge from ‘head to heart’. it is a conceptual, yet practical way of landing the thoughts on paper, that will take shape as a physical publication, as well as an open access online publication.\n\nthird exercise: alone together somewhere hot (public showing in december 2025, location tbc). \n\nfrom october 2025, ula will hold weekly, regular, group movement practice in her dance studio in zürich. it will softly transform into a rehearsal period towards the end of november and into the show(s) mid december 2025. we will present a transdisciplinary dance-theater work, in the form of an open rehearsal or an exercise.\n\n\u003C...> precarity is a state of acknowledgment of our vulnerability to others. in order to survive, we need help, and help is always the service of another, with or without intent. when i sprain my ankle, a stout stick may help me walk, and i enlist its assistance. i am now an encounter in motion, a woman-and-stick. it is hard for me to think of any challenge i might face without soliciting the assistance of others, human and not human. it is an unselfconscious privilege that allows us to fantasise—counterfactually—that we each survive alone \u003C...> (the mushroom at the end of the world by anna tsing).\n\nif you need to move and would like to participate in the regular, guided movement practice in zürich, write a letter to ula.juroj@gmail.com. \n\nto view the installation video, visit www.ulaliagaite.com","geographies of self","movement research ",{"_type":77,"current":17130},"sick-practice-stretching-exercises-to-feel-climate-change",{"_id":17132,"_type":107,"categories":17133,"credits":17160,"featuredImage":17382,"filterables":17389,"footnotes":17401,"locations":17402,"logbook":75,"pageBuilder":17417,"researchQuestion":75,"researchQuestions":17476,"searchables":17517,"seo":75,"slug":17526,"title":17383,"year":1350},"d75af3ae-1aa5-49b8-b05b-0f2a79eac3ad",[17134,17141,17144,17150,17157],{"_id":17135,"_type":155,"colorPrimary":17136,"seo":75,"slug":17138,"title":17140},"bbe8d027-269c-45f2-9a8b-05493815f274",{"label":569,"value":17137},"#ff78f0",{"_type":77,"current":17139},"value","Value",{"_id":403,"_type":155,"colorPrimary":17142,"seo":75,"slug":17143,"title":406},{"label":569,"value":4835},{"_type":77,"current":405},{"_id":17145,"_type":155,"colorPrimary":17146,"seo":75,"slug":17147,"title":17149},"84ebd7d7-92eb-468b-baae-1214594947f3",{"label":569,"value":4831},{"_type":77,"current":17148},"open-up","Open Up",{"_id":17151,"_type":155,"colorPrimary":17152,"seo":75,"slug":17154,"title":17156},"e7763d1d-74c3-4d89-92b8-15d7284fd96f",{"label":569,"value":17153},"#b4b4ff",{"_type":77,"current":17155},"d-estructuring","(d)estructuring",{"_id":233,"_type":155,"colorPrimary":17158,"seo":75,"slug":17159,"title":236},{"label":569,"value":4102},{"_type":77,"current":235},{"other":75,"profiles":17161},[17162,17217,17276,17337],{"_id":17163,"_type":576,"activeYears":17164,"bio":17167,"bioShort":17183,"featuredImage":17184,"filterables":17190,"links":17193,"locations":17196,"searchables":17212,"seo":75,"slug":17214,"title":17216},"246c6b9f-f5fc-4299-97ae-af513544d96b",[17165],{"_id":1347,"_type":580,"seo":75,"slug":17166,"title":1350},{"_type":77,"current":1349},[17168,17176],{"_key":17169,"_type":11,"children":17170,"markDefs":17175,"style":24},"848f88808762",[17171],{"_key":17172,"_type":15,"marks":17173,"text":17174},"dfa0230017a20",[],"Mariangela is a transdisciplinary artist whose practices explore from individual to collective creation the intersection between traditional media, artisan techniques and experimental electronics along with aesthetic, environmental, social and political concerns often through methodologies inspired by collaborative art and the DIWO (do it with others) practices. She has been an artist in residence of the Colombia-France Year 2017, El Puente_lab, RESÒ 2015 and an ELAP 2012 scholarship holder. Her individual and collaborative projects have been presented in cities such as Cali, Havana, Turin, Strasbourg, Montreal and Buenos Aires. She has a Master’s degree in technology and aesthetics of electronic arts (UNTREF, Buenos Aires) and a degree in visual arts (Universidad del Valle, Cali). She is currently interested in the art-body-life relationship, being a practitioner of Iyengar Yoga and observing plants, fungi and organic materials to create holistic artistic processes.",[],{"_key":17177,"_type":11,"children":17178,"markDefs":17182,"style":24},"ca8dde512aa0",[17179],{"_key":17180,"_type":15,"marks":17181,"text":1150},"130df958de300",[],[],"Mariangela is a Colombian transdisciplinary artist whose work merges craft, electronics, and collective practices. She explores the art-body-life link through yoga and organic materials.",{"alt":75,"asset":17185},{"_id":17186,"height":7254,"orientation":637,"ratio":17187,"url":17188,"width":17189},"image-3da75cd961ccdc7e67d405cbeb08fc3c0a9fbfef-958x960-jpg",0.9979166666666667,"https://cdn.sanity.io/images/eodip22e/production/3da75cd961ccdc7e67d405cbeb08fc3c0a9fbfef-958x960.jpg",958,{"filterYear":17191},[17192],{"_id":1347,"title":1350},[17194],{"_type":607,"label":17195,"url":17195},"https://mariangelaaponte.com/",{"locations":17197,"other":17203},[17198],{"_id":17199,"_type":121,"seo":75,"slug":17200,"title":17202},"1b6d8c13-91e3-450b-917d-29cfeff6d57d",{"_type":77,"current":17201},"south-america","South America",[17204],{"_key":17205,"_type":11,"children":17206,"markDefs":17211,"style":24},"ddb114ec0722",[17207],{"_key":17208,"_type":15,"marks":17209,"text":17210},"f0a7e21c9bb0",[],"Cali, Colombia",[],[17213,1349],"mariangela aponte núñez",{"_type":77,"current":17215},"mariangela-aponte-nunez","Mariangela Aponte Núñez",{"_id":17218,"_type":576,"activeYears":17219,"bio":17222,"bioShort":17246,"featuredImage":17247,"filterables":17252,"links":17255,"locations":17259,"searchables":17272,"seo":75,"slug":17274,"title":17248},"878dc0da-0ef2-40b7-9e44-ab53bf918ae0",[17220],{"_id":1347,"_type":580,"seo":75,"slug":17221,"title":1350},{"_type":77,"current":1349},[17223,17231,17239],{"_key":17224,"_type":11,"children":17225,"markDefs":17230,"style":24},"980778399da0",[17226],{"_key":17227,"_type":15,"marks":17228,"text":17229},"3dffec0947b50",[],"Medellin 1979. Master of Fine Arts, Utrecht School of Arts,The Netherlands. He obtained his degree in visual arts from the University of Antioquia in 2003. Winner of the Visual Arts category in the \"Referentes\" Awards for Art and culture 2018, awarded by the Medellin’s municipality. He is co-founder and member of the cultural corporation El puente_lab, cultural activation laboratory; through which he has participated in various projects and workshops with international artists in the city of Medellín; and several exhibitions in Italy, Austria, Lithuania, Turkey and at the XIII Havana Biennial. In 2004 he participated in an artistic residence UNIDEE Fondazione Pistoletto University of Ideas in Biella Italy, and has continued to cooperate with the institution in design and art projects. Vásquez's work has been developing since 2003 taking part in numerous exhibitions throughout the country, including the Regional Artists Salon, Curatorship: \"Investments + Art + Exchanges + Transactions\", Medellín and Armenia. The 42 National Artists Salon in Barranquilla and Cartagena. \"surreptitious Covert Stories\" In the Banasta Gallery. In the exhibition \"Antioquias\", Diversity and Imaginaries of Identity, Museo de Antioquia.",[],{"_key":17232,"_type":11,"children":17233,"markDefs":17238,"style":24},"1faec1595155",[17234],{"_key":17235,"_type":15,"marks":17236,"text":17237},"570b528083b30",[],"He is currently Director of the Paul Bardwell Gallery of Contemporary Art at the Centro Colombo Americano and is in charge of the Deseartepaz program of the same institution.",[],{"_key":17240,"_type":11,"children":17241,"markDefs":17245,"style":24},"7187784b91de",[17242],{"_key":17243,"_type":15,"marks":17244,"text":1768},"41d9dfe1ca400",[],[],"Medellin 1979. Master of Fine Arts, Utrecht School of Arts,The Netherlands. He is currently Director of the Paul Bardwell Gallery of Contemporary Art at the Centro Colombo Americano and is in charge of the Deseartepaz program of the same institution.",{"alt":17248,"asset":17249},"Alejandro Vasquez Salinas",{"_id":17250,"height":7254,"orientation":1032,"ratio":1033,"url":17251,"width":7254},"image-991b46c1c52a07eaa151634035eee37971a410f4-960x960-jpg","https://cdn.sanity.io/images/eodip22e/production/991b46c1c52a07eaa151634035eee37971a410f4-960x960.jpg",{"filterYear":17253},[17254],{"_id":1347,"title":1350},[17256],{"_type":607,"label":17257,"url":17258},"portfolio","https://olojondro.wixsite.com/portafolio",{"locations":17260,"other":17263},[17261],{"_id":17199,"_type":121,"seo":75,"slug":17262,"title":17202},{"_type":77,"current":17201},[17264],{"_key":17265,"_type":11,"children":17266,"markDefs":17271,"style":24},"8002123ec9bc",[17267],{"_key":17268,"_type":15,"marks":17269,"text":17270},"665b54cbe3f0",[],"Colombia",[],[17273,1349],"alejandro vasquez salinas",{"_type":77,"current":17275},"alejandro-vasquez-salinas",{"_id":17277,"_type":576,"activeYears":17278,"bio":17281,"bioShort":17306,"featuredImage":17307,"filterables":17314,"links":17317,"locations":17320,"searchables":17333,"seo":75,"slug":17335,"title":17308},"1cab2b9d-babe-4399-8323-df17ad0f24b5",[17279],{"_id":1347,"_type":580,"seo":75,"slug":17280,"title":1350},{"_type":77,"current":1349},[17282,17290,17298],{"_key":17283,"_type":11,"children":17284,"markDefs":17289,"style":24},"f317421dbc12",[17285],{"_key":17286,"_type":15,"marks":17287,"text":17288},"1bd0e4f180e50",[],"As an Artist, he has exhibited internationally since 1994. He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",[],{"_key":17291,"_type":11,"children":17292,"markDefs":17297,"style":24},"ca2f8294acd6",[17293],{"_key":17294,"_type":15,"marks":17295,"text":17296},"92d1e9cdacb30",[],"Juan Sandoval realises contemporary art projects, produces objects and images, creates devices for collaboration and collective learning, and publications. He approaches the process of creation through the overlapping of personal experiences, the application of craft production techniques and the observation of social processes. In his research, Sandoval has developed projects in collaboration with cultural associations dealing with issues of immigration, economy and local culture.",[],{"_key":17299,"_type":11,"children":17300,"markDefs":17305,"style":24},"fbb3e1edc947",[17301],{"_key":17302,"_type":15,"marks":17303,"text":17304},"4bac8ee74b460",[],"He obtained a degree in visual arts at the National University of Colombia, Medellín. He has participated in residencies for artists at Cittadellarte- Fondazione Pistoletto in Biella, Italy; Villa Arson in Nice, France; O.K. Centrum in Linz, Austria and Four Corners in London, UK. In 2018 he received the NCTM award for art in Milan, Italy.",[],"As an Artist, he has exhibited internationally since 1994.He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",{"alt":17308,"asset":17309},"Juan Sandoval",{"_id":17310,"height":17311,"orientation":598,"ratio":17312,"url":17313,"width":4055},"image-a4220545da85fd255da3049f95b254c260e457ff-1250x946-jpg",946,1.3213530655391121,"https://cdn.sanity.io/images/eodip22e/production/a4220545da85fd255da3049f95b254c260e457ff-1250x946.jpg",{"filterYear":17315},[17316],{"_id":1347,"title":1350},[17318],{"_type":607,"label":608,"url":17319},"https://www.tropicalworld.net/",{"locations":17321,"other":17324},[17322],{"_id":139,"_type":121,"seo":75,"slug":17323,"title":142},{"_type":77,"current":141},[17325],{"_key":17326,"_type":11,"children":17327,"markDefs":17332,"style":24},"9907d7df3444",[17328],{"_key":17329,"_type":15,"marks":17330,"text":17331},"75c06bc19ef30",[],"Based in Bologna",[],[17334,1349],"juan sandoval",{"_type":77,"current":17336},"Juan-Sandoval",{"_id":17338,"_type":576,"activeYears":17339,"bio":17342,"bioShort":75,"featuredImage":17351,"filterables":17357,"links":17360,"locations":17363,"searchables":17378,"seo":75,"slug":17380,"title":17352},"9d951859-385c-4e60-89e8-d6dcc1fb9eb0",[17340],{"_id":1347,"_type":580,"seo":75,"slug":17341,"title":1350},{"_type":77,"current":1349},[17343],{"_key":17344,"_type":11,"children":17345,"markDefs":17350,"style":24},"a498e4a60bb0",[17346],{"_key":17347,"_type":15,"marks":17348,"text":17349},"3a5fb5703f610",[],"El puente_lab is a collective shaped by Juan Esteban Sandoval and Alejandro Vásquez Salinas, It is a platform for artistic and cultural production, active in Medellín - Colombia, which aims to develop cultural projects on a local level, building bridges of communication with artists and experts through a strategy of international cooperation.The projects developed by el puente_lab meet the specific needs of the social context where they are carried out, using artistic creativity as a tool of activation of cultural projects that initiate, facilitate and / or accompany processes of education, communication and urban and social transformation.",[],{"alt":17352,"asset":17353},"El puente_lab",{"_id":17354,"height":17355,"orientation":598,"ratio":599,"url":17356,"width":7112},"image-48056d6d34bdbcb38bf1b57f6f651459647dcc05-1200x900-jpg",900,"https://cdn.sanity.io/images/eodip22e/production/48056d6d34bdbcb38bf1b57f6f651459647dcc05-1200x900.jpg",{"filterYear":17358},[17359],{"_id":1347,"title":1350},[17361],{"_type":607,"label":17362,"url":17362},"https://www.elpuentelab.org/",{"locations":17364,"other":17369},[17365,17367],{"_id":17199,"_type":121,"seo":75,"slug":17366,"title":17202},{"_type":77,"current":17201},{"_id":139,"_type":121,"seo":75,"slug":17368,"title":142},{"_type":77,"current":141},[17370],{"_key":17371,"_type":11,"children":17372,"markDefs":17377,"style":24},"f61627920d71",[17373],{"_key":17374,"_type":15,"marks":17375,"text":17376},"9abe7f00f8ef",[],"Medellín, Colombia",[],[17379,1349],"el puente_lab",{"_type":77,"current":17381},"el-puente_lab",{"alt":17383,"asset":17384},"(d)estructura",{"_id":17385,"height":17386,"orientation":598,"ratio":3701,"url":17387,"width":17388},"image-7a7c712062fa89c3b4eacfcca120217ac0c96150-4272x2848-jpg",2848,"https://cdn.sanity.io/images/eodip22e/production/7a7c712062fa89c3b4eacfcca120217ac0c96150-4272x2848.jpg",4272,{"filterCategory":17390,"filterLocation":17396,"filterYear":17399},[17391,17392,17393,17394,17395],{"_id":17135,"title":17140},{"_id":403,"title":406},{"_id":17145,"title":17149},{"_id":17151,"title":17156},{"_id":233,"title":236},[17397,17398],{"_id":17199,"title":17202},{"_id":139,"title":142},[17400],{"_id":1347,"title":1350},[],{"locations":17403,"other":17408},[17404,17406],{"_id":17199,"_type":121,"seo":75,"slug":17405,"title":17202},{"_type":77,"current":17201},{"_id":139,"_type":121,"seo":75,"slug":17407,"title":142},{"_type":77,"current":141},[17409],{"_key":17410,"_type":11,"children":17411,"markDefs":17416,"style":24},"6deecd80a524",[17412],{"_key":17413,"_type":15,"marks":17414,"text":17415},"04590a5e4667",[],"Cali, Medellín, Colombia\nCuba\nBuenos Aires, Argentina \nSantiago de Chile\nBiella, Italy",[],[17418,17420],{"_type":3563,"caption":75,"embedCode":17419},"\u003Ciframe title=\"vimeo-player\" src=\"https://player.vimeo.com/video/828877276?h=337db4a570\" width=\"640\" height=\"360\" frameborder=\"0\"    allowfullscreen>\u003C/iframe>",{"_type":728,"settings":17421,"text":17422},{"textColumnCount":730},[17423,17431,17438,17446,17453,17461,17468],{"_key":17424,"_type":11,"children":17425,"markDefs":17430,"style":24},"66c09b922809",[17426],{"_key":17427,"_type":15,"marks":17428,"text":17429},"ab351f6e0d30",[],"(d)estructura is a project focused on collaborative, participatory, and process-oriented creation that invites groups to engage in dialogue about fundamental values of life through playfulness. Situated at the intersection of art, play, and social research, the project embodies the principles of Social Cartography as a game that encourages horizontal forms of social interaction on a micro scale. The aim of (d)estructura is to deconstruct Abraham Maslow's pyramidal theory of human needs developed in 1943 and to reconstruct new collective structures that reflect the voices of the individuals involved, grounded in their personal experiences. This game is played in various contexts, showcasing how human needs evolve based on geographical, social, political, and economic factors, as well as different life stages. ",[],{"_key":17432,"_type":11,"children":17433,"markDefs":17437,"style":24},"0d13166853c3",[17434],{"_key":17435,"_type":15,"marks":17436,"text":1150},"b4e2a0ab9097",[],[],{"_key":17439,"_type":11,"children":17440,"markDefs":17445,"style":24},"f22f1e86fe99",[17441],{"_key":17442,"_type":15,"marks":17443,"text":17444},"4d82962ed9ad",[],"The game involves collectively building a structure using colored pieces, each assigned a value linked to the goals and objectives that represent, at an imaginary level, an optimal state of life. Engaging in (d)estructura reveals how individual decisions impact the collective, and conversely, how collective dynamics affect individual choices; the structure can grow or shrink, pieces may change, and tension builds over time. Participants must negotiate collectively about what to include or remove; chance plays a role, but ultimately, the group decides. Since its creation in 2016, (d)estructura has served as an insightful tool for observing and mapping the evolution of changing territories. Its mission is to create new cultural and social cartographies that reflect the diverse array of actors at play. ",[],{"_key":17447,"_type":11,"children":17448,"markDefs":17452,"style":24},"de89fe3210c4",[17449],{"_key":17450,"_type":15,"marks":17451,"text":1150},"be77d02eaa2a",[],[],{"_key":17454,"_type":11,"children":17455,"markDefs":17460,"style":24},"38ea33a59266",[17456],{"_key":17457,"_type":15,"marks":17458,"text":17459},"65c0dd04efe7",[],"Over the years, the game has been applied in various contexts, leading to the emergence of new organizational structures grounded in shared values and visions for possible futures. The versatility of (d)estructura allows it to adapt to different environments, ranging from intimate gatherings in private homes, where it exists as a thoughtful board game, to expansive public spaces, where it can manifest as communal sculptures that invite interaction and engagement. This scalability makes it possible to apply methodologies inspired by Do-It-With-Others (DIWO), extending the game’s reach to other communities and contexts. ",[],{"_key":17462,"_type":11,"children":17463,"markDefs":17467,"style":24},"31fcb3e9272a",[17464],{"_key":17465,"_type":15,"marks":17466,"text":1150},"3bc2bcf78906",[],[],{"_key":17469,"_type":11,"children":17470,"markDefs":17475,"style":24},"d32db101381a",[17471],{"_key":17472,"_type":15,"marks":17473,"text":17474},"7f1837af3402",[],"Currently, we are contemplating the expansion of participation through the creation of cooperative platforms. These platforms will serve as dynamic spaces for exploration, using the game as a springboard to develop the necessary narratives for a world in flux.",[],[17477,17487,17497,17507],{"_type":3359,"question":17478},[17479],{"_key":17480,"_type":11,"children":17481,"markDefs":17486,"style":24},"eaecd7d79085",[17482],{"_key":17483,"_type":15,"marks":17484,"text":17485},"9a7b49477c1e0",[],"In what ways to expand the possibilities of participation, collaboration, cooperation and co-creation of the current state of the (d)estructura game?",[],{"_type":3359,"question":17488},[17489],{"_key":17490,"_type":11,"children":17491,"markDefs":17496,"style":24},"0b3ee96595a0",[17492],{"_key":17493,"_type":15,"marks":17494,"text":17495},"b59e41ce5e87",[],"How to collect the information that emerges during games and how to create sensitive analysis and visualization to understand that information?",[],{"_type":3359,"question":17498},[17499],{"_key":17500,"_type":11,"children":17501,"markDefs":17506,"style":24},"fb84e8f36cba",[17502],{"_key":17503,"_type":15,"marks":17504,"text":17505},"3419085261de",[],"How might the creation of virtual and physical platforms enhance the exploration and narratives for (d)estructura?",[],{"_type":3359,"question":17508},[17509],{"_key":17510,"_type":11,"children":17511,"markDefs":17516,"style":24},"3c1a3e68dc50",[17512],{"_key":17513,"_type":15,"marks":17514,"text":17515},"4db6e829c990",[],"What potential challenges could arise when attempting to expand the range of participation in the project?",[],[17383,1349,17518,17519,17520,17521,17522,141,17523,17213,17273,17334,17379,17524,17139,405,17525,17156,4819],"in what ways to expand the possibilities of participation, collaboration, cooperation and co-creation of the current state of the (d)estructura game?","how to collect the information that emerges during games and how to create sensitive analysis and visualization to understand that information?","how might the creation of virtual and physical platforms enhance the exploration and narratives for (d)estructura?","what potential challenges could arise when attempting to expand the range of participation in the project?","south america","cali, medellín, colombia\ncuba\nbuenos aires, argentina \nsantiago de chile\nbiella, italy","(d)estructura is a project focused on collaborative, participatory, and process-oriented creation that invites groups to engage in dialogue about fundamental values of life through playfulness. situated at the intersection of art, play, and social research, the project embodies the principles of social cartography as a game that encourages horizontal forms of social interaction on a micro scale. the aim of (d)estructura is to deconstruct abraham maslow's pyramidal theory of human needs developed in 1943 and to reconstruct new collective structures that reflect the voices of the individuals involved, grounded in their personal experiences. this game is played in various contexts, showcasing how human needs evolve based on geographical, social, political, and economic factors, as well as different life stages. \n\n\n\nthe game involves collectively building a structure using colored pieces, each assigned a value linked to the goals and objectives that represent, at an imaginary level, an optimal state of life. engaging in (d)estructura reveals how individual decisions impact the collective, and conversely, how collective dynamics affect individual choices; the structure can grow or shrink, pieces may change, and tension builds over time. participants must negotiate collectively about what to include or remove; chance plays a role, but ultimately, the group decides. since its creation in 2016, (d)estructura has served as an insightful tool for observing and mapping the evolution of changing territories. its mission is to create new cultural and social cartographies that reflect the diverse array of actors at play. \n\n\n\nover the years, the game has been applied in various contexts, leading to the emergence of new organizational structures grounded in shared values and visions for possible futures. the versatility of (d)estructura allows it to adapt to different environments, ranging from intimate gatherings in private homes, where it exists as a thoughtful board game, to expansive public spaces, where it can manifest as communal sculptures that invite interaction and engagement. this scalability makes it possible to apply methodologies inspired by do-it-with-others (diwo), extending the game’s reach to other communities and contexts. \n\n\n\ncurrently, we are contemplating the expansion of participation through the creation of cooperative platforms. these platforms will serve as dynamic spaces for exploration, using the game as a springboard to develop the necessary narratives for a world in flux.","open up",{"_type":77,"current":17527},"d-estructura",{"_id":17529,"_type":107,"categories":17530,"credits":17556,"featuredImage":17693,"filterables":17700,"footnotes":17713,"locations":17714,"logbook":17718,"pageBuilder":17735,"researchQuestion":75,"researchQuestions":17830,"searchables":17871,"seo":75,"slug":17878,"title":17879,"year":1350},"fd3517c9-8eac-43c7-9720-53d7f384da60",[17531,17537,17540,17543,17547,17550,17553],{"_id":17532,"_type":155,"colorPrimary":17533,"seo":75,"slug":17534,"title":17536},"9a2b1ec0-5d3f-4a78-9344-ec3cfbee4748",{"label":569,"value":7012},{"_type":77,"current":17535},"holodomor","Holodomor",{"_id":653,"_type":155,"colorPrimary":17538,"seo":75,"slug":17539,"title":658},{"label":569,"value":655},{"_type":77,"current":657},{"_id":173,"_type":155,"colorPrimary":17541,"seo":75,"slug":17542,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":218,"_type":155,"colorPrimary":17544,"seo":75,"slug":17546,"title":221},{"label":569,"value":17545},"#fff078",{"_type":77,"current":220},{"_id":168,"_type":155,"colorPrimary":17548,"seo":75,"slug":17549,"title":171},{"label":569,"value":8310},{"_type":77,"current":170},{"_id":483,"_type":155,"colorPrimary":17551,"seo":75,"slug":17552,"title":486},{"label":569,"value":7520},{"_type":77,"current":485},{"_id":463,"_type":155,"colorPrimary":17554,"seo":75,"slug":17555,"title":466},{"label":569,"value":11183},{"_type":77,"current":465},{"other":75,"profiles":17557},[17558,17603,17650],{"_id":17559,"_type":576,"activeYears":17560,"bio":17563,"bioShort":17572,"featuredImage":17573,"filterables":17577,"links":17580,"locations":17585,"searchables":17598,"seo":75,"slug":17600,"title":17602},"3ac5cc55-3d4f-405b-a87e-65f2c22c3796",[17561],{"_id":1347,"_type":580,"seo":75,"slug":17562,"title":1350},{"_type":77,"current":1349},[17564],{"_key":17565,"_type":11,"children":17566,"markDefs":17571,"style":24},"8c138affb434",[17567],{"_key":17568,"_type":15,"marks":17569,"text":17570},"663857a919770",[],"Oleksandra is a multimedia artist born in Kyiv, Ukraine, and currently residing in Zürich, Switzerland, following the onset of the full-scale invasion. Her academic journey includes studying Graphic Design at the Kyiv Academy of Media Arts in 2020, followed by enrollment at the School of Visual Communication in 2021. She earned her Bachelor’s degree in Fine Arts at Zürich University of the Arts in 2025 and is currently pursuing a Master's degree in Design: Trends & Identity.",[],"Oleksandra is a multimedia artist of Ukrainian origins working with the topics of feminism, queerness and politics from the perspective of a displaced individual. Currently based in Zürich, Switzerland.",{"alt":75,"asset":17574},{"_id":17575,"height":5430,"orientation":1032,"ratio":1033,"url":17576,"width":5430},"image-2bbfcb786e20e01d89aff9b14e7603e874a6d5b4-1280x1280-png","https://cdn.sanity.io/images/eodip22e/production/2bbfcb786e20e01d89aff9b14e7603e874a6d5b4-1280x1280.png",{"filterYear":17578},[17579],{"_id":1347,"title":1350},[17581,17583],{"_type":607,"label":608,"url":17582},"https://oleksandratsapko.com/",{"_type":607,"label":2160,"url":17584},"https://www.instagram.com/prostoalexandraa/",{"locations":17586,"other":17589},[17587],{"_id":139,"_type":121,"seo":75,"slug":17588,"title":142},{"_type":77,"current":141},[17590],{"_key":17591,"_type":11,"children":17592,"markDefs":17597,"style":24},"8dad9db78ade",[17593],{"_key":17594,"_type":15,"marks":17595,"text":17596},"b5e41d2ec161",[],"Born in Kyiv, Ukraine.",[],[17599,1349],"oleksandra tsapko",{"_type":77,"current":17601},"oleksandra-tsapko","Oleksandra Tsapko",{"_id":17604,"_type":576,"activeYears":17605,"bio":17608,"bioShort":17617,"featuredImage":17618,"filterables":17624,"links":17627,"locations":17631,"searchables":17644,"seo":17646,"slug":17648,"title":17647},"f925b9fe-8ee4-46f2-9d98-f3a9cf853279",[17606],{"_id":1347,"_type":580,"seo":75,"slug":17607,"title":1350},{"_type":77,"current":1349},[17609],{"_key":17610,"_type":11,"children":17611,"markDefs":17616,"style":24},"5dabfbb16727",[17612],{"_key":17613,"_type":15,"marks":17614,"text":17615},"b692c7ec9c4f0",[],"Alisa is a visual artist and designer whose work combines practice and research across multiple media. With a background in visual art, printmaking, and graphic design, she explores themes of memory, home, and forced migration in her artistic practice. Her current research inquiry focuses on modern digital cultures, often resulting in projects that merge creative expression with critical investigation. As a designer, she specialises in book design and production, treating books as both vessels of information and artistic artifacts.",[],"Alisa is a visual artist and designer whose work combines practice and research across multiple media.",{"alt":75,"asset":17619},{"_id":17620,"height":5430,"orientation":637,"ratio":17621,"url":17622,"width":17623},"image-a06560e39b667822bb7236cd16cc61e4dea99d20-853x1280-jpg",0.66640625,"https://cdn.sanity.io/images/eodip22e/production/a06560e39b667822bb7236cd16cc61e4dea99d20-853x1280.jpg",853,{"filterYear":17625},[17626],{"_id":1347,"title":1350},[17628],{"_type":607,"label":17629,"url":17630},"380 Collective","https://www.instagram.com/380artgroup/",{"locations":17632,"other":17635},[17633],{"_id":139,"_type":121,"seo":75,"slug":17634,"title":142},{"_type":77,"current":141},[17636],{"_key":17637,"_type":11,"children":17638,"markDefs":17643,"style":24},"ee36d8729d14",[17639],{"_key":17640,"_type":15,"marks":17641,"text":17642},"5339bc4ae063",[],"Born in Kharkiv, Ukraine",[],[17645,1349],"alisa probylova",{"metaDescription":17647,"metaTitle":17647,"shareImage":75},"Alisa Probylova",{"_type":77,"current":17649},"alisaprobylova",{"_id":17651,"_type":576,"activeYears":17652,"bio":17655,"bioShort":17664,"featuredImage":17665,"filterables":17669,"links":17672,"locations":17675,"searchables":17688,"seo":75,"slug":17690,"title":17692},"1beb1ce7-ff92-44fe-8353-9472f82f1907",[17653],{"_id":1347,"_type":580,"seo":75,"slug":17654,"title":1350},{"_type":77,"current":1349},[17656],{"_key":17657,"_type":11,"children":17658,"markDefs":17663,"style":24},"ae1624abadeb",[17659],{"_key":17660,"_type":15,"marks":17661,"text":17662},"3ef5f3e8d68e0",[],"Kateryna is a Ukrainian cultural worker and activist based in Zurich. Her work focuses on organising, curating, and assisting events that encompass performance, music, film, theatre and fine arts. She has a background in contributing to the cultural development of her hometown, Khmelnytskyi, where she was a part of the self-organised non-commercial collective Bodrayakorova (2015-17). After graduating with a Culture and Media Management degree in Cracow, Poland, she has worked in contemporary art galleries and assisted at various art and music festivals. In Berlin, she gained curatorial experience at a feminist gallery and assisted curators of Berlin Atonal: Metabolic Rift 2021. Since 2022, Kateryna has been an active member of Zurich's cultural scene, organising solidarity events (380 collective, Anti-Imperial Resistance Grid, Gornyatko community kitchen), and working at cultural institutions such as Zentralwäscherei, Gessnerallee, and Migros Museum für Gegenwartskunst. Her artistic practice emphasises creating safer spaces for marginalised communities and exploring topics such as decoloniality, trauma, sexuality, and queerness. Since 2024 she has dived into the music field, becoming a Furka Radio and Zentralwäscherei Dj resident.",[],"Kateryna is a Ukrainian cultural worker and activist based in Zurich. Her work focuses on organising, curating, and assisting events that encompass performance, music, film, theatre and fine arts. ",{"alt":75,"asset":17666},{"_id":17667,"height":5430,"orientation":637,"ratio":17621,"url":17668,"width":17623},"image-533196252cfe3f3432a0610e28537be904a6cacf-853x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/533196252cfe3f3432a0610e28537be904a6cacf-853x1280.jpg",{"filterYear":17670},[17671],{"_id":1347,"title":1350},[17673],{"_type":607,"label":608,"url":17674},"https://katevavrynchuk.cargo.site ",{"locations":17676,"other":17679},[17677],{"_id":139,"_type":121,"seo":75,"slug":17678,"title":142},{"_type":77,"current":141},[17680],{"_key":17681,"_type":11,"children":17682,"markDefs":17687,"style":24},"b7dacc28e0c0",[17683],{"_key":17684,"_type":15,"marks":17685,"text":17686},"d79c48ec7c79",[],"Born in Khmelnytskyi, Ukraine.",[],[17689,1349],"kateryna vavrynchuk",{"_type":77,"current":17691},"kateryna-vavrynchuk","Kateryna Vavrynchuk",{"alt":75,"asset":17694},{"_id":17695,"height":17696,"orientation":598,"ratio":17697,"url":17698,"width":17699},"image-c0934dd910f3e4d12afb829201b9d860c8c356cb-8334x4167-jpg",4167,2,"https://cdn.sanity.io/images/eodip22e/production/c0934dd910f3e4d12afb829201b9d860c8c356cb-8334x4167.jpg",8334,{"filterCategory":17701,"filterLocation":17709,"filterYear":17711},[17702,17703,17704,17705,17706,17707,17708],{"_id":17532,"title":17536},{"_id":653,"title":658},{"_id":173,"title":176},{"_id":218,"title":221},{"_id":168,"title":171},{"_id":483,"title":486},{"_id":463,"title":466},[17710],{"_id":139,"title":142},[17712],{"_id":1347,"title":1350},[],{"locations":17715,"other":75},[17716],{"_id":139,"_type":121,"seo":75,"slug":17717,"title":142},{"_type":77,"current":141},[17719,17727],{"_key":17720,"_type":11,"children":17721,"markDefs":17726,"style":24},"897a65c413e4",[17722],{"_key":17723,"_type":15,"marks":17724,"text":17725},"76957716cc50",[],"11.04.2025 - Beginning of research.\n11.05.2025 - Second meeting: Developing the idea. Defining methodology. Reading related literature.\n16.06.2025 - Preparations for the workshop.\n31.06.2025 - Individual meeting: Kateryna & Oleksandra.\n02.07.2025 - Final workshop preparations.\n05.07.2025 - Workshop debut. \n15.07.2025 - Workshop analysis and planning of next steps. 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As an archivist, she focuses on foregrounding circulation over provenance, developing haptic relationships with records, and resituating the place of microorganisms and other beings within the archival environment.",[],{"_key":18766,"_type":11,"children":18767,"markDefs":18771,"style":24},"a29a17059b81",[18768],{"_key":18769,"_type":15,"marks":18770,"text":1150},"1fafab2731a60",[],[],{"_key":18773,"_type":11,"children":18774,"markDefs":18779,"style":24},"2e97107851b2",[18775],{"_key":18776,"_type":15,"marks":18777,"text":18778},"8aebdd1274940",[],"As a host and facilitator of Sala de Té, she works alongside multimedia artists to create situated installations and narratives, considering the act of serving and sharing tea as providing not just hospitality but vectors for critical pedagogies.",[],"Layla (New York, 1993) is a writer, archivist, translator, and independent researcher living in Mexico City. 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His work engages sound, oral storytelling, and speculative world-building as tools for investigating ecological transformation, collective memory, and low-tech futurisms. With a background in cultural studies and urban research, their practice moves fluidly between installation, composition, pedagogy, and collaboration.",[],{"_key":18823,"_type":11,"children":18824,"markDefs":18845,"style":24},"5b1075d46260",[18825,18829,18833,18837,18841],{"_key":18826,"_type":15,"marks":18827,"text":18828},"4bc215497bfb0",[],"They have presented work at Museo Tamayo, Materia Art Fair, SET Woolwich, and other independent and institutional spaces. Their ongoing project ",{"_key":18830,"_type":15,"marks":18831,"text":18832},"4bc215497bfb1",[1362],"Sound Ecology",{"_key":18834,"_type":15,"marks":18835,"text":18836},"4bc215497bfb2",[]," (2021–2025), hosted by Internet Public Radio, explores sonic entanglements across environmental and political contexts. They are currently a resident in ",{"_key":18838,"_type":15,"marks":18839,"text":18840},"4bc215497bfb3",[1362],"Organismo Year One",{"_key":18842,"_type":15,"marks":18843,"text":18844},"4bc215497bfb4",[],", a collaborative program with TBA-21 and the Thyssen-Bornemisza Museum in Madrid where his team is developing a long duration land-intervention piece in collaboration with  Laure Prouvost.",[],{"_key":18847,"_type":11,"children":18848,"markDefs":18861,"style":24},"585dd6e81cc4",[18849,18853,18857],{"_key":18850,"_type":15,"marks":18851,"text":18852},"c21cd047c85b0",[],"As a host and facilitator of ",{"_key":18854,"_type":15,"marks":18855,"text":18856},"c21cd047c85b1",[1362],"Sala de Té",{"_key":18858,"_type":15,"marks":18859,"text":18860},"c21cd047c85b2",[],", they create itinerant environments for deep listening, narrative experimentation, and communal reflection, considering the act of sharing tea as a soft infrastructure for learning and co-imagining possible worlds.",[],"Guillermo Martinez de Velasco (Mexico City, 1988) is an artist, musician and political ecologist from Mexico City. \n",{"alt":75,"asset":18864},{"_id":18865,"height":18866,"orientation":637,"ratio":18867,"url":18868,"width":18869},"image-cee7117060c7e4dce8f90ccae06e747b3e77f216-1408x1877-jpg",1877,0.7501331912626532,"https://cdn.sanity.io/images/eodip22e/production/cee7117060c7e4dce8f90ccae06e747b3e77f216-1408x1877.jpg",1408,{"filterYear":75},[18872],{"_type":607,"label":18873,"url":18874},"Socials","https://www.instagram.com/1climatecollapse",{"locations":18876,"other":75},[18877,18879],{"_id":139,"_type":121,"seo":75,"slug":18878,"title":142},{"_type":77,"current":141},{"_id":149,"_type":121,"seo":75,"slug":18880,"title":152},{"_type":77,"current":151},[18882],"guillermo martínez de velasco",{"_type":77,"current":18884},"guillermo-martinez-de-velasco","Guillermo Martínez de Velasco",{"alt":18887,"asset":18888},"serving tea",{"_id":18889,"height":18890,"orientation":598,"ratio":18891,"url":18892,"width":3703},"image-143222a14998a22d1fb2d1757b204424377a14e9-1500x957-jpg",957,1.567398119122257,"https://cdn.sanity.io/images/eodip22e/production/143222a14998a22d1fb2d1757b204424377a14e9-1500x957.jpg",{"filterCategory":18894,"filterLocation":18899,"filterYear":18901},[18895,18896,18897,18898],{"_id":18703,"title":18707},{"_id":453,"title":456},{"_id":488,"title":491},{"_id":193,"title":196},[18900],{"_id":901,"title":904},[18902],{"_id":1347,"title":1350},[],{"locations":18905,"other":18908},[18906],{"_id":901,"_type":121,"seo":75,"slug":18907,"title":904},{"_type":77,"current":903},[18909],{"_key":18910,"_type":11,"children":18911,"markDefs":18916,"style":24},"479c07b31a84",[18912],{"_key":18913,"_type":15,"marks":18914,"text":18915},"d49c9c2bfc25",[],"Founded in Mexico City, enacted worldwide.",[],[18918,18921],{"_type":813,"caption":75,"image":18919},{"alt":75,"asset":18920},{"_id":18889,"height":18890,"orientation":598,"ratio":18891,"url":18892,"width":3703},{"_type":728,"settings":18922,"text":18923},{"textColumnCount":730},[18924,18932,18940],{"_key":18925,"_type":11,"children":18926,"markDefs":18931,"style":24},"eab52b4924e8",[18927],{"_key":18928,"_type":15,"marks":18929,"text":18930},"1c255ef7e5ad0",[],"Sala de Té is an itinerant tea room that creates a temporary space for knowledge exchange and deep listening practices. Founded in Mexico City in 2022, this collaborative practice utilizes a samovar tea set and a spread of mats, rugs, and cushions to create independent yet permeable architectures in public spaces. Participants co-create situated installations and narratives, proposing that serving and sharing tea is both an act of hospitality and a vector for critical pedagogies.",[],{"_key":18933,"_type":11,"children":18934,"markDefs":18939,"style":24},"611086eee5dd",[18935],{"_key":18936,"_type":15,"marks":18937,"text":18938},"2f5d077385090",[],"For the duration of School of Commons, we proposed a tea room series to explore [an itinerant, unwalled Paradise for cultivating climate futures] through speculative archeology and architecture. How can we prepare for uncertain futures by establishing the framework for efficient self-organising? Our principal project in this series, Tensile Paradise, is a mobile participatory intervention informed by traditional Iranian tea rooms and the vernacular architecture of Mexican protest movements. It is a hands-on research project that aims to explore structures of organizing by organizing a structure. As part of its guiding line, our collective examines the structure of different types of human organisations throughout history that have managed to operate effectively despite limited resources and personnel. Examples include nomadic herding communities, partisan movements during WW2, independent workers' unions, online fan clubs, climate activists, pirate gangs, etc. By analyzing their structure, a web of connection points between their differing structures can be drawn up and recreated using tensile architecture. During our activations, we encourage participants to take on self-assigned roles to collaborate on constructing a self-standing structure held together only by its tensile strength. There are no blueprints. However, in negotiating the tension of the connecting cords between each node, participants explore both the structure of organizations and also how their organizing results in a structure, both physical and social.",[],{"_key":18941,"_type":11,"children":18942,"markDefs":18947,"style":24},"5fc8fb679a3d",[18943],{"_key":18944,"_type":15,"marks":18945,"text":18946},"33b429f66cd60",[],"The completed structure transforms into a tearoom. Within it, the collective drinks tea together, made and served from an Iranian samovar. Hospitality and conviviality turn structure-building into place-making. During this time, a guided reflection on the experience of organizing is discussed using the newly built structure as a parallel metaphor. Where did communication break down, and what are the structural weak points? 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our principal project in this series, tensile paradise, is a mobile participatory intervention informed by traditional iranian tea rooms and the vernacular architecture of mexican protest movements. it is a hands-on research project that aims to explore structures of organizing by organizing a structure. as part of its guiding line, our collective examines the structure of different types of human organisations throughout history that have managed to operate effectively despite limited resources and personnel. examples include nomadic herding communities, partisan movements during ww2, independent workers' unions, online fan clubs, climate activists, pirate gangs, etc. by analyzing their structure, a web of connection points between their differing structures can be drawn up and recreated using tensile architecture. during our activations, we encourage participants to take on self-assigned roles to collaborate on constructing a self-standing structure held together only by its tensile strength. there are no blueprints. however, in negotiating the tension of the connecting cords between each node, participants explore both the structure of organizations and also how their organizing results in a structure, both physical and social.\n\nthe completed structure transforms into a tearoom. within it, the collective drinks tea together, made and served from an iranian samovar. hospitality and conviviality turn structure-building into place-making. during this time, a guided reflection on the experience of organizing is discussed using the newly built structure as a parallel metaphor. where did communication break down, and what are the structural weak points? 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",{"_key":19138,"_type":15,"marks":19139,"text":19103},"8e9a00d84fb77",[1362],{"_key":19141,"_type":15,"marks":19142,"text":19143},"8e9a00d84fb78",[]," guides how we inhabit time and space: through attunement, reciprocity, and co-creation with the elements.",[],{"_key":19146,"_type":11,"children":19147,"markDefs":19167,"style":24},"9547b7e0f3eb",[19148,19152,19156,19160,19163],{"_key":19149,"_type":15,"marks":19150,"text":19151},"d17ef9aeeca20",[],"Thus, ",{"_key":19153,"_type":15,"marks":19154,"text":19155},"d17ef9aeeca21",[17],"LIOS",{"_key":19157,"_type":15,"marks":19158,"text":19159},"d17ef9aeeca22",[]," can be read as a laboratory of ",{"_key":19161,"_type":15,"marks":19162,"text":19103},"d17ef9aeeca23",[1362],{"_key":19164,"_type":15,"marks":19165,"text":19166},"d17ef9aeeca24",[],"—a field for sensing and enacting the deep structures of interbeing, where artistic, ecological, and social processes align with the subtle order of life itself.",[],{"_key":19169,"_type":11,"children":19170,"markDefs":19195,"style":24},"d79e84f70ef3",[19171,19175,19179,19183,19187,19191],{"_key":19172,"_type":15,"marks":19173,"text":19174},"60e5041dd0a30",[17],"LIOS Labs is a community, and, formally, an association, of artists, activists, and researchers from around the world. ",{"_key":19176,"_type":15,"marks":19177,"text":19178},"60e5041dd0a31",[],"We came together in Berlin in 2019, inspired by the Błędowska Desert in Poland - a place that became both our starting point and the heart of our work. As a community, LIOS operates like an ",{"_key":19180,"_type":15,"marks":19181,"text":19182},"60e5041dd0a32",[17],"ecosystem",{"_key":19184,"_type":15,"marks":19185,"text":19186},"60e5041dd0a33",[],": self-organizing, interdependent, and porous. Its members collaborate across geographies and disciplines, guided by a sense of planetary kinship and responsibility. 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",{"_key":19507,"_type":15,"marks":19508,"text":19509},"d7f3f3991e19",[17],"School of Commons Assembly 2026",{"_key":19511,"_type":15,"marks":19512,"text":19513},"848a3d7ef0d2",[]," unfolds within a moment of strain and transition. It follows a Town Hall* titled ",{"_key":19515,"_type":15,"marks":19516,"text":15358},"aefc8075be68",[1362],{"_key":19518,"_type":15,"marks":19519,"text":19520},"cd2e79613303",[],", which gathered our community under conditions of uncertainty, making visible both the fragility and the strength of what has been built together over the past nine years. As School of Commons faces the withdrawal of familiar institutional support, the questions that surface are no longer abstract: how do we hold each other, how do we stretch without tearing, how do we sustain collective structures when the ground beneath them is shifting? This Assembly does not ask how to escape pressure, but how to remain with it - together - with a sustained hope that something more aligned, nourishing, freeing, and supportive can be born without collapse.",[],{"_key":19523,"_type":11,"children":19524,"markDefs":19550,"style":24},"0f156104dd92",[19525,19529,19532,19535,19538,19542,19546],{"_key":19526,"_type":15,"marks":19527,"text":19528},"5b2c95a598cf0",[],"If ",{"_key":19530,"_type":15,"marks":19531,"text":15358},"5b2c95a598cf1",[1362,17],{"_key":19533,"_type":15,"marks":19534,"text":15377},"5b2c95a598cf2",[],{"_key":19536,"_type":15,"marks":19537,"text":15381},"5b2c95a598cf3",[1362,17],{"_key":19539,"_type":15,"marks":19540,"text":19541},"5b2c95a598cf4",[]," names a collective response. Drawing from SoC’s annual peer-led publication ",{"_key":19543,"_type":15,"marks":19544,"text":19545},"5b2c95a598cf5",[1362],"ISSUES",{"_key":19547,"_type":15,"marks":19548,"text":19549},"5b2c95a598cf6",[],"—its metafesto and the image of the boat in the sky—the Assembly imagines collectivity not as something fixed or grounded, but as something brought into being through shared belief, care, and coordination. A vessel that exists because we insist on it. A structure made not of certainty, but of relation. Not a monument, but a practice.",[],{"_key":19552,"_type":11,"children":19553,"markDefs":19562,"style":24},"70abcd297644",[19554,19558],{"_key":19555,"_type":15,"marks":19556,"text":19557},"38cc219ea13f0",[17],"The SoC Cohort 2025 can be understood in these terms: fourteen projects sustained not by sameness, but by productive tension between bodies, histories, tools, technologies, landscapes, and ways of knowing - redistributing weight as existing supports shift, stretch, or fall away.",{"_key":19559,"_type":15,"marks":19560,"text":19561},"4d5a5acb2a50",[]," \n\nKnowledge moves not as property, but as something held in common, shared through games, radios, kitchens, rituals, mentoring relationships, and experimental infrastructures. Across the cohort programme, learning takes shape through layered spaces: commons, assemblies, platforms, and shared systems that expand participation without flattening difference or excluding those most affected.",[],{"_key":19564,"_type":11,"children":19565,"markDefs":19570,"style":24},"66d01f363339",[19566],{"_key":19567,"_type":15,"marks":19568,"text":19569},"9781baa4d3950",[],"Across the cohort, research unfolds within ecological, political, and epistemic precarity, asking what it means to remain connected without tearing, to stay responsive while under strain. Projects move across communities already living in and with crisis, drawing from cultures that have long practiced collective solutions to collective problems through mutual solidarities. Learning here is relational and situated - shaped through proximity, care, and collective responsibility, rather than extraction or ownership.",[],{"_key":19572,"_type":11,"children":19573,"markDefs":19578,"style":24},"e9633326fad0",[19574],{"_key":19575,"_type":15,"marks":19576,"text":19577},"f04f22db9c770",[],"Another current moves through archives, memory, and more-than-human relations. Projects reimagine the archive beyond Western epistemologies - towards oral traditions, embodied knowledge, ephemeral art, mourning rituals, and the body itself as a living archive of trauma and transformation. Others attend to food sovereignty, disappearing ecologies, and post-glacial landscapes as sites of learning and resistance. Queering methods and myth-making practices centre multiplicity, monstrosity, chimera, and more-than-human voices, opening narratives in which humans are no longer the only narrators.",[],{"_key":19580,"_type":11,"children":19581,"markDefs":19586,"style":24},"fe49b9580b48",[19582],{"_key":19583,"_type":15,"marks":19584,"text":19585},"a3c89232d3aa0",[],"Communication and translation emerge as tensile acts in themselves: how to speak across difference, how to say the same things in A2 English, how to make climate data accessible, how to foster inclusive education, how to activate accountability rather than neutrality. These are not secondary practices, but structural ones - ways of steering the vessel, ways of staying together while in motion. Taken together, the Assembly’s conversations, practices, and gatherings form a constellational structure under tension - stretched across geographies, disciplines, generations, and species, sustained through relation rather than stability. In doing so, they affirm School of Commons as a living, relational infrastructure: one that flexes, listens, and responds in a world that is still being pulled apart.",[],{"_key":19588,"_type":11,"children":19589,"markDefs":19602,"style":24},"848fe2336d2d",[19590,19594,19598],{"_key":19591,"_type":15,"marks":19592,"text":19593},"25ded1c74b320",[],"These questions of holding, imagining, and transmitting knowledge converge in the ",{"_key":19595,"_type":15,"marks":19596,"text":19597},"25ded1c74b321",[17],"ISSUES Launch 2025: Exquisite Commons",{"_key":19599,"_type":15,"marks":19600,"text":19601},"25ded1c74b322",[],". Refusing linear sequence, the publication circulates, drifts, returns, disappears, and reappears - treating publication itself as a commoning practice, an open archive, a shared vessel for collective voice. Neither manifesto nor manual, it operates as a metafesto: an orientation device for navigating uncertainty together, an invitation rather than an instruction.",[],{"_key":19604,"_type":11,"children":19605,"markDefs":19617,"style":24},"5e17ec3632cb",[19606,19610,19613],{"_key":19607,"_type":15,"marks":19608,"text":19609},"1b5c5c2f106a0",[],"The Assembly is held between two moments both titled ",{"_key":19611,"_type":15,"marks":19612,"text":15358},"1b5c5c2f106a1",[17],{"_key":19614,"_type":15,"marks":19615,"text":19616},"1b5c5c2f106a2",[],": the Town Hall that opened this period of transition, and the Round Table that will close it, reconvening guest facilitators from the previous SoC Assembly of 2025. Together, they stretch the structure across time, memory, and relation - linking past, present, and possible futures through shared attention and collective reflection. These moments echo the cohort’s inquiries and extend them across the Assembly’s shared spaces, inviting continuity, care, and renewed conversation as living forms of relation.",[],{"_key":19619,"_type":11,"children":19620,"markDefs":19625,"style":24},"e452522cb749",[19621],{"_key":19622,"_type":15,"marks":19623,"text":19624},"bf2c84429d820",[],"Together, the Town Hall, the cohort programme, the ISSUES launch, the Round Table, and the Assembly as a holding space, form a single relational structure: not a stable institution, but a roaming one; not a fixed framework, but a vessel in formation.A sky-boat held together by imagination, mutual dependency, care, humour, friction, and trust.",[],{"_key":19627,"_type":11,"children":19628,"markDefs":19633,"style":24},"548ef39d5ff4",[19629],{"_key":19630,"_type":15,"marks":19631,"text":19632},"87f751cfee5f0",[],"There is no single entry point.\nNo first page.\nNo fixed ground.",[],{"_key":19635,"_type":11,"children":19636,"markDefs":19641,"style":24},"3ff969bbc9e1",[19637],{"_key":19638,"_type":15,"marks":19639,"text":19640},"8411cf9e65830",[],"The moment you choose to step onto the vessel in the sky, you are already part of its making.",[],{"_key":19643,"_type":11,"children":19644,"markDefs":19657,"style":24},"404ad630a7b7",[19645,19649,19653],{"_key":19646,"_type":15,"marks":19647,"text":19648},"05a161b6b0c80",[17,1362],"*Town Hall",{"_key":19650,"_type":15,"marks":19651,"text":19652},"05a161b6b0c81",[1362]," — ",{"_key":19654,"_type":15,"marks":19655,"text":19656},"05a161b6b0c82",[],"a core part of the SoC methodology: a shared space for collective reflection, accountability, and reorientation.",[],{"_key":19659,"_type":11,"children":19660,"markDefs":19745,"style":24},"15bda7670fc4",[19661,19665,19669,19672,19675,19679,19683,19686,19690,19693,19698,19702,19706,19709,19714,19718,19722,19725,19730,19733,19737,19741],{"_key":19662,"_type":15,"marks":19663,"text":19664},"c197db2af4240",[],"____________________________________________________________________________________________\n\n",{"_key":19666,"_type":15,"marks":19667,"text":19668},"4f37540442c80",[17],"Programme \nThursday, 5 February 2026 ",{"_key":19670,"_type":15,"marks":19671,"text":1676},"9ff7748985ed",[],{"_key":19673,"_type":15,"marks":19674,"text":2495},"1a7dc2b8f197",[17],{"_key":19676,"_type":15,"marks":19677,"text":19678},"7fecb6c86813",[1362],"15:30 - 16:00 ",{"_key":19680,"_type":15,"marks":19681,"text":19682},"228aef0e8023",[17],"\nOpening by SoC",{"_key":19684,"_type":15,"marks":19685,"text":2495},"5e79f156eb52",[],{"_key":19687,"_type":15,"marks":19688,"text":19689},"ac6ca27da83b",[1362],"16:00 - 16:30 ",{"_key":19691,"_type":15,"marks":19692,"text":1768},"538d93898ada",[17],{"_key":19694,"_type":15,"marks":19695,"text":19697},"721ee67a9f50",[17,19696],"11f00ff9ed6a","Collective Score For What Is Gone by AWOL - Glacier Rapport",{"_key":19699,"_type":15,"marks":19700,"text":19701},"0d404df555ba",[],"\nThis work unfolds as a collective act of listening and sounding. Glacial soundscapes form an unstable ground, further fractured by the digital conditions of the meeting. Within this terrain, participants are invited to enter intuitively. Voices appear briefly—without discussion or response—becoming part of a live composition that cannot be repeated. Nothing is resolved or explained; the piece exists only for the duration of our listening together.\n\n",{"_key":19703,"_type":15,"marks":19704,"text":19705},"68eb3b35e6be",[1362],"16:30 - 17:00 ",{"_key":19707,"_type":15,"marks":19708,"text":1768},"2f648ba7862b",[17],{"_key":19710,"_type":15,"marks":19711,"text":19713},"1de19b784b8a",[17,19712],"fb13d60537ec","Stretching Exercises To Feel Climate Change by Ula Liagaitė",{"_key":19715,"_type":15,"marks":19716,"text":19717},"dbabf7d64338",[],"\nThis presentation shares three stretching exercises developed over the past year as a live, embodied practice for sensing climate change. Through audio and visual documentation, Liagaitė traces the scores and processes shaping the work. If time permits, the audience is invited to participate in one of the scores, shifting the presentation from documentation to experienc\n\n",{"_key":19719,"_type":15,"marks":19720,"text":19721},"002900221bec4",[1362],"17:00 - 17:30 ",{"_key":19723,"_type":15,"marks":19724,"text":1768},"bb0128eaec14",[17],{"_key":19726,"_type":15,"marks":19727,"text":19729},"65be3214efab",[17,19728],"d4a15667beea","Opening Up (d)structura For Public Use by (d)structura ",{"_key":19731,"_type":15,"marks":19732,"text":1768},"07b4688e0c56",[1362],{"_key":19734,"_type":15,"marks":19735,"text":19736},"f2a036b3cad2",[],"This presentation shares the process of opening the (d)structura project for public use in Barcelona, highlighting its critical points and potential. It includes a five-minute guided activity that invites participants to engage directly with the work.\n \n",{"_key":19738,"_type":15,"marks":19739,"text":19740},"1dd08fb2c5f2",[1362],"17:30–18:00 ",{"_key":19742,"_type":15,"marks":19743,"text":19744},"1cfc28416ca7",[17],"\nCool Down",[19746,19747,19748],{"_key":19712,"_type":41,"blank":42,"href":1128},{"_key":19696,"_type":41,"blank":42,"href":1128},{"_key":19728,"_type":41,"blank":42,"href":1128},{"_key":19750,"_type":11,"children":19751,"markDefs":19979,"style":24},"55eec29fce87",[19752,19756,19760,19764,19768,19773,19777,19781,19784,19789,19792,19796,19799,19803,19807,19810,19814,19817,19822,19826,19830,19833,19838,19841,19845,19849,19853,19856,19861,19864,19868,19872,19875,19880,19883,19887,19890,19893,19897,19901,19904,19908,19911,19916,19920,19924,19927,19932,19936,19940,19944,19947,19951,19956,19960,19964,19968,19972,19975],{"_key":19753,"_type":15,"marks":19754,"text":19755},"4309063c07570",[],"____________________________________________________________________________________________ \n\n",{"_key":19757,"_type":15,"marks":19758,"text":19759},"65f9da153cfc",[17],"Programme \nFriday, 6 February 2026 \n\n",{"_key":19761,"_type":15,"marks":19762,"text":19763},"0bf4cf552a68",[1362],"15:00–15:30",{"_key":19765,"_type":15,"marks":19766,"text":19767},"f8eeee32a809",[17]," \n",{"_key":19769,"_type":15,"marks":19770,"text":19772},"0e70b91612d5",[17,19771],"e7e10fc0b7a0","A Somatic Practice of Multiplicity by CHIMERA",{"_key":19774,"_type":15,"marks":19775,"text":19776},"56f765510bfe",[],"\nCHIMERA investigates the multi-body body, drawing inspiration from the folkloric Chimera – a hybrid goat, lion, and snake – as a model for queer multiplicitous identities. To access the felt-sense of being many, the researchers engage in somatic exercises that play with inner systems of three.As a collective worldbuilding experiment, we extended beyond the inner chimera, using the model of multiplicity to challenge the boundaries around the self and repattern relational intimacies. This presentation of work will give an overview of the research experience, and offer a brief practical play in chimerizing.\n\n",{"_key":19778,"_type":15,"marks":19779,"text":19780},"76902dbfe111",[1362],"15:30–16:00",{"_key":19782,"_type":15,"marks":19783,"text":1768},"b2ffe70e8fa0",[17],{"_key":19785,"_type":15,"marks":19786,"text":19788},"3da881750de4",[17,19787],"2620408e9bcf","Mentoring as Practice by Nora Sobbe ",{"_key":19790,"_type":15,"marks":19791,"text":1768},"a09aa6c9cd96",[17],{"_key":19793,"_type":15,"marks":19794,"text":19795},"455f4794e925",[],"This project introduces a note-spitting machine—dispensing small pieces of paper with short text prompts—to mentees, mentors, and those interested in starting a mentoring relationship. Mentoring serves as a vessel for learning and teaching, often embedded in everyday study at art universities. By leaving the exact mode of engagement to participants, the project highlights mentoring as a format that raises questions about how and in what constellations we choose to learn together.",{"_key":19797,"_type":15,"marks":19798,"text":2495},"5f0db40486bf",[17],{"_key":19800,"_type":15,"marks":19801,"text":19802},"d2ed40c8fac5",[1362],"16:00–16:30 ",{"_key":19804,"_type":15,"marks":19805,"text":19806},"e7ffe0ef416a",[17],"\nBreak ",{"_key":19808,"_type":15,"marks":19809,"text":2495},"97f2f629f9ac",[],{"_key":19811,"_type":15,"marks":19812,"text":19813},"772280da2e22",[1362],"16:30–17:30 ",{"_key":19815,"_type":15,"marks":19816,"text":1768},"d9ab6fc167d5",[17],{"_key":19818,"_type":15,"marks":19819,"text":19821},"78859591bb0f",[17,19820],"3d98e4b71793","Enough English! by Klara Branting Paulsell ",{"_key":19823,"_type":15,"marks":19824,"text":19825},"8afe54b3ab2a",[],"\nAn experiment in using all the other tongues we have to arrive somewhere easy. Basically a game of describing things to different people in different languages to find out what information was actually important all along.\n\n",{"_key":19827,"_type":15,"marks":19828,"text":19829},"7708315ab7a1",[1362],"17:30–18:00",{"_key":19831,"_type":15,"marks":19832,"text":1768},"21b548704703",[17],{"_key":19834,"_type":15,"marks":19835,"text":19837},"95908ff98da9",[17,19836],"281421690d8f","Boats Floating in a Basket by Jere Ikongio and Ambrose Idemudia",{"_key":19839,"_type":15,"marks":19840,"text":1768},"e84ead0324ef",[17],{"_key":19842,"_type":15,"marks":19843,"text":19844},"01403b551bdd",[],"The workshop and live performance invite participants into Likon’yor, a participatory sonic environment exploring sound as archive, memory, and commons. Using a custom Max/MSP patch, the session explores how oral histories, fragmented voices, and ephemeral gestures can be transformed into a shared, living sonic archive.\n(20mins) The workshop includes a short introduction to the Max/MSP patch as both tool and collaborator. frame as an open, responsive instrument and playground capable of listening, translating, and reshaping collective input.\n(10mins)The performance extends this process into a collective composition. Using material from the workshop and performing with the patch in real time.\nThe session also introduces concepts behind the work: hacking as an act of care rather than disruption; the archive as something lived and performed; and sound as a medium that refuses borders, permanence, and categorisation.\nNo technical knowledge is required.\n\n____________________________________________________________________________________________\n\n",{"_key":19846,"_type":15,"marks":19847,"text":19848},"81bb4a0057540",[17],"Programme \nSaturday, 7 February 2026\n\n",{"_key":19850,"_type":15,"marks":19851,"text":19852},"b01210f804d3",[1362],"10:30–11:00 ",{"_key":19854,"_type":15,"marks":19855,"text":1768},"020ab08429a9",[17],{"_key":19857,"_type":15,"marks":19858,"text":19860},"52f13aac07cc",[17,19859],"73f01c899beb","Waves and Workings by Shortwave Collective",{"_key":19862,"_type":15,"marks":19863,"text":1676},"e94a0472dd3b",[19859],{"_key":19865,"_type":15,"marks":19866,"text":19867},"34f083765cb5",[],"\nThis presentation shares the collective’s creative methods for working together, including approaches to sharing labour, organising pay, and developing writing practices that honour multiple voices while striving for equity. It also introduces ideas that have emerged over the past year through their involvement in School of Commons around the electromagnetic commons, reflecting on how these concepts inform their approaches to collaboration, learning, and shared responsibility.\n\n",{"_key":19869,"_type":15,"marks":19870,"text":19871},"ba5cab5094ce0",[1362],"11:00–11:35",{"_key":19873,"_type":15,"marks":19874,"text":1768},"6e9050e59dca",[17],{"_key":19876,"_type":15,"marks":19877,"text":19879},"2bc3c9f1f928",[17,19878],"a4aa67ad0fcf","Flavor in the Anthropocene by Broudou School",{"_key":19881,"_type":15,"marks":19882,"text":1676},"d4eb6a2d08e2",[19878],{"_key":19884,"_type":15,"marks":19885,"text":19886},"9b87a3ca49d9",[],"\nA moment of collective thinking, interaction, creation, and design—an intentional response to a challenging situation that threatens both human and non-human species.Throughout the workshop, the idea of collectiveness will unfold through diverse group management approaches. These collaborative structures are designed to explore how we work together, how efficiency emerges within groups, and how collective action can generate meaningful, resilient responses.",{"_key":19888,"_type":15,"marks":19889,"text":1768},"e57e077fdd68",[17],{"_key":19891,"_type":15,"marks":19892,"text":1768},"a36b8acd985a",[],{"_key":19894,"_type":15,"marks":19895,"text":19896},"84d79ea152a9",[1362],"11:35–12:00",{"_key":19898,"_type":15,"marks":19899,"text":19900},"964e6bde773c",[17],"\nBreak",{"_key":19902,"_type":15,"marks":19903,"text":2495},"29fd11544c73",[],{"_key":19905,"_type":15,"marks":19906,"text":19907},"6846fe276926",[1362],"12:00–12:30",{"_key":19909,"_type":15,"marks":19910,"text":1768},"a738b8485c1b",[17],{"_key":19912,"_type":15,"marks":19913,"text":19915},"591450134cd2",[17,19914],"69c4044192c0","The Poetry in Names: The Aesthetics of Traditional Chinese Colors by Yue Wu",{"_key":19917,"_type":15,"marks":19918,"text":19919},"1baee65052c4",[],"\nThis presentation explores key differences between the histories and naming of colors in Chinese and Western traditions. Focusing on traditional Chinese pigments, it highlights a poetic approach to color naming that is deeply connected to nature, and shares research findings emerging from this inquiry.\n\n",{"_key":19921,"_type":15,"marks":19922,"text":19923},"ba2f809d132f",[1362],"12:30–13:00",{"_key":19925,"_type":15,"marks":19926,"text":1768},"a2a775a69622",[17],{"_key":19928,"_type":15,"marks":19929,"text":19931},"a97fc07f3111",[19930,17],"961134370480","Tensile Structures by Sala de té [an itinerant, unwalled Paradise for cultivating climate futures]",{"_key":19933,"_type":15,"marks":19934,"text":19935},"f8510555c45d",[],"  \nA brief exploration on allocation and location.\n\n____________________________________________________________________________________________\n",{"_key":19937,"_type":15,"marks":19938,"text":19939},"8eb8a7874e8a0",[17],"\nProgramme \nSunday, 8 February 2026 \n\n",{"_key":19941,"_type":15,"marks":19942,"text":19943},"24e5ba2d4980",[1362],"11:00–13:00",{"_key":19945,"_type":15,"marks":19946,"text":1676},"fca3f348d3d2",[],{"_key":19948,"_type":15,"marks":19949,"text":19950},"d54c09835d3d",[1362],"(with 15 min break) \n",{"_key":19952,"_type":15,"marks":19953,"text":19955},"9f17dbef8677",[17,19954],"a40fb3cd6959","ISSUES 2025: Exquisite Commons ",{"_key":19957,"_type":15,"marks":19958,"text":19959},"d7f2c6778b01",[17],"\nDigital, Print & Broadcast Publication Launch Event ",{"_key":19961,"_type":15,"marks":19962,"text":19963},"ec1eb3c3a25c",[],"\n\nJoin us for the online launch of the digital, print, and broadcast formats of ISSUES, the annual peer-led digital publication marking the collective milestone of each School of Commons (SoC) program cycle, which this year assembles under the collective theme: ",{"_key":19965,"_type":15,"marks":19966,"text":19967},"eae4362dd0a5",[17],"Exquisite Commons.",{"_key":19969,"_type":15,"marks":19970,"text":19971},"ea5ac14a5daa",[],"\n\nISSUES collates and contextualises the processes, practices, and methodologies of each participating project within SoC. Each participating project is invited to contribute to ISSUES in a form and style that is both reflective of, and complementary to, their own ways and workings. As such, experimentation and the re-working of traditional publishing modes are always encouraged. Moreover, for each edition of ISSUES, the SoC Cohort collaboratively develops a collective framing that brings together the thematic threads and working methods they have both individually and collectively explored and developed during their 10-month peer-learning journey.\n\nEach Edition of ISSUES is also typically coupled with a Collective Editorial developed by the SoC team in collaboration with the Cohort which adds further layers of contextualisation to the programme and outputs of each SoC offering. However, for the 2025 edition of ISSUES, the SoC Cohort brought their theme of ‘Exquisite Commons’ to life by taking the foundations of the ISSUES structure and bringing it into an entirely new process of self-organisation. This evolution of a previously linear practice has produced new connective pathways between the collective theme and individual project contributions, as well as for the publication itself. Which, for the very first time, will now live as a digital, broadcast, and print format.\n\nTraces of this Exquisition Commons approach can be found throughout the publication, most obviously in the scrapping of the aforementioned Collective Editorial for the Collective Metafesto: ‘Making a Vessel in the Sky’, and the bridge prompts that you will notice accompanying each text, that draw a poetic line not only between each individual contribution and the collective theme, but to its entangled clan of fellow contributions, too.\n\nThe launch event will feature activations by the ISSUES Steering Committee*, centred around the collaborative offerings of the publication",{"_key":19973,"_type":15,"marks":19974,"text":1676},"04f6f062a8561",[1362],{"_key":19976,"_type":15,"marks":19977,"text":19978},"04f6f062a8562",[],"and broader insights into the SoC 2025 cohort’s contributions, projects, and research.",[19980,19981,19982,19983,19984,19985,19986,19987,19988],{"_key":19771,"_type":41,"blank":42,"href":1128},{"_key":19787,"_type":41,"blank":42,"href":1128},{"_key":19820,"_type":41,"blank":42,"href":1128},{"_key":19836,"_type":41,"blank":42,"href":1128},{"_key":19859,"_type":41,"blank":42,"href":1128},{"_key":19878,"_type":41,"blank":42,"href":1128},{"_key":19914,"_type":41,"blank":42,"href":1128},{"_key":19930,"_type":41,"blank":42,"href":1128},{"_key":19954,"_type":41,"blank":42,"href":1128},{"_key":19990,"_type":11,"children":19991,"markDefs":19995,"style":24},"3cef98b59084",[19992],{"_key":19993,"_type":15,"marks":19994,"text":1150},"b9f35c0ec8f90",[],[],{"_key":19997,"_type":11,"children":19998,"markDefs":20007,"style":24},"3a2ba538ce7c",[19999,20003],{"_key":20000,"_type":15,"marks":20001,"text":20002},"f097527eaf7d0",[17],"Event Programme:\n\n",{"_key":20004,"_type":15,"marks":20005,"text":20006},"8455d59165ce0",[],"11.00-11:15 \nBrief introduction to ISSUES from editor, Amy Gowen",[],{"_key":20009,"_type":11,"children":20010,"markDefs":20015,"style":24},"cfe8f612d871",[20011],{"_key":20012,"_type":15,"marks":20013,"text":20014},"00b547dd35470",[],"11.10-11.55 \nDeep listening session of the Broadcast Publication",[],{"_key":20017,"_type":11,"children":20018,"markDefs":20023,"style":24},"4692b8cc49f4",[20019],{"_key":20020,"_type":15,"marks":20021,"text":20022},"76d3878b71b90",[],"Break",[],{"_key":20025,"_type":11,"children":20026,"markDefs":20031,"style":24},"65491fea00ed",[20027],{"_key":20028,"_type":15,"marks":20029,"text":20030},"929375e09d080",[],"12-12:15 \nOpen dialogue on reflections, by ISSUES Steering Committee",[],{"_key":20033,"_type":11,"children":20034,"markDefs":20039,"style":24},"b03be1862fb4",[20035],{"_key":20036,"_type":15,"marks":20037,"text":20038},"74b7345e2a170",[],"12:15-12:30 \nIntroduction to the digital print publication",[],{"_key":20041,"_type":11,"children":20042,"markDefs":20047,"style":24},"082cb4eca7ae",[20043],{"_key":20044,"_type":15,"marks":20045,"text":20046},"f0d076d3a0f30",[],"12:30-40 \nPrint publication reveal with reflections from committee on ‘self-publishing’, by ISSUES Steering Committee",[],{"_key":20049,"_type":11,"children":20050,"markDefs":20055,"style":24},"9defe84dc40b",[20051],{"_key":20052,"_type":15,"marks":20053,"text":20054},"8508029b5e3a0",[],"12:40-13:00 \nCollective Activity: The carrier-bag theory of self-publishing, by ISSUES Steering Committee",[],{"_key":20057,"_type":11,"children":20058,"markDefs":20062,"style":24},"9b487ecacf55",[20059],{"_key":20060,"_type":15,"marks":20061,"text":1150},"c5aaf754bd1e0",[],[],{"_key":20064,"_type":11,"children":20065,"markDefs":20070,"style":24},"fcea02347036",[20066],{"_key":20067,"_type":15,"marks":20068,"text":20069},"8cc2fc37ca2c0",[17],"A note on participation:",[],{"_key":20072,"_type":11,"children":20073,"markDefs":20085,"style":24},"9e80f163754c",[20074,20078,20082],{"_key":20075,"_type":15,"marks":20076,"text":20077},"0a19fb5fcf140",[],"The first hour of the launch will be dedicated to the broadcast publication. Participants are therefore invited to lay down, take a walk, and have a little away-from-screen time, to relax, and enjoy whilst actively listening. A quiet space and quality headphones are encouraged for optimal participation. You are also actively encouraged to stay for the full 120 minutes, as the final activity: ‘The carrier-bag theory of self-publishing’ includes a collective exercise in experimenting with alternative modes of distribution, in order to join ",{"_key":20079,"_type":15,"marks":20080,"text":20081},"0a19fb5fcf141",[1362],"the vessel in the sky",{"_key":20083,"_type":15,"marks":20084,"text":1125},"0a19fb5fcf142",[],[],{"_key":20087,"_type":11,"children":20088,"markDefs":20093,"style":24},"a858ff5ebbaa",[20089],{"_key":20090,"_type":15,"marks":20091,"text":20092},"9ccbbbb9f3850",[],"Anyone and everyone interested in collaborative research, experimental publishing, and connecting with the wider SoC network is most welcome to attend.",[],{"_key":20095,"_type":11,"children":20096,"markDefs":20101,"style":24},"0dab4c1afc3c",[20097],{"_key":20098,"_type":15,"marks":20099,"text":20100},"99d8f1c472350",[],"*The ISSUES Steering Committee comprises of: Belén Arellano Cañizares, Chantelle Lue, Klara Branting Paulsell, Lou Croff Blake, and Layla Fassa\n",[],{"_key":20103,"_type":11,"children":20104,"markDefs":20181,"style":24},"2cd06e61eac0",[20105,20108,20112,20116,20119,20124,20127,20131,20135,20139,20143,20147,20151,20155,20159,20162,20166,20170,20173,20177],{"_key":20106,"_type":15,"marks":20107,"text":19664},"11489df04c930",[],{"_key":20109,"_type":15,"marks":20110,"text":20111},"bd0c91484506",[17],"Programme \nSunday, 8 February 2026 \n\n",{"_key":20113,"_type":15,"marks":20114,"text":20115},"1d5d8280bcae",[1362],"15:00–17:00 (with 15 min break) ",{"_key":20117,"_type":15,"marks":20118,"text":1768},"d0cabc56fffd",[17],{"_key":20120,"_type":15,"marks":20121,"text":20123},"b2bac1d85518",[17,20122],"2ab7f5462363","Learning Commons Round Table: Tensile Structures",{"_key":20125,"_type":15,"marks":20126,"text":1768},"a893a15524cb",[17],{"_key":20128,"_type":15,"marks":20129,"text":20130},"7b3ffc0dcfd9",[],"Co‑facilitated by: Amy Gowen, Chantelle Lue, and Gabriel Hensche\n\nThis public roundtable invites a wide audience into a shared conversation on Tensile Structures - how collective spaces, learning communities, and cultural initiatives hold together under pressure, adapt through change, and imagine new forms of sustainability. \n\nReconvening guest facilitators from the SoC Assembly 2025, this session brings together: \n\n",{"_key":20132,"_type":15,"marks":20133,"text":20134},"967207517a802",[17],"Aline Hernández ",{"_key":20136,"_type":15,"marks":20137,"text":20138},"967207517a803",[1362],"CASCO Art Institute (Utrecht, NL) \n",{"_key":20140,"_type":15,"marks":20141,"text":20142},"967207517a804",[17],"Fiky Daulay & Nuraini Juliastuti ",{"_key":20144,"_type":15,"marks":20145,"text":20146},"967207517a805",[1362],"KUNCI Study Forum (Yogyakarta, Indonesia)\n",{"_key":20148,"_type":15,"marks":20149,"text":20150},"967207517a806",[17],"Sepp Eckenhaussen",{"_key":20152,"_type":15,"marks":20153,"text":20154},"967207517a807",[1362]," Caradt Research Group of the St. Joost Academy/ Institute of Network Cultures (Amsterdam, NL) CASCO Art Institute (Utrecht, NL) \n",{"_key":20156,"_type":15,"marks":20157,"text":20158},"967207517a808",[17],"Yuri Tuma",{"_key":20160,"_type":15,"marks":20161,"text":1676},"967207517a809",[],{"_key":20163,"_type":15,"marks":20164,"text":20165},"967207517a8010",[1362],"Institute for Postnatural Studies (Madrid, Spain) \n",{"_key":20167,"_type":15,"marks":20168,"text":20169},"967207517a8011",[17],"Zoë Heyn‑Jones & Ana Rivera",{"_key":20171,"_type":15,"marks":20172,"text":1676},"967207517a8012",[],{"_key":20174,"_type":15,"marks":20175,"text":20176},"967207517a8013",[1362],"Materia Abierta (Mexico City, Mexico) \n\n",{"_key":20178,"_type":15,"marks":20179,"text":20180},"967207517a8014",[],"Taking place at a moment of transition for the School of Commons, the discussion opens broader questions that honour whilst extending beyond any single organisation or context:",[20182],{"_key":20122,"_type":41,"blank":42,"href":1128},{"_key":20184,"_type":11,"children":20185,"level":1033,"listItem":1708,"markDefs":20190,"style":24},"591bacf3cb1e",[20186],{"_key":20187,"_type":15,"marks":20188,"text":20189},"3de7533c76270",[],"How do alternative educational and artistic spaces survive and sustain under structural instability?",[],{"_key":20192,"_type":11,"children":20193,"level":1033,"listItem":1708,"markDefs":20198,"style":24},"3f6038715dc2",[20194],{"_key":20195,"_type":15,"marks":20196,"text":20197},"d9d2a1fc9e7d0",[],"What systems of support, alliances, and solidarities make collective work possible?",[],{"_key":20200,"_type":11,"children":20201,"level":1033,"listItem":1708,"markDefs":20206,"style":24},"754355865303",[20202],{"_key":20203,"_type":15,"marks":20204,"text":20205},"7112c0bdcb730",[],"How might we design new models of care, governance, and shared responsibility?",[],{"_key":20208,"_type":11,"children":20209,"markDefs":20214,"style":24},"234d130142dd",[20210],{"_key":20211,"_type":15,"marks":20212,"text":20213},"0a23b38017b20",[],"Rather than offering fixed answers, the roundtable creates space for collective thinking, listening, and exchange - bringing together voices from different geographies, practices, and contexts to explore both challenges and possibilities. \n\nAs the final event of the SoC Assembly 2026, this session closes the programme and marks the beginning of a longer public programme continuing throughout the year - extending these conversations through dialogue, collaboration, and shared inquiry.",[],[20216,146,180,200,3386,8017,117,20217,20218,3904,2279,2370,3732,3825],"soc assembly 2026","soc assembly 2026: programme ","the school of commons assembly 2026 unfolds within a moment of strain and transition. it follows a town hall* titled tensile structures, which gathered our community under conditions of uncertainty, making visible both the fragility and the strength of what has been built together over the past nine years. as school of commons faces the withdrawal of familiar institutional support, the questions that surface are no longer abstract: how do we hold each other, how do we stretch without tearing, how do we sustain collective structures when the ground beneath them is shifting? this assembly does not ask how to escape pressure, but how to remain with it - together - with a sustained hope that something more aligned, nourishing, freeing, and supportive can be born without collapse.\n\nif tensile structures names the condition, making a vessel in the sky names a collective response. drawing from soc’s annual peer-led publication issues—its metafesto and the image of the boat in the sky—the assembly imagines collectivity not as something fixed or grounded, but as something brought into being through shared belief, care, and coordination. a vessel that exists because we insist on it. a structure made not of certainty, but of relation. not a monument, but a practice.\n\nthe soc cohort 2025 can be understood in these terms: fourteen projects sustained not by sameness, but by productive tension between bodies, histories, tools, technologies, landscapes, and ways of knowing - redistributing weight as existing supports shift, stretch, or fall away. \n\nknowledge moves not as property, but as something held in common, shared through games, radios, kitchens, rituals, mentoring relationships, and experimental infrastructures. across the cohort programme, learning takes shape through layered spaces: commons, assemblies, platforms, and shared systems that expand participation without flattening difference or excluding those most affected.\n\nacross the cohort, research unfolds within ecological, political, and epistemic precarity, asking what it means to remain connected without tearing, to stay responsive while under strain. projects move across communities already living in and with crisis, drawing from cultures that have long practiced collective solutions to collective problems through mutual solidarities. learning here is relational and situated - shaped through proximity, care, and collective responsibility, rather than extraction or ownership.\n\nanother current moves through archives, memory, and more-than-human relations. projects reimagine the archive beyond western epistemologies - towards oral traditions, embodied knowledge, ephemeral art, mourning rituals, and the body itself as a living archive of trauma and transformation. others attend to food sovereignty, disappearing ecologies, and post-glacial landscapes as sites of learning and resistance. queering methods and myth-making practices centre multiplicity, monstrosity, chimera, and more-than-human voices, opening narratives in which humans are no longer the only narrators.\n\ncommunication and translation emerge as tensile acts in themselves: how to speak across difference, how to say the same things in a2 english, how to make climate data accessible, how to foster inclusive education, how to activate accountability rather than neutrality. these are not secondary practices, but structural ones - ways of steering the vessel, ways of staying together while in motion. taken together, the assembly’s conversations, practices, and gatherings form a constellational structure under tension - stretched across geographies, disciplines, generations, and species, sustained through relation rather than stability. in doing so, they affirm school of commons as a living, relational infrastructure: one that flexes, listens, and responds in a world that is still being pulled apart.\n\nthese questions of holding, imagining, and transmitting knowledge converge in the issues launch 2025: exquisite commons. refusing linear sequence, the publication circulates, drifts, returns, disappears, and reappears - treating publication itself as a commoning practice, an open archive, a shared vessel for collective voice. neither manifesto nor manual, it operates as a metafesto: an orientation device for navigating uncertainty together, an invitation rather than an instruction.\n\nthe assembly is held between two moments both titled tensile structures: the town hall that opened this period of transition, and the round table that will close it, reconvening guest facilitators from the previous soc assembly of 2025. together, they stretch the structure across time, memory, and relation - linking past, present, and possible futures through shared attention and collective reflection. these moments echo the cohort’s inquiries and extend them across the assembly’s shared spaces, inviting continuity, care, and renewed conversation as living forms of relation.\n\ntogether, the town hall, the cohort programme, the issues launch, the round table, and the assembly as a holding space, form a single relational structure: not a stable institution, but a roaming one; not a fixed framework, but a vessel in formation.a sky-boat held together by imagination, mutual dependency, care, humour, friction, and trust.\n\nthere is no single entry point.\nno first page.\nno fixed ground.\n\nthe moment you choose to step onto the vessel in the sky, you are already part of its making.\n\n*town hall — a core part of the soc methodology: a shared space for collective reflection, accountability, and reorientation.\n\n____________________________________________________________________________________________\n\nprogramme \nthursday, 5 february 2026  \n\n15:30 - 16:00 \nopening by soc\n\n16:00 - 16:30 \ncollective score for what is gone by awol - glacier rapport\nthis work unfolds as a collective act of listening and sounding. glacial soundscapes form an unstable ground, further fractured by the digital conditions of the meeting. within this terrain, participants are invited to enter intuitively. voices appear briefly—without discussion or response—becoming part of a live composition that cannot be repeated. nothing is resolved or explained; the piece exists only for the duration of our listening together.\n\n16:30 - 17:00 \nstretching exercises to feel climate change by ula liagaitė\nthis presentation shares three stretching exercises developed over the past year as a live, embodied practice for sensing climate change. through audio and visual documentation, liagaitė traces the scores and processes shaping the work. if time permits, the audience is invited to participate in one of the scores, shifting the presentation from documentation to experienc\n\n17:00 - 17:30 \nopening up (d)structura for public use by (d)structura \nthis presentation shares the process of opening the (d)structura project for public use in barcelona, highlighting its critical points and potential. it includes a five-minute guided activity that invites participants to engage directly with the work.\n \n17:30–18:00 \ncool down\n\n____________________________________________________________________________________________ \n\nprogramme \nfriday, 6 february 2026 \n\n15:00–15:30 \na somatic practice of multiplicity by chimera\nchimera investigates the multi-body body, drawing inspiration from the folkloric chimera – a hybrid goat, lion, and snake – as a model for queer multiplicitous identities. to access the felt-sense of being many, the researchers engage in somatic exercises that play with inner systems of three.as a collective worldbuilding experiment, we extended beyond the inner chimera, using the model of multiplicity to challenge the boundaries around the self and repattern relational intimacies. this presentation of work will give an overview of the research experience, and offer a brief practical play in chimerizing.\n\n15:30–16:00\nmentoring as practice by nora sobbe \nthis project introduces a note-spitting machine—dispensing small pieces of paper with short text prompts—to mentees, mentors, and those interested in starting a mentoring relationship. mentoring serves as a vessel for learning and teaching, often embedded in everyday study at art universities. by leaving the exact mode of engagement to participants, the project highlights mentoring as a format that raises questions about how and in what constellations we choose to learn together.\n\n16:00–16:30 \nbreak \n\n16:30–17:30 \nenough english! by klara branting paulsell \nan experiment in using all the other tongues we have to arrive somewhere easy. basically a game of describing things to different people in different languages to find out what information was actually important all along.\n\n17:30–18:00\nboats floating in a basket by jere ikongio and ambrose idemudia\nthe workshop and live performance invite participants into likon’yor, a participatory sonic environment exploring sound as archive, memory, and commons. using a custom max/msp patch, the session explores how oral histories, fragmented voices, and ephemeral gestures can be transformed into a shared, living sonic archive.\n(20mins) the workshop includes a short introduction to the max/msp patch as both tool and collaborator. frame as an open, responsive instrument and playground capable of listening, translating, and reshaping collective input.\n(10mins)the performance extends this process into a collective composition. using material from the workshop and performing with the patch in real time.\nthe session also introduces concepts behind the work: hacking as an act of care rather than disruption; the archive as something lived and performed; and sound as a medium that refuses borders, permanence, and categorisation.\nno technical knowledge is required.\n\n____________________________________________________________________________________________\n\nprogramme \nsaturday, 7 february 2026\n\n10:30–11:00 \nwaves and workings by shortwave collective \nthis presentation shares the collective’s creative methods for working together, including approaches to sharing labour, organising pay, and developing writing practices that honour multiple voices while striving for equity. it also introduces ideas that have emerged over the past year through their involvement in school of commons around the electromagnetic commons, reflecting on how these concepts inform their approaches to collaboration, learning, and shared responsibility.\n\n11:00–11:35\nflavor in the anthropocene by broudou school \na moment of collective thinking, interaction, creation, and design—an intentional response to a challenging situation that threatens both human and non-human species.throughout the workshop, the idea of collectiveness will unfold through diverse group management approaches. these collaborative structures are designed to explore how we work together, how efficiency emerges within groups, and how collective action can generate meaningful, resilient responses.\n\n11:35–12:00\nbreak\n\n12:00–12:30\nthe poetry in names: the aesthetics of traditional chinese colors by yue wu\nthis presentation explores key differences between the histories and naming of colors in chinese and western traditions. focusing on traditional chinese pigments, it highlights a poetic approach to color naming that is deeply connected to nature, and shares research findings emerging from this inquiry.\n\n12:30–13:00\ntensile structures by sala de té [an itinerant, unwalled paradise for cultivating climate futures]  \na brief exploration on allocation and location.\n\n____________________________________________________________________________________________\n\nprogramme \nsunday, 8 february 2026 \n\n11:00–13:00 (with 15 min break) \nissues 2025: exquisite commons \ndigital, print & broadcast publication launch event \n\njoin us for the online launch of the digital, print, and broadcast formats of issues, the annual peer-led digital publication marking the collective milestone of each school of commons (soc) program cycle, which this year assembles under the collective theme: exquisite commons.\n\nissues collates and contextualises the processes, practices, and methodologies of each participating project within soc. each participating project is invited to contribute to issues in a form and style that is both reflective of, and complementary to, their own ways and workings. as such, experimentation and the re-working of traditional publishing modes are always encouraged. moreover, for each edition of issues, the soc cohort collaboratively develops a collective framing that brings together the thematic threads and working methods they have both individually and collectively explored and developed during their 10-month peer-learning journey.\n\neach edition of issues is also typically coupled with a collective editorial developed by the soc team in collaboration with the cohort which adds further layers of contextualisation to the programme and outputs of each soc offering. however, for the 2025 edition of issues, the soc cohort brought their theme of ‘exquisite commons’ to life by taking the foundations of the issues structure and bringing it into an entirely new process of self-organisation. this evolution of a previously linear practice has produced new connective pathways between the collective theme and individual project contributions, as well as for the publication itself. which, for the very first time, will now live as a digital, broadcast, and print format.\n\ntraces of this exquisition commons approach can be found throughout the publication, most obviously in the scrapping of the aforementioned collective editorial for the collective metafesto: ‘making a vessel in the sky’, and the bridge prompts that you will notice accompanying each text, that draw a poetic line not only between each individual contribution and the collective theme, but to its entangled clan of fellow contributions, too.\n\nthe launch event will feature activations by the issues steering committee*, centred around the collaborative offerings of the publication and broader insights into the soc 2025 cohort’s contributions, projects, and research.\n\n\n\nevent programme:\n\n11.00-11:15 \nbrief introduction to issues from editor, amy gowen\n\n11.10-11.55 \ndeep listening session of the broadcast publication\n\nbreak\n\n12-12:15 \nopen dialogue on reflections, by issues steering committee\n\n12:15-12:30 \nintroduction to the digital print publication\n\n12:30-40 \nprint publication reveal with reflections from committee on ‘self-publishing’, by issues steering committee\n\n12:40-13:00 \ncollective activity: the carrier-bag theory of self-publishing, by issues steering committee\n\n\n\na note on participation:\n\nthe first hour of the launch will be dedicated to the broadcast publication. participants are therefore invited to lay down, take a walk, and have a little away-from-screen time, to relax, and enjoy whilst actively listening. a quiet space and quality headphones are encouraged for optimal participation. you are also actively encouraged to stay for the full 120 minutes, as the final activity: ‘the carrier-bag theory of self-publishing’ includes a collective exercise in experimenting with alternative modes of distribution, in order to join the vessel in the sky.\n\nanyone and everyone interested in collaborative research, experimental publishing, and connecting with the wider soc network is most welcome to attend.\n\n*the issues steering committee comprises of: belén arellano cañizares, chantelle lue, klara branting paulsell, lou croff blake, and layla fassa\n\n\n____________________________________________________________________________________________\n\nprogramme \nsunday, 8 february 2026 \n\n15:00–17:00 (with 15 min break) \nlearning commons round table: tensile structures\nco‑facilitated by: amy gowen, chantelle lue, and gabriel hensche\n\nthis public roundtable invites a wide audience into a shared conversation on tensile structures - how collective spaces, learning communities, and cultural initiatives hold together under pressure, adapt through change, and imagine new forms of sustainability. \n\nreconvening guest facilitators from the soc assembly 2025, this session brings together: \n\naline hernández casco art institute (utrecht, nl) \nfiky daulay & nuraini juliastuti kunci study forum (yogyakarta, indonesia)\nsepp eckenhaussen caradt research group of the st. joost academy/ institute of network cultures (amsterdam, nl) casco art institute (utrecht, nl) \nyuri tuma institute for postnatural studies (madrid, spain) \nzoë heyn‑jones & ana rivera materia abierta (mexico city, mexico) \n\ntaking place at a moment of transition for the school of commons, the discussion opens broader questions that honour whilst extending beyond any single organisation or context:\n\nhow do alternative educational and artistic spaces survive and sustain under structural instability?\n\nwhat systems of support, alliances, and solidarities make collective work possible?\n\nhow might we design new models of care, governance, and shared responsibility?\n\nrather than offering fixed answers, the roundtable creates space for collective thinking, listening, and exchange - bringing together voices from different geographies, practices, and contexts to explore both challenges and possibilities. \n\nas the final event of the soc assembly 2026, this session closes the programme and marks the beginning of a longer public programme continuing throughout the year - extending these conversations through dialogue, collaboration, and shared inquiry.",{"_type":77,"current":20220},"soc-assembly-2026","SoC Assembly 2026: Programme ","SoC Assembly 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",{"_key":20236,"_type":15,"marks":20237,"text":2078},"5683c44dbf75",[20238],"dfcd8eb2cb25",{"_key":20240,"_type":15,"marks":20241,"text":1125},"7ea1243990f0",[],[20243],{"_key":20238,"_type":41,"blank":42,"href":1128},[20245],{"_id":508,"_type":155,"colorPrimary":20246,"seo":75,"slug":20248,"title":511},{"label":569,"value":20247},"#ebff00",{"_type":77,"current":510},{"other":75,"profiles":20250},[20251],{"_id":2092,"_type":576,"activeYears":20252,"bio":20271,"bioShort":2142,"featuredImage":20277,"filterables":20278,"links":20289,"locations":20292,"searchables":20296,"seo":75,"slug":20297,"title":18},[20253,20255,20257,20259,20261,20263,20265,20267,20269],{"_id":2095,"_type":580,"seo":75,"slug":20254,"title":2098},{"_type":77,"current":2097},{"_id":2100,"_type":580,"seo":75,"slug":20256,"title":2103},{"_type":77,"current":2102},{"_id":2105,"_type":580,"seo":75,"slug":20258,"title":2108},{"_type":77,"current":2107},{"_id":2110,"_type":580,"seo":75,"slug":20260,"title":2113},{"_type":77,"current":2112},{"_id":2115,"_type":580,"seo":75,"slug":20262,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":20264,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":20266,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":20268,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":20270,"title":1350},{"_type":77,"current":1349},[20272],{"_key":2135,"_type":11,"children":20273,"markDefs":20276,"style":24},[20274],{"_key":2138,"_type":15,"marks":20275,"text":2140},[],[],{"alt":18,"asset":75},{"filterYear":20279},[20280,20281,20282,20283,20284,20285,20286,20287,20288],{"_id":2095,"title":2098},{"_id":2100,"title":2103},{"_id":2105,"title":2108},{"_id":2110,"title":2113},{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},[20290,20291],{"_type":607,"label":2157,"url":2158},{"_type":607,"label":2160,"url":58},{"locations":20293,"other":75},[20294],{"_id":149,"_type":121,"seo":75,"slug":20295,"title":152},{"_type":77,"current":151},[2166,2097,2102,2107,2112,2117,2122,2127,883,1349],{"_type":77,"current":2168},{"endDate":15293,"other":15294,"startDate":15295},[],{"alt":15297,"asset":20301},{"_id":15299,"height":15300,"orientation":637,"ratio":15301,"url":15302,"width":15303},{"filterCategory":20303,"filterLocation":20305,"filterType":20307},[20304],{"_id":508,"title":511},[20306],{"_id":144,"title":147},[20308],{"_id":110,"title":113},{"locations":20310,"other":20313},[20311],{"_id":144,"_type":121,"seo":75,"slug":20312,"title":147},{"_type":77,"current":146},[],[20315],{"_type":728,"settings":20316,"text":20317},{"textColumnCount":730},[20318,20326,20334,20350,20374,20386,20398,20410,20422,20434,20446,20458,20470],{"_key":20319,"_type":11,"children":20320,"markDefs":20325,"style":24},"011da6ffcd4d",[20321],{"_key":20322,"_type":15,"marks":20323,"text":20324},"97a7c19db3eb",[],"Join us for Tensile Structures, a School of Commons Town Hall where we’ll share an update on our current situation and gather to collectively shape our next steps.",[],{"_key":20327,"_type":11,"children":20328,"markDefs":20333,"style":24},"ec95ea3ae97c",[20329],{"_key":20330,"_type":15,"marks":20331,"text":20332},"526297f41b510",[],"This comes at a pivotal moment. As of January 2027, our institutional home and financial partner, Zurich University of the Arts (ZHdK), will no longer support the programme in its current form. School of Commons is now actively seeking a new institutional home and exploring (re)newed forms of existence.",[],{"_key":20335,"_type":11,"children":20336,"markDefs":20349,"style":24},"ded109046bc3",[20337,20341,20345],{"_key":20338,"_type":15,"marks":20339,"text":20340},"8cd43e805e0a0",[],"For nearly a decade, School of Commons has existed because people like you believed in mutualism, peer learning, experimentation, and accessible knowledge. This moment asks us, again, to practice these commitments together.\n\n",{"_key":20342,"_type":15,"marks":20343,"text":20344},"87f3dee2ea560",[17],"We need your support.",{"_key":20346,"_type":15,"marks":20347,"text":20348},"87f3dee2ea561",[]," Alongside your presence, we also ask for your help in informing and reaching all SoC alumn* within your networks, so this invitation circulates as widely as possible. Whether you join to listen, to share, to write, or simply to be present, your participation helps sustain and strengthen the future of School of Commons.",[],{"_key":20351,"_type":11,"children":20352,"markDefs":20373,"style":24},"fa490ecd2ad0",[20353,20357,20361,20365,20369],{"_key":20354,"_type":15,"marks":20355,"text":20356},"8a8be74f7daa0",[],"During the Town Hall, we will collectively co-write and co-sign an Open Letter, ensuring voices from across the School of Commons network are included, while also identifying pathways forward for its continuation.\n\n",{"_key":20358,"_type":15,"marks":20359,"text":20360},"3bc2c5f9db98",[17],"18:00–18:10 — Welcome & Framing (10 min)",{"_key":20362,"_type":15,"marks":20363,"text":20364},"44d51879ff1b",[],"\nIntroductions, intentions, and an opening reflection on ",{"_key":20366,"_type":15,"marks":20367,"text":20368},"0c54fc1c3239",[1362],"tensile structures",{"_key":20370,"_type":15,"marks":20371,"text":20372},"c9f97467a93a",[]," as a guiding metaphor.\n",[],{"_key":20375,"_type":11,"children":20376,"markDefs":20385,"style":24},"bb8b2ce481b1",[20377,20381],{"_key":20378,"_type":15,"marks":20379,"text":20380},"824d3d1f81ad0",[17],"18:10–18:25 — Where We Are Now (15 min)",{"_key":20382,"_type":15,"marks":20383,"text":20384},"824d3d1f81ad1",[],"\nAn update on SoC’s current position and what the discontinuation of ZHdK’s support means in practice.\n",[],{"_key":20387,"_type":11,"children":20388,"markDefs":20397,"style":24},"f9da57405460",[20389,20393],{"_key":20390,"_type":15,"marks":20391,"text":20392},"177284c039950",[17],"18:25–18:50 — Open Conversation / Brainstorm (25 min)",{"_key":20394,"_type":15,"marks":20395,"text":20396},"177284c039951",[],"\nOpen discussion on structural pressures, institutional homes, funding, and sustainability — surfacing shared concerns, tensions, and possibilities.\n",[],{"_key":20399,"_type":11,"children":20400,"markDefs":20409,"style":24},"40323343cfb3",[20401,20405],{"_key":20402,"_type":15,"marks":20403,"text":20404},"a510333969f70",[17],"18:50–18:55 — Short Break (5 min)",{"_key":20406,"_type":15,"marks":20407,"text":20408},"a510333969f71",[],"\nStretch, pause, or add quick notes in the Etherpad.\n",[],{"_key":20411,"_type":11,"children":20412,"markDefs":20421,"style":24},"d70bd92b875b",[20413,20417],{"_key":20414,"_type":15,"marks":20415,"text":20416},"d68972023a880",[17],"18:55–19:05 — Open Letter: Context & Invitation (10 min)",{"_key":20418,"_type":15,"marks":20419,"text":20420},"d68972023a881",[],"\nPresentation of the draft Open Letter: its purpose, audience, and how it will be used.\n",[],{"_key":20423,"_type":11,"children":20424,"markDefs":20433,"style":24},"81d84349c18d",[20425,20429],{"_key":20426,"_type":15,"marks":20427,"text":20428},"b967d68984e80",[17],"19:05–19:25 — Collective Co-Writing (20 min)",{"_key":20430,"_type":15,"marks":20431,"text":20432},"b967d68984e81",[],"\nLive contributions to the Open Letter and related reflections.\n",[],{"_key":20435,"_type":11,"children":20436,"markDefs":20445,"style":24},"3cafc7fd53a4",[20437,20441],{"_key":20438,"_type":15,"marks":20439,"text":20440},"02e0abd55e300",[17],"19:25–19:55 — Pathways Forward (30 min)",{"_key":20442,"_type":15,"marks":20443,"text":20444},"02e0abd55e301",[],"\nFocused collective work on next steps\n",[],{"_key":20447,"_type":11,"children":20448,"markDefs":20457,"style":24},"58795153a99c",[20449,20453],{"_key":20450,"_type":15,"marks":20451,"text":20452},"6e4e2c14ad860",[17],"19:55–20:00 — Closing & Next Steps (5 min)",{"_key":20454,"_type":15,"marks":20455,"text":20456},"6e4e2c14ad861",[],"\nWhat happens after the Town Hall, timelines, and how we stay connected.\n",[],{"_key":20459,"_type":11,"children":20460,"markDefs":20469,"style":24},"33195c97ab37",[20461,20465],{"_key":20462,"_type":15,"marks":20463,"text":20464},"1a293bc386090",[1362],"*A link to the EtherPad will be shared on the day",{"_key":20466,"_type":15,"marks":20467,"text":20468},"1a293bc386091",[],"\n\nTogether, we aim to sustain this commons of learning as it transitions into new ground, supported by solidarities of care and collective imagination.\n",[],{"_key":20471,"_type":11,"children":20472,"markDefs":20477,"style":24},"e9b47151b959",[20473],{"_key":20474,"_type":15,"marks":20475,"text":20476},"093483e7d5f30",[],"We hope you can join us.\n\nSolidarity,\nSchool of Commons",[],[20479,146,510,112,20480,20481,2166],"join our january town hall","calling current and upcoming cohort, alumn*","join us for tensile structures, a school of commons town hall where we’ll share an update on our current situation and gather to collectively shape our next steps.\n\nthis comes at a pivotal moment. as of january 2027, our institutional home and financial partner, zurich university of the arts (zhdk), will no longer support the programme in its current form. school of commons is now actively seeking a new institutional home and exploring (re)newed forms of existence.\n\nfor nearly a decade, school of commons has existed because people like you believed in mutualism, peer learning, experimentation, and accessible knowledge. this moment asks us, again, to practice these commitments together.\n\nwe need your support. alongside your presence, we also ask for your help in informing and reaching all soc alumn* within your networks, so this invitation circulates as widely as possible. whether you join to listen, to share, to write, or simply to be present, your participation helps sustain and strengthen the future of school of commons.\n\nduring the town hall, we will collectively co-write and co-sign an open letter, ensuring voices from across the school of commons network are included, while also identifying pathways forward for its continuation.\n\n18:00–18:10 — welcome & framing (10 min)\nintroductions, intentions, and an opening reflection on tensile structures as a guiding metaphor.\n\n\n18:10–18:25 — where we are now (15 min)\nan update on soc’s current position and what the discontinuation of zhdk’s support means in practice.\n\n\n18:25–18:50 — open conversation / brainstorm (25 min)\nopen discussion on structural pressures, institutional homes, funding, and sustainability — surfacing shared concerns, tensions, and possibilities.\n\n\n18:50–18:55 — short break (5 min)\nstretch, pause, or add quick notes in the etherpad.\n\n\n18:55–19:05 — open letter: context & invitation (10 min)\npresentation of the draft open letter: its purpose, audience, and how it will be used.\n\n\n19:05–19:25 — collective co-writing (20 min)\nlive contributions to the open letter and related reflections.\n\n\n19:25–19:55 — pathways forward (30 min)\nfocused collective work on next steps\n\n\n19:55–20:00 — closing & next steps (5 min)\nwhat happens after the town hall, timelines, and how we stay connected.\n\n\n*a link to the etherpad will be shared on the day\n\ntogether, we aim to sustain this commons of learning as it transitions into new ground, supported by solidarities of care and collective imagination.\n\n\nwe hope you can join us.\n\nsolidarity,\nschool of commons",{"_type":77,"current":15305},[20484],{"_id":110,"_type":97,"seo":75,"slug":20485,"title":113},{"_type":77,"current":112},{"_id":20487,"_type":556,"additionalDetails":20488,"categories":20506,"credits":75,"dates":20510,"events":20514,"featuredImage":20515,"filterables":20518,"labs":75,"locations":20525,"pageBuilder":20537,"parentEvent":75,"searchables":20628,"seo":75,"slug":20632,"summary":20634,"title":20516,"types":20635},"2eacfa08-7e16-4a15-87b1-09c575e8c53e",[20489],{"_key":20490,"_type":11,"children":20491,"markDefs":20504,"style":24},"48d8b247a311",[20492,20496,20501],{"_key":20493,"_type":15,"marks":20494,"text":20495},"598a935a971c",[],"Join us via ",{"_key":20497,"_type":15,"marks":20498,"text":20500},"a46b5017e028",[20499],"ca98c5c26bd7","zoom",{"_key":20502,"_type":15,"marks":20503,"text":1125},"78dd278995ae",[],[20505],{"_key":20499,"_type":41,"blank":42,"href":1128},[20507],{"_id":508,"_type":155,"colorPrimary":20508,"seo":75,"slug":20509,"title":511},{"label":569,"value":20247},{"_type":77,"current":510},{"endDate":20511,"other":20512,"startDate":20513},"2026-01-13","18:00–20:00 (CET)","2025-12-30",[],{"alt":20516,"asset":20517},"Save the Date: School of Commons Town Hall",{"_id":15299,"height":15300,"orientation":637,"ratio":15301,"url":15302,"width":15303},{"filterCategory":20519,"filterLocation":20521,"filterType":20523},[20520],{"_id":508,"title":511},[20522],{"_id":144,"title":147},[20524],{"_id":110,"title":113},{"locations":20526,"other":20529},[20527],{"_id":144,"_type":121,"seo":75,"slug":20528,"title":147},{"_type":77,"current":146},[20530],{"_key":20531,"_type":11,"children":20532,"markDefs":20536,"style":24},"0e8533ac072d",[20533],{"_key":20534,"_type":15,"marks":20535,"text":1676},"81555ae5e4d3",[],[],[20538],{"_type":728,"settings":20539,"text":20540},{"textColumnCount":730},[20541,20549,20564,20572,20580,20588,20596,20604,20612,20620],{"_key":20542,"_type":11,"children":20543,"markDefs":20548,"style":24},"7e3a4ad4cfdb",[20544],{"_key":20545,"_type":15,"marks":20546,"text":20547},"8ba9b282c3150",[],"Dear SoC Community, friends, and collaborators,",[],{"_key":20550,"_type":11,"children":20551,"markDefs":20563,"style":24},"35feb8983cbe",[20552,20556,20559],{"_key":20553,"_type":15,"marks":20554,"text":20555},"7775404555490",[],"We invite you to a ",{"_key":20557,"_type":15,"marks":20558,"text":15297},"7775404555491",[17],{"_key":20560,"_type":15,"marks":20561,"text":20562},"7775404555492",[],", where we will share an update on SoC’s current situation and collectively shape our next steps. ",[],{"_key":20565,"_type":11,"children":20566,"markDefs":20571,"style":24},"ecd3f570883a",[20567],{"_key":20568,"_type":15,"marks":20569,"text":20570},"426fe8333ecb0",[],"For nearly a decade, SoC has existed because people like you believed in mutualism, peer learning, experimentation, and accessible knowledge. This moment asks us — again — to practice these commitments together.",[],{"_key":20573,"_type":11,"children":20574,"markDefs":20579,"style":24},"cc4bf5ff8fda",[20575],{"_key":20576,"_type":15,"marks":20577,"text":20578},"86850c6c4b231",[],"Whether you join to listen, to share, to write, or simply to be present, your participation strengthens the future of School of Commons.",[],{"_key":20581,"_type":11,"children":20582,"markDefs":20587,"style":24},"6fd93f71f8d6",[20583],{"_key":20584,"_type":15,"marks":20585,"text":20586},"a3f2dd1df40f0",[],"💛  ",[],{"_key":20589,"_type":11,"children":20590,"markDefs":20595,"style":24},"092c22fe4f8d",[20591],{"_key":20592,"_type":15,"marks":20593,"text":20594},"89a8b2127c48",[],"Open to the SoC community: current and upcoming cohorts, alumn*, and collaborators who are part of SoC’s past, present, and future.",[],{"_key":20597,"_type":11,"children":20598,"markDefs":20603,"style":24},"a4a297fe4258",[20599],{"_key":20600,"_type":15,"marks":20601,"text":20602},"32474310aa220",[],"During the Town Hall, we’ll be in conversation with our wider ecosystem and invite participants to co-write, co-sign, and share an Open Letter in support of the continuation of School of Commons.",[],{"_key":20605,"_type":11,"children":20606,"markDefs":20611,"style":24},"529cb99cfaa9",[20607],{"_key":20608,"_type":15,"marks":20609,"text":20610},"119a792fb0f50",[],"Together, we will strengthen this commons of learning as it grows into new ground — sustained by quiet solidarities of care, imagination, and collective responsibility, and by the reciprocal, relational practices that keep our shared world in balance.",[],{"_key":20613,"_type":11,"children":20614,"markDefs":20619,"style":24},"67b9b01b4b80",[20615],{"_key":20616,"_type":15,"marks":20617,"text":20618},"3a3ab19fd11c0",[],"Full details will be shared in January, ahead of the Town Hall.",[],{"_key":20621,"_type":11,"children":20622,"markDefs":20627,"style":24},"eb8f837cda91",[20623],{"_key":20624,"_type":15,"marks":20625,"text":20626},"ef0cb9401931",[],"We hope you can join us.",[],[20629,146,1676,510,112,20630,20631],"save the date: school of commons town hall","we invite you to a school of commons town hall, where we will share an update on soc’s current situation and collectively shape our next steps. ","dear soc community, friends, and collaborators,\n\nwe invite you to a school of commons town hall, where we will share an update on soc’s current situation and collectively shape our next steps. \n\nfor nearly a decade, soc has existed because people like you believed in mutualism, peer learning, experimentation, and accessible knowledge. this moment asks us — again — to practice these commitments together.\n\nwhether you join to listen, to share, to write, or simply to be present, your participation strengthens the future of school of commons.\n\n💛  \n\nopen to the soc community: current and upcoming cohorts, alumn*, and collaborators who are part of soc’s past, present, and future.\n\nduring the town hall, we’ll be in conversation with our wider ecosystem and invite participants to co-write, co-sign, and share an open letter in support of the continuation of school of commons.\n\ntogether, we will strengthen this commons of learning as it grows into new ground — sustained by quiet solidarities of care, imagination, and collective responsibility, and by the reciprocal, relational practices that keep our shared world in balance.\n\nfull details will be shared in january, ahead of the town hall.\n\nwe hope you can join us.",{"_type":77,"current":20633},"save-the-date-school-of-commons-town-hall","We invite you to a School of Commons Town Hall, where we will share an update on SoC’s current situation and collectively shape our next steps. ",[20636],{"_id":110,"_type":97,"seo":75,"slug":20637,"title":113},{"_type":77,"current":112},{"_id":20639,"_type":556,"additionalDetails":75,"categories":20640,"credits":75,"dates":20645,"events":20648,"featuredImage":20649,"filterables":20657,"labs":75,"locations":75,"pageBuilder":20660,"parentEvent":75,"searchables":20672,"seo":75,"slug":20677,"summary":20679,"title":20650,"types":75},"79bffd05-8f17-4893-98b2-e52a2fb8ba93",[20641],{"_id":428,"_type":155,"colorPrimary":20642,"seo":75,"slug":20644,"title":431},{"label":569,"value":20643},"#0091ff",{"_type":77,"current":430},{"endDate":20646,"startDate":20647},"2026-01-12","2025-12-17",[],{"alt":20650,"asset":20651},"SoC Winter Break, 2025",{"_id":20652,"height":20653,"orientation":637,"ratio":20654,"url":20655,"width":20656},"image-2f08afcdd5d39e868f7cab6eb17d7905bae0d4c0-596x798-png",798,0.7468671679197995,"https://cdn.sanity.io/images/eodip22e/production/2f08afcdd5d39e868f7cab6eb17d7905bae0d4c0-596x798.png",596,{"filterCategory":20658,"filterLocation":75,"filterType":75},[20659],{"_id":428,"title":431},[20661],{"_type":728,"settings":20662,"text":20663},{"textColumnCount":730},[20664],{"_key":20665,"_type":11,"children":20666,"markDefs":20671,"style":24},"424393d03323",[20667],{"_key":20668,"_type":15,"marks":20669,"text":20670},"28c34fb4ce4c0",[],"School of Commons will be on winter break from 17 December, returning on 12 January. During this time, our responses may be slower as we pause to rest, reflect, and recharge.\n\nWe wish you a generous and restorative festive period, and we look forward to reconnecting and continuing our shared work together in 2026.",[],[20673,20674,20675,20676],"soc winter break, 2025","relaxation and pause","soc will be on winter break from 17 december, returning on 12 january. ","school of commons will be on winter break from 17 december, returning on 12 january. during this time, our responses may be slower as we pause to rest, reflect, and recharge.\n\nwe wish you a generous and restorative festive period, and we look forward to reconnecting and continuing our shared work together in 2026.",{"_type":77,"current":20678},"soc-winter-break-2025","SoC will be on winter break from 17 December, returning on 12 January. 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tactics to counter extraction (alternative title: poetic tactics to train attention)",{"_id":21620,"height":10721,"orientation":598,"ratio":599,"url":21621,"width":7055},"image-0228281d19200de409406edc6d9fec5ec46b7410-1024x768-jpg","https://cdn.sanity.io/images/eodip22e/production/0228281d19200de409406edc6d9fec5ec46b7410-1024x768.jpg",{"filterCategory":21623,"filterLocation":21625,"filterYear":21627},[21624],{"_id":178,"title":181},[21626],{"_id":139,"title":142},[21628],{"_id":881,"title":884},[],{"locations":21631,"other":75},[21632],{"_id":139,"_type":121,"seo":75,"slug":21633,"title":142},{"_type":77,"current":141},[21635,21648,21656,21690,21698],{"_type":728,"settings":75,"text":21636},[21637],{"_key":21638,"_type":11,"children":21639,"markDefs":21644,"style":24},"4c68b073a145",[21640],{"_key":21641,"_type":15,"marks":21642,"text":21643},"3fd3e8d80dc9",[],"The project aims to bring together a body of work that aims to answer the question: how do we counter the embodied ethos of 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Dan is currently based in Berlin, Germany, since 2015. Dan’s works incorporate a wide range of media, including fine art, new media and interactive technology, live presence and somatic practice. The central themes touch on issues of consciousness and embodiment, connection to place and presence, addressing social and environmental conflict, and an increasing focus on a post-anthropocentric perspective and a deep connection with nature. These draw on his extensive background and experience in meditation, awareness and embodiment practices, digital practices and a wide range of alternative living approaches. 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Our methodology of Environmental Reconciliation, which we have been evolving over the course of our work, in a range of sites and with various communities internationally, applies a post-anthropocentric Commoning perspective and a social-ecological re-framing in the context of arts engagement, as a way of working towards understanding, unpacking and redressing contested issues. We employ participatory strategies and aim for horizontality at all levels of a project, an approach that goes beyond project process and structure, forming a basic understanding that questions entrenched hierarchical attitudes of human vs human and human over nature. Our methodology engenders co-learning and calls for an alternative approach to curation, one that is centred on public engagement, mediation and process. 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Specifically, we set out to compile a toolkit of strategies, methods and practices that will facilitate our work as catalysts of a Commoning process, through labbing and reflection, applying the practice of Commoning to the process of examining our own modes of working and interacting as a collective, by engaging in a reciprocal and convivial exchange.",[],[22432],{"_key":22433,"_type":11,"children":22434,"markDefs":22439,"style":24},"43897cfdcc6f",[22435],{"_key":22436,"_type":15,"marks":22437,"text":22438},"c2f0b48797e6",[],"How we can expand our collective's shared knowledge-and skills-space and broaden our collaborative learning, exploration, decision-making, creation and reflection, to increase shared-ownership of the creative process and its outcomes with project participants?",[],[22441,883,141,22367,1834,22442,200,3386],"common views","the common views collective addresses social-ecological concerns at sites-in-conflict. our methodology of environmental reconciliation, which we have been evolving over the course of our work, in a range of sites and with various communities internationally, applies a post-anthropocentric commoning perspective and a social-ecological re-framing in the context of arts engagement, as a way of working towards understanding, unpacking and redressing contested issues. we employ participatory strategies and aim for horizontality at all levels of a project, an approach that goes beyond project process and structure, forming a basic understanding that questions entrenched hierarchical attitudes of human vs human and human over nature. our methodology engenders co-learning and calls for an alternative approach to curation, one that is centred on public engagement, mediation and process. \n\nour research at the soc explores commoning within engaged arts practice, asking how we can expand our collective's shared knowledge- and skills-space and broaden our collaborative learning, exploration, decision-making, creation and reflection, to increase shared-ownership of the creative process and its outcomes with project participants. specifically, we set out to compile a toolkit of strategies, methods and practices that will facilitate our work as catalysts of a commoning process, through labbing and reflection, applying the practice of commoning to the process of examining our own modes of working and interacting as a collective, by engaging in a reciprocal and convivial exchange.",{"_type":77,"current":22444},"common-views",{"_id":22446,"_type":107,"categories":22447,"credits":22465,"featuredImage":22605,"filterables":22611,"footnotes":22621,"locations":22622,"logbook":22626,"pageBuilder":22650,"researchQuestion":75,"researchQuestions":75,"searchables":22800,"seo":75,"slug":22805,"title":3715,"year":2123},"b2cf80bb-5011-4861-b6f4-9cb7bcc45b2e",[22448,22451,22455,22458],{"_id":418,"_type":155,"colorPrimary":22449,"seo":75,"slug":22450,"title":421},{"label":569,"value":2973},{"_type":77,"current":420},{"_id":273,"_type":155,"colorPrimary":22452,"seo":75,"slug":22454,"title":276},{"label":569,"value":22453},"#fff0dc",{"_type":77,"current":275},{"_id":403,"_type":155,"colorPrimary":22456,"seo":75,"slug":22457,"title":406},{"label":569,"value":4835},{"_type":77,"current":405},{"_id":22459,"_type":155,"colorPrimary":22460,"seo":75,"slug":22462,"title":22464},"91d6bd09-91a0-43f1-b546-bfa7a1095443",{"label":569,"value":22461},"#646464",{"_type":77,"current":22463},"read","READ",{"other":22466,"profiles":22483},[22467,22475],{"_key":22468,"_type":11,"children":22469,"markDefs":22474,"style":24},"34ab1dc50b45",[22470],{"_key":22471,"_type":15,"marks":22472,"text":22473},"89164225fb420",[],"Contributors: \nEleonora Toniolo, Eliana Otta, Ingo Niermann (The Army of Love), Mohamed Al-Bakeri, Petra Mrša, Philip Ullrich, Rania Atef, Raúl Hott, Shahd Omar.",[],{"_key":22476,"_type":11,"children":22477,"markDefs":22482,"style":24},"77dc3301c9f3",[22478],{"_key":22479,"_type":15,"marks":22480,"text":22481},"b5ad133c72130",[],"Edited by Ismail Fayed, proof-reading by Jenifer Evans, visual identity by Engy Aly.",[],[22484,22533],{"_id":22485,"_type":576,"activeYears":22486,"bio":22491,"bioShort":22500,"featuredImage":22501,"filterables":22506,"links":22510,"locations":22514,"searchables":22529,"seo":75,"slug":22531,"title":22502},"bcf4d5f8-aa82-48d9-b670-23f0add55f6c",[22487,22489],{"_id":2120,"_type":580,"seo":75,"slug":22488,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":22490,"title":2128},{"_type":77,"current":2127},[22492],{"_key":22493,"_type":11,"children":22494,"markDefs":22499,"style":24},"e5f8729f05a4",[22495],{"_key":22496,"_type":15,"marks":22497,"text":22498},"6843b2b8435d0",[],"Her work examines notions of ‘participation’ and ‘collectivity’ by creating frameworks that invite non-artists and artists to think about how spaces can be organized to include the ‘other’. 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Coming from diverse disciplines and backgrounds, their responses range from the artistic to the scientific, the somatic, and the satirical:",[],{"_key":22701,"_type":11,"children":22702,"level":1033,"listItem":1708,"markDefs":22707,"style":24},"c8b398d73973",[22703],{"_key":22704,"_type":15,"marks":22705,"text":22706},"7a604e899ca9",[],"Engy Mohsen and Gabriel Hensche, artists (Cairo/Berlin), kicked off with the titular “How to Love Many in Many Ways”, a set of exercises that playfully invite you to enact many rituals with many options of potential players; Yourself, Other/s, Other Other/s.",[],{"_key":22709,"_type":11,"children":22710,"level":1033,"listItem":1708,"markDefs":22715,"style":24},"5803eb60c9a0",[22711],{"_key":22712,"_type":15,"marks":22713,"text":22714},"2ac835b91952",[],"Eliana Otta, artist (Lima), responded with “Rehearsing Horizontalities”, a set of exercises to create scenarios where players re-examine their relationship with others by playing with their spatial, choreographic, and acoustic awareness, all while maintaining what she calls a ‘Horizontality Pact’ to reexamine our relationships with others.",[],{"_key":22717,"_type":11,"children":22718,"level":1033,"listItem":1708,"markDefs":22723,"style":24},"5ab5b49ca451",[22719],{"_key":22720,"_type":15,"marks":22721,"text":22722},"e79614f75648",[],"Eleonora Toniolo, interdisciplinary designer (Berlin), responded with NOI Game, a card game that attempts to shift a common understanding of communication that particularly emphasises speaking up as a preferable mode to its supposed opposite: silence.",[],{"_key":22725,"_type":11,"children":22726,"level":1033,"listItem":1708,"markDefs":22731,"style":24},"0410e9908bd0",[22727],{"_key":22728,"_type":15,"marks":22729,"text":22730},"fd5df07edba1",[],"Ingo Niermann (The Army of Love), writer/artist (Basel/Berlin), responded with “Falling in Love with the World”, an exercise that directs the group to overcome aversions and extend notions of love and care to others or objects.",[],{"_key":22733,"_type":11,"children":22734,"level":1033,"listItem":1708,"markDefs":22739,"style":24},"656f6af09a1c",[22735],{"_key":22736,"_type":15,"marks":22737,"text":22738},"fa4d444e59d4",[],"Mohamed Al Bakeri, artist (Cairo/Sierre), responded with “The Things You Do for Love”, a board game that invites players to think of love as a material need and commodity. while navigating the world of online dating.",[],{"_key":22741,"_type":11,"children":22742,"level":1033,"listItem":1708,"markDefs":22747,"style":24},"3eb629c52a93",[22743],{"_key":22744,"_type":15,"marks":22745,"text":22746},"a188d5dba3b7",[],"Petra Mrša, artist/photographer (Berlin), responded with “Shivering Throats, Breaking Walls”, as she plays with alternative notions of intimacy and encounter, ideas of presence and absence, and unconventional modes of communication and exchange.",[],{"_key":22749,"_type":11,"children":22750,"level":1033,"listItem":1708,"markDefs":22755,"style":24},"6dd2e601410a",[22751],{"_key":22752,"_type":15,"marks":22753,"text":22754},"968e8b627698",[],"Philip Ullrich, artist (Zurich/Bern), responded with “Take That Loving Grace”, a game where two players try to win the game ‘Nim’ – one by following computer-generated moves in the role of the ‘machine’, the other on their own as the ‘human’.",[],{"_key":22757,"_type":11,"children":22758,"level":1033,"listItem":1708,"markDefs":22763,"style":24},"d90382da7b52",[22759],{"_key":22760,"_type":15,"marks":22761,"text":22762},"bb199f4c8d32",[],"Rania Atef, artist (Cairo), responded with “Bad Mother”, a card game that critically–and sarcastically–scrutinizes the societal gaze for maternal love and the domestic performance of mothers as well as the criterion of a ‘Good Mother’.",[],{"_key":22765,"_type":11,"children":22766,"level":1033,"listItem":1708,"markDefs":22771,"style":24},"2afd3c91c020",[22767],{"_key":22768,"_type":15,"marks":22769,"text":22770},"8d15edce0aab",[],"Raúl Hott, artist/architect (Santiago), responds with “Total Body”, an invitation to understand radiance, experience new ways of relating to affect, affection, and interact with all living beings, and reconnect with our planet.",[],{"_key":22773,"_type":11,"children":22774,"level":1033,"listItem":1708,"markDefs":22779,"style":24},"c1968a6a2877",[22775],{"_key":22776,"_type":15,"marks":22777,"text":22778},"d1e5ac665606",[],"Shahd Omar, somatic practitioner/architect (Cairo), responded with “Embodied Encounters”, a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges.",[],{"_key":22781,"_type":11,"children":22782,"markDefs":22787,"style":24},"4ce6dae70a9a",[22783],{"_key":22784,"_type":15,"marks":22785,"text":22786},"12359db94bef",[],"We are exploring and testing all games and exercises. 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our initial assumption is that the ability to ‘make kin’ requires both ‘perspective-shifting’ (being willing to listen to other earthly beings) and ‘alter-rooting’ (being willing to engage with values that are different from our species-specific own). the aim of the project is to design, make and use art games during which players will experience ‘perspective-shifting’ and ‘alter-rooting’. players will also be encouraged to make together (sym-poiesis) and assume responsibility together.\n\ngames can be powerful tools to involve players and inspire them to think in novel ways. they can also be designed with purposes other than entertainment, for example with the aim to change the attitude and behaviour of players beyond the game session, as in persuasive games. usually games are distinguished from open play because of their structure, which is given by clearly defined rules and ending points. in this project, art games are defined as games that are much closer to play, in the sense that their rules are loosely defined, new elements (and sometimes also new rules) can be introduced by the players themselves (thus actively transforming the game), and the playful element becomes predominant and may even overcome the rules.\n\nin this project i will translate my research into practice by designing art games in which traditional game dynamics are coupled with performative techniques to involve the players in the co-creation of the game. in the game, players will experience ‘perspective-shifting’ and ‘alter-rooting’, and will be encouraged to embrace kinship beyond the game session. since the notion of kinship is deeply entangled with the notion of ecosystem, and any given ecosystem is always and foremost also a food system, the idea is to begin my game storylines by unpacking the hidden infrastructures of our contemporary industrial food system, its environmental consequences and its impact on climate change. by taking a critical approach to the food industry, the idea is to explore, in a playful way, what will end up in our plates if we were to ‘make kin’ instead of exploiting and enslaving.\n\nthis project is loosely inspired by the notion of ‘making kin’ described in “staying with the trouble” by donna haraway (2016), the heideggerian concept of ‘localized ethics’, and recent approaches in the field of food studies.",{"_type":77,"current":23215},"eat-me-eat-me-not-art-games-for-making-kin","Eat me eat me not - art games for 'making kin'",{"locations":23218,"other":75},[23219],{"_id":144,"_type":121,"seo":75,"slug":23220,"title":147},{"_type":77,"current":146},[23222],{"_type":728,"settings":23223,"text":23224},{"textColumnCount":730},[23225,23233,23241,23248],{"_key":23226,"_type":11,"children":23227,"markDefs":23232,"style":24},"1bf8d774b1d8",[23228],{"_key":23229,"_type":15,"marks":23230,"text":23231},"857a3f879dfd0",[],"Alumn* members organize a monthly study and mutual aid group around the topic of playfulness. If you are interested, join us next week.",[],{"_key":23234,"_type":11,"children":23235,"markDefs":23240,"style":24},"6f2f411f6417",[23236],{"_key":23237,"_type":15,"marks":23238,"text":23239},"2e08a267fbcd0",[],"Looking forward to seeing some of you 🛝♦️🃏🤹‍♀️🎈",[],{"_key":23242,"_type":11,"children":23243,"markDefs":23247,"style":24},"62523c865334",[23244],{"_key":23245,"_type":15,"marks":23246,"text":1150},"c081aa1bd981",[],[],{"_key":23249,"_type":11,"children":23250,"markDefs":23255,"style":24},"086254b840cd",[23251],{"_key":23252,"_type":15,"marks":23253,"text":23254},"850e7a9b953e0",[],"Image: How to love many in many ways, Centar Knap, Zagreb, 2023. \nPhoto by: Ivor Lapić",[],[23257,146,405,1318,23258,23259,17213,1834,22239,3732]," mutual aid group: playfulness","alumn* members organize a monthly study and mutual aid group around the topic of playfulness.","alumn* members organize a monthly study and mutual aid group around the topic of playfulness. if you are interested, join us next week.\n\nlooking forward to seeing some of you 🛝♦️🃏🤹‍♀️🎈\n\n\n\nimage: how to love many in many ways, centar knap, zagreb, 2023. \nphoto by: ivor lapić",{"_type":77,"current":23261},"mutual-aid-group-playfulness","Alumn* members organize a monthly study and mutual aid group around the topic of playfulness."," Mutual aid group: playfulness",[23265],{"_id":100,"_type":97,"seo":75,"slug":23266,"title":103},{"_type":77,"current":102},{"_id":23268,"_type":556,"additionalDetails":23269,"categories":75,"credits":23285,"dates":23331,"events":23334,"featuredImage":23335,"filterables":23339,"labs":75,"locations":23344,"pageBuilder":23363,"parentEvent":75,"searchables":23398,"seo":75,"slug":23403,"summary":23405,"title":23406,"types":23407},"954421cf-e320-41c4-ba5b-1819c68cc7eb",[23270],{"_key":23271,"_type":11,"children":23272,"markDefs":23282,"style":24},"2a0163b6f51d",[23273,23277],{"_key":23274,"_type":15,"marks":23275,"text":23276},"49967bf9985a",[],"Register ",{"_key":23278,"_type":15,"marks":23279,"text":23281},"e19235230c78",[23280],"efd00c2eaa11","here",[23283],{"_key":23280,"_type":41,"blank":42,"href":23284},"https://sts-ch.org/sts-ch-2025/",{"other":75,"profiles":23286},[23287],{"_id":23288,"_type":576,"activeYears":23289,"bio":23292,"bioShort":23317,"featuredImage":75,"filterables":23318,"links":23321,"locations":75,"searchables":23326,"seo":75,"slug":23328,"title":23330},"2628a468-fc66-4c04-b07c-51b81d4af29a",[23290],{"_id":2125,"_type":580,"seo":75,"slug":23291,"title":2128},{"_type":77,"current":2127},[23293,23301,23309],{"_key":23294,"_type":11,"children":23295,"markDefs":23300,"style":24},"90b2381a5393",[23296],{"_key":23297,"_type":15,"marks":23298,"text":23299},"ab2b365b8dc7",[],"In her practice-based research she is exploring the structures of the Self through a multifaceted analysis of body, mind and environment, by taking into consideration the regressive history of the domination of nature, and social power structures.",[],{"_key":23302,"_type":11,"children":23303,"markDefs":23308,"style":24},"34cfebaf9af5",[23304],{"_key":23305,"_type":15,"marks":23306,"text":23307},"88c5f535650b",[],"Her auto-biographical research on intergenerational trauma, migration and belonging is carried forward within her ongoing collaborations with scientists and diverse communities as part of socially engaged commissions, such as Refugee Week London (2021-2022).",[],{"_key":23310,"_type":11,"children":23311,"markDefs":23316,"style":24},"c209580c4971",[23312],{"_key":23313,"_type":15,"marks":23314,"text":23315},"00f049f67e680",[],"As an artist she has presented her works at international institutions, such as National Gallery Vilnius (2023), Drugo More (2022), Uferstudios Berlin (2021), Kommunale Galerie Bärenzwinger (2019), Tate Exchange at Tate Modern London (2017 & 2018), Arts Catalyst (2016), Foreign Affairs Festival at Berliner Festspiele (2014), and as guest lecturer at SOAS University of London (2022), Garage Museum in Moscow (2019), Al-Quds Bard College (2018), and Chelsea College (2017). Dorniak holds a Master Degree in Art and Science (Department Fine Art) from the Central Saint Martins in London (2017).",[],"Monika is a German-Polish artist with an interdisciplinary background in choreography, psychology and design, who often merges media – specifically performance, (textile) sculpture and multimedia.",{"filterYear":23319},[23320],{"_id":2125,"title":2128},[23322,23324],{"_type":607,"label":608,"url":23323},"https://monikadorniak.com/",{"_type":607,"label":2160,"url":23325},"https://www.instagram.com/monikadorniak/",[23327,2127],"monika dorniak",{"_type":77,"current":23329},"monika-dorniak","Monika Dorniak",{"endDate":23332,"other":23333,"startDate":23332},"2025-09-11","14:30–16:00 (CET)",[],{"alt":75,"asset":23336},{"_id":23337,"height":7110,"orientation":637,"ratio":3801,"url":23338,"width":7112},"image-0590532fb46293da5ad0cf59c128a073baf6cde2-1200x1600-jpg","https://cdn.sanity.io/images/eodip22e/production/0590532fb46293da5ad0cf59c128a073baf6cde2-1200x1600.jpg",{"filterCategory":75,"filterLocation":23340,"filterType":23342},[23341],{"_id":139,"title":142},[23343],{"_id":100,"title":103},{"locations":23345,"other":23348},[23346],{"_id":139,"_type":121,"seo":75,"slug":23347,"title":142},{"_type":77,"current":141},[23349],{"_key":23350,"_type":11,"children":23351,"markDefs":23361,"style":24},"c541befb5b5e",[23352,23356],{"_key":23353,"_type":15,"marks":23354,"text":23355},"550166964f3a",[],"Room: HGE 26 5\nAddress: ETH Zürich Hauptgebäude\nRämistrasse 101, 8092 Zürich, Schweiz ",{"_key":23357,"_type":15,"marks":23358,"text":23360},"edc49404b8b0",[23359],"d8d5bdf06b98","https://lnkd.in/gisJQvxE",[23362],{"_key":23359,"_type":41,"href":23360},[23364],{"_type":728,"settings":23365,"text":23366},{"textColumnCount":730},[23367,23375,23382,23390],{"_key":23368,"_type":11,"children":23369,"markDefs":23374,"style":24},"84d0dd5f0157",[23370],{"_key":23371,"_type":15,"marks":23372,"text":23373},"3c74e821cd2b0",[],"On Thursday, Monika Dorniak will be convening her first panel at the STS-CH conference in Zurich – at the beginning of the year she invited five artistic researchers to collaboratively create a collective lecture performance that expands the idea of learning into a multi-sensorial experience, engaging touch, taste, and sound. ",[],{"_key":23376,"_type":11,"children":23377,"markDefs":23381,"style":24},"3b4dd6c12826",[23378],{"_key":23379,"_type":15,"marks":23380,"text":1150},"c18be284b6ff",[],[],{"_key":23383,"_type":11,"children":23384,"markDefs":23389,"style":24},"cc06825d898b",[23385],{"_key":23386,"_type":15,"marks":23387,"text":23388},"f7e474f2d89d",[],"If you happen to be in Switzerland, you are warmly invited to attend *Reenchanting Wounded Worlds: Fermentation, Decay, and Interspecies Grief in Post-Violated Landscapes – Experimental Format*  \n\nParticipating artistic researchers: Paola Bascón, Mariangela Beccoi, Martyna Miller, Kamila Narysheva & Vicky Clarke, Óscar Perdomo\n\nDetailed info:\nThis experimental panel, featuring a joint 60-minute lecture performance, brings together artistic research projects that focus on human-decentred approaches to memory studies and indigenous cosmologies. It explores how landscapes –fractured by catastrophe, nuclear testing, extraction, and war– can be re-enchanted through the generative powers of decay, sound, poetry, breathing, fermentation, and interspecies dialogue. Traversing Amazonian and West-German fermentation practices, Andean necropolises, post-hurricane Polish forests, a nuclear testing site in Kazakhstan, and the very air we nurture, we ask: how do more-than-human agencies and world-making practices help us sustain lives and lands marked by loss?\nThese threads converge in an experimental lecture performance that interweaves molecular presence, olfactory landscapes, and interspecies grief. Through scent, sound, and touch, the lecture performance unsettles anthropocentric notions of agency and memory, inviting participants to experience the enduring echoes of environmental trauma and the possibilities for collective healing.",[],{"_key":23391,"_type":11,"children":23392,"markDefs":23397,"style":24},"bf6923929047",[23393],{"_key":23394,"_type":15,"marks":23395,"text":23396},"b98e79cbebbf",[],"\nTogether, these projects propose that holding fractured worlds together requires us to listen to the generative murmurs of decay, fermentation, material witnesses, and more-than-human kin — re-enchanting our relationships with landscapes, histories, and futures in the face of uncertainty. The session will begin with a 60-minute multimedia lecture performance, collaboratively created by the participating researchers, followed by a moderated Q&A with the presenters, offering insights into the individual works and perspectives of each artistic researcher.",[],[23399,141,23400,1318,23401,23402,23327],"reenchanting wounded worlds: fermentation, decay, and interspecies grief in post-violated landscapes – experimental format","room: hge 26 5\naddress: eth zürich hauptgebäude\nrämistrasse 101, 8092 zürich, schweiz https://lnkd.in/gisjqvxe","on thursday, monika dorniak will be convening her first panel at the sts-ch conference in zurich.","on thursday, monika dorniak will be convening her first panel at the sts-ch conference in zurich – at the beginning of the year she invited five artistic researchers to collaboratively create a collective lecture performance that expands the idea of learning into a multi-sensorial experience, engaging touch, taste, and sound. \n\n\n\nif you happen to be in switzerland, you are warmly invited to attend *reenchanting wounded worlds: fermentation, decay, and interspecies grief in post-violated landscapes – experimental format*  \n\nparticipating artistic researchers: paola bascón, mariangela beccoi, martyna miller, kamila narysheva & vicky clarke, óscar perdomo\n\ndetailed info:\nthis experimental panel, featuring a joint 60-minute lecture performance, brings together artistic research projects that focus on human-decentred approaches to memory studies and indigenous cosmologies. it explores how landscapes –fractured by catastrophe, nuclear testing, extraction, and war– can be re-enchanted through the generative powers of decay, sound, poetry, breathing, fermentation, and interspecies dialogue. traversing amazonian and west-german fermentation practices, andean necropolises, post-hurricane polish forests, a nuclear testing site in kazakhstan, and the very air we nurture, we ask: how do more-than-human agencies and world-making practices help us sustain lives and lands marked by loss?\nthese threads converge in an experimental lecture performance that interweaves molecular presence, olfactory landscapes, and interspecies grief. through scent, sound, and touch, the lecture performance unsettles anthropocentric notions of agency and memory, inviting participants to experience the enduring echoes of environmental trauma and the possibilities for collective healing.\n\n\ntogether, these projects propose that holding fractured worlds together requires us to listen to the generative murmurs of decay, fermentation, material witnesses, and more-than-human kin — re-enchanting our relationships with landscapes, histories, and futures in the face of uncertainty. the session will begin with a 60-minute multimedia lecture performance, collaboratively created by the participating researchers, followed by a moderated q&a with the presenters, offering insights into the individual works and perspectives of each artistic researcher.",{"_type":77,"current":23404},"reenchanting-wounded-worlds-fermentation-decay-and-interspecies-grief-in-post-violated-landscapes-experimental-format","On Thursday, Monika Dorniak will be convening her first panel at the STS-CH conference in Zurich.","Reenchanting Wounded Worlds: Fermentation, Decay, and Interspecies Grief in Post-Violated Landscapes – Experimental 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here: ",{"_key":23421,"_type":15,"marks":23422,"text":23424},"40c9eff54c6c",[23423],"19b978642808","https://www.studio1-0-6.com/carried-by-the-receding-tide",[23426],{"_key":23423,"_type":41,"href":23427},"https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.studio1-0-6.com%2Fcarried-by-the-receding-tide&data=05%7C02%7Cchantelle.lueelton%40zhdk.ch%7C069a3d915b104900612b08dddfb7624b%7Ceff1ebf773e54e3dbefd52d69e759214%7C1%7C0%7C638912700897885820%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=zPCXJaHij40QGgR9A%2BTfUapxAnPcxTdV%2FVPTQ8DqLVI%3D&reserved=0",{"other":75,"profiles":23429},[23430,23473],{"_id":2885,"_type":576,"activeYears":23431,"bio":23440,"bioShort":2912,"featuredImage":23451,"filterables":23453,"links":23459,"locations":23461,"searchables":23471,"seo":75,"slug":23472,"title":2914},[23432,23434,23436,23438],{"_id":2125,"_type":580,"seo":75,"slug":23433,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":23435,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":23437,"title":1350},{"_type":77,"current":1349},{"_id":579,"_type":580,"seo":75,"slug":23439,"title":583},{"_type":77,"current":582},[23441,23446],{"_key":2897,"_type":11,"children":23442,"markDefs":23445,"style":24},[23443],{"_key":2900,"_type":15,"marks":23444,"text":2902},[],[],{"_key":2905,"_type":11,"children":23447,"markDefs":23450,"style":24},[23448],{"_key":2908,"_type":15,"marks":23449,"text":2910},[],[],{"alt":2914,"asset":23452},{"_id":2916,"height":2917,"orientation":598,"ratio":2918,"url":2919,"width":2920},{"filterYear":23454},[23455,23456,23457,23458],{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},{"_id":579,"title":583},[23460],{"_type":607,"label":608,"url":2929},{"locations":23462,"other":23465},[23463],{"_id":139,"_type":121,"seo":75,"slug":23464,"title":142},{"_type":77,"current":141},[23466],{"_key":2936,"_type":11,"children":23467,"markDefs":23470,"style":24},[23468],{"_key":2939,"_type":15,"marks":23469,"text":2941},[],[],[2944,2127,883,1349,582],{"_type":77,"current":2946},{"_id":23474,"_type":576,"activeYears":23475,"bio":23478,"bioShort":23487,"featuredImage":23488,"filterables":23495,"links":23498,"locations":23501,"searchables":23513,"seo":75,"slug":23515,"title":23489},"ca5c253a-b207-4693-bdf5-5469418ea4c2",[23476],{"_id":2125,"_type":580,"seo":75,"slug":23477,"title":2128},{"_type":77,"current":2127},[23479],{"_key":23480,"_type":11,"children":23481,"markDefs":23486,"style":24},"90c108fd30f4",[23482],{"_key":23483,"_type":15,"marks":23484,"text":23485},"6d67f92399c50",[],"His work encompasses live electronic and electroacoustic improvisations, compositions and installations. Tagi explores themes of dynamic systems, liminality, sound perception, bio- and eco-acoustics. His projects, including the2vvo duo with Lena Pozdnyakova, have been presented at international venues, including Archive Machines at the Los Angeles Municipal Museum of Art, the Bauhaus Festival in Dessau, SoundPedro Sound Art Festival in San Pedro, the Korkut Sound Art Biennial at the Kasteev Museum in Almaty, and the Unsound and CTM festivals. In 2024, their work Presence was presented at the 60th International Art Exhibition in Venice, Italy.",[],"Eldar (b.1987, Almaty, Kazakhstan) is a sound artist, composer and researcher. 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The project is envisioned to be launched on lumbung radio and is released in 2024, after a year of collaborative work in 2023.",[],{"_key":24014,"_type":11,"children":24015,"markDefs":24020,"style":24},"b914fb2c0613",[24016],{"_key":24017,"_type":15,"marks":24018,"text":24019},"342dde5236780",[],"The format is defined as a listening experience that explores cultural practices of radical inclusion and openness to various voices and perspectives driven by the notion of solidarity and care while addressing complex topics of migration, struggles under oppressive regimes (institutional, social, and political), and surviving under the conditions of climate change and late capitalism. 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This is aligned with the lumbung radio’s values by proposing the format of radical openness, with only one predicament of accentuating care and solidarity notions. By thinking and testing various non-hierarchical formats for experience sharing and knowledge dissemination, There there aspires to learn through practice.",[],{"_key":24091,"_type":11,"children":24092,"markDefs":24097,"style":24},"4184038b01c4",[24093],{"_key":24094,"_type":15,"marks":24095,"text":24096},"4aed55bcb7050",[],"Driven by all the values mentioned above, the project also incorporates various local and trans-local sub-programs: collaborations, community workshops, shared listening sessions, educational projects, discursive formats and more.",[],{"_type":813,"caption":75,"image":24099},{"alt":75,"asset":24100},{"_id":24101,"height":24102,"orientation":598,"ratio":24103,"url":24104,"width":10721},"image-0b13bf897ccebabfca3a5c2cdbe5637ff60fd715-768x537-png",537,1.4301675977653632,"https://cdn.sanity.io/images/eodip22e/production/0b13bf897ccebabfca3a5c2cdbe5637ff60fd715-768x537.png",{"_type":813,"caption":75,"image":24106},{"alt":75,"asset":24107},{"_id":24108,"height":24109,"orientation":598,"ratio":24110,"url":24111,"width":24112},"image-339c6dfa8a8b42800e0b0ee73dc995a3e4406d76-2028x1562-png",1562,1.298335467349552,"https://cdn.sanity.io/images/eodip22e/production/339c6dfa8a8b42800e0b0ee73dc995a3e4406d76-2028x1562.png",2028,{"_type":728,"settings":75,"text":24114},[24115,24130],{"_key":24116,"_type":11,"children":24117,"markDefs":24127,"style":24},"8d16bb1c24e2",[24118,24122],{"_key":24119,"_type":15,"marks":24120,"text":24121},"c7f8935415730",[],"The release of There, there podcasts will be announced here and on the ",{"_key":24123,"_type":15,"marks":24124,"text":24126},"c7f8935415731",[24125],"40ff7c7a076b","lumbung radio website.",[24128],{"_key":24125,"_type":41,"href":24129},"https://www.lumbungradio.org/",{"_key":24131,"_type":11,"children":24132,"markDefs":24145,"style":24},"3ec68ecc1024",[24133,24137,24141],{"_key":24134,"_type":15,"marks":24135,"text":24136},"a2488f1bbe900",[],"We are part of the lumbung inter-local online community, therefore a few words about them:\n\n",{"_key":24138,"_type":15,"marks":24139,"text":24140},"a2488f1bbe901",[17],"lumbung Radio",{"_key":24142,"_type":15,"marks":24143,"text":24144},"a2488f1bbe902",[]," is an inter-local online community radio part of documenta fifteen. It’s an open online broadcast that comprises of an inter-local network of distinct radios and audio practices. It operates in no specific time zones, and streams multiple languages, music, and art. Each participating radio station depends on its own means of production, way of thinking, learning, and sharing. lumbung Radio operates as a decentralized network of nodes that uses internet without its hegemonic agency. 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there",[],{"alt":24174,"asset":24177},{"_id":24178,"height":24179,"orientation":598,"ratio":24180,"url":24181,"width":1031},"image-fe95fe1159a89b502c7a2f94e92b5ec6f76f01c0-2560x997-jpg",997,2.567703109327984,"https://cdn.sanity.io/images/eodip22e/production/fe95fe1159a89b502c7a2f94e92b5ec6f76f01c0-2560x997.jpg",{"_type":813,"caption":24183,"image":24192},[24184],{"_key":24185,"_type":11,"children":24186,"markDefs":24191,"style":24},"47733b2fd04b",[24187],{"_key":24188,"_type":15,"marks":24189,"text":24190},"ac5810b22987",[],"Work in progress, courtesy of There, there",[],{"alt":24174,"asset":24193},{"_id":24194,"height":24195,"orientation":598,"ratio":24196,"url":24197,"width":1031},"image-bea36542ca18f122c857ce5b020209506624e957-2560x1810-jpg",1810,1.4143646408839778,"https://cdn.sanity.io/images/eodip22e/production/bea36542ca18f122c857ce5b020209506624e957-2560x1810.jpg",[24199,2127,141,23708,12611,2944,23514,23840,23883,23904,23936,24200,24201,1317,24202,1101,17127,8276,24203,24204,255,7749,165,6986,520,20674,10505,2692,3388,545,4819,220,3386,24205,24206,24207,14259,8692,275,1099,170,24208],"there, there","there, there working group is an open collaboration that connects and shares ideas in a decentralized way, focusing on playful public engagement, care, and experimental working practices.\n\n\n\nfor the school of commons program, there there proposed a series of listening experiences to be developed. the project is envisioned to be launched on lumbung radio and is released in 2024, after a year of collaborative work in 2023.\n\nthe format is defined as a listening experience that explores cultural practices of radical inclusion and openness to various voices and perspectives driven by the notion of solidarity and care while addressing complex topics of migration, struggles under oppressive regimes (institutional, social, and political), and surviving under the conditions of climate change and late capitalism. given that these downing paradigms overlap, the project finds its positionality on terrains of what could be referred to as “optimism in despair.” with the project, we hope to create a virtual space where productive discussions and artistic experiments could drive constructive forms of gaining agency and participation/ taking political action.\n\nwith various interpretations at hand, the project of radical openness to diverse voices and stories, and engages with the following themes:\n\n1) there there – as a form of repetition and the power of sonic expression – is open to various contributions through sound pieces, sonic arts, field recordings, sonic explorations, and commentaries.\n\n2) there there – as a temporal aspect and projection of the future driven by “optimism in/over despair” – is open to conversations and reflections on forms of futurity.\n\n3) there there – as a reference to spatial, planetary, and geographic conditions – is open to stories and explorations about migration and transitioning.\n\n4) there there – as a form of relational work and practices of care – addresses participatory forms of engagement as a form of decolonial project, immanent critique, and decolonial thinking through art and practice.\n\non a regular basis, there there releases episodes that take on contrasting formats (addressing specific interpretations of “there there” mentioned above), organizes public events and fosters collaboration. this is aligned with the lumbung radio’s values by proposing the format of radical openness, with only one predicament of accentuating care and solidarity notions. by thinking and testing various non-hierarchical formats for experience sharing and knowledge dissemination, there there aspires to learn through practice.\n\ndriven by all the values mentioned above, the project also incorporates various local and trans-local sub-programs: collaborations, community workshops, shared listening sessions, educational projects, discursive formats and more.","the release of there, there podcasts will be announced here and on the lumbung radio website.\n\nwe are part of the lumbung inter-local online community, therefore a few words about them:\n\nlumbung radio is an inter-local online community radio part of documenta fifteen. it’s an open online broadcast that comprises of an inter-local network of distinct radios and audio practices. it operates in no specific time zones, and streams multiple languages, music, and art. each participating radio station depends on its own means of production, way of thinking, learning, and sharing. lumbung radio operates as a 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referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C/iframe>",{"_type":728,"settings":24221,"text":24222},{"textColumnCount":730},[24223],{"_key":24224,"_type":11,"children":24225,"markDefs":24230,"style":24},"6db0ac16beec",[24226],{"_key":24227,"_type":15,"marks":24228,"text":24229},"73b76ca998d80",[],"The exhibition explores the intricate entanglements between the biodiversity of the Caspian Sea, human communities, and the escalating challenges of climate change. Through a visually disarming, almost childlike aesthetic—what might be described as a deliberately naïve visual language—the project makes a conscious effort to render complex environmental and geopolitical issues more accessible, especially to younger audiences. This strategy does not dilute the urgency of the message; rather, it underscores the need for wide-reaching dialogue that includes both the youngest voices and those too often left out of policy discourse.",[],{"_type":728,"settings":24232,"text":24233},{"textColumnCount":730},[24234],{"_key":24235,"_type":11,"children":24236,"markDefs":24241,"style":24},"c9b2e5498256",[24237],{"_key":24238,"_type":15,"marks":24239,"text":24240},"bcb2fe05e2b6",[],"At the heart of the exhibition is the Caspian Sea—a vast, landlocked body of water that touches the lives, economies, and ecologies of five countries. It is a site of overlapping concerns: geopolitical tension, resource extraction, cultural identity, and environmental precarity. The Caspian is home to species found nowhere else in the world, including the endangered Caspian seal and six distinct species of sturgeon. These creatures, some of them ancient and emblematic, are now facing unprecedented threats. As water levels drop dramatically due to climate change and mismanagement, breeding grounds vanish, migratory paths are disrupted, and entire habitats collapse.",[],{"_type":728,"settings":24243,"text":24244},{"textColumnCount":730},[24245],{"_key":24246,"_type":11,"children":24247,"markDefs":24252,"style":24},"73d38410223d",[24248],{"_key":24249,"_type":15,"marks":24250,"text":24251},"dfdced10333e",[],"In this context, the exhibition becomes more than a visual presentation—it becomes an invitation to reconsider our relationship with non-human life and the ecosystems that sustain us. The playful, approachable drawings belie a deep ecological intelligence, one that emphasizes interconnectedness and co-dependence between species. By evoking empathy for animal subjects, the work also functions as a vehicle for fostering interspecies solidarity—a gentle provocation that challenges anthropocentric worldviews.",[],{"_type":728,"settings":24254,"text":24255},{"textColumnCount":730},[24256],{"_key":24257,"_type":11,"children":24258,"markDefs":24263,"style":24},"97a9059b8dad",[24259],{"_key":24260,"_type":15,"marks":24261,"text":24262},"8ca6c07e3dd9",[],"Bringing this project to Azerbaijan—a site where environmental advocacy remains politically delicate— is especially significant to strike the conversation about the role of ecology and raise awareness in the younger generation. In such a context, the exhibition becomes a subtle yet potent form of ecological diplomacy—an artwork that opens space for reflection and dialogue where direct activism may not be possible. The child-friendly and seemingly apolitical format allows the work to enter contested spaces, planting seeds of awareness in the minds of viewers who may not otherwise engage with environmental concerns.",[],{"_type":728,"settings":24265,"text":24266},{"textColumnCount":730},[24267],{"_key":24268,"_type":11,"children":24269,"markDefs":24274,"style":24},"16cb6ed3dae8",[24270],{"_key":24271,"_type":15,"marks":24272,"text":24273},"26f60a42e092",[],"Ultimately, this project reminds us that the fate of the Caspian Sea is a shared concern—one that transcends borders, species, and generations. Without collective action aimed at preservation and resilience, we too risk being swept away by the receding tide of ecological collapse. The exhibition, in its gentle urgency, offers both a warning and a gesture of hope.",[],[24276,146,1318,24277,24278,24279,24280,24281,24282,2944,23514],"carried by the receding tide","the exhibition explores the intricate entanglements between the biodiversity of the caspian sea, human communities, and the escalating challenges of climate change. 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We project our own experiences in this melting body that includes all these layers of loss: memories, archives, ghosts, and grieving for something much bigger than us. Dealing with absence as an overwhelming presence, that takes up space and different shapes; but that can also push forward radical change as it modifies the landscape and thus notions of national borders or urbanity.",[],{"_key":26073,"_type":11,"children":26074,"markDefs":26078,"style":24},"5382b3502860",[26075],{"_key":26076,"_type":15,"marks":26077,"text":1150},"e6d73782d9180",[],[],{"_key":26080,"_type":11,"children":26081,"markDefs":26086,"style":24},"b89c40faed93",[26082],{"_key":26083,"_type":15,"marks":26084,"text":26085},"580747f0d4f30",[],"Ultimately, our goal is to imagine together scenarios for a post-glacial future, based on the production of a collective body of knowledge surrounding the glaciers, that can be instrumentalized towards giving political agency to the disappearing body itself.",[],{"_key":26088,"_type":11,"children":26089,"markDefs":26093,"style":24},"31da76646a30",[26090],{"_key":26091,"_type":15,"marks":26092,"text":1150},"180e2efdc5980",[],[],{"_key":26095,"_type":11,"children":26096,"markDefs":26101,"style":24},"f791f0a413f7",[26097],{"_key":26098,"_type":15,"marks":26099,"text":26100},"a54de0e1a9a60",[],"We would like to unlearn the overwhelming feeling we have when dealing with scientific data, which limits us from collaborating with other disciplines and bridging the distance from the concept of the glacier itself. We would like to understand it, not as a remote or static entity, but as a dynamic agent of political, cultural, and ecological change in order to find methods that can create a more inclusive understanding of subjects that pertain to the commons, like the environment.",[],{"_type":810,"slides":26103},[26104,26112,26120,26128,26135,26142],{"_type":813,"caption":75,"image":26105},{"alt":75,"asset":26106},{"_id":26107,"height":26108,"orientation":598,"ratio":26109,"url":26110,"width":26111},"image-e32e3f1710f54076c088ce05efd5c101fb4b5fc1-2460x1698-jpg",1698,1.4487632508833923,"https://cdn.sanity.io/images/eodip22e/production/e32e3f1710f54076c088ce05efd5c101fb4b5fc1-2460x1698.jpg",2460,{"_type":813,"caption":75,"image":26113},{"alt":75,"asset":26114},{"_id":26115,"height":26116,"orientation":598,"ratio":26117,"url":26118,"width":26119},"image-81e5f16c4c90b68290aff661e173997dd8fad6ff-2452x1717-jpg",1717,1.4280722189866046,"https://cdn.sanity.io/images/eodip22e/production/81e5f16c4c90b68290aff661e173997dd8fad6ff-2452x1717.jpg",2452,{"_type":813,"caption":75,"image":26121},{"alt":75,"asset":26122},{"_id":26123,"height":26124,"orientation":598,"ratio":26125,"url":26126,"width":26127},"image-241ba726358a24c13784ced4a493bb95c383a6b5-2428x1700-jpg",1700,1.428235294117647,"https://cdn.sanity.io/images/eodip22e/production/241ba726358a24c13784ced4a493bb95c383a6b5-2428x1700.jpg",2428,{"_type":813,"caption":75,"image":26129},{"alt":75,"asset":26130},{"_id":26131,"height":26116,"orientation":598,"ratio":26132,"url":26133,"width":26134},"image-6fbf45d2d715a42075cd8a20d476ad12b4cd5b3e-2475x1717-jpg",1.4414676761793825,"https://cdn.sanity.io/images/eodip22e/production/6fbf45d2d715a42075cd8a20d476ad12b4cd5b3e-2475x1717.jpg",2475,{"_type":813,"caption":75,"image":26136},{"alt":75,"asset":26137},{"_id":26138,"height":4552,"orientation":598,"ratio":26139,"url":26140,"width":26141},"image-00644dd7bcca54d41b98bd36f8f44ade3dec5695-2464x1711-jpg",1.440093512565751,"https://cdn.sanity.io/images/eodip22e/production/00644dd7bcca54d41b98bd36f8f44ade3dec5695-2464x1711.jpg",2464,{"_type":813,"caption":75,"image":26143},{"alt":75,"asset":26144},{"_id":26145,"height":26146,"orientation":598,"ratio":26147,"url":26148,"width":26149},"image-5818387f1194ec6e367ba17bd90f5dd3c2f2fc37-2461x1690-jpg",1690,1.4562130177514794,"https://cdn.sanity.io/images/eodip22e/production/5818387f1194ec6e367ba17bd90f5dd3c2f2fc37-2461x1690.jpg",2461,{"_type":728,"settings":26151,"text":26152},{"textColumnCount":730},[26153],{"_key":26154,"_type":11,"children":26155,"markDefs":26160,"style":24},"f1a8785e30c8",[26156],{"_key":26157,"_type":15,"marks":26158,"text":26159},"1459e4d3306c0",[],"If only we could expand this radical empathy we feel for the apparent unstoppable loss of something, towards forming alliances to imagine a future in which this absence is not a void but a place for human and non-human resistance, maybe we could accomplish more, and collaborate with natural bodies like a glacier in an ecological revolution from the bottom up.",[],[26162,26172],{"_type":3359,"question":26163},[26164],{"_key":26165,"_type":11,"children":26166,"markDefs":26171,"style":24},"bdee34076f38",[26167],{"_key":26168,"_type":15,"marks":26169,"text":26170},"2ebf4c5f52ab0",[],"How can we learn from something that is disappearing?",[],{"_type":3359,"question":26173},[26174],{"_key":26175,"_type":11,"children":26176,"markDefs":26181,"style":24},"e68d39de1729",[26177],{"_key":26178,"_type":15,"marks":26179,"text":26180},"961d4fe683860",[],"How can we instrumentalize the post-glacial landscape as a tool for fostering collective knowledge?",[],[26183,1349,26184,26185,1676,141,151,25849,25877,25941,26000,26186,26187,26188,6986,10228,1100,170,9507],"glacier rapport","how can we learn from something that is disappearing?","how can we instrumentalize the post-glacial landscape as a tool for fostering collective knowledge?","when a glacier disappears not only the geological archive of a place is lost, but also the tales and the future imaginary surrounding it dilute as well.\n\n\n\napproaching mourning as a learning methodology, we aim to create imaginative fictions that envision possible political realities. we project our own experiences in this melting body that includes all these layers of loss: memories, archives, ghosts, and grieving for something much bigger than us. dealing with absence as an overwhelming presence, that takes up space and different shapes; but that can also push forward radical change as it modifies the landscape and thus notions of national borders or urbanity.\n\n\n\nultimately, our goal is to imagine together scenarios for a post-glacial future, based on the production of a collective body of knowledge surrounding the glaciers, that can be instrumentalized towards giving political agency to the disappearing body itself.\n\n\n\nwe would like to unlearn the overwhelming feeling we have when dealing with scientific data, which limits us from collaborating with other disciplines and bridging the distance from the concept of the glacier itself. we would like to understand it, not as a remote or static entity, but as a dynamic agent of political, cultural, and ecological change in order to find methods that can create a more inclusive understanding of subjects that pertain to the commons, like the environment.","if only we could expand this radical empathy we feel for the apparent unstoppable loss of something, towards forming alliances to imagine a future in which this absence is not a void but a place for human and non-human resistance, maybe we could accomplish more, and collaborate with natural bodies like a glacier in an ecological revolution from the bottom up.","mourning a glacier",{"_type":77,"current":26190},"glacier-rapport","Glacier Rapport",{"_id":26193,"_type":107,"categories":26194,"credits":26212,"featuredImage":26284,"filterables":26291,"footnotes":26301,"locations":26302,"logbook":26315,"pageBuilder":26451,"researchQuestion":75,"researchQuestions":26512,"searchables":26530,"seo":75,"slug":26538,"title":26540,"year":1350},"b326bc1a-d5c1-47d0-8e3d-02d718d105e0",[26195,26198,26201,26205],{"_id":518,"_type":155,"colorPrimary":26196,"seo":75,"slug":26197,"title":521},{"label":569,"value":23614},{"_type":77,"current":520},{"_id":233,"_type":155,"colorPrimary":26199,"seo":75,"slug":26200,"title":236},{"label":569,"value":4102},{"_type":77,"current":235},{"_id":363,"_type":155,"colorPrimary":26202,"seo":75,"slug":26204,"title":366},{"label":569,"value":26203},"#00b4b4",{"_type":77,"current":365},{"_id":26206,"_type":155,"colorPrimary":26207,"seo":75,"slug":26209,"title":26211},"019d7dba-5ac7-4476-95e3-7e920cf74e59",{"label":569,"value":26208},"#a5ff00",{"_type":77,"current":26210},"hitching-a-ride","Hitching a Ride",{"other":75,"profiles":26213},[26214],{"_id":26215,"_type":576,"activeYears":26216,"bio":26219,"bioShort":26251,"featuredImage":26252,"filterables":26259,"links":26262,"locations":26266,"searchables":26279,"seo":75,"slug":26281,"title":26283},"f6916f1f-f08f-4df9-b506-337ece4ee6fe",[26217],{"_id":1347,"_type":580,"seo":75,"slug":26218,"title":1350},{"_type":77,"current":1349},[26220,26228,26236,26243],{"_key":26221,"_type":11,"children":26222,"markDefs":26227,"style":24},"4c1c1d9b6d36",[26223],{"_key":26224,"_type":15,"marks":26225,"text":26226},"9abddb09d9ab",[],"A daydreamer and a talker who likes to listen and wait for things to happen.",[],{"_key":26229,"_type":11,"children":26230,"markDefs":26235,"style":24},"c35e4cb0f4d0",[26231],{"_key":26232,"_type":15,"marks":26233,"text":26234},"186d8d563425",[],"Klara is a versatile researcher, writer, and performer, based between Berlin and Stockholm, with a BA from Design Academy Eindhoven. By experimenting with collective imaginations and exploring co-action, communication, and improvisation, through dialogues, translation, and audiovisual processes, they are incessantly deepening their understanding of and addiction to a tension between a radical irreverence for, and a delicate and honest approach to the English language.",[],{"_key":26237,"_type":11,"children":26238,"markDefs":26242,"style":24},"202e8c9d194c",[26239],{"_key":26240,"_type":15,"marks":26241,"text":1150},"41fb78dfdf550",[],[],{"_key":26244,"_type":11,"children":26245,"markDefs":26250,"style":24},"c9f9c3036d34",[26246],{"_key":26247,"_type":15,"marks":26248,"text":26249},"dd78eddc20860",[],"Klara Branting Paulsell lives in Berlin and Stockholm, and has a degree from Design Academy Eindhoven. They like writing and talking to people. They love and hate English at the same time.",[],"A daydreamer and a talker who likes to listen and wait for things to happen. \n",{"alt":26253,"asset":26254},"a self portrait",{"_id":26255,"height":704,"orientation":637,"ratio":26256,"url":26257,"width":26258},"image-e1c50a1556c6a74b783c055c1d3103fb18991c29-1736x2000-jpg",0.868,"https://cdn.sanity.io/images/eodip22e/production/e1c50a1556c6a74b783c055c1d3103fb18991c29-1736x2000.jpg",1736,{"filterYear":26260},[26261],{"_id":1347,"title":1350},[26263],{"_type":607,"label":26264,"url":26265},"Pocket the Newsletter","https://pocketthenewsletter.substack.com",{"locations":26267,"other":26270},[26268],{"_id":139,"_type":121,"seo":75,"slug":26269,"title":142},{"_type":77,"current":141},[26271],{"_key":26272,"_type":11,"children":26273,"markDefs":26278,"style":24},"e3cf5e1457f9",[26274],{"_key":26275,"_type":15,"marks":26276,"text":26277},"a4e6276f04840",[],"Berlin and Stockholm",[],[26280,1349],"klara branting paulsell",{"_type":77,"current":26282},"klara-branting-paulsell","Klara Branting Paulsell",{"alt":26285,"asset":26286},"Hitching a ride to enough english. (asking someone to take you with them on a journey to get to a comfortable level of the most spoken language in the world.",{"_id":26287,"height":26288,"orientation":598,"ratio":26289,"url":26290,"width":704},"image-c16823cba72052e54e81fb73806a37a45cd0a1f0-2000x1318-jpg",1318,1.5174506828528074,"https://cdn.sanity.io/images/eodip22e/production/c16823cba72052e54e81fb73806a37a45cd0a1f0-2000x1318.jpg",{"filterCategory":26292,"filterLocation":26297,"filterYear":26299},[26293,26294,26295,26296],{"_id":518,"title":521},{"_id":233,"title":236},{"_id":363,"title":366},{"_id":26206,"title":26211},[26298],{"_id":139,"title":142},[26300],{"_id":1347,"title":1350},[],{"locations":26303,"other":26306},[26304],{"_id":139,"_type":121,"seo":75,"slug":26305,"title":142},{"_type":77,"current":141},[26307],{"_key":26308,"_type":11,"children":26309,"markDefs":26314,"style":24},"66ece39ebae5",[26310],{"_key":26311,"_type":15,"marks":26312,"text":26313},"2cd54cc1259d",[],"Based in Berlin and online.",[],[26316,26324,26332,26340,26348,26356,26364,26372,26380,26388,26396,26404,26412,26420,26428,26436,26443],{"_key":26317,"_type":11,"children":26318,"markDefs":26323,"style":24},"550d9fb1e6c6",[26319],{"_key":26320,"_type":15,"marks":26321,"text":26322},"7a4a00c343fa",[],"Step 1:",[],{"_key":26325,"_type":11,"children":26326,"markDefs":26331,"style":24},"0202c021acfa",[26327],{"_key":26328,"_type":15,"marks":26329,"text":26330},"222960e61f6a",[],"Some questions. ",[],{"_key":26333,"_type":11,"children":26334,"markDefs":26339,"style":24},"4f945d31093b",[26335],{"_key":26336,"_type":15,"marks":26337,"text":26338},"582d1059ab7d",[],"Should I become a translator that knows how to write everything in A2?",[],{"_key":26341,"_type":11,"children":26342,"markDefs":26347,"style":24},"2f09d3904ece",[26343],{"_key":26344,"_type":15,"marks":26345,"text":26346},"271d2abf60c5",[],"Or could we see what happens if everyone gives it a go on their own to write their own A2 versions?",[],{"_key":26349,"_type":11,"children":26350,"markDefs":26355,"style":24},"db5d6ac8ded2",[26351],{"_key":26352,"_type":15,"marks":26353,"text":26354},"12fb8117d5a1",[],"Would it be interesting to hold workshops with fun methods to aid us all in re-phrasing into A2?",[],{"_key":26357,"_type":11,"children":26358,"markDefs":26363,"style":24},"26ddea159ab2",[26359],{"_key":26360,"_type":15,"marks":26361,"text":26362},"576b60619ce6",[],"How to incorporate this into the website? Maybe eventually there can be a full A2 version of the site, but before then, would it be better to just create an A2 Ways&Working and tag every page which has an A2 version so far?",[],{"_key":26365,"_type":11,"children":26366,"markDefs":26371,"style":24},"433063f2e4ac",[26367],{"_key":26368,"_type":15,"marks":26369,"text":26370},"77608fb2ddbe",[],"And some advice from my mom.",[],{"_key":26373,"_type":11,"children":26374,"markDefs":26379,"style":24},"c7f389ed44c9",[26375],{"_key":26376,"_type":15,"marks":26377,"text":26378},"4ba85e919b01",[],"She said I should call some journalists who produce simple language news stories on a daily basis and just ask them how they do it. ",[],{"_key":26381,"_type":11,"children":26382,"markDefs":26387,"style":24},"ec25598fd5b3",[26383],{"_key":26384,"_type":15,"marks":26385,"text":26386},"d4bb4d0fc43e",[],"Step 1 (A2 version):",[],{"_key":26389,"_type":11,"children":26390,"markDefs":26395,"style":24},"5e0e67dd21f3",[26391],{"_key":26392,"_type":15,"marks":26393,"text":26394},"b0206135e5d3",[],"Some questions.",[],{"_key":26397,"_type":11,"children":26398,"markDefs":26403,"style":24},"89ed18a1d550",[26399],{"_key":26400,"_type":15,"marks":26401,"text":26402},"8c5f4759797d",[],"Should I learn how to write anything in A2? Should that be my job?",[],{"_key":26405,"_type":11,"children":26406,"markDefs":26411,"style":24},"5c59393ba43e",[26407],{"_key":26408,"_type":15,"marks":26409,"text":26410},"86f9d16794bc",[],"Should everyone at the School of Commons have to write their own texts in A2?",[],{"_key":26413,"_type":11,"children":26414,"markDefs":26419,"style":24},"0f0bb324306f",[26415],{"_key":26416,"_type":15,"marks":26417,"text":26418},"24954f1a3343",[],"Maybe we can work together to find out how to do it?",[],{"_key":26421,"_type":11,"children":26422,"markDefs":26427,"style":24},"e6a2122d2038",[26423],{"_key":26424,"_type":15,"marks":26425,"text":26426},"c88ecc08491b",[],"How can the website have an A2 version? ",[],{"_key":26429,"_type":11,"children":26430,"markDefs":26435,"style":24},"58d6cc05c37a",[26431],{"_key":26432,"_type":15,"marks":26433,"text":26434},"29a26b96dae7",[],"Maybe having an A2 tag could be a good starting point?",[],{"_key":26437,"_type":11,"children":26438,"markDefs":26442,"style":24},"a1a4b8ea6ef7",[26439],{"_key":26440,"_type":15,"marks":26441,"text":26370},"9c33c58f69fc",[],[],{"_key":26444,"_type":11,"children":26445,"markDefs":26450,"style":24},"cfd891abe61a",[26446],{"_key":26447,"_type":15,"marks":26448,"text":26449},"df1e94308879",[],"She told me about a simple language news show, and told me to call the people working there. She told me to just ask them how they do it.",[],[26452,26456],{"_type":813,"caption":75,"image":26453},{"alt":26454,"asset":26455},"Hitching a ride to enough english - Klara Branting Paulsell",{"_id":26287,"height":26288,"orientation":598,"ratio":26289,"url":26290,"width":704},{"_type":728,"settings":26457,"text":26458},{"textColumnCount":730},[26459,26467,26474,26482,26489,26497,26504],{"_key":26460,"_type":11,"children":26461,"markDefs":26466,"style":24},"537cab1fdcd7",[26462],{"_key":26463,"_type":15,"marks":26464,"text":26465},"d9fefc0957e70",[],"This is a project that is going to teach us how to say what we want to say, but in simple English. It’s a way to make the things written for or by the School of Commons more understandable to more people.",[],{"_key":26468,"_type":11,"children":26469,"markDefs":26473,"style":24},"473e85d3f6b9",[26470],{"_key":26471,"_type":15,"marks":26472,"text":1150},"635e395a0d630",[],[],{"_key":26475,"_type":11,"children":26476,"markDefs":26481,"style":24},"6cf3981883d7",[26477],{"_key":26478,"_type":15,"marks":26479,"text":26480},"e2fac3615d8c0",[],"The School of Commons is not only about words. But we use them to tell people about things. We like words. We use a lot of different ones!",[],{"_key":26483,"_type":11,"children":26484,"markDefs":26488,"style":24},"2fde38db28d1",[26485],{"_key":26486,"_type":15,"marks":26487,"text":1150},"f723a941dd5f0",[],[],{"_key":26490,"_type":11,"children":26491,"markDefs":26496,"style":24},"e06f8349a00d",[26492],{"_key":26493,"_type":15,"marks":26494,"text":26495},"0c0d41f90f500",[],"English is the most spoken language in the world. Some people speak it really well, and some only speak it a little. People who speak English really well can use easier words so that more people can understand.",[],{"_key":26498,"_type":11,"children":26499,"markDefs":26503,"style":24},"37a02ddcccdd",[26500],{"_key":26501,"_type":15,"marks":26502,"text":1150},"0f7630ae2a43",[],[],{"_key":26505,"_type":11,"children":26506,"markDefs":26511,"style":24},"18efa2d8480e",[26507],{"_key":26508,"_type":15,"marks":26509,"text":26510},"cf0f0f6b35d70",[],"A2 English means beginner-to-intermediate English. It is also sometimes called Very Low Proficiency English. In this project we will learn how to write in A2 English, and hopefully we will publish it.",[],[26513],{"_type":3359,"question":26514},[26515,26523],{"_key":26516,"_type":11,"children":26517,"markDefs":26522,"style":24},"6a2054001bbd",[26518],{"_key":26519,"_type":15,"marks":26520,"text":26521},"1db2096dfb2f0",[],"How can we say the same things but in A2 English?",[],{"_key":26524,"_type":11,"children":26525,"markDefs":26529,"style":24},"b1f9f1c26562",[26526],{"_key":26527,"_type":15,"marks":26528,"text":1768},"b1141534e58b0",[],[],[26531,1349,26532,26533,141,26534,26280,26535,520,4819,26536,26537],"hitching a ride to enough english","how can we say the same things but in a2 english?\n\n\n","step 1:\n\nsome questions. \n\nshould i become a translator that knows how to write everything in a2?\n\nor could we see what happens if everyone gives it a go on their own to write their own a2 versions?\n\nwould it be interesting to hold workshops with fun methods to aid us all in re-phrasing 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I have received multiple grants during and after my studies and have participated in international residencies in Austria and China. my work has been exhibited widely across Switzerland, Germany, and China.\nMy artistic practice spans writing, performance, multimedia installations, Chinese ink painting, and calligraphy. This plurality of mediums in artistic practice is essential to how I integrate being a woman and reflecting on ecological issues—just as in real experience, where complexity arises from the entanglement of many forces.\nWriting enables me to articulate the visible gender bias embedded in languages structured by gender binary, as well as to expose the more subtle, often invisible asymmetries within the Chinese language. Calligraphy, unlike alphabetic writing that unfolds linear time perception, intimately incorporates the observation of nature into each stroke—embodying a philosophy of life in which every form, whether organic or inorganic, holds vitality. 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My collaboration with ETH Zurich’s Grassland Science Group has been acclaimed in both the arts and sciences, receiving art grants for funding the research as well as bordering the outcome. and the project was selected for presentation at the eLTER Science Conference 2025.",[],"I am a visual artist and artistic researcher committed to equitable knowledge production.",{"alt":27492,"asset":27493},"Yue Wu",{"_id":27494,"height":704,"orientation":637,"ratio":5431,"url":27495,"width":27496},"image-c7ceb3e1c738166901c1c7f10e6f5ec245164d44-1125x2000-jpg","https://cdn.sanity.io/images/eodip22e/production/c7ceb3e1c738166901c1c7f10e6f5ec245164d44-1125x2000.jpg",1125,{"filterYear":27498},[27499],{"_id":1347,"title":1350},[27501,27504],{"_type":607,"label":27502,"url":27503},"Homepage","https://www.yuewu.website/",{"_type":607,"label":50,"url":27505},"https://www.instagram.com/yuew_u?igsh=ODdrMTMwZWtwM2lw",{"locations":27507,"other":27510},[27508],{"_id":139,"_type":121,"seo":75,"slug":27509,"title":142},{"_type":77,"current":141},[27511],{"_key":27512,"_type":11,"children":27513,"markDefs":27518,"style":24},"85630b069961",[27514],{"_key":27515,"_type":15,"marks":27516,"text":27517},"d0e67aac09960",[],"At the moment, I am exploring visa and residency options in various European countries, as well as citizenship policies in China’s first-tier cities. Both systems are highly complex and often unfriendly to non-EU citizens and to Chinese nationals alike. For instance, in Switzerland, non-EU graduates are granted only a six-month job-seeking visa, and each year, only 500 work permits are allocated to non-EU citizens—rarely for positions in the arts or cultural fields.\nGermany’s artist visa, while offering a one-year residency, has become less viable than in the past. With recent cuts to cultural funding—especially in Berlin—and a worsening economic climate, sustaining an artistic career there has grown increasingly precarious.\nI have started considering a return to China, where, as an international graduate, I may be eligible for Shanghai residency if I secure a job and pay social insurance for at least one year. However, China’s household registration (hukou) system is designed to regulate population flow into resource-rich cities due to limited access to education and healthcare. As a result, for many Chinese citizens, transferring official residency from one’s hometown to a major city is nearly impossible without property ownership or long-term employment.",[],[27520,1349],"yue wu",{"_type":77,"current":27522},"yue-wu",{"alt":27524,"asset":27525},"Daily CO₂ exchange, rainfall, air dryness, and air temperature in 2022 at the Lägeren site (CH-Lae), a mixed deciduous forest at 686 m a.s.l. in Switzerland.",{"_id":27526,"height":27527,"orientation":598,"ratio":27528,"url":27529,"width":27530},"image-a7931e08236bb2c03efb94b3da7ca61e558d0b11-1240x874-png",874,1.4187643020594967,"https://cdn.sanity.io/images/eodip22e/production/a7931e08236bb2c03efb94b3da7ca61e558d0b11-1240x874.png",1240,{"filterCategory":27532,"filterLocation":27536,"filterYear":27538},[27533,27534,27535],{"_id":173,"title":176},{"_id":9256,"title":9261},{"_id":27469,"title":27473},[27537],{"_id":139,"title":142},[27539],{"_id":1347,"title":1350},[],{"locations":27542,"other":27545},[27543],{"_id":139,"_type":121,"seo":75,"slug":27544,"title":142},{"_type":77,"current":141},[27546],{"_key":27547,"_type":11,"children":27548,"markDefs":27553,"style":24},"42e77145ffa8",[27549],{"_key":27550,"_type":15,"marks":27551,"text":27552},"bfbb3b9deb740",[],"Site Description\nManaged mixed deciduous mountain forest located on the steep Lägeren mountain (NW of Zurich, Swiss Plateau), 800 m asl. The forest is highly diverse, dominated by beech and fir. The site is part of the international CarboEurope IP network and the NABEL (Swiss air quality network) and a long-term forest ecosystem research site (LWF) of the WSL (Institut f.Wald Schnee & Landschaft). Eddy covariance flux measurements were started in April 2004 (tower coordinates: 47°28’42.0″ N and 8°21’51.8″ E; at 689 m asl).",[],[27555],{"_type":728,"settings":27556,"text":27557},{"textColumnCount":730},[27558,27566,27574,27582,27590,27598],{"_key":27559,"_type":11,"children":27560,"markDefs":27565,"style":24},"87ad1e75ec4c",[27561],{"_key":27562,"_type":15,"marks":27563,"text":27564},"27ed143abc9c0",[],"With ongoing climate change, effective science communication has become increasingly important. According to scientists, Anthropogenic climate change, driven by excessive greenhouse gas emissions ‒- primarily CO₂ ‒- requires innovative solutions for mitigation. Among those, nature-based solutions have gained significant attention to offset some of the anthropogenic CO₂ emissions. Scientists study how much CO₂ ecosystems take in and release using a method called eddy covariance (EC). This technique measures CO₂ in the air above the land continuously, giving detailed information about the “breathing” of ecosystems over time. While such data are extensively used in scientific research, for instance to evaluate the impacts of climate change and land management on ecosystems, effective communication of these findings to the general public remains a challenge.",[],{"_key":27567,"_type":11,"children":27568,"markDefs":27573,"style":24},"40cbf43d84a7",[27569],{"_key":27570,"_type":15,"marks":27571,"text":27572},"0b48d81ee2da0",[],"According to scientists, in Switzerland, the Swiss FluxNet measures CO₂ in different ecosystems—forests, grasslands, and croplands—over many years. Since 1997, it has collected a total of 129 years of CO₂ data from six long-term sites, with more being added every year. While this information is very valuable for research, sharing it in a way that is easy for the public to understand remains a challenge. Therefore we initiated an interdisciplinary collaboration between science and visual art. The goal was to create a visually engaging and meaningful representation of the flux data, using accessible and intuitive colours and an attractive design, thus simplifying scientific data without compromising content. The collaboration resulted in a figure that showcases annual CO₂ budgets across multiple sites with a uniform colour scale, highlighting year-to-year differences in ecosystem performance as well as typical characteristics of the respective ecosystem.",[],{"_key":27575,"_type":11,"children":27576,"markDefs":27581,"style":24},"0cf2a198d1fc",[27577],{"_key":27578,"_type":15,"marks":27579,"text":27580},"6fb877ab1db20",[],"The artist explores the historical, artistic, and cultural significance of colors, while also considering accessibility for color-blind individuals.",[],{"_key":27583,"_type":11,"children":27584,"markDefs":27589,"style":24},"e8035f7f828f",[27585],{"_key":27586,"_type":15,"marks":27587,"text":27588},"fbd26a6db4bd0",[],"For example, the scientists and artist chose a combination of green and violet hues to represent carbon release and uptake, which, after careful research, is accessible even to color-blind viewers. In this 10-color scale, each color is carefully selected from Japanese fabric colors. A review of art history shows that this color combination has been used in various ways: to represent the atmosphere of urban gardens, where violet often depicts the shadow of women’s silk garments or reflections on water, and green represents trees and plants; to depict the peaceful death of a female figure; and in cartoons, it is sometimes used to represent the evil witch, as in Sleeping Beauty.",[],{"_key":27591,"_type":11,"children":27592,"markDefs":27597,"style":24},"942cedfc36c2",[27593],{"_key":27594,"_type":15,"marks":27595,"text":27596},"64acb0c63e700",[],"The associations of serenity, the ambiguous representation of women’s deaths, and the implied evilness of powerful women in art and animation have been reinforced across multiple generations, becoming part of a shared cultural memory. Therefore, the choice of this color combination both recalls collective memories and evokes subtle emotions, which we believe help people understand the impact of excessive greenhouse gas emissions.",[],{"_key":27599,"_type":11,"children":27600,"markDefs":27605,"style":24},"8fbcede04888",[27601],{"_key":27602,"_type":15,"marks":27603,"text":27604},"c22849d6d7c50",[],"On the other hand, it is well known that women and children in marginalized regions suffer disproportionately from climate change. In my research on the use of color combination of green and violet in art history, I therefore chose to reference representations of women as serene, observed subjects, the ambiguous portrayal of female death, and the implied evilness of powerful women. By evoking these collective cultural memories, such figures serve as reflections on disempowered women, subtly linking women’s fate with that of the environment and drawing greater attention to both.",[],[27607,27617],{"_type":3359,"question":27608},[27609],{"_key":27610,"_type":11,"children":27611,"markDefs":27616,"style":24},"461d7b7e69d4",[27612],{"_key":27613,"_type":15,"marks":27614,"text":27615},"429a0771f7ba0",[],"How can climate data be presented in ways that are accessible and understandable to the general public?",[],{"_type":3359,"question":27618},[27619],{"_key":27620,"_type":11,"children":27621,"markDefs":27626,"style":24},"42b0f0b6e1bc",[27622],{"_key":27623,"_type":15,"marks":27624,"text":27625},"36343b981f870",[],"What strategies can foster accessible and inclusive climate education for marginalized groups?",[],[27628,1349,27629,27630,141,27631,27520,27632,1100,9506,27472],"chromatics for change: an inclusive visual language for climate communication","how can climate data be presented in ways that are accessible and understandable to the general public?","what strategies can foster accessible and inclusive climate education for marginalized groups?","site description\nmanaged mixed deciduous mountain forest located on the steep lägeren mountain (nw of zurich, swiss plateau), 800 m asl. the forest is highly diverse, dominated by beech and fir. the site is part of the international carboeurope ip network and the nabel (swiss air quality network) and a long-term forest ecosystem research site (lwf) of the wsl (institut f.wald schnee & landschaft). eddy covariance flux measurements were started in april 2004 (tower coordinates: 47°28’42.0″ n and 8°21’51.8″ e; at 689 m asl).","with ongoing climate change, effective science communication has become increasingly important. according to scientists, anthropogenic climate change, driven by excessive greenhouse gas emissions ‒- primarily co₂ ‒- requires innovative solutions for mitigation. among those, nature-based solutions have gained significant attention to offset some of the anthropogenic co₂ emissions. scientists study how much co₂ ecosystems take in and release using a method called eddy covariance (ec). this technique measures co₂ in the air above the land continuously, giving detailed information about the “breathing” of ecosystems over time. while such data are extensively used in scientific research, for instance to evaluate the impacts of climate change and land management on ecosystems, effective communication of these findings to the general public remains a challenge.\n\naccording to scientists, in switzerland, the swiss fluxnet measures co₂ in different ecosystems—forests, grasslands, and croplands—over many years. since 1997, it has collected a total of 129 years of co₂ data from six long-term sites, with more being added every year. while this information is very valuable for research, sharing it in a way that is easy for the public to understand remains a challenge. therefore we initiated an interdisciplinary collaboration between science and visual art. the goal was to create a visually engaging and meaningful representation of the flux data, using accessible and intuitive colours and an attractive design, thus simplifying scientific data without compromising content. the collaboration resulted in a figure that showcases annual co₂ budgets across multiple sites with a uniform colour scale, highlighting year-to-year differences in ecosystem performance as well as typical characteristics of the respective ecosystem.\n\nthe artist explores the historical, artistic, and cultural significance of colors, while also considering accessibility for color-blind individuals.\n\nfor example, the scientists and artist chose a combination of green and violet hues to represent carbon release and uptake, which, after careful research, is accessible even to color-blind viewers. in this 10-color scale, each color is carefully selected from japanese fabric colors. a review of art history shows that this color combination has been used in various ways: to represent the atmosphere of urban gardens, where violet often depicts the shadow of women’s silk garments or reflections on water, and green represents trees and plants; to depict the peaceful death of a female figure; and in cartoons, it is sometimes used to represent the evil witch, as in sleeping beauty.\n\nthe associations of serenity, the ambiguous representation of women’s deaths, and the implied evilness of powerful women in art and animation have been reinforced across multiple generations, becoming part of a shared cultural memory. therefore, the choice of this color combination both recalls collective memories and evokes subtle emotions, which we believe help people understand the impact of excessive greenhouse gas emissions.\n\non the other hand, it is well known that women and children in marginalized regions suffer disproportionately from climate change. in my research on the use of color combination of green and violet in art history, i therefore chose to reference representations of women as serene, observed subjects, the ambiguous portrayal of female death, and the implied evilness of powerful women. by evoking these collective cultural memories, such figures serve as reflections on disempowered women, subtly linking women’s fate with that of the environment and drawing greater attention to both.",{"_type":77,"current":27634},"chromatics-for-change-an-inclusive-visual-language-for-climate-communication","Chromatics for change: an inclusive visual language for climate 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his carrier, he focused on the topics of gentrification, urban ecology, urban memory, and sustainable urban development. Yusuf places urban issues in the center of his artistic practices. He currently studies MA in Fine Arts at ZHdK.",[],"Yusuf is an urban planner and a contemporary artist from Turkey. He studied urban planning at Mimar Sinan Fine Arts University and at the Technical University of Vienna. ",{"filterYear":27793},[27794,27795,27796],{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},[27798],{"_type":607,"label":2160,"url":27799},"https://www.instagram.com/yusufrhan/",{"locations":27801,"other":27804},[27802],{"_id":139,"_type":121,"seo":75,"slug":27803,"title":142},{"_type":77,"current":141},[27805],{"_key":27806,"_type":11,"children":27807,"markDefs":27811,"style":24},"36a5f4eb7aba",[27808],{"_key":27809,"_type":15,"marks":27810,"text":3822},"396a9f93e4c0",[],[],[27813,2122,2127,883],"yusuf orhan",{"_type":77,"current":27815},"yusuf-orhan","Yusuf Orhan",{"filterCategory":75,"filterLocation":75,"filterYear":27818},[27819],{"_id":1347,"title":1350},[],[27822,1349,27813],"urban rhymths",{"_type":77,"current":27824},"urban-rhymths","Urban Rhymths",{"locations":27827,"other":27830},[27828],{"_id":139,"_type":121,"seo":75,"slug":27829,"title":142},{"_type":77,"current":141},[27831],{"_key":27832,"_type":11,"children":27833,"markDefs":27838,"style":24},"29d0a5a8790e",[27834],{"_key":27835,"_type":15,"marks":27836,"text":27837},"116a6c326e81",[],"Toni Areal, Zurich University of the Arts, Viaduktraum 2.A05, Ebene 2, Pfingstweidstrasse 96, Zürich",[],[27840,27859],{"_type":728,"settings":27841,"text":27842},{"textColumnCount":730},[27843,27851],{"_key":27844,"_type":11,"children":27845,"markDefs":27850,"style":24},"c83005fad2b1",[27846],{"_key":27847,"_type":15,"marks":27848,"text":27849},"815e01e21e550",[],"Looking back on our beautiful SoC Gathering in Zurich from July 4–6, 2025, we’re still carrying the warmth, curiosity, and momentum you all brought with you. Our hearts are full.\n\nOver those days, we held space together—to share practices, exchange processes, and reflect on how we work, learn, and create in common. The gathering was shaped by generosity, deep listening, and collective care.\n\nThank you for showing up with your full selves. Your time, attention, and presence helped shape something meaningful: a shared learning space built by all of us, for all of us.",[],{"_key":27852,"_type":11,"children":27853,"markDefs":27858,"style":24},"53348a150c30",[27854],{"_key":27855,"_type":15,"marks":27856,"text":27857},"2b73133ae46d",[],"\nYour SoC Team,",[],{"_type":813,"caption":75,"image":27860},{"alt":27861,"asset":27862},"School of Commons 2025, Zurich",{"_id":27863,"height":4055,"orientation":1032,"ratio":1033,"url":27864,"width":4055},"image-dfcd706bce050a073f59d1c9370b651ca0edb6f6-1250x1250-gif","https://cdn.sanity.io/images/eodip22e/production/dfcd706bce050a073f59d1c9370b651ca0edb6f6-1250x1250.gif",[27866,141,27867,285,112,27868,27869,3904,3825,3732,2370,2279],"soc gathering, 2025","toni areal, zurich university of the arts, viaduktraum 2.a05, ebene 2, pfingstweidstrasse 96, zürich","reflecting on the soc gathering this past week at zurich university of the arts.","looking back on our beautiful soc gathering in zurich from july 4–6, 2025, we’re still carrying the warmth, curiosity, and momentum you all brought with you. our hearts are full.\n\nover those days, we held space together—to share practices, exchange processes, and reflect on how we work, learn, and create in common. the gathering was shaped by generosity, deep listening, and collective care.\n\nthank you for showing up with your full selves. your time, attention, and presence helped shape something meaningful: a shared learning space built by all of us, for all of us.\n\n\nyour soc team,",{"_type":77,"current":27871},"soc-gathering-2025","Reflecting on the SoC Gathering this past week at Zurich University of the Arts.","SoC Gathering, 2025",[27875],{"_id":110,"_type":97,"seo":75,"slug":27876,"title":113},{"_type":77,"current":112},{"_id":27878,"_type":556,"additionalDetails":75,"categories":27879,"credits":27883,"dates":27979,"events":27982,"featuredImage":27983,"filterables":27990,"labs":75,"locations":27997,"pageBuilder":28012,"parentEvent":75,"searchables":28198,"seo":75,"slug":28204,"summary":28022,"title":28205,"types":28206},"ef1b773a-9191-4dbd-ad89-a025aa4e68c7",[27880],{"_id":513,"_type":155,"colorPrimary":27881,"seo":75,"slug":27882,"title":516},{"label":569,"value":10243},{"_type":77,"current":515},{"other":75,"profiles":27884},[27885,27937],{"_id":27886,"_type":576,"activeYears":27887,"bio":27892,"bioShort":27907,"featuredImage":27908,"filterables":27910,"links":27914,"locations":27919,"searchables":27932,"seo":75,"slug":27934,"title":27936},"4144a006-40a2-46cb-9c7e-ddccf15d2981",[27888,27890],{"_id":881,"_type":580,"seo":75,"slug":27889,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":27891,"title":1350},{"_type":77,"current":1349},[27893,27901],{"_key":27894,"_type":11,"children":27895,"markDefs":27900,"style":24},"bef0baa56816",[27896],{"_key":27897,"_type":15,"marks":27898,"text":27899},"c109f52ea1ba0",[],"Working for the Commons is an experimental platform where art invites a social vision. Art and the commons are two key practices, which serve as tools and models for non-capitalistic ways of living together. \n\nCasco Art Institute works for this vision of art and the commons by creating a space or “Casco,” meaning, in Dutch, a basic structure for change, co-exploration, and study with collective art projects as well as organizational experiments. We co-develop collective art projects out of critical questions and radical imagination. Initiatives are process-based and place-specific, forming community and generating art and knowledge as common resources. Organizational experiments take place within all these projects, including the organization of Casco Art Institute itself. We dream of offering an example of a commonly desirable institution of art and the commons that embodies diversity, equity, pluralism, and sustainability.",[],{"_key":27902,"_type":11,"children":27903,"markDefs":27906,"style":24},"bef0baa56816_deduped_1",[27904],{"_key":27897,"_type":15,"marks":27905,"text":27899},[],[],"Working for the Commons is an experimental platform where art invites a social vision. Art and the commons are two key practices, which serve as tools and models for non-capitalistic ways of living together. 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Together with participants, we will map out practical methods for collaboration and exchange.",[],{"_key":28025,"_type":11,"children":28026,"markDefs":28030,"style":24},"1ef0f7ac33bf",[28027],{"_key":28028,"_type":15,"marks":28029,"text":1150},"7c0bb4d0e7af",[],[],{"_key":28032,"_type":11,"children":28033,"markDefs":28038,"style":24},"80382f98e9c2",[28034],{"_key":28035,"_type":15,"marks":28036,"text":28037},"e81ef1037b8d0",[],"The session opens with an overview of Casco’s ecosystemic approach, grounded in long-term involvement with the Arts Collaboratory and Lumbung networks. We focus on translocal and transnational models of cooperation, collaboration, and redistribution—particularly as practiced through our kiosk/market and radio initiatives.",[],{"_key":28040,"_type":11,"children":28041,"markDefs":28046,"style":24},"f304d6e63c43",[28042],{"_key":28043,"_type":15,"marks":28044,"text":28045},"fe3ed5575e0c0",[],"Following the presentation, participants take part in a group exercise that invites them to map their own needs, resources, and relationships, and consider how these could be reshaped or supported through shared radio practices. We encourage thinking on a translocal scale, which we see as essential for imagining and organizing effective networks of solidarity.",[],{"_key":28048,"_type":11,"children":28049,"markDefs":28054,"style":24},"ed518a7c3397",[28050],{"_key":28051,"_type":15,"marks":28052,"text":28053},"7ded532edee40",[],"We then collectively explore the role of radio as an infrastructure: How can it support the commons? 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Hybrid tools for transdisciplinarity – collective sharing workshop with Sarah Drapeau",{"_id":28842,"height":9885,"orientation":1032,"ratio":1033,"url":28843,"width":9885},"image-39067166b7b20dcfa2e889ce147bd317bcf3a011-2160x2160-png","https://cdn.sanity.io/images/eodip22e/production/39067166b7b20dcfa2e889ce147bd317bcf3a011-2160x2160.png",{"_type":77,"current":28845},"hybrid-tools-for-transdisciplinarity","By inviting you into the co-creation of a brave space and by activating tools to facilitate discussion, like mapping in space, and embodied tools – I propose a moment to make space for sharing our experiences, our questions, our strengths, our tools, our intuitions, our skills, our fears, our needs, our challenges.","Hybrid tools for transdisciplinarity, collective sharing",{"alt":23527,"asset":28849},{"_id":23529,"height":23530,"orientation":598,"ratio":23531,"url":23532,"width":23533},{"filterCategory":28851,"filterLocation":28853,"filterType":28855},[28852],{"_id":268,"title":271},[28854],{"_id":144,"title":147},[28856],{"_id":100,"title":103},[28858],{"_id":28859,"_type":107,"categories":28860,"credits":28867,"featuredImage":28902,"filterables":28905,"footnotes":28913,"locations":28914,"logbook":75,"pageBuilder":28918,"researchQuestion":28976,"researchQuestions":75,"searchables":28999,"seo":75,"slug":29002,"title":29003,"year":2128},"dda7fa01-09c7-41da-a297-3dadda29bf24",[28861,28864],{"_id":13991,"_type":155,"colorPrimary":28862,"seo":75,"slug":28863,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"_id":14008,"_type":155,"colorPrimary":28865,"seo":75,"slug":28866,"title":14013},{"label":569,"value":14010},{"_type":77,"current":14012},{"other":75,"profiles":28868},[28869],{"_id":28663,"_type":576,"activeYears":28870,"bio":28873,"bioShort":28695,"featuredImage":28889,"filterables":28891,"links":28894,"locations":28896,"searchables":28900,"seo":75,"slug":28901,"title":28717},[28871],{"_id":2125,"_type":580,"seo":75,"slug":28872,"title":2128},{"_type":77,"current":2127},[28874,28879],{"_key":28669,"_type":11,"children":28875,"markDefs":28878,"style":24},[28876],{"_key":28672,"_type":15,"marks":28877,"text":28674},[],[],{"_key":28677,"_type":11,"children":28880,"markDefs":28887,"style":24},[28881,28883,28885],{"_key":28680,"_type":15,"marks":28882,"text":28682},[],{"_key":28684,"_type":15,"marks":28884,"text":28687},[28686],{"_key":28689,"_type":15,"marks":28886,"text":28691},[],[28888],{"_key":28686,"_type":41,"href":28694},{"alt":28697,"asset":28890},{"_id":28699,"height":28700,"orientation":598,"ratio":28701,"url":28702,"width":26124},{"filterYear":28892},[28893],{"_id":2125,"title":2128},[28895],{"_type":607,"label":2160,"url":28708},{"locations":28897,"other":75},[28898],{"_id":139,"_type":121,"seo":75,"slug":28899,"title":142},{"_type":77,"current":141},[28714,2127],{"_type":77,"current":28716},{"alt":28903,"asset":28904},"School of Commons - Hybrid tools for transdisciplinarity",{"_id":28842,"height":9885,"orientation":1032,"ratio":1033,"url":28843,"width":9885},{"filterCategory":28906,"filterLocation":28909,"filterYear":28911},[28907,28908],{"_id":13991,"title":13996},{"_id":14008,"title":14013},[28910],{"_id":139,"title":142},[28912],{"_id":2125,"title":2128},[],{"locations":28915,"other":75},[28916],{"_id":139,"_type":121,"seo":75,"slug":28917,"title":142},{"_type":77,"current":141},[28919],{"_type":728,"settings":75,"text":28920},[28921,28929,28936,28944,28952,28960,28968],{"_key":28922,"_type":11,"children":28923,"markDefs":28928,"style":24},"cb807e16257b",[28924],{"_key":28925,"_type":15,"marks":28926,"text":28927},"da8ee22bbe54",[],"In times of climate and social emergency, the challenges we are facing are complex and systemic. They require new ways of doing, thinking, and learning. Through artistic co-creation dispositifs, I search, as a political response to the current crises, to equip transdisciplinarity, to recall the links between individuals, humans and non-humans, collectives and the environment, as well as to question the different forms of knowledge sharing.In the projects that I have experienced and that are full of potential for change and action, there is often art, science, theory and activism intermingled and feeding each other to form transdisciplinary artistic laboratories. These, I reckon, are key elements to build new worlds, but they are also challenging to work with. In order to respond to my urge to act and help those projects, I want to combine my previous studies in environmental and systemic engineering with the powerful critical practices and gestures of art.I intend to create hybrid, living, accessible, fun, useful, artistic, processual, collective and individual tools to help those projects that wish to work with elements such as \"transdisciplinarity\", \"activism\", \"local\", \"theory+practice\", \"co-creation\", \"inclusivity\", \"relational practices\", \"process-oriented approach\", \"queer ecologies\", and the like.",[],{"_key":28930,"_type":11,"children":28931,"markDefs":28935,"style":24},"10628b6cb0e0",[28932],{"_key":28933,"_type":15,"marks":28934,"text":1150},"11c37be96075",[],[],{"_key":28937,"_type":11,"children":28938,"markDefs":28943,"style":24},"71e55b2e3645",[28939],{"_key":28940,"_type":15,"marks":28941,"text":28942},"23a9a82dab29",[],"To accomplish this quest, I plan to conduct a sensitive and material research around these artistic laboratories:",[],{"_key":28945,"_type":11,"children":28946,"markDefs":28951,"style":24},"b03bd13b5a07",[28947],{"_key":28948,"_type":15,"marks":28949,"text":28950},"fb497dae87ec",[],"What are the needs of these projects to actually make real \"transdisciplinarity\", \"co-creation\" etc…? Material, methodological, theoretical, emotional needs?",[],{"_key":28953,"_type":11,"children":28954,"markDefs":28959,"style":24},"26a3c1b644fd",[28955],{"_key":28956,"_type":15,"marks":28957,"text":28958},"6202cf359782",[],"What could it be like, a hybrid and living protocol, frame, score — a structure open enough to guide the co-construction where each need would be heard and respond accordingly, constructing with them useful growth tools?",[],{"_key":28961,"_type":11,"children":28962,"markDefs":28967,"style":24},"2c6d0cadb8a8",[28963],{"_key":28964,"_type":15,"marks":28965,"text":28966},"dfbec22accd8",[],"How to collaboratively conceive useful, inclusive and fun tools to support their processes?",[],{"_key":28969,"_type":11,"children":28970,"markDefs":28975,"style":24},"01797186d170",[28971],{"_key":28972,"_type":15,"marks":28973,"text":28974},"93728ae4d593",[],"For this year of work with SoC I plan to carry on the first phase of the project: conduct a survey with different projects to map out their needs and limitations, build several protocols to be tested in practice, and constantly formulate questions that can feedback the process. I want to be in dialogue with the SoC projects that would like to participate in the survey and find artistic, accessible, engaging and useful ways to share those results and processes depending on the material obtained and the potential collaboration formed.ShareRewrite\n",[],[28977,28985,28992],{"_key":28978,"_type":11,"children":28979,"markDefs":28984,"style":24},"80c966350983",[28980],{"_key":28981,"_type":15,"marks":28982,"text":28983},"9bd816cdda29",[],"What are the needs of these projects to actually make real \"transdisciplinarity\", \"co-creation\" etc…? Material, methodological, theoretical, emotional needs",[],{"_key":28986,"_type":11,"children":28987,"markDefs":28991,"style":24},"e204bf8d5930",[28988],{"_key":28989,"_type":15,"marks":28990,"text":28958},"f1be8cc1067d",[],[],{"_key":28993,"_type":11,"children":28994,"markDefs":28998,"style":24},"3efa858b8c55",[28995],{"_key":28996,"_type":15,"marks":28997,"text":28966},"b15b619d84bd",[],[],[29000,2127,141,28714,29001,13995,14257],"hybrid tools for transdisciplinarity","in times of climate and social emergency, the challenges we are facing are complex and systemic. they require new ways of doing, thinking, and learning. through artistic co-creation dispositifs, i search, as a political response to the current crises, to equip transdisciplinarity, to recall the links between individuals, humans and non-humans, collectives and the environment, as well as to question the different forms of knowledge sharing.in the projects that i have experienced and that are full of potential for change and action, there is often art, science, theory and activism intermingled and feeding each other to form transdisciplinary artistic laboratories. these, i reckon, are key elements to build new worlds, but they are also challenging to work with. in order to respond to my urge to act and help those projects, i want to combine my previous studies in environmental and systemic engineering with the powerful critical practices and gestures of art.i intend to create hybrid, living, accessible, fun, useful, artistic, processual, collective and individual tools to help those projects that wish to work with elements such as \"transdisciplinarity\", \"activism\", \"local\", \"theory+practice\", \"co-creation\", \"inclusivity\", \"relational practices\", \"process-oriented approach\", \"queer ecologies\", and the like.\n\n\n\nto accomplish this quest, i plan to conduct a sensitive and material research around these artistic laboratories:\n\nwhat are the needs of these projects to actually make real \"transdisciplinarity\", \"co-creation\" etc…? material, methodological, theoretical, emotional needs?\n\nwhat could it be like, a hybrid and living protocol, frame, score — a structure open enough to guide the co-construction where each need would be heard and respond accordingly, constructing with them useful growth tools?\n\nhow to collaboratively conceive useful, inclusive and fun tools to support their processes?\n\nfor this year of work with soc i plan to carry on the first phase of the project: conduct a survey with different projects to map out their needs and limitations, build several protocols to be tested in practice, and constantly formulate questions that can feedback the process. i want to be in dialogue with the soc projects that would like to participate in the survey and find artistic, accessible, engaging and useful ways to share those results and processes depending on the material obtained and the potential collaboration formed.sharerewrite\n",{"_type":77,"current":28845},"Hybrid tools for transdisciplinarity",{"locations":29005,"other":75},[29006],{"_id":144,"_type":121,"seo":75,"slug":29007,"title":147},{"_type":77,"current":146},[29009,29013,29055,29081],{"_type":813,"caption":29010,"image":29011},[],{"alt":23527,"asset":29012},{"_id":23529,"height":23530,"orientation":598,"ratio":23531,"url":23532,"width":23533},{"_type":728,"settings":29014,"text":29015},{"textColumnCount":730},[29016,29047],{"_key":29017,"_type":11,"children":29018,"markDefs":29042,"style":24},"606287537f94",[29019,29023,29028,29032,29036,29039],{"_key":29020,"_type":15,"marks":29021,"text":29022},"23d67bf540320",[],"Both the interview featured in the latest ",{"_key":29024,"_type":15,"marks":29025,"text":29027},"9bb4b15a74f2",[29026],"5999752ff9b9","School of Commons newsletter",{"_key":29029,"_type":15,"marks":29030,"text":29031},"355b8af2a68e",[]," and Sarah Drapeau’s online exhibition are framed by a shared inquiry: ",{"_key":29033,"_type":15,"marks":29034,"text":23527},"4581f20910f7",[1362,29035],"1dfe8139b00c",{"_key":29037,"_type":15,"marks":29038,"text":1125},"498fd4b84373",[29035],{"_key":29040,"_type":15,"marks":29041,"text":1676},"1a4e08ee1234",[],[29043,29045],{"_key":29026,"_type":41,"blank":42,"href":29044},"https://schoolofcommons.substack.com/p/embracing-complexity-exploring-transdisciplinari",{"_key":29035,"_type":41,"blank":42,"href":29046},"https://www.studio1-0-6.com/",{"_key":29048,"_type":11,"children":29049,"markDefs":29054,"style":24},"ea1604264322",[29050],{"_key":29051,"_type":15,"marks":29052,"text":29053},"8f29a2bd566d",[],"Across all facets of her work, one can sense the role of intuition and a deep path toward self-exploration—always situated within a world that asks us to navigate, select tools, and experiment with evolving approaches.",[],{"_type":813,"caption":29056,"image":29076},[29057],{"_key":29058,"_type":11,"children":29059,"markDefs":29073,"style":24},"735b47eaa8c3",[29060,29064,29069],{"_key":29061,"_type":15,"marks":29062,"text":29063},"28f25ac86bba0",[],"Different groups of people of Soc sharing challenges - Workshop ",{"_key":29065,"_type":15,"marks":29066,"text":29068},"28f25ac86bba1",[29067],"bdd1f78f5593","Hybrid tools",{"_key":29070,"_type":15,"marks":29071,"text":29072},"28f25ac86bba2",[]," for transdisciplinarity, Zurich, Feb 2024 © Gabriel Hensche",[29074],{"_key":29067,"_type":41,"href":29075},"https://schoolofcommons.org/program/labs/hybrid-tools-for-transdisciplinarity",{"alt":29077,"asset":29078},"Different groups of people of Soc sharing challenges - Workshop Hybrid tools for transdisciplinarity, Zurich, Feb 2024 © Gabriel Hensche",{"_id":29079,"height":7110,"orientation":637,"ratio":3801,"url":29080,"width":7112},"image-3b5c47db5572c70cc65435e90e0788eb2ad7beb0-1200x1600-webp","https://cdn.sanity.io/images/eodip22e/production/3b5c47db5572c70cc65435e90e0788eb2ad7beb0-1200x1600.webp",{"_type":728,"settings":29082,"text":29083},{"textColumnCount":730},[29084,29103,29111,29119,29127],{"_key":29085,"_type":11,"children":29086,"markDefs":29100,"style":24},"96f14105e79b",[29087,29091,29096],{"_key":29088,"_type":15,"marks":29089,"text":29090},"8f1ba3e896f0",[],"The show draws inspiration from Sarah’s contribution to Issues 2024, titled “",{"_key":29092,"_type":15,"marks":29093,"text":29095},"895210258aef",[29094],"b46d37677350","Hybrid Tools for Transdisciplinarity",{"_key":29097,"_type":15,"marks":29098,"text":29099},"956a1113c410",[],"”. This piece is at once a personal narrative and a profound meditation on the intersections of self-knowledge, collaboration, cooperation, and commoning. As Sarah writes, “This is already a research happening and living in me, anyway.” The exhibition takes this sentiment—the personal as embedded within the relational—and extends it into a visual dramaturgy: dynamic, nonlinear, inquisitive, and gently probing complex and often difficult themes.",[29101],{"_key":29094,"_type":41,"blank":42,"href":29102},"https://schoolofcommons.org/making-public/issues/2023/hybrid-tools-for-transdisciplinarity",{"_key":29104,"_type":11,"children":29105,"markDefs":29110,"style":24},"0b0687ae0d2f",[29106],{"_key":29107,"_type":15,"marks":29108,"text":29109},"ffe0346aef2c",[],"In this online exhibition, Sarah’s work (images, fragments from her text, videos, and documentation of her collaborative work) leads us into a visual terrain where the deliberate and the instinctual converge. “This is like taking a picture of a movement,” she notes. And indeed, the show negotiates a fluid boundary between structure and spontaneity—offering compositions that are at once architectural and organic, mysterious and familiar, rare and common, personal and public.",[],{"_key":29112,"_type":11,"children":29113,"markDefs":29118,"style":24},"c6d5cbf4f1e1",[29114],{"_key":29115,"_type":15,"marks":29116,"text":29117},"4df7268ef64e",[],"Her layered approach reveals itself in fragmented yet interconnected gestures: marks that echo both the tools of nature and those we invent; vivid fields of environmental color alongside tonal gradations that foreground the human hand. These subtle transparencies hint at a scaffolding of structure, while also evoking the ephemeral qualities of memory, experience, and continuous learning—learning that is internal yet always entangled with surrounding elements, actors, and influences.",[],{"_key":29120,"_type":11,"children":29121,"markDefs":29126,"style":24},"d4a147d6b820",[29122],{"_key":29123,"_type":15,"marks":29124,"text":29125},"fd3b64c6d426",[],"The digital space becomes an ideal setting for this interplay. Free from physical constraints, still images shift and reorient, while moving images breathe life into the notion of process and transformation. The result invites slower, more contemplative encounters.",[],{"_key":29128,"_type":11,"children":29129,"markDefs":29134,"style":24},"5c13b81c0cb8",[29130],{"_key":29131,"_type":15,"marks":29132,"text":29133},"6547c8e235b1",[],"As Sarah’s work and words suggest, the aspiration lies in sensing OtherWise: sensing other wise, sensing, other, wise.",[],[29136,146,270,1318,29137,29138,29139,28714,13200,2944],"sensing otherwise by sarah drapeau","embracing complexity: exploring transdisciplinarity, moss, and radical softness ","both the interview featured in the latest school of commons newsletter and sarah drapeau’s online exhibition are framed by a shared inquiry: embracing complexity: exploring transdisciplinarity, moss, and radical softness with sarah drapeau. \n\nacross all facets of her work, one can sense the role of intuition and a deep path toward self-exploration—always situated within a world that asks us to navigate, select tools, and experiment with evolving approaches.","the show draws inspiration from sarah’s contribution to issues 2024, titled “hybrid tools for transdisciplinarity”. this piece is at once a personal narrative and a profound meditation on the intersections of self-knowledge, collaboration, cooperation, and commoning. as sarah writes, “this is already a research happening and living in me, anyway.” the exhibition takes this sentiment—the personal as embedded within the relational—and extends it into a visual dramaturgy: dynamic, nonlinear, inquisitive, and gently probing complex and often difficult themes.\n\nin this online exhibition, sarah’s work (images, fragments from her text, videos, and documentation of her collaborative work) leads us into a visual terrain where the deliberate and the instinctual converge. “this is like taking a picture of a movement,” she notes. and indeed, the show negotiates a fluid boundary between structure and spontaneity—offering compositions that are at once architectural and organic, mysterious and familiar, rare and common, personal and public.\n\nher layered approach reveals itself in fragmented yet interconnected gestures: marks that echo both the tools of nature and those we invent; vivid fields of environmental color alongside tonal gradations that foreground the human hand. these subtle transparencies hint at a scaffolding of structure, while also evoking the ephemeral qualities of memory, experience, and continuous learning—learning that is internal yet always entangled with surrounding elements, actors, and influences.\n\nthe digital space becomes an ideal setting for this interplay. free from physical constraints, still images shift and reorient, while moving images breathe life into the notion of process and transformation. the result invites slower, more contemplative encounters.\n\nas sarah’s work and words suggest, the aspiration lies in sensing otherwise: sensing other wise, sensing, other, wise.",{"_type":77,"current":23535},[29142],{"_id":100,"_type":97,"seo":75,"slug":29143,"title":103},{"_type":77,"current":102},{"_id":29145,"_type":556,"additionalDetails":75,"categories":75,"credits":29146,"dates":29261,"events":29265,"featuredImage":29266,"filterables":29271,"labs":75,"locations":29276,"pageBuilder":29289,"parentEvent":75,"searchables":29357,"seo":75,"slug":29363,"summary":29304,"title":29267,"types":29365},"b5ec2cb8-5b18-40b6-b8b6-ef137f94e94f",{"other":29147,"profiles":29176},[29148],{"_key":29149,"_type":11,"children":29150,"markDefs":29172,"style":24},"225455c1010b",[29151,29155,29160,29164,29168],{"_key":29152,"_type":15,"marks":29153,"text":29154},"4d18f53311c7",[],"Zuleykha Ibad is a Berlin-based curator and cultural manager whose work explores the intersections of art, ecology, and transnational exchange. She is senior curator and vice chair of Iopener e.V., a member of SALOON Berlin, and has coordinated international projects across the Caucasus, Europe, and America, including collaborations with Ta(r)dino 6 Art Platform and ARIA Antwerp.\n\nEvgenii is a sound artist, music producer, social and cultural projects facilitator based in Berlin.\n\nKas is an Amsterdam-based friend, artist, researcher, with roots in Central Asia, involved in various practices related to open/communal space and access to it. 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The heart itself is a self-sufficient statement, and the collective aims to provide space for co-individuation and the manifestation of peace.In other words, OSL is a community of lovers, those who seek and create love in all of its forms and are willing to open their gaze to see more of it in the world.",[],"Open Sourcing Love is an international crowd-sourced movement and an art collective created by Anna Kin and Aigerim Tumenbay, whose practice is based on the alternative use of social networks for communication and connection. 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As part of the event, we offer a thread of connection over distance, a session titled Presence-in-Delay, where we offer sending postcards with words of care and support to SoC Alumn* extended community. 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Open Call, 2026",{"_id":29430,"height":15315,"orientation":1032,"ratio":1033,"url":29431,"width":15315},"image-25fe6f5df52bcffddc0c38d22b8aff8fc42e402a-2250x2250-jpg","https://cdn.sanity.io/images/eodip22e/production/25fe6f5df52bcffddc0c38d22b8aff8fc42e402a-2250x2250.jpg",{"filterCategory":29433,"filterLocation":29435,"filterType":29437},[29434],{"_id":383,"title":386},[29436],{"_id":149,"title":152},[29438],{"_id":110,"title":113},{"locations":29440,"other":75},[29441],{"_id":149,"_type":121,"seo":75,"slug":29442,"title":152},{"_type":77,"current":151},[29444,29455],{"_type":728,"settings":29445,"text":29446},{"textColumnCount":730},[29447],{"_key":29448,"_type":11,"children":29449,"markDefs":29454,"style":24},"c303b4901064",[29450],{"_key":29451,"_type":15,"marks":29452,"text":29453},"9944d25bdb9d0",[],"School of Commons (SoC), a global learning community, is looking for individual and collective projects to form the SoC learning environment from April 2026 - December 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2026 we will be selecting",{"_key":29466,"_type":15,"marks":29467,"text":29468},"6603ff2e37c01",[17]," 15 Funded Projects:",{"_key":29470,"_type":15,"marks":29471,"text":1676},"6603ff2e37c02",[],{"_key":29473,"_type":15,"marks":29474,"text":29475},"6603ff2e37c03",[17],"7 ",{"_key":29477,"_type":15,"marks":29478,"text":29479},"6603ff2e37c04",[],"ZHdK projects from currently enrolled or employed students and staff of ZHdK [Zürich University of the Arts], and ",{"_key":29481,"_type":15,"marks":29482,"text":29483},"6603ff2e37c05",[17],"8",{"_key":29485,"_type":15,"marks":29486,"text":29487},"6603ff2e37c06",[]," independent projects from proposals outside of ZHdK, including ZHdK alumni. The ",{"_key":29489,"_type":15,"marks":29490,"text":29491},"6603ff2e37c07",[17],"8 i",{"_key":29493,"_type":15,"marks":29494,"text":29495},"6603ff2e37c08",[],"ndependent projects can be from anywhere in the world, and do not have to be associated with an educational institution of any kind or have any specific level of education.",[],{"_key":29498,"_type":11,"children":29499,"markDefs":29526,"style":24},"4fdc8700ea46",[29500,29504,29508,29511,29514,29518,29522],{"_key":29501,"_type":15,"marks":29502,"text":29503},"036e7ae8deb30",[],"For all ",{"_key":29505,"_type":15,"marks":29506,"text":29507},"036e7ae8deb31",[17],"15",{"_key":29509,"_type":15,"marks":29510,"text":1676},"036e7ae8deb32",[],{"_key":29512,"_type":15,"marks":29513,"text":117},"036e7ae8deb33",[17],{"_key":29515,"_type":15,"marks":29516,"text":29517},"036e7ae8deb34",[]," places we strongly encourage ",{"_key":29519,"_type":15,"marks":29520,"text":29521},"036e7ae8deb35",[17],"duos and collectives",{"_key":29523,"_type":15,"marks":29524,"text":29525},"036e7ae8deb36",[]," to apply, although we will be accepting projects submitted from individuals, duos, and collectives respectively.",[],{"_key":29528,"_type":11,"children":29529,"markDefs":29556,"style":24},"9fb3f86e5cfc",[29530,29534,29537,29540,29544,29548,29552],{"_key":29531,"_type":15,"marks":29532,"text":29533},"368c62e3845e0",[],"Each of the ",{"_key":29535,"_type":15,"marks":29536,"text":29507},"368c62e3845e1",[17],{"_key":29538,"_type":15,"marks":29539,"text":1676},"368c62e3845e2",[],{"_key":29541,"_type":15,"marks":29542,"text":29543},"368c62e3845e3",[17],"projects",{"_key":29545,"_type":15,"marks":29546,"text":29547},"368c62e3845e4",[]," will receive a total budget of ",{"_key":29549,"_type":15,"marks":29550,"text":29551},"368c62e3845e5",[17],"1,500CHF",{"_key":29553,"_type":15,"marks":29554,"text":29555},"368c62e3845e6",[]," towards production and travel expenses, alongside access to publishing opportunities, accommodation in Zürich during the mid-year gathering, mentors/speakers, workshops on alternative ways and workings, peer learning, collaborations, and more.",[],{"_key":29558,"_type":11,"children":29559,"markDefs":29567,"style":24},"8f1620894e22",[29560,29563],{"_key":29561,"_type":15,"marks":29562,"text":1768},"98bd9f03cab80",[],{"_key":29564,"_type":15,"marks":29565,"text":29566},"98bd9f03cab81",[17],"What is School of Commons?",[],{"_key":29569,"_type":11,"children":29570,"markDefs":29575,"style":24},"3044442973d4",[29571],{"_key":29572,"_type":15,"marks":29573,"text":29574},"df008039cd2c0",[],"School of Commons (SoC) is a community-based initiative dedicated to peer learning, and the study and development of self-organized knowledge production, located at the Zürich University of the Arts (ZHdK).",[],{"_key":29577,"_type":11,"children":29578,"markDefs":29583,"style":24},"eb7a69e1b2c6",[29579],{"_key":29580,"_type":15,"marks":29581,"text":29582},"fbd298dab08c0",[],"To date, we have supported 157 projects since our foundation in 2017, with the content and position of SoC being defined by our community. Over the 8-months of the SoC program, research is conducted as peer-based collaborative endeavours with annually changing members. Each cohort brings together a wide range of participants, guests, and contributors who share their curiosity, skills, and visions - producing a broad, integrative understanding of knowledge. We offer personal support, financial resources, and an active community of peers and experts engaged in a wide range of topics.",[],{"_key":29585,"_type":11,"children":29586,"markDefs":29591,"style":24},"d4c394b7ec10",[29587],{"_key":29588,"_type":15,"marks":29589,"text":29590},"82e17293278d0",[],"SoC’s program is developed bottom-up rather than top-down. Instead of providing a fixed curriculum, we encourage participants to actively shape our program, either by organizing and hosting events themselves, introducing new lines of study, or by inviting guest speakers and tutors who are relevant to their research. SoC is there to support and help organize the educational program our participants would like to have.",[],{"_key":29593,"_type":11,"children":29594,"markDefs":29602,"style":24},"be67fcae08ec",[29595,29598],{"_key":29596,"_type":15,"marks":29597,"text":1768},"ca00911c10350",[],{"_key":29599,"_type":15,"marks":29600,"text":29601},"ca00911c10351",[17],"In short, SoC:",[],{"_key":29604,"_type":11,"children":29605,"level":1033,"listItem":1708,"markDefs":29610,"style":24},"38124bf15f7c",[29606],{"_key":29607,"_type":15,"marks":29608,"text":29609},"0a4cfe1747610",[],"Is a global community-learning environment dedicated to the study and development of self-organized knowledge through commons-based methods and practices",[],{"_key":29612,"_type":11,"children":29613,"level":1033,"listItem":1708,"markDefs":29618,"style":24},"5595ecd31855",[29614],{"_key":29615,"_type":15,"marks":29616,"text":29617},"9be92dffdd950",[],"Is located at the Zurich University of the Arts (ZHdK), but mostly hybrid in format, taking place online, with some select offline events at the ZHdK, and selected venues across Zürich",[],{"_key":29620,"_type":11,"children":29621,"level":1033,"listItem":1708,"markDefs":29634,"style":24},"69628943023b",[29622,29626,29630],{"_key":29623,"_type":15,"marks":29624,"text":29625},"131163d925a20",[],"Brings together practitioners, researchers, facilitators, and activists from ",{"_key":29627,"_type":15,"marks":29628,"text":29629},"131163d925a21",[17],"all disciplines",{"_key":29631,"_type":15,"marks":29632,"text":29633},"131163d925a22",[]," for its 8-month peer-led learning program.",[],{"_key":29636,"_type":11,"children":29637,"level":1033,"listItem":1708,"markDefs":29642,"style":24},"71a6c3af7aaf",[29638],{"_key":29639,"_type":15,"marks":29640,"text":29641},"1165625bcf790",[],"Has a structure which is shaped based on the needs, requirements, and wishes of the participants",[],{"_key":29644,"_type":11,"children":29645,"level":1033,"listItem":1708,"markDefs":29650,"style":24},"6d05889572d8",[29646],{"_key":29647,"_type":15,"marks":29648,"text":29649},"514353d64d140",[],"Works with a broad network of partners who help to explore, shape, and share the future of Peer Education as an important strategy and method of lifelong learning.",[],{"_key":29652,"_type":11,"children":29653,"markDefs":29666,"style":24},"cbb126344812",[29654,29658,29662],{"_key":29655,"_type":15,"marks":29656,"text":29657},"6e27fc1c5af70",[],"If you would like to familiarise yourself with some of the key terminology School of Commons uses within this application pack, and as part of the learning environment, please refer to our ",{"_key":29659,"_type":15,"marks":29660,"text":536},"6e27fc1c5af71",[29661],"14df8c90e333",{"_key":29663,"_type":15,"marks":29664,"text":29665},"6e27fc1c5af72",[]," Directory. If there is a term used in this application pack that you are unfamiliar with, please search for it in the Ways and Workings Directory for further information and context.",[29667],{"_key":29661,"_type":41,"href":29668},"https://schoolofcommons.org/making-public/ways-and-workings",{"_key":29670,"_type":11,"children":29671,"markDefs":29679,"style":24},"25820dede3e5",[29672,29675],{"_key":29673,"_type":15,"marks":29674,"text":1768},"ca025a0196df0",[],{"_key":29676,"_type":15,"marks":29677,"text":29678},"ca025a0196df1",[17],"What does School of Commons offer to participants who are selected?",[],{"_key":29681,"_type":11,"children":29682,"level":1033,"listItem":1708,"markDefs":29687,"style":24},"5a80502359d4",[29683],{"_key":29684,"_type":15,"marks":29685,"text":29686},"929e34f0de7c0",[],"A one-off, unaccounted budget of 1,500 Swiss Francs towards production and travel expenses",[],{"_key":29689,"_type":11,"children":29690,"level":1033,"listItem":1708,"markDefs":29695,"style":24},"6757a39f07fb",[29691],{"_key":29692,"_type":15,"marks":29693,"text":29694},"496cfe3fba6a0",[],"A supportive learning environment",[],{"_key":29697,"_type":11,"children":29698,"level":1033,"listItem":1708,"markDefs":29703,"style":24},"77fb74c89d6a",[29699],{"_key":29700,"_type":15,"marks":29701,"text":29702},"d69f5be05efe0",[],"Opportunity for collaboration and exchange, as well as peer-group and public presentation platforms",[],{"_key":29705,"_type":11,"children":29706,"level":1033,"listItem":1708,"markDefs":29711,"style":24},"1865cdd561d9",[29707],{"_key":29708,"_type":15,"marks":29709,"text":29710},"4899eadf75c90",[],"Online and offline spaces to experiment with ideas, concepts, and practices",[],{"_key":29713,"_type":11,"children":29714,"level":1033,"listItem":1708,"markDefs":29719,"style":24},"96aee903000b",[29715],{"_key":29716,"_type":15,"marks":29717,"text":29718},"1b54c52ee7140",[],"Support with presentation structures such as the planning of exhibitions, events, and workshops",[],{"_key":29721,"_type":11,"children":29722,"level":1033,"listItem":1708,"markDefs":29731,"style":24},"bdeb3e055722",[29723,29727],{"_key":29724,"_type":15,"marks":29725,"text":29726},"830c57e50db00",[],"Access to publishing opportunities, including our annual end-of-year publication: ",{"_key":29728,"_type":15,"marks":29729,"text":19545},"830c57e50db01",[29730],"5ef4fe808d9b",[29732],{"_key":29730,"_type":41,"href":29733},"https://schoolofcommons.org/making-public/issues",{"_key":29735,"_type":11,"children":29736,"level":1033,"listItem":1708,"markDefs":29741,"style":24},"127fa90d60f8",[29737],{"_key":29738,"_type":15,"marks":29739,"text":29740},"1d2d03748b450",[],"Access to ZHdK’s infrastructure during on-site events. Specifically: tech material, room-booking access, access to faculty members of ZHdK",[],{"_key":29743,"_type":11,"children":29744,"level":1033,"listItem":1708,"markDefs":29749,"style":24},"427832b0cffc",[29745],{"_key":29746,"_type":15,"marks":29747,"text":29748},"7c38ee949f340",[],"Participation in our ongoing research project into ‘Accessibility and Inclusion in Digital and Hybrid Learning Environments’",[],{"_key":29751,"_type":11,"children":29752,"level":1033,"listItem":1708,"markDefs":29757,"style":24},"5a2de1c6e17a",[29753],{"_key":29754,"_type":15,"marks":29755,"text":29756},"662c8839d40e0",[],"Introduction to a growing SoC alumni network for mutual support and exchange",[],{"_key":29759,"_type":11,"children":29760,"level":1033,"listItem":1708,"markDefs":29765,"style":24},"8e8b21883204",[29761],{"_key":29762,"_type":15,"marks":29763,"text":29764},"311373a137b90",[],"Workshops introducing methodologies for peer learning and co-creation",[],{"_key":29767,"_type":11,"children":29768,"markDefs":29776,"style":24},"6a14349dc67b",[29769,29772],{"_key":29770,"_type":15,"marks":29771,"text":1768},"e51cf6df4dd20",[],{"_key":29773,"_type":15,"marks":29774,"text":29775},"e51cf6df4dd21",[17],"What do School of Commons’ participants have in common?",[],{"_key":29778,"_type":11,"children":29779,"markDefs":29784,"style":24},"39b055fc5ca7",[29780],{"_key":29781,"_type":15,"marks":29782,"text":29783},"9dc8766856c00",[],"It is essential that SoC participants feel a connection to the main qualities that form the SoC learning environment, these are:",[],{"_key":29786,"_type":11,"children":29787,"level":1033,"listItem":1708,"markDefs":29792,"style":24},"302eb00cf27b",[29788],{"_key":29789,"_type":15,"marks":29790,"text":29791},"d944341e88e20",[],"Reciprocal exchange",[],{"_key":29794,"_type":11,"children":29795,"level":1033,"listItem":1708,"markDefs":29800,"style":24},"4dfd12190f39",[29796],{"_key":29797,"_type":15,"marks":29798,"text":29799},"37f2124dee460",[],"Experimentation",[],{"_key":29802,"_type":11,"children":29803,"level":1033,"listItem":1708,"markDefs":29808,"style":24},"64a7d4877222",[29804],{"_key":29805,"_type":15,"marks":29806,"text":29807},"b0932dece8860",[],"Openness (towards one another, especially towards backgrounds and contexts unfamiliar to our own, towards definitions of, and approaches towards learning and knowledge, and towards the process of commoning, which very often requires working directly with those from outside of our own bubbles)",[],{"_key":29810,"_type":11,"children":29811,"level":1033,"listItem":1708,"markDefs":29816,"style":24},"6e69e5d3db77",[29812],{"_key":29813,"_type":15,"marks":29814,"text":29815},"01563c4384290",[],"Conviviality",[],{"_key":29818,"_type":11,"children":29819,"level":1033,"listItem":1708,"markDefs":29824,"style":24},"d4c6217a3615",[29820],{"_key":29821,"_type":15,"marks":29822,"text":29823},"b126e62789bb0",[],"Curiosity",[],{"_key":29826,"_type":11,"children":29827,"level":1033,"listItem":1708,"markDefs":29832,"style":24},"90fd864210c6",[29828],{"_key":29829,"_type":15,"marks":29830,"text":29831},"3af74b8a0bfe0",[],"Committed",[],{"_key":29834,"_type":11,"children":29835,"level":1033,"listItem":1708,"markDefs":29840,"style":24},"b3d6549343ba",[29836],{"_key":29837,"_type":15,"marks":29838,"text":29839},"4c306066b6d60",[],"Process-centred approaches",[],{"_key":29842,"_type":11,"children":29843,"markDefs":29851,"style":24},"3c21f115ad96",[29844,29847],{"_key":29845,"_type":15,"marks":29846,"text":1768},"de4ac66b9f310",[],{"_key":29848,"_type":15,"marks":29849,"text":29850},"de4ac66b9f311",[17],"Who can apply to SoC?",[],{"_key":29853,"_type":11,"children":29854,"markDefs":29859,"style":24},"648a1f94c441",[29855],{"_key":29856,"_type":15,"marks":29857,"text":29858},"f2d3ca2391fa0",[],"SoC is open to all countries, backgrounds, ages, and disciplines, for applicants who are interested in the production and sharing of knowledge in the broadest sense, and who feel a desire to actively engage with, work as part of, and be in collaboration with a community of fellow thinkers and producers.",[],{"_key":29861,"_type":11,"children":29862,"markDefs":29867,"style":24},"38090de0c0c0",[29863],{"_key":29864,"_type":15,"marks":29865,"text":29866},"fa58b3ffdcce0",[],"SoC has no set criteria in relation to formal or informal educational backgrounds. Previous participants have had a broad range of qualifications from non-academic, to BA, to PhD level, with backgrounds ranging from technical schools to art schools, to universities, as well as auto-didacts, makers, activists, and those with lived experience and tacit knowledge. SoC has previously had the pleasure of hosting artists, scientists, architects, geographers, designers, writers, and those who consider themselves between and outside of these categories, as part of the program.",[],{"_key":29869,"_type":11,"children":29870,"markDefs":29875,"style":24},"c106fdd61529",[29871],{"_key":29872,"_type":15,"marks":29873,"text":29874},"15eeb68424c60",[],"SoC does not select based on discipline but is instead focused on those interested in, or working with alternative methods for learning, with an emphasis on wider definitions of knowledge and experience, as well as the desire and commitment to learn with and from others, and to engage critically and thoughtfully with the wider SoC community.",[],{"_key":29877,"_type":11,"children":29878,"markDefs":29883,"style":24},"b6b2c6881d23",[29879],{"_key":29880,"_type":15,"marks":29881,"text":29882},"f7fe5de385180",[],"The main learning agenda of SoC is to produce and share practices based around the methods of peer learning and commoning. In doing so, we aim to encourage spaces for exchange and alternative ways and workings. Overall, SoC endeavours to be a place that produces and reproduces alternative modes of thinking and doing across research, disciplines, themes, and focuses.",[],{"_key":29885,"_type":11,"children":29886,"markDefs":29890,"style":24},"8768545c9f01",[29887],{"_key":29888,"_type":15,"marks":29889,"text":1150},"added7c6ebf4",[17],[],{"_key":29892,"_type":11,"children":29893,"markDefs":29898,"style":24},"c58f1a3e99e7",[29894],{"_key":29895,"_type":15,"marks":29896,"text":29897},"bfd60764e0e80",[17],"What do School of Commons expect from applicants and participants?",[],{"_key":29900,"_type":11,"children":29901,"markDefs":29906,"style":24},"f317671a86cd",[29902],{"_key":29903,"_type":15,"marks":29904,"text":29905},"6b6235bd45170",[],"Over the 8-month programme from April to December 2026, School of Commons expects, from each participant, their commitment and active participation, within their individual capacities. This is especially the case for all SoC activities and the wider learning environment that is produced collectively. Tuesday evenings between 18.00-19.30 CET/CEST is scheduled School of Commons time, so participants should make this time free.",[],{"_key":29908,"_type":11,"children":29909,"markDefs":29914,"style":24},"afc1302d8136",[29910],{"_key":29911,"_type":15,"marks":29912,"text":29913},"2014fbefd34f0",[],"A commitment to the following, within capacity, must be made:",[],{"_key":29916,"_type":11,"children":29917,"level":1033,"listItem":1708,"markDefs":29922,"style":24},"324cffaa0449",[29918],{"_key":29919,"_type":15,"marks":29920,"text":29921},"4626c4b0e2590",[],"Weekly School of Commons meetings, Tuesday evenings 6-7.30pm CET/CEST",[],{"_key":29924,"_type":11,"children":29925,"level":1033,"listItem":1708,"markDefs":29930,"style":24},"cf05e2db04b9",[29926],{"_key":29927,"_type":15,"marks":29928,"text":29929},"ddf3a067a85d0",[],"Facilitating one in a series of ‘Kitchen Sessions’",[],{"_key":29932,"_type":11,"children":29933,"level":1033,"listItem":1708,"markDefs":29938,"style":24},"803886ec1139",[29934],{"_key":29935,"_type":15,"marks":29936,"text":29937},"037a329d8ba40",[],"Attending the SoC Gathering (2-5 July, 2026)",[],{"_key":29940,"_type":11,"children":29941,"level":1033,"listItem":1708,"markDefs":29946,"style":24},"c3365e14f750",[29942],{"_key":29943,"_type":15,"marks":29944,"text":29945},"d2868a55ab620",[],"Contributing to the end-of-year ISSUES publication",[],{"_key":29948,"_type":11,"children":29949,"level":1033,"listItem":1708,"markDefs":29958,"style":24},"4a8da253851d",[29950,29954],{"_key":29951,"_type":15,"marks":29952,"text":29953},"b0ef77b8b74e0",[],"Participation (a variety of forms are possible) in the School of Commons Assembly online, ",{"_key":29955,"_type":15,"marks":29956,"text":29957},"b0ef77b8b74e1",[17],"11-13, December 2026",[],{"_key":29960,"_type":11,"children":29961,"level":1033,"listItem":1708,"markDefs":29966,"style":24},"d0edee4a736f",[29962],{"_key":29963,"_type":15,"marks":29964,"text":29965},"67da1724f62a0",[],"Actively using and contributing to our growing compendium of Ways & Workings, peer learning practices and commoning methodologies",[],{"_key":29968,"_type":11,"children":29969,"level":1033,"listItem":1708,"markDefs":29974,"style":24},"9f947c8efed7",[29970],{"_key":29971,"_type":15,"marks":29972,"text":29973},"dae2de715e740",[],"For the full schedule for the SoC Program 2026 please refer to the dedicated section in this document",[],{"_key":29976,"_type":11,"children":29977,"markDefs":29982,"style":24},"288c28d1bd1b",[29978],{"_key":29979,"_type":15,"marks":29980,"text":29981},"dbcfbda85a3c0",[],"During the 8-month program, participants will work on a project surrounding a topic, theme, or subject of their choice, in a manner of their own choosing. Participants are thus considered experts of their own research. SoC offers impulse activities including workshops, info sessions, and tutorials which aim to provide inspiration and foundational frameworks. This said, each participant is responsible for their own learning process, as well as that of one another. You will therefore be expected to take care of, and communicate your own needs and requirements, for which we can support by co-seeking the (re)sources, tutors, mentorship, methods, and/or collaborators necessary.",[],{"_key":29984,"_type":11,"children":29985,"markDefs":29990,"style":24},"59a673ba49e9",[29986],{"_key":29987,"_type":15,"marks":29988,"text":29989},"102bd111050d0",[],"There are no set outcomes expected or required as part of acceptance into the program. SoC values experimental ways of working which do not necessarily work towards predetermined outcomes.",[],{"_key":29992,"_type":11,"children":29993,"markDefs":30001,"style":24},"a48739088f24",[29994,29997],{"_key":29995,"_type":15,"marks":29996,"text":1768},"6a9777d2b1330",[],{"_key":29998,"_type":15,"marks":29999,"text":30000},"6a9777d2b1331",[17],"What is the selection process?",[],{"_key":30003,"_type":11,"children":30004,"markDefs":30009,"style":24},"2f252363f7f6",[30005],{"_key":30006,"_type":15,"marks":30007,"text":30008},"1dc67912b1190",[],"Successful applicants should demonstrate clearly how they will contribute to the SoC structure by expressing the ways in which they plan to engage with the wider SoC community and shared learning environment, as well as the ways in which they plan to work collaboratively.",[],{"_key":30011,"_type":11,"children":30012,"markDefs":30025,"style":24},"240b5f59d282",[30013,30017,30021],{"_key":30014,"_type":15,"marks":30015,"text":30016},"4677add5be2c0",[],"Selection is made by a group of peer reviewers made up of current or former participants of SoC. The selection committee chooses new participants entirely anonymously, based only on the submitted project plans and the applicants’ willingness to actively contribute towards a collaborative learning environment. 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I.e. Will all, or a select number of collective members attend the meetings and events, or will tasks be divided amongst the collective? We encourage consistency of representation throughout the program, even if this means only 1 or 2 members of a collective regularly attend meetings and activities. This consistency allows for community cohesion and trust building.",[],{"_key":30083,"_type":11,"children":30084,"markDefs":30089,"style":24},"3ab4ae53d574",[30085],{"_key":30086,"_type":15,"marks":30087,"text":30088},"6e62577129c20",[],"Selection is based on the completeness of submitted materials, the feasibility of the project, and how well the project connects to the aims and values of the SoC learning environment. 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It also looks for a demonstrated ",{"_key":30158,"_type":15,"marks":30159,"text":30160},"82a3be734b6c2",[17],"commitment",{"_key":30162,"_type":15,"marks":30163,"text":30164},"82a3be734b6c3",[]," to actively exchanging, sharing, and collaborating with fellow participants, with clear examples of how this will be tangibly overseen, incorporating ",{"_key":30166,"_type":15,"marks":30167,"text":30168},"82a3be734b6c4",[17],"approaches",{"_key":30170,"_type":15,"marks":30171,"text":30172},"82a3be734b6c5",[]," based upon sharing, reproducing, and collaborating as part of the SoC learning environment to support this.",[],{"_key":30175,"_type":11,"children":30176,"markDefs":30185,"style":24},"60e6be99c66a",[30177,30181],{"_key":30178,"_type":15,"marks":30179,"text":30180},"dae06d5587620",[17],"Please note:",{"_key":30182,"_type":15,"marks":30183,"text":30184},"dae06d5587621",[]," Applicants may submit one application only to the 2026 Open Call. Previous participants can only apply with an entirely new project with new collaborators. Participants may only join SoC for two consecutive years.",[],{"_key":30187,"_type":11,"children":30188,"markDefs":30210,"style":24},"06ab2a1f99b8",[30189,30193,30198,30202,30206],{"_key":30190,"_type":15,"marks":30191,"text":30192},"27a2badff52b0",[],"You can find out more about previous SoC participants and projects ",{"_key":30194,"_type":15,"marks":30195,"text":30197},"27a2badff52b1",[30196],"a0cca5964690","here.",{"_key":30199,"_type":15,"marks":30200,"text":30201},"27a2badff52b2",[]," We encourage you to access our directory of ",{"_key":30203,"_type":15,"marks":30204,"text":536},"27a2badff52b3",[30205],"63497037fd80",{"_key":30207,"_type":15,"marks":30208,"text":30209},"27a2badff52b4",[]," to help guide your application.",[30211,30213],{"_key":30196,"_type":41,"href":30212},"https://schoolofcommons.org/program",{"_key":30205,"_type":41,"href":29668},{"_key":30215,"_type":11,"children":30216,"markDefs":30228,"style":24},"9b766fd48d2c",[30217,30220,30224],{"_key":30218,"_type":15,"marks":30219,"text":1768},"8533058e52db0",[],{"_key":30221,"_type":15,"marks":30222,"text":30223},"8533058e52db1",[17],"How will School of Commons be structured for 2026?",{"_key":30225,"_type":15,"marks":30226,"text":30227},"8533058e52db2",[],"\nSoC offers a learning environment and a 8-month program structure that is evolved and shaped in dialogue with participants. As part of the 8-month program, SoC helps facilitate an internal program of open spaces and sessions with participants. This is combined with a series of public offerings, all of which are open access, and which help to make the knowledge and practices that arise from the program through our participants and their processes, publicly available and shareable.\n\nThe proposed structure for the preliminary program over the 8 months of April 2026 - December 2026 is as follows.:",[],{"_key":30230,"_type":11,"children":30231,"markDefs":30236,"style":24},"42d795d981e6",[30232],{"_key":30233,"_type":15,"marks":30234,"text":30235},"9693035a218b0",[17],"Overview for 2026",[],{"_key":30238,"_type":11,"children":30239,"markDefs":30262,"style":24},"0116399d2d53",[30240,30244,30247,30251,30255,30258],{"_key":30241,"_type":15,"marks":30242,"text":30243},"72af9a57d69d0",[17],"Welcome Meeting",{"_key":30245,"_type":15,"marks":30246,"text":1768},"72af9a57d69d1",[],{"_key":30248,"_type":15,"marks":30249,"text":30250},"72af9a57d69d2",[17],"Dates: ",{"_key":30252,"_type":15,"marks":30253,"text":30254},"72af9a57d69d3",[],"We will schedule one meeting with each project in March or April\n",{"_key":30256,"_type":15,"marks":30257,"text":13784},"72af9a57d69d4",[17],{"_key":30259,"_type":15,"marks":30260,"text":30261},"72af9a57d69d5",[]," Online, internal",[],{"_key":30264,"_type":11,"children":30265,"markDefs":30270,"style":24},"c54ffe6fd051",[30266],{"_key":30267,"_type":15,"marks":30268,"text":30269},"9206ac4ca1310",[],"These one-on-one 45-minute sessions aim to build trust, address questions, and ensure accessibility. 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It features Kitchen Sessions—20-minute presentations by cohort members.",[],{"_key":30314,"_type":11,"children":30315,"markDefs":30334,"style":24},"77c5e38d0988",[30316,30320,30323,30326,30330],{"_key":30317,"_type":15,"marks":30318,"text":30319},"370a95c369220",[17],"Self Organised Program",{"_key":30321,"_type":15,"marks":30322,"text":1768},"370a95c369221",[],{"_key":30324,"_type":15,"marks":30325,"text":30292},"370a95c369222",[17],{"_key":30327,"_type":15,"marks":30328,"text":30329},"370a95c369223",[]," All meetings are held from 18:00–19:30 CET/CEST\n",{"_key":30331,"_type":15,"marks":30332,"text":30333},"370a95c369224",[17],"Dates for 2026, usually the first Tuesday of every month:",[],{"_key":30336,"_type":11,"children":30337,"level":1033,"listItem":1708,"markDefs":30342,"style":24},"3215504568bb",[30338],{"_key":30339,"_type":15,"marks":30340,"text":30341},"36a8928d108d0",[],"April 21 – SoC Self-Organized Group Mapping and Planning",[],{"_key":30344,"_type":11,"children":30345,"level":1033,"listItem":1708,"markDefs":30350,"style":24},"2f732b877da0",[30346],{"_key":30347,"_type":15,"marks":30348,"text":30349},"dd05fa0ce8480",[],"April 28 – How to: ISSUES Publication Info Event",[],{"_key":30352,"_type":11,"children":30353,"level":1033,"listItem":1708,"markDefs":30358,"style":24},"ce29528dc8f5",[30354],{"_key":30355,"_type":15,"marks":30356,"text":30357},"19ee3a4ddc930",[],"May 5 – How to: Website Onboarding and Profile Creation",[],{"_key":30360,"_type":11,"children":30361,"level":1033,"listItem":1708,"markDefs":30366,"style":24},"37bebdccf49c",[30362],{"_key":30363,"_type":15,"marks":30364,"text":30365},"8a1ae65f13df0",[],"June 2 – SoC Guest Lecture on the Commons",[],{"_key":30368,"_type":11,"children":30369,"level":1033,"listItem":1708,"markDefs":30374,"style":24},"c6cfd9493a2e",[30370],{"_key":30371,"_type":15,"marks":30372,"text":30373},"7b50ed83c3e10",[],"June 30 – TBC",[],{"_key":30376,"_type":11,"children":30377,"level":1033,"listItem":1708,"markDefs":30382,"style":24},"06a5b6d2b20c",[30378],{"_key":30379,"_type":15,"marks":30380,"text":30381},"50397c1d946f0",[],"September 1 – TBC",[],{"_key":30384,"_type":11,"children":30385,"level":1033,"listItem":1708,"markDefs":30390,"style":24},"5d307becbd29",[30386],{"_key":30387,"_type":15,"marks":30388,"text":30389},"c2975f78ad490",[],"October 6 – TBC",[],{"_key":30392,"_type":11,"children":30393,"level":1033,"listItem":1708,"markDefs":30398,"style":24},"57f954a383b5",[30394],{"_key":30395,"_type":15,"marks":30396,"text":30397},"e5fb1fba32850",[],"November 3 – TBC",[],{"_key":30400,"_type":11,"children":30401,"level":1033,"listItem":1708,"markDefs":30406,"style":24},"1981fe2288ec",[30402],{"_key":30403,"_type":15,"marks":30404,"text":30405},"b4c64de328ba0",[],"December 1 – TBC",[],{"_key":30408,"_type":11,"children":30409,"markDefs":30427,"style":24},"4ec4eacf9ae1",[30410,30413,30416,30419,30423],{"_key":30411,"_type":15,"marks":30412,"text":30319},"603507e301460",[17],{"_key":30414,"_type":15,"marks":30415,"text":1768},"603507e301461",[],{"_key":30417,"_type":15,"marks":30418,"text":30292},"603507e301462",[17],{"_key":30420,"_type":15,"marks":30421,"text":30422},"603507e301463",[]," All meetings are held from 18:00–19:30 CET/CEST\n(Usually the third Tuesday of every month)\n",{"_key":30424,"_type":15,"marks":30425,"text":30426},"603507e301464",[17],"Dates (2026):",[],{"_key":30429,"_type":11,"children":30430,"level":1033,"listItem":1708,"markDefs":30435,"style":24},"2adbe81667cd",[30431],{"_key":30432,"_type":15,"marks":30433,"text":30434},"1765fd5968140",[],"May 19",[],{"_key":30437,"_type":11,"children":30438,"level":1033,"listItem":1708,"markDefs":30443,"style":24},"fb595d2aa7ee",[30439],{"_key":30440,"_type":15,"marks":30441,"text":30442},"6a2c63cf66de0",[],"June 16",[],{"_key":30445,"_type":11,"children":30446,"level":1033,"listItem":1708,"markDefs":30451,"style":24},"b7e8a895f435",[30447],{"_key":30448,"_type":15,"marks":30449,"text":30450},"e3997f88997b0",[],"July 7",[],{"_key":30453,"_type":11,"children":30454,"level":1033,"listItem":1708,"markDefs":30459,"style":24},"a04e5ffd37cd",[30455],{"_key":30456,"_type":15,"marks":30457,"text":30458},"7ceea56b49c90",[],"September 15",[],{"_key":30461,"_type":11,"children":30462,"level":1033,"listItem":1708,"markDefs":30467,"style":24},"cbf9661332e4",[30463],{"_key":30464,"_type":15,"marks":30465,"text":30466},"69ef69e948500",[],"October 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cohort.",[],{"_key":30493,"_type":11,"children":30494,"markDefs":30515,"style":24},"ae9924c0a483",[30495,30498,30501,30504,30508,30511],{"_key":30496,"_type":15,"marks":30497,"text":286},"965556bcf9e90",[17],{"_key":30499,"_type":15,"marks":30500,"text":1768},"965556bcf9e91",[],{"_key":30502,"_type":15,"marks":30503,"text":30284},"965556bcf9e92",[17],{"_key":30505,"_type":15,"marks":30506,"text":30507},"965556bcf9e93",[]," July 2–5, 2026\n",{"_key":30509,"_type":15,"marks":30510,"text":13784},"965556bcf9e94",[17],{"_key":30512,"_type":15,"marks":30513,"text":30514},"965556bcf9e95",[]," In-person in Zürich, internal",[],{"_key":30517,"_type":11,"children":30518,"markDefs":30523,"style":24},"85f9a46e9461",[30519],{"_key":30520,"_type":15,"marks":30521,"text":30522},"1dc284118be30",[],"Held at the Zurich University of the Arts, the Gathering emphasizes peer learning, self-organization, and social interaction. This is a good moment to try out things or experiment with the whole cohort in person.",[],{"_key":30525,"_type":11,"children":30526,"markDefs":30531,"style":24},"debfed5d3f9d",[30527],{"_key":30528,"_type":15,"marks":30529,"text":30530},"6137f127cd270",[],"You are responsible for organizing and covering your travel expenses, while accommodation will be provided. At least one member from each project should attend, but additional participants are more than welcome!",[],{"_key":30533,"_type":11,"children":30534,"markDefs":30556,"style":24},"ed65734d3391",[30535,30539,30542,30545,30549,30552],{"_key":30536,"_type":15,"marks":30537,"text":30538},"a71d73d97ae90",[17],"Public Event",{"_key":30540,"_type":15,"marks":30541,"text":1768},"a71d73d97ae91",[],{"_key":30543,"_type":15,"marks":30544,"text":30284},"a71d73d97ae92",[17],{"_key":30546,"_type":15,"marks":30547,"text":30548},"a71d73d97ae93",[]," December 11–13, 2026\n",{"_key":30550,"_type":15,"marks":30551,"text":13784},"a71d73d97ae94",[17],{"_key":30553,"_type":15,"marks":30554,"text":30555},"a71d73d97ae95",[]," Online, public",[],{"_key":30558,"_type":11,"children":30559,"markDefs":30577,"style":24},"1db54d4fe81d",[30560,30564,30567,30570,30573],{"_key":30561,"_type":15,"marks":30562,"text":30563},"83888af434c50",[],"This public event features the launch of the ",{"_key":30565,"_type":15,"marks":30566,"text":19545},"83888af434c51",[17],{"_key":30568,"_type":15,"marks":30569,"text":1676},"83888af434c52",[],{"_key":30571,"_type":15,"marks":30572,"text":582},"83888af434c53",[17],{"_key":30574,"_type":15,"marks":30575,"text":30576},"83888af434c54",[]," publication, developed by the cohort during their time at SoC.",[],{"_key":30579,"_type":11,"children":30580,"markDefs":30585,"style":24},"47f349ec71f6",[30581],{"_key":30582,"_type":15,"marks":30583,"text":30584},"751190a8afa60",[17],"How to Apply",[],{"_key":30587,"_type":11,"children":30588,"markDefs":30602,"style":24},"4a6e959a7224",[30589,30593,30598],{"_key":30590,"_type":15,"marks":30591,"text":30592},"0fd9c620b8c80",[],"Applications are submitted via this ",{"_key":30594,"_type":15,"marks":30595,"text":30597},"0fd9c620b8c81",[30596],"4129d1b5f7a0","Google Form",{"_key":30599,"_type":15,"marks":30600,"text":30601},"7423f367eb3c",[]," where you will be asked a set of mandatory questions to answer. You must answer all questions in full before you can submit your response.",[30603],{"_key":30596,"_type":41,"href":30604},"https://forms.gle/gqhaJRDQphqsvqw76",{"_key":30606,"_type":11,"children":30607,"markDefs":30612,"style":24},"22730bc8dec4",[30608],{"_key":30609,"_type":15,"marks":30610,"text":30611},"8391bc6884d70",[],"No CVs, biographies or formal educational requirements should be included anywhere in the application form. Please refrain from including any key identifiable information about yourself. Applications must be submitted either in English or German. The program is facilitated in English, so a confident grasp of the English language is required for full participation.",[],{"_key":30614,"_type":11,"children":30615,"markDefs":30627,"style":24},"f9640dfbccfe",[30616,30620,30623],{"_key":30617,"_type":15,"marks":30618,"text":30619},"1110583715b30",[],"We strongly emphasise that if the above information is not followed, including if names or key information is included in the application, or if the application exceeds the word limits, the application will ",{"_key":30621,"_type":15,"marks":30622,"text":30020},"1110583715b31",[17],{"_key":30624,"_type":15,"marks":30625,"text":30626},"1110583715b32",[],"be considered.",[],{"_key":30629,"_type":11,"children":30630,"markDefs":30645,"style":24},"80541e99f228",[30631,30636,30640],{"_key":30632,"_type":15,"marks":30633,"text":30635},"fdac72502e390",[30634,17],"38e4c1d853f7","APPLY HERE",{"_key":30637,"_type":15,"marks":30638,"text":30639},"fdac72502e391",[17]," The link to apply is: ",{"_key":30641,"_type":15,"marks":30642,"text":30644},"fdac72502e392",[30643],"9115407a1e8b","https://forms.gle/dyrLR9yMEqhk8T6n8",[30646,30647],{"_key":30634,"_type":41,"href":30604},{"_key":30643,"_type":41,"href":30644},{"_key":30649,"_type":11,"children":30650,"markDefs":30675,"style":24},"70d74115f3d4",[30651,30655,30659,30663,30667,30671],{"_key":30652,"_type":15,"marks":30653,"text":30654},"27f8cfff6e370",[],"The application deadline is",{"_key":30656,"_type":15,"marks":30657,"text":30658},"27f8cfff6e371",[17]," 23.59pm CEST Thursday 10th July 2025",{"_key":30660,"_type":15,"marks":30661,"text":30662},"27f8cfff6e372",[],". For any questions, please get in touch at: ",{"_key":30664,"_type":15,"marks":30665,"text":38},"27f8cfff6e373",[30666],"752e80b6e499",{"_key":30668,"_type":15,"marks":30669,"text":30670},"27f8cfff6e374",[],". You will hear back with a response by end of ",{"_key":30672,"_type":15,"marks":30673,"text":30674},"27f8cfff6e375",[17],"September 2025.",[30676],{"_key":30666,"_type":41,"href":43},{"_key":30678,"_type":11,"children":30679,"markDefs":30710,"style":24},"ee417a621241",[30680,30684,30688,30691,30695,30699,30702,30706],{"_key":30681,"_type":15,"marks":30682,"text":30683},"3ad0f336a1510",[],"A dedicated Q+A session for the Open Call will be held ",{"_key":30685,"_type":15,"marks":30686,"text":15539},"3ad0f336a1511",[30687,17],"3db19d26daaa",{"_key":30689,"_type":15,"marks":30690,"text":1676},"563097958c7b",[17],{"_key":30692,"_type":15,"marks":30693,"text":30694},"3ad0f336a1512",[],"on ",{"_key":30696,"_type":15,"marks":30697,"text":30698},"3ad0f336a1513",[17],"Wednesday",{"_key":30700,"_type":15,"marks":30701,"text":1676},"3ad0f336a1514",[],{"_key":30703,"_type":15,"marks":30704,"text":30705},"3ad0f336a1515",[17],"June 11, 2025 17.30-19.00 CEST,",{"_key":30707,"_type":15,"marks":30708,"text":30709},"3ad0f336a1516",[]," which we encourage you to attend.",[30711],{"_key":30687,"_type":41,"href":30712},"https://zhdk.zoom.us/j/65747718657?pwd=NGlYYnZiYm5oUDF5b1UrTFdncXJYQT09",{"_key":30714,"_type":11,"children":30715,"markDefs":30725,"style":24},"0680447ec06d",[30716,30720],{"_key":30717,"_type":15,"marks":30718,"text":30719},"340d47db5d0e0",[17],"For FAQ’s, please access our dedicated document: SoC ",{"_key":30721,"_type":15,"marks":30722,"text":30724},"340d47db5d0e1",[30723,17],"1f25a5d0bf3f","OPEN CALL 2026 FAQs",[30726],{"_key":30723,"_type":41,"href":30727},"https://schoolofcommons.org/faqs",{"_key":30729,"_type":11,"children":30730,"markDefs":30735,"style":24},"592ccefed97d",[30731],{"_key":30732,"_type":15,"marks":30733,"text":30734},"9fec4e77b8550",[17],"SoC and Accessibility",[],{"_key":30737,"_type":11,"children":30738,"markDefs":30743,"style":24},"b3f38bc2906a",[30739],{"_key":30740,"_type":15,"marks":30741,"text":30742},"05b6f7f343170",[],"We actively encourage applications from individuals or collectives from underrepresented groups and who identify as BIPOC, FLINTA, LGBTQIA+ and those with a disability and neurodiverse conditions.",[],{"_key":30745,"_type":11,"children":30746,"markDefs":30751,"style":24},"539c580abdc3",[30747],{"_key":30748,"_type":15,"marks":30749,"text":30750},"809c3d9060370",[],"Each participant will receive an access rider ahead of the SoC kick-off weekend, and we organise a welcome meeting for each participant or collective to discuss their needs and requirements ahead of the starting date where any needs, requirements, or desires can be communicated.",[],{"_key":30753,"_type":11,"children":30754,"markDefs":30759,"style":24},"222b25abe768",[30755],{"_key":30756,"_type":15,"marks":30757,"text":30758},"bd2b7b5f859d0",[],"Over the course of the next few years, we will be undertaking extensive research on ‘Accessibility and Inclusion in Digital and Hybrid Learning Environments’. We intend to implement our findings directly within SoC, and welcome participants to contribute towards the research if they are interested or may find it useful.",[],{"_key":30761,"_type":11,"children":30762,"markDefs":30767,"style":24},"d23fa508650e",[30763],{"_key":30764,"_type":15,"marks":30765,"text":30766},"e86041af0a5a0",[],"The program is facilitated in English, so a confident grasp of the English language, or access to translation tools is essential for participation. This said, we endeavour to find methods for making the program accessible to include other languages within our resources and capacities. In previous years we have experimented with alternative methods for such accessibility including a range of transcription methods, and we are open to adopting further communication and documentation tools that may be useful for participants.",[],{"_key":30769,"_type":11,"children":30770,"markDefs":30775,"style":24},"8df614d13140",[30771],{"_key":30772,"_type":15,"marks":30773,"text":30774},"a6a91b0821ec0",[],"Most events are facilitated digitally and can be recorded upon request with written transcripts. We cannot promise to meet all accessibility needs and requirements. Instead, we promise to do our utmost to support you with your needs and capacities within the resources we can offer as a team.",[],{"_key":30777,"_type":11,"children":30778,"markDefs":30783,"style":24},"6838078910ca",[30779],{"_key":30780,"_type":15,"marks":30781,"text":30782},"8080b130e2b50",[17],"SoC Code of Conduct",[],{"_key":30785,"_type":11,"children":30786,"markDefs":30791,"style":24},"b89e180878c1",[30787],{"_key":30788,"_type":15,"marks":30789,"text":30790},"32d15d9543540",[],"This code of conduct is a basis for all our activities, gatherings, communications, and internal and external outputs.",[],{"_key":30793,"_type":11,"children":30794,"markDefs":30804,"style":24},"4b2a6cedb466",[30795,30799],{"_key":30796,"_type":15,"marks":30797,"text":30798},"1e2b6c33433e0",[],"It forms part of our committed pursuit to engendering a SAFER space (we acknowledge ‘Safe’ is a constantly evolving environment and set of conditions and commit to continuously revising and responding in relation to this). We further acknowledge that we come from different backgrounds, contexts, disciplines, and approaches and all have certain areas of unawareness, experiencing processes of learning and unlearning. Therefore, this Code of Conduct cannot account for all the ways that people might feel excluded, unsafe, or uncomfortable. It is also a tool to ensure we can best support the SoC participants, team, Alumn* Network, and our wider ecosystem and audiences. We commit to open dialogues, and, as such, this Code of Conduct is never considered finished and should change whenever needed. We will amend this document over time, so it reflects the priorities and sensitivities of SoC as it changes.\n\nIt is a collective responsibility for all of us to enact the behaviour described below and bring it to the physical and digital spaces of SoC. The code of conduct is a set of guidelines that helps establish shared values and ensures that behaviours that may threaten or harm participants is avoided. This document equally applies to the School of Common’s, team, participants, contributors, collaborators, and all those who engage and attend in our outputs and process. The document also applies to users and contributors to SoC’s online channels. The word ‘we’ that is used in throughout the document as it speaks to and applies to all the above.\n\n",{"_key":30800,"_type":15,"marks":30801,"text":30803},"1e2b6c33433e1",[30802,17],"3d887d14488d","Read our full code of conduct, here.",[30805],{"_key":30802,"_type":41,"href":30806},"https://schoolofcommons.org/making-public/blog/school-of-commons-code-of-conduct",{"_key":30808,"_type":11,"children":30809,"markDefs":30818,"style":24},"e00ad47ac433",[30810,30814],{"_key":30811,"_type":15,"marks":30812,"text":30813},"9363557a49620",[17],"Thank you for reading the full School of Commons Open Call 2026 document. If you have any questions regarding this document or your application, please contact directly us at ",{"_key":30815,"_type":15,"marks":30816,"text":30817},"9363557a49621",[],"hello@schoolofcommons.org.\n",[],{"_key":30820,"_type":11,"children":30821,"markDefs":30826,"style":24},"c5c6cade971a",[30822],{"_key":30823,"_type":15,"marks":30824,"text":30825},"2f86af2748c00",[17],"We very much looking forward to receiving your applications.",[],[30828,151,2056,112,30829,30830,30831,2166],"soc open call, 2026","school of commons (soc), a global learning community, is looking for individual and collective projects to form the soc learning environment from april 2026 - december 2026.  ","school of commons (soc), a global learning community, is looking for individual and collective projects to form the soc learning environment from april 2026 - december 2026. ","for 2026 we will be selecting 15 funded projects: 7 zhdk projects from currently enrolled or employed students and staff of zhdk [zürich university of the arts], and 8 independent projects from proposals outside of zhdk, including zhdk alumni. the 8 independent projects can be from anywhere in the world, and do not have to be associated with an educational institution of any kind or have any specific level of education.\n\nfor all 15 project places we strongly encourage duos and collectives to apply, although we will be accepting projects submitted from individuals, duos, and collectives respectively.\n\neach of the 15 projects will receive a total budget of 1,500chf towards production and travel expenses, alongside access to publishing opportunities, accommodation in zürich during the mid-year gathering, mentors/speakers, workshops on alternative ways and workings, peer learning, collaborations, and more.\n\n\nwhat is school of commons?\n\nschool of commons (soc) is a community-based initiative dedicated to peer learning, and the study and development of self-organized knowledge production, located at the zürich university of the arts (zhdk).\n\nto date, we have supported 157 projects since our foundation in 2017, with the content and position of soc being defined by our community. over the 8-months of the soc program, research is conducted as peer-based collaborative endeavours with annually changing members. each cohort brings together a wide range of participants, guests, and contributors who share their curiosity, skills, and visions - producing a broad, integrative understanding of knowledge. we offer personal support, financial resources, and an active community of peers and experts engaged in a wide range of topics.\n\nsoc’s program is developed bottom-up rather than top-down. instead of providing a fixed curriculum, we encourage participants to actively shape our program, either by organizing and hosting events themselves, introducing new lines of study, or by inviting guest speakers and tutors who are relevant to their research. soc is there to support and help organize the educational program our participants would like to have.\n\n\nin short, soc:\n\nis a global community-learning environment dedicated to the study and development of self-organized knowledge through commons-based methods and practices\n\nis located at the zurich university of the arts (zhdk), but mostly hybrid in format, taking place online, with some select offline events at the zhdk, and selected venues across zürich\n\nbrings together practitioners, researchers, facilitators, and activists from all disciplines for its 8-month peer-led learning program.\n\nhas a structure which is shaped based on the needs, requirements, and wishes of the participants\n\nworks with a broad network of partners who help to explore, shape, and share the future of peer education as an important strategy and method of lifelong learning.\n\nif you would like to familiarise yourself with some of the key terminology school of commons uses within this application pack, and as part of the learning environment, please refer to our ways and workings directory. if there is a term used in this application pack that you are unfamiliar with, please search for it in the ways and workings directory for further information and context.\n\n\nwhat does school of commons offer to participants who are selected?\n\na one-off, unaccounted budget of 1,500 swiss francs towards production and travel expenses\n\na supportive learning environment\n\nopportunity for collaboration and exchange, as well as peer-group and public presentation platforms\n\nonline and offline spaces to experiment with ideas, concepts, and practices\n\nsupport with presentation structures such as the planning of exhibitions, events, and workshops\n\naccess to publishing opportunities, including our annual end-of-year publication: issues\n\naccess to zhdk’s infrastructure during on-site events. specifically: tech material, room-booking access, access to faculty members of zhdk\n\nparticipation in our ongoing research project into ‘accessibility and inclusion in digital and hybrid learning environments’\n\nintroduction to a growing soc alumni network for mutual support and exchange\n\nworkshops introducing methodologies for peer learning and co-creation\n\n\nwhat do school of commons’ participants have in common?\n\nit is essential that soc participants feel a connection to the main qualities that form the soc learning environment, these are:\n\nreciprocal exchange\n\nexperimentation\n\nopenness (towards one another, especially towards backgrounds and contexts unfamiliar to our own, towards definitions of, and approaches towards learning and knowledge, and towards the process of commoning, which very often requires working directly with those from outside of our own bubbles)\n\nconviviality\n\ncuriosity\n\ncommitted\n\nprocess-centred approaches\n\n\nwho can apply to soc?\n\nsoc is open to all countries, backgrounds, ages, and disciplines, for applicants who are interested in the production and sharing of knowledge in the broadest sense, and who feel a desire to actively engage with, work as part of, and be in collaboration with a community of fellow thinkers and producers.\n\nsoc has no set criteria in relation to formal or informal educational backgrounds. previous participants have had a broad range of qualifications from non-academic, to ba, to phd level, with backgrounds ranging from technical schools to art schools, to universities, as well as auto-didacts, makers, activists, and those with lived experience and tacit knowledge. soc has previously had the pleasure of hosting artists, scientists, architects, geographers, designers, writers, and those who consider themselves between and outside of these categories, as part of the program.\n\nsoc does not select based on discipline but is instead focused on those interested in, or working with alternative methods for learning, with an emphasis on wider definitions of knowledge and experience, as well as the desire and commitment to learn with and from others, and to engage critically and thoughtfully with the wider soc community.\n\nthe main learning agenda of soc is to produce and share practices based around the methods of peer learning and commoning. in doing so, we aim to encourage spaces for exchange and alternative ways and workings. overall, soc endeavours to be a place that produces and reproduces alternative modes of thinking and doing across research, disciplines, themes, and focuses.\n\n\n\nwhat do school of commons expect from applicants and participants?\n\nover the 8-month programme from april to december 2026, school of commons expects, from each participant, their commitment and active participation, within their individual capacities. this is especially the case for all soc activities and the wider learning environment that is produced collectively. tuesday evenings between 18.00-19.30 cet/cest is scheduled school of commons time, so participants should make this time free.\n\na commitment to the following, within capacity, must be made:\n\nweekly school of commons meetings, tuesday evenings 6-7.30pm cet/cest\n\nfacilitating one in a series of ‘kitchen sessions’\n\nattending the soc gathering (2-5 july, 2026)\n\ncontributing to the end-of-year issues publication\n\nparticipation (a variety of forms are possible) in the school of commons assembly online, 11-13, december 2026\n\nactively using and contributing to our growing compendium of ways & workings, peer learning practices and commoning methodologies\n\nfor the full schedule for the soc program 2026 please refer to the dedicated section in this document\n\nduring the 8-month program, participants will work on a project surrounding a topic, theme, or subject of their choice, in a manner of their own choosing. participants are thus considered experts of their own research. soc offers impulse activities including workshops, info sessions, and tutorials which aim to provide inspiration and foundational frameworks. this said, each participant is responsible for their own learning process, as well as that of one another. you will therefore be expected to take care of, and communicate your own needs and requirements, for which we can support by co-seeking the (re)sources, tutors, mentorship, methods, and/or collaborators necessary.\n\nthere are no set outcomes expected or required as part of acceptance into the program. soc values experimental ways of working which do not necessarily work towards predetermined outcomes.\n\n\nwhat is the selection process?\n\nsuccessful applicants should demonstrate clearly how they will contribute to the soc structure by expressing the ways in which they plan to engage with the wider soc community and shared learning environment, as well as the ways in which they plan to work collaboratively.\n\nselection is made by a group of peer reviewers made up of current or former participants of soc. the selection committee chooses new participants entirely anonymously, based only on the submitted project plans and the applicants’ willingness to actively contribute towards a collaborative learning environment. cv’s or portfolios are not accepted as part of the application procedure, any and all identifiable information (name, country, educational and/or institutional affiliations) must also be entirely emitted from the application.\n\nsuccessful proposals will therefore:\n\npresent clear information about the aims, methods, and openness of their project\n\nprovide sufficient information on the ways in which they wish to work within and contribute towards the collective learning environment of school of commons\n\ndemonstrate a clear interest in peer learning and collective knowledge production and distribution, for example naming areas of the project in which collaboration is encourages or processes and methods can be actively shared\n\nif the project already exists, or is part of a larger body of work, the applicant must clearly state what specific area of the work will be developed within soc, and how this area of the research specifically connects to soc\n\nif applying as a collective, the applicant mustexplain how the collective will be consistently represented and present in the program. i.e. will all, or a select number of collective members attend the meetings and events, or will tasks be divided amongst the collective? we encourage consistency of representation throughout the program, even if this means only 1 or 2 members of a collective regularly attend meetings and activities. this consistency allows for community cohesion and trust building.\n\nselection is based on the completeness of submitted materials, the feasibility of the project, and how well the project connects to the aims and values of the soc learning environment. applications which include clear identifiable information (name, city/country, educational and/or institutional affiliations) will not be accepted for review.\n\nthere are two main categories for which applications are assessed. under each category or sub-categories which must be taken into consideration:\n\ncategory 1: content of the proposal\n\ncontent looks at the clarity of the proposals’ key questions, lines of inquiry and suggested ways of working, as well as the relevance of the project in relation to major societal issues, tensions and questions, current discourse on the topic, and the use of innovative and/or experimental approaches.\n\ncategory 2: motivation to be part of the school of commons learning environment\n\nmotivation looks at the proposals’ ambitions towards contributing to alternative forms of knowledge production and circulation, peer learning, commoning practices, and the overall ethos and spirit of the soc learning environment. it also looks for a demonstrated commitment to actively exchanging, sharing, and collaborating with fellow participants, with clear examples of how this will be tangibly overseen, incorporating approaches based upon sharing, reproducing, and collaborating as part of the soc learning environment to support this.\n\nplease note: applicants may submit one application only to the 2026 open call. previous participants can only apply with an entirely new project with new collaborators. participants may only join soc for two consecutive years.\n\nyou can find out more about previous soc participants and projects here. we encourage you to access our directory of ways and workings to help guide your application.\n\n\nhow will school of commons be structured for 2026?\nsoc offers a learning environment and a 8-month program structure that is evolved and shaped in dialogue with participants. as part of the 8-month program, soc helps facilitate an internal program of open spaces and sessions with participants. this is combined with a series of public offerings, all of which are open access, and which help to make the knowledge and practices that arise from the program through our participants and their processes, publicly available and shareable.\n\nthe proposed structure for the preliminary program over the 8 months of april 2026 - december 2026 is as follows.:\n\noverview for 2026\n\nwelcome meeting\ndates: we will schedule one meeting with each project in march or april\nformat: online, internal\n\nthese one-on-one 45-minute sessions aim to build trust, address questions, and ensure accessibility. participants will meet with soc team members for individual discussions.\n\nkick off\ndates: april 10–12, 2026\ntime: 2026, times tbc. depending on time zone representation\nformat: online, internal, led by the soc team\n\nthe kick-off event is a chance to connect, share, and learn about the program. it features kitchen sessions—20-minute presentations by cohort members.\n\nself organised program\ntime: all meetings are held from 18:00–19:30 cet/cest\ndates for 2026, usually the first tuesday of every month:\n\napril 21 – soc self-organized group mapping and planning\n\napril 28 – how to: issues publication info event\n\nmay 5 – how to: website onboarding and profile creation\n\njune 2 – soc guest lecture on the commons\n\njune 30 – tbc\n\nseptember 1 – tbc\n\noctober 6 – tbc\n\nnovember 3 – tbc\n\ndecember 1 – tbc\n\nself organised program\ntime: all meetings are held from 18:00–19:30 cet/cest\n(usually the third tuesday of every month)\ndates (2026):\n\nmay 19\n\njune 16\n\njuly 7\n\nseptember 15\n\noctober 20\n\nnovember 17\n\ndecember 15\n\nthese meetings are self-organized by the soc cohort.\n\ngathering\ndates: july 2–5, 2026\nformat: in-person in zürich, internal\n\nheld at the zurich university of the arts, the gathering emphasizes peer learning, self-organization, and social interaction. this is a good moment to try out things or experiment with the whole cohort in person.\n\nyou are responsible for organizing and covering your travel expenses, while accommodation will be provided. at least one member from each project should attend, but additional participants are more than welcome!\n\npublic event\ndates: december 11–13, 2026\nformat: online, public\n\nthis public event features the launch of the issues 2026 publication, developed by the cohort during their time at soc.\n\nhow to apply\n\napplications are submitted via this google form where you will be asked a set of mandatory questions to answer. you must answer all questions in full before you can submit your response.\n\nno cvs, biographies or formal educational requirements should be included anywhere in the application form. please refrain from including any key identifiable information about yourself. applications must be submitted either in english or german. the program is facilitated in english, so a confident grasp of the english language is required for full participation.\n\nwe strongly emphasise that if the above information is not followed, including if names or key information is included in the application, or if the application exceeds the word limits, the application will not be considered.\n\napply here the link to apply is: https://forms.gle/dyrlr9ymeqhk8t6n8\n\nthe application deadline is 23.59pm cest thursday 10th july 2025. for any questions, please get in touch at: hello@schoolofcommons.org. you will hear back with a response by end of september 2025.\n\na dedicated q+a session for the open call will be held via zoom on wednesday june 11, 2025 17.30-19.00 cest, which we encourage you to attend.\n\nfor faq’s, please access our dedicated document: soc open call 2026 faqs\n\nsoc and accessibility\n\nwe actively encourage applications from individuals or collectives from underrepresented groups and who identify as bipoc, flinta, lgbtqia+ and those with a disability and neurodiverse conditions.\n\neach participant will receive an access rider ahead of the soc kick-off weekend, and we organise a welcome meeting for each participant or collective to discuss their needs and requirements ahead of the starting date where any needs, requirements, or desires can be communicated.\n\nover the course of the next few years, we will be undertaking extensive research on ‘accessibility and inclusion in digital and hybrid learning environments’. we intend to implement our findings directly within soc, and welcome participants to contribute towards the research if they are interested or may find it useful.\n\nthe program is facilitated in english, so a confident grasp of the english language, or access to translation tools is essential for participation. this said, we endeavour to find methods for making the program accessible to include other languages within our resources and capacities. in previous years we have experimented with alternative methods for such accessibility including a range of transcription methods, and we are open to adopting further communication and documentation tools that may be useful for participants.\n\nmost events are facilitated digitally and can be recorded upon request with written transcripts. we cannot promise to meet 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In response to these findings, our collective aims to facilitate peer-learning spaces for Vietnamese youth and Vietnamese marginalized communities.",[],{"_type":813,"caption":31320,"image":31329},[31321],{"_key":31322,"_type":11,"children":31323,"markDefs":31328,"style":24},"74ead15bd800",[31324],{"_key":31325,"_type":15,"marks":31326,"text":31327},"b91e54f679b40",[],"[s]ây project by rêu collective",[],{"alt":31327,"asset":31330},{"_id":31331,"height":31332,"orientation":598,"ratio":31333,"url":31334,"width":10721},"image-13191e4222b0bd43b1da014e9eedda9e887afa9f-768x726-png",726,1.0578512396694215,"https://cdn.sanity.io/images/eodip22e/production/13191e4222b0bd43b1da014e9eedda9e887afa9f-768x726.png",{"_type":728,"settings":75,"text":31336},[31337,31345,31353,31361,31369,31377],{"_key":31338,"_type":11,"children":31339,"markDefs":31344,"style":24},"869e949fbb45",[31340],{"_key":31341,"_type":15,"marks":31342,"text":31343},"30f4be9d3645",[17],"We want to recognize and amplify:",[],{"_key":31346,"_type":11,"children":31347,"markDefs":31352,"style":24},"115b178dbe9b",[31348],{"_key":31349,"_type":15,"marks":31350,"text":31351},"ae606061b674",[],"1) unheard voices in climate discourse,",[],{"_key":31354,"_type":11,"children":31355,"markDefs":31360,"style":24},"efd601e9fc94",[31356],{"_key":31357,"_type":15,"marks":31358,"text":31359},"79a0c4b8b2fc",[],"2) local knowledge in climate adaptation, and",[],{"_key":31362,"_type":11,"children":31363,"markDefs":31368,"style":24},"05dbefd23817",[31364],{"_key":31365,"_type":15,"marks":31366,"text":31367},"9355f4a8b3d4",[],"3) pluriversality of possible hopeful futures.",[],{"_key":31370,"_type":11,"children":31371,"markDefs":31376,"style":24},"14bef2dc692c",[31372],{"_key":31373,"_type":15,"marks":31374,"text":31375},"b65de589300b",[],"Our topic for [s]ây project focuses on situated knowledge and just futures through the lenses of Vietnamese youths and marginalized communities such as ethnic minorities and the LGBTQIA+ community.",[],{"_key":31378,"_type":11,"children":31379,"markDefs":31384,"style":24},"68fa0407450d",[31380],{"_key":31381,"_type":15,"marks":31382,"text":31383},"941086cd4b5c",[],"To explore these questions in our inclusive peer-learning space, collective knowledge-sharing, and collective imagination methods will be explored and implemented. Specifically, we will organize a series of online workshops consisting of two sub-series: the first one centers on local knowledge-sharing and sensemaking of Climate change, Climate justice, and Climate adaptation, and the second one explores different collective imagination practices as a way to co-create detailed depiction of pluriversal just futures. As a result, a collection of local and traditional knowledge, stories, and futures will be shared with international audiences through an online archive and potentially with local audiences through a physical exhibition in Hanoi depending on our resources. The goal of sharing this collection is to further amplify the marginalized voices and local knowledge and to invite audiences to join the co-creation of these futures together with workshop participants.",[],{"_type":813,"caption":75,"image":31386},{"alt":75,"asset":31387},{"_id":31088,"height":23834,"orientation":1032,"ratio":1033,"url":31089,"width":23834},[31389,31397,31405],{"_key":31390,"_type":11,"children":31391,"markDefs":31396,"style":24},"8e07d4424fdc",[31392],{"_key":31393,"_type":15,"marks":31394,"text":31395},"208801b97df7",[],"How climate change impacts disproportionately affect them?",[],{"_key":31398,"_type":11,"children":31399,"markDefs":31404,"style":24},"daca958e02af",[31400],{"_key":31401,"_type":15,"marks":31402,"text":31403},"e21bc9a6a22c",[],"How traditional or indigenous knowledge has been used and/or can be used to support communities in climate adaptation?",[],{"_key":31406,"_type":11,"children":31407,"markDefs":31412,"style":24},"c47155edbb06",[31408],{"_key":31409,"_type":15,"marks":31410,"text":31411},"9d000e2f6f02",[],"What just futures look like to them?",[],[31414,883,131,141,31103,31143,31181,31211,31247,31284,31415,31416,3386],"[s]ây project","a study led by one of the founders of rêu collective highlights a substantial level of awareness and involvement in collective climate action in vietnam, a country highly vulnerable to climate change. specifically, 76.4% of participants expressed familiarity with these initiatives. however, these initiatives focus on interventions rather than advocating for radical systemic change. our recent study on the future imagination of vietnamese youth highlights a recurring envision for 2040, depicting a developed society with a degraded environment, as a result of western ideology, colonialism, extractivism, and capitalism. this study also emphasises the challenges faced by the youth, who, despite their active participation in climate change initiatives, express concerns and feelings of being overwhelmed due to a lack of knowledge and empowerment. adding to this challenge is the influence of a dominant and partly manipulated narrative from the west, reinforcing a colonial viewpoint. notably, the lens through which climate change is perceived in vietnam lacks intersectional and decolonial perspectives. in response to these findings, our collective aims to facilitate peer-learning spaces for vietnamese youth and vietnamese marginalized communities.","we want to recognize and amplify:\n\n1) unheard voices in climate discourse,\n\n2) local knowledge in climate adaptation, and\n\n3) pluriversality of possible hopeful futures.\n\nour topic for [s]ây project focuses on situated knowledge and just futures through the lenses of vietnamese youths and marginalized communities such as ethnic minorities and the lgbtqia+ community.\n\nto explore these questions in our inclusive peer-learning space, collective knowledge-sharing, and collective imagination methods will be explored and implemented. specifically, we will organize a series of online workshops consisting of two sub-series: the first one centers on local knowledge-sharing and sensemaking of climate change, climate justice, and climate adaptation, and the second one explores different collective imagination practices as a way to co-create detailed depiction of pluriversal just futures. as a result, a collection of local and traditional knowledge, stories, and futures will be shared with international audiences through an online archive and potentially with local audiences through a physical exhibition in hanoi depending on our resources. the goal of sharing this collection is to further amplify the marginalized voices and local knowledge and to invite audiences to join the co-creation of these futures together with workshop 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How can these be brought to light in a way that is generative and transformative? What are the conditions that enable group dynamics to be made conscious and how can the associated labour be fairly distributed? We are particularly interested in the subconscious desires for consensus, harmony, positivity, politeness and smoothness that attempt to hide the “messed up yet shared and ongoing infrastructures of experience” (Berlant).",[],{"_key":31564,"_type":11,"children":31565,"markDefs":31578,"style":24},"bc3c44adcf72",[31566,31570,31574],{"_key":31567,"_type":15,"marks":31568,"text":31569},"50d3c2a81cec0",[],"During our ten months at School of Commons, we hosted study and reading group sessions. 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By harnessing the visual, participatory nature and vernacular creativity of internet meme culture, can we communicate the uneven distribution of power, control, and knowledge over data and algorithmic systems and seek for feminist data futures through critical and creative literacy methods, mediums, tools, and tactics?",[],{"_key":32200,"_type":11,"children":32201,"markDefs":32206,"style":24},"b3a2af600c2f",[32202],{"_key":32203,"_type":15,"marks":32204,"text":32205},"8dabab6b69ef",[],"Through a series of community co-design workshops and a co-creation toolkit, Meme-tivism creates and curates a collective archive of memes for critical data literacy as a digital common.",[],[32208],{"_key":32209,"_type":11,"children":32210,"markDefs":32215,"style":24},"8966d32483f4",[32211],{"_key":32212,"_type":15,"marks":32213,"text":32214},"25371c74dece0",[],"By harnessing the visual, participatory nature and vernacular creativity of internet meme culture, can we communicate the uneven distribution of power, control, and knowledge over data and algorithmic systems and seek for feminist data futures through critical and creative literacy methods, mediums, tools, and tactics?",[],[32217,883,141,32122,32218,32219,170,13995,4819],"meme-tivism for critical data literacy","meme-tivism for critical data literacy is an exploration on the potential of memes as a critical, informative, and transformative tool for feminist data literacy.","memes, often characterized by their humorous and viral nature, have become a ubiquitous form of online expression, shaping the way we engage with and understand contemporary issues. by harnessing the visual, participatory nature and vernacular creativity of internet meme culture, can we communicate the uneven distribution of power, control, and knowledge over data and algorithmic systems and seek for feminist data futures through critical and creative literacy methods, mediums, tools, and tactics?\n\nthrough a series of community co-design workshops and a co-creation toolkit, meme-tivism creates and curates a collective archive of memes for critical data literacy as a digital common.",{"_type":77,"current":32221},"meme-tivism-for-critical-data-literacy","Meme-tivism for Critical Data 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of Commons - Lost in Conversation: Inviting Tacit Knowledge into Interdisciplinary Collaboration",{"_id":32344,"height":32345,"orientation":598,"ratio":32346,"url":32347,"width":1031},"image-91dfb4b2cec18a2591200237d98b49327675f0eb-2560x1441-jpg",1441,1.7765440666204024,"https://cdn.sanity.io/images/eodip22e/production/91dfb4b2cec18a2591200237d98b49327675f0eb-2560x1441.jpg",{"filterCategory":32349,"filterLocation":32351,"filterYear":32353},[32350],{"_id":203,"title":206},[32352],{"_id":139,"title":142},[32354],{"_id":881,"title":884},[],{"locations":32357,"other":75},[32358],{"_id":139,"_type":121,"seo":75,"slug":32359,"title":142},{"_type":77,"current":141},[32361],{"_type":728,"settings":75,"text":32362},[32363,32371],{"_key":32364,"_type":11,"children":32365,"markDefs":32370,"style":24},"b331a6253bb6",[32366],{"_key":32367,"_type":15,"marks":32368,"text":32369},"629bebe37de8",[],"In the face of complex, real-world problems, interdisciplinarity has become increasingly important in fostering innovation. Collaborating across disciplines opens up the potential for new ways of understanding and knowing while negotiating differences. However, these productive tensions and collaborative processes are predominantly facilitated by methods that aim to develop a common language and favor words and diagrams over expressions of tacit or embodied knowledge. At the same time, the arts – through engaging with material, space, and body, are disciplines that advocate for the development and expression of tacit knowledge. To invite these forms of artistic knowing into the transformative conversation of the interdisciplinary process, there need to be practices for creating openings to tacit knowledge. The question driving this lab is: How can expressions of tacit knowledge gained from the arts become part of the transformative dialogues and methodological practices in interdisciplinary collaboration?",[],{"_key":32372,"_type":11,"children":32373,"markDefs":32378,"style":24},"8fa4210a5d36",[32374],{"_key":32375,"_type":15,"marks":32376,"text":32377},"880d675418e2",[],"In exploring this, I wish to experiment with playful approaches and propose practices that create opportunities for incorporating the implicitly known into a dialogue not just based on words, but movements, artifacts, and sounds. During this process engaging with artists and the SoC Community through exchange, observation, role-playing, journaling, and co-reflection will be invaluable in understanding various interpretations of tacit knowledge and experimenting with playful strategies/methods/tools. For example, I would like to explore an adaptation of the game charades to playfully express embodied knowledge in a group context. The outcomes of this process will be documented as a collection of practices for inviting openings for tacit knowledge integration within interdisciplinary collaboration.",[],[32380],{"_key":32381,"_type":11,"children":32382,"markDefs":32387,"style":24},"27e65f9345db",[32383],{"_key":32384,"_type":15,"marks":32385,"text":32386},"1f9062e18166",[],"How can expressions of tacit knowledge gained from the arts become part of the transformative dialogues and methodological practices in interdisciplinary collaboration?",[],[32389,883,141,22034,32390,3386],"lost in conversation: inviting tacit knowledge into interdisciplinary collaboration","in the face of complex, real-world problems, interdisciplinarity has become increasingly important in fostering innovation. collaborating across disciplines opens up the potential for new ways of understanding and knowing while negotiating differences. however, these productive tensions and collaborative processes are predominantly facilitated by methods that aim to develop a common language and favor words and diagrams over expressions of tacit or embodied knowledge. at the same time, the arts – through engaging with material, space, and body, are disciplines that advocate for the development and expression of tacit knowledge. to invite these forms of artistic knowing into the transformative conversation of the interdisciplinary process, there need to be practices for creating openings to tacit knowledge. the question driving this lab is: how can expressions of tacit knowledge gained from the arts become part of the transformative dialogues and methodological practices in interdisciplinary collaboration?\n\nin exploring this, i wish to experiment with playful approaches and propose practices that create opportunities for incorporating the implicitly known into a dialogue not just based on words, but movements, artifacts, and sounds. during this process engaging with artists and the soc community through exchange, observation, role-playing, journaling, and co-reflection will be invaluable in understanding various interpretations of tacit knowledge and experimenting with playful strategies/methods/tools. for example, i would like to explore an adaptation of the game charades to playfully express embodied knowledge in a group context. the outcomes of this process will be documented as a collection of practices for inviting openings for tacit knowledge integration within interdisciplinary collaboration.",{"_type":77,"current":32392},"lost-in-conversation-inviting-tacit-knowledge-into-interdisciplinary-collaboration","Lost in Conversation: Inviting Tacit Knowledge into Interdisciplinary Collaboration",{"_id":32395,"_type":107,"categories":32396,"credits":32403,"featuredImage":32446,"filterables":32451,"footnotes":32459,"locations":32460,"logbook":75,"pageBuilder":32464,"researchQuestion":32512,"researchQuestions":75,"searchables":32521,"seo":75,"slug":32525,"title":32447,"year":884},"d65bc776-7478-41fc-b83b-41c8a27be10d",[32397,32400],{"_id":288,"_type":155,"colorPrimary":32398,"seo":75,"slug":32399,"title":291},{"label":569,"value":16857},{"_type":77,"current":290},{"_id":13991,"_type":155,"colorPrimary":32401,"seo":75,"slug":32402,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"other":75,"profiles":32404},[32405],{"_id":32406,"_type":576,"activeYears":32407,"bio":32410,"bioShort":32427,"featuredImage":75,"filterables":32428,"links":32431,"locations":32437,"searchables":32441,"seo":75,"slug":32443,"title":32445},"d3b21264-1bcd-4691-b61b-62fa712aeb33",[32408],{"_id":881,"_type":580,"seo":75,"slug":32409,"title":884},{"_type":77,"current":883},[32411],{"_key":32412,"_type":11,"children":32413,"markDefs":32426,"style":24},"9e82d0e8cfe3",[32414,32418,32422],{"_key":32415,"_type":15,"marks":32416,"text":32417},"40998da255370",[],"We call Cassie an artist because we don't have a better title for someone working this hard on invisible stuff, like changing. But in another time, she might have been called a ",{"_key":32419,"_type":15,"marks":32420,"text":32421},"595eb6b94d8e",[1362],"janitor",{"_key":32423,"_type":15,"marks":32424,"text":32425},"a14198919256",[],", one in a long line of descendents of Janus –two faced god of transitions, time and passages– in Ancient Roman myth. Cassie has come to clean up the messes of her confused, lonely and dysfunctional family, the beneficiaries of the western empires. A two-faced catalyst, Cassie works in at least two ways to clean up some of the old colonial and capitalist garbage lying around our collective psychic architecture. First, using good-natured practices she has developed including The Hologram, she helps groups and individuals build social infrastructure with trust, integrity and communication that will naturally evict hierarchies and toxic uses of power. This work includes workshops, consulting, and lectures about care, debt and crisis. This work can live independently or can be the groundwork for the second type of work, which includes sharp and incisive political art about the absurdity of our most sacred social structures (power, privilege, financialization and security) on a burning planet. This work has recently included writing extensively about The Flat White Dimension, attending a tech conference as a working class elder from the future, or turning a Swiss Spa into a place that transforms privilege into something useful. Cassie wrote a popular book called The Hologram published by Pluto Press, and helped launch an international social movement where all caregivers are cared for. She is also a steward for a bar that is secretly a social clinic in Berlin.",[],"Cassie is changing. In the apocalypse, everything must change, including us and the work we value and how we value things. ",{"filterYear":32429},[32430],{"_id":881,"title":884},[32432,32435],{"_type":607,"label":32433,"url":32434},"Feminist Economics Department","https://feministeconomicsdepartment.com/",{"_type":607,"label":2160,"url":32436},"https://www.instagram.com/the_feminist_economics_dept/",{"locations":32438,"other":75},[32439],{"_id":139,"_type":121,"seo":75,"slug":32440,"title":142},{"_type":77,"current":141},[32442,883],"cassie thornton",{"_type":77,"current":32444},"cassie-thornton","Cassie Thornton",{"alt":32447,"asset":32448},"The Hologram",{"_id":32449,"height":2381,"orientation":1032,"ratio":1033,"url":32450,"width":2381},"image-73998850c405096c1d9153d928ac61ae7f205874-1440x1440-jpg","https://cdn.sanity.io/images/eodip22e/production/73998850c405096c1d9153d928ac61ae7f205874-1440x1440.jpg",{"filterCategory":32452,"filterLocation":32455,"filterYear":32457},[32453,32454],{"_id":288,"title":291},{"_id":13991,"title":13996},[32456],{"_id":149,"title":152},[32458],{"_id":881,"title":884},[],{"locations":32461,"other":75},[32462],{"_id":149,"_type":121,"seo":75,"slug":32463,"title":152},{"_type":77,"current":151},[32465,32475,32486],{"_type":728,"settings":75,"text":32466},[32467],{"_key":32468,"_type":11,"children":32469,"markDefs":32474,"style":24},"5b73295b512f",[32470],{"_key":32471,"_type":15,"marks":32472,"text":32473},"4fc5c819b83e",[],"Since 2016 a growing group of international collaborators have been formulating and practicing a viral, anti-capitalist, peer to peer mutual aid practice called The Hologram. Now it is a well-worn practice of sustained revolutionary care that is used around the world. Starting in 2020, when we started teaching online courses, many began to practice the protocol of The Hologram in our own lives. We became the first developers and testers of a practice that involves asking for and receiving long term distributed support from people in our communities. We believe that we are now harder to fuck with.",[],{"_type":3563,"caption":32476,"embedCode":32485},[32477],{"_key":32478,"_type":11,"children":32479,"markDefs":32484,"style":24},"c75e2dacef79",[32480],{"_key":32481,"_type":15,"marks":32482,"text":32483},"162a1877b7ca0",[],"The Hologram (with subtitles)",[],"\u003Ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/_x-OM2OmmCI?si=X-s0OAAdzcEWGFEP\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C/iframe>",{"_type":728,"settings":75,"text":32487},[32488,32496,32504],{"_key":32489,"_type":11,"children":32490,"markDefs":32495,"style":24},"402b621cf29b",[32491],{"_key":32492,"_type":15,"marks":32493,"text":32494},"61b4f25c6c93",[],"The premise of The Hologram is deceptively simple: One person invites three people to support them through regular seasonal meetings. These three people – the ‘Triangle’ – meet altogether, digitally or in person, to focus on asking questions about the physical, mental and social health of the ‘hologram’, who invited them. The hologram, in turn, teaches these listeners how to give and also receive care. When they are ready, the hologram supports them to each set up their own triangle of support by three people, and so the system expands. This social technology is based on “The Integrative Model” which was developed in a Social Solidarity Clinic in Thessaloniki, Greece during the height of the financial and migration crisis. In this model, a patient is seen by a doctor, social worker and therapist in one setting. Our research team would like to learn from Integrative Model practitioners and about what they learned and how they changed after providing nearly a decade of free, non-hierarchical, integrated care.",[],{"_key":32497,"_type":11,"children":32498,"markDefs":32503,"style":24},"31ab40a3dc96",[32499],{"_key":32500,"_type":15,"marks":32501,"text":32502},"4a0b5810140c",[],"The Hologram practice has lived and mutated through use for over three years among a yet unquantified number of people. Our second set of research questions are for Hologram users, about what happened when they gave or received anti-capitalist, distributed care and attention in a focused way for this time. Our research team of Hologram users would like to spend much of 2024 collecting data from Hologram users. Our team proposes to develop experimental surveys and interviews about what changed for people and their communities when they did ask for, receive, or supply help. Our sense is that when people actually practice.",[],{"_key":32505,"_type":11,"children":32506,"markDefs":32511,"style":24},"688e4bac262b",[32507],{"_key":32508,"_type":15,"marks":32509,"text":32510},"de77073e89f4",[],"The Hologram, a different level of communication, curiosity and exchange take place that could be very useful in many group or institutional settings. These qualities of communication and connection gently and subversively dismantle internalized and socialized forms of capitalist, patriarchal and racist behavior. Our final set of questions are about how to present our data in a way that can make The Hologram practice into an accessible idea and tool for pre-existing groups, institutions, and even municipalities. ",[],[32513],{"_key":32514,"_type":11,"children":32515,"markDefs":32520,"style":24},"f426ff67cdba",[32516],{"_key":32517,"_type":15,"marks":32518,"text":32519},"9d48b3742daa",[],"Our research team will work towards communicating about the complex learnings from this distributed care model in a way that many people and even institutions can learn about and become interested in.",[],[32522,883,151,32442,32523,32524,17127,13995],"the hologram","since 2016 a growing group of international collaborators have been formulating and practicing a viral, anti-capitalist, peer to peer mutual aid practice called the hologram. now it is a well-worn practice of sustained revolutionary care that is used around the world. starting in 2020, when we started teaching online courses, many began to practice the protocol of the hologram in our own lives. we became the first developers and testers of a practice that involves asking for and receiving long term distributed support from people in our communities. we believe that we are now harder to fuck with.","the premise of the hologram is deceptively simple: one person invites three people to support them through regular seasonal meetings. these three people – the ‘triangle’ – meet altogether, digitally or in person, to focus on asking questions about the physical, mental and social health of the ‘hologram’, who invited them. the hologram, in turn, teaches these listeners how to give and also receive care. when they are ready, the hologram supports them to each set up their own triangle of support by three people, and so the system expands. this social technology is based on “the integrative model” which was developed in a social solidarity clinic in thessaloniki, greece during the height of the financial and migration crisis. in this model, a patient is seen by a doctor, social worker and therapist in one setting. our research team would like to learn from integrative model practitioners and about what they learned and how they changed after providing nearly a decade of free, non-hierarchical, integrated care.\n\nthe hologram practice has lived and mutated through use for over three years among a yet unquantified number of people. our second set of research questions are for hologram users, about what happened when they gave or received anti-capitalist, distributed care and attention in a focused way for this time. our research team of hologram users would like to spend much of 2024 collecting data from hologram users. our team proposes to develop experimental surveys and interviews about what changed for people and their communities when they did ask for, receive, or supply help. our sense is that when people actually practice.\n\nthe hologram, a different level of communication, curiosity and exchange take place that could be very useful in many group or institutional settings. these qualities of communication and connection gently and subversively dismantle internalized and socialized forms of capitalist, patriarchal and racist behavior. our final set of questions are about how to present our data in a way that can make the hologram practice into an accessible idea and tool for pre-existing groups, institutions, and even municipalities. ",{"_type":77,"current":32526},"the-hologram",{"_id":22333,"_type":107,"categories":32528,"credits":32535,"featuredImage":32577,"filterables":32579,"footnotes":32587,"locations":32588,"logbook":75,"pageBuilder":32592,"researchQuestion":32606,"researchQuestions":75,"searchables":32612,"seo":75,"slug":32613,"title":22365,"year":884},[32529,32532],{"_id":198,"_type":155,"colorPrimary":32530,"seo":75,"slug":32531,"title":201},{"label":569,"value":570},{"_type":77,"current":200},{"_id":203,"_type":155,"colorPrimary":32533,"seo":75,"slug":32534,"title":206},{"label":569,"value":2977},{"_type":77,"current":205},{"other":75,"profiles":32536},[32537,32555],{"_id":22344,"_type":576,"activeYears":32538,"bio":32541,"bioShort":22357,"featuredImage":75,"filterables":32547,"links":32550,"locations":75,"searchables":32553,"seo":75,"slug":32554,"title":22370},[32539],{"_id":881,"_type":580,"seo":75,"slug":32540,"title":884},{"_type":77,"current":883},[32542],{"_key":22350,"_type":11,"children":32543,"markDefs":32546,"style":24},[32544],{"_key":22353,"_type":15,"marks":32545,"text":22355},[],[],{"filterYear":32548},[32549],{"_id":881,"title":884},[32551,32552],{"_type":607,"label":2160,"url":22363},{"_type":607,"label":22365,"url":1828},[22367,883],{"_type":77,"current":22369},{"_id":1806,"_type":576,"activeYears":32556,"bio":32559,"bioShort":1819,"featuredImage":75,"filterables":32565,"links":32568,"locations":32571,"searchables":32575,"seo":75,"slug":32576,"title":1837},[32557],{"_id":881,"_type":580,"seo":75,"slug":32558,"title":884},{"_type":77,"current":883},[32560],{"_key":1812,"_type":11,"children":32561,"markDefs":32564,"style":24},[32562],{"_key":1815,"_type":15,"marks":32563,"text":1817},[],[],{"filterYear":32566},[32567],{"_id":881,"title":884},[32569,32570],{"_type":607,"label":1825,"url":1826},{"_type":607,"label":608,"url":1828},{"locations":32572,"other":75},[32573],{"_id":139,"_type":121,"seo":75,"slug":32574,"title":142},{"_type":77,"current":141},[1834,883],{"_type":77,"current":1836},{"alt":22394,"asset":32578},{"_id":22396,"height":2381,"orientation":598,"ratio":599,"url":22397,"width":5877},{"filterCategory":32580,"filterLocation":32583,"filterYear":32585},[32581,32582],{"_id":198,"title":201},{"_id":203,"title":206},[32584],{"_id":139,"title":142},[32586],{"_id":881,"title":884},[],{"locations":32589,"other":75},[32590],{"_id":139,"_type":121,"seo":75,"slug":32591,"title":142},{"_type":77,"current":141},[32593],{"_type":728,"settings":32594,"text":32595},{"textColumnCount":730},[32596,32601],{"_key":22416,"_type":11,"children":32597,"markDefs":32600,"style":24},[32598],{"_key":22419,"_type":15,"marks":32599,"text":22421},[],[],{"_key":22424,"_type":11,"children":32602,"markDefs":32605,"style":24},[32603],{"_key":22427,"_type":15,"marks":32604,"text":22429},[],[],[32607],{"_key":22433,"_type":11,"children":32608,"markDefs":32611,"style":24},[32609],{"_key":22436,"_type":15,"marks":32610,"text":22438},[],[],[22441,883,141,22367,1834,22442,200,3386],{"_type":77,"current":22444},{"_id":32615,"_type":107,"categories":32616,"credits":32627,"featuredImage":32783,"filterables":32790,"footnotes":32798,"locations":32799,"logbook":32803,"pageBuilder":32833,"researchQuestion":32867,"researchQuestions":75,"searchables":32876,"seo":75,"slug":32881,"title":32883,"year":884},"2cffae95-d849-4531-b16d-de209ec72a26",[32617,32624],{"_id":32618,"_type":155,"colorPrimary":32619,"seo":75,"slug":32621,"title":32623},"91d5d9d4-54ce-4fb0-8c17-d7dd9d465219",{"label":569,"value":32620},"#646400",{"_type":77,"current":32622},"publishing-as-praxis","Publishing as Praxis",{"_id":203,"_type":155,"colorPrimary":32625,"seo":75,"slug":32626,"title":206},{"label":569,"value":2977},{"_type":77,"current":205},{"other":75,"profiles":32628},[32629,32671,32710,32741],{"_id":32630,"_type":576,"activeYears":32631,"bio":32634,"bioShort":32643,"featuredImage":75,"filterables":32644,"links":32647,"locations":32653,"searchables":32666,"seo":75,"slug":32668,"title":32670},"1dcdff70-6791-4839-ada3-19b656710e76",[32632],{"_id":881,"_type":580,"seo":75,"slug":32633,"title":884},{"_type":77,"current":883},[32635],{"_key":32636,"_type":11,"children":32637,"markDefs":32642,"style":24},"33b42f701c72",[32638],{"_key":32639,"_type":15,"marks":32640,"text":32641},"80f6ee341e660",[],"Her primary interests lie in strategies and methods that advance political, spatial, and social transformation processes during times of polycrisis. She has collaborated with ARCH+ and Brandlhuber+ on topics such as land policy, Smart Cities, and neoliberal urban development. Since 2019, she is Co-Editor-in-Chief of Kontextur. Since 2021, she has been teaching at ETH Zurich. Since 2024, she has been serving as a research associate focusing on construction policy at the Bundestag.",[],"Angelika (she/her) engages in diverse roles and formats within the field of architecture. ",{"filterYear":32645},[32646],{"_id":881,"title":884},[32648,32650],{"_type":607,"label":608,"url":32649},"https://www.ahinterbrandner.com/",{"_type":607,"label":32651,"url":32652},"Spaceforfuture.org","https://spaceforfuture.org/",{"locations":32654,"other":32657},[32655],{"_id":139,"_type":121,"seo":75,"slug":32656,"title":142},{"_type":77,"current":141},[32658],{"_key":32659,"_type":11,"children":32660,"markDefs":32665,"style":24},"7477178c725c",[32661],{"_key":32662,"_type":15,"marks":32663,"text":32664},"84f47f2ffac90",[],"Between Berlin and Zurich",[],[32667,883],"angelika hinterbrandner",{"_type":77,"current":32669},"angelika-hinterbrandner","Angelika Hinterbrandner",{"_id":32672,"_type":576,"activeYears":32673,"bio":32676,"bioShort":32685,"featuredImage":75,"filterables":32686,"links":32689,"locations":32693,"searchables":32705,"seo":75,"slug":32707,"title":32709},"5c7805dc-4cc0-4cb5-8615-6696c83bf75c",[32674],{"_id":881,"_type":580,"seo":75,"slug":32675,"title":884},{"_type":77,"current":883},[32677],{"_key":32678,"_type":11,"children":32679,"markDefs":32684,"style":24},"e22c33212bc3",[32680],{"_key":32681,"_type":15,"marks":32682,"text":32683},"51b5887bbe7f0",[],"Laura understands spatial planning as a political practice. She is part of the 'Deutsche Wohnen & Co. enteignen' initiative and serves on an advisory board focused on developing fair property policies for Berlin's land use. Laura works in various formats and collaborations on the topics around housing crisis, Bauwende and feminist spatial planning. She is currently researching at TU Berlin and has been working for Kontextur since 2024.",[],"Laura (she/her) studied architecture in Dusseldorf and Milan. She is currently deepening her interest in democratic (planning) processes in the postgraduate Master's program Urban Studies at Bauhaus University Weimar.",{"filterYear":32687},[32688],{"_id":881,"title":884},[32690,32692],{"_type":607,"label":608,"url":32691},"http://lauramargaretebertelt.de/",{"_type":607,"label":32651,"url":32652},{"locations":32694,"other":32697},[32695],{"_id":139,"_type":121,"seo":75,"slug":32696,"title":142},{"_type":77,"current":141},[32698],{"_key":32699,"_type":11,"children":32700,"markDefs":32704,"style":24},"2768e9c0323c",[32701],{"_key":32702,"_type":15,"marks":32703,"text":621},"e17d29ade703",[],[],[32706,883],"laura margarete bertelt",{"_type":77,"current":32708},"laura-margarete-bertelt","Laura Margarete Bertelt",{"_id":32711,"_type":576,"activeYears":32712,"bio":32715,"bioShort":32724,"featuredImage":75,"filterables":32725,"links":32728,"locations":32732,"searchables":32736,"seo":75,"slug":32738,"title":32740},"8cd39a3c-006c-4684-9853-712c0a1b0676",[32713],{"_id":881,"_type":580,"seo":75,"slug":32714,"title":884},{"_type":77,"current":883},[32716],{"_key":32717,"_type":11,"children":32718,"markDefs":32723,"style":24},"ad9f766d6671",[32719],{"_key":32720,"_type":15,"marks":32721,"text":32722},"61f5dd1e7f9b",[],"This project is a collaboration with the spaceforfuture network.",[],"Ulrich, (he/him) is an architect who is currently working on the transformation of existing buildings with the focus on housing.",{"filterYear":32726},[32727],{"_id":881,"title":884},[32729,32731],{"_type":607,"label":31124,"url":32730},"https://www.linkedin.com/in/ulrich-kneisl-292a60130/?originalSubdomain=de",{"_type":607,"label":32651,"url":32652},{"locations":32733,"other":75},[32734],{"_id":139,"_type":121,"seo":75,"slug":32735,"title":142},{"_type":77,"current":141},[32737,883],"ulrich kneisl",{"_type":77,"current":32739},"ulrich-kneisl","Ulrich Kneisl",{"_id":32742,"_type":576,"activeYears":32743,"bio":32746,"bioShort":32763,"featuredImage":32764,"filterables":32770,"links":32773,"locations":32777,"searchables":32781,"seo":75,"slug":32782,"title":32765},"805076cc-8306-4f59-9814-e7483dfc90c2",[32744],{"_id":881,"_type":580,"seo":75,"slug":32745,"title":884},{"_type":77,"current":883},[32747,32755],{"_key":32748,"_type":11,"children":32749,"markDefs":32754,"style":24},"688d8f8804b9",[32750],{"_key":32751,"_type":15,"marks":32752,"text":32753},"757359011b5c0",[],"The project is rooted in the housing debate and stands for more affordable, sustainable and just access to space for the 99%. Civil society as well as policy-makers lack detail and substance on policy considerations in the field of housing – spaceforfuture.org specialises in communicating the nuances. ",[],{"_key":32756,"_type":11,"children":32757,"markDefs":32762,"style":24},"dd39323c4d2e",[32758],{"_key":32759,"_type":15,"marks":32760,"text":32761},"e366df4c353f0",[],"\nSpaceforfuture.org is a framework for exchanging knowledge and negotiating the spatial discourse all over Europe and beyond. What is your context? House’ it going for you?",[],"Spaceforfuture.org is researching, communicating, and connecting people on topics considering the built environment and spatial policy. ",{"alt":32765,"asset":32766},"spaceforfuture",{"_id":32767,"height":32768,"orientation":1032,"ratio":1033,"url":32769,"width":32768},"image-12b8c1e31875867a37d3c1fbb2612adda66dc623-200x200-webp",200,"https://cdn.sanity.io/images/eodip22e/production/12b8c1e31875867a37d3c1fbb2612adda66dc623-200x200.webp",{"filterYear":32771},[32772],{"_id":881,"title":884},[32774,32775],{"_type":607,"label":32651,"url":32652},{"_type":607,"label":2160,"url":32776},"https://www.instagram.com/spaceforfuture_org",{"locations":32778,"other":75},[32779],{"_id":139,"_type":121,"seo":75,"slug":32780,"title":142},{"_type":77,"current":141},[32765,883],{"_type":77,"current":32765},{"alt":32784,"asset":32785},"School of Commons - House' it going?",{"_id":32786,"height":32787,"orientation":598,"ratio":32788,"url":32789,"width":1031},"image-defa1a900852d8f64c9781bcc923b3e8d82ded56-2560x1685-jpg",1685,1.5192878338278932,"https://cdn.sanity.io/images/eodip22e/production/defa1a900852d8f64c9781bcc923b3e8d82ded56-2560x1685.jpg",{"filterCategory":32791,"filterLocation":32794,"filterYear":32796},[32792,32793],{"_id":32618,"title":32623},{"_id":203,"title":206},[32795],{"_id":139,"title":142},[32797],{"_id":881,"title":884},[],{"locations":32800,"other":75},[32801],{"_id":139,"_type":121,"seo":75,"slug":32802,"title":142},{"_type":77,"current":141},[32804],{"_key":32805,"_type":11,"children":32806,"markDefs":32828,"style":24},"5d7c4e4f6119",[32807,32811,32815,32819,32824],{"_key":32808,"_type":15,"marks":32809,"text":32810},"1f970f0197a5",[],"Our theme is “working through a crisis together.” So if you want to share any information on Zurich`s housing crisis – no matter if it’s an inspiring research, actor, initiative or political decision – please contact us via ",{"_key":32812,"_type":15,"marks":32813,"text":2160},"dce89cfb20f3",[32814],"1f2ec0293a6e",{"_key":32816,"_type":15,"marks":32817,"text":32818},"04b57fb3be75",[]," or ",{"_key":32820,"_type":15,"marks":32821,"text":32823},"e1fef8175516",[32822],"3f3fdf310da0","E-Mail",{"_key":32825,"_type":15,"marks":32826,"text":32827},"6ca89d2e7d00",[],". We are planning a workshop in Zurich in September. Write us, if you want to join. Looking forward!",[32829,32831],{"_key":32814,"_type":41,"href":32830},"https://www.instagram.com/ahinterbrandner/",{"_key":32822,"_type":41,"href":32832},"mailto:laura@ahinterbrandner.com?cc=angelika@ahinterbrandner.com",[32834],{"_type":728,"settings":75,"text":32835},[32836,32844,32852],{"_key":32837,"_type":11,"children":32838,"markDefs":32843,"style":24},"48aa3048c2f7",[32839],{"_key":32840,"_type":15,"marks":32841,"text":32842},"bfd9072b67230",[],"Access to housing is a fundamental aspect of our lives, shaping our living conditions and connection to the city we inhabit. The right to housing is not only a matter of social justice but also takes on new urgency in the face of the climate crisis, which exacerbates the pressing global housing crisis. This crisis is intricately linked to the environmental impact of housing and construction, including skyrocketing land prices, the financialization of the real estate market, migration patterns, and rising construction costs. However, in this era of climate crises, we must question the sustainability of our construction practices, given that the construction industry is responsible for about 40 percent of total raw material consumption and generates a staggering 88 million tons of CO2 emissions annually in Germany alone.",[],{"_key":32845,"_type":11,"children":32846,"markDefs":32851,"style":24},"92cb98222d0f",[32847],{"_key":32848,"_type":15,"marks":32849,"text":32850},"cc42c6b8ad580",[],"We aim to explore contemporary housing production and its profound impact on society, especially within the context of the climate crisis. We seek to redefine housing as an essential and communal good. Housing is a central societal issue that not only leads to individual crises but also weakens social cohesion on local and global scales. To understand this issue comprehensively, we will conduct international and interdisciplinary research into political and financial power dynamics, examining their influence on regional, national, and international contexts. The housing crisis, exacerbated by climate change, is one of the most pressing global challenges requiring our collective attention.",[],{"_key":32853,"_type":11,"children":32854,"markDefs":32866,"style":24},"0fb45d4017c6",[32855,32859,32862],{"_key":32856,"_type":15,"marks":32857,"text":32858},"a27930bf9feb0",[],"We will use ",{"_key":32860,"_type":15,"marks":32861,"text":8400},"a27930bf9feb1",[17],{"_key":32863,"_type":15,"marks":32864,"text":32865},"a27930bf9feb2",[]," as a case study, examining specific legal and political frameworks and involving various stakeholders through Participatory Action Research (PAR), Mapping and Visualization Tools, as well as openly sharing formats. We intend to merge localized and global perspectives, drawing lessons from worldwide experiences to develop effective strategies for addressing the housing crisis in Zurich and other similarly affected cities. Our research aims to identify actionable steps to address the housing crisis within our community. We will connect with individuals and organizations across society, politics, and practice already engaged in this issue. Recognizing the extensive nature of the housing crisis, our approach involves transparent knowledge sharing to make complex data more accessible, empowering communities to take informed action independently.",[],[32868],{"_key":32869,"_type":11,"children":32870,"markDefs":32875,"style":24},"d020016d5645",[32871],{"_key":32872,"_type":15,"marks":32873,"text":32874},"e1d0b14cabea",[],"Our research aims to identify actionable steps to address the housing crisis within our community. We will connect with individuals and organizations across society, politics, and practice already engaged in this issue. ",[],[32877,883,32878,141,32667,32706,32737,32765,32879,32880,3386],"house' it going?","our theme is “working through a crisis together.” so if you want to share any information on zurich`s housing crisis – no matter if it’s an inspiring research, actor, initiative or political decision – please contact us via instagram or e-mail. we are planning a workshop in zurich in september. write us, if you want to join. looking forward!","access to housing is a fundamental aspect of our lives, shaping our living conditions and connection to the city we inhabit. the right to housing is not only a matter of social justice but also takes on new urgency in the face of the climate crisis, which exacerbates the pressing global housing crisis. this crisis is intricately linked to the environmental impact of housing and construction, including skyrocketing land prices, the financialization of the real estate market, migration patterns, and rising construction costs. however, in this era of climate crises, we must question the sustainability of our construction practices, given that the construction industry is responsible for about 40 percent of total raw material consumption and generates a staggering 88 million tons of co2 emissions annually in germany alone.\n\nwe aim to explore contemporary housing production and its profound impact on society, especially within the context of the climate crisis. we seek to redefine housing as an essential and communal good. housing is a central societal issue that not only leads to individual crises but also weakens social cohesion on local and global scales. to understand this issue comprehensively, we will conduct international and interdisciplinary research into political and financial power dynamics, examining their influence on regional, national, and international contexts. the housing crisis, exacerbated by climate change, is one of the most pressing global challenges requiring our collective attention.\n\nwe will use zurich as a case study, examining specific legal and political frameworks and involving various stakeholders through participatory action research (par), mapping and visualization tools, as well as openly sharing formats. we intend to merge localized and global perspectives, drawing lessons from worldwide experiences to develop effective strategies for addressing the housing crisis in zurich and other similarly affected cities. our research aims to identify actionable steps to address the housing crisis within our community. we will connect with individuals and organizations across society, politics, and practice already engaged in this issue. recognizing the extensive nature of the housing crisis, our approach involves transparent knowledge sharing to make complex data more accessible, empowering communities to take informed action independently.","publishing as praxis",{"_type":77,"current":32882},"house-it-going","House' it going?",{"_id":32885,"_type":107,"categories":32886,"credits":32896,"featuredImage":32919,"filterables":32923,"footnotes":32930,"locations":75,"logbook":75,"pageBuilder":32931,"researchQuestion":75,"researchQuestions":75,"searchables":32966,"seo":75,"slug":32969,"title":32971,"year":884},"98f7bbed-22e1-4034-b398-a601858ae8d4",[32887,32890,32893],{"_id":22459,"_type":155,"colorPrimary":32888,"seo":75,"slug":32889,"title":22464},{"label":569,"value":22461},{"_type":77,"current":22463},{"_id":543,"_type":155,"colorPrimary":32891,"seo":75,"slug":32892,"title":546},{"label":569,"value":5699},{"_type":77,"current":545},{"_id":168,"_type":155,"colorPrimary":32894,"seo":75,"slug":32895,"title":171},{"label":569,"value":8310},{"_type":77,"current":170},{"other":75,"profiles":32897},[32898],{"_id":20769,"_type":576,"activeYears":32899,"bio":32902,"bioShort":20782,"featuredImage":75,"filterables":32908,"links":32911,"locations":32913,"searchables":32917,"seo":75,"slug":32918,"title":20797},[32900],{"_id":881,"_type":580,"seo":75,"slug":32901,"title":884},{"_type":77,"current":883},[32903],{"_key":20775,"_type":11,"children":32904,"markDefs":32907,"style":24},[32905],{"_key":20778,"_type":15,"marks":32906,"text":20780},[],[],{"filterYear":32909},[32910],{"_id":881,"title":884},[32912],{"_type":607,"label":608,"url":20788},{"locations":32914,"other":75},[32915],{"_id":129,"_type":121,"seo":75,"slug":32916,"title":132},{"_type":77,"current":131},[20794,883],{"_type":77,"current":20796},{"alt":75,"asset":32920},{"_id":32921,"height":640,"orientation":1032,"ratio":1033,"url":32922,"width":640},"image-16f467a7811aba8ca4cda2584c9f9cadfccdc5f3-1080x1080-png","https://cdn.sanity.io/images/eodip22e/production/16f467a7811aba8ca4cda2584c9f9cadfccdc5f3-1080x1080.png",{"filterCategory":32924,"filterLocation":75,"filterYear":32928},[32925,32926,32927],{"_id":22459,"title":22464},{"_id":543,"title":546},{"_id":168,"title":171},[32929],{"_id":881,"title":884},[],[32932],{"_type":728,"settings":75,"text":32933},[32934,32942,32950,32958],{"_key":32935,"_type":11,"children":32936,"markDefs":32941,"style":24},"428fa32d464d",[32937],{"_key":32938,"_type":15,"marks":32939,"text":32940},"3d3a58cd45fa0",[],"Conspiracy theories are both subversive and normative. As belief systems they subvert reality by flattening complexity into overly-simplified maps to understand the present. As a descriptor they quell meaningful dissent by framing conspiracists as being unhinged. Within marginalized groups – such as racial minorities, women, and LGBTQ people – this duplicity is experienced first-hand. These groups are victimized through conspiracy theory as a device that validates and exploits their oppression through myth-making, and discredits this identification as conspiratorial.",[],{"_key":32943,"_type":11,"children":32944,"markDefs":32949,"style":24},"d5c95c65b69e",[32945],{"_key":32946,"_type":15,"marks":32947,"text":32948},"08d1e46d5ba20",[],"For instance during the 1960s, the Black Panther movement was deemed “greatest threat to the internal security of the country” by FBI Director J. Edgar Hoover. In order to counteract this “threat” the FBI destabilized the movement as part of their COINTELPRO effort – a policy once considered a conspiracy theory before being confirmed by declassified documents – by publishing propaganda under the guise of Black Nationalist authors. A particularly disturbing example is the The Black Panther Coloring Book, a comic supposedly aimed at children – likely created by the FBI – which depicts racial violence perpetrated against whites by blacks that was mass-mailed across the US to create anti-Black Panther sentiment. While this conspiracy theory has more-or-less been accepted as fact, conspiracy theories’ liminal status between fact and fiction, mainstream and fringe, are exploited by individuals and governments to their own ends.",[],{"_key":32951,"_type":11,"children":32952,"markDefs":32957,"style":24},"fb82a41c4749",[32953],{"_key":32954,"_type":15,"marks":32955,"text":32956},"724f1539e0f20",[],"More recently, the mechanics of social media platforms have supercharged previously fringe theories towards dire ends, with far-right movements such as QAnon spreading worldwide and becoming influential political actors. Within these movements the power of graphic design can’t be ignored – conspiracy theories take known symbols and lore, and assign them new meanings to create media products.",[],{"_key":32959,"_type":11,"children":32960,"markDefs":32965,"style":24},"b0c9edea276b",[32961],{"_key":32962,"_type":15,"marks":32963,"text":32964},"f67d47a06b960",[],"This project engages with the complexity of conspiracy theories and their relationship to graphic design, by creating an archive of Frank Chu’s protest signs. Chu is a San Francisco-based conspiracy theorist who has sustained a serial sign-making and protest practice for over two decades. Chu is a complex character, an Asian-American UC Berkeley graduate who is known as fame seeking and utilizes his micro-celebrity for local brand endorsements. In many ways Chu’s practice represents an important precursor to our current information environment, and serves as a microcosm of some of its economic and aesthetic dynamics. This archive would preserve and make visible this lesser known body of work, and act as a starting point for research on conspiracy theories and their social and racial dimensions.",[],[32967,883,20794,32968,22463,545,170],"the frank chu archive","conspiracy theories are both subversive and normative. as belief systems they subvert reality by flattening complexity into overly-simplified maps to understand the present. as a descriptor they quell meaningful dissent by framing conspiracists as being unhinged. within marginalized groups – such as racial minorities, women, and lgbtq people – this duplicity is experienced first-hand. these groups are victimized through conspiracy theory as a device that validates and exploits their oppression through myth-making, and discredits this identification as conspiratorial.\n\nfor instance during the 1960s, the black panther movement was deemed “greatest threat to the internal security of the country” by fbi director j. edgar hoover. in order to counteract this “threat” the fbi destabilized the movement as part of their cointelpro effort – a policy once considered a conspiracy theory before being confirmed by declassified documents – by publishing propaganda under the guise of black nationalist authors. a particularly disturbing example is the the black panther coloring book, a comic supposedly aimed at children – likely created by the fbi – which depicts racial violence perpetrated against whites by blacks that was mass-mailed across the us to create anti-black panther sentiment. while this conspiracy theory has more-or-less been accepted as fact, conspiracy theories’ liminal status between fact and fiction, mainstream and fringe, are exploited by individuals and governments to their own ends.\n\nmore recently, the mechanics of social media platforms have supercharged previously fringe theories towards dire ends, with far-right movements such as qanon spreading worldwide and becoming influential political actors. within these movements the power of graphic design can’t be ignored – conspiracy theories take known symbols and lore, and assign them new meanings to create media products.\n\nthis project engages with the complexity of conspiracy theories and their relationship to graphic design, by creating an archive of frank chu’s protest signs. chu is a san francisco-based conspiracy theorist who has sustained a serial sign-making and protest practice for over two decades. chu is a complex character, an asian-american uc berkeley graduate who is known as fame seeking and utilizes his micro-celebrity for local brand endorsements. in many ways chu’s practice represents an important precursor to our current information environment, and serves as a microcosm of some of its economic and aesthetic dynamics. this archive would preserve and make visible this lesser known body of work, and act as a starting point for research on conspiracy theories and their social and racial dimensions.",{"_type":77,"current":32970},"the-frank-chu-archive","The Frank Chu 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thrilled to announce the launch of ISSUES 2024: Embracing Chaos on May 6th, 2025!\n\nOur annual, peer-led digital publication serves as the milestone collective public offering for each School of Commons (SoC) program cycle.\n\nISSUES collates and contextualises the processes, practices and methodologies of each participating project within SoC. Each participating project is invited to contribute to ISSUES in a form and style that is both reflective of, and complementary to their own ways and workings. As such, experimentation and the re-working of traditional publishing modes are encouraged.\n\nHead over to ",{"_key":33112,"_type":15,"marks":33113,"text":33115},"695f72de9032",[33114],"cf9fdf00de1a","schoolofcommons.org/making-public/issues",{"_key":33117,"_type":15,"marks":33118,"text":33119},"661f1900ccbc",[]," to explore past editions from 2023 to 2020, and explore the collective framing and editorial insights that highlight the program’s thematic threads.",[33121],{"_key":33114,"_type":41,"href":29733},[33123,146,112,33124,33125,2166],"issues 2024: embracing chaos","mark your calanders!","we’re thrilled to announce the launch of issues 2024: embracing chaos on may 6th, 2025!\n\nour annual, peer-led digital publication serves as the milestone collective public offering for each school of commons (soc) program cycle.\n\nissues collates and contextualises the processes, practices and methodologies of each participating project within soc. each participating project is invited to contribute to issues in a form and style that is both reflective of, and complementary to their own ways and workings. as such, experimentation and the re-working of traditional publishing modes are encouraged.\n\nhead over to schoolofcommons.org/making-public/issues to explore past editions from 2023 to 2020, and explore the collective framing and editorial insights that highlight the program’s thematic threads.",{"_type":77,"current":33127},"issues-2024-embracing-chaos","Mark your calanders!","ISSUES 2024: Embracing Chaos",[33131],{"_id":110,"_type":97,"seo":75,"slug":33132,"title":113},{"_type":77,"current":112},{"_id":33134,"_type":556,"additionalDetails":75,"categories":33135,"credits":75,"dates":33139,"events":33142,"featuredImage":33143,"filterables":33150,"labs":75,"locations":33157,"pageBuilder":33171,"parentEvent":75,"searchables":33199,"seo":75,"slug":33202,"summary":30978,"title":33204,"types":33205},"88fd67e0-a97e-4155-b657-721e60cb7aa6",[33136],{"_id":283,"_type":155,"colorPrimary":33137,"seo":75,"slug":33138,"title":286},{"label":569,"value":3622},{"_type":77,"current":285},{"endDate":33140,"other":33141,"startDate":33140},"2025-04-21","18:00-20:00 (CET)",[],{"alt":33144,"asset":33145},"SoC Alumn* Network Gathering",{"_id":33146,"height":33147,"orientation":598,"ratio":33148,"url":33149,"width":11025},"image-ebd43f87f4dce2512d682c13eec7b7b6a1045de5-1326x1198-png",1198,1.1068447412353923,"https://cdn.sanity.io/images/eodip22e/production/ebd43f87f4dce2512d682c13eec7b7b6a1045de5-1326x1198.png",{"filterCategory":33151,"filterLocation":33153,"filterType":33155},[33152],{"_id":283,"title":286},[33154],{"_id":144,"title":147},[33156],{"_id":100,"title":103},{"locations":33158,"other":33161},[33159],{"_id":144,"_type":121,"seo":75,"slug":33160,"title":147},{"_type":77,"current":146},[33162],{"_key":33163,"_type":11,"children":33164,"markDefs":33169,"style":24},"bcaf0be39cd3",[33165],{"_key":33166,"_type":15,"marks":33167,"text":28590},"6b632cc33da1",[33168],"aab785a2b90b",[33170],{"_key":33168,"_type":41,"href":1128},[33172],{"_type":728,"settings":33173,"text":33174},{"textColumnCount":730},[33175,33183,33191],{"_key":33176,"_type":11,"children":33177,"markDefs":33182,"style":24},"a57502a37809",[33178],{"_key":33179,"_type":15,"marks":33180,"text":33181},"6bcce8e3620a0",[],"Join us for the next SoC Alumn* Network gathering on Monday, April 21.",[],{"_key":33184,"_type":11,"children":33185,"markDefs":33190,"style":24},"35283eb7acc6",[33186],{"_key":33187,"_type":15,"marks":33188,"text":33189},"6f30c63ee6400",[],"This is a fantastic opportunity to connect with fellow alumn*, meet new faces, and brainstorm exciting plans for the year ahead.",[],{"_key":33192,"_type":11,"children":33193,"markDefs":33198,"style":24},"fb3c4e7dfb88",[33194],{"_key":33195,"_type":15,"marks":33196,"text":33197},"4b83ed1739220",[],"We can’t wait to see you there!\n",[],[33200,146,28200,285,1318,30974,33201],"soc alumn* network april gathering","join us for the next soc alumn* network gathering on monday, april 21.\n\nthis is a fantastic opportunity to connect with fellow alumn*, meet new faces, and brainstorm exciting plans for the year ahead.\n\nwe can’t wait to see you there!\n",{"_type":77,"current":33203},"soc-alumn-network-april-gathering","SoC Alumn* Network April Gathering",[33206],{"_id":100,"_type":97,"seo":75,"slug":33207,"title":103},{"_type":77,"current":102},{"_id":33209,"_type":556,"additionalDetails":33210,"categories":33219,"credits":75,"dates":33223,"events":33226,"featuredImage":33227,"filterables":33232,"labs":75,"locations":33239,"pageBuilder":33256,"parentEvent":75,"searchables":33268,"seo":75,"slug":33273,"summary":33275,"title":33276,"types":33277},"ca591964-e15d-446b-94c8-0f6dccc16d77",[33211],{"_key":33212,"_type":11,"children":33213,"markDefs":33218,"style":24},"03c6765dff30",[33214],{"_key":33215,"_type":15,"marks":33216,"text":33217},"7edf895f84530",[],"Friday, April 11 – 13:00-17:45\u2028\nSaturday, April 12 – 12:30-17:30\u2028\nSunday, April 13 – 12:30-17:30/*18:00",[],[33220],{"_id":283,"_type":155,"colorPrimary":33221,"seo":75,"slug":33222,"title":286},{"label":569,"value":3622},{"_type":77,"current":285},{"endDate":33224,"startDate":33225},"2025-04-13","2025-04-11",[],{"alt":33228,"asset":33229},"SoC Cohort 2025",{"_id":33230,"height":15315,"orientation":1032,"ratio":1033,"url":33231,"width":15315},"image-08f94276d46e18d96a0750c77cf16e6ca1d0fa1d-2250x2250-jpg","https://cdn.sanity.io/images/eodip22e/production/08f94276d46e18d96a0750c77cf16e6ca1d0fa1d-2250x2250.jpg",{"filterCategory":33233,"filterLocation":33235,"filterType":33237},[33234],{"_id":283,"title":286},[33236],{"_id":144,"title":147},[33238],{"_id":110,"title":113},{"locations":33240,"other":33243},[33241],{"_id":144,"_type":121,"seo":75,"slug":33242,"title":147},{"_type":77,"current":146},[33244],{"_key":33245,"_type":11,"children":33246,"markDefs":33254,"style":24},"24d8c656e05e",[33247,33250],{"_key":33248,"_type":15,"marks":33249,"text":20234},"a732444f1dcf",[],{"_key":33251,"_type":15,"marks":33252,"text":20720},"47cd3ca13adb",[33253],"967dd507ef5b",[33255],{"_key":33253,"_type":41,"blank":42,"href":1128},[33257],{"_type":728,"settings":33258,"text":33259},{"textColumnCount":730},[33260],{"_key":33261,"_type":11,"children":33262,"markDefs":33267,"style":24},"fa9582586366",[33263],{"_key":33264,"_type":15,"marks":33265,"text":33266},"c749dd428a3d",[],"We're excited to kick off this journey with you online and connect over the exciting projects ahead!\n\n1. 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These topics include tools and schools for improper education, “seed-time” as a method for addressing bio cultural urgencies, visual community organising, expanding notions of care through listening and sound, and the mapping of visible and invisible commons.",[],{"_key":34676,"_type":11,"children":34677,"markDefs":34681,"style":24},"cfc746a6397c",[34678],{"_key":34679,"_type":15,"marks":34680,"text":1150},"5d477d5745180",[],[],{"_key":34683,"_type":11,"children":34684,"markDefs":34689,"style":24},"a2015f6defb6",[34685],{"_key":34686,"_type":15,"marks":34687,"text":34688},"6dcf465c24cc0",[],"During the Assembly, facilitators, participants, and current and former SoC cohort participants will be invited into an active exchange of transdisciplinary inquiry, including the sharing of methods and frameworks, establishing of environments for learning, and raising of questions and propositions, unbounded from discipline or taxonomy.",[],{"_key":34691,"_type":11,"children":34692,"markDefs":34696,"style":24},"08ddde2b06c4",[34693],{"_key":34694,"_type":15,"marks":34695,"text":1150},"d80cf3eaf3cb0",[],[],{"_key":34698,"_type":11,"children":34699,"markDefs":34704,"style":24},"969d3656b986",[34700],{"_key":34701,"_type":15,"marks":34702,"text":34703},"e5fcf4021c3e0",[],"The SoC Assembly encourages explorations into alternative ways and workings to produce, distribute, and make public alternative forms of knowledge and to create new forms and scopes of ‘assembling’ in the broadest sense. In doing so, bridging theory with practice, thinking with doing, and providing new frameworks for organising, practicing, and researching as methods for transferring these approaches into differing environments, scales, and contexts.",[],{"_key":34706,"_type":11,"children":34707,"markDefs":34711,"style":24},"5e83f6377bd2",[34708],{"_key":34709,"_type":15,"marks":34710,"text":1150},"7e845eb29e750",[],[],{"_key":34713,"_type":11,"children":34714,"markDefs":34719,"style":24},"df7834d31c2d",[34715],{"_key":34716,"_type":15,"marks":34717,"text":34718},"0a37a3a045c90",[],"Over the two-days, the SoC Assembly will be organised into a Morning Programme* dedicated to Working Groups for learning and exchanging, convened by guest facilitators, and an Afternoon Programme* of exhibitions, lectures, and workshops, organised by the SoC Cohort 2024. The event will culminate in an Assembly Podium that brings the guest facilitators, SoC participants, and audience together to reflect upon and gather the means, modes, and forms of and for expanded assembling that have emerged over the weekend.",[],{"_key":34721,"_type":11,"children":34722,"markDefs":34735,"style":24},"a3bcf4df3593",[34723,34727,34731],{"_key":34724,"_type":15,"marks":34725,"text":34726},"71eef85f11d50",[17],"Working Groups 1 - School of Improper Education ",{"_key":34728,"_type":15,"marks":34729,"text":34730},"71eef85f11d51",[1362],"Hybridly facilitated by Fiky Daulay & Nuraini Juliastuti, KUNCI Study Forum* (Yogyakarta, Indonesia) *joining digitally* ",{"_key":34732,"_type":15,"marks":34733,"text":34734},"71eef85f11d52",[],"The workshop aims to utilise the existence of the temporary group formed through the School of Commons as a medium to problematize the meaning of works, resting, common pot and solidarity. As prompts, we want to use these following keywords: language/translation, updating individual projects, archiving and networking, trans-solidarity redistribution, sustaining networks, economy of attention, distraction, scrolling, deep observing, categorizing information/knowledge, visibility, understanding of archives. What kinds of newly imagined networks emerged from disparate and undefined geographical locations? If we were to define it, what formless formation would it be? How could the network foster care, online and onsite?",[],{"_key":34737,"_type":11,"children":34738,"markDefs":34751,"style":24},"9cd4b49108e5",[34739,34743,34747],{"_key":34740,"_type":15,"marks":34741,"text":34742},"b444d4a1e7b70",[17],"2 - “Seed-time”: How to metabolize our biocultural urgencies of today? ",{"_key":34744,"_type":15,"marks":34745,"text":34746},"b444d4a1e7b71",[1362],"Facilitated by Zoë Heyn-Jones and Ana Rivera, Materia Abierta (Mexico City, Mexico) ",{"_key":34748,"_type":15,"marks":34749,"text":34750},"b444d4a1e7b72",[],"In this Assembly Working Group, members of Materia Abierta will share their experience developing spaces for learning and thinking together as an opportunity for political organizing. The project aims to recalibrate their learning practices through their recent efforts of developing a small community garden in their studio patio that has softened their pedagogies around the indecipherable temporalities of the garden and its material needs — something they have been loosely approaching as \"seed-time\". This Assembly Working Group will engage in a rehearsal to metabolize a will to gather around the biocultural urgencies of today. We will exchange seeds, we will sow alliances.",[],{"_key":34753,"_type":11,"children":34754,"markDefs":34759,"style":24},"26f7a514b8bd",[34755],{"_key":34756,"_type":15,"marks":34757,"text":34758},"e195fd0335710",[],"Together we will consider the temporal wavelengths of a garden. The act of planting a seed is brief but the time spent before harvesting has longer temporalities and different needs (nurturing, watering, composting, for example). The group will reflect on the ways seeds travel and the technologies they have developed to sustain time. We will embark on exercises of temporal and spatial inflection on the ways we assemble as being (de)organized in service of caring for other expressions of life.",[],{"_key":34761,"_type":11,"children":34762,"markDefs":34775,"style":24},"cec5d5d26978",[34763,34767,34771],{"_key":34764,"_type":15,"marks":34765,"text":34766},"1c78e1079e470",[17],"3 – How can community organisers use drawing? ",{"_key":34768,"_type":15,"marks":34769,"text":34770},"1c78e1079e471",[1362],"Facilitated by Rosalie Schweiker, Migrants in Culture (London, UK) ",{"_key":34772,"_type":15,"marks":34773,"text":34774},"1c78e1079e472",[],"In this Assembly Working Group Migrants in Culture will share practical skills on using drawing and design for community organising, especially for people who are working towards border abolition and migrant/racial justice. We will share easy ways to use drawing in your meetings, protest, and organising work. You don't have to have any skills or experience in drawing, it's not about good or bad, it's about practice. This Assembly Working Group will be especially interesting for designers and artists who want to use their skills within social movements. It will also try to uplift and support community (and other political) organisers who want to integrate art & imagination-based work into their work.",[],{"_key":34777,"_type":11,"children":34778,"markDefs":34783,"style":24},"6a2017aacf7e",[34779],{"_key":34780,"_type":15,"marks":34781,"text":34782},"ed038c7965de0",[],"This Assembly Working Group can be facilitated in English and/or German upon request.",[],{"_key":34785,"_type":11,"children":34786,"markDefs":34799,"style":24},"b5f4d0d0ca9f",[34787,34791,34795],{"_key":34788,"_type":15,"marks":34789,"text":34790},"9c3329534c830",[17],"4 – “Phonocene”: how can a new era of expansive care be listened to and assembled through sound? ",{"_key":34792,"_type":15,"marks":34793,"text":34794},"9c3329534c831",[1362],"Facilitated by Yuri Tuma, Institute for Postnatural Studies (Madrid, Spain) ",{"_key":34796,"_type":15,"marks":34797,"text":34798},"9c3329534c832",[],"Earth's symphony extends far beyond the ozone layer, weaving its way into the very fabric of life and the cosmos. From the tiniest microorganisms to the vast expanse of matter, we are constantly transformed, both mentally and physically, by the sonic and cultural vibrations of our urban and natural environments. Yet, these intricate entanglements often go unnoticed by a culture fixated on the visual, failing to recognize listening as a powerful tool for self and collective care. By Giving attention to the sounds around us, we can unlock exciting possibilities for forging new systems of kinship and interconnectedness.",[],{"_key":34801,"_type":11,"children":34802,"markDefs":34807,"style":24},"0af36dd85576",[34803],{"_key":34804,"_type":15,"marks":34805,"text":34806},"1f98b99a00a60",[],"This Assembly Working Group considers, what happens when we try to understand the planetary siblinghood between all sentience through the way we listen and communicate to the diversity of what is the “other”? By delving into the exploration of multiple fields of research like sonic technology, listening methodologies, queer theory, colonialism, field recording, and interspecies communication we will collectively shift our perspective towards the Phonocene, a vision of the future that proposes sound and active listening in the center of an era, a new era of expansive care, that resists capitalism’s hunger for growth, a slower era that promotes radical ecological change.",[],{"_key":34809,"_type":11,"children":34810,"markDefs":34823,"style":24},"3392da0a3849",[34811,34815,34819],{"_key":34812,"_type":15,"marks":34813,"text":34814},"72b71e0799e80",[17],"5 – Mapping the Commons and How They Are Sustained ",{"_key":34816,"_type":15,"marks":34817,"text":34818},"72b71e0799e81",[1362],"Facilitated by Sepp Eckenhaussen, Caradt Research Group of the St. Joost Academy/ Institute of Network Cultures (Amsterdam, NL) ",{"_key":34820,"_type":15,"marks":34821,"text":34822},"72b71e0799e82",[],"In this Assembly Working Group, participants will create a space of study and learning around the relationships between art and political economy. This is facilitated through a series of collective exercises which (counter)map the alternative economies and activist practices surrounding the making of commons and collectivity, as well as the material and immaterial realities which directly inform them.",[],{"_key":34825,"_type":11,"children":34826,"markDefs":34831,"style":24},"306efab405a0",[34827],{"_key":34828,"_type":15,"marks":34829,"text":34830},"e2cfd79859870",[],"In this workshop, Sepp Eckenhaussen will facilitate a process of the collective (counter)mapping of projects and initiatives of the participants, looking at the economies, infrastructures, and organisational models—both visible and invisible, formal and informal—surrounding these projects, as possible routes towards the commoning of resources and imaginations.\n",[],{"_key":34833,"_type":11,"children":34834,"markDefs":34839,"style":24},"3f16a423f141",[34835],{"_key":34836,"_type":15,"marks":34837,"text":34838},"751a31a99ef90",[],"***************************************************************************************",[],{"_type":728,"settings":34841,"text":34842},{"textColumnCount":730},[34843,34851,34859,34867,34882,34898,34906,34922,34930,34938,34954],{"_key":34844,"_type":11,"children":34845,"markDefs":34850,"style":24},"6de74f6710c2",[34846],{"_key":34847,"_type":15,"marks":34848,"text":34849},"3a95b7c2ca550",[17],"SoC Cohort 2024 Programme",[],{"_key":34852,"_type":11,"children":34853,"markDefs":34858,"style":24},"096be8d11d35",[34854],{"_key":34855,"_type":15,"marks":34856,"text":34857},"f2d0842dde5e0",[],"As part of the School of Commons Assembly 2025, the SoC 2024-5 cohort, Alumn* Network, and invited guests will organise a series of workshops, discussions, and exhibitions that explore the potential of collective care, embodied practices, and interdependent relationships. These activities are designed to create space for reflection, learning, and co-creation across various disciplines and perspectives.",[],{"_key":34860,"_type":11,"children":34861,"markDefs":34866,"style":24},"7a73d6e98856",[34862],{"_key":34863,"_type":15,"marks":34864,"text":34865},"4022b97636ec0",[],"The program will reflect on the act of ‘assembly’; observing how we come together as individuals, communities, and collectives. It will explore how the process of assembling — whether through physical, emotional, or conceptual means — can foster solidarity, shared knowledge, and collaborative transformation. Participants are encouraged to reflect on the political, social, and ecological dimensions of coming together, as well as the practices that shape these processes. Through workshops and discussions, contributors will explore practices that bring attention to material, artistic, and organizational processes. Exhibitions and performances will also be part of this expanded program, offering creative approaches to understanding collective action and care.",[],{"_key":34868,"_type":11,"children":34869,"markDefs":34881,"style":24},"76cd1ff6fa8d",[34870,34874,34878],{"_key":34871,"_type":15,"marks":34872,"text":34873},"83df4d3c55530",[],"The programme will invite participants to reimagine collective action in ways that are more inclusive, sustainable, and relational. This space will encourage experimentation with alternative models of assembly, play, emphasizing care, collaboration, and ecological responsibility. By engaging with these themes, the SoC Cohort programme seeks to foster meaningful connections that extend beyond the event itself, rethinking how we come together in response to today’s challenges.\n\n",{"_key":34875,"_type":15,"marks":34876,"text":34877},"32bb2ed902390",[17],"Workshop: Somatic practices for presencing/co-creation ",{"_key":34879,"_type":15,"marks":34880,"text":22018},"32bb2ed902391",[1362],[],{"_key":34883,"_type":11,"children":34884,"markDefs":34897,"style":24},"211be5804f8f",[34885,34889,34893],{"_key":34886,"_type":15,"marks":34887,"text":34888},"01439d60bdf90",[],"This workshop invites participants to engage with embodied practices as a way of rethinking human-machine relationships and the sensory shifts they produce. Through a combination of somatic exercises and collaborative explorations, we will ground ourselves in sensory experiences and use them as a starting point to reimagine how these interactions unfold. Together, we will question which role embodied practices should take in collaborative encounters. This session emphasizes active engagement and conceptual reflection. \n\n",{"_key":34890,"_type":15,"marks":34891,"text":34892},"01439d60bdf91",[17],"Workshop: Delusions of Collaboration or Strategies for Sustainable Practices ",{"_key":34894,"_type":15,"marks":34895,"text":34896},"01439d60bdf92",[1362],"Co-Making Matters (Viviane Tabach and Nicole Candian)",[],{"_key":34899,"_type":11,"children":34900,"markDefs":34905,"style":24},"969a4f0aa277",[34901],{"_key":34902,"_type":15,"marks":34903,"text":34904},"bfafd02cb7420",[],"The workshop delves into the nuanced dynamics of collaborative practices, focusing on sustainability, shared responsibility, and the tensions that often remain unaddressed in co-creation. Through smaller group dynamics, collective writing, and open debates, participants will explore the questions: What does sustainability mean in the context of collaboration? How do the fluid roles of host and guest influence the distribution of responsibilities? How can tensions be recognized and addressed constructively in collaborative environments?",[],{"_key":34907,"_type":11,"children":34908,"markDefs":34921,"style":24},"f9ff69f051bb",[34909,34913,34917],{"_key":34910,"_type":15,"marks":34911,"text":34912},"574f02caa64b0",[],"Participants will engage in exercises that help identify conflicts, clarify roles, and discuss approaches for resolving challenges that emerge in collaboration. By reflecting on their own practices, they will co-develop strategies to foster transparency, accountability, and equitable resource sharing. This workshop aims to create a space where participants can interrogate the complexities of collaborative relationships and collectively identify ways of working together. \n\n",{"_key":34914,"_type":15,"marks":34915,"text":34916},"574f02caa64b1",[17],"Workshop: The oceans are a global commons ",{"_key":34918,"_type":15,"marks":34919,"text":34920},"574f02caa64b2",[1362],"Pharma Waters, Pharma Selves, Loren Beard (Hybrid)",[],{"_key":34923,"_type":11,"children":34924,"markDefs":34929,"style":24},"c0259f68dff9",[34925],{"_key":34926,"_type":15,"marks":34927,"text":34928},"b7edb18c085f0",[],"The oceans are a global commons—belonging to everyone, and no one, at the same time. In recent decades, microplastics have become a pervasive presence in these waters, acting as a new form of environmental intrusion. These tiny plastic particles, originating from everyday products like packaging and textiles, traverse the global commons and infiltrate marine ecosystems. This expansion makes evident human impact beyond visible pollution, with microplastics entering the bodies of aquatic life, disrupting marine behaviors, and releasing chemicals into the water.",[],{"_key":34931,"_type":11,"children":34932,"markDefs":34937,"style":24},"74eb4dd69fd1",[34933],{"_key":34934,"_type":15,"marks":34935,"text":34936},"7ba7a7bf6abf0",[],"In response to these anthropogenic impacts, feminist, decolonial, and critical writers call for a restructuring of human-non-human relations. These lineages offer an ecosophical approach, or one which co-considers human subjectivity, social relations, and the environment, to re-imagine the human-non-human. Following this framework, this project asks: How are human and non-human subjectivities intertwined in an era of microplastics? And how can we envision healing across ecologies, even while plastics act as an ecological bridge?",[],{"_key":34939,"_type":11,"children":34940,"markDefs":34953,"style":24},"50e40beacc88",[34941,34945,34949],{"_key":34942,"_type":15,"marks":34943,"text":34944},"5a701c600b340",[],"This project employs both social scientific and artistic methods to engage with these questions. Drawing from reflections with professional and citizen scientists, plastic ephemera, and fish sounds, it will culminate in a digital eco-archive, mapping the relations across humans, microplastics, and marine life. It will also cultivate a shoaling-centered praxis, mimicking how fish gather in interdependent communities, as a way to transform human-non-human community life. \n\n",{"_key":34946,"_type":15,"marks":34947,"text":34948},"5a701c600b341",[17],"Workshop: The Commoning Lab by Common Views ",{"_key":34950,"_type":15,"marks":34951,"text":34952},"5a701c600b342",[1362],"David Behar Perahia, Dan Farberoff",[],{"_key":34955,"_type":11,"children":34956,"markDefs":34969,"style":24},"fb9a5670da84",[34957,34961,34965],{"_key":34958,"_type":15,"marks":34959,"text":34960},"dec2487897740",[],"Common Views will introduce their Commoning Lab format, using tools and approaches developed during their recent project in Naples, Italy. In this facilitated lab we will engage in an open exchange and common exploration, allowing for a horizontal discourse in an atmosphere of inclusion and diversity. We welcome participants who would like to share from their knowledge and skill-sets. Together, we will be advancing future commoning perspectives, drawing on the overarching themes of interconnection, complexity and emergence.\n\n",{"_key":34962,"_type":15,"marks":34963,"text":34964},"2100f6f069900",[17],"Collective Exhibition ",{"_key":34966,"_type":15,"marks":34967,"text":34968},"2100f6f069901",[1362],"With works by:",[],{"_type":810,"slides":34971},[34972,34997,35002,35007,35012,35019],{"_type":813,"caption":34973,"image":34990},[34974,34982],{"_key":34975,"_type":11,"children":34976,"markDefs":34981,"style":24},"0e8ce2e64b53",[34977],{"_key":34978,"_type":15,"marks":34979,"text":34980},"1f0588ae71fb0",[17],"‘elegies for oil spills‘",[],{"_key":34983,"_type":11,"children":34984,"markDefs":34989,"style":24},"b9e6eac0168b",[34985],{"_key":34986,"_type":15,"marks":34987,"text":34988},"4e826e62252b0",[1362],"Anne Lee Steele & Mirko Febbo",[],{"alt":34991,"asset":34992},"‘elegies for oil spills‘  Anne Lee Steele & Mirko Febbo",{"_id":34993,"height":34994,"orientation":598,"ratio":34995,"url":34996,"width":704},"image-7e020565d11408d58123ab9504d50a84ef620ed8-2000x1333-jpg",1333,1.5003750937734435,"https://cdn.sanity.io/images/eodip22e/production/7e020565d11408d58123ab9504d50a84ef620ed8-2000x1333.jpg",{"_type":813,"caption":75,"image":34998},{"alt":34991,"asset":34999},{"_id":35000,"height":34994,"orientation":598,"ratio":34995,"url":35001,"width":704},"image-0ce30e8ead7baada570d89e28e5edd8d478a20ac-2000x1333-jpg","https://cdn.sanity.io/images/eodip22e/production/0ce30e8ead7baada570d89e28e5edd8d478a20ac-2000x1333.jpg",{"_type":813,"caption":75,"image":35003},{"alt":34991,"asset":35004},{"_id":35005,"height":34994,"orientation":598,"ratio":34995,"url":35006,"width":704},"image-1270bdc9ab68d76f2fb15ca2f8ca874182d0ca7f-2000x1333-jpg","https://cdn.sanity.io/images/eodip22e/production/1270bdc9ab68d76f2fb15ca2f8ca874182d0ca7f-2000x1333.jpg",{"_type":813,"caption":75,"image":35008},{"alt":34991,"asset":35009},{"_id":35010,"height":34994,"orientation":598,"ratio":34995,"url":35011,"width":704},"image-51cc6bfe06d5baf49051ebb1cca82631b23f5837-2000x1333-jpg","https://cdn.sanity.io/images/eodip22e/production/51cc6bfe06d5baf49051ebb1cca82631b23f5837-2000x1333.jpg",{"_type":813,"caption":75,"image":35013},{"alt":34991,"asset":35014},{"_id":35015,"height":35016,"orientation":598,"ratio":35017,"url":35018,"width":11124},"image-4dad0d64e07a38fa8248099bdbc40fe6cba69b0a-2500x1667-jpg",1667,1.4997000599880024,"https://cdn.sanity.io/images/eodip22e/production/4dad0d64e07a38fa8248099bdbc40fe6cba69b0a-2500x1667.jpg",{"_type":813,"caption":75,"image":35020},{"alt":34991,"asset":35021},{"_id":35022,"height":34994,"orientation":598,"ratio":34995,"url":35023,"width":704},"image-0d7c00066b8709ee601b05ce2750bc60d7724712-2000x1333-jpg","https://cdn.sanity.io/images/eodip22e/production/0d7c00066b8709ee601b05ce2750bc60d7724712-2000x1333.jpg",{"_type":728,"settings":35025,"text":35026},{"textColumnCount":730},[35027,35035,35043,35051,35059,35067],{"_key":35028,"_type":11,"children":35029,"markDefs":35034,"style":24},"1ec106a371c5",[35030],{"_key":35031,"_type":15,"marks":35032,"text":35033},"f5e3677d4d700",[],"• can a machine mourn for the climate?",[],{"_key":35036,"_type":11,"children":35037,"markDefs":35042,"style":24},"7c537ea9fa59",[35038],{"_key":35039,"_type":15,"marks":35040,"text":35041},"24efe46d487f0",[],"• if a oil spill could speak, what would it say?",[],{"_key":35044,"_type":11,"children":35045,"markDefs":35050,"style":24},"cd05c6f59773",[35046],{"_key":35047,"_type":15,"marks":35048,"text":35049},"bac631976ecd0",[],"• what can machine mimicry tell us about narratives of oil (and its spillage)?",[],{"_key":35052,"_type":11,"children":35053,"markDefs":35058,"style":24},"a9a21f3ca390",[35054],{"_key":35055,"_type":15,"marks":35056,"text":35057},"c04baeb3a8070",[],"using data about world’s largest oil spills, ‘elegies for oil spills’ generates speculative artifacts about environmental disaster – printed in the form of a (recycled) receipt.",[],{"_key":35060,"_type":11,"children":35061,"markDefs":35066,"style":24},"6db22ab4b7ea",[35062],{"_key":35063,"_type":15,"marks":35064,"text":35065},"1d35514d44ab0",[],"every image and poem both here and on your receipt has been generated by AI (specifically, ChatGPT – one of the largest language models in the world).",[],{"_key":35068,"_type":11,"children":35069,"markDefs":35082,"style":24},"3d1de1b6f0db",[35070,35074,35078],{"_key":35071,"_type":15,"marks":35072,"text":35073},"10476e6861280",[],"‘elegies for oil spills’ is part of the series ‘",{"_key":35075,"_type":15,"marks":35076,"text":21754},"10476e6861281",[35077],"c6756001eece",{"_key":35079,"_type":15,"marks":35080,"text":35081},"10476e6861282",[],"'. it is a collaboration between Mirko Febbo, a sculptor turned data visualisation and creative computation expert and Anne Lee Steele.",[35083],{"_key":35077,"_type":41,"href":35084},"https://schoolofcommons.org/program/labs/poetic-tactics-to-counter-extraction-alternative-title-poetic-tactics-to-train-attention",{"_type":810,"slides":35086},[35087,35106,35111,35116,35121,35126,35131,35136,35141,35146],{"_type":813,"caption":35088,"image":35101},[35089],{"_key":35090,"_type":11,"children":35091,"markDefs":35100,"style":24},"f3b1490d1f25",[35092,35096],{"_key":35093,"_type":15,"marks":35094,"text":35095},"3ad43b6f912d0",[17],"Project In/Visibility - (collective) rewriting on the wall \n",{"_key":35097,"_type":15,"marks":35098,"text":35099},"3ad43b6f912d1",[1362],"Tasnim Elboute, Samirah Siddiqui",[],{"alt":35102,"asset":35103},"Project In/Visibility - (collective) rewriting on the wall  Tasnim Elboute, Samirah 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The right to housing is not only a matter of social justice but also takes on new urgency in the face of the climate crisis, which exacerbates the pressing global housing crisis. Zurich, like many European cities, faces a growing housing crisis. Despite its wealth and status as a safe global financial hub, the city's housing challenges have intensified in recent years, undermining social equity and ecological sustainability.",[],{"_key":35301,"_type":11,"children":35302,"markDefs":35307,"style":24},"9d2a1e0c4855",[35303],{"_key":35304,"_type":15,"marks":35305,"text":35306},"d5f030a406fe0",[],"Working through a crisis together: We invite you to join us in exploring the situation in Zurich—from political opportunities to societal impacts. By attempting different approaches for collecting information, and making this visible, audible ,and even perceptible, we aim to lower barriers and include more voices. 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Join us for a discussion on the importance of inclusivity in artistic practices and how we can create a more just and representative cultural spaces for all.",[],{"_type":810,"slides":35362},[35363,35382,35387,35392,35397,35402],{"_type":813,"caption":35364,"image":35377},[35365],{"_key":35366,"_type":11,"children":35367,"markDefs":35376,"style":24},"b49b53b4f33c",[35368,35372],{"_key":35369,"_type":15,"marks":35370,"text":35371},"0bc4ecee7e251",[17],"Anger is a gift \n",{"_key":35373,"_type":15,"marks":35374,"text":35375},"0bc4ecee7e252",[1362],"Business as Usual, Iggy Robinson & Dylan Spencer-Davidson",[],{"alt":35378,"asset":35379}," Anger is a gift Business as Usual, Iggy Robinson & Dylan Spencer-Davidson",{"_id":35380,"height":35016,"orientation":598,"ratio":35017,"url":35381,"width":11124},"image-6295395ad5b746e8e856322285a52fa2a454bd19-2500x1667-jpg","https://cdn.sanity.io/images/eodip22e/production/6295395ad5b746e8e856322285a52fa2a454bd19-2500x1667.jpg",{"_type":813,"caption":75,"image":35383},{"alt":75,"asset":35384},{"_id":35385,"height":35016,"orientation":598,"ratio":35017,"url":35386,"width":11124},"image-240c65f062a8303f78b8546157c99adbc8c20eed-2500x1667-jpg","https://cdn.sanity.io/images/eodip22e/production/240c65f062a8303f78b8546157c99adbc8c20eed-2500x1667.jpg",{"_type":813,"caption":75,"image":35388},{"alt":35378,"asset":35389},{"_id":35390,"height":35016,"orientation":598,"ratio":35017,"url":35391,"width":11124},"image-cfa80c98ad4b695a15724b3b492898aff5f83bc5-2500x1667-jpg","https://cdn.sanity.io/images/eodip22e/production/cfa80c98ad4b695a15724b3b492898aff5f83bc5-2500x1667.jpg",{"_type":813,"caption":75,"image":35393},{"alt":35378,"asset":35394},{"_id":35395,"height":35016,"orientation":598,"ratio":35017,"url":35396,"width":11124},"image-b4de80f67739ad3c02bf554f7f06b131e733c4e1-2500x1667-jpg","https://cdn.sanity.io/images/eodip22e/production/b4de80f67739ad3c02bf554f7f06b131e733c4e1-2500x1667.jpg",{"_type":813,"caption":75,"image":35398},{"alt":35378,"asset":35399},{"_id":35400,"height":35016,"orientation":598,"ratio":35017,"url":35401,"width":11124},"image-9c36a0fe75ab3f817076a6a928a9a1148eb5fc55-2500x1667-jpg","https://cdn.sanity.io/images/eodip22e/production/9c36a0fe75ab3f817076a6a928a9a1148eb5fc55-2500x1667.jpg",{"_type":813,"caption":75,"image":35403},{"alt":35378,"asset":35404},{"_id":35405,"height":35016,"orientation":598,"ratio":35017,"url":35406,"width":11124},"image-3b8aa3cc7a133d2f12a9f7404c5cd7f3e6926034-2500x1667-jpg","https://cdn.sanity.io/images/eodip22e/production/3b8aa3cc7a133d2f12a9f7404c5cd7f3e6926034-2500x1667.jpg",{"_type":728,"settings":35408,"text":35409},{"textColumnCount":730},[35410,35418,35426,35434,35442],{"_key":35411,"_type":11,"children":35412,"markDefs":35417,"style":24},"da7fa53c5a94",[35413],{"_key":35414,"_type":15,"marks":35415,"text":35416},"49a145f6b7ce0",[],"“In birthing my rage, my rage has rebirthed me.” Susan Stryker",[],{"_key":35419,"_type":11,"children":35420,"markDefs":35425,"style":24},"a55f8ad1980c",[35421],{"_key":35422,"_type":15,"marks":35423,"text":35424},"6d18c588a6800",[],"What are you angry about? How do you relate to your anger? How do you care for it? When do you act on it? When do you go silent? How do you feel when people around you are angry? Do you hear anger differently depending on who voices it?",[],{"_key":35427,"_type":11,"children":35428,"markDefs":35433,"style":24},"d46a8e51499a",[35429],{"_key":35430,"_type":15,"marks":35431,"text":35432},"c6b5ceb2311c0",[],"Who taught you what to do with your anger?",[],{"_key":35435,"_type":11,"children":35436,"markDefs":35441,"style":24},"02300a1a7375",[35437],{"_key":35438,"_type":15,"marks":35439,"text":35440},"58d5a736923d0",[],"When is anger empowering, transformative, frightening, joyful, shameful, distracting, overwhelming, necessary, dangerous, revolutionary?",[],{"_key":35443,"_type":11,"children":35444,"markDefs":35449,"style":24},"a59e86bea3ab",[35445],{"_key":35446,"_type":15,"marks":35447,"text":35448},"4e6e2d3d26d60",[],"How can we be angry together? How can we tune in to the information and energy anger contains? How can we be transformed by it?\n\n***************************************************************************************",[],{"_type":728,"settings":35451,"text":35452},{"textColumnCount":730},[35453,35465,35473,35481,35489,35501,35509,35517],{"_key":35454,"_type":11,"children":35455,"markDefs":35464,"style":24},"e43613ed70e1",[35456,35460],{"_key":35457,"_type":15,"marks":35458,"text":35459},"cb376cbcc02b0",[17],"The Future of Collaboration ",{"_key":35461,"_type":15,"marks":35462,"text":35463},"cb376cbcc02b1",[1362],"Collaborators: IdeaSquare (CERN), School of Commons (ZHdK), Team Members: Amy & Gabriel (SOC)",[],{"_key":35466,"_type":11,"children":35467,"markDefs":35472,"style":24},"291ff25d17d0",[35468],{"_key":35469,"_type":15,"marks":35470,"text":35471},"92300ea61ddf0",[],"As part of the workshop series: The Future of Collaboration, co-facilitated by IdeaSquare (CERN) and School of Commons (ZHdK), participants explored how to prepare for a future we don’t yet know. A future in which collaboration of different forms will be inevitable... The question asked of them: what will these collaborations look like in our near and distant futures?",[],{"_key":35474,"_type":11,"children":35475,"markDefs":35480,"style":24},"1554f9ac7764",[35476],{"_key":35477,"_type":15,"marks":35478,"text":35479},"d3ca3cf561d60",[],"The results of this exploration are a series of posters displayed simultaneously at ZHdK and CERN which depict our future unknowns and responsive methods for collaboration. The posters were created by workshop participants and encapsulate different methodologies, questions, approaches, forms, and styles. Together showcasing the breadth and depth ofthe future of interdisciplinary collaboration.",[],{"_key":35482,"_type":11,"children":35483,"markDefs":35488,"style":24},"5b705563a6b1",[35484],{"_key":35485,"_type":15,"marks":35486,"text":35487},"cd722bfaf7960",[],"***************************************************************************",[],{"_key":35490,"_type":11,"children":35491,"markDefs":35500,"style":24},"cf9469b04699",[35492,35496],{"_key":35493,"_type":15,"marks":35494,"text":35495},"df0d25e489630",[17],"Learning Commons (in 3 parts) ",{"_key":35497,"_type":15,"marks":35498,"text":35499},"df0d25e489631",[1362],"SoC Alumn* Network",[],{"_key":35502,"_type":11,"children":35503,"markDefs":35508,"style":24},"4fec041ec3f5",[35504],{"_key":35505,"_type":15,"marks":35506,"text":35507},"9b86b66a96880",[],"This is a dedicated space to discuss, practice, and explore gathering and togetherness with a focus on relational aspects and care.",[],{"_key":35510,"_type":11,"children":35511,"markDefs":35516,"style":24},"6e75a9eb0241",[35512],{"_key":35513,"_type":15,"marks":35514,"text":35515},"1f4263981d860",[],"We will conceptually and practically address the following questions: How do people come together to express care and form relational practices? What constitutes meaningful connection in various forms of gathering? As we examine how relevance and significance emerge within these interactions, we also aim to explore how different relationships are formed and institutionalized—and conversely, how they can transcend institutional constraints, extending beyond formal structures, timelines, and project boundaries.",[],{"_key":35518,"_type":11,"children":35519,"markDefs":35524,"style":24},"b0b47cecd2ed",[35520],{"_key":35521,"_type":15,"marks":35522,"text":35523},"66ab8739762c0",[],"The event will be offered in a hybrid format, allowing for remote participation, and will connect Alumn* communities, the current cohort, and the general public. It integrates theoretical and practical insights on organizing and assembling as practices that foster both short-term and sustained durational relational dynamics, as exemplified within the School of Commons Alumn* Network.\n\n***************************************************************************************",[],{"_type":728,"settings":35526,"text":35527},{"textColumnCount":730},[35528,35538,35545,35552],{"_key":35529,"_type":11,"children":35530,"markDefs":35537,"style":24},"8e64d951a3c0",[35531,35534],{"_key":35532,"_type":15,"marks":35533,"text":35495},"bca0f8471cea0",[17],{"_key":35535,"_type":15,"marks":35536,"text":35499},"bca0f8471cea1",[1362],[],{"_key":35539,"_type":11,"children":35540,"markDefs":35544,"style":24},"17f4bd167ca9",[35541],{"_key":35542,"_type":15,"marks":35543,"text":35507},"039e03b9062b0",[],[],{"_key":35546,"_type":11,"children":35547,"markDefs":35551,"style":24},"33ff13184bfd",[35548],{"_key":35549,"_type":15,"marks":35550,"text":35515},"daecabe62bea0",[],[],{"_key":35553,"_type":11,"children":35554,"markDefs":35559,"style":24},"f667c469468f",[35555],{"_key":35556,"_type":15,"marks":35557,"text":35558},"50fc928d6f5e0",[],"The event will be offered in a hybrid format, allowing for remote participation, and will connect Alumn* communities, the current cohort, and the general public. It integrates theoretical and practical insights on organizing and assembling as practices that foster both short-term and sustained durational relational dynamics, as exemplified within the School of Commons Alumn* Network.",[],{"_type":9879,"image":35561,"settings":35565,"text":35566},{"alt":75,"asset":35562,"caption":75},{"_id":35563,"height":6285,"orientation":637,"ratio":3801,"url":35564,"width":6287},"image-e385a36266139abc7925c17e53e20bffb13d4b09-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/e385a36266139abc7925c17e53e20bffb13d4b09-3024x4032.jpg",{"mediaPosition":9965},[35567,35575,35583,35591],{"_key":35568,"_type":11,"children":35569,"markDefs":35574,"style":24},"8f6ea00805ad",[35570],{"_key":35571,"_type":15,"marks":35572,"text":35573},"66ae89565c040",[17],"Part 1: Friday - Learning Commons",[],{"_key":35576,"_type":11,"children":35577,"markDefs":35582,"style":24},"f87d1591ac40",[35578],{"_key":35579,"_type":15,"marks":35580,"text":35581},"9e128f81a2a20",[],"banden bilden / building bonds / gathering gangs against violence",[],{"_key":35584,"_type":11,"children":35585,"markDefs":35590,"style":24},"a93ed84e7bd2",[35586],{"_key":35587,"_type":15,"marks":35588,"text":35589},"7cd32c0dd2710",[],"With a short exercise Anna Kücking and Luise Willer want to invite you to gather and weave new bonds. The SoC Alumn* Network relies on the continuous and versatile engagement of Alumn* with each other. We want to share prompts and exercises to initiate dialogues to find common grounds, to commit to first shared actions, to cater towards these relationships for future networks.",[],{"_key":35592,"_type":11,"children":35593,"markDefs":35598,"style":24},"cf5baf4fb5cf",[35594],{"_key":35595,"_type":15,"marks":35596,"text":35597},"59a4dce6765b0",[17],"Part 2: Sat & Sun - Wildflower Meadow (Installation) Part 3: Sunday - Before, After, & To be Continued (Discussion)",[],[35600,141,180,3386,200,8017,117,35601,35602,35603,35604,35605,35606,35607,35608,35609,35610,35611,33381,33420,13901,31471,31514,20794,33558,31915,31880,22367,31948,1834,906,21261,21093,21189,22034,33826,2944,33901,33965,34011,34058,34102,27975,34173,23883,12611,2279,3904,3825,3732,2370,34591],"soc assembly 2025","explore the programme — soc assembly 2025","the school of commons (soc) assembly 2025 is a two-day gathering for exchanging and the (alternative) reproduction and circulation of knowledge that seeks to approach, contend, and complicate the question: ‘how to assemble in our current social, political, economic, ecological times?’\n\n\n\nin contrast to traditional symposium structures of knowledge ‘giving’ and ‘receiving’, the soc assembly borrows from commons-based models for alternative knowledge production and circulation, to create an exchange-space based upon a reciprocation economy of mutual support and mutual sharing.\n\n\n\nfor the soc assembly, we have invited a series of guest facilitators from across specialisms, experiences, contexts, and disciplines who will each convene a working group, organised around core topics and issues that we believe assembly participants, and their communities face in their daily work and life. these topics include tools and schools for improper education, “seed-time” as a method for addressing bio cultural urgencies, visual community organising, expanding notions of care through listening and sound, and the mapping of visible and invisible commons.\n\n\n\nduring the assembly, facilitators, participants, and current and former soc cohort participants will be invited into an active exchange of transdisciplinary inquiry, including the sharing of methods and frameworks, establishing of environments for learning, and raising of questions and propositions, unbounded from discipline or taxonomy.\n\n\n\nthe soc assembly encourages explorations into alternative ways and workings to produce, distribute, and make public alternative forms of knowledge and to create new forms and scopes of ‘assembling’ in the broadest sense. in doing so, bridging theory with practice, thinking with doing, and providing new frameworks for organising, practicing, and researching as methods for transferring these approaches into differing environments, scales, and contexts.\n\n\n\nover the two-days, the soc assembly will be organised into a morning programme* dedicated to working groups for learning and exchanging, convened by guest facilitators, and an afternoon programme* of exhibitions, lectures, and workshops, organised by the soc cohort 2024. the event will culminate in an assembly podium that brings the guest facilitators, soc participants, and audience together to reflect upon and gather the means, modes, and forms of and for expanded assembling that have emerged over the weekend.\n\nworking groups 1 - school of improper education hybridly facilitated by fiky daulay & nuraini juliastuti, kunci study forum* (yogyakarta, indonesia) *joining digitally* the workshop aims to utilise the existence of the temporary group formed through the school of commons as a medium to problematize the meaning of works, resting, common pot and solidarity. as prompts, we want to use these following keywords: language/translation, updating individual projects, archiving and networking, trans-solidarity redistribution, sustaining networks, economy of attention, distraction, scrolling, deep observing, categorizing information/knowledge, visibility, understanding of archives. what kinds of newly imagined networks emerged from disparate and undefined geographical locations? if we were to define it, what formless formation would it be? how could the network foster care, online and onsite?\n\n2 - “seed-time”: how to metabolize our biocultural urgencies of today? facilitated by zoë heyn-jones and ana rivera, materia abierta (mexico city, mexico) in this assembly working group, members of materia abierta will share their experience developing spaces for learning and thinking together as an opportunity for political organizing. the project aims to recalibrate their learning practices through their recent efforts of developing a small community garden in their studio patio that has softened their pedagogies around the indecipherable temporalities of the garden and its material needs — something they have been loosely approaching as \"seed-time\". this assembly working group will engage in a rehearsal to metabolize a will to gather around the biocultural urgencies of today. we will exchange seeds, we will sow alliances.\n\ntogether we will consider the temporal wavelengths of a garden. the act of planting a seed is brief but the time spent before harvesting has longer temporalities and different needs (nurturing, watering, composting, for example). the group will reflect on the ways seeds travel and the technologies they have developed to sustain time. we will embark on exercises of temporal and spatial inflection on the ways we assemble as being (de)organized in service of caring for other expressions of life.\n\n3 – how can community organisers use drawing? facilitated by rosalie schweiker, migrants in culture (london, uk) in this assembly working group migrants in culture will share practical skills on using drawing and design for community organising, especially for people who are working towards border abolition and migrant/racial justice. we will share easy ways to use drawing in your meetings, protest, and organising work. you don't have to have any skills or experience in drawing, it's not about good or bad, it's about practice. this assembly working group will be especially interesting for designers and artists who want to use their skills within social movements. it will also try to uplift and support community (and other political) organisers who want to integrate art & imagination-based work into their work.\n\nthis assembly working group can be facilitated in english and/or german upon request.\n\n4 – “phonocene”: how can a new era of expansive care be listened to and assembled through sound? facilitated by yuri tuma, institute for postnatural studies (madrid, spain) earth's symphony extends far beyond the ozone layer, weaving its way into the very fabric of life and the cosmos. from the tiniest microorganisms to the vast expanse of matter, we are constantly transformed, both mentally and physically, by the sonic and cultural vibrations of our urban and natural environments. yet, these intricate entanglements often go unnoticed by a culture fixated on the visual, failing to recognize listening as a powerful tool for self and collective care. by giving attention to the sounds around us, we can unlock exciting possibilities for forging new systems of kinship and interconnectedness.\n\nthis assembly working group considers, what happens when we try to understand the planetary siblinghood between all sentience through the way we listen and communicate to the diversity of what is the “other”? by delving into the exploration of multiple fields of research like sonic technology, listening methodologies, queer theory, colonialism, field recording, and interspecies communication we will collectively shift our perspective towards the phonocene, a vision of the future that proposes sound and active listening in the center of an era, a new era of expansive care, that resists capitalism’s hunger for growth, a slower era that promotes radical ecological change.\n\n5 – mapping the commons and how they are sustained facilitated by sepp eckenhaussen, caradt research group of the st. joost academy/ institute of network cultures (amsterdam, nl) in this assembly working group, participants will create a space of study and learning around the relationships between art and political economy. this is facilitated through a series of collective exercises which (counter)map the alternative economies and activist practices surrounding the making of commons and collectivity, as well as the material and immaterial realities which directly inform them.\n\nin this workshop, sepp eckenhaussen will facilitate a process of the collective (counter)mapping of projects and initiatives of the participants, looking at the economies, infrastructures, and organisational models—both visible and invisible, formal and informal—surrounding these projects, as possible routes towards the commoning of resources and imaginations.\n\n\n***************************************************************************************","soc cohort 2024 programme\n\nas part of the school of commons assembly 2025, the soc 2024-5 cohort, alumn* network, and invited guests will organise a series of workshops, discussions, and exhibitions that explore the potential of collective care, embodied practices, and interdependent relationships. these activities are designed to create space for reflection, learning, and co-creation across various disciplines and perspectives.\n\nthe program will reflect on the act of ‘assembly’; observing how we come together as individuals, communities, and collectives. it will explore how the process of assembling — whether through physical, emotional, or conceptual means — can foster solidarity, shared knowledge, and collaborative transformation. participants are encouraged to reflect on the political, social, and ecological dimensions of coming together, as well as the practices that shape these processes. through workshops and discussions, contributors will explore practices that bring attention to material, artistic, and organizational processes. exhibitions and performances will also be part of this expanded program, offering creative approaches to understanding collective action and care.\n\nthe programme will invite participants to reimagine collective action in ways that are more inclusive, sustainable, and relational. this space will encourage experimentation with alternative models of assembly, play, emphasizing care, collaboration, and ecological responsibility. by engaging with these themes, the soc cohort programme seeks to foster meaningful connections that extend beyond the event itself, rethinking how we come together in response to today’s challenges.\n\nworkshop: somatic practices for presencing/co-creation mariam rafehi\n\nthis workshop invites participants to engage with embodied practices as a way of rethinking human-machine relationships and the sensory shifts they produce. through a combination of somatic exercises and collaborative explorations, we will ground ourselves in sensory experiences and use them as a starting point to reimagine how these interactions unfold. together, we will question which role embodied practices should take in collaborative encounters. this session emphasizes active engagement and conceptual reflection. \n\nworkshop: delusions of collaboration or strategies for sustainable practices co-making matters (viviane tabach and nicole candian)\n\nthe workshop delves into the nuanced dynamics of collaborative practices, focusing on sustainability, shared responsibility, and the tensions that often remain unaddressed in co-creation. through smaller group dynamics, collective writing, and open debates, participants will explore the questions: what does sustainability mean in the context of collaboration? how do the fluid roles of host and guest influence the distribution of responsibilities? how can tensions be recognized and addressed constructively in collaborative environments?\n\nparticipants will engage in exercises that help identify conflicts, clarify roles, and discuss approaches for resolving challenges that emerge in collaboration. by reflecting on their own practices, they will co-develop strategies to foster transparency, accountability, and equitable resource sharing. this workshop aims to create a space where participants can interrogate the complexities of collaborative relationships and collectively identify ways of working together. \n\nworkshop: the oceans are a global commons pharma waters, pharma selves, loren beard (hybrid)\n\nthe oceans are a global commons—belonging to everyone, and no one, at the same time. in recent decades, microplastics have become a pervasive presence in these waters, acting as a new form of environmental intrusion. these tiny plastic particles, originating from everyday products like packaging and textiles, traverse the global commons and infiltrate marine ecosystems. this expansion makes evident human impact beyond visible pollution, with microplastics entering the bodies of aquatic life, disrupting marine behaviors, and releasing chemicals into the water.\n\nin response to these anthropogenic impacts, feminist, decolonial, and critical writers call for a restructuring of human-non-human relations. these lineages offer an ecosophical approach, or one which co-considers human subjectivity, social relations, and the environment, to re-imagine the human-non-human. following this framework, this project asks: how are human and non-human subjectivities intertwined in an era of microplastics? and how can we envision healing across ecologies, even while plastics act as an ecological bridge?\n\nthis project employs both social scientific and artistic methods to engage with these questions. drawing from reflections with professional and citizen scientists, plastic ephemera, and fish sounds, it will culminate in a digital eco-archive, mapping the relations across humans, microplastics, and marine life. it will also cultivate a shoaling-centered praxis, mimicking how fish gather in interdependent communities, as a way to transform human-non-human community life. \n\nworkshop: the commoning lab by common views david behar perahia, dan farberoff\n\ncommon views will introduce their commoning lab format, using tools and approaches developed during their recent project in naples, italy. in this facilitated lab we will engage in an open exchange and common exploration, allowing for a horizontal discourse in an atmosphere of inclusion and diversity. we welcome participants who would like to share from their knowledge and skill-sets. together, we will be advancing future commoning perspectives, drawing on the overarching themes of interconnection, complexity and emergence.\n\ncollective exhibition with works by:","• can a machine mourn for the climate?\n\n• if a oil spill could speak, what would it say?\n\n• what can machine mimicry tell us about narratives of oil (and its spillage)?\n\nusing data about world’s largest oil spills, ‘elegies for oil spills’ generates speculative artifacts about environmental disaster – printed in the form of a (recycled) receipt.\n\nevery image and poem both here and on your receipt has been generated by ai (specifically, chatgpt – one of the largest language models in the world).\n\n‘elegies for oil spills’ is part of the series ‘poetic tactics to counter extraction (and other ways to train attention)'. it is a collaboration between mirko febbo, a sculptor turned data visualisation and creative computation expert and anne lee steele.","in trying to understand perceptions of decolonial academia within swiss universities, with focus groups in soc zhdk and university of bern’s wyss academy of nature, project in/visibility crowdsourced a collective definition of decolonial education. the exhibition maps our process-oriented, dialogic and collective writing from previous workshops, and invites visitors to actively participate in dismantling and reimagining academic spaces.\n\nthis interactive installation invites visitors to engage in a living dialogue on decolonial education. a large chalkboard, layered with transparent plexiglass panels, becomes a canvas for collective reflection. participants are encouraged to write, erase, and rewrite their thoughts, definitions, and experiences related to decoloniality in the university classroom, reflecting the collective nature of decolonial education spaces.\n\nthrough the act of layering voices — chalk on board, markers on plexiglass, and sticky notes affixed to the surfaces — this wall captures the fluid, evolving nature of decolonial knowledge. prompts such as “what does decolonial education mean to you?” and “how can grassroots movements disrupt the ivory tower?” guide participants to reflect and respond.\n\neach contribution builds upon or disrupts the previous ones, symbolizing the ongoing process of dismantling and reimagining the structures of the university. this is not a finished manifesto — it is a space for constant negotiation, dialogue, and possibility.","the frank chu archive will showcase a collection of posters created using the lore of the 12 galaxies, a conspiracy theory developed and promoted by san francisco based serial protestor frank chu. this installation will be paired with the launch of a publication about the potential of conspiracy theories as an organizing method.\n\nthis video calls on queer ancestors, elders, teachers and friends to guide us through our questions. we turn to audre lorde, marlon riggs, sara ahmed, reem shelhi, lama rod owens, susan stryker, donald winnicott, ca conrad, and the participants of the soc business as usual study group to help us hold our anger collectively.","access to housing is a fundamental aspect of our lives, shaping our living conditions and connection to the city we inhabit. the right to housing is not only a matter of social justice but also takes on new urgency in the face of the climate crisis, which exacerbates the pressing global housing crisis. zurich, like many european cities, faces a growing housing crisis. despite its wealth and status as a safe global financial hub, the city's housing challenges have intensified in recent years, undermining social equity and ecological sustainability.\n\nworking through a crisis together: we invite you to join us in exploring the situation in zurich—from political opportunities to societal impacts. by attempting different approaches for collecting information, and making this visible, audible ,and even perceptible, we aim to lower barriers and include more voices. embracing the chaotic overlaying of methods and learning from various perspectives can help us collectively shape strategies, tools, and methodologies.","the shaking barriers collective is excited to share two new publications that delve into cultural rights and inclusion in the arts. our work focuses on challenging existing barriers and promoting equity, and access within cultural spaces. join us for a discussion on the importance of inclusivity in artistic practices and how we can create a more just and representative cultural spaces for all.","“in birthing my rage, my rage has rebirthed me.” susan stryker\n\nwhat are you angry about? how do you relate to your anger? how do you care for it? when do you act on it? when do you go silent? how do you feel when people around you are angry? do you hear anger differently depending on who voices it?\n\nwho taught you what to do with your anger?\n\nwhen is anger empowering, transformative, frightening, joyful, shameful, distracting, overwhelming, necessary, dangerous, revolutionary?\n\nhow can we be angry together? how can we tune in to the information and energy anger contains? how can we be transformed by it?\n\n***************************************************************************************","the future of collaboration collaborators: ideasquare (cern), school of commons (zhdk), team members: amy & gabriel (soc)\n\nas part of the workshop series: the future of collaboration, co-facilitated by ideasquare (cern) and school of commons (zhdk), participants explored how to prepare for a future we don’t yet know. a future in which collaboration of different forms will be inevitable... the question asked of them: what will these collaborations look like in our near and distant futures?\n\nthe results of this exploration are a series of posters displayed simultaneously at zhdk and cern which depict our future unknowns and responsive methods for collaboration. the posters were created by workshop participants and encapsulate different methodologies, questions, approaches, forms, and styles. together showcasing the breadth and depth ofthe future of interdisciplinary collaboration.\n\n***************************************************************************\n\nlearning commons (in 3 parts) soc alumn* network\n\nthis is a dedicated space to discuss, practice, and explore gathering and togetherness with a focus on relational aspects and care.\n\nwe will conceptually and practically address the following questions: how do people come together to express care and form relational practices? what constitutes meaningful connection in various forms of gathering? as we examine how relevance and significance emerge within these interactions, we also aim to explore how different relationships are formed and institutionalized—and conversely, how they can transcend institutional constraints, extending beyond formal structures, timelines, and project boundaries.\n\nthe event will be offered in a hybrid format, allowing for remote participation, and will connect alumn* communities, the current cohort, and the general public. it integrates theoretical and practical insights on organizing and assembling as practices that foster both short-term and sustained durational relational dynamics, as exemplified within the school of commons alumn* network.\n\n***************************************************************************************","learning commons (in 3 parts) soc alumn* network\n\nthis is a dedicated space to discuss, practice, and explore gathering and togetherness with a focus on relational aspects and care.\n\nwe will conceptually and practically address the following questions: how do people come together to express care and form relational practices? what constitutes meaningful connection in various forms of gathering? as we examine how relevance and significance emerge within these interactions, we also aim to explore how different relationships are formed and institutionalized—and conversely, how they can transcend institutional constraints, extending beyond formal structures, timelines, and project boundaries.\n\nthe event will be offered in a hybrid format, allowing for remote participation, and will connect alumn* communities, the current cohort, and the 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public.",[],[35720],{"_type":728,"settings":35721,"text":35722},{"textColumnCount":730},[35723,35731,35739,35747,35755,35762],{"_key":35724,"_type":11,"children":35725,"markDefs":35730,"style":24},"4a6701d1903e",[35726],{"_key":35727,"_type":15,"marks":35728,"text":35729},"6cb9b7ce83a00",[],"Part 1 Friday - Learning Commons (Discussion)",[],{"_key":35732,"_type":11,"children":35733,"markDefs":35738,"style":24},"77bd856d9398",[35734],{"_key":35735,"_type":15,"marks":35736,"text":35737},"505149efc64a0",[],"Part 2: Sat & Sun - Wildflower Meadow (Installation)",[],{"_key":35740,"_type":11,"children":35741,"markDefs":35746,"style":24},"d25ec020b1ae",[35742],{"_key":35743,"_type":15,"marks":35744,"text":35745},"5b47bbef35550",[],"Part 3: Sunday - Before, After, & To be Continued (Discussion)",[],{"_key":35748,"_type":11,"children":35749,"markDefs":35754,"style":24},"485deb8936f3",[35750],{"_key":35751,"_type":15,"marks":35752,"text":35753},"6d416ced823c0",[],"The Learning Commons (in 3 parts) is a dedicated space to discuss, practice, and explore gathering and togetherness with a focus on relational aspects and care.",[],{"_key":35756,"_type":11,"children":35757,"markDefs":35761,"style":24},"9154253b77a8",[35758],{"_key":35759,"_type":15,"marks":35760,"text":35515},"7b0bbe4bba0b0",[],[],{"_key":35763,"_type":11,"children":35764,"markDefs":35769,"style":24},"fc306cb1c4bc",[35765],{"_key":35766,"_type":15,"marks":35767,"text":35768},"68a14cd166690",[],"The event will be offered in a hybrid format, allowing for remote participation, and will connect alumn* communities, the current cohort, and the general public. 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It houses around 4,000 students across its academic provision, and can trace its roots back to the first foundation of a Sint-Lukas art school in 1880. The school offers master programmes (four years) across the disciplines of audio-visual arts, graphic and publicity design, photography and fine art and bachelor programmes in interior design and construction. It also organizes Transmedia, a postgraduate programme for art students.",[],{"_key":35848,"_type":11,"children":35849,"markDefs":35854,"style":24},"fdfd5fbcab9b",[35850],{"_key":35851,"_type":15,"marks":35852,"text":35853},"b3e296e2fe7b0",[],"The Hogeschool actively encourages student mobility, and maintains several links with art schools across the continent through the Socrates programme and the Erasmus programme, with language of instruction to exchange students being English in the appropriate circumstances.",[],{"_key":35856,"_type":11,"children":35857,"markDefs":35862,"style":24},"0c03f5d8c04d",[35858],{"_key":35859,"_type":15,"marks":35860,"text":35861},"7cc92e57a07e0",[],"It is closely associated with the Sint-Lukas gallery in the city, showcasing contemporary art and its documentation.",[],"Hogeschool Sint-Lukas Brussel, based in the Schaerbeek municipality of Brussels, Belgium, is an independent Flemish art school. ",{"alt":35865,"asset":75},"LUCA School of Arts",{"filterYear":35867},[35868],{"_id":2120,"title":2123},{"locations":35870,"other":75},[35871],{"_id":139,"_type":121,"seo":75,"slug":35872,"title":142},{"_type":77,"current":141},[35874,2122],"luca school of arts",{"_type":77,"current":35876},"luca-school-of-arts",{"endDate":35690,"other":35878,"startDate":35690},"09.30-16.30 (CET)",[],{"alt":35881,"asset":35882},"Open Call: 'Walking an Ontological Turn'",{"_id":35883,"height":6287,"orientation":598,"ratio":599,"url":35884,"width":6285},"image-bfa0350bd845cbdd87fb30d730a7f06b0e74a220-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/bfa0350bd845cbdd87fb30d730a7f06b0e74a220-4032x3024.jpg",{"filterCategory":35886,"filterLocation":35889,"filterType":35891},[35887,35888],{"_id":383,"title":386},{"_id":538,"title":541},[35890],{"_id":139,"title":142},[35892],{"_id":110,"title":113},{"locations":35894,"other":35897},[35895],{"_id":139,"_type":121,"seo":75,"slug":35896,"title":142},{"_type":77,"current":141},[35898],{"_key":35899,"_type":11,"children":35900,"markDefs":35905,"style":24},"e67fea4d3e1c",[35901],{"_key":35902,"_type":15,"marks":35903,"text":35904},"84ee2feb5e7d",[],"ZT 5.K07 Seminarraum (24P), Zurich University of the Arts",[],[35907,35910,35953,35976],{"_type":813,"caption":75,"image":35908},{"alt":75,"asset":35909},{"_id":35883,"height":6287,"orientation":598,"ratio":599,"url":35884,"width":6285},{"_type":728,"settings":35911,"text":35912},{"textColumnCount":730},[35913,35921,35929,35937,35945],{"_key":35914,"_type":11,"children":35915,"markDefs":35920,"style":24},"6b71d407ddea",[35916],{"_key":35917,"_type":15,"marks":35918,"text":35919},"a7bf3074d2a8",[17],"Workshop led by Koenraad Hinnekint, LUCA School of Arts",[],{"_key":35922,"_type":11,"children":35923,"markDefs":35928,"style":24},"e09b8fbaf672",[35924],{"_key":35925,"_type":15,"marks":35926,"text":35927},"c5b72c1e23200",[],"Join us for a workshop where you will delve into new and speculative ideas to reimagine higher art education from a non-human perspective. Discover the transformative potential of this new perspective for educational design and EDI policies in higher art education.",[],{"_key":35930,"_type":11,"children":35931,"markDefs":35936,"style":24},"4b393a6c6246",[35932],{"_key":35933,"_type":15,"marks":35934,"text":35935},"e66166b49da60",[],"In this workshop, you will explore forms of intelligence beyond human-created environments and thought systems, challenging the traditional separation between culture and nature. You will investigate the intricate relationships between living and non-living elements and develop speculative ideas for an eco-inspired educational design and social justice policy.",[],{"_key":35938,"_type":11,"children":35939,"markDefs":35944,"style":24},"ab48ebc96c8d",[35940],{"_key":35941,"_type":15,"marks":35942,"text":35943},"bbf7107d58cb0",[],"You will examine how to approach learning environments and curricula from an ecosystem (nature) perspective rather than solely from human (cultural) frameworks. Whether you are a student, lecturer, or researcher, this exploration will inspire new ideas and impact your work, opening up new possibilities and perspectives for personal growth and professional development.",[],{"_key":35946,"_type":11,"children":35947,"markDefs":35952,"style":24},"9708390bd506",[35948],{"_key":35949,"_type":15,"marks":35950,"text":35951},"951f42dff9010",[],"The final goal of this workshop is to develop an Ecology of Justice Archive and Manifesto, presenting ideas and statements for a more sustainable and equitable approach to higher art education. All work in this workshop starts from the premise that in our increasingly complex educational world, new forms of injustice are emerging, which we can only fully address if we are willing to set aside human-centric perspectives and embrace new ways of thinking.",[],{"_type":9879,"image":35954,"settings":35958,"text":35959},{"alt":75,"asset":35955,"caption":75},{"_id":35956,"height":6285,"orientation":637,"ratio":3801,"url":35957,"width":6287},"image-c9f8534fabdee8ec08b62b9951dfe7898933d667-3024x4032-jpg","https://cdn.sanity.io/images/eodip22e/production/c9f8534fabdee8ec08b62b9951dfe7898933d667-3024x4032.jpg",{"mediaPosition":9896},[35960,35968],{"_key":35961,"_type":11,"children":35962,"markDefs":35967,"style":24},"ac3d7eec94b8",[35963],{"_key":35964,"_type":15,"marks":35965,"text":35966},"0c639754d06a",[],"Program:",[],{"_key":35969,"_type":11,"children":35970,"markDefs":35975,"style":24},"aa45a3b46f3b",[35971],{"_key":35972,"_type":15,"marks":35973,"text":35974},"87909e3f2363",[],"- 09:30\tIntroduction to the workshop's concepts and methodology\n- 09:45\tGroup work to explore the Human-centered Perspective (Ego Zone)\n- 10:45\tCoffee Break\n- 11:15\tGroup work to explore the Nature-oriented Perspective (Eco Zone)\n- 12:15\tMapping an Ecology of Justice Archive\n- 12:30\tLunch Break\n- 13:30\tA role-playing game to negotiate new standards\n- 14:30\tCoffee break\n- 15:00\tWriting a Manifesto for an eco-inspired educational design\n- 16:15\tManifest Change – Presenting the Manifesto\n- 16:30\tEnd of the workshop",[],{"_type":728,"settings":35977,"text":35978},{"textColumnCount":730},[35979],{"_key":35980,"_type":11,"children":35981,"markDefs":35986,"style":24},"ba4bf4aaf36a",[35982],{"_key":35983,"_type":15,"marks":35984,"text":35985},"e64b61cd522f",[],"Detailed information will be sent out after registration.\n\nLanguage: English / Groups can work in German and write their outcomes in German",[],[35988,141,35989,2056,540,112,35990,35991,35992,35874],"open call: 'walking an ontological turn'","zt 5.k07 seminarraum (24p), zurich university of the arts","workshop led by koenraad hinnekint, luca school of arts\ndetailed information will be sent out after registration","workshop led by koenraad hinnekint, luca school of arts\n\njoin us for a workshop where you will delve into new and speculative ideas to reimagine higher art education from a non-human perspective. discover the transformative potential of this new perspective for educational design and edi policies in higher art education.\n\nin this workshop, you will explore forms of intelligence beyond human-created environments and thought systems, challenging the traditional separation between culture and nature. you will investigate the intricate relationships between living and non-living elements and develop speculative ideas for an eco-inspired educational design and social justice policy.\n\nyou will examine how to approach learning environments and curricula from an ecosystem (nature) 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This is combined with a series of public offerings, all of which are open access, and which help to make the knowledge and practices that arise from the programme through our participants and their processes, publicly available and shareable.\n \nThe proposed structure for the preliminary programme over the 10 months of April 2025 - February 2026 is as follows:",[],{"_type":728,"settings":39953,"text":39954},{"textColumnCount":730},[39955,39963,39975,39982,39990,39997,40005,40013,40020,40028,40036,40044,40052,40059,40067,40075,40083,40090,40098,40106,40114,40121,40129,40137,40145,40152,40160,40168,40176,40184,40191,40199,40207,40215,40222,40229,40239,40246,40262,40269,40277,40284,40292,40299,40312,40319,40336,40343,40359,40366,40383,40390,40398,40406,40413,40420,40427,40434,40441,40449,40456,40464,40471,40479,40486,40493,40509,40516,40531,40538],{"_key":39956,"_type":11,"children":39957,"markDefs":39962,"style":24},"39bc76e1d993",[39958],{"_key":39959,"_type":15,"marks":39960,"text":39961},"7e23216bef46",[17],"SCHOOL OF COMMONS 2025 SCHEDULE*",[],{"_key":39964,"_type":11,"children":39965,"markDefs":39974,"style":24},"ac754ce8c576",[39966,39970],{"_key":39967,"_type":15,"marks":39968,"text":39969},"0bdccfe3a19c",[17],"*Please ensure you are available for the following dates before applyin",{"_key":39971,"_type":15,"marks":39972,"text":39973},"9032ecad08ac",[],"g:",[],{"_key":39976,"_type":11,"children":39977,"markDefs":39981,"style":24},"9d600bdebdbd",[39978],{"_key":39979,"_type":15,"marks":39980,"text":1150},"1d955f277710",[],[],{"_key":39983,"_type":11,"children":39984,"markDefs":39989,"style":24},"753f4d5756a5",[39985],{"_key":39986,"_type":15,"marks":39987,"text":39988},"0744982facd2",[],"WELCOME MEETINGS\nTuesdays: 17h, 18h, and 19h CET/CEST [Online]\nDates: March 4, March 11, March 18, March 25, April 1, April 8, 2025\nThese are one-on-one 45-minute sessions aim to build trust, address questions, and ensure accessibility. 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Please refrain from including any key identifiable information about yourself. Applications must be submitted either in English or German. 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Dec2024. For any questions, please get in touch at: ",{"_key":40327,"_type":15,"marks":40328,"text":38},"0ac964a5df0f",[40329],"b0c3b36f44b5",{"_key":40331,"_type":15,"marks":40332,"text":40333},"1f5a8805d2e5",[],". You will hear back with a response by February 07, 2025.",[40335],{"_key":40329,"_type":41,"href":43},{"_key":40337,"_type":11,"children":40338,"markDefs":40342,"style":24},"e2e10cdd386a",[40339],{"_key":40340,"_type":15,"marks":40341,"text":1150},"9324c8f372d8",[],[],{"_key":40344,"_type":11,"children":40345,"markDefs":40357,"style":24},"23f857613247",[40346,40349,40353],{"_key":40347,"_type":15,"marks":40348,"text":30683},"2b780947221a",[],{"_key":40350,"_type":15,"marks":40351,"text":15539},"d0dc80ac2791",[40352],"d69332bea2a9",{"_key":40354,"_type":15,"marks":40355,"text":40356},"a5a362a5c5ff",[]," on Wednesday 16 October, 17.30-19.00 CEST, which we encourage you to attend.",[40358],{"_key":40352,"_type":41,"href":30712},{"_key":40360,"_type":11,"children":40361,"markDefs":40365,"style":24},"dbfed74cf344",[40362],{"_key":40363,"_type":15,"marks":40364,"text":1150},"2e0d0a6eb3ce",[],[],{"_key":40367,"_type":11,"children":40368,"markDefs":40377,"style":24},"4844e429d19d",[40369,40372],{"_key":40370,"_type":15,"marks":40371,"text":30719},"ac1f7f4d5ad1",[],{"_key":40373,"_type":15,"marks":40374,"text":40376},"52d4e53a8963",[40375],"689f0a2d08be","OPEN CALL 2025 FAQs",[40378],{"_key":40375,"_type":5197,"file":40379},{"extension":40380,"size":40381,"url":40382},"pdf",160364,"https://cdn.sanity.io/files/eodip22e/production/c93a7f65075b54092fc274261bfb1cdb424051e8.pdf",{"_key":40384,"_type":11,"children":40385,"markDefs":40389,"style":24},"fdaea68dc30f",[40386],{"_key":40387,"_type":15,"marks":40388,"text":1150},"02b121e1f54b",[],[],{"_key":40391,"_type":11,"children":40392,"markDefs":40397,"style":24},"cf620747ec57",[40393],{"_key":40394,"_type":15,"marks":40395,"text":40396},"74d2064fabc2",[17],"SoC and Accessibility ",[],{"_key":40399,"_type":11,"children":40400,"markDefs":40405,"style":24},"a756fa6ec1df",[40401],{"_key":40402,"_type":15,"marks":40403,"text":40404},"cc3326d97267",[],"We actively encourage applications from individuals or collectives from underrepresented groups and who identify as BIPOC, FLINTA, LGBTQIA+ and those with a disability and neurodiverse conditions. ",[],{"_key":40407,"_type":11,"children":40408,"markDefs":40412,"style":24},"047b9dcffde3",[40409],{"_key":40410,"_type":15,"marks":40411,"text":1150},"9867f2f78115",[],[],{"_key":40414,"_type":11,"children":40415,"markDefs":40419,"style":24},"d813d087957d",[40416],{"_key":40417,"_type":15,"marks":40418,"text":30750},"d0eaf8f02623",[],[],{"_key":40421,"_type":11,"children":40422,"markDefs":40426,"style":24},"cf14ea6dbe3a",[40423],{"_key":40424,"_type":15,"marks":40425,"text":1150},"9d796dec833f",[],[],{"_key":40428,"_type":11,"children":40429,"markDefs":40433,"style":24},"a6d9e83d848b",[40430],{"_key":40431,"_type":15,"marks":40432,"text":30758},"ebb8c68db371",[],[],{"_key":40435,"_type":11,"children":40436,"markDefs":40440,"style":24},"20224dc8892a",[40437],{"_key":40438,"_type":15,"marks":40439,"text":1150},"66ac742592eb",[],[],{"_key":40442,"_type":11,"children":40443,"markDefs":40448,"style":24},"16c42bf9e45a",[40444],{"_key":40445,"_type":15,"marks":40446,"text":40447},"660fee725a91",[],"The programme is facilitated in English, so a confident grasp of the English language, or access to translation tools is essential for participation. This said, we endeavour to find methods for making the programme accessible to include other languages within our resources and capacities. In previous years we have experimented with alternative methods for such accessibility including a range of transcription methods, and we are open to adopting further communication and documentation tools that may be useful for participants.",[],{"_key":40450,"_type":11,"children":40451,"markDefs":40455,"style":24},"1d23d781c45a",[40452],{"_key":40453,"_type":15,"marks":40454,"text":1150},"110695365f1d",[],[],{"_key":40457,"_type":11,"children":40458,"markDefs":40463,"style":24},"a3e04454b8f8",[40459],{"_key":40460,"_type":15,"marks":40461,"text":40462},"2748e48beffb",[],"Most events are facilitated digitally and can be recorded upon request with written transcripts.We cannot promise to meet all accessibility needs and requirements. Instead, we promise to do our utmost to support you with your needs and capacities within the resources we can offer as a team.",[],{"_key":40465,"_type":11,"children":40466,"markDefs":40470,"style":24},"8e5e1682ce4f",[40467],{"_key":40468,"_type":15,"marks":40469,"text":1150},"5e760d4d46a8",[],[],{"_key":40472,"_type":11,"children":40473,"markDefs":40478,"style":24},"c08be25a02bb",[40474],{"_key":40475,"_type":15,"marks":40476,"text":40477},"10e0c63976f7",[17],"SoC Code of Conduct ",[],{"_key":40480,"_type":11,"children":40481,"markDefs":40485,"style":24},"057b02ba691d",[40482],{"_key":40483,"_type":15,"marks":40484,"text":30790},"040b94b40af3",[],[],{"_key":40487,"_type":11,"children":40488,"markDefs":40492,"style":24},"f828e45926db",[40489],{"_key":40490,"_type":15,"marks":40491,"text":1150},"816e5d352919",[],[],{"_key":40494,"_type":11,"children":40495,"markDefs":40507,"style":24},"e3a8762a68a1",[40496,40500,40504],{"_key":40497,"_type":15,"marks":40498,"text":40499},"70fbac94dc82",[],"It forms part of our committed pursuit to engendering a SAFER space (we acknowledge ‘Safe’ is a constantly evolving environment and set of conditions and commit to continuously revising and responding in relation to this). We further acknowledge that we come from different backgrounds, contexts, disciplines, and approaches and all have certain areas of unawareness, experiencing processes of learning and unlearning. Therefore, this Code of Conduct cannot account for all the ways that people might feel excluded, unsafe, or uncomfortable. It is also a tool to ensure we can best support the SoC participants, team, alumn* network, and our wider ecosystem and audiences. We commit to open dialogues, and, as such, this Code of Conduct is never considered finished and should change whenever needed. We will amend this document over time, so it reflects the priorities and sensitivities of SoC as it changes.\n \nIt is a collective responsibility for all of us to enact the behaviour described below and bring it to the physical and digital spaces of SoC. The code of conduct is a set of guidelines that helps establish shared values and ensures that behaviours that may threaten or harm participants is avoided. This document equally applies to the School of Common’s, team, participants, contributors, collaborators, and all those who engage and attend in our outputs and process. The document also applies to users and contributors to SoC’s online channels. The word ‘we’ that is used in throughout the document as it speaks to, and applies to all the above.\n\n",{"_key":40501,"_type":15,"marks":40502,"text":30803},"aa7d01a82459",[40503],"cdfc8c0650cc",{"_key":40505,"_type":15,"marks":40506,"text":5102},"5fcb29a2eeb9",[],[40508],{"_key":40503,"_type":41,"href":30806},{"_key":40510,"_type":11,"children":40511,"markDefs":40515,"style":24},"a97e8f716c79",[40512],{"_key":40513,"_type":15,"marks":40514,"text":1150},"358098926fe0",[],[],{"_key":40517,"_type":11,"children":40518,"markDefs":40528,"style":24},"e64956894882",[40519,40523],{"_key":40520,"_type":15,"marks":40521,"text":40522},"9288e8ac16b7",[],"Thank you for reading the full School of Commons Open Call 2025 document. If you have any questions regarding this document or your application, please contact directly us at ",{"_key":40524,"_type":15,"marks":40525,"text":40527},"5ec8653bef50",[40526],"421328823a8e","hello@schoolofcommons.org.",[40529],{"_key":40526,"_type":41,"href":40530},"mailto:hello@schoolofcommons.org.%E2%80%AF%E2%80%AF",{"_key":40532,"_type":11,"children":40533,"markDefs":40537,"style":24},"9c6b55c51d1b",[40534],{"_key":40535,"_type":15,"marks":40536,"text":1150},"f4cad70e8f05",[],[],{"_key":40539,"_type":11,"children":40540,"markDefs":40545,"style":24},"2ae1e82fdfa9",[40541],{"_key":40542,"_type":15,"marks":40543,"text":40544},"1bd84e40db76",[],"We very much looking forward to receiving your applications. ",[],[40547,151,2056,112,40548,40549,40550,2166],"soc open call, 2025","the application deadline is 23.59pm cet 01. dec2024.","school of commons is looking for individual and collective projects to shape the soc learning environment from april 2025 - february 2026. get funded, earn ects, and explore innovative ways of learning in a collaborative space.\n\nfor 2025 we will be selecting 16 funded projects: 8 zhdk projects from currently enrolled or employed students and staff of zhdk [zürich university of the arts], and 8 independent projects from proposals outside of zhdk, including zhdk alumni. the 8 independent projects can be from anywhere in the world, and do not have to be associated with an educational institution of any kind or have any specific level of education. for all the 16 projects we strongly encourage duos and collectives to apply, although we will be accepting projects submitted from individuals, duos, and collectives.\n\n\n\neach of the 16 projects will receive a total budget of 1,500chf towards production and travel expenses, alongside access to publishing opportunities, accommodation in zürich during the mid-year gathering, mentors/speakers, workshops on alternative ways and workings, peer learning, collaborations, and more.\n\n \n\nwhat is school of commons? \n\nschool of commons (soc) is a community-based initiative dedicated to peer learning, and the study and development of self-organized knowledge production, located at the zürich university of the arts (zhdk).\n\n\n\nto date, we have supported 157 projects since our foundation in 2017, with the content and position of soc being defined by our community. over the 10-months of the soc programme, research is conducted as peer-based collaborative endeavours with annually changing members. each cohort brings together a wide range of participants, guests, and contributors who share their curiosity, skills, and visions - producing a broad, integrative understanding of knowledge. we offer personal support, financial resources, and an active community of peers and experts engaged in a wide range of topics.\n\nsoc’s programme is developed bottom-up rather than top-down. instead of providing a fixed curriculum, we encourage participants to actively shape our programme, either by organizing and hosting events themselves, introducing new lines of study, or by inviting guest speakers and tutors who are relevant to their research. soc is there to support and help organize the educational programme our participants would like to have.\n\n\n\nin short, soc:\n\nis a global community-learning environment dedicated to the study and development of self-organized knowledge through commons-based methods and practices\n\nis located at the zurich university of the arts (zhdk), but mostly hybrid in format, taking place online, with some select offline events at the zhdk, and selected venues across zürich\n\nbrings together practitioners, researchers, facilitators, and activists from all disciplines for its 10-month peer-led learning programme\n\nhas a structure which is shaped based on the needs, requirements, and wishes of the participants\n\nworks with a broad network of partners who help to explore, shape, and share the future of peer education as an important strategy and method of lifelong learning.\n\n\n\nif you would like to familiarise yourself with some of the key terminology school of commons uses within this application pack, and as part of the learning environment, please refer to our ways and workings. if there is a term used in this application pack that you are unfamiliar with, please search for it in the ways and workings for further information and context. if there is a term used in this application pack that you are unfamiliar with, please search for it in the ways and workings for further information and context.\n\n\n\nwhat does school of commons offer to participants who are selected? \n\na one-off, unaccounted budget of 1,500 swiss francs towards production and travel expenses \n\na supportive learning environment\n\nopportunity for collaboration and exchange, as well as peer-group and public presentation platforms\n\nonline and offline spaces to experiment with ideas, concepts, and practices\n\nsupport with presentation structures such as the planning of exhibitions, events, and workshops\n\naccess to publishing opportunities, including our annual end-of-year publication: issues \n\naccess to zhdk’s infrastructure during on-site events. specifically: tech material, room-booking access, access to faculty members of zhdk \n\nparticipation in our ongoing research project into ‘accessibility and inclusion in digital and hybrid learning environments’\n\nparticipation in a 5-day workshop with cern’s ideasquare on site at zhdk\n\nintroduction to a growing soc alumni network for mutual support and exchange\n\nworkshops introducing methodologies for peer learning and co-creation\n\n\n\nwhat do school of commons’ participants have in common? \n\nit is essential that soc participants feel a connection to the main qualities that form the soc learning environment, these are:\n\nreciprocal exchange\n\nexperimentation\n\nopenness (towards one another, especially towards backgrounds and contexts unfamiliar to our own, towards definitions of, and approaches towards learning and knowledge, and towards the process of commoning, which very often requires working directly with those from outside of our own bubbles) \n\nconviviality\n\ncuriosity\n\ncommitted\n\nprocess-centred approaches\n\n\n\nwho can apply to soc?\n\nsoc is open to all countries, backgrounds, ages, and disciplines, for applicants who are interested in the production and sharing of knowledge in the broadest sense, and who feel a desire to actively engage with, work as part of, and be in collaboration with a community of fellow thinkers and producers.\n\nsoc has no set criteria in relation to formal or informal educational backgrounds. previous participants have had a broad range of qualifications from non-academic, to ba, to phd level, with backgrounds ranging from technical schools to art schools, to universities, as well as auto-didacts, makers, activists, and those with lived experience and tacit knowledge. soc has previously had the pleasure of hosting artists, scientists, architects, geographers, designers, writers, and those who consider themselves between and outside of these categories, as part of the program.\n\nsoc does not select based on discipline but is instead focused on those interested in, or working with alternative methods for learning, with an emphasis on wider definitions of knowledge and experience, as well as the desire and commitment to learn with and from others, and to engage critically and thoughtfully with the wider soc community.\n\nthe main learning agenda of soc is to produce and share practices based around the methods of peer learning and commoning. in doing so, we aim to encourage spaces for exchange and alternative ways and workings. overall, soc endeavours to be a place that produces and reproduces alternative modes of thinking and doing across research, disciplines, themes, and focuses.\n\n\n\nwhat do school of commons expect from applicants and participants? \n\nover the 10-month programme, school of commons expects, from each participant, their commitment and active participation, within their individual capacities. this is especially the case for allsoc activities and the wider learning environment that is produced collectively. tuesday evening’s between 18.00-20.00 cet/cest is scheduled school of commons time, so participants should make this time free.a commitment to the following, within capacity, must be made:\n\nweekly school of commons meetings, tuesday evenings 6-8pm cet/cest \n\nfacilitating one in the series of kitchen sessions\n\nattending the soc gathering (04-07 july, 2025) \n\ncontributing to the end-of-year issues publication\n\nparticipation (a variety of forms are possible) to the school of commons assembly in and across zürich and online, 07-08, february 2026\n\nactively using and contributing to our growing compendium of ways & workings, peer learning practices and commoning methodologies\n\nfor the full schedule for the soc program 2025 please refer to page 4 of this document\n\n\n\nduring the 10-month program, participants will work on a project surrounding a topic, theme, or subject of their choice, in a manner of their own choosing. participants are thus considered experts of their own research. soc offers impulse activities including workshops, info sessions, and tutorials which aim to provide inspiration and foundational frameworks. this said, each participant is responsible for their own learning process, as well as that of one another. you will therefore be expected to take care of, and communicate your own needs and requirements, for which we can support by co-seeking the (re)sources, tutors, mentorship, methods, and/or collaborators necessary.\n\nthere are no set outcomes expected or required as part of acceptance into the programme. soc values experimental ways of working which do not necessarily work towards predetermined outcomes.\n\n\n\nwhat is the selection process?\n\nsuccessful applicants should demonstrate clearly how they will contribute to the soc structure by expressing the ways in which they plan to engage with the wider soc community and shared learning environment, as well as the ways in which they plan to work collaboratively.\n\n\n\nselection is made by a group of peer reviewers made up of current or former participants of soc. the selection committee chooses new participants entirely anonymously, based only on the submitted project plans and the applicants’ willingness to actively contribute towards a collaborative learning environment. cv’s or portfolios are not accepted as part of the application procedure, any and all identifiable information (name, country, educational and/or institutional affiliations) must also be entirely emitted from the application.\n\n\n\nsuccessful proposals will therefore:\n\npresent clear information about the aims, methods, and openness of their project\n\nprovide sufficient information on the ways in which they wish to work within and contribute towards the collective learning environment of school of commons\n\ndemonstrate a clear interest in peer learning and collective knowledge production and distribution, for example naming areas of the project in which collaboration is encourages or processes and methods can be actively shared\n\nif the project already exists, or is part of a larger body of work, the applicant must clearly state what specific area of the work will be developed within soc, and how this area of the research specifically connects to soc\n\nif applying as a collective, the applicant must explain how the collective will be consistently represented and present in the programme. i.e. will all, or a select number of collective members attend the meetings and events, or will tasks be divided amongst the collective? we encourage consistency of representation throughout the program, even if this means only 1 or 2 members of a collective regularly attend meetings and activities. this consistency allows for community cohesion and trust building.\n\n\n\nselection is based on the completeness of submitted materials, the feasibility of the project, and how well the project connects to the aims and values of the soc learning environment. applications which include clear identifiable information (name, city/country, educational and/or institutional affiliations) will not be accepted for review.\n\n\n\nthere are two main categories for which applications are assessed. under each category or sub-categories which must be taken into consideration:\n\n\n\ncategory 1: content of the proposal \n\ncontent looks at the clarity of the proposals’ key questions, lines of inquiry and suggested ways of working, as well as the relevance of the project in relation to major societal issues, tensions and questions, current discourse on the topic, and the use of innovative and/or experimental approaches.\n\n\n\ncategory 2: motivation to be part of the school of commons learning environment \n\nmotivation looks at the proposals’ ambitions towards contributing to alternative forms of knowledge production and circulation, peer learning, commoning practices, and the overall ethos and spirit of the soc learning environment. it also looks for a demonstrated commitment to actively exchanging, sharing, and collaborating with fellow participants, with clear examples of how this will be tangibly overseen, incorporating approaches based upon sharing, reproducing, and collaborating as part of the soc learning environment to support this.\n\n\n\nplease note: applicants may submit one application only to the 2025 open call. previous participants can only apply with an entirely new project with new collaborators. participants may only join soc for two consecutive years.\n\n\n\nyou can find out more about previous soc participants and projects here. we encourage you to access our directory of ways and workings to help guide your application.\n\n\nhow will school of commons be structured for 2025?\n\nsoc offers a learning environment and a 10-month programme structure that is evolved and shaped in dialogue with participants. as part of the 10-month programme, soc helps facilitate an internal programme of open spaces and sessions with participants. this is combined with a series of public offerings, all of which are open access, and which help to make the knowledge and practices that arise from the programme through our participants and their processes, publicly available and shareable.\n \nthe proposed structure for the preliminary programme over the 10 months of april 2025 - february 2026 is as follows:","school of commons 2025 schedule*\n\n*please ensure you are available for the following dates before applying:\n\n\n\nwelcome meetings\ntuesdays: 17h, 18h, and 19h cet/cest [online]\ndates: march 4, march 11, march 18, march 25, april 1, april 8, 2025\nthese are one-on-one 45-minute sessions aim to build trust, address questions, and ensure accessibility. participants will meet with soc team members for individual discussions.\n\n\n\nsoc kick-off\n\ndates: april 11-13, 2025, times tbc. depending on time zone representation [online]\nthe kick-off is an opportunity to connect, share, and learn with the rest of your cohort and the soc team about the program and 10-months ahead.\n\n\n\nguest lecture and ways & working workshops (w&ww)\n\ntuesdays, 6-8 pm cest [online] \n\ndates: april 22, april 29,may 6, 2025\n\nthe w&ww (ways & workings workshops) aim to enable self-organisation, with a 45-minute input from soc followed by informal one-on-one or small group meetings.\n\n\n\nkitchen sessions\n\ntuesdays, 6-8 pm cest [online]\ndates: may 13, may 20, may 27, june 3, june 10, june 24, july 1 \n\nthese informal sessions, focused on peer learning and exchange, are open to the public, unless a participant indicates otherwise. 2 projects will each have 45 min to share something about themselves and their project in the way of their choosing. we bring in the ‘kitchen’ element by eating together through zoom during the sessions.\n\n\n\nworkshop with cern / idea square\n\ndates: june 29 - july 3, 2025 [in person, geneva]\n\nthis five-day workshop, hosted in collaboration with idea square / cern, focuses on ‘the future of collaboration’. the event kicks off with an on-site visit to cern in geneva on june 29. participation is voluntary with limited funding support. participation is open to applicants through an internal call.\n\n\n\nsoc gathering\n\ndates: july 4-7, 2025 [in person, with various modes of hybrid accessibility] \n\nheld at the zürich university of the arts, the soc gathering emphasizes peer learning, self-organization, commoning methods, and social interaction. one-third of the time is dedicated to inputs from the cohort, another third to the soc team and external guests, and the remaining time is unstructured for surprise connections and collaborations to emerge.\n\n\n\nself-organized program\n\ntuesdays, 6-8 pm cest [online]\nstarting date: july 8, 2025\n\nadditional dates may include september 2, 9, 16, 23, 30; october 7, 14, 21, 28; november 4, 11, 18; december 2.\n\nthis phase focuses on self-directed and peer learning, with the cohort taking charge of program activities. the soc team supports with resources, organisation, and feedback including one-on-one meetings, as well as managing public communications.\n\n\n\nsoc assembly\ndates: february 5-8, 2026 [in person with hybrid offerings]\n\nthe soc assembly is a public event designed to share processes and outcomes, engage with external partners, and ensure visibility for the cohort's work. previous contributions have included time-based formats (talks, workshops), display formats (exhibitions), and publications. the scope and framing of the assembling will be decided collectively between the soc team and cohort. preparations will be held on the following tuesdays: december 9, 2025, january 20, 2026, january 27, 2026\n\nthe closing event will be held online on february 10, 2026, from 6-8 pm cet.\n\n\n\n\n\nhow to apply \n\n\n\napplications are submitted via this google form where you will be asked a set of mandatory questions to answer. you must answer all questions in full before you can submit your response.\n\n\n\nno cvs, biographies or formal educational requirements should be included anywhere in the application form. please refrain from including any key identifiable information about yourself. applications must be submitted either in english or german. the programme is facilitated in english, so a confident grasp of the english language is required for full participation.\n\n\n\nwe strongly emphasise that if the above information is not followed, including if names or key information is included in the application, or if the application exceeds the word limits, the application will not be considered.\n\n\n\napply here the link to apply is: https://forms.gle/3qvnwoae8q3pcfk88\n\n\n\nthe application deadline is 23.59pm cet 01. dec2024. for any questions, please get in touch at: hello@schoolofcommons.org. you will hear back with a response by february 07, 2025.\n\n\n\na dedicated q+a session for the open call will be held via zoom on wednesday 16 october, 17.30-19.00 cest, which we encourage you to attend.\n\n\n\nfor faq’s, please access our dedicated document: soc open call 2025 faqs\n\n\n\nsoc and accessibility \n\nwe actively encourage applications from individuals or collectives from underrepresented groups and who identify as bipoc, flinta, lgbtqia+ and those with a disability and neurodiverse conditions. \n\n\n\neach participant will receive an access rider ahead of the soc kick-off weekend, and we organise a welcome meeting for each participant or collective to discuss their needs and requirements ahead of the starting date where any needs, requirements, or desires can be communicated.\n\n\n\nover the course of the next few years, we will be undertaking extensive research on ‘accessibility and inclusion in digital and hybrid learning environments’. we intend to implement our findings directly within soc, and welcome participants to contribute towards the research if they are interested or may find it useful.\n\n\n\nthe programme is facilitated in english, so a confident grasp of the english language, or access to translation tools is essential for participation. this said, we endeavour to find methods for making the programme accessible to include other languages within our resources and capacities. in previous years we have experimented with alternative methods for such accessibility including a range of transcription methods, and we are open to adopting further communication and documentation tools that may be useful for participants.\n\n\n\nmost events are facilitated digitally and can be recorded upon request with written transcripts.we cannot promise to meet all accessibility needs and requirements. instead, we promise to do our utmost to support you with your needs and capacities within the resources we can offer as a team.\n\n\n\nsoc code of conduct \n\nthis code of conduct is a basis for all our activities, gatherings, communications, and internal and external outputs.\n\n\n\nit forms part of our committed pursuit to engendering a safer space (we acknowledge ‘safe’ is a constantly evolving environment and set of conditions and commit to continuously revising and responding in relation to this). we further acknowledge that we come from different backgrounds, contexts, disciplines, and approaches and all have certain areas of unawareness, experiencing processes of learning and unlearning. therefore, this code of conduct cannot account for all the ways that people might feel excluded, unsafe, or uncomfortable. it is also a tool to ensure we can best support the soc participants, team, alumn* network, and our wider ecosystem and audiences. we commit to open dialogues, and, as such, this code of conduct is never considered finished and should change whenever needed. we will amend this document over time, so it reflects the priorities and sensitivities of soc as it changes.\n \nit is a collective responsibility for all of us to enact the behaviour described below and bring it to the physical and digital spaces of soc. the code of conduct is a set of guidelines that helps establish shared values and ensures that behaviours that may threaten or harm participants is avoided. this document equally applies to the school of common’s, team, participants, contributors, collaborators, and all those who engage and attend in our outputs and process. the document also applies to users and contributors to soc’s online channels. the word ‘we’ that is used in throughout the document as it speaks to, and applies to all the above.\n\nread our full code of conduct, here. \n\n\n\nthank you for reading the full school of commons open call 2025 document. if you have any questions regarding this document or your application, please contact directly us at hello@schoolofcommons.org.\n\n\n\nwe very much looking forward to receiving your applications. ",{"_type":77,"current":40552},"soc-open-call-2025","The application deadline is 23.59pm CET 01. 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We became the first developers and testers of a practice that involves asking for and receiving long term distributed support from people in our communities. We believe that we are now harder to fuck with.The premise of The Hologram is deceptively simple: One person invites three people to support them through regular seasonal meetings. These three people – the ‘Triangle’ – meet altogether, digitally or in person, to focus on asking questions about the physical, mental and social health of the ‘hologram’, who invited them. The hologram, in turn, teaches these listeners how to give and also receive care. When they are ready, the hologram supports them to each set up their own triangle of support by three people, and so the system expands. This social technology is based on “The Integrative Model” which was developed in a Social Solidarity Clinic in Thessaloniki, Greece during the height of the financial and migration crisis. In this model, a patient is seen by a doctor, social worker and therapist in one setting. 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The project seeks alternative modes of knowing as a communal and collective practice that resists the ongoing colonial system of knowledge production to explore a platform as a decentralised time-space of (un)learning that be with the past, the present to the future of intersectional feminist endeavours.",[],[50646],{"_key":50647,"_type":11,"children":50648,"markDefs":50653,"style":24},"443d38dc189e",[50649],{"_key":50650,"_type":15,"marks":50651,"text":50652},"283f97fb8db8",[],"How can the method of library-making and archival practice be collaborative to challenge the canonical systematisation, categorisation and languages? \n\nHow can intersectional feminist spirits be shared as a living library while embracing the physical bodily experiences with textual materials?",[],[50655,2127,141,50528,50656,1100,170,13273],"living library of becomings","“living library of becomings” is a research and performative library project dedicated to the multiple artistic narrations from intersectional, queer, and decolonial feminist perspectives, with an attempt to create a platform in which such voices and texts are shared in tactile and performative ways.\n\nkey questions are: how can the method of library-making and archival practice be collaborative to challenge the canonical systematisation, categorisation and languages? how can intersectional feminist spirits be shared as a living library while embracing the physical bodily experiences with textual materials?\n\nwith these questions, the learning period in the soc framework will be spent to research and collect artistic publications or text- or audio-based materials in various forms, to research and interviews with practitioners who engage in the decolonial feminist archive and libraries, and to develop a digital platform. the project seeks alternative modes of knowing as a communal and collective practice that resists the ongoing colonial system of knowledge production to explore a platform as a decentralised time-space of (un)learning that be with the past, the present to the future of intersectional feminist endeavours.",{"_type":77,"current":50658},"living-library-of-becomings",{"locations":50660,"other":50663},[50661],{"_id":139,"_type":121,"seo":75,"slug":50662,"title":142},{"_type":77,"current":141},[50664],{"_key":50665,"_type":11,"children":50666,"markDefs":50676,"style":24},"cdcc50f457f9",[50667,50672],{"_key":50668,"_type":15,"marks":50669,"text":50671},"32fa46177c9f",[50670],"69f5856ae234","Austrian Association of Women Artists",{"_key":50673,"_type":15,"marks":50674,"text":50675},"e03c250174b4",[]," (VBKÖ), Maysedergasse 2/28, 4. floor (elevator available) 1010 Vienna",[50677],{"_key":50670,"_type":41,"blank":42,"href":50678},"https://www.vbkoe.org/en/about/",[50680],{"_type":728,"settings":75,"text":50681},[50682,50690,50698],{"_key":50683,"_type":11,"children":50684,"markDefs":50689,"style":24},"92927a438c0e",[50685],{"_key":50686,"_type":15,"marks":50687,"text":50688},"b5ec3a2cfa970",[],"Curated by Miwa Negoro⁠\nExhibition design by Shi Yin⁠",[],{"_key":50691,"_type":11,"children":50692,"markDefs":50697,"style":24},"ea07fcd41c74",[50693],{"_key":50694,"_type":15,"marks":50695,"text":50696},"095907786e3d0",[],"living library of becomings is a group exhibition derived from a performative library project dedicated to multiple narratives of intersectional, decolonial, queer feminist spirits. It draws inspiration from influential writings that challenge the binary confines of destructive colonial modernity to transcend geopolitical, linguistic, and spiritual boundaries while nurturing an emancipatory power from within. The exhibition features the works that explore the shape-shifting bodies of water, thoughts, languages, and feelings as the fluid, transformative agency. It embraces the margin, the liminal, and its relation as an assemblage, recognizing the affects of proximity, displacement, and (dis)orientation in the moment of grief, loss, and liberation. The visitor is invited to spend their time reading textual materials from the library, including various artistic zines and collective publishing practices, as well as the selection from VBKÖ Archive. During the exhibition, the space will be activated by a talk, performative interaction, somatic reading session, and reading performance.⁠",[],{"_key":50699,"_type":11,"children":50700,"markDefs":50710,"style":24},"134412e7e4c6",[50701,50705],{"_key":50702,"_type":15,"marks":50703,"text":50704},"05e207b52c300",[],"The exhibition is supported by Culture Moves Europe, a project funded by the European Union.⁠\n⁠\nFor more info on the program, check out ",{"_key":50706,"_type":15,"marks":50707,"text":50709},"56abba8052cc",[50708],"5a1772d004f6","VBKOE.ORG",[50711],{"_key":50708,"_type":41,"blank":42,"href":50712},"https://www.vbkoe.org/en/",[50714,141,50715,270,170,1318,50716,50717,50528],"living library of becomings⁠","austrian association of women artists (vbkö), maysedergasse 2/28, 4. floor (elevator available) 1010 vienna","with paloma ayala, nikita yingqian cai, kyungrim lim jang & hannah sakai, tina omayemi reden, salma shaka, kanako tada, sophie utikal, volumes archive, and diverse publishing practices⁠.","curated by miwa negoro⁠\nexhibition design by shi yin⁠\n\nliving library of becomings is a group exhibition derived from a performative library project dedicated to multiple narratives of intersectional, decolonial, queer feminist spirits. it draws inspiration from influential writings that challenge the binary confines of destructive colonial modernity to transcend geopolitical, linguistic, and spiritual boundaries while nurturing an emancipatory power from within. the exhibition features the works that explore the shape-shifting bodies of water, thoughts, languages, and feelings as the fluid, transformative agency. it embraces the margin, the liminal, and its relation as an assemblage, recognizing the affects of proximity, displacement, and (dis)orientation in the moment of grief, loss, and liberation. the visitor is invited to spend their time reading textual materials from the library, including various artistic zines and collective publishing practices, as well as the selection from vbkö archive. during the exhibition, the space will be activated by a talk, performative interaction, somatic reading session, and reading performance.⁠\n\nthe exhibition is supported by culture moves europe, a project funded by the european union.⁠\n⁠\nfor more info on the program, check out vbkoe.org",{"_type":77,"current":50658},"With Paloma Ayala, Nikita Yingqian Cai, Kyungrim Lim Jang & Hannah Sakai, Tina Omayemi Reden, Salma Shaka, Kanako Tada, Sophie Utikal, VOLUMES Archive, and diverse publishing practices⁠.",[50721],{"_id":100,"_type":97,"seo":75,"slug":50722,"title":103},{"_type":77,"current":102},{"_id":50724,"_type":556,"additionalDetails":75,"categories":50725,"credits":50729,"dates":50835,"events":50839,"featuredImage":50840,"filterables":50845,"labs":75,"locations":50852,"pageBuilder":50872,"parentEvent":75,"searchables":50938,"seo":75,"slug":50943,"summary":50945,"title":50939,"types":50946},"1731595d-3138-4b5e-9b08-b63336d5c8ba",[50726],{"_id":268,"_type":155,"colorPrimary":50727,"seo":75,"slug":50728,"title":271},{"label":569,"value":28658},{"_type":77,"current":270},{"other":75,"profiles":50730},[50731,50774],{"_id":50732,"_type":576,"activeYears":50733,"bio":50738,"bioShort":50747,"featuredImage":50748,"filterables":50755,"links":50759,"locations":50764,"searchables":50770,"seo":75,"slug":50772,"title":50749},"eacbf85e-b9bb-4522-8e9e-9dfbfc6c3fd2",[50734,50736],{"_id":2115,"_type":580,"seo":75,"slug":50735,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":50737,"title":2123},{"_type":77,"current":2122},[50739],{"_key":50740,"_type":11,"children":50741,"markDefs":50746,"style":24},"98d9d3eacaff",[50742],{"_key":50743,"_type":15,"marks":50744,"text":50745},"aafe586633eb0",[],"She focuses on the notions of familiarity, repetition and categorisation, and the influence of bureaucratic infrastructures on our relationship with movement, freedom and language. She is interested in collaborative modes of working that initiate dialogues about precarious living and working conditions in the art worlds.",[],"Betül Aksu (b. 1990, Izmir) is an artist who explores how boundaries appear in everyday life. ",{"alt":50749,"asset":50750},"Betül Aksu",{"_id":50751,"height":50752,"orientation":598,"ratio":50753,"url":50754,"width":1031},"image-d422a5ee4e19b4b40f314b33e7a9ad1874c84d83-2560x2557-jpg",2557,1.0011732499022292,"https://cdn.sanity.io/images/eodip22e/production/d422a5ee4e19b4b40f314b33e7a9ad1874c84d83-2560x2557.jpg",{"filterYear":50756},[50757,50758],{"_id":2115,"title":2118},{"_id":2120,"title":2123},[50760,50762],{"_type":607,"label":608,"url":50761},"https://betulaksu.com/",{"_type":607,"label":2160,"url":50763},"https://www.instagram.com/betulaksu",{"locations":50765,"other":75},[50766,50768],{"_id":139,"_type":121,"seo":75,"slug":50767,"title":142},{"_type":77,"current":141},{"_id":129,"_type":121,"seo":75,"slug":50769,"title":132},{"_type":77,"current":131},[50771,2117,2122],"betül aksu",{"_type":77,"current":50773},"betuel-aksu",{"_id":3829,"_type":576,"activeYears":50775,"bio":50796,"bioShort":3858,"featuredImage":50807,"filterables":50809,"links":50821,"locations":50823,"searchables":50833,"seo":75,"slug":50834,"title":3869},[50776,50778,50780,50782,50784,50786,50788,50790,50792,50794],{"_id":2095,"_type":580,"seo":75,"slug":50777,"title":2098},{"_type":77,"current":2097},{"_id":2100,"_type":580,"seo":75,"slug":50779,"title":2103},{"_type":77,"current":2102},{"_id":2105,"_type":580,"seo":75,"slug":50781,"title":2108},{"_type":77,"current":2107},{"_id":2110,"_type":580,"seo":75,"slug":50783,"title":2113},{"_type":77,"current":2112},{"_id":2115,"_type":580,"seo":75,"slug":50785,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":50787,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":50789,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":50791,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":50793,"title":1350},{"_type":77,"current":1349},{"_id":579,"_type":580,"seo":75,"slug":50795,"title":583},{"_type":77,"current":582},[50797,50802],{"_key":3853,"_type":11,"children":50798,"markDefs":50801,"style":24},[50799],{"_key":3856,"_type":15,"marks":50800,"text":3858},[],[],{"_key":3861,"_type":11,"children":50803,"markDefs":50806,"style":24},[50804],{"_key":3864,"_type":15,"marks":50805,"text":3866},[],[],{"alt":3869,"asset":50808},{"_id":3871,"height":3872,"orientation":598,"ratio":3873,"url":3874,"width":3875},{"filterYear":50810},[50811,50812,50813,50814,50815,50816,50817,50818,50819,50820],{"_id":2095,"title":2098},{"_id":2100,"title":2103},{"_id":2105,"title":2108},{"_id":2110,"title":2113},{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},{"_id":579,"title":583},[50822],{"_type":607,"label":2160,"url":3890},{"locations":50824,"other":50827},[50825],{"_id":139,"_type":121,"seo":75,"slug":50826,"title":142},{"_type":77,"current":141},[50828],{"_key":3897,"_type":11,"children":50829,"markDefs":50832,"style":24},[50830],{"_key":3900,"_type":15,"marks":50831,"text":3822},[],[],[3904,2097,2102,2107,2112,2117,2122,2127,883,1349,582],{"_type":77,"current":3906},{"endDate":50836,"other":50837,"startDate":50838},"2024-03-06","29.02.24, 16:00 – 06.03.24, 17:00\nOpening: Thursday, February 29, 18:00","2024-02-29",[],{"alt":50841,"asset":50842},"hold, place, transfer ​​↵ repeat by Betül Aksu",{"_id":50843,"height":636,"orientation":637,"ratio":638,"url":50844,"width":640},"image-9ebc563c928714fba4d117c5eaa5b7e190cd3717-1080x1350-png","https://cdn.sanity.io/images/eodip22e/production/9ebc563c928714fba4d117c5eaa5b7e190cd3717-1080x1350.png",{"filterCategory":50846,"filterLocation":50848,"filterType":50850},[50847],{"_id":268,"title":271},[50849],{"_id":139,"title":142},[50851],{"_id":100,"title":103},{"locations":50853,"other":50856},[50854],{"_id":139,"_type":121,"seo":75,"slug":50855,"title":142},{"_type":77,"current":141},[50857],{"_key":50858,"_type":11,"children":50859,"markDefs":50869,"style":24},"ea924501dead",[50860,50865],{"_key":50861,"_type":15,"marks":50862,"text":50864},"525e4343c69c0",[50863],"fb8887e4c1a1","Material",{"_key":50866,"_type":15,"marks":50867,"text":50868},"f941e80a7191",[],", Klingenstrasse 23, 8005 Zürich",[50870],{"_key":50863,"_type":41,"blank":42,"href":50871},"https://materialismus.ch/",[50873],{"_type":728,"settings":75,"text":50874},[50875,50891,50915,50923],{"_key":50876,"_type":11,"children":50877,"markDefs":50890,"style":24},"fd03d578c92d",[50878,50882,50886],{"_key":50879,"_type":15,"marks":50880,"text":50881},"472f63391ae4",[],"Betül Aksu’s works in printmaking play with the notions of uniqueness, repetition and mistakes. Her monotype series titled ",{"_key":50883,"_type":15,"marks":50884,"text":50885},"dc7c8c0a0007",[17],"Unnamed rectangles",{"_key":50887,"_type":15,"marks":50888,"text":50889},"a154c15a6439",[]," use standard metal plates to print images of overlapping rectangles that are random in size. In this work, the artist explores what is considered unique in the wide spectrum of printmaking practices. She prints on the same archival paper over and over again by applying the ink on a metal plate and transferring it onto paper until the ink no longer prints. In this repetitive printing process, the artist holds the metal plate, places it on the paper and transfers the ink without fixing the mistakes.",[],{"_key":50892,"_type":11,"children":50893,"markDefs":50914,"style":24},"f1f2058284af",[50894,50898,50902,50906,50910],{"_key":50895,"_type":15,"marks":50896,"text":50897},"67a5b12574b9",[],"While working on Unnamed rectangles, the artist uses newsprint papers to protect the printing bed and unprinted areas of the archival paper. These low-cost and non-archival papers pick up the ink residue and the engraving of the rectangular plate, creating images in between the unique prints and their ghost images. These randomly engraved painting series titled ",{"_key":50899,"_type":15,"marks":50900,"text":50901},"d18ccb3917a2",[17],"image break",{"_key":50903,"_type":15,"marks":50904,"text":50905},"854bcf9bc70b",[]," accompany the unique prints, building a tension around image uniqueness. The storefront of the gallery space displays the installation titled ",{"_key":50907,"_type":15,"marks":50908,"text":50909},"d4e35bb09408",[17],"Studio on the go",{"_key":50911,"_type":15,"marks":50912,"text":50913},"bade567630e5",[],". The work welcomes passersby to witness the printmaking materials the artist has used in her workspaces in Izmir, Istanbul and London.",[],{"_key":50916,"_type":11,"children":50917,"markDefs":50922,"style":24},"76553e38e315",[50918],{"_key":50919,"_type":15,"marks":50920,"text":50921},"fe0f6d036c4f",[],"Curated by Marea Hildebrand",[],{"_key":50924,"_type":11,"children":50925,"markDefs":50935,"style":24},"b29296aea808",[50926,50930],{"_key":50927,"_type":15,"marks":50928,"text":50929},"99d998ed4d99",[],"For further information please contact ",{"_key":50931,"_type":15,"marks":50932,"text":50934},"668542f484c4",[50933],"eda40ec24d3a","betulaksu@protonmail.com",[50936],{"_key":50933,"_type":41,"href":50937},"mailto:betulaksu@protonmail.com",[50939,141,50940,270,1318,50941,50942,50771,3904],"hold, place, transfer ​​↵ repeat","material, klingenstrasse 23, 8005 zürich","betül aksu’s first solo exhibition titled hold, place, transfer ​​↵ repeat opens at material in zürich between february 29 – march 6, 2024. curated by marea hildebrand from the school of commons, the exhibition brings together two series of works on paper accompanied by an installation that displays the artist’s printmaking materials.","betül aksu’s works in printmaking play with the notions of uniqueness, repetition and mistakes. her monotype series titled unnamed rectangles use standard metal plates to print images of overlapping rectangles that are random in size. in this work, the artist explores what is considered unique in the wide spectrum of printmaking practices. she prints on the same archival paper over and over again by applying the ink on a metal plate and transferring it onto paper until the ink no longer prints. in this repetitive printing process, the artist holds the metal plate, places it on the paper and transfers the ink without fixing the mistakes.\n\nwhile working on unnamed rectangles, the artist uses newsprint papers to protect the printing bed and unprinted areas of the archival paper. these low-cost and non-archival papers pick up the ink residue and the engraving of the rectangular plate, creating images in between the unique prints and their ghost images. these randomly engraved painting series titled image break accompany the unique prints, building a tension around image uniqueness. the storefront of the gallery space displays the installation titled studio on the go. the work welcomes passersby to witness the printmaking materials the artist has used in her workspaces in izmir, istanbul and london.\n\ncurated by marea hildebrand\n\nfor further information please contact betulaksu@protonmail.com",{"_type":77,"current":50944},"hold-place-transfer-repeat","Betül Aksu’s first solo exhibition titled hold, place, transfer ​​↵ repeat opens at Material in Zürich between February 29 – March 6, 2024. Curated by Marea Hildebrand from The School of Commons, the exhibition brings together two series of works on paper accompanied by an installation that displays the artist’s printmaking materials.",[50947],{"_id":100,"_type":97,"seo":75,"slug":50948,"title":103},{"_type":77,"current":102},{"_id":50950,"_type":556,"additionalDetails":75,"categories":50951,"credits":50955,"dates":50984,"events":50987,"featuredImage":51001,"filterables":51009,"labs":51016,"locations":51234,"pageBuilder":51238,"parentEvent":75,"searchables":51274,"seo":75,"slug":51278,"summary":51280,"title":51281,"types":51282},"c9005db5-4a67-4cd9-ab1b-b98d09d94e5d",[50952],{"_id":263,"_type":155,"colorPrimary":50953,"seo":75,"slug":50954,"title":266},{"label":569,"value":5716},{"_type":77,"current":265},{"other":75,"profiles":50956},[50957],{"_id":14107,"_type":576,"activeYears":50958,"bio":50965,"bioShort":14124,"featuredImage":75,"filterables":50971,"links":50976,"locations":50978,"searchables":50982,"seo":75,"slug":50983,"title":14141},[50959,50961,50963],{"_id":2115,"_type":580,"seo":75,"slug":50960,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":50962,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":50964,"title":2128},{"_type":77,"current":2127},[50966],{"_key":14117,"_type":11,"children":50967,"markDefs":50970,"style":24},[50968],{"_key":14120,"_type":15,"marks":50969,"text":14122},[],[],{"filterYear":50972},[50973,50974,50975],{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},[50977],{"_type":607,"label":2160,"url":14132},{"locations":50979,"other":75},[50980],{"_id":124,"_type":121,"seo":75,"slug":50981,"title":127},{"_type":77,"current":126},[14138,2117,2122,2127],{"_type":77,"current":14140},{"endDate":50985,"other":50986,"startDate":50985},"2024-02-04","20:00–20:30 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in collaboration with Richard Welch, Mic Balkind, Luyolo Lenga, Lizo Sonkwala, Duduzile Mathebula, Vuyiswa Xeketwane, Wandile Ndlovu and the Sidvwaba Cave",[],{"_key":51034,"_type":11,"children":51035,"markDefs":51039,"style":24},"439775e5cdac",[51036],{"_key":51037,"_type":15,"marks":51038,"text":1150},"c7d73672531a",[],[],{"_key":51041,"_type":11,"children":51042,"markDefs":51046,"style":24},"b0fe171e0416",[51043],{"_key":51044,"_type":15,"marks":51045,"text":1150},"3bcea6da2357",[],[],[51048],{"_id":14107,"_type":576,"activeYears":51049,"bio":51056,"bioShort":14124,"featuredImage":75,"filterables":51062,"links":51067,"locations":51069,"searchables":51073,"seo":75,"slug":51074,"title":14141},[51050,51052,51054],{"_id":2115,"_type":580,"seo":75,"slug":51051,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":51053,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":51055,"title":2128},{"_type":77,"current":2127},[51057],{"_key":14117,"_type":11,"children":51058,"markDefs":51061,"style":24},[51059],{"_key":14120,"_type":15,"marks":51060,"text":14122},[],[],{"filterYear":51063},[51064,51065,51066],{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},[51068],{"_type":607,"label":2160,"url":14132},{"locations":51070,"other":75},[51071],{"_id":124,"_type":121,"seo":75,"slug":51072,"title":127},{"_type":77,"current":126},[14138,2117,2122,2127],{"_type":77,"current":14140},{"alt":51076,"asset":51077},"School of Commons - Makhandzambili (\"Forerunners\")",{"_id":51078,"height":51079,"orientation":598,"ratio":51080,"url":51081,"width":51082},"image-0534a287a7b3b70858d6aa6321ca93fd8e6df3a1-2660x1146-png",1146,2.3211169284467714,"https://cdn.sanity.io/images/eodip22e/production/0534a287a7b3b70858d6aa6321ca93fd8e6df3a1-2660x1146.png",2660,{"filterCategory":51084,"filterLocation":51086,"filterYear":51088},[51085],{"_id":13991,"title":13996},[51087],{"_id":124,"title":127},[51089],{"_id":2125,"title":2128},[],{"locations":51092,"other":51095},[51093],{"_id":124,"_type":121,"seo":75,"slug":51094,"title":127},{"_type":77,"current":126},[51096],{"_key":51097,"_type":11,"children":51098,"markDefs":51103,"style":24},"b758fd3db89b",[51099],{"_key":51100,"_type":15,"marks":51101,"text":51102},"d7e9baedb7400",[],"Sudwala Caves, South Africa",[],[51105],{"_type":728,"settings":75,"text":51106},[51107,51115,51123,51131,51139,51153,51161,51169,51177,51185,51193,51201,51209],{"_key":51108,"_type":11,"children":51109,"markDefs":51114,"style":24},"9537438472ea",[51110],{"_key":51111,"_type":15,"marks":51112,"text":51113},"1455bfdf4fbc",[],"STORY OF CAVES:",[],{"_key":51116,"_type":11,"children":51117,"markDefs":51122,"style":24},"7030aaae0df0",[51118],{"_key":51119,"_type":15,"marks":51120,"text":51121},"fd3aab93b508",[],"CAVE#1",[],{"_key":51124,"_type":11,"children":51125,"markDefs":51130,"style":24},"678259f4af54",[51126],{"_key":51127,"_type":15,"marks":51128,"text":51129},"47cb492928c1",[],"In May of 2022, under the auspices of performer-academic Msakha Mona, we participated in a concert held inside the 240 million year old Precambrian dolomite caves near Mbombela in the Mpumalanga province of the Rep. South Africa, not far from the eSwatini border.",[],{"_key":51132,"_type":11,"children":51133,"markDefs":51138,"style":24},"257152c3013c",[51134],{"_key":51135,"_type":15,"marks":51136,"text":51137},"abe86d9021de",[],"Young people from schools around the province were bused in to form the participating audience in the enormous natural amphitheatre, with a stage set inside its vaulting rock fortress, with incredible acoustics, grace of the absorptive capacity of dolomite.",[],{"_key":51140,"_type":11,"children":51141,"markDefs":51151,"style":24},"931aa2d7dc0a",[51142,51146],{"_key":51143,"_type":15,"marks":51144,"text":51145},"09b64d9de89e",[],"These are officially called the “Sudwala Caves”, whereas this is a relic of Anglicised pronunciation, with the true name being “Sidvwaba”, eponymous of the indvuna (captain/councilor) of Prince Somcuba, who was their guardian when used as a defensive fortress inhabited by many people with cattle. ",{"_key":51147,"_type":15,"marks":51148,"text":51150},"9426bee277f6",[51149],"d14eeaa3d22b","https://ss.wikipedia.org/wiki/Umlandvo_wemaSwati",[51152],{"_key":51149,"_type":41,"blank":42,"href":51150},{"_key":51154,"_type":11,"children":51155,"markDefs":51160,"style":24},"3dc7545274b4",[51156],{"_key":51157,"_type":15,"marks":51158,"text":51159},"4a8d0ddc776c",[],"But as the music filled the cave, and this “correction” was made in song (正名 - https://en.wikipedia.org/wiki/Rectification_of_names), the space temporarily became like a living rock cathedral of alternative knowledge production. It became clear that we need to mobilise further for this..",[],{"_key":51162,"_type":11,"children":51163,"markDefs":51168,"style":24},"40af766c95f0",[51164],{"_key":51165,"_type":15,"marks":51166,"text":51167},"d3970f2fcdab",[],"So, the above narrative reorientation served as an index to a possible collaborative objective. We could attempt to summarise this as follows:",[],{"_key":51170,"_type":11,"children":51171,"markDefs":51176,"style":24},"12aa8f9995bc",[51172],{"_key":51173,"_type":15,"marks":51174,"text":51175},"2ee64060efe6",[],"“an ensemble of adventurous artist/ic-researchers giving way to endogenous knowledge production and tradition”.",[],{"_key":51178,"_type":11,"children":51179,"markDefs":51184,"style":24},"ee70086f4b57",[51180],{"_key":51181,"_type":15,"marks":51182,"text":51183},"a0b3f6480fcb",[],"These people hail from the region of Southern Africa, but who are to be found all around the world, as well as those that hail from all around the world, but who could be better found in our caves.",[],{"_key":51186,"_type":11,"children":51187,"markDefs":51192,"style":24},"9526031e539b",[51188],{"_key":51189,"_type":15,"marks":51190,"text":51191},"270cfecb1e2e",[],"CAVE#2",[],{"_key":51194,"_type":11,"children":51195,"markDefs":51200,"style":24},"5d923ba4e321",[51196],{"_key":51197,"_type":15,"marks":51198,"text":51199},"724cd78089f3",[],"Near the mouth of the estuary known as the Verlorenvlei, in the cold rainfall region of the Western Cape called !Naremâb, there is the Eland’s Bay Cave. It is named as such because of the traditional petroglyphs depicting eland antelope – a prime potency and identity in the trance practice that produced/sensed them. Also on these walls are hundreds of ancient ochre handprints. We understand they are created in the diviner’s séance and they connect people through the rock across time and space. At the foot of these caves are some abandoned buildings inside which there are decades of scratched graffiti – a companion to the old rock paintings above.",[],{"_key":51202,"_type":11,"children":51203,"markDefs":51208,"style":24},"fa748e043441",[51204],{"_key":51205,"_type":15,"marks":51206,"text":51207},"58606eac9234",[],"Here we find another space of emakhandzambili – the forerunners – and their descendant digressions of sign – another meeting place for the practice of collective reorientation.",[],{"_key":51210,"_type":11,"children":51211,"markDefs":51216,"style":24},"6cda491a48f1",[51212],{"_key":51213,"_type":15,"marks":51214,"text":51215},"cfafa9e12cf7",[],"We propose to use these two spaces as both a physical/online and figurative base to image how a peer-learning hub fostering these values could be structured and maintained as a companion or satellite to the SoC, currently based at ZHdK.\n\n(1) We want to do this project because there is a real need for alternative peer-learning spaces in Southern Africa that are sustainable and foster communal growth, dynamism, and imaginative experimentation. We want to use the caves as an emblem of this and engage peers to help realise this investigation, in Mbombela, ||Hui!gaeb (Cape Town), and Johannesburg, as well as eSwatini, Botswana, and possibly Mozambique, Zimbabwe, Namibia, and Lesotho.",[],[51218],{"_key":51219,"_type":11,"children":51220,"markDefs":51225,"style":24},"819c1055c93a",[51221],{"_key":51222,"_type":15,"marks":51223,"text":51224},"5e73216fdd950",[],"Investigate establishing a sustainable alternative peer-learning creative network based in Southern Africa, for the greatest possible presence of local transdisciplinary collaborative agency, decentralised internationally and antipodally.",[],[51227,2127,126,51228,14138,51229,51230,13995],"makhandzambili (\"forerunners\")","sudwala caves, south africa","project in collaboration with richard welch, mic balkind, luyolo lenga, lizo sonkwala, duduzile mathebula, vuyiswa xeketwane, wandile ndlovu and the sidvwaba cave\n\n\n\n","story of caves:\n\ncave#1\n\nin may of 2022, under the auspices of performer-academic msakha mona, we participated in a concert held inside the 240 million year old precambrian dolomite caves near mbombela in the mpumalanga province of the rep. south africa, not far from the eswatini border.\n\nyoung people from schools around the province were bused in to form the participating audience in the enormous natural amphitheatre, with a stage set inside its vaulting rock fortress, with incredible acoustics, grace of the absorptive capacity of dolomite.\n\nthese are officially called the “sudwala caves”, whereas this is a relic of anglicised pronunciation, with the true name being “sidvwaba”, eponymous of the indvuna (captain/councilor) of prince somcuba, who was their guardian when used as a defensive fortress inhabited by many people with cattle. https://ss.wikipedia.org/wiki/umlandvo_wemaswati\n\nbut as the music filled the cave, and this “correction” was made in song (正名 - https://en.wikipedia.org/wiki/rectification_of_names), the space temporarily became like a living rock cathedral of alternative knowledge production. it became clear that we need to mobilise further for this..\n\nso, the above narrative reorientation served as an index to a possible collaborative objective. we could attempt to summarise this as follows:\n\n“an ensemble of adventurous artist/ic-researchers giving way to endogenous knowledge production and tradition”.\n\nthese people hail from the region of southern africa, but who are to be found all around the world, as well as those that hail from all around the world, but who could be better found in our caves.\n\ncave#2\n\nnear the mouth of the estuary known as the verlorenvlei, in the cold rainfall region of the western cape called !naremâb, there is the eland’s bay cave. it is named as such because of the traditional petroglyphs depicting eland antelope – a prime potency and identity in the trance practice that produced/sensed them. also on these walls are hundreds of ancient ochre handprints. we understand they are created in the diviner’s séance and they connect people through the rock across time and space. at the foot of these caves are some abandoned buildings inside which there are decades of scratched graffiti – a companion to the old rock paintings above.\n\nhere we find another space of emakhandzambili – the forerunners – and their descendant digressions of sign – another meeting place for the practice of collective reorientation.\n\nwe propose to use these two spaces as both a physical/online and figurative base to image how a peer-learning hub fostering these values could be structured and maintained as a companion or satellite to the soc, currently based at zhdk.\n\n(1) we want to do this project because there is a real need for alternative peer-learning spaces in southern africa that are sustainable and foster communal growth, dynamism, and imaginative experimentation. we want to use the caves as an emblem of this and engage peers to help realise this investigation, in mbombela, ||hui!gaeb (cape town), and johannesburg, as well as eswatini, botswana, and possibly mozambique, zimbabwe, namibia, and lesotho.",{"_type":77,"current":51232},"makhandzambili-forerunners","Makhandzambili (\"Forerunners\")",{"locations":51235,"other":75},[51236],{"_id":139,"_type":121,"seo":75,"slug":51237,"title":142},{"_type":77,"current":141},[51239],{"_type":728,"settings":51240,"text":51241},{"textColumnCount":730},[51242,51250,51258,51266],{"_key":51243,"_type":11,"children":51244,"markDefs":51249,"style":24},"4ab4d7e85a4b",[51245],{"_key":51246,"_type":15,"marks":51247,"text":51248},"0b47e57525170",[],"“This is a tour of the images that have come to mind in a second chance.\nPaintings, drawings, maps, found objects all come to light in a journey through unanticipated submission to what was long present ,Makhandzambili, those, our fellows, who went before, the un-echoing gently dripping silent vastness of the prehistoric Sidvwaba Caves, the thundering pouring magnificence of the ancient multiple falls called after that intensively private public person, Queen Victoria – Mosi oa tunya the smoke that thunders. Reflections of a life unexpectedly, redeemed.",[],{"_key":51251,"_type":11,"children":51252,"markDefs":51257,"style":24},"16b9ee2f1420",[51253],{"_key":51254,"_type":15,"marks":51255,"text":51256},"4a391d507492",[],"\nWhen I was 15, I painted a picture of the deep gorge near which we lived and in which I’d spend almost every waking hour. Knowing the wild cat which basked on a high rock. The fish turning enticingly in the stream. The buck disappearing into the bush. Oh the joy of those encounters.",[],{"_key":51259,"_type":11,"children":51260,"markDefs":51265,"style":24},"7143d4dbdc9a",[51261],{"_key":51262,"_type":15,"marks":51263,"text":51264},"fc7a71d86e42",[],"\nThe judge of the competition I entered it in gave it 2nd prize, remarking:” It would have made first, but for it being ‘ too ambitious’. Then I learnt, sadly, to make experience make me, in a long lifelong fruitless quest for some kind of inward perfection.",[],{"_key":51267,"_type":11,"children":51268,"markDefs":51273,"style":24},"188fd8acee6e",[51269],{"_key":51270,"_type":15,"marks":51271,"text":51272},"01a61b1ebc81",[],"\n“I next began to paint at 72. In my Geriatric Renaissance ” , an extraordinary event preceded by a major mental meltdown, in which scent, sight and sound took on a charming immediacy, which thrilled and provoked walking in the night hours , to the consternation of the night staff of the Care Facility I resided in, barefoot, and in the rain, watching the silhouettes of the joyous trees in the old walls of the stoep as they danced in night air. I began to tour the beautiful old neglected garden, with it’s venerable trees, our mortal companions. Just as I had done in the gorge on the edge of which our home once perched.”",[],[51275,141,265,112,51276,51277,14138],"\"garden mythtory: observe closely, connect broadly, think critically\" ","walkthrough of exhibition by richard welch, supported by pule kajanolintji ","“this is a tour of the images that have come to mind in a second chance.\npaintings, drawings, maps, found objects all come to light in a journey through unanticipated submission to what was long present ,makhandzambili, those, our fellows, who went before, the un-echoing gently dripping silent vastness of the prehistoric sidvwaba caves, the thundering pouring magnificence of the ancient multiple falls called after that intensively private public person, queen victoria – mosi oa tunya the smoke that thunders. reflections of a life unexpectedly, redeemed.\n\n\nwhen i was 15, i painted a picture of the deep gorge near which we lived and in which i’d spend almost every waking hour. knowing the wild cat which basked on a high rock. the fish turning enticingly in the stream. the buck disappearing into the bush. oh the joy of those encounters.\n\n\nthe judge of the competition i entered it in gave it 2nd prize, remarking:” it would have made first, but for it being ‘ too ambitious’. then i learnt, sadly, to make experience make me, in a long lifelong fruitless quest for some kind of inward perfection.\n\n\n“i next began to paint at 72. in my geriatric renaissance ” , an extraordinary event preceded by a major mental meltdown, in which scent, sight and sound took on a charming immediacy, which thrilled and provoked walking in the night hours , to the consternation of the night staff of the care facility i resided in, barefoot, and in the rain, watching the silhouettes of the joyous trees in the old walls of the stoep as they danced in night air. i began to tour the beautiful old neglected garden, with it’s venerable trees, our mortal companions. just as i had done in the gorge on the edge of which our home once perched.”",{"_type":77,"current":51279},"garden-mythtory-observe-closely-connect-broadly-think-critically","Walkthrough of exhibition by Richard Welch, supported by Pule kaJanolintji ","\"Garden Mythtory: Observe Closely, Connect Broadly, Think Critically\" ",[51283],{"_id":110,"_type":97,"seo":75,"slug":51284,"title":113},{"_type":77,"current":112},{"_id":51286,"_type":556,"additionalDetails":51287,"categories":51305,"credits":75,"dates":51312,"events":51313,"featuredImage":51515,"filterables":51523,"labs":51532,"locations":51711,"pageBuilder":75,"parentEvent":51725,"searchables":51730,"seo":75,"slug":51733,"summary":51735,"title":51736,"types":51737},"b380618c-6ed2-40c8-bb0e-d3791a36ca53",[51288],{"_key":51289,"_type":11,"children":51290,"markDefs":51303,"style":24},"c7bc4fca6b62",[51291,51295,51300],{"_key":51292,"_type":15,"marks":51293,"text":51294},"cbbb5d2e60c4",[],"*hybrid events can be attended via this ",{"_key":51296,"_type":15,"marks":51297,"text":51299},"98c8a025967f",[51298],"0d94466ef00b","zoom link",{"_key":51301,"_type":15,"marks":51302,"text":1125},"ad079f034c02",[],[51304],{"_key":51298,"_type":41,"href":44222},[51306,51309],{"_id":263,"_type":155,"colorPrimary":51307,"seo":75,"slug":51308,"title":266},{"label":569,"value":5716},{"_type":77,"current":265},{"_id":233,"_type":155,"colorPrimary":51310,"seo":75,"slug":51311,"title":236},{"label":569,"value":4102},{"_type":77,"current":235},{"endDate":50985,"other":28838,"startDate":50985},[51314,51330,51345,51361,51375,51389,51403,51408,51421,51433,51449,51465,51470,51484,51499],{"_id":51315,"_type":556,"dates":51316,"featuredImage":51318,"seo":75,"slug":51326,"summary":51328,"title":51329},"8e2889b6-6868-42e7-9021-41fd968c7f96",{"endDate":50985,"other":51317,"startDate":50985},"11:00–12:00 (CET)",{"alt":51319,"asset":51320},"School of Commons - Improvising Access, for now - participatory workshop by Freedom Studies",{"_id":51321,"height":51322,"orientation":637,"ratio":51323,"url":51324,"width":51325},"image-069fa758ce361af6e2d4fd4fe85062a78b0be2d6-828x1296-jpg",1296,0.6388888888888888,"https://cdn.sanity.io/images/eodip22e/production/069fa758ce361af6e2d4fd4fe85062a78b0be2d6-828x1296.jpg",828,{"_type":77,"current":51327},"improvising-access-for-now","Freedom Studies (Letitia, Rose and Ella) will be hosting a participatory workshop which aims to learn with Augusto Boal’s Theatre of the Oppressed techniques to explore questions around access, disability justice, and interdependent ways of living and being together. ","Improvising Access, for now",{"_id":51331,"_type":556,"dates":51332,"featuredImage":51334,"seo":75,"slug":51341,"summary":51343,"title":51344},"151b7773-0f68-481c-aac0-a4011be414bd",{"endDate":50985,"other":51333,"startDate":50985},"14:00–15:00 (CET)",{"alt":51335,"asset":51336},"School of Commons: In-progress co/living workshop",{"_id":51337,"height":20696,"orientation":598,"ratio":51338,"url":51339,"width":51340},"image-5a3e76d4b2c5ed12166a00df3d66bd6d351c52ee-1358x1008-png",1.3472222222222223,"https://cdn.sanity.io/images/eodip22e/production/5a3e76d4b2c5ed12166a00df3d66bd6d351c52ee-1358x1008.png",1358,{"_type":77,"current":51342},"in-progress-co-living-hybrid-event","The “Co/living: Points of Entry” project will do a short interactive presentation on the knowledges, perspectives and practices for shared living environments, which they gathered from conversations, workshops, and other experiences throughout their research in the 2023 School of Commons cohort.","In-progress co/living (hybrid event)",{"_id":51346,"_type":556,"dates":51347,"featuredImage":51349,"seo":75,"slug":51357,"summary":51359,"title":51360},"06016509-4ebc-4041-8488-5609f90ce57d",{"endDate":50985,"other":51348,"startDate":50985},"16:00 – 17:00 (CET)",{"alt":51350,"asset":51351},"School of Commons event - Language (as a technology that) re-/animates (dis-/jointed) cartographies – sound walk with Monika Dorniak",{"_id":51352,"height":51353,"orientation":637,"ratio":51354,"url":51355,"width":51356},"image-c991e9dbe631c11def64353c849163f30585c19d-1844x2354-jpg",2354,0.7833474936278675,"https://cdn.sanity.io/images/eodip22e/production/c991e9dbe631c11def64353c849163f30585c19d-1844x2354.jpg",1844,{"_type":77,"current":51358},"language-as-a-technology-that-re-animates-dis-jointed-cartographies","We consolidate with our environment through walking and talking. Every spoken word, and conducted step, can be considered as an interaction with our immediate surroundings. ","Language (as a technology that) re-/animates (dis-/jointed) cartographies",{"_id":51362,"_type":556,"dates":51363,"featuredImage":51365,"seo":75,"slug":51371,"summary":51373,"title":51374},"995ccc28-6244-4b81-941a-c8b237c53a39",{"endDate":50985,"other":51364,"startDate":50985},"17:00–18:00 (CET)",{"alt":51366,"asset":51367},"School of Commons event - The story of touch – workshop with There, there working group",{"_id":51368,"height":16941,"orientation":598,"ratio":51369,"url":51370,"width":7110},"image-8b8c3954a75a389082760ce73eb2a4bec013d2da-1600x1278-jpg",1.2519561815336464,"https://cdn.sanity.io/images/eodip22e/production/8b8c3954a75a389082760ce73eb2a4bec013d2da-1600x1278.jpg",{"_type":77,"current":51372},"the-story-of-touch","What’s the language of bodies? How do they listen, how do they speak? ","The story of touch",{"_id":51376,"_type":556,"dates":51377,"featuredImage":51379,"seo":75,"slug":51385,"summary":51387,"title":51388},"dfcc88db-4cbe-418f-8588-36dab32bf013",{"endDate":50985,"other":51378,"startDate":50985},"19:30–20:00 (CET)",{"alt":51380,"asset":51381},"performance lecture by Andrea Liu",{"_id":51382,"height":15898,"orientation":598,"ratio":51383,"url":51384,"width":11081},"image-f1d093a771f7b8dd7758f1c92f7ef652b0d9d66f-2002x1048-jpg",1.9103053435114503,"https://cdn.sanity.io/images/eodip22e/production/f1d093a771f7b8dd7758f1c92f7ef652b0d9d66f-2002x1048.jpg",{"_type":77,"current":51386},"visitor-one-thru-eight","Performance lecture by Andrea Liu","Visitor One Thru Eight *Cancelled*",{"_id":51390,"_type":556,"dates":51391,"featuredImage":51392,"seo":75,"slug":51399,"summary":51401,"title":51402},"472a4f53-4ae1-4add-8f02-2dcf2e4979dc",{"endDate":50985,"other":51317,"startDate":50985},{"alt":51393,"asset":51394},"School of Commons: Writing letters to/from choreographical elements - workshop by Lina Zeller",{"_id":51395,"height":6850,"orientation":637,"ratio":51396,"url":51397,"width":51398},"image-efcc4b0ca8228a32a3cf25d679dda9cde2d014ef-492x706-jpg",0.6968838526912181,"https://cdn.sanity.io/images/eodip22e/production/efcc4b0ca8228a32a3cf25d679dda9cde2d014ef-492x706.jpg",492,{"_type":77,"current":51400},"writing-letters-to-from-choreographical-elements","My main interest in practical/theoretical research is related to the body, the movements and the studies that deal with Choreographic Composition. ","Writing letters to/from choreographical elements",{"_id":50989,"_type":556,"dates":51404,"featuredImage":51405,"seo":75,"slug":51407,"summary":50999,"title":51000},{"endDate":28837,"other":50991,"startDate":28837},{"alt":50993,"asset":51406},{"_id":50995,"height":1031,"orientation":637,"ratio":3801,"url":50996,"width":5877},{"_type":77,"current":50998},{"_id":51409,"_type":556,"dates":51410,"featuredImage":51412,"seo":75,"slug":51417,"summary":51419,"title":51420},"c2f515a7-5d70-4b8b-8916-801467659a42",{"endDate":28837,"other":51411,"startDate":28837},"12:00–13:00 (CET)",{"alt":51413,"asset":51414},"School of Commons - Weighing Together – workshop by The Short Big",{"_id":51415,"height":1031,"orientation":1032,"ratio":1033,"url":51416,"width":1031},"image-096795d49d99a0ccba5762e3a86518cd460d1afa-2560x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/096795d49d99a0ccba5762e3a86518cd460d1afa-2560x2560.jpg",{"_type":77,"current":51418},"weighing-together","The Short Big is a workshop and podcast series that aims to bridge the gap between urgent academic research through the collective exploration of language and terminology.","\"Weighing Together\"",{"_id":51422,"_type":556,"dates":51423,"featuredImage":51425,"seo":75,"slug":51430,"summary":75,"title":51432},"736465e0-41c4-4920-84c7-8d120d72f427",{"endDate":28837,"other":51424,"startDate":28837},"17:00–17:30 (CET)",{"alt":51426,"asset":51427},"Eggland – participatory performance by i0 xen0, Elisa Lemma, Dorota Grajewska ",{"_id":51428,"height":1031,"orientation":637,"ratio":3801,"url":51429,"width":5877},"image-074f0f1a495da7e7903ce45e7fb466075c6bac87-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/074f0f1a495da7e7903ce45e7fb466075c6bac87-1920x2560.jpg",{"_type":77,"current":51431},"cancelled-eggland","*Cancelled* Eggland ",{"_id":51434,"_type":556,"dates":51435,"featuredImage":51437,"seo":75,"slug":51445,"summary":51447,"title":51448},"3e33b975-cf31-4b36-8c1a-69d01b5f4fe9",{"endDate":28837,"other":51436,"startDate":28837},"19:00–21:00 (CET)",{"alt":51438,"asset":51439},"School of Commons - Between the Fugue and the Origin Talk/Discussion with Maxim Spivakov & Egor Rogalev (curated by Andrea Liu)",{"_id":51440,"height":51441,"orientation":598,"ratio":51442,"url":51443,"width":51444},"image-ff77407520f9c152f5857a971de166832c0aef0c-2561x1803-jpg",1803,1.4204104270660012,"https://cdn.sanity.io/images/eodip22e/production/ff77407520f9c152f5857a971de166832c0aef0c-2561x1803.jpg",2561,{"_type":77,"current":51446},"between-the-fugue-and-the-origin","Talk/Discussion with Maxim Spivakov & Egor Rogalev (curated by Andrea Liu)","Between the Fugue and the Origin",{"_id":51450,"_type":556,"dates":51451,"featuredImage":51453,"seo":75,"slug":51461,"summary":51463,"title":51464},"ccf95f3d-74a1-40a2-a490-3a2e27a3a8ab",{"endDate":28837,"other":51452,"startDate":28837},"21:00–22:00 (CET)",{"alt":51454,"asset":51455},"School of Commons - Decolonial (re)mediators editorial manifesting – book(s) launch with Decolonial (re)mediators by garaje school",{"_id":51456,"height":51457,"orientation":637,"ratio":51458,"url":51459,"width":51460},"image-d8b6c0493d54fdfa5dd4570759dc90408b0baa34-861x868-jpg",868,0.9919354838709677,"https://cdn.sanity.io/images/eodip22e/production/d8b6c0493d54fdfa5dd4570759dc90408b0baa34-861x868.jpg",861,{"_type":77,"current":51462},"decolonial-re-mediators-editorial-manifestin","In our intense time as part of the SoC we saw our project go from “expectations” to “reality”. ","Decolonial (re)mediators editorial manifestin",{"_id":28835,"_type":556,"dates":51466,"featuredImage":51467,"seo":75,"slug":51469,"summary":28846,"title":28847},{"endDate":28837,"other":28838,"startDate":28837},{"alt":28840,"asset":51468},{"_id":28842,"height":9885,"orientation":1032,"ratio":1033,"url":28843,"width":9885},{"_type":77,"current":28845},{"_id":51471,"_type":556,"dates":51472,"featuredImage":51474,"seo":75,"slug":51480,"summary":51482,"title":51483},"1a87fd80-cb5e-4a3a-9a30-e46c9744e760",{"endDate":28837,"other":51473,"startDate":28837},"20:30–21:00 (CET)",{"alt":51475,"asset":51476},"School of Commons event - Reading by Jara Nassar",{"_id":51477,"height":50301,"orientation":637,"ratio":51478,"url":51479,"width":7254},"image-e1384b56ab20454f507cb02e20a4187a21aa0d7e-960x1568-jpg",0.6122448979591837,"https://cdn.sanity.io/images/eodip22e/production/e1384b56ab20454f507cb02e20a4187a21aa0d7e-960x1568.jpg",{"_type":77,"current":51481},"reading-by-jara-nassar","The reading will be followed by a discussion with Jara, moderated by Amy Gowen.","Reading by Jara Nassar",{"_id":51485,"_type":556,"dates":51486,"featuredImage":51487,"seo":75,"slug":51495,"summary":51497,"title":51498},"215ee82c-f4ed-4b83-be30-e3387028c3a8",{"endDate":28837,"other":51333,"startDate":28837},{"alt":51488,"asset":51489},"School of Commons Event - The Good Enough Host – listening session with Catwings (hybrid)* ",{"_id":51490,"height":51491,"orientation":598,"ratio":51492,"url":51493,"width":51494},"image-38aa3792f84ee5398231b3e9f65815fec51864a2-1980x1948-png",1948,1.0164271047227926,"https://cdn.sanity.io/images/eodip22e/production/38aa3792f84ee5398231b3e9f65815fec51864a2-1980x1948.png",1980,{"_type":77,"current":51496},"the-good-enough-host-hybrid-event","During the SoC Assembly, Catwings will present a live radio show and share a few audio assemblages installed in a cozy corner in the exhibition space. ","The Good Enough Host (hybrid event)",{"_id":51500,"_type":556,"dates":51501,"featuredImage":51503,"seo":75,"slug":51511,"summary":51513,"title":51514},"86e531c4-a86e-4946-a4f9-718e369f0eba",{"endDate":28837,"other":51502,"startDate":28837},"03.02.24\nPart 1: 13:00 – 14:00 (CET)\nPart 2: 16:00 – 17:00",{"alt":51504,"asset":51505},"School of Commons event - “Wild River: prelude\" – live installation by Jasmine Alakari & Riccardo Acciarino",{"_id":51506,"height":51507,"orientation":637,"ratio":51508,"url":51509,"width":51510},"image-c7a1a72258f3fd1babdf3f3ce24c5582c415b966-736x981-jpg",981,0.7502548419979612,"https://cdn.sanity.io/images/eodip22e/production/c7a1a72258f3fd1babdf3f3ce24c5582c415b966-736x981.jpg",736,{"_type":77,"current":51512},"wild-river-prelude","This remarkable installation represents a sensory experience resulting from the collaboration between the internationally renowned institutions MONOM Studio, Sentient, LIOS Labs, and Pietro Dossena, composer and professor at the Conservatorio L. Canepa of Sassari, under the curation of Riccardo Acciarino and Jasmine Alakari. ","“Wild River: prelude\"",{"alt":51516,"asset":51517},"Curation as community work in a hostile funding context – exchange by the Oyoun Team (hybrid) * ",{"_id":51518,"height":51519,"orientation":598,"ratio":51520,"url":51521,"width":51522},"image-cd2d0aba5ff39654fa53fb0a44564165c2286581-1288x850-png",850,1.515294117647059,"https://cdn.sanity.io/images/eodip22e/production/cd2d0aba5ff39654fa53fb0a44564165c2286581-1288x850.png",1288,{"filterCategory":51524,"filterLocation":51527,"filterType":51530},[51525,51526],{"_id":263,"title":266},{"_id":233,"title":236},[51528,51529],{"_id":139,"title":142},{"_id":144,"title":147},[51531],{"_id":110,"title":113},[51533],{"_id":51534,"_type":107,"categories":51535,"credits":51539,"featuredImage":51593,"filterables":51596,"footnotes":51603,"locations":51604,"logbook":75,"pageBuilder":51608,"researchQuestion":51681,"researchQuestions":75,"searchables":51706,"seo":75,"slug":51709,"title":51594,"year":2128},"66c5d889-07d2-41f5-8852-e90316eb0380",[51536],{"_id":233,"_type":155,"colorPrimary":51537,"seo":75,"slug":51538,"title":236},{"label":569,"value":4102},{"_type":77,"current":235},{"other":75,"profiles":51540},[51541],{"_id":51542,"_type":576,"activeYears":51543,"bio":51546,"bioShort":51555,"featuredImage":51556,"filterables":51564,"links":51567,"locations":51577,"searchables":51589,"seo":75,"slug":51591,"title":51557},"b1f999b5-259f-4372-99e3-cd6a76bf9e2b",[51544],{"_id":2125,"_type":580,"seo":75,"slug":51545,"title":2128},{"_type":77,"current":2127},[51547],{"_key":51548,"_type":11,"children":51549,"markDefs":51554,"style":24},"13555846b5df",[51550],{"_key":51551,"_type":15,"marks":51552,"text":51553},"1e9f391d06630",[],"In doing so, we create a space for critical engagement, reflective experimentation and radical solidarity. With the aim of creating an intersectional platform for excellent diasporic, migrant and international art and culture, a place to foster artistic dialogue on locally, nationally and internationally relevant issues, we realise socio-cultural and artistic projects that highlight neurodiverse and class critical perspectives throughout Berlin and internationally. As we see ourselves as an inter- and anti-disciplinary platform for emerging approaches, we work with various artistic disciplines, such as visual arts, performance art, theatre, literature, dance, music and more, that intersect, transcend accepted artistic practices and identify the grey space in between, thus emerge and exist beyond its traditional boundaries. As a foundation to our inter- and anti-disciplinary approach in arts and socioculture, intersectionality is a crucial guiding principle and lived practice at Oyoun. This is reflected in our programming through which different realities of life and their artistic and cultural forms of expression are made visible and empowered.",[],"A cultural institution that envisions, develops and implements artistic-cultural projects through decolonial, queer*feminist and migrant perspectives. ",{"alt":51557,"asset":51558},"Oyoun Berlin",{"_id":51559,"height":51560,"orientation":598,"ratio":51561,"url":51562,"width":51563},"image-47672912f2e0c184216983c58b02716b2230fadc-842x595-png",595,1.4151260504201681,"https://cdn.sanity.io/images/eodip22e/production/47672912f2e0c184216983c58b02716b2230fadc-842x595.png",842,{"filterYear":51565},[51566],{"_id":2125,"title":2128},[51568,51570,51572,51575],{"_type":607,"label":608,"url":51569},"https://oyoun.de/",{"_type":607,"label":2160,"url":51571},"https://www.instagram.com/oyounberlin/",{"_type":607,"label":51573,"url":51574},"Vimeo","https://vimeo.com/oyoun",{"_type":607,"label":18016,"url":51576},"https://soundcloud.com/oyoun",{"locations":51578,"other":51581},[51579],{"_id":139,"_type":121,"seo":75,"slug":51580,"title":142},{"_type":77,"current":141},[51582],{"_key":51583,"_type":11,"children":51584,"markDefs":51588,"style":24},"c3023a07749d",[51585],{"_key":51586,"_type":15,"marks":51587,"text":621},"c84942c68109",[],[],[51590,2127],"oyoun berlin",{"_type":77,"current":51592},"oyoun-berlin",{"alt":51594,"asset":51595},"Oyoun Curator*s Lab",{"_id":51559,"height":51560,"orientation":598,"ratio":51561,"url":51562,"width":51563},{"filterCategory":51597,"filterLocation":51599,"filterYear":51601},[51598],{"_id":233,"title":236},[51600],{"_id":139,"title":142},[51602],{"_id":2125,"title":2128},[],{"locations":51605,"other":75},[51606],{"_id":139,"_type":121,"seo":75,"slug":51607,"title":142},{"_type":77,"current":141},[51609],{"_type":728,"settings":75,"text":51610},[51611,51619,51627,51634,51642,51650,51658,51665,51673],{"_key":51612,"_type":11,"children":51613,"markDefs":51618,"style":24},"2239183c1230",[51614],{"_key":51615,"_type":15,"marks":51616,"text":51617},"ca9eaac7f574",[],"We live in a time almost entirely defined by neocolonialism, climate change, extractivism, war and (forced) displacement, increasing populism, right-wing radicalization and attacks on migrant, disabled and queer bodies with rising movements of resistance mushrooming across the globe. Queer, Trans*, Black, Indigenous and People of Colour (QTI+BIPOC) and disabled folks have been at the forefront of social and racial justice movements that seek to unsettle hegemonies and are dedicated to political goals of liberation. QTI+BIPOC and disabled perspectives around queering and decolonising are separate and distinct from each other. These perspectives vary significantly in temporality and location; each one documents the catastrophic channels of past and transgenerational trauma. Our shared histories are knitted together with complex, interwoven patterns across geographies, which are difficult to unravel today.",[],{"_key":51620,"_type":11,"children":51621,"markDefs":51626,"style":24},"9f69ad19fbdf",[51622],{"_key":51623,"_type":15,"marks":51624,"text":51625},"36c8c3839321",[],"In these spaces we find alternative reimaginations and an endeavour towards conviviality, which we must look for to uncover new modes of\nrelating with each other:",[],{"_key":51628,"_type":11,"children":51629,"markDefs":51633,"style":24},"9a473e2daab8",[51630],{"_key":51631,"_type":15,"marks":51632,"text":1150},"cd0ea7aab916",[],[],{"_key":51635,"_type":11,"children":51636,"markDefs":51641,"style":24},"cd77c5d115ce",[51637],{"_key":51638,"_type":15,"marks":51639,"text":51640},"c155564ca574",[1362],"What role does curation play in deepening our practices and producing knowledge?",[],{"_key":51643,"_type":11,"children":51644,"markDefs":51649,"style":24},"18f60ceeb244",[51645],{"_key":51646,"_type":15,"marks":51647,"text":51648},"9f5c2be06559",[1362],"How do we open ourselves to various forms of learning through curation?",[],{"_key":51651,"_type":11,"children":51652,"markDefs":51657,"style":24},"a9222091e77e",[51653],{"_key":51654,"_type":15,"marks":51655,"text":51656},"149522896ace",[1362],"How to empower the self by centering our own lived experiences within curation?",[],{"_key":51659,"_type":11,"children":51660,"markDefs":51664,"style":24},"6bec0c0aaf41",[51661],{"_key":51662,"_type":15,"marks":51663,"text":1150},"4bc29cc40243",[],[],{"_key":51666,"_type":11,"children":51667,"markDefs":51672,"style":24},"2213784ee2a0",[51668],{"_key":51669,"_type":15,"marks":51670,"text":51671},"ecf2dd6b5690",[],"The Curators* Lab is an experimental format by Oyoun that invites emerging underrepresented curators, artists, activists, thinkers, academics, and cultural practitioners to come together to better understand the significant roles of curation as a tool for social movements and knowledge-production outside of the museum and ivory-tower of academia. Through this platform, we are committed to continuing our work with marginalised communities to practise co-creating, co-curating, and distributing knowledge in the community. Here, we invite participants with their existing skill sets to expand their practices into motions beyond the confines of traditional curation.",[],{"_key":51674,"_type":11,"children":51675,"markDefs":51680,"style":24},"4b88c97891b1",[51676],{"_key":51677,"_type":15,"marks":51678,"text":51679},"08401187220a",[],"Over the last two years we have developed Oyoun’s Curators* Lab by exploring the prototype of curatorship as activism, archiving and alternative knowledge production as the core question/objective of our project. This development has been amplified through peer learning, Open Labs, Experimental Residencies, Community Engagement and Do-It-With-Others as methodologies to create a solidarity framework to answer our core objectives. We are now in a phase of expanding our research, learning from other collaborative projects and testing new decolonial and feminist pedagogies that go beyond theory. As oral knowledge systems are often built on experiential, we want to explore how we can translate shared knowledge into engagement with and for our communities.",[],[51682,51690,51698],{"_key":51683,"_type":11,"children":51684,"markDefs":51689,"style":24},"960e6bc33e5d",[51685],{"_key":51686,"_type":15,"marks":51687,"text":51688},"1885294be4250",[],"What is the role of curation in deepening artistic practices and generating knowledge?",[],{"_key":51691,"_type":11,"children":51692,"markDefs":51697,"style":24},"eb39bab59811",[51693],{"_key":51694,"_type":15,"marks":51695,"text":51696},"11a0df89ee6d0",[],"How can we embrace diverse forms of learning through curation?",[],{"_key":51699,"_type":11,"children":51700,"markDefs":51705,"style":24},"bf6511cd2763",[51701],{"_key":51702,"_type":15,"marks":51703,"text":51704},"424f825999c30",[],"How can centering our own lived experiences within curation empower ourselves and marginalized communities?",[],[51707,2127,141,51590,51708,4819],"oyoun curator*s lab","we live in a time almost entirely defined by neocolonialism, climate change, extractivism, war and (forced) displacement, increasing populism, right-wing radicalization and attacks on migrant, disabled and queer bodies with rising movements of resistance mushrooming across the globe. queer, trans*, black, indigenous and people of colour (qti+bipoc) and disabled folks have been at the forefront of social and racial justice movements that seek to unsettle hegemonies and are dedicated to political goals of liberation. qti+bipoc and disabled perspectives around queering and decolonising are separate and distinct from each other. these perspectives vary significantly in temporality and location; each one documents the catastrophic channels of past and transgenerational trauma. our shared histories are knitted together with complex, interwoven patterns across geographies, which are difficult to unravel today.\n\nin these spaces we find alternative reimaginations and an endeavour towards conviviality, which we must look for to uncover new modes of\nrelating with each other:\n\n\n\nwhat role does curation play in deepening our practices and producing knowledge?\n\nhow do we open ourselves to various forms of learning through curation?\n\nhow to empower the self by centering our own lived experiences within curation?\n\n\n\nthe curators* lab is an experimental format by oyoun that invites emerging underrepresented curators, artists, activists, thinkers, academics, and cultural practitioners to come together to better understand the significant roles of curation as a tool for social movements and knowledge-production outside of the museum and ivory-tower of academia. through this platform, we are committed to continuing our work with marginalised communities to practise co-creating, co-curating, and distributing knowledge in the community. here, we invite participants with their existing skill sets to expand their practices into motions beyond the confines of traditional curation.\n\nover the last two years we have developed oyoun’s curators* lab by exploring the prototype of curatorship as activism, archiving and alternative knowledge production as the core question/objective of our project. this development has been amplified through peer learning, open labs, experimental residencies, community engagement and do-it-with-others as methodologies to create a solidarity framework to answer our core objectives. we are now in a phase of expanding our research, learning from other collaborative projects and testing new decolonial and feminist pedagogies that go beyond theory. as oral knowledge systems are often built on experiential, we want to explore how we can translate shared knowledge into engagement with and for our communities.",{"_type":77,"current":51710},"oyoun-curator-s-lab",{"locations":51712,"other":51717},[51713,51715],{"_id":139,"_type":121,"seo":75,"slug":51714,"title":142},{"_type":77,"current":141},{"_id":144,"_type":121,"seo":75,"slug":51716,"title":147},{"_type":77,"current":146},[51718],{"_key":51719,"_type":11,"children":51720,"markDefs":51724,"style":24},"70e5ab23ec8b",[51721],{"_key":51722,"_type":15,"marks":51723,"text":27837},"cde21fe09a3a",[],[],{"_id":51726,"_type":556,"seo":75,"slug":51727,"title":51729},"c3857de6-e17f-4d78-97d9-a3d4b027cb8f",{"_type":77,"current":51728},"soc-cohort-end-of-year-2023","SoC Cohort End of Year, 2023",[51731,141,146,27867,265,4819,112,51732],"curation as community work in a hostile funding context (hybrid event)","oyoun team will briefly present our recent/ongoing curatorial projects. 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contributions to Red Threads from Maxim Spivakov. In a wide range of media that spans from video installation to scholarly research, Spivakov’s work enquires into the general tenets that govern representation as political, aesthetic, and technical practice. His projects delve into the formation of colonial Other, the violence of and against the image, embodied spectatorship, and techno-apocalyptic conspiracy beliefs.",[],[53672],{"_id":53511,"_type":576,"activeYears":53673,"bio":53676,"bioShort":53532,"featuredImage":53687,"filterables":53689,"links":53692,"locations":53694,"searchables":53706,"seo":75,"slug":53707,"title":53567},[53674],{"_id":2125,"_type":580,"seo":75,"slug":53675,"title":2128},{"_type":77,"current":2127},[53677,53682],{"_key":53517,"_type":11,"children":53678,"markDefs":53681,"style":24},[53679],{"_key":53520,"_type":15,"marks":53680,"text":53522},[],[],{"_key":53525,"_type":11,"children":53683,"markDefs":53686,"style":24},[53684],{"_key":53528,"_type":15,"marks":53685,"text":53530},[],[],{"alt":53534,"asset":53688},{"_id":53536,"height":53537,"orientation":598,"ratio":53538,"url":53539,"width":53540},{"filterYear":53690},[53691],{"_id":2125,"title":2128},[53693],{"_type":607,"label":53546,"url":53547},{"locations":53695,"other":53700},[53696,53698],{"_id":139,"_type":121,"seo":75,"slug":53697,"title":142},{"_type":77,"current":141},{"_id":901,"_type":121,"seo":75,"slug":53699,"title":904},{"_type":77,"current":903},[53701],{"_key":53556,"_type":11,"children":53702,"markDefs":53705,"style":24},[53703],{"_key":53559,"_type":15,"marks":53704,"text":53561},[],[],[53564,2127],{"_type":77,"current":53566},{"alt":53709,"asset":53710},"School of Commons - Post-structuralist Fun Pack",{"_id":53711,"height":53712,"orientation":598,"ratio":53713,"url":53714,"width":1031},"image-7439f8b63a06da17564a1c7e6813a868aeb08e7a-2560x2498-jpg",2498,1.0248198558847077,"https://cdn.sanity.io/images/eodip22e/production/7439f8b63a06da17564a1c7e6813a868aeb08e7a-2560x2498.jpg",{"filterCategory":53716,"filterLocation":53718,"filterYear":53720},[53717],{"_id":363,"title":366},[53719],{"_id":139,"title":142},[53721],{"_id":2125,"title":2128},[],{"locations":53724,"other":75},[53725],{"_id":139,"_type":121,"seo":75,"slug":53726,"title":142},{"_type":77,"current":141},[53728,53731,53805,53823,53927],{"_type":813,"caption":75,"image":53729},{"alt":75,"asset":53730},{"_id":53711,"height":53712,"orientation":598,"ratio":53713,"url":53714,"width":1031},{"_type":728,"settings":75,"text":53732},[53733,53741,53757,53773,53789,53797],{"_key":53734,"_type":11,"children":53735,"markDefs":53740,"style":24},"1512951f6811",[53736],{"_key":53737,"_type":15,"marks":53738,"text":53739},"fa63f579c81f",[],"A Parable for Post-structuralism:",[],{"_key":53742,"_type":11,"children":53743,"markDefs":53756,"style":24},"187a5d6b907a",[53744,53748,53752],{"_key":53745,"_type":15,"marks":53746,"text":53747},"553496d8d33c",[],"In Lewis Carroll’s ",{"_key":53749,"_type":15,"marks":53750,"text":53751},"ea35fe3d1fe4",[1362],"Alice in Through the Looking Glass, ",{"_key":53753,"_type":15,"marks":53754,"text":53755},"8ce52b30c3a0",[],"Humpty Dumpty explains to Alice why “un-birthday presents” are better than birthday presents. After applauding himself for making a good argument, he says “Glory!” Alice asks, “What’s glory?” Humpty replies, “It’s a nice knock down argument.” Alice protests and says “glory” and “nice knock down argument” do not mean the same thing. Humpty Dumpty replies, “When I use a word, it means just what I choose it to mean – neither more nor less.”",[],{"_key":53758,"_type":11,"children":53759,"markDefs":53772,"style":24},"9cb0fe7a8446",[53760,53764,53768],{"_key":53761,"_type":15,"marks":53762,"text":53763},"438b8ba619d5",[],"A word and its meaning; sound and sense; the ‘signifier’ and the ‘signified.’ Much of post-structuralist thought can be interpreted as coming out of a radicalization of Saussure’s “arbitrary nature of the sign” (",{"_key":53765,"_type":15,"marks":53766,"text":53767},"5f05728f8dee",[1362],"A Course in General Linguistics,",{"_key":53769,"_type":15,"marks":53770,"text":53771},"727b0084f54a",[]," 1916), which told us there is no inherent relation between the “signified” (sound-image of word) and the “signifier” (concept of a word). The word “dog” has no inherent “dogginess;” we could have just as easily called a dog a “tree”, “polka-dot” or “fire.” Post-structuralism flourishes in this gap between signifier and signified—all its creativity, vitality and perspicacity comes from exploiting the instability between signifier and signified.",[],{"_key":53774,"_type":11,"children":53775,"markDefs":53788,"style":24},"94f37a8c944e",[53776,53780,53784],{"_key":53777,"_type":15,"marks":53778,"text":53779},"ce58af55eee4",[],"Post-structuralism is suffused with an intractable suspicion, as it scrutinizes the ways in which symbolic systems are employed to establish and perpetuate authority (if not domination). Post-structuralism can be understood as a discrediting project. It wants to discredit the notion of “truth” as universal, timeless and monolithic, but instead truth as an unstable field of competing epistemic claims (the progenitor being Nietzsche). It wants to discredit the assumption that words are capable of referring to a meaning existing outside of language, but instead meaning is only the effect (and not the cause) of language itself. It wants to discredit the triumphalism of humanism which posits that “man” is on a teleological trajectory towards progress, but instead diminishes man to a “strange empirico-transcendental doublet” (",{"_key":53781,"_type":15,"marks":53782,"text":53783},"24ca73cc73ef",[1362],"The Order of Things",{"_key":53785,"_type":15,"marks":53786,"text":53787},"a92eadfb969c",[],", Foucault), man as mere accident of historical discourses. It wants to discredit the notion of the Cartesian “subject” as rational, coherent & capable of free will—but instead the subject as imbricated in an invisible matrix of power struggles beyond its control, divided against itself. It wants to discredit the notion of a “work” as a hermetically sealed masterpiece with a single stagnant meaning which we have to ‘unlock’—but instead the “text” as an unstable tissue of quotations whose meaning is constantly deferred.",[],{"_key":53790,"_type":11,"children":53791,"markDefs":53796,"style":24},"14cbe1596bfa",[53792],{"_key":53793,"_type":15,"marks":53794,"text":53795},"5cae6f72ebac",[],"In its heyday, post-structuralism ignited a conflagration in the U.S. (though not in Europe), becoming a political football in the “culture wars” of the 1980’s (because of its ability to erode citadels of cultural authority), leading to the politicization of the humanities in the U.S. and the rise of the “Studies” fields (i.e. Culture Studies, Gender Studies, Postcolonial Studies, Ethnic Studies, etc. Even the difference today between a university department being called “Art History” versus “Visual Cultures” is the unspoken legacy of post-structuralism (art history = a more old-fashioned cavalcade of canonical “masterpieces”; visual cultures = post-1960’s approach to visual phenomena in the expanded field as imbricated in material, social and political discourses). Lacan brought psychoanalysis into the domain of philosophy; Derrida brought literature into philosophy. Whereas once criticism was subservient to literature, post-structuralists brought criticism into such efflorescence that criticism challenged the primacy of literature.",[],{"_key":53798,"_type":11,"children":53799,"markDefs":53804,"style":24},"e22b6bd91e9a",[53800],{"_key":53801,"_type":15,"marks":53802,"text":53803},"63691e6cac1c",[],"This project will turn post-structuralism into fun material objects you can touch and feel (so craft & theory no longer have to be segregated). It will create a post-structuralist board game, a cartoon series called “Post-structuralist Comics,” homemade post-structuralist jewelry (post-structuralist bracelets & necklaces,) and a Working Group called “The Arts of Post-structuralism”.",[],{"_type":813,"caption":53806,"image":53815},[53807],{"_key":53808,"_type":11,"children":53809,"markDefs":53814,"style":24},"d63fc6c92994",[53810],{"_key":53811,"_type":15,"marks":53812,"text":53813},"c29b3dcc603b0",[],"Bingo, Post Structuralist Hans Bellmer",[],{"alt":53816,"asset":53817},"Bingo_PostStructuralist3_HansBellmer",{"_id":53818,"height":53819,"orientation":637,"ratio":53820,"url":53821,"width":53822},"image-a256632dfed0a63ff973feab172e33844499735a-1285x1529-jpg",1529,0.8404185742315239,"https://cdn.sanity.io/images/eodip22e/production/a256632dfed0a63ff973feab172e33844499735a-1285x1529.jpg",1285,{"_type":728,"settings":75,"text":53824},[53825,53833,53860,53879,53908],{"_key":53826,"_type":11,"children":53827,"markDefs":53832,"style":24},"b168cb0e8148",[53828],{"_key":53829,"_type":15,"marks":53830,"text":53831},"5716b527d157",[],"POST-STRUCTURALIST FUN PACK “Red Threads”:",[],{"_key":53834,"_type":11,"children":53835,"markDefs":53859,"style":24},"fc2017f0006f",[53836,53840,53843,53847,53851,53855],{"_key":53837,"_type":15,"marks":53838,"text":53839},"18aefd2566d1",[17],"Red Thread 1:",{"_key":53841,"_type":15,"marks":53842,"text":5102},"f82b413a8788",[],{"_key":53844,"_type":15,"marks":53845,"text":53846},"54006984b8a8",[17],"The Russian origins of Post-structuralism",{"_key":53848,"_type":15,"marks":53849,"text":53850},"96ed3a8b3a2c",[],": Originating with OPOYAZ [Общество изучения Поэтического Языка] (St. Petersburg) and the Moscow Linguistic Circle (1915-1924), the Russian formalists (i.e. Roman Jakobson, Viktor Shklovsky, etc.) were the ancestors of structuralism (as well as Soviet writer Vladimir Propp’s ",{"_key":53852,"_type":15,"marks":53853,"text":53854},"96b172b70ea6",[1362],"Morphology of the Folktale",{"_key":53856,"_type":15,"marks":53857,"text":53858},"69959636c845",[]," (1928) taken up by Levi-Strauss who rewrote it for structuralism (1960).",[],{"_key":53861,"_type":11,"children":53862,"markDefs":53878,"style":24},"0684e767f027",[53863,53867,53870,53874],{"_key":53864,"_type":15,"marks":53865,"text":53866},"8d73e5d97427",[17],"Red Thread 2:",{"_key":53868,"_type":15,"marks":53869,"text":5102},"d4de02081f2a",[],{"_key":53871,"_type":15,"marks":53872,"text":53873},"39043312ddb2",[17],"Post-structuralism & Queer Theory:",{"_key":53875,"_type":15,"marks":53876,"text":53877},"b52ce9dd63d4",[]," Foucault’s rejection of the supposed “objectivity” of historical knowledge and “universal truth” opens the door to the rejection of heterosexuality as a universal truth, instead recasting heterosexuality as a contingent matrix of discourses, institutions and norms which have been naturalized as “universal” or “normal”—i.e. a “truth effect”.",[],{"_key":53880,"_type":11,"children":53881,"markDefs":53906,"style":24},"959c443fa061",[53882,53886,53889,53893,53897,53902],{"_key":53883,"_type":15,"marks":53884,"text":53885},"d536e85dfb35",[17],"Red Thread 3:",{"_key":53887,"_type":15,"marks":53888,"text":5102},"df9d8f514521",[],{"_key":53890,"_type":15,"marks":53891,"text":53892},"ae31d3391768",[17],"Far Right Co-Option of Post-structuralism:",{"_key":53894,"_type":15,"marks":53895,"text":53896},"47ad24dd4a68",[]," Whether it is the IDF’s use of Deleuze/Guattari’s “smooth & striated” space ",{"_key":53898,"_type":15,"marks":53899,"text":53901},"1fcfa4470f67",[53900],"c887d6a0bf99","https://www.frieze.com/article/art-war",{"_key":53903,"_type":15,"marks":53904,"text":53905},"9d7106d1203f",[],", the Identitarian movement’s (Fabrice Robert) use of Gramsci’s ideas in spreading right-wing politics through culture (“métapolitique”), or Alexander Dugin’s embracing the post-structuralist idea of multiple truths, how has the Far Right repurposed post-structuralism for its own politics?",[53907],{"_key":53900,"_type":41,"href":53901},{"_key":53909,"_type":11,"children":53910,"markDefs":53926,"style":24},"1de46248193a",[53911,53915,53918,53922],{"_key":53912,"_type":15,"marks":53913,"text":53914},"eeb40404fef4",[17],"Red Thread 4:",{"_key":53916,"_type":15,"marks":53917,"text":5102},"99a947fd4173",[],{"_key":53919,"_type":15,"marks":53920,"text":53921},"fa7135bf2969",[17],"Post-structuralism & the Post-Internet Age:",{"_key":53923,"_type":15,"marks":53924,"text":53925},"b32bd797d75d",[]," The ‘rhizome’ (Deleuze), the ‘trace’ (Derrida), the ‘death of the author and the birth of the reader’ (Barthes)—seminal post-structuralist ideas were effortlessly (and inadvertently) put into practice by the internet’s non-linear decentralized structure (i.e. hypertext [online texts dynamically changing in response to user input] as well as the de-monumentalization of the author function [once monolithic and hermetically sealed, authorship has now been deterritorialized by the internet (i.e. online forms of distributed authorship & communal writing [wikipedia, blogs, etc.])",[],{"_type":813,"caption":53928,"image":53937},[53929],{"_key":53930,"_type":11,"children":53931,"markDefs":53936,"style":24},"c2174f80b48b",[53932],{"_key":53933,"_type":15,"marks":53934,"text":53935},"c74680ed70a30",[],"Chalkboard, Post-structuralist Fun Pack",[],{"alt":53938,"asset":53939},"Chalkboard_PostStructFunPack",{"_id":53940,"height":53941,"orientation":637,"ratio":53942,"url":53943,"width":53944},"image-fa44c7d15de5452959832471291fddb2b0ddb36f-616x821-jpg",821,0.7503045066991474,"https://cdn.sanity.io/images/eodip22e/production/fa44c7d15de5452959832471291fddb2b0ddb36f-616x821.jpg",616,[53946,53954,53962],{"_key":53947,"_type":11,"children":53948,"markDefs":53953,"style":24},"860e36f82754",[53949],{"_key":53950,"_type":15,"marks":53951,"text":53952},"f2c672078c160",[],"Deconstructing Knowledge and Reality: How can the monolithic and singular notions of knowledge, truth, and reality be deconstructed and destabilized, challenging the Enlightenment perspective of linear progress and transparent language?",[],{"_key":53955,"_type":11,"children":53956,"markDefs":53961,"style":24},"48b6403d3c8d",[53957],{"_key":53958,"_type":15,"marks":53959,"text":53960},"7ac3b5f06a250",[],"Language and Meaning: How does language shape and construct ideas and meanings, as opposed to reflecting pre-existing essences? How can the relationship between signifiers and signifieds be explored to reveal their inherent instability?",[],{"_key":53963,"_type":11,"children":53964,"markDefs":53969,"style":24},"941da63958b4",[53965],{"_key":53966,"_type":15,"marks":53967,"text":53968},"fef5a9eac09d0",[],"Discourse and Power: In what ways can the concept of truth be reimagined as a complex and contested field of competing epistemic claims, highlighting the discursive nature of power and the dismantling of bourgeois ideology?",[],[53971,2127,141,53564,53972,53973,53974,26536],"post-structuralist fun pack","with contributions to red threads from maxim spivakov. in a wide range of media that spans from video installation to scholarly research, spivakov’s work enquires into the general tenets that govern representation as political, aesthetic, and technical practice. his projects delve into the formation of colonial other, the violence of and against the image, embodied spectatorship, and techno-apocalyptic conspiracy beliefs.","a parable for post-structuralism:\n\nin lewis carroll’s alice in through the looking glass, humpty dumpty explains to alice why “un-birthday presents” are better than birthday presents. after applauding himself for making a good argument, he says “glory!” alice asks, “what’s glory?” humpty replies, “it’s a nice knock down argument.” alice protests and says “glory” and “nice knock down argument” do not mean the same thing. humpty dumpty replies, “when i use a word, it means just what i choose it to mean – neither more nor less.”\n\na word and its meaning; sound and sense; the ‘signifier’ and the ‘signified.’ much of post-structuralist thought can be interpreted as coming out of a radicalization of saussure’s “arbitrary nature of the sign” (a course in general linguistics, 1916), which told us there is no inherent relation between the “signified” (sound-image of word) and the “signifier” (concept of a word). the word “dog” has no inherent “dogginess;” we could have just as easily called a dog a “tree”, “polka-dot” or “fire.” post-structuralism flourishes in this gap between signifier and signified—all its creativity, vitality and perspicacity comes from exploiting the instability between signifier and signified.\n\npost-structuralism is suffused with an intractable suspicion, as it scrutinizes the ways in which symbolic systems are employed to establish and perpetuate authority (if not domination). post-structuralism can be understood as a discrediting project. it wants to discredit the notion of “truth” as universal, timeless and monolithic, but instead truth as an unstable field of competing epistemic claims (the progenitor being nietzsche). it wants to discredit the assumption that words are capable of referring to a meaning existing outside of language, but instead meaning is only the effect (and not the cause) of language itself. it wants to discredit the triumphalism of humanism which posits that “man” is on a teleological trajectory towards progress, but instead diminishes man to a “strange empirico-transcendental doublet” (the order of things, foucault), man as mere accident of historical discourses. it wants to discredit the notion of the cartesian “subject” as rational, coherent & capable of free will—but instead the subject as imbricated in an invisible matrix of power struggles beyond its control, divided against itself. it wants to discredit the notion of a “work” as a hermetically sealed masterpiece with a single stagnant meaning which we have to ‘unlock’—but instead the “text” as an unstable tissue of quotations whose meaning is constantly deferred.\n\nin its heyday, post-structuralism ignited a conflagration in the u.s. (though not in europe), becoming a political football in the “culture wars” of the 1980’s (because of its ability to erode citadels of cultural authority), leading to the politicization of the humanities in the u.s. and the rise of the “studies” fields (i.e. culture studies, gender studies, postcolonial studies, ethnic studies, etc. even the difference today between a university department being called “art history” versus “visual cultures” is the unspoken legacy of post-structuralism (art history = a more old-fashioned cavalcade of canonical “masterpieces”; visual cultures = post-1960’s approach to visual phenomena in the expanded field as imbricated in material, social and political discourses). lacan brought psychoanalysis into the domain of philosophy; derrida brought literature into philosophy. whereas once criticism was subservient to literature, post-structuralists brought criticism into such efflorescence that criticism challenged the primacy of literature.\n\nthis project will turn post-structuralism into fun material objects you can touch and feel (so craft & theory no longer have to be segregated). it will create a post-structuralist board game, a cartoon series called “post-structuralist comics,” homemade post-structuralist jewelry (post-structuralist bracelets & necklaces,) and a working group called “the arts of post-structuralism”.","post-structuralist fun pack “red threads”:\n\nred thread 1: the russian origins of post-structuralism: originating with opoyaz [общество изучения поэтического языка] (st. petersburg) and the moscow linguistic circle (1915-1924), the russian formalists (i.e. roman jakobson, viktor shklovsky, etc.) were the ancestors of structuralism (as well as soviet writer vladimir propp’s morphology of the folktale (1928) taken up by levi-strauss who rewrote it for structuralism (1960).\n\nred thread 2: post-structuralism & queer theory: foucault’s rejection of the supposed “objectivity” of historical knowledge and “universal truth” opens the door to the rejection of heterosexuality as a universal truth, instead recasting heterosexuality as a contingent matrix of discourses, institutions and norms which have been naturalized as “universal” or “normal”—i.e. a “truth effect”.\n\nred thread 3: far right co-option of post-structuralism: whether it is the idf’s use of deleuze/guattari’s “smooth & striated” space https://www.frieze.com/article/art-war, the identitarian movement’s (fabrice robert) use of gramsci’s ideas in spreading right-wing politics through culture (“métapolitique”), or alexander dugin’s embracing the post-structuralist idea of multiple truths, how has the far right repurposed post-structuralism for its own politics?\n\nred thread 4: post-structuralism & the post-internet age: the ‘rhizome’ (deleuze), the ‘trace’ (derrida), the ‘death of the author and the birth of the reader’ (barthes)—seminal post-structuralist ideas were effortlessly (and inadvertently) put into practice by the internet’s non-linear decentralized structure (i.e. hypertext [online texts dynamically changing in response to user input] as well as the de-monumentalization of the author function [once monolithic and hermetically sealed, authorship has now been deterritorialized by the internet (i.e. online forms of distributed authorship & communal writing [wikipedia, blogs, etc.])",{"_type":77,"current":53976},"post-structuralist-fun-pack","Post-structuralist Fun Pack",{"locations":53979,"other":53982},[53980],{"_id":139,"_type":121,"seo":75,"slug":53981,"title":142},{"_type":77,"current":141},[53983],{"_key":53984,"_type":11,"children":53985,"markDefs":53989,"style":24},"7518fbbd8578",[53986],{"_key":53987,"_type":15,"marks":53988,"text":27837},"6f7b801cdc84",[],[],[53991],{"_type":728,"settings":53992,"text":53993},{"textColumnCount":730},[53994,54002,54010],{"_key":53995,"_type":11,"children":53996,"markDefs":54001,"style":24},"2ffd3c7b89e4",[53997],{"_key":53998,"_type":15,"marks":53999,"text":54000},"90fe67a8c2dd0",[],"Barthes 1967 essay “The Death of the Author” rejects the monolithic pre-fabricated authority of the author as the sole determinant of meaning the text and hails the “birth of the reader”—the multifarious positions of the reader that comprise the true producers of meaning.",[],{"_key":54003,"_type":11,"children":54004,"markDefs":54009,"style":24},"24965c3744d4",[54005],{"_key":54006,"_type":15,"marks":54007,"text":54008},"1d88fcaa6d6b0",[],"In any given performance, there is a vast reserve of untapped resources: the audience. “Visitor One thru Eight” is a performance where I inhabit the role of 8 spectators who have come to my performance. Visitor One wants to be integrated into the grand narrative of appreciating art. Visitor Two believes in the mystery and the unknowability of art. Visitor Three believes in the emancipatory potential of extreme experiences. Visitor Four yearns for linear and emotional storytelling. Visitor Five believes art should be something direct and visceral, an intimate offering amongst friends. Each Visitor is a hypothetical speculation on an audience member.",[],{"_key":54011,"_type":11,"children":54012,"markDefs":54017,"style":24},"7f802da3be7f",[54013],{"_key":54014,"_type":15,"marks":54015,"text":54016},"31939ae989ea0",[],"I incorporate the opinions, desires, & expectations of the audience as the content of my performance. The audience is a crystal through which various desires, ideologies, assumptions backgrounds, biases are refracted, projected, frustrated, appeased, challenged or fulfilled. Visitor One Thru Eight inhabits various modes of performance in order to unpack what are the conditions and ideologies that underlie spectatorship.”",[],{"_id":51726,"_type":556,"seo":75,"slug":54019,"title":51729},{"_type":77,"current":51728},[54021,141,27867,350,112,54022,54023,53564],"visitor one thru eight *cancelled*","performance lecture by andrea liu","barthes 1967 essay “the death of the author” rejects the monolithic pre-fabricated authority of the author as the sole determinant of meaning the text and hails the “birth of the reader”—the multifarious positions of the reader that comprise the true producers of meaning.\n\nin any given performance, there is a vast reserve of untapped resources: the audience. “visitor one thru eight” is a performance where i inhabit the role of 8 spectators who have come to my performance. visitor one wants to be integrated into the grand narrative of appreciating art. visitor two believes in the mystery and the unknowability of art. visitor three believes in the emancipatory potential of extreme experiences. visitor four yearns for linear and emotional storytelling. visitor five believes art should be something direct and visceral, an intimate offering amongst friends. each visitor is a hypothetical speculation on an audience member.\n\ni incorporate the opinions, desires, & expectations of the audience as the content of my performance. the audience is a crystal through which various desires, ideologies, assumptions backgrounds, biases are refracted, projected, frustrated, appeased, challenged or fulfilled. visitor one thru eight inhabits various modes of performance in order to unpack what are the conditions and ideologies that underlie spectatorship.”",{"_type":77,"current":51386},[54026],{"_id":110,"_type":97,"seo":75,"slug":54027,"title":113},{"_type":77,"current":112},{"_id":51390,"_type":556,"additionalDetails":75,"categories":54029,"credits":54033,"dates":54072,"events":54073,"featuredImage":54149,"filterables":54151,"labs":54158,"locations":54239,"pageBuilder":54251,"parentEvent":54270,"searchables":54272,"seo":75,"slug":54277,"summary":51401,"title":51402,"types":54278},[54030],{"_id":538,"_type":155,"colorPrimary":54031,"seo":75,"slug":54032,"title":541},{"label":569,"value":4831},{"_type":77,"current":540},{"other":54034,"profiles":54043},[54035],{"_key":54036,"_type":11,"children":54037,"markDefs":54042,"style":24},"e53f2cac6775",[54038],{"_key":54039,"_type":15,"marks":54040,"text":54041},"f35493a9328a",[],"With support by Marisa Godoy, Patrick 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have never had a specific interest in creating choreography, but I am fascinated by the elements of choreographic making, and how its concepts can be expanded, dissolved, transmuted and reorganized, either in the dance field or not.",[],{"_key":54263,"_type":11,"children":54264,"markDefs":54269,"style":24},"9e98370d6867",[54265],{"_key":54266,"_type":15,"marks":54267,"text":54268},"02b0b1551205",[],"I think of bringing fundamental questions of the body and choreographic making to contaminate/relate to the poetic practices of SoC colleagues. What would it be like to look into other people’s creative process through choreographic ideas? How to evoke dance/movement elements and bring them up to establish a transdisciplinary field? I am interested in making use of this kit/tool in a workshop for SoC members to cross the boundaries of certainties of choreographic making: dissolving convictions, softening memories, and experimenting with movement/choreographic elements. To navigate between the choreographic world and the colleagues’ research, I am interested in sending /via post/ handwritten letters that dialogue/affect the creative processes of SoC colleagues. 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Like ever-shifting tectonic plates, waves of people uproot from one place to another, trading universes, recombining in different permutations, coalescing a dynamic environment of cultural syncretism in the wake of their voluntary exile. Today a wave of Russian artists, intellectuals and cultural producers who fled Russia in the aftermath of February 2022 are making more dynamic the Berlin art scene.",[],{"_key":55665,"_type":11,"children":55666,"markDefs":55671,"style":24},"18b4c9390d26",[55667],{"_key":55668,"_type":15,"marks":55669,"text":55670},"e36535507b4f",[],"Gesture can be a means of physically connecting word, image, and action. It can be a way of bypassing written and spoken signs by linking expression back to the site of its alienation: body. The sign is brought back to the place where it is coupled with the mimetic point of its production. Walter Benjamin construed gesture as dialectical because it is simultaneously both sign and action, both closed and open form (“What is Epic Theater II?” 1939). Gesture suggests a completed movement or action which it simultaneously interrupts, oscillating between movement and frozen sign, between the mimetic and the semiotic.",[],{"_key":55673,"_type":11,"children":55674,"markDefs":55679,"style":24},"a23d6d55a021",[55675],{"_key":55676,"_type":15,"marks":55677,"text":55678},"cf77df7add05",[],"Gesture is an element (albeit with completely different inflections) in both Maxim Spivakov’s and Egor Rogalev’s work. In his enigmatic video-sculptural installation “G Minor” (2021), Spivakov is preoccupied with gestures of the prehensile instrument, the human hand—whether mediating the flow of images on a sensory touch screen, or mediating electrodes in the electromagnetic field of the theremin (musical instrument), or as gestural incarnation of political will. In his beguiling performance “The Organ of Memory” (2019), Egor Rogalev projects the biomechanics of gesture onto the screen of sound affect, linking memory, historical trauma, and lived experience in a moment when resources of familiar sign systems fell short. With their works, gesture almost becomes a means to store political energy, conjuring Judith Butler’s notion of gesture as a truncated form of action which acquires force and becomes an “event,” despite losing the context of its intelligibility (When Gesture Becomes Event, 2017).\"",[],{"_id":51726,"_type":556,"seo":75,"slug":55681,"title":51729},{"_type":77,"current":51728},[55683,141,50940,500,112,55684,55685,53564,55686],"between the fugue and the origin","talk/discussion with maxim spivakov & egor rogalev (curated by andrea liu)","“between the fugue and the origin: a fragile limit, a temporary homeostasis” — these are the words of julia kristeva in describing the acute sentience of those new to a country (stranger to ourselves, 1991). like ever-shifting tectonic plates, waves of people uproot from one place to another, trading universes, recombining in different permutations, coalescing a dynamic environment of cultural syncretism in the wake of their voluntary exile. today a wave of russian artists, intellectuals and cultural producers who fled russia in the aftermath of february 2022 are making more dynamic the berlin art scene.\n\ngesture can be a means of physically connecting word, image, and action. it can be a way of bypassing written and spoken signs by linking expression back to the site of its alienation: body. the sign is brought back to the place where it is coupled with the mimetic point of its production. walter benjamin construed gesture as dialectical because it is simultaneously both sign and action, both closed and open form (“what is epic theater ii?” 1939). gesture suggests a completed movement or action which it simultaneously interrupts, oscillating between movement and frozen sign, between the mimetic and the semiotic.\n\ngesture is an element (albeit with completely different inflections) in both maxim spivakov’s and egor rogalev’s work. in his enigmatic video-sculptural installation “g minor” (2021), spivakov is preoccupied with gestures of the prehensile instrument, the human hand—whether mediating the flow of images on a sensory touch screen, or mediating electrodes in the electromagnetic field of the theremin (musical instrument), or as gestural incarnation of political will. in his beguiling performance “the organ of memory” (2019), egor rogalev projects the biomechanics of gesture onto the screen of sound affect, linking memory, historical trauma, and lived experience in a moment when resources of familiar sign systems fell short. with their works, gesture almost becomes a means to store political energy, conjuring judith butler’s notion of gesture as a truncated form of action which acquires force and becomes an “event,” despite losing the context of its intelligibility (when gesture becomes event, 2017).\"","maxim spivakov: in a wide range of media that spans from video installation to scholarly research, spivakov’s work inquires into the general tenets that govern representation as political, aesthetic, and technical practice. reading marx’s famous claim of the eighteenth brumaire of louis bonaparte: “they cannot represent themselves; 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The project would allow us to inhabit the form/content of the text as a radical starting point, not an end.",[],{"_key":56167,"_type":11,"children":56168,"markDefs":56182,"style":24},"89488d112b65",[56169,56173,56178],{"_key":56170,"_type":15,"marks":56171,"text":56172},"c78fec5278aa",[],"Nevertheless, these translation practices are happening in non-art contexts. ",{"_key":56174,"_type":15,"marks":56175,"text":56177},"ce9e2e4d44d2",[56176],"623b6841841a","Anime fansub",{"_key":56179,"_type":15,"marks":56180,"text":56181},"ba77c8da0e7c",[]," communities offer the paradigmatic example of how translation can be subversively activated and will therefore form the basis for our project. These practices have radically changed the way we relate to the traditional idea of translation by means of it taking place in a cybernetic world. Digisub practices leverage technological environments, ranging from file sharing in order to share raw content for translation and to distribute the finished product to chat rooms for discussion as well as multimedia authoring and subtitling tools. These “cultural remediators” embed themselves in the materiality of the content they translate.",[56183],{"_key":56176,"_type":41,"href":56184},"https://en.wikipedia.org/wiki/Fansub",[56186,56194,56202],{"_key":56187,"_type":11,"children":56188,"markDefs":56193,"style":24},"8c7a02cfd5e3",[56189],{"_key":56190,"_type":15,"marks":56191,"text":56192},"dc3ba08d86980",[],"How can translation be a method and radical practice of sharing in the context of decolonial theory, addressing the unequal access and distribution of knowledge?",[],{"_key":56195,"_type":11,"children":56196,"markDefs":56201,"style":24},"dae3322e56ef",[56197],{"_key":56198,"_type":15,"marks":56199,"text":56200},"c49b7f82286d0",[],"What is the impact of decolonial thinking on understandings of subjects, voices, and the decolonization of translation itself?",[],{"_key":56203,"_type":11,"children":56204,"markDefs":56209,"style":24},"605a3b475f47",[56205],{"_key":56206,"_type":15,"marks":56207,"text":56208},"e861bcb76399",[],"How can a translation platform serve as a method for connecting academic circles, activating spaces for the translatability of pedagogic material, and fostering a broader reach of decolonial ideas?",[],[56211,2127,17522,141,55811,55753,55860,56212,56213,13273,14259,55964,14029,18988,1100,255,520,55986],"decolonial (re)mediators","in turpis. aliquam eu nunc. vestibulum purus quam, scelerisque ut, mollis sed, nonummy id, metus. sed libero. quisque id mi.","you should try talking in my shoes for a mile — sofia vergara\n\nour research thinks translation as a method and radical practice of sharing which is political. we have the intention to generate an editorial platform for translating texts and other materials around decolonial theory. to undertake this task we should first of all decolonize translation. our thesis is that there’s an unequal access and distribution of knowledge and translation is a way to act on those geopolitical forces. on the one hand, there’s texts in english that can’t be accessed by those who can’t speak in english and on the other, there’s a lack of decolonial texts translated to english. if we translate from english, then more people will have access, and if we translate into english, more people will have a voice. further questions around decolonial thinking will be tackled—which impact on understandings of subjects and their voices. the project would allow us to inhabit the form/content of the text as a radical starting point, not an end.\n\nnevertheless, these translation practices are happening in non-art contexts. anime fansub communities offer the paradigmatic example of how translation can be subversively activated and will therefore form the basis for our project. these practices have radically changed the way we relate to the traditional idea of translation by means of it taking place in a cybernetic world. digisub practices leverage technological environments, ranging from file sharing in order to share raw content for translation and to distribute the finished product to chat rooms for discussion as well as multimedia authoring and subtitling tools. these “cultural remediators” embed themselves in the materiality of the content they translate.",{"_type":77,"current":56215},"decolonial-re-mediators","Decolonial (re)mediators",{"locations":56218,"other":56221},[56219],{"_id":139,"_type":121,"seo":75,"slug":56220,"title":142},{"_type":77,"current":141},[56222],{"_key":56223,"_type":11,"children":56224,"markDefs":56232,"style":24},"1471c358dbf0",[56225,56229],{"_key":56226,"_type":15,"marks":56227,"text":50864},"075d86cdf6a3",[56228],"6fb6baedaf6a",{"_key":56230,"_type":15,"marks":56231,"text":50868},"a85af777d263",[],[56233],{"_key":56228,"_type":41,"blank":42,"href":50871},[56235],{"_type":728,"settings":75,"text":56236},[56237],{"_key":56238,"_type":11,"children":56239,"markDefs":56244,"style":24},"4bfb703290d9",[56240],{"_key":56241,"_type":15,"marks":56242,"text":56243},"932906bfc445",[],"“We started by proposing an online platform for translating texts related to decolonial theory, and along the way, we were surprised by the experience of collective translation, by the immense possibilities of marginalia, of unbinding books, of shaping pens without hands, of undertranslating. So, to manifest our vague desire to become an editorial, we want to stage a book launch: to seize this opportunity to share and materialize some of the materials that resulted from our undertranslation workshops in Utrecht, Zurich, London, Rotterdam and Bogotá: La cocina situada by Marina Monsónis, Barranquilla 2132 by José Antonio Osorio Lizarazo, Cuando los subalternos entran en el museo: desobediencia epistémica y crítica institucional by Paul Preciado and two chapters of Un mundo ch’ixi es posible. Ensayos para un presente en crisis by Silvia Rivera Cusicanqui (“Palabras mágicas. Reflexiones sobre la naturaleza de la crisis presente” and “Micropolítica andina. 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Exceeds)",{"_key":57705,"_type":15,"marks":57706,"text":57707},"1e74dc54f898",[]," – Performance by Pule kaJanolintji, Richard Welch, Kit Kuksenok, Elisa Lemma ",{"_key":57709,"_type":15,"marks":57710,"text":57659},"28c3c094a9d8",[1362],{"_key":57712,"_type":15,"marks":57713,"text":5102},"a0ca8690a054",[],{"_key":57715,"_type":15,"marks":57716,"text":57666},"7f3ba5eec39e",[1362],{"_key":57718,"_type":15,"marks":57719,"text":57720},"b3c9cc8b4039",[],"\n18:00 Break\n",[57722],{"_key":57681,"_type":41,"href":44222},{"_key":57724,"_type":11,"children":57725,"markDefs":57730,"style":24},"9d0060c2f15d",[57726],{"_key":57727,"_type":15,"marks":57728,"text":57729},"f4d630dc67b5",[17],"@MATERIAL, Klingenstrasse 23, 8005 Zürich, Switzerland",[],{"_key":57732,"_type":11,"children":57733,"markDefs":57738,"style":24},"a5c8e78c3d9c",[57734],{"_key":57735,"_type":15,"marks":57736,"text":57737},"421b7807fe85",[],"19:00 Between the Fugue and the Origin – talk/discussion with Maxim Spivakov and Egor Rogalev curated by Andrea Liu\n20:30 Reading by Jara Nassar\n21:00 Decolonial (re)mediators editorial manifesting – book(s) launch with Decolonial (re)mediators by garaje school (María Angélica Madero + Santiago Pinyol) ",[],{"_key":57740,"_type":11,"children":57741,"markDefs":57763,"style":24},"b9bca1926ef6",[57742,57746,57750,57753,57756,57759],{"_key":57743,"_type":15,"marks":57744,"text":57745},"3ca3ceb7d20c",[],"-\n\n",{"_key":57747,"_type":15,"marks":57748,"text":57749},"b4e8f04e339b",[17,17],"Sunday, February 4th",{"_key":57751,"_type":15,"marks":57752,"text":1768},"350014a190c9",[],{"_key":57754,"_type":15,"marks":57755,"text":57640},"e2f4c962d7dd",[17,17],{"_key":57757,"_type":15,"marks":57758,"text":1768},"04abed147322",[],{"_key":57760,"_type":15,"marks":57761,"text":57762},"8557760fa707",[17],"@ Toni-Areal, Viaduktraum 2.A05, Ebene 2 (street entrance), Pfingstweidstrasse 96, 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cohort end of year, 2023","exhibition, performances, and workshops by the school of commons 2023 cohort\n\n*all workshops and events are free of charge and open to everyone","exhibition, performances, and workshops by the school of commons 2023 cohort\n\nvjosa, one of europe’s last wild free-flowing rivers found protection by transforming into nature reserves; the first independent newspaper has been printed in kosovo after all other printed newspapers have ceased. we glean insights about lifelong learning from the german volkshochschule, we learn to be better hosts, practice curation as community work, share collaboratively developed strategies on how to navigate through challenging funding frameworks and explore a communities’ collective intelligence that emerges in times of collective traumas. these are just a few examples of what the soc 2023 fellows have been working on to shape this year’s program. we invite you to explore their outcomes, reflections, and explorations through a selection of 25 practice-based projects presented in the form of an exhibition and accompanying performance and workshop program.\n\nthe school of commons’ 10-month peer-led program grants each project the freedom to develop its research in self-directed ways. to be transparent the title “what could possibly go right?” emerged later and isn’t a strict curatorial concept guiding each contribution. however, upon closer inspection, the common thread among the 25 projects developed in the framework of soc we observe is that most are making propositions for something they believe in rather than solely pointing fingers at what’s wrong in the world (which is undeniably important). these practices cultivate hope by fostering community, resources, tools, and infrastructures, predominantly as collective efforts bringing together individuals across diverse backgrounds, from the somatic to the scientific, and from the poetic to the political. instead of adopting a simplistic solutionist approach of attempting to “fix” the problems of our time, they embrace the complexity and interconnectedness of the reality we inhabit and acknowledge that there is no such thing as an idea or an object in isolation. they share the belief that possibility and hope arise from being together, maintaining openness, and sometimes even playfulness.\n\n-\n\nsaturday, february 3rd\nworkshop and performance program\n@ toni-areal, viaduktraum 2.a05, ebene 2, (street entrance), pfingstweidstrasse 96, zürich\n\n10:00 welcome by the soc team\n10:30 2024 soc alumn* townhall\n12:00 weighing together – workshop by the short big\n13:00 – 14.00 break / wild river – live installation by jasmine alakari & riccardo acciarino @ toni-areal, orgelsaal, ebene 7, raum k06 \n14:00 the good enough host – listening session with catwings (*hybrid event can be attended via this zoom link)\n15:00 hybrid tools for transdisciplinarity – collective sharing workshop with sarah drapeau\n16:00-17.00 break / wild river – live installation by jasmine alakari & riccardo acciarino @ toni-areal, orgelsaal, ebene 7, raum k06 \n17:00 eggland – participatory performance by i0 xen0, elisa lemma, dorota grajewska @ toni-areal, orgelsaal, ebene 7, raum k06\n17:30 le mythe submerge (the myth exceeds) – performance by pule kajanolintji, richard welch, kit kuksenok, elisa lemma @ toni-areal, orgelsaal, ebene 7, raum k06\n18:00 break\n\n\n@material, klingenstrasse 23, 8005 zürich, switzerland\n\n19:00 between the fugue and the origin – talk/discussion with maxim spivakov and egor rogalev curated by andrea liu\n20:30 reading by jara nassar\n21:00 decolonial (re)mediators editorial manifesting – book(s) launch with decolonial (re)mediators by garaje school (maría angélica madero + santiago pinyol) \n\n-\n\nsunday, february 4th\nworkshop and performance program\n@ toni-areal, viaduktraum 2.a05, ebene 2 (street entrance), pfingstweidstrasse 96, zürich\n\n11:00 improvising access, for now – workshop by freedom studies (letitia, rose and ella)\n12:00 writing letters to/from choreographical elements – workshop by lina zeller\n13:00 break\n14:00 in-progress co/living – workshop with yourfriendkas and agata guńka (*hybrid event can be attended via this zoom link)\n15:00 curation as community work in a hostile funding context – exchange by the oyoun team (*hybrid event can be attended via this zoom link)\n16:00 language (as a technology that) re-/animates (dis-/jointed) cartographies – sound walk with monika dorniak\n17:00 the story of touch – workshop with “there, there” working group\n18:00 break\n19:30 visitor one thru eight – lecture performance by andrea liu \n20:00 “garden mythtory: observe closely, connect broadly, think critically” – walkthrough of exhibition by richard welch, supported by pule kajanolintji for makhandzambili @ toni areal, zt 5.k12 kunstraum, pfingstweidstrasse 96, zürich\n20:30 issues 2023 launch & party\n\n-\n\nexhibition\n@ toni areal, zt 5.k12 kunstraum, pfingstweidstrasse 96, zürich\nopens saturday, february 3rd (10:00 – 18:00) and sunday, february 4th (11:00 – 20:00)\n\nwith contributions by:\n\nagata guńka & yourfriendkas\n–\nandrea liu\n–\ncatwings (steph joyce & theresa zwerschke)\n–\ndecolonial (re)mediators by garaje school (maría angélica madero + santiago pinyol)\n–\nlina zeller\n–\nmakhandzambili (pule kajanolintji, balkind, elisa lemma, kit kuksenok, luyolo lenga, lizo sonkwala, duduzile mathebula, richard welch mic, vuyiswa xeketwane, wandile ndlovu & the sidvwaba cave)\n–\nmiwa negoro\n“living library of becomings” is a research and performative library project dedicated to the multiple artistic narrations from intersectional, queer, and decolonial feminist perspectives, with an attempt to create a platform in which such voices and texts are shared in tactile and performative ways. in the soc assembly, artistic publications gathered during the soc, the process of research, and its growing digital platform will be displayed.\n–\nriccardo acciarino & jasmine alakari\n–\nrahel stange & sinem görücü\n“proving the unprovable” presents a series of documents that interrogate the concept of materializing personal bonds to places in submittable forms. this collection of ‘unofficial official’ documents challenges the notion of quantifying personal connections through standardized evidence. each piece embodies a satirical exploration of this theme, contrasting subjective experiences of belonging against objective criteria. the work prompts reflection on the nature of attachments and the difficulties in representing these profound, yet intangible ties.\n–\n“there, there” working group with sound works “postcards from the piano” by germain cls, “elephant in the room” by eldar tagi (w. lena pozdnyakova), and “tashkent on air” recorded by isabel candia (s0.any), dima gerasimov, evgeniy galochkin, boris lesnoy, polycarpicae, anna pronina, sergei podluzhnyi, vika ryskina, maxim spivakov, filiz suleymanoglu, sabina suleymanoglu, sofia seitkhalil, josef tumari, denis volkov, coordinated by anna pronina and julia polikarpova (polycarpicae) and mixed by sergei podluzhnyi. the sculpture pieces are from lena pozdnyakova, with contributions from luise willer and anna kücking.\n“tashkent on air” is a collection of soundscapes by musicians, artists, cultural workers, and researchers born or based in tashkent. it includes a huge diversity of sounds recorded through the loving gaze on the city, from the clatter of the wheels of the tashkent subway, the birdsongs in the parks and the police whistling at rush-hour, to fragments of a lecture on the musical traditions of uzbekistan, the singing of muezzins and rehearsals at the conservatory. dozens of fragments were assembled on the initiative of the collectives ‘there there’ and ‘bahor/весна’ and carefully edited by the sound engineer sergei podluzhnyi. the resulting sonic mosaic is a collective tashkent soundscape made of personal answers to the question ‘how does my tashkent 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To work within self-organized frameworks, outside established institutions, without a static (economic) infrastructure, might offer the freedom to do things differently, but can also inadvertently (re)generate precarious conditions in which participants are overworked, take up several roles simultaneously, and are left without the capacity to fully embody their ethics.\n\nAs a collective, we repeatedly find ourselves navigating questions such as: What is the ethical dimension of hosting in collective knowledge production? What are the power relations we need to consider as hosts, how can they be reflected or even deconstructed/unlearned? How to navigate the responsibilities and affective investments of the host within the limitations of precarious working conditions?\n\nWith our research, we aim to dive deeper into characteristics, contradictions and possibilities of hosting in the specific frame of (often precarious) self-organized structures in order to develop strategies and tools to navigate responsible and sustainable hosting practices. While current discourses around rethinking hospitality in art institutions, that inform concepts of the museum, the curator as ",{"_key":58419,"_type":15,"marks":58420,"text":58421},"dbd2276143e1",[1362],"good",{"_key":58423,"_type":15,"marks":58424,"text":58425},"7b209891e938",[]," hosts, reveal similarities to the relational template of parental care (Fraser 2016), we want to propose the ",{"_key":58427,"_type":15,"marks":58428,"text":58429},"24ca81e896a5",[1362],"good enough",{"_key":58431,"_type":15,"marks":58432,"text":58433},"828e1f00dff3",[]," host (Winnicott 1956) as a potential strategy for non-institutional facilitation. Rather than situating our idea of hosting in the good/bad binary, the ",{"_key":58435,"_type":15,"marks":58436,"text":58429},"a8459d6df4cc",[1362],{"_key":58438,"_type":15,"marks":58439,"text":58440},"3efe74786940",[]," offers us a way to engage with ambivalences and difficulties inherent to the role of the host. Based on this proposition our first research stage aims to create a common pool of knowledge and references through conversations, exchange of experiences and close readings, in which we engage with texts regarding hosting and collective organizing (e.g. A. Fraser, A. Martinis Roe, D.W. Winnicott, Jo Freeman). For our second research stage, we would like to invite guests working in fields of accessibility, cultural labor unionizing and collective research facilitation to deepen our research on practical steps and strategies. Based on their input, we want to collectively develop tools, such as protocols or guides for navigating capabilities, responsibilities and boundaries of the host. A possible outcome for those tools is the development of a publication (available in print and online), to be shared and used with other facilitators, organizers and hosts. As an optional way to bring those tools into action, we imagine a speculative format, in which we ask ",{"_key":58442,"_type":15,"marks":58443,"text":58444},"65a2204dc899",[1362],"what if",{"_key":58446,"_type":15,"marks":58447,"text":58448},"71834f7ca005",[]," (what would be an ideal scenario for hosting and facilitating and for whom? How would we host if the socio-economic, political structures surrounding us were different?).",[],[58451,58459,58467],{"_key":58452,"_type":11,"children":58453,"markDefs":58458,"style":24},"461c7c342755",[58454],{"_key":58455,"_type":15,"marks":58456,"text":58457},"c6493b736af30",[],"What is the ethical dimension of hosting in formats of collective knowledge production?",[],{"_key":58460,"_type":11,"children":58461,"markDefs":58466,"style":24},"54d43608ae9f",[58462],{"_key":58463,"_type":15,"marks":58464,"text":58465},"e5e8151bad100",[],"What are the power relations that hosts need to consider and how can they be reflected on or deconstructed?",[],{"_key":58468,"_type":11,"children":58469,"markDefs":58474,"style":24},"e6e1c5f5e882",[58470],{"_key":58471,"_type":15,"marks":58472,"text":58473},"0bd38cad0fc40",[],"How can hosts navigate their responsibilities and affective investments within the limitations of precarious working conditions?",[],[58476,2127,58477,141,58320,58186,58148,58478,22463],"the good enough host - pragmatic tools for idealistic practices","rupert aep • the good enough host w/ catwings • 2023.11.07","hosting, facilitating and organizing in collective structures can come with a lot of baggage. to work within self-organized frameworks, outside established institutions, without a static (economic) infrastructure, might offer the freedom to do things differently, but can also inadvertently (re)generate precarious conditions in which participants are overworked, take up several roles simultaneously, and are left without the capacity to fully embody their ethics.\n\nas a collective, we repeatedly find ourselves navigating questions such as: what is the ethical dimension of hosting in collective knowledge production? what are the power relations we need to consider as hosts, how can they be reflected or even deconstructed/unlearned? how to navigate the responsibilities and affective investments of the host within the limitations of precarious working conditions?\n\nwith our research, we aim to dive deeper into characteristics, contradictions and possibilities of hosting in the specific frame of (often precarious) self-organized structures in order to develop strategies and tools to navigate responsible and sustainable hosting practices. while current discourses around rethinking hospitality in art institutions, that inform concepts of the museum, the curator as good hosts, reveal similarities to the relational template of parental care (fraser 2016), we want to propose the good enough host (winnicott 1956) as a potential strategy for non-institutional facilitation. rather than situating our idea of hosting in the good/bad binary, the good enough offers us a way to engage with ambivalences and difficulties inherent to the role of the host. based on this proposition our first research stage aims to create a common pool of knowledge and references through conversations, exchange of experiences and close readings, in which we engage with texts regarding hosting and collective organizing (e.g. a. fraser, a. martinis roe, d.w. winnicott, jo freeman). for our second research stage, we would like to invite guests working in fields of accessibility, cultural labor unionizing and collective research facilitation to deepen our research on practical steps and strategies. based on their input, we want to collectively develop tools, such as protocols or guides for navigating capabilities, responsibilities and boundaries of the host. a possible outcome for those tools is the development of a publication (available in print and online), to be shared and used with other facilitators, organizers and hosts. as an optional way to bring those tools into action, we imagine a speculative format, in which we ask what if (what would be an ideal scenario for hosting and facilitating and for whom? how would we host if the socio-economic, political structures surrounding us were different?).",{"_type":77,"current":58480},"the-good-enough-host-pragmatic-tools-for-idealistic-practices","The good enough host - pragmatic tools for idealistic practices",{"locations":58483,"other":58488},[58484,58486],{"_id":139,"_type":121,"seo":75,"slug":58485,"title":142},{"_type":77,"current":141},{"_id":144,"_type":121,"seo":75,"slug":58487,"title":147},{"_type":77,"current":146},[58489],{"_key":58490,"_type":11,"children":58491,"markDefs":58495,"style":24},"8faa21383ae7",[58492],{"_key":58493,"_type":15,"marks":58494,"text":27837},"fc9ae41094950",[],[],[58497],{"_type":728,"settings":75,"text":58498},[58499],{"_key":58500,"_type":11,"children":58501,"markDefs":58506,"style":24},"1eeb1d52ca92",[58502],{"_key":58503,"_type":15,"marks":58504,"text":58505},"99dea03e8fa9",[],"Each episode is bursting with conversations, readings from theoretical texts and sonic tidbits emerging from the research project, The Good Enough Host, and is guided by a single theme, be it the role of disagreement within manifestos of collectives or anti-hierarchal approaches to relational practices. These themes presented themselves during the research process as commonalities and shared experiences among various practitioners, all of whom are working within, around or near the parameters, potentials and limitations of self-organized structures in art and culture.",[],{"_id":51726,"_type":556,"seo":75,"slug":58508,"title":51729},{"_type":77,"current":51728},[58510,141,146,27867,58511,112,58512,58513,58148,58186],"the good enough host (hybrid event)","listening session","during the soc assembly, catwings will present a live radio show and share a few audio assemblages installed in a cozy corner in the exhibition space. 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Together with Earthrise studio, and in collaboration with the pioneering sound studio MONOM (4DSOUND), she produces sound installations and immersive art projects about the climate crisis. In 2021 she was part of launching a collaborative sound installation project at the COP26 with Minga Indigena at the Indigenous peoples hub and with the New York Times Climate Forward hub in London. She was the head of programming for CultureCOP28 in Egypt and is certified in Indigenous Peoples Rights at Columbia University. Jasmine holds a (BA) in film directing from the DFFB where she is also currently finnishing her master’s degree. She was previously an active member of an international anarchist squat in Exarcheia, Athens, and worked on opening and hosting safe spaces for women refugees and children there in 2019-2021.",[],"Jasmine is a Finnish film director and activist working for Climate Justice in the transgression of storytelling, Nature's Rights and Indigenous peoples rights. 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Music seeks its place among entertainment and boredom, in the most fragmented proposition the world has ever welcomed. Interpretation as stan dard, definition as limitation, and listening as learn ing are just some of the delicate issues character izing the post-modern era, which for the first time in history sees technical reproduction reign over art. This research arises from the tangible discomfort increasingly found in ‘cultured’ genres of music, a discomfort caused by the increasing need for oppor tunities that move away from the conventional to ward the personal. NWE therefore asks:How to pro pose and interpret today music conceived in such a different past and how to create new music that is unconventional and conscious of modern fruition at the same time? How to make the genre not a lim itation but an opportunity? How does the nature of perception influence the conception of the category Music? Who is the performer today? Focus will be on the figure of the performer, the average listener, the role of writing and music in general, exploring the necessary artistic, sociological, psychological and historical aspects. Institutions of international importance including the ZHdK in Zurich, the Or pheus Institute in Ghent, the conservatories of Mi lan and Florence and their respective students are already involved in the research. Thanks to SoC, the research would be able to count on the stimuli and feedback from the various participants, which are crucial for the development of the ideas. The goal is to outline a critical plan that can lead the way to a practical and viable solution, to a network of artists and students that could reform a scene in search of novelty. Thus was born The No Way Experience, the itinerant music festival where traditional rules of mu sic are challenged and pushed to the limit. NWE is unique multi-artistic events that will never be repeat ed in the same way. It is live, human, risky, imperfect and unpredictable. It is a meeting point of cultures, but also an opportunity to explore uncharted musical territories. NWE doesn’t target a specific audience, it mutates to reach everybody. NWE breaks free from praxis in favour of interpretation, it studies habits to shatter their monotony. NWE is not definition, it is emancipation. 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lindström",{"_type":77,"current":58908},"rights-of-nature-tools-and-methodologies-for-systemic-change",{"locations":58910,"other":58913},[58911],{"_id":139,"_type":121,"seo":75,"slug":58912,"title":142},{"_type":77,"current":141},[58914],{"_key":58915,"_type":11,"children":58916,"markDefs":58920,"style":24},"13310ad820c5",[58917],{"_key":58918,"_type":15,"marks":58919,"text":54572},"624700222275",[],[],[58922],{"_type":728,"settings":75,"text":58923},[58924,58932,58940],{"_key":58925,"_type":11,"children":58926,"markDefs":58931,"style":24},"c97cf9d17aba",[58927],{"_key":58928,"_type":15,"marks":58929,"text":58930},"99d3ef56838b",[],"“The main objective of the installation is to harness and transform sounds originating from the last Europe’s pristine rivers. Utilizing advanced technology from MONOM Studio and SABRE GmbH, these unique sounds have been captured and dynamically manipulated in real-time, culminating in a truly distinctive auditory and interactive experience.",[],{"_key":58933,"_type":11,"children":58934,"markDefs":58939,"style":24},"0f285a6a3768",[58935],{"_key":58936,"_type":15,"marks":58937,"text":58938},"97340ba20521",[],"At the core of the installation lies a sophisticated auto-generative process employing a modular synthesizer to amalgamate the river sounds with Pietro Dossena’s musical and creative composition. This fusion gives birth to a spatialized soundscape, constantly evolving with changing nuances, projected to last approximately 2 to 3 hours. However, what truly sets this experience apart is the opportunity provided to the audience for active interaction with the installation. Through the use of gyroscopic sensors, visitors will have the ability to manipulate and control the spatialization of sounds, enabling real-time interaction with the music, and fostering a completely immersive and personalized experience.",[],{"_key":58941,"_type":11,"children":58942,"markDefs":58947,"style":24},"a2cd3e55461a",[58943],{"_key":58944,"_type":15,"marks":58945,"text":58946},"8cf06aacd928",[],"In addition to the auditory component, the installation also features a captivating visual projection of the involved rivers, creating an engaging and multi-sensory experience, and spontaneous musical interactions by live musicians.”",[],{"_id":51726,"_type":556,"seo":75,"slug":58949,"title":51729},{"_type":77,"current":51728},[58951,141,54589,320,24205,112,58952,58953,58573,58622],"“wild river: prelude\"","this remarkable installation represents a sensory experience resulting from the collaboration between the internationally renowned institutions monom studio, sentient, lios labs, and pietro dossena, composer and professor at the conservatorio l. canepa of sassari, under the curation of riccardo acciarino and jasmine alakari. ","“the main objective of the installation is to harness and transform sounds originating from the last europe’s pristine rivers. utilizing advanced technology from monom studio and sabre gmbh, these unique sounds have been captured and dynamically manipulated in real-time, culminating in a truly distinctive auditory and interactive experience.\n\nat the core of the installation lies a sophisticated auto-generative process employing a modular synthesizer to amalgamate the river sounds with pietro dossena’s musical and creative composition. this fusion gives birth to a spatialized soundscape, constantly evolving with changing nuances, projected to last approximately 2 to 3 hours. however, what truly sets this experience apart is the opportunity provided to the audience for active interaction with the installation. through the use of gyroscopic sensors, visitors will have the ability to manipulate and control the spatialization of sounds, enabling real-time interaction with the music, and fostering a completely immersive and personalized experience.\n\nin addition to the auditory component, the installation also features a captivating visual projection of the involved rivers, creating an engaging and multi-sensory experience, and spontaneous musical interactions by live musicians.”",{"_type":77,"current":51512},[58956],{"_id":110,"_type":97,"seo":75,"slug":58957,"title":113},{"_type":77,"current":112},{"_id":58959,"_type":556,"additionalDetails":75,"categories":58960,"credits":58964,"dates":59069,"events":59072,"featuredImage":59073,"filterables":59078,"labs":75,"locations":59085,"pageBuilder":59097,"parentEvent":75,"searchables":59124,"seo":75,"slug":59128,"summary":59130,"title":59131,"types":59132},"c81e3e01-4444-49fa-98b3-71787470a6ec",[58961],{"_id":338,"_type":155,"colorPrimary":58962,"seo":75,"slug":58963,"title":341},{"label":569,"value":49917},{"_type":77,"current":340},{"other":75,"profiles":58965},[58966,58995],{"_id":34134,"_type":576,"activeYears":58967,"bio":58974,"bioShort":34151,"featuredImage":58980,"filterables":58982,"links":58987,"locations":58989,"searchables":58993,"seo":75,"slug":58994,"title":34153},[58968,58970,58972],{"_id":2125,"_type":580,"seo":75,"slug":58969,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":58971,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":58973,"title":1350},{"_type":77,"current":1349},[58975],{"_key":34144,"_type":11,"children":58976,"markDefs":58979,"style":24},[58977],{"_key":34147,"_type":15,"marks":58978,"text":34149},[],[],{"alt":34153,"asset":58981},{"_id":34155,"height":34156,"orientation":598,"ratio":34157,"url":34158,"width":34159},{"filterYear":58983},[58984,58985,58986],{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},[58988],{"_type":607,"label":2160,"url":34167},{"locations":58990,"other":75},[58991],{"_id":139,"_type":121,"seo":75,"slug":58992,"title":142},{"_type":77,"current":141},[34173,2127,883,1349],{"_type":77,"current":34175},{"_id":2170,"_type":576,"activeYears":58996,"bio":59009,"bioShort":2191,"featuredImage":59043,"filterables":59045,"links":59053,"locations":59057,"searchables":59067,"seo":75,"slug":59068,"title":2242},[58997,58999,59001,59003,59005,59007],{"_id":2115,"_type":580,"seo":75,"slug":58998,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":59000,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":59002,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":59004,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":59006,"title":1350},{"_type":77,"current":1349},{"_id":579,"_type":580,"seo":75,"slug":59008,"title":583},{"_type":77,"current":582},[59010,59015,59020,59025,59030],{"_key":2186,"_type":11,"children":59011,"markDefs":59014,"style":24},[59012],{"_key":2189,"_type":15,"marks":59013,"text":2191},[],[],{"_key":2194,"_type":11,"children":59016,"markDefs":59019,"style":24},[59017],{"_key":2197,"_type":15,"marks":59018,"text":2199},[],[],{"_key":2202,"_type":11,"children":59021,"markDefs":59024,"style":24},[59022],{"_key":2205,"_type":15,"marks":59023,"text":2207},[],[],{"_key":2210,"_type":11,"children":59026,"markDefs":59029,"style":24},[59027],{"_key":2213,"_type":15,"marks":59028,"text":2215},[],[],{"_key":2218,"_type":11,"children":59031,"markDefs":59042,"style":24},[59032,59034,59036,59038,59040],{"_key":2221,"_type":15,"marks":59033,"text":2223},[],{"_key":2225,"_type":15,"marks":59035,"text":2227},[1362],{"_key":2229,"_type":15,"marks":59037,"text":2231},[],{"_key":2233,"_type":15,"marks":59039,"text":2235},[1362],{"_key":2237,"_type":15,"marks":59041,"text":2239},[],[],{"alt":2242,"asset":59044},{"_id":2244,"height":2245,"orientation":598,"ratio":2246,"url":2247,"width":2248},{"filterYear":59046},[59047,59048,59049,59050,59051,59052],{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},{"_id":579,"title":583},[59054,59055,59056],{"_type":607,"label":2160,"url":2259},{"_type":607,"label":2227,"url":2261},{"_type":607,"label":2263,"url":2264},{"locations":59058,"other":59061},[59059],{"_id":139,"_type":121,"seo":75,"slug":59060,"title":142},{"_type":77,"current":141},[59062],{"_key":2271,"_type":11,"children":59063,"markDefs":59066,"style":24},[59064],{"_key":2274,"_type":15,"marks":59065,"text":2276},[],[],[2279,2117,2122,2127,883,1349,582],{"_type":77,"current":2281},{"endDate":59070,"other":59071,"startDate":59070},"2024-02-02","20:30–23:00 (CET)",[],{"alt":59074,"asset":59075},"“On Mutual Support”: ISSUES 2023 Launch Event @ Toni-Areal, Viaduktraum 2.A05, Ebene 2 (street entrance), Pfingstweidstrasse 96, Zürich",{"_id":59076,"height":3703,"orientation":598,"ratio":599,"url":59077,"width":704},"image-49a988f06ee499a5447fd45f6535b4e126ec479b-2000x1500-jpg","https://cdn.sanity.io/images/eodip22e/production/49a988f06ee499a5447fd45f6535b4e126ec479b-2000x1500.jpg",{"filterCategory":59079,"filterLocation":59081,"filterType":59083},[59080],{"_id":338,"title":341},[59082],{"_id":139,"title":142},[59084],{"_id":110,"title":113},{"locations":59086,"other":59089},[59087],{"_id":139,"_type":121,"seo":75,"slug":59088,"title":142},{"_type":77,"current":141},[59090],{"_key":59091,"_type":11,"children":59092,"markDefs":59096,"style":24},"38631d99427b",[59093],{"_key":59094,"_type":15,"marks":59095,"text":27837},"e7b4450dcb81",[],[],[59098],{"_type":728,"settings":75,"text":59099},[59100,59108,59116],{"_key":59101,"_type":11,"children":59102,"markDefs":59107,"style":24},"2b42be02c894",[59103],{"_key":59104,"_type":15,"marks":59105,"text":59106},"1617dfb08e36",[],"For each edition of ISSUES, a collectively thematic framing is decided upon. The selected theme for the 2023 Edition of ISSUES is “Mutual Support”.",[],{"_key":59109,"_type":11,"children":59110,"markDefs":59115,"style":24},"3e99f89a29a1",[59111],{"_key":59112,"_type":15,"marks":59113,"text":59114},"1dcad6c8a212",[],"Through the act of amassing and assembling the various themes, ways of workings and methodologies that connect the SoC 2023 cohort, ISSUES, itself, provides a distributable, publishable (mutual) support structure.",[],{"_key":59117,"_type":11,"children":59118,"markDefs":59123,"style":24},"c9eed156d4f1",[59119],{"_key":59120,"_type":15,"marks":59121,"text":59122},"697f499e9ede",[],"Join us for the festive launch event of ISSUES 2023 on the evening of Sunday 4th Feb from 20.30pm CET onwards to hear specially invited guest, Sophie Mak-Schram, discuss “mutual support” in relation to support infrastructures, and self-organised supportive systems before joining the ISSUES contributors and editor in conversation, to discuss how their contributions seek to add further nuance and perspective to this collective framing.",[],[59125,141,27867,50251,112,59126,59127,34173,2279],"\"on mutual support\" issues launch, 2023","contributions to the publication encapsulate, through text, audio, film, meme, or other alternative publishing means, the processes, outcomes, questions, and challenges each project has encountered during their time within the soc programme. ","for each edition of issues, a collectively thematic framing is decided upon. the selected theme for the 2023 edition of issues is “mutual support”.\n\nthrough the act of amassing and assembling the various themes, ways of workings and methodologies that connect the soc 2023 cohort, issues, itself, provides a distributable, publishable (mutual) support structure.\n\njoin us for the festive launch event of issues 2023 on the evening of sunday 4th feb from 20.30pm cet onwards to hear specially invited guest, sophie mak-schram, discuss “mutual support” in relation to support infrastructures, and self-organised supportive systems before joining the issues contributors and editor in conversation, to discuss how their contributions seek to add further nuance and perspective to this collective framing.",{"_type":77,"current":59129},"on-mutual-support-issues-launch-2023","Contributions to the publication encapsulate, through text, audio, film, meme, or other alternative publishing means, the processes, outcomes, questions, and challenges each project has encountered during their time within the SoC programme. ","\"On Mutual Support\" ISSUES Launch, 2023",[59133],{"_id":110,"_type":97,"seo":75,"slug":59134,"title":113},{"_type":77,"current":112},{"_id":59136,"_type":556,"additionalDetails":59137,"categories":59153,"credits":75,"dates":59163,"events":59166,"featuredImage":59167,"filterables":59172,"labs":75,"locations":59182,"pageBuilder":59196,"parentEvent":75,"searchables":59239,"seo":75,"slug":59243,"summary":59245,"title":59246,"types":59247},"8695123d-d2fe-4993-bfa6-dc77df473e72",[59138],{"_key":59139,"_type":11,"children":59140,"markDefs":59151,"style":24},"91e3059c7f9d",[59141,59144,59148],{"_key":59142,"_type":15,"marks":59143,"text":51294},"6e0e504a2eeb",[],{"_key":59145,"_type":15,"marks":59146,"text":51299},"e060aed221d1",[59147],"6a7bbebefc88",{"_key":59149,"_type":15,"marks":59150,"text":1125},"1ce4fb38d698",[],[59152],{"_key":59147,"_type":41,"href":44222},[59154,59157,59160],{"_id":283,"_type":155,"colorPrimary":59155,"seo":75,"slug":59156,"title":286},{"label":569,"value":3622},{"_type":77,"current":285},{"_id":198,"_type":155,"colorPrimary":59158,"seo":75,"slug":59159,"title":201},{"label":569,"value":570},{"_type":77,"current":200},{"_id":203,"_type":155,"colorPrimary":59161,"seo":75,"slug":59162,"title":206},{"label":569,"value":2977},{"_type":77,"current":205},{"endDate":59164,"other":59165,"startDate":59164},"2023-12-18","February 2-4, 2024",[],{"alt":59168,"asset":59169},"Save the date: Exhibition, Performances, and Workshops by the School of Commons’ 2023 Cohort",{"_id":59170,"height":15315,"orientation":1032,"ratio":1033,"url":59171,"width":15315},"image-5407da6d48664dd7e1cd7289250e210b707a1764-2250x2250-jpg","https://cdn.sanity.io/images/eodip22e/production/5407da6d48664dd7e1cd7289250e210b707a1764-2250x2250.jpg",{"filterCategory":59173,"filterLocation":59177,"filterType":59180},[59174,59175,59176],{"_id":283,"title":286},{"_id":198,"title":201},{"_id":203,"title":206},[59178,59179],{"_id":139,"title":142},{"_id":144,"title":147},[59181],{"_id":110,"title":113},{"locations":59183,"other":59188},[59184,59186],{"_id":139,"_type":121,"seo":75,"slug":59185,"title":142},{"_type":77,"current":141},{"_id":144,"_type":121,"seo":75,"slug":59187,"title":147},{"_type":77,"current":146},[59189],{"_key":59190,"_type":11,"children":59191,"markDefs":59195,"style":24},"2f2a642a9bfc",[59192],{"_key":59193,"_type":15,"marks":59194,"text":53479},"53c6d876d567",[],[],[59197],{"_type":728,"settings":75,"text":59198},[59199,59207,59215,59223,59231],{"_key":59200,"_type":11,"children":59201,"markDefs":59206,"style":24},"6326f80a566b",[59202],{"_key":59203,"_type":15,"marks":59204,"text":59205},"e0c3da6a04ab",[],"Vjosa, one of Europe’s last wild free-flowing rivers found protection by transforming into nature reserves; the first independent newspaper has been printed in Kosovo after all other printed newspapers have ceased. We glean insights about lifelong learning from the German Volkshochschule, we learn to be better hosts, practice curation as community work, share collaboratively developed strategies on how to navigate through challenging funding frameworks and explore a communities’ collective intelligence that emerges in times of collective traumas. These are just a few examples of what the SoC 2023 fellows have been working on to shape this year’s programme. We invite you to explore their outcomes, reflections, and explorations through a selection of 25 practice-based projects presented in the form of an exhibition and accompanying performance and workshop programme.",[],{"_key":59208,"_type":11,"children":59209,"markDefs":59214,"style":24},"e45368957e76",[59210],{"_key":59211,"_type":15,"marks":59212,"text":59213},"b01bcaf7e030",[],"The School of Commons’ 10-month peer-led programme grants each project the freedom to develop its research in self-directed ways. To be transparent the title “What Could Possibly Go Right?” emerged later and isn’t a strict curatorial concept guiding each contribution. However, upon closer inspection, the common thread among the 25 projects developed in the framework of SoC we observe is that most are making propositions for something they believe in rather than solely pointing fingers at what’s wrong in the world (which is undeniably important). These practices cultivate hope by fostering community, resources, tools, and infrastructures, predominantly as collective efforts bringing together individuals across diverse backgrounds, from the somatic to the scientific, and from the poetic to the political. Instead of adopting a simplistic solutionist approach of attempting to “fix” the problems of our time, they embrace the complexity and interconnectedness of the reality we inhabit and acknowledge that there is no such thing as an idea or an object in isolation. 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It also assesses the ",{"_key":60862,"_type":15,"marks":60863,"text":30160},"d088da6dcc764",[17],{"_key":60865,"_type":15,"marks":60866,"text":60867},"d088da6dcc765",[]," to exchanging, sharing and collaborating with fellow participants and the ",{"_key":60869,"_type":15,"marks":60870,"text":30168},"d088da6dcc766",[17],{"_key":60872,"_type":15,"marks":60873,"text":60874},"d088da6dcc767",[]," proposed to support this. ",[],{"_key":60877,"_type":11,"children":60878,"markDefs":60886,"style":24},"8397cb50ea34",[60879,60882],{"_key":60880,"_type":15,"marks":60881,"text":30180},"3267fbfb09ae0",[17],{"_key":60883,"_type":15,"marks":60884,"text":60885},"3267fbfb09ae1",[]," Applicants may submit one application only to the 2024 Open Call. Previous participants can only apply with a new project with new collaborators.",[],{"_key":60888,"_type":11,"children":60889,"markDefs":60901,"style":24},"844e1262e96c",[60890,60894,60898],{"_key":60891,"_type":15,"marks":60892,"text":60893},"0c27d6b047690",[],"More information about SoC selection process is available in the ",{"_key":60895,"_type":15,"marks":60896,"text":60560},"0c27d6b047691",[60897],"cdaccb8a984d",{"_key":60899,"_type":15,"marks":60900,"text":1125},"0c27d6b047692",[],[60902],{"_key":60897,"_type":41,"href":60470},{"_key":60904,"_type":11,"children":60905,"markDefs":60909,"style":24},"1eff8a1bbc57",[60906],{"_key":60907,"_type":15,"marks":60908,"text":1150},"b1f2f734f8da0",[],[],{"_key":60911,"_type":11,"children":60912,"markDefs":60917,"style":24},"888810429134",[60913],{"_key":60914,"_type":15,"marks":60915,"text":60916},"d2ea8e1cd9380",[17],"How will School of Commons be structured for 2024?",[],{"_key":60919,"_type":11,"children":60920,"markDefs":60925,"style":24},"1faf3dffa1cf",[60921],{"_key":60922,"_type":15,"marks":60923,"text":60924},"744fab1854e60",[],"SoC offers a learning environment and a 10-month programme structure that will evolve and be shaped, in dialogue, with the participants. As part of the 10-month programme, SoC helps facilitate an internal programme of open spaces and sessions with participants, this is combined with a series of public offerings, all of which are open access, which helps to make the knowledge and practices that arise from the programme through our participants and their processes, publicly available and shareable.",[],{"_key":60927,"_type":11,"children":60928,"markDefs":60933,"style":24},"da8a4469b65f",[60929],{"_key":60930,"_type":15,"marks":60931,"text":60932},"ce23050af47f0",[],"The proposed structure for the preliminary programme over the 10 months from April 2023 to February 2024 is as follows. Please ensure you are available for the following dates before applying, as full attendance is expected in the programme.",[],{"_key":60935,"_type":11,"children":60936,"markDefs":60945,"style":24},"b5f104eb0817",[60937,60941],{"_key":60938,"_type":15,"marks":60939,"text":60940},"7076b3146a490",[],"19- 21. 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June 2024\n",{"_key":60974,"_type":15,"marks":60975,"text":60976},"d7637bebb9a71",[17],"School of Commons Gathering in Zurich",[],{"_key":60979,"_type":11,"children":60980,"markDefs":60989,"style":24},"3df2fffcb734",[60981,60985],{"_key":60982,"_type":15,"marks":60983,"text":60984},"23c990824a270",[],"23. July – 24. August 2024\n",{"_key":60986,"_type":15,"marks":60987,"text":60988},"23c990824a271",[17],"Summer Break",[],{"_key":60991,"_type":11,"children":60992,"markDefs":61001,"style":24},"c77ff478af49",[60993,60997],{"_key":60994,"_type":15,"marks":60995,"text":60996},"756165fd6d500",[],"September – December 2024\n",{"_key":60998,"_type":15,"marks":60999,"text":61000},"756165fd6d501",[17],"Self-Organised Curriculum",[],{"_key":61003,"_type":11,"children":61004,"markDefs":61021,"style":24},"b48cde7d0901",[61005,61009,61013,61017],{"_key":61006,"_type":15,"marks":61007,"text":61008},"a14daf83e0bd0",[],"16. December – 11. 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February 2025\n",{"_key":61018,"_type":15,"marks":61019,"text":61020},"a14daf83e0bd3",[17],"School of Commons Assembly",[],{"_key":61023,"_type":11,"children":61024,"markDefs":61036,"style":24},"de5b767acd2d",[61025,61029,61033],{"_key":61026,"_type":15,"marks":61027,"text":61028},"7b1f5b7912510",[],"More information about the structure of SoC 2024 is available in the ",{"_key":61030,"_type":15,"marks":61031,"text":60560},"7b1f5b7912511",[61032],"bdea84e31116",{"_key":61034,"_type":15,"marks":61035,"text":1125},"7b1f5b7912512",[],[61037],{"_key":61032,"_type":41,"href":60470},{"_key":61039,"_type":11,"children":61040,"markDefs":61044,"style":24},"41b5fc9aebcf",[61041],{"_key":61042,"_type":15,"marks":61043,"text":1150},"7aae24092ec90",[],[],{"_key":61046,"_type":11,"children":61047,"markDefs":61051,"style":24},"f3d88f889919",[61048],{"_key":61049,"_type":15,"marks":61050,"text":30584},"f27dbb6f79670",[17],[],{"_key":61053,"_type":11,"children":61054,"markDefs":61067,"style":24},"64ee67918ef3",[61055,61059,61063],{"_key":61056,"_type":15,"marks":61057,"text":61058},"0fb0c8b406750",[],"Applications are submitted via ",{"_key":61060,"_type":15,"marks":61061,"text":30597},"0fb0c8b406751",[61062],"177354092015",{"_key":61064,"_type":15,"marks":61065,"text":61066},"0fb0c8b406752",[]," where you will be asked a set of mandatory questions.",[61068],{"_key":61062,"_type":41,"href":61069},"https://docs.google.com/forms/d/e/1FAIpQLScaPkoAqUKBcksal3tVv4ABTOYYfdP_cnOetubsvIbxaFNldQ/viewform",{"_key":61071,"_type":11,"children":61072,"markDefs":61077,"style":24},"318fd632c5fb",[61073],{"_key":61074,"_type":15,"marks":61075,"text":61076},"89991eec6ae00",[17],"No CVs, biographies or formal educational requirements should be included anywhere in the application form. Please refrain from including any key identifiable information about yourself. Applications must be submitted either in English or German. The programme is facilitated in English.",[],{"_key":61079,"_type":11,"children":61080,"markDefs":61085,"style":24},"fe97e76b5066",[61081],{"_key":61082,"_type":15,"marks":61083,"text":61084},"d3eb5c3c38350",[],"We strongly emphasise that if the provided information does not follow the specified guidelines, including the inclusion of names or critical information in the application, or if the application exceeds the word limits, it will not be considered",[],{"_key":61087,"_type":11,"children":61088,"markDefs":61101,"style":24},"d1d8aaf79709",[61089,61093,61097],{"_key":61090,"_type":15,"marks":61091,"text":61092},"f533a48ec93e0",[],"We emphasise that your application will ",{"_key":61094,"_type":15,"marks":61095,"text":61096},"f533a48ec93e1",[17],"not",{"_key":61098,"_type":15,"marks":61099,"text":61100},"f533a48ec93e2",[]," be considered if:",[],{"_key":61103,"_type":11,"children":61104,"markDefs":61121,"style":24},"30c8956d9320",[61105,61109,61113,61117],{"_key":61106,"_type":15,"marks":61107,"text":61108},"a861eea61d400",[],"The provided information does not follow the specified guidelines provided and/or is missing critical information, please refer to the criteria listed in the selection process on ",{"_key":61110,"_type":15,"marks":61111,"text":61112},"a861eea61d401",[17],"page 7",{"_key":61114,"_type":15,"marks":61115,"text":61116},"a861eea61d402",[]," of the ",{"_key":61118,"_type":15,"marks":61119,"text":60560},"a861eea61d403",[61120],"2e23324a4197",[61122],{"_key":61120,"_type":41,"href":60470},{"_key":61124,"_type":11,"children":61125,"markDefs":61130,"style":24},"618ce501098a",[61126],{"_key":61127,"_type":15,"marks":61128,"text":61129},"bff9e9e812790",[],"Names and other key, identifiable information is included",[],{"_key":61132,"_type":11,"children":61133,"markDefs":61138,"style":24},"94c185bbe777",[61134],{"_key":61135,"_type":15,"marks":61136,"text":61137},"d7e409ed79770",[],"The word limit exceeds the stated character limits",[],{"_key":61140,"_type":11,"children":61141,"markDefs":61153,"style":24},"c8d6af0f5308",[61142,61146,61150],{"_key":61143,"_type":15,"marks":61144,"text":61145},"212fae4ecec50",[17],"For any questions, please get in touch at: ",{"_key":61147,"_type":15,"marks":61148,"text":38},"212fae4ecec51",[61149,17],"31815a149a5d",{"_key":61151,"_type":15,"marks":61152,"text":1125},"212fae4ecec52",[17],[61154],{"_key":61149,"_type":41,"href":43},{"_key":61156,"_type":11,"children":61157,"markDefs":61167,"style":24},"eb04bbba8580",[61158,61162],{"_key":61159,"_type":15,"marks":61160,"text":61161},"04b5901e4b030",[17],"The application form can be accessed via the following link: ",{"_key":61163,"_type":15,"marks":61164,"text":61166},"04b5901e4b031",[61165,17],"a5d6a921d820","https://forms.gle/CgdhP2BT8ohHS64X9",[61168],{"_key":61165,"_type":41,"href":61069},{"_key":61170,"_type":11,"children":61171,"markDefs":61175,"style":24},"4e8784d1e1c4",[61172],{"_key":61173,"_type":15,"marks":61174,"text":1150},"e84d5d7de1b90",[],[],{"_key":61177,"_type":11,"children":61178,"markDefs":61182,"style":24},"3ac4fbdadfbf",[61179],{"_key":61180,"_type":15,"marks":61181,"text":30734},"c8064517924f0",[17],[],{"_key":61184,"_type":11,"children":61185,"markDefs":61190,"style":24},"bd473af5bc4b",[61186],{"_key":61187,"_type":15,"marks":61188,"text":61189},"a8fbcbcd363b0",[],"SoC is very concerned with issues regarding, and conversations surrounding accessibility in all its forms. We make it part of our focus both in our programme and as our ways of facilitating the SoC learning environment. As such, we encourage participants from all backgrounds (geographical, financial, educational, interest, discipline etc.) and abilities to apply.",[],{"_key":61192,"_type":11,"children":61193,"markDefs":61199,"style":24},"e04fdf11f549",[61194],{"_key":61195,"_type":15,"marks":61196,"text":61198},"d68ae8c7c4190",[61197],"b8dac249dfdb","Read more about SoC and Accessibility, and our SoC Code of Conduct.",[61200],{"_key":61197,"_type":41,"href":61201},"https://www.schoolofcommons.org/publishing/school-of-commons-code-of-conduct",{"_key":61203,"_type":11,"children":61204,"markDefs":61208,"style":24},"628e39909509",[61205],{"_key":61206,"_type":15,"marks":61207,"text":1150},"187a8a7bd7050",[],[],{"_key":61210,"_type":11,"children":61211,"markDefs":61220,"style":24},"26d5b56ca815",[61212,61216],{"_key":61213,"_type":15,"marks":61214,"text":61215},"e8cf4ba5d5c50",[17],"*Please note this is an abridged version of the School of Commons Open Call 2024 Information. The full information pack can be accessed via our Substack ",{"_key":61217,"_type":15,"marks":61218,"text":30197},"e8cf4ba5d5c51",[61219,17],"4530eb29a186",[61221],{"_key":61219,"_type":41,"href":61222},"https://schoolofcommons.substack.com/p/3a3877a6-906a-4051-8ef8-2ad571b76e26",[61224,151,2056,112,61225,61226,2166],"soc open call, 2024 *extended*","school of commons 2024: call for projects application deadline has been extended to december 6th at 23.59 cet","*please note this is an abridged version of the school of commons open call information. the full information pack can be accessed via our substack here.\n\nschool of commons, a global community learning space, is looking for individual and collective projects to form the soc informal learning space from april 2024 to february 2025.\n\ndeadline: december 6th at 23.59 cet.\n\nfor 2024, we will be selecting 10 funded projects: each receiving a total budget of 3,500chf (- 8.1%vat) alongside access to publishing opportunities, mentors/speakers, workshops on peer learning, collaborations, accommodation in zürich during the school of commons gathering, and more. and 7 self-funded projects: which gain access to publishing opportunities, mentors/speakers, workshops on peer learning, collaborations, accommodation in zürich during the school of commons gathering, and more.\n\n\n\nwhat is school of commons?\n\nschool of commons is a community-based initiative dedicated to peer learning, and the study and development of self-organized knowledge production, located at the zurich university of the arts (zhdk), but takes place mostly online.\n\nwe have supported 140 projects since our foundation in 2017, with the content and position of soc defined by our community. research is conducted as peer-based collaborative endeavours with annually changing members. each year brings together a wide range of participants, guests, and contributors who share their curiosity, skills, and visions. we offer personal support, financial resources, and an active community of peers and experts engaged in a wide range of topics.\n\nsoc’s programme is developed bottom-up rather than top-down; instead of providing a fixed curriculum, we encourage our participants to actively shape our programme, either by organizing and hosting events themselves or by inviting guest speakers and tutors who are relevant to their research. soc is there to support and help organize the educational programme you would like to have.\n\nmore information about soc is available on our website and in the full application pack.\n\n\n\nwhat does school of commons offer to selected participants?\n\nfor funded projects:\n\na stipend of 3,500 swiss francs (- 8.1%vat)\n\nfor funded and non-funded projects:\n\na supportive learning environment\n\nopportunity for collaboration and exchange, as well as peer-group and public presentation platforms\n\nonline and offline spaces to experiment with ideas, concepts, and practices\n\nsupport with presentation structures such as the planning of exhibitions, events, and workshops\n\naccess to publishing opportunities, including an annual end-of-year publication: issues\n\naccess to zhdk’s infrastructure. specifically: tech material, room access, library access, access to faculty members of zhdk\n\nparticipation in our ongoing research project into “accessibility and inclusion in digital and hybrid learning environments”\n\nintroduction to a growing soc alumni network for mutual support and exchange\n\n\n\nwhat do school of commons expect from participants?\n\nover the 10-month programme school of commons expects, from each participant, their commitment and active participation, within their individual capacities, in all soc activities and the wider learning environment. this includes:\n\ncommitting our weekly school of commons meetings, thursday evenings 6-8 pm cet/cest\n\nfacilitating one of the series of kitchen sessions\n\nattending the soc gathering (29th – 30th june)\n\ncontributing to the end-of-year issues publication\n\nparticipation (of varying kinds tbd.) in the school of commons assembly in and across zürich, 7-9 february 2025\n\nactively using and contributing to our growing compendium of ways and working, peer learning and commoning methodologies\n\nfor the full schedule please refer to the full application pack.\n\nparticipants will work on a project surrounding a topic or subject of their choice, in a manner of their own choosing. participants are thus considered experts with their own research. soc offers impulse activities including workshops, info sessions and tutorials which aim to provide inspiration and strategies for enhancing effective collaboration with others as foundational frameworks. this said each participant is responsible for their own learning process, as well as that of one another. you will therefore be expected to take care of and communicate your own needs and requirements, which we can support by co-seeking the (re)sources, tutors, mentorship, methods, and collaborators necessary.\n\nthere are no set outcomes expected or required as part of acceptance into the programme. soc values experimental ways of working which do not necessarily work towards predetermined outcomes. our approaches are curiosity-driven and process-oriented.\n\nmore information about what soc participants have in common and what soc expects from participants is available in the full application pack.\n\n\n\nwhat is the selection process?\n\nselection is based on the completeness of submitted materials, the feasibility of the project, and how well the project connects to the aims and values of soc.\n\nthere are two main categories for which applications are assessed. under each category or sub-categories which must be taken into consideration:\n\ncategory 1: content of the proposal\n\ncontent looks at the clarity of the proposals’ key questions, lines of inquiry and suggested ways of working, as well as the relevance of the project in relation to major societal issues, tensions and questions, the current discourse on the topic, and the use of innovative and/or experimental approaches.\n\ncategory 2: motivation to be part of the school of commons learning environment\n\nmotivation looks at the proposals’ ambitions towards contributing to alternative forms of knowledge production and circulation, peer learning, and the overall soc learning environment. it also assesses the commitment to exchanging, sharing and collaborating with fellow participants and the approaches proposed to support this. \n\nplease note: applicants may submit one application only to the 2024 open call. previous participants can only apply with a new project with new collaborators.\n\nmore information about soc selection process is available in the full application pack.\n\n\n\nhow will school of commons be structured for 2024?\n\nsoc offers a learning environment and a 10-month programme structure that will evolve and be shaped, in dialogue, with the participants. as part of the 10-month programme, soc helps facilitate an internal programme of open spaces and sessions with participants, this is combined with a series of public offerings, all of which are open access, which helps to make the knowledge and practices that arise from the programme through our participants and their processes, publicly available and shareable.\n\nthe proposed structure for the preliminary programme over the 10 months from april 2023 to february 2024 is as follows. please ensure you are available for the following dates before applying, as full attendance is expected in the programme.\n\n19- 21. april 2024\nkick-off weekend\n\napril – july 2024\nalternating weeks: thursdays 6-8 pm cet /cest\nkitchen sessions meetings\n\napril – july 2024\nalternating weeks: thursdays 6-8 pm cet /ces\nplanned open space for individual meetings and workshops\n\n29. – 30. june 2024\nschool of commons gathering in zurich\n\n23. july – 24. august 2024\nsummer break\n\nseptember – december 2024\nself-organised curriculum\n\n16. december – 11. january 2025\nwinter break 7-9. february 2025\nschool of commons assembly\n\nmore information about the structure of soc 2024 is available in the full application pack.\n\n\n\nhow to apply\n\napplications are submitted via google form where you will be asked a set of mandatory questions.\n\nno cvs, biographies or formal educational requirements should be included anywhere in the application form. please refrain from including any key identifiable information about yourself. applications must be submitted either in english or german. the programme is facilitated in english.\n\nwe strongly emphasise that if the provided information does not follow the specified guidelines, including the inclusion of names or critical information in the application, or if the application exceeds the word limits, it will not be considered\n\nwe emphasise that your application will not be considered if:\n\nthe provided information does not follow the specified guidelines provided and/or is missing critical information, please refer to the criteria listed in the selection process on page 7 of the full application pack\n\nnames and other key, identifiable information is included\n\nthe word limit exceeds the stated character limits\n\nfor any questions, please get in touch at: hello@schoolofcommons.org.\n\nthe application form can be accessed via the following link: https://forms.gle/cgdhp2bt8ohhs64x9\n\n\n\nsoc and accessibility\n\nsoc is very concerned with issues regarding, and conversations surrounding accessibility in all its forms. we make it part of our focus both in our programme and as our ways of facilitating the soc learning environment. as such, we encourage participants from all backgrounds (geographical, financial, educational, interest, discipline etc.) and abilities to apply.\n\nread more about soc and accessibility, and our soc code of conduct.\n\n\n\n*please note this is an abridged version of the school of commons 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At the core of this event there will be an exploration of the concept of the mind as an underground cave. Drawing inspiration from ancient times, the spirit of the Palaeolithic will be invoked with its various forms of abstraction, ranging from visual representations to internal struggles, from rationality to the depths of the unconscious. Participants in this workshop will be encouraged to engage in speculation, interpretation, and create their own abstractions.",[],{"_key":62343,"_type":11,"children":62344,"markDefs":62349,"style":24},"3c5d9e27d4a2",[62345],{"_key":62346,"_type":15,"marks":62347,"text":62348},"a736db268c6b",[],"RADIUS is a particular subterranean space. A place for art without windows, or any natural light coming in. In many ways it resembles a root cellar, a storage location that uses the natural cooling, insulating, and humidifying properties of the Earth. These intimate conditions, away from radiation, dark, are great for fermenting, not only food but perhaps also ideas and attitudes. As part of their participation in the exhibition RADICAL SYMBIOSIS: THE SOCIAL LIFE OF MICROBES, Escuela de Garaje is organising a series of events intrinsic to their curriculum and in conversation with the exhibition. This version of the garage school takes the form of an underground speakeasy, a place where they have been fermenting and distilling different wines and spirits, such as honey wine made with raw honey harvested in Delft, foraged black berry moonshine or malt wine. Every Friday until the closure of the exhibition, Escuela de Garaje will host different collectives and collaborators for a two-hour happy-hour in their fermenting bar in the exhibition space. For this iteration of the school, they adopt the “underground”, in terms of the architectural aspects of RADIUS, but also metaphorically in connection to the invisible, the unseen, the illegal, or the informal. The curriculum of the school is made up of some long-term collaborators of Escuela de Garaje, all of them working one way or another with the underground. The collectives will host a happy-hour in the bar, after RADIUS closes to the public, from 17:00 – 19:00.",[],{"_key":62351,"_type":11,"children":62352,"markDefs":62357,"style":24},"1c5ca99f4133",[62353],{"_key":62354,"_type":15,"marks":62355,"text":62356},"8626444d65c0",[17],"REALITY",[],{"_key":62359,"_type":11,"children":62360,"markDefs":62365,"style":24},"ad66c7d9091b",[62361],{"_key":62362,"_type":15,"marks":62363,"text":62364},"2f9c60bbb070",[],"To think about caves is already an act of translation—cultural, temporal, and spatial.In the last session of the underground school, we went on a profound exploration of imagery. Guided by the concept of the mind as an underground cave, we delved into the deep subconscious. And drawing inspiration from the ancient Paleolithic era, we tapped into the collective memory of humanity, from a bottle neck moment in history when there where no more than hundreds of us.First, in the darkness we sang, allowing our voices to echo through the cavernous chambers of our minds. As we closed our eyes and opened them to the oldest known abstract rock drawing. The abstractions became more than just symbols on a surface, transcending the boundaries of language and logic. In trying to undertranslate we were moved to gesture, to explore the liminal space between symbol and plane.After that, more images from Laura’s extensive archive flickered before our eyes—caves, abstractions, and footprints of those who came before us. We experienced the transformative nature of intersemiotic translation: a the bridge that connects worlds, to communicate across different realms of expression.With the final toast, we raised our glasses filled with tincture and dropped them onto the canvas, creating a Decalcomania—a tapestry of undertranslations, a celebration of our collective journey. Immense gratitude to María Angélica and Laura for crossing the channel to share so much with us.",[],{"_key":62367,"_type":11,"children":62368,"markDefs":62373,"style":24},"fe5848ebf7fc",[62369],{"_key":62370,"_type":15,"marks":62371,"text":62372},"1ebc35a38cf0",[],"* Intersemiotic translation or transmutation is an interpretation of verbal signs from nonverbal sign systems.",[],{"_key":62375,"_type":11,"children":62376,"markDefs":62381,"style":24},"9873ac102539",[62377],{"_key":62378,"_type":15,"marks":62379,"text":62380},"819ee71bb396",[17],"LAURA’S REALITY",[],{"_key":62383,"_type":11,"children":62384,"markDefs":62389,"style":24},"4eeea0331fd3",[62385],{"_key":62386,"_type":15,"marks":62387,"text":62388},"9c0d2e13f5aa",[],"Is it possible to translate signs from deep human time? Traditional approaches say no because early people had lives and cultures so utterly different to ours. But we say yes let’s try!",[],{"_key":62391,"_type":11,"children":62392,"markDefs":62397,"style":24},"edafe69ec667",[62393],{"_key":62394,"_type":15,"marks":62395,"text":62396},"dd9d51e3f8bc",[],"While it is important to acknowledge and respect differences created by cultures and histories we can still value and connect with what we have in common. I believe it is possible to feel affinity and empathy with our ancient ancestors. The images and signs they inscribed into the earth created a new technology for extending themselves in time. 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undertranslation","radius center for contemporary art and ecology, kalverbos 20, 2611 xw delft","this event will be moderated by maría angélica madero and santiago pinyol, in collaboration with laura emsley. intersemiotic translation or transmutation is an interpretation of verbal signs from nonverbal sign systems.","to think about caves is already an act of translation—cultural, temporal and spatial. at the core of this event there will be an exploration of the concept of the mind as an underground cave. drawing inspiration from ancient times, the spirit of the palaeolithic will be invoked with its various forms of abstraction, ranging from visual representations to internal struggles, from rationality to the depths of the unconscious. participants in this workshop will be encouraged to engage in speculation, interpretation, and create their own abstractions.\n\nradius is a particular subterranean space. a place for art without windows, or any natural light coming in. in many ways it resembles a root cellar, a storage location that uses the natural cooling, insulating, and humidifying properties of the earth. these intimate conditions, away from radiation, dark, are great for fermenting, not only food but perhaps also ideas and attitudes. as part of their participation in the exhibition radical symbiosis: the social life of microbes, escuela de garaje is organising a series of events intrinsic to their curriculum and in conversation with the exhibition. this version of the garage school takes the form of an underground speakeasy, a place where they have been fermenting and distilling different wines and spirits, such as honey wine made with raw honey harvested in delft, foraged black berry moonshine or malt wine. every friday until the closure of the exhibition, escuela de garaje will host different collectives and collaborators for a two-hour happy-hour in their fermenting bar in the exhibition space. for this iteration of the school, they adopt the “underground”, in terms of the architectural aspects of radius, but also metaphorically in connection to the invisible, the unseen, the illegal, or the informal. the curriculum of the school is made up of some long-term collaborators of escuela de garaje, all of them working one way or another with the underground. the collectives will host a happy-hour in the bar, after radius closes to the public, from 17:00 – 19:00.\n\nreality\n\nto think about caves is already an act of translation—cultural, temporal, and spatial.in the last session of the underground school, we went on a profound exploration of imagery. guided by the concept of the mind as an underground cave, we delved into the deep subconscious. and drawing inspiration from the ancient paleolithic era, we tapped into the collective memory of humanity, from a bottle neck moment in history when there where no more than hundreds of us.first, in the darkness we sang, allowing our voices to echo through the cavernous chambers of our minds. as we closed our eyes and opened them to the oldest known abstract rock drawing. the abstractions became more than just symbols on a surface, transcending the boundaries of language and logic. in trying to undertranslate we were moved to gesture, to explore the liminal space between symbol and plane.after that, more images from laura’s extensive archive flickered before our eyes—caves, abstractions, and footprints of those who came before us. we experienced the transformative nature of intersemiotic translation: a the bridge that connects worlds, to communicate across different realms of expression.with the final toast, we raised our glasses filled with tincture and dropped them onto the canvas, creating a decalcomania—a tapestry of undertranslations, a celebration of our collective journey. immense gratitude to maría angélica and laura for crossing the channel to share so much with us.\n\n* intersemiotic translation or transmutation is an interpretation of verbal signs from nonverbal sign 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Which frameworks does such a practice need? How do methods and curricula change in an (extra)institutional setting and what can be learned from and with existing examples? Which conditions and structures do which people need to be able to learn and teach together, self-organised and within a structure? What does it mean for a curriculum if the focus of (design)education is on mutual empowerment rather than professional qualification? Under what conditions can sustainable educational structures exist outside of institutions? What forms of organization, collaboration and rhythm favors open, mutually organized learning?",[],{"_key":63489,"_type":11,"children":63490,"markDefs":63495,"style":24},"5fd24b102d5d",[63491],{"_key":63492,"_type":15,"marks":63493,"text":63494},"4fa056840466",[],"Here we see the tradition of Volkshochschulen (adult education centers) as a well-established positive example of a more open form of institutional education. 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can accessible design education be conceptualized and implemented in practice?",[],{"_key":63548,"_type":11,"children":63549,"markDefs":63554,"style":24},"86cbe6e948fb",[63550],{"_key":63551,"_type":15,"marks":63552,"text":63553},"6e165f442f240",[],"What frameworks, methods, and curricula are needed for non-homogenizing forms of design education?",[],{"_key":63556,"_type":11,"children":63557,"markDefs":63562,"style":24},"66540d79d1ba",[63558],{"_key":63559,"_type":15,"marks":63560,"text":63561},"1cf68f8ae3f10",[],"How can sustainable educational structures exist outside of traditional institutions, and what organizational and collaborative approaches support open, mutually organized learning?",[],[63564,2127,141,62772,62718,62743,63565,63566,63567,13273],"learning from volkshochschule","as teachers at art colleges, we reflect upon the observation that academic design education is not (socially) inclusive and engendering equal opportunity but is rather characterized by both a homogeneity of the protagonists and the forms of education that this produces. bringing together our individual and shared experiences with different formats of learning and teaching, our shared concern is to address non-homogenising forms of design education for non-homogenous groups of people, especially beyond academic qualifications and professional imaginaries.","collaborating on accessible design education\n\nas teachers at art colleges, we reflect upon the observation that academic design education is not (socially) inclusive and engendering equal opportunity but is rather characterized by both a homogeneity of the protagonists and the forms of education that this produces. bringing together our individual and shared experiences with different formats of learning and teaching, our shared concern is to address non-homogenising forms of design education for non-homogenous groups of people, especially beyond academic qualifications and professional imaginaries.\n\nthe research project asks how accessible design education can be thought and especially, put into practice. which frameworks does such a practice need? how do methods and curricula change in an (extra)institutional setting and what can be learned from and with existing examples? which conditions and structures do which people need to be able to learn and teach together, self-organised and within a structure? what does it mean for a curriculum if the focus of (design)education is on mutual empowerment rather than professional qualification? under what conditions can sustainable educational structures exist outside of institutions? what forms of organization, collaboration and rhythm favors open, mutually organized learning?\n\nhere we see the tradition of volkshochschulen (adult education centers) as a well-established positive example of a more open form of institutional education. besides the lifelong learning approach, openness and accessibility (social inclusion) are the most important principles of these community-oriented educational offerings and institutions. besides collecting and contextualizing different examples of open design education practices more generally, we want to run a pilot project at a volkshochschule (e.g. in halle/leipzig) to test the potential of these institutions. we want to develop and discuss the concept, scope and implementation of this project within the framework of the soc. the current goal is to curate and implement a course program on »collaborating on accessible design education« consisting of different courses and formats. here, the central question in the negotiation process is how the scope of such a course program can be aligned with and integrated into the framework of volkshochschulen.","here we see the tradition of volkshochschulen (adult education centers) as a well-established positive example of a more open form of institutional education. besides the lifelong learning approach, openness and accessibility (social inclusion) are the most important principles of these community-oriented educational offerings and institutions. besides collecting and contextualizing different examples of open design education practices more generally, we want to run a pilot project at a volkshochschule (e.g. in halle/leipzig) to test the potential of these institutions. we want to develop and discuss the concept, scope and implementation of this project within the framework of the soc. the current goal is to curate and implement a course program on »collaborating on accessible design education« consisting of different courses and formats. here, the central question in the negotiation process is how the scope of such a course program can be aligned with and integrated into the framework of 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Elzenbaumer will be discussing her methods for engaging with commons and commoning within the Lagarina Valley of the Italian Alps and will be reflecting on the role that collective design, community organising and feminist economic thinking plays in creating and sustaining commoning activities in her valley and beyond.",[],{"_key":63833,"_type":11,"children":63834,"markDefs":63839,"style":24},"684d203e2ea3",[63835],{"_key":63836,"_type":15,"marks":63837,"text":63838},"099ae40313e4",[],"This discussion will curiously engage with alternative ways of learning and caring within (non)institutional settings and groups.",[],{"_key":63841,"_type":11,"children":63842,"markDefs":63847,"style":24},"02331fee1ce9",[63843],{"_key":63844,"_type":15,"marks":63845,"text":63846},"632e852ebabe",[],"This session is hosted by the Yellow Focus Group.",[],{"_type":810,"slides":63849},[63850,63854],{"_type":813,"caption":75,"image":63851},{"alt":63852,"asset":63853},"School of Commons - Public Teaching Session: 40+ Commoning as a daily practice, with Bianca Elzenbaumer",{"_id":62922,"height":62923,"orientation":598,"ratio":62924,"url":62925,"width":5877},{"_type":813,"caption":75,"image":63855},{"alt":63852,"asset":63856},{"_id":63857,"height":51522,"orientation":598,"ratio":63858,"url":63859,"width":5877},"image-817d031e035f22f418e7c6101939d894e15e5b97-1920x1288-jpg",1.4906832298136645,"https://cdn.sanity.io/images/eodip22e/production/817d031e035f22f418e7c6101939d894e15e5b97-1920x1288.jpg",[63861,146,11332,200,3386,1317,112,63862,63863,50009,50081,50057,50033,50152,50176,50129,50105,54687,54646,62718,62743,62772,33826,51808,58148,58186,62941],"interdependent systems: community economies in culture and education","40+ commoning as a daily practice, with bianca elzenbaumer\n\nwhat type of informal economies already exist within forms of learning? how do our interdependencies relate to accessible education? how do we make existing practices of care sustainable in (non-)institutional infrastructures?","bianca elzenbaumer will be discussing her methods for engaging with commons and commoning within the lagarina valley of the italian alps and will be reflecting on the role that collective design, community organising and feminist economic thinking plays in creating and sustaining commoning activities in her valley and beyond.\n\nthis discussion will curiously engage with alternative ways of learning and caring within (non)institutional settings and groups.\n\nthis session is hosted by the yellow focus group.",{"_type":77,"current":63865},"interdependent-systems-community-economies-in-culture-and-education","40+ Commoning as a daily practice, with Bianca Elzenbaumer\n\nWhat type of informal economies already exist within forms of learning? 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With high-speed internet, short videos have become the preferred medium for combining different audio-visual content into a unified platform.",[],{"_key":65311,"_type":11,"children":65312,"markDefs":65317,"style":24},"03b42fcbaeef",[65313],{"_key":65314,"_type":15,"marks":65315,"text":65316},"34952c7fb292",[],"To explore how social media and short videos are connected theoretically, we will examine how the Lumière brothers used cinematography as the first moving image-oriented social media tool, with filming, film development, and screening all bundled into one portable package. The average length of their films was 50 seconds, mirroring the durations of popular short video platforms today. Their films’ “silent” nature also resonates with current social media’s silent/talkie aspects, allowing for the transcendence of language and cultural barriers.",[],{"_key":65319,"_type":11,"children":65320,"markDefs":65325,"style":24},"70c0fbaa099e",[65321],{"_key":65322,"_type":15,"marks":65323,"text":65324},"14888a507e7f",[],"For the practical component, we aim to investigate how social media and audio-visual content are connected by experimenting with variables such as thumbnails, video lengths and formats. We also plan to organise short video production workshops to further apply our production expertise, particularly in self-reflective and poetic modes. In both the theoretical and practical segments, we will employ Bill Nichols’ theory of “6 modes of documentaries,” which includes performative, participatory, expository, reflexive, poetic, and observatory modes.",[],{"_key":65327,"_type":11,"children":65328,"markDefs":65332,"style":24},"684cefd89f94",[65329],{"_key":65330,"_type":15,"marks":65331,"text":65280},"7a03a705bcff",[],[],[65334,65342,65350],{"_key":65335,"_type":11,"children":65336,"markDefs":65341,"style":24},"2fafd527ecaa",[65337],{"_key":65338,"_type":15,"marks":65339,"text":65340},"a630b84ceed10",[],"How does social media influence society and human behavior? Can social media platforms alter our lifestyles and values?",[],{"_key":65343,"_type":11,"children":65344,"markDefs":65349,"style":24},"ac6aa2ba99a0",[65345],{"_key":65346,"_type":15,"marks":65347,"text":65348},"8658e332fc7e0",[],"What are the effects of short videos (or \"shorts\") on social media? How can the concept of \"engagement rate\" be redefined beyond likes, shares, and comments?",[],{"_key":65351,"_type":11,"children":65352,"markDefs":65357,"style":24},"9b5a1be9ec36",[65353],{"_key":65354,"_type":15,"marks":65355,"text":65356},"728007b8aa0e0",[],"How can the modes of documentary theory, specifically reflexive, poetic, and observatory modes, be applied to short video production on social media? 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Although Covid-19 pandemic gave us an adjective, ",{"_key":68919,"_type":15,"marks":68920,"text":68921},"efa0e0dcdf04",[1362],"unprecedented",{"_key":68923,"_type":15,"marks":68924,"text":68925},"8d66deb09174",[],", to define our time, our art world maintained its precedented requirements to determine who gets access to what. It is still very unlikely to read ‘anyone can apply’ to art open calls while we all memorized the sentence structure for who can apply: Artists of a certain-nationality, based in certain-places, younger than certain-years-old, and yes graduates of that certain-school, among other restrictions.",[],{"_key":68928,"_type":11,"children":68929,"markDefs":68942,"style":24},"d7c69cf0d46f",[68930,68934,68938],{"_key":68931,"_type":15,"marks":68932,"text":68933},"362f0bc2eedf",[],"This research questions who is neglected in the categorisation of eligibility criteria, and how this neglect affects the production of new art works. It explores how criteria reproduce oppression through bureaucracy and aims to start a dialogue between artists to re-examine eligibility criteria in art open calls. Throughout this research residency, I will have conversations with artists, discuss ",{"_key":68935,"_type":15,"marks":68936,"text":68937},"00027829993f",[1362],"eligibility",{"_key":68939,"_type":15,"marks":68940,"text":68941},"d2d502072805",[]," together, and collectively write for an open call that is open to all. Together we will also walk around intersecting subjects of eligibility as the discussions appear.",[],{"_key":68944,"_type":11,"children":68945,"markDefs":68950,"style":24},"a9816628001f",[68946],{"_key":68947,"_type":15,"marks":68948,"text":68949},"4da84043f469",[17],"Interview | Conversations with artists",[],{"_key":68952,"_type":11,"children":68953,"markDefs":68958,"style":24},"e619155ac796",[68954],{"_key":68955,"_type":15,"marks":68956,"text":68957},"278753a91e38",[],"This section involves semi-structured interviews and not-structured daily conversations with artists. I’ll explore how certain artistic productions were made possible or impossible as a result of eligibility criteria in art open calls, and how facing restrictions affected the creation of new works.",[],{"_key":68960,"_type":11,"children":68961,"markDefs":68965,"style":24},"409881876f27",[68962],{"_key":68963,"_type":15,"marks":68964,"text":68856},"a1dff23d2d7d",[17],[],{"_key":68967,"_type":11,"children":68968,"markDefs":68973,"style":24},"83a8448bda71",[68969],{"_key":68970,"_type":15,"marks":68971,"text":68972},"27ff3a995972",[],"For some artists, their eligibility to work is tied to the type of residence permit they hold. This section focuses on conversations around visa eligibility and how visa categorisation disrupts the lives of artists and their freedom of movement.",[],{"_key":68975,"_type":11,"children":68976,"markDefs":68980,"style":24},"383b95e9c536",[68977],{"_key":68978,"_type":15,"marks":68979,"text":68864},"fdcf3469300b",[17],[],{"_key":68982,"_type":11,"children":68983,"markDefs":68988,"style":24},"cd7a6322a601",[68984],{"_key":68985,"_type":15,"marks":68986,"text":68987},"f52e202f97b8",[],"This section involves a collaborative writing workshop to create an open call with one criterion in mind: anyone can apply. In the first half of the workshop, participants are given cues to think about who is neglected in the categorisation of eligibility criteria, and reflect on how this neglect affects the production of new art works. In the second half, participants collectively imagine what an open open call looks like, and write about which text should go in an inclusive open call.",[],{"_key":68990,"_type":11,"children":68991,"markDefs":68996,"style":24},"716624d3484d",[68992],{"_key":68993,"_type":15,"marks":68994,"text":68995},"1f37887cc960",[17],"Exhibition | The Open Call Wheel",[],{"_key":68998,"_type":11,"children":68999,"markDefs":69004,"style":24},"7af610d5bc4f",[69000],{"_key":69001,"_type":15,"marks":69002,"text":69003},"4cbd4d8c2f70",[],"This section will gather a collection of open calls written by artists and curators who prepared a utopic call with one criterion in mind: each open call must use an A4-size paper. These open calls are created to question the writing style used in art open calls, and to break that style to point out existing issues in current art open calls.",[],[69006],{"_key":69007,"_type":11,"children":69008,"markDefs":69013,"style":24},"61e6f61e5ad2",[69009],{"_key":69010,"_type":15,"marks":69011,"text":69012},"2394bc84484e0",[],"An ongoing research exploring the ways in which eligibility criteria create barriers in the lives of artists",[],[69015,2117,69016,141,131,50771,69017,3385,170,69018,405,22463],"eligibility criteria (and beyond)","performance | bureau of commons\n\ncollective writing | open open call\n\nbureau of commons: website","the art world and systemic inequalities are phrases that go hand in hand, the former being highly visible and the latter not that much. although covid-19 pandemic gave us an adjective, unprecedented, to define our time, our art world maintained its precedented requirements to determine who gets access to what. it is still very unlikely to read ‘anyone can apply’ to art open calls while we all memorized the sentence structure for who can apply: artists of a certain-nationality, based in certain-places, younger than certain-years-old, and yes graduates of that certain-school, among other restrictions.\n\nthis research questions who is neglected in the categorisation of eligibility criteria, and how this neglect affects the production of new art works. it explores how criteria reproduce oppression through bureaucracy and aims to start a dialogue between artists to re-examine eligibility criteria in art open calls. throughout this research residency, i will have conversations with artists, discuss eligibility together, and collectively write for an open call that is open to all. together we will also walk around intersecting subjects of eligibility as the discussions appear.\n\ninterview | conversations with artists\n\nthis section involves semi-structured interviews and not-structured daily conversations with artists. i’ll explore how certain artistic productions were made possible or impossible as a result of eligibility criteria in art open calls, and how facing restrictions affected the creation of new works.\n\nperformance | bureau of commons\n\nfor some artists, their eligibility to work is tied to the type of residence permit they hold. this section focuses on conversations around visa eligibility and how visa categorisation disrupts the lives of artists and their freedom of movement.\n\ncollective writing | open open call\n\nthis section involves a collaborative writing workshop to create an open call with one criterion in mind: anyone can apply. in the first half of the workshop, participants are given cues to think about who is neglected in the categorisation of eligibility criteria, and reflect on how this neglect affects the production of new art works. in the second half, participants collectively imagine what an open open call looks like, and write about which text should go in an inclusive open call.\n\nexhibition | the open call wheel\n\nthis section will gather a collection of open calls written by artists and curators who prepared a utopic call with one criterion in mind: each open call must use an a4-size paper. these open calls are created to question the writing style used in art open calls, and to break that style to point out existing issues in current art open calls.","document study",{"_type":77,"current":69020},"eligibility-criteria-and-beyond","Eligibility Criteria (and beyond)",{"locations":69023,"other":69026},[69024],{"_id":144,"_type":121,"seo":75,"slug":69025,"title":147},{"_type":77,"current":146},[],[69028],{"_type":728,"settings":75,"text":69029},[69030,69038,69099],{"_key":69031,"_type":11,"children":69032,"markDefs":69037,"style":24},"41b6a2eec29d",[69033],{"_key":69034,"_type":15,"marks":69035,"text":69036},"90ee275074db",[],"The conversation will start with Zeyno’s decades-long involvement with self-organised spaces and collectives in and beyond Turkey and continue with the contributions from the SoC community to collectively imagine the ways such communities appear and disappear globally. The conversation will end with a discussion on how knowledge is produced and circulated within self-organised spaces.",[],{"_key":69039,"_type":11,"children":69040,"markDefs":69091,"style":24},"fcafc80af787",[69041,69045,69049,69053,69056,69060,69063,69067,69070,69074,69077,69081,69084,69088],{"_key":69042,"_type":15,"marks":69043,"text":68652},"53b8909acc16",[69044],"07cc557a9253",{"_key":69046,"_type":15,"marks":69047,"text":69048},"598d727236a3",[]," is an artist whose artistic interventions mostly take the form of videos and installations. She is currently running the Istanbul Biennial’s ",{"_key":69050,"_type":15,"marks":69051,"text":68572},"ebc861c341ab",[69052],"e9c595d303b9",{"_key":69054,"_type":15,"marks":69055,"text":68576},"51ec4cbf2d4b",[],{"_key":69057,"_type":15,"marks":69058,"text":68581},"afb51e987e2d",[69059],"aacaeca9384a",{"_key":69061,"_type":15,"marks":69062,"text":68585},"c4ab383821a1",[],{"_key":69064,"_type":15,"marks":69065,"text":68590},"9ada277a17f6",[69066],"3ed78d636322",{"_key":69068,"_type":15,"marks":69069,"text":68594},"46e8172901dd",[],{"_key":69071,"_type":15,"marks":69072,"text":68599},"5ecd346154e2",[69073],"43fb5dd44e3b",{"_key":69075,"_type":15,"marks":69076,"text":68603},"e0f9b4c4ac52",[],{"_key":69078,"_type":15,"marks":69079,"text":68608},"fae29e08c443",[69080],"9a575bab57a6",{"_key":69082,"_type":15,"marks":69083,"text":68612},"d239339ee65c",[],{"_key":69085,"_type":15,"marks":69086,"text":68617},"791f8cbb03d7",[69087],"a2e13b3287dc",{"_key":69089,"_type":15,"marks":69090,"text":68621},"214efca67539",[],[69092,69093,69094,69095,69096,69097,69098],{"_key":69044,"_type":41,"href":68641},{"_key":69052,"_type":41,"href":68624},{"_key":69059,"_type":41,"href":68626},{"_key":69066,"_type":41,"href":68628},{"_key":69073,"_type":41,"href":68630},{"_key":69080,"_type":41,"href":68632},{"_key":69087,"_type":41,"href":68634},{"_key":69100,"_type":11,"children":69101,"markDefs":69119,"style":24},"5cee1de60bcc",[69102,69106,69110,69115],{"_key":69103,"_type":15,"marks":69104,"text":50749},"3ef680dfeb4a",[69105],"9d6e835c2f7d",{"_key":69107,"_type":15,"marks":69108,"text":69109},"5606dadf7892",[]," explores the ways disciplinary, territorial and systemic boundaries manifest in everyday life through installation, performance, text and printmaking. Her work questions the notion of categorisation that is constantly redefined by the status quo. She is interested in ongoing practices and collaborative modes of working that initiate dialogues about precarious living and working conditions in the art world. In 2023 Betül Aksu founded ",{"_key":69111,"_type":15,"marks":69112,"text":69114},"4a143776d012",[69113],"7f44c505bc38","sezon",{"_key":69116,"_type":15,"marks":69117,"text":69118},"c270b94f5a0e",[],", an independent art space based in Izmir, Turkey set out to explore the politics and poetics of change. She is among the 2023/2024 Fellows within the BAK Fellowship for Situated Practice post-academic program.",[69120,69121],{"_key":69105,"_type":41,"href":50761},{"_key":69113,"_type":41,"href":69122},"https://sezonizmir.cargo.site/",[69124,146,265,3386,112,69125,69126,50771,68649],"the learning commons: self-organised learning","this year’s learning commons conversation, hosted by soc alumni* betül aksu, invites artist and activist zeyno pekünlü and the soc community to discuss self-organised learning spaces and the knowledge created within.","the conversation will start with zeyno’s decades-long involvement with self-organised spaces and collectives in and beyond turkey and continue with the contributions from the soc community to collectively imagine the ways such communities appear and disappear globally. the conversation will end with a discussion on how knowledge is produced and circulated within self-organised spaces.\n\nzeyno pekünlü is an artist whose artistic interventions mostly take the form of videos and installations. she is currently running the istanbul biennial’s production and research program and the istanbul cell of fellowship for situated practice organized by bak utrecht. together with köken ergun, she is co-founder of kirik, an initiative for people and topics in the cracks. she is on the editorial board of red thread journal and also a member of the institute of radical imagination. she was part of the collective dünyada mekan (a place on earth), a self-organized solidarity space that provided freelancers with free working space. zeyno has been involved in several initiatives for freedom of expression and art workers’ rights in turkey, since 2011.\n\nbetül aksu explores the ways disciplinary, territorial and systemic boundaries manifest in everyday life through installation, performance, text and printmaking. her work questions the notion of categorisation that is constantly redefined by the status quo. she is interested in ongoing practices and collaborative modes of working that initiate dialogues about precarious living and working conditions in the art world. in 2023 betül aksu founded sezon, an independent art space based in izmir, turkey set out to explore the politics and poetics of change. she is among the 2023/2024 fellows within the bak fellowship for situated practice post-academic program.",{"_type":77,"current":69128},"the-learning-commons-self-organised-learning","This year’s Learning Commons conversation, hosted by SoC alumni* Betül Aksu, invites artist and activist Zeyno Pekünlü and the SoC community to discuss self-organised learning spaces and the knowledge created within.","The Learning Commons: Self-Organised Learning",[69132],{"_id":110,"_type":97,"seo":75,"slug":69133,"title":113},{"_type":77,"current":112},{"_id":69135,"_type":556,"additionalDetails":75,"categories":69136,"credits":69143,"dates":69206,"events":69209,"featuredImage":69210,"filterables":69215,"labs":69223,"locations":69483,"pageBuilder":69503,"parentEvent":75,"searchables":69534,"seo":75,"slug":69539,"summary":69541,"title":69542,"types":69543},"020601ad-af49-4174-83ec-edea1b58359e",[69137,69140],{"_id":533,"_type":155,"colorPrimary":69138,"seo":75,"slug":69139,"title":536},{"label":569,"value":2087},{"_type":77,"current":535},{"_id":538,"_type":155,"colorPrimary":69141,"seo":75,"slug":69142,"title":541},{"label":569,"value":4831},{"_type":77,"current":540},{"other":75,"profiles":69144},[69145,69177],{"_id":69146,"_type":576,"activeYears":69147,"bio":69150,"bioShort":69159,"featuredImage":75,"filterables":69160,"links":69163,"locations":69168,"searchables":69172,"seo":75,"slug":69174,"title":69176},"b0ea23ba-7506-4d65-8ef5-0c04be440b76",[69148],{"_id":2115,"_type":580,"seo":75,"slug":69149,"title":2118},{"_type":77,"current":2117},[69151],{"_key":69152,"_type":11,"children":69153,"markDefs":69158,"style":24},"e5afdb5fae8b",[69154],{"_key":69155,"_type":15,"marks":69156,"text":69157},"23b8cf551ac30",[],"Her practice includes graphic and object design, with an inclination toward creating relational experiences. During her masters she has been exploring ways of activating simple gestures of care through props, quirky support clubs and a fictional adoption program.",[],"Eleonora is a designer, currently pursuing her Masters in Social Design at DAE, Eindhoven. 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spoonful of rest","experience a journey into relaxation and communal care in ‘a spoonful of rest.’ through the harmonious fusion of poetry, culinary delights, and music, we explore the art of rest and its transformation into a shared practice of nurturing. ","we contemplate the soothing power of words, the flavors and scents that beckon us to unwind, and the calming influence of repetitive actions like chopping.\n\nin this immersive 2-hour hybrid event, taking place in berlin, zurich, vienna, and online, we aim to defy the ceaseless pace of society by embracing rest as an act of resistance. through guided psychosomatic exercises, we collectively decelerate, savor the act of communal dining, and gently remind one another to breathe.\n\nto participate, kindly register via hello@schoolofcommons.org and bring along a chopping board, a knife, some vegetables, and if possible, an extra pair of hands to evenly share the work (and rest) load.\n\nplease be aware that this event will be recorded for audio purposes, with segments potentially used in a podcast exploring the theme of rest. if you possess a resting score, a soothing sound, or a restful ritual you’d like to contribute, we encourage you to bring it with you.\n\nour food-prep-and-sharing 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Elzenbaumer",[],{"_key":71763,"_type":11,"children":71764,"markDefs":71769,"style":24},"0e421ec26336",[71765],{"_key":71766,"_type":15,"marks":71767,"text":71768},"8cb3d83892b0",[],"All events are open to the public, online, and free.",[],[71771],{"_type":728,"settings":75,"text":71772},[71773,71781,71789,71797],{"_key":71774,"_type":11,"children":71775,"markDefs":71780,"style":24},"6a5c175d4d34",[71776],{"_key":71777,"_type":15,"marks":71778,"text":71779},"55e3f54063d5",[],"To expand and deepen their research, they have selected a guest lecturer who will be contributing to sessions.",[],{"_key":71782,"_type":11,"children":71783,"markDefs":71788,"style":24},"06451120cfcd",[71784],{"_key":71785,"_type":15,"marks":71786,"text":71787},"bb4ab441de61",[],"We are excited to host media artist, Bjørn Melhus to talk about his recent work and visual artist, Pendar Nabipour to talk about collective decision-making processes and to close the series, Bianca Elzenbaumer.",[],{"_key":71790,"_type":11,"children":71791,"markDefs":71796,"style":24},"4c0e08e4b313",[71792],{"_key":71793,"_type":15,"marks":71794,"text":71795},"02399a67e519",[],"Events will be conducted in English.",[],{"_key":71798,"_type":11,"children":71799,"markDefs":71804,"style":24},"cd89b108f627",[71800],{"_key":71801,"_type":15,"marks":71802,"text":71803},"03cbfca49d73",[],"#soc2023\n#transdisciplinary\n#worldbuilding\n#waysandworkings\n#onlinelearning\n#virtualclassroom",[],[71806,146,71807,11332,112,71808,71809],"save the date: public teaching sessions","5.10.23 – focus group green\n17.10.23 – focus group red + guest pendar nabipour\n2.11.23 – focus group blue + guest bjørn melhus\n14.11.23 – focus group yellow + guest bianca elzenbaumer\n\nall events are open to the public, online, and free.","over the past months, the soc 2023 cohort has been working in four focus groups, on topics ranging from arts and technology to innovative forms of education. as part of our autumn 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a discursive and experimental format, politics of (dis)assembling explores forms of assembling as artistic and political interventions. Given the current and ongoing transformation of political spaces of appearance the series responds to the aesthetic and political quality of assembling today. politics of (dis)assembling acts as a space of gathering and discussion to critically engage with forms of assembling that enable a dynamic state of coming together while moving away from institutional and organizational conventions that are marked by stale protocols and rules. During the forum, invited scholars, artists, and activists, as well as the participants, are invited to an evening of reflection, shared meals and dynamic exchange.",[],{"_key":77651,"_type":11,"children":77652,"markDefs":77657,"style":24},"6f63313a2f61",[77653],{"_key":77654,"_type":15,"marks":77655,"text":77656},"9fcd65693c6b",[],"By placing a focus on processes of assembling, several correlated issues come into focus.",[],{"_key":77659,"_type":11,"children":77660,"markDefs":77665,"style":24},"0599440ddbfc",[77661],{"_key":77662,"_type":15,"marks":77663,"text":77664},"12032cfb88e0",[],"Firstly, the notion of solidarity is investigated and understood as a political form; the capacity of assemblies to act as a prefigurative practice that envisions alternative ways of social, political, and cultural gathering is explored. Thus, how do assemblies create alliances and solidarity between different struggles that go beyond spatial and temporal boundaries to reach radical equality? Can this even be achieved? How can art be a call to action and an engine for this?",[],{"_key":77667,"_type":11,"children":77668,"markDefs":77673,"style":24},"31a8b874480f",[77669],{"_key":77670,"_type":15,"marks":77671,"text":77672},"65b7cbdcfbc7",[],"Furthermore, the series engages with the aesthetics of activist art as it is connected to social movements, asking what role diverse practices of (dis)assembling might play in the context of critical interventions into the aesthetics of space, history, and violence. How might these dynamic strategies advance anti-patriarchal, antiracist and other emancipatory modes of struggle that seek to challenge, expose or even transform hegemonic structures of power embedded in capitalism?",[],{"_key":77675,"_type":11,"children":77676,"markDefs":77681,"style":24},"0854d3581faa",[77677],{"_key":77678,"_type":15,"marks":77679,"text":77680},"3a1a109d1b55",[],"The aesthetic practices in question aim at making other intersubjective relations, futures, and social structures imaginable. As such, they are always in tension with the social reality into which they intervene. In order to be effective, they rely on certain prevailing material structures, symbolic regimes, and aesthetic habits which they simultaneously try to transform.",[],{"_key":77683,"_type":11,"children":77684,"markDefs":77689,"style":24},"559523576772",[77685],{"_key":77686,"_type":15,"marks":77687,"text":77688},"871fe4b6a591",[],"By bringing together the artist Marwa Arsanios and the art historian T.J. Demos, Politics of (Dis)Assembling will explore the potential of the arts to change current politics and redesign a different, more just future. While Marwa Arsanios investigates strategies for structural and infrastructural change for communities, T.J. Demos’ research explores potentialities for alliances and diplomacy between different struggles. How, then, as Marwa Arsanios’ practice suggests, can we learn from a particular aesthetic of political movements? Conversely, how can artistic practices inspire political action? What forms of mutual aid and solidarity are practiced in these contexts, and how they can propose different ways of gathering and organizing? Moreover, which forms of support can institutions deliver? And ultimately, what role do artists play in changing our expectations for the future?",[],{"_key":77691,"_type":11,"children":77692,"markDefs":77697,"style":24},"4383bb6cff73",[77693],{"_key":77694,"_type":15,"marks":77695,"text":77696},"5472d9c8ca31",[],"In addition, both parts of politics of (dis)assembling will be accompanied by the ON/OFF Collective, who will engage with the spatial structure of the assembly as well as Patu, who will document the events through a series of illustrations.",[],{"_type":810,"slides":77699},[77700,77705,77710,77715],{"_type":813,"caption":75,"image":77701},{"alt":75,"asset":77702},{"_id":77703,"height":1031,"orientation":637,"ratio":3801,"url":77704,"width":5877},"image-33ab5f695d3159a01cbe7562909eb7b48146cca4-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/33ab5f695d3159a01cbe7562909eb7b48146cca4-1920x2560.jpg",{"_type":813,"caption":75,"image":77706},{"alt":75,"asset":77707},{"_id":77708,"height":1031,"orientation":637,"ratio":3801,"url":77709,"width":5877},"image-cd15fbc2bdd5f7eb6267f440561336aba37c3a95-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/cd15fbc2bdd5f7eb6267f440561336aba37c3a95-1920x2560.jpg",{"_type":813,"caption":75,"image":77711},{"alt":75,"asset":77712},{"_id":77713,"height":1031,"orientation":637,"ratio":3801,"url":77714,"width":5877},"image-6b9e85e3b4df7bb9e949cbbb0cc6d660ec36dde2-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/6b9e85e3b4df7bb9e949cbbb0cc6d660ec36dde2-1920x2560.jpg",{"_type":813,"caption":75,"image":77716},{"alt":75,"asset":77717},{"_id":77718,"height":1031,"orientation":637,"ratio":3801,"url":77719,"width":5877},"image-ea1ac6aaa4d13e382ceb39511dce685de7e31546-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/ea1ac6aaa4d13e382ceb39511dce685de7e31546-1920x2560.jpg",{"_type":728,"settings":75,"text":77721},[77722,77730,77738,77746,77754,77762,77770],{"_key":77723,"_type":11,"children":77724,"markDefs":77729,"style":24},"45e15c9b1e94",[77725],{"_key":77726,"_type":15,"marks":77727,"text":77728},"51d018103e24",[],"Documenting in sketches: Lena Pozdnyakova and PATU",[],{"_key":77731,"_type":11,"children":77732,"markDefs":77737,"style":24},"31fc48656dd7",[77733],{"_key":77734,"_type":15,"marks":77735,"text":77736},"9f4811b9fe5b",[],"Protocols by: Janette Helm and Judith Henrike Pieper",[],{"_key":77739,"_type":11,"children":77740,"markDefs":77745,"style":24},"6cb0a9510a21",[77741],{"_key":77742,"_type":15,"marks":77743,"text":77744},"3f200d680db6",[],"With Jennifer Ponce de Léon, STOP DEPORTATION CENTER BER!, ON/OFF Collective with Zoë Ritts, Patu\n\nOrganized by The Collaborative Research Center “Intervening Arts” at the Freie Universität Berlin\n\nThe spoken language at the event is English with a possibility for informal translation to German. ​​\n\nAccess: The space is accessible by wheelchair. Should you have any other specific accessibility needs, please contact Jannika Hinz at jannika.hinz@fu-berlin.de and we will do our best to accommodate them.",[],{"_key":77747,"_type":11,"children":77748,"markDefs":77753,"style":24},"a0f8d6885aec",[77749],{"_key":77750,"_type":15,"marks":77751,"text":77752},"441d5772d6d6",[],"Organized and designed by: Naomi Boyce, Sambojang Ceesay, Judith Henrike Pieper, Lena Pozdnyakova, João Gabriel Rizek, Luise Willer, Felix Werfel, with support from Jannika Hinz, Tobias Yale Rosen and Imyeon Han from the Collaborative Research Center “Intervening Arts” at the Freie Universität Berlin.",[],{"_key":77755,"_type":11,"children":77756,"markDefs":77761,"style":24},"8455df3b1688",[77757],{"_key":77758,"_type":15,"marks":77759,"text":77760},"0e1549589afd",[],"Team SAVVY: The event is hosted and supported by Meghna Singh, Kelly Krugman, Lema Sikod and Anna Jäger",[],{"_key":77763,"_type":11,"children":77764,"markDefs":77769,"style":24},"effb96c90a9b",[77765],{"_key":77766,"_type":15,"marks":77767,"text":77768},"cd096b6d1f86",[],"Tech: Rey Uferlos",[],{"_key":77771,"_type":11,"children":77772,"markDefs":77777,"style":24},"8560da79f95a",[77773],{"_key":77774,"_type":15,"marks":77775,"text":77776},"ce4965512100",[],"Support: The event is funded by the German Research Foundation.",[],{"_type":810,"slides":77779},[77780,77785],{"_type":813,"caption":75,"image":77781},{"alt":75,"asset":77782},{"_id":77783,"height":5877,"orientation":598,"ratio":599,"url":77784,"width":1031},"image-1ac190efb1a4127801543d1ea05bd1c7aa65913b-2560x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/1ac190efb1a4127801543d1ea05bd1c7aa65913b-2560x1920.jpg",{"_type":813,"caption":75,"image":77786},{"alt":75,"asset":77787},{"_id":77788,"height":5877,"orientation":598,"ratio":599,"url":77789,"width":1031},"image-91f898617d2234dfc2fa53b82f85bbfda7123fbc-2560x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/91f898617d2234dfc2fa53b82f85bbfda7123fbc-2560x1920.jpg",{"_type":810,"slides":77791},[77792,77797],{"_type":813,"caption":75,"image":77793},{"alt":75,"asset":77794},{"_id":77795,"height":1031,"orientation":637,"ratio":3801,"url":77796,"width":5877},"image-30a72db0eb42e5b717a6d6d850133375be541e95-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/30a72db0eb42e5b717a6d6d850133375be541e95-1920x2560.jpg",{"_type":813,"caption":75,"image":77798},{"alt":75,"asset":77799},{"_id":77800,"height":1031,"orientation":637,"ratio":3801,"url":77801,"width":5877},"image-b26592012ebd58fd3e2b1b2eaaf04119742080a7-1920x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/b26592012ebd58fd3e2b1b2eaaf04119742080a7-1920x2560.jpg",{"_type":813,"caption":75,"image":77803},{"alt":75,"asset":77804},{"_id":77805,"height":5877,"orientation":598,"ratio":599,"url":77806,"width":1031},"image-4d280219baf9f8561bb42b529529448487a2e40f-2560x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/4d280219baf9f8561bb42b529529448487a2e40f-2560x1920.jpg",{"_type":728,"settings":75,"text":77808},[77809],{"_key":77810,"_type":11,"children":77811,"markDefs":77816,"style":24},"c4def5e7a5d1",[77812],{"_key":77813,"_type":15,"marks":77814,"text":77815},"6db9cd9bb876",[],"The event on 19.06.2023 is moderated by Naomi Boyce and Luise Willer\nThe event on 29.06.2023 is moderated by Judith Henrike Pieper and Sambojang Ceesay",[],[77818,141,325,260,1100,3386,1317,107,77819,77820,77821,77822,2944,12611],"politics of (dis)assembling","politics of (dis)assembling on 19.06.2023 with t.j. demos, marwa arsanios, on/off collective, patu\npolitics of (dis)assembling on 29.06.2023 with jennifer ponce de léon, stop deportation center ber!, on/off collective with zoë ritts, patu","through a discursive and experimental format, politics of (dis)assembling explores forms of assembling as artistic and political interventions. given the current and ongoing transformation of political spaces of appearance the series responds to the aesthetic and political quality of assembling today. politics of (dis)assembling acts as a space of gathering and discussion to critically engage with forms of assembling that enable a dynamic state of coming together while moving away from institutional and organizational conventions that are marked by stale protocols and rules. during the forum, invited scholars, artists, and activists, as well as the participants, are invited to an evening of reflection, shared meals and dynamic exchange.\n\nby placing a focus on processes of assembling, several correlated issues come into focus.\n\nfirstly, the notion of solidarity is investigated and understood as a political form; the capacity of assemblies to act as a prefigurative practice that envisions alternative ways of social, political, and cultural gathering is explored. thus, how do assemblies create alliances and solidarity between different struggles that go beyond spatial and temporal boundaries to reach radical equality? can this even be achieved? how can art be a call to action and an engine for this?\n\nfurthermore, the series engages with the aesthetics of activist art as it is connected to social movements, asking what role diverse practices of (dis)assembling might play in the context of critical interventions into the aesthetics of space, history, and violence. how might these dynamic strategies advance anti-patriarchal, antiracist and other emancipatory modes of struggle that seek to challenge, expose or even transform hegemonic structures of power embedded in capitalism?\n\nthe aesthetic practices in question aim at making other intersubjective relations, futures, and social structures imaginable. as such, they are always in tension with the social reality into which they intervene. in order to be effective, they rely on certain prevailing material structures, symbolic regimes, and aesthetic habits which they simultaneously try to transform.\n\nby bringing together the artist marwa arsanios and the art historian t.j. demos, politics of (dis)assembling will explore the potential of the arts to change current politics and redesign a different, more just future. while marwa arsanios investigates strategies for structural and infrastructural change for communities, t.j. demos’ research explores potentialities for alliances and diplomacy between different struggles. how, then, as marwa arsanios’ practice suggests, can we learn from a particular aesthetic of political movements? 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between the lines: hunting-gathering","readings at motto, skalitzer str. 68, 10997 berlin, germany – on the course of the show, between the objects and between the lines","guilt & shame","the title and the approach to show (in the art practice or living as an artist and cultural worker under the conditions of capitalism to sustain a livelihood, hunting for projects, hustling with ideas, and other things) refers to numerous levels of existence in the world. ","it is well known that the hunting-gathering community lived in a better shape, embodied healthier bodies, and were practicing various forms of activities interchangeably with other members\n(agriculture was a great mistake, robert sapolsky says). hunting-gathering, however, still exists in art practices, approaches within sustainability, and community work.\nbut also, all of the works shown at the show and/or their parts have been “hunted-gathered.”","excerpt from “hunting-gathering”:\n\n[….] community hunting-gathering and community actors can complement each other.\n\n“the new model is transforming the role of hunting-gathering by modifying\ntheir relationship with the users and their social context. that is determining the\nway hunting-gathering activities are produced and the way hunting-gathering spaces are designed. the future of our hunting-gathering is based on four areas of action: hunting-gathering are spaces for discovering, learning, creating and sharing. every public hunting-gathering needs to develop its own action plan based on their local social context.\nin this framework, and also building on years of experience in the development of activities linked with the environment, sustainability and our territorial needs, hunting-gathering have started exploring new ways of cooperative work in the last three years.\n[….]\n\na very interesting link between hunting-gathering on the one hand, and innovation & future-oriented thinking on the other, are stories. stories have the power to introduce and explore new ideas within recognizable context. when it comes to imagining how the future might look, how innovation, technology and other evolutions impact the way our society will evolve, stories are very powerful books. fiction offers us a tangible portal to all kinds of futures, and helps us to reflect on them, think about how they might and should look like, and think about how we want to contribute to shaping them.\nfrom this perspective, there is an obvious link between the traditional role of hunting-gathering, and the future-oriented community engaging activities that can take place there. making the connection [….]","readings at motto – on the course of the show, between the objects and between the lines\n\ncurated by liza kin\nperformance by eldar tagi\nclosing performance by eldar tagi, lena pozdnyakova and hmot",{"_type":77,"current":78715},"reading-between-the-lines-hunting-gathering","The title and the approach to show (in the art practice or living as an artist and cultural worker under the conditions of capitalism to sustain a livelihood, hunting for projects, hustling with ideas, and other things) refers to numerous levels of existence in the world. ","Reading between the lines: Hunting-Gathering",[78719],{"_id":105,"_type":97,"seo":75,"slug":78720,"title":108},{"_type":77,"current":107},{"_id":78722,"_type":556,"additionalDetails":75,"categories":75,"credits":75,"dates":78723,"events":78725,"featuredImage":78726,"filterables":78733,"labs":75,"locations":75,"pageBuilder":78736,"parentEvent":75,"searchables":78771,"seo":75,"slug":78775,"summary":78777,"title":78727,"types":78778},"c3e55b6b-dc0b-4cce-bcca-0d1b706fa6ec",{"endDate":78724,"startDate":78724},"2023-05-23",[],{"alt":78727,"asset":78728},"Security Alert - SoC Instagram account has been compromised",{"_id":78729,"height":51322,"orientation":637,"ratio":78730,"url":78731,"width":78732},"image-3e72e8a1a74a574b77e5186701ff527ae22e414b-784x1296-png",0.6049382716049383,"https://cdn.sanity.io/images/eodip22e/production/3e72e8a1a74a574b77e5186701ff527ae22e414b-784x1296.png",784,{"filterCategory":75,"filterLocation":75,"filterType":78734},[78735],{"_id":110,"title":113},[78737],{"_type":728,"settings":75,"text":78738},[78739,78747,78755,78763],{"_key":78740,"_type":11,"children":78741,"markDefs":78746,"style":24},"84f199acf042",[78742],{"_key":78743,"_type":15,"marks":78744,"text":78745},"06b4614f629c",[],"We want to emphasize that this is a malicious hack, and we strongly advise against clicking on any links provided. Please note that a similar message may also be received from “meta.”It is crucial that you take immediate action to report this attack to Instagram and notify anyone else who may have interacted with the SoC account in the past. By doing so, we can work together to mitigate the impact and prevent further damage.We sincerely apologize for any inconvenience caused by this incident. It has come to our attention that several cultural organizations in Switzerland have also fallen victim to similar attacks.",[],{"_key":78748,"_type":11,"children":78749,"markDefs":78754,"style":24},"947462ed0965",[78750],{"_key":78751,"_type":15,"marks":78752,"text":78753},"19b98c2f3eaf",[],"Your cooperation in reporting this incident and spreading awareness is greatly appreciated. Let us join forces to minimize the potential damage and protect our community.",[],{"_key":78756,"_type":11,"children":78757,"markDefs":78762,"style":24},"15d1aec323cd",[78758],{"_key":78759,"_type":15,"marks":78760,"text":78761},"22bee2e0dc63",[],"Thank you for your understanding and support.",[],{"_key":78764,"_type":11,"children":78765,"markDefs":78770,"style":24},"5a3f6c8c30f0",[78766],{"_key":78767,"_type":15,"marks":78768,"text":78769},"c288ee1f3240",[],"Warm regards,Your SoC Team",[],[78772,112,78773,78774],"security alert - soc instagram account has been compromised","we regret to inform you that the soc instagram account has been hacked, and the hacker is now sending messages alleging copyright violations (refer to image). 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Unlike the singular, reliable and trusted voice of the professional translator, in our “ultra-translation” we invite an excess of hands and voices to the pot.",[],{"_key":79201,"_type":11,"children":79202,"markDefs":79207,"style":24},"e85f4723031f",[79203],{"_key":79204,"_type":15,"marks":79205,"text":79206},"953d7137af070",[],"During the weekend you will be able to browse the dictionary and choose to “ultratranslate” one or more terms, or even add new ones. The goal is that, by the end of the weekend, we will have translated the whole book together and will end up with an unruly, choral, popular bootleg deluxe edition.",[],{"_key":79209,"_type":11,"children":79210,"markDefs":79215,"style":24},"5cb842b42b79",[79211],{"_key":79212,"_type":15,"marks":79213,"text":79214},"5c0608336f620",[],"Concurrent with the translation, we will be cooking with Marina, sharing and demystifying some abstract and complex concepts with the food. 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Both zines were part of two events that took place in ",{"_key":79224,"_type":15,"marks":79225,"text":79227},"4c5a12c4316d1",[79226],"4e672ae02806","de Voorkamer",{"_key":79229,"_type":15,"marks":79230,"text":79231},"4c5a12c4316d2",[]," in February and March 2023 \u003C3. ",[79233],{"_key":79226,"_type":41,"href":79234},"https://devoorkamer.org/",{"_key":79236,"_type":11,"children":79237,"markDefs":79299,"style":24},"6f7df81e1b94",[79238,79242,79247,79251,79256,79260,79265,79268,79272,79275,79280,79283,79287,79291,79296],{"_key":79239,"_type":15,"marks":79240,"text":79241},"22885962ce120",[],"We will be joined by Marina Monsonís (",{"_key":79243,"_type":15,"marks":79244,"text":79246},"22885962ce121",[79245],"c7b5ec12e598","Cuina del Macba",{"_key":79248,"_type":15,"marks":79249,"text":79250},"22885962ce122",[],") ",{"_key":79252,"_type":15,"marks":79253,"text":79255},"22885962ce123",[79254],"7b773d4deced","Alice Strete",{"_key":79257,"_type":15,"marks":79258,"text":79259},"22885962ce124",[]," (",{"_key":79261,"_type":15,"marks":79262,"text":79264},"22885962ce125",[79263],"e983679dfd0d","Varia",{"_key":79266,"_type":15,"marks":79267,"text":79250},"22885962ce126",[],{"_key":79269,"_type":15,"marks":79270,"text":55722},"22885962ce127",[79271],"96e5721fbf71",{"_key":79273,"_type":15,"marks":79274,"text":5748},"22885962ce128",[],{"_key":79276,"_type":15,"marks":79277,"text":79279},"22885962ce129",[79278],"d961a93eddb1","Mariana Murcia",{"_key":79281,"_type":15,"marks":79282,"text":5748},"22885962ce1210",[],{"_key":79284,"_type":15,"marks":79285,"text":55780},"22885962ce1211",[79286],"0f88c7a06979",{"_key":79288,"_type":15,"marks":79289,"text":79290},"22885962ce1212",[]," (Garage School) and ",{"_key":79292,"_type":15,"marks":79293,"text":79295},"22885962ce1213",[79294],"ea7b68a78d6c","Bambi van Balen",{"_key":79297,"_type":15,"marks":79298,"text":1125},"22885962ce1214",[],[79300,79302,79304,79306,79307,79309,79310],{"_key":79245,"_type":41,"href":79301},"https://www.macba.cat/en/about-macba/social-project/the-kitchen",{"_key":79254,"_type":41,"href":79303},"https://alicestrete.me/",{"_key":79263,"_type":41,"href":79305},"https://varia.zone/",{"_key":79271,"_type":41,"href":55734},{"_key":79278,"_type":41,"href":79308},"https://www.instagram.com/marianautomatic/?hl=en",{"_key":79286,"_type":41,"href":55790},{"_key":79294,"_type":41,"href":79311},"https://toolsforaction.org/collaborators/",{"_type":810,"slides":79313},[79314,79319,79324,79329],{"_type":813,"caption":75,"image":79315},{"alt":75,"asset":79316},{"_id":79317,"height":21338,"orientation":598,"ratio":21339,"url":79318,"width":1031},"image-dc07cabcd7ba538ff45b50390f788cbf78f70095-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/dc07cabcd7ba538ff45b50390f788cbf78f70095-2560x1707.jpg",{"_type":813,"caption":75,"image":79320},{"alt":75,"asset":79321},{"_id":79322,"height":21338,"orientation":598,"ratio":21339,"url":79323,"width":1031},"image-63381d4d6b7f9bd68e4e12fafb7a7c3a28410e21-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/63381d4d6b7f9bd68e4e12fafb7a7c3a28410e21-2560x1707.jpg",{"_type":813,"caption":75,"image":79325},{"alt":75,"asset":79326},{"_id":79327,"height":21338,"orientation":598,"ratio":21339,"url":79328,"width":1031},"image-fb7581798781f074eca48b16250cc0f2d70ac1aa-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/fb7581798781f074eca48b16250cc0f2d70ac1aa-2560x1707.jpg",{"_type":813,"caption":75,"image":79330},{"alt":75,"asset":79331},{"_id":79332,"height":1031,"orientation":637,"ratio":31448,"url":79333,"width":21338},"image-a62bafd7550d2717d9f1958e33db171bd5303613-1707x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/a62bafd7550d2717d9f1958e33db171bd5303613-1707x2560.jpg",{"_type":813,"caption":75,"image":79335},{"alt":75,"asset":79336},{"_id":79337,"height":1031,"orientation":637,"ratio":31448,"url":79338,"width":21338},"image-85b381ede4fee9e10c5b9f1a26be66d0b07293bd-1707x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/85b381ede4fee9e10c5b9f1a26be66d0b07293bd-1707x2560.jpg",{"_type":728,"settings":75,"text":79340},[79341,79349,79357,79365,79373,79388,79400,79412,79424,79435,79443,79451,79459,79467,79475,79490,79501,79511,79522,79529,79537,79544,79552,79560],{"_key":79342,"_type":11,"children":79343,"markDefs":79348,"style":24},"a99aec62ac0e",[79344],{"_key":79345,"_type":15,"marks":79346,"text":79347},"73ad6cb5997b0",[],"++ curriculum ++",[],{"_key":79350,"_type":11,"children":79351,"markDefs":79356,"style":24},"c47501713542",[79352],{"_key":79353,"_type":15,"marks":79354,"text":79355},"317a79ada3200",[],"Rather than a series of traditional presentations, or clear delimited events the two day school will unravel its curriculum in the experience of translating, cooking and, having a long sobremesas (after-meal) together. You can join for as long as you want on one or both days. The event will be comfortable and relaxed but does require active engagement.",[],{"_key":79358,"_type":11,"children":79359,"markDefs":79364,"style":24},"676dd88c740f",[79360],{"_key":79361,"_type":15,"marks":79362,"text":79363},"9016f26400e10",[],"++ basic schedule (even though it may change) ++",[],{"_key":79366,"_type":11,"children":79367,"markDefs":79372,"style":24},"006cf9854c9c",[79368],{"_key":79369,"_type":15,"marks":79370,"text":79371},"ba199fe686620",[17],"DAY 1",[],{"_key":79374,"_type":11,"children":79375,"markDefs":79387,"style":24},"d6629ca2e114",[79376,79380,79383],{"_key":79377,"_type":15,"marks":79378,"text":79379},"657007d631820",[17,1362],"*SOBREMESA",{"_key":79381,"_type":15,"marks":79382,"text":5102},"657007d631821",[],{"_key":79384,"_type":15,"marks":79385,"text":79386},"657007d631822",[17],"ritual + Sancochotopia",[],{"_key":79389,"_type":11,"children":79390,"markDefs":79399,"style":24},"0c03627c5175",[79391,79395],{"_key":79392,"_type":15,"marks":79393,"text":79394},"0e9afdbd3f190",[17],"When:",{"_key":79396,"_type":15,"marks":79397,"text":79398},"0e9afdbd3f191",[]," Saturday May 13th 2023, 12:00–18:00 hrs",[],{"_key":79401,"_type":11,"children":79402,"markDefs":79411,"style":24},"a17f93fae14f",[79403,79407],{"_key":79404,"_type":15,"marks":79405,"text":79406},"b371922cdf3a0",[17],"Where:",{"_key":79408,"_type":15,"marks":79409,"text":79410},"b371922cdf3a1",[]," BAK, Pauwstraat 13A, 3512 TG Utrecht",[],{"_key":79413,"_type":11,"children":79414,"markDefs":79423,"style":24},"ab89d9443506",[79415,79419],{"_key":79416,"_type":15,"marks":79417,"text":79418},"b5c1575a38680",[17],"What:",{"_key":79420,"_type":15,"marks":79421,"text":79422},"b5c1575a38681",[]," All day ultratranslation with long sobremesa, and a “Proximity ritual” guided by Marina. Launch of the second edition of the “How to Set Up a Community Kitchen” zine.",[],{"_key":79425,"_type":11,"children":79426,"markDefs":79434,"style":24},"8d8bee417e10",[79427,79430],{"_key":79428,"_type":15,"marks":79429,"text":35966},"518a0b9e0c520",[17],{"_key":79431,"_type":15,"marks":79432,"text":79433},"518a0b9e0c521",[],"\n12:00 Open doors\n13:00 Serve lunch",[],{"_key":79436,"_type":11,"children":79437,"markDefs":79442,"style":24},"fb3ccb86900d",[79438],{"_key":79439,"_type":15,"marks":79440,"text":79441},"7271432cfbcf0",[],"14:00 Sobremesa",[],{"_key":79444,"_type":11,"children":79445,"markDefs":79450,"style":24},"978a7451478b",[79446],{"_key":79447,"_type":15,"marks":79448,"text":79449},"f514ca64e0110",[],"16:00 Proximity ritual",[],{"_key":79452,"_type":11,"children":79453,"markDefs":79458,"style":24},"999912299417",[79454],{"_key":79455,"_type":15,"marks":79456,"text":79457},"b8195cfe61070",[],"17:00 Soft launch of the “Sancochotopia” zine",[],{"_key":79460,"_type":11,"children":79461,"markDefs":79466,"style":24},"339f4611de67",[79462],{"_key":79463,"_type":15,"marks":79464,"text":79465},"dee49e59aad90",[],"18:00 Open bar",[],{"_key":79468,"_type":11,"children":79469,"markDefs":79474,"style":24},"ec2e0e314569",[79470],{"_key":79471,"_type":15,"marks":79472,"text":79473},"f990a16ac58f0",[17],"DAY 2",[],{"_key":79476,"_type":11,"children":79477,"markDefs":79489,"style":24},"e760dc115e72",[79478,79482,79485],{"_key":79479,"_type":15,"marks":79480,"text":79481},"40be684207b60",[17,1362],"*SIESTA",{"_key":79483,"_type":15,"marks":79484,"text":5102},"40be684207b61",[],{"_key":79486,"_type":15,"marks":79487,"text":79488},"40be684207b62",[17],"Dreamwork + How to Set Up a Community Kitchen",[],{"_key":79491,"_type":11,"children":79492,"markDefs":79500,"style":24},"c42ce33a1641",[79493,79496],{"_key":79494,"_type":15,"marks":79495,"text":79394},"59d032a210ea0",[17],{"_key":79497,"_type":15,"marks":79498,"text":79499},"59d032a210ea1",[]," Sunday May 14th 2023, 12:00–18:00 hrs",[],{"_key":79502,"_type":11,"children":79503,"markDefs":79510,"style":24},"4f1c35c2b4d3",[79504,79507],{"_key":79505,"_type":15,"marks":79506,"text":79406},"1f3db2572f660",[17],{"_key":79508,"_type":15,"marks":79509,"text":79410},"1f3db2572f661",[],[],{"_key":79512,"_type":11,"children":79513,"markDefs":79521,"style":24},"3b2b502be231",[79514,79517],{"_key":79515,"_type":15,"marks":79516,"text":79418},"8489ea92b9b80",[17],{"_key":79518,"_type":15,"marks":79519,"text":79520},"8489ea92b9b81",[]," All day ultratranslation with long sobremesa and a SIESTA “Dreamwork” guided by Bambi. Launch of the second edition of the “Sancochotopia” zine.",[],{"_key":79523,"_type":11,"children":79524,"markDefs":79528,"style":24},"44918dc8f38c",[79525],{"_key":79526,"_type":15,"marks":79527,"text":35966},"520affdebaf90",[17],[],{"_key":79530,"_type":11,"children":79531,"markDefs":79536,"style":24},"b4785f554686",[79532],{"_key":79533,"_type":15,"marks":79534,"text":79535},"7ef3766009df0",[],"12:00 Open doors\n13:00 Serve lunch",[],{"_key":79538,"_type":11,"children":79539,"markDefs":79543,"style":24},"0b2bd57a0af1",[79540],{"_key":79541,"_type":15,"marks":79542,"text":79441},"8d894299d9b80",[],[],{"_key":79545,"_type":11,"children":79546,"markDefs":79551,"style":24},"bfb43b4451ee",[79547],{"_key":79548,"_type":15,"marks":79549,"text":79550},"53e21bf3aa300",[],"16:00 Dreamwork",[],{"_key":79553,"_type":11,"children":79554,"markDefs":79559,"style":24},"a055dba69f26",[79555],{"_key":79556,"_type":15,"marks":79557,"text":79558},"a20fbf5da44c0",[],"17:00 Soft launch of the “How to Set Up a Community Kitchen” zine",[],{"_key":79561,"_type":11,"children":79562,"markDefs":79566,"style":24},"8e64567f5ca5",[79563],{"_key":79564,"_type":15,"marks":79565,"text":79465},"fb0b107abc960",[],[],{"_type":810,"slides":79568},[79569,79574,79579],{"_type":813,"caption":75,"image":79570},{"alt":75,"asset":79571},{"_id":79572,"height":21338,"orientation":598,"ratio":21339,"url":79573,"width":1031},"image-2715583467731cc9ead255c0d2efd9232d6632a9-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/2715583467731cc9ead255c0d2efd9232d6632a9-2560x1707.jpg",{"_type":813,"caption":75,"image":79575},{"alt":75,"asset":79576},{"_id":79577,"height":21338,"orientation":598,"ratio":21339,"url":79578,"width":1031},"image-671c5a76c4a8c6a028e24e323daf8d39f60a123c-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/671c5a76c4a8c6a028e24e323daf8d39f60a123c-2560x1707.jpg",{"_type":813,"caption":75,"image":79580},{"alt":75,"asset":79581},{"_id":79582,"height":21338,"orientation":598,"ratio":21339,"url":79583,"width":1031},"image-1cc7f4d5aed2ddab5cac0940ee3e032a485d7781-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/1cc7f4d5aed2ddab5cac0940ee3e032a485d7781-2560x1707.jpg",{"_type":728,"settings":75,"text":79585},[79586,79593,79601,79609],{"_key":79587,"_type":11,"children":79588,"markDefs":79592,"style":24},"182e768cb962",[79589],{"_key":79590,"_type":15,"marks":79591,"text":62356},"dfdbf7652b870",[17],[],{"_key":79594,"_type":11,"children":79595,"markDefs":79600,"style":24},"09e32eebbdc2",[79596],{"_key":79597,"_type":15,"marks":79598,"text":79599},"48fe60ffebcc0",[],"The whole Ultrahospitality translation marathon weekend was chill af (said by many). A mesa corrida with very long sobremesas as proximity rituals where informality was the “pedagogy” and many translations took place. Doing things this way was one of the goals we had talked about with Marina: making an event with degrowth principles.",[],{"_key":79602,"_type":11,"children":79603,"markDefs":79608,"style":24},"b2aefca85420",[79604],{"_key":79605,"_type":15,"marks":79606,"text":79607},"a22b63c0c6630",[],"On the one hand multiple translations were made by cooking: a situated but conflicted sancocho made from organic and local vegetables and ingredients from Albert Heijn, pestos made with discarded leaves and weeds foraged by friends, Kombucha and Artemisia Absinthe shared by Grace, a Stinging nettle potaje from leftovers in the kitchen and nettles from Clara’s garden, spicy-less aji by Juan Pablo, a dialogue between a cheese from la Garrotxa and Utrecht (maybe), mead from honey from Utrecht and Rotterdam, a gift of Mambe, honey beer and spices gifted by the Ethiopian Restaurant Sunshine next door, sticky willy water!, pears in a reduction of mead by Jeane served in discarded oyster shells from the market. On the other hand, many, many terms of the dictionary were carefully (ultra)translated by annotating on the margins of the original by many hands (soon scan upload!): sharing personal histories and recipes, finding unexpected coincidences, writing in multiple languages (Korean, Valenciano, English, Rumanian, Turkish), with and without “smart” phones, drawing new illustrations, hacking the terms, bringing new ones.\n\nBoth days we finished in the auditorium for a siesta, to channel and dream together under vibration and sound under the floating light sculpture by Bambi who already prepared us for the session with Artemisa tea foraged from the surroundings of their studio. One of the great accidents was the pleasure to have one of the sessions guided by the voice of Nova Ruth, who sang a prayer to the sea, which she usually sings before embarking on sailing.",[],{"_key":79610,"_type":11,"children":79611,"markDefs":79616,"style":24},"95ad08c47a80",[79612],{"_key":79613,"_type":15,"marks":79614,"text":79615},"e8c5ef1ff2f50",[],"We thank everyone who participated, despite the glorious day outside, and everyone and everything that participated in the making and cooking of the food we shared, human and non-human. And of course Marina who came all the way from her home to share her wisdom with us. Muchas gracias \u003C3",[],{"_type":813,"caption":75,"image":79618},{"alt":75,"asset":79619},{"_id":79620,"height":21338,"orientation":598,"ratio":21339,"url":79621,"width":1031},"image-d2a5c0aa3e70cc454da51cb663aa18763d1f5ca1-2560x1707-jpg","https://cdn.sanity.io/images/eodip22e/production/d2a5c0aa3e70cc454da51cb663aa18763d1f5ca1-2560x1707.jpg",[79623,141,79624,540,18988,107,79625,79626,79627,79628,55753,55811,1150],"garage ultratranslation marathon: cocina situada / situated kitchen","bak, pauwstraat 13a, utrecht 3512 tg","during the ultrahospitality weekend we will perform a collective “ultratranslation” of “la cocina situada” (the situated kitchen), a book by our dear friend marina monsonís. her book is a small “illustrated dictionary for food sovereignty”. ","expectation\n\nit is carefully constructed from her many years of experience setting up and working with community kitchens in catalunya. in this practice she connects “cookery to political, social and transgenerational projects aimed at stimulating debate, and on the transmission of knowledge about the complexities and conflicts within the concept of zero km”.\n\nwe see an urgency in translating her work, due to both the content, and the way she writes about it. we want to translate it in a way that will situate it here, now, with all the complexities we collectively bring to that process. in that sense, what makes the “ultratranslation” “ultra” is that it is not limited to a seamless interlingual translation (e.g. from spanish to dutch), but rather that it is intralingual: an opening to situate the insights of the dictionary by rewording it into our own experiences, our backgrounds, contexts, by changing the ingredients of a recipe with things we have at hand, things that in some place are waste and in others are a spice, or sharing our own anecdotes. unlike the singular, reliable and trusted voice of the professional translator, in our “ultra-translation” we invite an excess of hands and voices to the pot.\n\nduring the weekend you will be able to browse the dictionary and choose to “ultratranslate” one or more terms, or even add new ones. the goal is that, by the end of the weekend, we will have translated the whole book together and will end up with an unruly, choral, popular bootleg deluxe edition.\n\nconcurrent with the translation, we will be cooking with marina, sharing and demystifying some abstract and complex concepts with the food. we will eat together and have a very long sobremesa, even perhaps a siesta, both of which are sacred proximity rituals rooted in iberic culture.\n\nthe weekend will also be a moment to host and celebrate all the people and communities that we’ve met since we started the ultrahospitality research last year. we will launch a second edition of two zines: “how to set up a community kitchen” and “sancochotopia”. both zines were part of two events that took place in de voorkamer in february and march 2023 \u003C3. \n\nwe will be joined by marina monsonís (cuina del macba) alice strete (varia) maría angélica madero, mariana murcia, santiago pinyol (garage school) and bambi van balen.","++ curriculum ++\n\nrather than a series of traditional presentations, or clear delimited events the two day school will unravel its curriculum in the experience of translating, cooking and, having a long sobremesas (after-meal) together. you can join for as long as you want on one or both days. the event will be comfortable and relaxed but does require active engagement.\n\n++ basic schedule (even though it may change) ++\n\nday 1\n\n*sobremesa ritual + sancochotopia\n\nwhen: saturday may 13th 2023, 12:00–18:00 hrs\n\nwhere: bak, pauwstraat 13a, 3512 tg utrecht\n\nwhat: all day ultratranslation with long sobremesa, and a “proximity ritual” guided by marina. launch of the second edition of the “how to set up a community kitchen” zine.\n\nprogram:\n12:00 open doors\n13:00 serve lunch\n\n14:00 sobremesa\n\n16:00 proximity ritual\n\n17:00 soft launch of the “sancochotopia” zine\n\n18:00 open bar\n\nday 2\n\n*siesta dreamwork + how to set up a community kitchen\n\nwhen: sunday may 14th 2023, 12:00–18:00 hrs\n\nwhere: bak, pauwstraat 13a, 3512 tg utrecht\n\nwhat: all day ultratranslation with long sobremesa and a siesta “dreamwork” guided by bambi. launch of the second edition of the “sancochotopia” zine.\n\nprogram:\n\n12:00 open doors\n13:00 serve lunch\n\n14:00 sobremesa\n\n16:00 dreamwork\n\n17:00 soft launch of the “how to set up a community kitchen” zine\n\n18:00 open bar","reality\n\nthe whole ultrahospitality translation marathon weekend was chill af (said by many). a mesa corrida with very long sobremesas as proximity rituals where informality was the “pedagogy” and many translations took place. doing things this way was one of the goals we had talked about with marina: making an event with degrowth principles.\n\non the one hand multiple translations were made by cooking: a situated but conflicted sancocho made from organic and local vegetables and ingredients from albert heijn, pestos made with discarded leaves and weeds foraged by friends, kombucha and artemisia absinthe shared by grace, a stinging nettle potaje from leftovers in the kitchen and nettles from clara’s garden, spicy-less aji by juan pablo, a dialogue between a cheese from la garrotxa and utrecht (maybe), mead from honey from utrecht and rotterdam, a gift of mambe, honey beer and spices gifted by the ethiopian restaurant sunshine next door, sticky willy water!, pears in a reduction of mead by jeane served in discarded oyster shells from the market. on the other hand, many, many terms of the dictionary were carefully (ultra)translated by annotating on the margins of the original by many hands (soon scan upload!): sharing personal histories and recipes, finding unexpected coincidences, writing in multiple languages (korean, valenciano, english, rumanian, turkish), with and without “smart” phones, drawing new illustrations, hacking the terms, bringing new ones.\n\nboth days we finished in the auditorium for a siesta, to channel and dream together under vibration and sound under the floating light sculpture by bambi who already prepared us for the session with artemisa tea foraged from the surroundings of their studio. one of the great accidents was the pleasure to have one of the sessions guided by the voice of nova ruth, who sang a prayer to the sea, which she usually sings before embarking on sailing.\n\nwe thank everyone who participated, despite the glorious day outside, and everyone and everything that participated in the making and cooking of the food we shared, human and non-human. and of course marina who came all the way from her home to share her wisdom with us. muchas gracias 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Fragments are beginnings or moments of being in-between. Our reading night is about the unfinished, the broken off and the breaking open, the wild search for careful and clear words in a world that can no longer be put together into an unified narrative. In an act of togetherness, we combine eating cheese with sitting together and listening to raw and fragile material. In this space, we understand thinking as a form of digestion. In order to digest, we need to feel good. So let’s speak gently and kind, find pathways and refuse to create full stops.",[],{"_type":813,"caption":75,"image":81086},{"alt":75,"asset":81087},{"_id":80531,"height":80532,"orientation":637,"ratio":80533,"url":80534,"width":80535},{"_type":728,"settings":75,"text":81089},[81090,81098],{"_key":81091,"_type":11,"children":81092,"markDefs":81097,"style":24},"012f16e339aa",[81093],{"_key":81094,"_type":15,"marks":81095,"text":81096},"354f636498620",[],"n publications critical of classism care leavers are named as a group particularly affected by classism. However, so far there has been little space for the coming together and dialog of care leavers themselves, who speak as experts about the realities of the foster care and residential youth welfare system and its classist structures. In order to move care leavers from a position in which they are spoken about to a position as speakers, we will archive the voices of various care leavers who are both affected and activists and record the results of our archiving. Archiving self-articulated perspectives that collect people’s experiences, especially in spaces where they are with other people with shared experiential knowledge, has in the past repeatedly led to the emergence of specific, positioned knowledge about marginalized positions. This knowledge could be used in the fight against injustice. By archiving self-articulated voices, the public, including political decision-makers, is made aware of people’s concerns and needs. As care leavers organized in self-advocacy groups, we enter into conversation via the exchange of voice messages. 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As charismatic and mythicized figures, they hover between conceptions of autonomy and self-determination, resistance and adaptability. These literary figures allow access to a variety of themes that can be linked to contemporary debates and issues. In Kleist’s foundling and Kaspar Hauser there are anthropological questions about the body and sexuality, “nature” and “naturalness”, “foreignness” and orality. In Momo, capitalized and administrative forms of life play a decisive role. What social constellations are those children embedded in? How does the environment react to these characters who seem to come “out of nowhere” and on whose development the future of society as a whole seems to depend? By juxtaposing and linking a memory of a person who was in a youth welfare setting with literary and social representations, memories and moments from youth welfare are to become visible as a poetic-associative fabric and at the same time supplement representative approaches with a self-articulated perspective.",[],{"_key":81122,"_type":11,"children":81123,"markDefs":81128,"style":24},"4aeb498c93f4",[81124],{"_key":81125,"_type":15,"marks":81126,"text":81127},"6c95336ee5490",[],"Anna is currently the project manager of a participation project for foster children, which has been approaching the ideas of a community future with artistic 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person in need of care. when moving together, individual (physical) preferences and limitations are equally incorporated into the movement. the kinesthetic writing method aims to combine writing with joint movement and the perception of impulses. it aims to be a friendly space in which abilities and disabilities can be explored and further developed. it wants to be an anti-patriarchal and horizontal space that resists the pale gaze of violent judges. kinesthetic writing moves (body) language through impulses and studies impulses through and in movement. it sees itself as an artistic and activist experiment and as an ongoing approach. it wants to perceive, reject, love and create words and movements, worlds and memories.\n\n\nreading night","fragments are honest, unpolished, raw and wild. fragments are beginnings or moments of being in-between. our reading night is about the unfinished, the broken off and the breaking open, the wild search for careful and clear words in a world that can 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especially in spaces where they are with other people with shared experiential knowledge, has in the past repeatedly led to the emergence of specific, positioned knowledge about marginalized positions. this knowledge could be used in the fight against injustice. by archiving self-articulated voices, the public, including political decision-makers, is made aware of people’s concerns and needs. as care leavers organized in self-advocacy groups, we enter into conversation via the exchange of voice messages. the transcripts of these conversations serve as transcripts for a publication called klassismus(kritik) und soziale arbeit by francis seek and claudia steckelberg that will be published in spring 2024.\n\nmoments of care","from kaspar hauser to kleist’s foundling to momo – parentless children are an important and fascinating trope in german literature. as charismatic and mythicized figures, they hover between conceptions of autonomy and self-determination, resistance and adaptability. 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What does open learning look like here?",{"_id":82277,"height":82278,"orientation":1032,"ratio":1033,"url":82279,"width":82278},"image-911fc9dd26a9722a44c8f09593074c1347b9cdb0-619x619-jpg",619,"https://cdn.sanity.io/images/eodip22e/production/911fc9dd26a9722a44c8f09593074c1347b9cdb0-619x619.jpg",{"filterCategory":82281,"filterLocation":82283,"filterYear":82285},[82282],{"_id":13269,"title":13274},[82284],{"_id":139,"title":142},[82286],{"_id":2120,"title":2123},[82288],{"_key":82289,"footnoteText":82290},"855374c7c824",[82291],{"_key":82292,"_type":11,"children":82293,"markDefs":82303,"style":24},"096741e6615a",[82294,82299],{"_key":82295,"_type":15,"marks":82296,"text":82298},"c4897087820d",[82297],"13f0c5ec6875","John Beck and Matthew Cornford",{"_key":82300,"_type":15,"marks":82301,"text":82302},"af73468eef00",[],"  ",[82304],{"_key":82297,"_type":41,"href":82305},"https://thenewartgallerywalsall.org.uk/exhibition/the-art-schools-of-the-west-midlands/",{"locations":82307,"other":75},[82308],{"_id":139,"_type":121,"seo":75,"slug":82309,"title":142},{"_type":77,"current":141},[82311],{"_type":728,"settings":75,"text":82312},[82313,82338,82354,82362],{"_key":82314,"_type":11,"children":82315,"markDefs":82324,"style":24},"6d418c31334f",[82316,82320],{"_key":82317,"_type":15,"marks":82318,"text":82319},"cdd1964947c9",[82289],"Artist John Beck and sociologist Matthew Cornford have been tracking down and photographing the sites of British art schools for around five years. While many towns in the UK used to have a dedicated art school, now there are only a handful left; most of the buildings have been repurposed or, in some cases, demolished.",{"_key":82321,"_type":15,"marks":82322,"text":82323},"e88c4445d6d6",[],"[1] They trace a gradual move from local thriving bodies of people producing and sharing their own culture, to the corporatisation of education and what they term the growth of ‘culture sheds’ – art centres and organisations situated in communities in the name of regeneration. These shift the dynamic from self-determined culture to a hierarchical management of the arts and culture, where organisations compete with one another for funding to ‘engage’ with audiences and participants, i.e. consumers of culture. This project wants to look at how to shift this paradigm, to work with those who wish to self-determine what learning and cultural production looks like in the area.",[82325],{"_key":82289,"_type":82326,"allFootnotes":82327,"footnoteText":82329,"markKey":82289},"footnoteLink",[82328],{"_key":82289},[82330],{"_key":82292,"_type":11,"children":82331,"markDefs":82336,"style":24},[82332,82334],{"_key":82295,"_type":15,"marks":82333,"text":82298},[82297],{"_key":82300,"_type":15,"marks":82335,"text":82302},[],[82337],{"_key":82297,"_type":41,"href":82305},{"_key":82339,"_type":11,"children":82340,"markDefs":82353,"style":24},"2eae968d8409",[82341,82345,82349],{"_key":82342,"_type":15,"marks":82343,"text":82344},"910d7764f5ea",[],"The live context for this research is a building recently bought by a group of organisations from a private landlord to protect it as a space for public use in an area which has been subject to several regeneration strategies and gentrification in Glasgow, Scotland. It is a site where class, intersecting inequalities and both aligned and incompatible interests meet. From this site we are asking what would a",{"_key":82346,"_type":15,"marks":82347,"text":82348},"9f172fc9bd90",[17]," local, porous space for open learning in the arts and culture look like here?",{"_key":82350,"_type":15,"marks":82351,"text":82352},"0d3d99cdf5f5",[]," How can we spaces for self-determined learning and cultural production be supported within the given infrastructure, what is working, what’s not working, and how might it change?",[],{"_key":82355,"_type":11,"children":82356,"markDefs":82361,"style":24},"74e6aa52f0e0",[82357],{"_key":82358,"_type":15,"marks":82359,"text":82360},"ffde6332b997",[],"A reference point for this project and research is the Worker’s Stories Project, who during lockdown in 2020 – 2021, along with the Workers Education Association delivered arts workshops for those working throughout the pandemic. The outcome and sharing event of this project gave a clear call a much more diverse range of cultural production in Glasgow to be platformed and supported that allows for people to make their own work, be given the space and time to do so and for it to be celebrated and supported by our public institutions. 1 in 5 of those who apply for art schools in the UK gain entry, leaving 4 in 5 with enormous potential and desire to create but nowhere to go. This statistically disproportionately affects PT adult learners, neurodiverse students, those who do not hold formal qualifications, those with caring responsibilities and those from lower socio-economic backgrounds. This issue is persistent but so far unaddressed locally, nationally and internationally.",[],{"_key":82363,"_type":11,"children":82364,"markDefs":82369,"style":24},"d545b856aece",[82365],{"_key":82366,"_type":15,"marks":82367,"text":82368},"52265d547952",[],"The aim of this research is to have a laser focus on a local context to generate knowledge and working models to contribute to the wider culture of commons based, open educational pedagogies. Working with SoC to critically reflect and share with those working on aligned projects would provide a much needed wider community to expand on current methods, approaches, networks and knowledge. We would share our knowledge via both local and digital OER’s throughout March – Dec in a timetabled session of events situated in the locale but connected digitally to those working across Europe.",[],[82371,82379],{"_key":82372,"_type":11,"children":82373,"markDefs":82378,"style":24},"f0d1f35d38dd",[82374],{"_key":82375,"_type":15,"marks":82376,"text":82377},"ef7029f56a31",[],"What would a local, porous space for open learning in the arts and culture look like here? ",[],{"_key":82380,"_type":11,"children":82381,"markDefs":82386,"style":24},"b4831a819bfe",[82382],{"_key":82383,"_type":15,"marks":82384,"text":82385},"2aeb71507242",[],"How can we spaces for self-determined learning and cultural production be supported within the given infrastructure, what is working, what’s not working, and how might it change?",[],[82388,2122,141,81493,82389,82390,13273],"what does open learning look like here?","strange field & friends of the pipe factory","artist john beck and sociologist matthew cornford have been tracking down and photographing the sites of british art schools for around five years. while many towns in the uk used to have a dedicated art school, now there are only a handful left; most of the buildings have been repurposed or, in some cases, demolished.[1] they trace a gradual move from local thriving bodies of people producing and sharing their own culture, to the corporatisation of education and what they term the growth of ‘culture sheds’ – art centres and organisations situated in communities in the name of regeneration. these shift the dynamic from self-determined culture to a hierarchical management of the arts and culture, where organisations compete with one another for funding to ‘engage’ with audiences and participants, i.e. consumers of culture. this project wants to look at how to shift this paradigm, to work with those who wish to self-determine what learning and cultural production looks like in the area.\n\nthe live context for this research is a building recently bought by a group of organisations from a private landlord to protect it as a space for public use in an area which has been subject to several regeneration strategies and gentrification in glasgow, scotland. it is a site where class, intersecting inequalities and both aligned and incompatible interests meet. from this site we are asking what would a local, porous space for open learning in the arts and culture look like here? how can we spaces for self-determined learning and cultural production be supported within the given infrastructure, what is working, what’s not working, and how might it change?\n\na reference point for this project and research is the worker’s stories project, who during lockdown in 2020 – 2021, along with the workers education association delivered arts workshops for those working throughout the pandemic. the outcome and sharing event of this project gave a clear call a much more diverse range of cultural production in glasgow to be platformed and supported that allows for people to make their own work, be given the space and time to do so and for it to be celebrated and supported by our public institutions. 1 in 5 of those who apply for art schools in the uk gain entry, leaving 4 in 5 with enormous potential and desire to create but nowhere to go. this statistically disproportionately affects pt adult learners, neurodiverse students, those who do not hold formal qualifications, those with caring responsibilities and those from lower socio-economic backgrounds. this issue is persistent but so far unaddressed locally, nationally and internationally.\n\nthe aim of this research is to have a laser focus on a local context to generate knowledge and working models to contribute to the wider culture of commons based, open educational pedagogies. working with soc to critically reflect and share with those working on aligned projects would provide a much needed wider community to expand on current methods, approaches, networks and knowledge. we would share our knowledge via both local and digital oer’s throughout march – dec in a timetabled session of events situated in the locale but connected digitally to those working across europe.",{"_type":77,"current":82392},"what-does-open-learning-look-like-here","What does open learning look like here?",{"_id":82395,"_type":107,"categories":82396,"credits":82409,"featuredImage":82519,"filterables":82526,"footnotes":82537,"locations":82538,"logbook":75,"pageBuilder":82544,"researchQuestion":75,"researchQuestions":75,"searchables":82571,"seo":75,"slug":82574,"title":82576,"year":2123},"b7ad11e9-43d2-43b0-a63f-8493c2227024",[82397,82400,82403,82406],{"_id":13269,"_type":155,"colorPrimary":82398,"seo":75,"slug":82399,"title":13274},{"label":569,"value":13271},{"_type":77,"current":13273},{"_id":158,"_type":155,"colorPrimary":82401,"seo":75,"slug":82402,"title":161},{"label":569,"value":23675},{"_type":77,"current":160},{"_id":173,"_type":155,"colorPrimary":82404,"seo":75,"slug":82405,"title":176},{"label":569,"value":1000},{"_type":77,"current":175},{"_id":403,"_type":155,"colorPrimary":82407,"seo":75,"slug":82408,"title":406},{"label":569,"value":4835},{"_type":77,"current":405},{"other":75,"profiles":82410},[82411,82438,82459,82486],{"_id":81309,"_type":576,"activeYears":82412,"bio":82415,"bioShort":81322,"featuredImage":75,"filterables":82421,"links":82424,"locations":82426,"searchables":82436,"seo":75,"slug":82437,"title":81346},[82413],{"_id":2120,"_type":580,"seo":75,"slug":82414,"title":2123},{"_type":77,"current":2122},[82416],{"_key":81315,"_type":11,"children":82417,"markDefs":82420,"style":24},[82418],{"_key":81318,"_type":15,"marks":82419,"text":81320},[],[],{"filterYear":82422},[82423],{"_id":2120,"title":2123},[82425],{"_type":607,"label":2160,"url":81328},{"locations":82427,"other":82430},[82428],{"_id":139,"_type":121,"seo":75,"slug":82429,"title":142},{"_type":77,"current":141},[82431],{"_key":81335,"_type":11,"children":82432,"markDefs":82435,"style":24},[82433],{"_key":81338,"_type":15,"marks":82434,"text":81340},[],[],[81343,2122],{"_type":77,"current":81345},{"_id":81348,"_type":576,"activeYears":82439,"bio":82442,"bioShort":81360,"featuredImage":75,"filterables":82448,"links":82451,"locations":82453,"searchables":82457,"seo":75,"slug":82458,"title":81375},[82440],{"_id":2120,"_type":580,"seo":75,"slug":82441,"title":2123},{"_type":77,"current":2122},[82443],{"_key":81354,"_type":11,"children":82444,"markDefs":82447,"style":24},[82445],{"_key":81357,"_type":15,"marks":82446,"text":13415},[],[],{"filterYear":82449},[82450],{"_id":2120,"title":2123},[82452],{"_type":607,"label":2160,"url":81366},{"locations":82454,"other":75},[82455],{"_id":139,"_type":121,"seo":75,"slug":82456,"title":142},{"_type":77,"current":141},[81372,2122],{"_type":77,"current":81374},{"_id":81377,"_type":576,"activeYears":82460,"bio":82463,"bioShort":81390,"featuredImage":75,"filterables":82469,"links":82472,"locations":82474,"searchables":82484,"seo":75,"slug":82485,"title":81414},[82461],{"_id":2120,"_type":580,"seo":75,"slug":82462,"title":2123},{"_type":77,"current":2122},[82464],{"_key":81383,"_type":11,"children":82465,"markDefs":82468,"style":24},[82466],{"_key":81386,"_type":15,"marks":82467,"text":81388},[],[],{"filterYear":82470},[82471],{"_id":2120,"title":2123},[82473],{"_type":607,"label":2160,"url":81396},{"locations":82475,"other":82478},[82476],{"_id":139,"_type":121,"seo":75,"slug":82477,"title":142},{"_type":77,"current":141},[82479],{"_key":81403,"_type":11,"children":82480,"markDefs":82483,"style":24},[82481],{"_key":81406,"_type":15,"marks":82482,"text":81408},[],[],[81411,2122],{"_type":77,"current":81413},{"_id":27774,"_type":576,"activeYears":82487,"bio":82494,"bioShort":27791,"featuredImage":75,"filterables":82500,"links":82505,"locations":82507,"searchables":82517,"seo":75,"slug":82518,"title":27816},[82488,82490,82492],{"_id":2120,"_type":580,"seo":75,"slug":82489,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":82491,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":82493,"title":884},{"_type":77,"current":883},[82495],{"_key":27784,"_type":11,"children":82496,"markDefs":82499,"style":24},[82497],{"_key":27787,"_type":15,"marks":82498,"text":27789},[],[],{"filterYear":82501},[82502,82503,82504],{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},[82506],{"_type":607,"label":2160,"url":27799},{"locations":82508,"other":82511},[82509],{"_id":139,"_type":121,"seo":75,"slug":82510,"title":142},{"_type":77,"current":141},[82512],{"_key":27806,"_type":11,"children":82513,"markDefs":82516,"style":24},[82514],{"_key":27809,"_type":15,"marks":82515,"text":3822},[],[],[27813,2122,2127,883],{"_type":77,"current":27815},{"alt":82520,"asset":82521},"School of Commons - The Street Games Of Our Childhood",{"_id":82522,"height":82523,"orientation":598,"ratio":82524,"url":82525,"width":7413},"image-afc1b6fbbcf7c0e456a0b5e1b7530dc20a0dbf9f-2880x1454-png",1454,1.9807427785419531,"https://cdn.sanity.io/images/eodip22e/production/afc1b6fbbcf7c0e456a0b5e1b7530dc20a0dbf9f-2880x1454.png",{"filterCategory":82527,"filterLocation":82532,"filterYear":82535},[82528,82529,82530,82531],{"_id":13269,"title":13274},{"_id":158,"title":161},{"_id":173,"title":176},{"_id":403,"title":406},[82533,82534],{"_id":139,"title":142},{"_id":129,"title":132},[82536],{"_id":2120,"title":2123},[],{"locations":82539,"other":75},[82540,82542],{"_id":139,"_type":121,"seo":75,"slug":82541,"title":142},{"_type":77,"current":141},{"_id":129,"_type":121,"seo":75,"slug":82543,"title":132},{"_type":77,"current":131},[82545],{"_type":728,"settings":75,"text":82546},[82547,82555,82563],{"_key":82548,"_type":11,"children":82549,"markDefs":82554,"style":24},"c57498b16322",[82550],{"_key":82551,"_type":15,"marks":82552,"text":82553},"8d8e3b03fd90",[],"Traditional street games, which have been handed down from generation to generation for centuries, have a crucial place in urban and social memory. These games are played with handmade toys made of materials such as mud, bone, wood, stone, cardboard, waste industrial material, etc. Street games play a big role in the physical, mental and social development of children. At the same time, it doesn’t only increase children’s creativity, environmental and material knowledge but also enables the practices of a strong relationship between elder and younger generations. However, it seems that this historical and cultural transmission has been interrupted in our era. As the function of the street changes and its publicity decreases in our modern cities, street games are also on the verge of disappearing.",[],{"_key":82556,"_type":11,"children":82557,"markDefs":82562,"style":24},"1ad9bfe4e0e1",[82558],{"_key":82559,"_type":15,"marks":82560,"text":82561},"374a87e3d8d3",[],"The Project Street Games of Our Childhood approaches street games from a different perspective and reveals their capacity to inspire artistic works. It carries the multidimensional structures of these games, consisting of movement, sound, material, body and space relations, to performance arts. The Street Games of Our Childhood is a research project aiming to develop a unique method of transmission. It creates compositions by abstracting movements, sounds, emotions, and spatial relations by analyzing street games belonging to different cultures. Thus, the project puts the street games in an artistic field, highlighting their importance in social and urban memory and their cultural values. In addition, it is an archival work as it provides documentation of street games in a way.",[],{"_key":82564,"_type":11,"children":82565,"markDefs":82570,"style":24},"ddaa789b1d16",[82566],{"_key":82567,"_type":15,"marks":82568,"text":82569},"092bb243d582",[],"As a result of the research, the work produced collectively will be presented in different mediums such as performance, video, and photography.",[],[82572,2122,141,131,81343,81372,81411,27813,82573,13273,24208,1100,405],"the street games of our childhood","traditional street games, which have been handed down from generation to generation for centuries, have a crucial place in urban and social memory. these games are played with handmade toys made of materials such as mud, bone, wood, stone, cardboard, waste industrial material, etc. street games play a big role in the physical, mental and social development of children. at the same time, it doesn’t only increase children’s creativity, environmental and material knowledge but also enables the practices of a strong relationship between elder and younger generations. however, it seems that this historical and cultural transmission has been interrupted in our era. as the function of the street changes and its publicity decreases in our modern cities, street games are also on the verge of disappearing.\n\nthe project street games of our childhood approaches street games from a different perspective and reveals their capacity to inspire artistic works. it carries the multidimensional structures of these games, consisting of movement, sound, material, body and space relations, to performance arts. the street games of our childhood is a research project aiming to develop a unique method of transmission. it creates compositions by abstracting movements, sounds, emotions, and spatial relations by analyzing street games belonging to different cultures. thus, the project puts the street games in an artistic field, highlighting their importance in social and urban 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constructed in the process of digesting intense emotional experience. “LOOK INSIDE” (2020/2022) spans 6 continuous weeks, each glyph reflects the emotional timbre of one day, varying in relative valence and coherence. Pen and paper rendering displayed at Atelier Automatique (Bochum) in June 2020; digital rework in 2022. This kind of glyph construction is part of the recipe I developed for CRITICAL DATA PRACTICE AT HOME AND WITH FRIENDS (2022)",{"_id":82652,"height":82653,"orientation":637,"ratio":82654,"url":82655,"width":3700},"image-7d4d80ac8c92138dfa7fe5dd99b5f22c1e6fbc9b-1000x2577-png",2577,0.38804811796662786,"https://cdn.sanity.io/images/eodip22e/production/7d4d80ac8c92138dfa7fe5dd99b5f22c1e6fbc9b-1000x2577.png",{"filterCategory":82657,"filterLocation":82661,"filterYear":82663},[82658,82659,82660],{"_id":22459,"title":22464},{"_id":82584,"title":82588},{"_id":82590,"title":82595},[82662],{"_id":139,"title":142},[82664],{"_id":2120,"title":2123},[],{"locations":82667,"other":75},[82668],{"_id":139,"_type":121,"seo":75,"slug":82669,"title":142},{"_type":77,"current":141},[82671,82761],{"_type":728,"settings":75,"text":82672},[82673,82701,82709,82720,82735],{"_key":82674,"_type":11,"children":82675,"markDefs":82696,"style":24},"3a760fc3e084",[82676,82680,82685,82688,82693],{"_key":82677,"_type":15,"marks":82678,"text":82679},"96940d772eb5",[],"This project explores epistemologies of hormones within the human body, focusing on embodied participatory performance. The artifacts I am working on within the scope of this research span several epistemological modalities and explore different methods of archiving this learning process (such as ",{"_key":82681,"_type":15,"marks":82682,"text":82684},"c50a49a40419",[82683],"9cd9f73108fd","annotation",{"_key":82686,"_type":15,"marks":82687,"text":4239},"45eeeb1492a6",[],{"_key":82689,"_type":15,"marks":82690,"text":82692},"437655c9b480",[82691],"c59d85639ac1","accretion",{"_key":82694,"_type":15,"marks":82695,"text":8962},"6c6219bec42b",[],[82697,82699],{"_key":82683,"_type":41,"href":82698},"https://www.schoolofcommons.org/waysworkings/hormone-epistemologies",{"_key":82691,"_type":41,"href":82700},"https://www.schoolofcommons.org/waysworkings/accretive-meaning-cartography-about-hormones",{"_key":82702,"_type":11,"children":82703,"markDefs":82708,"style":24},"1de426fc0dba",[82704],{"_key":82705,"_type":15,"marks":82706,"text":82707},"1b8b212c5e2e",[],"Initially, I had been planning to host several online discussions, which would have included elements of drawing and digital collage, such as in the following drawing exercises:",[],{"_key":82710,"_type":11,"children":82711,"level":1033,"listItem":1708,"markDefs":82717,"style":24},"117056f695a0",[82712],{"_key":82713,"_type":15,"marks":82714,"text":82716},"c7d73f041ba3",[82715],"97a5252e14ab","Interoceptive body drawing",[82718],{"_key":82715,"_type":41,"href":82719},"https://www.schoolofcommons.org/waysworkings/the-interoception-warmup-cooldown",{"_key":82721,"_type":11,"children":82722,"level":1033,"listItem":1708,"markDefs":82732,"style":24},"9aa5813ff6bd",[82723,82728],{"_key":82724,"_type":15,"marks":82725,"text":82727},"6537d08433a9",[82726],"057194afa394","Heartbeat drawing",{"_key":82729,"_type":15,"marks":82730,"text":82731},"af3a4e4bed0b",[]," (based on a vary similar exercise by Lupi and Posavec)",[82733],{"_key":82726,"_type":41,"href":82734},"https://www.schoolofcommons.org/waysworkings/the-heartbeat-warmup-cooldown",{"_key":82736,"_type":11,"children":82737,"markDefs":82759,"style":24},"a5a07cc16f89",[82738,82742,82747,82751,82755],{"_key":82739,"_type":15,"marks":82740,"text":82741},"e1608640635e",[],"However, in the course of the research (",{"_key":82743,"_type":15,"marks":82744,"text":82746},"d77f2629957b",[82745],"eabca46148fe","more on the evolution of the project during the course of the residency",{"_key":82748,"_type":15,"marks":82749,"text":82750},"cca19f98616b",[],") I decided to explore the potential of ",{"_key":82752,"_type":15,"marks":82753,"text":82754},"268177899bf5",[17],"sound",{"_key":82756,"_type":15,"marks":82757,"text":82758},"8e6e4d9b6014",[]," for building knowledge about the body as a rhythmic/cyclic (rather than static) reality: Dec 3, 2022 – time TBD – Zurich – as part of the School of Commons end of year event.",[82760],{"_key":82745,"_type":41,"href":82698},{"_type":813,"caption":82762,"image":82778},[82763],{"_key":82764,"_type":11,"children":82765,"markDefs":82775,"style":24},"3d35352c3303",[82766,82770],{"_key":82767,"_type":15,"marks":82768,"text":82769},"788f784088160",[],"Glyphs constructed in the process of digesting intense emotional experience. “LOOK INSIDE” (2020/2022) spans 6 continuous weeks, each glyph reflects the emotional timbre of one day, varying in relative valence and coherence. Pen and paper rendering displayed at Atelier Automatique (Bochum) in June 2020; digital rework in 2022. This kind of glyph construction is part of the recipe I developed for ",{"_key":82771,"_type":15,"marks":82772,"text":82774},"788f784088162",[82773],"ee2d8bd04d0f","CRITICAL DATA PRACTICE AT HOME AND WITH FRIENDS (2022)",[82776],{"_key":82773,"_type":41,"href":82777},"https://criticalcode.recipes/contributions/critical-data-practice-at-home-and-with-friends",{"alt":82650,"asset":82779},{"_id":82652,"height":82653,"orientation":637,"ratio":82654,"url":82655,"width":3700},[82781,2122,141,55095,82782,22463,82783,82784],"how do we know what we know about hormones?","this project explores epistemologies of hormones within the human body, focusing on embodied participatory performance. the artifacts i am working on within the scope of this research span several epistemological modalities and explore different methods of archiving this learning process (such as annotation and accretion).\n\ninitially, i had been planning to host several online discussions, which would have included elements of drawing and digital collage, such as in the following drawing exercises:\n\ninteroceptive body drawing\n\nheartbeat drawing (based on a vary similar exercise by lupi and posavec)\n\nhowever, in the course of the research (more on the evolution of the project during the course of the residency) i decided to explore the potential of sound for building knowledge about the body as a rhythmic/cyclic (rather than static) reality: dec 3, 2022 – time tbd – zurich – as part of the school of commons end of year event.","accretive meaning cartography (about hormones)","hormone epistemologies",{"_type":77,"current":82786},"how-do-we-know-what-we-know-about-hormones","How do we know what we know about hormones?",{"_id":82789,"_type":107,"categories":82790,"credits":82797,"featuredImage":82850,"filterables":82857,"footnotes":82865,"locations":82866,"logbook":75,"pageBuilder":82870,"researchQuestion":82929,"researchQuestions":75,"searchables":82954,"seo":75,"slug":82957,"title":82884,"year":2123},"d680df8a-5139-4a13-92ad-6abc5f528fba",[82791,82794],{"_id":13269,"_type":155,"colorPrimary":82792,"seo":75,"slug":82793,"title":13274},{"label":569,"value":13271},{"_type":77,"current":13273},{"_id":248,"_type":155,"colorPrimary":82795,"seo":75,"slug":82796,"title":251},{"label":569,"value":2981},{"_type":77,"current":250},{"other":75,"profiles":82798},[82799,82816,82833],{"_id":81228,"_type":576,"activeYears":82800,"bio":82803,"bioShort":81240,"featuredImage":82809,"filterables":82811,"links":75,"locations":75,"searchables":82814,"seo":75,"slug":82815,"title":81242},[82801],{"_id":2120,"_type":580,"seo":75,"slug":82802,"title":2123},{"_type":77,"current":2122},[82804],{"_key":81234,"_type":11,"children":82805,"markDefs":82808,"style":24},[82806],{"_key":81237,"_type":15,"marks":82807,"text":13415},[],[],{"alt":81242,"asset":82810},{"_id":81244,"height":640,"orientation":1032,"ratio":1033,"url":81245,"width":640},{"filterYear":82812},[82813],{"_id":2120,"title":2123},[81250,2122],{"_type":77,"current":81252},{"_id":81282,"_type":576,"activeYears":82817,"bio":82820,"bioShort":81294,"featuredImage":82826,"filterables":82828,"links":75,"locations":75,"searchables":82831,"seo":75,"slug":82832,"title":81296},[82818],{"_id":2120,"_type":580,"seo":75,"slug":82819,"title":2123},{"_type":77,"current":2122},[82821],{"_key":81288,"_type":11,"children":82822,"markDefs":82825,"style":24},[82823],{"_key":81291,"_type":15,"marks":82824,"text":13415},[],[],{"alt":81296,"asset":82827},{"_id":81298,"height":3875,"orientation":598,"ratio":81299,"url":81300,"width":10721},{"filterYear":82829},[82830],{"_id":2120,"title":2123},[81305,2122],{"_type":77,"current":81307},{"_id":81254,"_type":576,"activeYears":82834,"bio":82837,"bioShort":81266,"featuredImage":82843,"filterables":82845,"links":75,"locations":75,"searchables":82848,"seo":75,"slug":82849,"title":81268},[82835],{"_id":2120,"_type":580,"seo":75,"slug":82836,"title":2123},{"_type":77,"current":2122},[82838],{"_key":81260,"_type":11,"children":82839,"markDefs":82842,"style":24},[82840],{"_key":81263,"_type":15,"marks":82841,"text":13415},[],[],{"alt":81268,"asset":82844},{"_id":81270,"height":81271,"orientation":637,"ratio":81272,"url":81273,"width":6876},{"filterYear":82846},[82847],{"_id":2120,"title":2123},[81278,2122],{"_type":77,"current":81280},{"alt":82851,"asset":82852},"School of Commons - Cuerpo-Brújula",{"_id":82853,"height":7110,"orientation":637,"ratio":82854,"url":82855,"width":82856},"image-05184c69c4769004fe4b5701f455d90a64bca334-1196x1600-jpg",0.7475,"https://cdn.sanity.io/images/eodip22e/production/05184c69c4769004fe4b5701f455d90a64bca334-1196x1600.jpg",1196,{"filterCategory":82858,"filterLocation":82861,"filterYear":82863},[82859,82860],{"_id":13269,"title":13274},{"_id":248,"title":251},[82862],{"_id":17199,"title":17202},[82864],{"_id":2120,"title":2123},[],{"locations":82867,"other":75},[82868],{"_id":17199,"_type":121,"seo":75,"slug":82869,"title":17202},{"_type":77,"current":17201},[82871,82876],{"_type":813,"caption":75,"image":82872},{"alt":75,"asset":82873},{"_id":82874,"height":7112,"orientation":1032,"ratio":1033,"url":82875,"width":7112},"image-a3e5d5c84445779fac9a1d8ada527f31f7d4f66a-1200x1200-jpg","https://cdn.sanity.io/images/eodip22e/production/a3e5d5c84445779fac9a1d8ada527f31f7d4f66a-1200x1200.jpg",{"_type":728,"settings":75,"text":82877},[82878,82897,82905,82913,82921],{"_key":82879,"_type":11,"children":82880,"markDefs":82896,"style":24},"7b9444bfe2de",[82881,82885,82889,82892],{"_key":82882,"_type":15,"marks":82883,"text":82884},"06827826d064",[17,1362],"Cuerpo-Brújula",{"_key":82886,"_type":15,"marks":82887,"text":82888},"bbfb8e60c19d",[]," (Compass-Body), aims to explore the relationship between learning, perception and memory, taking as a starting point some body methodologies from the performing arts. ",{"_key":82890,"_type":15,"marks":82891,"text":82884},"f803d3c295fd",[1362],{"_key":82893,"_type":15,"marks":82894,"text":82895},"b76d8d8369f6",[]," is a term used by the Brazilian author Suely Rolnik who proposes taking our bodies as guides, disobeying in some way the mandate of Western rationality that suspects the capacity of the senses and the information of the body to create knowledge. We take this idea, with the intention of focusing on the body and perception to generate ways to build collective learning. \n\nOur compass comprises exchange and coexistence between the performing arts, disruptive apprenticeships, neuro-psycho-education and epistemologies of the south. From this compass and this way of approaching the body, we ask ourselves, what arises from the encounter and tension between the established learning theories and the proposals that resemanticize perception, memory and, therefore, learning? What types of records and knowledge emerge from bodily experience that drives perception and expands memory to bring affectively learning? How could learning be the same as creating? What is the place of the body in our existence?\n\nThrough the process of exploration, study and creation of the Cuerpo-Brújula we are interested in:",[],{"_key":82898,"_type":11,"children":82899,"markDefs":82904,"style":24},"30a1225b4688",[82900],{"_key":82901,"_type":15,"marks":82902,"text":82903},"c1cfe644066a",[],"1- Make the concept of learning close and affective (Does it embody the learning process?).",[],{"_key":82906,"_type":11,"children":82907,"markDefs":82912,"style":24},"6605b4803248",[82908],{"_key":82909,"_type":15,"marks":82910,"text":82911},"0696f23dc567",[],"2- Experience perception as a complex action.",[],{"_key":82914,"_type":11,"children":82915,"markDefs":82920,"style":24},"b04f9be2c49d",[82916],{"_key":82917,"_type":15,"marks":82918,"text":82919},"0c653c21d310",[],"3- Expand the concept of memory by trying different record possibilities.\n\nThus, meetings will be held proposing a methodological mixture, where we alternate corporal practices with individual and collective recording techniques in which possibilities of creation and articulation of knowledge around the proposed theme will be displayed and systematized. In parallel to the meetings, we will conduct some interviews (dialogues) with professionals in art, education, social sciences and neurosciences.",[],{"_key":82922,"_type":11,"children":82923,"markDefs":82928,"style":24},"dd5eb95f6cc4",[82924],{"_key":82925,"_type":15,"marks":82926,"text":82927},"2645d9d15e91",[],"Finally, we will make a digital publication that accounts for the process and the different activities carried out by Cuerpo-brújula, based on texts and images generated.",[],[82930,82938,82946],{"_key":82931,"_type":11,"children":82932,"markDefs":82937,"style":24},"7c16806cf6a5",[82933],{"_key":82934,"_type":15,"marks":82935,"text":82936},"784805c1f6a1",[],"What arises from the encounter and tension between the established learning theories and the proposals that resemanticize perception, memory and, therefore, learning? ",[],{"_key":82939,"_type":11,"children":82940,"markDefs":82945,"style":24},"763bdeaa5458",[82941],{"_key":82942,"_type":15,"marks":82943,"text":82944},"0b19ec424d41",[],"What types of records and knowledge emerge from bodily experience that drives perception and expands memory to bring affectively learning? ",[],{"_key":82947,"_type":11,"children":82948,"markDefs":82953,"style":24},"626e33a58d57",[82949],{"_key":82950,"_type":15,"marks":82951,"text":82952},"9213fd4302e8",[],"How could learning be the same as creating? What is the place of the body in our existence?\n",[],[82955,2122,17522,81250,81305,81278,82956,13273,3387],"cuerpo-brújula","cuerpo-brújula (compass-body), aims to explore the relationship between learning, perception and memory, taking as a starting point some body methodologies from the performing arts. cuerpo-brújula is a term used by the brazilian author suely rolnik who proposes taking our bodies as guides, disobeying in some way the mandate of western rationality that suspects the capacity of the senses and the information of the body to create knowledge. we take this idea, with the intention of focusing on the body and perception to generate ways to build collective learning. \n\nour compass comprises exchange and coexistence between the performing arts, disruptive apprenticeships, neuro-psycho-education and epistemologies of the south. from this compass and this way of approaching the body, we ask ourselves, what arises from the encounter and tension between the established learning theories and the proposals that resemanticize perception, memory and, therefore, learning? what types of records and knowledge emerge from bodily experience that drives perception and expands memory to bring affectively learning? how could learning be the same as creating? what is the place of the body in our existence?\n\nthrough the process of exploration, study and creation of the cuerpo-brújula we are interested in:\n\n1- make the concept of learning close and affective (does it embody the learning process?).\n\n2- experience perception as a complex action.\n\n3- expand the concept of memory by trying different record possibilities.\n\nthus, meetings will be held proposing a methodological mixture, where we alternate corporal practices with individual and collective recording techniques in which possibilities of creation and articulation of knowledge around the proposed theme will be displayed and systematized. in parallel to the meetings, we will conduct some interviews (dialogues) with professionals in art, education, social sciences and neurosciences.\n\nfinally, we will make a digital publication that accounts for the process and the different activities carried out by cuerpo-brújula, based on texts and images generated.",{"_type":77,"current":82958},"cuerpo-brujula",{"_id":68674,"_type":107,"categories":82960,"credits":82964,"featuredImage":82995,"filterables":82997,"footnotes":83004,"locations":83005,"logbook":75,"pageBuilder":83009,"researchQuestion":75,"researchQuestions":75,"searchables":83033,"seo":75,"slug":83034,"title":68736,"year":2123},[82961],{"_id":22459,"_type":155,"colorPrimary":82962,"seo":75,"slug":82963,"title":22464},{"label":569,"value":22461},{"_type":77,"current":22463},{"other":75,"profiles":82965},[82966],{"_id":50732,"_type":576,"activeYears":82967,"bio":82972,"bioShort":50747,"featuredImage":82978,"filterables":82980,"links":82984,"locations":82987,"searchables":82993,"seo":75,"slug":82994,"title":50749},[82968,82970],{"_id":2115,"_type":580,"seo":75,"slug":82969,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":82971,"title":2123},{"_type":77,"current":2122},[82973],{"_key":50740,"_type":11,"children":82974,"markDefs":82977,"style":24},[82975],{"_key":50743,"_type":15,"marks":82976,"text":50745},[],[],{"alt":50749,"asset":82979},{"_id":50751,"height":50752,"orientation":598,"ratio":50753,"url":50754,"width":1031},{"filterYear":82981},[82982,82983],{"_id":2115,"title":2118},{"_id":2120,"title":2123},[82985,82986],{"_type":607,"label":608,"url":50761},{"_type":607,"label":2160,"url":50763},{"locations":82988,"other":75},[82989,82991],{"_id":139,"_type":121,"seo":75,"slug":82990,"title":142},{"_type":77,"current":141},{"_id":129,"_type":121,"seo":75,"slug":82992,"title":132},{"_type":77,"current":131},[50771,2117,2122],{"_type":77,"current":50773},{"alt":68711,"asset":82996},{"_id":68713,"height":5877,"orientation":598,"ratio":599,"url":68714,"width":1031},{"filterCategory":82998,"filterLocation":83000,"filterYear":83002},[82999],{"_id":22459,"title":22464},[83001],{"_id":139,"title":142},[83003],{"_id":2120,"title":2123},[],{"locations":83006,"other":75},[83007],{"_id":139,"_type":121,"seo":75,"slug":83008,"title":142},{"_type":77,"current":141},[83010],{"_type":728,"settings":75,"text":83011},[83012,83019],{"_key":68731,"_type":11,"children":83013,"markDefs":83018,"style":24},[83014,83016],{"_key":68734,"_type":15,"marks":83015,"text":68736},[1362],{"_key":68738,"_type":15,"marks":83017,"text":68740},[],[],{"_key":68743,"_type":11,"children":83020,"markDefs":83031,"style":24},[83021,83023,83025,83027,83029],{"_key":68746,"_type":15,"marks":83022,"text":68748},[],{"_key":68750,"_type":15,"marks":83024,"text":68736},[1362],{"_key":68753,"_type":15,"marks":83026,"text":68755},[],{"_key":68757,"_type":15,"marks":83028,"text":68760},[68759],{"_key":68762,"_type":15,"marks":83030,"text":68764},[],[83032],{"_key":68759,"_type":41,"href":68767},[68736,2122,141,50771,68769,22463],{"_type":77,"current":68736},{"_id":83036,"_type":107,"categories":83037,"credits":83041,"featuredImage":83096,"filterables":83102,"footnotes":83109,"locations":83110,"logbook":75,"pageBuilder":83114,"researchQuestion":83277,"researchQuestions":75,"searchables":83286,"seo":75,"slug":83289,"title":83291,"year":2123},"b181be21-953b-439f-ab55-8481f7dd29c8",[83038],{"_id":13991,"_type":155,"colorPrimary":83039,"seo":75,"slug":83040,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"other":75,"profiles":83042},[83043,83073],{"_id":81571,"_type":576,"activeYears":83044,"bio":83047,"bioShort":81584,"featuredImage":83053,"filterables":83055,"links":83058,"locations":83061,"searchables":83071,"seo":75,"slug":83072,"title":81586},[83045],{"_id":2120,"_type":580,"seo":75,"slug":83046,"title":2123},{"_type":77,"current":2122},[83048],{"_key":81577,"_type":11,"children":83049,"markDefs":83052,"style":24},[83050],{"_key":81580,"_type":15,"marks":83051,"text":81582},[],[],{"alt":81586,"asset":83054},{"_id":81588,"height":81589,"orientation":637,"ratio":81590,"url":81591,"width":81592},{"filterYear":83056},[83057],{"_id":2120,"title":2123},[83059,83060],{"_type":607,"label":2160,"url":81598},{"_type":607,"label":608,"url":81600},{"locations":83062,"other":83065},[83063],{"_id":139,"_type":121,"seo":75,"slug":83064,"title":142},{"_type":77,"current":141},[83066],{"_key":81607,"_type":11,"children":83067,"markDefs":83070,"style":24},[83068],{"_key":81610,"_type":15,"marks":83069,"text":13898},[],[],[81614,2122],{"_type":77,"current":81616},{"_id":81618,"_type":576,"activeYears":83074,"bio":83077,"bioShort":81631,"featuredImage":83083,"filterables":83085,"links":83088,"locations":83090,"searchables":83094,"seo":75,"slug":83095,"title":81633},[83075],{"_id":2120,"_type":580,"seo":75,"slug":83076,"title":2123},{"_type":77,"current":2122},[83078],{"_key":81624,"_type":11,"children":83079,"markDefs":83082,"style":24},[83080],{"_key":81627,"_type":15,"marks":83081,"text":81629},[],[],{"alt":81633,"asset":83084},{"_id":81635,"height":1031,"orientation":637,"ratio":81636,"url":81637,"width":81638},{"filterYear":83086},[83087],{"_id":2120,"title":2123},[83089],{"_type":607,"label":608,"url":81644},{"locations":83091,"other":75},[83092],{"_id":45401,"_type":121,"seo":75,"slug":83093,"title":45404},{"_type":77,"current":45403},[81650,2122],{"_type":77,"current":81652},{"alt":83097,"asset":83098},"School of Commons - Alternative pedagogy for Arabic type design",{"_id":83099,"height":4055,"orientation":598,"ratio":83100,"url":83101,"width":35016},"image-79da9fe3eef224c162ca5ec07cb08e88127e1076-1667x1250-jpg",1.3336,"https://cdn.sanity.io/images/eodip22e/production/79da9fe3eef224c162ca5ec07cb08e88127e1076-1667x1250.jpg",{"filterCategory":83103,"filterLocation":83105,"filterYear":83107},[83104],{"_id":13991,"title":13996},[83106],{"_id":139,"title":142},[83108],{"_id":2120,"title":2123},[],{"locations":83111,"other":75},[83112],{"_id":139,"_type":121,"seo":75,"slug":83113,"title":142},{"_type":77,"current":141},[83115],{"_type":728,"settings":75,"text":83116},[83117,83125,83133,83141,83149,83157,83165,83173,83181,83189,83197,83205,83213,83221,83229,83237,83245,83253,83261,83269],{"_key":83118,"_type":11,"children":83119,"markDefs":83124,"style":24},"7c059c9aa5f1",[83120],{"_key":83121,"_type":15,"marks":83122,"text":83123},"4e660137836f",[],"Our topic of research is driven by our desire as educators to open the discipline of type design and our need as practitioners to expand it. We see type as a vehicle of/for cultures, identities, and politics as well as a medium to critically discuss the impact of colonialism on a language and its visual forms.",[],{"_key":83126,"_type":11,"children":83127,"markDefs":83132,"style":24},"4ee9be29d83e",[83128],{"_key":83129,"_type":15,"marks":83130,"text":83131},"d62273b89291",[],"Across the countries using the Arabic script, occasional Arabic type design classes and workshops are available, nevertheless typefaces developed in such a short amount of time rarely get completed, let alone published.",[],{"_key":83134,"_type":11,"children":83135,"markDefs":83140,"style":24},"6bc37699f509",[83136],{"_key":83137,"_type":15,"marks":83138,"text":83139},"dd5a4742c58b",[],"Type design master degrees are located mostly in Europe and Northern America, with a curriculum usually centering the Latin script.",[],{"_key":83142,"_type":11,"children":83143,"markDefs":83148,"style":24},"fccfa35466ba",[83144],{"_key":83145,"_type":15,"marks":83146,"text":83147},"36c5fded6269",[],"In order to avoid the frame of Western design standards that can also occur in Arab design schools, we believe that we need to create alternative and non-linear pedagogical paths.",[],{"_key":83150,"_type":11,"children":83151,"markDefs":83156,"style":24},"64a370f21460",[83152],{"_key":83153,"_type":15,"marks":83154,"text":83155},"01c40c8035ad",[],"\nSoC is the opportunity for us to define and design this alternative.",[],{"_key":83158,"_type":11,"children":83159,"markDefs":83164,"style":24},"0d5601ec2acf",[83160],{"_key":83161,"_type":15,"marks":83162,"text":83163},"89070ffcd5c9",[],"Our field of research and action will be:",[],{"_key":83166,"_type":11,"children":83167,"markDefs":83172,"style":24},"4f9a6203223c",[83168],{"_key":83169,"_type":15,"marks":83170,"text":83171},"59d666362606",[],"Possible commission processes",[],{"_key":83174,"_type":11,"children":83175,"level":1033,"listItem":1708,"markDefs":83180,"style":24},"d4029e6521d7",[83176],{"_key":83177,"_type":15,"marks":83178,"text":83179},"dcadb23fff17",[],"From establishing the brief and the standard for our typefaces (character set / weight / style) to testing fonts: we want to collaborate with graphic designers and more broadly type users.",[],{"_key":83182,"_type":11,"children":83183,"level":1033,"listItem":1708,"markDefs":83188,"style":24},"5f5af2642b26",[83184],{"_key":83185,"_type":15,"marks":83186,"text":83187},"f8969d0c0715",[],"We want to design and publish fonts that graphic designers need, instead of fonts that type designers want to draw; filling the gaps between type designers and type users.",[],{"_key":83190,"_type":11,"children":83191,"markDefs":83196,"style":24},"4d926843d80a",[83192],{"_key":83193,"_type":15,"marks":83194,"text":83195},"a6acf17a98c6",[],"Possible resources",[],{"_key":83198,"_type":11,"children":83199,"level":1033,"listItem":1708,"markDefs":83204,"style":24},"4b41e3b3148d",[83200],{"_key":83201,"_type":15,"marks":83202,"text":83203},"aa21728b3fcc",[],"Most existing archives are located in Europe and have been collected during the colonial period. However, new initiatives dedicated to Arab graphic design and Arabic letterforms archives are emerging in the MENA region.",[],{"_key":83206,"_type":11,"children":83207,"level":1033,"listItem":1708,"markDefs":83212,"style":24},"b0f20a91d8c1",[83208],{"_key":83209,"_type":15,"marks":83210,"text":83211},"c50458aa2f9f",[],"Looking into collaborating with existing platforms",[],{"_key":83214,"_type":11,"children":83215,"level":1033,"listItem":1708,"markDefs":83220,"style":24},"712f40e4fdf3",[83216],{"_key":83217,"_type":15,"marks":83218,"text":83219},"8e69152cb9d5",[],"Using type design as a medium to both research and revive Arabic letterforms from the archives.",[],{"_key":83222,"_type":11,"children":83223,"markDefs":83228,"style":24},"337906205feb",[83224],{"_key":83225,"_type":15,"marks":83226,"text":83227},"c36cfb817bf0",[],"Tentative design processes",[],{"_key":83230,"_type":11,"children":83231,"level":1033,"listItem":1708,"markDefs":83236,"style":24},"8d3de94e899b",[83232],{"_key":83233,"_type":15,"marks":83234,"text":83235},"c25b30995fa4",[],"Designing collectively to move away from a self centered and isolated practice where typefaces take years to complete.",[],{"_key":83238,"_type":11,"children":83239,"level":1033,"listItem":1708,"markDefs":83244,"style":24},"c50ac9ddf36e",[83240],{"_key":83241,"_type":15,"marks":83242,"text":83243},"881311477979",[],"Experimenting with hierarchy and relation between scripts in the case of multi script typefaces (ie: Arabic + Latin).",[],{"_key":83246,"_type":11,"children":83247,"markDefs":83252,"style":24},"b1609be3647a",[83248],{"_key":83249,"_type":15,"marks":83250,"text":83251},"6af74f8d3158",[],"Knowledge diffusion",[],{"_key":83254,"_type":11,"children":83255,"level":1033,"listItem":1708,"markDefs":83260,"style":24},"fd126a00ea52",[83256],{"_key":83257,"_type":15,"marks":83258,"text":83259},"7b696ffd4343",[],"Rethinking the notion of copyright and ownership in type design and trying to twist it.",[],{"_key":83262,"_type":11,"children":83263,"level":1033,"listItem":1708,"markDefs":83268,"style":24},"07bfe8ea3403",[83264],{"_key":83265,"_type":15,"marks":83266,"text":83267},"a15d49dfe5e7",[],"Exploring the possibilities of open source typefaces, tools, and/or curriculum.",[],{"_key":83270,"_type":11,"children":83271,"level":1033,"listItem":1708,"markDefs":83276,"style":24},"440944c99772",[83272],{"_key":83273,"_type":15,"marks":83274,"text":83275},"6dce33e18465",[],"Proposing good quality free typefaces for users who can’t afford to buy any.",[],[83278],{"_key":83279,"_type":11,"children":83280,"markDefs":83285,"style":24},"217c4b4d4d21",[83281],{"_key":83282,"_type":15,"marks":83283,"text":83284},"e12cca39e70b",[],"We want to imagine an agile pedagogy that operates through an alternative space/platform beyond the design studio or the design school, deeply collaborative and with the objective of creating and distributing Arabic typefaces.",[],[83287,2122,141,81614,81650,83288,13995],"alternative pedagogy for arabic type design","our topic of research is driven by our desire as educators to open the discipline of type design and our need as practitioners to expand it. we see type as a vehicle of/for cultures, identities, and politics as well as a medium to critically discuss the impact of colonialism on a language and its visual forms.\n\nacross the countries using the arabic script, occasional arabic type design classes and workshops are available, nevertheless typefaces developed in such a short amount of time rarely get completed, let alone published.\n\ntype design master degrees are located mostly in europe and northern america, with a curriculum usually centering the latin script.\n\nin order to avoid the frame of western design standards that can also occur in arab design schools, we believe that we need to create alternative and non-linear pedagogical paths.\n\n\nsoc is the opportunity for us to define and design this alternative.\n\nour field of research and action will be:\n\npossible commission processes\n\nfrom establishing the brief and the standard for our typefaces (character set / weight / style) to testing fonts: we want to collaborate with graphic designers and more broadly type users.\n\nwe want to design and publish fonts that graphic designers need, instead of fonts that type designers want to draw; filling the gaps between type designers and type users.\n\npossible resources\n\nmost existing archives are located in europe and have been collected during the colonial period. however, new initiatives dedicated to arab graphic design and arabic letterforms archives are emerging in the mena region.\n\nlooking into collaborating with existing platforms\n\nusing type design as a medium to both research and revive arabic letterforms from the archives.\n\ntentative design processes\n\ndesigning collectively to move away from a self centered and isolated practice where typefaces take years to complete.\n\nexperimenting with hierarchy and relation between scripts in the case of multi script typefaces (ie: arabic + latin).\n\nknowledge diffusion\n\nrethinking the notion of copyright and ownership in type design and trying to twist it.\n\nexploring the possibilities of open source typefaces, tools, and/or curriculum.\n\nproposing good quality free typefaces for users who can’t afford to buy any.",{"_type":77,"current":83290},"alternative-pedagogy-for-arabic-type-design","Alternative pedagogy for Arabic type design",{"_id":83293,"_type":107,"categories":83294,"credits":83298,"featuredImage":83329,"filterables":83334,"footnotes":83341,"locations":83342,"logbook":75,"pageBuilder":83346,"researchQuestion":83389,"researchQuestions":75,"searchables":83398,"seo":75,"slug":83401,"title":83403,"year":2123},"bff0f1a5-b903-4668-917e-b87a4c6338e8",[83295],{"_id":13991,"_type":155,"colorPrimary":83296,"seo":75,"slug":83297,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"other":75,"profiles":83299},[83300],{"_id":81654,"_type":576,"activeYears":83301,"bio":83304,"bioShort":81667,"featuredImage":83310,"filterables":83312,"links":83315,"locations":83317,"searchables":83327,"seo":75,"slug":83328,"title":81669},[83302],{"_id":2120,"_type":580,"seo":75,"slug":83303,"title":2123},{"_type":77,"current":2122},[83305],{"_key":81660,"_type":11,"children":83306,"markDefs":83309,"style":24},[83307],{"_key":81663,"_type":15,"marks":83308,"text":81665},[],[],{"alt":81669,"asset":83311},{"_id":81671,"height":7901,"orientation":637,"ratio":81672,"url":81673,"width":81674},{"filterYear":83313},[83314],{"_id":2120,"title":2123},[83316],{"_type":607,"label":2160,"url":81680},{"locations":83318,"other":83321},[83319],{"_id":139,"_type":121,"seo":75,"slug":83320,"title":142},{"_type":77,"current":141},[83322],{"_key":81687,"_type":11,"children":83323,"markDefs":83326,"style":24},[83324],{"_key":81690,"_type":15,"marks":83325,"text":3822},[],[],[81694,2122],{"_type":77,"current":81696},{"alt":83330,"asset":83331},"School of Commons - Doing Neuroqueerness",{"_id":83332,"height":7901,"orientation":637,"ratio":82139,"url":83333,"width":82141},"image-9b7c77d74377358d88b007f2ca8a948055ec4893-1365x2048-jpg","https://cdn.sanity.io/images/eodip22e/production/9b7c77d74377358d88b007f2ca8a948055ec4893-1365x2048.jpg",{"filterCategory":83335,"filterLocation":83337,"filterYear":83339},[83336],{"_id":13991,"title":13996},[83338],{"_id":139,"title":142},[83340],{"_id":2120,"title":2123},[],{"locations":83343,"other":75},[83344],{"_id":139,"_type":121,"seo":75,"slug":83345,"title":142},{"_type":77,"current":141},[83347],{"_type":728,"settings":75,"text":83348},[83349,83357,83365,83373,83381],{"_key":83350,"_type":11,"children":83351,"markDefs":83356,"style":24},"adc13ca2d75a",[83352],{"_key":83353,"_type":15,"marks":83354,"text":83355},"793a69f05705",[],"This research project deals with autism. The research interest aims on the one hand to find possible ways out of stereotypical attributions about autistics and on the other hand to work out possibilities of agency for autistics. This agency is theorized and negotiated through the concept of Neuroqueerness.",[],{"_key":83358,"_type":11,"children":83359,"markDefs":83364,"style":24},"3d0e48b67077",[83360],{"_key":83361,"_type":15,"marks":83362,"text":83363},"7bf4c1b30d8a",[],"Neuroqueerness is a compound word made up of the adjective “neurological”, since autism is a neurological difference, and the verb “to queer”, which represents the questioning of supposed social and cultural certainties. The thesis is that the neurological difference of neurodivergent people – in this case people with autism – is not the completely other, the extra-discursive or the incomprehensible, as it is often presented in the research literature or in stereotypical perspectives. Rather, this difference is entangled with the neurotypical world (the world of people without autism) and can touch and enrich it with new impulses and thus potentially break open and expand rigid ways of doing things. However, for this productive reception of neurological diversity and agency to become possible, education about autism and neuroqueerness is needed for neurotypicals and a conscious approach to one’s own different way of doing things for autistic people. I would like to call this conscious approach Doing Neuroqueerness.",[],{"_key":83366,"_type":11,"children":83367,"markDefs":83372,"style":24},"91bfc260e9ef",[83368],{"_key":83369,"_type":15,"marks":83370,"text":83371},"834fa2e49594",[],"Only about 5-12% of all employable people with autism are employed in the primary labour market. Socially, autism is still seen as something deficient or intolerable. It is worth mentioning that autism is not a disorder that needs to be cured but simply a difference. Many employers do not educate themselves on this topic and prefer to work with neurotypical people, whereas neurodivergent employees would contribute to diversity in the team and bring new impulses. People with autism in particular have a number of extremely good qualities. They are matter-of-fact, motivated by the cause, uninfluenceable, honest, creative, have high fluid intelligence and are extremely powerful cognitively. In a larger context, this project therefore also aims to contribute to the recognition of autistics and neuroqueer practices in society and especially in the labour market and to promote new possibilities of working together.",[],{"_key":83374,"_type":11,"children":83375,"markDefs":83380,"style":24},"66905b20237a",[83376],{"_key":83377,"_type":15,"marks":83378,"text":83379},"0df2b5768d01",[],"The Instagram page @doing.neuroqueerness, which is being created as part of this project, targets to mediate between autistics and neurotypicals and to enable respectful insights and connections between both neurotypes. It offers resource-oriented information, thus raising awareness about and recognition for autism and dispelling fear and stereotypes about the topic.",[],{"_key":83382,"_type":11,"children":83383,"markDefs":83388,"style":24},"50400c1dd516",[83384],{"_key":83385,"_type":15,"marks":83386,"text":83387},"cd30c3b7c38c",[],"It is supposed to build community among autistics primarily in German speaking countries and to help engage with the topic of autism and the advantages of neuroqueer ways of thinking and acting. It also aims to encourage potential employers to provide autistic workers with the necessary workplace adaptations, as the benefits of working with autistics that are able to fulfil their potential are immense.",[],[83390],{"_key":83391,"_type":11,"children":83392,"markDefs":83397,"style":24},"07d76d00ab40",[83393],{"_key":83394,"_type":15,"marks":83395,"text":83396},"7c629ced8ff60",[],"Is it enough to tolerate difference, or is it much more important to encourage it to flourish?",[],[83399,2122,141,81694,83400,13995],"doing neuroqueerness","this research project deals with autism. the research interest aims on the one hand to find possible ways out of stereotypical attributions about autistics and on the other hand to work out possibilities of agency for autistics. this agency is theorized and negotiated through the concept of neuroqueerness.\n\nneuroqueerness is a compound word made up of the adjective “neurological”, since autism is a neurological difference, and the verb “to queer”, which represents the questioning of supposed social and cultural certainties. the thesis is that the neurological difference of neurodivergent people – in this case people with autism – is not the completely other, the extra-discursive or the incomprehensible, as it is often presented in the research literature or in stereotypical perspectives. rather, this difference is entangled with the neurotypical world (the world of people without autism) and can touch and enrich it with new impulses and thus potentially break open and expand rigid ways of doing things. however, for this productive reception of neurological diversity and agency to become possible, education about autism and neuroqueerness is needed for neurotypicals and a conscious approach to one’s own different way of doing things for autistic people. i would like to call this conscious approach doing neuroqueerness.\n\nonly about 5-12% of all employable people with autism are employed in the primary labour market. socially, autism is still seen as something deficient or intolerable. it is worth mentioning that autism is not a disorder that needs to be cured but simply a difference. many employers do not educate themselves on this topic and prefer to work with neurotypical people, whereas neurodivergent employees would contribute to diversity in the team and bring new impulses. people with autism in particular have a number of extremely good qualities. they are matter-of-fact, motivated by the cause, uninfluenceable, honest, creative, have high fluid intelligence and are extremely powerful cognitively. in a larger context, this project therefore also aims to contribute to the recognition of autistics and neuroqueer practices in society and especially in the labour market and to promote new possibilities of working together.\n\nthe instagram page @doing.neuroqueerness, which is being created as part of this project, targets to mediate between autistics and neurotypicals and to enable respectful insights and connections between both neurotypes. it offers resource-oriented information, thus raising awareness about and recognition for autism and dispelling fear and stereotypes about the topic.\n\nit is supposed to build community among autistics primarily in german speaking countries and to help engage with the topic of autism and the advantages of neuroqueer ways of thinking and acting. it also aims to encourage potential employers to provide autistic workers with the necessary workplace adaptations, as the benefits of working with autistics that are able to fulfil their potential are immense.",{"_type":77,"current":83402},"doing-neuroqueerness","Doing 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between us are far, but our connections are close, bonded by trust in facing together the unknown. We reach out from our past study of bioacoustics and from our more recent acoustic awareness that stretches from our own private environments to public open spaces.",[],{"_key":83539,"_type":11,"children":83540,"markDefs":83554,"style":24},"25edd69ae585",[83541,83545,83550],{"_key":83542,"_type":15,"marks":83543,"text":83544},"3e190a9b16d10",[],"Just Listening is made up of Viviana Porras, ",{"_key":83546,"_type":15,"marks":83547,"text":83549},"cb9269b88ba6",[83548],"c0f6facdb6a1","Leonardo Salgado",{"_key":83551,"_type":15,"marks":83552,"text":83553},"c696b058a3af",[],", Karina Montero, Mark Gillingham and Lea Spelzhausen",[83555],{"_key":83548,"_type":41,"blank":42,"href":83556},"https://www.instagram.com/imagensuburbio/","Just Listening unites naturalists, biologists, acoustic and performing artists based in San José (Costa Rica), Sagarejo (Georgia), Wendland (Germany) and Madrid (Spain). ",{"alt":83559,"asset":83560},"Just Listening",{"_id":83561,"height":5877,"orientation":598,"ratio":599,"url":83562,"width":1031},"image-41e4d8d5e77eae2e92e1d07377b06afe338b74c9-2560x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/41e4d8d5e77eae2e92e1d07377b06afe338b74c9-2560x1920.jpg",{"filterYear":83564},[83565],{"_id":2120,"title":2123},[83567],{"_type":607,"label":18016,"url":83568},"https://soundcloud.com/just-listening-990130151",{"locations":83570,"other":75},[83571,83573],{"_id":139,"_type":121,"seo":75,"slug":83572,"title":142},{"_type":77,"current":141},{"_id":17199,"_type":121,"seo":75,"slug":83574,"title":17202},{"_type":77,"current":17201},[83576,2122],"just listening",{"_type":77,"current":83578},"just-listening",{"alt":83580,"asset":83581},"School of Commons - Just Listening",{"_id":83561,"height":5877,"orientation":598,"ratio":599,"url":83562,"width":1031},{"filterCategory":83583,"filterLocation":83586,"filterYear":83589},[83584,83585],{"_id":258,"title":261},{"_id":13269,"title":13274},[83587,83588],{"_id":134,"title":137},{"_id":139,"title":142},[83590],{"_id":2120,"title":2123},[],{"locations":83593,"other":75},[83594,83596],{"_id":134,"_type":121,"seo":75,"slug":83595,"title":137},{"_type":77,"current":136},{"_id":139,"_type":121,"seo":75,"slug":83597,"title":142},{"_type":77,"current":141},[83599,83795],{"_type":728,"settings":75,"text":83600},[83601,83609,83617,83625,83633,83641,83649,83656,83664,83672,83680,83691,83699,83707,83715,83723,83731,83739,83747,83755,83763,83771,83779,83787],{"_key":83602,"_type":11,"children":83603,"markDefs":83608,"style":24},"4128040a2a76",[83604],{"_key":83605,"_type":15,"marks":83606,"text":83607},"5d8226bcbea9",[1362],"Dans quelque cent ans, j’ai confiance, le monde sera large.",[],{"_key":83610,"_type":11,"children":83611,"markDefs":83616,"style":24},"a2c4d0effaeb",[83612],{"_key":83613,"_type":15,"marks":83614,"text":83615},"818cc23ab3ad",[1362],"Enfin! On communiquera avec les animaux, on leur parlera.",[],{"_key":83618,"_type":11,"children":83619,"markDefs":83624,"style":24},"75d90e1eb108",[83620],{"_key":83621,"_type":15,"marks":83622,"text":83623},"6f379d9254de",[1362],"Courts d’esprit ceux qui ne voient point ce mouvement général,",[],{"_key":83626,"_type":11,"children":83627,"markDefs":83632,"style":24},"dca46a694045",[83628],{"_key":83629,"_type":15,"marks":83630,"text":83631},"feac9a03a113",[1362],"la signification de plusieurs pointes scientifiques et paraphysiques dans cette direction.",[],{"_key":83634,"_type":11,"children":83635,"markDefs":83640,"style":24},"353a73c729bc",[83636],{"_key":83637,"_type":15,"marks":83638,"text":83639},"cf03eebed423",[1362],"On se demandera alors comment on a pu subsister si longtemps ce monstrueux trou dans la civilisation.",[],{"_key":83642,"_type":11,"children":83643,"markDefs":83648,"style":24},"d064f7871fc3",[83644],{"_key":83645,"_type":15,"marks":83646,"text":83647},"83157b6d48d5",[],"– Henri Michaux",[],{"_key":83650,"_type":11,"children":83651,"markDefs":83655,"style":24},"019351d7f191",[83652],{"_key":83653,"_type":15,"marks":83654,"text":1150},"5c0362db9e6c",[],[],{"_key":83657,"_type":11,"children":83658,"markDefs":83663,"style":24},"da4c67b93236",[83659],{"_key":83660,"_type":15,"marks":83661,"text":83662},"cb9bc1250862",[],"All living things are immersed in a landscape of sound [soundscape] that profoundly impacts interactions with(in) themselves and with their surrounding environment. Intriguingly, the wide diversity in the sources of sound is amplified by the diversity of ways in which it can be perceived. Regardless of how and who perceives sound, whether rural or urban, the rapid pace of our growth oriented society has shifted the balance between the “natural” and “artificial” sounds. This shift in balance is perceived by all forms of life, in mysterious and unique ways.",[],{"_key":83665,"_type":11,"children":83666,"markDefs":83671,"style":24},"66e7c724c706",[83667],{"_key":83668,"_type":15,"marks":83669,"text":83670},"3be257057e1c",[],"By capturing and reshaping elements of the soundscape, our project aims to expand and focus our attention on the conscious act of listening. To do so, we search answers for these questions: Through the process of exploring the diversity of sounds around us, can we improve our awareness of the complex web of acoustic elements of our environments and enhance our connection with the world we live in? Can we merge the scientific process that led us to explore the field of bioacoustics with the process of artistic research and creation?",[],{"_key":83673,"_type":11,"children":83674,"markDefs":83679,"style":24},"c396b4aa4b29",[83675],{"_key":83676,"_type":15,"marks":83677,"text":83678},"0f952ace7ec9",[],"Our project takes an experimental approach in which we will sample, dissect, and distort sound from our past and our present. From the past, we will experiment with sound recordings of bird and bat acoustic signals taken by some of us in the field as students of nature (recordings made 8-30 years ago). From our present, we are open to listen to our surroundings through different practices:",[],{"_key":83681,"_type":11,"children":83682,"markDefs":83690,"style":24},"c6d02a1bfa76",[83683,83686],{"_key":83684,"_type":15,"marks":83685,"text":83559},"2c5282c75b3b",[1362],{"_key":83687,"_type":15,"marks":83688,"text":83689},"fde4eb68f94f",[]," emerges as a need/desire for listening.",[],{"_key":83692,"_type":11,"children":83693,"markDefs":83698,"style":24},"54991e3e22b4",[83694],{"_key":83695,"_type":15,"marks":83696,"text":83697},"748816b35e80",[],"From this need we record…",[],{"_key":83700,"_type":11,"children":83701,"markDefs":83706,"style":24},"b441ddcdccd8",[83702],{"_key":83703,"_type":15,"marks":83704,"text":83705},"5d8fd176bc22",[],"From these recordings we re-listen…",[],{"_key":83708,"_type":11,"children":83709,"markDefs":83714,"style":24},"cc4aa62ccc92",[83710],{"_key":83711,"_type":15,"marks":83712,"text":83713},"d684f2d7cc04",[],"From these acts of re-listening (digging slowly) we perceive…",[],{"_key":83716,"_type":11,"children":83717,"markDefs":83722,"style":24},"5b95a579d340",[83718],{"_key":83719,"_type":15,"marks":83720,"text":83721},"769d563a25ec",[],"And, from this perception we try to “translate” by reshaping and molding into other forms …",[],{"_key":83724,"_type":11,"children":83725,"markDefs":83730,"style":24},"79d0d9faddaa",[83726],{"_key":83727,"_type":15,"marks":83728,"text":83729},"6b70e438dc9e",[],"And keep learning, and needing, and desiring… so that finally, we can create an open space and invite people to engage in the act of just listening.",[],{"_key":83732,"_type":11,"children":83733,"markDefs":83738,"style":24},"2bab9dac8270",[83734],{"_key":83735,"_type":15,"marks":83736,"text":83737},"3823c9f9f209",[],"From the description of a recording collection “Silent House”",[],{"_key":83740,"_type":11,"children":83741,"markDefs":83746,"style":24},"93a8e06ea0e0",[83742],{"_key":83743,"_type":15,"marks":83744,"text":83745},"9626a4b09b3b",[],"07/01/2022",[],{"_key":83748,"_type":11,"children":83749,"markDefs":83754,"style":24},"de5bd370714d",[83750],{"_key":83751,"_type":15,"marks":83752,"text":83753},"15752c6770b5",[1362],"No silence is absolute.",[],{"_key":83756,"_type":11,"children":83757,"markDefs":83762,"style":24},"ed8e1516dfa4",[83758],{"_key":83759,"_type":15,"marks":83760,"text":83761},"dbc207921a35",[1362],"I spent a day in a silent house.",[],{"_key":83764,"_type":11,"children":83765,"markDefs":83770,"style":24},"b3d7e6057c29",[83766],{"_key":83767,"_type":15,"marks":83768,"text":83769},"9d67a918e975",[1362],"There were some sounds I heard, at least, while I was recording.",[],{"_key":83772,"_type":11,"children":83773,"markDefs":83778,"style":24},"7d714d7ca6f9",[83774],{"_key":83775,"_type":15,"marks":83776,"text":83777},"ddb394ad385a",[1362],"What about the rest of the time? Well, I was pretty much unaware of them.",[],{"_key":83780,"_type":11,"children":83781,"markDefs":83786,"style":24},"e46874527e09",[83782],{"_key":83783,"_type":15,"marks":83784,"text":83785},"7e45fc00c6bb",[1362],"Why?",[],{"_key":83788,"_type":11,"children":83789,"markDefs":83794,"style":24},"d0578393fbc4",[83790],{"_key":83791,"_type":15,"marks":83792,"text":83793},"97c010259ff7",[1362],"Because I was not listening.",[],{"_type":3563,"caption":75,"embedCode":83796},"\u003Ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1393729774&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true\">\u003C/iframe>\u003Cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\">\u003Ca href=\"https://soundcloud.com/just-listening-990130151\" title=\"Just Listening\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">Just Listening\u003C/a> · \u003Ca href=\"https://soundcloud.com/just-listening-990130151/rainbowcows\" title=\"RainbowCows\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">RainbowCows\u003C/a>\u003C/div>",[83798],{"_key":83799,"_type":11,"children":83800,"markDefs":83809,"style":24},"d482ff0e9e33",[83801,83805],{"_key":83802,"_type":15,"marks":83803,"text":83804},"b47fbd370ea60",[1362],"What is the sound of one hand clapping? — ",{"_key":83806,"_type":15,"marks":83807,"text":83808},"919412a2372b",[],"A Zen Koan",[],[83576,2122,7747,141,83576,83811,260,13273],"dans quelque cent ans, j’ai confiance, le monde sera large.\n\nenfin! on communiquera avec les animaux, on leur parlera.\n\ncourts d’esprit ceux qui ne voient point ce mouvement général,\n\nla signification de plusieurs pointes scientifiques et paraphysiques dans cette direction.\n\non se demandera alors comment on a pu subsister si longtemps ce monstrueux trou dans la civilisation.\n\n– henri michaux\n\n\n\nall living things are immersed in a landscape of sound [soundscape] that profoundly impacts interactions with(in) themselves and with their surrounding environment. intriguingly, the wide diversity in the sources of sound is amplified by the diversity of ways in which it can be perceived. regardless of how and who perceives sound, whether rural or urban, the rapid pace of our growth oriented society has shifted the balance between the “natural” and “artificial” sounds. this shift in balance is perceived by all forms of life, in mysterious and unique ways.\n\nby capturing and reshaping elements of the soundscape, our project aims to expand and focus our attention on the conscious act of listening. to do so, we search answers for these questions: through the process of exploring the diversity of sounds around us, can we improve our awareness of the complex web of acoustic elements of our environments and enhance our connection with the world we live in? can we merge the scientific process that led us to explore the field of bioacoustics with the process of artistic research and creation?\n\nour project takes an experimental approach in which we will sample, dissect, and distort sound from our past and our present. from the past, we will experiment with sound recordings of bird and bat acoustic signals taken by some of us in the field as students of nature (recordings made 8-30 years ago). from our present, we are open to listen to our surroundings through different practices:\n\njust listening emerges as a need/desire for listening.\n\nfrom this need we record…\n\nfrom these recordings we re-listen…\n\nfrom these acts of re-listening (digging slowly) we perceive…\n\nand, from this perception we try to “translate” by reshaping and molding into other forms …\n\nand keep learning, and needing, and desiring… so that finally, we can create an open space and invite people to engage in the act of just listening.\n\nfrom the description of a recording collection “silent house”\n\n07/01/2022\n\nno silence is absolute.\n\ni spent a day in a silent house.\n\nthere were some sounds i heard, at least, while i was recording.\n\nwhat about the rest of the time? well, i was pretty much unaware of them.\n\nwhy?\n\nbecause i was not listening.",{"_type":77,"current":83578},{"_id":83814,"_type":107,"categories":83815,"credits":83822,"featuredImage":83854,"filterables":83862,"footnotes":83870,"locations":83871,"logbook":75,"pageBuilder":83875,"researchQuestion":83923,"researchQuestions":75,"searchables":83955,"seo":75,"slug":83958,"title":83855,"year":2123},"60a444aa-c372-4d81-8d65-998a48883180",[83816,83819],{"_id":13991,"_type":155,"colorPrimary":83817,"seo":75,"slug":83818,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"_id":56692,"_type":155,"colorPrimary":83820,"seo":75,"slug":83821,"title":56697},{"label":569,"value":56694},{"_type":77,"current":56696},{"other":75,"profiles":83823},[83824],{"_id":81737,"_type":576,"activeYears":83825,"bio":83828,"bioShort":75,"featuredImage":83834,"filterables":83836,"links":83839,"locations":83842,"searchables":83852,"seo":75,"slug":83853,"title":81751},[83826],{"_id":2120,"_type":580,"seo":75,"slug":83827,"title":2123},{"_type":77,"current":2122},[83829],{"_key":81743,"_type":11,"children":83830,"markDefs":83833,"style":24},[83831],{"_key":81746,"_type":15,"marks":83832,"text":81748},[],[],{"alt":81751,"asset":83835},{"_id":81753,"height":7110,"orientation":637,"ratio":3801,"url":81754,"width":7112},{"filterYear":83837},[83838],{"_id":2120,"title":2123},[83840,83841],{"_type":607,"label":608,"url":81760},{"_type":607,"label":2160,"url":81762},{"locations":83843,"other":83846},[83844],{"_id":139,"_type":121,"seo":75,"slug":83845,"title":142},{"_type":77,"current":141},[83847],{"_key":81769,"_type":11,"children":83848,"markDefs":83851,"style":24},[83849],{"_key":81772,"_type":15,"marks":83850,"text":66754},[],[],[81776,2122],{"_type":77,"current":81778},{"alt":83855,"asset":83856},"Ongoing Manifesto of Radical Dependency",{"_id":83857,"height":83858,"orientation":637,"ratio":83859,"url":83860,"width":83861},"image-02839cf958efca2524511d893352114b9c72af70-2432x3647-png",3647,0.6668494653139567,"https://cdn.sanity.io/images/eodip22e/production/02839cf958efca2524511d893352114b9c72af70-2432x3647.png",2432,{"filterCategory":83863,"filterLocation":83866,"filterYear":83868},[83864,83865],{"_id":13991,"title":13996},{"_id":56692,"title":56697},[83867],{"_id":139,"title":142},[83869],{"_id":2120,"title":2123},[],{"locations":83872,"other":75},[83873],{"_id":139,"_type":121,"seo":75,"slug":83874,"title":142},{"_type":77,"current":141},[83876],{"_type":728,"settings":75,"text":83877},[83878,83889],{"_key":83879,"_type":11,"children":83880,"markDefs":83888,"style":24},"70e6af604c1f",[83881,83884],{"_key":83882,"_type":15,"marks":83883,"text":83855},"519a40dc32540",[1362],{"_key":83885,"_type":15,"marks":83886,"text":83887},"519a40dc32541",[]," is a project that didn’t start with School of Commons, but is rather a continuation of a long process of thinking, collaborating, and doing alongside artists, researchers, and other collaborators. “Radical Dependency” is a made up term that will hopefully lead to more made up terms. The SoC limb of this project project will begin, or continue, with defining what “Radical Dependency” is or can be. This research action is a response to the lonely illusion of an untethered individual, enforced by neoliberal mantras for independent labour and success with an origin in colonial exploitation and societal oppression. Radical Dependency responds: no one works alone, and no work is produced solely by one.",[],{"_key":83890,"_type":11,"children":83891,"markDefs":83920,"style":24},"1e3a7c24c6af",[83892,83895,83899,83904,83908,83912,83916],{"_key":83893,"_type":15,"marks":83894,"text":83855},"99e5286b3cb60",[1362],{"_key":83896,"_type":15,"marks":83897,"text":83898},"99e5286b3cb61",[]," will manifest in public conversations and collective exercises (hosted both digitally and virtually, and communicated via School of Commons and ",{"_key":83900,"_type":15,"marks":83901,"text":83903},"99e5286b3cb62",[83902],"42874b8020b5","Available & The Rat",{"_key":83905,"_type":15,"marks":83906,"text":83907},"99e5286b3cb63",[],", a project space in Rotterdam) that ask: ",{"_key":83909,"_type":15,"marks":83910,"text":83911},"99e5286b3cb64",[1362],"How can lineages of information be held alternatively to pre-imposed Western modes of archival and citational systems? What collective research methods can move towards transparent revision and accumulation, and how can they shape new forms of living archives? How can methods of publishing maintain the potential for revision, addition, and reclamation? ",{"_key":83913,"_type":15,"marks":83914,"text":83915},"99e5286b3cb65",[],"and, ",{"_key":83917,"_type":15,"marks":83918,"text":83919},"99e5286b3cb66",[1362],"How can an eternally “ongoing work” be published?",[83921],{"_key":83902,"_type":41,"href":83922},"http://www.availableandtherat.com/",[83924,83932,83940,83948],{"_key":83925,"_type":11,"children":83926,"markDefs":83931,"style":24},"f529a30f1b8d",[83927],{"_key":83928,"_type":15,"marks":83929,"text":83930},"2e1d2e69f390",[],"How can lineages of information be held alternatively to pre-imposed Western modes of archival and citational systems? ",[],{"_key":83933,"_type":11,"children":83934,"markDefs":83939,"style":24},"e25be2505a77",[83935],{"_key":83936,"_type":15,"marks":83937,"text":83938},"56af09dbebb3",[],"What collective research methods can move towards transparent revision and accumulation, and how can they shape new forms of living archives? ",[],{"_key":83941,"_type":11,"children":83942,"markDefs":83947,"style":24},"9f7c19e9dd18",[83943],{"_key":83944,"_type":15,"marks":83945,"text":83946},"7a3071fe4ad3",[],"How can methods of publishing maintain the potential for revision, addition, and reclamation? ",[],{"_key":83949,"_type":11,"children":83950,"markDefs":83954,"style":24},"3aea3238c895",[83951],{"_key":83952,"_type":15,"marks":83953,"text":83919},"5bd1677860fd",[],[],[83956,2122,141,81776,83957,13995,56696],"ongoing manifesto of radical dependency","ongoing manifesto of radical dependency is a project that didn’t start with school of commons, but is rather a continuation of a long process of thinking, collaborating, and doing alongside artists, researchers, and other collaborators. “radical dependency” is a made up term that will hopefully lead to more made up terms. the soc limb of this project project will begin, or continue, with defining what “radical dependency” is or can be. this research action is a response to the lonely illusion of an untethered individual, enforced by neoliberal mantras for independent labour and success with an origin in colonial exploitation and societal oppression. radical dependency responds: no one works alone, and no work is produced solely by one.\n\nongoing manifesto of radical dependency will manifest in public conversations and collective exercises (hosted both digitally and virtually, and communicated via school of commons and available & the rat, a project space in rotterdam) that ask: how can lineages of information be held alternatively to pre-imposed western modes of archival and citational systems? what collective research methods can move towards transparent revision and accumulation, and how can they shape new forms of living archives? how can methods of publishing maintain the potential for revision, addition, and reclamation? and, how can an eternally “ongoing work” be published?",{"_type":77,"current":83959},"ongoing-manifesto-of-radical-dependency",{"_id":83961,"_type":107,"categories":83962,"credits":83966,"featuredImage":84020,"filterables":84027,"footnotes":84034,"locations":84035,"logbook":75,"pageBuilder":84039,"researchQuestion":84082,"researchQuestions":75,"searchables":84091,"seo":75,"slug":84095,"title":84097,"year":2123},"61efa7fc-6339-4082-be32-77f74a89bfb6",[83963],{"_id":22459,"_type":155,"colorPrimary":83964,"seo":75,"slug":83965,"title":22464},{"label":569,"value":22461},{"_type":77,"current":22463},{"other":83967,"profiles":83992},[83968],{"_key":83969,"_type":11,"children":83970,"markDefs":83991,"style":24},"f01930d2b6cf",[83971,83975,83979,83983,83987],{"_key":83972,"_type":15,"marks":83973,"text":83974},"b08bc4aa7619",[],"Image: ",{"_key":83976,"_type":15,"marks":83977,"text":83978},"cc0e07d196fb",[1362],"Nerve cells in a dog’s olfactory bulb",{"_key":83980,"_type":15,"marks":83981,"text":83982},"aaf42f245b65",[]," (detail), from Camillo Golgi’s ",{"_key":83984,"_type":15,"marks":83985,"text":83986},"e31e9e23857f",[1362],"Sulla fina anatomia degli organi centrali del sistema nervoso",{"_key":83988,"_type":15,"marks":83989,"text":83990},"860b6ea7632a",[]," (1885)",[],[83993],{"_id":55099,"_type":576,"activeYears":83994,"bio":83997,"bioShort":55112,"featuredImage":75,"filterables":84003,"links":84006,"locations":84008,"searchables":84018,"seo":75,"slug":84019,"title":55135},[83995],{"_id":2120,"_type":580,"seo":75,"slug":83996,"title":2123},{"_type":77,"current":2122},[83998],{"_key":55105,"_type":11,"children":83999,"markDefs":84002,"style":24},[84000],{"_key":55108,"_type":15,"marks":84001,"text":55110},[],[],{"filterYear":84004},[84005],{"_id":2120,"title":2123},[84007],{"_type":607,"label":2160,"url":55118},{"locations":84009,"other":84012},[84010],{"_id":139,"_type":121,"seo":75,"slug":84011,"title":142},{"_type":77,"current":141},[84013],{"_key":55125,"_type":11,"children":84014,"markDefs":84017,"style":24},[84015],{"_key":55128,"_type":15,"marks":84016,"text":9338},[],[],[55132,2122],{"_type":77,"current":55134},{"alt":84021,"asset":84022},"School of Commons - Hidden in plain sight. Sonata for many voices: Image: Nerve cells in a dog’s olfactory bulb (detail), from Camillo Golgi’s Sulla fina anatomia degli organi centrali del sistema nervoso (1885)",{"_id":84023,"height":5430,"orientation":637,"ratio":84024,"url":84025,"width":84026},"image-bccf7b93a60c0ab45f3faf5be0971625fce8f292-926x1280-jpg",0.7234375,"https://cdn.sanity.io/images/eodip22e/production/bccf7b93a60c0ab45f3faf5be0971625fce8f292-926x1280.jpg",926,{"filterCategory":84028,"filterLocation":84030,"filterYear":84032},[84029],{"_id":22459,"title":22464},[84031],{"_id":139,"title":142},[84033],{"_id":2120,"title":2123},[],{"locations":84036,"other":75},[84037],{"_id":139,"_type":121,"seo":75,"slug":84038,"title":142},{"_type":77,"current":141},[84040],{"_type":728,"settings":75,"text":84041},[84042,84050,84058,84066,84074],{"_key":84043,"_type":11,"children":84044,"markDefs":84049,"style":24},"ee5a0b3044ad",[84045],{"_key":84046,"_type":15,"marks":84047,"text":84048},"61df2c333591",[],"Classical music, as any music, takes place in time. Usually a long time. It counts on us to wait, to remember what is happening and to build our mental canvas of the events. A melody reappears here and there, slightly changed or completely transformed, the chords surprise, comfort, the pulse moves forward, is left suspended. Gradually the piece shows its unique musical matter: themes, harmony, rhythm, voices, register, timbre, the way they interact with each other.",[],{"_key":84051,"_type":11,"children":84052,"markDefs":84057,"style":24},"5404283e6a88",[84053],{"_key":84054,"_type":15,"marks":84055,"text":84056},"c75d50408df4",[],"Listening to music as if it were a language is usually considered a prerogative of musicians. And yet, this project originates from the experience and the belief that this kind of intimacy with music is an attention practice that can be learned without reading scores or spending years in a Conservatory. Is it interesting to listen to classical music as if it were a language? Can this perspective be an opportunity for interaction with other artistic languages?",[],{"_key":84059,"_type":11,"children":84060,"markDefs":84065,"style":24},"e2fa2adf3309",[84061],{"_key":84062,"_type":15,"marks":84063,"text":84064},"204c8ee53748",[],"This research looks for a common ground between the researcher (musician) and the participants (diverse backgrounds): listening to music and observing what they see happening, both may find a space for unexpected perception, a space whose existence will depend on the symmetry of the exchange. As they allow confrontation, small groups of three or four people are the chosen setting for the approach of classical music as a language, through a vocabulary and a learning practice that do not require a professional music background.",[],{"_key":84067,"_type":11,"children":84068,"markDefs":84073,"style":24},"cad25e281836",[84069],{"_key":84070,"_type":15,"marks":84071,"text":84072},"7b6b40444522",[],"During a first set of explorative laboratories the researcher will prompt listening and discussion, performing at the piano and proposing recorded material of symphonic and chamber music repertoire. The laboratories will try out different starting points: single melodic line recognition (Mozart, Beethoven), multiple melodic lines and their interaction (polyphony, fugue, voices in orchestra and chamber music – Bach, Mozart, Beethoven), harmony – paratactic and hypotactic structure (Classicism, Schubert, Chopin), tonal system and its breakdown (Schönberg, contemporary music). Building on this first experience, laboratories for larger groups will be held in Zurich in Autumn. The listening practices a that arise from the research will published on this website through recordings, texts, links to performances.",[],{"_key":84075,"_type":11,"children":84076,"markDefs":84081,"style":24},"d805f363cf2d",[84077],{"_key":84078,"_type":15,"marks":84079,"text":84080},"f8c27d144212",[],"Playing classical music repertoire can be a cycle of repetition, the repetition of a piece which was played countless times before the countless repetitions one needs to learn it. Notes become music when one can feel them new yet another time, when one does not fall in the dangerous loop of repeating oneself.",[],[84083],{"_key":84084,"_type":11,"children":84085,"markDefs":84090,"style":24},"76d720474e75",[84086],{"_key":84087,"_type":15,"marks":84088,"text":84089},"582a0bfeddfa0",[],"What is better than filling the air between you and the other people in the room?",[],[84092,2122,141,55132,84093,84094,22463],"hidden in plain sight. sonata for many voices","image: nerve cells in a dog’s olfactory bulb (detail), from camillo golgi’s sulla fina anatomia degli organi centrali del sistema nervoso (1885)","classical music, as any music, takes place in time. usually a long time. it counts on us to wait, to remember what is happening and to build our mental canvas of the events. a melody reappears here and there, slightly changed or completely transformed, the chords surprise, comfort, the pulse moves forward, is left suspended. gradually the piece shows its unique musical matter: themes, harmony, rhythm, voices, register, timbre, the way they interact with each other.\n\nlistening to music as if it were a language is usually considered a prerogative of musicians. and yet, this project originates from the experience and the belief that this kind of intimacy with music is an attention practice that can be learned without reading scores or spending years in a conservatory. is it interesting to listen to classical music as if it were a language? can this perspective be an opportunity for interaction with other artistic languages?\n\nthis research looks for a common ground between the researcher (musician) and the participants (diverse backgrounds): listening to music and observing what they see happening, both may find a space for unexpected perception, a space whose existence will depend on the symmetry of the exchange. as they allow confrontation, small groups of three or four people are the chosen setting for the approach of classical music as a language, through a vocabulary and a learning practice that do not require a professional music background.\n\nduring a first set of explorative laboratories the researcher will prompt listening and discussion, performing at the piano and proposing recorded material of symphonic and chamber music repertoire. the laboratories will try out different starting points: single melodic line recognition (mozart, beethoven), multiple melodic lines and their interaction (polyphony, fugue, voices in orchestra and chamber music – bach, mozart, beethoven), harmony – paratactic and hypotactic structure (classicism, schubert, chopin), tonal system and its breakdown (schönberg, contemporary music). building on this first experience, laboratories for larger groups will be held in zurich in autumn. the listening practices a that arise from the research will published on this website through recordings, texts, links to performances.\n\nplaying classical music repertoire can be a cycle of repetition, the repetition of a piece which was played countless times before the countless repetitions one needs to learn it. notes become music when one can feel them new yet another time, when one does not fall in the dangerous loop of repeating oneself.",{"_type":77,"current":84096},"hidden-in-plain-sight-sonata-for-many-voices","Hidden in plain sight. 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topsoil, our work stems from our shared experiences of learning spaces at Goldsmiths University, exhibition spaces, conferences, talks, lecture halls, reading groups, which have been spaces of immense inspiration and value. However, we are equally critical of these institutions and spaces for reproducing forms of exclusion and showing very constrained and performed ways of producing knowledges. Hence, we have developed a practice of collectively discussing and critically understanding diverse pedagogical spaces we attend to in our respective, albeit differently conditioned, academic and artistic contexts in Costa Rica, Germany and Turkey.  Friendship, for us, is a strong resource from which we propose alternatives to those learning spaces and towards the inclusion of others. We understand various forms of intimate relations and especially friendship as a research methodology. By looking at the implicit, often invisible strategies and methodologies of care inherent in friendships, we want to explore how they can become transformed into accountable, involved and affected learning spaces with others (while remaining attentive to the forms of cooptation and extraction of personal relationships in the arts).  Since June 2020, we have been working on a long-term research project titled Experimental Pedagogies which looks at the relationship between friendship, ecologies and learning spaces. It started by questioning how we learn collectively and what alternative methods we can invent and experiment with for creating collective knowledges departing from our understanding of the potential of affective bonds. We started mapping the methodologies that we use and created visual representations and documentations of how we organize thoughts, memories, processes and research. Throughout our past projects, we have observed our processes, motivations and points of frustration and have learned how to shift with them. Therefore, we now have a toolbox of methods that we carry with us into the next projects: we pay attention to our contexts (the overlapping and departures), we value doing over speaking, we make sure to not forget our bodies (and those of other human and nonhuman creatures), we centre personal storytelling, use minds-eye imagination, attend to nonhuman presences and agencies, work through various temporalities, explore feminist methodologies and focus on the physical, psychological and emotional set up of socioecological spaces. SoC is an opportunity for us to further our ongoing research and it will serve as a platform to be self-reflective, exchange and learn from others throughout the process, borrow methods from others, build new connections and relationalities, present our own questions and ways of working to others, and materialize this research.  Looking at other collectives, how collective work and learning processes can be done otherwise, how friends or colleagues work together is important for our research in the long term. We think wanting to share time and thinking with others and to build new potentialities for friendships is indeed a very valid and productive place to begin a research process. 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By looking at the implicit, often invisible strategies and methodologies of care inherent in friendships, we want to explore how they can become transformed into accountable, involved and affected learning spaces with others (while remaining attentive to the forms of cooptation and extraction of personal relationships in the arts).",[],{"_key":84854,"_type":11,"children":84855,"markDefs":84860,"style":24},"8a2fd6b14894",[84856],{"_key":84857,"_type":15,"marks":84858,"text":84859},"3f2598cb9046",[],"Since June 2020, we have been working on a long-term research project titled Experimental Pedagogies which looks at the relationship between friendship, ecologies and learning spaces. It started by questioning how we learn collectively and what alternative methods we can invent and experiment with for creating collective knowledges departing from our understanding of the potential of affective bonds. We started mapping the methodologies that we use and created visual representations and documentations of how we organize thoughts, memories, processes and research. Throughout our past projects, we have observed our processes, motivations and points of frustration and have learned how to shift with them. Therefore, we now have a toolbox of methods that we carry with us into the next projects: we pay attention to our contexts (the overlapping and departures), we value doing over speaking, we make sure to not forget our bodies (and those of other human and nonhuman creatures), we centre personal storytelling, use minds-eye imagination, attend to nonhuman presences and agencies, work through various temporalities, explore feminist methodologies and focus on the physical, psychological and emotional set up of socioecological spaces. 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memories, processes and research. throughout our past projects, we have observed our processes, motivations and points of frustration and have learned how to shift with them. therefore, we now have a toolbox of methods that we carry with us into the next projects: we pay attention to our contexts (the overlapping and departures), we value doing over speaking, we make sure to not forget our bodies (and those of other human and nonhuman creatures), we centre personal storytelling, use minds-eye imagination, attend to nonhuman presences and agencies, work through various temporalities, explore feminist methodologies and focus on the physical, psychological and emotional set up of socioecological spaces. soc is an opportunity for us to further our ongoing research and it will serve as a platform to be self-reflective, exchange and learn from others throughout the process, borrow methods from others, build new connections and relationalities, present our own questions and ways of working to 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of Commons - Humdrum Press",{"_id":85034,"height":85035,"orientation":637,"ratio":85036,"url":85037,"width":4174},"image-6f9724b7bafbc09a8071bff8fc08adb26f43c03c-800x1067-jpg",1067,0.7497656982193065,"https://cdn.sanity.io/images/eodip22e/production/6f9724b7bafbc09a8071bff8fc08adb26f43c03c-800x1067.jpg",{"filterCategory":85039,"filterLocation":85046,"filterYear":85048},[85040,85041,85042,85043,85044,85045],{"_id":418,"title":421},{"_id":13269,"title":13274},{"_id":233,"title":236},{"_id":403,"title":406},{"_id":168,"title":171},{"_id":32618,"title":32623},[85047],{"_id":139,"title":142},[85049],{"_id":2120,"title":2123},[],{"locations":85052,"other":75},[85053],{"_id":139,"_type":121,"seo":75,"slug":85054,"title":142},{"_type":77,"current":141},[85056],{"_type":728,"settings":75,"text":85057},[85058,85066,85074,85090],{"_key":85059,"_type":11,"children":85060,"markDefs":85065,"style":24},"143920da46d4",[85061],{"_key":85062,"_type":15,"marks":85063,"text":85064},"d984c5425bea0",[],"HumDrum Press is a soon-to-be experimental publishing imprint and expanded publishing practice that works, through collaborative means, to question the boundaries of “publishing” – publishing here understood as praxis, methodology, physical outcome, artistic & design practice, and research discipline – and experiment with developing more horizontal, sustainable, and public models of publishing. In doing so, HumDrum Press wishes to explore new, connected ways of documenting and disseminating voices, ideas, and contexts, and better understand the role of publishing and publisher within current political, economic, and ecological climates.",[],{"_key":85067,"_type":11,"children":85068,"markDefs":85073,"style":24},"339ecba74c86",[85069],{"_key":85070,"_type":15,"marks":85071,"text":85072},"2cd7672c75410",[],"Though the printed pamphlet is our preferred form for publishing, we remain eager and interested in understanding publishing through a manifold of diverse formats and communication types, including, but not limited to: essay, novella, manual, manifesto, letter, blueprint, poetry, photography, illustration, performance, conversation, sketch, installation and more, and as individual, collective, or accumulative publishing instances.",[],{"_key":85075,"_type":11,"children":85076,"markDefs":85089,"style":24},"860d3397d5d4",[85077,85081,85085],{"_key":85078,"_type":15,"marks":85079,"text":85080},"32a1eb1f6b0d0",[],"At the heart of HumDrum Press is the understanding of publishing as a commons, and publishing as public, or community, good. The imprint is therefore shaped and shared by our network of collaborating individuals, organizations, and institutions. Our aim is to build and maintain a publishing ",{"_key":85082,"_type":15,"marks":85083,"text":85084},"32a1eb1f6b0d1",[1362],"home",{"_key":85086,"_type":15,"marks":85087,"text":85088},"32a1eb1f6b0d2",[]," of such networks and knowledges, from both temporary and longer-term collaborators and partners to create a supportive, sustainable print framework and accompanying series of live programmed events.",[],{"_key":85091,"_type":11,"children":85092,"markDefs":85097,"style":24},"accc30db0012",[85093],{"_key":85094,"_type":15,"marks":85095,"text":85096},"e73a909e55990",[],"Through the work of the core HumDrum team, in partnership with our expanded network of friends and collaborators, we seek to activate live events, visual communication, the written form, and subscription-based formats to reimagine the artistic and societal role and value of printed press.",[],[85099,2122,141,82165,82201,2279,85100,3385,13273,4819,405,170,32880],"humdrum press","humdrum press is a soon-to-be experimental publishing imprint and expanded publishing practice that works, through collaborative means, to question the boundaries of “publishing” – publishing here understood as praxis, methodology, physical outcome, artistic & design practice, and research discipline – and experiment with developing more horizontal, sustainable, and public models of publishing. in doing so, humdrum press wishes to explore new, connected ways of documenting and disseminating voices, ideas, and contexts, and better understand the role of publishing and publisher within current political, economic, and ecological climates.\n\nthough the printed pamphlet is our preferred form for publishing, we remain eager and interested in understanding publishing through a manifold of diverse formats and communication types, including, but not limited to: essay, novella, manual, manifesto, letter, blueprint, poetry, photography, illustration, performance, conversation, sketch, installation and more, and as individual, collective, or accumulative publishing instances.\n\nat the heart of humdrum press is the understanding of publishing as a commons, and publishing as public, or community, good. the imprint is therefore shaped and shared by our network of collaborating individuals, organizations, and institutions. our aim is to build and maintain a publishing home of such networks and knowledges, from both temporary and longer-term collaborators and partners to create a supportive, sustainable print framework and accompanying series of live programmed events.\n\nthrough the work of the core humdrum team, in partnership with our expanded network of friends and collaborators, we seek to activate live events, visual communication, the written form, and subscription-based formats to reimagine the artistic and societal role and value of printed press.",{"_type":77,"current":85102},"humdrum-press",{"locations":85104,"other":85107},[85105],{"_id":139,"_type":121,"seo":75,"slug":85106,"title":142},{"_type":77,"current":141},[85108],{"_key":85109,"_type":11,"children":85110,"markDefs":85114,"style":24},"c4f6e2ce1bef",[85111],{"_key":85112,"_type":15,"marks":85113,"text":53479},"6aaca459abef",[],[],[85116],{"_type":728,"settings":75,"text":85117},[85118,85130,85138,85146,85154,85162,85170,85178,85186,85194,85214,85222,85251,85259,85272,85312,85320,85328,85353,85369,85385,85393,85401,85413,85421,85429,85447,85455,85463,85506,85569,85600,85623,85658,85666,85690,85698,85717,85725,85733,85740,85759,85775,85783,85791,85799,85826,85834,85867,85874,85937,85944,85952,85959,85967,85983,85999,86007,86015,86023,86039,86047,86055,86067,86079,86091,86102,86110,86126,86150,86166,86174],{"_key":85119,"_type":11,"children":85120,"markDefs":85129,"style":24},"509ad84d6fe6",[85121,85125],{"_key":85122,"_type":15,"marks":85123,"text":85124},"b57f3254c6b0",[17],"November 26th – December 6th, 2022",{"_key":85126,"_type":15,"marks":85127,"text":85128},"7b2dbb6ac092",[],"\nonline, on-site and hybrid formats",[],{"_key":85131,"_type":11,"children":85132,"markDefs":85137,"style":24},"df8b33fade35",[85133],{"_key":85134,"_type":15,"marks":85135,"text":85136},"746339d60a49",[],"School of Commons’ 2022 fellows warmly welcome you to their collective exhibition, podium and event program: ‘IF IT IS A GARDEN THAT HAS BECOME A WILDERNESS, on alternative environments for learning’, taking place online, on-site at Toni Areal, ZHdK, and across select Satellite locations, from November 26th – December 6th, 2022.",[],{"_key":85139,"_type":11,"children":85140,"markDefs":85145,"style":24},"e457ae6ff575",[85141],{"_key":85142,"_type":15,"marks":85143,"text":85144},"b64eeb763c5b",[],"‘IF IT IS A GARDEN THAT HAS BECOME A WILDERNESS’ showcases snapshots, outcomes, reflections, and explorations from a selection of the practice-based research projects that have formed this years’ School of Commons programme. School of Commons (SoC) is a community-based initiative dedicated to the study and development of self-organised knowledge and peer-to-peer learning, representing an international community of artists, designers, musicians and scholars who focus on matters surrounding the production and mediation of knowledge with a common interest in self-organised practices and possible futures for education.",[],{"_key":85147,"_type":11,"children":85148,"markDefs":85153,"style":24},"8849971cbae7",[85149],{"_key":85150,"_type":15,"marks":85151,"text":85152},"80b42a19d886",[],"Over the past 10 months, selected School of Commons fellows have conducted research projects as part of self-organised labs and collaborative endeavours, to create a framework for the networking of knowledge exchange amongst participants. ‘IF IT IS A GARDEN THAT HAS BECOME A WILDERNESS’ will be the first collectively organised moment to make this process public, with a programme that weaves between disciplines, practices, ways of working, languages and contexts; from music, to performance, to choreography, to research, to publishing. Whilst each project is idiosyncratic in its form and frame, the work of this years’ fellows is united by a deep curiosity for alternative ways of working, learning, exchanging and being together, as well as a shared ethos of “constant-work-in-progress”.",[],{"_key":85155,"_type":11,"children":85156,"markDefs":85161,"style":24},"f221c57a0b28",[85157],{"_key":85158,"_type":15,"marks":85159,"text":85160},"15879b2fd97e",[],"Over two and a half weeks, a fluid digital and physical programme of performances, panels, installations, readings, talks, games, guided walks, acoustic interventions and film screenings will take place, exploring a spectrum of societally-facing topics, ranging from the relationship between the body and memory, to inclusive attention practices for listening, the perception and exploration of neuroqueerness, the real and fictional, state and societal uses of official language, the constituted sense of collectiveness, the status quo of design as a discipline, the potential of publishing as a commons, the exploration of love in its many forms, and much, much, more.",[],{"_key":85163,"_type":11,"children":85164,"markDefs":85169,"style":24},"a7bde3764c95",[85165],{"_key":85166,"_type":15,"marks":85167,"text":85168},"e9a33bf1aba6",[],"This exhibition and public programme will be accompanied by the School of Commons Podium, which brings together all of these topics, alongside SoC participants past and present, to facilitate an in-depth exploration into learning environments for the future, and the tools and resilience required for such changes .",[],{"_key":85171,"_type":11,"children":85172,"markDefs":85177,"style":24},"4661c259155d",[85173],{"_key":85174,"_type":15,"marks":85175,"text":85176},"0d6e71eda9e8",[],"Join us from November 26th onwards to celebrate the work and research of the 2022 School of Commons fellows, and to experience, explore, question and reflect on the future of education, and the role of peer-to-peer learning in our ways of working today.",[],{"_key":85179,"_type":11,"children":85180,"markDefs":85185,"style":24},"2fb786c45e36",[85181],{"_key":85182,"_type":15,"marks":85183,"text":85184},"102bb9603cb3",[],"With participation from: Alternative Pedagogy for Arabic Type Design, Cuerpo-Brujula, Doing Neuroqueerness, Eat me eat me not – art games for ‘making kin’, topsoil, Hidden in Plain Sight. Sonata for many voices, “How do we know what we know about hormones?”, How to Love Many in Many Ways, HumDrum Press, Just Listening, officialese, Ongoing Manifesto of Radical Dependency, Panta Rhei CollaborativeThe Listening Tension, The Positive Universal Project, The Street Games Of Our Childhood, UBUNGXENYE (Parthood), Values of Commons and Capital, Warmups and Cooldowns & What does learning look like here?",[],{"_key":85187,"_type":11,"children":85188,"markDefs":85193,"style":24},"3e58e10475f1",[85189],{"_key":85190,"_type":15,"marks":85191,"text":85192},"159d967a0ae2",[],"\n****************************************************************************",[],{"_key":85195,"_type":11,"children":85196,"markDefs":85213,"style":24},"fc3619f0cfb0",[85197,85201,85205,85209],{"_key":85198,"_type":15,"marks":85199,"text":85200},"7e562690a3c5",[17],"\nPROGRAM\n",{"_key":85202,"_type":15,"marks":85203,"text":85204},"fbd85337dfba",[],"\nSaturday, November 26th 2022\n",{"_key":85206,"_type":15,"marks":85207,"text":85208},"cf1952c31d3f",[17],"Songs of a Wooden House\n",{"_key":85210,"_type":15,"marks":85211,"text":85212},"7ded292bff4e",[],"7 pm CST (Costa Rica)\nwith Artists Collective Just Listening",[],{"_key":85215,"_type":11,"children":85216,"markDefs":85221,"style":24},"bbc74c3a38c3",[85217],{"_key":85218,"_type":15,"marks":85219,"text":85220},"b2692ad200ad",[],"Satellite Location in San José, Costa Rica -Casa de Madera- (Live event)\nAudio installation at Toni Areal ZHdK (audio/ video installation) – Saturday 3rd to Monday 5th of December",[],{"_key":85223,"_type":11,"children":85224,"markDefs":85248,"style":24},"be11f05bd410",[85225,85229,85233,85236,85240,85244],{"_key":85226,"_type":15,"marks":85227,"text":85228},"9d7b88fa81e2",[],"A participatory acoustic intervention that will allow the encounter of raw sounds of different origin, time and nature. Live instruments, field recordings and in situ sounds of a wooden house that can produce a collective sound exploration as an act of listening.\n\nSunday, November 27th 2022\n",{"_key":85230,"_type":15,"marks":85231,"text":85232},"b5fc439a0596",[17],"in here / out there",{"_key":85234,"_type":15,"marks":85235,"text":1768},"8f54d6d9d080",[17,1362],{"_key":85237,"_type":15,"marks":85238,"text":85239},"4fc10d34f3fb",[],"7-8 pm CET, Online – ",{"_key":85241,"_type":15,"marks":85242,"text":761},"2b2233a2dc12",[85243],"95ea2e6b2c23",{"_key":85245,"_type":15,"marks":85246,"text":85247},"05bad746a1d3",[],"\nwith Kit Kuksenok and Lili Huston-Herterich and guest artist Emily Fong",[85249],{"_key":85243,"_type":41,"href":85250},"https://www.eventbrite.com/e/in-here-out-there-tickets-442316288927",{"_key":85252,"_type":11,"children":85253,"markDefs":85258,"style":24},"8bc77cc386eb",[85254],{"_key":85255,"_type":15,"marks":85256,"text":85257},"de9d27e3d08f",[],"Join Kit and Emily in a conversation (co-hosted by Lili) about understanding the body in general – and our own bodies in specific – through our respective art practice. We will talk and draw, and you are invited to draw with us, and to participate in the conversation.",[],{"_key":85260,"_type":11,"children":85261,"markDefs":85270,"style":24},"0eb347a34170",[85262,85266],{"_key":85263,"_type":15,"marks":85264,"text":81735},"f9f46baf0609",[85265],"c0f6832fce62",{"_key":85267,"_type":15,"marks":85268,"text":85269},"d8cedbee943f",[]," is a medical artist exploring life and death, embodiment and emotion; the experience of existing in a human container. Her artistic practice is underpinned by observation and communication of the life cycles of living things. She seeks to highlight our similarities not only to one another but also to other species that occupy this planet. Her intuition is that, by going deep inside life, turning it inside out, she might discover new ways of observing and re-configuring the outside.",[85271],{"_key":85265,"_type":41,"href":81723},{"_key":85273,"_type":11,"children":85274,"markDefs":85307,"style":24},"52fb9f9dd163",[85275,85279,85283,85287,85291,85296,85299,85303],{"_key":85276,"_type":15,"marks":85277,"text":55071},"d941ab75895a",[85278],"db58ae88678a",{"_key":85280,"_type":15,"marks":85281,"text":85282},"1109684155ef",[],", PhD is a multi-disciplinary artist and researcher interested in the intersection of technology, society, and the body. They use participatory design methods, experimental pedagogy, and data analytics to explore how the unseen internal bodily landscape is rendered understandable. Their art/research practice builds on the study of socio-technical systems, and is grounded in contemplative practice and movement.\n\nThursday, December 1st 2022\n",{"_key":85284,"_type":15,"marks":85285,"text":85286},"0d53d2e595d1",[17],"A Workshop in Doing Neuroqueerness. Practicing Divergent Forms of Thinking, Feeling and Acting",{"_key":85288,"_type":15,"marks":85289,"text":85290},"20a20c39e2dc",[],"\n6 – 7.30 pm CET, ",{"_key":85292,"_type":15,"marks":85293,"text":85295},"ca6356441f61",[85294],"029808cdee88","Online on Zoom",{"_key":85297,"_type":15,"marks":85298,"text":4239},"925db31d724c",[],{"_key":85300,"_type":15,"marks":85301,"text":2160},"7941149f8690",[85302],"283508c5b9b0",{"_key":85304,"_type":15,"marks":85305,"text":85306},"f744195d301d",[],"\nZoom Meeting ID: 772 259 0433 and password: 740584\nwith Dorothea Deli",[85308,85309,85310],{"_key":85278,"_type":41,"href":55081},{"_key":85294,"_type":41,"href":68516},{"_key":85302,"_type":41,"href":85311},"https://www.instagram.com/doing.neuroqueerness/",{"_key":85313,"_type":11,"children":85314,"markDefs":85319,"style":24},"f005c5ff46eb",[85315],{"_key":85316,"_type":15,"marks":85317,"text":85318},"66c2da7e711f",[],"Autistic ways of doing things are often seen as deficient. In this online workshop, we will get to know the benefits of divergent doings. We will get to know the concept of neuroqueerness and delve into divergent ways of being empathetic, of feeling joy and of making sense of the chaos that is life. You are welcome to join the workshop directly on Zoom or as a live stream on Instagram via the profile @doing.neuroqueerness.",[],{"_key":85321,"_type":11,"children":85322,"markDefs":85327,"style":24},"050f4762280c",[85323],{"_key":85324,"_type":15,"marks":85325,"text":85326},"ea189988d0bc",[],"The project Doing Neuroqueerness was initiated by the cultural analyst Dorothea Deli as an artistic research project within the School of Commons curriculum at ZHdK (Zurich University of the Arts). It deals with a more extensive way to understand and to appreciate autistic behaviors. Often there is a narrow focus on a psychiatric definition of deficits. But being autistic is not deficient in itself. It becomes a disability in an environment, that wasn’t built for autistics.",[],{"_key":85329,"_type":11,"children":85330,"markDefs":85351,"style":24},"4c8d1c9945a3",[85331,85335,85339,85343,85347],{"_key":85332,"_type":15,"marks":85333,"text":85334},"754dd74e715c",[],"Dorothea Deli is autistic herself and sees a lot of goodness, alternative knowledge and innovative potential in being neurologically divergent. The project Doing Neuroqueerness doesn’t emphasize some autistic ontology. The word „doing“ in the title puts the focus more on an understanding of autistic or neurodivergent behaviors as alternative strategies to act in the world. Thus, everybody can be doing neuroqueerness and learn from divergent behaviors, whether they are neurotypical or neurodivergent. The project aims to show that often, you can accomplish different results by using neuroqueer strategies. Ideally, those different results come closer to what you actually desire from life, from interactions, from the work you do and from making sense of things, than the results you accomplished so far by doing things the way you always did.\n\nFriday, December 2nd 2022\n",{"_key":85336,"_type":15,"marks":85337,"text":85338},"6822a264261d",[17],"Alternative pedagogy for Arabic type design in the making\n",{"_key":85340,"_type":15,"marks":85341,"text":85342},"65972f52c88b",[],"4-5 pm CET, ",{"_key":85344,"_type":15,"marks":85345,"text":85295},"163b2d65685a",[85346],"54e4d6d10879",{"_key":85348,"_type":15,"marks":85349,"text":85350},"4f7fe6b78abc",[],"\nZoom Meeting ID: 772 259 0433 and password: 740584\nPresentation by Naïma Ben Ayed, Khajag Apelian",[85352],{"_key":85346,"_type":41,"href":68516},{"_key":85354,"_type":11,"children":85355,"markDefs":85368,"style":24},"a9e8acc6d8eb",[85356,85360,85364],{"_key":85357,"_type":15,"marks":85358,"text":85359},"cb74079019ad",[],"Arabic type designers Naïma Ben Ayed and Khajag Apelian’s topic of research is driven by their desire as educators to open their discipline. They believe that the access to Arabic type design courses are too constrained and limited. After reflecting on the status quo of Arabic type design education, they imagined non-linear pedagogical paths, independent of design school politics, radically accessible and deeply inspired by the concept of ",{"_key":85361,"_type":15,"marks":85362,"text":85363},"a55233190a61",[1362],"commoning*.",{"_key":85365,"_type":15,"marks":85366,"text":85367},"78d67b0c9e52",[]," This is a presentation of the work they have done so far.",[],{"_key":85370,"_type":11,"children":85371,"markDefs":85384,"style":24},"780694a971e8",[85372,85376,85380],{"_key":85373,"_type":15,"marks":85374,"text":85375},"64b670db2aad",[],"* Commoning: collaborative and contributive practices\n\nSaturday, December 3rd 2022\n",{"_key":85377,"_type":15,"marks":85378,"text":85379},"5279929c12f4",[17],"Hidden in plain sight: In search of a collective attention practice for classical music",{"_key":85381,"_type":15,"marks":85382,"text":85383},"15403159b042",[],"\n10.30-12 am, at Toni Areal ZHdK, Room ZT 6.F10",[],{"_key":85386,"_type":11,"children":85387,"markDefs":85392,"style":24},"72d8277c1313",[85388],{"_key":85389,"_type":15,"marks":85390,"text":85391},"b297897f1497",[],"Open research laboratory with 20 min live piano playing and 40 min Discussion, the Audience is invited to participate with Elisa Lemma",[],{"_key":85394,"_type":11,"children":85395,"markDefs":85400,"style":24},"b3e6e500ae0a",[85396],{"_key":85397,"_type":15,"marks":85398,"text":85399},"7eba7ca5c661",[],"What do we hear when we listen to classical music?",[],{"_key":85402,"_type":11,"children":85403,"markDefs":85412,"style":24},"40124630a224",[85404,85408],{"_key":85405,"_type":15,"marks":85406,"text":85407},"fa5d4e95e931",[1362],"Hidden in plain sight",{"_key":85409,"_type":15,"marks":85410,"text":85411},"e1140216051a",[]," is the ongoing research of a common-based and inclusive attention practice for classical music listening. Listeners with all kinds of backgrounds and musical experience (including none) contribute to a collective practice where music is looked at and interpreted with the same undivided attention that it takes to learn a new language.",[],{"_key":85414,"_type":11,"children":85415,"markDefs":85420,"style":24},"7e7306c6e3f1",[85416],{"_key":85417,"_type":15,"marks":85418,"text":85419},"2ef20bab8957",[],"The project has developed as a series of laboratories, each including a group of people and me (Elisa). After listening to a short piece played live at the piano, we share our different perceptions, thoughts and doubts, finding our way to dive into the piece’s unique musical matter.",[],{"_key":85422,"_type":11,"children":85423,"markDefs":85428,"style":24},"c432c3a0bea6",[85424],{"_key":85425,"_type":15,"marks":85426,"text":85427},"97fc6d0ad95a",[],"Each laboratory is not a concert nor a lecture, it is an open conversation. We look for a common vocabulary to talk about what we hear, looking at music as a spoken language that anyone, and not experienced musicians only, can understand and appreciate.",[],{"_key":85430,"_type":11,"children":85431,"markDefs":85444,"style":24},"c84a103d77da",[85432,85436,85440],{"_key":85433,"_type":15,"marks":85434,"text":85435},"b6b6c0c52200",[],"Sometimes interesting discoveries happen within the silence that falls when we don’t know how to describe something, when we are not even sure of what we are feeling. If we are not afraid, and we rely on each other to know more, then we may notice something that was there for us hiding in plain sight, waiting to be found.\n\n",{"_key":85437,"_type":15,"marks":85438,"text":22806},"fab50f43a354",[17,85439],"57c975359718",{"_key":85441,"_type":15,"marks":85442,"text":85443},"c78ab40bfcb2",[],"\n1-3 pm, at Toni Areal ZHdK, Room 3.K13\nopen-edition collection of games with Engy Mohsen / Gabriel Hensche and guest Eleonora Toniolo",[85445],{"_key":85439,"_type":41,"href":85446},"https://www.schoolofcommons.org/labs/how-to-love-many-in-many-ways",{"_key":85448,"_type":11,"children":85449,"markDefs":85454,"style":24},"07db49e89ebc",[85450],{"_key":85451,"_type":15,"marks":85452,"text":85453},"4efeeb7d11ab",[],"2nd Workshop on Tuesday, December 6th, 4-6pm CET (Ingo Niermann – Mohamed Al Bakeri), Toni Areal ZHdK Aktionsraum",[],{"_key":85456,"_type":11,"children":85457,"markDefs":85462,"style":24},"a21626a3d155",[85458],{"_key":85459,"_type":15,"marks":85460,"text":85461},"c1ac0b5579c1",[],"How to Love Many in Many Ways is an open-edition collection of games, exercises, and playful texts that depart from expanded notions of “love.” Love is so big a concept that it can be grasped and interpreted in innumerable ways; it frames our relationships and the way we connect with ourselves and everyone and everything in our surroundings. Stemming from a ground belief that this can only be addressed collectively, Engy Mohsen and Gabriel Hensche invited contributors to develop exercises or games responding to the titular question: How to Love Many in Many Ways?",[],{"_key":85464,"_type":11,"children":85465,"markDefs":85505,"style":24},"cd1ee9f58b51",[85466,85470,85473,85477,85481,85485,85489,85493,85497,85501],{"_key":85467,"_type":15,"marks":85468,"text":85469},"7a435c9f8053",[],"Engy Mohsen and Gabriel Hensche kicked off with the namesake ",{"_key":85471,"_type":15,"marks":85472,"text":3715},"4b6b9bd56f73",[1362],{"_key":85474,"_type":15,"marks":85475,"text":85476},"e38fb8a5d511",[],", a set of exercises that invite you to enact many rituals with many options for potential players: Yourself, Other/s, Other Other/s. Eliana Otta responded with ",{"_key":85478,"_type":15,"marks":85479,"text":85480},"66af2a2ebb9d",[1362],"Rehearsing Horizontalities",{"_key":85482,"_type":15,"marks":85483,"text":85484},"fcbc6dc4cde7",[],", a set of exercises that create scenarios in which players re-examine their relationship with others by playing with their spatial, choreographic, and acoustic awareness, all while maintaining what she calls a “horizontality pact”. Ingo Niermann (The Army of Love) responded with ",{"_key":85486,"_type":15,"marks":85487,"text":85488},"206775e8c267",[1362],"Falling in Love with the World",{"_key":85490,"_type":15,"marks":85491,"text":85492},"17596da4b5da",[],", an exercise that directs a group to overcome aversions and extend notions of love and care to others or objects. Mohamed Al Bakeri responded with ",{"_key":85494,"_type":15,"marks":85495,"text":85496},"9a56d80dd742",[1362],"The Things You Do for Love",{"_key":85498,"_type":15,"marks":85499,"text":85500},"c40d2683cacf",[],", a boardgame that invites players to think of love as a material need and a commodity, drawing from the world of online dating. Petra Mrša responded with ",{"_key":85502,"_type":15,"marks":85503,"text":85504},"3eac76f72319",[1362],"Shivering Throats, Breaking",[],{"_key":85507,"_type":11,"children":85508,"markDefs":85566,"style":24},"f4b454302e3c",[85509,85513,85517,85521,85525,85529,85533,85537,85541,85545,85549,85553,85557,85562],{"_key":85510,"_type":15,"marks":85511,"text":85512},"c8883c035bf8",[1362],"the Walls",{"_key":85514,"_type":15,"marks":85515,"text":85516},"dfe2ff335ed7",[],", playing with alternative notions of intimacy and encounter, presence and absence, and unconventional modes of communication and exchange. Philip Ullrich responded with ",{"_key":85518,"_type":15,"marks":85519,"text":85520},"858983c3dbe3",[1362],"Take That Loving Grace",{"_key":85522,"_type":15,"marks":85523,"text":85524},"4adac0c598dc",[],", a game in which aspects of love such as the similarities and differences between parties as well as the power struggles that are at play can be explored in pointed ways. Rania Atef responded with ",{"_key":85526,"_type":15,"marks":85527,"text":85528},"d557eb9e2b8a",[1362],"Bad Mother",{"_key":85530,"_type":15,"marks":85531,"text":85532},"4e6602fce57c",[],", a card game that critically and sarcastically scrutinizes the societal gaze on maternal love, mothers’ domestic performance, and the criteria for a “good mother.” Raúl Hott created ",{"_key":85534,"_type":15,"marks":85535,"text":85536},"6d0fd95ddffa",[1362],"Total Body (RADIANCE)",{"_key":85538,"_type":15,"marks":85539,"text":85540},"cb85807ca094",[],", an invitation to understand radiance – an experience of new ways of relating to affect and affection by interacting with all living beings and reconnecting with our planet. Shahd Omar responded with ",{"_key":85542,"_type":15,"marks":85543,"text":85544},"a6466373367a",[1362],"Embodied Encounters",{"_key":85546,"_type":15,"marks":85547,"text":85548},"dbcf2d75e349",[],", a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges. Through our lab with School of Commons, we discovered a missing position in the nine current proposals, and invited Eleonora Toniolo to propose the tenth position.\n\n",{"_key":85550,"_type":15,"marks":85551,"text":85552},"18f793b88218",[17],"“You: Inside, Outside” The No Way Experience meets School of Commons\n",{"_key":85554,"_type":15,"marks":85555,"text":85556},"21b99c31c1ef",[],"4-5 pm CET at Toni Areal, ZHdK Orgelsaal\nA multisensory and multidisciplinary concert\nwith ",{"_key":85558,"_type":15,"marks":85559,"text":85561},"b414f51eb36a",[85560],"bb44a49bd72e","Sofia Goetz and Riccardo Acciarino",{"_key":85563,"_type":15,"marks":85564,"text":85565},"eb0e124f7d31",[]," + Maura Rickenbach (Cellist) and Antonio La Spina (Composer)",[85567],{"_key":85560,"_type":41,"href":85568},"https://www.schoolofcommons.org/labs/the-listening-tension",{"_key":85570,"_type":11,"children":85571,"markDefs":85596,"style":24},"2489ea57f46d",[85572,85576,85581,85584,85588,85592],{"_key":85573,"_type":15,"marks":85574,"text":85575},"b2c06874be9d",[],"THE LISTENING TENSION “When the senses change, perception changes: a performance in which the audience becomes the protagonist of the moment, a world premier composition in a unique, multisensory, multidisciplinary concert in which all preconceptions associated with the very idea of a concert are dispelled.”\n\n",{"_key":85577,"_type":15,"marks":85578,"text":85580},"22c96ad41fe5",[17,85579],"32a738347fbd","Introducing the Positive Universal Project: Values, Needs, and Dissolving Double Blackmail",{"_key":85582,"_type":15,"marks":85583,"text":1768},"467175710bc9",[17],{"_key":85585,"_type":15,"marks":85586,"text":85587},"48ad66a08d9f",[],"5-6 pm CET ",{"_key":85589,"_type":15,"marks":85590,"text":85295},"2e17365848fc",[85591],"ec69b3eb3e19",{"_key":85593,"_type":15,"marks":85594,"text":85595},"dd38f85f7576",[],"\nZoom Meeting ID: 772 259 0433 and password: 740584",[85597,85599],{"_key":85579,"_type":41,"href":85598},"https://www.youtube.com/@thepositiveuniversalprojec8818",{"_key":85591,"_type":41,"href":68516},{"_key":85601,"_type":11,"children":85602,"markDefs":85622,"style":24},"12750277369b",[85603,85607,85610,85614,85618],{"_key":85604,"_type":15,"marks":85605,"text":85606},"5fdfa0dab073",[],"a video lecture with ",{"_key":85608,"_type":15,"marks":85609,"text":82029},"5c85e1da5f4f",[17],{"_key":85611,"_type":15,"marks":85612,"text":85613},"5a0a56b6db4d",[]," & ",{"_key":85615,"_type":15,"marks":85616,"text":85617},"406607cd2020",[17],"Kylie Stedman Gomes",{"_key":85619,"_type":15,"marks":85620,"text":85621},"d3e542ac2ab2",[]," with follow up Q&A",[],{"_key":85624,"_type":11,"children":85625,"markDefs":85654,"style":24},"3f54a8907509",[85626,85630,85635,85638,85643,85646,85650],{"_key":85627,"_type":15,"marks":85628,"text":85629},"5ed734952d23",[],"This is an introduction to and a formal launch of the Positive Universal Project originally proposed by Slavoj Zizek. We argue that the driving mission of this Project is to seek answers to the question of what should we prefer over global capitalism? We also present an application of ideas toward the dissolution of the “double blackmail” of two worse options regarding refugee resettlement. ",{"_key":85631,"_type":15,"marks":85632,"text":85634},"397a88373f41",[85633],"3d19be544ba9","VIDEO",{"_key":85636,"_type":15,"marks":85637,"text":5102},"402d46c57694",[],{"_key":85639,"_type":15,"marks":85640,"text":85642},"196e91152dc1",[85641],"ca099bd5e1b2","TRANSCRIPT",{"_key":85644,"_type":15,"marks":85645,"text":2495},"829ad5a1bb5d",[],{"_key":85647,"_type":15,"marks":85648,"text":85649},"0c45675da29e",[17,1362],"Of the echoing hills\n",{"_key":85651,"_type":15,"marks":85652,"text":85653},"519786f74315",[],"6-8 pm CET pm at Toni Areal, Orgelsaal",[85655,85656],{"_key":85633,"_type":41,"href":82020},{"_key":85641,"_type":41,"href":85657},"https://docs.google.com/document/d/1cnnsl-EuAmxL8r9MY8W6I1f7orRZ8sT4b7uY4Vg6CKU/edit?usp=sharing",{"_key":85659,"_type":11,"children":85660,"markDefs":85665,"style":24},"ea58d95927db",[85661],{"_key":85662,"_type":15,"marks":85663,"text":85664},"5aff84cc560c",[],"A performance program of works by Kit Kuksenok & Lili Huston-Herterich, who come together under shared investigations of materiality and considerations of the body. Sirens of the echoing hills.",[],{"_key":85667,"_type":11,"children":85668,"markDefs":85689,"style":24},"1dc829fe5c22",[85669,85673,85677,85681,85685],{"_key":85670,"_type":15,"marks":85671,"text":85672},"de1f3cb639ea",[],"Kit Kuksenok – SoC Project: How do we know what we know about hormones?\nLili Huston-Herterich – SoC Project: ",{"_key":85674,"_type":15,"marks":85675,"text":85676},"2ab583d9bcf6",[1362],"Ongoing Manifesto of Radical Dependency\n\n",{"_key":85678,"_type":15,"marks":85679,"text":85680},"d70a95f1fad9",[],"Sunday, December 4th 2022\n",{"_key":85682,"_type":15,"marks":85683,"text":85684},"babaf8369d73",[17],"A Name is a Leopard\n",{"_key":85686,"_type":15,"marks":85687,"text":85688},"935ed5fedbc5",[],"11 -1 pm CET, Toni Areal – Room tbc\na sound-and-movement storytelling and improvisation workshop\nwith ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ (Pule kaJanolintji) ",[],{"_key":85691,"_type":11,"children":85692,"markDefs":85697,"style":24},"436de8ad7f73",[85693],{"_key":85694,"_type":15,"marks":85695,"text":85696},"c4567d89ef22",[],"A person’s name is a leopard. You know how it looks, since they put it everywhere in pictures and use it to talk about an idea of you. But if you ever encounter it in real life, it is a very special day. I don’t know my own name most of the time, because names don’t hang around waiting for you to know them. They float on the wind and are invisible most of the time. They only really exist in the mouths of certain people at certain times. “!Gwē ē ǀeǀeta hi eng-eng” (Letters are inside the flesh). A story is like the wind, it comes from far. The breath originates in the body. Outside presence is surely known from inside. There is a tapping of the flesh. A name is a leopard. It’s rare to know it in real life…",[],{"_key":85699,"_type":11,"children":85700,"markDefs":85714,"style":24},"3bd5355b4a0e",[85701,85705,85710],{"_key":85702,"_type":15,"marks":85703,"text":85704},"c3fed4df3c0b",[],"This is a sound-and-movement storytelling presentation and structured improvisation workshop about personal names, based on the School of Commons (2021/2022) lab called ",{"_key":85706,"_type":15,"marks":85707,"text":85709},"90f21eac9f70",[85708],"1e67e3ed2aed","UBUNGXENYE: PARTHOOD",{"_key":85711,"_type":15,"marks":85712,"text":85713},"5dfa4b31a683",[]," (https://www.instagram.com/ngxe_parthood/) which was engaged by Chantelle Lue and Pule kaJanolintji (ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ). UBUNGXENYE is an experiment in how to organise and programme more fulfilling guided learning, using a principle of wandering (or ukuzula) – how to be confidently unsure.",[85715],{"_key":85708,"_type":41,"href":85716},"https://www.schoolofcommons.org/labs/ubungxenye",{"_key":85718,"_type":11,"children":85719,"markDefs":85724,"style":24},"10ea467fe02a",[85720],{"_key":85721,"_type":15,"marks":85722,"text":85723},"93c4e700dc8d",[],"The workshop is an attempt to put the Ubungxenye Lab in the room, as a possible moment to experience moving/sounding and looking/writing in order to feel relational identity, that is, the embodied meaning of concentrative personhood (Ubuntu / Buntfu / Botho / Vhuthu / Vumunhu / Khoexasib – the Azanian philosophy that persons only exist as parts of a relational whole realised through interaction).",[],{"_key":85726,"_type":11,"children":85727,"markDefs":85732,"style":24},"8fa714b27503",[85728],{"_key":85729,"_type":15,"marks":85730,"text":85731},"0f3685bca397",[],"It will include a retelling of the traditional |Xam Cosmology story, as a possible alternative framework for meaning, focusing on the names of the !Xwenǁasʼo !ʼE or “First-Seated People”. Then, through sharing the rhythms of our own names in body sound, speech, and visual representation, we might see how terms can be ordered and embodied in a our own conceptual network, to discover unexpected connections possibly tracing more intuitive instructive paths through an archive (inqolobane yelwati). We will try to use digital performative tools for network ontology mapping as a means of play as study, leading into some gentle, close, group improvisations in sound and contact.",[],{"_key":85734,"_type":11,"children":85735,"markDefs":85739,"style":24},"5cf9338a88f8",[85736],{"_key":85737,"_type":15,"marks":85738,"text":1150},"9d5fbfc47e72",[],[],{"_key":85741,"_type":11,"children":85742,"markDefs":85756,"style":24},"b445a0bec83b",[85743,85747,85751],{"_key":85744,"_type":15,"marks":85745,"text":85746},"e4ab7b4b72fd",[17],"Scores for Conviviality\n",{"_key":85748,"_type":15,"marks":85749,"text":85750},"457fac3ce6b4",[],"2-4 pm CET, Toni Areal – Room 3.K13\na workshop with ",{"_key":85752,"_type":15,"marks":85753,"text":85755},"ae2022af69ed",[85754],"3a24279f0535","Topsoil",[85757],{"_key":85754,"_type":41,"href":85758},"https://www.schoolofcommons.org/labs/experimental-pedagogies_topsoil",{"_key":85760,"_type":11,"children":85761,"markDefs":85774,"style":24},"beac12805f73",[85762,85766,85770],{"_key":85763,"_type":15,"marks":85764,"text":85765},"6becff208554",[],"We will conduct a workshop that will allow us to physically enact scores and instructions we have gathered in November by invited collaborators and guests. The instructions will be around conditions of entering into caring and convivial relationships, working environments and encounters. The exercises can take the form of creative writing, bodily movement and mapping.\n\n",{"_key":85767,"_type":15,"marks":85768,"text":85769},"cfa07ed0878d",[17],"The Learning Commons: Experimental Pedagogies in Practice",{"_key":85771,"_type":15,"marks":85772,"text":85773},"2228ca636ae8",[],"\n5-7.30 pm CET, Hybrid Event: Zoom and at ZHdK Toni Areal\nPodium Discussion",[],{"_key":85776,"_type":11,"children":85777,"markDefs":85782,"style":24},"e18142d6f4b1",[85778],{"_key":85779,"_type":15,"marks":85780,"text":85781},"1fe20c3edc18",[],"We invite you to join us for this podium conversation, bringing together a number of current and former participants of the School of Commons. We will discuss the learning commons; reflecting on how our experiences with the School of Commons influence us, and how we, in turn, influence the School of Commons as a living organism.",[],{"_key":85784,"_type":11,"children":85785,"markDefs":85790,"style":24},"4b2925857720",[85786],{"_key":85787,"_type":15,"marks":85788,"text":85789},"c6537731aed1",[],"Program:\n5 – 6 pm: Talk and Q&A with a special guest\n6 – 6:15 pm: Break\n6:15 – 7:30 pm – Conversation with Mujhan Abdulzade, Marea Hildebrand, Kit Kuksenok, Engy Mohsen, Kameelah Janan Rasheed, Eleonora Toniolo, Rulla Pascal Sutter; with digital moderation and (poetic) transcription by Lili Huston-Herterich",[],{"_key":85792,"_type":11,"children":85793,"markDefs":85798,"style":24},"18abf0f5b53c",[85794],{"_key":85795,"_type":15,"marks":85796,"text":85797},"07a19f784849",[],"Location:\nToni Areal, ZHdK – Room ZT 4.T06 Seminarraum NEAR SHIFT",[],{"_key":85800,"_type":11,"children":85801,"markDefs":85823,"style":24},"d56b29e011e2",[85802,85806,85811,85815,85819],{"_key":85803,"_type":15,"marks":85804,"text":85805},"9adc4efcd67c",[],"This event will be live-streamed – ",{"_key":85807,"_type":15,"marks":85808,"text":85810},"c301a30a7d3d",[85809],"6a3d09e3a28e","signup for free here",{"_key":85812,"_type":15,"marks":85813,"text":85814},"8bc5d26c0869",[],"! Zoom link will be emailed to you once you register.\n\nMonday, December 5th\n",{"_key":85816,"_type":15,"marks":85817,"text":85818},"aad9297a5bd9",[17],"Find the Fog in Uetliberg\n",{"_key":85820,"_type":15,"marks":85821,"text":85822},"390695472740",[],"12-3 pm CET, meeting point Zürich Triemli\na guided walk with Lili Huston Herterich and ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ (Pule kaJanolintji)",[85824],{"_key":85809,"_type":41,"href":85825},"https://www.eventbrite.com/e/the-learning-commons-experimental-pedagogies-in-practice-tickets-472501262997?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=escb",{"_key":85827,"_type":11,"children":85828,"markDefs":85833,"style":24},"52282c063d4a",[85829],{"_key":85830,"_type":15,"marks":85831,"text":85832},"72bbc155f08f",[],"meet at Zürich Triemli train station. We will walk in/around Uetliberg, destination determined by mutual consent. Sustenant snacks (vegetarian and vegan) will be provided. Please bring your own water, an extra layer of clothing, and a pen and notebook.",[],{"_key":85835,"_type":11,"children":85836,"markDefs":85863,"style":24},"4d610d039305",[85837,85841,85845,85850,85854,85859],{"_key":85838,"_type":15,"marks":85839,"text":85840},"20fb4621533e",[1362],"Find the Fog in Uetliberg",{"_key":85842,"_type":15,"marks":85843,"text":85844},"98296a34b832",[]," is a guided walk in, around, up, or down Uetliberg, a mountain of the Swiss plateau that the city of Zürich shares company with. Your guide has never been there: Lili Huston-Herterich is an artist based in Rotterdam, and has only visited Zürich once before. She heard there was fog up there, and wonders if it’s as thick and as generative as the stuff in her head. Huston-Herterich is interested in cloudiness, in sensing, in silence, in chatter, in edging mountains, in collective mnemonic methods through walking, in consensual destination determination, in breaks, in shared snacks, in reflection, and in poetry. Have you ever edged a mountain? After a weekend of conversation, presentation and stimulation, deny climax and start, or continue, wandering.\n",{"_key":85846,"_type":15,"marks":85847,"text":85849},"60ce14407a8d",[85848],"6fc088cdb883","www.lilihustonherterich.com",{"_key":85851,"_type":15,"marks":85852,"text":85853},"78bb8b51e1b1",[],"\n\nTuesday, December 6th\n",{"_key":85855,"_type":15,"marks":85856,"text":85858},"9be40c4c577c",[17,85857],"ead2f86b5f97","How to love many in many ways",{"_key":85860,"_type":15,"marks":85861,"text":85862},"ad183a917622",[],"\n4-6pm, Toni Areal – Aktionsraum\nwith invited guests Ingo Niermann – Mohamed Al Bakeri",[85864,85866],{"_key":85848,"_type":41,"href":85865},"http://www.lilihustonherterich.com/",{"_key":85857,"_type":41,"blank":42,"href":3716},{"_key":85868,"_type":11,"children":85869,"markDefs":85873,"style":24},"fb4ee7005d04",[85870],{"_key":85871,"_type":15,"marks":85872,"text":85461},"2d34740e6cb0",[],[],{"_key":85875,"_type":11,"children":85876,"markDefs":85936,"style":24},"58984051357f",[85877,85880,85883,85886,85889,85892,85895,85898,85901,85904,85908,85911,85914,85917,85920,85923,85926,85929,85932],{"_key":85878,"_type":15,"marks":85879,"text":85469},"1b3abceee306",[],{"_key":85881,"_type":15,"marks":85882,"text":3715},"1a6a15146101",[1362],{"_key":85884,"_type":15,"marks":85885,"text":85476},"a8de3d3be946",[],{"_key":85887,"_type":15,"marks":85888,"text":85480},"150fce371384",[1362],{"_key":85890,"_type":15,"marks":85891,"text":85484},"b8b07cc8fdf6",[],{"_key":85893,"_type":15,"marks":85894,"text":85488},"63e2352f7756",[1362],{"_key":85896,"_type":15,"marks":85897,"text":85492},"f52036f47aff",[],{"_key":85899,"_type":15,"marks":85900,"text":85496},"b2ecf925d668",[1362],{"_key":85902,"_type":15,"marks":85903,"text":85500},"d7c7510c31ca",[],{"_key":85905,"_type":15,"marks":85906,"text":85907},"b70396294a50",[1362],"Shivering Throats, Breaking the Walls",{"_key":85909,"_type":15,"marks":85910,"text":85516},"ebb2271a6f59",[],{"_key":85912,"_type":15,"marks":85913,"text":85520},"df77e52fd3fb",[1362],{"_key":85915,"_type":15,"marks":85916,"text":85524},"80514df2656b",[],{"_key":85918,"_type":15,"marks":85919,"text":85528},"00652a969648",[1362],{"_key":85921,"_type":15,"marks":85922,"text":85532},"fcec78159afc",[],{"_key":85924,"_type":15,"marks":85925,"text":85536},"a83ce07e6443",[1362],{"_key":85927,"_type":15,"marks":85928,"text":85540},"39614fdc5a4c",[],{"_key":85930,"_type":15,"marks":85931,"text":85544},"7c604aa2f3aa",[1362],{"_key":85933,"_type":15,"marks":85934,"text":85935},"689e1c23b2f5",[],", a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges. Through our lab with School of Commons, we discovered a missing position in the nine current proposals, and invited Eleonora Toniolo to propose the tenth position.",[],{"_key":85938,"_type":11,"children":85939,"markDefs":85943,"style":24},"2461e38322fa",[85940],{"_key":85941,"_type":15,"marks":85942,"text":1150},"42f0b098ed22",[],[],{"_key":85945,"_type":11,"children":85946,"markDefs":85951,"style":24},"8d0f5527bf66",[85947],{"_key":85948,"_type":15,"marks":85949,"text":85950},"bdb6774b19b3",[],"****************************************************************************",[],{"_key":85953,"_type":11,"children":85954,"markDefs":85958,"style":24},"14e1e237ffc1",[85955],{"_key":85956,"_type":15,"marks":85957,"text":1150},"1ea63d945f6b",[],[],{"_key":85960,"_type":11,"children":85961,"markDefs":85966,"style":24},"b7c37fa41277",[85962],{"_key":85963,"_type":15,"marks":85964,"text":85965},"e1e81c645a3b",[17],"Exhibitions\nSaturday 3rd to Monday 5th of December\nToni Areal ZHdK, Kunstraum",[],{"_key":85968,"_type":11,"children":85969,"markDefs":85982,"style":24},"a90290f2e73d",[85970,85974,85978],{"_key":85971,"_type":15,"marks":85972,"text":85973},"916ba89c9a6a",[],"\nSaturday and Sunday 11am-20pm, Monday 11- 5pm\n",{"_key":85975,"_type":15,"marks":85976,"text":85977},"4674de6368be",[17],"\nSongs of a Wooden House ",{"_key":85979,"_type":15,"marks":85980,"text":85981},"0247bf042e8e",[],"by Artists Collective Just Listening\nAudio installation at Toni Areal ZHdK (audio/ video installation)",[],{"_key":85984,"_type":11,"children":85985,"markDefs":85998,"style":24},"5eaf5d056d1c",[85986,85990,85994],{"_key":85987,"_type":15,"marks":85988,"text":85989},"4aae831894f3",[],"A participatory acoustic intervention that will allow the encounter of raw sounds of different origin, time and nature. Live instruments, field recordings and in situ sounds of a wooden house that can produce a collective sound exploration as an act of listening.\n\n",{"_key":85991,"_type":15,"marks":85992,"text":85993},"243990f24662",[17],"HumDrumPress ",{"_key":85995,"_type":15,"marks":85996,"text":85997},"9224281205eb",[],"by Amy Gowen, Andy Norstrom, Wibke Bramesfeld\nExhibition – exhibiting our manifesto for publishing the HumDrum way",[],{"_key":86000,"_type":11,"children":86001,"markDefs":86006,"style":24},"91f11c0ea997",[86002],{"_key":86003,"_type":15,"marks":86004,"text":86005},"1442f008d988",[],"Over the course of our fellowship as part of School of Commons, we have been working on devising methods for publications to reach and attract interest from broader audiences, and make publishing more of a “communal” and “commons-based” activity by opening up each stage of the publishing process and exploring the role(s) of publishing in society today.",[],{"_key":86008,"_type":11,"children":86009,"markDefs":86014,"style":24},"931e95eded05",[86010],{"_key":86011,"_type":15,"marks":86012,"text":86013},"56b0fedf935b",[],"One of the methods we have been using to document this, especially in a way that can be considered as transparent, open, communicable and common-able as possible, is an ongoing manifesto towards our evolving approach to publishing. We chose the manifesto as a form because we consider it an active vehicle to underpin the values, philosophies, missions and visions of a practice, a process or a project, as well as a way of documenting and archiving the more day-to-day maintenance practices that uphold a publishing practice.",[],{"_key":86016,"_type":11,"children":86017,"markDefs":86022,"style":24},"ead8ef6e1cb6",[86018],{"_key":86019,"_type":15,"marks":86020,"text":86021},"119ec69bc996",[],"Our aim is, through the manifesto, to open up and encourage consideration, conversation, exchange, ideas, agreements, disagreements, and future thinking towards processes of publishing and to invite all those who wish to, to contribute to a more communal, commons-based model they to too are welcome to adopt, share and use.",[],{"_key":86024,"_type":11,"children":86025,"markDefs":86038,"style":24},"9cbc62f4c640",[86026,86030,86034],{"_key":86027,"_type":15,"marks":86028,"text":86029},"8502df37dbfb",[],"The result is our “constant-work-in-progress”: ",{"_key":86031,"_type":15,"marks":86032,"text":86033},"b5131a822cd2",[1362],"a living, breathing manifesto for publishing the HumDrum way",{"_key":86035,"_type":15,"marks":86036,"text":86037},"0091507d33a5",[],". This manifesto began as a shareable, fully transparent explanation and exploration of our internal working methods and ongoing publishing practice. Once we had written the base text, we began sharing it with friends, colleagues, fellow publishers, and our School of Commons community, inviting all to edit, comment, remove, add to and grow the manifesto beyond something that was just “ours” for “our publishing house”, into something that could be useful, and useable for many.",[],{"_key":86040,"_type":11,"children":86041,"markDefs":86046,"style":24},"a827542809b4",[86042],{"_key":86043,"_type":15,"marks":86044,"text":86045},"02323c2610c4",[],"All who wish to, are welcome to interact with the current text in any way they desire, and to add as much or as little as they like. Furthermore, for each iteration of the traveling manifesto exhibition we will directly invite local publishers and those in the publishing community to visit and interact with the manifesto. We will be physically present to host these sessions and engage in conversations around publishing and the commons.",[],{"_key":86048,"_type":11,"children":86049,"markDefs":86054,"style":24},"c9defa4be13c",[86050],{"_key":86051,"_type":15,"marks":86052,"text":86053},"bbc50dbea449",[],"The Manifesto will travel to three locations over the course of three weekends:",[],{"_key":86056,"_type":11,"children":86057,"level":17697,"listItem":1708,"markDefs":86066,"style":24},"c71af62704b7",[86058,86062],{"_key":86059,"_type":15,"marks":86060,"text":86061},"d481fac01304",[1362],"18th, 19th, 20th November, 2022",{"_key":86063,"_type":15,"marks":86064,"text":86065},"4a2a0949c50b",[]," – As a window display and event at KIOSK, Rotterdam",[],{"_key":86068,"_type":11,"children":86069,"level":17697,"listItem":1708,"markDefs":86078,"style":24},"7ccc7f9dd8ca",[86070,86074],{"_key":86071,"_type":15,"marks":86072,"text":86073},"a6fa574792e0",[1362],"25th, 26th, 27th November, 2022",{"_key":86075,"_type":15,"marks":86076,"text":86077},"ea2f2269adaf",[]," – As part of the the Volumes Art Book Fair exhibition programme",[],{"_key":86080,"_type":11,"children":86081,"level":17697,"listItem":1708,"markDefs":86090,"style":24},"4d31dcc3bca9",[86082,86086],{"_key":86083,"_type":15,"marks":86084,"text":86085},"ee6bae345fce",[1362],"3rd, 4th, 5th December, 2022",{"_key":86087,"_type":15,"marks":86088,"text":86089},"acaa65064788",[]," – At the Kunstraum of Toni Areal as part of the School of Commons closing exhibition\n",[],{"_key":86092,"_type":11,"children":86093,"markDefs":86101,"style":24},"e7cdcf8417aa",[86094,86097],{"_key":86095,"_type":15,"marks":86096,"text":68736},"2ce4fe8dddf1",[17],{"_key":86098,"_type":15,"marks":86099,"text":86100},"b83980bb283d",[]," by Betül Aksu",[],{"_key":86103,"_type":11,"children":86104,"markDefs":86109,"style":24},"d43836549287",[86105],{"_key":86106,"_type":15,"marks":86107,"text":86108},"6c0324b2e5d4",[],"officialese is an interactive installation that investigates the ways in which an official language becomes a tool to protect the status quo. The installation presents a work-in-progress research based on real and fictional uses of official languages, both in state and social level, both in and outside the artworld.",[],{"_key":86111,"_type":11,"children":86112,"markDefs":86125,"style":24},"ec8c12ea9ba9",[86113,86117,86121],{"_key":86114,"_type":15,"marks":86115,"text":86116},"30c97f91739c",[],"The installation at Kunstraum ZHDK will present notes, readings, annotations, objects and abstract images from the officialese lab and its collaborators. The documentation of the installation and in-situ contributions will be accessible online at betulaksu.com/officialese as they happen. Following the exhibition, there will be a publication about the personal, anonymous and collective stories shared throughout the research.\n\n",{"_key":86118,"_type":15,"marks":86119,"text":86120},"480bb19c0e6f",[17],"Cuerpo-Brújula ",{"_key":86122,"_type":15,"marks":86123,"text":86124},"2e93b1508e65",[],"by Lab Pedagogico. Daniela Mora-Laura Cordero-Vanessa De La O. (Satélite Costa Rica)",[],{"_key":86127,"_type":11,"children":86128,"markDefs":86149,"style":24},"c0ce2b9188d3",[86129,86133,86137,86141,86145],{"_key":86130,"_type":15,"marks":86131,"text":86132},"4e94a74ee49a",[],"Cuerpo Brujula is an installation that includes images and texts produced during three in person, open workshops about the relationship between the body, perception and memory. They took place between June and October in Costa Rica with a total of sixteen participants. Through movement practice, dialogue and individual and collective writing exercises we explored the question of what are the “compasses” that guide these relationships mentioned above.\n\n",{"_key":86134,"_type":15,"marks":86135,"text":86136},"ddfcbb07f0a7",[17],"How do we know what we know about hormones? ",{"_key":86138,"_type":15,"marks":86139,"text":86140},"452c50c91822",[],"by Kit Kuksenok\nPractice-based research journal and selected readings on the subject of understanding unseen body processes and internal communications\n\n",{"_key":86142,"_type":15,"marks":86143,"text":86144},"d6707b1cf077",[17],"What does open learning look like here?\n",{"_key":86146,"_type":15,"marks":86147,"text":86148},"88b479186475",[],"Short Film by Beth Dynowski, Christopher Scanlan",[],{"_key":86151,"_type":11,"children":86152,"markDefs":86165,"style":24},"1ce41d9e798f",[86153,86157,86161],{"_key":86154,"_type":15,"marks":86155,"text":86156},"c4c4404e9a0c",[],"This short film is part of long term research on access to arts education in Scotland for children, young people and adults. Beth Dynowski is an artist and researcher and Christopher Scanlan is an actor, both based in Glasgow. Her research for School of Commons focuses on the complexities of creating a space for open learning in the arts in the East End of Glasgow at Strangefield and The Pipe Factory. In this film, Scanlan performs for the camera, drawing on his experience of accessing education and work in the arts in the local area.\n\n",{"_key":86158,"_type":15,"marks":86159,"text":86160},"7a5380f1c5d6",[17],"The Street Games Of Our Childhood\n",{"_key":86162,"_type":15,"marks":86163,"text":86164},"65a4cd177456",[],"Maria Combi, Clara Thierry, Rebeka Mondovics, Yusuf Orhan",[],{"_key":86167,"_type":11,"children":86168,"markDefs":86173,"style":24},"cc381d932a14",[86169],{"_key":86170,"_type":15,"marks":86171,"text":86172},"37683ebddae9",[],"A video documentation of research in action. The project Street Games of Our Childhood is a research project that examines the capacity of street games to inspire contemporary art practices. While street games are considered a kind of clue to discuss urban development, they are also analyzed in terms of movement, sound, material, body, and spatial relations.",[],{"_key":86175,"_type":11,"children":86176,"markDefs":86181,"style":24},"6aa4e85704ea",[86177],{"_key":86178,"_type":15,"marks":86179,"text":86180},"e11c3108b6d3",[],"In the performance, which is one of the out comings of the project, artist Yusuf Orhan and dancers Maria Combi, Rebeka Mondovics and Clara Thierry create choreographies by playing four different traditional street games played in Turkey, analyzing their various dimensions and abstracting their physical and emotional layers.",[],[86183,141,53496,270,540,400,265,112,86184,86185,50771,81250,81278,81305,81343,81372,81411,27813,81493,2279,81614,81650,81694,81732,81776,55132,22530,3732,69173,81965,58622,82026,14138,82089,82165,82201],"if it is a garden that has become a wilderness","on alternative environments for learning\nexhibition, workshops, performances and podium\n\nunveiling the works in progress of the hybrid, multidisciplinary research of soc’s 2022 fellows and beyond","november 26th – december 6th, 2022\nonline, on-site and hybrid formats\n\nschool of commons’ 2022 fellows warmly welcome you to their collective exhibition, podium and event program: ‘if it is a garden that has become a wilderness, on alternative environments for learning’, taking place online, on-site at toni areal, zhdk, and across select satellite locations, from november 26th – december 6th, 2022.\n\n‘if it is a garden that has become a wilderness’ showcases snapshots, outcomes, reflections, and explorations from a selection of the practice-based research projects that have formed this years’ school of commons programme. school of commons (soc) is a community-based initiative dedicated to the study and development of self-organised knowledge and peer-to-peer learning, representing an international community of artists, designers, musicians and scholars who focus on matters surrounding the production and mediation of knowledge with a common interest in self-organised practices and possible futures for education.\n\nover the past 10 months, selected school of commons fellows have conducted research projects as part of self-organised labs and collaborative endeavours, to create a framework for the networking of knowledge exchange amongst participants. ‘if it is a garden that has become a wilderness’ will be the first collectively organised moment to make this process public, with a programme that weaves between disciplines, practices, ways of working, languages and contexts; from music, to performance, to choreography, to research, to publishing. whilst each project is idiosyncratic in its form and frame, the work of this years’ fellows is united by a deep curiosity for alternative ways of working, learning, exchanging and being together, as well as a shared ethos of “constant-work-in-progress”.\n\nover two and a half weeks, a fluid digital and physical programme of performances, panels, installations, readings, talks, games, guided walks, acoustic interventions and film screenings will take place, exploring a spectrum of societally-facing topics, ranging from the relationship between the body and memory, to inclusive attention practices for listening, the perception and exploration of neuroqueerness, the real and fictional, state and societal uses of official language, the constituted sense of collectiveness, the status quo of design as a discipline, the potential of publishing as a commons, the exploration of love in its many forms, and much, much, more.\n\nthis exhibition and public programme will be accompanied by the school of commons podium, which brings together all of these topics, alongside soc participants past and present, to facilitate an in-depth exploration into learning environments for the future, and the tools and resilience required for such changes .\n\njoin us from november 26th onwards to celebrate the work and research of the 2022 school of commons fellows, and to experience, explore, question and reflect on the future of education, and the role of peer-to-peer learning in our ways of working today.\n\nwith participation from: alternative pedagogy for arabic type design, cuerpo-brujula, doing neuroqueerness, eat me eat me not – art games for ‘making kin’, topsoil, hidden in plain sight. sonata for many voices, “how do we know what we know about hormones?”, how to love many in many ways, humdrum press, just listening, officialese, ongoing manifesto of radical dependency, panta rhei collaborativethe listening tension, the positive universal project, the street games of our childhood, ubungxenye (parthood), values of commons and capital, warmups and cooldowns & what does learning look like here?\n\n\n****************************************************************************\n\n\nprogram\n\nsaturday, november 26th 2022\nsongs of a wooden house\n7 pm cst (costa rica)\nwith artists collective just listening\n\nsatellite location in san josé, costa rica -casa de madera- (live event)\naudio installation at toni areal zhdk (audio/ video installation) – saturday 3rd to monday 5th of december\n\na participatory acoustic intervention that will allow the encounter of raw sounds of different origin, time and nature. live instruments, field recordings and in situ sounds of a wooden house that can produce a collective sound exploration as an act of listening.\n\nsunday, november 27th 2022\nin here / out there\n7-8 pm cet, online – register here\nwith kit kuksenok and lili huston-herterich and guest artist emily fong\n\njoin kit and emily in a conversation (co-hosted by lili) about understanding the body in general – and our own bodies in specific – through our respective art practice. we will talk and draw, and you are invited to draw with us, and to participate in the conversation.\n\nemily fong is a medical artist exploring life and death, embodiment and emotion; the experience of existing in a human container. her artistic practice is underpinned by observation and communication of the life cycles of living things. she seeks to highlight our similarities not only to one another but also to other species that occupy this planet. her intuition is that, by going deep inside life, turning it inside out, she might discover new ways of observing and re-configuring the outside.\n\nkit kuksenok, phd is a multi-disciplinary artist and researcher interested in the intersection of technology, society, and the body. they use participatory design methods, experimental pedagogy, and data analytics to explore how the unseen internal bodily landscape is rendered understandable. their art/research practice builds on the study of socio-technical systems, and is grounded in contemplative practice and movement.\n\nthursday, december 1st 2022\na workshop in doing neuroqueerness. practicing divergent forms of thinking, feeling and acting\n6 – 7.30 pm cet, online on zoom and instagram\nzoom meeting id: 772 259 0433 and password: 740584\nwith dorothea deli\n\nautistic ways of doing things are often seen as deficient. in this online workshop, we will get to know the benefits of divergent doings. we will get to know the concept of neuroqueerness and delve into divergent ways of being empathetic, of feeling joy and of making sense of the chaos that is life. you are welcome to join the workshop directly on zoom or as a live stream on instagram via the profile @doing.neuroqueerness.\n\nthe project doing neuroqueerness was initiated by the cultural analyst dorothea deli as an artistic research project within the school of commons curriculum at zhdk (zurich university of the arts). it deals with a more extensive way to understand and to appreciate autistic behaviors. often there is a narrow focus on a psychiatric definition of deficits. but being autistic is not deficient in itself. it becomes a disability in an environment, that wasn’t built for autistics.\n\ndorothea deli is autistic herself and sees a lot of goodness, alternative knowledge and innovative potential in being neurologically divergent. the project doing neuroqueerness doesn’t emphasize some autistic ontology. the word „doing“ in the title puts the focus more on an understanding of autistic or neurodivergent behaviors as alternative strategies to act in the world. thus, everybody can be doing neuroqueerness and learn from divergent behaviors, whether they are neurotypical or neurodivergent. the project aims to show that often, you can accomplish different results by using neuroqueer strategies. ideally, those different results come closer to what you actually desire from life, from interactions, from the work you do and from making sense of things, than the results you accomplished so far by doing things the way you always did.\n\nfriday, december 2nd 2022\nalternative pedagogy for arabic type design in the making\n4-5 pm cet, online on zoom\nzoom meeting id: 772 259 0433 and password: 740584\npresentation by naïma ben ayed, khajag apelian\n\narabic type designers naïma ben ayed and khajag apelian’s topic of research is driven by their desire as educators to open their discipline. they believe that the access to arabic type design courses are too constrained and limited. after reflecting on the status quo of arabic type design education, they imagined non-linear pedagogical paths, independent of design school politics, radically accessible and deeply inspired by the concept of commoning*. this is a presentation of the work they have done so far.\n\n* commoning: collaborative and contributive practices\n\nsaturday, december 3rd 2022\nhidden in plain sight: in search of a collective attention practice for classical music\n10.30-12 am, at toni areal zhdk, room zt 6.f10\n\nopen research laboratory with 20 min live piano playing and 40 min discussion, the audience is invited to participate with elisa lemma\n\nwhat do we hear when we listen to classical music?\n\nhidden in plain sight is the ongoing research of a common-based and inclusive attention practice for classical music listening. listeners with all kinds of backgrounds and musical experience (including none) contribute to a collective practice where music is looked at and interpreted with the same undivided attention that it takes to learn a new language.\n\nthe project has developed as a series of laboratories, each including a group of people and me (elisa). after listening to a short piece played live at the piano, we share our different perceptions, thoughts and doubts, finding our way to dive into the piece’s unique musical matter.\n\neach laboratory is not a concert nor a lecture, it is an open conversation. we look for a common vocabulary to talk about what we hear, looking at music as a spoken language that anyone, and not experienced musicians only, can understand and appreciate.\n\nsometimes interesting discoveries happen within the silence that falls when we don’t know how to describe something, when we are not even sure of what we are feeling. if we are not afraid, and we rely on each other to know more, then we may notice something that was there for us hiding in plain sight, waiting to be found.\n\nhow-to-love-many-in-many-ways\n1-3 pm, at toni areal zhdk, room 3.k13\nopen-edition collection of games with engy mohsen / gabriel hensche and guest eleonora toniolo\n\n2nd workshop on tuesday, december 6th, 4-6pm cet (ingo niermann – mohamed al bakeri), toni areal zhdk aktionsraum\n\nhow to love many in many ways is an open-edition collection of games, exercises, and playful texts that depart from expanded notions of “love.” love is so big a concept that it can be grasped and interpreted in innumerable ways; it frames our relationships and the way we connect with ourselves and everyone and everything in our surroundings. stemming from a ground belief that this can only be addressed collectively, engy mohsen and gabriel hensche invited contributors to develop exercises or games responding to the titular question: how to love many in many ways?\n\nengy mohsen and gabriel hensche kicked off with the namesake how to love many in many ways, a set of exercises that invite you to enact many rituals with many options for potential players: yourself, other/s, other other/s. eliana otta responded with rehearsing horizontalities, a set of exercises that create scenarios in which players re-examine their relationship with others by playing with their spatial, choreographic, and acoustic awareness, all while maintaining what she calls a “horizontality pact”. ingo niermann (the army of love) responded with falling in love with the world, an exercise that directs a group to overcome aversions and extend notions of love and care to others or objects. mohamed al bakeri responded with the things you do for love, a boardgame that invites players to think of love as a material need and a commodity, drawing from the world of online dating. petra mrša responded with shivering throats, breaking\n\nthe walls, playing with alternative notions of intimacy and encounter, presence and absence, and unconventional modes of communication and exchange. philip ullrich responded with take that loving grace, a game in which aspects of love such as the similarities and differences between parties as well as the power struggles that are at play can be explored in pointed ways. rania atef responded with bad mother, a card game that critically and sarcastically scrutinizes the societal gaze on maternal love, mothers’ domestic performance, and the criteria for a “good mother.” raúl hott created total body (radiance), an invitation to understand radiance – an experience of new ways of relating to affect and affection by interacting with all living beings and reconnecting with our planet. shahd omar responded with embodied encounters, a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges. through our lab with school of commons, we discovered a missing position in the nine current proposals, and invited eleonora toniolo to propose the tenth position.\n\n“you: inside, outside” the no way experience meets school of commons\n4-5 pm cet at toni areal, zhdk orgelsaal\na multisensory and multidisciplinary concert\nwith sofia goetz and riccardo acciarino + maura rickenbach (cellist) and antonio la spina (composer)\n\nthe listening tension “when the senses change, perception changes: a performance in which the audience becomes the protagonist of the moment, a world premier composition in a unique, multisensory, multidisciplinary concert in which all preconceptions associated with the very idea of a concert are dispelled.”\n\nintroducing the positive universal project: values, needs, and dissolving double blackmail\n5-6 pm cet online on zoom\nzoom meeting id: 772 259 0433 and password: 740584\n\na video lecture with david gabbard & kylie stedman gomes with follow up q&a\n\nthis is an introduction to and a formal launch of the positive universal project originally proposed by slavoj zizek. we argue that the driving mission of this project is to seek answers to the question of what should we prefer over global capitalism? we also present an application of ideas toward the dissolution of the “double blackmail” of two worse options regarding refugee resettlement. video transcript\n\nof the echoing hills\n6-8 pm cet pm at toni areal, orgelsaal\n\na performance program of works by kit kuksenok & lili huston-herterich, who come together under shared investigations of materiality and considerations of the body. sirens of the echoing hills.\n\nkit kuksenok – soc project: how do we know what we know about hormones?\nlili huston-herterich – soc project: ongoing manifesto of radical dependency\n\nsunday, december 4th 2022\na name is a leopard\n11 -1 pm cet, toni areal – room tbc\na sound-and-movement storytelling and improvisation workshop\nwith ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ (pule kajanolintji) \n\na person’s name is a leopard. you know how it looks, since they put it everywhere in pictures and use it to talk about an idea of you. but if you ever encounter it in real life, it is a very special day. i don’t know my own name most of the time, because names don’t hang around waiting for you to know them. they float on the wind and are invisible most of the time. they only really exist in the mouths of certain people at certain times. “!gwē ē ǀeǀeta hi eng-eng” (letters are inside the flesh). a story is like the wind, it comes from far. the breath originates in the body. outside presence is surely known from inside. there is a tapping of the flesh. a name is a leopard. it’s rare to know it in real life…\n\nthis is a sound-and-movement storytelling presentation and structured improvisation workshop about personal names, based on the school of commons (2021/2022) lab called ubungxenye: parthood (https://www.instagram.com/ngxe_parthood/) which was engaged by chantelle lue and pule kajanolintji (ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ). ubungxenye is an experiment in how to organise and programme more fulfilling guided learning, using a principle of wandering (or ukuzula) – how to be confidently unsure.\n\nthe workshop is an attempt to put the ubungxenye lab in the room, as a possible moment to experience moving/sounding and looking/writing in order to feel relational identity, that is, the embodied meaning of concentrative personhood (ubuntu / buntfu / botho / vhuthu / vumunhu / khoexasib – the azanian philosophy that persons only exist as parts of a relational whole realised through interaction).\n\nit will include a retelling of the traditional |xam cosmology story, as a possible alternative framework for meaning, focusing on the names of the !xwenǁasʼo !ʼe or “first-seated people”. then, through sharing the rhythms of our own names in body sound, speech, and visual representation, we might see how terms can be ordered and embodied in a our own conceptual network, to discover unexpected connections possibly tracing more intuitive instructive paths through an archive (inqolobane yelwati). we will try to use digital performative tools for network ontology mapping as a means of play as study, leading into some gentle, close, group improvisations in sound and contact.\n\n\n\nscores for conviviality\n2-4 pm cet, toni areal – room 3.k13\na workshop with topsoil\n\nwe will conduct a workshop that will allow us to physically enact scores and instructions we have gathered in november by invited collaborators and guests. the instructions will be around conditions of entering into caring and convivial relationships, working environments and encounters. the exercises can take the form of creative writing, bodily movement and mapping.\n\nthe learning commons: experimental pedagogies in practice\n5-7.30 pm cet, hybrid event: zoom and at zhdk toni areal\npodium discussion\n\nwe invite you to join us for this podium conversation, bringing together a number of current and former participants of the school of commons. we will discuss the learning commons; reflecting on how our experiences with the school of commons influence us, and how we, in turn, influence the school of commons as a living organism.\n\nprogram:\n5 – 6 pm: talk and q&a with a special guest\n6 – 6:15 pm: break\n6:15 – 7:30 pm – conversation with mujhan abdulzade, marea hildebrand, kit kuksenok, engy mohsen, kameelah janan rasheed, eleonora toniolo, rulla pascal sutter; with digital moderation and (poetic) transcription by lili huston-herterich\n\nlocation:\ntoni areal, zhdk – room zt 4.t06 seminarraum near shift\n\nthis event will be live-streamed – signup for free here! zoom link will be emailed to you once you register.\n\nmonday, december 5th\nfind the fog in uetliberg\n12-3 pm cet, meeting point zürich triemli\na guided walk with lili huston herterich and ߔߎ߯ߟߍ߫ ߞߊ-ߖߊ߬ߣߏ߬ߟߌ߲߯ߗߌ (pule kajanolintji)\n\nmeet at zürich triemli train station. we will walk in/around uetliberg, destination determined by mutual consent. sustenant snacks (vegetarian and vegan) will be provided. please bring your own water, an extra layer of clothing, and a pen and notebook.\n\nfind the fog in uetliberg is a guided walk in, around, up, or down uetliberg, a mountain of the swiss plateau that the city of zürich shares company with. your guide has never been there: lili huston-herterich is an artist based in rotterdam, and has only visited zürich once before. she heard there was fog up there, and wonders if it’s as thick and as generative as the stuff in her head. huston-herterich is interested in cloudiness, in sensing, in silence, in chatter, in edging mountains, in collective mnemonic methods through walking, in consensual destination determination, in breaks, in shared snacks, in reflection, and in poetry. have you ever edged a mountain? after a weekend of conversation, presentation and stimulation, deny climax and start, or continue, wandering.\nwww.lilihustonherterich.com\n\ntuesday, december 6th\nhow to love many in many ways\n4-6pm, toni areal – aktionsraum\nwith invited guests ingo niermann – mohamed al bakeri\n\nhow to love many in many ways is an open-edition collection of games, exercises, and playful texts that depart from expanded notions of “love.” love is so big a concept that it can be grasped and interpreted in innumerable ways; it frames our relationships and the way we connect with ourselves and everyone and everything in our surroundings. stemming from a ground belief that this can only be addressed collectively, engy mohsen and gabriel hensche invited contributors to develop exercises or games responding to the titular question: how to love many in many ways?\n\nengy mohsen and gabriel hensche kicked off with the namesake how to love many in many ways, a set of exercises that invite you to enact many rituals with many options for potential players: yourself, other/s, other other/s. eliana otta responded with rehearsing horizontalities, a set of exercises that create scenarios in which players re-examine their relationship with others by playing with their spatial, choreographic, and acoustic awareness, all while maintaining what she calls a “horizontality pact”. ingo niermann (the army of love) responded with falling in love with the world, an exercise that directs a group to overcome aversions and extend notions of love and care to others or objects. mohamed al bakeri responded with the things you do for love, a boardgame that invites players to think of love as a material need and a commodity, drawing from the world of online dating. petra mrša responded with shivering throats, breaking the walls, playing with alternative notions of intimacy and encounter, presence and absence, and unconventional modes of communication and exchange. philip ullrich responded with take that loving grace, a game in which aspects of love such as the similarities and differences between parties as well as the power struggles that are at play can be explored in pointed ways. rania atef responded with bad mother, a card game that critically and sarcastically scrutinizes the societal gaze on maternal love, mothers’ domestic performance, and the criteria for a “good mother.” raúl hott created total body (radiance), an invitation to understand radiance – an experience of new ways of relating to affect and affection by interacting with all living beings and reconnecting with our planet. shahd omar responded with embodied encounters, a playful attempt to redefine consent as the process of establishing agreements, and how to communicate it beyond verbal exchanges. through our lab with school of commons, we discovered a missing position in the nine current proposals, and invited eleonora toniolo to propose the tenth position.\n\n\n\n****************************************************************************\n\n\n\nexhibitions\nsaturday 3rd to monday 5th of december\ntoni areal zhdk, kunstraum\n\n\nsaturday and sunday 11am-20pm, monday 11- 5pm\n\nsongs of a wooden house by artists collective just listening\naudio installation at toni areal zhdk (audio/ video installation)\n\na participatory acoustic intervention that will allow the encounter of raw sounds of different origin, time and nature. live instruments, field recordings and in situ sounds of a wooden house that can produce a collective sound exploration as an act of listening.\n\nhumdrumpress by amy gowen, andy norstrom, wibke bramesfeld\nexhibition – exhibiting our manifesto for publishing the humdrum way\n\nover the course of our fellowship as part of school of commons, we have been working on devising methods for publications to reach and attract interest from broader audiences, and make publishing more of a “communal” and “commons-based” activity by opening up each stage of the publishing process and exploring the role(s) of publishing in society today.\n\none of the methods we have been using to document this, especially in a way that can be considered as transparent, open, communicable and common-able as possible, is an ongoing manifesto towards our evolving approach to publishing. we chose the manifesto as a form because we consider it an active vehicle to underpin the values, philosophies, missions and visions of a practice, a process or a project, as well as a way of documenting and archiving the more day-to-day maintenance practices that uphold a publishing practice.\n\nour aim is, through the manifesto, to open up and encourage consideration, conversation, exchange, ideas, agreements, disagreements, and future thinking towards processes of publishing and to invite all those who wish to, to contribute to a more communal, commons-based model they to too are welcome to adopt, share and use.\n\nthe result is our “constant-work-in-progress”: a living, breathing manifesto for publishing the humdrum way. this manifesto began as a shareable, fully transparent explanation and exploration of our internal working methods and ongoing publishing practice. once we had written the base text, we began sharing it with friends, colleagues, fellow publishers, and our school of commons community, inviting all to edit, comment, remove, add to and grow the manifesto beyond something that was just “ours” for “our publishing house”, into something that could be useful, and useable for many.\n\nall who wish to, are welcome to interact with the current text in any way they desire, and to add as much or as little as they like. furthermore, for each iteration of the traveling manifesto exhibition we will directly invite local publishers and those in the publishing community to visit and interact with the manifesto. we will be physically present to host these sessions and engage in conversations around publishing and the commons.\n\nthe manifesto will travel to three locations over the course of three weekends:\n\n18th, 19th, 20th november, 2022 – as a window display and event at kiosk, rotterdam\n\n25th, 26th, 27th november, 2022 – as part of the the volumes art book fair exhibition programme\n\n3rd, 4th, 5th december, 2022 – at the kunstraum of toni areal as part of the school of commons closing exhibition\n\n\nofficialese by betül aksu\n\nofficialese is an interactive installation that investigates the ways in which an official language becomes a tool to protect the status quo. the installation presents a work-in-progress research based on real and fictional uses of official languages, both in state and social level, both in and outside the artworld.\n\nthe installation at kunstraum zhdk will present notes, readings, annotations, objects and abstract images from the officialese lab and its collaborators. the documentation of the installation and in-situ contributions will be accessible online at betulaksu.com/officialese as they happen. following the exhibition, there will be a publication about the personal, anonymous and collective stories shared throughout the research.\n\ncuerpo-brújula by lab pedagogico. daniela mora-laura cordero-vanessa de la o. (satélite costa rica)\n\ncuerpo brujula is an installation that includes images and texts produced during three in person, open workshops about the relationship between the body, perception and memory. they took place between june and october in costa rica with a total of sixteen participants. through movement practice, dialogue and individual and collective writing exercises we explored the question of what are the “compasses” that guide these relationships mentioned above.\n\nhow do we know what we know about hormones? by kit kuksenok\npractice-based research journal and selected readings on the subject of understanding unseen body processes and internal communications\n\nwhat does open learning look like here?\nshort film by beth dynowski, christopher scanlan\n\nthis short film is part of long term research on access to arts education in scotland for children, young people and adults. beth dynowski is an artist and researcher and christopher scanlan is an actor, both based in glasgow. her research for school of commons focuses on the complexities of creating a space for open learning in the arts in the east end of glasgow at strangefield and the pipe factory. in this film, scanlan performs for the camera, drawing on his experience of accessing education and work in the arts in the local area.\n\nthe street games of our childhood\nmaria combi, clara thierry, rebeka mondovics, yusuf orhan\n\na video documentation of research in action. the project street games of our childhood is a research project that examines the capacity of street games to inspire contemporary art practices. while street games are considered a kind of clue to discuss urban development, they are also analyzed in terms of movement, sound, material, body, and spatial relations.\n\nin the performance, which is one of the out comings of the project, artist yusuf orhan and dancers maria combi, rebeka mondovics and clara thierry create choreographies by playing four different traditional street games played in turkey, analyzing their various dimensions and abstracting their physical and emotional layers.",{"_type":77,"current":86187},"if-it-is-a-garden-that-has-become-a-wilderness","On alternative environments for learning\nExhibition, Workshops, Performances and Podium\n\nUnveiling the works in progress of the hybrid, multidisciplinary research of SoC’s 2022 fellows and beyond","IF IT IS A GARDEN THAT HAS BECOME A 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The only requirement is curiosity and the willingness to share your perceptions with others. Since merging different backgrounds is so important for the project, if you are a classical musician or had classical music education in the past, please write it in the email.",[],{"_key":86720,"_type":11,"children":86721,"markDefs":86726,"style":24},"459bb8ee18c9",[86722],{"_key":86723,"_type":15,"marks":86724,"text":86725},"84abcc57f487",[],"Each participant will receive Fr. 50 (Fr. 41,50 after taxes) as compensation.",[],[86728,141,86729,58511,107,86730,86731,55132,84093],"open call: in search of a collective attention practice for classical music","toni areal, zurich university of the arts, seminarraum zt 6.f10, pfingstweidstrasse 96, zürich","what do we hear when we listen to classical music? what happens to our attention during the (usually long) time it takes to get to the end of a piece?","laboratories in zurich: \n\nsat. 26.11.2022 10:00 – 12:30\nsun. 27.11.2022 10:00 – 12:30\nwe 30.11.2022 9:30 – 12:00\nwe 30.11.2022 15:00 – 17:00\n\nhidden in plain sight is the ongoing research of a common-based and inclusive attention practice for classical music listening. listeners with all kinds of backgrounds and musical experience (including none) contribute to a collective practice where music is looked at and interpreted with the same undivided attention that it takes to learn a new language.\n\nthe project has developed as a series of laboratories, each including a group of three to five people and me (elisa). after listening to a short piece played live at the piano, we share our different perceptions, thoughts and doubts, finding our way to dive into the piece’s unique musical matter.\n\neach laboratory is not a concert nor a lecture, it is an open conversation. we look for a common vocabulary to talk about what we hear, looking at music as a spoken language that anyone can understand and appreciate.\n\nsometimes interesting discoveries happen within the silence that falls when we don’t know how to describe something, when we are not even sure of what we are feeling. if we are not afraid, and we rely on each other to know more, then we may notice something that was there for us hiding in plain sight, waiting to be found.\n\n\n\nzurich open call\n\nhidden in plain sight will host four open listening&conversation labs between november 26th and 30th. in each lab we will listen to a classical music piece played at the piano, and share our thoughts about it. conversations will be held in english and will be recorded for archival purposes. some extracts, after approval, will be published in the context of school of commons 2022 publications.\n\nto participate you can write an email to hiddeninplainsightsonata@gmail.com selecting the date and time you prefer.\ndrop ins are welcome too!\n\nparticipants are not expected to have any preparation or previous knowledge of classical music. the only requirement is curiosity and the willingness to share your perceptions with others. since merging different backgrounds is so important for the project, if you are a classical musician or had classical music education in the past, please write it in the email.\n\neach participant will receive fr. 50 (fr. 41,50 after taxes) as compensation.",{"_type":77,"current":86733},"open-call-in-search-of-a-collective-attention-practice-for-classical-music","What do we hear when we listen to classical music? 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Listening está integrado por Viviana Porras Álvarez, Leonardo Salgado (",{"_key":86984,"_type":15,"marks":86985,"text":86987},"f3fbe19c00a6",[86986],"817efc48730d","@imagensuburbio",{"_key":86989,"_type":15,"marks":86990,"text":86991},"523fb7e096a0",[],"), Karina Montero, Mark Gillingham y Lea Spelzhausen. 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Proyecto de Josué Rodríguez Miranda que explora la música experimental en las vertientes de la electroacústica, electrónica, noise y ambient.\n\nLa ilustración del flyer es de Viviana Porras.",[87019,87020,87021,87023],{"_key":86986,"_type":41,"href":83556},{"_key":86995,"_type":41,"href":29175},{"_key":87003,"_type":41,"href":87022},"https://www.instagram.com/ruidonoclasta/",{"_key":87012,"_type":41,"href":87024},"https://www.instagram.com/laedaddelsolcr.music/",{"_key":87026,"_type":11,"children":87027,"markDefs":87039,"style":24},"363b1f9102c6",[87028,87032,87036],{"_key":87029,"_type":15,"marks":87030,"text":87031},"ffc5d92cdd90",[],"Details via ",{"_key":87033,"_type":15,"marks":87034,"text":2160},"6f0bd7950e09",[87035],"b6bbab4cb9b7",{"_key":87037,"_type":15,"marks":87038,"text":1125},"0339d216a33b",[],[87040],{"_key":87035,"_type":41,"blank":42,"href":87041},"https://www.instagram.com/p/ClEbjkGvpUb/",[87043,141,58511,107,87044,87045,87046],"songs of a wooden house","el próximo sábado 26 de noviembre a las 7 p.m. llega la sesión ix del canto rodado. esta vez se presentará el colectivo just listening con una exploración sonora en vivo, o ejercicio de escucha colectiva, que involucra grabaciones de campo, instrumentos y lectura de poesía. ","just listening está integrado por viviana porras álvarez, leonardo salgado (@imagensuburbio), karina montero, mark gillingham y lea spelzhausen. su propuesta forma parte de un proyecto de investigación de school of commons @schoolofcommons. el sábado también se sumarán a esta sesión anthony arias y adrián cruz (@ruidonoclasta). además tendré la oportunidad de leer uno de mis poemas inéditos. agradezco a just listening por la invitación.\n\ntambién se presentará en la casa de madera la edad del sol (@laedaddelsolcr.music). proyecto de josué rodríguez miranda que explora la música experimental en las vertientes de la electroacústica, electrónica, noise y ambient.\n\nla ilustración del flyer es de viviana porras.\n\ndetails via instagram.","the flyer illustration by viviana porras.",{"_type":77,"current":87048},"songs-of-a-wooden-house","El próximo sábado 26 de noviembre a las 7 p.m. llega la sesión IX del canto rodado. 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Quantitative data are suggested to be the backbone of predicting one’s future health, but this can hamper, rather than support, everyday citizens’ understanding of their health: predictions based on quantification provide a narrow look at what it means to be healthy or well, and proprietary technologies are riddled with changing, unverifiable, biased inaccuracies. One motivation for self–tracking through “quantified–self” interventions is to gain visibility of an unseen body experience and to control some aspect of life, but the available tools and resources not only fail to deliver on many expectations of visibility and control but also introduce new sources of obscurity and powerlessness.\n\nThis workshop combines expressive, artistic exercises and discussion prompts to highlight otherwise obscured problems of digital health data: when algorithmic decisions on collection and analysis are hidden; and when appealing visualizations look more certain than they ought to. 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The workshop will close with a discussion on how individual data reflections connect to collective reflections on the notion that we can ",{"_key":87643,"_type":15,"marks":87644,"text":87645},"df571623aa5e",[17],"share",{"_key":87647,"_type":15,"marks":87648,"text":4239},"0a69286995fe",[],{"_key":87650,"_type":15,"marks":87651,"text":87652},"0305ea29ca87",[17],"shape",{"_key":87654,"_type":15,"marks":87655,"text":87656},"c511c86464b7",[]," the societal dialogue on what counts in expressing our health, and how working with our own health data can help us be more reflective and critical consumers of data more broadly......",[],{"_key":87659,"_type":11,"children":87660,"markDefs":87665,"style":24},"ef611698eb89",[87661],{"_key":87662,"_type":15,"marks":87663,"text":87664},"ada4a06b063c",[17],"\nFurther Reading",[],{"_key":87667,"_type":11,"children":87668,"markDefs":87673,"style":24},"c9958671397e",[87669],{"_key":87670,"_type":15,"marks":87671,"text":87672},"703a7e0d41b6",[1362],"We draw from various texts, and are especially inspired by:",[],{"_key":87675,"_type":11,"children":87676,"level":1033,"listItem":1708,"markDefs":87698,"style":24},"199a5839263d",[87677,87681,87685,87689,87694],{"_key":87678,"_type":15,"marks":87679,"text":87680},"86ef7fb1918a",[],"D’ignazio, Catherine, and Lauren F. Klein. 2020. ",{"_key":87682,"_type":15,"marks":87683,"text":87684},"b22dbb2713fe",[1362],"Data Feminism",{"_key":87686,"_type":15,"marks":87687,"text":87688},"eb6b54e8b8f8",[],". MIT Press. [",{"_key":87690,"_type":15,"marks":87691,"text":87693},"b685d18abce0",[87692],"c1327c83ae53","You can read it online for free here!",{"_key":87695,"_type":15,"marks":87696,"text":87697},"5b7659d515c1",[],"]",[87699],{"_key":87692,"_type":41,"href":87700},"https://data-feminism.mitpress.mit.edu/",{"_key":87702,"_type":11,"children":87703,"level":1033,"listItem":1708,"markDefs":87716,"style":24},"02ecf31bc7be",[87704,87708,87712],{"_key":87705,"_type":15,"marks":87706,"text":87707},"9cd6c83af558",[],"Lupi, Giorgia, & Stephanie Posavec. 2018. ",{"_key":87709,"_type":15,"marks":87710,"text":87711},"af95b66f7d05",[1362],"Observe, collect, draw!: A visual journal",{"_key":87713,"_type":15,"marks":87714,"text":87715},"649cc864ee1c",[],". Princeton Architectural Press.",[],{"_key":87718,"_type":11,"children":87719,"markDefs":87724,"style":24},"c613909e59e2",[87720],{"_key":87721,"_type":15,"marks":87722,"text":87723},"4e917b18479e",[1362],"The role of art in personal data practice is also something I’ve been exploring with artist Marisa Satsia for the last several years:",[],{"_key":87726,"_type":11,"children":87727,"level":1033,"listItem":1708,"markDefs":87740,"style":24},"c56ed8c19ef7",[87728,87732,87737],{"_key":87729,"_type":15,"marks":87730,"text":87731},"bb2879414dc2",[],"Kuksenok, Kit & Marisa Satstia. 2021. “Know thy Flesh: What Multi-disciplinary Contemporary Art Teaches Us about Building Body Knowledge.” xCoAx 2021 Proceedings. [",{"_key":87733,"_type":15,"marks":87734,"text":87736},"e889f1ae38e6",[87735],"68443e340129","Free PDF",{"_key":87738,"_type":15,"marks":87739,"text":87697},"f93e112421b6",[],[87741],{"_key":87735,"_type":41,"href":87742},"https://2021.xcoax.org/data/pdf/xCoAx2021-Kuksenok.pdf",[87744,141,87745,540,107,87746,87747,87748,55095],"beyond prediction: data reflections ​​from me to us","alte münze, molkenmarkt 2, 10179 berlin","this workshop is part of the weizenbaum conference) kit kuksenok, christel de maeyer, and minha lee. it incorporates the activities, prompts, and methods under investigation in the safety in numbers project.","*this is a slightly different time than in some older versions of the online program, but this one is correct. the finalized program will be accurate closer to the conference date, too.\n\nunlike other poetic events within the safety in numbers project, this workshop will engage (1) with health more generally than hormones, and (2) more with questions of data sovereignty than of health or bodily experience. through this workshop, participants will:\n\ntry out new ways of encountering tracked and health data for reflection\n\npractice applying critical and reflective data practices to health data and beyond\n\nexperience community data reflection in action, and reflect on their values with respect to data\n\nplease feel free to reach out ig/@xn_ze_ro with any questions!.....","workshop abstract\n\nin this 2h workshop, we will consider problems of digital data, starting with data that is constantly collected about our bodies and health.\n\ngathered data, such as steps walked or hours slept, are quantified summaries of behavior that can be difficult to interpret meaningfully or to act upon. quantitative data are suggested to be the backbone of predicting one’s future health, but this can hamper, rather than support, everyday citizens’ understanding of their health: predictions based on quantification provide a narrow look at what it means to be healthy or well, and proprietary technologies are riddled with changing, unverifiable, biased inaccuracies. one motivation for self–tracking through “quantified–self” interventions is to gain visibility of an unseen body experience and to control some aspect of life, but the available tools and resources not only fail to deliver on many expectations of visibility and control but also introduce new sources of obscurity and powerlessness.\n\nthis workshop combines expressive, artistic exercises and discussion prompts to highlight otherwise obscured problems of digital health data: when algorithmic decisions on collection and analysis are hidden; and when appealing visualizations look more certain than they ought to. we explore how data are not gathered, i.e., out there to be “discovered”, but designed. we can participate actively in constructing ways to represent ourselves. second, we consider rich data generation, starting with qualitative data we design. qualitative data, such as visuals or text, resist common summarization practices that quantitative data affords, and are thus rich sites for considering the role of algorithmic classification and summary visualization to reduce and contain. based on prior workshops that feature daily artistic practices of re–thinking what data can be, the organizers offer activities on designing data reflections to move beyond quantifying our health states.\n\nthe workshop activities advocate in–person, hands–on artistic data creations. this is done to foster a greater engagement on the following: we see ourselves not as passively predicted beings, but as actively reflective beings. the workshop will close with a discussion on how individual data reflections connect to collective reflections on the notion that we can share and shape the societal dialogue on what counts in expressing our health, and how working with our own health data can help us be more reflective and critical consumers of data more broadly......\n\n\nfurther reading\n\nwe draw from various texts, and are especially inspired by:\n\nd’ignazio, catherine, and lauren f. klein. 2020. data feminism. mit press. 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a background in theater and further education in audiovisual media, performance, critical theory and game design, her artistic practice is marked by a synthesis of different disciplines and perspectives. 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Worlding",{"_key":88281,"_type":15,"marks":88282,"text":88283},"bda9a4bb299b",[],"\n\nThe research begins with attempts at dissolving the illusion of a ‘common world’, that appears already co-opted by satisfying hegemonial claims for (its) order. Taking the underlying theory of multiple worlds1 as a point of departure, it aims to develop and assess different exercises in Collective Worlding through methodologies of Dreaming, Storytelling, Gaming and Dialoguing.",[],{"_key":88286,"_type":11,"children":88287,"markDefs":88292,"style":24},"d214210ddda1",[88288],{"_key":88289,"_type":15,"marks":88290,"text":88291},"ce47bf30c31f",[],"The development of those methods builds on and extends the ongoing research project DISTANT BODIES AND ACCOMPLICES that explores the hybridization of online game play and performance. The MAPP project will focus on developing interactive narrative formats that evoke a conspiratorial attitude and experiences of bleed. ‘Conspiratorial’ gameplay engages players without automatically antagonizing them. They col-lude, which means they play together, against the game itself, which makes them Accomplices. The notion of the Accomplice is similar to that of the trickster but it implies a relatedness. Their belonging is not necessarily based on likeness or next of kin but bound by a common goal. ‘Bleed ’ is a term used in LARP (Live Action Role Play) to describe the grey zone between fiction and reality, where the border between player and character dissolves.2 The research is committed to show the fragility of that boundary and to understand collective dynamics in the construction of fiction and reality.",[],{"_key":88294,"_type":11,"children":88295,"markDefs":88307,"style":24},"f24d6480ab08",[88296,88300,88303],{"_key":88297,"_type":15,"marks":88298,"text":88299},"bc99d58afd0c",[17],"What can we learn from the collective fictions that our mind produces?",{"_key":88301,"_type":15,"marks":88302,"text":1768},"6e98ffd5a824",[],{"_key":88304,"_type":15,"marks":88305,"text":88306},"d79599ae7a7d",[17],"From the choices we make playing in them?",[],{"_key":88309,"_type":11,"children":88310,"markDefs":88315,"style":24},"b52ca62a7284",[88311],{"_key":88312,"_type":15,"marks":88313,"text":88314},"d778f2ec775f",[],"‘Conspiratorial Bleed’ fosters the mutual acknowledgement of colliding worlds and yet the willful temporary crafting and inhibiting of common space. This also happens in games in which the creation and negotiation of a shared gamespace become central, despite being in physically or mentally distant places. There are different ideas of what the activity of worlding3 pertains. 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His research compliments this work through the development of methods for decentralized music creation.",[],{"_key":88728,"_type":11,"children":88729,"markDefs":88734,"style":24},"143502727ce1",[88730],{"_key":88731,"_type":15,"marks":88732,"text":88733},"6d169efaeea30",[],"As an organizer and educator, Gordon is committed to building accessible, inclusive and vital communities through art and music making. He holds a Master’s in Music Composition from the HKU Utrechts Conservatorium.",[],"Gordon H. Williams is an artist and musician creating work to study human conditions, with a focus on affect, perception and relation. 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Williams",{"_id":88753,"_type":576,"activeYears":88754,"bio":88757,"bioShort":88765,"featuredImage":75,"filterables":88766,"links":88769,"locations":75,"searchables":88771,"seo":75,"slug":88773,"title":88775},"a89ca882-49ed-48c5-aeb5-cf83c56374b8",[88755],{"_id":2115,"_type":580,"seo":75,"slug":88756,"title":2118},{"_type":77,"current":2117},[88758],{"_key":88759,"_type":11,"children":88760,"markDefs":88764,"style":24},"796a8c741fe7",[88761],{"_key":88762,"_type":15,"marks":88763,"text":13415},"551e8898958e",[],[],"Agustin is a Percussionist.",{"filterYear":88767},[88768],{"_id":2115,"title":2118},[88770],{"_type":607,"label":88654,"url":88655},[88772,2117],"agustin faundez rojas",{"_type":77,"current":88774},"agustin-faundez-rojas","Agustin Faundez Rojas",{"alt":88777,"asset":88778},"School of Commons - Fire is Scary: Translations Sound and Image",{"_id":88779,"height":20696,"orientation":598,"ratio":88780,"url":88781,"width":5430},"image-3a60e70e1cf8fc2f19e50a4b7329afd66a8f41f9-1280x1008-jpg",1.2698412698412698,"https://cdn.sanity.io/images/eodip22e/production/3a60e70e1cf8fc2f19e50a4b7329afd66a8f41f9-1280x1008.jpg",{"filterCategory":88783,"filterLocation":88787,"filterYear":88789},[88784,88785,88786],{"_id":13269,"title":13274},{"_id":158,"title":161},{"_id":248,"title":251},[88788],{"_id":139,"title":142},[88790],{"_id":2115,"title":2118},[],{"locations":88793,"other":75},[88794],{"_id":139,"_type":121,"seo":75,"slug":88795,"title":142},{"_type":77,"current":141},[88797,88814],{"_type":813,"caption":88798,"image":88807},[88799],{"_key":88800,"_type":11,"children":88801,"markDefs":88806,"style":24},"90d1fc9fab83",[88802],{"_key":88803,"_type":15,"marks":88804,"text":88805},"53f1be833e570",[],"FiS Installation performance, Sol Enae Lee",[],{"alt":88808,"asset":88809},"FiS-Installationperformance-Sol",{"_id":88810,"height":640,"orientation":637,"ratio":88811,"url":88812,"width":88813},"image-15a220ac67b295a440e5468cd36aff6110179ddf-809x1080-jpg",0.7490740740740741,"https://cdn.sanity.io/images/eodip22e/production/15a220ac67b295a440e5468cd36aff6110179ddf-809x1080.jpg",809,{"_type":728,"settings":75,"text":88815},[88816,88842,88857,88880,88896],{"_key":88817,"_type":11,"children":88818,"markDefs":88841,"style":24},"45818b261e67",[88819,88823,88827,88830,88833,88837],{"_key":88820,"_type":15,"marks":88821,"text":88822},"69d4988f15710",[1362],"Fire is Scary",{"_key":88824,"_type":15,"marks":88825,"text":88826},"69d4988f15711",[]," is a collaboration between artists Sol Enae Lee and Gordon H. Williams and musicians Agustin Faundez Rojas and Ariel Sin Yu Lee. The themes of this project are translation, ",{"_key":88828,"_type":15,"marks":88829,"text":88476},"69d4988f15712",[1362],{"_key":88831,"_type":15,"marks":88832,"text":5102},"69d4988f15713",[],{"_key":88834,"_type":15,"marks":88835,"text":88836},"69d4988f15714",[1362],"borderlands",{"_key":88838,"_type":15,"marks":88839,"text":88840},"69d4988f15715",[]," (from Gloria E. Anzaldua- the experience of living between/across cultures) and learning to live in a damaged world.",[],{"_key":88843,"_type":11,"children":88844,"markDefs":88856,"style":24},"2a2a947d529c",[88845,88849,88852],{"_key":88846,"_type":15,"marks":88847,"text":88848},"ade6b343afd50",[],"Translation figures both literally and metaphorically in our work, starting from Sol Enae Lee’s texts, which inspired the music for ",{"_key":88850,"_type":15,"marks":88851,"text":88822},"ade6b343afd51",[1362],{"_key":88853,"_type":15,"marks":88854,"text":88855},"ade6b343afd52",[],". In our work, translation also plays a role as we move between the domains of visual art, design, music and text, as well as between our various cultural perspectives.",[],{"_key":88858,"_type":11,"children":88859,"markDefs":88879,"style":24},"f4edeae7cdee",[88860,88864,88868,88872,88875],{"_key":88861,"_type":15,"marks":88862,"text":88863},"d9bb82a61fc40",[],"The research project ",{"_key":88865,"_type":15,"marks":88866,"text":88867},"d9bb82a61fc41",[1362],"Fire is Scary: Translations of Sound and Image",{"_key":88869,"_type":15,"marks":88870,"text":88871},"d9bb82a61fc42",[]," is aimed at developing techniques of translation between sound and image, as an extension of ",{"_key":88873,"_type":15,"marks":88874,"text":88822},"d9bb82a61fc43",[1362],{"_key":88876,"_type":15,"marks":88877,"text":88878},"d9bb82a61fc44",[]," and as an investigation into how to share, present and transfer musical work (in particular the work that we have created together). This research will look at what is lost, distorted, and generated in the process of translation.",[],{"_key":88881,"_type":11,"children":88882,"markDefs":88895,"style":24},"7278a5d80c7f",[88883,88887,88891],{"_key":88884,"_type":15,"marks":88885,"text":88886},"8524439201910",[],"Accordingly the research questions for this project are ‘What is lost, distorted and generated in the translation between sound and image?’ and ‘How can the themes of translation, ",{"_key":88888,"_type":15,"marks":88889,"text":88890},"8524439201911",[1362],"the borderlands",{"_key":88892,"_type":15,"marks":88893,"text":88894},"8524439201912",[],", and living to live in a damaged world guide and shape the sharing, presentation and transfer of music?’",[],{"_key":88897,"_type":11,"children":88898,"markDefs":88903,"style":24},"fcc4cf87a056",[88899],{"_key":88900,"_type":15,"marks":88901,"text":88902},"ce8cc89836bf0",[],"This research will be presented in a publication containing various documentation from our collective work, including Sol’s lyrics, various translations, images of translated sound, newly composed images, writings and notations.",[],[88905,88913],{"_key":88906,"_type":11,"children":88907,"markDefs":88912,"style":24},"279b14fa1b35",[88908],{"_key":88909,"_type":15,"marks":88910,"text":88911},"f4320d61c84e",[],"What is lost, distorted and generated in the translation between sound and image?’ ",[],{"_key":88914,"_type":11,"children":88915,"markDefs":88926,"style":24},"5a75c047f833",[88916,88920,88923],{"_key":88917,"_type":15,"marks":88918,"text":88919},"ee7e1c8d0b22",[],"How can the themes of translation, ",{"_key":88921,"_type":15,"marks":88922,"text":88890},"2f1134fe8254",[1362],{"_key":88924,"_type":15,"marks":88925,"text":88894},"04a9cd6e453c",[],[],[88928,2117,141,88669,88709,88748,88772,88929,13273,24208,3387],"fire is scary: translations sound and image","fire is scary is a collaboration between artists sol enae lee and gordon h. williams and musicians agustin faundez rojas and ariel sin yu lee. the themes of this project are translation, the borderlands (from gloria e. anzaldua- the experience of living between/across cultures) and learning to live in a damaged world.\n\ntranslation figures both literally and metaphorically in our work, starting from sol enae lee’s texts, which inspired the music for fire is scary. in our work, translation also plays a role as we move between the domains of visual art, design, music and text, as well as between our various cultural perspectives.\n\nthe research project fire is scary: translations of sound and image is aimed at developing techniques of translation between sound and image, as an extension of fire is scary and as an investigation into how to share, present and transfer musical work (in particular the work that we have created together). this research will look at what is lost, distorted, and generated in the process of translation.\n\naccordingly the research questions for this project are ‘what is lost, distorted and generated in the translation between sound and image?’ and ‘how can the themes of translation, the borderlands, and living to live in a damaged world guide and shape the sharing, presentation and transfer of music?’\n\nthis research will be presented in a publication containing various documentation from our collective work, including sol’s lyrics, various translations, images of translated sound, newly composed images, writings and notations.",{"_type":77,"current":88931},"fire-is-scary-translations-sound-and-image","Fire is Scary: Translations Sound and Image",{"locations":88934,"other":88937},[88935],{"_id":144,"_type":121,"seo":75,"slug":88936,"title":147},{"_type":77,"current":146},[],[88939],{"_type":728,"settings":75,"text":88940},[88941,88961,88972],{"_key":88942,"_type":11,"children":88943,"markDefs":88960,"style":24},"33e828fac123",[88944,88948,88952,88956],{"_key":88945,"_type":15,"marks":88946,"text":88947},"35e8ff67cd63",[17],"Commons – Für wen ist die Kunst?",{"_key":88949,"_type":15,"marks":88950,"text":88951},"f2a9d3769885",[],"\n\nFür wen ist die Kunst, wer ist der Adressat? Die neuzeitliche Philosophie hatte Kunst (und damit auch Musik) als etwas gedacht, das jeden Menschen berühren kann: als ein Universales, als Ausdruck des Menschseins der Menschen. Alt ist aber auch die Infragestellung dieser Universalität. Angeregt von dieser Kritik entstanden immer wieder neue Kunstformen. Der Rahmen, in dem neue und alte Kunst sich einem Publikum darbieten, wurde hinterfragt. Institutionenkritik sowie die Debatte über die Auswirkungen des westlichen Universalitätsanspruchs haben auch in letzter Zeit dazu geführt, die Trennlinie zwischen Kunst und Leben neu zu verhandeln.\nDass sich die Künste auf etwas Gemeinsames beziehen, und sei es auch nur auf eine Öffentlichkeit, ist unumstritten. Gestritten wird darüber, wie dieses Gemeinsame zu verstehen ist.\n\n",{"_key":88953,"_type":15,"marks":88954,"text":88955},"bb2837e28818",[17],"Commons",{"_key":88957,"_type":15,"marks":88958,"text":88959},"63e14296fb99",[]," ist das Stichwort einer aktuellen Debatte, die die gemeinsame Dimension geteilter Güter thematisiert. Natürliche und kulturelle Ressourcen sowie digitale und reale Räume bedingen das gesellschaftliche Miteinander. Angefangen bei Luft und Wasser bis hin zu Bildung und Technologie sind die geteilten Güter Privatisierungsprozessen ausgesetzt. Sind die Künste ein Gemeingut? Machen sie Universales erfahrbar? Geht es in ihnen um ein Gemeinsames im Herzen der geteilten Güter?\n\nWir laden am Campus Gegenwart Künstler*innen, Kulturproduzent*innen und Theoretiker*innen von den Bereichen Musik über Theater bis hin zur Bildenden Kunst ein, über die gemeinsame Dimension der Kunst und Musik unter gegenwärtigen Bedingungen zu debattieren.\n\nFür wen ist die Kunst, wer ist der Adressat? Die neuzeitliche Philosophie hatte Kunst (und damit auch Musik) als etwas gedacht, das jeden Menschen berühren kann: als ein Universales, als Ausdruck des Menschseins der Menschen. Alt ist aber auch die Infragestellung dieser Universalität. Angeregt von dieser Kritik entstanden immer wieder neue Kunstformen. Der Rahmen, in dem neue und alte Kunst sich einem Publikum darbieten, wurde hinterfragt. Institutionenkritik sowie die Debatte über die Auswirkungen des westlichen Universalitätsanspruchs haben auch in letzter Zeit dazu geführt, die Trennlinie zwischen Kunst und Leben neu zu verhandeln.\nDass sich die Künste auf etwas Gemeinsames beziehen, und sei es auch nur auf eine Öffentlichkeit, ist unumstritten. Gestritten wird darüber, wie dieses Gemeinsame zu verstehen ist.",[],{"_key":88962,"_type":11,"children":88963,"markDefs":88971,"style":24},"8cd1bcc24be2",[88964,88967],{"_key":88965,"_type":15,"marks":88966,"text":88955},"ae23bb657351",[17],{"_key":88968,"_type":15,"marks":88969,"text":88970},"a277dcefbe82",[]," ist das Stichwort einer aktuellen Debatte, die die gemeinsame Dimension geteilter Güter thematisiert. Natürliche und kulturelle Ressourcen sowie digitale und reale Räume bedingen das gesellschaftliche Miteinander. Angefangen bei Luft und Wasser bis hin zu Bildung und Technologie sind die geteilten Güter Privatisierungsprozessen ausgesetzt. Sind die Künste ein Gemeingut? Machen sie Universales erfahrbar? Geht es in ihnen um ein Gemeinsames im Herzen der geteilten Güter?",[],{"_key":88973,"_type":11,"children":88974,"markDefs":88979,"style":24},"8840a13c9b6a",[88975],{"_key":88976,"_type":15,"marks":88977,"text":88978},"8fc0dc0d37ea",[],"Wir laden am Campus Gegenwart Künstler*innen, Kulturproduzent*innen und Theoretiker*innen von den Bereichen Musik über Theater bis hin zur Bildenden Kunst ein, über die gemeinsame Dimension der Kunst und Musik unter gegenwärtigen Bedingungen zu debattieren.",[],[88981,146,500,200,3386,112,88982,88983,3904,88984],"an infinite, incomplete series: on ways of working within the school of commons","marea hildebrand will speak on the concept of school of commons, the future of learning and international peer-to-peer learning from her experience as the founder of school of commons.","commons – für wen ist die kunst?\n\nfür wen ist die kunst, wer ist der adressat? die neuzeitliche philosophie hatte kunst (und damit auch musik) als etwas gedacht, das jeden menschen berühren kann: als ein universales, als ausdruck des menschseins der menschen. alt ist aber auch die infragestellung dieser universalität. angeregt von dieser kritik entstanden immer wieder neue kunstformen. der rahmen, in dem neue und alte kunst sich einem publikum darbieten, wurde hinterfragt. institutionenkritik sowie die debatte über die auswirkungen des westlichen universalitätsanspruchs haben auch in letzter zeit dazu geführt, die trennlinie zwischen kunst und leben neu zu verhandeln.\ndass sich die künste auf etwas gemeinsames beziehen, und sei es auch nur auf eine öffentlichkeit, ist unumstritten. gestritten wird darüber, wie dieses gemeinsame zu verstehen ist.\n\ncommons ist das stichwort einer aktuellen debatte, die die gemeinsame dimension geteilter güter thematisiert. natürliche und kulturelle ressourcen sowie digitale und reale räume bedingen das gesellschaftliche miteinander. angefangen bei luft und wasser bis hin zu bildung und technologie sind die geteilten güter privatisierungsprozessen ausgesetzt. sind die künste ein gemeingut? machen sie universales erfahrbar? geht es in ihnen um ein gemeinsames im herzen der geteilten güter?\n\nwir laden am campus gegenwart künstler*innen, kulturproduzent*innen und theoretiker*innen von den bereichen musik über theater bis hin zur bildenden kunst ein, über die gemeinsame dimension der kunst und musik unter gegenwärtigen bedingungen zu debattieren.\n\nfür wen ist die kunst, wer ist der adressat? die neuzeitliche philosophie hatte kunst (und damit auch musik) als etwas gedacht, das jeden menschen berühren kann: als ein universales, als ausdruck des menschseins der menschen. alt ist aber auch die infragestellung dieser universalität. angeregt von dieser kritik entstanden immer wieder neue kunstformen. der rahmen, in dem neue und alte kunst sich einem publikum darbieten, wurde hinterfragt. institutionenkritik sowie die debatte über die auswirkungen des westlichen universalitätsanspruchs haben auch in letzter zeit dazu geführt, die trennlinie zwischen kunst und leben neu zu verhandeln.\ndass sich die künste auf etwas gemeinsames beziehen, und sei es auch nur auf eine öffentlichkeit, ist unumstritten. gestritten wird darüber, wie dieses gemeinsame zu verstehen ist.\n\ncommons ist das stichwort einer aktuellen debatte, die die gemeinsame dimension geteilter güter thematisiert. natürliche und kulturelle ressourcen sowie digitale und reale räume bedingen das gesellschaftliche miteinander. angefangen bei luft und wasser bis hin zu bildung und technologie sind die geteilten güter privatisierungsprozessen ausgesetzt. sind die künste ein gemeingut? machen sie universales erfahrbar? geht es in ihnen um ein gemeinsames im herzen der geteilten güter?\n\nwir laden am campus gegenwart künstler*innen, kulturproduzent*innen und theoretiker*innen von den bereichen musik über theater bis hin zur bildenden kunst ein, über die gemeinsame dimension der kunst und musik unter gegenwärtigen bedingungen zu debattieren.","image: bureau of commons is a self-declared territory made of a blue plastic sheet. a performance-installation, the bureau authorizes people to reflect on free movement of persons collectively. a project by betül aksu",{"_type":77,"current":88986},"an-infinite-incomplete-series-on-ways-of-working-within-the-school-of-commons","Marea Hildebrand will speak on the concept of School of Commons, the future of learning and international peer-to-peer learning from her experience as the founder of School of Commons.","An Infinite, Incomplete Series: On ways of working within the School of Commons",[88990],{"_id":110,"_type":97,"seo":75,"slug":88991,"title":113},{"_type":77,"current":112},{"_id":88993,"_type":556,"additionalDetails":88994,"categories":89023,"credits":89039,"dates":89136,"events":89139,"featuredImage":89140,"filterables":89145,"labs":89156,"locations":89383,"pageBuilder":89388,"parentEvent":75,"searchables":89426,"seo":75,"slug":89430,"summary":89432,"title":89141,"types":89433},"43968a7b-bab7-44a4-8a66-fa0d28f0f707",[88995],{"_key":88996,"_type":11,"children":88997,"markDefs":89018,"style":24},"cb456761043f",[88998,89002,89006,89010,89015],{"_key":88999,"_type":15,"marks":89000,"text":89001},"c89596b47f62",[],"You can participate ",{"_key":89003,"_type":15,"marks":89004,"text":28200},"2714144475b0",[89005],"0d6f4384a06f",{"_key":89007,"_type":15,"marks":89008,"text":89009},"176cc4be0db9",[]," through this link or ",{"_key":89011,"_type":15,"marks":89012,"text":89014},"556f6cf0242d",[89013],"b7b765ead00c","via 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speaks about women and plants, about medicine and rituals, it cares about care and maintenance, it holds collectives memories and individual stories.",[],{"_key":89056,"_type":11,"children":89057,"markDefs":89062,"style":24},"d6b1201b2ceb",[89058],{"_key":89059,"_type":15,"marks":89060,"text":89061},"3203e2f3b1350",[],"PlanteSorcières is an attempt to reflect (on) our position, as women, (re)narrating the history of the women before us.",[],{"_key":89064,"_type":11,"children":89065,"markDefs":89070,"style":24},"df2afc045c31",[89066],{"_key":89067,"_type":15,"marks":89068,"text":89069},"4d02377b15410",[],"It speaks of a history of power, about a persecuted knowledge and forgotten voices.",[],{"_key":89072,"_type":11,"children":89073,"markDefs":89078,"style":24},"cbe86cf1018a",[89074],{"_key":89075,"_type":15,"marks":89076,"text":89077},"90b9705fc4b80",[],"It tells stories of relationships and encounters, moving through the present – from the past – giving possible views of the 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belongs to the movement of Las Guardianas del Territorio de Curarrehue, Council of Lonko and is co-founder of the Walüng Fair.",[],"Raquel is an intercultural educator and prominent leader of the Mapuche community “Manuel Marillanca” of Maichin LLafa (Araucanía, Chile). 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banks are banks in the sense of places of collection, protection and exchange, but they are also archives. They contain biological and genetic information and organic DNA, but they also contain stories, narratives and imaginary tools, so to be considered as memory containers.",[],{"_key":89341,"_type":11,"children":89342,"markDefs":89347,"style":24},"c3caa3a8df2f",[89343],{"_key":89344,"_type":15,"marks":89345,"text":89346},"1e6f2bd081e50",[],"The genetic material presented in them is intertwined and embedded with the stories of the plants to which it belongs, and with the stories of the people who created the collection and who take care of it.",[],{"_key":89349,"_type":11,"children":89350,"markDefs":89355,"style":24},"c6da86ec65c4",[89351],{"_key":89352,"_type":15,"marks":89353,"text":89354},"34b1c0e891830",[],"Seed banks are also tools to preserve life and the biological variety and to fight for food safety and food sovereignty, a space of resistance to capitalist transgenic biotechnologies. Groups of people around the world are organizing themself to create these spaces to save not only their lives and the ones of future generations but also cultures and traditions.",[],{"_key":89357,"_type":11,"children":89358,"markDefs":89363,"style":24},"280f6196a38e",[89359],{"_key":89360,"_type":15,"marks":89361,"text":89362},"4c5efb9dfa610",[],"With “A thousand times we will grow” we want to study how activities of gathering, preservation, maintenance and care are activated as resistance practices. We want to observe these strategies in different countries, focusing our attention on both self-managed granoteque and institutional bank seeds. Our field research will be moving between countries, following different groups who organized themselves to create self-managed seed banks to counteract the processes of destruction of biological variety and local traditions by multinationals.",[],{"_type":813,"caption":75,"image":89365},{"alt":75,"asset":89366},{"_id":89307,"height":640,"orientation":1032,"ratio":1033,"url":89308,"width":640},{"_type":728,"settings":75,"text":89368},[89369],{"_key":89370,"_type":11,"children":89371,"markDefs":89376,"style":24},"63fd60495e8b",[89372],{"_key":89373,"_type":15,"marks":89374,"text":89375},"777079fb66cc",[],"We are interested in investigating how care can be considered a practice of resistance and a defense strategy and how these practices can develop through alliances with the vegetal world. 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Using the symbolic and ritualistic methods common in traditional and contemporary occult lineages as experiential learning opportunities, this project hopes to make radical, liberatory pedagogy accessible to non-specialised audiences.",[],{"_key":89550,"_type":11,"children":89551,"markDefs":89556,"style":24},"82a32f6d7b25",[89552],{"_key":89553,"_type":15,"marks":89554,"text":89555},"fb5163b69b420",[],"This research project is based on the understanding that commons include ways of being together in the world, outside the realm of marketisation and ownership. The focus of the practices offered and co-created will therefore be on the relational aspect of commoning. Symbolism and vocabulary from the realm of magick will be explored as a way to transcend the mind’s habitual barricades and to invoke new worlds of relating possibilities. The research will emphasize methods that focus on our embodied nature and learning through the body. Specific disciplines that will inform the research include Social Presencing Theater, Somatic Experiencing, Systemic Constellations, IFS, Circling, Authentic Relating, CI, Underscore and poetic ideation.",[],{"_key":89558,"_type":11,"children":89559,"markDefs":89564,"style":24},"984bc2c66b51",[89560],{"_key":89561,"_type":15,"marks":89562,"text":89563},"34021e7405080",[],"The tangible artifact resulting from this 10-month pedagogical research will be a co-created spellbook, containing all newly devised practices and rituals. This open-source Spellbook will be freely accessible online for anyone to play with and expand on during and beyond the duration of the project. 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The focus of this session will be on surrendered, decentralised leadership. The practice of Circling will be introduced and explored as a way to dissolve the common polar structures of traditional pedagogy – experts and amateurs, students and teachers. What type of constellation and power dynamic emerge when formal power is decentralised? What deep-rooted beliefs about learning and epistemological authority can be alchemically transmuted?",[],{"_key":89591,"_type":11,"children":89592,"markDefs":89597,"style":24},"a53e23a2bba8",[89593],{"_key":89594,"_type":15,"marks":89595,"text":89596},"ddeba18e71cd0",[],"// As above so below. Playing with the communities within whilst connecting with the community outside. The method of Internal Family System, which creates a framework to explore the multiplicity of individuals will be used to create community Constellations.",[],{"_key":89599,"_type":11,"children":89600,"markDefs":89605,"style":24},"b982bc8b40ac",[89601],{"_key":89602,"_type":15,"marks":89603,"text":89604},"ca676d9f08900",[],"/// No-sense. Movement-based practices to explore the possibilities of relating non-verbally. Devising of Initiation Rituals. What possibilities emerge when we learn and connect through the body?",[],{"_key":89607,"_type":11,"children":89608,"markDefs":89613,"style":24},"bc6be14edfa4",[89609],{"_key":89610,"_type":15,"marks":89611,"text":89612},"22454d1616ab0",[],"//// The Sacred in the Mundane. Finding and creating the sacred and ceremonial in our everyday relating. Exploring devising Sigils as holders of meaning.",[],[89615,89623,89631],{"_key":89616,"_type":11,"children":89617,"markDefs":89622,"style":24},"d70b0c6027d8",[89618],{"_key":89619,"_type":15,"marks":89620,"text":89621},"b28ef5662b02",[],"What is the pedagogical potential of magick? ",[],{"_key":89624,"_type":11,"children":89625,"markDefs":89630,"style":24},"6d6372c5ae01",[89626],{"_key":89627,"_type":15,"marks":89628,"text":89629},"041a036b4060",[],"Can practices from the realm of mysticism liberate learning from the particular institutional cages it has predominantly inhabited? 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It seeks to promote interdisciplinary critical thinking that connects arts, architecture and education with broader social, political and environmental concerns. The motivation that fuels our projects is the question of how can we take a deeper and more critical look at our daily actions and artistical/architectonical practices to connect them with a wider context, evidencing the relationality, externalization and responsibility of our ways of being together, consuming, thinking or living. This is why the projects we propose are mere excuses for collective thinking and encounter, opportunities to take a small pause, reflect and connect distant dots. All of this is done for the pleasure and enjoyment of being and learning together.",[],{"_type":810,"slides":90545},[90546,90551],{"_type":813,"caption":75,"image":90547},{"alt":75,"asset":90548},{"_id":90549,"height":1031,"orientation":1032,"ratio":1033,"url":90550,"width":1031},"image-d7ffae26eed3d4217db618c48f922af487526560-2560x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/d7ffae26eed3d4217db618c48f922af487526560-2560x2560.jpg",{"_type":813,"caption":75,"image":90552},{"alt":75,"asset":90553},{"_id":90554,"height":1031,"orientation":1032,"ratio":1033,"url":90555,"width":1031},"image-ef43ef94d7d32d531ffead978cace45d1e871cf1-2560x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/ef43ef94d7d32d531ffead978cace45d1e871cf1-2560x2560.jpg",[90557,90565],{"_key":90558,"_type":11,"children":90559,"markDefs":90564,"style":24},"e1d83d3993f8",[90560],{"_key":90561,"_type":15,"marks":90562,"text":90563},"58c3038e37490",[],"How these concepts could be used as tools for creating learning experiences that sustain a global research group over time? ",[],{"_key":90566,"_type":11,"children":90567,"markDefs":90572,"style":24},"bc3ccb1f96aa",[90568],{"_key":90569,"_type":15,"marks":90570,"text":90571},"fb1496135a44",[],"How can we articulate rhizomatic de-centralized learning experiences that promote information exchange within the participants and nurture their subjectivities?",[],[90574,2117,7747,90368,90575,90576,3385,90577,14259,170,260,13995],"slow blur gentle","lab proposed by archipielago, a research platform in arts, architecture and education based in costa rica, central america. it aims to experiment with how ideas of slowness, blurriness and gentleness could be transversal methodologies for research, learning and mediation. the project explores two questions. how these concepts could be used as tools for creating learning experiences that sustain a global research group over time? and, how can we articulate rhizomatic de-centralized learning experiences that promote information exchange within the participants and nurture their subjectivities?\n\nfor this project, slowness refers to idiorhythmic learning processes that allow the proliferation of subjective tonalities and ways of acting. blurriness is related to the openness of the learning experience, it is not set in a fixed thematic line but rather in a rhizomatic structure that drifts around related subjects. and finally, gentleness speaks of the tactile aspect of the experience, how it is based on the respect of others time and energy but also active listening of their urgencies and thematic interests. slow, blur and gentle are both methods of work and conceptual prompts to unfold related research topics, such as ways of production and mediation of knowledge, ways of living, care, community, micropolitics among others.\n\nthe project will invite local and international researchers and practitioners in art, architecture and education to engage in a 3 to 5 month learning experience called diagonal encounters. the study group will be based on a decentralized methodology in which most of the collective learning process will be developed asynchronous and through the sharing of texts, reading materials, links and prompts between the participants. by allowing them to work in their own time, it will be possible to engage in a more paused communication that can be sustained over time. the outcome of the study group, bibliographical references and methodological prompts will be edited by archipielago in a digital and printed publication at the end of the process.","archipielago is a project born of the need for innovative and experimental ways of learning, researching and thinking together in the central american context. it seeks to promote interdisciplinary critical thinking that connects arts, architecture and education with broader social, political and environmental concerns. the motivation that fuels our projects is the question of how can we take a deeper and more critical look at our daily actions and artistical/architectonical practices to connect them with a wider context, evidencing the relationality, externalization and responsibility of our ways of being together, consuming, thinking or living. this is why the projects we propose are mere excuses for collective thinking and encounter, opportunities to take a small pause, reflect and connect distant dots. all of this is done for the pleasure and enjoyment of being and learning together.","minimal viable learning",{"_type":77,"current":90579},"slow-blur-gentle","Slow Blur Gentle",{"locations":90582,"other":90587},[90583,90585],{"_id":134,"_type":121,"seo":75,"slug":90584,"title":137},{"_type":77,"current":136},{"_id":144,"_type":121,"seo":75,"slug":90586,"title":147},{"_type":77,"current":146},[],[90589,90686],{"_type":728,"settings":75,"text":90590},[90591,90599,90607,90647,90663,90670,90678],{"_key":90592,"_type":11,"children":90593,"markDefs":90598,"style":24},"32b97e5a2ce1",[90594],{"_key":90595,"_type":15,"marks":90596,"text":90597},"7b0e673f312e",[],"Without a pre-established theme, we selected four study proposals from Central America and the Caribbean to collaborate and cross-reference resources, ideas and texts. As the dialogue progressed, the boundaries between their study proposals became more blurred, and the space of an equally heterogeneous unit began to permeate.",[],{"_key":90600,"_type":11,"children":90601,"markDefs":90606,"style":24},"6986379864f3",[90602],{"_key":90603,"_type":15,"marks":90604,"text":90605},"c9d2375d9ba7",[],"From volcanoes to oceans, basketball and fame, bodies of flesh and plastic, stone statues and mammoths. This event will recap the work process, the ideas that haunted the group and how we tried to get away from words, definitions and clarities to celebrate not knowing.",[],{"_key":90608,"_type":11,"children":90609,"markDefs":90646,"style":24},"d1da228d1340",[90610,90614,90618,90622,90626,90630,90634,90638,90642],{"_key":90611,"_type":15,"marks":90612,"text":90613},"ca735c750994",[],"Guest speakers \n",{"_key":90615,"_type":15,"marks":90616,"text":90617},"aedc120d785f",[17],"Luisa Gonzalez-Reiche + Wilfredo Orellana",{"_key":90619,"_type":15,"marks":90620,"text":90621},"60a51a3f2db3",[]," | Guatemala\n",{"_key":90623,"_type":15,"marks":90624,"text":90625},"d6a206009da8",[17],"Kayla Archer",{"_key":90627,"_type":15,"marks":90628,"text":90629},"c67e8b339c8b",[]," | Barbados\n",{"_key":90631,"_type":15,"marks":90632,"text":90633},"ebc5c354a67f",[17],"Mariela Porras",{"_key":90635,"_type":15,"marks":90636,"text":90637},"742ee5ac3a5a",[]," | Costa Rica\n",{"_key":90639,"_type":15,"marks":90640,"text":90641},"0570cd8be733",[17],"Andres Zumbado",{"_key":90643,"_type":15,"marks":90644,"text":90645},"7e33d9e383b9",[]," | Costa Rica",[],{"_key":90648,"_type":11,"children":90649,"markDefs":90662,"style":24},"9ec83e59b995",[90650,90654,90658],{"_key":90651,"_type":15,"marks":90652,"text":90653},"bd033d293dbd",[],"Moderated by | ",{"_key":90655,"_type":15,"marks":90656,"text":90657},"2083ec8f98aa",[17],"Paula Piedra + Mauricio Otárola",{"_key":90659,"_type":15,"marks":90660,"text":90661},"23cf609f9417",[]," | TEOR/éTIca + ARCHIPELAGO | Costa Rica",[],{"_key":90664,"_type":11,"children":90665,"markDefs":90669,"style":24},"f472f5f25f3f",[90666],{"_key":90667,"_type":15,"marks":90668,"text":13720},"11fa9619babc",[],[],{"_key":90671,"_type":11,"children":90672,"markDefs":90677,"style":24},"1534d0daad4f",[90673],{"_key":90674,"_type":15,"marks":90675,"text":90676},"49fc5902f0f2",[],"Instead of pursuing the power of representation, the affimartion of the author, the curator, the director, etc. the pedagogies of relationality call for the task of building dialogues and opening up towards the worlds of sensing and meaning that have been subjugated, suppressed under the colonial difference.\nInstead of producing spaces for canonzing, for the affirmation of representation, for the celebration of contemporaneity and abstraction, what would it mean to weave relations that cross the colonial difference, that are capable of listening, of hosting and not representing other worlds?",[],{"_key":90679,"_type":11,"children":90680,"markDefs":90685,"style":24},"4c79657cb5eb",[90681],{"_key":90682,"_type":15,"marks":90683,"text":90684},"24d7e59c5b0f",[17],"Vistas of Modertnity, Rolando Vàzquez",[],{"_type":810,"slides":90687},[90688,90691,90694,90697,90700,90703],{"_type":813,"caption":75,"image":90689},{"alt":90377,"asset":90690},{"_id":90532,"height":1031,"orientation":1032,"ratio":1033,"url":90533,"width":1031},{"_type":813,"caption":75,"image":90692},{"alt":90377,"asset":90693},{"_id":90554,"height":1031,"orientation":1032,"ratio":1033,"url":90555,"width":1031},{"_type":813,"caption":75,"image":90695},{"alt":90377,"asset":90696},{"_id":90549,"height":1031,"orientation":1032,"ratio":1033,"url":90550,"width":1031},{"_type":813,"caption":75,"image":90698},{"alt":90377,"asset":90699},{"_id":90532,"height":1031,"orientation":1032,"ratio":1033,"url":90533,"width":1031},{"_type":813,"caption":75,"image":90701},{"alt":90377,"asset":90702},{"_id":90527,"height":1031,"orientation":1032,"ratio":1033,"url":90528,"width":1031},{"_type":813,"caption":75,"image":90704},{"alt":90377,"asset":90705},{"_id":90522,"height":1031,"orientation":1032,"ratio":1033,"url":90523,"width":1031},[90707,7747,146,265,170,24202,1100,107,90708,90709,90368],"not knowing","this event will present the findings and paths opened during the realization of the study group, not knowing, [part of the slow blur gentle], which proposed an approach towards blurriness and indefiniteness. 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Roberti",[],[91222,91252],{"_id":91139,"_type":576,"activeYears":91223,"bio":91226,"bioShort":91152,"featuredImage":91232,"filterables":91234,"links":91237,"locations":91240,"searchables":91250,"seo":75,"slug":91251,"title":91154},[91224],{"_id":2115,"_type":580,"seo":75,"slug":91225,"title":2118},{"_type":77,"current":2117},[91227],{"_key":91145,"_type":11,"children":91228,"markDefs":91231,"style":24},[91229],{"_key":91148,"_type":15,"marks":91230,"text":91150},[],[],{"alt":91154,"asset":91233},{"_id":91156,"height":7254,"orientation":598,"ratio":599,"url":91157,"width":5430},{"filterYear":91235},[91236],{"_id":2115,"title":2118},[91238,91239],{"_type":607,"label":608,"url":91163},{"_type":607,"label":2160,"url":91165},{"locations":91241,"other":91244},[91242],{"_id":139,"_type":121,"seo":75,"slug":91243,"title":142},{"_type":77,"current":141},[91245],{"_key":91172,"_type":11,"children":91246,"markDefs":91249,"style":24},[91247],{"_key":91175,"_type":15,"marks":91248,"text":91177},[],[],[91180,2117],{"_type":77,"current":91182},{"_id":91253,"_type":576,"activeYears":91254,"bio":91259,"bioShort":91267,"featuredImage":75,"filterables":91268,"links":91272,"locations":91278,"searchables":91282,"seo":75,"slug":91284,"title":91286},"18b6d940-6f76-4a4f-9a45-f74c819ce6f5",[91255,91257],{"_id":2110,"_type":580,"seo":75,"slug":91256,"title":2113},{"_type":77,"current":2112},{"_id":2115,"_type":580,"seo":75,"slug":91258,"title":2118},{"_type":77,"current":2117},[91260],{"_key":91261,"_type":11,"children":91262,"markDefs":91266,"style":24},"b08a836ad1da",[91263],{"_key":91264,"_type":15,"marks":91265,"text":13415},"86256088be860",[],[],"Independent Curator.",{"filterYear":91269},[91270,91271],{"_id":2110,"title":2113},{"_id":2115,"title":2118},[91273,91275],{"_type":607,"label":608,"url":91274},"https://josecaceres.ch/",{"_type":607,"label":91276,"url":91277},"VOLUMES Archive","https://www.volumeszurich.ch/archive",{"locations":91279,"other":75},[91280],{"_id":139,"_type":121,"seo":75,"slug":91281,"title":142},{"_type":77,"current":141},[91283,2112,2117],"jose cáceres mardones",{"_type":77,"current":91285},"jose-caceres-mardones","Jose Cáceres Mardones",{"alt":91288,"asset":91289},"School Of The Forest",{"_id":91290,"height":91291,"orientation":637,"ratio":638,"url":91292,"width":28570},"image-62748415a5fcc766dc5f42787377c9ee71279722-560x700-jpg",700,"https://cdn.sanity.io/images/eodip22e/production/62748415a5fcc766dc5f42787377c9ee71279722-560x700.jpg",{"filterCategory":91294,"filterLocation":91296,"filterYear":91298},[91295],{"_id":13269,"title":13274},[91297],{"_id":139,"title":142},[91299],{"_id":2115,"title":2118},[],{"locations":91302,"other":75},[91303],{"_id":139,"_type":121,"seo":75,"slug":91304,"title":142},{"_type":77,"current":141},[91306,91316,91318],{"_type":728,"settings":75,"text":91307},[91308],{"_key":91309,"_type":11,"children":91310,"markDefs":91315,"style":24},"a746392b6141",[91311],{"_key":91312,"_type":15,"marks":91313,"text":91314},"b12d5fe3f9000",[],"School of the Forest is a process- and research-based project that aims to create a fragmentary, decentralized, and horizontal framework to produce and exchange knowledge about, within, and with the forest. School of the Forest would converge in Sihlwald, a forest situated outside of Zurich. The production of knowledge should create a new set of understandings of the idea of the Sihlwald as a demarcated territory and denominated “nature space” by humans. On the contrary, the forest will be a site and an actor in the project. Where does the forest begin and end? What does a forest embrace? Why does the forest matter?",[],{"_type":3563,"caption":75,"embedCode":91317},"\u003Ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/C__nUbNb47o?si=3K3_LWUNuCZAMw6Y\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C/iframe>",{"_type":728,"settings":75,"text":91319},[91320,91328],{"_key":91321,"_type":11,"children":91322,"markDefs":91327,"style":24},"fdf560af450d",[91323],{"_key":91324,"_type":15,"marks":91325,"text":91326},"24d6cf3f52f00",[],"The goal is to decentralize the (human) experience of the forest from a decolonial, feminist, and non-anthropocentric perspective. The project activities are inspired by promenadology (Lucius Burckhardt), the act of perceiving through walking. On the one side, they would aim to go beyond the culture/nature dichotomy and reframe the possibility of our experience of “being-in-the-nature” and “being-with-the-nature” itself – to a large extent: How can we perceive and understand the forest? On the other side, we would like to tackle the question: What can we learn from the forest? We should advance towards un-learning systems of knowledge that objectivize and facilitate the subjugation of nature and accordingly towards new learning processes based on relationships with the forest’s lifeforms.",[],{"_key":91329,"_type":11,"children":91330,"markDefs":91335,"style":24},"f8f87a95e50a",[91331],{"_key":91332,"_type":15,"marks":91333,"text":91334},"23685cdc22060",[],"In this regard, the project focuses on an equilibrium between human and nonhuman life through a relational agency within Sihlwald. It aims to provide new forms of post-anthropocentric organization and knowledge. Taking the Mapuche concept of itrofill mongen [all the lives without exception] as a point of departure, the project recognizes the vitality of things, nonhuman agents, and beyond opening up the plurality of agency in our lives and transforming our knowledges, experiences, and practices.",[],[91337,91345,91353],{"_key":91338,"_type":11,"children":91339,"markDefs":91344,"style":24},"eecccdab14ad",[91340],{"_key":91341,"_type":15,"marks":91342,"text":91343},"760799bfb147",[],"Where does the forest begin and end? ",[],{"_key":91346,"_type":11,"children":91347,"markDefs":91352,"style":24},"2ea5227817f3",[91348],{"_key":91349,"_type":15,"marks":91350,"text":91351},"dc090cd83111",[],"What does a forest embrace? ",[],{"_key":91354,"_type":11,"children":91355,"markDefs":91360,"style":24},"8f8febbf052b",[91356],{"_key":91357,"_type":15,"marks":91358,"text":91359},"bf2d87c1bdb5",[],"Why does the forest matter?",[],[91362,2117,141,91180,91283,91363,91364,91365,13273],"school of the forest","domenico ermanno roberti","school of the forest is a process- and research-based project that aims to create a fragmentary, decentralized, and horizontal framework to produce and exchange knowledge about, within, and with the forest. school of the forest would converge in sihlwald, a forest situated outside of zurich. the production of knowledge should create a new set of understandings of the idea of the sihlwald as a demarcated territory and denominated “nature space” by humans. on the contrary, the forest will be a site and an actor in the project. where does the forest begin and end? what does a forest embrace? why does the forest matter?","the goal is to decentralize the (human) experience of the forest from a decolonial, feminist, and non-anthropocentric perspective. the project activities are inspired by promenadology (lucius burckhardt), the act of perceiving through walking. on the one side, they would aim to go beyond the culture/nature dichotomy and reframe the possibility of our experience of “being-in-the-nature” and “being-with-the-nature” itself – to a large extent: how can we perceive and understand the forest? on the other side, we would like to tackle the question: what can we learn from the forest? we should advance towards un-learning systems of knowledge that objectivize and facilitate the subjugation of nature and accordingly towards new learning processes based on relationships with the forest’s lifeforms.\n\nin this regard, the project focuses on an equilibrium between human and nonhuman life through a relational agency within sihlwald. it aims to provide new forms of post-anthropocentric organization and knowledge. taking the mapuche concept of itrofill mongen [all the lives without exception] as a point of departure, the project recognizes the vitality of things, nonhuman agents, and beyond opening up the plurality of agency in our lives and transforming our knowledges, experiences, and practices.",{"_type":77,"current":91367},"school-of-the-forest",{"locations":91369,"other":91372},[91370],{"_id":139,"_type":121,"seo":75,"slug":91371,"title":142},{"_type":77,"current":141},[91373],{"_key":91374,"_type":11,"children":91375,"markDefs":91385,"style":24},"6bee73201df1",[91376,91381],{"_key":91377,"_type":15,"marks":91378,"text":91380},"a6f7ec30f942",[91379],"9efd002405b5","la_cápsula",{"_key":91382,"_type":15,"marks":91383,"text":91384},"ef839b68dfe8",[],", Anwandstrasse 9, 8004 Zürich",[91386],{"_key":91379,"_type":41,"blank":42,"href":91387},"https://de.lacapsula-zh.com/",[91389],{"_type":728,"settings":75,"text":91390},[91391,91403,91427,91435],{"_key":91392,"_type":11,"children":91393,"markDefs":91402,"style":24},"6c26c43144bd",[91394,91398],{"_key":91395,"_type":15,"marks":91396,"text":91397},"62e1eccc334e",[],"Opening on Saturday, 9th October 2021, 6 pm (with certificate and ID)\n",{"_key":91399,"_type":15,"marks":91400,"text":91401},"3a07a26ff9dd",[1362],"Wood is needed to heat the exhibition – Please bring a piece of firewood.",[],{"_key":91404,"_type":11,"children":91405,"markDefs":91426,"style":24},"ad92ace85e9a",[91406,91410,91414,91418,91422],{"_key":91407,"_type":15,"marks":91408,"text":91409},"95226e88f417",[],"How do we inhabit the forest? We walked in the forest. Under the sun, a storm, and rain, we walked. On soil, mud, and trails, we walked. By river, streams, and puddles, we walked. With plants, animals, and insects, we walked (consciously or unconsciously). We walked for months in the ",{"_key":91411,"_type":15,"marks":91412,"text":91413},"5772b45092c4",[1362],"Sihlwald",{"_key":91415,"_type":15,"marks":91416,"text":91417},"764337537174",[],", a forest between the Sihl river and the Albis hills, which for centuries was called the city forest, ",{"_key":91419,"_type":15,"marks":91420,"text":91421},"13447d7ac34c",[1362],"der Zürcher Stadtwald",{"_key":91423,"_type":15,"marks":91424,"text":91425},"b8f81ec19f17",[],". The histories of the Sihl Forest are a complex entanglement of human and nonhuman cycles, materialities, and agencies. As we walked in the forest, we touched, played, and narrated with the multiplicity of beings; we enacted multiple relations, perspectives, and temporalities. We walked (with) the forest into being, into question:",[],{"_key":91428,"_type":11,"children":91429,"markDefs":91434,"style":24},"7ecd8d1b6e17",[91430],{"_key":91431,"_type":15,"marks":91432,"text":91433},"f03e6a6f5c6b",[],"Which forests carry our languages? Where does the city come from? Which histories does death tell us? What knowledges are embedded in the forest? Is there a wilderness? How are forest beings interconnected? How does the forest animate the river? What does the materiality of water evoke in me? What pleasures do we find in the forest? How can we ground our sensibility? What does our body become in the forest?",[],{"_key":91436,"_type":11,"children":91437,"markDefs":91442,"style":24},"3b565f2e366b",[91438],{"_key":91439,"_type":15,"marks":91440,"text":91441},"3907c4024818",[],"A Forest of Many World is an attempt to answer such questions – not completely, mostly fragmented. At the same time, the exhibition would change and transform during the following four weeks to recognize the fluidity of our relation to the forest. We do not propose to solve these questions but to encourage potential and speculative sensibilities, readings, and connections in more-than-human worlds.",[],[91444,141,91445,270,260,305,3387,1100,107,91446,91447,91134,91180],"a forest of many worlds","la_cápsula, anwandstrasse 9, 8004 zürich","with paula baeza pailamilla, aldir polymeris, willimann/arai, sarina scheidegger, dominik zietlow and paloma ayala.","opening on saturday, 9th october 2021, 6 pm (with certificate and id)\nwood is needed to heat the exhibition – please bring a piece of firewood.\n\nhow do we inhabit the forest? we walked in the forest. under the sun, a storm, and rain, we walked. on soil, mud, and trails, we walked. by river, streams, and puddles, we walked. with plants, animals, and insects, we walked (consciously or unconsciously). we walked for months in the sihlwald, a forest between the sihl river and the albis hills, which for centuries was called the city forest, der zürcher stadtwald. the histories of the sihl forest are a complex entanglement of human and nonhuman cycles, materialities, and agencies. as we walked in the forest, we touched, played, and narrated with the multiplicity of beings; we enacted multiple relations, perspectives, and temporalities. we walked (with) the forest into being, into question:\n\nwhich forests carry our languages? where does the city come from? which histories does death tell us? what knowledges are embedded in the forest? is there a wilderness? how are forest beings interconnected? how does the forest animate the river? what does the materiality of water evoke in me? what pleasures do we find in the forest? how can we ground our sensibility? what does our body become in the forest?\n\na forest of many world is an attempt to answer such questions – not completely, mostly fragmented. at the same time, the exhibition would change and transform during the following four weeks to recognize the fluidity of our relation to the forest. we do not propose to solve these questions but to encourage potential and speculative sensibilities, readings, and connections in more-than-human worlds.",{"_type":77,"current":91449},"a-forest-of-many-worlds","With Paula Baeza Pailamilla, Aldir Polymeris, Willimann/Arai, Sarina Scheidegger, Dominik Zietlow and Paloma Ayala.",[91452],{"_id":105,"_type":97,"seo":75,"slug":91453,"title":108},{"_type":77,"current":107},{"_id":91455,"_type":556,"additionalDetails":75,"categories":91456,"credits":91460,"dates":91484,"events":91487,"featuredImage":91488,"filterables":91493,"labs":91500,"locations":91630,"pageBuilder":91650,"parentEvent":75,"searchables":91743,"seo":75,"slug":91748,"summary":91750,"title":91744,"types":91751},"8d529537-6b97-4c8d-a9a4-4350da11bf6c",[91457],{"_id":538,"_type":155,"colorPrimary":91458,"seo":75,"slug":91459,"title":541},{"label":569,"value":4831},{"_type":77,"current":540},{"other":75,"profiles":91461},[91462],{"_id":69146,"_type":576,"activeYears":91463,"bio":91466,"bioShort":69159,"featuredImage":75,"filterables":91472,"links":91475,"locations":91478,"searchables":91482,"seo":75,"slug":91483,"title":69176},[91464],{"_id":2115,"_type":580,"seo":75,"slug":91465,"title":2118},{"_type":77,"current":2117},[91467],{"_key":69152,"_type":11,"children":91468,"markDefs":91471,"style":24},[91469],{"_key":69155,"_type":15,"marks":91470,"text":69157},[],[],{"filterYear":91473},[91474],{"_id":2115,"title":2118},[91476,91477],{"_type":607,"label":608,"url":69165},{"_type":607,"label":2160,"url":69167},{"locations":91479,"other":75},[91480],{"_id":139,"_type":121,"seo":75,"slug":91481,"title":142},{"_type":77,"current":141},[69173,2117],{"_type":77,"current":69175},{"endDate":91485,"other":91486,"startDate":91485},"2021-10-03","15:00 - 18:00",[],{"alt":91489,"asset":91490},"a grainy purple background is overlaid with a thin grid. Soft yellow blobs float in and around it, together with some smaller orange curvy blobs and grey rounded lines. Some of them overlap each other creating a composition of shapes and colors.",{"_id":91491,"height":5877,"orientation":1032,"ratio":1033,"url":91492,"width":5877},"image-6c5838e30a4c2c9be971f920325e2b08a174ddd9-1920x1920-jpg","https://cdn.sanity.io/images/eodip22e/production/6c5838e30a4c2c9be971f920325e2b08a174ddd9-1920x1920.jpg",{"filterCategory":91494,"filterLocation":91496,"filterType":91498},[91495],{"_id":538,"title":541},[91497],{"_id":139,"title":142},[91499],{"_id":105,"title":108},[91501],{"_id":91502,"_type":107,"categories":91503,"credits":91507,"featuredImage":91531,"filterables":91536,"footnotes":91543,"locations":91544,"logbook":91548,"pageBuilder":91563,"researchQuestion":91598,"researchQuestions":75,"searchables":91623,"seo":75,"slug":91627,"title":91629,"year":2118},"3a5b1aad-fda4-4fc4-8f39-5fe0a0b13d0f",[91504],{"_id":13991,"_type":155,"colorPrimary":91505,"seo":75,"slug":91506,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"other":75,"profiles":91508},[91509],{"_id":69146,"_type":576,"activeYears":91510,"bio":91513,"bioShort":69159,"featuredImage":75,"filterables":91519,"links":91522,"locations":91525,"searchables":91529,"seo":75,"slug":91530,"title":69176},[91511],{"_id":2115,"_type":580,"seo":75,"slug":91512,"title":2118},{"_type":77,"current":2117},[91514],{"_key":69152,"_type":11,"children":91515,"markDefs":91518,"style":24},[91516],{"_key":69155,"_type":15,"marks":91517,"text":69157},[],[],{"filterYear":91520},[91521],{"_id":2115,"title":2118},[91523,91524],{"_type":607,"label":608,"url":69165},{"_type":607,"label":2160,"url":69167},{"locations":91526,"other":75},[91527],{"_id":139,"_type":121,"seo":75,"slug":91528,"title":142},{"_type":77,"current":141},[69173,2117],{"_type":77,"current":69175},{"alt":91532,"asset":91533},"School of Commons - The Desert it Opposes",{"_id":91534,"height":640,"orientation":1032,"ratio":1033,"url":91535,"width":640},"image-f61f07b8fcda87a77f01a16c7ee587fd34e57b22-1080x1080-jpg","https://cdn.sanity.io/images/eodip22e/production/f61f07b8fcda87a77f01a16c7ee587fd34e57b22-1080x1080.jpg",{"filterCategory":91537,"filterLocation":91539,"filterYear":91541},[91538],{"_id":13991,"title":13996},[91540],{"_id":139,"title":142},[91542],{"_id":2115,"title":2118},[],{"locations":91545,"other":75},[91546],{"_id":139,"_type":121,"seo":75,"slug":91547,"title":142},{"_type":77,"current":141},[91549],{"_key":91550,"_type":11,"children":91551,"markDefs":91560,"style":24},"71a98f7a7e2f",[91552,91556],{"_key":91553,"_type":15,"marks":91554,"text":91555},"22ca64985517",[],"The Desert it Opposes: ",{"_key":91557,"_type":15,"marks":91558,"text":608},"39a1ce19ea39",[91559],"2e92e50b8640",[91561],{"_key":91559,"_type":41,"href":91562},"https://thedesertitopposes.xyz/",[91564],{"_type":728,"settings":75,"text":91565},[91566,91574,91582,91590],{"_key":91567,"_type":11,"children":91568,"markDefs":91573,"style":24},"6cdcf497cd8e",[91569],{"_key":91570,"_type":15,"marks":91571,"text":91572},"bde99d47de3d0",[],"In places of learning, processes of knowledge-sharing often revolve around the mutual transmission of information through verbal language, benefitting good talkers and those who can easily propel conversations. Some inevitably end up occupying the sonic field more than others, voices overlap, and some remain at the margins. In short, everyone has been—implicitly or explicitly—socialised to follow specific protocols of interactions that regulate the interplay of silence and speech among the different participants.",[],{"_key":91575,"_type":11,"children":91576,"markDefs":91581,"style":24},"1e154d3f50bc",[91577],{"_key":91578,"_type":15,"marks":91579,"text":91580},"bdd4b2c2f4bf0",[],"In addition to this, the pandemic has turned communal learning into a bi-dimensional affair: centered on solely two sensual dimensions—visual and aural. The online school (intended as a space to gather) sounds like a lot of talking. On the one hand it leaves the complexity of the body uninvolved, on the other it pushes to maximise time, deeming moments of silence as void and negligible occurrences. Conversely, silence is not a barren territory to contend for, but a concave vessel that allows for meaningful reflections, for careful listening and for the unheard to emerge. As Calvino wrote that “each city receives its form from the desert it opposes,” so is every conversation densely woven by the silences it contrasts. That is, every dialogue is as much constituted of speech as of silence, the latter having as many tones, durations and significances as its verbal counterpart.",[],{"_key":91583,"_type":11,"children":91584,"markDefs":91589,"style":24},"613573967dbc",[91585],{"_key":91586,"_type":15,"marks":91587,"text":91588},"ca0ec759db140",[],"Drafts, scripts, scores: entering a protocol with the awareness of doing so, can make participants question the ones they usually follow. Intentional changes in the protocols that regulate conversation can lead to new outcomes,uncovering the nuances hidden in these silences, in mutual listening, and collective care.",[],{"_key":91591,"_type":11,"children":91592,"markDefs":91597,"style":24},"f2b52c0942cb",[91593],{"_key":91594,"_type":15,"marks":91595,"text":91596},"086967318d190",[],"The research explores the effects of different protocols for listening and how to best translate new scripts into objects and clear instructions. Protocols can function as the rehearsals of new rules by adjusting the impact of silence through duration, rhythm, volume. The protocols also play with what’s already there: the body and how its relative position to others or to the screen influences listening, the camera and the self-consciousness it can create, the microphone and the power of the mute button, and other elements of the interfaces used to communicate digitally. The purpose is to exercise listening through silence and to get everyone within a group to participate to some extent in the conversation. Some leading questions are: How can a physical protocol such as the talking stick be transformed and adapted to facilitate online communication? How can silence become a methodology? How much silence?",[],[91599,91607,91615],{"_key":91600,"_type":11,"children":91601,"markDefs":91606,"style":24},"9adbb9ef8430",[91602],{"_key":91603,"_type":15,"marks":91604,"text":91605},"32dab4554e2e0",[],"How can a physical protocol such as the talking stick be transformed and adapted to facilitate online communication? ",[],{"_key":91608,"_type":11,"children":91609,"markDefs":91614,"style":24},"c90e3ae6b1f2",[91610],{"_key":91611,"_type":15,"marks":91612,"text":91613},"1e91f4c14bf0",[],"How can silence become a methodology? ",[],{"_key":91616,"_type":11,"children":91617,"markDefs":91622,"style":24},"54b4f3d628d4",[91618],{"_key":91619,"_type":15,"marks":91620,"text":91621},"13eed48beb70",[],"How much silence?",[],[91624,2117,91625,141,69173,91626,13995],"the desert it opposes","the desert it opposes: website","in places of learning, processes of knowledge-sharing often revolve around the mutual transmission of information through verbal language, benefitting good talkers and those who can easily propel conversations. some inevitably end up occupying the sonic field more than others, voices overlap, and some remain at the margins. in short, everyone has been—implicitly or explicitly—socialised to follow specific protocols of interactions that regulate the interplay of silence and speech among the different participants.\n\nin addition to this, the pandemic has turned communal learning into a bi-dimensional affair: centered on solely two sensual dimensions—visual and aural. the online school (intended as a space to gather) sounds like a lot of talking. on the one hand it leaves the complexity of the body uninvolved, on the other it pushes to maximise time, deeming moments of silence as void and negligible occurrences. conversely, silence is not a barren territory to contend for, but a concave vessel that allows for meaningful reflections, for careful listening and for the unheard to emerge. as calvino wrote that “each city receives its form from the desert it opposes,” so is every conversation densely woven by the silences it contrasts. that is, every dialogue is as much constituted of speech as of silence, the latter having as many tones, durations and significances as its verbal counterpart.\n\ndrafts, scripts, scores: entering a protocol with the awareness of doing so, can make participants question the ones they usually follow. intentional changes in the protocols that regulate conversation can lead to new outcomes,uncovering the nuances hidden in these silences, in mutual listening, and collective care.\n\nthe research explores the effects of different protocols for listening and how to best translate new scripts into objects and clear instructions. protocols can function as the rehearsals of new rules by adjusting the impact of silence through duration, rhythm, volume. the protocols also play with what’s already there: the body and how its relative position to others or to the screen influences listening, the camera and the self-consciousness it can create, the microphone and the power of the mute button, and other elements of the interfaces used to communicate digitally. the purpose is to exercise listening through silence and to get everyone within a group to participate to some extent in the conversation. some leading questions are: how can a physical protocol such as the talking stick be transformed and adapted to facilitate online communication? how can silence become a methodology? how much silence?",{"_type":77,"current":91628},"the-desert-it-opposes","The Desert it Opposes",{"locations":91631,"other":91634},[91632],{"_id":139,"_type":121,"seo":75,"slug":91633,"title":142},{"_type":77,"current":141},[91635],{"_key":91636,"_type":11,"children":91637,"markDefs":91647,"style":24},"717aac25523a",[91638,91643],{"_key":91639,"_type":15,"marks":91640,"text":91642},"e7c50143477a",[91641],"d09e618a32ff","DojoDojo",{"_key":91644,"_type":15,"marks":91645,"text":91646},"18a36b5b4ffb",[],", Badenerstrasse 409, 8003 Zurich",[91648],{"_key":91641,"_type":41,"href":91649},"https://www.dojodojo.ch/",[91651,91736],{"_type":728,"settings":75,"text":91652},[91653,91668,91676,91683,91691,91702,91714,91722],{"_key":91654,"_type":11,"children":91655,"markDefs":91667,"style":24},"b6c845fda525",[91656,91660,91664],{"_key":91657,"_type":15,"marks":91658,"text":91659},"6e099289741f",[],"What are tools for shaping group conversations in ways that facilitate listening, trust, openness, inclusivity?\nWhat would we like to involve in our intentions when we are speaking together?\nHow can we shift our default communication dynamics?\nIn a collective, what are ways for us to reflect upon and talk about ",{"_key":91661,"_type":15,"marks":91662,"text":91663},"8b66236db9a5",[1362],"how we’d like to talk with each other",{"_key":91665,"_type":15,"marks":91666,"text":9723},"cd3de39828c9",[],[],{"_key":91669,"_type":11,"children":91670,"markDefs":91675,"style":24},"75e9e386cbc3",[91671],{"_key":91672,"_type":15,"marks":91673,"text":91674},"8ed9119941f40",[],"We are interested in forms that can help create space, awaken our senses, and re-shape social choreographies. In a spirit of learning (ourselves very much included), we will guide the group through some simple formats, experimenting with roles, rhythms, speech, and silence.",[],{"_key":91677,"_type":11,"children":91678,"markDefs":91682,"style":24},"4acd311793f3",[91679],{"_key":91680,"_type":15,"marks":91681,"text":1150},"1bc955c917ee",[],[],{"_key":91684,"_type":11,"children":91685,"markDefs":91690,"style":24},"de7ea74a04c7",[91686],{"_key":91687,"_type":15,"marks":91688,"text":91689},"b18261af4c0e",[],"Who are we?",[],{"_key":91692,"_type":11,"children":91693,"markDefs":91701,"style":24},"7e25d2faf810",[91694,91697],{"_key":91695,"_type":15,"marks":91696,"text":69176},"e4a7ad5f565f",[17],{"_key":91698,"_type":15,"marks":91699,"text":91700},"34060cfd51f6",[]," is a designer interested in community building processes: for her MA in Social Design she’s been exploring how silence can generate mutual listening and inclusivity in group interactions.",[],{"_key":91703,"_type":11,"children":91704,"markDefs":91713,"style":24},"37392bed68a5",[91705,91709],{"_key":91706,"_type":15,"marks":91707,"text":91708},"9193d80de826",[17],"Jonathan Lorand",{"_key":91710,"_type":15,"marks":91711,"text":91712},"6af3f850a0f3",[]," is studying tools for group conversations around wishes and visions, both personal and collective, as part of his MA in transdisciplinarity at the ZHdK.",[],{"_key":91715,"_type":11,"children":91716,"markDefs":91721,"style":24},"37d85905ebc7",[91717],{"_key":91718,"_type":15,"marks":91719,"text":91720},"52cdf5125065",[],"How to join?\nPlease register in advance by writing to info@thedesertitopposes.xyz\n\nTo ensure a safe environment for all participants, we kindly ask everyone to be tested, vaccinated, or recently recovered. We can provide a limited number of self-tests, please let us know in advance.",[],{"_key":91723,"_type":11,"children":91724,"markDefs":91735,"style":24},"87e159a8c318",[91725,91729,91732],{"_key":91726,"_type":15,"marks":91727,"text":91728},"e6cd95c70ec3",[],"The workshop is part of the ",{"_key":91730,"_type":15,"marks":91731,"text":91629},"41b7a71c699f",[1362],{"_key":91733,"_type":15,"marks":91734,"text":1125},"984ed326412f",[],[],{"_type":813,"caption":75,"image":91737},{"alt":91738,"asset":91739},"a grainy purple background is overlaid with a thin grid. Soft yellow blobs float in and around it, together with some smaller orange curvy blobs and grey rounded lines. Some of them overlap each other creating a composition of shapes and colors. The title is written in white lowercase letters below the composition",{"_id":91740,"height":91741,"orientation":1032,"ratio":1033,"url":91742,"width":91741},"image-72260cf9671da6a3b8994f161dc1b80c3130ad0d-2154x2154-jpg",2154,"https://cdn.sanity.io/images/eodip22e/production/72260cf9671da6a3b8994f161dc1b80c3130ad0d-2154x2154.jpg",[91744,141,91745,540,107,91746,91747,69173],"[ arranging conversations ]","dojodojo, badenerstrasse 409, 8003 zurich","we invite you to a workshop that will explore conversation scores and silences as tools for shaping group interactions. ","what are tools for shaping group conversations in ways that facilitate listening, trust, openness, inclusivity?\nwhat would we like to involve in our intentions when we are speaking together?\nhow can we shift our default communication dynamics?\nin a collective, what are ways for us to reflect upon and talk about how we’d like to talk with each other?\n\nwe are interested in forms that can help create space, awaken our senses, and re-shape social choreographies. in a spirit of learning (ourselves very much included), we will guide the group through some simple formats, experimenting with roles, rhythms, speech, and silence.\n\n\n\nwho are we?\n\neleonora toniolo is a designer interested in community building processes: for her ma in social design she’s been exploring how silence can generate mutual listening and inclusivity in group interactions.\n\njonathan lorand is studying tools for group conversations around wishes and visions, both personal and collective, as part of his ma in transdisciplinarity at the zhdk.\n\nhow to join?\nplease register in advance by writing to info@thedesertitopposes.xyz\n\nto ensure a safe environment for all participants, we kindly ask everyone to be tested, vaccinated, or recently recovered. we can provide a limited number of self-tests, please let us know in advance.\n\nthe workshop is part of the the desert it opposes.",{"_type":77,"current":91749},"arranging-conversations","We invite you to a workshop that will explore conversation scores and silences as tools for shaping group interactions. ",[91752],{"_id":105,"_type":97,"seo":75,"slug":91753,"title":108},{"_type":77,"current":107},{"_id":91755,"_type":556,"additionalDetails":91756,"categories":91775,"credits":91779,"dates":91828,"events":91832,"featuredImage":91833,"filterables":91837,"labs":75,"locations":91844,"pageBuilder":91848,"parentEvent":75,"searchables":91867,"seo":75,"slug":91871,"summary":91873,"title":91874,"types":91875},"845046a7-f93b-4e6b-9ca8-8740ed973596",[91757],{"_key":91758,"_type":11,"children":91759,"markDefs":91772,"style":24},"570f6e41109a",[91760,91764,91769],{"_key":91761,"_type":15,"marks":91762,"text":91763},"f6fa1524f88a",[],"More info on the open call and how to apply ",{"_key":91765,"_type":15,"marks":91766,"text":91768},"cdee1432e8bc",[91767],"8abb2f117ece","via this link",{"_key":91770,"_type":15,"marks":91771,"text":1125},"adceba454228",[],[91773],{"_key":91767,"_type":41,"href":91774},"https://back.schoolofcommons.org/wp-content/uploads/2021/10/OPEN-CALL-2022.pdf",[91776],{"_id":383,"_type":155,"colorPrimary":91777,"seo":75,"slug":91778,"title":386},{"label":569,"value":1801},{"_type":77,"current":385},{"other":75,"profiles":91780},[91781],{"_id":2092,"_type":576,"activeYears":91782,"bio":91801,"bioShort":2142,"featuredImage":91807,"filterables":91808,"links":91819,"locations":91822,"searchables":91826,"seo":75,"slug":91827,"title":18},[91783,91785,91787,91789,91791,91793,91795,91797,91799],{"_id":2095,"_type":580,"seo":75,"slug":91784,"title":2098},{"_type":77,"current":2097},{"_id":2100,"_type":580,"seo":75,"slug":91786,"title":2103},{"_type":77,"current":2102},{"_id":2105,"_type":580,"seo":75,"slug":91788,"title":2108},{"_type":77,"current":2107},{"_id":2110,"_type":580,"seo":75,"slug":91790,"title":2113},{"_type":77,"current":2112},{"_id":2115,"_type":580,"seo":75,"slug":91792,"title":2118},{"_type":77,"current":2117},{"_id":2120,"_type":580,"seo":75,"slug":91794,"title":2123},{"_type":77,"current":2122},{"_id":2125,"_type":580,"seo":75,"slug":91796,"title":2128},{"_type":77,"current":2127},{"_id":881,"_type":580,"seo":75,"slug":91798,"title":884},{"_type":77,"current":883},{"_id":1347,"_type":580,"seo":75,"slug":91800,"title":1350},{"_type":77,"current":1349},[91802],{"_key":2135,"_type":11,"children":91803,"markDefs":91806,"style":24},[91804],{"_key":2138,"_type":15,"marks":91805,"text":2140},[],[],{"alt":18,"asset":75},{"filterYear":91809},[91810,91811,91812,91813,91814,91815,91816,91817,91818],{"_id":2095,"title":2098},{"_id":2100,"title":2103},{"_id":2105,"title":2108},{"_id":2110,"title":2113},{"_id":2115,"title":2118},{"_id":2120,"title":2123},{"_id":2125,"title":2128},{"_id":881,"title":884},{"_id":1347,"title":1350},[91820,91821],{"_type":607,"label":2157,"url":2158},{"_type":607,"label":2160,"url":58},{"locations":91823,"other":75},[91824],{"_id":149,"_type":121,"seo":75,"slug":91825,"title":152},{"_type":77,"current":151},[2166,2097,2102,2107,2112,2117,2122,2127,883,1349],{"_type":77,"current":2168},{"endDate":91829,"other":91830,"startDate":91831},"2021-11-14","00:00–23:59 (CET)","2021-10-02",[],{"alt":75,"asset":91834},{"_id":91835,"height":41608,"orientation":1032,"ratio":1033,"url":91836,"width":41608},"image-e2b0cc3b43024b238c880b35133314f1896018af-1018x1018-jpg","https://cdn.sanity.io/images/eodip22e/production/e2b0cc3b43024b238c880b35133314f1896018af-1018x1018.jpg",{"filterCategory":91838,"filterLocation":91840,"filterType":91842},[91839],{"_id":383,"title":386},[91841],{"_id":149,"title":152},[91843],{"_id":110,"title":113},{"locations":91845,"other":75},[91846],{"_id":149,"_type":121,"seo":75,"slug":91847,"title":152},{"_type":77,"current":151},[91849],{"_type":728,"settings":75,"text":91850},[91851,91859],{"_key":91852,"_type":11,"children":91853,"markDefs":91858,"style":24},"ce9fa7979453",[91854],{"_key":91855,"_type":15,"marks":91856,"text":91857},"fb51015d32cf",[],"We’re excited to announce our new open call for projects for the 2022 programme! Do you have a research proposal or a practice that you’d like to deepen with the support of a community of peers? Are you interested in what different forms of learning might look like? Are you the kind of person that prefers to do things together rather than doing things alone? Then don’t hesitate to apply!",[],{"_key":91860,"_type":11,"children":91861,"markDefs":91866,"style":24},"08442e07fac9",[91862],{"_key":91863,"_type":15,"marks":91864,"text":91865},"b56324f26559",[],"We can offer support in the form of guidance, a project budget, and a wonderful community of peers to help shape the education you’d like to engage in. Deadline for applications is November 14, 11:59 CEST, 2021.",[],[91868,151,2056,112,91869,91870,2166],"soc open call, 2022","we are looking for groups, duos and individuals that want to collaboratively and actively shape the programme and content of the soc year 2022. ","we’re excited to announce our new open call for projects for the 2022 programme! do you have a research proposal or a practice that you’d like to deepen with the support of a community of peers? are you interested in what different forms of learning might look like? are you the kind of person that prefers to do things together rather than doing things alone? then don’t hesitate to apply!\n\nwe can offer support in the form of guidance, a project budget, and a wonderful community of peers to help shape the education you’d like to engage in. deadline for applications is november 14, 11:59 cest, 2021.",{"_type":77,"current":91872},"soc-open-call-2022","We are looking for groups, duos and individuals that want to collaboratively and actively shape the programme and content of the SoC year 2022. ","SoC Open Call, 2022",[91876],{"_id":110,"_type":97,"seo":75,"slug":91877,"title":113},{"_type":77,"current":112},{"_id":91879,"_type":556,"additionalDetails":75,"categories":91880,"credits":91884,"dates":91893,"events":91897,"featuredImage":91898,"filterables":91903,"labs":91910,"locations":92027,"pageBuilder":92047,"parentEvent":75,"searchables":92058,"seo":75,"slug":92063,"summary":92065,"title":91899,"types":92066},"d653299f-57fd-42c8-85db-9045209afec1",[91881],{"_id":283,"_type":155,"colorPrimary":91882,"seo":75,"slug":91883,"title":286},{"label":569,"value":3622},{"_type":77,"current":285},{"other":91885,"profiles":75},[91886],{"_key":91887,"_type":11,"children":91888,"markDefs":91892,"style":24},"1e5f05b396c8",[91889],{"_key":91890,"_type":15,"marks":91891,"text":1676},"92d76dced9c50",[],[],{"endDate":91894,"other":91895,"startDate":91896},"2021-09-29","19.09.21, 18:00 – 29.09.21, 21:00","2021-09-19",[],{"alt":91899,"asset":91900},"Jerlyn Heinzen and Other Than Human Entity: New Beginnings",{"_id":91901,"height":61814,"orientation":598,"ratio":61815,"url":91902,"width":10721},"image-cc6be82184973ea3460e714752ad07685657ed35-768x747-jpg","https://cdn.sanity.io/images/eodip22e/production/cc6be82184973ea3460e714752ad07685657ed35-768x747.jpg",{"filterCategory":91904,"filterLocation":91906,"filterType":91908},[91905],{"_id":283,"title":286},[91907],{"_id":139,"title":142},[91909],{"_id":105,"title":108},[91911],{"_id":91912,"_type":107,"categories":91913,"credits":91917,"featuredImage":91942,"filterables":91947,"footnotes":91952,"locations":75,"logbook":75,"pageBuilder":91953,"researchQuestion":92004,"researchQuestions":75,"searchables":92021,"seo":75,"slug":92024,"title":92026,"year":2118},"392e4519-b2ee-44f9-b5cb-5fcacd3eaa63",[91914],{"_id":13269,"_type":155,"colorPrimary":91915,"seo":75,"slug":91916,"title":13274},{"label":569,"value":13271},{"_type":77,"current":13273},{"other":75,"profiles":91918},[91919],{"_id":91920,"_type":576,"activeYears":91921,"bio":91924,"bioShort":91933,"featuredImage":75,"filterables":91934,"links":75,"locations":75,"searchables":91937,"seo":75,"slug":91939,"title":91941},"f70299d5-ffb2-4472-996e-a53433659c31",[91922],{"_id":2115,"_type":580,"seo":75,"slug":91923,"title":2118},{"_type":77,"current":2117},[91925],{"_key":91926,"_type":11,"children":91927,"markDefs":91932,"style":24},"e91481aca791",[91928],{"_key":91929,"_type":15,"marks":91930,"text":91931},"4415b5c804a20",[],"They passed through institutions in the fields of geospheric and cosmic sciences and after our vanishing, the Entity will still be simultaneously teaching and acquiring knowledge",[],"Emerged as a teacher in times of imbalance – shortly before the Grand Standstill. ",{"filterYear":91935},[91936],{"_id":2115,"title":2118},[91938,2117],"other than human entity",{"_type":77,"current":91940},"other-than-human-entity","Other Than Human Entity",{"alt":91943,"asset":91944},"School of Commons - All Life Is Interconnected",{"_id":91945,"height":5430,"orientation":637,"ratio":3801,"url":91946,"width":7254},"image-8e235b1e074b24fa341c04b9c233b36450d72fa8-960x1280-jpg","https://cdn.sanity.io/images/eodip22e/production/8e235b1e074b24fa341c04b9c233b36450d72fa8-960x1280.jpg",{"filterCategory":91948,"filterLocation":75,"filterYear":91950},[91949],{"_id":13269,"title":13274},[91951],{"_id":2115,"title":2118},[],[91954],{"_type":728,"settings":75,"text":91955},[91956,91964,91972,91980,91988,91996],{"_key":91957,"_type":11,"children":91958,"markDefs":91963,"style":24},"914cd27c1164",[91959],{"_key":91960,"_type":15,"marks":91961,"text":91962},"d3175f441711",[],"Fungi have many teachings to offer.\nA teaching of life and death.\nOf circularity. 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A category of complaint that feels utterly contemporary, and deeply correlated and illustrative of our current economic, ecological, political and social states of varying crises. The ‘malaise of our times’– so to say.",[],{"_type":813,"caption":93266,"image":93275},[93267],{"_key":93268,"_type":11,"children":93269,"markDefs":93274,"style":24},"87e6a643c096",[93270],{"_key":93271,"_type":15,"marks":93272,"text":93273},"62733855a5d80",[],"Cecil Howard ‘Fatigue’ (1920-24). Edited.",[],{"alt":93273,"asset":93276},{"_id":93277,"height":61921,"orientation":598,"ratio":24196,"url":93278,"width":7055},"image-508dffc8e6b1b43a71eab99a22b31af085ab3cf1-1024x724-png","https://cdn.sanity.io/images/eodip22e/production/508dffc8e6b1b43a71eab99a22b31af085ab3cf1-1024x724.png",{"_type":728,"settings":75,"text":93280},[93281,93312],{"_key":93282,"_type":11,"children":93283,"markDefs":93309,"style":24},"a9b1a27d4a59",[93284,93288,93292,93297,93301,93305],{"_key":93285,"_type":15,"marks":93286,"text":93287},"f7d6f1652abf",[1362],"Band of Burnouts ",{"_key":93289,"_type":15,"marks":93290,"text":93291},"647a62f23c1d",[],"undertakes a transdisciplinary study of the burnout in a multi-perspective, multi-voiced exploration of experiences. 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As a noun it can mean a group of people who share a common interest of feature, something that serves to join or hold things together, or a force that unites and ties. 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We come together, ",{"_key":93394,"_type":15,"marks":93395,"text":93396},"090646be0d013",[1362],"band together,",{"_key":93398,"_type":15,"marks":93399,"text":93400},"090646be0d014",[]," to share, hear, and learn, the stories of burnouts, holding interest in the potentiality of illness narratives for collective healing and understanding, as ways of making sense (nonsense included). It is said that ‘Narrative helps us to make sense of the new life that now has to accommodate an uninvited guest.’\n",[],{"_key":93403,"_type":11,"children":93404,"markDefs":93420,"style":24},"18d2db2055e6",[93405,93409,93412,93416],{"_key":93406,"_type":15,"marks":93407,"text":93408},"3746401c969a0",[1362],"In the dead of the night I have these dreams",{"_key":93410,"_type":15,"marks":93411,"text":1768},"3746401c969a1",[],{"_key":93413,"_type":15,"marks":93414,"text":93415},"3746401c969a2",[1362],"What’ll happen to me? Will I burn out?",{"_key":93417,"_type":15,"marks":93418,"text":93419},"3746401c969a3",[],"\n– Kid Cudi, Sad People (2020)",[],{"_key":93422,"_type":11,"children":93423,"markDefs":93427,"style":24},"10a63a288c60",[93424],{"_key":93425,"_type":15,"marks":93426,"text":1150},"175e5017282b0",[],[],{"_key":93429,"_type":11,"children":93430,"markDefs":93435,"style":24},"a873fedab002",[93431],{"_key":93432,"_type":15,"marks":93433,"text":93434},"f6556a43ffef0",[],"If the burnout was not a pandemic itself before, the circumstances of COVID-19 have enhanced its spread, intensity, and rate of occurrences. Despite becoming common phrase and common experience, still limited understanding exists as to what the burnout is. Together we ask, what is the burnout and how is it experienced? How does it differ from historical forms of extreme tiredness, and what are its particular manifestations?",[],{"_type":728,"settings":75,"text":93437},[93438,93446,93462,93470,93486,93506,93514],{"_key":93439,"_type":11,"children":93440,"markDefs":93445,"style":24},"c0b74bf5dba3",[93441],{"_key":93442,"_type":15,"marks":93443,"text":93444},"6aa97dc4fd0e0",[17],"On Illness Narratives",[],{"_key":93447,"_type":11,"children":93448,"markDefs":93461,"style":24},"c4d0b5147ce6",[93449,93453,93457],{"_key":93450,"_type":15,"marks":93451,"text":93452},"0a4e483a65920",[],"In their book, ",{"_key":93454,"_type":15,"marks":93455,"text":93456},"0a4e483a65921",[1362],"Health, Illness and Culture: Broken Narratives",{"_key":93458,"_type":15,"marks":93459,"text":93460},"0a4e483a65922",[]," (Routledge: 2008), Lars-Christer Hydén and ‎Jens Brockmeier explain how, “Some illness stories are told with full voice. They are articulate and the listener is caught in a narrative web… Often however, especially in contexts of real life and real illness, stories are not that developed. They are undecided, fragmented, broken, narrated by voices struggling to find words toward meaning and communication. These stories have been given less attention…”",[],{"_key":93463,"_type":11,"children":93464,"markDefs":93469,"style":24},"3adbe222a4b5",[93465],{"_key":93466,"_type":15,"marks":93467,"text":93468},"333f7dc4bc110",[],"‘I know the feeling now, when I can’t spin a sentence, & sit mumbling & turning; & nothing flits by my brain which is as a blank window. So I… go to bed… Very useless. No atmosphere round me. No words. Very apprehensive.’",[],{"_key":93471,"_type":11,"children":93472,"markDefs":93485,"style":24},"90e426701244",[93473,93477,93481],{"_key":93474,"_type":15,"marks":93475,"text":93476},"029b8f8780ca0",[],"– ",{"_key":93478,"_type":15,"marks":93479,"text":93480},"029b8f8780ca1",[1362],"On Being Ill ",{"_key":93482,"_type":15,"marks":93483,"text":93484},"029b8f8780ca2",[],"by Virginia Woolf (1926)",[],{"_key":93487,"_type":11,"children":93488,"markDefs":93505,"style":24},"e2c5cc68f519",[93489,93493,93497,93501],{"_key":93490,"_type":15,"marks":93491,"text":93492},"204edb5e0fd00",[1362],"Band of Burnout",{"_key":93494,"_type":15,"marks":93495,"text":93496},"204edb5e0fd01",[]," listens, shares, collects, tells, hears and holds space for the undecided, the fragmented and the broken, as much as it does for the coherent and the translated. We challenge the implication that the meaning of narrator must mean ",{"_key":93498,"_type":15,"marks":93499,"text":93500},"204edb5e0fd02",[1362],"to know.",{"_key":93502,"_type":15,"marks":93503,"text":93504},"204edb5e0fd03",[]," We accept and love that sometimes, we just don’t.",[],{"_key":93507,"_type":11,"children":93508,"markDefs":93513,"style":24},"c31f40d57cfd",[93509],{"_key":93510,"_type":15,"marks":93511,"text":93512},"97537277efdb0",[17],"‘Illness narratives offer a unique window on how a disease, a disability, or a trauma is lived by feeling and suffering human beings, with all its consequences for their mental, physical, and everyday life. And studying illness narratives opens up a nonreductionist, holistic perspective on how we cope with illness and suffering in still another way. It allows us to tackle questions about how, or how well, we listen to these stories as relatives and cosufferers, professionals, and researchers, and what we make of them.’",[],{"_key":93515,"_type":11,"children":93516,"markDefs":93528,"style":24},"21f84ad6c000",[93517,93521,93524],{"_key":93518,"_type":15,"marks":93519,"text":93520},"3eeeda07b3ee0",[],"Through intersections of disability studies, embodiment theory and philosophy, somatic practices, contributor-driven interventions, transdisciplinary narratives, aesthetic explorations (including DIY/DIO experiments, zines and underground publications, punk feminist craft & hobbies, amateur graphic design, mail art, and crazy publishing) and a general interest in pulling the middle finger at the wellness industrial complex and ideologies of productivity, self-optimisation, and ableist norms in relation to time and work… all of this comes together in the research lab ",{"_key":93522,"_type":15,"marks":93523,"text":93388},"3eeeda07b3ee1",[1362],{"_key":93525,"_type":15,"marks":93526,"text":93527},"3eeeda07b3ee2",[],".*",[],{"_type":810,"slides":93530},[93531,93538,93544],{"_type":813,"caption":75,"image":93532},{"alt":75,"asset":93533},{"_id":93534,"height":3800,"orientation":637,"ratio":93535,"url":93536,"width":93537},"image-987b3be5c6425c378f4853591aab2d253661c8f1-441x640-jpg",0.6890625,"https://cdn.sanity.io/images/eodip22e/production/987b3be5c6425c378f4853591aab2d253661c8f1-441x640.jpg",441,{"_type":813,"caption":75,"image":93539},{"alt":75,"asset":93540},{"_id":93541,"height":601,"orientation":598,"ratio":93542,"url":93543,"width":3800},"image-e2fe0a0b079a649b1b732e6da24820417e7fdaa9-640x512-jpg",1.25,"https://cdn.sanity.io/images/eodip22e/production/e2fe0a0b079a649b1b732e6da24820417e7fdaa9-640x512.jpg",{"_type":813,"caption":93545,"image":93554},[93546],{"_key":93547,"_type":11,"children":93548,"markDefs":93553,"style":24},"cc1072bdd00c",[93549],{"_key":93550,"_type":15,"marks":93551,"text":93552},"6fd9fe844c380",[],"Cecil Howard, 'Fatigue' (1920-24)",[],{"alt":93552,"asset":93555},{"_id":93556,"height":78517,"orientation":637,"ratio":93557,"url":93558,"width":93559},"image-6eadba8ed175cce612a53f915172fad13f6ccae2-475x574-jpg",0.8275261324041812,"https://cdn.sanity.io/images/eodip22e/production/6eadba8ed175cce612a53f915172fad13f6ccae2-475x574.jpg",475,[93561,93569],{"_key":93562,"_type":11,"children":93563,"markDefs":93568,"style":24},"4dba3c20a103",[93564],{"_key":93565,"_type":15,"marks":93566,"text":93567},"60b19ced46990",[],"What is the burnout and how is it experienced? ",[],{"_key":93570,"_type":11,"children":93571,"markDefs":93576,"style":24},"e412744023ab",[93572],{"_key":93573,"_type":15,"marks":93574,"text":93575},"61b8ada58bce",[],"How does it differ from historical forms of extreme tiredness, and what are its particular manifestations?",[],[93578,2117,141,93110,93579,93580,93581,93582,22463,93583,26536,300,8690,1099,93584,78709,275,165,1100,8275,220,24202,1101],"band of burnouts","the burnout has become a mass phenomenon. a category of complaint that feels utterly contemporary, and deeply correlated and illustrative of our current economic, ecological, political and social states of varying crises. the ‘malaise of our times’– so to say.","band of burnouts undertakes a transdisciplinary study of the burnout in a multi-perspective, multi-voiced exploration of experiences. we are interested in accounting for the unaccounted details, considering the burnout as a collective rather than individual experience, and taking seriously the body as a producer of knowledge. the mind and body sing in a chorus, sing in bodies with other bodies, acknowledging the plurality of body. there are no one-man-bands.\n\n‘band’ is both a noun and a verb. as a noun it can mean a group of people who share a common interest of feature, something that serves to join or hold things together, or a force that unites and ties. as a transitive verb it means to gather together, to bind, and intransitively is means to unite for a common purpose, to form a group to achieve a mutual objective.","this band of burnouts bosoms all these meanings. we come together, band together, to share, hear, and learn, the stories of burnouts, holding interest in the potentiality of illness narratives for collective healing and understanding, as ways of making sense (nonsense included). it is said that ‘narrative helps us to make sense of the new life that now has to accommodate an uninvited guest.’\n\n\nin the dead of the night i have these dreams\nwhat’ll happen to me? will i burn out?\n– kid cudi, sad people (2020)\n\n\n\nif the burnout was not a pandemic itself before, the circumstances of covid-19 have enhanced its spread, intensity, and rate of occurrences. despite becoming common phrase and common experience, still limited understanding exists as to what the burnout is. together we ask, what is the burnout and how is it experienced? how does it differ from historical forms of extreme tiredness, and what are its particular manifestations?","on illness narratives\n\nin their book, health, illness and culture: broken narratives (routledge: 2008), lars-christer hydén and ‎jens brockmeier explain how, “some illness stories are told with full voice. they are articulate and the listener is caught in a narrative web… often however, especially in contexts of real life and real illness, stories are not that developed. they are undecided, fragmented, broken, narrated by voices struggling to find words toward meaning and communication. these stories have been given less attention…”\n\n‘i know the feeling now, when i can’t spin a sentence, & sit mumbling & turning; & nothing flits by my brain which is as a blank window. so i… go to bed… very useless. no atmosphere round me. no words. very apprehensive.’\n\n– on being ill by virginia woolf (1926)\n\nband of burnout listens, shares, collects, tells, hears and holds space for the undecided, the fragmented and the broken, as much as it does for the coherent and the translated. we challenge the implication that the meaning of narrator must mean to know. we accept and love that sometimes, we just don’t.\n\n‘illness narratives offer a unique window on how a disease, a disability, or a trauma is lived by feeling and suffering human beings, with all its consequences for their mental, physical, and everyday life. and studying illness narratives opens up a nonreductionist, holistic perspective on how we cope with illness and suffering in still another way. it allows us to tackle questions about how, or how well, we listen to these stories as relatives and cosufferers, professionals, and researchers, and what we make of them.’\n\nthrough intersections of disability studies, embodiment theory and philosophy, somatic practices, contributor-driven interventions, transdisciplinary narratives, aesthetic explorations (including diy/dio experiments, zines and underground publications, punk feminist craft & hobbies, amateur graphic design, mail art, and crazy publishing) and a general interest in pulling the middle finger at the wellness industrial complex and ideologies of productivity, self-optimisation, and ableist norms in relation to time and work… all of this comes together in the research lab band of burnouts.*","sick time, sleepy time, crip time","i is for impasse",{"_type":77,"current":93586},"band-of-burnouts",{"locations":93588,"other":75},[93589],{"_id":139,"_type":121,"seo":75,"slug":93590,"title":142},{"_type":77,"current":141},[93592,93594,93740,93747],{"_type":3563,"caption":75,"embedCode":93593},"\u003Ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/70HNmSsJvVU?si=ttJNOYl6j6COw07Q\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C/iframe>",{"_type":728,"settings":75,"text":93595},[93596,93608,93616,93624,93632,93639,93653,93661,93668,93676,93693,93700,93708,93716,93724],{"_key":93597,"_type":11,"children":93598,"markDefs":93607,"style":24},"7aefc7191f14",[93599,93603],{"_key":93600,"_type":15,"marks":93601,"text":93602},"c6a7a35ac7e90",[17],"About ",{"_key":93604,"_type":15,"marks":93605,"text":93606},"c6a7a35ac7e91",[1362,17],"The Wisdom of Trauma",[],{"_key":93609,"_type":11,"children":93610,"markDefs":93615,"style":24},"dc0a357e7ce4",[93611],{"_key":93612,"_type":15,"marks":93613,"text":93614},"d117e6b7551a0",[],"The interconnected epidemics of anxiety, chronic illness and substance abuse are, according to Dr Gabor Maté, normal. But not in the way you might think.",[],{"_key":93617,"_type":11,"children":93618,"markDefs":93623,"style":24},"fce5c802b478",[93619],{"_key":93620,"_type":15,"marks":93621,"text":93622},"0a649d9667c80",[],"One in five Americans are diagnosed with mental illness in any given year.1 Suicide is the second most common cause of death in the US for youth aged 15-24,2 and kills over 800,000 people a year globally3 and 48,300 in the USA.4 Drug overdose kills 81,000 in the USA annually.5 The autoimmunity epidemic affects 24 million people in the USA.6 What is going on?",[],{"_key":93625,"_type":11,"children":93626,"markDefs":93631,"style":6699},"a755fdbb4c18",[93627],{"_key":93628,"_type":15,"marks":93629,"text":93630},"521874ab0ba90",[],"“So much of what we call abnormality in this culture is actually normal responses to an abnormal culture. The abnormality does not reside in the pathology of individuals, but in the very culture that drives people into suffering and dysfunction.”\n— Gabor Maté",[],{"_key":93633,"_type":11,"children":93634,"markDefs":93638,"style":24},"ed641188cb41",[93635],{"_key":93636,"_type":15,"marks":93637,"text":1150},"9e15357d887d0",[],[],{"_key":93640,"_type":11,"children":93641,"markDefs":93652,"style":24},"97d058dc6a26",[93642,93645,93648],{"_key":93643,"_type":15,"marks":93644,"text":10024},"7e01f1f457d50",[],{"_key":93646,"_type":15,"marks":93647,"text":93606},"7e01f1f457d51",[1362],{"_key":93649,"_type":15,"marks":93650,"text":93651},"7e01f1f457d52",[],", we travel alongside physician, bestselling author and Order of Canada recipient Dr. Gabor Maté to explore why our western society is facing such epidemics. This is a journey with a man who has dedicated his life to understanding the connection between illness, addiction, trauma and society.",[],{"_key":93654,"_type":11,"children":93655,"markDefs":93660,"style":6699},"ca12a7529db2",[93656],{"_key":93657,"_type":15,"marks":93658,"text":93659},"5076b062e18a0",[],"“Trauma is not what happens to you.\nTrauma is what happens inside you,\nas a result of what happens to you.”\n— Gabor Maté",[],{"_key":93662,"_type":11,"children":93663,"markDefs":93667,"style":24},"363e55372e7b",[93664],{"_key":93665,"_type":15,"marks":93666,"text":1150},"e51caeebc7280",[],[],{"_key":93669,"_type":11,"children":93670,"markDefs":93675,"style":24},"13b0aff7f94a",[93671],{"_key":93672,"_type":15,"marks":93673,"text":93674},"2e5a545fd7f40",[],"Trauma is the invisible force that shapes our lives. It shapes the way we live, the way we love and the way we make sense of the world. It is the root of our deepest wounds. Dr. Maté gives us a new vision: a trauma-informed society in which parents, teachers, physicians, policy-makers and legal personnel are not concerned with fixing behaviors, making diagnoses, suppressing symptoms and judging, but seek instead to understand the sources from which troubling behaviors and diseases spring in the wounded human soul.",[],{"_key":93677,"_type":11,"children":93678,"markDefs":93690,"style":24},"9564fe910254",[93679,93683,93687],{"_key":93680,"_type":15,"marks":93681,"text":93682},"b5c3c300227a0",[],"[via ",{"_key":93684,"_type":15,"marks":93685,"text":23281},"b5c3c300227a1",[93686],"3ad682d0de22",{"_key":93688,"_type":15,"marks":93689,"text":87697},"b5c3c300227a2",[],[93691],{"_key":93686,"_type":41,"href":93692},"https://thewisdomoftrauma.com/portfolio-item/about-the-film/",{"_key":93694,"_type":11,"children":93695,"markDefs":93699,"style":24},"f6f7cce26e7f",[93696],{"_key":93697,"_type":15,"marks":93698,"text":1150},"871bd8c4dd010",[],[],{"_key":93701,"_type":11,"children":93702,"markDefs":93707,"style":24},"43fd1ccf007c",[93703],{"_key":93704,"_type":15,"marks":93705,"text":93706},"65dd72f0b4ee0",[17],"🌱Garden Screening",[],{"_key":93709,"_type":11,"children":93710,"markDefs":93715,"style":24},"5850516eeb12",[93711],{"_key":93712,"_type":15,"marks":93713,"text":93714},"3026505647ed0",[],"This is a special hosted screening for an intimate group.\nWe will start with an outdoor aperó and watch the doc together, with facilitated discussion following.",[],{"_key":93717,"_type":11,"children":93718,"markDefs":93723,"style":24},"5e3dd36dae51",[93719],{"_key":93720,"_type":15,"marks":93721,"text":93722},"d8e9121562680",[],"Details:\nWednesday 28th July",[],{"_key":93725,"_type":11,"children":93726,"markDefs":93739,"style":24},"e69a6859888c",[93727,93731,93735],{"_key":93728,"_type":15,"marks":93729,"text":93730},"1964901d184d0",[],"17:30/18:00 Aperó\n18:30 – 20:00 Film\n20:00 onwards Discussion, including provided materials (",{"_key":93732,"_type":15,"marks":93733,"text":93734},"1964901d184d1",[1362],"Wisdom of Trauma ",{"_key":93736,"_type":15,"marks":93737,"text":93738},"1964901d184d2",[],"companion booklet and discussion guide, pictured below)",[],{"_type":813,"caption":75,"image":93741},{"alt":93742,"asset":93743},"Garden Screening",{"_id":93744,"height":93745,"orientation":598,"ratio":599,"url":93746,"width":10721},"image-9e4cc47489ea5daadef0f16459200274ef9b63db-768x576-jpg",576,"https://cdn.sanity.io/images/eodip22e/production/9e4cc47489ea5daadef0f16459200274ef9b63db-768x576.jpg",{"_type":728,"settings":75,"text":93748},[93749,93768,93776,93784],{"_key":93750,"_type":11,"children":93751,"markDefs":93765,"style":24},"baacc58e5d73",[93752,93756,93761],{"_key":93753,"_type":15,"marks":93754,"text":93755},"89b8e30f0da60",[],"–PS. Here is a great list of ",{"_key":93757,"_type":15,"marks":93758,"text":93760},"89b8e30f0da61",[93759],"c99806f3bc9a","trauma-related resources",{"_key":93762,"_type":15,"marks":93763,"text":93764},"89b8e30f0da62",[]," for those interested.",[93766],{"_key":93759,"_type":41,"href":93767},"https://thewisdomoftrauma.com/resources/",{"_key":93769,"_type":11,"children":93770,"markDefs":93775,"style":24},"3d2b2c31dd06",[93771],{"_key":93772,"_type":15,"marks":93773,"text":93774},"838ebc3069670",[],"___________________",[],{"_key":93777,"_type":11,"children":93778,"markDefs":93783,"style":24},"a562e1c5af37",[93779],{"_key":93780,"_type":15,"marks":93781,"text":93782},"39ab33b0320a0",[],"1. National Alliance on Mental Illness\n2. Centers for Disease Control and Prevention\n3. World Health Organization\n4. Centers for Disease Control and Prevention\n5. Centers for Disease Control and Prevention\n6. National Institutes of Health",[],{"_key":93785,"_type":11,"children":93786,"markDefs":93801,"style":24},"1828fcce41c4",[93787,93791,93794,93798],{"_key":93788,"_type":15,"marks":93789,"text":93790},"248df6f08de70",[1362],"All links",{"_key":93792,"_type":15,"marks":93793,"text":5102},"248df6f08de71",[],{"_key":93795,"_type":15,"marks":93796,"text":23281},"248df6f08de72",[1362,93797],"e6707316c1ff",{"_key":93799,"_type":15,"marks":93800,"text":1125},"248df6f08de73",[1362],[93802],{"_key":93797,"_type":41,"href":93692},[93804,141,440,1099,275,78709,165,1101,24202,107,93805,93806,93807,93110],"🌱 garden screening: the wisdom of trauma ft. gabor maté","our band of burnouts lab is hosting a garden screening of the new documentary the wisdom of trauma (2021) featuring dr gabor maté.","about the wisdom of trauma\n\nthe interconnected epidemics of anxiety, chronic illness and substance abuse are, according to dr gabor maté, normal. but not in the way you might think.\n\none in five americans are diagnosed with mental illness in any given year.1 suicide is the second most common cause of death in the us for youth aged 15-24,2 and kills over 800,000 people a year globally3 and 48,300 in the usa.4 drug overdose kills 81,000 in the usa annually.5 the autoimmunity epidemic affects 24 million people in the usa.6 what is going on?\n\n“so much of what we call abnormality in this culture is actually normal responses to an abnormal culture. the abnormality does not reside in the pathology of individuals, but in the very culture that drives people into suffering and dysfunction.”\n— gabor maté\n\n\n\nin the wisdom of trauma, we travel alongside physician, bestselling author and order of canada recipient dr. gabor maté to explore why our western society is facing such epidemics. this is a journey with a man who has dedicated his life to understanding the connection between illness, addiction, trauma and society.\n\n“trauma is not what happens to you.\ntrauma is what happens inside you,\nas a result of what happens to you.”\n— gabor maté\n\n\n\ntrauma is the invisible force that shapes our lives. it shapes the way we live, the way we love and the way we make sense of the world. it is the root of our deepest wounds. dr. maté gives us a new vision: a trauma-informed society in which parents, teachers, physicians, policy-makers and legal personnel are not concerned with fixing behaviors, making diagnoses, suppressing symptoms and judging, but seek instead to understand the sources from which troubling behaviors and diseases spring in the wounded human soul.\n\n[via here]\n\n\n\n🌱garden screening\n\nthis is a special hosted screening for an intimate group.\nwe will start with an outdoor aperó and watch the doc together, with facilitated discussion following.\n\ndetails:\nwednesday 28th july\n\n17:30/18:00 aperó\n18:30 – 20:00 film\n20:00 onwards discussion, including provided materials (wisdom of trauma companion booklet and discussion guide, pictured below)","–ps. here is a great list of trauma-related resources for those interested.\n\n___________________\n\n1. national alliance on mental illness\n2. centers for disease control and prevention\n3. world health organization\n4. centers for disease control and prevention\n5. centers for disease control and prevention\n6. national institutes of health\n\nall links here.",{"_type":77,"current":93809},"garden-screening-the-wisdom-of-trauma-ft-gabor-mate","Our Band of Burnouts lab is hosting a garden screening of the new documentary The Wisdom of Trauma (2021) featuring Dr Gabor Maté.","🌱 Garden Screening: The Wisdom of Trauma ft. Gabor Maté",[93813],{"_id":105,"_type":97,"seo":75,"slug":93814,"title":108},{"_type":77,"current":107},{"_id":93816,"_type":556,"additionalDetails":93817,"categories":93832,"credits":93836,"dates":93969,"events":93972,"featuredImage":93973,"filterables":93980,"labs":93985,"locations":94196,"pageBuilder":94201,"parentEvent":75,"searchables":94212,"seo":75,"slug":94216,"summary":94218,"title":94219,"types":75},"bde5ccd5-b791-4ab8-b900-dfda4cec43c7",[93818],{"_key":93819,"_type":11,"children":93820,"markDefs":93829,"style":24},"080012effdea",[93821,93824],{"_key":93822,"_type":15,"marks":93823,"text":20715},"7d76b3b6187f",[],{"_key":93825,"_type":15,"marks":93826,"text":93828},"71ee3bbb421c",[93827],"7f779de6f1b8","zoom.",[93830],{"_key":93827,"_type":41,"href":93831},"https://zhdk.zoom.us/j/63620215160?pwd=ak5KbS92Mlg0NEVHMFRWRkVXSURqdz09",[93833],{"_id":538,"_type":155,"colorPrimary":93834,"seo":75,"slug":93835,"title":541},{"label":569,"value":4831},{"_type":77,"current":540},{"other":75,"profiles":93837},[93838,93868,93896,93925,93952],{"_id":93839,"_type":576,"activeYears":93840,"bio":93843,"bioShort":93852,"featuredImage":75,"filterables":93853,"links":93856,"locations":93859,"searchables":93863,"seo":75,"slug":93865,"title":93867},"456b02e4-c1cc-45ed-8f0c-b7df16f3c932",[93841],{"_id":2115,"_type":580,"seo":75,"slug":93842,"title":2118},{"_type":77,"current":2117},[93844],{"_key":93845,"_type":11,"children":93846,"markDefs":93851,"style":24},"76ba5aab0a8a",[93847],{"_key":93848,"_type":15,"marks":93849,"text":93850},"f8d1d19d37a90",[],"Centred on emancipatory concerns, Pilgrim aims to challenge the nature of how we come together, speak, listen and strive for social change through sharing and voicing personal experience. 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Burnouts",{"_id":97533,"height":41608,"orientation":1032,"ratio":1033,"url":97534,"width":41608},"image-0f04ea8ac571181a4297ec2cce218a8f962e7701-1018x1018-jpg","https://cdn.sanity.io/images/eodip22e/production/0f04ea8ac571181a4297ec2cce218a8f962e7701-1018x1018.jpg",{"filterCategory":97536,"filterLocation":97538,"filterType":97540},[97537],{"_id":333,"title":336},[97539],{"_id":144,"title":147},[97541],{"_id":110,"title":113},[97543,97984],{"_id":97544,"_type":107,"categories":97545,"credits":97552,"featuredImage":97583,"filterables":97590,"footnotes":97598,"locations":97599,"logbook":75,"pageBuilder":97603,"researchQuestion":97961,"researchQuestions":75,"searchables":97977,"seo":75,"slug":97981,"title":97983,"year":2118},"a22ab1ca-c2ef-4a14-a947-5db3fa530f3f",[97546,97549],{"_id":363,"_type":155,"colorPrimary":97547,"seo":75,"slug":97548,"title":366},{"label":569,"value":26203},{"_type":77,"current":365},{"_id":22459,"_type":155,"colorPrimary":97550,"seo":75,"slug":97551,"title":22464},{"label":569,"value":22461},{"_type":77,"current":22463},{"other":75,"profiles":97553},[97554],{"_id":97555,"_type":576,"activeYears":97556,"bio":97559,"bioShort":97567,"featuredImage":75,"filterables":97568,"links":97571,"locations":97574,"searchables":97578,"seo":75,"slug":97580,"title":97582},"8b1c789b-0a11-4f53-84ee-866bed75a2b5",[97557],{"_id":2115,"_type":580,"seo":75,"slug":97558,"title":2118},{"_type":77,"current":2117},[97560],{"_key":97561,"_type":11,"children":97562,"markDefs":97566,"style":24},"0a192ce91036",[97563],{"_key":97564,"_type":15,"marks":97565,"text":13415},"a62e530aaf74",[],[],"Charlotte likes to zoom in too closely and is fascinated by stuff she finds online.",{"filterYear":97569},[97570],{"_id":2115,"title":2118},[97572],{"_type":607,"label":608,"url":97573},"https://charlottefriedli.com/",{"locations":97575,"other":75},[97576],{"_id":139,"_type":121,"seo":75,"slug":97577,"title":142},{"_type":77,"current":141},[97579,2117],"charlotte friedli",{"_type":77,"current":97581},"charlotte-friedli","Charlotte Friedli",{"alt":97584,"asset":97585},"School of Commons -Profound Procrastination",{"_id":97586,"height":97587,"orientation":637,"ratio":97588,"url":97589,"width":89767},"image-19fe0b275ae82fd169848fc5fca38a3d4ca6fce8-572x785-jpg",785,0.7286624203821656,"https://cdn.sanity.io/images/eodip22e/production/19fe0b275ae82fd169848fc5fca38a3d4ca6fce8-572x785.jpg",{"filterCategory":97591,"filterLocation":97594,"filterYear":97596},[97592,97593],{"_id":363,"title":366},{"_id":22459,"title":22464},[97595],{"_id":139,"title":142},[97597],{"_id":2115,"title":2118},[],{"locations":97600,"other":75},[97601],{"_id":139,"_type":121,"seo":75,"slug":97602,"title":142},{"_type":77,"current":141},[97604,97713,97787],{"_type":728,"settings":75,"text":97605},[97606,97614,97622,97630,97675],{"_key":97607,"_type":11,"children":97608,"markDefs":97613,"style":24},"9b8884e946fb",[97609],{"_key":97610,"_type":15,"marks":97611,"text":97612},"9afa986b2af4",[],"The boundary between production and consumption is increasingly dissolving in current technological and cultural conditions. The meaning of producer and consumer is also changing. In what way are we productive when we post a meme or read an article or comment on it? Is scrolling on instagram and sharing our data, therefore generating money, equal to being productive? The shift in the classic user role redefines the understanding of the self, as a working self, as a productive self, as a consuming self. What value do my activities have?",[],{"_key":97615,"_type":11,"children":97616,"markDefs":97621,"style":24},"067c5b6aff5b",[97617],{"_key":97618,"_type":15,"marks":97619,"text":97620},"a825086316c5",[],"The economic and social pressure to be productive does not seem to be weakening. Instead, the phenomenon of procrastination, the postponement of pending tasks, has been receiving remarkable attention online and offline for several years. Procrastination is not a passive state, nor is it similar to indulgence. Talking and laughing about our procrastination only scratches the surface of a deeper question about working in our time, especially in creative or academic fields.",[],{"_key":97623,"_type":11,"children":97624,"markDefs":97629,"style":24},"b4744953bfde",[97625],{"_key":97626,"_type":15,"marks":97627,"text":97628},"65aef7a83ab8",[],"How do we make the distinction between high-value and low-value products and activities? To what extent do these categories even exist? How does our self-worth correlate with the value we place on the products we consume or produce?",[],{"_key":97631,"_type":11,"children":97632,"markDefs":97668,"style":24},"ddadbc5f038d",[97633,97637,97641,97646,97650,97655,97659,97664],{"_key":97634,"_type":15,"marks":97635,"text":97636},"be126aebee11",[1362,17],"“not reading bookclub”",{"_key":97638,"_type":15,"marks":97639,"text":97640},"f1beba4cf01e",[],"\nI developed an interest in how scientific theories are used on social media platforms. I observe an active community that engages online with texts and positions from standard works and communicates them in the form of memes. The humorous appropriation of sophisticated theories challenges the sovereignty of classic academic discourse and makes this knowledge available and shareable. Channels like ",{"_key":97642,"_type":15,"marks":97643,"text":97645},"ca559b1b4c0c",[97644],"bf2380286c6f","@ripannanicolesmith",{"_key":97647,"_type":15,"marks":97648,"text":97649},"9b86b0a39ee8",[]," on instagram and ",{"_key":97651,"_type":15,"marks":97652,"text":97654},"f333cfc62a53",[97653],"e29714aebb55","Contrapoints",{"_key":97656,"_type":15,"marks":97657,"text":97658},"3a2ebbd7ee4d",[]," on youtube maintain a decidedly critical stance toward the exclusivity of academic discourse. Other channels like ",{"_key":97660,"_type":15,"marks":97661,"text":97663},"9e0a447afb2d",[97662],"3750b560aa79","@booksididnt",{"_key":97665,"_type":15,"marks":97666,"text":97667},"c15507f1bedf",[]," humorously question the necessity of reading original texts at all. This stimulates interesting discussions about the position of science, the role of researchers and the accessibility of scientific texts.",[97669,97671,97673],{"_key":97644,"_type":41,"href":97670},"https://www.instagram.com/ripannanicolesmith/",{"_key":97653,"_type":41,"href":97672},"https://www.youtube.com/user/ContraPoints",{"_key":97662,"_type":41,"href":97674},"https://www.instagram.com/booksididnt/",{"_key":97676,"_type":11,"children":97677,"markDefs":97708,"style":24},"b4d1d689204e",[97678,97682,97686,97690,97695,97699,97704],{"_key":97679,"_type":15,"marks":97680,"text":97681},"ca249e01a529",[],"\nWith the @intraactions project I engage with the text ",{"_key":97683,"_type":15,"marks":97684,"text":97685},"99f5e7bf0091",[1362],"On Touching – The Inhumane That Therefore I Am",{"_key":97687,"_type":15,"marks":97688,"text":97689},"1adf269f1650",[]," by Karen Barad. I approach the complex text and mediate it through the Instagram account ",{"_key":97691,"_type":15,"marks":97692,"text":97694},"e16fe41ea4ea",[97693],"a3980505855e","@intraactions",{"_key":97696,"_type":15,"marks":97697,"text":97698},"6242e87722f2",[],". A dialogue is created between found Instagram captions with the hashtag ",{"_key":97700,"_type":15,"marks":97701,"text":97703},"2a5c4378657e",[97702],"8d1825f1e04c","#mirrorselfie",{"_key":97705,"_type":15,"marks":97706,"text":97707},"ccdf167ece75",[]," and excerpts from Barad’s text. A contact is established between two supposedly distant universes. In both universes, social media and academia, certain cultural codes prevail, manifesting in different vernaculars. With @intraactions I lift the sentences out of their context and create a new environment in which the artifacts appear equal. 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They reveal the process behind the picture and what camera was used. They show what the person sees. You can see their rooms, their mess in the back, the places they shop and where they cut their hair.",[],{"_key":97830,"_type":11,"children":97831,"markDefs":97836,"style":24},"0bbec1f62244",[97832],{"_key":97833,"_type":15,"marks":97834,"text":97835},"0517762da2c20",[],"Some people look in the mirror at their own reflection, some people look at the image on their phone.",[],{"_key":97838,"_type":11,"children":97839,"markDefs":97843,"style":24},"9ca7532c7523",[97840],{"_key":97841,"_type":15,"marks":97842,"text":1150},"2e0d0bac146d0",[],[],{"_key":97845,"_type":11,"children":97846,"markDefs":97851,"style":24},"f2f3788b3800",[97847],{"_key":97848,"_type":15,"marks":97849,"text":97850},"03f2c36026610",[],"These pictures feel really personal.",[],{"_key":97853,"_type":11,"children":97854,"markDefs":97858,"style":24},"f2ea3cc893ef",[97855],{"_key":97856,"_type":15,"marks":97857,"text":1150},"b6d81fbd8e920",[],[],{"_key":97860,"_type":11,"children":97861,"markDefs":97866,"style":24},"4148831db35a",[97862],{"_key":97863,"_type":15,"marks":97864,"text":97865},"38f23e1ca1400",[],"I think about how they took this picture. How they took five, twenty or sixty minutes looking at themselves, changing their pose, switching on the light, opening the curtains, switching off the light, ruffling their fringe, opening their mouths, lifting their shirts, hating their teeth, liking their lips, thinking about who’s going to see this, who is going to like it, how weird they look, wondering how others see them, wondering if this picture is the right image",[],{"_key":97868,"_type":11,"children":97869,"markDefs":97874,"style":24},"eda4d41a35fb",[97870],{"_key":97871,"_type":15,"marks":97872,"text":97873},"89577533f5740",[],"– reflecting.",[],{"_key":97876,"_type":11,"children":97877,"markDefs":97882,"style":24},"6353820aaeba",[97878],{"_key":97879,"_type":15,"marks":97880,"text":97881},"280a06787b4b0",[],"It is interesting how we hold our phones when we take a picture. Because we have to click the button with our thumb and the phones are so big, most of us have to spread our fingers in this very specific way. It is similar to the way we hold a wine glass if we want to look casually sexy.",[],{"_key":97884,"_type":11,"children":97885,"markDefs":97889,"style":24},"02cad1f9a66c",[97886],{"_key":97887,"_type":15,"marks":97888,"text":1150},"615e7ad33d8d0",[],[],{"_key":97891,"_type":11,"children":97892,"markDefs":97897,"style":24},"d128c8a00ca3",[97893],{"_key":97894,"_type":15,"marks":97895,"text":97896},"33e7e8a9e13b0",[],"That’s how we end up covering the apple with our fingers.",[],{"_key":97899,"_type":11,"children":97900,"markDefs":97904,"style":24},"b8e261be6666",[97901],{"_key":97902,"_type":15,"marks":97903,"text":1150},"7cb8e5735eff0",[],[],{"_key":97906,"_type":11,"children":97907,"markDefs":97912,"style":24},"5971b5f171d4",[97908],{"_key":97909,"_type":15,"marks":97910,"text":97911},"eef8992c05b10",[],"I take a screenshot. I zoom in and crop it.",[],{"_key":97914,"_type":11,"children":97915,"markDefs":97920,"style":24},"ee800b2f3a26",[97916],{"_key":97917,"_type":15,"marks":97918,"text":97919},"50ea546514c00",[],"You can only see the fingers and the logo now.",[],{"_key":97922,"_type":11,"children":97923,"markDefs":97928,"style":24},"8bc3999d95a4",[97924],{"_key":97925,"_type":15,"marks":97926,"text":97927},"99b9554f95740",[],"The person in the mirror behind the phone and the room disappear. The context and the story get lost by my crop.",[],{"_key":97930,"_type":11,"children":97931,"markDefs":97936,"style":24},"6adcbc0cecb0",[97932],{"_key":97933,"_type":15,"marks":97934,"text":97935},"631255fbbf9f0",[],"I don’t ask the people if I can use their mirrorselfie. I just take them, save them, use them, make them my own.",[],{"_key":97938,"_type":11,"children":97939,"markDefs":97944,"style":24},"e0da4211b22c",[97940],{"_key":97941,"_type":15,"marks":97942,"text":97694},"295642bcbdb30",[97943],"d67841e92b7d",[97945],{"_key":97943,"_type":41,"href":97710},{"_key":97947,"_type":11,"children":97948,"markDefs":97952,"style":24},"f9b97977fd3b",[97949],{"_key":97950,"_type":15,"marks":97951,"text":1150},"094c6ca579200",[],[],{"_key":97954,"_type":11,"children":97955,"markDefs":97960,"style":24},"85c672e91d74",[97956],{"_key":97957,"_type":15,"marks":97958,"text":97959},"9175fa5cdb800",[],"In the end their reflection is just a pile of pixels.",[],[97962,97970],{"_key":97963,"_type":11,"children":97964,"markDefs":97969,"style":24},"f642aca57511",[97965],{"_key":97966,"_type":15,"marks":97967,"text":97968},"2baa912150e3",[],"In what way are we productive when we post a meme or read an article or comment on it? \n\nIs scrolling on instagram and sharing our data, therefore generating money, equal to being productive? \n\nThe shift in the classic user role redefines the understanding of the self, as a working self, as a productive self, as a consuming self. What value do my activities have?",[],{"_key":97971,"_type":11,"children":97972,"markDefs":97976,"style":24},"5d2bd67950e8",[97973],{"_key":97974,"_type":15,"marks":97975,"text":1150},"fe93a0f91e8e",[],[],[97978,2117,141,97579,97979,97980,26536,22463],"profound procrastination","the boundary between production and consumption is increasingly dissolving in current technological and cultural conditions. the meaning of producer and consumer is also changing. in what way are we productive when we post a meme or read an article or comment on it? is scrolling on instagram and sharing our data, therefore generating money, equal to being productive? the shift in the classic user role redefines the understanding of the self, as a working self, as a productive self, as a consuming self. what value do my activities have?\n\nthe economic and social pressure to be productive does not seem to be weakening. instead, the phenomenon of procrastination, the postponement of pending tasks, has been receiving remarkable attention online and offline for several years. procrastination is not a passive state, nor is it similar to indulgence. talking and laughing about our procrastination only scratches the surface of a deeper question about working in our time, especially in creative or academic fields.\n\nhow do we make the distinction between high-value and low-value products and activities? to what extent do these categories even exist? how does our self-worth correlate with the value we place on the products we consume or produce?\n\n“not reading bookclub”\ni developed an interest in how scientific theories are used on social media platforms. i observe an active community that engages online with texts and positions from standard works and communicates them in the form of memes. the humorous appropriation of sophisticated theories challenges the sovereignty of classic academic discourse and makes this knowledge available and shareable. channels like @ripannanicolesmith on instagram and contrapoints on youtube maintain a decidedly critical stance toward the exclusivity of academic discourse. other channels like @booksididnt humorously question the necessity of reading original texts at all. this stimulates interesting discussions about the position of science, the role of researchers and the accessibility of scientific texts.\n\n\nwith the @intraactions project i engage with the text on touching – the inhumane that therefore i am by karen barad. i approach the complex text and mediate it through the instagram account @intraactions. a dialogue is created between found instagram captions with the hashtag #mirrorselfie and excerpts from barad’s text. a contact is established between two supposedly distant universes. in both universes, social media and academia, certain cultural codes prevail, manifesting in different vernaculars. with @intraactions i lift the sentences out of their context and create a new environment in which the artifacts appear equal. motivational quotes, everyday philosophies, etymological investigations and physical theories gather in a chimerical narrative.","#mirrorselfie\n\n\ni click the magnifying glass.\n\ni type in #mirrorselfie.\n\nan endless grid of people standing, laying, squatting and posing in front of a mirror.\n\nmirrorselfies are self-portraits. they reveal the process behind the picture and what camera was used. they show what the person sees. you can see their rooms, their mess in the back, the places they shop and where they cut their hair.\n\nsome people look in the mirror at their own reflection, some people look at the image on their phone.\n\n\n\nthese pictures feel really personal.\n\n\n\ni think about how they took this picture. how they took five, twenty or sixty minutes looking at themselves, changing their pose, switching on the light, opening the curtains, switching off the light, ruffling their fringe, opening their mouths, lifting their shirts, hating their teeth, liking their lips, 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Social depletion refers to the critical gap between outflows- domestic, affective and reproductive- and the inflows that sustain their health and well being. Social depletion might be measured in terms of mental health, physical health, or the health of communities. In identifying the distinct interpersonal, systemic, and economic deformations of neoliberal capitalism my interest is in mapping a constellation for radical care and repair autonomous from the grasp of the mutated nation market state.\n\nTo recognize the centrality of care in contemporary world building is to recognize care as a form of agency and resistance. The way we think about care is deeply rooted in our social, economic and political values. How and why can relational ethics of care embody a radical political practice? The deficiencies of hegemonic social depletion in financialized neoliberalism are twofold: the extraction of labor from disenfranchised citizens and migrants who occupy the working class sector of care, and the exhaustion of the productive force behind immaterial labor. How can we frame the genesis of care as an ecology, a public value, and embodied practice for economic and political resistance.\n\nWho creates and maintains social bonds? Where are they currently replenished and by whom?​ W​hat do we mean by care economies? ​​What does the body mean as a category of social and political action if we think about the body as a workplace? How does the body reproduce the power of the nation state? There is no social change, no cultural or political innovation, and no economic practice that is not expressed through or on the body. More specifically still, I am interested in discussing the kind of labor that exists outside of the mainstream market economies, whose bodies provide civic flotation to the wealthy upper and middle class. This series I will publish in the coming weeks will be looking at the ecology of care maintained and perpetuated by sex workers.\n\nLast week I was interviewed on Radio AVA in London. We discussed an expanded definition of care that includes economies of pleasure, sex work, and types of service work that allow for the regeneration and maintenance of our bodies and minds. As an embodied practice, interdependent care is not reliant on capitalist power structures, but rather it is reliant on the formation of community. On the show we discussed care ecologies in sex worker communities, once again upholding the interrelationality of any sensorial and or emotional labor, and the positive and negative associations between social reproduction and sex work. (A full recording and transcript of this interview will be made available soon)",[],{"_type":813,"caption":98839,"image":98848},[98840],{"_key":98841,"_type":11,"children":98842,"markDefs":98847,"style":24},"793df2306ed5",[98843],{"_key":98844,"_type":15,"marks":98845,"text":98846},"980f4ea31f970",[],"Image and artwork by Darya Diamond",[],{"alt":98849,"asset":98850},"image and artwork by Darya Diamond",{"_id":98851,"height":10721,"orientation":1032,"ratio":1033,"url":98852,"width":10721},"image-459f7456005772da337f62cbce343f10e95c91f7-768x768-jpg","https://cdn.sanity.io/images/eodip22e/production/459f7456005772da337f62cbce343f10e95c91f7-768x768.jpg",{"_type":728,"settings":75,"text":98854},[98855,98863,98870,98878,98885,98893,98900],{"_key":98856,"_type":11,"children":98857,"markDefs":98862,"style":24},"1507ab2cfd39",[98858],{"_key":98859,"_type":15,"marks":98860,"text":98861},"8f5cc8dff63c0",[],"This project presents a loose framework for understanding and repairing hegemonic social depletion. Social depletion refers to the critical gap between outflows- domestic, affective and reproductive- and the inflows that sustain their health and well being. Social depletion might be measured in terms of mental health, physical health, or the health of communities. In identifying the distinct interpersonal, systemic, and economic deformations of neoliberal capitalism my interest is in mapping a constellation for radical care and repair autonomous from the grasp of the mutated nation market state.",[],{"_key":98864,"_type":11,"children":98865,"markDefs":98869,"style":24},"7dd008da72c0",[98866],{"_key":98867,"_type":15,"marks":98868,"text":1150},"8981447dc2710",[],[],{"_key":98871,"_type":11,"children":98872,"markDefs":98877,"style":24},"98b2e82b299a",[98873],{"_key":98874,"_type":15,"marks":98875,"text":98876},"4c84e1162d2a0",[],"To recognize the centrality of care in contemporary world building is to recognize care as a form of agency and resistance. The way we think about care is deeply rooted in our social, economic and political values. How and why can relational ethics of care embody a radical political practice? The deficiencies of hegemonic social depletion in financialized neoliberalism are twofold: the extraction of labor from disenfranchised citizens and migrants who occupy the working class sector of care, and the exhaustion of the productive force behind immaterial labor. How can we frame the genesis of care as an ecology, a public value, and embodied practice for economic and political resistance.",[],{"_key":98879,"_type":11,"children":98880,"markDefs":98884,"style":24},"42e30238d622",[98881],{"_key":98882,"_type":15,"marks":98883,"text":1150},"16516ad384430",[],[],{"_key":98886,"_type":11,"children":98887,"markDefs":98892,"style":24},"59db76a31c6e",[98888],{"_key":98889,"_type":15,"marks":98890,"text":98891},"fe251a733f3c0",[],"Who creates and maintains social bonds? Where are they currently replenished and by whom?​ W​hat do we mean by care economies? ​​What does the body mean as a category of social and political action if we think about the body as a workplace? How does the body reproduce the power of the nation state? There is no social change, no cultural or political innovation, and no economic practice that is not expressed through or on the body. More specifically still, I am interested in discussing the kind of labor that exists outside of the mainstream market economies, whose bodies provide civic flotation to the wealthy upper and middle class. This series I will publish in the coming weeks will be looking at the ecology of care maintained and perpetuated by sex workers.",[],{"_key":98894,"_type":11,"children":98895,"markDefs":98899,"style":24},"289805e75b50",[98896],{"_key":98897,"_type":15,"marks":98898,"text":1150},"2ce013a4827e0",[],[],{"_key":98901,"_type":11,"children":98902,"markDefs":98907,"style":24},"efa3c3735eb2",[98903],{"_key":98904,"_type":15,"marks":98905,"text":98906},"2a46826025ba0",[],"Last week I was interviewed on Radio AVA in London. We discussed an expanded definition of care that includes economies of pleasure, sex work, and types of service work that allow for the regeneration and maintenance of our bodies and minds. As an embodied practice, interdependent care is not reliant on capitalist power structures, but rather it is reliant on the formation of community. On the show we discussed care ecologies in sex worker communities, once again upholding the interrelationality of any sensorial and or emotional labor, and the positive and negative associations between social reproduction and sex work. (A full recording and transcript of this interview will be made available soon)",[],{"_type":728,"settings":75,"text":98909},[98910,98918,98926],{"_key":98911,"_type":11,"children":98912,"markDefs":98917,"style":24},"99fd74a133d5",[98913],{"_key":98914,"_type":15,"marks":98915,"text":98916},"4f17849cbe370",[],"The term ‘Social Reproduction’ broadly refers to forms of activities, capacities, and labour that replenish and reproduce ‘productive’ humans under capitalism. It is the work of making and remaking people both on an everyday level and on a generational level, reproducing and replenishing the bodies that become potential labor power. Care is the expanded field of social reproduction, and while these terms are not inherently interchangeable the terminology of care has come to define a more complex understanding of what social reproduction can be. Redefining care as both a collectivized value and a collectivized practice allows for a broader analysis of how the reorganization of ‘care work’ can have profound implications for larger social, political and cognitive repair.",[],{"_key":98919,"_type":11,"children":98920,"markDefs":98925,"style":24},"f46d2bc1f1e8",[98921],{"_key":98922,"_type":15,"marks":98923,"text":98924},"cc4670b960cf",[],"Care requires not only nurturing relationships but also the physical and mental work of taking care of, cleaning up after, and maintaining bodies. This includes the professionalized sector of domestic work and what may be considered “immaterial labor” such as jobs implementing caring duties that used to be allocated to the home, schools, hospitals, hospices, nursing homes, care facilities for disabled people, funeral homes etc. which includes necessary manual domestic labor such as cleaning, preparing food, removing waste. Care includes economies of pleasure such as sexual work, types of service work that allow for the regeneration and maintenance of the bodies and minds. It can be situated as caring for, caring about, care-giving, and caring with. An expanded definition of care also includes the capacity for communities to feel emotionally supported and connected to their neighborhood and their extended kin beyond the immediate institution of the family.",[],{"_key":98927,"_type":11,"children":98928,"markDefs":98933,"style":24},"48953da39bf4",[98929],{"_key":98930,"_type":15,"marks":98931,"text":98932},"b57c2bb69770",[],"Focusing on care in economies of pleasure such as the multi-faceted forms of sex work and types of service work that allow for the regeneration and maintenance of the bodies and minds, let us examine the personal and public forms of care. What are the dimensions that join to generate “integrated act of care”, the affective and ethical dispositions involved in concern, worry, and taking responsibility for another’s well being. In this way, caring about and taking care of are both extremely personal and simultaneously relational whether the embodiment of those terms might take the shape of preparing a meal for your kin, providing a BDSM spanking session, or providing an emotional space for listening and sharing with colleagues. In the realm of sex work communities, these practices are an essential part of the maintenance of social (and anti-social) bodies both as services to clients, as well as services to one another. Communities of sex workers are not unique in the necessity of mutual aid, mutual support and collectivized care. They are one of the many kinds of communities of laborers that are negated, discriminated against and or criminalized in one form another. The philosophy of care in sex work is a theoretical exercise through which we can look at the philosophy of care as a practice based on interdependent responsibilities to one another, corroborating a radical ecology of care that is non-hierarchical and altogether collective.",[],[98935,98943,98951,98959,98967,98975],{"_key":98936,"_type":11,"children":98937,"markDefs":98942,"style":24},"db76be9db267",[98938],{"_key":98939,"_type":15,"marks":98940,"text":98941},"d196c88b45320",[],"How and why can relational ethics of care embody a radical political practice?",[],{"_key":98944,"_type":11,"children":98945,"markDefs":98950,"style":24},"5bf7b6708c72",[98946],{"_key":98947,"_type":15,"marks":98948,"text":98949},"3bf0191632660",[],"Who creates and maintains social bonds? ",[],{"_key":98952,"_type":11,"children":98953,"markDefs":98958,"style":24},"77846869de40",[98954],{"_key":98955,"_type":15,"marks":98956,"text":98957},"99eb9573ec6a",[],"Where are they currently replenished and by whom?​ ",[],{"_key":98960,"_type":11,"children":98961,"markDefs":98966,"style":24},"9d954d50d9c6",[98962],{"_key":98963,"_type":15,"marks":98964,"text":98965},"deaec9922cbd",[],"W​hat do we mean by care economies? ​​",[],{"_key":98968,"_type":11,"children":98969,"markDefs":98974,"style":24},"c4893968bc64",[98970],{"_key":98971,"_type":15,"marks":98972,"text":98973},"c283d6270749",[],"What does the body mean as a category of social and political action if we think about the body as a workplace? ",[],{"_key":98976,"_type":11,"children":98977,"markDefs":98982,"style":24},"2ee4c04fd6cb",[98978],{"_key":98979,"_type":15,"marks":98980,"text":98981},"a9f96a34e421",[],"How does the body reproduce the power of the nation state?",[],[98984,2112,141,17522,98703,98985,98986,98987,1316,22463],"i. mutiny of the body: constellations towards a radical ecology of care","this project presents a loose framework for understanding and repairing hegemonic social depletion. social depletion refers to the critical gap between outflows- domestic, affective and reproductive- and the inflows that sustain their health and well being. social depletion might be measured in terms of mental health, physical health, or the health of communities. in identifying the distinct interpersonal, systemic, and economic deformations of neoliberal capitalism my interest is in mapping a constellation for radical care and repair autonomous from the grasp of the mutated nation market state.\n\nto recognize the centrality of care in contemporary world building is to recognize care as a form of agency and resistance. the way we think about care is deeply rooted in our social, economic and political values. how and why can relational ethics of care embody a radical political practice? the deficiencies of hegemonic social depletion in financialized neoliberalism are twofold: the extraction of labor from disenfranchised citizens and migrants who occupy the working class sector of care, and the exhaustion of the productive force behind immaterial labor. how can we frame the genesis of care as an ecology, a public value, and embodied practice for economic and political resistance.\n\nwho creates and maintains social bonds? where are they currently replenished and by whom?​ w​hat do we mean by care economies? ​​what does the body mean as a category of social and political action if we think about the body as a workplace? how does the body reproduce the power of the nation state? there is no social change, no cultural or political innovation, and no economic practice that is not expressed through or on the body. more specifically still, i am interested in discussing the kind of labor that exists outside of the mainstream market economies, whose bodies provide civic flotation to the wealthy upper and middle class. this series i will publish in the coming weeks will be looking at the ecology of care maintained and perpetuated by sex workers.\n\nlast week i was interviewed on radio ava in london. we discussed an expanded definition of care that includes economies of pleasure, sex work, and types of service work that allow for the regeneration and maintenance of our bodies and minds. as an embodied practice, interdependent care is not reliant on capitalist power structures, but rather it is reliant on the formation of community. on the show we discussed care ecologies in sex worker communities, once again upholding the interrelationality of any sensorial and or emotional labor, and the positive and negative associations between social reproduction and sex work. (a full recording and transcript of this interview will be made available soon)","this project presents a loose framework for understanding and repairing hegemonic social depletion. social depletion refers to the critical gap between outflows- domestic, affective and reproductive- and the inflows that sustain their health and well being. social depletion might be measured in terms of mental health, physical health, or the health of communities. in identifying the distinct interpersonal, systemic, and economic deformations of neoliberal capitalism my interest is in mapping a constellation for radical care and repair autonomous from the grasp of the mutated nation market state.\n\n\n\nto recognize the centrality of care in contemporary world building is to recognize care as a form of agency and resistance. the way we think about care is deeply rooted in our social, economic and political values. how and why can relational ethics of care embody a radical political practice? the deficiencies of hegemonic social depletion in financialized neoliberalism are twofold: the extraction of labor from disenfranchised citizens and migrants who occupy the working class sector of care, and the exhaustion of the productive force behind immaterial labor. how can we frame the genesis of care as an ecology, a public value, and embodied practice for economic and political resistance.\n\n\n\nwho creates and maintains social bonds? where are they currently replenished and by whom?​ w​hat do we mean by care economies? ​​what does the body mean as a category of social and political action if we think about the body as a workplace? how does the body reproduce the power of the nation state? there is no social change, no cultural or political innovation, and no economic practice that is not expressed through or on the body. more specifically still, i am interested in discussing the kind of labor that exists outside of the mainstream market economies, whose bodies provide civic flotation to the wealthy upper and middle class. this series i will publish in the coming weeks will be looking at the ecology of care maintained and perpetuated by sex workers.\n\n\n\nlast week i was interviewed on radio ava in london. we discussed an expanded definition of care that includes economies of pleasure, sex work, and types of service work that allow for the regeneration and maintenance of our bodies and minds. as an embodied practice, interdependent care is not reliant on capitalist power structures, but rather it is reliant on the formation of community. on the show we discussed care ecologies in sex worker communities, once again upholding the interrelationality of any sensorial and or emotional labor, and the positive and negative associations between social reproduction and sex work. (a full recording and transcript of this interview will be made available soon)","the term ‘social reproduction’ broadly refers to forms of activities, capacities, and labour that replenish and reproduce ‘productive’ humans under capitalism. it is the work of making and remaking people both on an everyday level and on a generational level, reproducing and replenishing the bodies that become potential labor power. care is the expanded field of social reproduction, and while these terms are not inherently interchangeable the terminology of care has come to define a more complex understanding of what social reproduction can be. redefining care as both a collectivized value and a collectivized practice allows for a broader analysis of how the reorganization of ‘care work’ can have profound implications for larger social, political and cognitive repair.\n\ncare requires not only nurturing relationships but also the physical and mental work of taking care of, cleaning up after, and maintaining bodies. this includes the professionalized sector of domestic work and what may be considered “immaterial labor” such as jobs implementing caring duties that used to be allocated to the home, schools, hospitals, hospices, nursing homes, care facilities for disabled people, funeral homes etc. which includes necessary manual domestic labor such as cleaning, preparing food, removing waste. care includes economies of pleasure such as sexual work, types of service work that allow for the regeneration and maintenance of the bodies and minds. it can be situated as caring for, caring about, care-giving, and caring with. an expanded definition of care also includes the capacity for communities to feel emotionally supported and connected to their neighborhood and their extended kin beyond the immediate institution of the family.\n\nfocusing on care in economies of pleasure such as the multi-faceted forms of sex work and types of service work that allow for the regeneration and maintenance of the bodies and minds, let us examine the personal and public forms of care. what are the dimensions that join to generate “integrated act of care”, the affective and ethical dispositions involved in concern, worry, and taking responsibility for another’s well being. in this way, caring about and taking care of are both extremely personal and simultaneously relational whether the embodiment of those terms might take the shape of preparing a meal for your kin, providing a bdsm spanking session, or providing an emotional space for listening and sharing with colleagues. in the realm of sex work communities, these practices are an essential part of the maintenance of social (and anti-social) bodies both as services to clients, as well as services to one another. communities of sex workers are not unique in the necessity of mutual aid, mutual support and collectivized care. they are one of the many kinds of communities of laborers that are negated, discriminated against and or criminalized in one form another. the philosophy of care in sex work is a theoretical exercise through which we can look at the philosophy of care as a practice based on interdependent responsibilities to one another, corroborating a radical ecology of care that is non-hierarchical and altogether collective.",{"_type":77,"current":98989},"i-mutiny-of-the-body-constellations-towards-a-radical-ecology-of-care","I. Mutiny of the Body: Constellations Towards a Radical Ecology of Care",{"locations":98992,"other":98995},[98993],{"_id":144,"_type":121,"seo":75,"slug":98994,"title":147},{"_type":77,"current":146},[],[98997,99015],{"_type":728,"settings":75,"text":98998},[98999,99007],{"_key":99000,"_type":11,"children":99001,"markDefs":99006,"style":24},"8da6a3e593b6",[99002],{"_key":99003,"_type":15,"marks":99004,"text":99005},"baf06667cc3e",[],"Nothing ever actually touches anything else. When electrons get close, they repel one another. Labours of touch often go undocumented or overlooked, yet have remarkable material affects. We touch, keep in-touch, feel touched. Being caressed by someone we like triggers the ‘love’ hormone oxytocin, conversely, those who are are not cuddled and held enough in infancy suffer lifelong negative effects. Touch in all its forms, as a caress, a pinch, a spank, a tickle, or a light brush of reassurance are provisions of care and social replenishment in different contexts. In its multiple possible manifestations, human touch sits in close proximity both to sensuality, collectivity, love, and to trauma.",[],{"_key":99008,"_type":11,"children":99009,"markDefs":99014,"style":24},"68265e54b20b",[99010],{"_key":99011,"_type":15,"marks":99012,"text":99013},"b1a598ffa0fb",[],"This round table explores economies of touch and focuses on haptic forms of work. During a moment marked by an absence of physical contact and hegemonic social depletion, we will discuss forms of labour (paid and unpaid) in which touch is currency; such as therapy, sensorial relationships, sex work, and parenting. The roundtable will be hosted via Zoom and is free and open to anyone who would like to participate.",[],{"_type":728,"settings":99016,"text":99017},{"textColumnCount":730},[99018,99034],{"_key":99019,"_type":11,"children":99020,"markDefs":99033,"style":24},"cdfbd2677dbe",[99021,99025,99029],{"_key":99022,"_type":15,"marks":99023,"text":99024},"a4960633c272",[17],"*Access: an audio recording will be available after our discussion for anyone that cannot attend",{"_key":99026,"_type":15,"marks":99027,"text":99028},"ce2ce3d52e92",[]," the ",{"_key":99030,"_type":15,"marks":99031,"text":99032},"973266d1264d",[17],"zoom discussion",[],{"_key":99035,"_type":11,"children":99036,"markDefs":99040,"style":24},"9d604efc0567",[99037],{"_key":99038,"_type":15,"marks":99039,"text":1150},"72ca5b57a299",[],[],[99042,146,435,107,99043,99044,99045,98703,98741,99046],"exploring economies of touch and haptic forms of labour","mark your calendars!\n\n*a conversation about sensorial economies of touch and haptic labour*","nothing ever actually touches anything else. when electrons get close, they repel one another. labours of touch often go undocumented or overlooked, yet have remarkable material affects. we touch, keep in-touch, feel touched. being caressed by someone we like triggers the ‘love’ hormone oxytocin, conversely, those who are are not cuddled and held enough in infancy suffer lifelong negative effects. touch in all its forms, as a caress, a pinch, a spank, a tickle, or a light brush of reassurance are provisions of care and social replenishment in different contexts. in its multiple possible manifestations, human touch sits in close proximity both to sensuality, collectivity, love, and to trauma.\n\nthis round table explores economies of touch and focuses on haptic forms of work. during a moment marked by an absence of physical contact and hegemonic social depletion, we will discuss forms of labour (paid and unpaid) in which touch is currency; such as therapy, sensorial relationships, sex work, and parenting. the roundtable will be hosted via zoom and is free and open to anyone who would like to participate.","*access: an audio recording will be available after our discussion for anyone that cannot attend the zoom discussion\n\n","katherine macbride is an artist, often researching listening as a creative and political practice.\n\nhannes hellstrom is a nurse and father based in glasgow (uk)\n\nblack venus is an educator martial artist, dancer, sexual despot… all-around afrodisiac",{"_type":77,"current":99048},"exploring-economies-of-touch-and-haptic-forms-of-labour","Mark your calendars!\n\n*A conversation about sensorial economies of touch and haptic labour*","Exploring economies of touch and haptic forms of labour",[99052],{"_id":105,"_type":97,"seo":75,"slug":99053,"title":108},{"_type":77,"current":107},{"_id":99055,"_type":556,"additionalDetails":99056,"categories":99076,"credits":99083,"dates":99126,"events":99129,"featuredImage":99130,"filterables":99138,"labs":99146,"locations":99527,"pageBuilder":99532,"parentEvent":75,"searchables":99637,"seo":75,"slug":99641,"summary":99643,"title":99131,"types":99644},"006cb26f-9ef6-441d-9d1b-79fd85ef9d1a",[99057],{"_key":99058,"_type":11,"children":99059,"markDefs":99073,"style":24},"7ccf86d2fec1",[99060,99064,99069],{"_key":99061,"_type":15,"marks":99062,"text":99063},"f807e6e7fe22",[],"We will meet in this ",{"_key":99065,"_type":15,"marks":99066,"text":99068},"3df250c8e882",[99067],"8c6903479b60","LINK",{"_key":99070,"_type":15,"marks":99071,"text":99072},"cfae0ce3dbd0",[],".\nThis reading session will be held in English.",[99074],{"_key":99067,"_type":41,"href":99075},"https://pad.vvvvvvaria.org/rr-minimal-viable-learning",[99077,99080],{"_id":423,"_type":155,"colorPrimary":99078,"seo":75,"slug":99079,"title":426},{"label":569,"value":16861},{"_type":77,"current":425},{"_id":548,"_type":155,"colorPrimary":99081,"seo":75,"slug":99082,"title":551},{"label":569,"value":89466},{"_type":77,"current":550},{"other":75,"profiles":99084},[99085],{"_id":99086,"_type":576,"activeYears":99087,"bio":99090,"bioShort":99099,"featuredImage":99100,"filterables":99106,"links":99109,"locations":99111,"searchables":99123,"seo":75,"slug":99125,"title":79264},"1034d89c-4e08-4d21-b53a-90d850c62cb8",[99088],{"_id":2110,"_type":580,"seo":75,"slug":99089,"title":2113},{"_type":77,"current":2112},[99091],{"_key":99092,"_type":11,"children":99093,"markDefs":99098,"style":24},"6383e12c6141",[99094],{"_key":99095,"_type":15,"marks":99096,"text":99097},"0282cfe30b840",[],"Through Varia we develop various ways to work with/on/through technology, departing from the believe that it shouldn't be the exclusive domain of specialists. It affects everyone and should enable, rather than preclude, diverse ways of living.",[],"A collective-space focused on everyday technologies.",{"alt":99101,"asset":99102},"varia.zone",{"_id":99103,"height":99104,"orientation":1032,"ratio":1033,"url":99105,"width":99104},"image-43b181a76de374e1402055a64e026b9eee99a7b9-16x16-png",16,"https://cdn.sanity.io/images/eodip22e/production/43b181a76de374e1402055a64e026b9eee99a7b9-16x16.png",{"filterYear":99107},[99108],{"_id":2110,"title":2113},[99110],{"_type":607,"label":608,"url":79305},{"locations":99112,"other":99115},[99113],{"_id":139,"_type":121,"seo":75,"slug":99114,"title":142},{"_type":77,"current":141},[99116],{"_key":99117,"_type":11,"children":99118,"markDefs":99122,"style":24},"2a5c491d1aaf",[99119],{"_key":99120,"_type":15,"marks":99121,"text":66754},"6e5b6b97846a0",[],[],[99124,2112],"varia",{"_type":77,"current":99124},{"endDate":99127,"other":99128,"startDate":99127},"2020-12-13","11:00–13:00 (CET)",[],{"alt":99131,"asset":99132},"Read & Repair feat. Minimum Viable Learning",{"_id":99133,"height":99134,"orientation":637,"ratio":99135,"url":99136,"width":99137},"image-ee312d5572523a6529a2a310be1be8dd8ed30d2b-652x980-png",980,0.6653061224489796,"https://cdn.sanity.io/images/eodip22e/production/ee312d5572523a6529a2a310be1be8dd8ed30d2b-652x980.png",652,{"filterCategory":99139,"filterLocation":99142,"filterType":99144},[99140,99141],{"_id":423,"title":426},{"_id":548,"title":551},[99143],{"_id":144,"title":147},[99145],{"_id":105,"title":108},[99147,99384],{"_id":99148,"_type":107,"categories":99149,"credits":99153,"featuredImage":99254,"filterables":99261,"footnotes":99269,"locations":99270,"logbook":75,"pageBuilder":99276,"researchQuestion":75,"researchQuestions":75,"searchables":99377,"seo":75,"slug":99381,"title":99383,"year":2113},"fcae0fae-fba7-4e5d-98f6-1c9cd6af5be3",[99150],{"_id":13269,"_type":155,"colorPrimary":99151,"seo":75,"slug":99152,"title":13274},{"label":569,"value":13271},{"_type":77,"current":13273},{"other":75,"profiles":99154},[99155,99199,99228],{"_id":99156,"_type":576,"activeYears":99157,"bio":99162,"bioShort":99171,"featuredImage":75,"filterables":99172,"links":99176,"locations":99181,"searchables":99194,"seo":75,"slug":99196,"title":99198},"5a2ff5db-531b-428b-afb4-955a9eac0d5c",[99158,99160],{"_id":2105,"_type":580,"seo":75,"slug":99159,"title":2108},{"_type":77,"current":2107},{"_id":2110,"_type":580,"seo":75,"slug":99161,"title":2113},{"_type":77,"current":2112},[99163],{"_key":99164,"_type":11,"children":99165,"markDefs":99170,"style":24},"0e03bfbc8b2f",[99166],{"_key":99167,"_type":15,"marks":99168,"text":99169},"c1823ecdc8a70",[],"Ilona is interested in the relationship between individuals and the structures they inhabit and which in turn are inherent to them. In order to make such relationships visible and tangible in a spatial environment, she works with different media as well as linguistically.",[],"Ilona is a Swiss artist. 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Perhaps partially owing to this counter-position, and in part to the Romantic movement, Rhetoric and philosophy/poetry/art are today viewed as radically different or even mutually exclusive genres and disciplines.Rather than working with a cynical counter-position between binary categories of the noble artist/poet/philosopher against the cunning rhetor/politician, we are interested in understanding how rhetoric and culture can be and are used, as tools or weapons. With R/R we are setting out to recognize, identify, study, reveal and make use of rhetoric within our individual circumstances and contexts in Vadodara, India and Zurich, Switzerland.",[],{"_key":99288,"_type":11,"children":99289,"markDefs":99294,"style":24},"5946f0bd689e",[99290],{"_key":99291,"_type":15,"marks":99292,"text":99293},"0771dbde2f9c0",[],"We’re learning from and experimenting with the tools and methods offered by the discipline of rhetorical criticism and practice.",[],{"_type":728,"settings":75,"text":99296},[99297,99305,99313,99321,99329,99337,99345,99353,99361,99369],{"_key":99298,"_type":11,"children":99299,"markDefs":99304,"style":24},"dea9f2df1b3e",[99300],{"_key":99301,"_type":15,"marks":99302,"text":99303},"6a7935d5aa2c0",[],"R/R is currently split into two parallel segments. Because of our intensely differing contexts of practice, it is important to us that each segment maintain autonomy, developing according to the conditions of its specific environment as we continue exchanging what we learn autonomously.",[],{"_key":99306,"_type":11,"children":99307,"markDefs":99312,"style":24},"f6448035c714",[99308],{"_key":99309,"_type":15,"marks":99310,"text":99311},"2f9c1514ca090",[],"In Zurich, we try and find visuals to translate rhetorical tools and arguments into less schematic and more open experiences, looking to translate rhetorical patterns into different media.",[],{"_key":99314,"_type":11,"children":99315,"markDefs":99320,"style":24},"416d33e14a6f",[99316],{"_key":99317,"_type":15,"marks":99318,"text":99319},"d8b51497a0bd0",[],"In India, Oshin is trying to relocate a practice developed in a high art-academic context, in terms of political praxis and studying the process using the approach of participative action research.",[],{"_key":99322,"_type":11,"children":99323,"markDefs":99328,"style":24},"46f0a8c71a70",[99324],{"_key":99325,"_type":15,"marks":99326,"text":99327},"df35525fdfc50",[],"Part of our research goals is thus to find out how one practice finds itself in relation to the other and how the same research interest evolves under different circumstances.",[],{"_key":99330,"_type":11,"children":99331,"markDefs":99336,"style":24},"48c15e6b1b18",[99332],{"_key":99333,"_type":15,"marks":99334,"text":99335},"96af5ecf5e380",[],"We also make it a parallel objective as we continue our research, to pay attention to, study and eventually share with transparency what we learn in regards to",[],{"_key":99338,"_type":11,"children":99339,"level":1033,"listItem":1708,"markDefs":99344,"style":24},"6fa66015e8b2",[99340],{"_key":99341,"_type":15,"marks":99342,"text":99343},"2f436bf1b80a0",[],"The sharing of labor and resources,",[],{"_key":99346,"_type":11,"children":99347,"level":1033,"listItem":1708,"markDefs":99352,"style":24},"1049aa616e95",[99348],{"_key":99349,"_type":15,"marks":99350,"text":99351},"b0fc8d1946480",[],"The pleasures and pains of interdependence,",[],{"_key":99354,"_type":11,"children":99355,"level":1033,"listItem":1708,"markDefs":99360,"style":24},"762912f72b69",[99356],{"_key":99357,"_type":15,"marks":99358,"text":99359},"cb1d68fe3a610",[],"Collaboration and the politics of working together as well as",[],{"_key":99362,"_type":11,"children":99363,"level":1033,"listItem":1708,"markDefs":99368,"style":24},"0d2836d7f61b",[99364],{"_key":99365,"_type":15,"marks":99366,"text":99367},"077ca216c6210",[],"The negotiations that take place in the process of realizing these ideas",[],{"_key":99370,"_type":11,"children":99371,"markDefs":99376,"style":24},"7c4e84ee6288",[99372],{"_key":99373,"_type":15,"marks":99374,"text":99375},"387967d634880",[],"As we’ve worked together, we are regularly exchanging documents and conversations online. This growing collection of documents is turning into an extensive archive that is in itself primary data that we will revisit in order to study the evolution of our collaboration at the end of each year.",[],[99378,2112,131,141,99195,99224,99250,99379,99380,13273],"r/r","the english word “rhetoric:’, appears to have originated as the term “rhetorike”, coined by plato in 387 bce: to narrow the scope of the sophistic art of logos and to counter-pose rhetoric to socratic dialectic as the “true” science of discourse. perhaps partially owing to this counter-position, and in part to the romantic movement, rhetoric and philosophy/poetry/art are today viewed as radically different or even mutually exclusive genres and disciplines.rather than working with a cynical counter-position between binary categories of the noble artist/poet/philosopher against the cunning rhetor/politician, we are interested in understanding how rhetoric and culture can be and are used, as tools or weapons. with r/r we are setting out to recognize, identify, study, reveal and make use of rhetoric within our individual circumstances and contexts in vadodara, india and zurich, switzerland.\n\nwe’re learning from and experimenting with the tools and methods offered by the discipline of rhetorical criticism and practice.","r/r is currently split into two parallel segments. because of our intensely differing contexts of practice, it is important to us that each segment maintain autonomy, developing according to the conditions of its specific environment as we continue exchanging what we learn autonomously.\n\nin zurich, we try and find visuals to translate rhetorical tools and arguments into less schematic and more open experiences, looking to translate rhetorical patterns into different media.\n\nin india, oshin is trying to relocate a practice developed in a high art-academic context, in terms of political praxis and studying the process using the approach of participative action research.\n\npart of our research goals is thus to find out how one practice finds itself in relation to the other and how the same research interest evolves under different circumstances.\n\nwe also make it a parallel objective as we continue our research, to pay attention to, study and eventually share with transparency what we learn in regards to\n\nthe sharing of labor and resources,\n\nthe pleasures and pains of interdependence,\n\ncollaboration and the politics of working together as well as\n\nthe negotiations that take place in the process of realizing these ideas\n\nas we’ve worked together, we are regularly exchanging documents and conversations online. this growing collection of documents is turning into an extensive archive that is in itself primary data that we will revisit in order to study the evolution of our collaboration at the end of each year.",{"_type":77,"current":99382},"r-r","R/R",{"_id":99385,"_type":107,"categories":99386,"credits":99399,"featuredImage":99430,"filterables":99436,"footnotes":99446,"locations":99447,"logbook":75,"pageBuilder":99451,"researchQuestion":99502,"researchQuestions":75,"searchables":99519,"seo":75,"slug":99524,"title":99526,"year":2113},"45c256d2-4119-4144-8791-df3ce17a78b2",[99387,99390,99393,99396],{"_id":90403,"_type":155,"colorPrimary":99388,"seo":75,"slug":99389,"title":90408},{"label":569,"value":90405},{"_type":77,"current":90407},{"_id":548,"_type":155,"colorPrimary":99391,"seo":75,"slug":99392,"title":551},{"label":569,"value":89466},{"_type":77,"current":550},{"_id":55982,"_type":155,"colorPrimary":99394,"seo":75,"slug":99395,"title":55987},{"label":569,"value":55984},{"_type":77,"current":55986},{"_id":13991,"_type":155,"colorPrimary":99397,"seo":75,"slug":99398,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"other":75,"profiles":99400},[99401],{"_id":99086,"_type":576,"activeYears":99402,"bio":99405,"bioShort":99099,"featuredImage":99411,"filterables":99413,"links":99416,"locations":99418,"searchables":99428,"seo":75,"slug":99429,"title":79264},[99403],{"_id":2110,"_type":580,"seo":75,"slug":99404,"title":2113},{"_type":77,"current":2112},[99406],{"_key":99092,"_type":11,"children":99407,"markDefs":99410,"style":24},[99408],{"_key":99095,"_type":15,"marks":99409,"text":99097},[],[],{"alt":99101,"asset":99412},{"_id":99103,"height":99104,"orientation":1032,"ratio":1033,"url":99105,"width":99104},{"filterYear":99414},[99415],{"_id":2110,"title":2113},[99417],{"_type":607,"label":608,"url":79305},{"locations":99419,"other":99422},[99420],{"_id":139,"_type":121,"seo":75,"slug":99421,"title":142},{"_type":77,"current":141},[99423],{"_key":99117,"_type":11,"children":99424,"markDefs":99427,"style":24},[99425],{"_key":99120,"_type":15,"marks":99426,"text":66754},[],[],[99124,2112],{"_type":77,"current":99124},{"alt":99431,"asset":99432},"School of Commons - Minimum Viable Learning",{"_id":99433,"height":13253,"orientation":598,"ratio":99434,"url":99435,"width":85035},"image-0706931e910e996abecd7a5d9b52b42c2fa6c79b-1067x752-jpg",1.4188829787234043,"https://cdn.sanity.io/images/eodip22e/production/0706931e910e996abecd7a5d9b52b42c2fa6c79b-1067x752.jpg",{"filterCategory":99437,"filterLocation":99442,"filterYear":99444},[99438,99439,99440,99441],{"_id":90403,"title":90408},{"_id":548,"title":551},{"_id":55982,"title":55987},{"_id":13991,"title":13996},[99443],{"_id":139,"title":142},[99445],{"_id":2110,"title":2113},[],{"locations":99448,"other":75},[99449],{"_id":139,"_type":121,"seo":75,"slug":99450,"title":142},{"_type":77,"current":141},[99452,99482,99492],{"_type":728,"settings":75,"text":99453},[99454],{"_key":99455,"_type":11,"children":99456,"markDefs":99479,"style":24},"b06e80492225",[99457,99461,99466,99470,99475],{"_key":99458,"_type":15,"marks":99459,"text":99460},"4edcdaf652290",[],"In the last months, learning, with all its communal and convivial aspects, turned into an online-only endeavour. This sudden transition didn’t leave much room to make a judicious choice of modes of interaction, communication tools, utilised services and platforms. Within educational organisations, we witness a double movement: on the one hand, a centralisation of all activities by means of the software suite (e.g. Microsoft Teams); on the other hand, the standardisation of a maximalist mode of communication meant to replicate class interactions (e.g. Zoom meetings).Both aspects deserve scrutiny: are we sure that activity centralisation is a good idea in the long run, letting others decide how digital tools shape our educational environments? And are we fully convinced that the video call mode is the best mode of exchange, to foster the relationships of the class setting? In both cases, technological maximalism takes over: more is more.We believe that minimal, frugal solutions can prove more effective than hi-tech, hi-bandwidth, baroque ones. The latter can be an opportunity to renegotiate online presence, during this residency we will focus on exploring and rediscovering the principles of calm technology and minimal computing, and accommodate different rhythms of engagement.Two references are important departure points for this residency. The first is the solar-powered Low-Tech Magazine website \u003C",{"_key":99462,"_type":15,"marks":99463,"text":99465},"4edcdaf652291",[99464],"5d35f0078f73","https://solar.lowtechmagazine.com/",{"_key":99467,"_type":15,"marks":99468,"text":99469},"4edcdaf652292",[],">, where all design choices (ranging from hardware to layout) contribute to a setup that runs on a radical low amount of energy. Another resource is the work of the Minimal Computing workgroup \u003C",{"_key":99471,"_type":15,"marks":99472,"text":99474},"4edcdaf652293",[99473],"281b031410ec","https://go-dh.github.io/mincomp/",{"_key":99476,"_type":15,"marks":99477,"text":99478},"4edcdaf652294",[],"> which expands the notion of computational minimalism with methodologies that maximise access and appropriation. They do this for example by favouring documents over databases, static sites over dynamic websites and recycled hardware over new computers. In order to be able to closely engage with our tools of choice we will work with Free Software, which enables us to not only use a tool, but also modify it, combine it with other tools, or transform it into something new. We look forward to be in the position of negotiating our digital learning environments, by closely engaging with its systematics, structures, logics and (not to forget) layouts.",[99480,99481],{"_key":99464,"_type":41,"href":99465},{"_key":99473,"_type":41,"href":99474},{"_type":728,"settings":75,"text":99483},[99484],{"_key":99485,"_type":11,"children":99486,"markDefs":99491,"style":24},"931b230ed88b",[99487],{"_key":99488,"_type":15,"marks":99489,"text":99490},"36b4e666e7de0",[17],"Minimalism is for us a departure point to make space for other possible forms of technologically mediated learning. Throughout the residency we will not work with fully-complete software-suites, but work with single tools and explore how they could be used as educational environments. Important for us is to understand how minimal technologies can maximise a learning experience.",[],{"_type":728,"settings":75,"text":99493},[99494],{"_key":99495,"_type":11,"children":99496,"markDefs":99501,"style":24},"fbc2e7126e51",[99497],{"_key":99498,"_type":15,"marks":99499,"text":99500},"fd03fc84d7c70",[],"Varia has been working on different experimental learning tools over the last years. One of the tools that we use most often is an Etherpad installation, a collaborative text editing software that we have installed in our server at Gouwstraat 3, Rotterdam. Around this tool, a set of learning methodologies emerged; some carried over from the self-organised summer school Relearn, others from the monthly Varia hosted Read & Repair sessions.During this residency we will experiment with the impact that magic words, alternative skins, file format pipelines, imperfect plugins, or promiscuous APIs can have on the scenography of digital learning environments. These sessions will result in a public event which will be announced on the MAPP website very soon.",[],[99503,99511],{"_key":99504,"_type":11,"children":99505,"markDefs":99510,"style":24},"cd0e8008cec9",[99506],{"_key":99507,"_type":15,"marks":99508,"text":99509},"734225004fb10",[],"Are we sure that activity centralisation is a good idea in the long run, letting others decide how digital tools shape our educational environments? ",[],{"_key":99512,"_type":11,"children":99513,"markDefs":99518,"style":24},"c6058312200d",[99514],{"_key":99515,"_type":15,"marks":99516,"text":99517},"8689b2909e08",[],"Are we fully convinced that the video call mode is the best mode of exchange, to foster the relationships of the class setting?",[],[99520,2112,141,99124,99521,99522,99523,90577,550,55986,13995],"minimum viable learning","in the last months, learning, with all its communal and convivial aspects, turned into an online-only endeavour. this sudden transition didn’t leave much room to make a judicious choice of modes of interaction, communication tools, utilised services and platforms. within educational organisations, we witness a double movement: on the one hand, a centralisation of all activities by means of the software suite (e.g. microsoft teams); on the other hand, the standardisation of a maximalist mode of communication meant to replicate class interactions (e.g. zoom meetings).both aspects deserve scrutiny: are we sure that activity centralisation is a good idea in the long run, letting others decide how digital tools shape our educational environments? and are we fully convinced that the video call mode is the best mode of exchange, to foster the relationships of the class setting? in both cases, technological maximalism takes over: more is more.we believe that minimal, frugal solutions can prove more effective than hi-tech, hi-bandwidth, baroque ones. the latter can be an opportunity to renegotiate online presence, during this residency we will focus on exploring and rediscovering the principles of calm technology and minimal computing, and accommodate different rhythms of engagement.two references are important departure points for this residency. the first is the solar-powered low-tech magazine website \u003Chttps://solar.lowtechmagazine.com/>, where all design choices (ranging from hardware to layout) contribute to a setup that runs on a radical low amount of energy. another resource is the work of the minimal computing workgroup \u003Chttps://go-dh.github.io/mincomp/> which expands the notion of computational minimalism with methodologies that maximise access and appropriation. they do this for example by favouring documents over databases, static sites over dynamic websites and recycled hardware over new computers. in order to be able to closely engage with our tools of choice we will work with free software, which enables us to not only use a tool, but also modify it, combine it with other tools, or transform it into something new. we look forward to be in the position of negotiating our digital learning environments, by closely engaging with its systematics, structures, logics and (not to forget) layouts.","minimalism is for us a departure point to make space for other possible forms of technologically mediated learning. throughout the residency we will not work with fully-complete software-suites, but work with single tools and explore how they could be used as educational environments. important for us is to understand how minimal technologies can maximise a learning experience.","varia has been working on different experimental learning tools over the last years. one of the tools that we use most often is an etherpad installation, a collaborative text editing software that we have installed in our server at gouwstraat 3, rotterdam. around this tool, a set of learning methodologies emerged; some carried over from the self-organised summer school relearn, others from the monthly varia hosted read & repair sessions.during this residency we will experiment with the impact that magic words, alternative skins, file format pipelines, imperfect plugins, or promiscuous apis can have on the scenography of digital learning environments. these sessions will result in a public event which will be announced on the mapp website very soon.",{"_type":77,"current":99525},"minimum-viable-learning","Minimum Viable Learning",{"locations":99528,"other":99531},[99529],{"_id":144,"_type":121,"seo":75,"slug":99530,"title":147},{"_type":77,"current":146},[],[99533],{"_type":728,"settings":75,"text":99534},[99535,99543,99551,99558,99566,99574,99581,99589,99597,99605,99613,99625],{"_key":99536,"_type":11,"children":99537,"markDefs":99542,"style":24},"c68d859fbc11",[99538],{"_key":99539,"_type":15,"marks":99540,"text":99541},"a17ff087d4a8",[],"In December’s version a group of Varia members will be sharing some methods and themes explored as part of a residency at the School of Commons.",[],{"_key":99544,"_type":11,"children":99545,"markDefs":99550,"style":24},"10ff08a30e46",[99546],{"_key":99547,"_type":15,"marks":99548,"text":99549},"c555cea9315c",[],"In the last months, learning, with all its communal and convivial aspects, turned into an online-only endeavour. This sudden transition didn’t leave much room to make a judicious choice of modes of interaction, communication tools, utilised services and platforms. Within educational organisations, we witness a double movement: on the one hand, a centralisation of all activities by means of the software suite (e.g. Microsoft Teams); on the other hand, the standardisation of a maximalist mode of communication meant to replicate class interactions (e.g. Zoom meetings).",[],{"_key":99552,"_type":11,"children":99553,"markDefs":99557,"style":24},"852d084a2703",[99554],{"_key":99555,"_type":15,"marks":99556,"text":1150},"d0b62ae90380",[],[],{"_key":99559,"_type":11,"children":99560,"markDefs":99565,"style":24},"d228808b6cf1",[99561],{"_key":99562,"_type":15,"marks":99563,"text":99564},"163d295b8b44",[],"How can minimal technologies maximise a learning experience?",[],{"_key":99567,"_type":11,"children":99568,"markDefs":99573,"style":24},"dc707915081e",[99569],{"_key":99570,"_type":15,"marks":99571,"text":99572},"38ab69d2616a",[],"What could ‘minimum’ ‘viable’ ‘learning’ be?",[],{"_key":99575,"_type":11,"children":99576,"markDefs":99580,"style":24},"b56a70255ed2",[99577],{"_key":99578,"_type":15,"marks":99579,"text":1150},"f769bc9f8f3c",[],[],{"_key":99582,"_type":11,"children":99583,"markDefs":99588,"style":24},"cc291f9c2fdc",[99584],{"_key":99585,"_type":15,"marks":99586,"text":99587},"6444d57b66ae",[],"Minimalism is for us a departure point to make space for other possible forms of technologically mediated learning.",[],{"_key":99590,"_type":11,"children":99591,"markDefs":99596,"style":24},"7659eb365431",[99592],{"_key":99593,"_type":15,"marks":99594,"text":99595},"73edbe14ba98",[],"During this Read & Repair, we will explore minimal viable forms of learning with Etherpad. Etherpad is a collaborative text editor that is often used within the practices of Varia members and their peer networks.",[],{"_key":99598,"_type":11,"children":99599,"markDefs":99604,"style":24},"ed0333e65be1",[99600],{"_key":99601,"_type":15,"marks":99602,"text":99603},"15c08c779ffd",[],"We will focus on exploring and rediscovering the principles of calm technology and minimal computing, and accommodate different rhythms of engagement through the Etherpad, while stretching both the tool and our understandings of what online pedagogical places could be.",[],{"_key":99606,"_type":11,"children":99607,"markDefs":99612,"style":24},"db9b704e8f73",[99608],{"_key":99609,"_type":15,"marks":99610,"text":99611},"51ee003f7224",[],"Expect: __MAGICWORDS__, welcome rituals, warming up & cooling down exercises, padtiquettes and more.",[],{"_key":99614,"_type":11,"children":99615,"markDefs":99624,"style":24},"6010ec17f744",[99616,99620],{"_key":99617,"_type":15,"marks":99618,"text":99619},"4420a61dd788",[17],"Date",{"_key":99621,"_type":15,"marks":99622,"text":99623},"27f75d6e0818",[],": Sunday 13th December",[],{"_key":99626,"_type":11,"children":99627,"markDefs":99636,"style":24},"f1b4c01f8ce3",[99628,99632],{"_key":99629,"_type":15,"marks":99630,"text":99631},"3f23bee4ea54",[17],"Time",{"_key":99633,"_type":15,"marks":99634,"text":99635},"110e49bbcf64",[],": 11:00h – 13:00h (CET)",[],[99638,146,425,550,107,99639,99640,99124],"read & repair feat. minimum viable learning","come and make yourself comfortable, read together with others. each session of read & repair is looking at a different text, sometimes guided by a guest. our last editions have been taking place online, and so does this one.","in december’s version a group of varia members will be sharing some methods and themes explored as part of a residency at the school of commons.\n\nin the last months, learning, with all its communal and convivial aspects, turned into an online-only endeavour. this sudden transition didn’t leave much room to make a judicious choice of modes of interaction, communication tools, utilised services and platforms. within educational organisations, we witness a double movement: on the one hand, a centralisation of all activities by means of the software suite (e.g. microsoft teams); on the other hand, the standardisation of a maximalist mode of communication meant to replicate class interactions (e.g. zoom meetings).\n\n\n\nhow can minimal technologies maximise a learning experience?\n\nwhat could ‘minimum’ ‘viable’ ‘learning’ be?\n\n\n\nminimalism is for us a departure point to make space for other possible forms of technologically mediated learning.\n\nduring this read & repair, we will explore minimal viable forms of learning with etherpad. etherpad is a collaborative text editor that is often used within the practices of varia members and their peer networks.\n\nwe will focus on exploring and rediscovering the principles of calm technology and minimal computing, and accommodate different rhythms of engagement through the etherpad, while stretching both the tool and our understandings of what online pedagogical places could be.\n\nexpect: __magicwords__, welcome rituals, warming up & cooling down exercises, padtiquettes and more.\n\ndate: sunday 13th december\n\ntime: 11:00h – 13:00h (cet)",{"_type":77,"current":99642},"read-and-repair-feat-minimum-viable-learning","Come and make yourself comfortable, read together with others. Each session of Read & Repair is looking at a different text, sometimes guided by a guest. Our last editions have been taking place online, and so does this one.",[99645],{"_id":105,"_type":97,"seo":75,"slug":99646,"title":108},{"_type":77,"current":107},{"_id":99648,"_type":556,"additionalDetails":99649,"categories":99660,"credits":99670,"dates":99711,"events":99714,"featuredImage":99715,"filterables":99722,"labs":99731,"locations":99888,"pageBuilder":99892,"parentEvent":75,"searchables":99980,"seo":75,"slug":99984,"summary":99986,"title":99985,"types":99987},"43dfe813-91eb-428d-aed3-9ca014acd800",[99650],{"_key":99651,"_type":11,"children":99652,"markDefs":99658,"style":24},"8036a41ec265",[99653],{"_key":99654,"_type":15,"marks":99655,"text":99657},"bb573639ab480",[99656],"193bf71be515","School of Common Zoom Lunchtable Room",[99659],{"_key":99656,"_type":41,"blank":42,"href":98623},[99661,99664,99667],{"_id":538,"_type":155,"colorPrimary":99662,"seo":75,"slug":99663,"title":541},{"label":569,"value":4831},{"_type":77,"current":540},{"_id":258,"_type":155,"colorPrimary":99665,"seo":75,"slug":99666,"title":261},{"label":569,"value":996},{"_type":77,"current":260},{"_id":228,"_type":155,"colorPrimary":99668,"seo":75,"slug":99669,"title":231},{"label":569,"value":8317},{"_type":77,"current":230},{"other":75,"profiles":99671},[99672],{"_id":99673,"_type":576,"activeYears":99674,"bio":99677,"bioShort":99685,"featuredImage":75,"filterables":99686,"links":99689,"locations":99693,"searchables":99706,"seo":75,"slug":99708,"title":99710},"af73a582-4dc3-4acf-9453-71e79e0212c8",[99675],{"_id":2110,"_type":580,"seo":75,"slug":99676,"title":2113},{"_type":77,"current":2112},[99678],{"_key":99679,"_type":11,"children":99680,"markDefs":99684,"style":24},"8eb98c6f8e6f",[99681],{"_key":99682,"_type":15,"marks":99683,"text":13415},"0b09a2a709080",[],[],"Mateo is a Colombian-Swiss art historian and curator.",{"filterYear":99687},[99688],{"_id":2110,"title":2113},[99690],{"_type":607,"label":99691,"url":99692},"Do Nothing Curating","http://www.donothingcurating.com",{"locations":99694,"other":99697},[99695],{"_id":139,"_type":121,"seo":75,"slug":99696,"title":142},{"_type":77,"current":141},[99698],{"_key":99699,"_type":11,"children":99700,"markDefs":99705,"style":24},"5f076eb158fa",[99701],{"_key":99702,"_type":15,"marks":99703,"text":99704},"d57f66ba7f80",[],"Based in Kassel, Germany",[],[99707,2112],"mateo chacon-pino",{"_type":77,"current":99709},"mateo-chacon-pino","Mateo Chacon-Pino",{"endDate":99712,"other":99713,"startDate":99712},"2020-12-04","15:00–16:30 (CET)",[],{"alt":99716,"asset":99717},"How to do Nothing – A workshop by Dharmendra 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of Common - Do Nothing Curating",{"_id":99782,"height":2807,"orientation":1032,"ratio":1033,"url":99783,"width":2807},"image-8ee4b96be8ef6cf280a5d4c360e260647ffab799-360x360-jpg","https://cdn.sanity.io/images/eodip22e/production/8ee4b96be8ef6cf280a5d4c360e260647ffab799-360x360.jpg",{"filterCategory":99785,"filterLocation":99791,"filterYear":99793},[99786,99787,99788,99789,99790],{"_id":13269,"title":13274},{"_id":228,"title":231},{"_id":168,"title":171},{"_id":258,"title":261},{"_id":158,"title":161},[99792],{"_id":139,"title":142},[99794],{"_id":2110,"title":2113},[],{"locations":99797,"other":75},[99798],{"_id":139,"_type":121,"seo":75,"slug":99799,"title":142},{"_type":77,"current":141},[99801],{"_key":99802,"_type":11,"children":99803,"markDefs":99812,"style":24},"2d2e1d6320cb",[99804,99808],{"_key":99805,"_type":15,"marks":99806,"text":99807},"4c8271502708",[],"*Defunct ",{"_key":99809,"_type":15,"marks":99810,"text":99692},"767299ea0d1c0",[99811],"2fc1ce2464ec",[99813],{"_key":99811,"_type":41,"href":99814},"http://www.donothingcurating.com/",[99816],{"_type":728,"settings":75,"text":99817},[99818,99826,99834,99842,99850,99858,99866,99874],{"_key":99819,"_type":11,"children":99820,"markDefs":99825,"style":24},"9ca14eeed4c4",[99821],{"_key":99822,"_type":15,"marks":99823,"text":99824},"e5b89b260bb6",[],"Do Nothing Curating is dedicated to research and mediation of art as a medium in the relationship human-environment. For this DNC launches this year an online platform, on which artistic and academic findings are juxtaposed. The text-based contributions are to be published regularly. Out of the juxtapositions and the contributions themselves DNC invites international author to contribute subsequent essays. This serves to demonstrate personal and topical networks.",[],{"_key":99827,"_type":11,"children":99828,"markDefs":99833,"style":24},"92998c0c3b75",[99829],{"_key":99830,"_type":15,"marks":99831,"text":99832},"e3e358cb851c",[],"The core of this project is the question for sustainable artistic production. The science of and the field of ecology is both object of interest to DNC, as well as litmus test for aesthetic, social and economic models of sustainability in the arts. Art is understood as both as an aesthetic depiction of the human relationship to the environment as well as an active agent that shapes that very same relationship. In the spirit of environmental sustainability, the conditions of art and artistic production are investigated from social, ecological, economic, but also empirical standpoints as are artistic or theoretical models of sustainability in their regard.",[],{"_key":99835,"_type":11,"children":99836,"markDefs":99841,"style":24},"43e76644dbb2",[99837],{"_key":99838,"_type":15,"marks":99839,"text":99840},"709dd34fd7d9",[],"In a second phase DNC realises in reaction to the collection of contributions and their findings art projects, that are thought as curatorial and artistic research: exhibitions, publications, or other forms of artistic production that feedback into the DNC website as essays. Any initiative that feeds from knowledge found on the website, or events, is understood as a mediating outpost of the LEARN: DNC acknowledges the many forms of mediation as requirement for further findings – and understands itself as a virtual neurological center in a larger network.",[],{"_key":99843,"_type":11,"children":99844,"markDefs":99849,"style":24},"75df2def179e",[99845],{"_key":99846,"_type":15,"marks":99847,"text":99848},"72d0b79ccc34",[],"The DNC website and its programming are at the centre of the functioning of the website. The homepage displays on first view a preview of the latest four contributions in a grid-pattern. In the centre of the grid a button triggers the website to reload four randomly selected contributions from all available essay on DNC. This feature was designed to keep the attention evenly distributed between the newest and older texts and to promote cross-reading of the website.",[],{"_key":99851,"_type":11,"children":99852,"markDefs":99857,"style":24},"48b794a438e6",[99853],{"_key":99854,"_type":15,"marks":99855,"text":99856},"9266690537c9",[],"An index-system links the contributions to each other and sheds light on the dialogue lead between them. Each text gets a number of keywords assigned depending on geopolitical location, topical references, and authorship. This enables any user of the website to follow topics or authors and to search for the keywords on the website, both through a search screen or an index containing all keywords.",[],{"_key":99859,"_type":11,"children":99860,"markDefs":99865,"style":24},"af910fb9124b",[99861],{"_key":99862,"_type":15,"marks":99863,"text":99864},"5c8d23900f4f",[],"Last but not least the contributions may be displayed in chronological order as a clear list that demonstrates DNCs evolution as well as an easy scroll through the available content.",[],{"_key":99867,"_type":11,"children":99868,"markDefs":99873,"style":24},"daacb7bfd3be",[99869],{"_key":99870,"_type":15,"marks":99871,"text":99872},"6e40dba61b7c",[],"The variety of display modes is a technical proposition to the question of how accumulated content may be shown without neglecting either older or less popular texts.",[],{"_key":99875,"_type":11,"children":99876,"markDefs":99881,"style":24},"6d24b6c43046",[99877],{"_key":99878,"_type":15,"marks":99879,"text":99880},"56827e8fd146",[],"DNC aims to grow indefinitely and serve as a repository of knowledge as well as a research tool for the field of sustainability studies in the arts.",[],[99883,2112,99884,141,99707,99885,13273,8692,170,260,24208],"do nothing curating","*defunct http://www.donothingcurating.com","do nothing curating is dedicated to research and mediation of art as a medium in the relationship human-environment. for this dnc launches this year an online platform, on which artistic and academic findings are juxtaposed. the text-based contributions are to be published regularly. out of the juxtapositions and the contributions themselves dnc invites international author to contribute subsequent essays. this serves to demonstrate personal and topical networks.\n\nthe core of this project is the question for sustainable artistic production. the science of and the field of ecology is both object of interest to dnc, as well as litmus test for aesthetic, social and economic models of sustainability in the arts. art is understood as both as an aesthetic depiction of the human relationship to the environment as well as an active agent that shapes that very same relationship. in the spirit of environmental sustainability, the conditions of art and artistic production are investigated from social, ecological, economic, but also empirical standpoints as are artistic or theoretical models of sustainability in their regard.\n\nin a second phase dnc realises in reaction to the collection of contributions and their findings art projects, that are thought as curatorial and artistic research: exhibitions, publications, or other forms of artistic production that feedback into the dnc website as essays. any initiative that feeds from knowledge found on the website, or events, is understood as a mediating outpost of the learn: dnc acknowledges the many forms of mediation as requirement for further findings – and understands itself as a virtual neurological center in a larger network.\n\nthe dnc website and its programming are at the centre of the functioning of the website. the homepage displays on first view a preview of the latest four contributions in a grid-pattern. in the centre of the grid a button triggers the website to reload four randomly selected contributions from all available essay on dnc. this feature was designed to keep the attention evenly distributed between the newest and older texts and to promote cross-reading of the website.\n\nan index-system links the contributions to each other and sheds light on the dialogue lead between them. each text gets a number of keywords assigned depending on geopolitical location, topical references, and authorship. this enables any user of the website to follow topics or authors and to search for the keywords on the website, both through a search screen or an index containing all keywords.\n\nlast but not least the contributions may be displayed in chronological order as a clear list that demonstrates dncs evolution as well as an easy scroll through the available content.\n\nthe variety of display modes is a technical proposition to the question of how accumulated content may be shown without neglecting either older or less popular texts.\n\ndnc aims to grow indefinitely and serve as a repository of knowledge as well as a research tool for the field of sustainability studies in the 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(CET)",[],{"alt":100382,"asset":100383},"https://adialoguemusttakeplace.org/",{"_id":100384,"height":100385,"orientation":598,"ratio":100386,"url":100387,"width":100388},"image-fbbe16437b5545ba07f529697891f4689d7d123e-2992x1832-png",1832,1.6331877729257642,"https://cdn.sanity.io/images/eodip22e/production/fbbe16437b5545ba07f529697891f4689d7d123e-2992x1832.png",2992,{"filterCategory":100390,"filterLocation":100392,"filterType":100394},[100391],{"_id":263,"title":266},[100393],{"_id":144,"title":147},[100395],{"_id":105,"title":108},[100397],{"_id":100398,"_type":107,"categories":100399,"credits":100406,"featuredImage":100485,"filterables":100491,"footnotes":100497,"locations":75,"logbook":100544,"pageBuilder":100561,"researchQuestion":100654,"researchQuestions":75,"searchables":100663,"seo":75,"slug":100670,"title":100672,"year":2113},"db0d15ab-4775-47e4-a33a-c81fe7f48121",[100400,100403],{"_id":13991,"_type":155,"colorPrimary":100401,"seo":75,"slug":100402,"title":13996},{"label":569,"value":13993},{"_type":77,"current":13995},{"_id":228,"_type":155,"colorPrimary":100404,"seo":75,"slug":100405,"title":231},{"label":569,"value":8317},{"_type":77,"current":230},{"other":75,"profiles":100407},[100408,100435,100462],{"_id":100409,"_type":576,"activeYears":100410,"bio":100413,"bioShort":100422,"featuredImage":75,"filterables":100423,"links":75,"locations":100426,"searchables":100430,"seo":75,"slug":100432,"title":100434},"a943e98f-d308-4fd5-9dfb-15cf3ed9a27a",[100411],{"_id":2110,"_type":580,"seo":75,"slug":100412,"title":2113},{"_type":77,"current":2112},[100414],{"_key":100415,"_type":11,"children":100416,"markDefs":100421,"style":24},"c7ce975304e5",[100417],{"_key":100418,"_type":15,"marks":100419,"text":100420},"10650c8577250",[],"He is a co-curator of the ifa-exhibition An Atlas of Commoning in collaboration with ARCH+ and guest editor of eponymous publication, and co-author of Spaces of Commoning – Artistic Research and the Utopia of the Everyday. His native languages are German and French.",[],"Stefan is an architect, urban designer and Associate Professor at the School of Architecture of Carnegie Mellon University. ",{"filterYear":100424},[100425],{"_id":2110,"title":2113},{"locations":100427,"other":75},[100428],{"_id":901,"_type":121,"seo":75,"slug":100429,"title":904},{"_type":77,"current":903},[100431,2112],"stefan gruber",{"_type":77,"current":100433},"stefan-gruber","Stefan Gruber",{"_id":100436,"_type":576,"activeYears":100437,"bio":100440,"bioShort":100449,"featuredImage":75,"filterables":100450,"links":75,"locations":100453,"searchables":100457,"seo":75,"slug":100459,"title":100461},"8de0d11c-1d21-437d-a0d1-ac9cd5d2dff6",[100438],{"_id":2110,"_type":580,"seo":75,"slug":100439,"title":2113},{"_type":77,"current":2112},[100441],{"_key":100442,"_type":11,"children":100443,"markDefs":100448,"style":24},"2f2e37c3dc6e",[100444],{"_key":100445,"_type":15,"marks":100446,"text":100447},"1d00ece454f50",[],"Her native language is Mandarin.",[],"Chun is a landscape architect, urban designer and PhD researcher in the School of Design at Carnegie Mellon University researching practices of commoning and urban agriculture in the US and China. ",{"filterYear":100451},[100452],{"_id":2110,"title":2113},{"locations":100454,"other":75},[100455],{"_id":901,"_type":121,"seo":75,"slug":100456,"title":904},{"_type":77,"current":903},[100458,2112],"chun zheng",{"_type":77,"current":100460},"chun-zheng","Chun Zheng",{"_id":100463,"_type":576,"activeYears":100464,"bio":100467,"bioShort":100476,"featuredImage":75,"filterables":100477,"links":75,"locations":75,"searchables":100480,"seo":75,"slug":100482,"title":100484},"fefc332b-c95d-4944-b462-54062f37aa3e",[100465],{"_id":2110,"_type":580,"seo":75,"slug":100466,"title":2113},{"_type":77,"current":2112},[100468],{"_key":100469,"_type":11,"children":100470,"markDefs":100475,"style":24},"b0fda373f3d4",[100471],{"_key":100472,"_type":15,"marks":100473,"text":100474},"ae9859c681b20",[],"Her native languages are English and Mandarin.",[],"Helen is a writer, art critic and translator. ",{"filterYear":100478},[100479],{"_id":2110,"title":2113},[100481,2112],"helen young chang",{"_type":77,"current":100483},"helen-young-chang","Helen Young Chang",{"alt":100486,"asset":100487},"School of Commons - A dialogue must take place, precisely because we don’t speak the same language",{"_id":100488,"height":7112,"orientation":598,"ratio":17697,"url":100489,"width":100490},"image-8f2b9a861a03b4685be335ac97ea93614b2bea1d-2400x1200-gif","https://cdn.sanity.io/images/eodip22e/production/8f2b9a861a03b4685be335ac97ea93614b2bea1d-2400x1200.gif",2400,{"filterCategory":100492,"filterLocation":75,"filterYear":100495},[100493,100494],{"_id":13991,"title":13996},{"_id":228,"title":231},[100496],{"_id":2110,"title":2113},[100498],{"_key":100499,"footnoteText":100500},"ac04c2735297",[100501],{"_key":100502,"_type":11,"children":100503,"markDefs":100543,"style":24},"96062c995e72",[100504,100508,100511,100515,100518,100522,100525,100529,100532,100536,100539],{"_key":100505,"_type":15,"marks":100506,"text":100507},"e400e7389fdb0",[1362],"– Khayati, M. (1966) Captive Words: Preface to a Situationist Dictionary in Internationale Situationniste #10 March 1966; trans. Ken Knab.",{"_key":100509,"_type":15,"marks":100510,"text":1768},"e400e7389fdb1",[],{"_key":100512,"_type":15,"marks":100513,"text":100514},"e400e7389fdb2",[1362],"– Peter Linebaugh. (2008). The Magna Carta Manifesto: Liberties and Commons for All. University of California Press.",{"_key":100516,"_type":15,"marks":100517,"text":1768},"e400e7389fdb3",[],{"_key":100519,"_type":15,"marks":100520,"text":100521},"e400e7389fdb4",[1362],"– Rancière, J. (2010) Dissensus: On Politics and Aesthetics, London: Continuum.",{"_key":100523,"_type":15,"marks":100524,"text":1768},"e400e7389fdb5",[],{"_key":100526,"_type":15,"marks":100527,"text":100528},"e400e7389fdb6",[1362],"– Stavrides, S. (2016). Common space : the city as commons. Zed Books.",{"_key":100530,"_type":15,"marks":100531,"text":1768},"e400e7389fdb7",[],{"_key":100533,"_type":15,"marks":100534,"text":100535},"e400e7389fdb8",[1362],"– Flusser, V. (2003). ‘To Be Unsettled, One First Has To Be Settled’, in The Freedom of the Migrant – Objections to Natiionalism, ed. Anke K. Finger. University of Illinois Pres; trans. Kenneth Kronenberg.",{"_key":100537,"_type":15,"marks":100538,"text":1768},"e400e7389fdb9",[],{"_key":100540,"_type":15,"marks":100541,"text":100542},"e400e7389fdb10",[1362],"– Freire, P. (2000). Pedagogy of the oppressed (30th anniversary ed.). Continuum.",[],[100545],{"_key":100546,"_type":11,"children":100547,"markDefs":100559,"style":24},"3aa2817755e9",[100548,100552,100556],{"_key":100549,"_type":15,"marks":100550,"text":100551},"d56f35a64726",[],"See ",{"_key":100553,"_type":15,"marks":100554,"text":5840},"56bbec47c2d1",[100555],"2bdc78a23369",{"_key":100557,"_type":15,"marks":100558,"text":1125},"ca27ea33f77a",[],[100560],{"_key":100555,"_type":41,"blank":42,"href":100382},[100562,100572,100598,100605,100615],{"_type":728,"settings":75,"text":100563},[100564],{"_key":100565,"_type":11,"children":100566,"markDefs":100571,"style":24},"ac69cbf9dfe3",[100567],{"_key":100568,"_type":15,"marks":100569,"text":100570},"3f042902582c0",[],"As we struggle to come to terms with a world in crisis and imagine more inclusive, equitable and environmental futures, the limits of our own cultural reflexivity stare us in the face. “Language is the house of power,” Mustapha Khayati writes in Captive Words (1966), warning us of the pitfalls that come from critiquing the old world in the very language it was made. Prompted by the question “What do we have in common?” we take differences not as a force that pulls us apart, but as a starting point for coming together.",[],{"_type":728,"settings":75,"text":100573},[100574,100582,100590],{"_key":100575,"_type":11,"children":100576,"markDefs":100581,"style":24},"6341270daf51",[100577],{"_key":100578,"_type":15,"marks":100579,"text":100580},"53caf497d7ce0",[],"In fact, what is in common always only emerges in translation—the translation between different experiences, interests and subjectivities. Translation occurs at the intersection of differences, not their convergence. Thus, rather than aiming for a precise mirroring of language that would imply the erasure of difference, translation is founded on and sustained through differences. Similarly, commoning understood as an ongoing social practice also depends on the encounter and negotiation of difference. Commoning is never free of friction. Accordingly, Stavros Stavrides argues that commoning can only exist as an ever expanding endeavor that welcomes newcomers (Stavrides, 2016). Newcomers play a key role in challenging the common and shedding new light on habits and relations. At first, their view points might be unsettling, especially when they unmask common rituals or prevailing power structures. Meanwhile, the distance their language creates can also be enabling and heighten a sense of agency: the process of literally coming to terms and building mutual understanding requires active participation in defining common ground. Vilem Flusser argues that being unsettled is indispensable for settling with resolve (Flusser, 2003: 25-27). So, just as there are ‘no commons without commoning’ (Linebaugh, 2008: 44-45), the encounter of and translation between differences is an ongoing social practice on which the sustainbility and resilience of a community paradoxically depend. In contrast, if shared interests, beliefs and habits are merely passed on, a community soon calcifies and will often risks the accumulation, even abuse of power. In communities devoid of differences the common may become an instrument of control or policing. Jaques Rancière, as referenced by Stavrides, describes how if ‘police’ defines community ‘as the accomplishment of a common way of being’, ‘politics’ conceives community ‘as a polemic over the common’ (Rancière 2010: 100). Commoning is inherently political, as it emerges from the agonistic encounter of diverse and pluralistic voices. Accordingly, a polemic over the common and the pursuit of the question ‘What do we have in common?’ requires us to find a common language without reducing our differences to a common denominator, but by celebrating them as the foundation of other possible worlds.",[],{"_key":100583,"_type":11,"children":100584,"markDefs":100589,"style":24},"d4d6e12baef3",[100585],{"_key":100586,"_type":15,"marks":100587,"text":100588},"f02644d2860b0",[],"Here, we aim at initiating a dialogue about spaces and practices of commoning, their situated histories and diverse etymologies, and the (im)possibility of translating them from one language or culture into another. If indeed other worlds are possible, they will emerge from a plurality of practices and viewpoints, old and new, indigenous and urban communities, feminist and environmental movements alike.",[],{"_key":100591,"_type":11,"children":100592,"markDefs":100597,"style":24},"e790a4206a63",[100593],{"_key":100594,"_type":15,"marks":100595,"text":100596},"0793ce91717a0",[],"In Pedagogy of the Oppressed (1970), Paulo Freire reflects on the notion of dialogue or the dialogical as both “reflection and action, in such radical interaction that if one is sacrificed—even in part—the other suffers immediately.”",[],{"_type":813,"caption":75,"image":100599},{"alt":75,"asset":100600},{"_id":100601,"height":100602,"orientation":598,"ratio":100603,"url":100604,"width":58600},"image-f602cf8240ff92a0c9ebe8dab7ef7f76cf34b849-824x398-png",398,2.07035175879397,"https://cdn.sanity.io/images/eodip22e/production/f602cf8240ff92a0c9ebe8dab7ef7f76cf34b849-824x398.png",{"_type":728,"settings":75,"text":100606},[100607],{"_key":100608,"_type":11,"children":100609,"markDefs":100614,"style":24},"04371e8f57d8",[100610],{"_key":100611,"_type":15,"marks":100612,"text":100613},"1b1a3b02745e0",[],"He insists that “while to say the true word—which is work, which is praxis—is to transform the world, saying that word is not the privilege of some few persons, but the right of everyone. Consequently, no one can say a true word alone—nor can she say it for another, in a prescriptive act which robs others of their words.” Any dialogue, then, is marked by humility, the willingness to unlearn and be displaced. Building on Paulo Freire, a dialogue must take place about language through which we describe practices of commoning in order to undo an Anglo-Saxon epistemology of the commons debate and reflect on the entanglement of power and knowledge at the root of contemporary research, education and cultural production. Through these conversations, we hope to explore the pluriversality of commoning, as well as the pluriversality of spatial practices.",[],{"_type":728,"settings":75,"text":100616},[100617],{"_key":100618,"_type":11,"children":100619,"markDefs":100624,"style":24},"6dc6a7ebab94",[100620],{"_key":100621,"_type":15,"marks":100622,"text":100623},"a17ed4653f8f0",[100499],"Text by Stefan Gruber",[100625],{"_key":100499,"_type":82326,"allFootnotes":100626,"footnoteText":100628,"markKey":100499},[100627],{"_key":100499},[100629],{"_key":100502,"_type":11,"children":100630,"markDefs":100653,"style":24},[100631,100633,100635,100637,100639,100641,100643,100645,100647,100649,100651],{"_key":100505,"_type":15,"marks":100632,"text":100507},[1362],{"_key":100509,"_type":15,"marks":100634,"text":1768},[],{"_key":100512,"_type":15,"marks":100636,"text":100514},[1362],{"_key":100516,"_type":15,"marks":100638,"text":1768},[],{"_key":100519,"_type":15,"marks":100640,"text":100521},[1362],{"_key":100523,"_type":15,"marks":100642,"text":1768},[],{"_key":100526,"_type":15,"marks":100644,"text":100528},[1362],{"_key":100530,"_type":15,"marks":100646,"text":1768},[],{"_key":100533,"_type":15,"marks":100648,"text":100535},[1362],{"_key":100537,"_type":15,"marks":100650,"text":1768},[],{"_key":100540,"_type":15,"marks":100652,"text":100542},[1362],[],[100655],{"_key":100656,"_type":11,"children":100657,"markDefs":100662,"style":24},"eee62b0e67ab",[100658],{"_key":100659,"_type":15,"marks":100660,"text":100661},"1cec81b057b30",[],"What do we have in common?",[],[100664,2112,100665,100431,100458,100481,100666,100667,100668,100669,13995,8692],"a dialogue must take place, precisely because we don’t speak the same language","see website.","as we struggle to come to terms with a world in crisis and imagine more inclusive, equitable and environmental futures, the limits of our own cultural reflexivity stare us in the face. “language is the house of power,” mustapha khayati writes in captive words (1966), warning us of the pitfalls that come from critiquing the old world in the very language it was made. prompted by the question “what do we have in common?” we take differences not as a force that pulls us apart, but as a starting point for coming together.","in fact, what is in common always only emerges in translation—the translation between different experiences, interests and subjectivities. translation occurs at the intersection of differences, not their convergence. thus, rather than aiming for a precise mirroring of language that would imply the erasure of difference, translation is founded on and sustained through differences. similarly, commoning understood as an ongoing social practice also depends on the encounter and negotiation of difference. commoning is never free of friction. accordingly, stavros stavrides argues that commoning can only exist as an ever expanding endeavor that welcomes newcomers (stavrides, 2016). newcomers play a key role in challenging the common and shedding new light on habits and relations. at first, their view points might be unsettling, especially when they unmask common rituals or prevailing power structures. meanwhile, the distance their language creates can also be enabling and heighten a sense of agency: the process of literally coming to terms and building mutual understanding requires active participation in defining common ground. vilem flusser argues that being unsettled is indispensable for settling with resolve (flusser, 2003: 25-27). so, just as there are ‘no commons without commoning’ (linebaugh, 2008: 44-45), the encounter of and translation between differences is an ongoing social practice on which the sustainbility and resilience of a community paradoxically depend. in contrast, if shared interests, beliefs and habits are merely passed on, a community soon calcifies and will often risks the accumulation, even abuse of power. in communities devoid of differences the common may become an instrument of control or policing. jaques rancière, as referenced by stavrides, describes how if ‘police’ defines community ‘as the accomplishment of a common way of being’, ‘politics’ conceives community ‘as a polemic over the common’ (rancière 2010: 100). commoning is inherently political, as it emerges from the agonistic encounter of diverse and pluralistic voices. accordingly, a polemic over the common and the pursuit of the question ‘what do we have in common?’ requires us to find a common language without reducing our differences to a common denominator, but by celebrating them as the foundation of other possible worlds.\n\nhere, we aim at initiating a dialogue about spaces and practices of commoning, their situated histories and diverse etymologies, and the (im)possibility of translating them from one language or culture into another. if indeed other worlds are possible, they will emerge from a plurality of practices and viewpoints, old and new, indigenous and urban communities, feminist and environmental movements alike.\n\nin pedagogy of the oppressed (1970), paulo freire reflects on the notion of dialogue or the dialogical as both “reflection and action, in such radical interaction that if one is sacrificed—even in part—the other suffers immediately.”","he insists that “while to say the true word—which is work, which is praxis—is to transform the world, saying that word is not the privilege of some few persons, but the right of everyone. consequently, no one can say a true word alone—nor can she say it for another, in a prescriptive act which robs others of their words.” any dialogue, then, is marked by humility, the willingness to unlearn and be displaced. building on paulo freire, a dialogue must take place about language through which we describe practices of commoning in order to undo an anglo-saxon epistemology of the commons debate and reflect on the entanglement of power and knowledge at the root of contemporary research, education and cultural production. through these conversations, we hope to explore the pluriversality of commoning, as well as the pluriversality of spatial practices.","text by stefan gruber",{"_type":77,"current":100671},"a-dialogue-must-take-place-precisely-because-we-don-t-speak-the-same-language","A dialogue must take place, precisely because we don’t speak the same language",{"locations":100674,"other":75},[100675],{"_id":144,"_type":121,"seo":75,"slug":100676,"title":147},{"_type":77,"current":146},[100678],{"_type":728,"settings":100679,"text":100680},{"textColumnCount":730},[100681,100697,100710,100724],{"_key":100682,"_type":11,"children":100683,"markDefs":100696,"style":24},"21c190f87cab",[100684,100688,100692],{"_key":100685,"_type":15,"marks":100686,"text":100687},"a427feb1ba2f0",[],"Please join us for an online discussion with Jeffery Hou, Eleni Katrini, Aristodimos Komninos and Brook Teklehaimanot moderated by Stefan Gruber and Chun Zheng about spaces and practices of commoning, their situated histories and diverse etymologies, and the ",{"_key":100689,"_type":15,"marks":100690,"text":100691},"a427feb1ba2f1",[1362],"possibility",{"_key":100693,"_type":15,"marks":100694,"text":100695},"a427feb1ba2f2",[]," of translating them from one language or culture into another. Based on their respective contributions to the eponymous exhbition for this year’s Tbilisi Architecture Biennale, we will reflect on 作伙 (tsò-hué) in Hoklo Taiwanese, the lost meaning of ‘κοινωνία’ (kinonía) in Greek, ሰፈር (Sefer) in Amharic, and the 大同 (Da-tong) in Classical Chinese.",[],{"_key":100698,"_type":11,"children":100699,"markDefs":100708,"style":24},"05f98d43c959",[100700,100704],{"_key":100701,"_type":15,"marks":100702,"text":100703},"249a4cc2daab0",[],"For more information about “A Dialogue must take place…” see ",{"_key":100705,"_type":15,"marks":100706,"text":100382},"249a4cc2daab1",[100707],"8ec1c5dd026a",[100709],{"_key":100707,"_type":41,"href":100382},{"_key":100711,"_type":11,"children":100712,"markDefs":100722,"style":24},"a7dac5c62684",[100713,100717],{"_key":100714,"_type":15,"marks":100715,"text":100716},"a1e63dfac5580",[],"Facebook event: ",{"_key":100718,"_type":15,"marks":100719,"text":100721},"a1e63dfac5581",[100720],"802d5c5168da","https://fb.me/e/5V1zx65VB",[100723],{"_key":100720,"_type":41,"href":100721},{"_key":100725,"_type":11,"children":100726,"markDefs":100730,"style":24},"acca6c8c2cc2",[100727],{"_key":100728,"_type":15,"marks":100729,"text":1768},"b74a34496ed50",[],[],[100664,146,265,107,100732,100733],"a school of commons (soc) work session by the mapp: “a dialogue must take place, precisely because we don’t speak the same language.”","please join us for an online discussion with jeffery hou, eleni katrini, aristodimos komninos and brook teklehaimanot moderated by stefan gruber and chun zheng about spaces and practices of commoning, their situated histories and diverse etymologies, and the possibility of translating them from one language or culture into another. based on their respective contributions to the eponymous exhbition for this year’s tbilisi architecture biennale, we will reflect on 作伙 (tsò-hué) in hoklo taiwanese, the lost meaning of ‘κοινωνία’ (kinonía) in greek, ሰፈር (sefer) in amharic, and the 大同 (da-tong) in classical chinese.\n\nfor more information about “a dialogue must take place…” see https://adialoguemusttakeplace.org/\n\nfacebook event: https://fb.me/e/5v1zx65vb\n\n\n",{"_type":77,"current":100671},"A School of Commons (SOC) work session by the MAPP: “A dialogue must take place, precisely because we don’t speak the same 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The sessions were preparatory for the groups community building and served for helping achieving a fruitful discussion on the extensive and practical oriented experiment day.",[101183,101185,101187,101189],{"_key":101151,"_type":41,"href":101184},"https://islandforge.com/",{"_key":101160,"_type":41,"href":101186},"https://www.are.na/block/7329146",{"_key":101168,"_type":41,"href":101188},"https://www.are.na/island-ecologies/archipelagic-storytelling",{"_key":101176,"_type":41,"href":101190},"https://www.are.na/island-ecologies/social-design-t6hdnnidnfs",{"_key":101192,"_type":11,"children":101193,"markDefs":101198,"style":24},"87938d0c7936",[101194],{"_key":101195,"_type":15,"marks":101196,"text":101197},"dde0a2a982010",[],"While we were or still are in a condition of existential quarantine — either right now, in our houses, or in the carved-out roles we have suddenly stopped playing, or against the backdrop of a vast and indifferent universe. Does the meaning of learning rely on further communication down the line? Does it rely on every isolated island hiding a secret underlying archipelago? Does this moment of global fragility, when we can all suddenly turn the tap of sociality on and off at will, generate, like island ecologies do for their animals, learning styles with island gigantism, learning styles with a high rate of island endemism, learning styles with reduced sexual selection? We propose to find out.",[],{"_key":101200,"_type":11,"children":101201,"markDefs":101222,"style":24},"c5609ca882ac",[101202,101206,101210,101214,101218],{"_key":101203,"_type":15,"marks":101204,"text":101205},"d7ddca6e5a1e0",[],"LEARNING IN ISLAND ECOLOGIES is an intensive 1-day experiment. 12 participants will be split up into groups of four researchers and set upon tasks of our devising: tasks of modelling ideal communities, tasks of narrating isolated and archipelagic stories, tasks of scientific modelling in an age of runaway contagion. The whole experiment will be submerged into the online world — in part the nostalgic RPG ",{"_key":101207,"_type":15,"marks":101208,"text":101152},"d7ddca6e5a1e1",[101209,1362],"d3a3ce018818",{"_key":101211,"_type":15,"marks":101212,"text":101213},"d7ddca6e5a1e2",[],", a visually obsolete, but somehow still running, online game made of player-created virtual islands. Our avatars and we will visit three ",{"_key":101215,"_type":15,"marks":101216,"text":101217},"d7ddca6e5a1e3",[1362],"topical",{"_key":101219,"_type":15,"marks":101220,"text":101221},"d7ddca6e5a1e4",[]," islands: scientific modelling; archipelagic storytelling; and idealised social design. From the problems we find there, we will develop concepts, proposals, and ideas under these conditions of artificial isolation, before being reintroduced to each other to circulate what we have learned and discovered. This oscillation between isolated islands and connected archipelagos, this alternation between quarantine and exchange, will, we hope, produce novel conditions of learning and thinking. A public-facing online stream of content and an archival website will cap the project, although anything you wish to keep secret, safe, isolated, can be.",[101223],{"_key":101209,"_type":41,"href":101224},"https://www.mmorpg.com/island-forge",{"_type":810,"slides":101226},[101227,101242,101258,101272],{"_type":813,"caption":101228,"image":101237},[101229],{"_key":101230,"_type":11,"children":101231,"markDefs":101236,"style":24},"42293689038f",[101232],{"_key":101233,"_type":15,"marks":101234,"text":101235},"27cb8ac0a0a10",[],"The palm trees wave — the sand is warm and golden. You are on your own. Your bed is warm and wilting. What does forever even mean?",[],{"alt":101238,"asset":101239},"The palm trees wave — the sand is warm and golden. You are on your own. Your bed is warm and wilting. What does forever even mean?  ",{"_id":101240,"height":3875,"orientation":598,"ratio":81299,"url":101241,"width":10721},"image-43e32d975e686b4572c97d6ecb191240be3977e3-768x767-jpg","https://cdn.sanity.io/images/eodip22e/production/43e32d975e686b4572c97d6ecb191240be3977e3-768x767.jpg",{"_type":813,"caption":101243,"image":101252},[101244],{"_key":101245,"_type":11,"children":101246,"markDefs":101251,"style":24},"9da4158e93fe",[101247],{"_key":101248,"_type":15,"marks":101249,"text":101250},"010c43ff186e0",[],"Design by Taissa Fromme",[],{"alt":101250,"asset":101253},{"_id":101254,"height":101255,"orientation":598,"ratio":101256,"url":101257,"width":17355},"image-44d6909810f50f66006c44b0a4ed57fc9201f52e-900x897-jpg",897,1.0033444816053512,"https://cdn.sanity.io/images/eodip22e/production/44d6909810f50f66006c44b0a4ed57fc9201f52e-900x897.jpg",{"_type":813,"caption":101259,"image":101267},[101260],{"_key":101261,"_type":11,"children":101262,"markDefs":101266,"style":24},"db8115c38335",[101263],{"_key":101264,"_type":15,"marks":101265,"text":101250},"2e11b57a4a080",[],[],{"alt":101250,"asset":101268},{"_id":101269,"height":101115,"orientation":598,"ratio":101270,"url":101271,"width":17355},"image-757e713047f48f3e4094936ce27f5c770f373918-900x899-jpg",1.0011123470522802,"https://cdn.sanity.io/images/eodip22e/production/757e713047f48f3e4094936ce27f5c770f373918-900x899.jpg",{"_type":813,"caption":101273,"image":101282},[101274],{"_key":101275,"_type":11,"children":101276,"markDefs":101281,"style":24},"52b9c4af6775",[101277],{"_key":101278,"_type":15,"marks":101279,"text":101280},"b7a2ab12cea80",[],"A sandy island, surrounded by black sea.",[],{"alt":101280,"asset":101283},{"_id":101284,"height":101285,"orientation":637,"ratio":101286,"url":101287,"width":101288},"image-a6d712e0a05daaf4b028252318f0455431f336cd-299x300-jpg",300,0.9966666666666667,"https://cdn.sanity.io/images/eodip22e/production/a6d712e0a05daaf4b028252318f0455431f336cd-299x300.jpg",299,{"_type":728,"settings":75,"text":101290},[101291,101299,101307,101315,101323],{"_key":101292,"_type":11,"children":101293,"markDefs":101298,"style":24},"8170045fd2ad",[101294],{"_key":101295,"_type":15,"marks":101296,"text":101297},"657616f71a4f0",[],"We will structure the three sessions on the day around three problems, one on each island:",[],{"_key":101300,"_type":11,"children":101301,"markDefs":101306,"style":24},"7afc7fc2323f",[101302],{"_key":101303,"_type":15,"marks":101304,"text":101305},"e39d85d61cb70",[],"1. Modelling: Each group will receive a problem of scientific modelling. Our aim is to generate doubts, opinions, insights on how the representation and the visualisation of certain phenomena as modelled by practitioners. Questions regarding the intervention of socio-political values in epistemic practices (e.g. how scientists select relevant information, how communities perceive those visualisations, what kind of relation occurs between practitioners and local communities) will arise.",[],{"_key":101308,"_type":11,"children":101309,"markDefs":101314,"style":24},"d765f2817e8b",[101310],{"_key":101311,"_type":15,"marks":101312,"text":101313},"835d081a50260",[],"2. Storytelling: As the ultimate utopian space are islands, this session will revolve around the imaginaries of islands in archipelagic formations. Actual or speculative design projects will be discussed and taken as point of departure for collective storytellings.",[],{"_key":101316,"_type":11,"children":101317,"markDefs":101322,"style":24},"13542dd58f0a",[101318],{"_key":101319,"_type":15,"marks":101320,"text":101321},"e2abd37666280",[],"3. Social design: The third island will focus on the practical problem of designing model communities. Each group will be asked to model communities — like islands — which can satisfy the formal constraints of isolation, self-sufficiency, and a degree of metastability. In the third part of the day, the groups will reconvene to share their findings.",[],{"_key":101324,"_type":11,"children":101325,"markDefs":101330,"style":24},"b7480e141149",[101326],{"_key":101327,"_type":15,"marks":101328,"text":101329},"1a74755077980",[],"At the end of each session, the groups exchange their research. They render transportable what has been dense and wet. These new concepts are then added into a pool of ongoing collective knowledge. Participants are then given another prompt utilising both the diverse expertise of the group and the already-developed concepts from the last round. Repeat the process for each session. The groups will continue forming new concepts. This might lead to a collective collection of concepts, or it might mean that groups diverge. Over these three sessions, a collective group thought process will emerge.",[],{"_type":813,"caption":75,"image":101332},{"alt":75,"asset":101333},{"_id":101334,"height":73039,"orientation":637,"ratio":101335,"url":101336,"width":10721},"image-1e0157c3c44158cc0000e3354227cbe86bffe406-768x792-jpg",0.9696969696969697,"https://cdn.sanity.io/images/eodip22e/production/1e0157c3c44158cc0000e3354227cbe86bffe406-768x792.jpg",{"_type":728,"settings":75,"text":101338},[101339,101347,101355,101363,101371],{"_key":101340,"_type":11,"children":101341,"markDefs":101346,"style":24},"0676726f2717",[101342],{"_key":101343,"_type":15,"marks":101344,"text":101345},"3cfebeda5cc30",[],"Simultaneously, another group — us — which has access to all the various groups, oversees and takes notes on the processes of collective learning and research. They explore similarities between typical features of island ecologies (high levels of speciation, gigantism, and high endemism) and learning in isolated environments.",[],{"_key":101348,"_type":11,"children":101349,"markDefs":101354,"style":24},"b891d8e0b46d",[101350],{"_key":101351,"_type":15,"marks":101352,"text":101353},"b108e27c1cdf0",[],"The research and concepts that are generated are highly private and specific to the group that makes them while the research is ongoing. And also, the collective research doesn’t come into contact with the outside world, even after the project is over. It remains a kind of island. What is presented to the public is the research into the group dynamics of learning in collective but isolated, contexts, abstracted away from its content.",[],{"_key":101356,"_type":11,"children":101357,"markDefs":101362,"style":24},"3a79a290c2e5",[101358],{"_key":101359,"_type":15,"marks":101360,"text":101361},"3961226707730",[],"Once the project will be done, we intend to share the findings of our LEARN in the following ways:",[],{"_key":101364,"_type":11,"children":101365,"markDefs":101370,"style":24},"04e632b581c4",[101366],{"_key":101367,"_type":15,"marks":101368,"text":101369},"309cefa96b2e0",[],"1. We will make a stream of content from the LEARN, presented on Twitch or another non-live but audiovisual format.",[],{"_key":101372,"_type":11,"children":101373,"markDefs":101378,"style":24},"31298d313fd4",[101374],{"_key":101375,"_type":15,"marks":101376,"text":101377},"984e6138a3620",[],"2. An online pad to exhibit the workshop’s findings. It will allow distant visitors to openly access the visual materials on island ecologies and stories gathered throughout the workshop. A collection of materials will not only include the productions of the participants but also share research tools and links.",[],{"_type":813,"caption":75,"image":101380},{"alt":75,"asset":101381},{"_id":101382,"height":5430,"orientation":637,"ratio":101383,"url":101384,"width":101385},"image-d36ba34d0e92d36338d662ecea73d43eed722767-996x1280-jpg",0.778125,"https://cdn.sanity.io/images/eodip22e/production/d36ba34d0e92d36338d662ecea73d43eed722767-996x1280.jpg",996,{"_type":810,"slides":101387},[101388,101401,101414],{"_type":813,"caption":101389,"image":101397},[101390],{"_key":101391,"_type":11,"children":101392,"markDefs":101396,"style":24},"01ccd5b9614e",[101393],{"_key":101394,"_type":15,"marks":101395,"text":101250},"04cda69be56b0",[],[],{"alt":101250,"asset":101398},{"_id":101399,"height":15315,"orientation":1032,"ratio":1033,"url":101400,"width":15315},"image-011b6cf151a2249fdc2b32bcf87927209d6e8afa-2250x2250-jpg","https://cdn.sanity.io/images/eodip22e/production/011b6cf151a2249fdc2b32bcf87927209d6e8afa-2250x2250.jpg",{"_type":813,"caption":101402,"image":101410},[101403],{"_key":101404,"_type":11,"children":101405,"markDefs":101409,"style":24},"450fe32b3493",[101406],{"_key":101407,"_type":15,"marks":101408,"text":101250},"51174ec8ed470",[],[],{"alt":101250,"asset":101411},{"_id":101412,"height":15315,"orientation":1032,"ratio":1033,"url":101413,"width":15315},"image-71700972bbe60796d3b5083069c966f55fe7fe1f-2250x2250-jpg","https://cdn.sanity.io/images/eodip22e/production/71700972bbe60796d3b5083069c966f55fe7fe1f-2250x2250.jpg",{"_type":813,"caption":101415,"image":101423},[101416],{"_key":101417,"_type":11,"children":101418,"markDefs":101422,"style":24},"e0c4b5b374d0",[101419],{"_key":101420,"_type":15,"marks":101421,"text":101250},"7c335683a0740",[],[],{"alt":101250,"asset":101424},{"_id":100993,"height":15315,"orientation":1032,"ratio":1033,"url":100994,"width":15315},[101426],{"_key":101427,"_type":11,"children":101428,"markDefs":101433,"style":24},"2530bd586c21",[101429],{"_key":101430,"_type":15,"marks":101431,"text":101432},"c24e2b90a1570",[],"If I put you on an island in a different, inescapable reality, and told you that you could never go back nor see your world again, how might that affect your commitments as an autodidact?",[],[101435,2112,101055,101082,101107,101436,101437,101438,13273,260,3386],"learning in island ecologies","learning in island ecologies is an online collective learning format and experiment revolving around the possibilities and limits of distant learning. the online workshop has three conceptual foci: three islands, scientific modelling, archipellagic storytelling, and social design. our learning environment was situated in an online rpg, namely island forge which we visited with 12 selected participants from all over the world. the learn comprised a two-month long and biweekly scheduled reading group on the topics of scientific modelling, archipellagic storytellings and social design. the sessions were preparatory for the groups community building and served for helping achieving a fruitful discussion on the extensive and practical oriented experiment day.\n\nwhile we were or still are in a condition of existential quarantine — either right now, in our houses, or in the carved-out roles we have suddenly stopped playing, or against the backdrop of a vast and indifferent universe. does the meaning of learning rely on further communication down the line? does it rely on every isolated island hiding a secret underlying archipelago? does this moment of global fragility, when we can all suddenly turn the tap of sociality on and off at will, generate, like island ecologies do for their animals, learning styles with island gigantism, learning styles with a high rate of island endemism, learning styles with reduced sexual selection? we propose to find out.\n\nlearning in island ecologies is an intensive 1-day experiment. 12 participants will be split up into groups of four researchers and set upon tasks of our devising: tasks of modelling ideal communities, tasks of narrating isolated and archipelagic stories, tasks of scientific modelling in an age of runaway contagion. the whole experiment will be submerged into the online world — in part the nostalgic rpg island forge, a visually obsolete, but somehow still running, online game made of player-created virtual islands. our avatars and we will visit three topical islands: scientific modelling; archipelagic storytelling; and idealised social design. from the problems we find there, we will develop concepts, proposals, and ideas under these conditions of artificial isolation, before being reintroduced to each other to circulate what we have learned and discovered. this oscillation between isolated islands and connected archipelagos, this alternation between quarantine and exchange, will, we hope, produce novel conditions of learning and thinking. a public-facing online stream of content and an archival website will cap the project, although anything you wish to keep secret, safe, isolated, can be.","we will structure the three sessions on the day around three problems, one on each island:\n\n1. modelling: each group will receive a problem of scientific modelling. our aim is to generate doubts, opinions, insights on how the representation and the visualisation of certain phenomena as modelled by practitioners. questions regarding the intervention of socio-political values in epistemic practices (e.g. how scientists select relevant information, how communities perceive those visualisations, what kind of relation occurs between practitioners and local communities) will arise.\n\n2. storytelling: as the ultimate utopian space are islands, this session will revolve around the imaginaries of islands in archipelagic formations. actual or speculative design projects will be discussed and taken as point of departure for collective storytellings.\n\n3. social design: the third island will focus on the practical problem of designing model communities. each group will be asked to model communities — like islands — which can satisfy the formal constraints of isolation, self-sufficiency, and a degree of metastability. in the third part of the day, the groups will reconvene to share their findings.\n\nat the end of each session, the groups exchange their research. they render transportable what has been dense and wet. these new concepts are then added into a pool of ongoing collective knowledge. participants are then given another prompt utilising both the diverse expertise of the group and the already-developed concepts from the last round. repeat the process for each session. the groups will continue forming new concepts. this might lead to a collective collection of concepts, or it might mean that groups diverge. over these three sessions, a collective group thought process will emerge.","simultaneously, another group — us — which has access to all the various groups, oversees and takes notes on the processes of collective learning and research. they explore similarities between typical features of island ecologies (high levels of speciation, gigantism, and high endemism) and learning in isolated environments.\n\nthe research and concepts that are generated are highly private and specific to the group that makes them while the research is ongoing. and also, the collective research doesn’t come into contact with the outside world, even after the project is over. it remains a kind of island. what is presented to the public is the research into the group dynamics of learning in collective but isolated, contexts, abstracted away from its content.\n\nonce the project will be done, we intend to share the findings of our learn in the following ways:\n\n1. we will make a stream of content from the learn, presented on twitch or another non-live but audiovisual format.\n\n2. an online pad to exhibit the workshop’s findings. it will allow distant visitors to openly access the visual materials on island ecologies and stories gathered throughout the workshop. a collection of materials will not only include the productions of the participants but also share research tools and links.",{"_type":77,"current":101440},"learning-in-island-ecologies","Learning in Island Ecologies",{"locations":101443,"other":75},[101444],{"_id":149,"_type":121,"seo":75,"slug":101445,"title":152},{"_type":77,"current":151},[101447,101548],{"_type":728,"settings":75,"text":101448},[101449,101467,101490,101505,101525,101533],{"_key":101450,"_type":11,"children":101451,"markDefs":101464,"style":24},"1fb1fdf54e7a",[101452,101456,101460],{"_key":101453,"_type":15,"marks":101454,"text":101455},"dbcf34a53e360",[],"While we are all apart, we wonder: How does our collective isolation affect our capacity for learning? ",{"_key":101457,"_type":15,"marks":101458,"text":101441},"dbcf34a53e361",[101459],"d5aced1cde76",{"_key":101461,"_type":15,"marks":101462,"text":101463},"dbcf34a53e362",[]," seeks to answer. We invite you to become one of 12 participants in our experiment. The 12 of you will be split up into groups of four researchers and set upon tasks of our devising: tasks of modelling ideal communities, tasks of narrating isolated and archipelagic stories, tasks of scientific modelling in an age of runaway contagion.",[101465],{"_key":101459,"_type":41,"href":101466},"https://medium.com/@islandecologies/learning-in-island-ecologies-21a26e8598f2",{"_key":101468,"_type":11,"children":101469,"markDefs":101488,"style":24},"3a6cdfb2b7ae",[101470,101474,101478,101481,101484],{"_key":101471,"_type":15,"marks":101472,"text":101473},"7b3ad1ede95b0",[],"The whole experiment is submerged into the online world — in part the nostalgic RPG ",{"_key":101475,"_type":15,"marks":101476,"text":101152},"7b3ad1ede95b1",[101477,1362],"48af8142ee33",{"_key":101479,"_type":15,"marks":101480,"text":101213},"7b3ad1ede95b2",[],{"_key":101482,"_type":15,"marks":101483,"text":101217},"7b3ad1ede95b3",[1362],{"_key":101485,"_type":15,"marks":101486,"text":101487},"7b3ad1ede95b4",[]," islands: scientific modelling, archipelagic storytelling, and idealised social design. From the problems we find there, we will develop concepts, proposals, and ideas under these conditions of artificial isolation, before being reintroduced to each other to circulate what we have learned and discovered. This oscillation between isolated islands and connected archipelagos, this alternation between quarantine and exchange, will, we hope, produce novel conditions of learning and thinking. A public-facing online stream of content and an archival website will cap the project, although anything you wish to keep secret, safe, isolated, can be.",[101489],{"_key":101477,"_type":41,"href":101184},{"_key":101491,"_type":11,"children":101492,"markDefs":101504,"style":24},"09c77d95f2d7",[101493,101497,101500],{"_key":101494,"_type":15,"marks":101495,"text":101496},"864e9ff799280",[],"The selected participants will not be bounded to a single discipline or expertise, but a community of diverse learners will be prioritised. Each participant will receive a participation fee of 100CHF. The experiment will be on Saturday 27th June. We will also digitally meet on ",{"_key":101498,"_type":15,"marks":101499,"text":101152},"864e9ff799281",[1362],{"_key":101501,"_type":15,"marks":101502,"text":101503},"864e9ff799282",[]," roughly four weeks before the experiment. Here, we will provide participants with a short reading list to generate discussion during the journey.",[],{"_key":101506,"_type":11,"children":101507,"markDefs":101521,"style":101524},"507cd4943f84",[101508,101512,101517],{"_key":101509,"_type":15,"marks":101510,"text":101511},"5a0b343381540",[],"E-mail ",{"_key":101513,"_type":15,"marks":101514,"text":101516},"5a0b343381541",[101515],"f56b58e1b39d","islandecologies@protonmail.com",{"_key":101518,"_type":15,"marks":101519,"text":101520},"5a0b343381542",[]," with a brief biography and a statement of interest in which you specify which topical island you would like to contribute the most to and why. Submission until May 3.",[101522],{"_key":101515,"_type":41,"href":101523},"mailto:islandecologies@protonmail.com","blockquote",{"_key":101526,"_type":11,"children":101527,"markDefs":101532,"style":24},"6b283b22ef15",[101528],{"_key":101529,"_type":15,"marks":101530,"text":101531},"d4ae6dcd8a180",[],"For those without reliable computer access, we can arrange solutions with the School of Commons at Zürcher Hochschule der Künste, the supporting institution.",[],{"_key":101534,"_type":11,"children":101535,"markDefs":101545,"style":24},"6046af526892",[101536,101540],{"_key":101537,"_type":15,"marks":101538,"text":101539},"b46427b576910",[],"Find us on instagram: ",{"_key":101541,"_type":15,"marks":101542,"text":101544},"b46427b576911",[101543],"54d423f10b88","@islandecologies.",[101546],{"_key":101543,"_type":41,"href":101547},"https://www.instagram.com/islandecologies/",{"_type":813,"caption":75,"image":101549},{"alt":100991,"asset":101550},{"_id":101551,"height":101552,"orientation":598,"ratio":101553,"url":101554,"width":10721},"image-24689782c9b5fef72e8e415f177a59a8ec7aee7d-768x765-jpg",765,1.003921568627451,"https://cdn.sanity.io/images/eodip22e/production/24689782c9b5fef72e8e415f177a59a8ec7aee7d-768x765.jpg",[101556,151,2056,107,101557,101558],"call for participation: learning in island ecologies","while we are all apart, we wonder: how does our collective isolation affect our capacity for learning? learning in island ecologies seeks to answer.","while we are all apart, we wonder: how does our collective isolation affect our capacity for learning? learning in island ecologies seeks to answer. we invite you to become one of 12 participants in our experiment. the 12 of you will be split up into groups of four researchers and set upon tasks of our devising: tasks of modelling ideal communities, tasks of narrating isolated and archipelagic stories, tasks of scientific modelling in an age of runaway contagion.\n\nthe whole experiment is submerged into the online world — in part the nostalgic rpg island forge, a visually obsolete, but somehow still running, online game made of player-created virtual islands. our avatars and we will visit three topical islands: scientific modelling, archipelagic storytelling, and idealised social design. from the problems we find there, we will develop concepts, proposals, and ideas under these conditions of artificial isolation, before being reintroduced to each other to circulate what we have learned and discovered. this oscillation between isolated islands and connected archipelagos, this alternation between quarantine and exchange, will, we hope, produce novel conditions of learning and thinking. a public-facing online stream of content and an archival website will cap the project, although anything you wish to keep secret, safe, isolated, can be.\n\nthe selected participants will not be bounded to a single discipline or expertise, but a community of diverse learners will be prioritised. each participant will receive a participation fee of 100chf. the experiment will be on saturday 27th june. we will also digitally meet on island forge roughly four weeks before the experiment. here, we will provide participants with a short reading list to generate discussion during the journey.\n\ne-mail islandecologies@protonmail.com with a brief biography and a statement of interest in which you specify which topical island you would like to contribute the most to and why. submission until may 3.\n\nfor those without reliable computer access, we can arrange solutions with the school of commons at zürcher hochschule der künste, the supporting institution.\n\nfind us on instagram: @islandecologies.",{"_type":77,"current":101560},"call-for-participation","While we are all apart, we wonder: How does our collective isolation affect our capacity for learning? 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can creative responses to technology look like? ",[],{"_key":102740,"_type":11,"children":102741,"markDefs":102746,"style":24},"71d5d44c1e0a",[102742],{"_key":102743,"_type":15,"marks":102744,"text":102745},"92f1b09a1304",[],"How can technology’s focus on ideas with application be embraced, rather than rejected? ",[],{"_key":102748,"_type":11,"children":102749,"markDefs":102754,"style":24},"4526b53272a2",[102750],{"_key":102751,"_type":15,"marks":102752,"text":102753},"4d7281f86733",[],"Does a sense of play offer a possibility, a way to begin thinking? ",[],{"_key":102756,"_type":11,"children":102757,"markDefs":102762,"style":24},"31cd55b5d9f8",[102758],{"_key":102759,"_type":15,"marks":102760,"text":102761},"90f226ca714f",[],"What kind of thinking are we talking about, and where might this thinking take 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project focuses on questions like these and works on approaches in our technological age that will develop in a poetic form, open to ludic reflection.",{"_type":77,"current":102783},"playful-and-poetic-creative-responses-to-technology",{"locations":102785,"other":102788},[102786],{"_id":139,"_type":121,"seo":75,"slug":102787,"title":142},{"_type":77,"current":141},[102789],{"_key":102790,"_type":11,"children":102791,"markDefs":102795,"style":24},"e16872e14ce9",[102792],{"_key":102793,"_type":15,"marks":102794,"text":53479},"98496346131a0",[],[],[102797],{"_type":728,"settings":75,"text":102798},[102799,102807,102815,102823,102831],{"_key":102800,"_type":11,"children":102801,"markDefs":102806,"style":24},"8db6bd2d72fa",[102802],{"_key":102803,"_type":15,"marks":102804,"text":102805},"b20d6fb384f4",[],"What can creative responses to technology look like? How can technology's focus on ideas with application be embraced, rather than rejected? Does a sense of play offer a possibility, a way to begin thinking? What kind of thinking are we talking about, and where might this thinking take place? Can our own experiences become an origin that allows us to perform philosophy?",[],{"_key":102808,"_type":11,"children":102809,"markDefs":102814,"style":24},"4f161d50220e",[102810],{"_key":102811,"_type":15,"marks":102812,"text":102813},"8e6e68cfc8b2",[],"Thursday, Nov. 14th 2019 | Zürcher Hochschule der Künste, Toni Areal\n10:15 to 20.30",[],{"_key":102816,"_type":11,"children":102817,"markDefs":102822,"style":24},"19a9d6e20c10",[102818],{"_key":102819,"_type":15,"marks":102820,"text":102821},"a7d9a07b18fb",[],"Friday, Nov. 15th 2019 | Flumserberg\n08:30 am to 17.00",[],{"_key":102824,"_type":11,"children":102825,"markDefs":102830,"style":24},"b2dfdb72ea36",[102826],{"_key":102827,"_type":15,"marks":102828,"text":102829},"492ef85bd1f3",[],"Saturday, Nov. 16th 2019 | Zürcher Hochschule der Künste, Toni Areal\n10.15-13.00",[],{"_key":102832,"_type":11,"children":102833,"markDefs":102844,"style":24},"bf99208e6b24",[102834,102837,102840],{"_key":102835,"_type":15,"marks":102836,"text":102702},"8942b65b6867",[],{"_key":102838,"_type":15,"marks":102839,"text":102706},"74097fe89a32",[1362],{"_key":102841,"_type":15,"marks":102842,"text":102843},"cdc82aa1ca48",[],". A poetic approach can verge on play. ",[],[102780,141,53496,210,107,102846,102847],"we might engage in telling experiences, finding examples, reflecting on concepts and expressions, and considering the functional and the dysfunctional. ","what can creative responses to technology look like? how can technology's focus on ideas with application be embraced, rather than rejected? does a sense of play offer a possibility, a way to begin thinking? what kind of thinking are we talking about, and where might this thinking take place? can our own experiences become an origin that allows us to perform philosophy?\n\nthursday, nov. 14th 2019 | zürcher hochschule der künste, toni areal\n10:15 to 20.30\n\nfriday, nov. 15th 2019 | flumserberg\n08:30 am to 17.00\n\nsaturday, nov. 16th 2019 | zürcher hochschule der künste, toni areal\n10.15-13.00\n\na performative philosophy might not be exclusively about technology, but about our being-in-the-world, one in which technology plays a part but one we have initiated, from which we can also begin to think about being-in-landscape, about senses of existence. a poetic approach can verge on play. ",{"_type":77,"current":102783},"We might engage in telling experiences, finding examples, reflecting on concepts and expressions, and considering the functional and the 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(*1988 in Zürich) works in sculpture, performance and video, often entering into collaborations with people outside the art world.",{"filterYear":102876},[102877],{"_id":2105,"title":2108},[102879],{"_type":607,"label":2160,"url":102880},"https://www.instagram.com/surrealjanhofer/?hl=en",{"locations":102882,"other":75},[102883],{"_id":139,"_type":121,"seo":75,"slug":102884,"title":142},{"_type":77,"current":141},[102886,2107],"jan hofer",{"_type":77,"current":102888},"jan-hofer","Jan Hofer",{"endDate":102891,"startDate":102891},"2019-10-12",[],{"alt":102894,"asset":102895},"The New New Material by Jan 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Seither erscheint die Akustik-Keramik als unlimitierte Kunstedition.",[],{"_type":810,"slides":102967},[102968,102973],{"_type":813,"caption":75,"image":102969},{"alt":75,"asset":102970},{"_id":102971,"height":102718,"orientation":1032,"ratio":1033,"url":102972,"width":102718},"image-925620d36dec2d2c96494050f2e92349768825ae-414x414-jpg","https://cdn.sanity.io/images/eodip22e/production/925620d36dec2d2c96494050f2e92349768825ae-414x414.jpg",{"_type":813,"caption":75,"image":102974},{"alt":75,"asset":102975},{"_id":102976,"height":102718,"orientation":1032,"ratio":1033,"url":102977,"width":102718},"image-826fb85e192fbace4a9d9e9b560d72e3de23fea9-414x414-jpg","https://cdn.sanity.io/images/eodip22e/production/826fb85e192fbace4a9d9e9b560d72e3de23fea9-414x414.jpg",{"_type":728,"settings":75,"text":102979},[102980,102988,102996,103004,103012],{"_key":102981,"_type":11,"children":102982,"markDefs":102987,"style":24},"9a7e3c75dd0c",[102983],{"_key":102984,"_type":15,"marks":102985,"text":102986},"b3216278a5e7",[],"Technisch basiert The New New Material auf den sogenannten Rumford Tiles, die zu Beginn des 20. Jahrhunderts speziell für raumakustische Zwecke entwickelt und patentiert wurden. Für die Herstellung der Akustikplatten wird ungebrannter Schamotteton mit pflanzlichen Zusatzstoffen vermischt und zu Fliesen.",[],{"_key":102989,"_type":11,"children":102990,"markDefs":102995,"style":24},"4b4f0947c1b5",[102991],{"_key":102992,"_type":15,"marks":102993,"text":102994},"22b64a65333a",[],"Für die Herstellung dieser akustischen Keramikfliesen wird ungebrannter Schamotteton mit pflanzlichen Zusatzstoffen vermischt und zu Fliesen geformt. Beim Brennen zersetzen sich die Pflanzenstoffe vollständig und hinterlassen ein verzweigtes Netz aus Lufteinschlüssen und offenen Poren im Ton, die den Keramikfliesen ihre schalldämmende Wirkung verleihen. 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Since then, 87 of you have signed our Open Letter, we've continued the search for a new institutional home and joined Global Artivism (21–23 September) to explore new ground.",[],{"_key":104376,"_type":11,"children":104377,"markDefs":104382,"style":24},"0998956fabad",[104378],{"_key":104379,"_type":15,"marks":104380,"text":104381},"7e952851f83f0",[],"This Town Hall is where we regroup: share what's moved, open the next round of collective thinking, and launch the call to action for our fundraising campaign.",[],{"_key":104384,"_type":11,"children":104385,"markDefs":104390,"style":24},"9caf05304470",[104386],{"_key":104387,"_type":15,"marks":104388,"text":104389},"5ccd95f296fb0",[],"Whether you join to listen, to share, or simply to be present, your participation helps sustain and strengthen the future of School of Commons.",[],{"_key":104392,"_type":11,"children":104393,"markDefs":104398,"style":24},"6f4d4d258504",[104394],{"_key":104395,"_type":15,"marks":104396,"text":104397},"2333cff87239",[],"\nTogether, we aim to sustain this commons of learning as it transitions into new ground, supported by solidarities of care and collective imagination.",[],{"_type":728,"settings":104400,"text":104401},{"textColumnCount":730},[104402,104410,104417,104425,104432,104447,104454,104461],{"_key":104403,"_type":11,"children":104404,"markDefs":104409,"style":24},"0c8ee5f7a59c",[104405],{"_key":104406,"_type":15,"marks":104407,"text":104408},"00570efdecf20",[17],"Agenda",[],{"_key":104411,"_type":11,"children":104412,"markDefs":104416,"style":24},"a20679b885bd",[104413],{"_key":104414,"_type":15,"marks":104415,"text":1150},"83e2c43c41f7",[],[],{"_key":104418,"_type":11,"children":104419,"markDefs":104424,"style":24},"9ac4e0c6e40a",[104420],{"_key":104421,"_type":15,"marks":104422,"text":104423},"3b5716f5fa8e",[],"18:00–18:10 — Welcome & Framing (10 min) Re-entry into the tensile structures metaphor: what's held, what's shifted since January. Intentions.\n\n18:10–18:25 — Where We Are Now (15 min) An update on SoC's current position: the institutional home search (ongoing), reflections from joining Global Artivism (21–23 September) and the countdown to January 2027.\n\n18:25–18:40 — Open Letter: Progress & Next Signatures (15 min) 87 signatories so far. A look at how the letter has been used and received, and an invitation to widen its reach.\n\n18:40–19:00 — Open Conversation: Pathways Forward (20 min) Collective discussion on institutional homes, structural models, and sustainability, building on January's brainstorm.\n\n19:00–19:20 — Call to Action: Fundraising Campaign (20 min) What the campaign looks like, what kind of support is needed, and how people can get involved (time, skills, networks, funds).\n\n19:20–19:30 — Closing & Next Steps (10 min) What happens after the Town Hall, timelines, and how we stay connected.",[],{"_key":104426,"_type":11,"children":104427,"markDefs":104431,"style":24},"8e6f1fccf028",[104428],{"_key":104429,"_type":15,"marks":104430,"text":1150},"942608621da1",[],[],{"_key":104433,"_type":11,"children":104434,"markDefs":104444,"style":24},"234cf07415f6",[104435,104440],{"_key":104436,"_type":15,"marks":104437,"text":104439},"3dbbd1e9a083",[104438],"880090d04de3","Link to Etherpad",{"_key":104441,"_type":15,"marks":104442,"text":104443},"8ffdb61976db",[],", will be updated closer to the day. 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","in january, we came together to share that zurich university of the arts (zhdk) will no longer support school of commons in its current form as of january 2027 and to begin collectively imagining what comes next. since then, 87 of you have signed our open letter, we've continued the search for a new institutional home and joined global artivism (21–23 september) to explore new ground.\n\nthis town hall is where we regroup: share what's moved, open the next round of collective thinking, and launch the call to action for our fundraising campaign.\n\nwhether you join to listen, to share, or simply to be present, your participation helps sustain and strengthen the future of school of commons.\n\n\ntogether, we aim to sustain this commons of learning as it transitions into new ground, supported by solidarities of care and collective imagination.","agenda\n\n\n\n18:00–18:10 — welcome & framing (10 min) re-entry into the tensile structures metaphor: what's held, what's shifted since january. intentions.\n\n18:10–18:25 — where we are now (15 min) an update on soc's current position: the institutional home search (ongoing), reflections from joining global artivism (21–23 september) and the countdown to january 2027.\n\n18:25–18:40 — open letter: progress & next signatures (15 min) 87 signatories so far. a look at how the letter has been used and received, and an invitation to widen its reach.\n\n18:40–19:00 — open conversation: pathways forward (20 min) collective discussion on institutional homes, structural models, and sustainability, building on january's brainstorm.\n\n19:00–19:20 — call to action: fundraising campaign (20 min) what the campaign looks like, what kind of support is needed, and how people can get involved (time, skills, networks, funds).\n\n19:20–19:30 — closing & next steps (10 min) what happens after the town hall, timelines, and how we stay connected.\n\n\n\nlink to etherpad, will be updated closer to the day. \n\n\n\nwe hope you can join us.\n\nsolidarity, school of commons",{"_type":77,"current":104476},"join-our-november-town-hall","Join us for an open community conversation where we'll share updates following the Open Letter, reflections on where School of Commons is heading, and insights from our work mapping the funding landscape, with space for questions, discussion, and collective thinking. 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