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Six Latin American projects were selected in the ",{"_key":662,"_type":15,"marks":663,"text":665},"22e4a0564bc11",[664],"8c5ed761b484","\"To-gather\"",{"_key":667,"_type":15,"marks":668,"text":669},"22e4a0564bc12",[]," call from the Swiss Foundation for Culture Pro Helvetia, a collaboration program between arts professionals and cultural organizations and institutions. The objective was to promote spaces for critical reflection on the current situation, where ideas could be shared to propose more equitable forms of exchange between cultures and contexts, allowing for experimentation with new formats of collaborative work.",[671],{"_key":664,"_type":41,"href":672},"https://southamerica.prohelvetia.org/es/2022/01/14/to-gather-conozca-a-los-proyectos-seleccionados/?fbclid=IwAR0kjkeV1YHYVrEkPsh1xV6dvO4VP9kqdOcQjn5sWa0Tnki3tEEYyhXt5oA",{"_key":674,"_type":11,"children":675,"markDefs":680,"style":24},"64b6e691330e",[676],{"_key":677,"_type":15,"marks":678,"text":679},"c6d5f2ba9ada0",[],"In March 2023, Chantelle Lue and Gabriel Hensche were welcomed to the Instituto Superior Latinoamericano de Arte (ISLA) as part of the School of Commons (SoC) team.Their visit was made possible by the second stage of the \"To-gather\" program, aimed at strengthening the exchange between curators, organizers, and artists from Switzerland and the Altiplano of South America.",[],{"_key":682,"_type":11,"children":683,"markDefs":688,"style":24},"f3534c1b76d0",[684],{"_key":685,"_type":15,"marks":686,"text":687},"950808c3fb220",[],"\"Everything during this experience felt like being on a different scale—the landscape, the climate, the challenges. Coming back to Europe was like entering a dollhouse. The deep conversations we shared with the members of the SACO team and the incredible program they prepared for us. These exchanges, impressions, and the ritual of the Chango people will certainly stay with me for a lifetime,\" said Gabriel Hensche.",[],{"_key":690,"_type":11,"children":691,"markDefs":696,"style":24},"c28980acf872",[692],{"_key":693,"_type":15,"marks":694,"text":695},"8b73af302d9a0",[],"During their stay at ISLA, they observed the work carried out by the biennial, and opportunities for dialogue were created between the work teams, allowing both groups to reflect on new ways of working around art and education. \"I think it was very important to create and maintain these types of alliances. Not only because of the potential collaborations that could arise, but also because by visiting another organization that has similar values and goals but works in a completely different context, you gain a new perspective on your own organization and way of working,\" added Gabriel.",[],{"_key":698,"_type":11,"children":699,"markDefs":704,"style":24},"ab8b7f780c47",[700],{"_key":701,"_type":15,"marks":702,"text":703},"6d51f40c213e0",[],"During their visit to the region, they visited the Salar de Atacama, the Albemarle lithium plant, the San Pedro de Atacama Archaeological Museum, and Caleta Abtao, accompanied by SACO, where they participated in the closing ceremony of the Local Memory and Family Trajectories of the Chango People 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and development of self-directed learning among peers, located at the Zurich University of the Arts. During their conference, Dagmara and Carlos talked about the SACO Biennial initiative and the projects that would be developed during 2024. Workshops and training activities were held together with various representatives of cultural institutions from Latin American and European countries, such as Colombia, Switzerland, Finland, Holland, England, Italy, Ukraine, and others.",[],{"_key":793,"_type":11,"children":794,"markDefs":799,"style":24},"bf2ac792f725",[795],{"_key":796,"_type":15,"marks":797,"text":798},"6b9b3e8eb8a00",[],"To conclude their stay in Zurich, SACO and SoC held meetings that allowed them to forge commitments to mutual support and promote the creation of collaborative projects in the future. 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",[],"\u003Ciframe style=\"border: 1px solid #777;\" src=\"https://indd.adobe.com/embed/4806326f-f756-4f5d-bb0d-d40748a97634?startpage=1&allowFullscreen=true\" width=\"525px\" height=\"371px\" frameborder=\"0\" allowfullscreen=\"\">\u003C/iframe>",{"_type":650,"settings":860,"text":861},{"textColumnCount":652},[862,870,886,897],{"_key":863,"_type":11,"children":864,"markDefs":869,"style":24},"858baaab3ba2",[865],{"_key":866,"_type":15,"marks":867,"text":868},"cb0d69789f350",[17],"SACO1.2 Contemporary Art Biennial ",[],{"_key":871,"_type":11,"children":872,"markDefs":885,"style":24},"21f1ef1a46a3",[873,877,881],{"_key":874,"_type":15,"marks":875,"text":876},"ebd05f1c39540",[],"The event will take place during 2024 and 2025 in the driest desert in the world, with the curatorial theme ",{"_key":878,"_type":15,"marks":879,"text":880},"ebd05f1c39541",[481],"Dark Ecosystems, ",{"_key":882,"_type":15,"marks":883,"text":884},"ebd05f1c39542",[],"emphasizing the link between art and science. 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",{"alt":2247,"asset":75}," Film University Babelsberg KONRAD WOLF",{"filterYear":2249},[2250],{"_id":195,"title":198},[2252],{"_type":331,"label":383,"url":2253},"https://www.filmuniversitaet.de/en/",{"locations":2255,"other":75},[2256],{"_id":624,"_type":337,"seo":75,"slug":2257,"title":627},{"_type":77,"current":626},[2259,197]," film university babelsberg konrad wolf",{"_type":77,"current":2261},"film-university-babelsberg-konrad-wolf",{"_id":2263,"_type":310,"activeYears":2264,"bio":2267,"bioShort":2276,"featuredImage":2277,"filterables":2283,"links":2286,"locations":75,"searchables":2289,"seo":75,"slug":2291,"title":2278},"65705b8d-3b5a-4bad-ac70-301c065523e9",[2265],{"_id":195,"_type":174,"seo":75,"slug":2266,"title":198},{"_type":77,"current":197},[2268],{"_key":2269,"_type":11,"children":2270,"markDefs":2275,"style":24},"96af66517116",[2271],{"_key":2272,"_type":15,"marks":2273,"text":2274},"c488248083710",[],"From 2010 to 2018, she articulated cultural programming with rural, peri-urban, and diasporic communities from the Philippines through the OCD, a residency space and social practice platform. 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",{"alt":2278,"asset":2279},"Clara Balaguer ",{"_id":2280,"height":2281,"orientation":645,"ratio":646,"url":2282,"width":2281},"image-8fbcac2c6778b1a5d25602a1e9f4bd802432bafe-671x671-png",671,"https://cdn.sanity.io/images/eodip22e/production/8fbcac2c6778b1a5d25602a1e9f4bd802432bafe-671x671.png",{"filterYear":2284},[2285],{"_id":195,"title":198},[2287],{"_type":331,"label":506,"url":2288},"https://www.instagram.com/2bd3t3rm1n3d/",[2290,197],"clara balaguer ",{"_type":77,"current":2292},"clara-balaguer",{"_id":2294,"_type":310,"activeYears":2295,"bio":2298,"bioShort":75,"featuredImage":2340,"filterables":2346,"links":2349,"locations":75,"searchables":2352,"seo":75,"slug":2354,"title":2341},"c55e842d-27b4-4a8c-90cf-3a5afbd57597",[2296],{"_id":195,"_type":174,"seo":75,"slug":2297,"title":198},{"_type":77,"current":197},[2299,2307,2316,2324,2332],{"_key":2300,"_type":11,"children":2301,"markDefs":2306,"style":24},"c7ad0995d99f",[2302],{"_key":2303,"_type":15,"marks":2304,"text":2305},"f6e4fd23bf260",[],"Baruch chose “wouuuo” (it/they) as LARP character (other self).",[],{"_key":2308,"_type":11,"children":2309,"markDefs":2314,"style":2315},"20f3b045e6de",[2310],{"_key":2311,"_type":15,"marks":2312,"text":2313},"96f99c4d2c5f0",[],"Bio",[],"h3",{"_key":2317,"_type":11,"children":2318,"markDefs":2323,"style":24},"4c369cee3457",[2319],{"_key":2320,"_type":15,"marks":2321,"text":2322},"42469425d41e0",[],"Dr. Phil. Wouuuo, trained as a filmmaker at Concordia University Montreal, has a doctorate in digital aesthetics from the University of Arts Berlin. From 2005-2008 it was a professor of Media Art at Yonsei University Graduate School for Communication and Arts in Seoul, Korea. They are active member of the Telekommunisten, Arts & Economic Group and laboratoire de déberlinisation artist collectives. Author of “Gratitude for Technology” (ATROPOS 2009), “A Political Economy of the Smallest Things” (ATROPOS 2016), and Digital Materialism (Emerald 2018) currently lecturing in Philosophy of Digital Art at the University of Arts Berlin.",[],{"_key":2325,"_type":11,"children":2326,"markDefs":2331,"style":24},"81223a25fdde",[2327],{"_key":2328,"_type":15,"marks":2329,"text":2330},"2db7afc5f8a40",[],"They are curators of the touring exhibition series “Flusser & the Arts” based on the philosophical writings of Vilém Flusser, which has been presented at ZKM, Karlsruhe, AdK Berlin, West den Haag and GAMU Prague and “FEEDBACK: Marshall McLuhan and the Arts” which has been presented at West den Haag and 34th Chaos Communication Congress, Leipzig, and is traveling to Berlin, Paris, and Toronto. They write extensively on digital media, digital archiving, generative and interactive processes, digital media for public space and on social and political aspects of networked media. 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During the last two years Edwin was part of the ensemble for “Star Magnolia” and “Monster vs Society” both at Theater Neumarkt, as well as part of New Urgency for the performance “Hier! Tickets für die Revolution at Gessnerallee. They are also a big sci-fi nerd and have organized the occasional tabletop rpg session.",[],{"_key":2371,"_type":11,"children":2372,"markDefs":2376,"style":24},"de07fa22d39a",[2373],{"_key":2374,"_type":15,"marks":2375,"text":588},"15e53c787da00",[],[],{"_key":2378,"_type":11,"children":2379,"markDefs":2388,"style":24},"2e68f4f4cac1",[2380,2384],{"_key":2381,"_type":15,"marks":2382,"text":2383},"49c301322b730",[17],"Criptonite",{"_key":2385,"_type":15,"marks":2386,"text":2387},"f08b1e4a4ddb",[]," is a queer, crip theatre project based founded in 2020 by Edwin Ramirez and Nina Mühlemann. They create various performances using drag, pop culture and dark humor to highlight and discuss various aspects of the broader topic of disability and use access in creative ways to make performance spaces more accessible to disabled performers and audience members.",[],{"_key":2390,"_type":11,"children":2391,"markDefs":2397,"style":24},"89c9ff3cfbc9",[2392],{"_key":2393,"_type":15,"marks":2394,"text":2396},"9208a8db5e800",[2395],"fc4634ca532c","www.criptonite.art",[2398],{"_key":2395,"_type":41,"href":2399},"https://www.criptonite.art/","Edwin (they/them) is a performance artist and stand-up comic based in Zurich. ",{"alt":2402,"asset":2403},"Edwin Ramirez, Criptonite",{"_id":2404,"height":2405,"orientation":602,"ratio":2406,"url":2407,"width":2408},"image-7662061f59b07ad4d229048029c076c2af7dbc65-761x670-png",670,1.135820895522388,"https://cdn.sanity.io/images/eodip22e/production/7662061f59b07ad4d229048029c076c2af7dbc65-761x670.png",761,{"filterYear":2410},[2411],{"_id":195,"title":198},[2413,2415],{"_type":331,"label":383,"url":2414},"https://www.edwinramirezart.com/",{"_type":331,"label":2383,"url":2399},[2417,197],"edwin ramirez, criptonite",{"_type":77,"current":2419},"edwin-ramirez-criptonite",{"_id":2421,"_type":310,"activeYears":2422,"bio":2425,"bioShort":2434,"featuredImage":2435,"filterables":2443,"links":2446,"locations":75,"searchables":2450,"seo":75,"slug":2452,"title":2436},"aae6eba1-2188-43cd-a10e-59ed58629649",[2423],{"_id":195,"_type":174,"seo":75,"slug":2424,"title":198},{"_type":77,"current":197},[2426],{"_key":2427,"_type":11,"children":2428,"markDefs":2433,"style":24},"3406a43def13",[2429],{"_key":2430,"_type":15,"marks":2431,"text":2432},"c484717cc0c90",[],"The members of the group change and fluctuate. Initiated by Noor Abed and Lara Khaldi in 2019, School of Intrusions aims to actively practice the notion of ‘commons’ in everyday work and life.",[],"School of Intrusions is a collective of sorts practicing informal ways of gathering in and around specific urban and rural sites in Palestine. ",{"alt":2436,"asset":2437},"School of Intrusions",{"_id":2438,"height":2439,"orientation":602,"ratio":2440,"url":2441,"width":2442},"image-bb109c0d1d5b41a76ad1a525c013be2fb5ce5a95-899x884-png",884,1.0169683257918551,"https://cdn.sanity.io/images/eodip22e/production/bb109c0d1d5b41a76ad1a525c013be2fb5ce5a95-899x884.png",899,{"filterYear":2444},[2445],{"_id":195,"title":198},[2447],{"_type":331,"label":2448,"url":2449},"Find out more","https://www.onassis.org/initiatives/onassis-air/collaborations/school-of-intrusions",[2451,197],"school of intrusions",{"_type":77,"current":2453},"school-of-intrusions",{"_id":2455,"_type":310,"activeYears":2456,"bio":2459,"bioShort":2468,"featuredImage":75,"filterables":2469,"links":2472,"locations":75,"searchables":2475,"seo":75,"slug":2477,"title":2479},"16e9e4c6-933e-465d-bbd4-a352da7f500a",[2457],{"_id":195,"_type":174,"seo":75,"slug":2458,"title":198},{"_type":77,"current":197},[2460],{"_key":2461,"_type":11,"children":2462,"markDefs":2467,"style":24},"cfeffba3691e",[2463],{"_key":2464,"_type":15,"marks":2465,"text":2466},"05c4c7f546540",[],"Her practice examines notions of choreography and the imaginary relationship of individuals, creating situations where social possibilities are both rehearsed and performed. Abed attended the Whitney Independent Study Program in Νew York in 2015-16, and the Home Workspace Program (HWP) at Ashkal Alwan in Beirut in 2016-17. She received her BA from the International Academy of Arts in Palestine and a MFA from the California Institute of the Arts, Los Angeles. She was a resident at the Skowhegan School of Painting and Sculpture in Maine (2014) and a fellow in documenta (13)’s “Department of Maybe Educatiοn and Public Programs” in Kassel, Germany. A finalist and a third prize-winner in the 2014 Young Artist Award, she was awarded the March Project residency and commission from Sharjah Art Foundation (UAE) in 2016. Abed was awarded residencies at the Cité Internationale des Arts in Paris (France) in 2018, the U-jazdowski Center for Contemporary Art in Warsaw (Poland) in 2020, and Raw Material Company in Dakar (Senegal) in 2019, among others. In 2020, she co-founded, with Lara Khaldi, the “School of Intrusions,” an independent educational platform in Ramallah, Palestine. Abed is currently exploring the critical stance of ‘folklore’ as a source of knowledge, and it’s possible connection to alternative social and representational models in Palestine.",[],"Noor is an interdisciplinary artist and filmmaker.",{"filterYear":2470},[2471],{"_id":195,"title":198},[2473],{"_type":331,"label":2448,"url":2474},"https://theoctopusprogramme.uni-ak.ac.at/index.php/noor-abed/",[2476,197],"noor abed",{"_type":77,"current":2478},"noor-abed","Noor Abed",{"_id":2481,"_type":310,"activeYears":2482,"bio":2485,"bioShort":2505,"featuredImage":2506,"filterables":2511,"links":75,"locations":75,"searchables":2514,"seo":75,"slug":2516,"title":2515},"fc005721-12aa-48fe-9844-2db60bfc7eea",[2483],{"_id":195,"_type":174,"seo":75,"slug":2484,"title":198},{"_type":77,"current":197},[2486],{"_key":2487,"_type":11,"children":2488,"markDefs":2502,"style":24},"a5b5aa4bf605",[2489,2493,2498],{"_key":2490,"_type":15,"marks":2491,"text":2492},"4d11c6b7a40d0",[],"They use what is at hand in a process of magical thinking with attention to ritual aspects of aesthetics. Since 2015, they have co-facilitated ",{"_key":2494,"_type":15,"marks":2495,"text":2497},"db61e041d5871",[2496],"510ddd180993","home school",{"_key":2499,"_type":15,"marks":2500,"text":2501},"db61e041d5872",[],", a free pop-up art school with a curriculum of non-genre-conforming multimedia edutainment. Recent projects have taken place at Veronica, Seattle (2021, solo); Kunstraum Niederösterreich, Vienna (2021); Athens Biennale 7 (2021); HALLE FÜR KUNST Steiermark, Graz (2021); AB Lobby Gallery, Portland State University (2019, solo); Yaby, Madrid (2019, with Precious Okoyomon); MoMA and MoMA PS1, New York (2018); Rhizome and New Museum, New York (2017). abreu has published two books of poetry, List of Consonants (Bottlecap, 2015) and transtrender (Quimérica / Ugly Duckling, 2016), as well as a book of critical writing, Incalculable Loss (Institute for New Connotative Action Press, 2018).",[2503],{"_key":2496,"_type":41,"href":2504},"https://homeschoolpdx.tumblr.com/","manuel (they/them) (b. 1991, Santo Domingo, Dominican Republic) is a non-disciplinary artist from the Bronx who lives and works on lands of Multnomah, Cowlitz, Chinook, Kalapuya, Klackamas, Grand Ronde Confederation, Siletz Confederation, and other First Peoples of the Pacific Northwest. ",{"alt":2507,"asset":2508}," manuel arturo abreu",{"_id":2509,"height":644,"orientation":645,"ratio":646,"url":2510,"width":644},"image-632f2b9ef39146fa488906a0c822770d3d160de8-2560x2560-jpg","https://cdn.sanity.io/images/eodip22e/production/632f2b9ef39146fa488906a0c822770d3d160de8-2560x2560.jpg",{"filterYear":2512},[2513],{"_id":195,"title":198},[2515,197],"manuel arturo abreu",{"_type":77,"current":2517},"manuel-arturo-abreu",{"_id":2519,"_type":310,"activeYears":2520,"bio":2523,"bioShort":2548,"featuredImage":2549,"filterables":2551,"links":2554,"locations":2558,"searchables":2562,"seo":75,"slug":2564,"title":2566},"1a176047-7986-4b8c-99ab-990d28a94ee4",[2521],{"_id":195,"_type":174,"seo":75,"slug":2522,"title":198},{"_type":77,"current":197},[2524,2532,2540],{"_key":2525,"_type":11,"children":2526,"markDefs":2531,"style":24},"51d1c49ada91",[2527],{"_key":2528,"_type":15,"marks":2529,"text":2530},"b0dcdd57a98b0",[],"Their process-based works and interdisciplinary projects are influenced by science fiction as well as queer-feminist theory and practice. They have shown artistic projects in the fields of film, (sound) installations, performance and music theater at various institutions and festivals.",[],{"_key":2533,"_type":11,"children":2534,"markDefs":2539,"style":24},"6b695143ac4c",[2535],{"_key":2536,"_type":15,"marks":2537,"text":2538},"c9620d42a4b60",[],"For the years 2020-2025, Thea Reifler and Phila Bergmann are working as artistic directors of Shedhalle Zurich. In the years 2021 and 2022 Phila Bergmann and Thea Reifler are also working as the artistic co-directors of Bone Performance Festival in Bern. Thea Reifler teaches art at the architecture department of ETH, the Swiss Federal Institute of Technology in Zürich. Phila Bergmann is part of the research project “COLLECTING THE EPHEMERAL Prerequisites and Possibilities for Making Performance Art Last”, at Lucerne University of Applied Sciences and Art. At HSLU Lucerne, Phila also works as a Docent in Bachelor of Arts.",[],{"_key":2541,"_type":11,"children":2542,"markDefs":2547,"style":24},"f85d2d33d0ff",[2543],{"_key":2544,"_type":15,"marks":2545,"text":2546},"8de71b40d5df0",[],"They have shown artistic projects in the fields of film, (sound) installations, performance and music theater at Hamburger Bahnhof – Museum für Gegenwart (Berlin), at the 3HD-Festival (Berlin), at NOWY Teatr (Warsaw), Mousonturm (Frankfurt) at Zürcher Theater Spektakel (Zurich), at Hellerau – European Center for the Arts (Dresden), at the SPIELART Festival (Munich), at the Darmstadt Opera, at the Performing Arts Festival (Berlin) at the Sophiensælen (Berlin), Radialsystem (Berlin) and at the Pogo Bar at Kunstwerke KW (Berl",[],"Phila and Thea work as curators, artists, social justice trainers, teachers and researchers in the field of visual art and performance. ",{"alt":2550,"asset":75},"Phila Bergmann and Thea Reifler © Laila Kaletta",{"filterYear":2552},[2553],{"_id":195,"title":198},[2555],{"_type":331,"label":2556,"url":2557},"Shedhalle","https://shedhalle.ch/",{"locations":2559,"other":75},[2560],{"_id":624,"_type":337,"seo":75,"slug":2561,"title":627},{"_type":77,"current":626},[2563,197],"phila bergmann and thea reifler ",{"_type":77,"current":2565},"phila-bergmann-and-thea-reifler","Phila Bergmann and Thea Reifler ",{"_id":2568,"_type":310,"activeYears":2569,"bio":2572,"bioShort":2589,"featuredImage":2590,"filterables":2596,"links":75,"locations":75,"searchables":2599,"seo":75,"slug":2601,"title":2603},"ab9c53b9-25d6-4fee-9a73-3e4b6537a662",[2570],{"_id":195,"_type":174,"seo":75,"slug":2571,"title":198},{"_type":77,"current":197},[2573],{"_key":2574,"_type":11,"children":2575,"markDefs":2588,"style":24},"9205bd38dcb9",[2576,2580,2584],{"_key":2577,"_type":15,"marks":2578,"text":2579},"735d6d36e5b20",[],"In 1972, she was co-founder of the International Feminist Collective, which launched the Wages for Housework campaign internationally. In the 1990s, after a period of teaching and research in Nigeria, she was active in the anti-globalization movement and the U.S. anti-death penalty movement. She is one of the co-founders of the Committee for Academic Freedom in Africa, an organization dedicated to generating support for the struggles of students and teachers in Africa against the structural adjustment of African economies and education systems. From 1987 to 2005, she also taught international studies, women’s studies, and political philosophy courses at Hofstra University in Hempstead, NY. Her decades of research and political organizing accompany a long list of publications on philosophy and feminist theory, women’s history, education, culture, international politics, and more recently the worldwide struggle against capitalist globalization and for a feminist reconstruction of the commons. Her steadfast commitment to these issues resounds in her focus on autonomy in what she calls ",{"_key":2581,"_type":15,"marks":2582,"text":2583},"735d6d36e5b22",[481],"self-reproducing movements",{"_key":2585,"_type":15,"marks":2586,"text":2587},"735d6d36e5b23",[]," as a powerful challenge to capitalism through the construction of new social relations.",[],"Silvia is a feminist writer, teacher, and militant. ",{"alt":2591,"asset":2592},"Silvia Federici (she/her)",{"_id":2593,"height":2594,"orientation":645,"ratio":646,"url":2595,"width":2594},"image-588d047b0cb7a2e7fcda1dc4562a9199bcfadfad-746x746-png",746,"https://cdn.sanity.io/images/eodip22e/production/588d047b0cb7a2e7fcda1dc4562a9199bcfadfad-746x746.png",{"filterYear":2597},[2598],{"_id":195,"title":198},[2600,197],"silvia federici",{"_type":77,"current":2602},"silvia-federici","Silvia Federici",{"_id":2605,"_type":310,"activeYears":2606,"bio":2609,"bioShort":2618,"featuredImage":2619,"filterables":2622,"links":2625,"locations":2629,"searchables":2633,"seo":75,"slug":2635,"title":2620},"0daa4701-6061-4bd2-b33d-6c744f70a447",[2607],{"_id":195,"_type":174,"seo":75,"slug":2608,"title":198},{"_type":77,"current":197},[2610],{"_key":2611,"_type":11,"children":2612,"markDefs":2617,"style":24},"5bf16288ef12",[2613],{"_key":2614,"_type":15,"marks":2615,"text":2616},"72c13901996f0",[],"They focus on the rich sociality of everyday life and what constitutes good shared lives beyond the nuclear family. They foreground friendship, and entwined people and places, instead of individuated subjects. They are currently participating in the Whitney Independent Study Program and recently exhibited in the Athens Biennale, Bronx Calling: The Fifth AIM Biennial and Everything is Common at Artists Space in New York. ",[],"Jack (they/them) is an artist and architect from Waterford, Ireland. ",{"alt":2620,"asset":2621},"Jack Hogan",{"_id":2593,"height":2594,"orientation":645,"ratio":646,"url":2595,"width":2594},{"filterYear":2623},[2624],{"_id":195,"title":198},[2626],{"_type":331,"label":2627,"url":2628},"Linktree","https://linktr.ee/jackhogan",{"locations":2630,"other":75},[2631],{"_id":624,"_type":337,"seo":75,"slug":2632,"title":627},{"_type":77,"current":626},[2634,197],"jack hogan",{"_type":77,"current":2636},"jack-hogan",{"_id":2638,"_type":310,"activeYears":2639,"bio":2642,"bioShort":2662,"featuredImage":2663,"filterables":2669,"links":75,"locations":75,"searchables":2672,"seo":75,"slug":2674,"title":2664},"f0242fa8-3bbb-4d17-891f-e05e186f575e",[2640],{"_id":195,"_type":174,"seo":75,"slug":2641,"title":198},{"_type":77,"current":197},[2643],{"_key":2644,"_type":11,"children":2645,"markDefs":2659,"style":24},"f2f8b2fc05a3",[2646,2650,2655],{"_key":2647,"_type":15,"marks":2648,"text":2649},"f7c3ce8a2f110",[],"She had to forget everything she learned at university in order to do something worthwhile. Action research and popular pedagogy are her greatest passions. She is editor and co-author of “Nociones comunes. Essays between research and militancia”, “A la deriva por los circuitos de la precariedad femenina”, “Madrid: ¿la suma de todos?”, “La internacional feminista. Luchas en los territorios y contra el neoliberalismo” and “Estamos para nosotras: siete tesis para una práctica radical de los cuidados”. She is part of La Laboratoria. Espacio de Investigaciones Feministas ",{"_key":2651,"_type":15,"marks":2652,"text":2654},"f7c3ce8a2f112",[2653],"8edb52daf8c7","www.laboratoria.red",{"_key":2656,"_type":15,"marks":2657,"text":2658},"f7c3ce8a2f113",[],". When she grows up she wants to devote herself exclusively to accompanying others in writing. ",[2660],{"_key":2653,"_type":41,"href":2661},"http://laboratoria.red/","Marta is a translator and feminist researcher.",{"alt":2664,"asset":2665},"Marta Malo de Molina",{"_id":2666,"height":2667,"orientation":645,"ratio":646,"url":2668,"width":2667},"image-4451f724ff598f9f67002f9a53739734e72a262b-848x848-png",848,"https://cdn.sanity.io/images/eodip22e/production/4451f724ff598f9f67002f9a53739734e72a262b-848x848.png",{"filterYear":2670},[2671],{"_id":195,"title":198},[2673,197],"marta malo de molina",{"_type":77,"current":2675},"marta-malo-de-molina",{"_id":2677,"_type":310,"activeYears":2678,"bio":2681,"bioShort":2690,"featuredImage":2691,"filterables":2697,"links":75,"locations":75,"searchables":2700,"seo":75,"slug":2702,"title":2692},"79f728a5-b127-4de2-8101-7efb4e4fef91",[2679],{"_id":195,"_type":174,"seo":75,"slug":2680,"title":198},{"_type":77,"current":197},[2682],{"_key":2683,"_type":11,"children":2684,"markDefs":2689,"style":24},"cf4e592c9973",[2685],{"_key":2686,"_type":15,"marks":2687,"text":2688},"b007a8577f3c0",[],"They hold a BA in jazz from the University of the Arts in Philadelphia, an MA in vocal pedagogy as well as a MA in elementary music education from the Zurich University of the Arts. Brandy is an organizational member of the African feminist diaspora collective Bla*sh, on the board of Helvetia Rockt, co-founder of the feminist think-tank collective Mino, which creates new opportunities for increasing the visibility of diversity in the Swiss music scene and has been active in early education and primary schooling for over 15 years. Brandy is the founder of Switzerland’s first ever Drag Story Time, managing and performing with several drag folx who are dedicated to creating fun atmospheres, where children ages 3-8 can be free to play and experiment with their own gender identity.",[],"Brandy is a performance artist, musician, educator, mother, and activist who spends their time creating creative opportunities at the interface of art and community. ",{"alt":2692,"asset":2693},"Brandy Butler",{"_id":2694,"height":2695,"orientation":645,"ratio":646,"url":2696,"width":2695},"image-b50bb122de745fd4c91d9cbff17fa68fc2b9c3e3-892x892-png",892,"https://cdn.sanity.io/images/eodip22e/production/b50bb122de745fd4c91d9cbff17fa68fc2b9c3e3-892x892.png",{"filterYear":2698},[2699],{"_id":195,"title":198},[2701,197],"brandy butler",{"_type":77,"current":2703},"brandy-butler",{"_id":2705,"_type":310,"activeYears":2706,"bio":2709,"bioShort":2734,"featuredImage":2735,"filterables":2743,"links":75,"locations":75,"searchables":2746,"seo":75,"slug":2748,"title":2736},"4c506af3-b5dc-49f4-b6a7-894cbcd401ab",[2707],{"_id":195,"_type":174,"seo":75,"slug":2708,"title":198},{"_type":77,"current":197},[2710],{"_key":2711,"_type":11,"children":2712,"markDefs":2733,"style":24},"3dac9d23fbc7",[2713,2717,2721,2725,2729],{"_key":2714,"_type":15,"marks":2715,"text":2716},"81d4e205bbdb0",[],"She studied Fine Arts and received a Ph.D. in Cultural Studies from the Academy of Fine Arts Vienna. She was chairperson of the VBKÖ (Austrian Association of Women Artists) from 2011–2013. She has been working with the eipcp as a researcher and co-editor of the multilingual web-journal ",{"_key":2718,"_type":15,"marks":2719,"text":2720},"81d4e205bbdb2",[481],"Transversal",{"_key":2722,"_type":15,"marks":2723,"text":2724},"81d4e205bbdb3",[]," since 2009. Her work deals with the topics of migration; knowledge production and educational policies; mechanisms of appropriation and privatization of structures such as education, culture, the body, and land; and perspectives for trans-local solidarity. She has been actively involved in knowledge-based social movements in Europe and abroad. She has worked extensively on these topics and has dedicated the book ",{"_key":2726,"_type":15,"marks":2727,"text":2728},"81d4e205bbdb4",[481],"Struggles for Living Learning",{"_key":2730,"_type":15,"marks":2731,"text":2732},"81d4e205bbdb5",[]," (2016) to this topic and these struggles.",[],"Lina works at the intersection between visual art and research/knowledge production. ",{"alt":2736,"asset":2737},"Lina Dokuzović",{"_id":2738,"height":2739,"orientation":602,"ratio":2740,"url":2741,"width":2742},"image-db9cf08127f4affd9822ae606056e2be78c48bc3-611x603-png",603,1.0132669983416251,"https://cdn.sanity.io/images/eodip22e/production/db9cf08127f4affd9822ae606056e2be78c48bc3-611x603.png",611,{"filterYear":2744},[2745],{"_id":195,"title":198},[2747,197],"lina dokuzović",{"_type":77,"current":2749},"lina-dokuzovic",{"_id":2751,"_type":310,"activeYears":2752,"bio":2755,"bioShort":2764,"featuredImage":2765,"filterables":2770,"links":2773,"locations":75,"searchables":2776,"seo":75,"slug":2778,"title":2780},"dc2049f7-77cd-4ddd-916b-e1932ef78ecc",[2753],{"_id":195,"_type":174,"seo":75,"slug":2754,"title":198},{"_type":77,"current":197},[2756],{"_key":2757,"_type":11,"children":2758,"markDefs":2763,"style":24},"0a1c1711be6e",[2759],{"_key":2760,"_type":15,"marks":2761,"text":2762},"21b9bd0b0f800",[],"She is a PhD Candidate, Psychosocial Studies at Birkbeck who’s research is focused on “Pleasurable Practices for Climate Colonialism Resistance” (2018-2022). Ama is also the Planetary Fictions Fellow researching Pleasurable Ecologies – Curation as Future Building (2020 – 2022) with Curatorial Frame (Helsinki) & EVA International (Limerick); and the Keith Haring Fellow in Art and Activism (2020-21) with Bard College’s Centre for Curatorial Studies & Human Rights Department.",[],"Speculative Writer, Artist, Curator and Pleasure Activist. ",{"alt":75,"asset":2766},{"_id":2767,"height":2768,"orientation":645,"ratio":646,"url":2769,"width":2768},"image-d6492922a3918aab7774a33b4af8c0d0cf769daa-792x792-png",792,"https://cdn.sanity.io/images/eodip22e/production/d6492922a3918aab7774a33b4af8c0d0cf769daa-792x792.png",{"filterYear":2771},[2772],{"_id":195,"title":198},[2774],{"_type":331,"label":383,"url":2775},"https://www.amajosephine.me/",[2777,197],"ama josephine b. johnstone",{"_type":77,"current":2779},"ama-josephine-b-johnstone","Ama Josephine B. Johnstone",{"_id":2782,"_type":310,"activeYears":2783,"bio":2786,"bioShort":2795,"featuredImage":2796,"filterables":2802,"links":2805,"locations":2808,"searchables":2812,"seo":75,"slug":2814,"title":2797},"b4998e93-64e2-48f7-aeae-b7e794d04b21",[2784],{"_id":195,"_type":174,"seo":75,"slug":2785,"title":198},{"_type":77,"current":197},[2787],{"_key":2788,"_type":11,"children":2789,"markDefs":2794,"style":24},"cd7cd679a665",[2790],{"_key":2791,"_type":15,"marks":2792,"text":2793},"209c3dda3f420",[],"Today, Klasse Klima creates physical and virtual seminars and symposia for the collective negotiation of creative knowledge.",[],"Student-led Klasse Klima, founded at the Berlin University of the Arts in 2009, translates demands for climate justice and degrowth into aesthetic education and practice. ",{"alt":2797,"asset":2798},"Klasse Klima",{"_id":2799,"height":2800,"orientation":645,"ratio":646,"url":2801,"width":2800},"image-ed00a80eb455aed97dd0e48c0ab8ee68a59e37f9-400x400-jpg",400,"https://cdn.sanity.io/images/eodip22e/production/ed00a80eb455aed97dd0e48c0ab8ee68a59e37f9-400x400.jpg",{"filterYear":2803},[2804],{"_id":195,"title":198},[2806],{"_type":331,"label":383,"url":2807},"https://www.klasseklima.org/",{"locations":2809,"other":75},[2810],{"_id":624,"_type":337,"seo":75,"slug":2811,"title":627},{"_type":77,"current":626},[2813,197],"klasse klima",{"_type":77,"current":2815},"klasse-klima",{"_id":2817,"_type":310,"activeYears":2818,"bio":2821,"bioShort":2846,"featuredImage":2847,"filterables":2855,"links":2858,"locations":75,"searchables":2861,"seo":75,"slug":2863,"title":2848},"eee5ecca-e3ea-4774-b983-e098caa616bc",[2819],{"_id":205,"_type":174,"seo":75,"slug":2820,"title":208},{"_type":77,"current":207},[2822,2830,2838],{"_key":2823,"_type":11,"children":2824,"markDefs":2829,"style":24},"e83786c93c7c",[2825],{"_key":2826,"_type":15,"marks":2827,"text":2828},"5a9039a350300",[],"These worlds bleed into one. That is where Omsk positions their speculative fictions, through these immersive installations they move into a territory they coined in 2017 called Real Game Play (RGP). Their work aims to induce states that could potentially be a fiction or a yet, unlived reality.",[],{"_key":2831,"_type":11,"children":2832,"markDefs":2837,"style":24},"c18a7893f033",[2833],{"_key":2834,"_type":15,"marks":2835,"text":2836},"01706eac2adc0",[],"Omsk works closely with networks of viewers, everything is unique and unrehearsed. The living installations they create examine virtual egos, popular experiences and political phenomena. Allowing the works to become a dematerialized hybrid of modern-day culture alongside the participant’s unique personal experiences. In the past Omsk Social Club’s Real Game Play immersive environments have introduced landscapes and topics such as otherkin, rave culture, survivalism, catfishing, desire&sacrifice, positive trolling, algorithmic strategies, and decentralized cryptocurrency.",[],{"_key":2839,"_type":11,"children":2840,"markDefs":2845,"style":24},"0867f23bdfd7",[2841],{"_key":2842,"_type":15,"marks":2843,"text":2844},"8a77875ea3300",[],"They have exhibited across Europe in various institutions, galleries, theatres and off-sites such as Martin Gropius Bau, House of Electronic Kunst Basel, HKW, Berlin, Seventeen, London Volksbühne, Berlin, Stroom den Haag, Den Haag the Netherlands and Light Art Space Berlin. They have been included in CTM Festival (2021), 34th Ljubljana Biennial (2021) 6th Athens Biennale (2018), Transmediale Festival (2019), The Influencers (2018) and Impakt Festival (2018). In 2021 they co-curated the 7th Athens Biennale with Larry Ossei-Mensah.",[],"Omsk Social Club’s (they/them) work is created between two lived worlds, one of life as we know it and the other of role play. ",{"alt":2848,"asset":2849},"Omsk Social Club",{"_id":2850,"height":2851,"orientation":602,"ratio":2852,"url":2853,"width":2854},"image-23859d78a1dc8595cd0abb83dce117e8afb5ccb0-1182x1164-jpg",1164,1.0154639175257731,"https://cdn.sanity.io/images/eodip22e/production/23859d78a1dc8595cd0abb83dce117e8afb5ccb0-1182x1164.jpg",1182,{"filterYear":2856},[2857],{"_id":205,"title":208},[2859],{"_type":331,"label":383,"url":2860},"https://omsksocial.club",[2862,207],"omsk social club",{"_type":77,"current":2864},"omsk-social-club",{"_id":2866,"_type":310,"activeYears":2867,"bio":2870,"bioShort":2879,"featuredImage":2880,"filterables":2888,"links":75,"locations":2891,"searchables":2895,"seo":75,"slug":2897,"title":2881},"db0bd018-5b83-48ef-96e7-f42c25838354",[2868],{"_id":195,"_type":174,"seo":75,"slug":2869,"title":198},{"_type":77,"current":197},[2871],{"_key":2872,"_type":11,"children":2873,"markDefs":2878,"style":24},"09c2e33de865",[2874],{"_key":2875,"_type":15,"marks":2876,"text":2877},"46264b25957b0",[],"Building on her study of the history of aesthetic, ecological and economic knowledge, she works with the collective Klasse Klima to establish spaces for the unlearning of extractivist epistemologies in the creative fields and beyond. The bottom-up initiative Klasse Klima was founded in 2019 at Berlin’s University of the Arts to translate demands for climate justice and degrowth into aesthetic education and practice. Today, Klasse Klima creates physical and virtual seminars and symposia for the collective negotiation of creative knowledge.",[],"Lena is a Berlin-based cultural researcher and journalist. ",{"alt":2881,"asset":2882},"Lena Schubert ",{"_id":2883,"height":2884,"orientation":602,"ratio":2885,"url":2886,"width":2887},"image-5e851bd85d4681c0d9b8f3c132ab4874cee4151b-910x906-png",906,1.0044150110375276,"https://cdn.sanity.io/images/eodip22e/production/5e851bd85d4681c0d9b8f3c132ab4874cee4151b-910x906.png",910,{"filterYear":2889},[2890],{"_id":195,"title":198},{"locations":2892,"other":75},[2893],{"_id":624,"_type":337,"seo":75,"slug":2894,"title":627},{"_type":77,"current":626},[2896,197],"lena schubert ",{"_type":77,"current":2898},"lena-schubert",{"_id":2900,"_type":310,"activeYears":2901,"bio":2904,"bioShort":2913,"featuredImage":2914,"filterables":2922,"links":75,"locations":2925,"searchables":2938,"seo":75,"slug":2940,"title":2915},"e66e23ab-f8af-4f9e-a373-edb248791770",[2902],{"_id":195,"_type":174,"seo":75,"slug":2903,"title":198},{"_type":77,"current":197},[2905],{"_key":2906,"_type":11,"children":2907,"markDefs":2912,"style":24},"728b99db38e5",[2908],{"_key":2909,"_type":15,"marks":2910,"text":2911},"914880dabdcf0",[],"He is curious about the internet, technology & the future beyond fossils and interested in serial auditive story telling. Part of different collectives and organizations, Johann works with Klasse Klima on questioning the role and responsibility of art institutions in such a post-fussil future.",[],"Johann (* 1991 in Celle, Germany) works as a dramaturg and journalist. ",{"alt":2915,"asset":2916},"Johann Otten",{"_id":2917,"height":2918,"orientation":602,"ratio":2919,"url":2920,"width":2921},"image-491486e027cc55c30cdd41d55af24843252f8d39-818x800-png",800,1.0225,"https://cdn.sanity.io/images/eodip22e/production/491486e027cc55c30cdd41d55af24843252f8d39-818x800.png",818,{"filterYear":2923},[2924],{"_id":195,"title":198},{"locations":2926,"other":2929},[2927],{"_id":624,"_type":337,"seo":75,"slug":2928,"title":627},{"_type":77,"current":626},[2930],{"_key":2931,"_type":11,"children":2932,"markDefs":2937,"style":24},"66382e6553c3",[2933],{"_key":2934,"_type":15,"marks":2935,"text":2936},"f589730b43e30",[],"Lives in Zürich and Berlin",[],[2939,197],"johann otten",{"_type":77,"current":2941},"johann-otten",{"_id":2943,"_type":310,"activeYears":2944,"bio":2947,"bioShort":2956,"featuredImage":2957,"filterables":2963,"links":75,"locations":75,"searchables":2966,"seo":75,"slug":2968,"title":2958},"e3c00fc5-e2f3-4855-94f8-fc5158ba8c62",[2945],{"_id":195,"_type":174,"seo":75,"slug":2946,"title":198},{"_type":77,"current":197},[2948],{"_key":2949,"_type":11,"children":2950,"markDefs":2955,"style":24},"cee7c4f39786",[2951],{"_key":2952,"_type":15,"marks":2953,"text":2954},"3a900e2566100",[],"In their practice, they explore power dynamics, cultural dislocation, and the intersection of pop culture, blackness, decolonial thought, kuirness, and technology. Born in Portugal, Fredo is based in Berlin, Germany, where since 2017 are the deputy editor of Contemporary And, an art platform focused on international perspectives. 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Our moderator Gigi will explain to you how and why the PODPAST spans over different, overlapping time spaces and why it is a total thrill to explore diverse aspects of arts education beyond the borders of time and space.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/1SJkAqASwlaOtQNFOiOOSO?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":4894,"embedCode":4911},[4895,4903],{"_key":4896,"_type":11,"children":4897,"markDefs":4902,"style":3755},"ffdc556a69ae",[4898],{"_key":4899,"_type":15,"marks":4900,"text":4901},"1b68208dc7b20",[],"Episode 2 - Tuning into Time Travel: A Journey with 0ct0p0s",[],{"_key":4904,"_type":11,"children":4905,"markDefs":4910,"style":24},"e5f8b9b6ea7c",[4906],{"_key":4907,"_type":15,"marks":4908,"text":4909},"39c185ce1c3f0",[],"This second PODPAST episode is an immersive introduction to time travel. The temporal time keepers Olga and Ora from the 0ct0p0s collective present us with a meditative journey through time and into the future. Sit back, relax and open your mind to possible future realities.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4hSryuntocw2sxi86QfxQq?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":4913,"embedCode":4941},[4914,4922],{"_key":4915,"_type":11,"children":4916,"markDefs":4921,"style":3755},"222ac38673b9",[4917],{"_key":4918,"_type":15,"marks":4919,"text":4920},"fccb797aa5280",[],"Episode 3 - Disrupting Systems of Learning, Breaking Down Barriers in Education and Lifelong Learning - A Conversation with Kobe Ardui",[],{"_key":4923,"_type":11,"children":4924,"markDefs":4938,"style":24},"07a370427046",[4925,4929,4934],{"_key":4926,"_type":15,"marks":4927,"text":4928},"0ca0927098c30",[],"This time, Gigi meets Kobe Ardui, head of lifelong learning at ",{"_key":4930,"_type":15,"marks":4931,"text":4933},"0ca0927098c31",[4932],"a0ed8b8a50d5","LUCA School of Arts Belgium",{"_key":4935,"_type":15,"marks":4936,"text":4937},"0ca0927098c32",[],", in the year 2022. Kobe discusses disrupting systems of learning in higher arts institutions, especially in relation to hierarchies of knowledge, disciplines and subjects, as well as the role of lifelong learning, peer learning and breaking down barriers within education.",[4939],{"_key":4932,"_type":41,"href":4940},"https://www.luca-arts.be/en","\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/0wFc8OfI7YFlxF1LUS9ggP?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":4943,"embedCode":4960},[4944,4952],{"_key":4945,"_type":11,"children":4946,"markDefs":4951,"style":3755},"6dab68054f31",[4947],{"_key":4948,"_type":15,"marks":4949,"text":4950},"11b31e0f834d0",[],"Episode 4 - Multispecies Art and Multispecies Learning in 2045 with Bifolia",[],{"_key":4953,"_type":11,"children":4954,"markDefs":4959,"style":24},"9e741ac8acae",[4955],{"_key":4956,"_type":15,"marks":4957,"text":4958},"7d0ed6c376b80",[],"In this episode, we will dive into the topic of multispecies learning, and multispecies art together with Gigi’s special guest Bifolia, in the temporal zone of 2045. Bifolia is an artist and researcher at the famous International Institute of Interspecies Art. Interspecies art, an art form in which different species, for example humans and insects, co-create art together is deeply entangled with the idea of multispecies learning based on the ethos that all species are equal and equally complex and that the only way of sharing life on this planet is to learn from and with each other. Bifolia gives us insights into her work and discusses the possibilities and challenges of who has a right to be an art student today in 2045.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/2ztBYaCPL8jzwcm4NQMbqh?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":4962,"embedCode":4960},[4963,4971],{"_key":4964,"_type":11,"children":4965,"markDefs":4970,"style":3755},"ced0c30c96f6",[4966],{"_key":4967,"_type":15,"marks":4968,"text":4969},"31fe9ef98d570",[],"Episode 5 - Artistic Freedom, Art Activism and Possible Futures for the Arts in Societies: A Conversation with Kai Lehikoinen, Uni Arts Helsinki",[],{"_key":4972,"_type":11,"children":4973,"markDefs":4978,"style":24},"e4bbe2629fd0",[4974],{"_key":4975,"_type":15,"marks":4976,"text":4977},"399f2d2754ac0",[],"In this episode, the PodPast team successfully establishes a connection to the year 2022 to speak with Kai Lehikoinen, a university researcher specializing in socially engaged arts practices at Uniarts Helsinki, Finland. During the conversation, Kai will provide significant insights into the complex and multi-faceted relationships between arts and society, including the relation between artistic freedom and artistic activism, and new fields the arts might enter in the future",[],{"_type":848,"caption":4980,"embedCode":5019},[4981,4989,4997,5004],{"_key":4982,"_type":11,"children":4983,"markDefs":4988,"style":3755},"7469349f7673",[4984],{"_key":4985,"_type":15,"marks":4986,"text":4987},"e456098939c00",[],"Episode 6 - Digtial Art, Accessibility and Collaboration in 2045: A Conversation with Lena Gieseke, Film University Babelsberg KONRAD WOLF",[],{"_key":4990,"_type":11,"children":4991,"markDefs":4996,"style":24},"56b02021c1d3",[4992],{"_key":4993,"_type":15,"marks":4994,"text":4995},"3c319453288e0",[],"In this episode, Gigi meets Lena Gieseke from Film University Babelsberg KONRAD WOLF in Germany in the temporal zone of 2045. Lena gives us insights into her ongoing project “Art Collab”, where she works on setting up the virtual art world in a manner that is accessible for everyone, everywhere via an augmented reality art layer. Dive into Lena’s future reality and learn about possible futures approaches to accessibility and collaboration in the arts and arts education, as well as the role of virtual art in the futures.",[],{"_key":4998,"_type":11,"children":4999,"markDefs":5003,"style":24},"77e0c45ea2ae",[5000],{"_key":5001,"_type":15,"marks":5002,"text":588},"c00b53fc8cdf0",[],[],{"_key":5005,"_type":11,"children":5006,"markDefs":5016,"style":24},"8c77769f5600",[5007,5011],{"_key":5008,"_type":15,"marks":5009,"text":5010},"f7a3abebe92e0",[],"For more watch the movie ",{"_key":5012,"_type":15,"marks":5013,"text":5015},"f7a3abebe92e1",[5014],"3d92b3ed6225","ArtCollab Germany 2025",[5017],{"_key":5014,"_type":41,"href":5018},"https://learningplatform.fast45.eu/narratives/arts-schools-and-their-local-communities/#Short%20Film%20","\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4OJjYTUhHaU3407HHZ2oDw?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":5021,"embedCode":5038},[5022,5030],{"_key":5023,"_type":11,"children":5024,"markDefs":5029,"style":3755},"df89f883ef9b",[5025],{"_key":5026,"_type":15,"marks":5027,"text":5028},"baf33c3763840",[],"Episode 7 - Climate Futures, Cross-Institutional Learning and Holistic Solutions in 2022 and beyond: A Conversation with Maria Hansen, ELIA",[],{"_key":5031,"_type":11,"children":5032,"markDefs":5037,"style":24},"ecccc35bb854",[5033],{"_key":5034,"_type":15,"marks":5035,"text":5036},"7c50bcde24030",[],"In this PODPAST episode, Gigi successful establishes a connection to the year 2022 to talk with Maria Hansen, the executive director of ELIA, a globally connected European network focused on higher arts education. The conversation addresses the urgent climate crisis on Earth in 2022 and the roles of art universities and artists in addressing this critical issue. Furthermore, Maria gives insights into the emerging trends of transdisciplinarity and cross-institutional and cross-disciplinary learning in the twenties, which offer new approaches to collaboration and problem-solving. Stay tuned to learn more about how art and education are shaping the futures in the midst of global challenges.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/7xbuvuHmT11F75cFScJWnh?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":5040,"embedCode":5057},[5041,5049],{"_key":5042,"_type":11,"children":5043,"markDefs":5048,"style":3755},"983ddd8bc3ad",[5044],{"_key":5045,"_type":15,"marks":5046,"text":5047},"f7e38968cd070",[],"Episode 8 - Symbiosis, Sustainability and Common Grounds in 2045: A Conversation with Karel",[],{"_key":5050,"_type":11,"children":5051,"markDefs":5056,"style":24},"2237c81f9d39",[5052],{"_key":5053,"_type":15,"marks":5054,"text":5055},"143c12712de60",[],"In this PODPAST episode, Gigi is in conversation with Karel, an artist and active member of the Footnotes Symbiosis working group in the temporal zone of 2045. In this conversation, Karel introduces the vision and work of the working group and discusses different aspects surrounding sustainability, here meaning, social, ecological and technological sustainability. Furthermore, Karel gives insights into future collaborations of institutes of higher arts education and how to build common grounds to enable these collaborations with other species.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/3iRRsS3gDWvhrAAG3zE8Vk?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":5059,"embedCode":5076},[5060,5068],{"_key":5061,"_type":11,"children":5062,"markDefs":5067,"style":3755},"dc6f83966f81",[5063],{"_key":5064,"_type":15,"marks":5065,"text":5066},"106faa032f340",[],"Episode 9 - Informal Knowledge and Universal Basic Income in 2045 - A Conversation with Cif Cif and Rigoberta",[],{"_key":5069,"_type":11,"children":5070,"markDefs":5075,"style":24},"2fd06fd37ddd",[5071],{"_key":5072,"_type":15,"marks":5073,"text":5074},"0ef13a37be230",[],"In this episode, Giggi meets Cif Cif and Rigoberta in the temporal zone of 2045. Cif Cif is the last dean of LUCA School of Arts in Belgium and Rigoberta is a retired educator and curator educator in contemporary arts. Both guests are part of the Footnotes Summer School and are intrigued by the topic of Plasticity. Our discussion will focus on the role of informal knowledge in arts education in 2045, the current roles of artists in society, and how the trend of universal basic income is impacting developments in arts education and the arts as a whole.",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4UF6xg0xeIfZxIjOj8SlPi?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":5078,"embedCode":5124},[5079,5087],{"_key":5080,"_type":11,"children":5081,"markDefs":5086,"style":3755},"8c118181a7f0",[5082],{"_key":5083,"_type":15,"marks":5084,"text":5085},"e14f34dd89bf0",[],"Episode 10 - Climate Justice in Higher Arts Education - A Conversation with KLASSE KLIMA",[],{"_key":5088,"_type":11,"children":5089,"markDefs":5119,"style":24},"902f2e7ed7d6",[5090,5094,5098,5102,5106,5110,5115],{"_key":5091,"_type":15,"marks":5092,"text":5093},"1e7f111792f30",[],"In this episode, Gigi is joined by not one, but two guests, Johann and Lena, two members of ",{"_key":5095,"_type":15,"marks":5096,"text":2797},"1e7f111792f31",[5097],"e9c112c1fe8d",{"_key":5099,"_type":15,"marks":5100,"text":5101},"1e7f111792f32",[],", a student-led educational collective established in the year 2019 at Berlin University of the Arts. ",{"_key":5103,"_type":15,"marks":5104,"text":2797},"1e7f111792f33",[5105],"ad6d654203a4",{"_key":5107,"_type":15,"marks":5108,"text":5109},"1e7f111792f34",[]," was created to find creative educational methods to address the urgency of the climate crisis. ",{"_key":5111,"_type":15,"marks":5112,"text":5114},"1e7f111792f35",[5113],"30e2f5ff7678","Klasse Kima",{"_key":5116,"_type":15,"marks":5117,"text":5118},"1e7f111792f36",[]," engages in events and debates on the intersection of art, design and ecology, it therefore seems extremely fitting that their conversation with Gigi focuses on a 2022 time-space perspective of climate justice movements, including C02 accounting and the digital divide, as well as a broader discussion on peer and lifelong learning environments, including where climate change fits into educational structures.",[5120,5122,5123],{"_key":5097,"_type":41,"href":5121},"https://klasseklima.org/",{"_key":5105,"_type":41,"href":5121},{"_key":5113,"_type":41,"href":5121},"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/4GAj4TxJCypQJPLnvoALvM?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":5126,"embedCode":5143},[5127,5135],{"_key":5128,"_type":11,"children":5129,"markDefs":5134,"style":3755},"9fa9c010f8d4",[5130],{"_key":5131,"_type":15,"marks":5132,"text":5133},"1410039ca79e0",[],"Episode 11 - The Societal Role of Art Schools, Entrance Exams and Cultural Ownership in 2045: A Conversation with Carl Iseg",[],{"_key":5136,"_type":11,"children":5137,"markDefs":5142,"style":24},"4a010f67fd27",[5138],{"_key":5139,"_type":15,"marks":5140,"text":5141},"6fe3616f42ed0",[],"In this podcast episode, we’re joined by Carl Iseg, music teacher, researcher, and leader of Music Higher Educational Institute in the temporal zone of 2045. We’ll be discussing the function and bureaucracy of art schools, ranging from the meaning of art schools in society, to the role entrance exams play in these very institutions, to the true meaning of Cultural Ownership in 2045. Tune in for a fascinating glimpse into the future of arts and education!",[],"\u003Ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/episode/3f5uvPsG6gB1P47H3n0dLv?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\">\u003C/iframe>",{"_type":848,"caption":5145,"embedCode":5162},[5146,5154],{"_key":5147,"_type":11,"children":5148,"markDefs":5153,"style":3755},"e43305570729",[5149],{"_key":5150,"_type":15,"marks":5151,"text":5152},"c75c23654f540",[],"Episode 12 - Collegiality, Knowledge Exchange and Essential Ingredients for New Forms of Governance within Higher Education - A Conversation with Tishka and Camille",[],{"_key":5155,"_type":11,"children":5156,"markDefs":5161,"style":24},"03aff401949b",[5157],{"_key":5158,"_type":15,"marks":5159,"text":5160},"0cc72cd743af0",[],"In this episode, Gigi is joined by educators, cultural workers and musicians Tishka and Camille, in the temporal zone of 2045. 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",{"filterYear":6162},[6163],{"_id":185,"title":188},[6165,6167],{"_type":331,"label":506,"url":6166},"https://www.instagram.com/iccigucci/",{"_type":331,"label":6168,"url":6169},"Common Views","https://commonviews.art/",[6171,187],"dan farberoff",{"_type":77,"current":6173},"dan-farberoff","Dan Farberoff",{"_id":1883,"_type":310,"activeYears":6176,"bio":6191,"bioShort":1908,"featuredImage":75,"filterables":6197,"links":6206,"locations":6208,"searchables":6218,"seo":75,"slug":6219,"title":1938},[6177,6179,6181,6183,6185,6187,6189],{"_id":210,"_type":174,"seo":75,"slug":6178,"title":213},{"_type":77,"current":212},{"_id":205,"_type":174,"seo":75,"slug":6180,"title":208},{"_type":77,"current":207},{"_id":200,"_type":174,"seo":75,"slug":6182,"title":203},{"_type":77,"current":202},{"_id":195,"_type":174,"seo":75,"slug":6184,"title":198},{"_type":77,"current":197},{"_id":190,"_type":174,"seo":75,"slug":6186,"title":193},{"_type":77,"current":192},{"_id":185,"_type":174,"seo":75,"slug":6188,"title":188},{"_type":77,"current":187},{"_id":180,"_type":174,"seo":75,"slug":6190,"title":183},{"_type":77,"current":182},[6192],{"_key":1901,"_type":11,"children":6193,"markDefs":6196,"style":24},[6194],{"_key":1904,"_type":15,"marks":6195,"text":1906},[],[],{"filterYear":6198},[6199,6200,6201,6202,6203,6204,6205],{"_id":210,"title":213},{"_id":205,"title":208},{"_id":200,"title":203},{"_id":195,"title":198},{"_id":190,"title":193},{"_id":185,"title":188},{"_id":180,"title":183},[6207],{"_type":331,"label":383,"url":1920},{"locations":6209,"other":6212},[6210],{"_id":624,"_type":337,"seo":75,"slug":6211,"title":627},{"_type":77,"current":626},[6213],{"_key":1927,"_type":11,"children":6214,"markDefs":6217,"style":24},[6215],{"_key":1930,"_type":15,"marks":6216,"text":1932},[],[],[1935,212,207,202,197,192,187,182],{"_type":77,"current":1937},{"alt":75,"asset":6221},{"_id":6222,"height":6223,"orientation":602,"ratio":6224,"url":6225,"width":495},"image-c59f702639c03cef3d018cff2c71d609749c804a-600x490-png",490,1.2244897959183674,"https://cdn.sanity.io/images/eodip22e/production/c59f702639c03cef3d018cff2c71d609749c804a-600x490.png",[6227,6291],{"_type":650,"settings":6228,"text":6229},{"textColumnCount":652},[6230,6238,6245,6253,6260,6268,6276,6283],{"_key":6231,"_type":11,"children":6232,"markDefs":6237,"style":24},"38c4bcee2a1f",[6233],{"_key":6234,"_type":15,"marks":6235,"text":6236},"862d62c6a8500",[],"IdeaSquare and School of Commons are collaborating on a series of workshops exploring 'The Future of Collaboration'.",[],{"_key":6239,"_type":11,"children":6240,"markDefs":6244,"style":24},"f2ab3d1a7cd5",[6241],{"_key":6242,"_type":15,"marks":6243,"text":588},"a264edeec3650",[],[],{"_key":6246,"_type":11,"children":6247,"markDefs":6252,"style":24},"4ad0037f08ff",[6248],{"_key":6249,"_type":15,"marks":6250,"text":6251},"53ce5eb3bdac0",[],"How do we prepare for a future we don’t yet know? A future in which collaboration of different forms will be inevitable... What will these collaborations look like in our near and distant futures?",[],{"_key":6254,"_type":11,"children":6255,"markDefs":6259,"style":24},"0a31455eb909",[6256],{"_key":6257,"_type":15,"marks":6258,"text":588},"45caa159cc3e0",[],[],{"_key":6261,"_type":11,"children":6262,"markDefs":6267,"style":24},"def0fd4be411",[6263],{"_key":6264,"_type":15,"marks":6265,"text":6266},"94c144a3eb1c0",[],"The tools and approaches we use today may become obsolete for the futures that lie ahead of us, so how can we prepare for these unknowns? Assuming that collaboration with different forms, such as blended intelligence-like human-AI collaboration-multi-species exchange-like with mushrooms or ants-will become more and more relevant to our functioning and survival, in this workshop we will explore ‘the future of collaboration’ through a multitude of forms and perspectives. What will it feel like collaborating with the more-or-other-than human; with plants, food, objects, technologies, animals? What are the necessary tools, approaches and incentives required in order to create a desirable future collaboration?\n",[],{"_key":6269,"_type":11,"children":6270,"markDefs":6275,"style":24},"522720da2264",[6271],{"_key":6272,"_type":15,"marks":6273,"text":6274},"1030f40f9673",[],"CERN, where the Large Hadron Collider and World Wide Web was born, has a long and established history of anticipating and creating non-incremental ideas and technologies. In this workshop you will explore a collaborative framework for innovation that addresses and centers the unknown. For this series of workshops they are collaborating with School of Commons to explore 'the future of collaboration' through a series of bold and daring 'unknowns'.",[],{"_key":6277,"_type":11,"children":6278,"markDefs":6282,"style":24},"d44cd62f89bf",[6279],{"_key":6280,"_type":15,"marks":6281,"text":588},"8da596b948de",[],[],{"_key":6284,"_type":11,"children":6285,"markDefs":6290,"style":24},"ebafe8527fff",[6286],{"_key":6287,"_type":15,"marks":6288,"text":6289},"61602b052102",[],"The findings from this project will be presented in poster format and exhibited simultaneously during the SoC Assembly at ZHdK and at CERN.",[],{"_type":706,"images":6292,"settings":6321},[6293,6300,6307,6311,6315],{"_type":709,"alt":75,"asset":6294},{"_id":6295,"height":6296,"orientation":374,"ratio":6297,"url":6298,"width":6299},"image-a445a5fb0867482775b0317dc052b3495be615bb-982x1396-png",1396,0.7034383954154728,"https://cdn.sanity.io/images/eodip22e/production/a445a5fb0867482775b0317dc052b3495be615bb-982x1396.png",982,{"_type":709,"alt":75,"asset":6301},{"_id":6302,"height":6303,"orientation":374,"ratio":6304,"url":6305,"width":6306},"image-829b08c853514998a66d594848714ea2c0b80f9b-988x1392-png",1392,0.7097701149425287,"https://cdn.sanity.io/images/eodip22e/production/829b08c853514998a66d594848714ea2c0b80f9b-988x1392.png",988,{"_type":709,"alt":75,"asset":6308},{"_id":6309,"height":6296,"orientation":374,"ratio":6297,"url":6310,"width":6299},"image-01e658d469a3715724e197dd75f3610388718544-982x1396-png","https://cdn.sanity.io/images/eodip22e/production/01e658d469a3715724e197dd75f3610388718544-982x1396.png",{"_type":709,"alt":75,"asset":6312},{"_id":6313,"height":6296,"orientation":374,"ratio":6297,"url":6314,"width":6299},"image-d021b4d71c131031b1c5070b02fa2400e43d45b1-982x1396-png","https://cdn.sanity.io/images/eodip22e/production/d021b4d71c131031b1c5070b02fa2400e43d45b1-982x1396.png",{"_type":709,"alt":75,"asset":6316},{"_id":6317,"height":6296,"orientation":374,"ratio":6318,"url":6319,"width":6320},"image-3d4a0c4e25397b8b4599faff731299b59db2f8cb-980x1396-png",0.7020057306590258,"https://cdn.sanity.io/images/eodip22e/production/3d4a0c4e25397b8b4599faff731299b59db2f8cb-980x1396.png",980,{"gridSize":6322},"2",{"_type":77,"current":279},{"_id":215,"_type":215,"introduction":6325,"seo":75,"slug":6334,"title":218},[6326],{"_key":6327,"_type":11,"children":6328,"markDefs":6333,"style":24},"b473643f53fa",[6329],{"_key":6330,"_type":15,"marks":6331,"text":6332},"ec25e3ff511c0",[],"We are dedicated to fostering transdisciplinary collaborations with like-minded organizations both in Switzerland and around the Globe. Our goal is to expand our research through practical applications while nurturing new and ongoing dialogues within our community.",[],{"_type":77,"current":217},1792539511881]