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He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",[],{"_key":1114,"_type":11,"children":1115,"markDefs":1120,"style":24},"ca2f8294acd6",[1116],{"_key":1117,"_type":15,"marks":1118,"text":1119},"92d1e9cdacb30",[],"Juan Sandoval realises contemporary art projects, produces objects and images, creates devices for collaboration and collective learning, and publications. He approaches the process of creation through the overlapping of personal experiences, the application of craft production techniques and the observation of social processes. In his research, Sandoval has developed projects in collaboration with cultural associations dealing with issues of immigration, economy and local culture.",[],{"_key":1122,"_type":11,"children":1123,"markDefs":1128,"style":24},"fbb3e1edc947",[1124],{"_key":1125,"_type":15,"marks":1126,"text":1127},"4bac8ee74b460",[],"He obtained a degree in visual arts at the National University of Colombia, Medellín. He has participated in residencies for artists at Cittadellarte- Fondazione Pistoletto in Biella, Italy; Villa Arson in Nice, France; O.K. Centrum in Linz, Austria and Four Corners in London, UK. In 2018 he received the NCTM award for art in Milan, Italy.",[],"As an Artist, he has exhibited internationally since 1994.He is co-founder of the collective El puente_lab in Medellín, Colombia, a free lance artist and teacher.",{"alt":1131,"asset":1132},"Juan Sandoval",{"_id":1133,"height":1134,"orientation":512,"ratio":1135,"url":1136,"width":1137},"image-a4220545da85fd255da3049f95b254c260e457ff-1250x946-jpg",946,1.3213530655391121,"https://cdn.sanity.io/images/eodip22e/production/a4220545da85fd255da3049f95b254c260e457ff-1250x946.jpg",1250,{"filterYear":1139},[1140],{"_id":168,"title":171},[1142],{"_type":368,"label":369,"url":1143},"https://www.tropicalworld.net/",{"locations":1145,"other":1148},[1146],{"_id":380,"_type":381,"seo":75,"slug":1147,"title":384},{"_type":77,"current":383},[1149],{"_key":1150,"_type":11,"children":1151,"markDefs":1156,"style":24},"9907d7df3444",[1152],{"_key":1153,"_type":15,"marks":1154,"text":1155},"75c06bc19ef30",[],"Based in Bologna",[],[1158,171],"juan sandoval",{"_type":77,"current":1160},"Juan-Sandoval",{"_id":1162,"_type":340,"activeYears":1163,"bio":1166,"bioShort":75,"featuredImage":1175,"filterables":1183,"links":1186,"locations":1189,"searchables":1204,"seo":75,"slug":1206,"title":1176},"9d951859-385c-4e60-89e8-d6dcc1fb9eb0",[1164],{"_id":168,"_type":169,"seo":75,"slug":1165,"title":171},{"_type":77,"current":171},[1167],{"_key":1168,"_type":11,"children":1169,"markDefs":1174,"style":24},"a498e4a60bb0",[1170],{"_key":1171,"_type":15,"marks":1172,"text":1173},"3a5fb5703f610",[],"El puente_lab is a collective shaped by Juan Esteban Sandoval and Alejandro Vásquez Salinas, It is a platform for artistic and cultural production, active in Medellín - Colombia, which aims to develop cultural projects on a local level, building bridges of communication with artists and experts through a strategy of international cooperation.The projects developed by el puente_lab meet the specific needs of the social context where they are carried out, using artistic creativity as a tool of activation of cultural projects that initiate, facilitate and / or accompany processes of education, communication and urban and social transformation.",[],{"alt":1176,"asset":1177},"El puente_lab",{"_id":1178,"height":1179,"orientation":512,"ratio":1180,"url":1181,"width":1182},"image-48056d6d34bdbcb38bf1b57f6f651459647dcc05-1200x900-jpg",900,1.3333333333333333,"https://cdn.sanity.io/images/eodip22e/production/48056d6d34bdbcb38bf1b57f6f651459647dcc05-1200x900.jpg",1200,{"filterYear":1184},[1185],{"_id":168,"title":171},[1187],{"_type":368,"label":1188,"url":1188},"https://www.elpuentelab.org/",{"locations":1190,"other":1195},[1191,1193],{"_id":1019,"_type":381,"seo":75,"slug":1192,"title":1022},{"_type":77,"current":1021},{"_id":380,"_type":381,"seo":75,"slug":1194,"title":384},{"_type":77,"current":383},[1196],{"_key":1197,"_type":11,"children":1198,"markDefs":1203,"style":24},"f61627920d71",[1199],{"_key":1200,"_type":15,"marks":1201,"text":1202},"9abe7f00f8ef",[],"Medellín, Colombia",[],[1205,171],"el puente_lab",{"_type":77,"current":1207},"el-puente_lab",{"alt":1209,"asset":1210},"(d)estructura",{"_id":1211,"height":1212,"orientation":512,"ratio":1213,"url":1214,"width":1215},"image-7a7c712062fa89c3b4eacfcca120217ac0c96150-4272x2848-jpg",2848,1.5,"https://cdn.sanity.io/images/eodip22e/production/7a7c712062fa89c3b4eacfcca120217ac0c96150-4272x2848.jpg",4272,{"filterCategory":1217,"filterLocation":1223,"filterYear":1226},[1218,1219,1220,1221,1222],{"_id":952,"title":957},{"_id":316,"title":321},{"_id":962,"title":967},{"_id":969,"title":974},{"_id":309,"title":314},[1224,1225],{"_id":1019,"title":1022},{"_id":380,"title":384},[1227],{"_id":168,"title":171},[],{"locations":1230,"other":1235},[1231,1233],{"_id":1019,"_type":381,"seo":75,"slug":1232,"title":1022},{"_type":77,"current":1021},{"_id":380,"_type":381,"seo":75,"slug":1234,"title":384},{"_type":77,"current":383},[1236],{"_key":1237,"_type":11,"children":1238,"markDefs":1243,"style":24},"6deecd80a524",[1239],{"_key":1240,"_type":15,"marks":1241,"text":1242},"04590a5e4667",[],"Cali, Medellín, Colombia\nCuba\nBuenos Aires, Argentina \nSantiago de Chile\nBiella, Italy",[],[1245,1248],{"_type":1246,"caption":75,"embedCode":1247},"embedBlock","\u003Ciframe title=\"vimeo-player\" src=\"https://player.vimeo.com/video/828877276?h=337db4a570\" width=\"640\" height=\"360\" frameborder=\"0\"    allowfullscreen>\u003C/iframe>",{"_type":574,"settings":1249,"text":1250},{"textColumnCount":637},[1251,1259,1266,1274,1281,1289,1296],{"_key":1252,"_type":11,"children":1253,"markDefs":1258,"style":24},"66c09b922809",[1254],{"_key":1255,"_type":15,"marks":1256,"text":1257},"ab351f6e0d30",[],"(d)estructura is a project focused on collaborative, participatory, and process-oriented creation that invites groups to engage in dialogue about fundamental values of life through playfulness. Situated at the intersection of art, play, and social research, the project embodies the principles of Social Cartography as a game that encourages horizontal forms of social interaction on a micro scale. The aim of (d)estructura is to deconstruct Abraham Maslow's pyramidal theory of human needs developed in 1943 and to reconstruct new collective structures that reflect the voices of the individuals involved, grounded in their personal experiences. This game is played in various contexts, showcasing how human needs evolve based on geographical, social, political, and economic factors, as well as different life stages. ",[],{"_key":1260,"_type":11,"children":1261,"markDefs":1265,"style":24},"0d13166853c3",[1262],{"_key":1263,"_type":15,"marks":1264,"text":1000},"b4e2a0ab9097",[],[],{"_key":1267,"_type":11,"children":1268,"markDefs":1273,"style":24},"f22f1e86fe99",[1269],{"_key":1270,"_type":15,"marks":1271,"text":1272},"4d82962ed9ad",[],"The game involves collectively building a structure using colored pieces, each assigned a value linked to the goals and objectives that represent, at an imaginary level, an optimal state of life. Engaging in (d)estructura reveals how individual decisions impact the collective, and conversely, how collective dynamics affect individual choices; the structure can grow or shrink, pieces may change, and tension builds over time. Participants must negotiate collectively about what to include or remove; chance plays a role, but ultimately, the group decides. Since its creation in 2016, (d)estructura has served as an insightful tool for observing and mapping the evolution of changing territories. Its mission is to create new cultural and social cartographies that reflect the diverse array of actors at play. ",[],{"_key":1275,"_type":11,"children":1276,"markDefs":1280,"style":24},"de89fe3210c4",[1277],{"_key":1278,"_type":15,"marks":1279,"text":1000},"be77d02eaa2a",[],[],{"_key":1282,"_type":11,"children":1283,"markDefs":1288,"style":24},"38ea33a59266",[1284],{"_key":1285,"_type":15,"marks":1286,"text":1287},"65c0dd04efe7",[],"Over the years, the game has been applied in various contexts, leading to the emergence of new organizational structures grounded in shared values and visions for possible futures. The versatility of (d)estructura allows it to adapt to different environments, ranging from intimate gatherings in private homes, where it exists as a thoughtful board game, to expansive public spaces, where it can manifest as communal sculptures that invite interaction and engagement. This scalability makes it possible to apply methodologies inspired by Do-It-With-Others (DIWO), extending the game’s reach to other communities and contexts. ",[],{"_key":1290,"_type":11,"children":1291,"markDefs":1295,"style":24},"31fcb3e9272a",[1292],{"_key":1293,"_type":15,"marks":1294,"text":1000},"3bc2bcf78906",[],[],{"_key":1297,"_type":11,"children":1298,"markDefs":1303,"style":24},"d32db101381a",[1299],{"_key":1300,"_type":15,"marks":1301,"text":1302},"7f1837af3402",[],"Currently, we are contemplating the expansion of participation through the creation of cooperative platforms. These platforms will serve as dynamic spaces for exploration, using the game as a springboard to develop the necessary narratives for a world in flux.",[],[1305,1316,1326,1336],{"_type":1306,"question":1307},"researchQuestion",[1308],{"_key":1309,"_type":11,"children":1310,"markDefs":1315,"style":24},"eaecd7d79085",[1311],{"_key":1312,"_type":15,"marks":1313,"text":1314},"9a7b49477c1e0",[],"In what ways to expand the possibilities of participation, collaboration, cooperation and co-creation of the current state of the (d)estructura game?",[],{"_type":1306,"question":1317},[1318],{"_key":1319,"_type":11,"children":1320,"markDefs":1325,"style":24},"0b3ee96595a0",[1321],{"_key":1322,"_type":15,"marks":1323,"text":1324},"b59e41ce5e87",[],"How to collect the information that emerges during games and how to create sensitive analysis and visualization to understand that information?",[],{"_type":1306,"question":1327},[1328],{"_key":1329,"_type":11,"children":1330,"markDefs":1335,"style":24},"fb84e8f36cba",[1331],{"_key":1332,"_type":15,"marks":1333,"text":1334},"3419085261de",[],"How might the creation of virtual and physical platforms enhance the exploration and narratives for (d)estructura?",[],{"_type":1306,"question":1337},[1338],{"_key":1339,"_type":11,"children":1340,"markDefs":1345,"style":24},"3c1a3e68dc50",[1341],{"_key":1342,"_type":15,"marks":1343,"text":1344},"4db6e829c990",[],"What potential challenges could arise when attempting to expand the range of participation in the project?",[],[1209,171,1347,1348,1349,1350,1351,383,1352,1033,1096,1158,1205,1353,956,320,1354,974,620],"in what ways to expand the possibilities of participation, collaboration, cooperation and co-creation of the current state of the (d)estructura game?","how to collect the information that emerges during games and how to create sensitive analysis and visualization to understand that information?","how might the creation of virtual and physical platforms enhance the exploration and narratives for (d)estructura?","what potential challenges could arise when attempting to expand the range of participation in the project?","south america","cali, medellín, colombia\ncuba\nbuenos aires, argentina \nsantiago de chile\nbiella, italy","(d)estructura is a project focused on collaborative, participatory, and process-oriented creation that invites groups to engage in dialogue about fundamental values of life through playfulness. situated at the intersection of art, play, and social research, the project embodies the principles of social cartography as a game that encourages horizontal forms of social interaction on a micro scale. the aim of (d)estructura is to deconstruct abraham maslow's pyramidal theory of human needs developed in 1943 and to reconstruct new collective structures that reflect the voices of the individuals involved, grounded in their personal experiences. this game is played in various contexts, showcasing how human needs evolve based on geographical, social, political, and economic factors, as well as different life stages. \n\n\n\nthe game involves collectively building a structure using colored pieces, each assigned a value linked to the goals and objectives that represent, at an imaginary level, an optimal state of life. engaging in (d)estructura reveals how individual decisions impact the collective, and conversely, how collective dynamics affect individual choices; the structure can grow or shrink, pieces may change, and tension builds over time. participants must negotiate collectively about what to include or remove; chance plays a role, but ultimately, the group decides. since its creation in 2016, (d)estructura has served as an insightful tool for observing and mapping the evolution of changing territories. its mission is to create new cultural and social cartographies that reflect the diverse array of actors at play. \n\n\n\nover the years, the game has been applied in various contexts, leading to the emergence of new organizational structures grounded in shared values and visions for possible futures. the versatility of (d)estructura allows it to adapt to different environments, ranging from intimate gatherings in private homes, where it exists as a thoughtful board game, to expansive public spaces, where it can manifest as communal sculptures that invite interaction and engagement. this scalability makes it possible to apply methodologies inspired by do-it-with-others (diwo), extending the game’s reach to other communities and contexts. \n\n\n\ncurrently, we are contemplating the expansion of participation through the creation of cooperative platforms. these platforms will serve as dynamic spaces for exploration, using the game as a springboard to develop the necessary narratives for a world in flux.","open up",{"_type":77,"current":1356},"d-estructura",{"_id":1358,"_type":291,"categories":1359,"credits":1405,"featuredImage":1543,"filterables":1550,"footnotes":1563,"locations":1564,"logbook":1568,"pageBuilder":1585,"researchQuestion":75,"researchQuestions":1681,"searchables":1722,"seo":75,"slug":1732,"title":1733,"year":171},"fd3517c9-8eac-43c7-9720-53d7f384da60",[1360,1367,1374,1381,1388,1391,1398],{"_id":1361,"_type":295,"colorPrimary":1362,"seo":75,"slug":1364,"title":1366},"9a2b1ec0-5d3f-4a78-9344-ec3cfbee4748",{"label":284,"value":1363},"#407fff",{"_type":77,"current":1365},"holodomor","Holodomor",{"_id":1368,"_type":295,"colorPrimary":1369,"seo":75,"slug":1371,"title":1373},"02c9420d-b9bc-4bc8-bfdb-1e6c47ef29ea",{"label":284,"value":1370},"#ff7f40",{"_type":77,"current":1372},"collective-memory","Collective Memory",{"_id":1375,"_type":295,"colorPrimary":1376,"seo":75,"slug":1378,"title":1380},"1b650668-ff96-40b9-b911-879ed6138bc5",{"label":284,"value":1377},"#5050ff",{"_type":77,"current":1379},"artistic-research","Artistic Research",{"_id":1382,"_type":295,"colorPrimary":1383,"seo":75,"slug":1385,"title":1387},"78c6251a-7cad-4d1c-ac89-63e16d6b749b",{"label":284,"value":1384},"#fff078",{"_type":77,"current":1386},"coping","Coping",{"_id":323,"_type":295,"colorPrimary":1389,"seo":75,"slug":1390,"title":328},{"label":284,"value":325},{"_type":77,"current":327},{"_id":1392,"_type":295,"colorPrimary":1393,"seo":75,"slug":1395,"title":1397},"96c026fe-3280-4596-b6ec-e15f898d38e5",{"label":284,"value":1394},"#4100ff",{"_type":77,"current":1396},"storytelling","Storytelling",{"_id":1399,"_type":295,"colorPrimary":1400,"seo":75,"slug":1402,"title":1404},"b73079d2-13eb-4528-821a-9aec9bc9c5b2",{"label":284,"value":1401},"#b400b4",{"_type":77,"current":1403},"somatic-practice","Somatic Practice",{"other":75,"profiles":1406},[1407,1453,1500],{"_id":1408,"_type":340,"activeYears":1409,"bio":1412,"bioShort":1421,"featuredImage":1422,"filterables":1427,"links":1430,"locations":1435,"searchables":1448,"seo":75,"slug":1450,"title":1452},"3ac5cc55-3d4f-405b-a87e-65f2c22c3796",[1410],{"_id":168,"_type":169,"seo":75,"slug":1411,"title":171},{"_type":77,"current":171},[1413],{"_key":1414,"_type":11,"children":1415,"markDefs":1420,"style":24},"8c138affb434",[1416],{"_key":1417,"_type":15,"marks":1418,"text":1419},"663857a919770",[],"Oleksandra is a multimedia artist born in Kyiv, Ukraine, and currently residing in Zürich, Switzerland, following the onset of the full-scale invasion. Her academic journey includes studying Graphic Design at the Kyiv Academy of Media Arts in 2020, followed by enrollment at the School of Visual Communication in 2021. She earned her Bachelor’s degree in Fine Arts at Zürich University of the Arts in 2025 and is currently pursuing a Master's degree in Design: Trends & Identity.",[],"Oleksandra is a multimedia artist of Ukrainian origins working with the topics of feminism, queerness and politics from the perspective of a displaced individual. Currently based in Zürich, Switzerland.",{"alt":75,"asset":1423},{"_id":1424,"height":1425,"orientation":1072,"ratio":1073,"url":1426,"width":1425},"image-2bbfcb786e20e01d89aff9b14e7603e874a6d5b4-1280x1280-png",1280,"https://cdn.sanity.io/images/eodip22e/production/2bbfcb786e20e01d89aff9b14e7603e874a6d5b4-1280x1280.png",{"filterYear":1428},[1429],{"_id":168,"title":171},[1431,1433],{"_type":368,"label":369,"url":1432},"https://oleksandratsapko.com/",{"_type":368,"label":372,"url":1434},"https://www.instagram.com/prostoalexandraa/",{"locations":1436,"other":1439},[1437],{"_id":380,"_type":381,"seo":75,"slug":1438,"title":384},{"_type":77,"current":383},[1440],{"_key":1441,"_type":11,"children":1442,"markDefs":1447,"style":24},"8dad9db78ade",[1443],{"_key":1444,"_type":15,"marks":1445,"text":1446},"b5e41d2ec161",[],"Born in Kyiv, Ukraine.",[],[1449,171],"oleksandra tsapko",{"_type":77,"current":1451},"oleksandra-tsapko","Oleksandra Tsapko",{"_id":1454,"_type":340,"activeYears":1455,"bio":1458,"bioShort":1467,"featuredImage":1468,"filterables":1474,"links":1477,"locations":1481,"searchables":1494,"seo":1496,"slug":1498,"title":1497},"f925b9fe-8ee4-46f2-9d98-f3a9cf853279",[1456],{"_id":168,"_type":169,"seo":75,"slug":1457,"title":171},{"_type":77,"current":171},[1459],{"_key":1460,"_type":11,"children":1461,"markDefs":1466,"style":24},"5dabfbb16727",[1462],{"_key":1463,"_type":15,"marks":1464,"text":1465},"b692c7ec9c4f0",[],"Alisa is a visual artist and designer whose work combines practice and research across multiple media. With a background in visual art, printmaking, and graphic design, she explores themes of memory, home, and forced migration in her artistic practice. Her current research inquiry focuses on modern digital cultures, often resulting in projects that merge creative expression with critical investigation. As a designer, she specialises in book design and production, treating books as both vessels of information and artistic artifacts.",[],"Alisa is a visual artist and designer whose work combines practice and research across multiple media.",{"alt":75,"asset":1469},{"_id":1470,"height":1425,"orientation":359,"ratio":1471,"url":1472,"width":1473},"image-a06560e39b667822bb7236cd16cc61e4dea99d20-853x1280-jpg",0.66640625,"https://cdn.sanity.io/images/eodip22e/production/a06560e39b667822bb7236cd16cc61e4dea99d20-853x1280.jpg",853,{"filterYear":1475},[1476],{"_id":168,"title":171},[1478],{"_type":368,"label":1479,"url":1480},"380 Collective","https://www.instagram.com/380artgroup/",{"locations":1482,"other":1485},[1483],{"_id":380,"_type":381,"seo":75,"slug":1484,"title":384},{"_type":77,"current":383},[1486],{"_key":1487,"_type":11,"children":1488,"markDefs":1493,"style":24},"ee36d8729d14",[1489],{"_key":1490,"_type":15,"marks":1491,"text":1492},"5339bc4ae063",[],"Born in Kharkiv, Ukraine",[],[1495,171],"alisa probylova",{"metaDescription":1497,"metaTitle":1497,"shareImage":75},"Alisa Probylova",{"_type":77,"current":1499},"alisaprobylova",{"_id":1501,"_type":340,"activeYears":1502,"bio":1505,"bioShort":1514,"featuredImage":1515,"filterables":1519,"links":1522,"locations":1525,"searchables":1538,"seo":75,"slug":1540,"title":1542},"1beb1ce7-ff92-44fe-8353-9472f82f1907",[1503],{"_id":168,"_type":169,"seo":75,"slug":1504,"title":171},{"_type":77,"current":171},[1506],{"_key":1507,"_type":11,"children":1508,"markDefs":1513,"style":24},"ae1624abadeb",[1509],{"_key":1510,"_type":15,"marks":1511,"text":1512},"3ef5f3e8d68e0",[],"Kateryna is a Ukrainian cultural worker and activist based in Zurich. Her work focuses on organising, curating, and assisting events that encompass performance, music, film, theatre and fine arts. She has a background in contributing to the cultural development of her hometown, Khmelnytskyi, where she was a part of the self-organised non-commercial collective Bodrayakorova (2015-17). After graduating with a Culture and Media Management degree in Cracow, Poland, she has worked in contemporary art galleries and assisted at various art and music festivals. In Berlin, she gained curatorial experience at a feminist gallery and assisted curators of Berlin Atonal: Metabolic Rift 2021. Since 2022, Kateryna has been an active member of Zurich's cultural scene, organising solidarity events (380 collective, Anti-Imperial Resistance Grid, Gornyatko community kitchen), and working at cultural institutions such as Zentralwäscherei, Gessnerallee, and Migros Museum für Gegenwartskunst. Her artistic practice emphasises creating safer spaces for marginalised communities and exploring topics such as decoloniality, trauma, sexuality, and queerness. Since 2024 she has dived into the music field, becoming a Furka Radio and Zentralwäscherei Dj resident.",[],"Kateryna is a Ukrainian cultural worker and activist based in Zurich. Her work focuses on organising, curating, and assisting events that encompass performance, music, film, theatre and fine arts. 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How to work with the archive of trauma?",[],[1723,171,1724,1725,1726,1727,1728,383,1449,1495,1539,1365,1729,1730,1386,327,1396,1731],"archiiive","how do memory preservation practices and mourning rituals function as forms of care in post-colonial and post-conflict societies?","in what ways do traditional mourning practices preserve cultural identity and promote collective resilience?","how can creative methods revitalize marginalized histories for future generations?","body as an archive? how to work with the archive of trauma?","11.04.2025 - beginning of research.\n11.05.2025 - second meeting: developing the idea. defining methodology. reading related literature.\n16.06.2025 - preparations for the workshop.\n31.06.2025 - individual meeting: kateryna & oleksandra.\n02.07.2025 - final workshop preparations.\n05.07.2025 - workshop debut. \n15.07.2025 - workshop analysis and planning of next steps. \n\n28.09.2025 - the continuation of the research will lead to a second phase of the workshop, which will be presented as part of the ukrainian solidarity festival \"dach.\"","collective memory","artistic research","somatic practice",{"_type":77,"current":1723},"ARCHIIIVE",{"_id":1735,"_type":291,"categories":1736,"credits":1768,"featuredImage":2112,"filterables":2119,"footnotes":2130,"locations":2131,"logbook":75,"pageBuilder":2143,"researchQuestion":75,"researchQuestions":2193,"searchables":2214,"seo":75,"slug":2224,"title":1856,"year":171},"3c0489a4-ee84-47eb-a956-f552c10931f9",[1737,1740,1747,1754,1761],{"_id":294,"_type":295,"colorPrimary":1738,"seo":75,"slug":1739,"title":300},{"label":284,"value":297},{"_type":77,"current":299},{"_id":1741,"_type":295,"colorPrimary":1742,"seo":75,"slug":1744,"title":1746},"97fe4b0c-e89b-4f9e-a503-b6b176c3ede0",{"label":284,"value":1743},"#00ffa5",{"_type":77,"current":1745},"commons-based-methods-and-practices","Commons-based methods and practices",{"_id":1748,"_type":295,"colorPrimary":1749,"seo":75,"slug":1751,"title":1753},"1442cfb6-76fe-4ed5-a398-220a5406e3f1",{"label":284,"value":1750},"#8c8c00",{"_type":77,"current":1752},"dialogic-decolonial-pedagogic-practice","Dialogic Decolonial Pedagogic Practice",{"_id":1755,"_type":295,"colorPrimary":1756,"seo":75,"slug":1758,"title":1760},"aed32dc3-d00b-4581-ba62-b40a9fe8b415",{"label":284,"value":1757},"#7878ff",{"_type":77,"current":1759},"field-work","Field Work",{"_id":1762,"_type":295,"colorPrimary":1763,"seo":75,"slug":1765,"title":1767},"88f51667-8015-491a-a85c-9ccb4549ceaa",{"label":284,"value":1764},"#dcffdc",{"_type":77,"current":1766},"constellations-toward-radical-ecologies-of-care","Constellations toward radical ecologies of care",{"other":75,"profiles":1769},[1770,1889,1933,1985,2028,2070],{"_id":1771,"_type":340,"activeYears":1772,"bio":1775,"bioShort":1854,"featuredImage":1855,"filterables":1863,"links":1866,"locations":1869,"searchables":1885,"seo":75,"slug":1887,"title":1856},"1d1be74f-f5a5-4006-a7f0-9d6c8cd384a4",[1773],{"_id":168,"_type":169,"seo":75,"slug":1774,"title":171},{"_type":77,"current":171},[1776,1784,1791,1799,1806,1814,1822,1830,1838,1846],{"_key":1777,"_type":11,"children":1778,"markDefs":1783,"style":24},"4b2af6dca895",[1779],{"_key":1780,"_type":15,"marks":1781,"text":1782},"6e34563032270",[],"A collective and multidisciplinary learning environment devoted to artistic research on ecology, agriculture, and food. Emerging after three years of independent research and publishing through the publication series BROUDOU, Broudou School explores the future of food from a decolonial, ecological, queer, and feminist perspective. Working alongside researchers, farmers, and artists, the collective will organize and host workshops, field trips, as well as experimental residencies and food experiences in collaboration with the artist residency and project space Mouhit in Tunis.",[],{"_key":1785,"_type":11,"children":1786,"markDefs":1790,"style":24},"50f7fc5d1c17",[1787],{"_key":1788,"_type":15,"marks":1789,"text":1000},"919925757e470",[],[],{"_key":1792,"_type":11,"children":1793,"markDefs":1798,"style":24},"43f5dee19fe8",[1794],{"_key":1795,"_type":15,"marks":1796,"text":1797},"514215cf879a0",[],"The learning platform will act as a meeting point bridging theory, creative practice, and embodied learning, where members can share their research and learn from people around the world facing similar challenges in the pursuit of social justice and food sovereignty.",[],{"_key":1800,"_type":11,"children":1801,"markDefs":1805,"style":24},"1813d0111610",[1802],{"_key":1803,"_type":15,"marks":1804,"text":1000},"fdad8472bede",[],[],{"_key":1807,"_type":11,"children":1808,"markDefs":1813,"style":24},"41992046e699",[1809],{"_key":1810,"_type":15,"marks":1811,"text":1812},"cde96d34c68d0",[17],"Broudou School Collective Members: ",[],{"_key":1815,"_type":11,"children":1816,"markDefs":1821,"style":24},"dca13437cb61",[1817],{"_key":1818,"_type":15,"marks":1819,"text":1820},"5424828cb3960",[17],"Sara Bouzgarrou",[],{"_key":1823,"_type":11,"children":1824,"markDefs":1829,"style":24},"e120f078213e",[1825],{"_key":1826,"_type":15,"marks":1827,"text":1828},"7d376b0ee4190",[17],"Cyrine Ghrissi ",[],{"_key":1831,"_type":11,"children":1832,"markDefs":1837,"style":24},"3bcb21b75093",[1833],{"_key":1834,"_type":15,"marks":1835,"text":1836},"4faa28d1bd15",[17],"Aziza Gorgi ",[],{"_key":1839,"_type":11,"children":1840,"markDefs":1845,"style":24},"1cd57550d387",[1841],{"_key":1842,"_type":15,"marks":1843,"text":1844},"0f52071021a80",[17],"Mary Sarsam",[],{"_key":1847,"_type":11,"children":1848,"markDefs":1853,"style":24},"25ee599d2908",[1849],{"_key":1850,"_type":15,"marks":1851,"text":1852},"4c78a667d8e50",[17],"Emily Sarsam",[],"A collective and multidisciplinary learning environment devoted to artistic research on ecology, agriculture, and food. ",{"alt":1856,"asset":1857},"Broudou School",{"_id":1858,"height":1859,"orientation":512,"ratio":1860,"url":1861,"width":1862},"image-ebeb96a66589ef0cd8a10e2b851cf1ac4c36ebbf-360x336-png",336,1.0714285714285714,"https://cdn.sanity.io/images/eodip22e/production/ebeb96a66589ef0cd8a10e2b851cf1ac4c36ebbf-360x336.png",360,{"filterYear":1864},[1865],{"_id":168,"title":171},[1867],{"_type":368,"label":372,"url":1868},"https://www.instagram.com/broudou.school/",{"locations":1870,"other":1876},[1871],{"_id":1872,"_type":381,"seo":75,"slug":1873,"title":1875},"a36224a7-c4fb-46d1-9df9-4e83ecaad864",{"_type":77,"current":1874},"africa","Africa",[1877],{"_key":1878,"_type":11,"children":1879,"markDefs":1884,"style":24},"0b86377752d1",[1880],{"_key":1881,"_type":15,"marks":1882,"text":1883},"2df152922a06",[],"Tunis",[],[1886,171],"broudou school",{"_type":77,"current":1888},"broudou-school",{"_id":1890,"_type":340,"activeYears":1891,"bio":1894,"bioShort":1918,"featuredImage":75,"filterables":1919,"links":1922,"locations":1925,"searchables":1929,"seo":75,"slug":1931,"title":1820},"4c9d4df1-4228-454f-ae1c-8beac46cf5d3",[1892],{"_id":168,"_type":169,"seo":75,"slug":1893,"title":171},{"_type":77,"current":171},[1895,1903,1910],{"_key":1896,"_type":11,"children":1897,"markDefs":1902,"style":24},"0f1455c0c0c6",[1898],{"_key":1899,"_type":15,"marks":1900,"text":1901},"e3c3b6f7640a0",[],"Sara is a Tunisian publisher/printmaker, researcher and cultural consultant. She is interested in the intersection between print, food-studies and feminist issues through her interdisciplinary approach. She graduated from the Institute of Fine Arts in Tunis. Since 2023, she is part of Mouhit space's board.",[],{"_key":1904,"_type":11,"children":1905,"markDefs":1909,"style":24},"e4d1f4e74cda",[1906],{"_key":1907,"_type":15,"marks":1908,"text":1000},"690c5f4e8ab0",[],[],{"_key":1911,"_type":11,"children":1912,"markDefs":1917,"style":24},"fee4f01c0a2e",[1913],{"_key":1914,"_type":15,"marks":1915,"text":1916},"5a766dabab650",[],"Broudou School collective member",[],"Sara is a Tunisian publisher/printmaker, researcher and cultural consultant. ",{"filterYear":1920},[1921],{"_id":168,"title":171},[1923],{"_type":368,"label":372,"url":1924},"https://www.instagram.com/broudou.school",{"locations":1926,"other":75},[1927],{"_id":1872,"_type":381,"seo":75,"slug":1928,"title":1875},{"_type":77,"current":1874},[1930,171],"sara bouzgarrou",{"_type":77,"current":1932},"sara-bouzgarrou",{"_id":1934,"_type":340,"activeYears":1935,"bio":1938,"bioShort":1961,"featuredImage":75,"filterables":1962,"links":1965,"locations":1967,"searchables":1980,"seo":75,"slug":1982,"title":1984},"cffef8cb-7161-46ea-a07f-ed73c095c6d8",[1936],{"_id":168,"_type":169,"seo":75,"slug":1937,"title":171},{"_type":77,"current":171},[1939,1947,1954],{"_key":1940,"_type":11,"children":1941,"markDefs":1946,"style":24},"1b8c9af964b3",[1942],{"_key":1943,"_type":15,"marks":1944,"text":1945},"17e4936790c70",[],"Cyrine is an emerging art curator from Tunis, Tunisia. Her curatorial endeavors focus on integrating various multidisciplinary disciplines in collaboration with local communities to explore and address environmental challenges. 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",{"filterYear":2100},[2101],{"_id":168,"title":171},[2103],{"_type":368,"label":372,"url":1868},{"locations":2105,"other":75},[2106],{"_id":1872,"_type":381,"seo":75,"slug":2107,"title":1875},{"_type":77,"current":1874},[2109,171],"emily sarsam",{"_type":77,"current":2111},"emily-sarsam",{"alt":75,"asset":2113},{"_id":2114,"height":2115,"orientation":512,"ratio":2116,"url":2117,"width":2118},"image-deaddc269f4c4571094473bfbb3df50d41f9d2ad-1126x542-png",542,2.077490774907749,"https://cdn.sanity.io/images/eodip22e/production/deaddc269f4c4571094473bfbb3df50d41f9d2ad-1126x542.png",1126,{"filterCategory":2120,"filterLocation":2126,"filterYear":2128},[2121,2122,2123,2124,2125],{"_id":294,"title":300},{"_id":1741,"title":1746},{"_id":1748,"title":1753},{"_id":1755,"title":1760},{"_id":1762,"title":1767},[2127],{"_id":1872,"title":1875},[2129],{"_id":168,"title":171},[],{"locations":2132,"other":2135},[2133],{"_id":1872,"_type":381,"seo":75,"slug":2134,"title":1875},{"_type":77,"current":1874},[2136],{"_key":2137,"_type":11,"children":2138,"markDefs":2142,"style":24},"bee4e922c006",[2139],{"_key":2140,"_type":15,"marks":2141,"text":1883},"db6d497629cf0",[],[],[2144,2155,2166],{"_type":626,"caption":2145,"image":2153},[2146],{"_key":2147,"_type":11,"children":2148,"markDefs":2152,"style":24},"5c8d49178ece",[2149],{"_key":2150,"_type":15,"marks":2151,"text":1856},"5e574495b2690",[],[],{"alt":1856,"asset":2154},{"_id":2114,"height":2115,"orientation":512,"ratio":2116,"url":2117,"width":2118},{"_type":574,"settings":2156,"text":2157},{"textColumnCount":637},[2158],{"_key":2159,"_type":11,"children":2160,"markDefs":2165,"style":24},"b9d52759acc0",[2161],{"_key":2162,"_type":15,"marks":2163,"text":2164},"e9e1396e3daa0",[],"We wish to create a \"mobile food commons\" as part of SoC’s learning environment, a traveling pop-up space, online and offline gatherings that move between different communities to engage in workshops on harvesting, gardening, food preservation, and collective meals. This \"food lab\" could be a space where participants experiment with alternative food ways, share knowledge, co-create resources for commoning, and exchange about ecological systemic injustices. The mobile commons would allow for trans-local exchange, bringing together diverse voices and experiences while physically embodying the principles of \"Radical Sharing\", reciprocating local communities’ radical hospitality, and \"Commons-based methods\". This playful & experimental space could act as a living lab for reactivating ancestral knowledge & a bond with mother nature, and reimagining food systems as part of the broader effort to address climate change and ecological justice.",[],{"_type":574,"settings":2167,"text":2168},{"textColumnCount":637},[2169,2177,2185],{"_key":2170,"_type":11,"children":2171,"markDefs":2176,"style":24},"0a32275671e2",[2172],{"_key":2173,"_type":15,"marks":2174,"text":2175},"947aae593cf10",[],"Exploring \"Deep Hanging Out\" and \"Dialogic Decolonial Pedagogic Practice\" to build immersive, dialogic environments that link storytelling, sensory activities, and collective rituals like gardening and cooking. These practices will examine how food connects histories, bodies, and environments.",[],{"_key":2178,"_type":11,"children":2179,"markDefs":2184,"style":24},"bdc9f7723682",[2180],{"_key":2181,"_type":15,"marks":2182,"text":2183},"f0c52e58f5300",[],"A key component will be \"Field Work\", reframed as an artistic and communal act, involving visits to farms, markets, or gardens to co-create knowledge with communities addressing postcolonial and ecological challenges. Reflective practices using \"Constellations Toward Radical Ecologies of Care\" will deepen engagement with resilience, autonomy, and environmental justice themes.",[],{"_key":2186,"_type":11,"children":2187,"markDefs":2192,"style":24},"22733a9d34c9",[2188],{"_key":2189,"_type":15,"marks":2190,"text":2191},"133a34fb31c90",[],"Through this, we hope to nurture a pedagogy that bridges ecological awareness and creative collaboration, fostering old and new forms of care and resistance.",[],[2194,2204],{"_type":1306,"question":2195},[2196],{"_key":2197,"_type":11,"children":2198,"markDefs":2203,"style":24},"58667ed19596",[2199],{"_key":2200,"_type":15,"marks":2201,"text":2202},"46237107e4c20",[],"How can food sovereignty be redefined through community-driven practices that challenge colonial histories and neoliberal 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online and offline gatherings that move between different communities to engage in workshops on harvesting, gardening, food preservation, and collective meals. this \"food lab\" could be a space where participants experiment with alternative food ways, share knowledge, co-create resources for commoning, and exchange about ecological systemic injustices. the mobile commons would allow for trans-local exchange, bringing together diverse voices and experiences while physically embodying the principles of \"radical sharing\", reciprocating local communities’ radical hospitality, and \"commons-based methods\". this playful & experimental space could act as a living lab for reactivating ancestral knowledge & a bond with mother nature, and reimagining food systems as part of the broader effort to address climate change and ecological justice.","exploring \"deep hanging out\" and \"dialogic decolonial pedagogic practice\" to build immersive, dialogic environments that link storytelling, 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and performer based in Berlin, Germany. Their work integrates queer theory with ecology and community-building, driven by radical curiosity in regenerative ways of working. In their multidisciplinary body of work, they dissolve the barriers between creative play and critical analysis. Transmedial projects interweave artistic research, upcycling and costuming, storytelling, and somatic workshops, generating collectivist narratives on ‘queering’ as a process that extends far beyond gender. As an advocate for intersectional environmentalism, they focus on connecting dots between ecosystemic thought, social justice and decolonialism, gender diversity, and accessibility.",[],{"_key":2290,"_type":11,"children":2291,"markDefs":2296,"style":24},"8cc41d6d283f",[2292],{"_key":2293,"_type":15,"marks":2294,"text":2295},"445ee90f63bd",[],"Reaching towards allies, they speak and teach on topics of regenerative sustainability and gender inclusivity in fashion and the arts.",[],{"_key":2298,"_type":11,"children":2299,"markDefs":2348,"style":24},"df5f1768aa49",[2300,2304,2309,2313,2318,2322,2327,2331,2335,2339,2344],{"_key":2301,"_type":15,"marks":2302,"text":2303},"24c24733f4940",[],"As “Chimera,” a duo with collaborator ",{"_key":2305,"_type":15,"marks":2306,"text":2308},"24c24733f4941",[2307],"a01c204ca930","Madelyn Byrd",{"_key":2310,"_type":15,"marks":2311,"text":2312},"24c24733f4942",[],", they embark on projects that push the boundaries around what it means to be a citizen of Earth, merging artistic embodied experiments with science and fantasy. 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They collaborate with Madelyn Byrd as the creative duo Chimera.",{"alt":2361,"asset":2362},"Lou Croff Blake with tree on back, photo by Teres Bartůňková",{"_id":2363,"height":2364,"orientation":512,"ratio":2365,"url":2366,"width":2367},"image-4c848c21d6def5c2afc122faafd90a329fdbec81-592x400-png",400,1.48,"https://cdn.sanity.io/images/eodip22e/production/4c848c21d6def5c2afc122faafd90a329fdbec81-592x400.png",592,{"filterYear":2369},[2370],{"_id":168,"title":171},[2372,2374,2376],{"_type":368,"label":369,"url":2373},"https://loucroffblake.xyz/",{"_type":368,"label":372,"url":2375},"https://www.instagram.com/__b.r.i.c.k.s__/",{"_type":368,"label":2377,"url":2378},"Soundcloud","https://soundcloud.com/dj_bricks",{"locations":2380,"other":2388},[2381,2383],{"_id":380,"_type":381,"seo":75,"slug":2382,"title":384},{"_type":77,"current":383},{"_id":2384,"_type":381,"seo":75,"slug":2385,"title":2387},"fc89c38b-6baa-4c4f-bd86-3703e1cc6fa2",{"_type":77,"current":2386},"worldwide","Worldwide",[2389],{"_key":2390,"_type":11,"children":2391,"markDefs":2396,"style":24},"565f216a047a",[2392],{"_key":2393,"_type":15,"marks":2394,"text":2395},"11d35427524f",[],"Based in Berlin, DE.",[],[2398,171],"lou croff blake",{"_type":77,"current":2400},"lou-croff-blake","Lou Croff Blake",{"_id":2403,"_type":340,"activeYears":2404,"bio":2407,"bioShort":2515,"featuredImage":2516,"filterables":2523,"links":2526,"locations":2533,"searchables":2548,"seo":75,"slug":2550,"title":2308},"c8d4ea85-c69a-4ad1-aaf6-df9e7ba67b6e",[2405],{"_id":168,"_type":169,"seo":75,"slug":2406,"title":171},{"_type":77,"current":171},[2408,2416,2472,2479],{"_key":2409,"_type":11,"children":2410,"markDefs":2415,"style":24},"6bb78b834f41",[2411],{"_key":2412,"_type":15,"marks":2413,"text":2414},"7a4a86094d0b",[],"Madelyn (they/them, b. 1992, USA) is a musician, interdisciplinary artist, and educator investigating connection, home, biophilia, and the adjascent possible. Fostering a deeply collaborative spirit, Madelyn engages with socially engaged art, sound, somatics, and digital media to re-construct the perceptual realm and voice emergent patterns of interconnection. Their research-intensive approach to practice balances playful, unbound creativity with scholarship, positioning them at the fringes of DIY communities and academia.\n",[],{"_key":2417,"_type":11,"children":2418,"markDefs":2463,"style":24},"80552b241d17",[2419,2423,2428,2432,2437,2441,2446,2450,2455,2459],{"_key":2420,"_type":15,"marks":2421,"text":2422},"34361fae29d2",[],"Madelyn holds a Masters in Neuroaesthetics from Goldsmiths, University of London, where they researched the impact of collaborative imagination on measures of connection and hope in social praxis art. They teach ",{"_key":2424,"_type":15,"marks":2425,"text":2427},"c8e66557c6c0",[2426],"99e3a0bab4ca","sonic worldbuilding",{"_key":2429,"_type":15,"marks":2430,"text":2431},"848598b9dd49",[]," theory + music production courses, recently online with ",{"_key":2433,"_type":15,"marks":2434,"text":2436},"56a01a116826",[2435],"b24e0ec8a7ae","Soundial ",{"_key":2438,"_type":15,"marks":2439,"text":2440},"eab72966285a",[],"and in-person at Kwia in Berlin. They produce, perform, and DJ under the genre-defying music moniker, ",{"_key":2442,"_type":15,"marks":2443,"text":2445},"a2110b2e1cbd",[2444],"2ea4289588ac","Slowfoam",{"_key":2447,"_type":15,"marks":2448,"text":2449},"b617839b7d3e",[],", amalgamates material sources - electroacoustics, found drones, spoken word, field recording, and sound design - into speculative relics from the aqueous deep. Madelyn is the co-founder of ",{"_key":2451,"_type":15,"marks":2452,"text":2454},"98f0380e9dd6",[492,2453],"f18bb65ed548","Gravity Pleasure",{"_key":2456,"_type":15,"marks":2457,"text":2458},"5b208e548d47",[492],",",{"_key":2460,"_type":15,"marks":2461,"text":2462},"def9352f640e",[]," a record label and event series that highlights the intersection of hydrofeminism and queer ecology with music and workshops by women, trans, and non-binary artists. 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They collaborate with Lou Croff Blake as the creative duo Chimera.",{"alt":2517,"asset":2518},"Madelyn Byrd_SoC Profile",{"_id":2519,"height":2520,"orientation":512,"ratio":1180,"url":2521,"width":2522},"image-e547c05bd3352361beeb6990dd18de13664b445f-1024x768-jpg",768,"https://cdn.sanity.io/images/eodip22e/production/e547c05bd3352361beeb6990dd18de13664b445f-1024x768.jpg",1024,{"filterYear":2524},[2525],{"_id":168,"title":171},[2527,2528,2530],{"_type":368,"label":369,"url":2350},{"_type":368,"label":372,"url":2529},"https://www.instagram.com/slowfoam/",{"_type":368,"label":2531,"url":2532},"Bandcamp","https://slowfoam.bandcamp.com/music",{"locations":2534,"other":2539},[2535,2537],{"_id":380,"_type":381,"seo":75,"slug":2536,"title":384},{"_type":77,"current":383},{"_id":2384,"_type":381,"seo":75,"slug":2538,"title":2387},{"_type":77,"current":2386},[2540],{"_key":2541,"_type":11,"children":2542,"markDefs":2547,"style":24},"59002ea6ca22",[2543],{"_key":2544,"_type":15,"marks":2545,"text":2546},"f39f5ac32d41",[],"Based in Berlin, DE",[],[2549,171],"madelyn byrd",{"_type":77,"current":2551},"madelyn-byrd",{"alt":2553,"asset":2554},"Lou Croff Blake & Madelyn Byrd in costume that connects their heads with a 'tube hood,' part of A Tuned Body, 2024.",{"_id":2555,"height":2556,"orientation":512,"ratio":2557,"url":2558,"width":554},"image-537e4b83b5277e2c6f9650500d65a804f5ac74f5-800x532-png",532,1.5037593984962405,"https://cdn.sanity.io/images/eodip22e/production/537e4b83b5277e2c6f9650500d65a804f5ac74f5-800x532.png",{"filterCategory":2560,"filterLocation":2568,"filterYear":2570},[2561,2562,2563,2564,2565,2566,2567],{"_id":2229,"title":2234},{"_id":2236,"title":2241},{"_id":1392,"title":1397},{"_id":2246,"title":2251},{"_id":2253,"title":2258},{"_id":2260,"title":2265},{"_id":2267,"title":2272},[2569],{"_id":380,"title":384},[2571],{"_id":168,"title":171},[],{"locations":2574,"other":2577},[2575],{"_id":380,"_type":381,"seo":75,"slug":2576,"title":384},{"_type":77,"current":383},[2578],{"_key":2579,"_type":11,"children":2580,"markDefs":2585,"style":24},"f1a96d01bd08",[2581],{"_key":2582,"_type":15,"marks":2583,"text":2584},"e1e564e22d65",[],"Based in Berlin",[],[2587,2606,2617],{"_type":574,"settings":2588,"text":2589},{"textColumnCount":637},[2590,2598],{"_key":2591,"_type":11,"children":2592,"markDefs":2597,"style":24},"1bf54517c720",[2593],{"_key":2594,"_type":15,"marks":2595,"text":2596},"c6e96ff65cf70",[],"CHIMERA is an artistic research project and play-based practice that expands notions of body, identity, and other(ness). Rooted in queer ecology, we reappropriate the genre ‘science fantasy’ to co-create on myths of the more-than-human, forging pararealities through speculation and prefiguration. As a collective worldbuilding experiment, we invite our peers into processes of chimerization, challenging the boundaries around the self and repatterning relational intimacies.",[],{"_key":2599,"_type":11,"children":2600,"markDefs":2605,"style":24},"b0dab75a8d9a",[2601],{"_key":2602,"_type":15,"marks":2603,"text":2604},"41d349bec414",[],"Our methodology includes somatic exercises, speculative costuming,  avataring/worlding, and more.",[],{"_type":626,"caption":2607,"image":2615},[2608],{"_key":2609,"_type":11,"children":2610,"markDefs":2614,"style":24},"2248ee33c36a",[2611],{"_key":2612,"_type":15,"marks":2613,"text":2553},"1d1bdd4d7c720",[],[],{"alt":2553,"asset":2616},{"_id":2555,"height":2556,"orientation":512,"ratio":2557,"url":2558,"width":554},{"_type":574,"settings":2618,"text":2619},{"textColumnCount":637},[2620,2628,2636,2644,2666,2682,2689],{"_key":2621,"_type":11,"children":2622,"markDefs":2627,"style":24},"69e43a2a673d",[2623],{"_key":2624,"_type":15,"marks":2625,"text":2626},"76d3fc395c930",[],"The Chimera originates in Greek mythology, a fire-breathing beast with the mixed anatomy of lion, goat, and snake; she (yes, female, according to the stories) was divine, descended from the great non-human gods who inhabited the world alongside the Titans. The legend, as told in Homer’s Iliad1, states that the hero Bellapheron, mounted on Pegasus, is ordered by the king of Lycia to slay the Chimera, who has been feeding off local cattle. Her death brought glory to Bellapheron, and Lycia was rid of a predator.",[],{"_key":2629,"_type":11,"children":2630,"markDefs":2635,"style":24},"12cc45348821",[2631],{"_key":2632,"_type":15,"marks":2633,"text":2634},"f0995d4e2a890",[],"As Le Guin would put it, this, like many popular Greek myths, is a Killer Story2: it is about the spear thrust, and death is its climax. If we reposition the Chimera as protagonist (not hero, but main character), what would Le Guin’s alternative Life Story be? We have a shining mascot of pluralism, subjected to a colonising king’s attempt to tame the wilderness into which his cows wandered. We have yet another story of a non-conforming creature punished for existing.",[],{"_key":2637,"_type":11,"children":2638,"markDefs":2643,"style":24},"0b832725ab8a",[2639],{"_key":2640,"_type":15,"marks":2641,"text":2642},"dd0ae6921c480",[],"To become a chimera is not only to acknowledge the pluralities and complexities we contain, it challenges us to change contemporary narratives on queer monstrosity. ‘Queering’ is, perhaps, not only for LGBTQIA2+ people; liberation from learned identity doesn’t always result in a change of pronouns, gayness, or hormone therapy.",[],{"_key":2645,"_type":11,"children":2646,"markDefs":2664,"style":24},"f2efe4660c7a",[2647,2651,2655,2659],{"_key":2648,"_type":15,"marks":2649,"text":2650},"b187a792be9a0",[],"1. Homer, ",{"_key":2652,"_type":15,"marks":2653,"text":2654},"b187a792be9a1",[492],"The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes",{"_key":2656,"_type":15,"marks":2657,"text":2658},"b187a792be9a2",[],". Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924. ",{"_key":2660,"_type":15,"marks":2661,"text":2663},"b187a792be9a3",[2662],"c791015c3bdb","https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0012.tlg001.perseus-eng1:6.156-6.190",[2665],{"_key":2662,"_type":41,"href":2663},{"_key":2667,"_type":11,"children":2668,"markDefs":2681,"style":24},"2dd9b12a8943",[2669,2673,2677],{"_key":2670,"_type":15,"marks":2671,"text":2672},"331d5e235da70",[],"2. Ursula K. Le Guin and Bul Lee, ",{"_key":2674,"_type":15,"marks":2675,"text":2676},"331d5e235da71",[492],"The Carrier Bag Theory of Fiction",{"_key":2678,"_type":15,"marks":2679,"text":2680},"331d5e235da72",[],", Revised single edition. ([Gardena, California?]: Cosmogenesis, 2024).",[],{"_key":2683,"_type":11,"children":2684,"markDefs":2688,"style":24},"04b95e98e591",[2685],{"_key":2686,"_type":15,"marks":2687,"text":1065},"2ab9c3c12fb10",[],[],{"_key":2690,"_type":11,"children":2691,"markDefs":2695,"style":24},"1fa06c343dcc",[2692],{"_key":2693,"_type":15,"marks":2694,"text":1000},"e2222ad84cd2",[],[],[2697,2707,2717],{"_type":1306,"question":2698},[2699],{"_key":2700,"_type":11,"children":2701,"markDefs":2706,"style":24},"b91a8090c122",[2702],{"_key":2703,"_type":15,"marks":2704,"text":2705},"03736184d81d0",[],"How might we use a ‘queering’ tool kit to chimerize our senses of self, embody multiplicity, and become cooperative parts in a larger whole?",[],{"_type":1306,"question":2708},[2709],{"_key":2710,"_type":11,"children":2711,"markDefs":2716,"style":24},"6b86ba7a0297",[2712],{"_key":2713,"_type":15,"marks":2714,"text":2715},"f3ae9092bd280",[],"Could marginalized, embodied knowledges of transformation expand our collective potential to relate, empathize, and collaborate within a pluriverse – a world-sized chimera?",[],{"_type":1306,"question":2718},[2719],{"_key":2720,"_type":11,"children":2721,"markDefs":2726,"style":24},"15d424b4f36d",[2722],{"_key":2723,"_type":15,"marks":2724,"text":2725},"358135ba33930",[],"What new mythologies emerge when we center more-than-human voices?",[],[2728,171,2729,2730,2731,383,2732,2398,2549,2733,2734,2735,2736,1396,2250,2737,2264,2271],"chimera","how might we use a ‘queering’ tool kit to chimerize our senses of self, embody multiplicity, and become cooperative parts in a larger whole?","could marginalized, embodied knowledges of transformation expand our collective potential to relate, empathize, and collaborate within a pluriverse – a world-sized chimera?","what new mythologies emerge when we center more-than-human voices?","based in berlin","chimera is an artistic research project and play-based practice that expands notions of body, identity, and other(ness). rooted in queer ecology, we reappropriate the genre ‘science fantasy’ to co-create on myths of the more-than-human, forging pararealities through speculation and prefiguration. as a collective worldbuilding experiment, we invite our peers into processes of chimerization, challenging the boundaries around the self and repatterning relational intimacies.\n\nour methodology includes somatic exercises, speculative costuming,  avataring/worlding, and more.","the chimera originates in greek mythology, a fire-breathing beast with the mixed anatomy of lion, goat, and snake; she (yes, female, according to the stories) was divine, descended from the great non-human gods who inhabited the world alongside the titans. the legend, as told in homer’s iliad1, states that the hero bellapheron, mounted on pegasus, is ordered by the king of lycia to slay the chimera, who has been feeding off local cattle. her death brought glory to bellapheron, and lycia was rid of a predator.\n\nas le guin would put it, this, like many popular greek myths, is a killer story2: it is about the spear thrust, and death is its climax. if we reposition the chimera as protagonist (not hero, but main character), what would le guin’s alternative life story be? we have a shining mascot of pluralism, subjected to a colonising king’s attempt to tame the wilderness into which his cows wandered. we have yet another story of a non-conforming creature punished for existing.\n\nto become a chimera is not only to acknowledge the pluralities and complexities we contain, it challenges us to change contemporary narratives on queer monstrosity. ‘queering’ is, perhaps, not only for lgbtqia2+ people; liberation from learned identity doesn’t always result in a change of pronouns, gayness, or hormone therapy.\n\n1. homer, the iliad with an english translation by a.t. murray, ph.d. in two volumes. cambridge, ma., harvard university press; london, william heinemann, ltd. 1924. https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greeklit:tlg0012.tlg001.perseus-eng1:6.156-6.190\n\n2. ursula k. le guin and bul lee, the carrier bag theory of fiction, revised single edition. ([gardena, california?]: cosmogenesis, 2024).\n\n\n\n\n","against purity","live action role-playing (larp)","geographies of self",{"_type":77,"current":2728},"CHIMERA",{"_id":2741,"_type":291,"categories":2742,"credits":2777,"featuredImage":2989,"filterables":2996,"footnotes":3009,"locations":3010,"logbook":3016,"pageBuilder":3025,"researchQuestion":75,"researchQuestions":3150,"searchables":3171,"seo":75,"slug":3181,"title":3183,"year":171},"1ae542e7-c01e-46b0-b973-e649cd34fede",[2743,2750,2757,2764,2767,2770],{"_id":2744,"_type":295,"colorPrimary":2745,"seo":75,"slug":2747,"title":2749},"6d0e0331-304f-4c4e-870b-c73be096bf63",{"label":284,"value":2746},"#ffdcf0",{"_type":77,"current":2748},"mourning-a-glacier","Mourning a Glacier",{"_id":2751,"_type":295,"colorPrimary":2752,"seo":75,"slug":2754,"title":2756},"1415b664-050f-45b5-897a-06c0477971f8",{"label":284,"value":2753},"#00ffd7",{"_type":77,"current":2755},"methods-for-knowledge-decentralisation","Methods for knowledge decentralisation",{"_id":2758,"_type":295,"colorPrimary":2759,"seo":75,"slug":2761,"title":2763},"9b14bbbc-4a9d-4861-8be6-880a5d3c69ce",{"label":284,"value":2760},"#ff9b00",{"_type":77,"current":2762},"creative-climate-communicating","Creative Climate Communicating",{"_id":1375,"_type":295,"colorPrimary":2765,"seo":75,"slug":2766,"title":1380},{"label":284,"value":1377},{"_type":77,"current":1379},{"_id":323,"_type":295,"colorPrimary":2768,"seo":75,"slug":2769,"title":328},{"label":284,"value":325},{"_type":77,"current":327},{"_id":2771,"_type":295,"colorPrimary":2772,"seo":75,"slug":2774,"title":2776},"1940baa6-46af-4999-86f4-9abe7ce45b9d",{"label":284,"value":2773},"#dcdc00",{"_type":77,"current":2775},"spatial-forensics","Spatial Forensics",{"other":75,"profiles":2778},[2779,2837,2864,2929],{"_id":2780,"_type":340,"activeYears":2781,"bio":2786,"bioShort":2795,"featuredImage":2796,"filterables":2802,"links":2806,"locations":2809,"searchables":2831,"seo":2833,"slug":2836,"title":2834},"45a85a6c-4543-428c-99b8-985b8c465a3a",[2782,2784],{"_id":174,"_type":169,"seo":75,"slug":2783,"title":177},{"_type":77,"current":176},{"_id":168,"_type":169,"seo":75,"slug":2785,"title":171},{"_type":77,"current":171},[2787],{"_key":2788,"_type":11,"children":2789,"markDefs":2794,"style":24},"86864939d877",[2790],{"_key":2791,"_type":15,"marks":2792,"text":2793},"2e528f4907ee0",[],"AWOL (as in Absent Without Leave) is an artistic collective committed to democratizing climate knowledge and research. AWOL engages in collaborative practices that challenge imperial frameworks and reimagine relationships with the environment as part of a shared struggle for liberation. Through interdisciplinary projects, ranging from lecture performances to on-site research and performative actions, the collective merges memory, archives, and history with data and spatial analysis, crafting new narratives that bridge personal displacement with ecological crisis. Composed originally by Belén Arellano Cañizares, Yaman To'meh, Stefan Ralevic, Eduardo Gonzaga, Santiago Méndez and Giuliana Marmo.",[],"Interdisciplinary collective for artistic research on political imaginaries towards climate futures",{"alt":2797,"asset":2798},"Logo of AWOL, depicting a silhouette with reverberance waves",{"_id":2799,"height":2800,"orientation":1072,"ratio":1073,"url":2801,"width":2800},"image-044241679d684ebc6b081f12b5636afac8f40d91-1274x1274-jpg",1274,"https://cdn.sanity.io/images/eodip22e/production/044241679d684ebc6b081f12b5636afac8f40d91-1274x1274.jpg",{"filterYear":2803},[2804,2805],{"_id":174,"title":177},{"_id":168,"title":171},[2807],{"_type":368,"label":372,"url":2808},"https://www.instagram.com/absent.withoutleave/",{"locations":2810,"other":2822},[2811,2813,2815,2820],{"_id":380,"_type":381,"seo":75,"slug":2812,"title":384},{"_type":77,"current":383},{"_id":1019,"_type":381,"seo":75,"slug":2814,"title":1022},{"_type":77,"current":1021},{"_id":2816,"_type":381,"seo":75,"slug":2817,"title":2819},"c3bd4ea7-610a-446f-9362-aa58504513e0",{"_type":77,"current":2818},"online","Online",{"_id":2384,"_type":381,"seo":75,"slug":2821,"title":2387},{"_type":77,"current":2386},[2823],{"_key":2824,"_type":11,"children":2825,"markDefs":2830,"style":24},"aafea43111ef",[2826],{"_key":2827,"_type":15,"marks":2828,"text":2829},"0bc7cf7df284",[],"International collective, based in Germany",[],[2832,176,171],"awol",{"metaDescription":2834,"metaTitle":2835,"shareImage":75},"AWOL","AWOL ",{"_type":77,"current":2832},{"_id":2838,"_type":340,"activeYears":75,"bio":2839,"bioShort":2848,"featuredImage":2849,"filterables":2854,"links":75,"locations":2855,"searchables":2859,"seo":75,"slug":2861,"title":2863},"b90a591a-c51a-4699-bdfd-5dd179667dbf",[2840],{"_key":2841,"_type":11,"children":2842,"markDefs":2847,"style":24},"0b2d258ae61d",[2843],{"_key":2844,"_type":15,"marks":2845,"text":2846},"4b2f1cb9b6130",[],"He engages with topics of affective research, site specificity and merging localities of human and more than human interactions, always trying to weave through multiple layers of histories and anecdotes common to a Place, in order to shift spaces of production into Places of meaning. Centered around a photographic practice combined with other mediums such as installation, the case for an emerging ecology of images is being made, one where there is more attention for interstices, transience, instability and failure, followed by future-abilities encased in speculative methodologies. He has exhibited in Belgrade, Weimar, Berlin, Leipzig and Antwerp.",[],"Art worker, part of AWOL",{"alt":75,"asset":2850},{"_id":2851,"height":2852,"orientation":1072,"ratio":1073,"url":2853,"width":2852},"image-c606eaa9b9d22017b7db93b6ac83d601f4a26263-589x589-jpg",589,"https://cdn.sanity.io/images/eodip22e/production/c606eaa9b9d22017b7db93b6ac83d601f4a26263-589x589.jpg",{"filterYear":75},{"locations":2856,"other":75},[2857],{"_id":380,"_type":381,"seo":75,"slug":2858,"title":384},{"_type":77,"current":383},[2860],"stefan ralevic",{"_type":77,"current":2862},"stefan-ralevic","Stefan Ralevic",{"_id":2865,"_type":340,"activeYears":75,"bio":2866,"bioShort":2848,"featuredImage":2899,"filterables":2907,"links":2908,"locations":2911,"searchables":2924,"seo":75,"slug":2926,"title":2928},"3bcf4144-b43c-48fd-bbcc-cab2cfd97fa3",[2867],{"_key":2868,"_type":11,"children":2869,"markDefs":2898,"style":24},"4686b1cfc95e",[2870,2874,2878,2882,2886,2890,2894],{"_key":2871,"_type":15,"marks":2872,"text":2873},"a94d005011b30",[],"She explores intimacy, care, and conversation through wearable and domestic objects that activate subtle rituals and interpersonal dynamics. Belén completed her MA in “Public Art and New Artistic Strategies” at the Bauhaus University Weimar in 2024. The program ",{"_key":2875,"_type":15,"marks":2876,"text":2877},"a94d005011b31",[492],"Made for Europe",{"_key":2879,"_type":15,"marks":2880,"text":2881},"a94d005011b32",[]," invited her to the European Academy of Art in Berlin in 2021. Her work has been presented at the Bauhaus Museum Weimar, Kunstsammlungen Chemnitz, the Thuringian Parliament in Erfurt, the Museo de Málaga (",{"_key":2883,"_type":15,"marks":2884,"text":2885},"a94d005011b33",[492],"Tiempo Muerto",{"_key":2887,"_type":15,"marks":2888,"text":2889},"a94d005011b34",[],", Iniciarte) and La Caja Blanca in Málaga. She participated with the collective project ",{"_key":2891,"_type":15,"marks":2892,"text":2893},"a94d005011b35",[492],"Trashquestra",{"_key":2895,"_type":15,"marks":2896,"text":2897},"a94d005011b36",[]," in the Kunstfest Weimar 2021. Since 2020 she is a member of Oficina Co2, a countercultural curatorial collective. Since 2019 she works as a graphic designer.",[],{"alt":2900,"asset":2901},"Portrait of Belén",{"_id":2902,"height":2903,"orientation":512,"ratio":2904,"url":2905,"width":2906},"image-4525843a630ad98265319a490312eb75d166d6af-2000x1353-jpg",1353,1.4781966001478197,"https://cdn.sanity.io/images/eodip22e/production/4525843a630ad98265319a490312eb75d166d6af-2000x1353.jpg",2000,{"filterYear":75},[2909],{"_type":368,"label":372,"url":2910},"https://www.instagram.com/arellobelen/",{"locations":2912,"other":2915},[2913],{"_id":380,"_type":381,"seo":75,"slug":2914,"title":384},{"_type":77,"current":383},[2916],{"_key":2917,"_type":11,"children":2918,"markDefs":2923,"style":24},"21bb8272891b",[2919],{"_key":2920,"_type":15,"marks":2921,"text":2922},"55d9b96a463c",[],"Based in Córdoba (Spain) with one foot in Germany",[],[2925],"belén arellano cañizares",{"_type":77,"current":2927},"belen-arellano-canizares","Belén Arellano Cañizares",{"_id":2930,"_type":340,"activeYears":75,"bio":2931,"bioShort":2848,"featuredImage":2956,"filterables":2962,"links":2963,"locations":2969,"searchables":2984,"seo":75,"slug":2986,"title":2988},"79ab41a1-9566-48dd-94cd-f47f44080f26",[2932,2940,2948],{"_key":2933,"_type":11,"children":2934,"markDefs":2939,"style":24},"4487dd087d7c",[2935],{"_key":2936,"_type":15,"marks":2937,"text":2938},"0963beacc7e60",[],"Giuliana Marmo (1999) positions her practice at an intersection between public art, curatorial practices, education and activism, carefully reshaping her role according to situational conditions.",[],{"_key":2941,"_type":11,"children":2942,"markDefs":2947,"style":24},"2162ee422560",[2943],{"_key":2944,"_type":15,"marks":2945,"text":2946},"7b57cfde5b210",[],"In her projects, she crafts collaborative and participative executions that experiment with collectivity and the reactivation of public spaces as sites of production and fostering of the general intellect. Her convictions become methodologies to engage the public into enacting political imaginaries, poetic forensics, and human and non-human assemblies; to bottom-up activism, radical empathy, and care practices. She develops context-based mediums that shape site-specific interventions, performative gestures and installations in constant dialogue between the public and the institutional.",[],{"_key":2949,"_type":11,"children":2950,"markDefs":2955,"style":24},"719296aee464",[2951],{"_key":2952,"_type":15,"marks":2953,"text":2954},"7b87d4e5b8dc",[],"As an ideological positioning, she is pursuing a teaching career and has been developing an academic and pedagogical approach to art education that is fundamentally tied to her artistic practice.\nShe is currently part of the Public Art and New Artistic Strategies MFA program from the Bauhaus University in Weimar, Germany. BA Graduate at the Multimedia Arts faculty of Venice’s IUAV University. Formerly a student of Communication Studies at the UCAB and Art History at the UCV, in Caracas, both uncompleted due to her decision to emigrate to Italy.",[],{"alt":2957,"asset":2958},"Portrait of Giuliana",{"_id":2959,"height":2960,"orientation":1072,"ratio":1073,"url":2961,"width":2960},"image-badd72ebfd7173d95641524f7cd578ba1d5c0c04-600x600-jpg",600,"https://cdn.sanity.io/images/eodip22e/production/badd72ebfd7173d95641524f7cd578ba1d5c0c04-600x600.jpg",{"filterYear":75},[2964,2967],{"_type":368,"label":2965,"url":2966},"Webpage","https://giulianamarmo.com/",{"_type":368,"label":372,"url":2968},"https://www.instagram.com/giu.mp/",{"locations":2970,"other":2975},[2971,2973],{"_id":1019,"_type":381,"seo":75,"slug":2972,"title":1022},{"_type":77,"current":1021},{"_id":380,"_type":381,"seo":75,"slug":2974,"title":384},{"_type":77,"current":383},[2976],{"_key":2977,"_type":11,"children":2978,"markDefs":2983,"style":24},"33342460dd50",[2979],{"_key":2980,"_type":15,"marks":2981,"text":2982},"242c5e2f8511",[],"Venezuelan art worker based between Venice, Italy and Weimar, Germany.",[],[2985],"giuliana marmo",{"_type":77,"current":2987},"giuliana-marmo","Giuliana Marmo",{"alt":75,"asset":2990},{"_id":2991,"height":2992,"orientation":512,"ratio":2993,"url":2994,"width":2995},"image-ae62917b8ff80c89bf98e945bad6f0b4958d1def-500x350-gif",350,1.4285714285714286,"https://cdn.sanity.io/images/eodip22e/production/ae62917b8ff80c89bf98e945bad6f0b4958d1def-500x350.gif",500,{"filterCategory":2997,"filterLocation":3004,"filterYear":3007},[2998,2999,3000,3001,3002,3003],{"_id":2744,"title":2749},{"_id":2751,"title":2756},{"_id":2758,"title":2763},{"_id":1375,"title":1380},{"_id":323,"title":328},{"_id":2771,"title":2776},[3005,3006],{"_id":380,"title":384},{"_id":2384,"title":2387},[3008],{"_id":168,"title":171},[],{"locations":3011,"other":75},[3012,3014],{"_id":380,"_type":381,"seo":75,"slug":3013,"title":384},{"_type":77,"current":383},{"_id":2384,"_type":381,"seo":75,"slug":3015,"title":2387},{"_type":77,"current":2386},[3017],{"_key":3018,"_type":11,"children":3019,"markDefs":3024,"style":24},"f4d0f23fd336",[3020],{"_key":3021,"_type":15,"marks":3022,"text":3023},"3be7ce5ce7c5",[]," ",[],[3026,3033,3089,3139],{"_type":626,"caption":75,"image":3027},{"alt":75,"asset":3028},{"_id":3029,"height":3030,"orientation":512,"ratio":3031,"url":3032,"width":2906},"image-9579070a4f5a90a338c56fd2340936d134f32ef0-2000x750-jpg",750,2.6666666666666665,"https://cdn.sanity.io/images/eodip22e/production/9579070a4f5a90a338c56fd2340936d134f32ef0-2000x750.jpg",{"_type":574,"settings":3034,"text":3035},{"textColumnCount":637},[3036,3044,3051,3059,3066,3074,3081],{"_key":3037,"_type":11,"children":3038,"markDefs":3043,"style":24},"0b27804a5bcd",[3039],{"_key":3040,"_type":15,"marks":3041,"text":3042},"7654f20213350",[],"When a glacier disappears not only the geological archive of a place is lost, but also the tales and the future imaginary surrounding it dilute as well.",[],{"_key":3045,"_type":11,"children":3046,"markDefs":3050,"style":24},"df35b1282e5a",[3047],{"_key":3048,"_type":15,"marks":3049,"text":1000},"4baf80d4bbcb0",[],[],{"_key":3052,"_type":11,"children":3053,"markDefs":3058,"style":24},"7dc2c087c04e",[3054],{"_key":3055,"_type":15,"marks":3056,"text":3057},"70d262263dcd0",[],"Approaching mourning as a learning methodology, we aim to create imaginative fictions that envision possible political realities. We project our own experiences in this melting body that includes all these layers of loss: memories, archives, ghosts, and grieving for something much bigger than us. Dealing with absence as an overwhelming presence, that takes up space and different shapes; but that can also push forward radical change as it modifies the landscape and thus notions of national borders or urbanity.",[],{"_key":3060,"_type":11,"children":3061,"markDefs":3065,"style":24},"5382b3502860",[3062],{"_key":3063,"_type":15,"marks":3064,"text":1000},"e6d73782d9180",[],[],{"_key":3067,"_type":11,"children":3068,"markDefs":3073,"style":24},"b89c40faed93",[3069],{"_key":3070,"_type":15,"marks":3071,"text":3072},"580747f0d4f30",[],"Ultimately, our goal is to imagine together scenarios for a post-glacial future, based on the production of a collective body of knowledge surrounding the glaciers, that can be instrumentalized towards giving political agency to the disappearing body itself.",[],{"_key":3075,"_type":11,"children":3076,"markDefs":3080,"style":24},"31da76646a30",[3077],{"_key":3078,"_type":15,"marks":3079,"text":1000},"180e2efdc5980",[],[],{"_key":3082,"_type":11,"children":3083,"markDefs":3088,"style":24},"f791f0a413f7",[3084],{"_key":3085,"_type":15,"marks":3086,"text":3087},"a54de0e1a9a60",[],"We would like to unlearn the overwhelming feeling we have when dealing with scientific data, which limits us from collaborating with other disciplines and bridging the distance from the concept of the glacier itself. We would like to understand it, not as a remote or static entity, but as a dynamic agent of political, cultural, and ecological change in order to find methods that can create a more inclusive understanding of subjects that pertain to the commons, like the environment.",[],{"_type":3090,"slides":3091},"sliderBlock",[3092,3100,3108,3116,3123,3131],{"_type":626,"caption":75,"image":3093},{"alt":75,"asset":3094},{"_id":3095,"height":3096,"orientation":512,"ratio":3097,"url":3098,"width":3099},"image-e32e3f1710f54076c088ce05efd5c101fb4b5fc1-2460x1698-jpg",1698,1.4487632508833923,"https://cdn.sanity.io/images/eodip22e/production/e32e3f1710f54076c088ce05efd5c101fb4b5fc1-2460x1698.jpg",2460,{"_type":626,"caption":75,"image":3101},{"alt":75,"asset":3102},{"_id":3103,"height":3104,"orientation":512,"ratio":3105,"url":3106,"width":3107},"image-81e5f16c4c90b68290aff661e173997dd8fad6ff-2452x1717-jpg",1717,1.4280722189866046,"https://cdn.sanity.io/images/eodip22e/production/81e5f16c4c90b68290aff661e173997dd8fad6ff-2452x1717.jpg",2452,{"_type":626,"caption":75,"image":3109},{"alt":75,"asset":3110},{"_id":3111,"height":3112,"orientation":512,"ratio":3113,"url":3114,"width":3115},"image-241ba726358a24c13784ced4a493bb95c383a6b5-2428x1700-jpg",1700,1.428235294117647,"https://cdn.sanity.io/images/eodip22e/production/241ba726358a24c13784ced4a493bb95c383a6b5-2428x1700.jpg",2428,{"_type":626,"caption":75,"image":3117},{"alt":75,"asset":3118},{"_id":3119,"height":3104,"orientation":512,"ratio":3120,"url":3121,"width":3122},"image-6fbf45d2d715a42075cd8a20d476ad12b4cd5b3e-2475x1717-jpg",1.4414676761793825,"https://cdn.sanity.io/images/eodip22e/production/6fbf45d2d715a42075cd8a20d476ad12b4cd5b3e-2475x1717.jpg",2475,{"_type":626,"caption":75,"image":3124},{"alt":75,"asset":3125},{"_id":3126,"height":3127,"orientation":512,"ratio":3128,"url":3129,"width":3130},"image-00644dd7bcca54d41b98bd36f8f44ade3dec5695-2464x1711-jpg",1711,1.440093512565751,"https://cdn.sanity.io/images/eodip22e/production/00644dd7bcca54d41b98bd36f8f44ade3dec5695-2464x1711.jpg",2464,{"_type":626,"caption":75,"image":3132},{"alt":75,"asset":3133},{"_id":3134,"height":3135,"orientation":512,"ratio":3136,"url":3137,"width":3138},"image-5818387f1194ec6e367ba17bd90f5dd3c2f2fc37-2461x1690-jpg",1690,1.4562130177514794,"https://cdn.sanity.io/images/eodip22e/production/5818387f1194ec6e367ba17bd90f5dd3c2f2fc37-2461x1690.jpg",2461,{"_type":574,"settings":3140,"text":3141},{"textColumnCount":637},[3142],{"_key":3143,"_type":11,"children":3144,"markDefs":3149,"style":24},"f1a8785e30c8",[3145],{"_key":3146,"_type":15,"marks":3147,"text":3148},"1459e4d3306c0",[],"If only we could expand this radical empathy we feel for the apparent unstoppable loss of something, towards forming alliances to imagine a future in which this absence is not a void but a place for human and non-human resistance, maybe we could accomplish more, and collaborate with natural bodies like a glacier in an ecological revolution from the bottom up.",[],[3151,3161],{"_type":1306,"question":3152},[3153],{"_key":3154,"_type":11,"children":3155,"markDefs":3160,"style":24},"bdee34076f38",[3156],{"_key":3157,"_type":15,"marks":3158,"text":3159},"2ebf4c5f52ab0",[],"How can we learn from something that is disappearing?",[],{"_type":1306,"question":3162},[3163],{"_key":3164,"_type":11,"children":3165,"markDefs":3170,"style":24},"e68d39de1729",[3166],{"_key":3167,"_type":15,"marks":3168,"text":3169},"961d4fe683860",[],"How can we instrumentalize the post-glacial landscape as a tool for fostering collective knowledge?",[],[3172,171,3173,3174,3023,383,2386,2832,2860,2925,2985,3175,3176,3177,3178,3179,1730,327,3180],"glacier rapport","how can we learn from something that is disappearing?","how can we instrumentalize the post-glacial landscape as a tool for fostering collective knowledge?","when a glacier disappears not only the geological archive of a place is lost, but also the tales and the future imaginary surrounding it dilute as well.\n\n\n\napproaching mourning as a learning methodology, we aim to create imaginative fictions that envision possible political realities. we project our own experiences in this melting body that includes all these layers of loss: memories, archives, ghosts, and grieving for something much bigger than us. dealing with absence as an overwhelming presence, that takes up space and different shapes; but that can also push forward radical change as it modifies the landscape and thus notions of national borders or urbanity.\n\n\n\nultimately, our goal is to imagine together scenarios for a post-glacial future, based on the production of a collective body of knowledge surrounding the glaciers, that can be instrumentalized towards giving political agency to the disappearing body itself.\n\n\n\nwe would like to unlearn the overwhelming feeling we have when dealing with scientific data, which limits us from collaborating with other disciplines and bridging the distance from the concept of the glacier itself. we would like to understand it, not as a remote or static entity, but as a dynamic agent of political, cultural, and ecological change in order to find methods that can create a more inclusive understanding of subjects that pertain to the commons, like the environment.","if only we could expand this radical empathy we feel for the apparent unstoppable loss of something, towards forming alliances to imagine a future in which this absence is not a void but a place for human and non-human resistance, maybe we could accomplish more, and collaborate with natural bodies like a glacier in an ecological revolution from the bottom up.","mourning a glacier","methods for knowledge decentralisation","creative climate communicating","spatial forensics",{"_type":77,"current":3182},"glacier-rapport","Glacier Rapport",{"_id":3185,"_type":291,"categories":3186,"credits":3211,"featuredImage":3283,"filterables":3290,"footnotes":3300,"locations":3301,"logbook":3314,"pageBuilder":3450,"researchQuestion":75,"researchQuestions":3511,"searchables":3529,"seo":75,"slug":3537,"title":3539,"year":171},"b326bc1a-d5c1-47d0-8e3d-02d718d105e0",[3187,3194,3197,3204],{"_id":3188,"_type":295,"colorPrimary":3189,"seo":75,"slug":3191,"title":3193},"3c4f14da-ddb2-46f6-8ab7-75f96a7a39af",{"label":284,"value":3190},"#00a0a0",{"_type":77,"current":3192},"undertranslation","Undertranslation",{"_id":309,"_type":295,"colorPrimary":3195,"seo":75,"slug":3196,"title":314},{"label":284,"value":311},{"_type":77,"current":313},{"_id":3198,"_type":295,"colorPrimary":3199,"seo":75,"slug":3201,"title":3203},"b18c400c-3d3d-40cd-8e3c-82aa03c8d06a",{"label":284,"value":3200},"#00b4b4",{"_type":77,"current":3202},"low-theory","Low Theory",{"_id":3205,"_type":295,"colorPrimary":3206,"seo":75,"slug":3208,"title":3210},"019d7dba-5ac7-4476-95e3-7e920cf74e59",{"label":284,"value":3207},"#a5ff00",{"_type":77,"current":3209},"hitching-a-ride","Hitching a Ride",{"other":75,"profiles":3212},[3213],{"_id":3214,"_type":340,"activeYears":3215,"bio":3218,"bioShort":3250,"featuredImage":3251,"filterables":3258,"links":3261,"locations":3265,"searchables":3278,"seo":75,"slug":3280,"title":3282},"f6916f1f-f08f-4df9-b506-337ece4ee6fe",[3216],{"_id":168,"_type":169,"seo":75,"slug":3217,"title":171},{"_type":77,"current":171},[3219,3227,3235,3242],{"_key":3220,"_type":11,"children":3221,"markDefs":3226,"style":24},"4c1c1d9b6d36",[3222],{"_key":3223,"_type":15,"marks":3224,"text":3225},"9abddb09d9ab",[],"A daydreamer and a talker who likes to listen and wait for things to happen.",[],{"_key":3228,"_type":11,"children":3229,"markDefs":3234,"style":24},"c35e4cb0f4d0",[3230],{"_key":3231,"_type":15,"marks":3232,"text":3233},"186d8d563425",[],"Klara is a versatile researcher, writer, and performer, based between Berlin and Stockholm, with a BA from Design Academy Eindhoven. By experimenting with collective imaginations and exploring co-action, communication, and improvisation, through dialogues, translation, and audiovisual processes, they are incessantly deepening their understanding of and addiction to a tension between a radical irreverence for, and a delicate and honest approach to the English language.",[],{"_key":3236,"_type":11,"children":3237,"markDefs":3241,"style":24},"202e8c9d194c",[3238],{"_key":3239,"_type":15,"marks":3240,"text":1000},"41fb78dfdf550",[],[],{"_key":3243,"_type":11,"children":3244,"markDefs":3249,"style":24},"c9f9c3036d34",[3245],{"_key":3246,"_type":15,"marks":3247,"text":3248},"dd78eddc20860",[],"Klara Branting Paulsell lives in Berlin and Stockholm, and has a degree from Design Academy Eindhoven. They like writing and talking to people. They love and hate English at the same time.",[],"A daydreamer and a talker who likes to listen and wait for things to happen. \n",{"alt":3252,"asset":3253},"a self portrait",{"_id":3254,"height":2906,"orientation":359,"ratio":3255,"url":3256,"width":3257},"image-e1c50a1556c6a74b783c055c1d3103fb18991c29-1736x2000-jpg",0.868,"https://cdn.sanity.io/images/eodip22e/production/e1c50a1556c6a74b783c055c1d3103fb18991c29-1736x2000.jpg",1736,{"filterYear":3259},[3260],{"_id":168,"title":171},[3262],{"_type":368,"label":3263,"url":3264},"Pocket the Newsletter","https://pocketthenewsletter.substack.com",{"locations":3266,"other":3269},[3267],{"_id":380,"_type":381,"seo":75,"slug":3268,"title":384},{"_type":77,"current":383},[3270],{"_key":3271,"_type":11,"children":3272,"markDefs":3277,"style":24},"e3cf5e1457f9",[3273],{"_key":3274,"_type":15,"marks":3275,"text":3276},"a4e6276f04840",[],"Berlin and Stockholm",[],[3279,171],"klara branting paulsell",{"_type":77,"current":3281},"klara-branting-paulsell","Klara Branting Paulsell",{"alt":3284,"asset":3285},"Hitching a ride to enough english. (asking someone to take you with them on a journey to get to a comfortable level of the most spoken language in the world.",{"_id":3286,"height":3287,"orientation":512,"ratio":3288,"url":3289,"width":2906},"image-c16823cba72052e54e81fb73806a37a45cd0a1f0-2000x1318-jpg",1318,1.5174506828528074,"https://cdn.sanity.io/images/eodip22e/production/c16823cba72052e54e81fb73806a37a45cd0a1f0-2000x1318.jpg",{"filterCategory":3291,"filterLocation":3296,"filterYear":3298},[3292,3293,3294,3295],{"_id":3188,"title":3193},{"_id":309,"title":314},{"_id":3198,"title":3203},{"_id":3205,"title":3210},[3297],{"_id":380,"title":384},[3299],{"_id":168,"title":171},[],{"locations":3302,"other":3305},[3303],{"_id":380,"_type":381,"seo":75,"slug":3304,"title":384},{"_type":77,"current":383},[3306],{"_key":3307,"_type":11,"children":3308,"markDefs":3313,"style":24},"66ece39ebae5",[3309],{"_key":3310,"_type":15,"marks":3311,"text":3312},"2cd54cc1259d",[],"Based in Berlin and online.",[],[3315,3323,3331,3339,3347,3355,3363,3371,3379,3387,3395,3403,3411,3419,3427,3435,3442],{"_key":3316,"_type":11,"children":3317,"markDefs":3322,"style":24},"550d9fb1e6c6",[3318],{"_key":3319,"_type":15,"marks":3320,"text":3321},"7a4a00c343fa",[],"Step 1:",[],{"_key":3324,"_type":11,"children":3325,"markDefs":3330,"style":24},"0202c021acfa",[3326],{"_key":3327,"_type":15,"marks":3328,"text":3329},"222960e61f6a",[],"Some questions. ",[],{"_key":3332,"_type":11,"children":3333,"markDefs":3338,"style":24},"4f945d31093b",[3334],{"_key":3335,"_type":15,"marks":3336,"text":3337},"582d1059ab7d",[],"Should I become a translator that knows how to write everything in A2?",[],{"_key":3340,"_type":11,"children":3341,"markDefs":3346,"style":24},"2f09d3904ece",[3342],{"_key":3343,"_type":15,"marks":3344,"text":3345},"271d2abf60c5",[],"Or could we see what happens if everyone gives it a go on their own to write their own A2 versions?",[],{"_key":3348,"_type":11,"children":3349,"markDefs":3354,"style":24},"db5d6ac8ded2",[3350],{"_key":3351,"_type":15,"marks":3352,"text":3353},"12fb8117d5a1",[],"Would it be interesting to hold workshops with fun methods to aid us all in re-phrasing into A2?",[],{"_key":3356,"_type":11,"children":3357,"markDefs":3362,"style":24},"26ddea159ab2",[3358],{"_key":3359,"_type":15,"marks":3360,"text":3361},"576b60619ce6",[],"How to incorporate this into the website? Maybe eventually there can be a full A2 version of the site, but before then, would it be better to just create an A2 Ways&Working and tag every page which has an A2 version so far?",[],{"_key":3364,"_type":11,"children":3365,"markDefs":3370,"style":24},"433063f2e4ac",[3366],{"_key":3367,"_type":15,"marks":3368,"text":3369},"77608fb2ddbe",[],"And some advice from my mom.",[],{"_key":3372,"_type":11,"children":3373,"markDefs":3378,"style":24},"c7f389ed44c9",[3374],{"_key":3375,"_type":15,"marks":3376,"text":3377},"4ba85e919b01",[],"She said I should call some journalists who produce simple language news stories on a daily basis and just ask them how they do it. ",[],{"_key":3380,"_type":11,"children":3381,"markDefs":3386,"style":24},"ec25598fd5b3",[3382],{"_key":3383,"_type":15,"marks":3384,"text":3385},"d4bb4d0fc43e",[],"Step 1 (A2 version):",[],{"_key":3388,"_type":11,"children":3389,"markDefs":3394,"style":24},"5e0e67dd21f3",[3390],{"_key":3391,"_type":15,"marks":3392,"text":3393},"b0206135e5d3",[],"Some questions.",[],{"_key":3396,"_type":11,"children":3397,"markDefs":3402,"style":24},"89ed18a1d550",[3398],{"_key":3399,"_type":15,"marks":3400,"text":3401},"8c5f4759797d",[],"Should I learn how to write anything in A2? Should that be my job?",[],{"_key":3404,"_type":11,"children":3405,"markDefs":3410,"style":24},"5c59393ba43e",[3406],{"_key":3407,"_type":15,"marks":3408,"text":3409},"86f9d16794bc",[],"Should everyone at the School of Commons have to write their own texts in A2?",[],{"_key":3412,"_type":11,"children":3413,"markDefs":3418,"style":24},"0f0bb324306f",[3414],{"_key":3415,"_type":15,"marks":3416,"text":3417},"24954f1a3343",[],"Maybe we can work together to find out how to do it?",[],{"_key":3420,"_type":11,"children":3421,"markDefs":3426,"style":24},"e6a2122d2038",[3422],{"_key":3423,"_type":15,"marks":3424,"text":3425},"c88ecc08491b",[],"How can the website have an A2 version? ",[],{"_key":3428,"_type":11,"children":3429,"markDefs":3434,"style":24},"58d6cc05c37a",[3430],{"_key":3431,"_type":15,"marks":3432,"text":3433},"29a26b96dae7",[],"Maybe having an A2 tag could be a good starting point?",[],{"_key":3436,"_type":11,"children":3437,"markDefs":3441,"style":24},"a1a4b8ea6ef7",[3438],{"_key":3439,"_type":15,"marks":3440,"text":3369},"9c33c58f69fc",[],[],{"_key":3443,"_type":11,"children":3444,"markDefs":3449,"style":24},"cfd891abe61a",[3445],{"_key":3446,"_type":15,"marks":3447,"text":3448},"df1e94308879",[],"She told me about a simple language news show, and told me to call the people working there. She told me to just ask them how they do it.",[],[3451,3455],{"_type":626,"caption":75,"image":3452},{"alt":3453,"asset":3454},"Hitching a ride to enough english - Klara Branting Paulsell",{"_id":3286,"height":3287,"orientation":512,"ratio":3288,"url":3289,"width":2906},{"_type":574,"settings":3456,"text":3457},{"textColumnCount":637},[3458,3466,3473,3481,3488,3496,3503],{"_key":3459,"_type":11,"children":3460,"markDefs":3465,"style":24},"537cab1fdcd7",[3461],{"_key":3462,"_type":15,"marks":3463,"text":3464},"d9fefc0957e70",[],"This is a project that is going to teach us how to say what we want to say, but in simple English. It’s a way to make the things written for or by the School of Commons more understandable to more people.",[],{"_key":3467,"_type":11,"children":3468,"markDefs":3472,"style":24},"473e85d3f6b9",[3469],{"_key":3470,"_type":15,"marks":3471,"text":1000},"635e395a0d630",[],[],{"_key":3474,"_type":11,"children":3475,"markDefs":3480,"style":24},"6cf3981883d7",[3476],{"_key":3477,"_type":15,"marks":3478,"text":3479},"e2fac3615d8c0",[],"The School of Commons is not only about words. But we use them to tell people about things. We like words. We use a lot of different ones!",[],{"_key":3482,"_type":11,"children":3483,"markDefs":3487,"style":24},"2fde38db28d1",[3484],{"_key":3485,"_type":15,"marks":3486,"text":1000},"f723a941dd5f0",[],[],{"_key":3489,"_type":11,"children":3490,"markDefs":3495,"style":24},"e06f8349a00d",[3491],{"_key":3492,"_type":15,"marks":3493,"text":3494},"0c0d41f90f500",[],"English is the most spoken language in the world. Some people speak it really well, and some only speak it a little. People who speak English really well can use easier words so that more people can understand.",[],{"_key":3497,"_type":11,"children":3498,"markDefs":3502,"style":24},"37a02ddcccdd",[3499],{"_key":3500,"_type":15,"marks":3501,"text":1000},"0f7630ae2a43",[],[],{"_key":3504,"_type":11,"children":3505,"markDefs":3510,"style":24},"18efa2d8480e",[3506],{"_key":3507,"_type":15,"marks":3508,"text":3509},"cf0f0f6b35d70",[],"A2 English means beginner-to-intermediate English. It is also sometimes called Very Low Proficiency English. In this project we will learn how to write in A2 English, and hopefully we will publish it.",[],[3512],{"_type":1306,"question":3513},[3514,3522],{"_key":3515,"_type":11,"children":3516,"markDefs":3521,"style":24},"6a2054001bbd",[3517],{"_key":3518,"_type":15,"marks":3519,"text":3520},"1db2096dfb2f0",[],"How can we say the same things but in A2 English?",[],{"_key":3523,"_type":11,"children":3524,"markDefs":3528,"style":24},"b1f9f1c26562",[3525],{"_key":3526,"_type":15,"marks":3527,"text":1065},"b1141534e58b0",[],[],[3530,171,3531,3532,383,3533,3279,3534,3192,620,3535,3536],"hitching a ride to enough english","how can we say the same things but in a2 english?\n\n\n","step 1:\n\nsome questions. \n\nshould i become a translator that knows how to write everything in a2?\n\nor could we see what happens if everyone gives it a go on their own to write their own a2 versions?\n\nwould it be interesting to hold workshops with fun methods to aid us all in re-phrasing into a2?\n\nhow to incorporate this into the website? maybe eventually there can be a full a2 version of the site, but before then, would it be better to just create an a2 ways&working and tag every page which has an a2 version so far?\n\nand some advice from my mom.\n\nshe said i should call some journalists who produce simple language news stories on a daily basis and just ask them how they do it. \n\nstep 1 (a2 version):\n\nsome questions.\n\nshould i learn how to write anything in a2? should that be my job?\n\nshould everyone at the school of commons have to write their own texts in a2?\n\nmaybe we can work together to find out how to do it?\n\nhow can the website have an a2 version? \n\nmaybe having an a2 tag could be a good starting point?\n\nand some advice from my mom.\n\nshe told me about a simple language news show, and told me to call the people working there. she told me to just ask them how they do it.","based in berlin and online.","this is a project that is going to teach us how to say what we want to say, but in simple english. it’s a way to make the things written for or by the school of commons more understandable to more people.\n\n\n\nthe school of commons is not only about words. but we use them to tell people about things. we like words. we use a lot of different ones!\n\n\n\nenglish is the most spoken language in the world. some people speak it really well, and some only speak it a little. people who speak english really well can use easier words so that more people can understand.\n\n\n\na2 english means beginner-to-intermediate english. it is also sometimes called very low proficiency english. in this project we will learn how to write in a2 english, and hopefully we will publish it.","low theory","hitching a ride",{"_type":77,"current":3538},"hitching-a-ride-to-enough-english","Hitching a Ride to Enough English",{"_id":3541,"_type":291,"categories":3542,"credits":3564,"featuredImage":75,"filterables":3622,"footnotes":3632,"locations":3633,"logbook":3639,"pageBuilder":3648,"researchQuestion":75,"researchQuestions":3773,"searchables":3804,"seo":75,"slug":3815,"title":3817,"year":171},"0747cc92-b391-4337-a62a-981c4bc77cd4",[3543,3550,3557],{"_id":3544,"_type":295,"colorPrimary":3545,"seo":75,"slug":3547,"title":3549},"93599a26-52a7-43cb-aee6-913fd6fe9eb7",{"label":284,"value":3546},"#fff028",{"_type":77,"current":3548},"ephemeral-memorials","Ephemeral Memorials",{"_id":3551,"_type":295,"colorPrimary":3552,"seo":75,"slug":3554,"title":3556},"96cceca5-83b7-4889-825c-cc437cdc9a7a",{"label":284,"value":3553},"#91ff00",{"_type":77,"current":3555},"peer-to-peer","Peer to Peer",{"_id":3558,"_type":295,"colorPrimary":3559,"seo":75,"slug":3561,"title":3563},"96e62b8f-1ef1-47a8-a3a6-b4a05ea5ecf6",{"label":284,"value":3560},"#eb0000",{"_type":77,"current":3562},"oral-historicity","Oral Historicity",{"other":75,"profiles":3565},[3566],{"_id":3567,"_type":340,"activeYears":3568,"bio":3571,"bioShort":3587,"featuredImage":3588,"filterables":3596,"links":3599,"locations":3602,"searchables":3617,"seo":75,"slug":3619,"title":3621},"56e1763a-8194-4fb8-8d01-62bc77a1d128",[3569],{"_id":168,"_type":169,"seo":75,"slug":3570,"title":171},{"_type":77,"current":171},[3572,3580],{"_key":3573,"_type":11,"children":3574,"markDefs":3579,"style":24},"1f0b90321f74",[3575],{"_key":3576,"_type":15,"marks":3577,"text":3578},"05b0efa23d600",[],"Jere is a Lagos/Berlin-based artist working with performance, and immersive art to examine infrastructure, hyper-identity, marginalized histories, memory and the socio-political landscapes of cities, notably Lagos and Berlin, through installations that recontextualize public and personal archives. A practice with participatory performances, audiovisual elements, XR creating layered, interactive narratives highlighting informal resilience and individual stories. Jere’s artworks blur the line between physical and digital, the past, present, and future, creating a non-linear blend that presents a critical exploration of existing archives and a reimagination of public spaces (physical and digital).\n\nJere is a Magnum Foundation Fellow, a Digital Earth Fellow as well as a World Press Photo grantee and has been selected for the Lagos-Berlin Artist/Curator residency 2021, the Dekoloniale Berlin Residency 2023 as well as 2025 Artist and Scientist in Residence at Ligetizentrum Hamburg. Jere’s work has been shown at the Uferstudios by Tanzfabrik Berlin, Douglas Hyde Gallery, Dublin, 5th Odessa Biennale of Contemporary Art, International Symposium on Electronic Art (ISEA), Durban, the 11th Bienal do Mercosul, Porto Alegre, Savvy contemporary, Berlin, Hong-Gah Museum, Taiwan, ZKU Berlin, 2nd Lagos Biennale and Museum Rietberg, Zurich amongst others.\n\nJere is a member of the curatorial collective Tantdile Xperimenta Lab with work that advocates for intersectional visibility, challenging conventional histories through community-driven storytelling and immersive experiences.",[],{"_key":3581,"_type":11,"children":3582,"markDefs":3586,"style":24},"1fae51d15884",[3583],{"_key":3584,"_type":15,"marks":3585,"text":1065},"5a945b20d5700",[],[],"Jere is a Lagos/Berlin-based artist working with performance, and immersive art to examine infrastructure, hyper-identity, marginalized histories, memory and the socio-political landscapes of cities, notably Lagos and Berlin, through installations that recontextualize public and personal archives. ",{"alt":3589,"asset":3590},"Jere Portrait at Ligetizentrum_foto - Carsten Rabe",{"_id":3591,"height":3592,"orientation":359,"ratio":3593,"url":3594,"width":3595},"image-020f965f6fda7e12ed3d8548b0ae86b17919dbd3-754x1150-png",1150,0.6556521739130434,"https://cdn.sanity.io/images/eodip22e/production/020f965f6fda7e12ed3d8548b0ae86b17919dbd3-754x1150.png",754,{"filterYear":3597},[3598],{"_id":168,"title":171},[3600],{"_type":368,"label":369,"url":3601},"https://jereikongio.com/",{"locations":3603,"other":3608},[3604,3606],{"_id":380,"_type":381,"seo":75,"slug":3605,"title":384},{"_type":77,"current":383},{"_id":1872,"_type":381,"seo":75,"slug":3607,"title":1875},{"_type":77,"current":1874},[3609],{"_key":3610,"_type":11,"children":3611,"markDefs":3616,"style":24},"17001e391de2",[3612],{"_key":3613,"_type":15,"marks":3614,"text":3615},"e07cf95b35ce",[],"Based between Lagos and Berlin",[],[3618,171],"jere ikongio",{"_type":77,"current":3620},"jere-ikongio","Jere Ikongio",{"filterCategory":3623,"filterLocation":3627,"filterYear":3630},[3624,3625,3626],{"_id":3544,"title":3549},{"_id":3551,"title":3556},{"_id":3558,"title":3563},[3628,3629],{"_id":380,"title":384},{"_id":1872,"title":1875},[3631],{"_id":168,"title":171},[],{"locations":3634,"other":75},[3635,3637],{"_id":380,"_type":381,"seo":75,"slug":3636,"title":384},{"_type":77,"current":383},{"_id":1872,"_type":381,"seo":75,"slug":3638,"title":1875},{"_type":77,"current":1874},[3640],{"_key":3641,"_type":11,"children":3642,"markDefs":3647,"style":24},"39e6e3d6e5c8",[3643],{"_key":3644,"_type":15,"marks":3645,"text":3646},"f9d7b2c570d40",[492],"digital/physical interactive art, 2025",[],[3649,3666,3693,3710,3729,3746,3757],{"_type":626,"caption":3650,"image":3659},[3651],{"_key":3652,"_type":11,"children":3653,"markDefs":3658,"style":24},"e9143c7b97b7",[3654],{"_key":3655,"_type":15,"marks":3656,"text":3657},"c51f661266ac0",[],"Screenshot of MAXMSP Patch for project",[],{"alt":3657,"asset":3660},{"_id":3661,"height":3662,"orientation":512,"ratio":3663,"url":3664,"width":3665},"image-0bd96918be2270f04e0d0a3a95d337279221f14b-1910x1000-png",1000,1.91,"https://cdn.sanity.io/images/eodip22e/production/0bd96918be2270f04e0d0a3a95d337279221f14b-1910x1000.png",1910,{"_type":574,"settings":3667,"text":3668},{"textColumnCount":637},[3669,3677,3685],{"_key":3670,"_type":11,"children":3671,"markDefs":3676,"style":24},"811a6fb3cc73",[3672],{"_key":3673,"_type":15,"marks":3674,"text":3675},"b0399d262b770",[],"A sonic intervention based on decolonial theory, and african-centered & indigenous epistemologies. We explore the idea of ephemeral memorials with sonic interventions using living archives.",[],{"_key":3678,"_type":11,"children":3679,"markDefs":3684,"style":24},"868cb29506ea",[3680],{"_key":3681,"_type":15,"marks":3682,"text":3683},"010ca116acc50",[],"The experience allows participants to contribute to an open-source sound environment, proposed as a knowledge garden, where memory is planted, echoed, and continuously reshaped. The project uses an interactive MaxMSP patch with spoken word poetry and sound art elements.",[],{"_key":3686,"_type":11,"children":3687,"markDefs":3692,"style":24},"15d8b0efb225",[3688],{"_key":3689,"_type":15,"marks":3690,"text":3691},"b18b6eca969b0",[],"Participants are invited to add their own recordings, contributing to a living library that continues as a sound installation. The project reimagines this archive as a living, collaborative practice by guiding participants to reflect on their personal and collective memories through their interests and storytelling.",[],{"_type":626,"caption":3694,"image":3703},[3695],{"_key":3696,"_type":11,"children":3697,"markDefs":3702,"style":24},"824b25d1ec1d",[3698],{"_key":3699,"_type":15,"marks":3700,"text":3701},"14e447c3a4cf0",[],"Detail, setting for intervention",[],{"alt":3701,"asset":3704},{"_id":3705,"height":3706,"orientation":359,"ratio":3707,"url":3708,"width":3709},"image-86d97437d0f806f0d26009423db00ec0e906c88a-914x1220-png",1220,0.7491803278688525,"https://cdn.sanity.io/images/eodip22e/production/86d97437d0f806f0d26009423db00ec0e906c88a-914x1220.png",914,{"_type":574,"settings":3711,"text":3712},{"textColumnCount":637},[3713,3721],{"_key":3714,"_type":11,"children":3715,"markDefs":3720,"style":24},"5638734da11b",[3716],{"_key":3717,"_type":15,"marks":3718,"text":3719},"1c11b7f4eb34",[],"Drawing from the work of thinkers such as Achille Mbembe and Chimurenga, the project explores colonial temporalities and knowledge hierarchies by transforming the ephemeral and oral into a shared, audible commons.",[],{"_key":3722,"_type":11,"children":3723,"markDefs":3728,"style":24},"4c481b2b571e",[3724],{"_key":3725,"_type":15,"marks":3726,"text":3727},"2425d397b7a0",[],"The project has been developed and presented as part of Artist and Scientist in residence 2025 programme at the Ligeti Zentrum, a joint project founded by the Hamburg University of Music and Theatre, the Technical University of Hamburg, the Hamburg University of Applied Sciences and the University Medical Center Hamburg-Eppendorf.",[],{"_type":626,"caption":3730,"image":3739},[3731],{"_key":3732,"_type":11,"children":3733,"markDefs":3738,"style":24},"fa0020f21d2c",[3734],{"_key":3735,"_type":15,"marks":3736,"text":3737},"72eba6e5c01b0",[],"public intervention, residency program, Ligetizentrum_foto - Carsten Rabe.jpg.jpg",[],{"alt":3737,"asset":3740},{"_id":3741,"height":3742,"orientation":512,"ratio":3743,"url":3744,"width":3745},"image-e8d517fff1606265216ac8eee14a69afb575b964-1414x936-png",936,1.5106837606837606,"https://cdn.sanity.io/images/eodip22e/production/e8d517fff1606265216ac8eee14a69afb575b964-1414x936.png",1414,{"_type":574,"settings":3747,"text":3748},{"textColumnCount":637},[3749],{"_key":3750,"_type":11,"children":3751,"markDefs":3756,"style":24},"1bb2ee1c66da",[3752],{"_key":3753,"_type":15,"marks":3754,"text":3755},"87635b628de4",[],"At the moment there is ongoing research as part of the 2025 cohort of the prestigious School of Commons programme. An intervention is scheduled for the Reeperbahn festival 2026, Hamburg.",[],{"_type":626,"caption":3758,"image":3767},[3759],{"_key":3760,"_type":11,"children":3761,"markDefs":3766,"style":24},"c63f720b448a",[3762],{"_key":3763,"_type":15,"marks":3764,"text":3765},"3bbe2876223b0",[],"Intervention, Ligetizentrum_foto - Carsten Rabe",[],{"alt":3765,"asset":3768},{"_id":3769,"height":3770,"orientation":359,"ratio":3771,"url":3772,"width":2118},"image-120e4c8a87c616ba70cac1ec335efca2fe05bf06-1126x1688-png",1688,0.6670616113744076,"https://cdn.sanity.io/images/eodip22e/production/120e4c8a87c616ba70cac1ec335efca2fe05bf06-1126x1688.png",[3774,3784,3794],{"_type":1306,"question":3775},[3776],{"_key":3777,"_type":11,"children":3778,"markDefs":3783,"style":24},"f1f6a426b613",[3779],{"_key":3780,"_type":15,"marks":3781,"text":3782},"432001f3a3600",[],"How can the notion of “the archive” be reimagined beyond Western epistemologies to include knowledge systems rooted in oral traditions, ephemeral art, and embodied experience?",[],{"_type":1306,"question":3785},[3786],{"_key":3787,"_type":11,"children":3788,"markDefs":3793,"style":24},"f240f7920079",[3789],{"_key":3790,"_type":15,"marks":3791,"text":3792},"f0564a3af813",[],"How can decolonial frameworks, like those articulated by Mbembe in his reflections on the “postcolony,” inform the development of a multi-modal, collaborative knowledge platform?",[],{"_type":1306,"question":3795},[3796],{"_key":3797,"_type":11,"children":3798,"markDefs":3803,"style":24},"1b93730fbaf0",[3799],{"_key":3800,"_type":15,"marks":3801,"text":3802},"9da96ec74755",[],"What role do public spaces and the digital/physical environment play in reshaping historical narratives through participatory art and collective memory?",[],[3805,171,3806,3807,3808,3646,383,1874,3618,3809,3810,3811,3812,3813,3814],"likon'yor - decolonising knowledge production through the unseen","how can the notion of “the archive” be reimagined beyond western epistemologies to include knowledge systems rooted in oral traditions, ephemeral art, and embodied experience?","how can decolonial frameworks, like those articulated by mbembe in his reflections on the “postcolony,” inform the development of a multi-modal, collaborative knowledge platform?","what role do public spaces and the digital/physical environment play in reshaping historical narratives through participatory art and collective memory?","a sonic intervention based on decolonial theory, and african-centered & indigenous epistemologies. we explore the idea of ephemeral memorials with sonic interventions using living archives.\n\nthe experience allows participants to contribute to an open-source sound environment, proposed as a knowledge garden, where memory is planted, echoed, and continuously reshaped. the project uses an interactive maxmsp patch with spoken word poetry and sound art elements.\n\nparticipants are invited to add their own recordings, contributing to a living library that continues as a sound installation. the project reimagines this archive as a living, collaborative practice by guiding participants to reflect on their personal and collective memories through their interests and storytelling.","drawing from the work of thinkers such as achille mbembe and chimurenga, the project explores colonial temporalities and knowledge hierarchies by transforming the ephemeral and oral into a shared, audible commons.\n\nthe project has been developed and presented as part of artist and scientist in residence 2025 programme at the ligeti zentrum, a joint project founded by the hamburg university of music and theatre, the technical university of hamburg, the hamburg university of applied sciences and the university medical center hamburg-eppendorf.","at the moment there is ongoing research as part of the 2025 cohort of the prestigious school of commons programme. an intervention is scheduled for the reeperbahn festival 2026, hamburg.","ephemeral memorials","peer to peer","oral historicity",{"_type":77,"current":3816},"likon-yor-decolonising-knowledge-production-through-the-unseen","Likon'yor - decolonising knowledge production through the unseen",{"_id":3819,"_type":291,"categories":3820,"credits":3828,"featuredImage":75,"filterables":3879,"footnotes":3884,"locations":75,"logbook":75,"pageBuilder":3885,"researchQuestion":75,"researchQuestions":4219,"searchables":4280,"seo":75,"slug":4291,"title":3899,"year":171},"b21680a7-ee51-4c54-b59b-5d7310f34284",[3821],{"_id":3822,"_type":295,"colorPrimary":3823,"seo":75,"slug":3825,"title":3827},"eda6d35e-98aa-4faa-971b-fa97773891aa",{"label":284,"value":3824},"#a0ffa0",{"_type":77,"current":3826},"sedimentation","Sedimentation",{"other":75,"profiles":3829},[3830],{"_id":3831,"_type":340,"activeYears":3832,"bio":3835,"bioShort":3852,"featuredImage":75,"filterables":3853,"links":3856,"locations":3861,"searchables":3874,"seo":75,"slug":3876,"title":3878},"723390f4-8117-4db0-9616-9d44bfcb7b2e",[3833],{"_id":168,"_type":169,"seo":75,"slug":3834,"title":171},{"_type":77,"current":171},[3836,3844],{"_key":3837,"_type":11,"children":3838,"markDefs":3843,"style":24},"a26edd99e234",[3839],{"_key":3840,"_type":15,"marks":3841,"text":3842},"9bd9993c076a0",[],"Nora reacts to specific social situations through object-design processes, creating object-encompassing constellations that invite exploration of social interactions which may initially feel familiar. In doing so, Nora is interested in making aspects of social interaction that tend to remain implicit momentarily explicit, opening them up for collective discussion and negotiation. ",[],{"_key":3845,"_type":11,"children":3846,"markDefs":3851,"style":24},"fc088cd3b096",[3847],{"_key":3848,"_type":15,"marks":3849,"text":3850},"7e99392dcbea",[],"Nora is a founding member of the music performance collective [sic]nals, which creates performances within installative settings and through the examination of early and newly composed music. She is currently pursuing a Master’s degree in Transdisciplinary Studies at the Zurich University of the Arts.",[],"Nora reacts to specific social situations through object-design processes that invite exploration of social interactions which may initially feel familiar. ",{"filterYear":3854},[3855],{"_id":168,"title":171},[3857,3859],{"_type":368,"label":372,"url":3858},"https://www.instagram.com/nora_sobbe/",{"_type":368,"label":369,"url":3860},"https://norasobbe.com",{"locations":3862,"other":3865},[3863],{"_id":380,"_type":381,"seo":75,"slug":3864,"title":384},{"_type":77,"current":383},[3866],{"_key":3867,"_type":11,"children":3868,"markDefs":3873,"style":24},"8dc556d02dc3",[3869],{"_key":3870,"_type":15,"marks":3871,"text":3872},"49b1a2cb0fc7",[],"based in Zurich ",[],[3875,171],"nora sobbe",{"_type":77,"current":3877},"nora-sobbe","Nora Sobbe",{"filterCategory":3880,"filterLocation":75,"filterYear":3882},[3881],{"_id":3822,"title":3827},[3883],{"_id":168,"title":171},[],[3886,3937,3968,3987,4196],{"_type":574,"settings":3887,"text":3888},{"textColumnCount":637},[3889,3905,3913,3921,3929],{"_key":3890,"_type":11,"children":3891,"markDefs":3904,"style":24},"19fcbfb2ea9b",[3892,3896,3900],{"_key":3893,"_type":15,"marks":3894,"text":3895},"a9d570308d2c0",[],"The project ",{"_key":3897,"_type":15,"marks":3898,"text":3899},"a9d570308d2c1",[492],"Mentoring as Practice",{"_key":3901,"_type":15,"marks":3902,"text":3903},"a9d570308d2c6",[]," introduces a note-spitting machine (a machine, which spits out small pieces of paper with short text inputs) to people currently engaged as mentees or mentors, as well as to those interested in starting a mentoring relationship. Mentoring is a vessel for learning/teaching, often part of everyday study life at art universities. Students are accompanied by a mentor in developing their projects, with the mentor responding to the topics or projects the mentee brings to each session. The exact way of working is usually left to the individuals involved, making mentoring a format that raises the question of how and in what constellations we want to learn together.",[],{"_key":3906,"_type":11,"children":3907,"markDefs":3912,"style":24},"483fa3db7f64",[3908],{"_key":3909,"_type":15,"marks":3910,"text":3911},"43a0f3fb80920",[],"As a mentee, I often was not fully aware that, with each mentoring session, I was actually involved in shaping how mentoring could unfold; instead, I found myself questioning certain interactions in terms of how well they aligned with my preconceived notions of what mentoring is meant to be. I realized that unspoken and undiscussed assumptions about the mentee/mentor relationship may limit how we experiment with different ways of learning as mentees/mentors.",[],{"_key":3914,"_type":11,"children":3915,"markDefs":3920,"style":24},"237288f1de14",[3916],{"_key":3917,"_type":15,"marks":3918,"text":3919},"9019e4f872170",[],"This finding motivated the development of a note-spitting machine that initiates an exchange between various mentee/mentor constellations by circulating statements, questions, gestures, and methods. The machine accompanies mentoring sessions, spitting out notes randomly toward mentee or mentor and prompting both to reflect on and discuss their preconceptions of mentoring. A feeding station invites mentee and mentor to feed the mechanism with findings from their own exchange, which will inform upcoming mentoring sessions.",[],{"_key":3922,"_type":11,"children":3923,"markDefs":3928,"style":24},"37449a9f2ae5",[3924],{"_key":3925,"_type":15,"marks":3926,"text":3927},"98e819b0a8d40",[492],"The project questions whether a structuralization of mentoring sessions might help to hold the openness of mentoring as a learning format and invite mentees and mentors to shape/enact mentoring as a practice.\n",[],{"_key":3930,"_type":11,"children":3931,"markDefs":3936,"style":24},"5c955ef1f380",[3932],{"_key":3933,"_type":15,"marks":3934,"text":3935},"e7f075fa67a00",[492],"Kann eine punktuelle Formalisierung von Mentoring-Sessions Gestaltungsspielraum öffnen?",[],{"_type":626,"caption":3938,"image":3962},[3939,3947,3955],{"_key":3940,"_type":11,"children":3941,"markDefs":3946,"style":24},"54f40067d422",[3942],{"_key":3943,"_type":15,"marks":3944,"text":3945},"f19fe9e08f07",[],"note-spitting mechanism ",[],{"_key":3948,"_type":11,"children":3949,"markDefs":3954,"style":24},"6ae9f13990af",[3950],{"_key":3951,"_type":15,"marks":3952,"text":3953},"f978dcab1488",[],"concept object: Nora Sobbe\nrealization object: Johannes Reck, Marcel Rickli\nphoto: ©Marcel Rickli",[],{"_key":3956,"_type":11,"children":3957,"markDefs":3961,"style":24},"d1db48abf8a7",[3958],{"_key":3959,"_type":15,"marks":3960,"text":1000},"df02a4d0ea3f",[],[],{"alt":75,"asset":3963},{"_id":3964,"height":3965,"orientation":512,"ratio":1180,"url":3966,"width":3967},"image-4a3d6a0debfddd7dcf8e9ee3c8ba28bf31b27a48-2500x1875-jpg",1875,"https://cdn.sanity.io/images/eodip22e/production/4a3d6a0debfddd7dcf8e9ee3c8ba28bf31b27a48-2500x1875.jpg",2500,{"_type":574,"settings":3969,"text":3970},{"textColumnCount":637},[3971,3979],{"_key":3972,"_type":11,"children":3973,"markDefs":3978,"style":24},"06d0c04bf13a",[3974],{"_key":3975,"_type":15,"marks":3976,"text":3977},"5f277cdfe1fb0",[],"HOW THE NOTE-SPITTING-MACHINE WORKS: ",[],{"_key":3980,"_type":11,"children":3981,"markDefs":3986,"style":24},"9cebc4587382",[3982],{"_key":3983,"_type":15,"marks":3984,"text":3985},"9e86eeb07997",[],"The object is positioned during mentoring sessions between mentee (A) and mentor (B) and spits out notes at defined time intervals (within a random range) in the direction of A/B. The notes contain utterances/questions/gestures/methods. A or B is invited to read the note aloud to their counterpart in several ways: as an offer for interaction; by distancing themselves from it and thereby updating the mentoring setting as it exists; modifying it in contrast to the slip of paper; and so on. A feeding station is crucial for the setting, where the pool of statements and questions from which the object randomly selects is generated. Mentees and mentors are invited to type on a keyboard utterances/questions they would have liked to say/ask in a mentoring session to note actions waiting to be realized within a mentoring session (“I actually wish I had recorded the conversation.”) or to note actions/gestures that could become a method (“I brought strawberries from my neighbor’s garden, just take some!”). The notes are digitally saved and can be assigned to either A or B, or they are saved under the category “A/B”: here the object randomly decides whether the statement/question will be spat in the direction of A or B during upcoming mentoring sessions. The note-spitting machine draws on the digital storage that is generated by mentees and mentors at the feeding station.",[],{"_type":574,"settings":3988,"text":3989},{"textColumnCount":637},[3990,3998,4013,4021,4029,4037,4044,4052,4060,4068,4076,4084,4092,4100,4108,4116,4124,4132,4140,4148,4156,4164,4172,4188],{"_key":3991,"_type":11,"children":3992,"markDefs":3997,"style":24},"c0d712080dad",[3993],{"_key":3994,"_type":15,"marks":3995,"text":3996},"ac698c7cc70f0",[],"WORKSHOP WITH THE PEERS OF THE 25/26 SCHOOL OF COMMONS COHORT: ",[],{"_key":3999,"_type":11,"children":4000,"markDefs":4012,"style":24},"05fa31814427",[4001,4005,4008],{"_key":4002,"_type":15,"marks":4003,"text":4004},"cd1d51e23f20",[],"During the ",{"_key":4006,"_type":15,"marks":4007,"text":18},"ac698c7cc70f1",[492],{"_key":4009,"_type":15,"marks":4010,"text":4011},"ac698c7cc70f6",[]," Gathering from July 4–6, I collected slips of paper with the peersof the 25/26 cohort for the note-spitting-machine. It was one of the first opportunities to generate notes for the spitting mechanism. In a roughly 50-minute workshop, we simulated mentoring sessions in which the note-spitting object was involved in an adapted form.",[],{"_key":4014,"_type":11,"children":4015,"markDefs":4020,"style":24},"0f8825e1edce",[4016],{"_key":4017,"_type":15,"marks":4018,"text":4019},"036d28e1535d0",[],"I asked the workshop participants to form groups of three. Each group member briefly introduced a topic or project they were currently working on and would like to explore further through discussion. In the next step, each group selected one of these topics or projects. The person who had proposed the chosen topic became the mentee, while the other two negotiated who would take on the role of note-taker during the conversation and who would act as the mentor. For approximately 30 minutes, participants were then invited to discuss the mentee’s topic, or, in the case of the note-taker, to document the conversation. The mentee could express in advance any preferences regarding what the notes should focus on.",[],{"_key":4022,"_type":11,"children":4023,"markDefs":4028,"style":24},"5be1fb2abdd7",[4024],{"_key":4025,"_type":15,"marks":4026,"text":4027},"27e978170e490",[],"To involve the note-spitting-machine in this setting with several mentoring sessions of three-person groups, it was necessary to adapt the way the object functioned, since it existed and currently exists only in a single version and cannot participate in multiple mentoring sessions simultaneously. I therefore positioned myself next to the spit mechanism, and every time the mechanism would have stuck out its tongue and spat out a slip, I projected a note labeled “Mentee:” / “Mentor.” Additionally, a small auditory signal was needed to draw the mentee’s and mentor’s attention to the “spat-out” slip. The mentee and mentor could then decide whether to integrate the statement/question/method/gesture written on the slip into their conversation or to distance themselves from it.",[],{"_key":4030,"_type":11,"children":4031,"markDefs":4036,"style":24},"0fd61bb2b221",[4032],{"_key":4033,"_type":15,"marks":4034,"text":4035},"a853b6835fee0",[],"At the end of the workshop, the groups were asked to use the final ten minutes to write down statements, questions, methods, or gestures that could inform future mentoring sessions:",[],{"_key":4038,"_type":11,"children":4039,"markDefs":4043,"style":24},"ee5c1427a5d5",[4040],{"_key":4041,"_type":15,"marks":4042,"text":1000},"c794d371b177",[],[],{"_key":4045,"_type":11,"children":4046,"markDefs":4051,"style":24},"17b238ab7bd3",[4047],{"_key":4048,"_type":15,"marks":4049,"text":4050},"50a7d9eea2c60",[],"Mentor: How does it show up/display in your context/culture?",[],{"_key":4053,"_type":11,"children":4054,"markDefs":4059,"style":24},"9bea667006e0",[4055],{"_key":4056,"_type":15,"marks":4057,"text":4058},"a6cd9173c7670",[],"Mentee/Mentor: Why is it not possible?",[],{"_key":4061,"_type":11,"children":4062,"markDefs":4067,"style":24},"76decda34a6a",[4063],{"_key":4064,"_type":15,"marks":4065,"text":4066},"0b1cdaad48510",[],"Mentee: How to work collectively? How to equally share responsibility in collective work?",[],{"_key":4069,"_type":11,"children":4070,"markDefs":4075,"style":24},"5b1770737109",[4071],{"_key":4072,"_type":15,"marks":4073,"text":4074},"60aca93a85f10",[],"Mentor: What are the challenges the Mentee faces from their own experience? Situated Knowledge",[],{"_key":4077,"_type":11,"children":4078,"markDefs":4083,"style":24},"8657e47a769d",[4079],{"_key":4080,"_type":15,"marks":4081,"text":4082},"05ca8819dfe80",[],"Mentor: Is a leader important? Is it leading or is it care work?",[],{"_key":4085,"_type":11,"children":4086,"markDefs":4091,"style":24},"b3f2ce64d545",[4087],{"_key":4088,"_type":15,"marks":4089,"text":4090},"03559e97b3f50",[],"Mentor: How did you first come up with the idea?",[],{"_key":4093,"_type":11,"children":4094,"markDefs":4099,"style":24},"8329eb9ac3dd",[4095],{"_key":4096,"_type":15,"marks":4097,"text":4098},"84911603e22a0",[],"Mentee: What made you ask this question?",[],{"_key":4101,"_type":11,"children":4102,"markDefs":4107,"style":24},"01a8a1148f7f",[4103],{"_key":4104,"_type":15,"marks":4105,"text":4106},"97cb9629dd9c0",[],"Mentor: Was what I just said helpful?",[],{"_key":4109,"_type":11,"children":4110,"markDefs":4115,"style":24},"f3db7719c5bd",[4111],{"_key":4112,"_type":15,"marks":4113,"text":4114},"c1b1745fd8170",[],"Mentor: Turn back to yourself!",[],{"_key":4117,"_type":11,"children":4118,"markDefs":4123,"style":24},"c9e46641e781",[4119],{"_key":4120,"_type":15,"marks":4121,"text":4122},"9006ed1b7c340",[],"Mentor: Let’s bring ChatGPT into conversation.",[],{"_key":4125,"_type":11,"children":4126,"markDefs":4131,"style":24},"cf7eb5833dfa",[4127],{"_key":4128,"_type":15,"marks":4129,"text":4130},"a56a8064c1db0",[],"Mentee: You could form a silly research/mutual aid group.",[],{"_key":4133,"_type":11,"children":4134,"markDefs":4139,"style":24},"4ae92f5648e3",[4135],{"_key":4136,"_type":15,"marks":4137,"text":4138},"80e9fb5110520",[],"Mentee/Mentor: How do you practice what you teach?",[],{"_key":4141,"_type":11,"children":4142,"markDefs":4147,"style":24},"5b9cc2c2c66c",[4143],{"_key":4144,"_type":15,"marks":4145,"text":4146},"669ae847e33b0",[],"Mentor: How can we be more silly + playful together?",[],{"_key":4149,"_type":11,"children":4150,"markDefs":4155,"style":24},"ea84a3e1cca5",[4151],{"_key":4152,"_type":15,"marks":4153,"text":4154},"b599614e68f60",[],"Mentee/Mentor: Both share personal experiences about the subject!",[],{"_key":4157,"_type":11,"children":4158,"markDefs":4163,"style":24},"77f0cb909376",[4159],{"_key":4160,"_type":15,"marks":4161,"text":4162},"3f3aeaec358d0",[],"Mentee/Mentor: Can you think about a starting point/initial state or instructions to start the book/practice?",[],{"_key":4165,"_type":11,"children":4166,"markDefs":4171,"style":24},"6d9c28c90c03",[4167],{"_key":4168,"_type":15,"marks":4169,"text":4170},"e9857d515d030",[],"Mentee/Mentor: When is it a good moment to receive feedback?",[],{"_key":4173,"_type":11,"children":4174,"markDefs":4187,"style":24},"839fb01664f9",[4175,4179,4183],{"_key":4176,"_type":15,"marks":4177,"text":4178},"37ed0a597fe50",[],"Mentee/Mentor: To use ",{"_key":4180,"_type":15,"marks":4181,"text":4182},"37ed0a597fe51",[492],"DAS Theatre",{"_key":4184,"_type":15,"marks":4185,"text":4186},"37ed0a597fe54",[]," methods when a Mentor (What kind of feedback would you like).",[],{"_key":4189,"_type":11,"children":4190,"markDefs":4195,"style":24},"3f211f336037",[4191],{"_key":4192,"_type":15,"marks":4193,"text":4194},"a464dd958db30",[],"Mentor: What is another project/interest you have (for more perspective)?",[],{"_type":626,"caption":4197,"image":4214},[4198,4206],{"_key":4199,"_type":11,"children":4200,"markDefs":4205,"style":24},"23432acf2f2e",[4201],{"_key":4202,"_type":15,"marks":4203,"text":4204},"de2164e212f00",[],"notes collected within the SoC Cohort 2025/2026",[],{"_key":4207,"_type":11,"children":4208,"markDefs":4213,"style":24},"285f6ec63d8c",[4209],{"_key":4210,"_type":15,"marks":4211,"text":4212},"7dc17c2220de0",[],"\n\n",[],{"alt":75,"asset":4215},{"_id":4216,"height":4217,"orientation":512,"ratio":1213,"url":4218,"width":634},"image-081b89d08f766d02aa6358c8a26fea71523d9a13-2280x1520-jpg",1520,"https://cdn.sanity.io/images/eodip22e/production/081b89d08f766d02aa6358c8a26fea71523d9a13-2280x1520.jpg",[4220,4230,4240,4250,4260,4270],{"_type":1306,"question":4221},[4222],{"_key":4223,"_type":11,"children":4224,"markDefs":4229,"style":24},"77227da3d17b",[4225],{"_key":4226,"_type":15,"marks":4227,"text":4228},"c047776ba6210",[],"What resources are needed in order to enter into mentoring relationships?",[],{"_type":1306,"question":4231},[4232],{"_key":4233,"_type":11,"children":4234,"markDefs":4239,"style":24},"2ff6b23deb9e",[4235],{"_key":4236,"_type":15,"marks":4237,"text":4238},"48c66898e6ab",[],"How are mentoring relationships initiated?",[],{"_type":1306,"question":4241},[4242],{"_key":4243,"_type":11,"children":4244,"markDefs":4249,"style":24},"b70a89784986",[4245],{"_key":4246,"_type":15,"marks":4247,"text":4248},"b677e57b4567",[],"What role do differences in experience play in this form of relationship – or can they be understood as peer-to-peer encounters?",[],{"_type":1306,"question":4251},[4252],{"_key":4253,"_type":11,"children":4254,"markDefs":4259,"style":24},"dc4e5ace61e7",[4255],{"_key":4256,"_type":15,"marks":4257,"text":4258},"0ac40de0911e",[],"How does group mentoring differ from one-on-one mentoring situations?",[],{"_type":1306,"question":4261},[4262],{"_key":4263,"_type":11,"children":4264,"markDefs":4269,"style":24},"b4630a3b601f",[4265],{"_key":4266,"_type":15,"marks":4267,"text":4268},"d69a0b4864db",[],"How do mentoring relationships relate to other social forms such as friendship, partnership, or (chosen) family? Could mentoring perhaps be understood as a conversational mode that friendships, partnerships, and other relationships may temporarily adopt? Or does mentoring extend beyond the moment of speaking?",[],{"_type":1306,"question":4271},[4272],{"_key":4273,"_type":11,"children":4274,"markDefs":4279,"style":24},"6e748c2e93c3",[4275],{"_key":4276,"_type":15,"marks":4277,"text":4278},"737a58f0a3f1",[],"Do mentoring relationships serve a broader purpose that exceeds the one-on-one encounter?",[],[4281,171,4282,4283,4284,4285,4286,4287,3875,4288,4289,4290,3826],"mentoring as practice","what resources are needed in order to enter into mentoring relationships?","how are mentoring relationships initiated?","what role do differences in experience play in this form of relationship – or can they be understood as peer-to-peer encounters?","how does group mentoring differ from one-on-one mentoring situations?","how do mentoring relationships relate to other social forms such as friendship, partnership, or (chosen) family? could mentoring perhaps be understood as a conversational mode that friendships, partnerships, and other relationships may temporarily adopt? or does mentoring extend beyond the moment of speaking?","do mentoring relationships serve a broader purpose that exceeds the one-on-one encounter?","the project mentoring as practice introduces a note-spitting machine (a machine, which spits out small pieces of paper with short text inputs) to people currently engaged as mentees or mentors, as well as to those interested in starting a mentoring relationship. mentoring is a vessel for learning/teaching, often part of everyday study life at art universities. students are accompanied by a mentor in developing their projects, with the mentor responding to the topics or projects the mentee brings to each session. the exact way of working is usually left to the individuals involved, making mentoring a format that raises the question of how and in what constellations we want to learn together.\n\nas a mentee, i often was not fully aware that, with each mentoring session, i was actually involved in shaping how mentoring could unfold; instead, i found myself questioning certain interactions in terms of how well they aligned with my preconceived notions of what mentoring is meant to be. i realized that unspoken and undiscussed assumptions about the mentee/mentor relationship may limit how we experiment with different ways of learning as mentees/mentors.\n\nthis finding motivated the development of a note-spitting machine that initiates an exchange between various mentee/mentor constellations by circulating statements, questions, gestures, and methods. the machine accompanies mentoring sessions, spitting out notes randomly toward mentee or mentor and prompting both to reflect on and discuss their preconceptions of mentoring. a feeding station invites mentee and mentor to feed the mechanism with findings from their own exchange, which will inform upcoming mentoring sessions.\n\nthe project questions whether a structuralization of mentoring sessions might help to hold the openness of mentoring as a learning format and invite mentees and mentors to shape/enact mentoring as a practice.\n\n\nkann eine punktuelle formalisierung von mentoring-sessions gestaltungsspielraum öffnen?","how the note-spitting-machine works: \n\nthe object is positioned during mentoring sessions between mentee (a) and mentor (b) and spits out notes at defined time intervals (within a random range) in the direction of a/b. the notes contain utterances/questions/gestures/methods. a or b is invited to read the note aloud to their counterpart in several ways: as an offer for interaction; by distancing themselves from it and thereby updating the mentoring setting as it exists; modifying it in contrast to the slip of paper; and so on. a feeding station is crucial for the setting, where the pool of statements and questions from which the object randomly selects is generated. mentees and mentors are invited to type on a keyboard utterances/questions they would have liked to say/ask in a mentoring session to note actions waiting to be realized within a mentoring session (“i actually wish i had recorded the conversation.”) or to note actions/gestures that could become a method (“i brought strawberries from my neighbor’s garden, just take some!”). the notes are digitally saved and can be assigned to either a or b, or they are saved under the category “a/b”: here the object randomly decides whether the statement/question will be spat in the direction of a or b during upcoming mentoring sessions. the note-spitting machine draws on the digital storage that is generated by mentees and mentors at the feeding station.","workshop with the peers of the 25/26 school of commons cohort: \n\nduring the school of commons gathering from july 4–6, i collected slips of paper with the peersof the 25/26 cohort for the note-spitting-machine. it was one of the first opportunities to generate notes for the spitting mechanism. in a roughly 50-minute workshop, we simulated mentoring sessions in which the note-spitting object was involved in an adapted form.\n\ni asked the workshop participants to form groups of three. each group member briefly introduced a topic or project they were currently working on and would like to explore further through discussion. in the next step, each group selected one of these topics or projects. the person who had proposed the chosen topic became the mentee, while the other two negotiated who would take on the role of note-taker during the conversation and who would act as the mentor. for approximately 30 minutes, participants were then invited to discuss the mentee’s topic, or, in the case of the note-taker, to document the conversation. the mentee could express in advance any preferences regarding what the notes should focus on.\n\nto involve the note-spitting-machine in this setting with several mentoring sessions of three-person groups, it was necessary to adapt the way the object functioned, since it existed and currently exists only in a single version and cannot participate in multiple mentoring sessions simultaneously. i therefore positioned myself next to the spit mechanism, and every time the mechanism would have stuck out its tongue and spat out a slip, i projected a note labeled “mentee:” / “mentor.” additionally, a small auditory signal was needed to draw the mentee’s and mentor’s attention to the “spat-out” slip. the mentee and mentor could then decide whether to integrate the statement/question/method/gesture written on the slip into their conversation or to distance themselves from it.\n\nat the end of the workshop, the groups were asked to use the final ten minutes to write down statements, questions, methods, or gestures that could inform future mentoring sessions:\n\n\n\nmentor: how does it show up/display in your context/culture?\n\nmentee/mentor: why is it not possible?\n\nmentee: how to work collectively? how to equally share responsibility in collective work?\n\nmentor: what are the challenges the mentee faces from their own experience? situated knowledge\n\nmentor: is a leader important? is it leading or is it care work?\n\nmentor: how did you first come up with the idea?\n\nmentee: what made you ask this question?\n\nmentor: was what i just said helpful?\n\nmentor: turn back to yourself!\n\nmentor: let’s bring chatgpt into conversation.\n\nmentee: you could form a silly research/mutual aid group.\n\nmentee/mentor: how do you practice what you teach?\n\nmentor: how can we be more silly + playful together?\n\nmentee/mentor: both share personal experiences about the subject!\n\nmentee/mentor: can you think about a starting point/initial state or instructions to start the book/practice?\n\nmentee/mentor: when is it a good moment to receive feedback?\n\nmentee/mentor: to use das theatre methods when a mentor (what kind of feedback would you like).\n\nmentor: what is another project/interest you have (for more perspective)?",{"_type":77,"current":4292},"mentoring-as-practice",{"_id":4294,"_type":291,"categories":4295,"credits":4303,"featuredImage":4377,"filterables":4383,"footnotes":4390,"locations":4391,"logbook":75,"pageBuilder":4395,"researchQuestion":75,"researchQuestions":4475,"searchables":4486,"seo":75,"slug":4492,"title":4487,"year":171},"aa9e1ab4-154a-4d06-8d73-97d96eaa509f",[4296],{"_id":4297,"_type":295,"colorPrimary":4298,"seo":75,"slug":4300,"title":4302},"dd30adec-cc1e-4fbf-b276-81cd439a07ca",{"label":284,"value":4299},"#00b900",{"_type":77,"current":4301},"family","\"Family\"",{"other":75,"profiles":4304},[4305],{"_id":4306,"_type":340,"activeYears":4307,"bio":4310,"bioShort":4317,"featuredImage":4350,"filterables":4357,"links":75,"locations":4360,"searchables":4373,"seo":75,"slug":4375,"title":4374},"176ac6d1-f92d-465f-8f31-fb00af7edf06",[4308],{"_id":168,"_type":169,"seo":75,"slug":4309,"title":171},{"_type":77,"current":171},[4311,4319,4327,4335,4342],{"_key":4312,"_type":11,"children":4313,"markDefs":4318,"style":24},"b8f8d48f25c5",[4314],{"_key":4315,"_type":15,"marks":4316,"text":4317},"27cb066ab5a0",[],"Research-based theatre and multi-media arts.",[],{"_key":4320,"_type":11,"children":4321,"markDefs":4326,"style":24},"88e857a2c2d0",[4322],{"_key":4323,"_type":15,"marks":4324,"text":4325},"7120e1a9b9ce",[],"In their work caro looks at social and political conditions under which we live, work, practice, act and become to be “someone”. They are interested in how things are being normalized as part of *Western civilization history* or *global capitalism* or *German democratic history*, looking at how forms of violence materialize and are represented in architectures and aesthetics of the city as well as in institutions and structures of the nation state through which they forms our bodies and minds.",[],{"_key":4328,"_type":11,"children":4329,"markDefs":4334,"style":24},"f9412ed31eae",[4330],{"_key":4331,"_type":15,"marks":4332,"text":4333},"b55d3e72c426",[],"In their research-based work, processes of scrutinization, experimenting, reflecting and embodying happen simultaneously and find into multimedia-based spacial arrangements involving both, bodies of performers and audience. They have realized theatre plays/performances as well as site-specific installations including sound, video and text.",[],{"_key":4336,"_type":11,"children":4337,"markDefs":4341,"style":24},"d5d947078a88",[4338],{"_key":4339,"_type":15,"marks":4340,"text":1000},"1228450a282e",[],[],{"_key":4343,"_type":11,"children":4344,"markDefs":4349,"style":24},"c3dd07679f3f",[4345],{"_key":4346,"_type":15,"marks":4347,"text":4348},"8f23375c5f1f",[],"Currently researching on family as an institution and a practice, caro looks at their own family background and heritage scrutinizing how silences within politics of remembrance foundational to the German national state cohere with the ones within their own family constellation.",[],{"alt":75,"asset":4351},{"_id":4352,"height":4353,"orientation":512,"ratio":4354,"url":4355,"width":4356},"image-c5ed562865733110c68d23f6bebedc49d273e290-804x604-png",604,1.3311258278145695,"https://cdn.sanity.io/images/eodip22e/production/c5ed562865733110c68d23f6bebedc49d273e290-804x604.png",804,{"filterYear":4358},[4359],{"_id":168,"title":171},{"locations":4361,"other":4364},[4362],{"_id":380,"_type":381,"seo":75,"slug":4363,"title":384},{"_type":77,"current":383},[4365],{"_key":4366,"_type":11,"children":4367,"markDefs":4372,"style":24},"0b3590c17dbd",[4368],{"_key":4369,"_type":15,"marks":4370,"text":4371},"d93b44b9e2740",[],"berlin, cologne",[],[4374,171],"caro bodensteiner",{"_type":77,"current":4376},"caro-bodensteiner",{"alt":4378,"asset":4379},"by caro bodensteiner",{"_id":4380,"height":4381,"orientation":512,"ratio":1180,"url":4382,"width":2906},"image-0edacdc07b08c44417ce04e35b57ea4129f6a6bf-2000x1500-jpg",1500,"https://cdn.sanity.io/images/eodip22e/production/0edacdc07b08c44417ce04e35b57ea4129f6a6bf-2000x1500.jpg",{"filterCategory":4384,"filterLocation":4386,"filterYear":4388},[4385],{"_id":4297,"title":4302},[4387],{"_id":380,"title":384},[4389],{"_id":168,"title":171},[],{"locations":4392,"other":75},[4393],{"_id":380,"_type":381,"seo":75,"slug":4394,"title":384},{"_type":77,"current":383},[4396,4409,4436,4463],{"_type":574,"settings":4397,"text":4398},{"textColumnCount":637},[4399],{"_key":4400,"_type":11,"children":4401,"markDefs":4408,"style":24},"7b316250d088",[4402,4406],{"_key":4403,"_type":15,"marks":4404,"text":4405},"8275d807b78a0",[492],"'reformulating responsibility as collective effort and form of care within family structures and beyond as social practice that doesn’t maintain status quo again and again but cares for continuous and sustainable (re)production of sociality and solidarity'",{"_key":4403,"_type":15,"marks":4407,"text":1000},[],[],{"_type":574,"settings":4410,"text":4411},{"textColumnCount":637},[4412,4428],{"_key":4413,"_type":11,"children":4414,"markDefs":4427,"style":24},"a626d3a44229",[4415,4419,4423],{"_key":4416,"_type":15,"marks":4417,"text":4418},"4878660463ed0",[],"Is located around family as fundamental relation most of us share in context-specific and individual forms. Going beyond idealized notions of *perfect families* and the idea of one generative family – often a patriarchal and heteronormative institution, built to reproduce and maintain the status quo – leaving the atomic family of “western” contexts behind, individualized in privatized isolation, ",{"_key":4420,"_type":15,"marks":4421,"text":4422},"4878660463ed1",[492],"Practicing family",{"_key":4424,"_type":15,"marks":4425,"text":4426},"4878660463ed2",[]," wants to understand family as first place where we learn about the world and thus a collection of knowledges coming from histories, individual and collective experiences, cultural practices ... how can this knowledge become a more conscious part of living life in the present? How can it become something else than avoiding problematic parts of one’s history leading to passiveness, called “neutrality”? But activating for mutual accountability, a practice, conscious about historical heritage?",[],{"_key":4429,"_type":11,"children":4430,"markDefs":4435,"style":24},"4c468739fed9",[4431],{"_key":4432,"_type":15,"marks":4433,"text":4434},"c112e7990fa10",[],"The project wants to look at family practice as transformative, ongoing process, as a counter practice against the nation state, through which logics of whiteness as lifestyle in which the ones who produce tons of waste are not the ones to take care of that waste (and that work is being outsourced along the separation lines of race, class and gender), are being legitimized and naturalized.",[],{"_type":574,"settings":4437,"text":4438},{"textColumnCount":637},[4439,4447,4455],{"_key":4440,"_type":11,"children":4441,"markDefs":4446,"style":24},"191b1b3076b3",[4442],{"_key":4443,"_type":15,"marks":4444,"text":4445},"d44ca6e88299",[17],"What is family?",[],{"_key":4448,"_type":11,"children":4449,"markDefs":4454,"style":24},"9fb4ca3cff27",[4450],{"_key":4451,"_type":15,"marks":4452,"text":4453},"032ccbe863de",[492],"(incomplete list)",[],{"_key":4456,"_type":11,"children":4457,"markDefs":4462,"style":24},"72a2d2ba1c90",[4458],{"_key":4459,"_type":15,"marks":4460,"text":4461},"601751c268f2",[],"A group of people\nA social norm\nBlood\nChosen\nBelonging, love, care, safety, unconditionality, …\nAvoidance, pain, trauma, guilt, violence, …\nTo be continued, promising a permanence\nA (legal) institution reproducing the status quo – patriarchal, heteronormative, atomic individualized, isolated in private households, “non-political”\nCommunity, collectivity,\nThere is no generative family\nTo be abolished?\nKnowledge, practice, basic relationship amongst individuals or people or\nbodies, social relation\nA counter practice against the nation-state_ an ongoing transformative process\nA space for each other, held by each other\nOpenness, honesty, solidarity\nKinship, sharing, critique, growing, questioning, exploring",[],{"_type":626,"caption":4464,"image":4473},[4465],{"_key":4466,"_type":11,"children":4467,"markDefs":4472,"style":24},"b0193360622e",[4468],{"_key":4469,"_type":15,"marks":4470,"text":4471},"5ed135654e4f",[],"'family portrait' by caro bodensteiner (SoC Gathering, Zurich 2025)",[],{"alt":75,"asset":4474},{"_id":4380,"height":4381,"orientation":512,"ratio":1180,"url":4382,"width":2906},[4476],{"_type":1306,"question":4477},[4478],{"_key":4479,"_type":11,"children":4480,"markDefs":4485,"style":24},"e4bf7abde9d7",[4481],{"_key":4482,"_type":15,"marks":4483,"text":4484},"a0f6591483520",[],"How can it become something other than the avoidance of problematic parts of one’s history—an avoidance that leads to passivity, often called ‘neutrality’? How can it instead be activated as a practice of mutual accountability, one that remains conscious of historical heritage?",[],[4487,171,4488,383,4374,4405,4489,4490,4491],"practicing family","how can it become something other than the avoidance of problematic parts of one’s history—an avoidance that leads to passivity, often called ‘neutrality’? how can it instead be activated as a practice of mutual accountability, one that remains conscious of historical heritage?","is located around family as fundamental relation most of us share in context-specific and individual forms. going beyond idealized notions of *perfect families* and the idea of one generative family – often a patriarchal and heteronormative institution, built to reproduce and maintain the status quo – leaving the atomic family of “western” contexts behind, individualized in privatized isolation, practicing family wants to understand family as first place where we learn about the world and thus a collection of knowledges coming from histories, individual and collective experiences, cultural practices ... how can this knowledge become a more conscious part of living life in the present? how can it become something else than avoiding problematic parts of one’s history leading to passiveness, called “neutrality”? but activating for mutual accountability, a practice, conscious about historical heritage?\n\nthe project wants to look at family practice as transformative, ongoing process, as a counter practice against the nation state, through which logics of whiteness as lifestyle in which the ones who produce tons of waste are not the ones to take care of that waste (and that work is being outsourced along the separation lines of race, class and gender), are being legitimized and naturalized.","what is family?\n\n(incomplete list)\n\na group of people\na social norm\nblood\nchosen\nbelonging, love, care, safety, unconditionality, …\navoidance, pain, trauma, guilt, violence, …\nto be continued, promising a permanence\na (legal) institution reproducing the status quo – patriarchal, heteronormative, atomic individualized, isolated in private households, “non-political”\ncommunity, collectivity,\nthere is no generative family\nto be abolished?\nknowledge, practice, basic relationship amongst individuals or people or\nbodies, social relation\na counter practice against the nation-state_ an ongoing transformative process\na space for each other, held by each other\nopenness, honesty, solidarity\nkinship, sharing, critique, growing, questioning, exploring","\"family\"",{"_type":77,"current":4493},"practicing-family",{"_id":4495,"_type":291,"categories":4496,"credits":4504,"featuredImage":4571,"filterables":4574,"footnotes":4581,"locations":4582,"logbook":75,"pageBuilder":4586,"researchQuestion":75,"researchQuestions":75,"searchables":4628,"seo":75,"slug":4631,"title":4572,"year":171},"d3d1357f-6f4b-4816-a632-f531f6afb8ca",[4497],{"_id":4498,"_type":295,"colorPrimary":4499,"seo":75,"slug":4501,"title":4503},"c06f01fd-3dc8-4f26-8faf-b555d48ee20c",{"label":284,"value":4500},"#ff0f00",{"_type":77,"current":4502},"radio","Radio",{"other":75,"profiles":4505},[4506],{"_id":4507,"_type":340,"activeYears":4508,"bio":4511,"bioShort":4536,"featuredImage":4537,"filterables":4545,"links":4548,"locations":4552,"searchables":4565,"seo":4567,"slug":4569,"title":4538},"3ba8f84e-f64a-4788-bd7f-4ee213cd575b",[4509],{"_id":168,"_type":169,"seo":75,"slug":4510,"title":171},{"_type":77,"current":171},[4512],{"_key":4513,"_type":11,"children":4514,"markDefs":4535,"style":24},"cb7ea8630e1d",[4515,4519,4523,4527,4531],{"_key":4516,"_type":15,"marks":4517,"text":4518},"4b70dd217a4a0",[],"Shortwave Collective is an international feminist artist group using the radio spectrum as artistic material. We spend time together remotely and in hybrid forms, making, testing, and sharing. Through this collective practice, we have created a new design for a homemade, ecological, and open radio receiver that connects the listener to a fusion of natural radio emissions and many human-generated transmissions. A year after our founding, we published this design in MAKE magazine (2021) and have since delivered workshops nationally and internationally, developing new models through a participatory practice. During our public art project ",{"_key":4520,"_type":15,"marks":4521,"text":4522},"4b70dd217a4a1",[492],"Living Radio Lab ",{"_key":4524,"_type":15,"marks":4525,"text":4526},"4b70dd217a4a2",[],"as part of Struer Tracks Biennial for Sound and Listening (2023), we invited festival-goers and local residents to develop simple amplifiers in oyster shells with us. We recently published reflections on our methodology for radio-listening as a plural, situated, and embodied endeavour in ",{"_key":4528,"_type":15,"marks":4529,"text":4530},"4b70dd217a4a3",[492],"Bodies of Sound: Becoming a Feminist Ear ",{"_key":4532,"_type":15,"marks":4533,"text":4534},"4b70dd217a4a4",[],"(eds. Revell & Shin, 2024). We also shared our collective listening practice in a 22-hour radio broadcast for Radio Art Zone (2022), a 24-hour transmission for PAM Common Art Collective (2025), and a piece for BBC Short Cuts (2025).",[],"Shortwave Collective is an international feminist group using the electromagetic spectrum as artistic material. Active members: Alyssa Moxley, Brigitte Hart, Georgia Leigh-Münster, Hannah Kemp-Welch, Maria Papadomanolaki.",{"alt":4538,"asset":4539},"Shortwave Collective",{"_id":4540,"height":4541,"orientation":512,"ratio":4542,"url":4543,"width":4544},"image-0021fb6a0cbb93893ddcc7085fb4204a6f4840ee-964x636-png",636,1.5157232704402517,"https://cdn.sanity.io/images/eodip22e/production/0021fb6a0cbb93893ddcc7085fb4204a6f4840ee-964x636.png",964,{"filterYear":4546},[4547],{"_id":168,"title":171},[4549],{"_type":368,"label":4550,"url":4551},"shortwavecollective.net","http://www.shortwavecollective.net",{"locations":4553,"other":4556},[4554],{"_id":2384,"_type":381,"seo":75,"slug":4555,"title":2387},{"_type":77,"current":2386},[4557],{"_key":4558,"_type":11,"children":4559,"markDefs":4564,"style":24},"8ef597b7adfe",[4560],{"_key":4561,"_type":15,"marks":4562,"text":4563},"43b8898fd2d2",[],"International",[],[4566,171],"shortwave collective",{"metaDescription":4568,"metaTitle":4538,"shareImage":75},"A biography of Shortwave Collective as part of the School of Commons project.",{"_type":77,"current":4570},"shortwave-collective",{"alt":4572,"asset":4573},"Radio-dreaming into the Electromagnetic Commons",{"_id":4540,"height":4541,"orientation":512,"ratio":4542,"url":4543,"width":4544},{"filterCategory":4575,"filterLocation":4577,"filterYear":4579},[4576],{"_id":4498,"title":4503},[4578],{"_id":2384,"title":2387},[4580],{"_id":168,"title":171},[],{"locations":4583,"other":75},[4584],{"_id":2384,"_type":381,"seo":75,"slug":4585,"title":2387},{"_type":77,"current":2386},[4587],{"_type":574,"settings":4588,"text":4589},{"textColumnCount":637},[4590,4598,4605,4613,4620],{"_key":4591,"_type":11,"children":4592,"markDefs":4597,"style":24},"9d5ee04b60b3",[4593],{"_key":4594,"_type":15,"marks":4595,"text":4596},"34e17066bc510",[],"Over the past five years, our work has focused on broad frequency radio reception: designing radio receivers, antennas and other devices that allow us to transduce the electromagnetic waves around us into sound. We’ve considered ‘plural’ ways of listening and developed a collective practice around radio-making. We’d now like to tune our research to consider what we hear—and what we don’t.",[],{"_key":4599,"_type":11,"children":4600,"markDefs":4604,"style":24},"7002ca3e8172",[4601],{"_key":4602,"_type":15,"marks":4603,"text":1000},"d4dc8aa04a780",[],[],{"_key":4606,"_type":11,"children":4607,"markDefs":4612,"style":24},"ec27c183654a",[4608],{"_key":4609,"_type":15,"marks":4610,"text":4611},"64b032d05e350",[],"The radio spectrum is partitioned into ‘bands’ of frequencies by international coordination and national regulation. Bands are allocated for different purposes, such as broadcasting, aviation, mobile networks, satellites and amateur communications. Though radio waves are infinite, the range of their frequencies is finite, making the spectrum a valuable resource. Corporations that rely on radio waves for their technological products (mobile networks, satellite firms, etc) lobby governments to prioritise their use. As such, control over frequency allocation is both a technical and a political issue.",[],{"_key":4614,"_type":11,"children":4615,"markDefs":4619,"style":24},"3012c8e58a72",[4616],{"_key":4617,"_type":15,"marks":4618,"text":1000},"20a09ac187f20",[],[],{"_key":4621,"_type":11,"children":4622,"markDefs":4627,"style":24},"7bbe255277b9",[4623],{"_key":4624,"_type":15,"marks":4625,"text":4626},"c1bca5fdf9500",[],"We stand with those communities who argue that radio waves, as a natural resource, are a global commons. Access to and use of the spectrum should be fair, transparent and equitable. Learning from the proposals for ‘electromagnetic commons’ by Soph Dyer (2017) as well as the advocacy of Celeste Oram (2024), our project aims to spark collective conversations on this topic and (re)imagine how spectrum could be shared. In so doing, we will think through methodologies for collective resource sharing, drawing from feminist theory and beyond.",[],[4629,171,2386,4566,4630,4502],"radio-dreaming into the electromagnetic commons","over the past five years, our work has focused on broad frequency radio reception: designing radio receivers, antennas and other devices that allow us to transduce the electromagnetic waves around us into sound. we’ve considered ‘plural’ ways of listening and developed a collective practice around radio-making. we’d now like to tune our research to consider what we hear—and what we don’t.\n\n\n\nthe radio spectrum is partitioned into ‘bands’ of frequencies by international coordination and national regulation. bands are allocated for different purposes, such as broadcasting, aviation, mobile networks, satellites and amateur communications. though radio waves are infinite, the range of their frequencies is finite, making the spectrum a valuable resource. corporations that rely on radio waves for their technological products (mobile networks, satellite firms, etc) lobby governments to prioritise their use. as such, control over frequency allocation is both a technical and a political issue.\n\n\n\nwe stand with those communities who argue that radio waves, as a natural resource, are a global commons. access to and use of the spectrum should be fair, transparent and equitable. learning from the proposals for ‘electromagnetic commons’ by soph dyer (2017) as well as the advocacy of celeste oram (2024), our project aims to spark collective conversations on this topic and (re)imagine how spectrum could be shared. in so doing, we will think through methodologies for collective resource sharing, drawing from feminist theory and beyond.",{"_type":77,"current":4632},"radio-dreaming",{"_id":4634,"_type":291,"categories":4635,"credits":4663,"featuredImage":4834,"filterables":4841,"footnotes":4851,"locations":4852,"logbook":75,"pageBuilder":4865,"researchQuestion":75,"researchQuestions":4896,"searchables":4930,"seo":75,"slug":4940,"title":4942,"year":171},"f37789e7-a992-4aa3-b378-638c7f61779e",[4636,4643,4650,4657],{"_id":4637,"_type":295,"colorPrimary":4638,"seo":75,"slug":4640,"title":4642},"9f993ebe-bde1-4283-9818-d3ba445032ea",{"label":284,"value":4639},"#ff6464",{"_type":77,"current":4641},"tensile-paradise","Tensile Paradise",{"_id":4644,"_type":295,"colorPrimary":4645,"seo":75,"slug":4647,"title":4649},"b1966633-ebce-43ca-8c32-598bb6b1a795",{"label":284,"value":4646},"#7f40ff",{"_type":77,"current":4648},"sobremesa-after-dinner","Sobremesa / After dinner",{"_id":4651,"_type":295,"colorPrimary":4652,"seo":75,"slug":4654,"title":4656},"b8488d06-7a16-40d4-aa87-1c07e1902936",{"label":284,"value":4653},"#fff0b4",{"_type":77,"current":4655},"study-and-planning","Study & Planning",{"_id":4658,"_type":295,"colorPrimary":4659,"seo":75,"slug":4660,"title":4662},"162df4ef-ce89-42e6-97c6-bed8d130c3ad",{"label":284,"value":1384},{"_type":77,"current":4661},"collation-as-crisis-management","Collation as Crisis Management",{"other":75,"profiles":4664},[4665,4759],{"_id":4666,"_type":340,"activeYears":4667,"bio":4670,"bioShort":4725,"featuredImage":4726,"filterables":4732,"links":4735,"locations":4738,"searchables":4754,"seo":75,"slug":4756,"title":4758},"e31cc970-b716-4cab-91dc-b1b671a1f410",[4668],{"_id":168,"_type":169,"seo":75,"slug":4669,"title":171},{"_type":77,"current":171},[4671,4695,4702,4710,4717],{"_key":4672,"_type":11,"children":4673,"markDefs":4694,"style":24},"abe9b60deeab",[4674,4678,4682,4686,4690],{"_key":4675,"_type":15,"marks":4676,"text":4677},"d89ab7fac7fb0",[],"Her work focuses on the materiality of information circulation (archival, linguistic, and biological) and exploits the narrative opportunities presented at critical junctures in the transcription, translation, and dissemination of information. Her research-intensive and collaborative practice focuses on hyperlocal and diasporic histories. Her writing has appeared in ",{"_key":4679,"_type":15,"marks":4680,"text":4681},"d89ab7fac7fb1",[492],"Art in America, Artforum, Frieze, PIN-UP, Resident Advisor, ",{"_key":4683,"_type":15,"marks":4684,"text":4685},"d89ab7fac7fb2",[],"and",{"_key":4687,"_type":15,"marks":4688,"text":4689},"d89ab7fac7fb3",[492]," Cultured, ",{"_key":4691,"_type":15,"marks":4692,"text":4693},"d89ab7fac7fb4",[],"among other publications.",[],{"_key":4696,"_type":11,"children":4697,"markDefs":4701,"style":24},"23165a49b0f8",[4698],{"_key":4699,"_type":15,"marks":4700,"text":1000},"e7a0391fb2590",[],[],{"_key":4703,"_type":11,"children":4704,"markDefs":4709,"style":24},"2e6575545f92",[4705],{"_key":4706,"_type":15,"marks":4707,"text":4708},"cce76ee1b3d70",[],"She manages the photographic collection at Archivo El Insulto, an archive dedicated to conserving materials related to dissident sexualities that circulated in Mexico during the 20th century. As an archivist, she focuses on foregrounding circulation over provenance, developing haptic relationships with records, and resituating the place of microorganisms and other beings within the archival environment.",[],{"_key":4711,"_type":11,"children":4712,"markDefs":4716,"style":24},"a29a17059b81",[4713],{"_key":4714,"_type":15,"marks":4715,"text":1000},"1fafab2731a60",[],[],{"_key":4718,"_type":11,"children":4719,"markDefs":4724,"style":24},"2e97107851b2",[4720],{"_key":4721,"_type":15,"marks":4722,"text":4723},"8aebdd1274940",[],"As a host and facilitator of Sala de Té, she works alongside multimedia artists to create situated installations and narratives, considering the act of serving and sharing tea as providing not just hospitality but vectors for critical pedagogies.",[],"Layla (New York, 1993) is a writer, archivist, translator, and independent researcher living in Mexico City. ",{"alt":75,"asset":4727},{"_id":4728,"height":4729,"orientation":512,"ratio":4730,"url":4731,"width":4381},"image-88aee35f95bdbcd85aafa731243ace99a51e3a1c-1500x1324-jpg",1324,1.1329305135951662,"https://cdn.sanity.io/images/eodip22e/production/88aee35f95bdbcd85aafa731243ace99a51e3a1c-1500x1324.jpg",{"filterYear":4733},[4734],{"_id":168,"title":171},[4736],{"_type":368,"label":372,"url":4737},"https://www.instagram.com/laylaajoon/",{"locations":4739,"other":4745},[4740],{"_id":4741,"_type":381,"seo":75,"slug":4742,"title":4744},"dd3e3abc-4ccb-4b7b-86ba-8bfeb7e4f9e4",{"_type":77,"current":4743},"north-america","North America",[4746],{"_key":4747,"_type":11,"children":4748,"markDefs":4753,"style":24},"b2e48a9ef009",[4749],{"_key":4750,"_type":15,"marks":4751,"text":4752},"b819d8bb9b260",[],"Based in Mexico City",[],[4755,171],"layla fassa",{"_type":77,"current":4757},"layla-fassa","Layla Fassa",{"_id":4760,"_type":340,"activeYears":75,"bio":4761,"bioShort":4810,"featuredImage":4811,"filterables":4818,"links":4819,"locations":4823,"searchables":4829,"seo":75,"slug":4831,"title":4833},"7d0e825f-8867-4f86-8793-8c0aa5d41a88",[4762,4770,4794],{"_key":4763,"_type":11,"children":4764,"markDefs":4769,"style":24},"ca8340873421",[4765],{"_key":4766,"_type":15,"marks":4767,"text":4768},"ced891151b3b0",[],"Guillermo Martinez de Velasco (Mexico City, 1988) is a multidisciplinary artist and researcher working at the intersections of sound, speculative world-building, and political ecology. His work engages sound, oral storytelling, and speculative world-building as tools for investigating ecological transformation, collective memory, and low-tech futurisms. With a background in cultural studies and urban research, their practice moves fluidly between installation, composition, pedagogy, and collaboration.",[],{"_key":4771,"_type":11,"children":4772,"markDefs":4793,"style":24},"5b1075d46260",[4773,4777,4781,4785,4789],{"_key":4774,"_type":15,"marks":4775,"text":4776},"4bc215497bfb0",[],"They have presented work at Museo Tamayo, Materia Art Fair, SET Woolwich, and other independent and institutional spaces. Their ongoing project ",{"_key":4778,"_type":15,"marks":4779,"text":4780},"4bc215497bfb1",[492],"Sound Ecology",{"_key":4782,"_type":15,"marks":4783,"text":4784},"4bc215497bfb2",[]," (2021–2025), hosted by Internet Public Radio, explores sonic entanglements across environmental and political contexts. They are currently a resident in ",{"_key":4786,"_type":15,"marks":4787,"text":4788},"4bc215497bfb3",[492],"Organismo Year One",{"_key":4790,"_type":15,"marks":4791,"text":4792},"4bc215497bfb4",[],", a collaborative program with TBA-21 and the Thyssen-Bornemisza Museum in Madrid where his team is developing a long duration land-intervention piece in collaboration with  Laure Prouvost.",[],{"_key":4795,"_type":11,"children":4796,"markDefs":4809,"style":24},"585dd6e81cc4",[4797,4801,4805],{"_key":4798,"_type":15,"marks":4799,"text":4800},"c21cd047c85b0",[],"As a host and facilitator of ",{"_key":4802,"_type":15,"marks":4803,"text":4804},"c21cd047c85b1",[492],"Sala de Té",{"_key":4806,"_type":15,"marks":4807,"text":4808},"c21cd047c85b2",[],", they create itinerant environments for deep listening, narrative experimentation, and communal reflection, considering the act of sharing tea as a soft infrastructure for learning and co-imagining possible worlds.",[],"Guillermo Martinez de Velasco (Mexico City, 1988) is an artist, musician and political ecologist from Mexico City. \n",{"alt":75,"asset":4812},{"_id":4813,"height":4814,"orientation":359,"ratio":4815,"url":4816,"width":4817},"image-cee7117060c7e4dce8f90ccae06e747b3e77f216-1408x1877-jpg",1877,0.7501331912626532,"https://cdn.sanity.io/images/eodip22e/production/cee7117060c7e4dce8f90ccae06e747b3e77f216-1408x1877.jpg",1408,{"filterYear":75},[4820],{"_type":368,"label":4821,"url":4822},"Socials","https://www.instagram.com/1climatecollapse",{"locations":4824,"other":75},[4825,4827],{"_id":380,"_type":381,"seo":75,"slug":4826,"title":384},{"_type":77,"current":383},{"_id":2384,"_type":381,"seo":75,"slug":4828,"title":2387},{"_type":77,"current":2386},[4830],"guillermo martínez de velasco",{"_type":77,"current":4832},"guillermo-martinez-de-velasco","Guillermo Martínez de Velasco",{"alt":4835,"asset":4836},"serving tea",{"_id":4837,"height":4838,"orientation":512,"ratio":4839,"url":4840,"width":4381},"image-143222a14998a22d1fb2d1757b204424377a14e9-1500x957-jpg",957,1.567398119122257,"https://cdn.sanity.io/images/eodip22e/production/143222a14998a22d1fb2d1757b204424377a14e9-1500x957.jpg",{"filterCategory":4842,"filterLocation":4847,"filterYear":4849},[4843,4844,4845,4846],{"_id":4637,"title":4642},{"_id":4644,"title":4649},{"_id":4651,"title":4656},{"_id":4658,"title":4662},[4848],{"_id":4741,"title":4744},[4850],{"_id":168,"title":171},[],{"locations":4853,"other":4856},[4854],{"_id":4741,"_type":381,"seo":75,"slug":4855,"title":4744},{"_type":77,"current":4743},[4857],{"_key":4858,"_type":11,"children":4859,"markDefs":4864,"style":24},"479c07b31a84",[4860],{"_key":4861,"_type":15,"marks":4862,"text":4863},"d49c9c2bfc25",[],"Founded in Mexico City, enacted worldwide.",[],[4866,4869],{"_type":626,"caption":75,"image":4867},{"alt":75,"asset":4868},{"_id":4837,"height":4838,"orientation":512,"ratio":4839,"url":4840,"width":4381},{"_type":574,"settings":4870,"text":4871},{"textColumnCount":637},[4872,4880,4888],{"_key":4873,"_type":11,"children":4874,"markDefs":4879,"style":24},"eab52b4924e8",[4875],{"_key":4876,"_type":15,"marks":4877,"text":4878},"1c255ef7e5ad0",[],"Sala de Té is an itinerant tea room that creates a temporary space for knowledge exchange and deep listening practices. Founded in Mexico City in 2022, this collaborative practice utilizes a samovar tea set and a spread of mats, rugs, and cushions to create independent yet permeable architectures in public spaces. Participants co-create situated installations and narratives, proposing that serving and sharing tea is both an act of hospitality and a vector for critical pedagogies.",[],{"_key":4881,"_type":11,"children":4882,"markDefs":4887,"style":24},"611086eee5dd",[4883],{"_key":4884,"_type":15,"marks":4885,"text":4886},"2f5d077385090",[],"For the duration of School of Commons, we proposed a tea room series to explore [an itinerant, unwalled Paradise for cultivating climate futures] through speculative archeology and architecture. How can we prepare for uncertain futures by establishing the framework for efficient self-organising? Our principal project in this series, Tensile Paradise, is a mobile participatory intervention informed by traditional Iranian tea rooms and the vernacular architecture of Mexican protest movements. It is a hands-on research project that aims to explore structures of organizing by organizing a structure. As part of its guiding line, our collective examines the structure of different types of human organisations throughout history that have managed to operate effectively despite limited resources and personnel. Examples include nomadic herding communities, partisan movements during WW2, independent workers' unions, online fan clubs, climate activists, pirate gangs, etc. By analyzing their structure, a web of connection points between their differing structures can be drawn up and recreated using tensile architecture. During our activations, we encourage participants to take on self-assigned roles to collaborate on constructing a self-standing structure held together only by its tensile strength. There are no blueprints. However, in negotiating the tension of the connecting cords between each node, participants explore both the structure of organizations and also how their organizing results in a structure, both physical and social.",[],{"_key":4889,"_type":11,"children":4890,"markDefs":4895,"style":24},"5fc8fb679a3d",[4891],{"_key":4892,"_type":15,"marks":4893,"text":4894},"33b429f66cd60",[],"The completed structure transforms into a tearoom. Within it, the collective drinks tea together, made and served from an Iranian samovar. Hospitality and conviviality turn structure-building into place-making. During this time, a guided reflection on the experience of organizing is discussed using the newly built structure as a parallel metaphor. Where did communication break down, and what are the structural weak points? How are these weak points compensated for with structural connections elsewhere?",[],[4897],{"_type":1306,"question":4898},[4899,4907,4915,4923],{"_key":4900,"_type":11,"children":4901,"markDefs":4906,"style":24},"4eae392129e4",[4902],{"_key":4903,"_type":15,"marks":4904,"text":4905},"4ceb6680b5520",[],"What strategies and tools can we collectively compile to create an accessible and deployable toolkit for communities and ecosystems facing climate instability and precarity?",[],{"_key":4908,"_type":11,"children":4909,"markDefs":4914,"style":24},"a1f924b943a5",[4910],{"_key":4911,"_type":15,"marks":4912,"text":4913},"8b8d2aef54100",[],"How can we learn and adapt technologies and strategies from cultures that have already devised collective solutions to collective problems?",[],{"_key":4916,"_type":11,"children":4917,"markDefs":4922,"style":24},"2fc57294ffdc",[4918],{"_key":4919,"_type":15,"marks":4920,"text":4921},"c0c50c7584c20",[],"How can we encourage the commoning of knowledge exchange by building temporary and permeable spaces-within-spaces?",[],{"_key":4924,"_type":11,"children":4925,"markDefs":4929,"style":24},"9baecddd6b0c",[4926],{"_key":4927,"_type":15,"marks":4928,"text":1065},"9e7546e553120",[],[],[4931,171,4932,4933,4934,4755,4830,4935,4936,4937,4938,4939],"sala de té [an itinerant, unwalled paradise for cultivating climate futures]","what strategies and tools can we collectively compile to create an accessible and deployable toolkit for communities and ecosystems facing climate instability and precarity?\n\nhow can we learn and adapt technologies and strategies from cultures that have already devised collective solutions to collective problems?\n\nhow can we encourage the commoning of knowledge exchange by building temporary and permeable spaces-within-spaces?\n\n\n","north america","founded in mexico city, enacted worldwide.","sala de té is an itinerant tea room that creates a temporary space for knowledge exchange and deep listening practices. founded in mexico city in 2022, this collaborative practice utilizes a samovar tea set and a spread of mats, rugs, and cushions to create independent yet permeable architectures in public spaces. participants co-create situated installations and narratives, proposing that serving and sharing tea is both an act of hospitality and a vector for critical pedagogies.\n\nfor the duration of school of commons, we proposed a tea room series to explore [an itinerant, unwalled paradise for cultivating climate futures] through speculative archeology and architecture. how can we prepare for uncertain futures by establishing the framework for efficient self-organising? our principal project in this series, tensile paradise, is a mobile participatory intervention informed by traditional iranian tea rooms and the vernacular architecture of mexican protest movements. it is a hands-on research project that aims to explore structures of organizing by organizing a structure. as part of its guiding line, our collective examines the structure of different types of human organisations throughout history that have managed to operate effectively despite limited resources and personnel. examples include nomadic herding communities, partisan movements during ww2, independent workers' unions, online fan clubs, climate activists, pirate gangs, etc. by analyzing their structure, a web of connection points between their differing structures can be drawn up and recreated using tensile architecture. during our activations, we encourage participants to take on self-assigned roles to collaborate on constructing a self-standing structure held together only by its tensile strength. there are no blueprints. however, in negotiating the tension of the connecting cords between each node, participants explore both the structure of organizations and also how their organizing results in a structure, both physical and social.\n\nthe completed structure transforms into a tearoom. within it, the collective drinks tea together, made and served from an iranian samovar. hospitality and conviviality turn structure-building into place-making. during this time, a guided reflection on the experience of organizing is discussed using the newly built structure as a parallel metaphor. where did communication break down, and what are the structural weak points? how are these weak points compensated for with structural connections elsewhere?","tensile paradise","sobremesa / after dinner","study & planning","collation as crisis management",{"_type":77,"current":4941},"sala-de-te","Sala de té [an itinerant, unwalled Paradise for cultivating climate futures]",{"_id":4944,"_type":291,"categories":4945,"credits":4953,"featuredImage":75,"filterables":5170,"footnotes":5177,"locations":5178,"logbook":75,"pageBuilder":75,"researchQuestion":75,"researchQuestions":75,"searchables":5182,"seo":75,"slug":5184,"title":5186,"year":171},"152fcaf6-5436-436c-b776-a792395a748a",[4946],{"_id":4947,"_type":295,"colorPrimary":4948,"seo":75,"slug":4950,"title":4952},"94928389-00d6-4863-9539-2ab335dfa297",{"label":284,"value":4949},"#00a500",{"_type":77,"current":4951},"interconnectedness","Interconnectedness",{"other":75,"profiles":4954},[4955],{"_id":4956,"_type":340,"activeYears":4957,"bio":4960,"bioShort":5148,"featuredImage":5149,"filterables":5154,"links":5157,"locations":5162,"searchables":5166,"seo":75,"slug":5168,"title":4983},"4f340be1-a754-4938-a25b-46217cef3913",[4958],{"_id":168,"_type":169,"seo":75,"slug":4959,"title":171},{"_type":77,"current":171},[4961,4973,5011,5034,5062,5085,5116],{"_key":4962,"_type":11,"children":4963,"markDefs":4972,"style":24},"c75b5311bea9",[4964,4968],{"_key":4965,"_type":15,"marks":4966,"text":4967},"33aefc079cd60",[17],"Li",{"_key":4969,"_type":15,"marks":4970,"text":4971},"33aefc079cd61",[]," (理) - in Cantonese and classical Chinese cosmology—refers to the underlying pattern, principle, or texture of things: the intrinsic order through which life unfolds. It is not a fixed law, but a structure for living relational — the grain of reality, the flow of coherence that weaves beings, materials, and phenomena together.",[],{"_key":4974,"_type":11,"children":4975,"markDefs":5010,"style":24},"5893cc2f63d2",[4976,4980,4984,4988,4991,4995,4999,5003,5006],{"_key":4977,"_type":15,"marks":4978,"text":4979},"8e9a00d84fb70",[],"In ",{"_key":4981,"_type":15,"marks":4982,"text":4983},"8e9a00d84fb71",[17],"LIOS Labs",{"_key":4985,"_type":15,"marks":4986,"text":4987},"8e9a00d84fb72",[],", ",{"_key":4989,"_type":15,"marks":4990,"text":4967},"8e9a00d84fb73",[492],{"_key":4992,"_type":15,"marks":4993,"text":4994},"8e9a00d84fb74",[]," becomes both a ",{"_key":4996,"_type":15,"marks":4997,"text":4998},"8e9a00d84fb75",[17],"spatial and temporal system",{"_key":5000,"_type":15,"marks":5001,"text":5002},"8e9a00d84fb76",[],"—a way of perceiving and operating within the world that follows the inner pattern of ecosystems rather than imposing form upon them. ",{"_key":5004,"_type":15,"marks":5005,"text":4967},"8e9a00d84fb77",[492],{"_key":5007,"_type":15,"marks":5008,"text":5009},"8e9a00d84fb78",[]," guides how we inhabit time and space: through attunement, reciprocity, and co-creation with the elements.",[],{"_key":5012,"_type":11,"children":5013,"markDefs":5033,"style":24},"9547b7e0f3eb",[5014,5018,5022,5026,5029],{"_key":5015,"_type":15,"marks":5016,"text":5017},"d17ef9aeeca20",[],"Thus, ",{"_key":5019,"_type":15,"marks":5020,"text":5021},"d17ef9aeeca21",[17],"LIOS",{"_key":5023,"_type":15,"marks":5024,"text":5025},"d17ef9aeeca22",[]," can be read as a laboratory of ",{"_key":5027,"_type":15,"marks":5028,"text":4967},"d17ef9aeeca23",[492],{"_key":5030,"_type":15,"marks":5031,"text":5032},"d17ef9aeeca24",[],"—a field for sensing and enacting the deep structures of interbeing, where artistic, ecological, and social processes align with the subtle order of life itself.",[],{"_key":5035,"_type":11,"children":5036,"markDefs":5061,"style":24},"d79e84f70ef3",[5037,5041,5045,5049,5053,5057],{"_key":5038,"_type":15,"marks":5039,"text":5040},"60e5041dd0a30",[17],"LIOS Labs is a community, and, formally, an association, of artists, activists, and researchers from around the world. ",{"_key":5042,"_type":15,"marks":5043,"text":5044},"60e5041dd0a31",[],"We came together in Berlin in 2019, inspired by the Błędowska Desert in Poland - a place that became both our starting point and the heart of our work. As a community, LIOS operates like an ",{"_key":5046,"_type":15,"marks":5047,"text":5048},"60e5041dd0a32",[17],"ecosystem",{"_key":5050,"_type":15,"marks":5051,"text":5052},"60e5041dd0a33",[],": self-organizing, interdependent, and porous. Its members collaborate across geographies and disciplines, guided by a sense of planetary kinship and responsibility. 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skulskyte",{"_id":5243,"height":5244,"orientation":359,"ratio":5245,"url":5246,"width":5247},"image-4e5984900236429934aa105e91e3e76e5a0d4119-213x320-jpg",320,0.665625,"https://cdn.sanity.io/images/eodip22e/production/4e5984900236429934aa105e91e3e76e5a0d4119-213x320.jpg",213,{"filterYear":5249},[5250],{"_id":168,"title":171},{"locations":5252,"other":5255},[5253],{"_id":380,"_type":381,"seo":75,"slug":5254,"title":384},{"_type":77,"current":383},[5256,5264],{"_key":5257,"_type":11,"children":5258,"markDefs":5263,"style":24},"0ae1001b2b51",[5259],{"_key":5260,"_type":15,"marks":5261,"text":5262},"909fdf9ee9f5",[],"Between Lithuania, Switzerland and Germany ",[],{"_key":5265,"_type":11,"children":5266,"markDefs":5271,"style":24},"4246c76ed255",[5267],{"_key":5268,"_type":15,"marks":5269,"text":5270},"a16919246f5d",[],"Based in Zurich",[],[5273,171],"ula liagaitė",{"_type":77,"current":5275},"ula-liagait","Ula Liagaitė",{"alt":75,"asset":5278},{"_id":5279,"height":5280,"orientation":512,"ratio":5281,"url":5282,"width":5283},"image-a5394368feffaf4714a96ab7df2cbe65af4dbbb3-1278x668-png",668,1.9131736526946108,"https://cdn.sanity.io/images/eodip22e/production/a5394368feffaf4714a96ab7df2cbe65af4dbbb3-1278x668.png",1278,{"filterCategory":5285,"filterLocation":5292,"filterYear":5294},[5286,5287,5288,5289,5290,5291],{"_id":1375,"title":1380},{"_id":2253,"title":2258},{"_id":5197,"title":5202},{"_id":5204,"title":5209},{"_id":5211,"title":5216},{"_id":5218,"title":5223},[5293],{"_id":380,"title":384},[5295],{"_id":168,"title":171},[],{"locations":5298,"other":75},[5299],{"_id":380,"_type":381,"seo":75,"slug":5300,"title":384},{"_type":77,"current":383},[5302,5310,5333,5341,5356,5359,5381,5430],{"_type":626,"caption":75,"image":5303},{"alt":5304,"asset":5305},"Sick Practice: Stretching Exercises to Feel Climate Change",{"_id":5306,"height":5307,"orientation":512,"ratio":5308,"url":5309,"width":2800},"image-60009b4abcf76b3e262fa2fe6918cbc7304d1c98-1274x660-png",660,1.9303030303030304,"https://cdn.sanity.io/images/eodip22e/production/60009b4abcf76b3e262fa2fe6918cbc7304d1c98-1274x660.png",{"_type":574,"settings":5311,"text":5312},{"textColumnCount":637},[5313,5325],{"_key":5314,"_type":11,"children":5315,"markDefs":5324,"style":24},"56e60d9fa1e3",[5316,5320],{"_key":5317,"_type":15,"marks":5318,"text":5319},"ceae62ec7a4e0",[492],"Stretching Exercises to Feel Climate Change ",{"_key":5321,"_type":15,"marks":5322,"text":5323},"ceae62ec7a4e1",[],"is an ongoing, practice based research on what it feels like to live in times of global (environmental) crisis. It looks for visceral, body based, more-than-human, collective forms of knowledge and calls for resistance.",[],{"_key":5326,"_type":11,"children":5327,"markDefs":5332,"style":24},"86e3ddf922a8",[5328],{"_key":5329,"_type":15,"marks":5330,"text":5331},"8f08c1a2ce5b0",[],"I have been busy thinking of climate change and how we could re-imagine the future, embracing the unstoppable and the irreversible and talking about strategies of survival. I want to queer futures, scenarios and imaginaries, to move away from the doomsday versions, drawn by those who seem to want to enable any form of resistance.",[],{"_type":626,"caption":75,"image":5334},{"alt":5304,"asset":5335},{"_id":5336,"height":5337,"orientation":512,"ratio":5338,"url":5339,"width":5340},"image-eea6985e77c257d74d251749f7073f30fa3fb216-1272x664-png",664,1.9156626506024097,"https://cdn.sanity.io/images/eodip22e/production/eea6985e77c257d74d251749f7073f30fa3fb216-1272x664.png",1272,{"_type":574,"settings":5342,"text":5343},{"textColumnCount":637},[5344],{"_key":5345,"_type":11,"children":5346,"markDefs":5355,"style":24},"c93d51ba0850",[5347,5351],{"_key":5348,"_type":15,"marks":5349,"text":5350},"dcf769d15a310",[17],"How",{"_key":5352,"_type":15,"marks":5353,"text":5354},"36ffeb7ab92c",[],"\n\nThe project explores strategies for cultivating sustainability, togetherness and collaboration, in a context of a global crisis. How can embodied practice, focused on learning with more- than- human entities, make us feel and move with the emotional and ecological impacts of climate change? This research draws from the writings of Anna Tsing, Astrida Neimanis and Brigite Schneider and investigates how movement, sensory perception, and dance can foster a sense of interconnection with the environment and transform climate-related despair, paralysis and helplessness into collective resilience. The study aims to develop tools that move climate awareness from intellectual understanding to embodied action (from head to the heart), offering pathways for navigating the complexities of ecological crises.",[],{"_type":626,"caption":75,"image":5357},{"alt":5304,"asset":5358},{"_id":5279,"height":5280,"orientation":512,"ratio":5281,"url":5282,"width":5283},{"_type":574,"settings":5360,"text":5361},{"textColumnCount":637},[5362],{"_key":5363,"_type":11,"children":5364,"markDefs":5380,"style":24},"114d6aaa637d",[5365,5369,5372,5376],{"_key":5366,"_type":15,"marks":5367,"text":5368},"328731b400c70",[17],"What is seen",{"_key":5370,"_type":15,"marks":5371,"text":4212},"2717e474c3ad",[],{"_key":5373,"_type":15,"marks":5374,"text":5375},"24a1954d6920",[492],"First exercise: An Attempt on Weathering the Waterfall, an audiovisual installation + performance as part of the Annual Diploma Show of the MA in Transdisciplinary Studies at ZHDK (May 2025).",{"_key":5377,"_type":15,"marks":5378,"text":5379},"943991fc6da5",[],"\n\nThe work explores embodied and collective modes of sensing environmental crisis and engages with the temporal and emotional dimensions of climate change. The performance takes place within the audiovisual installation created during a research trip to Oaxaca, Mexico in early 2025, together with a Anto Logy.\n\nIn the video, next to the waterfall, a human figure is seen, dressed in a way that camouflages and merges with the rocks. The video is edited in loops of multiple lengths, breaking the movement of the figure, as it tries to find its way on the rock.\n\n\u003C...> climb up, try to get close, look for a way to be close, get humbled by its magnitude and solid performance, troubled, lay down, press the (queer eastern european) cheek on its rough, dusty and still a little wet surface, smell the sour and the sulfur, listen, surrender, submit..\n\nnot allowed to be here, trespassing the signs that say ‘no entrance’, not allowed to be here, yet made the way and laid down and thanks to grandmother's magical knitting, camouflage, ask questions and hopefully have it answer, have a non verbal dialogue with the non verbal more-than-human ancient monster, a transformer, that lurks, reminding that the western human way of counting time can f*** right off, ask for a weather report ? \u003C...> (by Ula Liagaitė).\n\nThe video material works as a visual exploration of the concept of “thick time” and sets the tone and climate of the performance.\n\n\u003C...> the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. \u003C...> (the term coined by scholars Astrida Neimanis and Rachel Loewen Walker).\n\n\u003C...> gradually, like a lego being constructed piece by piece, from micro plastics and space debris, smog and oil spillages hovering over the (hyper) sea - here you are, a magnificent monster. You are so hot. The weather is perfect. The sun blasts through that ever-thinning layer of invisible co2, which once protected us from burning. It's getting so hot here. Come towards me, I open all the doors and windows, take a few pills of vitamin D in summer, put spf 1500 hell knows how many UVA and UVA and UVB filters on my face. Just the face, because the skin on hands is a lost cause anyway \u003C...> ( by Ula Liagaitė)",[],{"_type":574,"settings":5382,"text":5383},{"textColumnCount":637},[5384],{"_key":5385,"_type":11,"children":5386,"markDefs":5425,"style":24},"cda286a3ca6d",[5387,5391,5395,5399,5403,5407,5412,5416,5420],{"_key":5388,"_type":15,"marks":5389,"text":5390},"03c28e1f2efd",[492],"Second exercise: A Manual On Stretching (coming soon)",{"_key":5392,"_type":15,"marks":5393,"text":5394},"fc9853e15508",[],"\n\nA text work, contributing to ISSUES - an annual, peer-led digital publication which serves as the milestone collective public offering for each School of Commons (SoC) program cycle. ISSUES collates and contextualises the processes, practices and methodologies of each participating project within SoC. For this publication a mixed media work is being developed (drawing, writing, collage, sketch, map) as some sort of a manual on what kind of exercises can be practiced in order to feel the crisis and the change and how to move this knowledge from ‘head to heart’. It is a conceptual, yet practical way of landing the thoughts on paper, that will take shape as a physical publication, as well as an open access online publication.\n\n",{"_key":5396,"_type":15,"marks":5397,"text":5398},"b091907c9b4f",[492],"Third exercise: Alone Together Somewhere Hot (public showing in December 2025, location tbc). ",{"_key":5400,"_type":15,"marks":5401,"text":5402},"2297e1ed37c6",[],"\n\nFrom October 2025, Ula will hold weekly, regular, group movement practice in her dance studio in Zürich. It will softly transform into a rehearsal period towards the end of November and into the show(s) mid December 2025. We will present a transdisciplinary dance-theater work, in the form of an open rehearsal or an exercise.\n\n\u003C...> Precarity is a state of acknowledgment of our vulnerability to others. In order to survive, we need help, and help is always the service of another, with or without intent. When I sprain my ankle, a stout stick may help me walk, and I enlist its assistance. I am now an encounter in motion, a woman-and-stick. It is hard for me to think of any challenge I might face without soliciting the assistance of others, human and not human. It is an unselfconscious privilege that allows us to fantasise—counterfactually—that we each survive alone \u003C...> (The Mushroom at the End of the World by Anna Tsing).\n\n",{"_key":5404,"_type":15,"marks":5405,"text":5406},"a3d70d86ec54",[17],"If you need to move and would like to participate in the regular, guided movement practice in Zürich, write a letter to ",{"_key":5408,"_type":15,"marks":5409,"text":5411},"dfdae786869c",[17,5410],"7a1d435c8c18","ula.juroj@gmail.com",{"_key":5413,"_type":15,"marks":5414,"text":5415},"b5462d6d47ef",[17],". ",{"_key":5417,"_type":15,"marks":5418,"text":5419},"a5c80d2daa81",[],"\n\nTo view the installation video, visit ",{"_key":5421,"_type":15,"marks":5422,"text":5424},"627a6470af00",[5423],"dae05da3adcf","www.ulaliagaite.com",[5426,5428],{"_key":5410,"_type":41,"href":5427},"mailto:ula.juroj@gmail.com",{"_key":5423,"_type":41,"href":5429},"https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.ulaliagaite.com%2F&data=05%7C02%7Cchantelle.lueelton%40zhdk.ch%7C0f6461d9a77449e84cd208ddefac8cb6%7Ceff1ebf773e54e3dbefd52d69e759214%7C1%7C0%7C638930246591524001%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=1e1GqHp9Vg1cDvg9NRCuVQHb7lfwtD22ojoT1ievahM%3D&reserved=0",{"_type":3090,"slides":5431},[5432,5449,5455,5460],{"_type":626,"caption":5433,"image":5442},[5434],{"_key":5435,"_type":11,"children":5436,"markDefs":5441,"style":24},"12722a1c28a7",[5437],{"_key":5438,"_type":15,"marks":5439,"text":5440},"91cce5ed8359",[],"'An Attempt on Weathering the Waterfall, an audiovisual installation + performance' by Ula Liagaitė, as part of the Annual Diploma Show of the MA in Transdisciplinary Studies at ZHDK (May 2025).",[],{"alt":5440,"asset":5443},{"_id":5444,"height":5445,"orientation":512,"ratio":5446,"url":5447,"width":5448},"image-7084adf9344361807bebce67f48e2e9b0b107162-1002x752-jpg",752,1.3324468085106382,"https://cdn.sanity.io/images/eodip22e/production/7084adf9344361807bebce67f48e2e9b0b107162-1002x752.jpg",1002,{"_type":626,"caption":75,"image":5450},{"alt":5451,"asset":5452},"An Attempt on Weathering the Waterfall, an audiovisual installation + performance as part of the Annual Diploma Show of the MA in Transdisciplinary Studies at ZHDK (May 2025).",{"_id":5453,"height":2520,"orientation":512,"ratio":1180,"url":5454,"width":2522},"image-965eff5c9f99077567aa5e089eb7e38b19963be5-1024x768-jpg","https://cdn.sanity.io/images/eodip22e/production/965eff5c9f99077567aa5e089eb7e38b19963be5-1024x768.jpg",{"_type":626,"caption":75,"image":5456},{"alt":5451,"asset":5457},{"_id":5458,"height":2520,"orientation":512,"ratio":1180,"url":5459,"width":2522},"image-690db1a366bdb8473d628749a2b02d0f47b42f13-1024x768-jpg","https://cdn.sanity.io/images/eodip22e/production/690db1a366bdb8473d628749a2b02d0f47b42f13-1024x768.jpg",{"_type":626,"caption":75,"image":5461},{"alt":75,"asset":5462},{"_id":5463,"height":554,"orientation":359,"ratio":5464,"url":5465,"width":2960},"image-8abe9d06b0409302dcec862cd2e2046a3ba5256f-600x800-jpg",0.75,"https://cdn.sanity.io/images/eodip22e/production/8abe9d06b0409302dcec862cd2e2046a3ba5256f-600x800.jpg",[5467,171,383,5273,5468,5469,5470,5471,1730,2737,5201,5208,5472,5222],"sick practice: stretching exercises to feel climate change","stretching exercises to feel climate change is an ongoing, practice based research on what it feels like to live in times of global (environmental) crisis. it looks for visceral, body based, more-than-human, collective forms of knowledge and calls for resistance.\n\ni have been busy thinking of climate change and how we could re-imagine the future, embracing the unstoppable and the irreversible and talking about strategies of survival. i want to queer futures, scenarios and imaginaries, to move away from the doomsday versions, drawn by those who seem to want to enable any form of resistance.","how\n\nthe project explores strategies for cultivating sustainability, togetherness and collaboration, in a context of a global crisis. how can embodied practice, focused on learning with more- than- human entities, make us feel and move with the emotional and ecological impacts of climate change? this research draws from the writings of anna tsing, astrida neimanis and brigite schneider and investigates how movement, sensory perception, and dance can foster a sense of interconnection with the environment and transform climate-related despair, paralysis and helplessness into collective resilience. the study aims to develop tools that move climate awareness from intellectual understanding to embodied action (from head to the heart), offering pathways for navigating the complexities of ecological crises.","what is seen\n\nfirst exercise: an attempt on weathering the waterfall, an audiovisual installation + performance as part of the annual diploma show of the ma in transdisciplinary studies at zhdk (may 2025).\n\nthe work explores embodied and collective modes of sensing environmental crisis and engages with the temporal and emotional dimensions of climate change. the performance takes place within the audiovisual installation created during a research trip to oaxaca, mexico in early 2025, together with a anto logy.\n\nin the video, next to the waterfall, a human figure is seen, dressed in a way that camouflages and merges with the rocks. the video is edited in loops of multiple lengths, breaking the movement of the figure, as it tries to find its way on the rock.\n\n\u003C...> climb up, try to get close, look for a way to be close, get humbled by its magnitude and solid performance, troubled, lay down, press the (queer eastern european) cheek on its rough, dusty and still a little wet surface, smell the sour and the sulfur, listen, surrender, submit..\n\nnot allowed to be here, trespassing the signs that say ‘no entrance’, not allowed to be here, yet made the way and laid down and thanks to grandmother's magical knitting, camouflage, ask questions and hopefully have it answer, have a non verbal dialogue with the non verbal more-than-human ancient monster, a transformer, that lurks, reminding that the western human way of counting time can f*** right off, ask for a weather report ? \u003C...> (by ula liagaitė).\n\nthe video material works as a visual exploration of the concept of “thick time” and sets the tone and climate of the performance.\n\n\u003C...> the temporal frame of “thick time”—a transcorporeal stretching between present, future, and past—in order to reimagine our bodies as archives of climate and as making future climates possible. \u003C...> (the term coined by scholars astrida neimanis and rachel loewen walker).\n\n\u003C...> gradually, like a lego being constructed piece by piece, from micro plastics and space debris, smog and oil spillages hovering over the (hyper) sea - here you are, a magnificent monster. you are so hot. the weather is perfect. the sun blasts through that ever-thinning layer of invisible co2, which once protected us from burning. it's getting so hot here. come towards me, i open all the doors and windows, take a few pills of vitamin d in summer, put spf 1500 hell knows how many uva and uva and uvb filters on my face. just the face, because the skin on hands is a lost cause anyway \u003C...> ( by ula liagaitė)","second exercise: a manual on stretching (coming soon)\n\na text work, contributing to issues - an annual, peer-led digital publication which serves as the milestone collective public offering for each school of commons (soc) program cycle. issues collates and contextualises the processes, practices and methodologies of each participating project within soc. for this publication a mixed media work is being developed (drawing, writing, collage, sketch, map) as some sort of a manual on what kind of exercises can be practiced in order to feel the crisis and the change and how to move this knowledge from ‘head to heart’. it is a conceptual, yet practical way of landing the thoughts on paper, that will take shape as a physical publication, as well as an open access online publication.\n\nthird exercise: alone together somewhere hot (public showing in december 2025, location tbc). \n\nfrom october 2025, ula will hold weekly, regular, group movement practice in her dance studio in zürich. it will softly transform into a rehearsal period towards the end of november and into the show(s) mid december 2025. we will present a transdisciplinary dance-theater work, in the form of an open rehearsal or an exercise.\n\n\u003C...> precarity is a state of acknowledgment of our vulnerability to others. in order to survive, we need help, and help is always the service of another, with or without intent. when i sprain my ankle, a stout stick may help me walk, and i enlist its assistance. i am now an encounter in motion, a woman-and-stick. it is hard for me to think of any challenge i might face without soliciting the assistance of others, human and not human. it is an unselfconscious privilege that allows us to fantasise—counterfactually—that we each survive alone \u003C...> (the mushroom at the end of the world by anna tsing).\n\nif you need to move and would like to participate in the regular, guided movement practice in zürich, write a letter to ula.juroj@gmail.com. \n\nto view the installation video, visit www.ulaliagaite.com","movement research ",{"_type":77,"current":5474},"sick-practice-stretching-exercises-to-feel-climate-change",{"_id":5476,"_type":291,"categories":5477,"credits":5495,"featuredImage":5545,"filterables":5553,"footnotes":5562,"locations":5563,"logbook":75,"pageBuilder":5576,"researchQuestion":75,"researchQuestions":5628,"searchables":5649,"seo":75,"slug":5656,"title":5658,"year":171},"699999c9-ca9b-4bcf-ad4b-0e6a61df9e10",[5478,5481,5488],{"_id":1375,"_type":295,"colorPrimary":5479,"seo":75,"slug":5480,"title":1380},{"label":284,"value":1377},{"_type":77,"current":1379},{"_id":5482,"_type":295,"colorPrimary":5483,"seo":75,"slug":5485,"title":5487},"1b458848-128f-4e90-acff-fe6c46232754",{"label":284,"value":5484},"#0095a4",{"_type":77,"current":5486},"climate-knowledge","Climate Knowledge",{"_id":5489,"_type":295,"colorPrimary":5490,"seo":75,"slug":5492,"title":5494},"34fc7d3e-1cc1-4d54-a798-b38ee061d9db",{"label":284,"value":5491},"#00ff91",{"_type":77,"current":5493},"destiny-commons","Destiny-commons",{"other":75,"profiles":5496},[5497],{"_id":5498,"_type":340,"activeYears":5499,"bio":5502,"bioShort":5511,"featuredImage":5512,"filterables":5519,"links":5522,"locations":5528,"searchables":5541,"seo":75,"slug":5543,"title":5513},"29cf27e2-a5c2-491d-9c7c-d7c800943fdd",[5500],{"_id":168,"_type":169,"seo":75,"slug":5501,"title":171},{"_type":77,"current":171},[5503],{"_key":5504,"_type":11,"children":5505,"markDefs":5510,"style":24},"150f0ebb0c4c",[5506],{"_key":5507,"_type":15,"marks":5508,"text":5509},"f6a003fd2bac0",[],"I hold a BA in Fine Arts, a BS in Chemistry, and is currently completing my MFA at Zurich University of the Arts. I have received multiple grants during and after my studies and have participated in international residencies in Austria and China. my work has been exhibited widely across Switzerland, Germany, and China.\nMy artistic practice spans writing, performance, multimedia installations, Chinese ink painting, and calligraphy. This plurality of mediums in artistic practice is essential to how I integrate being a woman and reflecting on ecological issues—just as in real experience, where complexity arises from the entanglement of many forces.\nWriting enables me to articulate the visible gender bias embedded in languages structured by gender binary, as well as to expose the more subtle, often invisible asymmetries within the Chinese language. Calligraphy, unlike alphabetic writing that unfolds linear time perception, intimately incorporates the observation of nature into each stroke—embodying a philosophy of life in which every form, whether organic or inorganic, holds vitality. Similarly, in my Chinese ink paintings, I depict collapsing glaciers, withering lotus leaves, and mountains dissolving into rain, as a response to the vulnerability and ongoing shifts of ecological systems.\nIn performance, I explore the struggling of a woman navigating landscapes shaped by patriarchy, capitalism, and social media. My multimedia installations create immersive spaces in which I investigate one of the core philosophical questions of my work: how differing conceptions of time and space in Eastern and Western traditions inform our relationship with the environment. These conceptual “cracks” offer a moment of clarity—an opening to reimagine how ancient Eastern philosophies might guide new ecological ethics and actions.\nI explore art and science collaboration with a focus on sustainability, foregrounding overlooked women's experiences. My collaboration with ETH Zurich’s Grassland Science Group has been acclaimed in both the arts and sciences, receiving art grants for funding the research as well as bordering the outcome. and the project was selected for presentation at the eLTER Science Conference 2025.",[],"I am a visual artist and artistic researcher committed to equitable knowledge production.",{"alt":5513,"asset":5514},"Yue Wu",{"_id":5515,"height":2906,"orientation":359,"ratio":5516,"url":5517,"width":5518},"image-c7ceb3e1c738166901c1c7f10e6f5ec245164d44-1125x2000-jpg",0.5625,"https://cdn.sanity.io/images/eodip22e/production/c7ceb3e1c738166901c1c7f10e6f5ec245164d44-1125x2000.jpg",1125,{"filterYear":5520},[5521],{"_id":168,"title":171},[5523,5526],{"_type":368,"label":5524,"url":5525},"Homepage","https://www.yuewu.website/",{"_type":368,"label":50,"url":5527},"https://www.instagram.com/yuew_u?igsh=ODdrMTMwZWtwM2lw",{"locations":5529,"other":5532},[5530],{"_id":380,"_type":381,"seo":75,"slug":5531,"title":384},{"_type":77,"current":383},[5533],{"_key":5534,"_type":11,"children":5535,"markDefs":5540,"style":24},"85630b069961",[5536],{"_key":5537,"_type":15,"marks":5538,"text":5539},"d0e67aac09960",[],"At the moment, I am exploring visa and residency options in various European countries, as well as citizenship policies in China’s first-tier cities. Both systems are highly complex and often unfriendly to non-EU citizens and to Chinese nationals alike. For instance, in Switzerland, non-EU graduates are granted only a six-month job-seeking visa, and each year, only 500 work permits are allocated to non-EU citizens—rarely for positions in the arts or cultural fields.\nGermany’s artist visa, while offering a one-year residency, has become less viable than in the past. With recent cuts to cultural funding—especially in Berlin—and a worsening economic climate, sustaining an artistic career there has grown increasingly precarious.\nI have started considering a return to China, where, as an international graduate, I may be eligible for Shanghai residency if I secure a job and pay social insurance for at least one year. However, China’s household registration (hukou) system is designed to regulate population flow into resource-rich cities due to limited access to education and healthcare. As a result, for many Chinese citizens, transferring official residency from one’s hometown to a major city is nearly impossible without property ownership or long-term employment.",[],[5542,171],"yue wu",{"_type":77,"current":5544},"yue-wu",{"alt":5546,"asset":5547},"Daily CO₂ exchange, rainfall, air dryness, and air temperature in 2022 at the Lägeren site (CH-Lae), a mixed deciduous forest at 686 m a.s.l. in Switzerland.",{"_id":5548,"height":5549,"orientation":512,"ratio":5550,"url":5551,"width":5552},"image-a7931e08236bb2c03efb94b3da7ca61e558d0b11-1240x874-png",874,1.4187643020594967,"https://cdn.sanity.io/images/eodip22e/production/a7931e08236bb2c03efb94b3da7ca61e558d0b11-1240x874.png",1240,{"filterCategory":5554,"filterLocation":5558,"filterYear":5560},[5555,5556,5557],{"_id":1375,"title":1380},{"_id":5482,"title":5487},{"_id":5489,"title":5494},[5559],{"_id":380,"title":384},[5561],{"_id":168,"title":171},[],{"locations":5564,"other":5567},[5565],{"_id":380,"_type":381,"seo":75,"slug":5566,"title":384},{"_type":77,"current":383},[5568],{"_key":5569,"_type":11,"children":5570,"markDefs":5575,"style":24},"42e77145ffa8",[5571],{"_key":5572,"_type":15,"marks":5573,"text":5574},"bfbb3b9deb740",[],"Site Description\nManaged mixed deciduous mountain forest located on the steep Lägeren mountain (NW of Zurich, Swiss Plateau), 800 m asl. The forest is highly diverse, dominated by beech and fir. The site is part of the international CarboEurope IP network and the NABEL (Swiss air quality network) and a long-term forest ecosystem research site (LWF) of the WSL (Institut f.Wald Schnee & Landschaft). Eddy covariance flux measurements were started in April 2004 (tower coordinates: 47°28’42.0″ N and 8°21’51.8″ E; at 689 m asl).",[],[5577],{"_type":574,"settings":5578,"text":5579},{"textColumnCount":637},[5580,5588,5596,5604,5612,5620],{"_key":5581,"_type":11,"children":5582,"markDefs":5587,"style":24},"87ad1e75ec4c",[5583],{"_key":5584,"_type":15,"marks":5585,"text":5586},"27ed143abc9c0",[],"With ongoing climate change, effective science communication has become increasingly important. According to scientists, Anthropogenic climate change, driven by excessive greenhouse gas emissions ‒- primarily CO₂ ‒- requires innovative solutions for mitigation. Among those, nature-based solutions have gained significant attention to offset some of the anthropogenic CO₂ emissions. Scientists study how much CO₂ ecosystems take in and release using a method called eddy covariance (EC). This technique measures CO₂ in the air above the land continuously, giving detailed information about the “breathing” of ecosystems over time. While such data are extensively used in scientific research, for instance to evaluate the impacts of climate change and land management on ecosystems, effective communication of these findings to the general public remains a challenge.",[],{"_key":5589,"_type":11,"children":5590,"markDefs":5595,"style":24},"40cbf43d84a7",[5591],{"_key":5592,"_type":15,"marks":5593,"text":5594},"0b48d81ee2da0",[],"According to scientists, in Switzerland, the Swiss FluxNet measures CO₂ in different ecosystems—forests, grasslands, and croplands—over many years. Since 1997, it has collected a total of 129 years of CO₂ data from six long-term sites, with more being added every year. While this information is very valuable for research, sharing it in a way that is easy for the public to understand remains a challenge. Therefore we initiated an interdisciplinary collaboration between science and visual art. The goal was to create a visually engaging and meaningful representation of the flux data, using accessible and intuitive colours and an attractive design, thus simplifying scientific data without compromising content. The collaboration resulted in a figure that showcases annual CO₂ budgets across multiple sites with a uniform colour scale, highlighting year-to-year differences in ecosystem performance as well as typical characteristics of the respective ecosystem.",[],{"_key":5597,"_type":11,"children":5598,"markDefs":5603,"style":24},"0cf2a198d1fc",[5599],{"_key":5600,"_type":15,"marks":5601,"text":5602},"6fb877ab1db20",[],"The artist explores the historical, artistic, and cultural significance of colors, while also considering accessibility for color-blind individuals.",[],{"_key":5605,"_type":11,"children":5606,"markDefs":5611,"style":24},"e8035f7f828f",[5607],{"_key":5608,"_type":15,"marks":5609,"text":5610},"fbd26a6db4bd0",[],"For example, the scientists and artist chose a combination of green and violet hues to represent carbon release and uptake, which, after careful research, is accessible even to color-blind viewers. In this 10-color scale, each color is carefully selected from Japanese fabric colors. A review of art history shows that this color combination has been used in various ways: to represent the atmosphere of urban gardens, where violet often depicts the shadow of women’s silk garments or reflections on water, and green represents trees and plants; to depict the peaceful death of a female figure; and in cartoons, it is sometimes used to represent the evil witch, as in Sleeping Beauty.",[],{"_key":5613,"_type":11,"children":5614,"markDefs":5619,"style":24},"942cedfc36c2",[5615],{"_key":5616,"_type":15,"marks":5617,"text":5618},"64acb0c63e700",[],"The associations of serenity, the ambiguous representation of women’s deaths, and the implied evilness of powerful women in art and animation have been reinforced across multiple generations, becoming part of a shared cultural memory. Therefore, the choice of this color combination both recalls collective memories and evokes subtle emotions, which we believe help people understand the impact of excessive greenhouse gas emissions.",[],{"_key":5621,"_type":11,"children":5622,"markDefs":5627,"style":24},"8fbcede04888",[5623],{"_key":5624,"_type":15,"marks":5625,"text":5626},"c22849d6d7c50",[],"On the other hand, it is well known that women and children in marginalized regions suffer disproportionately from climate change. In my research on the use of color combination of green and violet in art history, I therefore chose to reference representations of women as serene, observed subjects, the ambiguous portrayal of female death, and the implied evilness of powerful women. By evoking these collective cultural memories, such figures serve as reflections on disempowered women, subtly linking women’s fate with that of the environment and drawing greater attention to both.",[],[5629,5639],{"_type":1306,"question":5630},[5631],{"_key":5632,"_type":11,"children":5633,"markDefs":5638,"style":24},"461d7b7e69d4",[5634],{"_key":5635,"_type":15,"marks":5636,"text":5637},"429a0771f7ba0",[],"How can climate data be presented in ways that are accessible and understandable to the general public?",[],{"_type":1306,"question":5640},[5641],{"_key":5642,"_type":11,"children":5643,"markDefs":5648,"style":24},"42b0f0b6e1bc",[5644],{"_key":5645,"_type":15,"marks":5646,"text":5647},"36343b981f870",[],"What strategies can foster accessible and inclusive climate education for marginalized groups?",[],[5650,171,5651,5652,383,5653,5542,5654,1730,5655,5493],"chromatics for change: an inclusive visual language for climate communication","how can climate data be presented in ways that are accessible and understandable to the general public?","what strategies can foster accessible and inclusive climate education for marginalized groups?","site description\nmanaged mixed deciduous mountain forest located on the steep lägeren mountain (nw of zurich, swiss plateau), 800 m asl. the forest is highly diverse, dominated by beech and fir. the site is part of the international carboeurope ip network and the nabel (swiss air quality network) and a long-term forest ecosystem research site (lwf) of the wsl (institut f.wald schnee & landschaft). eddy covariance flux measurements were started in april 2004 (tower coordinates: 47°28’42.0″ n and 8°21’51.8″ e; at 689 m asl).","with ongoing climate change, effective science communication has become increasingly important. according to scientists, anthropogenic climate change, driven by excessive greenhouse gas emissions ‒- primarily co₂ ‒- requires innovative solutions for mitigation. among those, nature-based solutions have gained significant attention to offset some of the anthropogenic co₂ emissions. scientists study how much co₂ ecosystems take in and release using a method called eddy covariance (ec). this technique measures co₂ in the air above the land continuously, giving detailed information about the “breathing” of ecosystems over time. while such data are extensively used in scientific research, for instance to evaluate the impacts of climate change and land management on ecosystems, effective communication of these findings to the general public remains a challenge.\n\naccording to scientists, in switzerland, the swiss fluxnet measures co₂ in different ecosystems—forests, grasslands, and croplands—over many years. since 1997, it has collected a total of 129 years of co₂ data from six long-term sites, with more being added every year. while this information is very valuable for research, sharing it in a way that is easy for the public to understand remains a challenge. therefore we initiated an interdisciplinary collaboration between science and visual art. the goal was to create a visually engaging and meaningful representation of the flux data, using accessible and intuitive colours and an attractive design, thus simplifying scientific data without compromising content. the collaboration resulted in a figure that showcases annual co₂ budgets across multiple sites with a uniform colour scale, highlighting year-to-year differences in ecosystem performance as well as typical characteristics of the respective ecosystem.\n\nthe artist explores the historical, artistic, and cultural significance of colors, while also considering accessibility for color-blind individuals.\n\nfor example, the scientists and artist chose a combination of green and violet hues to represent carbon release and uptake, which, after careful research, is accessible even to color-blind viewers. in this 10-color scale, each color is carefully selected from japanese fabric colors. a review of art history shows that this color combination has been used in various ways: to represent the atmosphere of urban gardens, where violet often depicts the shadow of women’s silk garments or reflections on water, and green represents trees and plants; to depict the peaceful death of a female figure; and in cartoons, it is sometimes used to represent the evil witch, as in sleeping beauty.\n\nthe associations of serenity, the ambiguous representation of women’s deaths, and the implied evilness of powerful women in art and animation have been reinforced across multiple generations, becoming part of a shared cultural memory. therefore, the choice of this color combination both recalls collective memories and evokes subtle emotions, which we believe help people understand the impact of excessive greenhouse gas emissions.\n\non the other hand, it is well known that women and children in marginalized regions suffer disproportionately from climate change. in my research on the use of color combination of green and violet in art history, i therefore chose to reference representations of women as serene, observed subjects, the ambiguous portrayal of female death, and the implied evilness of powerful women. by evoking these collective cultural memories, such figures serve as reflections on disempowered women, subtly linking women’s fate with that of the environment and drawing greater attention to both.","climate knowledge",{"_type":77,"current":5657},"chromatics-for-change-an-inclusive-visual-language-for-climate-communication","Chromatics for change: an inclusive visual language for climate communication",[5660,5735,5743,5748,5753],{"_type":574,"settings":5661,"text":5662},{"textColumnCount":637},[5663,5671,5687,5695,5703,5711,5719,5727],{"_key":5664,"_type":11,"children":5665,"markDefs":5670,"style":24},"0488558b70fd",[5666],{"_key":5667,"_type":15,"marks":5668,"text":5669},"e453e30491730",[],"This text is not an introduction, or at least not in the sense that a book might expect of one. This publication refuses sequence: it circulates, drifts, returns, disappears, and reappears. What follows is a story about the people who brought it into being.",[],{"_key":5672,"_type":11,"children":5673,"markDefs":5686,"style":24},"fa703b2721d1",[5674,5678,5682],{"_key":5675,"_type":15,"marks":5676,"text":5677},"77f98b1914940",[],"We (as the 2025 School of Commons cohort) wanted to write a manifesto, a strong, direct text communicating our beliefs and interests to the world. We imagined the process as a possible means to bring us closer. A manifesto is something that makes you feel as though you are part of something, but what are we part of exactly? Another idea emerged: a toolkit for resilience that might be more useful. What unfolded (slowly, awkwardly, collectively) is neither and both. Something generated through the friction, confusion, and humour of trying to communicate with one another and to create a single voice out of many. A manifesto is a declaration meant to give direct directions, but a ",{"_key":5679,"_type":15,"marks":5680,"text":5681},"77f98b1914941",[492],"metafesto",{"_key":5683,"_type":15,"marks":5684,"text":5685},"77f98b1914942",[]," would help find that direction.",[],{"_key":5688,"_type":11,"children":5689,"markDefs":5694,"style":24},"8be6967c0def",[5690],{"_key":5691,"_type":15,"marks":5692,"text":5693},"6c18f0d042960",[],"It comes as no surprise to anyone that collective writing is a difficult task. Over the course of several (online) meetings about how exactly to write together, and how to talk about the group’s desires along with the frustrations that come from the ways things work out: some oddly and others not at all. One metaphor has stayed with us: a boat in the sky. The general mood, somewhat lost, strange, unreachable. This was a peculiar boat, a boat that maybe could not be seen from the ground, a boat that exists only because we insist on imagining it, and a boat we can board only if we learn how to access it together.",[],{"_key":5696,"_type":11,"children":5697,"markDefs":5702,"style":24},"f114f7def7cc",[5698],{"_key":5699,"_type":15,"marks":5700,"text":5701},"53599004430e0",[],"In this sense, the metafesto is not a declaration but a gesture of closeness. It is an orientation device for navigating uncertainty together. It tries to accompany artists and collectives, offering not instructions but invitations to reimagine, to reorganise, to remember that collective imagination can be a form of anchoring. It is a tool insofar as it allows others to replicate a metaphor that was useful for us. While thinking about a boat or groups of boats, the word ‘flotilla’ crossed our exchanges. This was initially floated as a name for this gathering of sky-boats, but we are mindful of its militaristic roots. Language itself can reproduce systems we aim to soften or transform. The discussion occurred in parallel with the Global Sumud Flotilla, a diverse assembly of people coming together in a collective mission, highlighting how ‘flotilla’ can also signify collective action, solidarity, and shared courage outside military contexts. At a moment marked by devastating violence, including the ongoing Palestinian genocide, disarming our vocabulary is part of disarming our thinking. This publication leans toward regenerative language, toward imagining the boat not as a war-formation but as a pilgrimage, a village, or a gift-giver.",[],{"_key":5704,"_type":11,"children":5705,"markDefs":5710,"style":24},"e22772576f74",[5706],{"_key":5707,"_type":15,"marks":5708,"text":5709},"9dce95f5e3a40",[],"For now, this metafesto holds our attempt to travel toward difference with curiosity, towards each other with generosity, towards the unknown with collective imagination. The boat in the sky also circulates, drifts, returns, disappears, and reappears when you need it.",[],{"_key":5712,"_type":11,"children":5713,"markDefs":5718,"style":24},"7ec53d70c530",[5714],{"_key":5715,"_type":15,"marks":5716,"text":5717},"20e8c6ac02f90",[],"There is no first page, by design. The moment you decide to step onto the boat in the sky you are part of the crew.",[],{"_key":5720,"_type":11,"children":5721,"markDefs":5726,"style":24},"548ff6b742aa",[5722],{"_key":5723,"_type":15,"marks":5724,"text":5725},"e195a77d46ca0",[],"Here you will find instructions to guide you in making your own metafesto. On the left are the prompts, and on the right is how we (as the 2025 cohort) answered them.",[],{"_key":5728,"_type":11,"children":5729,"markDefs":5734,"style":24},"199a5865174b",[5730],{"_key":5731,"_type":15,"marks":5732,"text":5733},"702de3deb0bf0",[],"There is not a concrete way of doing it, and no right or wrong. These prompts are meant to spark reflection, dialogue, and experimentation, whether with yourself or collectively. Tweak them, build them up, or skip them as you please.",[],{"_type":626,"caption":75,"image":5736},{"alt":75,"asset":5737},{"_id":5738,"height":5739,"orientation":359,"ratio":5740,"url":5741,"width":5742},"image-dabf320f5a93ac2da27294fae965c4af6fa0ce87-1242x1755-jpg",1755,0.7076923076923077,"https://cdn.sanity.io/images/eodip22e/production/dabf320f5a93ac2da27294fae965c4af6fa0ce87-1242x1755.jpg",1242,{"_type":626,"caption":75,"image":5744},{"alt":75,"asset":5745},{"_id":5746,"height":5739,"orientation":359,"ratio":5740,"url":5747,"width":5742},"image-ff6a6bd64ec4e1099cbcd031e58fb9821bfeef4c-1242x1755-jpg","https://cdn.sanity.io/images/eodip22e/production/ff6a6bd64ec4e1099cbcd031e58fb9821bfeef4c-1242x1755.jpg",{"_type":626,"caption":75,"image":5749},{"alt":75,"asset":5750},{"_id":5751,"height":5739,"orientation":359,"ratio":5740,"url":5752,"width":5742},"image-ff7347ba46c075451ce212d7521e5e3cd3261340-1242x1755-jpg","https://cdn.sanity.io/images/eodip22e/production/ff7347ba46c075451ce212d7521e5e3cd3261340-1242x1755.jpg",{"_type":626,"caption":75,"image":5754},{"alt":75,"asset":5755},{"_id":5756,"height":5739,"orientation":359,"ratio":5740,"url":5757,"width":5742},"image-28d29327a1ce64e183ca96a0b0d4eae10d16677a-1242x1755-jpg","https://cdn.sanity.io/images/eodip22e/production/28d29327a1ce64e183ca96a0b0d4eae10d16677a-1242x1755.jpg",{"_type":77,"current":5759},"collective-editorial-2025","Collective Editorial 2025",{"_id":5762,"_type":278,"categories":75,"credits":75,"downloads":75,"events":75,"footnotes":5763,"issue":5764,"labs":75,"pageBuilder":5767,"seo":75,"slug":6059,"title":6061},"1f5da50b-13e7-41b4-9256-c6ff62657ed1",[],{"_id":281,"_type":282,"colorPrimary":5765,"seo":75,"slug":5766,"title":171,"yearTitle":287},{"label":284,"value":285},{"_type":77,"current":171},[5768],{"_type":574,"settings":5769,"text":5770},{"textColumnCount":637},[5771,5779,5786,5802,5809,5823,5830,5845,5852,5864,5872,5886,5893,5907,5914,5929,5936,5944,5952,5960,5975,5982,5996,6003,6017,6024,6038,6045],{"_key":5772,"_type":11,"children":5773,"markDefs":5778,"style":24},"18ab6d20e671",[5774],{"_key":5775,"_type":15,"marks":5776,"text":5777},"d729f38fca120",[17],"Question: How do you connect with Exquisite Commons?",[],{"_key":5780,"_type":11,"children":5781,"markDefs":5785,"style":24},"16ff8429977e",[5782],{"_key":5783,"_type":15,"marks":5784,"text":1000},"22f05f0c71f40",[],[],{"_key":5787,"_type":11,"children":5788,"markDefs":5801,"style":24},"05b691f1cbb8",[5789,5793,5797],{"_key":5790,"_type":15,"marks":5791,"text":5792},"9952488929330",[492],"\"Speaking, listening, speaking again, archiving, arguing, deflecting, responding, listening, overthinking, acknowledging, relating, choosing not to or speaking again.\" ",{"_key":5794,"_type":15,"marks":5795,"text":5796},"3618d200e0e9",[],"- ",{"_key":5798,"_type":15,"marks":5799,"text":5800},"516a0cd3c677",[17],"ARCHIIVE",[],{"_key":5803,"_type":11,"children":5804,"markDefs":5808,"style":24},"168191e7cd5e",[5805],{"_key":5806,"_type":15,"marks":5807,"text":1000},"3622b521f08e0",[],[],{"_key":5810,"_type":11,"children":5811,"markDefs":5822,"style":24},"c74ad5638916",[5812,5816,5819],{"_key":5813,"_type":15,"marks":5814,"text":5815},"d7cf82ee82e20",[492],"\"When shared food is cared for together - Human and Unhuman - where eating becomes an act of relationship, responsibility, belonging, creation and cultural meaning is valuable.\" ",{"_key":5817,"_type":15,"marks":5818,"text":5796},"516a568eea3d",[],{"_key":5820,"_type":15,"marks":5821,"text":1856},"db980fcab08e",[17],[],{"_key":5824,"_type":11,"children":5825,"markDefs":5829,"style":24},"19b50b10cf07",[5826],{"_key":5827,"_type":15,"marks":5828,"text":1000},"159dcaccdcc30",[],[],{"_key":5831,"_type":11,"children":5832,"markDefs":5844,"style":24},"f47086714b85",[5833,5837,5841],{"_key":5834,"_type":15,"marks":5835,"text":5836},"aaa899c4346a0",[492],"\"Hitching a Ride to Enough English is a one-person-headed project that could only ever work in connection to a bigger group - a group exactly like this cohort! I was here for the ride, grateful to be here, and, suddenly, I was floating above everything there is - I didn’t realize I had gotten a ride with a boat in the sky until I already had:)\"",{"_key":5838,"_type":15,"marks":5839,"text":5840},"328d288b13c6",[]," - ",{"_key":5842,"_type":15,"marks":5843,"text":3539},"a41f58566e88",[17],[],{"_key":5846,"_type":11,"children":5847,"markDefs":5851,"style":24},"0b9543b2d536",[5848],{"_key":5849,"_type":15,"marks":5850,"text":1000},"2301d3ce9bd80",[],[],{"_key":5853,"_type":11,"children":5854,"markDefs":5863,"style":24},"7625251726bd",[5855,5859],{"_key":5856,"_type":15,"marks":5857,"text":5858},"575877a3fc780",[17,492],"\"boats floating in a basket",{"_key":5860,"_type":15,"marks":5861,"text":5862},"575877a3fc781",[492]," is a phrase inspired by the year of soc 2025 meetings and influenced the film produced as part of the research. The film takes inspiration from ‘boats in the sky’, a framework for the SOC 2025 online meetings. The metaphors created a common language for thinking about care, movement, uncertainty, and interdependence.",[],{"_key":5865,"_type":11,"children":5866,"markDefs":5871,"style":24},"f43f23f5a3ea",[5867],{"_key":5868,"_type":15,"marks":5869,"text":5870},"55918496b6980",[492],"In the short film, Boats floating in a basket, the boat becomes a symbol of knowledge in motion that is never fixed, never owned, always carried. The basket represents the commons: a woven structure held together by many hands, histories, and materials. It does not belong to one person. It holds because it is shared. The basket is fragile, yet resilient. It allows many boats to float together without hierarchy",[],{"_key":5873,"_type":11,"children":5874,"markDefs":5885,"style":24},"17d9f0f22879",[5875,5879,5882],{"_key":5876,"_type":15,"marks":5877,"text":5878},"1f70377535080",[492],"In response to Exquisite Commons as a practice of attunement rather than control. Knowledge here is not extracted, stabilised, or monumentalised. It is held temporarily, listened to, and passed on. The ephemerality of sound, oral storytelling, and collective memory mirrors the ethics of the commons as something that exists through care, repetition, and participation.\"",{"_key":5880,"_type":15,"marks":5881,"text":5840},"1fcdfc05d4b7",[],{"_key":5883,"_type":15,"marks":5884,"text":3817},"5f685bc7a7f9",[17],[],{"_key":5887,"_type":11,"children":5888,"markDefs":5892,"style":24},"f48e2cf7b6c4",[5889],{"_key":5890,"_type":15,"marks":5891,"text":1000},"d171ddf137bb0",[],[],{"_key":5894,"_type":11,"children":5895,"markDefs":5906,"style":24},"2b0d20cb1302",[5896,5900,5903],{"_key":5897,"_type":15,"marks":5898,"text":5899},"b887808b95fa0",[492],"\"Utterances/questions/gestures/methods that take place in one-to-one mentoring-sessions might become “exquisite commons” for people currently engaged in mentoring, as well as for those interested in starting a mentoring relationship, as they circulate between different mentee-mentor pairings. They might inform upcoming mentoring sessions, might be modified or put aside. They might invite a discussion of preconceptions of mentoring that mentee and mentor bring into the session. They might raise the question of how, and in which constellations, we want to learn together.\" ",{"_key":5901,"_type":15,"marks":5902,"text":5796},"139cee459466",[],{"_key":5904,"_type":15,"marks":5905,"text":3899},"bcc71089f27f",[17],[],{"_key":5908,"_type":11,"children":5909,"markDefs":5913,"style":24},"d3d2a89ec2e7",[5910],{"_key":5911,"_type":15,"marks":5912,"text":1000},"b0cb19cb5b520",[],[],{"_key":5915,"_type":11,"children":5916,"markDefs":5928,"style":24},"32318d0fbde4",[5917,5921,5924],{"_key":5918,"_type":15,"marks":5919,"text":5920},"dfb01e406e140",[492],"\"The boat in the sky sails on invisible waves.\"",{"_key":5922,"_type":15,"marks":5923,"text":5840},"0ed3f2cc44ec",[],{"_key":5925,"_type":15,"marks":5926,"text":5927},"ea38eebd0d5e",[17],"Radio-Dreaming into the Electromagnetic Commons",[],{"_key":5930,"_type":11,"children":5931,"markDefs":5935,"style":24},"9b3927822511",[5932],{"_key":5933,"_type":15,"marks":5934,"text":1000},"91534ce4eb0c0",[],[],{"_key":5937,"_type":11,"children":5938,"markDefs":5943,"style":24},"7415fb594f06",[5939],{"_key":5940,"_type":15,"marks":5941,"text":5942},"6025231de32d0",[492],"\"The horizon is the apparent junction of earth and sky.",[],{"_key":5945,"_type":11,"children":5946,"markDefs":5951,"style":24},"f8f8e501a683",[5947],{"_key":5948,"_type":15,"marks":5949,"text":5950},"2cb83c4014ef0",[492],"An exquisite commons entails spatial and social interaction grounded in horizontality.",[],{"_key":5953,"_type":11,"children":5954,"markDefs":5959,"style":24},"f69944cef86e",[5955],{"_key":5956,"_type":15,"marks":5957,"text":5958},"0716f4fc37f10",[492],"Organizing ourselves horizontally allows for a relay of efforts that help create a structure in which our ideas are connected and placed on top of, below, and next to each other, thereby building a framework for action.",[],{"_key":5961,"_type":11,"children":5962,"markDefs":5974,"style":24},"ffaf74fdc34a",[5963,5967,5970],{"_key":5964,"_type":15,"marks":5965,"text":5966},"a93f3aa21a910",[492],"Our collective boat in the sky departs from this juncture, casting off its lines as it sails jet streams and trade winds. The keel is built from our ideas, the hull from our shared labor; the helm can withstand stormy weather, and with many hands at work, the rudder is always (hu)manned.\"",{"_key":5968,"_type":15,"marks":5969,"text":5840},"dac5ba23d261",[],{"_key":5971,"_type":15,"marks":5972,"text":5973},"c7d31ad1bfa6",[17],"Sala de té",[],{"_key":5976,"_type":11,"children":5977,"markDefs":5981,"style":24},"33c816af4f73",[5978],{"_key":5979,"_type":15,"marks":5980,"text":1000},"1070cc490b430",[],[],{"_key":5983,"_type":11,"children":5984,"markDefs":5995,"style":24},"229d6f1a8b60",[5985,5989,5992],{"_key":5986,"_type":15,"marks":5987,"text":5988},"678fcfea1ee30",[492],"\"Family as a boat in the sky ~ a large, non-genetic household, tables filled with exquisite commons for all.\"",{"_key":5990,"_type":15,"marks":5991,"text":3023},"401418372002",[],{"_key":5993,"_type":15,"marks":5994,"text":4487},"9d077a836596",[17],[],{"_key":5997,"_type":11,"children":5998,"markDefs":6002,"style":24},"c66d259474b2",[5999],{"_key":6000,"_type":15,"marks":6001,"text":1000},"ad885b4686a00",[],[],{"_key":6004,"_type":11,"children":6005,"markDefs":6016,"style":24},"9a15aeda01ad",[6006,6010,6013],{"_key":6007,"_type":15,"marks":6008,"text":6009},"28a760567e350",[492],"\"Composite bodies prowl the wild mountains, breathing fire and eating unwary stray cows. Try to become ‘more-than.’ Try to coordinate your most contrasting parts; can you move with them? A living collage, an Exquisite Creature.\"",{"_key":6011,"_type":15,"marks":6012,"text":5840},"6f02b204d5f7",[],{"_key":6014,"_type":15,"marks":6015,"text":2739},"ca3159ad1306",[17],[],{"_key":6018,"_type":11,"children":6019,"markDefs":6023,"style":24},"06e9a3fa5cec",[6020],{"_key":6021,"_type":15,"marks":6022,"text":1000},"6592485d579e0",[],[],{"_key":6025,"_type":11,"children":6026,"markDefs":6037,"style":24},"93eb67199527",[6027,6031,6034],{"_key":6028,"_type":15,"marks":6029,"text":6030},"58fae04185df0",[492],"\"The fact that it contains parts from a collective writing practice.\"",{"_key":6032,"_type":15,"marks":6033,"text":5840},"bf68195f8635",[],{"_key":6035,"_type":15,"marks":6036,"text":3183},"aaccf1daff86",[17],[],{"_key":6039,"_type":11,"children":6040,"markDefs":6044,"style":24},"3b7d5a874206",[6041],{"_key":6042,"_type":15,"marks":6043,"text":1000},"fc847275cc9a0",[],[],{"_key":6046,"_type":11,"children":6047,"markDefs":6058,"style":24},"920f61d30355",[6048,6052,6055],{"_key":6049,"_type":15,"marks":6050,"text":6051},"e5be10c5b01d0",[492],"\"Do we have answers for the future? We barely have a handful of present desires and needs for a vessel in the air.\" ",{"_key":6053,"_type":15,"marks":6054,"text":5796},"ba31d3967ba1",[],{"_key":6056,"_type":15,"marks":6057,"text":1209},"00b199da5fae",[17],[],{"_type":77,"current":6060},"intertextual-dialogue","Intertextual Dialogue ",{"_id":6063,"_type":278,"categories":6064,"credits":6125,"downloads":75,"events":75,"footnotes":6270,"issue":6271,"labs":6274,"pageBuilder":6535,"seo":75,"slug":8042,"title":8044},"d62d6962-31b9-4973-a516-2ba02f5b8bd1",[6065,6068,6075,6082,6085,6088,6091,6098,6105,6112,6115,6122],{"_id":294,"_type":295,"colorPrimary":6066,"seo":75,"slug":6067,"title":300},{"label":284,"value":297},{"_type":77,"current":299},{"_id":6069,"_type":295,"colorPrimary":6070,"seo":75,"slug":6072,"title":6074},"db2b587f-904b-49ab-8694-8704ece3dfb0",{"label":284,"value":6071},"#ff3c3c",{"_type":77,"current":6073},"inventions-of-the-unknown","Inventions of the 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Once the question is posed, the players collaborate to decide on 10 collective \"values\" that envision their future. Each of these values is assigned a color, corresponding to one of the 10 available colors.",[],{"_key":6625,"_type":11,"children":6626,"markDefs":6630,"style":24},"8f16d8b4c9d7",[6627],{"_key":6628,"_type":15,"marks":6629,"text":1000},"65d3b1080a030",[],[],{"_key":6632,"_type":11,"children":6633,"markDefs":6638,"style":24},"d80f7e7852dc",[6634],{"_key":6635,"_type":15,"marks":6636,"text":6637},"cd262fdd2e9f0",[],"As the game progresses, players must build the largest and most stable structure possible. The spinning top introduces an element of chance, as it determines whether players will add, remove, or replace pieces during their turns. Throughout the game, players consider important questions such as: What should be added, removed, or replaced? What does the structure need? What is missing? Which values are most important?",[],{"_key":6640,"_type":11,"children":6641,"markDefs":6645,"style":24},"f3cf30ac4a8a",[6642],{"_key":6643,"_type":15,"marks":6644,"text":1000},"e5c14f1e8f510",[],[],{"_key":6647,"_type":11,"children":6648,"markDefs":6653,"style":24},"0172d934ecc3",[6649],{"_key":6650,"_type":15,"marks":6651,"text":6652},"815f511d0d450",[],"The game is facilitated by one or two people who introduce and explain the rules of the game and also have the role of observing the dynamics of the game to finally make a synthesis or interpretation of how the game unfolded, bringing out the main elements of the group’s dynamics and the personal positions of the players and their impact on the resulting (d)estructura. The analysis made by the facilitator/observer is an invitation to the players to reflect on how individual decisions impact the group dynamic and vice versa. At the end of the game, participants share their reflections, feelings, memories, and emotions, enriching the group experience.",[],{"_key":6655,"_type":11,"children":6656,"markDefs":6660,"style":24},"9289801f8802",[6657],{"_key":6658,"_type":15,"marks":6659,"text":1000},"905d61bf43cd0",[],[],{"_key":6662,"_type":11,"children":6663,"markDefs":6668,"style":24},"29fc6214306f",[6664],{"_key":6665,"_type":15,"marks":6666,"text":6667},"4bb271a992880",[17],"SoC 2025",[],{"_key":6670,"_type":11,"children":6671,"markDefs":6675,"style":24},"c20fa33517b0",[6672],{"_key":6673,"_type":15,"marks":6674,"text":1000},"1ba024e9a2e80",[],[],{"_key":6677,"_type":11,"children":6678,"markDefs":6683,"style":24},"e0b835b1c78d",[6679],{"_key":6680,"_type":15,"marks":6681,"text":6682},"c8eefc29daaf0",[],"Over nearly a decade of organic development with various communities, (d)estructura began exploring ways to expand and \"open up\" the game in 2024, making it accessible to different contexts. In September of that year, during the 25th anniversary celebration of UNIDEE at Cittadellarte Fondazione Pistoletto in Biella, Italy, the three Colombian artists met with David Behar Perahia, a former UNIDEE resident and participant in SoC 2024. He proposed himself to become an \"ambassador\" of the game, implementing it with the communities he was collaborating with.",[],{"_key":6685,"_type":11,"children":6686,"markDefs":6690,"style":24},"9955d9b32375",[6687],{"_key":6688,"_type":15,"marks":6689,"text":1000},"e26013e3e90c0",[],[],{"_key":6692,"_type":11,"children":6693,"markDefs":6698,"style":24},"275b8af502c6",[6694],{"_key":6695,"_type":15,"marks":6696,"text":6697},"b6c9668bb2430",[],"This invitation to broaden the shared vision of desirable futures quickly brought various challenges. Internal and external tensions surrounding the game began to surface. Key questions emerged: What are the collective, collaborative, participatory, and cooperative dimensions of (d)estructura? How should copyright/copyleft issues be addressed? How can we ensure the participation of the three artists as “authors” while including others? How can we gather and analyze the data generated from each game to provide a broader perspective on both the game itself and the communities involved? How can we effectively communicate this information?",[],{"_key":6700,"_type":11,"children":6701,"markDefs":6705,"style":24},"397fa22560d4",[6702],{"_key":6703,"_type":15,"marks":6704,"text":1000},"25e643189be60",[],[],{"_key":6707,"_type":11,"children":6708,"markDefs":6713,"style":24},"f591f1326456",[6709],{"_key":6710,"_type":15,"marks":6711,"text":6712},"e5e74ba1c43e0",[],"With these questions in mind, (d)estructura’s participation in SoC 2025 was established within an ecosystem of initiatives focused on reflecting on the commons.",[],{"_key":6715,"_type":11,"children":6716,"markDefs":6720,"style":24},"2c1b53fd373c",[6717],{"_key":6718,"_type":15,"marks":6719,"text":1000},"9c6ccaf4d4b90",[],[],{"_key":6722,"_type":11,"children":6723,"markDefs":6728,"style":24},"1cb9d905a1bf",[6724],{"_key":6725,"_type":15,"marks":6726,"text":6727},"08de3140549c0",[17],"(d)estructura at the Kick-Off, April 11-13, 2025",[],{"_key":6730,"_type":11,"children":6731,"markDefs":6735,"style":24},"119f9f2a3d49",[6732],{"_key":6733,"_type":15,"marks":6734,"text":1000},"f7a9a8503b770",[],[],{"_key":6737,"_type":11,"children":6738,"markDefs":6743,"style":24},"61feef143fa4",[6739],{"_key":6740,"_type":15,"marks":6741,"text":6742},"11fca02336520",[],"At the beginning of April, we held the first (d)estructura presentation during the virtual Kick-Off. For this session, Alejandro and Mariangela aimed to pose the main question of the game. This initiative allowed the team to introduce, albeit remotely, a scenario for speculating on possible shared futures. To facilitate this discussion, four virtual rooms were organized where participants could meet for a few minutes to share and record their initial wishes. These ideas were collected on a Miro collective whiteboard, created as a communal repository for the entire development of SoC 2025. The groups expressed the following themes:",[],{"_key":6745,"_type":11,"children":6746,"markDefs":6750,"style":24},"4324c91809c1",[6747],{"_key":6748,"_type":15,"marks":6749,"text":1000},"2f912f2053db0",[],[],{"_key":6752,"_type":11,"children":6753,"markDefs":6758,"style":24},"f73de8cc267c",[6754],{"_key":6755,"_type":15,"marks":6756,"text":6757},"7637f800b0b20",[],"(d)estructura: How do you imagine your life in 10 years, and what do you need to achieve that vision?",[],{"_key":6760,"_type":11,"children":6761,"markDefs":6765,"style":24},"1a4d7f593b86",[6762],{"_key":6763,"_type":15,"marks":6764,"text":1000},"eed18bd6cd9b0",[],[],{"_key":6767,"_type":11,"children":6768,"markDefs":6773,"style":24},"6f926b411bf5",[6769],{"_key":6770,"_type":15,"marks":6771,"text":6772},"c8a0c2b697910",[],"Group 1: Stability, oranges, chickens, growing most of our food and sharing rent, no more war, good health, access to quality healthcare, artistic fulfillment, a post-money economy (no more funding applications or selling art), bartering, and universal income.",[],{"_key":6775,"_type":11,"children":6776,"markDefs":6780,"style":24},"f8abc7f60894",[6777],{"_key":6778,"_type":15,"marks":6779,"text":1000},"a9e1e807a8f70",[],[],{"_key":6782,"_type":11,"children":6783,"markDefs":6788,"style":24},"36abefb251d4",[6784],{"_key":6785,"_type":15,"marks":6786,"text":6787},"b5b0efc76acf0",[],"Group 2: No children, intergenerational exchange, rebuilding social infrastructure, a community-led alternative economy outside of capitalism, and the exchange of cultures and knowledge.",[],{"_key":6790,"_type":11,"children":6791,"markDefs":6795,"style":24},"372cda630513",[6792],{"_key":6793,"_type":15,"marks":6794,"text":1000},"5a856bb4ebdd0",[],[],{"_key":6797,"_type":11,"children":6798,"markDefs":6803,"style":24},"3ac7327fc263",[6799],{"_key":6800,"_type":15,"marks":6801,"text":6802},"603e713f91c50",[],"Group 3: Flexibility, resilience, bodies of water, diverse altitudes, trust, and service to life.",[],{"_key":6805,"_type":11,"children":6806,"markDefs":6810,"style":24},"0a3bc1c9fd60",[6807],{"_key":6808,"_type":15,"marks":6809,"text":1000},"1961b67011f20",[],[],{"_key":6812,"_type":11,"children":6813,"markDefs":6818,"style":24},"b8bb8692bfbe",[6814],{"_key":6815,"_type":15,"marks":6816,"text":6817},"7f4a51474d680",[],"Group 4: Addressing current precarity as essential to rethinking this question, reframing the inquiry to identify what we do not want, which can help build a broader collective vision for the future.",[],{"_key":6820,"_type":11,"children":6821,"markDefs":6825,"style":24},"904d370f6513",[6822],{"_key":6823,"_type":15,"marks":6824,"text":1000},"4d61c1b4aa6e0",[],[],{"_key":6827,"_type":11,"children":6828,"markDefs":6833,"style":24},"3affef99a2c6",[6829],{"_key":6830,"_type":15,"marks":6831,"text":6832},"18ff7b73e5f80",[],"In meetings with participants of varying ages, countries, and identities, a vision of the future emerged, marked by a desire for stability, community life, and a closer relationship with nature. Some participants imagined specific scenarios—such as growing their own food, raising chickens, or living among orange trees—while others focused on broader concepts like resilience, trust, or access to bodies of water. A common aspiration emerged across all groups: to move away from the logic of precarity and toward more humane economic models based on exchange, collaboration, and sufficiency.",[],{"_key":6835,"_type":11,"children":6836,"markDefs":6840,"style":24},"1f8c037d78ca",[6837],{"_key":6838,"_type":15,"marks":6839,"text":1000},"504ff8c1a95c0",[],[],{"_key":6842,"_type":11,"children":6843,"markDefs":6848,"style":24},"9d54e4fa9a9c",[6844],{"_key":6845,"_type":15,"marks":6846,"text":6847},"971d3894fef80",[],"For many, envisioning the future required first acknowledging the fragility of the present. Thus, redefining what they did not want became a necessary step to create space for new possibilities. There was also a shared desire to imagine renewed social structures where well-being does not rely solely on money, scholarships, or competition, but rather on solidarity networks, adaptable social infrastructure, and genuine dialogue between cultures and knowledge systems.",[],{"_key":6850,"_type":11,"children":6851,"markDefs":6855,"style":24},"2b6e51455f99",[6852],{"_key":6853,"_type":15,"marks":6854,"text":1000},"829e47fa9c690",[],[],{"_key":6857,"_type":11,"children":6858,"markDefs":6863,"style":24},"61d884397cc5",[6859],{"_key":6860,"_type":15,"marks":6861,"text":6862},"4fec44a9394d0",[],"Though the visions varied from concrete images to more abstract reflections, they all converged on a singular horizon: a simpler, more conscious, and shared life. A future where community is the foundation, nature frames existence, and collective bargaining paves the way for building what is possible.",[],{"_key":6865,"_type":11,"children":6866,"markDefs":6870,"style":24},"251ffc5726c6",[6867],{"_key":6868,"_type":15,"marks":6869,"text":1000},"cec5ce6934d80",[],[],{"_key":6872,"_type":11,"children":6873,"markDefs":6878,"style":24},"18ee07d6a350",[6874],{"_key":6875,"_type":15,"marks":6876,"text":6877},"f2cad49db0350",[17],"(d)estructura at the Annual Gathering – July 4th, 2025",[],{"_type":626,"caption":6880,"image":6889},[6881],{"_key":6882,"_type":11,"children":6883,"markDefs":6888,"style":24},"4d885fc691fc",[6884],{"_key":6885,"_type":15,"marks":6886,"text":6887},"8fc13e46ddd50",[],"Viaduktraum at ZHdK, July 4th, 2025",[],{"alt":6887,"asset":6890},{"_id":6891,"height":6892,"orientation":512,"ratio":6893,"url":6894,"width":3030},"image-f6cf59d0ae2d813c71165ea31d62749247c9e1ab-750x422-jpg",422,1.7772511848341233,"https://cdn.sanity.io/images/eodip22e/production/f6cf59d0ae2d813c71165ea31d62749247c9e1ab-750x422.jpg",{"_type":574,"settings":6896,"text":6897},{"textColumnCount":637},[6898,6906,6913,6921,6928,6936,6943,6951,6958,6966,6973,6981,6988,6996,7003],{"_key":6899,"_type":11,"children":6900,"markDefs":6905,"style":24},"ecfb65bf854a",[6901],{"_key":6902,"_type":15,"marks":6903,"text":6904},"28d20477228e0",[],"Three months after the Kick-Off, the opportunity to participate in person at the Annual Gathering finally arrived. With a tight schedule, activities began early in the morning. It was the first time the 2025 cohort was meeting face-to-face. People were filled with joy at the realization of the reality beyond the screens, eager to make the most of the limited time and space. What were we going to do?",[],{"_key":6907,"_type":11,"children":6908,"markDefs":6912,"style":24},"dfce13777a60",[6909],{"_key":6910,"_type":15,"marks":6911,"text":1000},"24de187ee3680",[],[],{"_key":6914,"_type":11,"children":6915,"markDefs":6920,"style":24},"d5d65cfaac5c",[6916],{"_key":6917,"_type":15,"marks":6918,"text":6919},"06139b4d37b10",[],"In this case, and given the travel costs, Mariangela traveled on behalf of the (d)estructura group. Juan had previously mailed some games for the presentation and as a donation to SoC. Mariangela had arrived from Cali, Colombia to Zurich, Switzerland at midnight on July 3rd, prepared to get things moving the next day. In the gathering room, three tables were set up for three games, along with three audiovisual recording setups.",[],{"_key":6922,"_type":11,"children":6923,"markDefs":6927,"style":24},"313696ac7163",[6924],{"_key":6925,"_type":15,"marks":6926,"text":1000},"b7762befb2020",[],[],{"_key":6929,"_type":11,"children":6930,"markDefs":6935,"style":24},"11c66b6de640",[6931],{"_key":6932,"_type":15,"marks":6933,"text":6934},"c64093be4c870",[],"The morning gained momentum with serious discussions about the future, bringing together people from diverse backgrounds, ages, contexts, languages, and perspectives. Fundamental questions were posed: How do we envision a desirable future? What does the concept of the commons mean to us? How do we imagine the future of the community of practice?",[],{"_key":6937,"_type":11,"children":6938,"markDefs":6942,"style":24},"42a2cd895e7b",[6939],{"_key":6940,"_type":15,"marks":6941,"text":1000},"7032addc664b0",[],[],{"_key":6944,"_type":11,"children":6945,"markDefs":6950,"style":24},"9f8e0c1e9c25",[6946],{"_key":6947,"_type":15,"marks":6948,"text":6949},"7ef897c861d50",[],"Three simultaneous games progressed at their usual pace. In some cases, the initial discussions took longer than expected, while other groups organized themselves swiftly. This highlights the human experience of decision-making: for some, each choice requires deep reflection, while for others, the game calls for spontaneity and quick thinking.",[],{"_key":6952,"_type":11,"children":6953,"markDefs":6957,"style":24},"21350e5746cc",[6954],{"_key":6955,"_type":15,"marks":6956,"text":1000},"140e8c09db160",[],[],{"_key":6959,"_type":11,"children":6960,"markDefs":6965,"style":24},"35e4b0991701",[6961],{"_key":6962,"_type":15,"marks":6963,"text":6964},"d9dc7e3c8e1d0",[],"Being the one who facilitated and observed the game, Mariangela moved through space and observed the emergence of three structures from the SoC 2025 cohort. The challenge of organizing collectively is always significant in the game. While it may seem simple to arrange small colored pieces on a table based on individual and collective preferences, these small societies offer valuable insights into their organizational structures. Usually, chaos and order are created from an internal hierarchy of values that players establish through conversations, trial and error, consensus, or ultimately by urgency, as the time to organize is limited.",[],{"_key":6967,"_type":11,"children":6968,"markDefs":6972,"style":24},"481fbf58cf40",[6969],{"_key":6970,"_type":15,"marks":6971,"text":1000},"21f6716d0b2c0",[],[],{"_key":6974,"_type":11,"children":6975,"markDefs":6980,"style":24},"fe93d1597292",[6976],{"_key":6977,"_type":15,"marks":6978,"text":6979},"ddf4e69cff380",[],"Throughout the game, the conversations took on remarkable depth and complexity. Each table was filled with laughter, engaging discussions, gestures of surprise, and perhaps a hint of adrenaline. Although the game is not competitive and there are no winners or losers, the shared experience in a specific time and space created an exhilarating atmosphere.",[],{"_key":6982,"_type":11,"children":6983,"markDefs":6987,"style":24},"924c0456a5ab",[6984],{"_key":6985,"_type":15,"marks":6986,"text":1000},"c7f4d74ddd080",[],[],{"_key":6989,"_type":11,"children":6990,"markDefs":6995,"style":24},"bd3bad8f2238",[6991],{"_key":6992,"_type":15,"marks":6993,"text":6994},"7870490554ab0",[],"Applause and laughter erupted when one of the tables completed its (d)estructura, and the other two tables continued discussing and assembling until time ran out and they had to stop. The next instruction was to observe how the (d)estructuras were assembled, noting what was at the bottom and what was on top, how stable each structure was, and whether any or all of it represented the group and its members.",[],{"_key":6997,"_type":11,"children":6998,"markDefs":7002,"style":24},"635fb0cf9759",[6999],{"_key":7000,"_type":15,"marks":7001,"text":1000},"2ba091a030870",[],[],{"_key":7004,"_type":11,"children":7005,"markDefs":7010,"style":24},"4248ceb7c3d8",[7006],{"_key":7007,"_type":15,"marks":7008,"text":7009},"ff14a9c336ed0",[],"At this point, conversations became especially interesting. Individual and collective surprises emerged as participants reflected on their decision-making processes. Discussions revolved around the negotiations over what was considered important, who defended various values, which values were given less attention, and ultimately revealed the internal (d)estructuras that each person held.",[],{"_type":626,"caption":7012,"image":7021},[7013],{"_key":7014,"_type":11,"children":7015,"markDefs":7020,"style":24},"3b5a7a1a50c6",[7016],{"_key":7017,"_type":15,"marks":7018,"text":7019},"11aec2815b8d0",[],"Table #1, Zurich, July 4th, 2025.",[],{"alt":7022,"asset":7023},"Table #1, Zurich, July 4th, 2025. 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The brainstorming and value-imagining processes, often grouped into clusters, can be observed in the data sheet. After that, the game flowed very smoothly. The participants in this group recognized the challenge of constructing the \"largest and most stable possible\" structure by expanding horizontally, with the understanding that no value is inferior or superior to another. This creates a challenge in establishing \"hierarchies,\" which is precisely the intriguing aspect to explore. What motivates the involved individuals to avoid vertical growth? Where does the structure begin and end, and from what perspective? I believe the shared space serves as a canvas for creativity and imagination on the horizon.",[],{"_type":626,"caption":7125,"image":7134},[7126],{"_key":7127,"_type":11,"children":7128,"markDefs":7133,"style":24},"52b598492919",[7129],{"_key":7130,"_type":15,"marks":7131,"text":7132},"1a655841a8bb0",[],"Table #2, Zurich, July 4th, 2025.",[],{"alt":7135,"asset":7136},"Table #2, Zurich, July 4th, 2025",{"_id":7137,"height":7138,"orientation":512,"ratio":7139,"url":7140,"width":7141},"image-7fc3326402f28acf00cd30cbe67d89ee910e22c1-740x493-jpg",493,1.5010141987829615,"https://cdn.sanity.io/images/eodip22e/production/7fc3326402f28acf00cd30cbe67d89ee910e22c1-740x493.jpg",740,{"_type":574,"settings":7143,"text":7144},{"textColumnCount":637},[7145,7153,7161,7169,7177,7185,7193,7201,7209,7217,7225,7232,7240,7247],{"_key":7146,"_type":11,"children":7147,"markDefs":7152,"style":24},"d10dd69c869e",[7148],{"_key":7149,"_type":15,"marks":7150,"text":7151},"827292650f400",[],"Red: love",[],{"_key":7154,"_type":11,"children":7155,"markDefs":7160,"style":24},"3146c52db822",[7156],{"_key":7157,"_type":15,"marks":7158,"text":7159},"135a2cebaa660",[],"Orange: community",[],{"_key":7162,"_type":11,"children":7163,"markDefs":7168,"style":24},"2381582921b8",[7164],{"_key":7165,"_type":15,"marks":7166,"text":7167},"e750dd09ae930",[],"Yellow: empathy",[],{"_key":7170,"_type":11,"children":7171,"markDefs":7176,"style":24},"90ec5a67c0ba",[7172],{"_key":7173,"_type":15,"marks":7174,"text":7175},"86593c7296c60",[],"Green: sustainability (water / land / air / protein)",[],{"_key":7178,"_type":11,"children":7179,"markDefs":7184,"style":24},"c5907e2dde16",[7180],{"_key":7181,"_type":15,"marks":7182,"text":7183},"d58e05f00a530",[],"Blue: purpose (connected to collective)",[],{"_key":7186,"_type":11,"children":7187,"markDefs":7192,"style":24},"c56ae1e3cc6c",[7188],{"_key":7189,"_type":15,"marks":7190,"text":7191},"f4a8bc2643850",[],"Purple: magic + play + giggle",[],{"_key":7194,"_type":11,"children":7195,"markDefs":7200,"style":24},"aac23c8218d0",[7196],{"_key":7197,"_type":15,"marks":7198,"text":7199},"af39439d364a0",[],"Grey: redistribution of funds and resources",[],{"_key":7202,"_type":11,"children":7203,"markDefs":7208,"style":24},"d52be97e4c92",[7204],{"_key":7205,"_type":15,"marks":7206,"text":7207},"2b77ef87c2430",[],"Brown: wisdom",[],{"_key":7210,"_type":11,"children":7211,"markDefs":7216,"style":24},"b3a3878ff24e",[7212],{"_key":7213,"_type":15,"marks":7214,"text":7215},"34aefb1327e00",[],"Wood: direct communication",[],{"_key":7218,"_type":11,"children":7219,"markDefs":7224,"style":24},"7a24bba2df81",[7220],{"_key":7221,"_type":15,"marks":7222,"text":7223},"bf313e954b060",[],"White: peace",[],{"_key":7226,"_type":11,"children":7227,"markDefs":7231,"style":24},"093b0a98d4eb",[7228],{"_key":7229,"_type":15,"marks":7230,"text":1000},"d5590b90f8400",[],[],{"_key":7233,"_type":11,"children":7234,"markDefs":7239,"style":24},"41a6fc98e211",[7235],{"_key":7236,"_type":15,"marks":7237,"text":7238},"193abfc25bd80",[],"For this group, assigning values was a quick task. However, making decisions based on chance took longer. Initially, the group aimed to create a \"star\" shape instead of a square. Throughout the game, the structure evolved and became less traditional—neither wide nor tall, but rather entropic. By the end of the game, many pieces remained unintegrated. While most of the large pieces of each color were incorporated, far fewer of the medium and small pieces were, as shown in the image.",[],{"_key":7241,"_type":11,"children":7242,"markDefs":7246,"style":24},"a70372a05c9e",[7243],{"_key":7244,"_type":15,"marks":7245,"text":1000},"4e1a3ee2ca980",[],[],{"_key":7248,"_type":11,"children":7249,"markDefs":7254,"style":24},"4da2b2b3e4a9",[7250],{"_key":7251,"_type":15,"marks":7252,"text":7253},"a1529c4ac9cc0",[17],"The Tables' Assembly",[],{"_type":626,"caption":7256,"image":7263},[7257],{"_key":7127,"_type":11,"children":7258,"markDefs":7262,"style":24},[7259],{"_key":7130,"_type":15,"marks":7260,"text":7261},[],"Table #3, Zurich, July 4th, 2025.",[],{"alt":7264,"asset":7265},"Table #3, Zurich, July 4th, 2025",{"_id":7266,"height":2995,"orientation":512,"ratio":1213,"url":7267,"width":3030},"image-c92c18936dc6b8ace33e0a978925363a5f297d52-750x500-jpg","https://cdn.sanity.io/images/eodip22e/production/c92c18936dc6b8ace33e0a978925363a5f297d52-750x500.jpg",{"_type":574,"settings":7269,"text":7270},{"textColumnCount":637},[7271,7279,7287,7295,7303,7311,7319,7327,7335,7343,7351,7358],{"_key":7272,"_type":11,"children":7273,"markDefs":7278,"style":24},"553da2783ba7",[7274],{"_key":7275,"_type":15,"marks":7276,"text":7277},"3e14c758d5b10",[],"Red: heart intelligence",[],{"_key":7280,"_type":11,"children":7281,"markDefs":7286,"style":24},"0f317e402fe4",[7282],{"_key":7283,"_type":15,"marks":7284,"text":7285},"cd28687c2d0e0",[],"Orange: innovation",[],{"_key":7288,"_type":11,"children":7289,"markDefs":7294,"style":24},"5f88f5fff269",[7290],{"_key":7291,"_type":15,"marks":7292,"text":7293},"da06931bb81f0",[],"Yellow: play",[],{"_key":7296,"_type":11,"children":7297,"markDefs":7302,"style":24},"012b566813b2",[7298],{"_key":7299,"_type":15,"marks":7300,"text":7301},"d2c86958abfc0",[],"Green: sustainability",[],{"_key":7304,"_type":11,"children":7305,"markDefs":7310,"style":24},"f0eb502dd921",[7306],{"_key":7307,"_type":15,"marks":7308,"text":7309},"32107efd3a890",[],"Blue: flexibility",[],{"_key":7312,"_type":11,"children":7313,"markDefs":7318,"style":24},"6660a5ede6ff",[7314],{"_key":7315,"_type":15,"marks":7316,"text":7317},"84ce762d191e0",[],"Purple: care",[],{"_key":7320,"_type":11,"children":7321,"markDefs":7326,"style":24},"5bf4e2e73b8b",[7322],{"_key":7323,"_type":15,"marks":7324,"text":7325},"bec55b36d16e0",[],"Grey: learning",[],{"_key":7328,"_type":11,"children":7329,"markDefs":7334,"style":24},"21db7e25b0ab",[7330],{"_key":7331,"_type":15,"marks":7332,"text":7333},"39dcf97321d50",[],"Brown: non-hierarchical organization",[],{"_key":7336,"_type":11,"children":7337,"markDefs":7342,"style":24},"f53d61ce95d7",[7338],{"_key":7339,"_type":15,"marks":7340,"text":7341},"c64da0ca4f130",[],"Wood: non-human centric / more than human awareness advocacy",[],{"_key":7344,"_type":11,"children":7345,"markDefs":7350,"style":24},"f79c20dde4bf",[7346],{"_key":7347,"_type":15,"marks":7348,"text":7349},"9b850db565fe0",[],"White: equality – intergenerationality",[],{"_key":7352,"_type":11,"children":7353,"markDefs":7357,"style":24},"ea4a20e74519",[7354],{"_key":7355,"_type":15,"marks":7356,"text":1000},"fd9526ba338e0",[],[],{"_key":7359,"_type":11,"children":7360,"markDefs":7365,"style":24},"fd767a2d9f99",[7361],{"_key":7362,"_type":15,"marks":7363,"text":7364},"977adea85c070",[],"The initial decisions, as well as the development of this game, followed a pace between the first and the second, neither fast nor slow. This group carefully considered the color and arrangement of each piece. Every piece was strategically placed, creating a well-balanced structure that harmonized the width of the base with its height. The pieces were primarily assembled horizontally, making the structure quite stable. However, by the end of the game, a few pieces still needed to be integrated. This can be observed in the image: one medium-sized piece and one small piece in gray and blue, along with one small piece in brown, red, orange, and wood.",[],{"_type":574,"settings":7367,"text":7368},{"textColumnCount":637},[7369,7377,7384,7392,7399,7407,7414,7422,7429,7437,7444,7452,7459,7467,7474,7482,7489,7497,7504,7512,7519,7527,7534,7543,7550,7558,7565,7573,7580,7588,7595,7603,7610,7618,7625,7633,7640,7648,7655,7663,7670,7678,7685,7693,7700,7708,7715,7723,7731,7746,7754,7762,7769,7784,7791,7799,7806,7814,7821,7829,7836,7844,7851,7859,7866,7874,7882,7890,7898,7906,7914,7922,7929,7937,7944,7952,7959],{"_key":7370,"_type":11,"children":7371,"markDefs":7376,"style":24},"e814c9bf506a",[7372],{"_key":7373,"_type":15,"marks":7374,"text":7375},"de1b3b38268a0",[],"What transpired at the second meeting was more than just an exercise in assigning values to colors; it was a collective exploration of priorities, desires, and shared understandings of life. Although each table worked independently, the results converged almost organically, as if all three had been guided by a common ground. The colors reflected this collective thinking: affection, sustainability, and community emerged repeatedly, supported by values that were emphasized—care, empathy, justice, and equality.",[],{"_key":7378,"_type":11,"children":7379,"markDefs":7383,"style":24},"3ba5c589f8d6",[7380],{"_key":7381,"_type":15,"marks":7382,"text":1000},"8932fef25b280",[],[],{"_key":7385,"_type":11,"children":7386,"markDefs":7391,"style":24},"c96dcf76ebf2",[7387],{"_key":7388,"_type":15,"marks":7389,"text":7390},"f0c15939e9a30",[],"It is noteworthy that \"human\" was not seen as a fixed center but as something that expands toward the more-than-human. For example, wood was associated with direct communication, ritual memory, and an enhanced awareness of other life forms. Similarly, brown—sometimes representing wisdom, sometimes rest, and sometimes non-hierarchical organization—demonstrated that solidity does not have to be rigid and can be sustained through collective learning.",[],{"_key":7393,"_type":11,"children":7394,"markDefs":7398,"style":24},"35f0bf2d14cb",[7395],{"_key":7396,"_type":15,"marks":7397,"text":1000},"8ff740db21130",[],[],{"_key":7400,"_type":11,"children":7401,"markDefs":7406,"style":24},"b0ee6b67cc17",[7402],{"_key":7403,"_type":15,"marks":7404,"text":7405},"c833803e5b320",[],"The consistent presence of green at all three tables, always linked to sustainability, highlights a shared concern: life can only be envisioned if there is an environment that can support it. A similar pattern emerged with white, which consistently represented ethical values such as peace, justice, equality, respect, and representation. This convergence does not appear to be coincidental; instead, it indicates a profound agreement on the essential foundations for inhabiting the future.",[],{"_key":7408,"_type":11,"children":7409,"markDefs":7413,"style":24},"42d6e4484936",[7410],{"_key":7411,"_type":15,"marks":7412,"text":1000},"d6d7d2b3429c0",[],[],{"_key":7415,"_type":11,"children":7416,"markDefs":7421,"style":24},"5c5a9e639da4",[7417],{"_key":7418,"_type":15,"marks":7419,"text":7420},"b90e47408cb40",[],"Collectively, the colors from the second gathering illustrate a vision that combines emotional sensitivity, community care, ecological awareness, and a strong ethical foundation. They not only reveal the value assigned to each color but also signify the kind of world the participants wish to create and the values that make such a world possible.",[],{"_key":7423,"_type":11,"children":7424,"markDefs":7428,"style":24},"f30d8bfee61b",[7425],{"_key":7426,"_type":15,"marks":7427,"text":1000},"0db09e1196bb0",[],[],{"_key":7430,"_type":11,"children":7431,"markDefs":7436,"style":24},"368052fdf06a",[7432],{"_key":7433,"_type":15,"marks":7434,"text":7435},"762cbdbb41ce0",[],"Observing and reading between the interstices of the players’ actions and the words spoken throughout the game, and then interpreting the resulting tensions into a collective vision, meant that the role as facilitator is an indispensable part of the mechanism that made the game meaningful. Observation and interpretation lie at the heart of what the game can offer in a collective discussion, among the personal experiences that emerge from those who take part. The facilitator begins as a passive observer but becomes active in drawing out and condensing the shared visions of the future that emerge. These interpretations, which we are now able to make—and which we as a collective have learned to make playing the game in different contexts—have been refined through ten years of experience. This is perhaps one of the important elements to define when the game becomes something that its creators are no longer part of. It is not just about communicating the game rules and providing materials to build a set; it is about transmitting an approach of observation and facilitation for a collective process.",[],{"_key":7438,"_type":11,"children":7439,"markDefs":7443,"style":24},"54d2fd8995d9",[7440],{"_key":7441,"_type":15,"marks":7442,"text":1000},"5e5cc816f9df0",[],[],{"_key":7445,"_type":11,"children":7446,"markDefs":7451,"style":24},"eefdc5b74894",[7447],{"_key":7448,"_type":15,"marks":7449,"text":7450},"671d6f4120780",[17],"Between the Kick-Off and the Annual Gathering",[],{"_key":7453,"_type":11,"children":7454,"markDefs":7458,"style":24},"ee63f549596e",[7455],{"_key":7456,"_type":15,"marks":7457,"text":1000},"8944aaacafdd0",[],[],{"_key":7460,"_type":11,"children":7461,"markDefs":7466,"style":24},"c7729df03d1c",[7462],{"_key":7463,"_type":15,"marks":7464,"text":7465},"eae47840decf0",[],"During both events—one conducted through virtual rooms and the other through in-person gaming—a crucial point of convergence emerged: envisioning the future is not just an individual endeavor, but a deeply collective act. Although the formats and dynamics varied, participants consistently returned to the same symbolic themes: community, sustainability, care, and the necessity to rebuild fairer social structures.",[],{"_key":7468,"_type":11,"children":7469,"markDefs":7473,"style":24},"8352093585db",[7470],{"_key":7471,"_type":15,"marks":7472,"text":1000},"c4687de3264d0",[],[],{"_key":7475,"_type":11,"children":7476,"markDefs":7481,"style":24},"c7d5cd6b15bc",[7477],{"_key":7478,"_type":15,"marks":7479,"text":7480},"821f103139c10",[],"In the first event, these desires were expressed as aspirations: stability, alternative economies, trust, and simple living. In the second event, these same ideals were represented by colors associated with values: empathy, sustainability, justice, equality, care, infrastructure, and collective memory. While the language changed, the underlying concerns remained consistent.",[],{"_key":7483,"_type":11,"children":7484,"markDefs":7488,"style":24},"6e2868a32c85",[7485],{"_key":7486,"_type":15,"marks":7487,"text":1000},"66b8aeef0b670",[],[],{"_key":7490,"_type":11,"children":7491,"markDefs":7496,"style":24},"0c975c2faae4",[7492],{"_key":7493,"_type":15,"marks":7494,"text":7495},"ddd2af77de480",[],"Both gatherings reveal a clear pattern: to envision the future, we must examine the present, identify what is lacking, and design new ways of living together. The phrases shared on Zoom and the color associations at the table reflect the same drive: to create worlds where life—both human and non-human—can thrive without precariousness, loneliness, or rigid hierarchies. A shared vision emerges: a future built on common ground, guided by ethical and emotional values, and structured around cooperation and mutual responsibility.",[],{"_key":7498,"_type":11,"children":7499,"markDefs":7503,"style":24},"d9665e31fb3f",[7500],{"_key":7501,"_type":15,"marks":7502,"text":1000},"fdaf99b7922e0",[],[],{"_key":7505,"_type":11,"children":7506,"markDefs":7511,"style":24},"463dca0212ea",[7507],{"_key":7508,"_type":15,"marks":7509,"text":7510},"8c3f4eb608360",[17],"Inside (d)estructura",[],{"_key":7513,"_type":11,"children":7514,"markDefs":7518,"style":24},"3a30239b0a37",[7515],{"_key":7516,"_type":15,"marks":7517,"text":1000},"8bf2fdb537bc0",[],[],{"_key":7520,"_type":11,"children":7521,"markDefs":7526,"style":24},"2d0c646df548",[7522],{"_key":7523,"_type":15,"marks":7524,"text":7525},"06700747fe090",[],"So far, the game has maintained its usual rhythm while discovering other groups that, alongside it, imagine new possibilities. However, the questions motivating (d)estructura's participation in SoC 2025 remain open:",[],{"_key":7528,"_type":11,"children":7529,"markDefs":7533,"style":24},"d30548a80855",[7530],{"_key":7531,"_type":15,"marks":7532,"text":1000},"86ef9f3649540",[],[],{"_key":7535,"_type":11,"children":7536,"level":1073,"listItem":7541,"markDefs":7542,"style":24},"e1636f5c5fb9",[7537],{"_key":7538,"_type":15,"marks":7539,"text":7540},"cdc3623365290",[],"How can we expand the possibilities for participation, collaboration, cooperation, and co-creation within the current state of the (d)estructura game?","bullet",[],{"_key":7544,"_type":11,"children":7545,"markDefs":7549,"style":24},"4b623f668450",[7546],{"_key":7547,"_type":15,"marks":7548,"text":1000},"4a17ff3f87fc0",[],[],{"_key":7551,"_type":11,"children":7552,"level":1073,"listItem":7541,"markDefs":7557,"style":24},"7ea40c091e34",[7553],{"_key":7554,"_type":15,"marks":7555,"text":7556},"7fa639e083af0",[],"In what ways can we collect the information that emerges during games, and how can we conduct sensitive analysis and create visualizations to understand that data?",[],{"_key":7559,"_type":11,"children":7560,"markDefs":7564,"style":24},"2db8de286adc",[7561],{"_key":7562,"_type":15,"marks":7563,"text":1000},"691ba6727b4a0",[],[],{"_key":7566,"_type":11,"children":7567,"level":1073,"listItem":7541,"markDefs":7572,"style":24},"ccd3798be307",[7568],{"_key":7569,"_type":15,"marks":7570,"text":7571},"cdbbde0898e30",[],"How might the development of virtual and physical platforms enhance exploration and narratives for (d)estructura?",[],{"_key":7574,"_type":11,"children":7575,"markDefs":7579,"style":24},"2ee29de86992",[7576],{"_key":7577,"_type":15,"marks":7578,"text":1000},"2d7f4ab4510c0",[],[],{"_key":7581,"_type":11,"children":7582,"level":1073,"listItem":7541,"markDefs":7587,"style":24},"87fea94756f4",[7583],{"_key":7584,"_type":15,"marks":7585,"text":7586},"5de49833fc6b0",[],"What potential challenges could arise when attempting to broaden the range of participation in the project?",[],{"_key":7589,"_type":11,"children":7590,"markDefs":7594,"style":24},"2f5852330ce6",[7591],{"_key":7592,"_type":15,"marks":7593,"text":1000},"88ba50bb83480",[],[],{"_key":7596,"_type":11,"children":7597,"markDefs":7602,"style":24},"a896ecd26519",[7598],{"_key":7599,"_type":15,"marks":7600,"text":7601},"cf13538f8dba0",[],"Complexity reaches beyond mere discussion and written word; it emerges powerfully in the real-world arena of collective bargaining. This situation calls for delicate and profound negotiation. The SoC experience has unlocked the potential to formulate both internal and external, individual and collective questions, explore possibilities, and assert our critical positions with conviction.",[],{"_key":7604,"_type":11,"children":7605,"markDefs":7609,"style":24},"de1149cd443d",[7606],{"_key":7607,"_type":15,"marks":7608,"text":1000},"c0a0b61c454f0",[],[],{"_key":7611,"_type":11,"children":7612,"markDefs":7617,"style":24},"3826928ee75a",[7613],{"_key":7614,"_type":15,"marks":7615,"text":7616},"ef2588deedc70",[],"The decision to \"open up\" the game inspired participation in SoC, aiming to think collectively alongside other initiatives. This openness also sparked conversations among us who initiated this process nearly a decade ago—conversations that sometimes reveal opposing views, similar to the dynamics in games themselves. Although these conversations have not reached, until now, the level of depth they perhaps required, this time at SoC has triggered the need to respond to them as an imperative condition for the continuation of the project itself.",[],{"_key":7619,"_type":11,"children":7620,"markDefs":7624,"style":24},"8efc91769dda",[7621],{"_key":7622,"_type":15,"marks":7623,"text":1000},"63a9deace9d20",[],[],{"_key":7626,"_type":11,"children":7627,"markDefs":7632,"style":24},"2c61c30c3717",[7628],{"_key":7629,"_type":15,"marks":7630,"text":7631},"a1637d2a82cd0",[],"This raises questions that touch on both technical and ethical aspects:",[],{"_key":7634,"_type":11,"children":7635,"markDefs":7639,"style":24},"9aa108dabdc1",[7636],{"_key":7637,"_type":15,"marks":7638,"text":1000},"b72fca5e56e80",[],[],{"_key":7641,"_type":11,"children":7642,"markDefs":7647,"style":24},"750f6ef6f370",[7643],{"_key":7644,"_type":15,"marks":7645,"text":7646},"f809b6b3c6c90",[],"1. If the game is \"released\" for others to activate in various communities, how can we follow these activations? How can we collect, process, and visualize this information?",[],{"_key":7649,"_type":11,"children":7650,"markDefs":7654,"style":24},"ec97de0ac2a4",[7651],{"_key":7652,"_type":15,"marks":7653,"text":1000},"0f99c231808e0",[],[],{"_key":7656,"_type":11,"children":7657,"markDefs":7662,"style":24},"20b8ba35704d",[7658],{"_key":7659,"_type":15,"marks":7660,"text":7661},"890bee381c920",[],"2. Can a web platform be a viable tool for gathering these experiences? If so, what level of participation could it facilitate?",[],{"_key":7664,"_type":11,"children":7665,"markDefs":7669,"style":24},"60222e0d622c",[7666],{"_key":7667,"_type":15,"marks":7668,"text":1000},"ca1ac8b25e660",[],[],{"_key":7671,"_type":11,"children":7672,"markDefs":7677,"style":24},"2fbc4b552d1b",[7673],{"_key":7674,"_type":15,"marks":7675,"text":7676},"329965c209dc0",[],"3. How can we ensure this project is economically sustainable for everyone involved?",[],{"_key":7679,"_type":11,"children":7680,"markDefs":7684,"style":24},"940dfc02c77f",[7681],{"_key":7682,"_type":15,"marks":7683,"text":1000},"71c54b30c4660",[],[],{"_key":7686,"_type":11,"children":7687,"markDefs":7692,"style":24},"7cb4addadae2",[7688],{"_key":7689,"_type":15,"marks":7690,"text":7691},"3f5fe4b56e0c0",[],"4. How can we prevent opportunism from arising around a shared idea?",[],{"_key":7694,"_type":11,"children":7695,"markDefs":7699,"style":24},"b625f37a40ba",[7696],{"_key":7697,"_type":15,"marks":7698,"text":1000},"5b86aa1fcd400",[],[],{"_key":7701,"_type":11,"children":7702,"markDefs":7707,"style":24},"acccf1d9b7af",[7703],{"_key":7704,"_type":15,"marks":7705,"text":7706},"2dcad46869810",[],"5. Finally, how can we free ourselves from the need to own?",[],{"_key":7709,"_type":11,"children":7710,"markDefs":7714,"style":24},"dc715a7a10d9",[7711],{"_key":7712,"_type":15,"marks":7713,"text":1000},"9ecfa403e3060",[],[],{"_key":7716,"_type":11,"children":7717,"markDefs":7722,"style":24},"675c80283681",[7718],{"_key":7719,"_type":15,"marks":7720,"text":7721},"7d9ec089425d0",[],"The participation of (d)estructura during SoC 2025 has primarily fallen on Mariangela, one of the initiators. As we navigate \"adding, removing, and replacing\" at the core of the project, we find ourselves limited in making decisions about something we are deeply involved with and whose history is intertwined with ours. We had engaged in conversations where, among several other ideas, the question of patenting the game emerged, which is non-negotiable for us. Politically and creatively, we do not see copyright or patents as compatible with the spirit of this project.",[],{"_key":7724,"_type":11,"children":7725,"markDefs":7730,"style":24},"f4733284cd20",[7726],{"_key":7727,"_type":15,"marks":7728,"text":7729},"194b5c5a0c700",[],"Although this process has not begun yet, one of the possibilities we have been imagining for the future of the game is the creation of a digital space where everything that happens after each play session can live on. Rather than simply recording outcomes, this platform would allow us to see how people intuitively connect colors with values, how different generations approach the values placed on the table, and how certain ideas—such as ecology, health, or love—appear and transform across different contexts. All of these could be compiled into a book or a publication.",[],{"_key":7732,"_type":11,"children":7733,"markDefs":7745,"style":24},"d9a08c068464",[7734,7738,7741],{"_key":7735,"_type":15,"marks":7736,"text":7737},"5d293286950b0",[],"Over time, this shared space could reveal the unique shapes, arrangements, and visual languages that emerge each time the game is played, offering new ways of reading and understanding those encounters. It could also become a kind of living map, showing where ",{"_key":7739,"_type":15,"marks":7740,"text":1209},"5d293286950b1",[492],{"_key":7742,"_type":15,"marks":7743,"text":7744},"5d293286950b2",[]," has been played around the world and highlighting the values that resonate most strongly in each place.",[],{"_key":7747,"_type":11,"children":7748,"markDefs":7753,"style":24},"af6dbecd247a",[7749],{"_key":7750,"_type":15,"marks":7751,"text":7752},"9e05db0f07510",[],"On the other hand, the creators are still exploring how to offer a physical version of the game for public use.",[],{"_key":7755,"_type":11,"children":7756,"markDefs":7761,"style":24},"3d3537a45359",[7757],{"_key":7758,"_type":15,"marks":7759,"text":7760},"466d2c4e71c90",[],"Imagining possible futures—futures founded on organizations grounded in shared values—requires open methodologies and materials that are adaptable without erasing the histories or legacies of those involved. For us, “opening up” the process is not an exercise of power or control; it is about creating common ground to nurture possibilities in a post-pandemic context marked by wars and social, economic, political, and ecological crises, along with the rise of technological monopolies and systematic (and often violent) restrictions on community participation. We also face an ever-widening gap between the rich and the poor, especially between the Global North and Global South.",[],{"_key":7763,"_type":11,"children":7764,"markDefs":7768,"style":24},"e269d94dbae1",[7765],{"_key":7766,"_type":15,"marks":7767,"text":1000},"d226542719140",[],[],{"_key":7770,"_type":11,"children":7771,"markDefs":7783,"style":24},"1da351cc65f7",[7772,7776,7779],{"_key":7773,"_type":15,"marks":7774,"text":7775},"e6fa724de7b30",[],"This year, the SoC platform has been more than just an inspiration; it has acted as a sea for challenging questions. Navigating the Ways of Working methodological website led us to the book The Militancy of Joy by Bergman & Montgomery. In their reading of Spinoza, I discovered the idea of joy and also playfulness as the ability to create new causes with others—an increase in the power to affect and be affected. This text has profoundly reshaped our understanding not only of the creative project but of every facet of our lifes. Isn’t that what we strive for whenever we engage with ",{"_key":7777,"_type":15,"marks":7778,"text":974},"e6fa724de7b31",[492],{"_key":7780,"_type":15,"marks":7781,"text":7782},"e6fa724de7b32",[]," or inhabit any moment of existence?",[],{"_key":7785,"_type":11,"children":7786,"markDefs":7790,"style":24},"88677bfd3816",[7787],{"_key":7788,"_type":15,"marks":7789,"text":1000},"b80ba8649ca50",[],[],{"_key":7792,"_type":11,"children":7793,"markDefs":7798,"style":24},"a8f88c70bcab",[7794],{"_key":7795,"_type":15,"marks":7796,"text":7797},"68c2c1e229230",[],"“The space beyond fixed and established orders, structures, and morals is not one of disorder; it is a space of emergent orders, values, and forms of life,” as noted by bergman and Montgomery (2017). They later state, “Joyful Militancy is a fierce commitment to emergent forms of life in the cracks of Empire, along with the values, responsibilities, and questions that sustain them.”",[],{"_key":7800,"_type":11,"children":7801,"markDefs":7805,"style":24},"5062dd81a67a",[7802],{"_key":7803,"_type":15,"marks":7804,"text":1000},"78a78d8994380",[],[],{"_key":7807,"_type":11,"children":7808,"markDefs":7813,"style":24},"3fda9986150a",[7809],{"_key":7810,"_type":15,"marks":7811,"text":7812},"e29a8b81162c0",[],"This book led us to bell hooks’s The Will to Change, and today Mariangela wonder if this intrinsic need to open up possibilities in (d)estructura is also a feminist imperative: the potential for envisioning a feminist future. As bell hooks (2021) argues, a vision of change requires us to imagine a world where relationships are not governed by hierarchies, violence, or emotional repression, but by solidarity, empathy, and reciprocity.",[],{"_key":7815,"_type":11,"children":7816,"markDefs":7820,"style":24},"69cae935ee10",[7817],{"_key":7818,"_type":15,"marks":7819,"text":1000},"d4b11b63647b0",[],[],{"_key":7822,"_type":11,"children":7823,"markDefs":7828,"style":24},"02c8ad2af55c",[7824],{"_key":7825,"_type":15,"marks":7826,"text":7827},"0dffa41d46630",[],"Alongside this methodological framework, there is also the affective network created by the projects and the human and more-than-human beings that enable them. The resonance of shared motivations and concerns through the self-organized program in SoC has provided a refuge for believing in the collective imagination of possible futures. This includes not only the capacity to recognize, care for, and support one another, but also the opportunity to collaborate with the team that sustains a school of the commons amid the political and economic crises affecting culture locally and globally.",[],{"_key":7830,"_type":11,"children":7831,"markDefs":7835,"style":24},"acf5b1d8dfea",[7832],{"_key":7833,"_type":15,"marks":7834,"text":1000},"2450beda08f20",[],[],{"_key":7837,"_type":11,"children":7838,"markDefs":7843,"style":24},"5e608b1c2c6f",[7839],{"_key":7840,"_type":15,"marks":7841,"text":7842},"0cf212d3de1d0",[],"Almost ten years ago, when we envisioned (d)estructura, what mattered most to us—and continues to matter—is this sense of urgency: How do we imagine revolution and transformation today? How do we reorganize ourselves for tomorrow? How do we support each other in conflict?",[],{"_key":7845,"_type":11,"children":7846,"markDefs":7850,"style":24},"0941d59bd524",[7847],{"_key":7848,"_type":15,"marks":7849,"text":1000},"c4a3d2e9a58d0",[],[],{"_key":7852,"_type":11,"children":7853,"markDefs":7858,"style":24},"623b5a443060",[7854],{"_key":7855,"_type":15,"marks":7856,"text":7857},"63cb0c6983280",[],"For us, (d)estructura is more than an artistic project through playfulness; it represents living activism in every emergency. We’ve always known that the game becomes effective precisely when it “doesn’t work”—when it doesn’t lead to hierarchical structures, when its rules are questioned, or even disobeyed. Ultimately, emerging (d)estructuras are less about visible or physical forms and more about internal ones: those that are activated when we engage our own value systems in the space of the common.",[],{"_key":7860,"_type":11,"children":7861,"markDefs":7865,"style":24},"8759d268a916",[7862],{"_key":7863,"_type":15,"marks":7864,"text":1000},"720b4a7d67b30",[],[],{"_key":7867,"_type":11,"children":7868,"markDefs":7873,"style":24},"1c68bd2709ac",[7869],{"_key":7870,"_type":15,"marks":7871,"text":7872},"7b4fc66a77a60",[],"The layers of analysis that emerge in each activation create extended cartographies of desires, commonalities, contrasts, and tensions. Yet, each encounter adds complexity. Each engagement redefines the values we strive to uphold, and sometimes, analytical effort can feel elusive, especially amid divergences and the boats that stray off course.",[],{"_key":7875,"_type":11,"children":7876,"level":1073,"listItem":7541,"markDefs":7881,"style":24},"11376319a70e",[7877],{"_key":7878,"_type":15,"marks":7879,"text":7880},"1a949a2b014c0",[],"But how are we going to analyze all this?",[],{"_key":7883,"_type":11,"children":7884,"markDefs":7889,"style":24},"f2d9ed2fec3d",[7885],{"_key":7886,"_type":15,"marks":7887,"text":7888},"8b95462637f70",[],"We still don´t have a definitive answer, because for the moment what intrigues us it is the very possibility of observation.",[],{"_key":7891,"_type":11,"children":7892,"level":1073,"listItem":7541,"markDefs":7897,"style":24},"9cabd7738a89",[7893],{"_key":7894,"_type":15,"marks":7895,"text":7896},"9216e1ba339c0",[],"What if someone appropriates this idea?",[],{"_key":7899,"_type":11,"children":7900,"markDefs":7905,"style":24},"5537099e55fd",[7901],{"_key":7902,"_type":15,"marks":7903,"text":7904},"8b02ae8b76d50",[],"We wonder, does the future belong only to a select few? Isn't that what, in the words of Bergman & Montgomery, the Empire has led us to believe-that we have no agency over our futures because they have already been designed by others? Shouldn't the future be an active re-appropriation of our lives in the present?",[],{"_key":7907,"_type":11,"children":7908,"level":1073,"listItem":7541,"markDefs":7913,"style":24},"59c7c46a388f",[7909],{"_key":7910,"_type":15,"marks":7911,"text":7912},"d7084e7323330",[],"And what about all the data we collect in the games?",[],{"_key":7915,"_type":11,"children":7916,"markDefs":7921,"style":24},"62effd4ecc34",[7917],{"_key":7918,"_type":15,"marks":7919,"text":7920},"76a1839e38b20",[],"We deeply question: Aren't data, as a commodity, just another form of control wielded by the BigTech today? Who owns the information about individual and collective desires and needs? Shouldn't we actively reclaim the agency we have over this imagination/information? How can we create meaningful connections for transformation that are sustainable but also maintain a critical stance toward the exploitation of individual and collective information? And above all, how can we remind ourselves today that we are more than just data to train AIs?",[],{"_key":7923,"_type":11,"children":7924,"markDefs":7928,"style":24},"edf9bba56a75",[7925],{"_key":7926,"_type":15,"marks":7927,"text":1000},"ff4e4d34367a0",[],[],{"_key":7930,"_type":11,"children":7931,"markDefs":7936,"style":24},"33092077ba1b",[7932],{"_key":7933,"_type":15,"marks":7934,"text":7935},"4704cd8a2df00",[],"This game originated in Cuba in 2016, a time when internet access and information were heavily restricted. One hour of mobile internet cost two dollars, which was unaffordable for many Cubans. Fast forward ten years, and the situation has dramatically changed. Smartphones, network connections, and systems for generating information are now nearly ubiquitous worldwide. People share their desires and needs daily on social media. Artificial intelligence models are trained continuously by thousands, even millions, of people, both consciously and unconsciously.",[],{"_key":7938,"_type":11,"children":7939,"markDefs":7943,"style":24},"2774331bc9aa",[7940],{"_key":7941,"_type":15,"marks":7942,"text":1000},"4617441d83ce0",[],[],{"_key":7945,"_type":11,"children":7946,"markDefs":7951,"style":24},"1fcad07af411",[7947],{"_key":7948,"_type":15,"marks":7949,"text":7950},"41fd9b4345d30",[],"Never before has so much human-generated information been so centralized, controlled, and monitored. Never before has there been a system capable of predicting future trends based on globally collected information. Despite this advancement, we firmly believe in the fundamental human need for face-to-face interaction in negotiations. Understanding our own desires, needs, and limitations is crucial for comprehending those of others. We believe that the potential for genuine encounters remains irreplaceable. This is perhaps what keeps (d)estructura a relevant and essential game today. Let’s play together!",[],{"_key":7953,"_type":11,"children":7954,"markDefs":7958,"style":24},"1b361aeda4b3",[7955],{"_key":7956,"_type":15,"marks":7957,"text":1000},"a18e99f59a0e0",[],[],{"_key":7960,"_type":11,"children":7961,"markDefs":7966,"style":24},"9d22aac2ceb7",[7962],{"_key":7963,"_type":15,"marks":7964,"text":7965},"e1860bda9abf0",[],"Do we have answers for the future? We barely have a handful of present desires and needs for a vessel in the air.",[],{"_type":626,"caption":7968,"image":7977},[7969],{"_key":7970,"_type":11,"children":7971,"markDefs":7976,"style":24},"e7f707232a02",[7972],{"_key":7973,"_type":15,"marks":7974,"text":7975},"6cb9477620ea0",[],"Joie Militante by édition du commun",[],{"alt":7975,"asset":7978},{"_id":7979,"height":7980,"orientation":359,"ratio":7981,"url":7982,"width":7983},"image-92a2ffe0b62c68856143ed7ddc0c7ac7d3e8c5e7-2296x4080-jpg",4080,0.5627450980392157,"https://cdn.sanity.io/images/eodip22e/production/92a2ffe0b62c68856143ed7ddc0c7ac7d3e8c5e7-2296x4080.jpg",2296,{"_type":574,"settings":7985,"text":7986},{"textColumnCount":637},[7987,7995,8010,8026],{"_key":7988,"_type":11,"children":7989,"markDefs":7994,"style":24},"1fe8d4ac7816",[7990],{"_key":7991,"_type":15,"marks":7992,"text":7993},"1a6c9b3d8ad40",[17],"References",[],{"_key":7996,"_type":11,"children":7997,"markDefs":8009,"style":24},"72b59393c5f3",[7998,8002,8005],{"_key":7999,"_type":15,"marks":8000,"text":8001},"1d51cb3c8aa8",[],"Aponte, M., Espinosa, M., González, E., Guida, C., Redondo, L., Sandoval, J., Vásquez, A., Venturi, R. 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stored trauma, archives, Ukrainian heritage and colonialism are not necessarily an obvious combination. Neither are they a simple one; nevertheless, through discussion, personal reflection and collected experiences, we have found interconnected links between these topics. Our goal was never to solve one issue but rather to investigate and question, develop methods for inquiry into topics that are simultaneously incredibly personal and hold collective significance. This research had two main inputs, which existed separately before SoC and perhaps will take on different (individual or collective) forms beyond the programme. What connected us is our motivation to look deeper into our respective topics with unexpected inputs from each other and our peers. Hence, an unobvious combination of topics and methodologies.",[],{"_key":8397,"_type":11,"children":8398,"markDefs":8402,"style":24},"af16f10a9619",[8399],{"_key":8400,"_type":15,"marks":8401,"text":1000},"13d516c155e10",[17],[],{"_key":8404,"_type":11,"children":8405,"markDefs":8442,"style":24},"2bb3fdf13256",[8406,8410,8414,8418,8422,8426,8430,8434,8438],{"_key":8407,"_type":15,"marks":8408,"text":8409},"8bd3e46265db0",[17],"This text is divided into three main parts: ",{"_key":8411,"_type":15,"marks":8412,"text":8413},"8bd3e46265db1",[492,17],"Question 1 ",{"_key":8415,"_type":15,"marks":8416,"text":8417},"8bd3e46265db2",[17],"- a contextual introduction and description of archival input, ",{"_key":8419,"_type":15,"marks":8420,"text":8421},"8bd3e46265db3",[492,17],"Question 2 ",{"_key":8423,"_type":15,"marks":8424,"text":8425},"8bd3e46265db4",[17],"- a contextual introduction and description of trauma and the role of somatic practice, ",{"_key":8427,"_type":15,"marks":8428,"text":8429},"8bd3e46265db5",[492,17],"Experiments ",{"_key":8431,"_type":15,"marks":8432,"text":8433},"8bd3e46265db6",[17],"- a recollection and description of our experiments and ",{"_key":8435,"_type":15,"marks":8436,"text":8437},"8bd3e46265db7",[492,17],"Conclusion",{"_key":8439,"_type":15,"marks":8440,"text":8441},"8bd3e46265db8",[17],", which is situates our impressions and findings, exploring further potential directions and subtopics this process has since inspired.",[],{"_key":8444,"_type":11,"children":8445,"markDefs":8449,"style":24},"1a2ea7880522",[8446],{"_key":8447,"_type":15,"marks":8448,"text":1000},"e4b89f3c8e0b0",[],[],{"_type":574,"settings":8451,"text":8452},{"textColumnCount":637},[8453,8461,8469,8492,8500,8520,8528],{"_key":8454,"_type":11,"children":8455,"markDefs":8460,"style":24},"9aafa6e8130a",[8456],{"_key":8457,"_type":15,"marks":8458,"text":8459},"09b1a160b9e50",[17],"Question 1.",[],{"_key":8462,"_type":11,"children":8463,"markDefs":8468,"style":24},"f0ca0a7a3115",[8464],{"_key":8465,"_type":15,"marks":8466,"text":8467},"d4fc3ec536d5",[17],"How do we address issues of memory and generational trauma, in the context of modern Ukrainian identity and colonial heritage? (Alisa Probylova)",[],{"_key":8470,"_type":11,"children":8471,"markDefs":8491,"style":24},"6cfa651e72f0",[8472,8476,8480,8484,8487],{"_key":8473,"_type":15,"marks":8474,"text":8475},"c69a295ffc1d0",[],"Our memory not only stores past information somewhere safe, but it is also a tool that helps us navigate the present. Just like an archive is not just a storage room with files, it is a particularly active and political space. Memory and intuition play a fundamental role in our understanding of ourselves. Similarly to how our archives store our ",{"_key":8477,"_type":15,"marks":8478,"text":8479},"c69a295ffc1d1",[492],"documented ",{"_key":8481,"_type":15,"marks":8482,"text":8483},"c69a295ffc1d2",[],"past",{"_key":8485,"_type":15,"marks":8486,"text":4987},"c69a295ffc1d3",[492],{"_key":8488,"_type":15,"marks":8489,"text":8490},"c69a295ffc1d4",[],"which we use to explain, justify, or even defend our present. Ukrainian collective memory holds significant traumas. Stories of the Holodomor (Famine) of 1932-1933, the Soviet man-made famine targeting Ukrainians, still influence habits and attitudes toward food and resources. The Executed Renaissance, Ukrainian modernist artists of the 1930s–40s, were erased almost completely from our archives but not from our memories. Due to imperial and Soviet language policies for decades, it was prohibited to publish officially in Ukrainian, yet we still speak the language. However, Ukrainian archives are the opposite: due to many years of Russian efforts to erase our culture, our archives have been burned, stolen, and meddled with, and therefore our traumas are rarely documented.",[],{"_key":8493,"_type":11,"children":8494,"markDefs":8499,"style":24},"269599536323",[8495],{"_key":8496,"_type":15,"marks":8497,"text":8498},"781a8877de070",[],"Not so long ago, our parents, grandparents, and great-grandparents were witnesses to these extremely tragic events in the history of the Ukrainian people. Today, we are still dealing with the consequences and lasting effects of those tragedies. Through years of colonisation and russification, Russia has been trying to erase Ukrainian identity in its entirety. Which is why today more than ever it is important for us to tap into our memory, shared and individual traumas, not only to release past personal traumatic experiences but be able to decolonise ourselves and our heritage.",[],{"_key":8501,"_type":11,"children":8502,"markDefs":8519,"style":24},"2727e4d8d5c8",[8503,8507,8511,8515],{"_key":8504,"_type":15,"marks":8505,"text":8506},"90c0f4a6896f0",[],"In a series of experiments, discussions and an ongoing process of research, we look at how to address the intersection of our colonial heritage, trauma, and memory. Our motivation is shared, however, our backgrounds and working methods and mediums are different. This is where our unique methodology comes from. We combine conceptual and practical ideas of an ",{"_key":8508,"_type":15,"marks":8509,"text":8510},"90c0f4a6896f1",[492],"Archive - ",{"_key":8512,"_type":15,"marks":8513,"text":8514},"90c0f4a6896f2",[],"a symbolic and metaphoric comparison with memory is hard to miss, in practice, public and personal archives are great tangible sources for inquiry into history. Another layer of our work is somatic practices and communal play as a method to address stored trauma. Further in the text, this aspect is discussed as ",{"_key":8516,"_type":15,"marks":8517,"text":8518},"90c0f4a6896f3",[492],"Body as an Archive.",[],{"_key":8521,"_type":11,"children":8522,"markDefs":8527,"style":24},"5c2ff85bf1e3",[8523],{"_key":8524,"_type":15,"marks":8525,"text":8526},"6648d30ca8060",[],"Our research is rooted in the context of Ukrainian history, although it is not limited to it. Instead of only evaluating our collective memory, we also refer to our personal experiences, family archives and bodies.",[],{"_key":8529,"_type":11,"children":8530,"markDefs":8534,"style":24},"197921510784",[8531],{"_key":8532,"_type":15,"marks":8533,"text":1065},"605f63971b230",[],[],{"_type":574,"settings":8536,"text":8537},{"textColumnCount":637},[8538,8546,8554,8562],{"_key":8539,"_type":11,"children":8540,"markDefs":8545,"style":24},"a6faf3e9efdf",[8541],{"_key":8542,"_type":15,"marks":8543,"text":8544},"86fb488c8997",[17],"Question 2.",[],{"_key":8547,"_type":11,"children":8548,"markDefs":8553,"style":24},"84de957cd651",[8549],{"_key":8550,"_type":15,"marks":8551,"text":8552},"268aca2b8b210",[17],"Body as an archive? How to work with the archive of trauma? (Kateryna Vavrynchyk)",[],{"_key":8555,"_type":11,"children":8556,"markDefs":8561,"style":24},"223d29e64eba",[8557],{"_key":8558,"_type":15,"marks":8559,"text":8560},"b0d3a5af505e0",[],"The connection to the body came out of our personal experience with traumas. Understanding the difficulties of our past and present, and literally feeling it in our bodies in the form of spasms and blocks, we tapped into somatic and psychological approaches towards the topic of memory and trauma. As ARCHIIIVE research project members, all of us share two layers of trauma: collective and personal. The collective layer harbours our generational trauma from colonialism, repression, famine, topped up with the outbreak of the full-scale invasion in Ukraine in 2022. As for the personal layer of trauma, each of us had our own difficulties in life - burnouts, abuse, migration, and losses. According to the medical research of Dr. Bessel Van Der Kolk (an author of “The Body Keeps the Score”) specialised in trauma therapy, our memory of the traumatic experience is stored in the prefrontal cortex of the brain. In order to save us and let us live further, our brain protects us, pushing the painful memory away from our consciousness. This is why solely talking about these experiences is not helpful, as, in fact, we cannot fully access these memories verbally. However it is proven that besides EMDR, somatic therapy and communal play are the ways to tap into these memories. While facing them, it is essential to go through the process of integration: becoming whole with your experiences as well as the experiences of your family members, releases stored energy. Storing traumatic energy in our bodies causes us a lot of damage. Ignoring or avoiding it leads to various chronic symptoms, including fatigue, muscle tension, nausea and depression. Apart from that, traumatic experiences tend to isolate us, making us feel lonely in our heaviness. This is why we especially value the collective practice of somatic rituals. Given all that, in our research, we aim to find tools that can help us liberate our bodies from the emotions being stuck. We were happy to facilitate two workshops, which included engagement of voice, movement, breath-work, and Ukrainian traditional rituals.",[],{"_key":8563,"_type":11,"children":8564,"markDefs":8568,"style":24},"ab72208bc2e5",[8565],{"_key":8566,"_type":15,"marks":8567,"text":1000},"a4c82507f5c1",[],[],{"_type":574,"settings":8570,"text":8571},{"textColumnCount":637},[8572,8579,8587,8595,8603,8611,8618,8626,8634,8641,8649,8657,8665,8673,8681],{"_key":8573,"_type":11,"children":8574,"markDefs":8578,"style":24},"6fa4e16f48ca",[8575],{"_key":8576,"_type":15,"marks":8577,"text":1000},"2698f57b4e97",[17],[],{"_key":8580,"_type":11,"children":8581,"markDefs":8586,"style":24},"ccd866c0253b",[8582],{"_key":8583,"_type":15,"marks":8584,"text":8585},"d3d3b321b5c80",[17],"Experiments",[],{"_key":8588,"_type":11,"children":8589,"markDefs":8594,"style":24},"f238fd825300",[8590],{"_key":8591,"_type":15,"marks":8592,"text":8593},"a01f672caaf90",[17],"2.1",[],{"_key":8596,"_type":11,"children":8597,"markDefs":8602,"style":24},"0eca674c794c",[8598],{"_key":8599,"_type":15,"marks":8600,"text":8601},"80425b22f5c70",[],"The first workshop took place during the intensive knowledge exchange weekend with all the participants of School of Commons 2025. There we focused on calming our psyche with a square breath technique, localising the stuck emotion in our body, and releasing it with voice, creating a so-called Collective Trauma Orchestra.",[],{"_key":8604,"_type":11,"children":8605,"markDefs":8610,"style":24},"25b498d2b6ea",[8606],{"_key":8607,"_type":15,"marks":8608,"text":8609},"193e27d5252e0",[],"After that, one after each, participants were invited to draw the located and sensed negative memory on paper. Using handed out pencils, paint and tools, we created a collective trauma mapping, which we analysed together while reflecting upon it. The workshop continued with a playful distraction intervention, which aimed to shift our focus, followed by a positive memory mapping. Voicing and drawing how we felt in our happiest moments, participants could see the difference of the body that appeared on paper.",[],{"_key":8612,"_type":11,"children":8613,"markDefs":8617,"style":24},"1e9780c0588e",[8614],{"_key":8615,"_type":15,"marks":8616,"text":1000},"456f389052660",[],[],{"_key":8619,"_type":11,"children":8620,"markDefs":8625,"style":24},"ae4c693ab91d",[8621],{"_key":8622,"_type":15,"marks":8623,"text":8624},"05d2865c54d10",[17],"2.2",[],{"_key":8627,"_type":11,"children":8628,"markDefs":8633,"style":24},"7a824f009563",[8629],{"_key":8630,"_type":15,"marks":8631,"text":8632},"f8f6db105c6b0",[],"Our second experiment took place during the Solidarity With Ukraine Festival DACH, organised by our 380 Collective in September. It was a participatory “relaxed” (join in, leave freely) workshop on singing Ukrainian traditional songs as a collective ritual on mourning and strengthening. The workshop was led by a Ukrainian female group Chorni Halky, specialised in singing eastern and southern/northern folk songs. Given that Ukrainian culture and folklore were systematically repressed by russia, and are currently being practiced again, we see a big value in preserving these traditions and rites. One of them is collective singing. The workshop participants were invited to sing Ukrainian songs and join in the collective energy vibration produced by the voices. After singing, the group introduced a playful folk game, including movement and togetherness.",[],{"_key":8635,"_type":11,"children":8636,"markDefs":8640,"style":24},"764eacc6318a",[8637],{"_key":8638,"_type":15,"marks":8639,"text":1000},"a71a05e34d63",[],[],{"_key":8642,"_type":11,"children":8643,"markDefs":8648,"style":24},"a43a1135dae9",[8644],{"_key":8645,"_type":15,"marks":8646,"text":8647},"c5debe20721d0",[17],"2.3",[],{"_key":8650,"_type":11,"children":8651,"markDefs":8656,"style":24},"354e0998c4da",[8652],{"_key":8653,"_type":15,"marks":8654,"text":8655},"7731243ae12f0",[],"“Interview” with family members",[],{"_key":8658,"_type":11,"children":8659,"markDefs":8664,"style":24},"1729ee7dff12",[8660],{"_key":8661,"_type":15,"marks":8662,"text":8663},"1b70571898a30",[],"As previously mentioned, our research includes working with private archives. This oral experiment is a rather simple exercise - talking to family members about their history. However, it is significantly more complicated once traumatic memory gets in the way. “I don't remember,” “It was a long time ago,” are phrases often used by people who are not ready to dive deep into these memories. Not out of negligence or lack of interest, but perhaps out of the need to protect oneself.",[],{"_key":8666,"_type":11,"children":8667,"markDefs":8672,"style":24},"71bf6ee842a6",[8668],{"_key":8669,"_type":15,"marks":8670,"text":8671},"fc6320eb40730",[],"Such simple exercises, however, lead to significant findings. Often it leaves with more questions than answers, unfinished stories, and loose ends.",[],{"_key":8674,"_type":11,"children":8675,"markDefs":8680,"style":24},"c80759b50c0f",[8676],{"_key":8677,"_type":15,"marks":8678,"text":8679},"efab73917fb50",[],"To (sort of) structure this experiment, each of us talked to a family member and/or looked for an artifact. Topics of the “interviews” varied, some were focused on the reality of life in the soviet union (trauma), more on the expression of Ukrainian identity during Soviet times",[],{"_key":8682,"_type":11,"children":8683,"markDefs":8688,"style":24},"4f5e7c3ce004",[8684],{"_key":8685,"_type":15,"marks":8686,"text":8687},"8a94848d3e880",[],"(which was often forbidden) and others on family history: how did we end up in this city? The result of this experiment provided an input from the past, which we continue to work on further.",[],{"_type":574,"settings":8690,"text":8691},{"textColumnCount":637},[8692,8700,8708,8716,8724,8732,8740,8748,8756,8764,8772,8780,8788,8795,8803,8811,8818],{"_key":8693,"_type":11,"children":8694,"markDefs":8699,"style":24},"b1d446064e47",[8695],{"_key":8696,"_type":15,"marks":8697,"text":8698},"7dbe22bd6cb20",[17],"A text, shared by one of us, recalling the experience of \"interviewing\" family members. (Oleksandra Tsapko)",[],{"_key":8701,"_type":11,"children":8702,"markDefs":8707,"style":24},"5275119069c3",[8703],{"_key":8704,"_type":15,"marks":8705,"text":8706},"ca35b2cd2d400",[492],"This August I went back to Ukraine for the fifth time since the beginning of the full-scale invasion. Every time, it brings up complex and conflicting feelings: returning to a place that carries an odd sense of comfort combined with excruciating fear.",[],{"_key":8709,"_type":11,"children":8710,"markDefs":8715,"style":24},"94b6501f8f26",[8711],{"_key":8712,"_type":15,"marks":8713,"text":8714},"05eb87b1f83f0",[492],"This time, I decided to do it differently -to transform this comfort into something slightly uncomfortable. I am still not sure whether those emotions were only mine or also belonged to the people I interviewed.",[],{"_key":8717,"_type":11,"children":8718,"markDefs":8723,"style":24},"3c3ef926b7ed",[8719],{"_key":8720,"_type":15,"marks":8721,"text":8722},"10b4dcc8533f0",[492],"I spoke with my grandparents on my father’s side. I talked to them about their past. Before, there was never a concrete sense of where they came from or why they were the way they were. They had always existed simply as “granddad and grandma” -an eternal presence without a backstory or an unexpected sequel.",[],{"_key":8725,"_type":11,"children":8726,"markDefs":8731,"style":24},"e0762506b4ce",[8727],{"_key":8728,"_type":15,"marks":8729,"text":8730},"efae2f23efdf0",[492],"It turned out that both my grandmother, born in Western Ukraine, and my grandfather, born in Southern Ukraine (which has been illegally occupied since 2014), moved to the capital as teenagers in search of better opportunities, carrying bright minds and big hopes. After finishing school and university, they found respectable jobs as a scientist and an architect, and then my father was born. Still, it was far from a stable or ideal family life -Soviet times were not easy for anyone.",[],{"_key":8733,"_type":11,"children":8734,"markDefs":8739,"style":24},"878eef52dddf",[8735],{"_key":8736,"_type":15,"marks":8737,"text":8738},"213a581cd6a50",[492],"My grandmother never once mentioned how hard it had been, how, despite having decent jobs, they could barely afford food and other basic necessities, not to mention new clothes or leisure.",[],{"_key":8741,"_type":11,"children":8742,"markDefs":8747,"style":24},"b436e3f8fbb2",[8743],{"_key":8744,"_type":15,"marks":8745,"text":8746},"1b39bf0539da0",[492],"Now, memories from my childhood make sense to me: the endless plastic yogurt cups and plastic bags stuffed inside more plastic bags at my grandparents’ home. Back then, we might have called it hoarding, which now seems almost ridiculous.",[],{"_key":8749,"_type":11,"children":8750,"markDefs":8755,"style":24},"99ec2ed43c39",[8751],{"_key":8752,"_type":15,"marks":8753,"text":8754},"d2307bdf11b90",[492],"Clearly, it was a coping mechanism -a way to deal with the recurring instability of the world.",[],{"_key":8757,"_type":11,"children":8758,"markDefs":8763,"style":24},"92ecf1995582",[8759],{"_key":8760,"_type":15,"marks":8761,"text":8762},"c2f2560130000",[492],"My grandfather, on the other hand, revealed his deepest frustration: that he can no longer return to his homeland, the place that had always been an escape for him, where he could finally feel at ease. Then he showed old photographs and videos from before 2014. Everything felt brighter and warmer; not only the moving images on the dim computer screen, but also the look in his eyes.",[],{"_key":8765,"_type":11,"children":8766,"markDefs":8771,"style":24},"d5b03f524e78",[8767],{"_key":8768,"_type":15,"marks":8769,"text":8770},"bf413b2fff8d0",[492],"Then came the story of their apartment -the apartment that was my father’s home, and later my brother’s and mine during our childhood. They told me how injustice almost erased it from our lives. My granddad had helped with an architectural project, after which he was promised an apartment as payment. But once the building was finished and ready to move into, the promise was suddenly forgotten. If not for one person in a position of power who fought for justice, my father, my brother, and I would never have had that home.",[],{"_key":8773,"_type":11,"children":8774,"markDefs":8779,"style":24},"bbd7778d3dd6",[8775],{"_key":8776,"_type":15,"marks":8777,"text":8778},"76e741c368ff0",[492],"Corruption is still painfully relevant today, but back then there was not even public exposure or outrage. It was simply the norm.",[],{"_key":8781,"_type":11,"children":8782,"markDefs":8787,"style":24},"b2cbe760c29a",[8783],{"_key":8784,"_type":15,"marks":8785,"text":8786},"a7d0f21cfe1f0",[492],"They shared more tender stories about the time we lived with them. It made me wonder how we are, in fact, part of their story. How we shaped and changed each other. Their pain passed through us, digested in our bodies and reflected back at them. Could we then say that not only does the past form the future, but the future also forms the past, which later forms the future again? I’m not sure yet.",[],{"_key":8789,"_type":11,"children":8790,"markDefs":8794,"style":24},"e886f36853cc",[8791],{"_key":8792,"_type":15,"marks":8793,"text":1000},"4ee46f03301e",[],[],{"_key":8796,"_type":11,"children":8797,"markDefs":8802,"style":24},"1f7b362e0ba2",[8798],{"_key":8799,"_type":15,"marks":8800,"text":8801},"3d5fff4de94b0",[17],"2.4",[],{"_key":8804,"_type":11,"children":8805,"markDefs":8810,"style":24},"7c74f9bc6891",[8806],{"_key":8807,"_type":15,"marks":8808,"text":8809},"35e3035972e70",[],"After inquiring into personal history, we again switch to collective memory and shared heritage. During the DACH festival organised by 380 Collective in Zentralwäscherei on 28.09.2025, we hosted a lecture and an open discussion with Maksym Eristavi, Ukrainian researcher, historian, and the author of “Russian Colonialism 101.” Through a theoretical input by Eristavi and a discussion with listeners, we gained a new perspective. The questions that the audience were interested in often dealt with how to approach the remains of russian colonialism in modern day, such as for example the “cult of great russian culture” and how it used to justify many things, including irresponsible musical programming (Zürich opera hosting a pro-Putin singer who uses Ukrainian tragedies for personal promotion) or collaboration with Russian artists in general.",[],{"_key":8812,"_type":11,"children":8813,"markDefs":8817,"style":24},"03136908a71e",[8814],{"_key":8815,"_type":15,"marks":8816,"text":1000},"45c3638eb80f0",[],[],{"_key":8819,"_type":11,"children":8820,"markDefs":8825,"style":24},"4d31a8fcdf3b",[8821],{"_key":8822,"_type":15,"marks":8823,"text":8824},"f8e916e825ff0",[],"Eristavi’s input strengthens our connection to our context; it ties together our experienced memories and historic collective memories. Additionally, he focuses on the stolen Ukrainian artists (and more) that are referred to as “Russian”. This input inspires further exploration of archives now as a tool for change and practical decolonisation. Further, this topic is discussed in the conclusive chapter and referred to as the Decolonizing Wikipedia Workshop.",[],{"_type":574,"settings":8827,"text":8828},{"textColumnCount":637},[8829,8836,8843,8851,8858,8866],{"_key":8830,"_type":11,"children":8831,"markDefs":8835,"style":24},"240a898af63a",[8832],{"_key":8833,"_type":15,"marks":8834,"text":1000},"4c8085aafbb7",[17],[],{"_key":8837,"_type":11,"children":8838,"markDefs":8842,"style":24},"cff64c44c3d8",[8839],{"_key":8840,"_type":15,"marks":8841,"text":8437},"6df20bb281850",[17],[],{"_key":8844,"_type":11,"children":8845,"markDefs":8850,"style":24},"743ed8e276f6",[8846],{"_key":8847,"_type":15,"marks":8848,"text":8849},"38ef9ac7a2780",[],"Bringing this project into the context of this year’s cohort of School of Commons has definitely been fruitful, especially in terms of discovering new perspectives and ways of working together inside of our collective and as a part of a larger working group. This is an ongoing research project, it may change shape and format. We do not intend on stopping here or proposing a conclusive answer, as it was never our intention. With knowledge and experience gained on collective trauma and collective dealing with trauma, as well as inquiries into personal history and archives we scratched the surface of developing tools for dealing with trauma, memory, and heritage. Currently, there are two new directions for exploration:",[],{"_key":8852,"_type":11,"children":8853,"markDefs":8857,"style":24},"9404f53bb51e",[8854],{"_key":8855,"_type":15,"marks":8856,"text":1000},"925cfa8a3e720",[],[],{"_key":8859,"_type":11,"children":8860,"markDefs":8865,"style":24},"8f626632ba24",[8861],{"_key":8862,"_type":15,"marks":8863,"text":8864},"e73b7a38a0ec0",[],"Exploring and reviving traditional mourning practices. By using our findings during the singing workshop and trauma workshop with the SoC intensive as a foundation, we want to expand the research into historic notions of mourning laments and their potential as a somatic collective practice. Another direction we are ready to explore was discovered during Maksym Eristavi’s lecture. In his input, he talks about stolen Ukrainian artists. With this as inspiration, our conceptualisation of an Archive and inquiry into colonial heritage, we want to design a tool for practical decolonisation.",[],{"_key":8867,"_type":11,"children":8868,"markDefs":8873,"style":24},"b36506cb2274",[8869],{"_key":8870,"_type":15,"marks":8871,"text":8872},"ceaa0cea71b10",[],"From symbolic and private archives, we want to transition into a publicly accessible and digital environment. In terms of digital archives, Wikipedia immediately comes to mind. An open-access digital platform designed for knowledge sharing and co-editing currently hosts biased and untrue information about Ukrainian artists. As previously noted, for many decades, a key objective of both the Russian Empire and the Soviet regime was to eliminate traces of traditional Ukrainian culture and modern identity. The consequence of this effort is still present in Wikipedia, and other digital and analogue sources. Designing and facilitating a participatory tool to change that, would be our next goal. 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Coming from different disciplines (and many dialectic oxbows), our combined body of knowledge and training spans sound art and music, neuroaesthetics and psychology, sustainability, fashion ",{"_key":10611,"_type":15,"marks":10612,"text":10613},"ff09f6e9a7aa",[10134,17],"design,",{"_key":10615,"_type":15,"marks":10616,"text":10617},"3859c7d43ee6",[17]," visual arts, writing, performance, and teaching. We funnel this odd multitool skillset in immersive artistic research that attempts to make sense of our place on this planet – developing and sharing practices to situate ourselves in ecology. We’ve embarked on projects that put our bodies skin-to-skin with the natural environment, scraped our knees, and plunged our hands into quicksand. We work with dancers to discover how movement might be a form of listening. We develop DIY meditations to tune into the Other – using each other as lab rats as we explore kinship with unexplainable phenomena. This all may sound very grand and poetic – but a core lesson we return to with every caper is that it is indisputably profound to go play outside.",[10619],{"_key":10134,"_type":10620,"allFootnotes":10621,"markKey":10134},"footnoteLink",[10622,10623,10624,10625,10626,10627,10628,10629],{"_key":10134},{"_key":10136},{"_key":10155},{"_key":10173},{"_key":10193},{"_key":10213},{"_key":10241},{"_key":10269},{"_key":10631,"_type":11,"children":10632,"markDefs":10636,"style":24},"1bee68461c63",[10633],{"_key":10634,"_type":15,"marks":10635,"text":1000},"1f2c5b65c8c50",[17],[],{"_key":10638,"_type":11,"children":10639,"markDefs":10644,"style":24},"ec0fad3fde60",[10640],{"_key":10641,"_type":15,"marks":10642,"text":10643},"92c5e2bcf3770",[17],"As our work deepens and matures, and (bless) finds more fodder in humor and absurdity, we come to a state of easy access to our somatic landscapes. Through years of self-guided practice, we are both honed at attuning to our bodies, to our companions, to our environment. And so, sharing these exercises we've developed for practicing chimerical embodiment, we invite you into our world where we blur the lines of folklore and science. We invite you to become your own study of cryptozoology, to be generously playful in your speculations, to practice monstering with your friends and more-than-human neighbors. Learning to embody the Other is a method of ecological behavior.",[],{"_key":10646,"_type":11,"children":10647,"markDefs":10651,"style":24},"677fadcccee5",[10648],{"_key":10649,"_type":15,"marks":10650,"text":1000},"428dbf225b0c0",[17],[],{"_key":10653,"_type":11,"children":10654,"markDefs":10659,"style":24},"50783e93f40d",[10655],{"_key":10656,"_type":15,"marks":10657,"text":10658},"49b9f1967a5a0",[17],"A Legacy of Monsters",[],{"_key":10661,"_type":11,"children":10662,"markDefs":10675,"style":24},"c4a2fc6d292e",[10663,10667,10671],{"_key":10664,"_type":15,"marks":10665,"text":10666},"7fb15469444b0",[17],"The Chimera is one of the great monsters of Greek mythology: a fire-breathing beast with the mixed anatomy of lion, goat, and snake. She (yes, female, according to the stories) was divine, descended from the great non-human gods who inhabited the world alongside the Titans. The legend, as told in ",{"_key":10668,"_type":15,"marks":10669,"text":10670},"a4fac36c635e",[10136,17],"Homer’s Iliad",{"_key":10672,"_type":15,"marks":10673,"text":10674},"8ed66e24cbf4",[17],", states that the hero Bellapheron, mounted on Pegasus, is ordered by the king of Lycia to slay the Chimera, who has been feeding off local cattle. 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If we reposition the Chimera as protagonist (not hero, but main character), what would an alternative ‘Life Story’ be? We have a shining mascot of pluralism, subjected to a colonizing king’s attempt to tame the wilderness into which his cows wandered. We have yet another story of a non-conforming creature punished for existing.",[10709],{"_key":10155,"_type":10620,"allFootnotes":10710,"footnoteText":10719,"markKey":10155},[10711,10712,10713,10714,10715,10716,10717,10718],{"_key":10134},{"_key":10136},{"_key":10155},{"_key":10173},{"_key":10193},{"_key":10213},{"_key":10241},{"_key":10269},[10720],{"_key":10158,"_type":11,"children":10721,"markDefs":10728,"style":24},[10722,10724,10726],{"_key":10161,"_type":15,"marks":10723,"text":10163},[],{"_key":10165,"_type":15,"marks":10725,"text":2676},[492],{"_key":10168,"_type":15,"marks":10727,"text":10170},[],[],{"_type":574,"settings":10730,"text":10731},{"textColumnCount":637},[10732],{"_key":10733,"_type":11,"children":10734,"markDefs":10747,"style":24},"39d85d9e72a9",[10735,10739,10743],{"_key":10736,"_type":15,"marks":10737,"text":10738},"ab417561d46d0",[],"To become a chimera not only acknowledges the pluralities and complexities we contain, it challenges us to change contemporary narratives on queer monstrosity. In our lifetime, sex and gender-based identity politics have arced from a mass culture of homo- and transphobia, to slow acceptance: the legalization of gay marriage, the incredible milestone of the third gender marker “X” on American passports, and unprecedented strides of trans visibility in media and politics. Until… 2025. The sudden pendulum swing back to hyper-conservative governance across global northern nations has flipped so much recent progress into a regressive nightmare, with queer and trans people once again on the chopping block – illustrated succinctly by the Trump administration labelling trans people as “",{"_key":10740,"_type":15,"marks":10741,"text":10742},"48bd9f04e9fc",[10173],"terrorists",{"_key":10744,"_type":15,"marks":10745,"text":10746},"efe0974ac00f",[],".” After the past decades of fighting to be protagonists, we are now, in the eyes of many in power, more monstrous than ever.",[10748],{"_key":10173,"_type":10620,"allFootnotes":10749,"footnoteText":10758,"markKey":10173},[10750,10751,10752,10753,10754,10755,10756,10757],{"_key":10134},{"_key":10136},{"_key":10155},{"_key":10173},{"_key":10193},{"_key":10213},{"_key":10241},{"_key":10269},[10759],{"_key":10176,"_type":11,"children":10760,"markDefs":10767,"style":24},[10761,10763,10765],{"_key":10179,"_type":15,"marks":10762,"text":10181},[],{"_key":10183,"_type":15,"marks":10764,"text":10186},[10185],{"_key":10188,"_type":15,"marks":10766,"text":9749},[],[10768],{"_key":10185,"_type":41,"href":10186},{"_type":574,"settings":10770,"text":10771},{"textColumnCount":637},[10772],{"_key":10773,"_type":11,"children":10774,"markDefs":10779,"style":24},"d3b6ce4e962f",[10775],{"_key":10776,"_type":15,"marks":10777,"text":10778},"50fe93cb18380",[],"So, we crawl back to the protective mountains of Lycia, back into the mouths of our caves to lick our wounds and think: what next? We remember that monstering is generative – that learning to chimerize, to walk through the world carrying inner multitudes, also teaches us to be part of larger chimeras. We learn, from within our own bodies, how cooperative systems might mobilize. ‘Queering’ is, perhaps, not only for LGBTQIA2+ people; liberation from a learned identity doesn’t always result in a change of pronouns, gayness, or hormone therapy. Similarly, ‘monstering’ is a lesson learned through queerness, but may also be learned by anyone. We all contain worlds. And, we are all organs in the body of the World.",[],{"_type":574,"settings":10781,"text":10782},{"textColumnCount":637},[10783,10791],{"_key":10784,"_type":11,"children":10785,"markDefs":10790,"style":24},"5e353ea6481f",[10786],{"_key":10787,"_type":15,"marks":10788,"text":10789},"af8567c019db0",[17],"Relating Through Multiplicity",[],{"_key":10792,"_type":11,"children":10793,"markDefs":10806,"style":24},"08ef3d2f078a",[10794,10798,10802],{"_key":10795,"_type":15,"marks":10796,"text":10797},"1deb75169b070",[],"We draw inspiration from the Chimera’s ability to be ‘more than.’ More than one self, more than one creature, more than human. Our embodied knowledge of multiplicity ",{"_key":10799,"_type":15,"marks":10800,"text":10801},"1deb75169b071",[492],"is",{"_key":10803,"_type":15,"marks":10804,"text":10805},"1deb75169b072",[]," a chimerical experience, moving through daily life as a coordinated system of parts, personalities, feelings. But what might be learned from a deepened concentration on these chimerical qualities? Through our somatic research on chimerizing, we propose exercises – which may be practiced by anyone – to tune into our cooperative parts. By feeling with different identifiable inner elements, we attempt to more intimately know what sub-bodies hide within us. We move with these parts, letting each take a turn in guiding the whole. And we may zoom out one degree to become one part in a cooperative system with other bodies – both human and non-human.",[],{"_type":574,"settings":10808,"text":10809},{"textColumnCount":637},[10810],{"_key":10811,"_type":11,"children":10812,"markDefs":10833,"style":24},"af4525318049",[10813,10817,10821,10825,10829],{"_key":10814,"_type":15,"marks":10815,"text":10816},"8862ed45399b0",[],"The Chimera, our mascot monster, is a trio of beasts: snake, goat, lion. Even though we are a creative duo, the three-body body (or, more queerly, body-ody-ody) is an arrangement we intentionally retain. While, obviously, our inherent multiplicities contain countless facets, focusing on a select system of three allows for dynamism, for drama and for contrast. It trines the binary. It beckons us with the “",{"_key":10818,"_type":15,"marks":10819,"text":10820},"b3d59553920d",[10193],"secret third thing",{"_key":10822,"_type":15,"marks":10823,"text":10824},"3ad6fe1d3b65",[],".” Our working method, as a duo, also always holds space for this third: sometimes it is a peer collaborator, but more often it is the invisible ",{"_key":10826,"_type":15,"marks":10827,"text":10828},"8862ed45399b1",[492],"Other ",{"_key":10830,"_type":15,"marks":10831,"text":10832},"8862ed45399b2",[],"that, like a muse, flies with and around us. Our third is possibilia, the not-yet-known.",[10834],{"_key":10193,"_type":10620,"allFootnotes":10835,"footnoteText":10844,"markKey":10193},[10836,10837,10838,10839,10840,10841,10842,10843],{"_key":10134},{"_key":10136},{"_key":10155},{"_key":10173},{"_key":10193},{"_key":10213},{"_key":10241},{"_key":10269},[10845],{"_key":10196,"_type":11,"children":10846,"markDefs":10853,"style":24},[10847,10849,10851],{"_key":10199,"_type":15,"marks":10848,"text":10201},[],{"_key":10203,"_type":15,"marks":10850,"text":10206},[10205],{"_key":10208,"_type":15,"marks":10852,"text":9749},[],[10854],{"_key":10205,"_type":41,"href":10206},{"_type":574,"settings":10856,"text":10857},{"textColumnCount":637},[10858,10866,10873,10885,10929,10936],{"_key":10859,"_type":11,"children":10860,"markDefs":10865,"style":24},"51a13e8902f7",[10861],{"_key":10862,"_type":15,"marks":10863,"text":10864},"47a683fb8d1a0",[],"2. Embodied Chimera Experiments",[],{"_key":10867,"_type":11,"children":10868,"markDefs":10872,"style":24},"98f7a1f780ed",[10869],{"_key":10870,"_type":15,"marks":10871,"text":1000},"58821ec1a1d60",[],[],{"_key":10874,"_type":11,"children":10875,"markDefs":10884,"style":24},"036850934308",[10876,10880],{"_key":10877,"_type":15,"marks":10878,"text":10879},"047bf2dcfd5f0",[17],"Experiment 1: ",{"_key":10881,"_type":15,"marks":10882,"text":10883},"047bf2dcfd5f1",[17,492],"Body-ody-ody Scan",[],{"_key":10886,"_type":11,"children":10887,"markDefs":10928,"style":24},"ceca13306bc4",[10888,10892,10896,10900,10904,10908,10912,10916,10920,10924],{"_key":10889,"_type":15,"marks":10890,"text":10891},"04db522e916c0",[17],"Description:",{"_key":10893,"_type":15,"marks":10894,"text":10895},"04db522e916c1",[]," A body-ody-ody scan is a queer, hydrofeminist approach to finding the multi-body in you! We queer, seep, leak, and ooze into ",{"_key":10897,"_type":15,"marks":10898,"text":10899},"04db522e916c2",[492],"and beyond ",{"_key":10901,"_type":15,"marks":10902,"text":10903},"04db522e916c3",[],"ourselves; we feel into the world and the world into us. It is the goo-ification of self, the liquification of solid matter, the gentle poke and not-so-gentle knock at the limits of size, shape, and form. We scan our body in curious exploration to pluralize singularity; we fan out into (un)familiar dimension(s). Body sensation unravels into the multisensational as we give neurons & autonomy to points within. Like an octopus’ sucker-covered arms, we act as if we contain mini-brains. Each point gathers sensory information to drive its own movements and desires. We share their desire to be ",{"_key":10905,"_type":15,"marks":10906,"text":10907},"04db522e916c4",[492],"more-than",{"_key":10909,"_type":15,"marks":10910,"text":10911},"04db522e916c5",[],". We navigate the lines around ",{"_key":10913,"_type":15,"marks":10914,"text":10915},"04db522e916c6",[492],"what is,",{"_key":10917,"_type":15,"marks":10918,"text":10919},"04db522e916c7",[]," with a gentle nudge toward ",{"_key":10921,"_type":15,"marks":10922,"text":10923},"04db522e916c8",[492],"what if. ",{"_key":10925,"_type":15,"marks":10926,"text":10927},"04db522e916c9",[],"Plunging our interiority, we deep-dive into crevices. Our egos recline, eavesdropping on whispering nooks and crannies. Turn the volume up: dialogue point to point, node to node, nucleus to nucleus. Feel how truly voluminous and voluptuous you are in your hot and complex body-ody-ody.",[],{"_key":10930,"_type":11,"children":10931,"markDefs":10935,"style":24},"6a300140a580",[10932],{"_key":10933,"_type":15,"marks":10934,"text":1000},"6e829b83ea260",[],[],{"_key":10937,"_type":11,"children":10938,"markDefs":10947,"style":24},"6436aaa00c2f",[10939,10943],{"_key":10940,"_type":15,"marks":10941,"text":10942},"ae2311edfdb90",[17],"Directions: ",{"_key":10944,"_type":15,"marks":10945,"text":10946},"ae2311edfdb91",[],"Begin by sitting or lying in a comfortable position, noticing how your weight is distributed and supported. Close your eyes. Note your physiology: the rhythm of your breath, heart rate, areas of pleasure & comfort or tension. Notice how the environment interacts with you - the scents, sounds, and sensations. Instead of a traditional head-to-toe scan, we’ll move through the body non-hierarchically.",[],{"_type":574,"settings":10949,"text":10950},{"textColumnCount":637},[10951],{"_key":10952,"_type":11,"children":10953,"markDefs":10958,"style":24},"e5b7e99dbe20",[10954],{"_key":10955,"_type":15,"marks":10956,"text":10957},"e0bb3cf8f88d0",[],"Notice the left and right sides of the body, where they meet and how they differ. Shift into interscalar exploration: what’s the tiniest sensation you can currently feel? Imagine a single cell inside you pressing into its surroundings, its edges interacting with the cells around it. Zoom out: notice your entire body within the room, amongst other bodies, furniture, and walls. Imagine how your form presses into others, shaping the environment, and how the environment, in turn, presses into and shapes us. Tune into your skin, a single organ, varying in texture and awareness. Everything that feels solid is layered and porous. From here, feel into your fascia: an inner map of reciprocity, openness, and resistance. Radiate internally and externally, skeleton → cells → organs → fascia → skin → air → environment (now flip it and reverse it). Observe how different regions respond and communicate.",[],{"_type":574,"settings":10960,"text":10961},{"textColumnCount":637},[10962],{"_key":10963,"_type":11,"children":10964,"markDefs":10977,"style":24},"c6b493be7aff",[10965,10969,10973],{"_key":10966,"_type":15,"marks":10967,"text":10968},"1671d35c472a0",[],"Choose three regions of your system that are particularly interesting right now. Maybe they’re quiet and tender, pulling inward, or perhaps they’re loud, reaching outward into the world. ",{"_key":10970,"_type":15,"marks":10971,"text":10972},"1671d35c472a1",[492],"These will become our three points of interest. ",{"_key":10974,"_type":15,"marks":10975,"text":10976},"1671d35c472a2",[],"Notice the size and shape of each point, where they sit in relation to the rest of your body— anterior, posterior, dorsal, ventral.",[],{"_type":574,"settings":10979,"text":10980},{"textColumnCount":637},[10981,11001],{"_key":10982,"_type":11,"children":10983,"markDefs":11000,"style":24},"0f25b8892f02",[10984,10988,10992,10996],{"_key":10985,"_type":15,"marks":10986,"text":10987},"0f9683f71b6f0",[17],"Experiment Transcription (L",{"_key":10989,"_type":15,"marks":10990,"text":10991},"0f9683f71b6f1",[]," & ",{"_key":10993,"_type":15,"marks":10994,"text":10995},"0f9683f71b6f2",[492],"M",{"_key":10997,"_type":15,"marks":10998,"text":10999},"0f9683f71b6f3",[],")",[],{"_key":11002,"_type":11,"children":11003,"markDefs":11094,"style":24},"93bf2fc03364",[11004,11008,11012,11015,11019,11022,11026,11030,11034,11038,11042,11046,11050,11054,11058,11061,11065,11069,11073,11076,11080,11083,11087,11090],{"_key":11005,"_type":15,"marks":11006,"text":11007},"352ae9ac30400",[17],"Okay. I was feeling that my right side was orange and my left side was blue. I started pinwheeling those colors, dividing them into a top half, bottom half - four segments, shifting between blue and orange. ",{"_key":11009,"_type":15,"marks":11010,"text":11011},"352ae9ac30401",[492],"My right side felt scrunched, like a slinky. I'm toppled over on my right. And the left feels more open and spacious—counterbalancing the squished right side of my body.",{"_key":11013,"_type":15,"marks":11014,"text":3023},"352ae9ac30402",[],{"_key":11016,"_type":15,"marks":11017,"text":11018},"352ae9ac30403",[17],"I noticed a micro muscle right above my right ear, this crazy shivering twitch.",{"_key":11020,"_type":15,"marks":11021,"text":3023},"352ae9ac30404",[],{"_key":11023,"_type":15,"marks":11024,"text":11025},"352ae9ac30405",[17],"So that point is loud. ",{"_key":11027,"_type":15,"marks":11028,"text":11029},"352ae9ac30406",[492],"I feel blobby and wave-like, imagining myself as a cell floating in this room, like a body of microbodies. ",{"_key":11031,"_type":15,"marks":11032,"text":11033},"352ae9ac30407",[17],"My shoulders started to feel really tall and spiky. It's interesting that you felt like a cell floating.\tFor me, I felt incredibly bound and locked in, like a crowded factory, like an apartment building itself. ",{"_key":11035,"_type":15,"marks":11036,"text":11037},"352ae9ac30408",[492],"Interesting. I saw a time-lapse of seals today ~ floating and playing on the surface of a pool, then napping blobs bobbing at the bottom. Their day-long existence sped up over the span of 15 seconds. ",{"_key":11039,"_type":15,"marks":11040,"text":11041},"352ae9ac30409",[17],"Oh wow. ",{"_key":11043,"_type":15,"marks":11044,"text":11045},"352ae9ac304010",[492],"That's kind of how I feel as a cell. ",{"_key":11047,"_type":15,"marks":11048,"text":11049},"352ae9ac304011",[17],"I also was feeling a sense of porosity and transparency, a reminder of how much negative space is in our bodies - ",{"_key":11051,"_type":15,"marks":11052,"text":11053},"352ae9ac304012",[492],"microscopic negative space between particles, right? ",{"_key":11055,"_type":15,"marks":11056,"text":11057},"352ae9ac304013",[17],"We are not all matter, and that felt much lighter, calling attention to the sense of spaciousness.",{"_key":11059,"_type":15,"marks":11060,"text":3023},"352ae9ac304014",[],{"_key":11062,"_type":15,"marks":11063,"text":11064},"352ae9ac304015",[492],"The space, air, fluids that are us and not us… It's interesting... we’re here and not here, composed of space and counterspace, matter and anti-matter. ",{"_key":11066,"_type":15,"marks":11067,"text":11068},"352ae9ac304016",[17,492],"The feeling of density. The lack of density… ",{"_key":11070,"_type":15,"marks":11071,"text":11072},"352ae9ac304017",[17],"So, my three points are the twitch above my right ear. And this one vertebrae before my tailbone, which I imagine as a dark, bluish purple.",{"_key":11074,"_type":15,"marks":11075,"text":3023},"352ae9ac304018",[],{"_key":11077,"_type":15,"marks":11078,"text":11079},"352ae9ac304019",[17],"The third is the space right between my collarbones.",{"_key":11081,"_type":15,"marks":11082,"text":3023},"352ae9ac304020",[],{"_key":11084,"_type":15,"marks":11085,"text":11086},"352ae9ac304021",[492],"My first point is the slinky sensation in the tension in my right waist.",{"_key":11088,"_type":15,"marks":11089,"text":3023},"352ae9ac304022",[],{"_key":11091,"_type":15,"marks":11092,"text":11093},"352ae9ac304023",[492],"When I zoom in on it, it's my right ovary, maybe? I’m feeling a lot of empathy for this busy part of my body. My second point is just inside my second-to-last rib on my left ~ a bit of a counterpoint to the weightiness of my right ovary. And my third point is the lymph nodes in my throat. They feel a little swollen.",[],{"_type":574,"settings":11096,"text":11097},{"textColumnCount":637},[11098,11110],{"_key":11099,"_type":11,"children":11100,"markDefs":11109,"style":24},"b797ae920cda",[11101,11105],{"_key":11102,"_type":15,"marks":11103,"text":11104},"e6fd3eee2d040",[17],"Experiment 2: ",{"_key":11106,"_type":15,"marks":11107,"text":11108},"e6fd3eee2d041",[17,492],"Body (Counter)Mapping",[],{"_key":11111,"_type":11,"children":11112,"markDefs":11136,"style":24},"f72eb3d39cee",[11113,11116,11120,11124,11128,11132],{"_key":11114,"_type":15,"marks":11115,"text":10891},"a2d7921dd2fc0",[17],{"_key":11117,"_type":15,"marks":11118,"text":11119},"a2d7921dd2fc1",[]," Following the ",{"_key":11121,"_type":15,"marks":11122,"text":11123},"a2d7921dd2fc2",[492],"body-ody-ody scan",{"_key":11125,"_type":15,"marks":11126,"text":11127},"a2d7921dd2fc3",[],", body (counter)mapping imprints our three points of interest onto a somatic cartography. We liberate ourselves from psycho-logic; the body knows best. We examine interrelations, echoes, and agitations between points A, B and C. We weigh their trigonometry for emotional congruence: how do the other points support and inform point A? B? C? We champion our fantastical appendages’ desire to be slimy, permeable, feathered, and scaled; to protrude or recede; to extend or retreat. We ",{"_key":11129,"_type":15,"marks":11130,"text":11131},"a2d7921dd2fc4",[492],"world-with ",{"_key":11133,"_type":15,"marks":11134,"text":11135},"a2d7921dd2fc5",[],"our skin-sack nodules; we texturalize, color, and voice their terrain. We move through an inner-corporeal hall of mirrors to (re)construct our somatic armour.",[],{"_type":574,"settings":11138,"text":11139},{"textColumnCount":637},[11140,11151,11158,11166,11173],{"_key":11141,"_type":11,"children":11142,"markDefs":11150,"style":24},"951dda97031e",[11143,11146],{"_key":11144,"_type":15,"marks":11145,"text":10942},"a73b6f6308610",[17],{"_key":11147,"_type":15,"marks":11148,"text":11149},"a73b6f6308611",[],"Extending from the body-ody-ody exercise, find your breath and the subtle intelligence of fascia as an all-encompassing sensory net. Attune to the first point of interest in the body. Give a portion of consciousness to this point, allowing it to sense, think, and develop its own interiority while the rest of the self observes from a neutral distance.",[],{"_key":11152,"_type":11,"children":11153,"markDefs":11157,"style":24},"d2d3935e20fc",[11154],{"_key":11155,"_type":15,"marks":11156,"text":1000},"6bf6fe382b000",[],[],{"_key":11159,"_type":11,"children":11160,"markDefs":11165,"style":24},"9b1b57024016",[11161],{"_key":11162,"_type":15,"marks":11163,"text":11164},"2af3029183dd0",[],"From this newly animated point, trace a path through the body toward a second point. Crawling, swimming, or drifting inhabit the second point’s terrain. Notice the arising temperature, texture, dimensionality, and mood as another transfer of awareness occurs. The process repeats as this second consciousness seeks out the third point, entering and awakening it with the same careful attention. Each point becomes its own body with distinct qualities, emotions, and subtle narratives that unfold within the larger organism.",[],{"_key":11167,"_type":11,"children":11168,"markDefs":11172,"style":24},"4b3c5d865ea1",[11169],{"_key":11170,"_type":15,"marks":11171,"text":1000},"203b3968192f0",[],[],{"_key":11174,"_type":11,"children":11175,"markDefs":11180,"style":24},"5ff45f9f4a02",[11176],{"_key":11177,"_type":15,"marks":11178,"text":11179},"01266eced22d0",[],"Finally, the three distributed selves come into constellation, perceiving one another across an internal triangle. The third point returns to meet the first, closing the loop before all awareness slowly returns to its origin.",[],{"_type":574,"settings":11182,"text":11183},{"textColumnCount":637},[11184,11200],{"_key":11185,"_type":11,"children":11186,"markDefs":11199,"style":24},"a587bad029fd",[11187,11190,11193,11196],{"_key":11188,"_type":15,"marks":11189,"text":10987},"acc099b9d1090",[17],{"_key":11191,"_type":15,"marks":11192,"text":10991},"acc099b9d1091",[],{"_key":11194,"_type":15,"marks":11195,"text":10995},"acc099b9d1092",[492],{"_key":11197,"_type":15,"marks":11198,"text":10999},"acc099b9d1093",[],[],{"_key":11201,"_type":11,"children":11202,"markDefs":11254,"style":24},"19be07907247",[11203,11207,11211,11214,11218,11222,11226,11230,11234,11238,11242,11246,11250],{"_key":11204,"_type":15,"marks":11205,"text":11206},"f4bb00a94e200",[492],"Sorry, I was a bit cold and distracted for that one. ",{"_key":11208,"_type":15,"marks":11209,"text":11210},"f4bb00a94e201",[17],"When you weren’t floating into other trains of thought, were there moments or qualities in the three points that felt evocative?",{"_key":11212,"_type":15,"marks":11213,"text":3023},"f4bb00a94e202",[17,492],{"_key":11215,"_type":15,"marks":11216,"text":11217},"f4bb00a94e203",[492],"My ovary zone felt like a small, scratchy-soft pom-pom, but inside was filled with red, juicy, earth—like peeling open rambutan. It had a slow, geological intelligence—lithic. The interior felt ancient and dense; the surface had a contrasting, synthetic quality. ",{"_key":11219,"_type":15,"marks":11220,"text":11221},"f4bb00a94e204",[17],"My side-of-head point had rippling, flagella-like textures—wormy, root-like legs extending from a top surface. It crawled quickly, hypermobile, a little irritable but not in a bad way. It moved easily down to a tailbone, my second point, a bulbous lava-lamp: chewy, translucent, sloth-slow. ",{"_key":11223,"_type":15,"marks":11224,"text":11225},"f4bb00a94e205",[492],"My second point had two distinct personalities, connected in a disjointed way–stick-like tentacles linked by something porous, almost sea-urchin-like. It had a playful, trickster quality. It would reach toward the first point while that one stayed firmly rooted.",{"_key":11227,"_type":15,"marks":11228,"text":11229},"f4bb00a94e206",[17]," My lower two points felt rooted, while the head point buzzed with intensity. ",{"_key":11231,"_type":15,"marks":11232,"text":11233},"f4bb00a94e207",[492],"The third point felt like two elegant tusks/tongues coming out of my throat that I could wrap, drape, or extend—sculptural, wearable. They were perceptible but untouchable for the other two. ",{"_key":11235,"_type":15,"marks":11236,"text":11237},"f4bb00a94e208",[17],"My third point, the throat/collarbone, appeared bright green, cup-shaped, foamy, shy but curious. Its movement was a kind of jet propulsion, as though exhaling negative space. ",{"_key":11239,"_type":15,"marks":11240,"text":11241},"f4bb00a94e209",[492],"Some of these qualities made so much sense—the ancient ovarian earth energy, the trickster energy near my lungs and rib cage, the slinky seductiveness of the lymphatic area, ",{"_key":11243,"_type":15,"marks":11244,"text":11245},"f4bb00a94e2010",[17],"the grounded density of the pelvic zones. Thinking with these discrete body parts becomes its own imagination practice—anthropomorphic, yet still “us.” When I focus on one part, I feel more creaturely, less human. ",{"_key":11247,"_type":15,"marks":11248,"text":11249},"f4bb00a94e2011",[492],"It all feels like the same thing. ",{"_key":11251,"_type":15,"marks":11252,"text":11253},"f4bb00a94e2012",[17,492],"Fractals, man… (but we’re not writing about fractals.)",[],{"_type":574,"settings":11256,"text":11257},{"textColumnCount":637},[11258,11266],{"_key":11259,"_type":11,"children":11260,"markDefs":11265,"style":24},"38164d81fa16",[11261],{"_key":11262,"_type":15,"marks":11263,"text":11264},"db3af8f6cba40",[17],"Experiment 3: Dancing With Complementarities (e.g. movement practice for amateurs)",[],{"_key":11267,"_type":11,"children":11268,"markDefs":11283,"style":24},"3d060b6a2364",[11269,11272,11275,11279],{"_key":11270,"_type":15,"marks":11271,"text":10891},"8f10e21f15840",[17],{"_key":11273,"_type":15,"marks":11274,"text":3023},"8f10e21f15841",[],{"_key":11276,"_type":15,"marks":11277,"text":11278},"8f10e21f15842",[492],"“My knee sounds like a brassy trumpet! And yours can too!” ",{"_key":11280,"_type":15,"marks":11281,"text":11282},"8f10e21f15843",[],"After scanning and (counter)mapping three points, we accelerate into sound and motion. As a novice movement practice, we gently exteriorize the three islands of sensation—self-trust, humor, and patience are key. Each island becomes a kinetic creature: some send shockwaves through the whole system, some jolt from a tiny nucleus, some convulse dramatically, grind into the earth, or zestily twitch like startled wings. As each island becomes animate, their movements interact—cross-hatched rippling tides passing energy—some cooperate, others compete. They become worms, spools of thread, trumpets, metal steam vents. The islands form a strange internal ensemble, each with its own rhythm, texture, and sound, and the body becomes a site of collaborative motion, imagination, and cross-island dialogue.",[],{"_type":574,"settings":11285,"text":11286},{"textColumnCount":637},[11287,11295,11303,11310,11318,11325],{"_key":11288,"_type":11,"children":11289,"markDefs":11294,"style":24},"b7811cbf070e",[11290],{"_key":11291,"_type":15,"marks":11292,"text":11293},"433cee1c80860",[17],"Directions:",[],{"_key":11296,"_type":11,"children":11297,"markDefs":11302,"style":24},"b8aea165e32c",[11298],{"_key":11299,"_type":15,"marks":11300,"text":11301},"8df49a8105620",[],"I. We gently animate the attributes of each point, as islands casting a tide into a bodily sea. Begin moving it in big, exaggerated waves, shaking or circling until you feel how far that motion can ripple through your whole structure—from scalp to toes to fingertips. Then shrink the motion into tiny, nearly imperceptible jolts at the island’s core, like micro-seismic pulses. Cycle between large and small until you can feel the island’s “range”—their explosive, minimal, sluggish, hyperactive, or manic motions. Move through your three islands one by one, discovering how differently each transmits movement through your body’s architecture.",[],{"_key":11304,"_type":11,"children":11305,"markDefs":11309,"style":24},"6923f4a936e0",[11306],{"_key":11307,"_type":15,"marks":11308,"text":1000},"f697ea0469a30",[],[],{"_key":11311,"_type":11,"children":11312,"markDefs":11317,"style":24},"8226c2596828",[11313],{"_key":11314,"_type":15,"marks":11315,"text":11316},"9b761257d1370",[],"II. Once each island has a clear movement identity, begin linking them. Let one island send a current into the next, like neurons firing across gaps, beginning to communicate. Notice which islands protrude outward to move with others, which recede into a shy solo dance. Notice which stabilize, which arc across the core, or drag along the ground. Explore how they combine into strange composite waves: worm-grinds meeting wing-flaps, tensile spirals meeting sleepy stabilizers. Allow them to take turns leading, sitting out, or blending.",[],{"_key":11319,"_type":11,"children":11320,"markDefs":11324,"style":24},"991a98ebe306",[11321],{"_key":11322,"_type":15,"marks":11323,"text":1000},"5f3dd8f8d8c10",[],[],{"_key":11326,"_type":11,"children":11327,"markDefs":11332,"style":24},"8e434bde3183",[11328],{"_key":11329,"_type":15,"marks":11330,"text":11331},"d782b0b9af570",[],"III. Assign each island a sound. It can be shrill, steam-hissing metal, crunching ice, a brassy trumpet, a subtonal drone. Some are loud, some are soft. Make the sounds (if you dare) while moving, or imagine them internally. Then, try relational movements with a partner: pick one island and let it move in dialogue with a partner’s island, either mirroring, trading roles, or improvising alongside each other. Notice how the qualities of your islands shift when influenced by someone else’s motion or sound. Share the islands, interacting with all six as part of a greater, planetary body.",[],{"_type":574,"settings":11334,"text":11335},{"textColumnCount":637},[11336,11352],{"_key":11337,"_type":11,"children":11338,"markDefs":11351,"style":24},"46ed7213f79e",[11339,11342,11345,11348],{"_key":11340,"_type":15,"marks":11341,"text":10987},"cfa20c0b1a610",[17],{"_key":11343,"_type":15,"marks":11344,"text":10991},"cfa20c0b1a611",[],{"_key":11346,"_type":15,"marks":11347,"text":10995},"cfa20c0b1a612",[492],{"_key":11349,"_type":15,"marks":11350,"text":10999},"cfa20c0b1a613",[],[],{"_key":11353,"_type":11,"children":11354,"markDefs":11541,"style":24},"462e476d9aff",[11355,11359,11363,11367,11371,11374,11378,11382,11386,11389,11393,11396,11400,11403,11407,11411,11415,11419,11423,11427,11430,11434,11437,11441,11444,11448,11452,11455,11458,11461,11465,11468,11472,11476,11479,11483,11487,11490,11494,11497,11501,11505,11508,11512,11515,11519,11522,11526,11529,11533,11537],{"_key":11356,"_type":15,"marks":11357,"text":11358},"42d36c3e4b2e0",[17],"There are things that are on the same side of the body, so it doesn't feel like... ",{"_key":11360,"_type":15,"marks":11361,"text":11362},"42d36c3e4b2e1",[492],"Oh yeah, it's not like ",{"_key":11364,"_type":15,"marks":11365,"text":11366},"42d36c3e4b2e2",[17],"me. ",{"_key":11368,"_type":15,"marks":11369,"text":11370},"42d36c3e4b2e3",[492],"Wait, so are you taking my knee and your thing at the same time?",{"_key":11372,"_type":15,"marks":11373,"text":3023},"42d36c3e4b2e4",[],{"_key":11375,"_type":15,"marks":11376,"text":11377},"42d36c3e4b2e5",[17],"Yeah. ",{"_key":11379,"_type":15,"marks":11380,"text":11381},"42d36c3e4b2e6",[492],"Oh, ",{"_key":11383,"_type":15,"marks":11384,"text":11385},"42d36c3e4b2e7",[17],"interesting. ",{"_key":11387,"_type":15,"marks":11388,"text":11381},"42d36c3e4b2e8",[492],{"_key":11390,"_type":15,"marks":11391,"text":11392},"42d36c3e4b2e9",[17],"or are we just trading?",{"_key":11394,"_type":15,"marks":11395,"text":3023},"42d36c3e4b2e10",[],{"_key":11397,"_type":15,"marks":11398,"text":11399},"42d36c3e4b2e11",[492],"Ah, so I'm moving mine.",{"_key":11401,"_type":15,"marks":11402,"text":3023},"42d36c3e4b2e12",[],{"_key":11404,"_type":15,"marks":11405,"text":11406},"42d36c3e4b2e13",[492],"We're moving ",{"_key":11408,"_type":15,"marks":11409,"text":11410},"42d36c3e4b2e14",[17],"together",{"_key":11412,"_type":15,"marks":11413,"text":11414},"42d36c3e4b2e15",[492],", I see,",{"_key":11416,"_type":15,"marks":11417,"text":11418},"42d36c3e4b2e16",[17]," okay.",{"_key":11420,"_type":15,"marks":11421,"text":11422},"42d36c3e4b2e17",[492]," Yes. ",{"_key":11424,"_type":15,"marks":11425,"text":11426},"42d36c3e4b2e18",[17],"Yeah.",{"_key":11428,"_type":15,"marks":11429,"text":3023},"42d36c3e4b2e19",[],{"_key":11431,"_type":15,"marks":11432,"text":11433},"42d36c3e4b2e20",[492],"Hey. ",{"_key":11435,"_type":15,"marks":11436,"text":11433},"42d36c3e4b2e21",[17],{"_key":11438,"_type":15,"marks":11439,"text":11440},"42d36c3e4b2e22",[492],"Uhhh.",{"_key":11442,"_type":15,"marks":11443,"text":3023},"42d36c3e4b2e23",[],{"_key":11445,"_type":15,"marks":11446,"text":11447},"42d36c3e4b2e24",[17],"Alright. Interesting because they really stack. ",{"_key":11449,"_type":15,"marks":11450,"text":11451},"42d36c3e4b2e25",[492],"Yeah, they really mirror. It's like mine's in front of the body, and yours is in the back of the body.",{"_key":11453,"_type":15,"marks":11454,"text":3023},"42d36c3e4b2e26",[17,492],{"_key":11456,"_type":15,"marks":11457,"text":11426},"42d36c3e4b2e27",[17],{"_key":11459,"_type":15,"marks":11460,"text":3023},"42d36c3e4b2e28",[],{"_key":11462,"_type":15,"marks":11463,"text":11464},"42d36c3e4b2e29",[17],"And mine's... Yeah, this is similar, like...",{"_key":11466,"_type":15,"marks":11467,"text":3023},"42d36c3e4b2e30",[],{"_key":11469,"_type":15,"marks":11470,"text":11471},"42d36c3e4b2e31",[492],"This one makes more sense to me when I'm laying down, and I feel like I can really get into it. But standing up, it's interesting. ",{"_key":11473,"_type":15,"marks":11474,"text":11475},"42d36c3e4b2e32",[17],"It shifts.",{"_key":11477,"_type":15,"marks":11478,"text":3023},"42d36c3e4b2e33",[],{"_key":11480,"_type":15,"marks":11481,"text":11482},"42d36c3e4b2e34",[492],"Actually, you can move down, too… ",{"_key":11484,"_type":15,"marks":11485,"text":11486},"42d36c3e4b2e35",[17],"That's the beauty of moving in space",{"_key":11488,"_type":15,"marks":11489,"text":5415},"42d36c3e4b2e36",[],{"_key":11491,"_type":15,"marks":11492,"text":11493},"42d36c3e4b2e37",[492],"It's a lot weirder.",{"_key":11495,"_type":15,"marks":11496,"text":3023},"42d36c3e4b2e38",[],{"_key":11498,"_type":15,"marks":11499,"text":11500},"42d36c3e4b2e39",[492],"You can go in all directions. ",{"_key":11502,"_type":15,"marks":11503,"text":11504},"42d36c3e4b2e40",[17],"Okay.",{"_key":11506,"_type":15,"marks":11507,"text":3023},"42d36c3e4b2e41",[],{"_key":11509,"_type":15,"marks":11510,"text":11511},"42d36c3e4b2e42",[492],"And the last being wrist angles.",{"_key":11513,"_type":15,"marks":11514,"text":3023},"42d36c3e4b2e43",[17,492],{"_key":11516,"_type":15,"marks":11517,"text":11518},"42d36c3e4b2e44",[17],"Interesting. I love to watch trance dancers do this.",{"_key":11520,"_type":15,"marks":11521,"text":3023},"42d36c3e4b2e45",[17,492],{"_key":11523,"_type":15,"marks":11524,"text":11525},"42d36c3e4b2e46",[492],"Yeah. This is really fun",{"_key":11527,"_type":15,"marks":11528,"text":5415},"42d36c3e4b2e47",[],{"_key":11530,"_type":15,"marks":11531,"text":11532},"42d36c3e4b2e48",[17],"Yeah, fun. ",{"_key":11534,"_type":15,"marks":11535,"text":11536},"42d36c3e4b2e49",[492],"Yeah, that was nice. I think I need to get... I think I'm going to drink some water. ",{"_key":11538,"_type":15,"marks":11539,"text":11540},"42d36c3e4b2e50",[17],"Great.",[],{"_type":574,"settings":11543,"text":11544},{"textColumnCount":637},[11545,11553],{"_key":11546,"_type":11,"children":11547,"markDefs":11552,"style":24},"d23a9f8b09dd",[11548],{"_key":11549,"_type":15,"marks":11550,"text":11551},"b9a1b75d57960",[17],"Experiment 4: Costuming the Chimera (morphing the body)",[],{"_key":11554,"_type":11,"children":11555,"markDefs":11564,"style":24},"045484d1af88",[11556,11560],{"_key":11557,"_type":15,"marks":11558,"text":11559},"02d3e9eb4afd0",[17],"Description: ",{"_key":11561,"_type":15,"marks":11562,"text":11563},"02d3e9eb4afd1",[],"Building on the movement practice, with the working system of three, we add a wearable element that enhances the felt sense of each point. We use a very simple element of a long piece of black fabric and safety pins. (We wear simple, all-black outfits as a base layer, to blend with the fabric). By balling, wrapping, and pinning this fabric into place on one of the points, two things happen. First, volume and weight are added to that part of the body, giving it a heightened sense of presence and altering its movement. Second, it changes the silhouette of the body as a whole, so that to an external eye, the subject becomes more ‘creature.’",[],{"_type":574,"settings":11566,"text":11567},{"textColumnCount":637},[11568],{"_key":11569,"_type":11,"children":11570,"markDefs":11579,"style":24},"a275ae220104",[11571,11575],{"_key":11572,"_type":15,"marks":11573,"text":11574},"e529398dc0130",[17],"Directions: \n\n",{"_key":11576,"_type":15,"marks":11577,"text":11578},"e529398dc0131",[],"Start with point A (or whichever you please). Take a length (2-3 meters) of black fabric, and bunch it up / wrap it / pleat it / play with it around the chosen point. Allow the mood of the point to dictate the form; maybe it is tight and dense, maybe loose with a long train. Pin the fabric into place with safety pins. Begin to move, slowly at first, and test out how the added mass alters the movement of the point. Working with a mirror or a camera, observe how moving the point with mass changes locomotion. Observe how your silhouette may start to look less human. What do you see when your silhouette is warped by the massiveness of a dominant point? Working with an iPhone camera, we start to see not-quite-human forms in the blurred, low-res shots of ourselves. Repeat this exercise with each point, and see how your edges transcend themselves differently with every new arrangement. Note: wear a base layer that you don’t mind possibly tearing small holes in, as the movement, when rambunctious, may tear the garments.",[],{"_type":3090,"slides":11581},[11582,11599,11615,11632],{"_type":626,"caption":11583,"image":11592},[11584],{"_key":11585,"_type":11,"children":11586,"markDefs":11591,"style":24},"b16110181d6f",[11587],{"_key":11588,"_type":15,"marks":11589,"text":11590},"90bcbcfc57a70",[],"Experiment 3.1: Movement for knee",[],{"alt":11590,"asset":11593},{"_id":11594,"height":11595,"orientation":359,"ratio":11596,"url":11597,"width":11598},"image-72b1aac6fe1212f4054960e5bee937d68cdd8911-526x920-png",920,0.5717391304347826,"https://cdn.sanity.io/images/eodip22e/production/72b1aac6fe1212f4054960e5bee937d68cdd8911-526x920.png",526,{"_type":626,"caption":11600,"image":11609},[11601],{"_key":11602,"_type":11,"children":11603,"markDefs":11608,"style":24},"0198e00a4d3f",[11604],{"_key":11605,"_type":15,"marks":11606,"text":11607},"f8c0cf4a529e0",[],"Experiment 3.2: Movement for wrist",[],{"alt":11607,"asset":11610},{"_id":11611,"height":11612,"orientation":359,"ratio":11613,"url":11614,"width":4353},"image-8459dfb7712f3bb45b30187a123112fed30bdcf5-604x808-png",808,0.7475247524752475,"https://cdn.sanity.io/images/eodip22e/production/8459dfb7712f3bb45b30187a123112fed30bdcf5-604x808.png",{"_type":626,"caption":11616,"image":11625},[11617],{"_key":11618,"_type":11,"children":11619,"markDefs":11624,"style":24},"a09717b28175",[11620],{"_key":11621,"_type":15,"marks":11622,"text":11623},"7e48e00bb17f0",[],"Experiment 3.3: Movement for clavicle",[],{"alt":11623,"asset":11626},{"_id":11627,"height":11628,"orientation":359,"ratio":11629,"url":11630,"width":11631},"image-b9f8e64acc4ebcc07567713bddc3029f587e6a55-602x806-png",806,0.7468982630272953,"https://cdn.sanity.io/images/eodip22e/production/b9f8e64acc4ebcc07567713bddc3029f587e6a55-602x806.png",602,{"_type":626,"caption":11633,"image":11642},[11634],{"_key":11635,"_type":11,"children":11636,"markDefs":11641,"style":24},"cbea824945b7",[11637],{"_key":11638,"_type":15,"marks":11639,"text":11640},"1a6dd401d6a20",[],"Experiment 3.4: Movement for hand",[],{"alt":11640,"asset":11643},{"_id":11644,"height":11645,"orientation":359,"ratio":11646,"url":11647,"width":11648},"image-e7f18943aea9845272747b3c249ff743276e8a4c-598x798-png",798,0.7493734335839599,"https://cdn.sanity.io/images/eodip22e/production/e7f18943aea9845272747b3c249ff743276e8a4c-598x798.png",598,{"_type":574,"settings":11650,"text":11651},{"textColumnCount":637},[11652,11660,11672],{"_key":11653,"_type":11,"children":11654,"markDefs":11659,"style":24},"8af918e4560c",[11655],{"_key":11656,"_type":15,"marks":11657,"text":11658},"cb30a70aded80",[17],"Experiment 5: Moving into the Multi-body body?",[],{"_key":11661,"_type":11,"children":11662,"markDefs":11671,"style":24},"e373d752e9cb",[11663,11667],{"_key":11664,"_type":15,"marks":11665,"text":11666},"3ff08fb73adb0",[17],"Provocation: ",{"_key":11668,"_type":15,"marks":11669,"text":11670},"3ff08fb73adb1",[],"What happens when three body-ody-odies practice chimerization together? Moving through a tuning process together, may three individuals become the three points in a conglomerate chimera? This process is akin to morphing from an organism into an organ in a larger organism. Incorporate costuming to connect the bodies. How do you move? How do you coordinate, cooperate, and communicate?",[],{"_key":11673,"_type":11,"children":11674,"markDefs":11687,"style":24},"8eefc1ff8a64",[11675,11679,11683],{"_key":11676,"_type":15,"marks":11677,"text":11678},"c61fc7056b4e0",[],"In Zurich in the summer of 2025, at the School of Commons cohort meet-up, we tested this experience with our peers in a workshop, ",{"_key":11680,"_type":15,"marks":11681,"text":11682},"c61fc7056b4e1",[492],"Stretching Into Chimera",{"_key":11684,"_type":15,"marks":11685,"text":11686},"c61fc7056b4e2",[],", in collaboration with Ula Liagaite. We invited a group of 18 to move with complementarities in their bodies, and then to move as one, cooperative body. The memory— confirmed by a poorly cropped iphone video—is of a flailing mob of newly-made friends, and by the end we were all laughing.",[],{"_type":574,"settings":11689,"text":11690},{"textColumnCount":637},[11691,11699,11706,11714],{"_key":11692,"_type":11,"children":11693,"markDefs":11698,"style":24},"0db881edb117",[11694],{"_key":11695,"_type":15,"marks":11696,"text":11697},"489ebc5f468d0",[],"3. Integrating the Monster",[],{"_key":11700,"_type":11,"children":11701,"markDefs":11705,"style":24},"f046e76f557c",[11702],{"_key":11703,"_type":15,"marks":11704,"text":1000},"07dcf953a2eb0",[],[],{"_key":11707,"_type":11,"children":11708,"markDefs":11713,"style":9657},"41a67d53211a",[11709],{"_key":11710,"_type":15,"marks":11711,"text":11712},"1c66258e1c4f0",[492],"“Not simply tolerating difference, but actually understanding that reality is constituted not only by many worlds, but by many kinds of worlds, many ontologies, many ways of being in the world, many ways of knowing reality, and experimenting with those many worlds.”",[],{"_key":11715,"_type":11,"children":11716,"markDefs":11725,"style":24},"0a2fd51e0d15",[11717,11721],{"_key":11718,"_type":15,"marks":11719,"text":11720},"f8c1dcc1f57f0",[492,10213],"Amaya Querejazu",{"_key":11722,"_type":15,"marks":11723,"text":11724},"ff10fa46c17e",[492],", 2016",[11726],{"_key":10213,"_type":10620,"allFootnotes":11727,"footnoteText":11736,"markKey":10213},[11728,11729,11730,11731,11732,11733,11734,11735],{"_key":10134},{"_key":10136},{"_key":10155},{"_key":10173},{"_key":10193},{"_key":10213},{"_key":10241},{"_key":10269},[11737],{"_key":10216,"_type":11,"children":11738,"markDefs":11749,"style":24},[11739,11741,11743,11745,11747],{"_key":10219,"_type":15,"marks":11740,"text":10221},[],{"_key":10223,"_type":15,"marks":11742,"text":10225},[492],{"_key":10227,"_type":15,"marks":11744,"text":10229},[],{"_key":10231,"_type":15,"marks":11746,"text":10234},[10233],{"_key":10236,"_type":15,"marks":11748,"text":9749},[],[11750],{"_key":10233,"_type":41,"href":10234},{"_type":574,"settings":11752,"text":11753},{"textColumnCount":637},[11754,11762,11770],{"_key":11755,"_type":11,"children":11756,"markDefs":11761,"style":24},"c2c0cf088df5",[11757],{"_key":11758,"_type":15,"marks":11759,"text":11760},"897b24aa48290",[17],"Tangling",[],{"_key":11763,"_type":11,"children":11764,"markDefs":11769,"style":24},"17c8537f3247",[11765],{"_key":11766,"_type":15,"marks":11767,"text":11768},"a8a0f24201190",[],"As ecological artists, chimerizing is one of many possible paths to relating to the more-than-human. In the wake of increasing warfare and a dismal recent COP30 conference, the climate crisis is inevitable. It’s happening right now, in fires and hurricanes and mass extinctions, with more looming catastrophes that will hit those with the least amount of power the hardest. We, along with the rest of the global ecosystem, are in danger, and we’re all tangled in it together. While we, as humans, have a handful of apathetic billionaires deciding this fate for the rest of us, we still have a duty to protect our planetary neighbors who had no say in it, and who cannot verbalize their needs in the same languages we speak. This task is beyond daunting, but to ‘check out’ is an all-too convenient response – and it isn’t an option.",[],{"_key":11771,"_type":11,"children":11772,"markDefs":11785,"style":24},"c11ae58c4563",[11773,11777,11781],{"_key":11774,"_type":15,"marks":11775,"text":11776},"08ce27a782e10",[],"We are interested instead in toolkits that allow us to ‘",{"_key":11778,"_type":15,"marks":11779,"text":11780},"a41403afb03b",[10241],"stay with the trouble.",{"_key":11782,"_type":15,"marks":11783,"text":11784},"da1696cf9285",[],"’ While Harraway’s framework is cited broadly and liberally in circles close to ours, we must return to it again and again. Her words on interspecies entanglement and response-ability—our agency as human neighbors—provides us some clear direction, a call to action. 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Each fragment captures a moment of the future that retains a resemblance of the past, seen through ice, fire, pollution, water, migration, or myths; revealing how geological processes and cultural imaginaries co-produce one another.",[],{"_key":12326,"_type":11,"children":12327,"markDefs":12332,"style":24},"c132d26b9035",[12328],{"_key":12329,"_type":15,"marks":12330,"text":12331},"c19a0cdc56e90",[17],"By adopting a perspective that is both from the polyps and at a planetary level, the text proposes an alternative mode of storytelling about climate change: one that resists the urge for endings, embracing instead cycles of regression, renewal, and return. The immortality of Turritopsis dohrnii becomes a metaphor for non-anthropocentric memory, suggesting that the future cannot be written as a single line but must be felt through layered temporalities. Blending scientific observation, myth-making, and political reflection, this narrative asks how beings (human and nonhuman) might inhabit an unstable planet without relying on fantasies of permanence. It invites the reader to consider what forms of kinship, attention, and imagination emerge when time itself becomes fluid.",[],{"_key":12334,"_type":11,"children":12335,"markDefs":12339,"style":24},"5b4670f7790d",[12336],{"_key":12337,"_type":15,"marks":12338,"text":1000},"c27d84fe75eb",[17],[],{"_key":12341,"_type":11,"children":12342,"markDefs":12346,"style":24},"9e92cc22ce55",[12343],{"_key":12344,"_type":15,"marks":12345,"text":1000},"99efeb3ef24a",[17],[],{"_key":12348,"_type":11,"children":12349,"markDefs":12353,"style":24},"6c9d322fdd54",[12350],{"_key":12351,"_type":15,"marks":12352,"text":1000},"7e1ff37f300d",[17],[],{"_type":574,"settings":12355,"text":12356},{"textColumnCount":637},[12357],{"_key":12358,"_type":11,"children":12359,"markDefs":12364,"style":24},"3bf1d4592bbf",[12360],{"_key":12361,"_type":15,"marks":12362,"text":12363},"aec5a6e7890a0",[],"The following text consists of fragments retrieved from a collective narrative exercise. It works as a repository for thoughts, images, places and emotions connected to ecological change and the passage of time. The narrator is not a singular being, but a lineage, a consciousness that loops through time, observing the landscape as it freezes, melts, burns and frosts again. This collection passes through different generations, merging speculative biology with critical theory to document an underwater memory older than humans.",[],{"_type":574,"settings":12366,"text":12367},{"textColumnCount":637},[12368],{"_key":12369,"_type":11,"children":12370,"markDefs":12375,"style":24},"582834f7343d",[12371],{"_key":12372,"_type":15,"marks":12373,"text":12374},"56a067b713cf0",[492,17],"Sym 6, 2456",[],{"_type":574,"settings":12377,"text":12379},{"textColumnCount":12378},"2",[12380,12463,12473,12482,12491,12500,12509,12518,12527,12536,12545,12554,12563,12578,12588,12598,12608,12618,12628],{"_key":12381,"_type":11,"children":12382,"markDefs":12447,"style":24},"7803bd671272",[12383,12387,12392,12395,12399,12404,12408,12413,12416,12421,12425,12430,12434,12439,12442],{"_key":12384,"_type":15,"marks":12385,"text":12386},"7613ecd64b350",[],"I remember when the world was ice. A blanket so vast it hid whole mountains. I drifted through ",{"_key":12388,"_type":15,"marks":12389,"text":12391},"7613ecd64b351",[492,12390],"1c93ebf0450d","underwater currents",{"_key":12393,"_type":15,"marks":12394,"text":3023},"94694c767018",[492],{"_key":12396,"_type":15,"marks":12397,"text":12398},"7613ecd64b352",[],"in a chamber of cold so ancient every sound would echo for the longest time. Below me lay an old source of energy that no sunlight had touched for thousands of years, but that was capable of emanating its own warmth. 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Adapted from a fragment shared by Lou Croff Blake in the collective archive",{"_key":12572,"_type":15,"marks":12573,"text":12574},"163e9b777895",[492],"*.",[12576],{"_key":12569,"_type":12449,"color":75,"label":284,"value":12577},"#a4c2f4",{"_key":12579,"_type":11,"children":12580,"markDefs":12586,"style":24},"26a6b0f8381b",[12581],{"_key":12582,"_type":15,"marks":12583,"text":12585},"df4b098a96310",[12584,492],"d5f6509c0b65","- Adapted from a fragment shared by Guillermo Martinez de Velasco in the collective archive.",[12587],{"_key":12584,"_type":12449,"color":75,"label":284,"value":12452},{"_key":12589,"_type":11,"children":12590,"markDefs":12596,"style":24},"e5f13c4e0a07",[12591],{"_key":12592,"_type":15,"marks":12593,"text":12595},"11e03db4a6560",[12594,492],"62a8dcec9b7d","- The orchestrated flow in this case can be seen as a hint to Negri’s understanding of the multitude, where it acts as a network of diverse struggles (e.g., class, gender, race) that fuel collective power without reducing to a single relation and enabling radical democracy via spontaneous, non-hierarchical movements like assemblies.",[12597],{"_key":12594,"_type":12449,"color":75,"label":284,"value":12454},{"_key":12599,"_type":11,"children":12600,"markDefs":12606,"style":24},"db19c2cce8b5",[12601],{"_key":12602,"_type":15,"marks":12603,"text":12605},"8eb5c82a9c85",[12604,492],"c623022f2118","- Adapted from a fragment shared by Jere Ikongio in the collective archive.",[12607],{"_key":12604,"_type":12449,"color":75,"label":284,"value":12456},{"_key":12609,"_type":11,"children":12610,"markDefs":12616,"style":24},"ef1644b0050a",[12611],{"_key":12612,"_type":15,"marks":12613,"text":12615},"8fb827c06e35",[12614,492],"ee443685ac28","/ From Scots \"elritch\" with uncertain roots possibly from Old English elements, suggesting \"otherworldly\" or \"foreign realm,\" such as æl-rīce (elf-kingdom) or a prefix meaning \"strange, from elsewhere.\" See Alaric Hall, “The Etymology and Meanings of Eldritch,” Scottish Language 26 (2007): 16–22.",[12617],{"_key":12614,"_type":12449,"color":75,"label":284,"value":12458},{"_key":12619,"_type":11,"children":12620,"markDefs":12626,"style":24},"980af614fae2",[12621],{"_key":12622,"_type":15,"marks":12623,"text":12625},"d40694c9a27d",[12624,492],"42c858d1c5f4","- Adapted from a fragment shared by Layla Fassa in the collective archive.",[12627],{"_key":12624,"_type":12449,"color":75,"label":284,"value":12460},{"_key":12629,"_type":11,"children":12630,"markDefs":12636,"style":24},"4c764e146f8f",[12631],{"_key":12632,"_type":15,"marks":12633,"text":12635},"4e415909e97e",[12634,492],"4ae5f106d88d","- Interesting how the Latin monstrum comes from the verb monēre (“to warn/ admonish/ advise”). Monstrous creatures will guide us. See: “monster (n.),” Online Etymology Dictionary, s.v. “monster.”",[12637],{"_key":12634,"_type":12449,"color":75,"label":284,"value":12462},{"_type":626,"caption":75,"image":12639},{"alt":12640,"asset":12641},"Drawing from 2025 SoC Cohort ",{"_id":12642,"height":12643,"orientation":512,"ratio":12644,"url":12645,"width":12646},"image-75af6ff7c14948fa2aa90e74676e3a0bf142a448-1316x930-jpg",930,1.4150537634408602,"https://cdn.sanity.io/images/eodip22e/production/75af6ff7c14948fa2aa90e74676e3a0bf142a448-1316x930.jpg",1316,{"_type":574,"settings":12648,"text":12649},{"textColumnCount":637},[12650],{"_key":12651,"_type":11,"children":12652,"markDefs":12657,"style":24},"d2ebf30da382",[12653],{"_key":12654,"_type":15,"marks":12655,"text":12656},"1dfabfb395080",[492,17],"Sym 5, 2367",[],{"_type":574,"settings":12659,"text":12660},{"textColumnCount":12378},[12661,12711,12753,12763,12773,12783,12793],{"_key":12662,"_type":11,"children":12663,"markDefs":12703,"style":24},"8c7818c75450",[12664,12668,12673,12676,12680,12685,12689,12694,12698],{"_key":12665,"_type":15,"marks":12666,"text":12667},"f02e271a72c80",[],"With the water getting warmer and the ceiling becoming thinner, more colors would seep into the cave. Sometimes shards of ice formed skylights, and turquoise beams pierced the darkness. I discovered myself capable of producing energy, too, electrical beams would emanate from my tentacles and ripple through the frozen walls. ",{"_key":12669,"_type":15,"marks":12670,"text":12672},"f02e271a72c81",[492,12671],"340685faf3ff","Hairy beings",{"_key":12674,"_type":15,"marks":12675,"text":3023},"a030843abbbe",[492],{"_key":12677,"_type":15,"marks":12678,"text":12679},"f02e271a72c82",[],"would surface from the melting depths, providing food for all kinds of flamboyant fish. The cave was lit up with all kinds of beings and all kinds of colours, fish and ",{"_key":12681,"_type":15,"marks":12682,"text":12684},"f02e271a72c83",[492,12683],"1d82c1b7775f","seahorses",{"_key":12686,"_type":15,"marks":12687,"text":12688},"f02e271a72c84",[]," would get married and their newborn sirens decorated their ",{"_key":12690,"_type":15,"marks":12691,"text":12693},"f02e271a72c85",[492,12692],"ec52c2925bfb","parties",{"_key":12695,"_type":15,"marks":12696,"text":12697},"f02e271a72c86",[],". There was never-ending dancing to the sound of crackling and dripping, until one day the surface opened up. ",{"_key":12699,"_type":15,"marks":12700,"text":12702},"f02e271a72c87",[492,12701],"88881e3b3893","A beam of warm light pierced through a star-shaped crater connecting the underworld with the breathing sun.",[12704,12706,12708,12710],{"_key":12671,"_type":12449,"color":75,"label":284,"value":12705},"#a64d78",{"_key":12683,"_type":12449,"color":75,"label":284,"value":12707},"#b45f05",{"_key":12692,"_type":12449,"color":75,"label":284,"value":12709},"#9900ff",{"_key":12701,"_type":12449,"color":75,"label":284,"value":12458},{"_key":12712,"_type":11,"children":12713,"markDefs":12746,"style":24},"3e5a44cb6533",[12714,12718,12723,12727,12732,12736,12741],{"_key":12715,"_type":15,"marks":12716,"text":12717},"cfcf58dbafc90",[],"Everything tasted like iron and burnt oil. I floated near the surface, next to a ",{"_key":12719,"_type":15,"marks":12720,"text":12722},"4d4962a5673e",[12721],"521337e7b30c","metal colossus",{"_key":12724,"_type":15,"marks":12725,"text":12726},"413a40ce175c",[]," that cut through the waves without asking for permission. On the horizon, the darkness was not night but smoke, and in the middle of the water there were ​​foamy scars that come and go. Distant vibrations traveled through the water, not the rhythmic pounding of the earth that I know, irregular songs of ",{"_key":12728,"_type":15,"marks":12729,"text":12731},"cfcf58dbafc91",[492,12730],"60a7da7c1932","engines",{"_key":12733,"_type":15,"marks":12734,"text":12735},"cfcf58dbafc92",[]," trying to outrun the wind. We, the drifters, felt the heat radiating from above, a fever that did not belong to the sun. The silver fish used to hide under my belly as if I could protect them from the loudness from above.\n\n",{"_key":12737,"_type":15,"marks":12738,"text":12740},"e4523488b2e6",[12739,492],"16ed4f039a4d","- A",{"_key":12742,"_type":15,"marks":12743,"text":12745},"04f21a08359b",[12744,492],"8a9aefc99dbc","dapted from a fragment shared by Brigitte Hart in the collective archive.",[12747,12749,12751,12752],{"_key":12721,"_type":12449,"color":75,"label":284,"value":12748},"#1155cb",{"_key":12730,"_type":12449,"color":75,"label":284,"value":12750},"#5b0f00",{"_key":12744,"_type":12449,"color":75,"label":284,"value":12705},{"_key":12739,"_type":12449,"color":75,"label":284,"value":12705},{"_key":12754,"_type":11,"children":12755,"markDefs":12761,"style":24},"352419948546",[12756],{"_key":12757,"_type":15,"marks":12758,"text":12760},"f2ecacd69f750",[12759,492],"562f7810425d","- This narration challenges the binary rigidity of sexual dimorphism. Hippocampus (seahorses) exhibit male pregnancy, destabilizing traditional reproductive roles present in humans. The emergence of \"sirens\" here suggests a radical fluidity between species and genders, found in Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.",[12762],{"_key":12759,"_type":12449,"color":75,"label":284,"value":12707},{"_key":12764,"_type":11,"children":12765,"markDefs":12771,"style":24},"506e6d3c2d7a",[12766],{"_key":12767,"_type":15,"marks":12768,"text":12770},"cba043a872a8",[12769,492],"137327105d5b","- In Donna Haraway’s writing, figures are often read through the lens of an anthropology of ritual, where the monstrous marks a liminal phase in rites of passage and moments when social categories loosen or invert.",[12772],{"_key":12769,"_type":12449,"color":75,"label":284,"value":12709},{"_key":12774,"_type":11,"children":12775,"markDefs":12781,"style":24},"f4439e698886",[12776],{"_key":12777,"_type":15,"marks":12778,"text":12780},"329b7dae7050",[12779,492],"dd75a3622462","- Adapted from a fragment shared by Jagna Nawrocka in the collective archive.",[12782],{"_key":12779,"_type":12449,"color":75,"label":284,"value":12458},{"_key":12784,"_type":11,"children":12785,"markDefs":12791,"style":24},"4ce63cf4af95",[12786],{"_key":12787,"_type":15,"marks":12788,"text":12790},"22c3a04862e0",[12789,492],"d7ce24e0ade7","- Adapted from a fragment shared by someone unknown in the collective archive. Original: \"sea creatures, one of them was inspired by the boat in front of us\".",[12792],{"_key":12789,"_type":12449,"color":75,"label":284,"value":12748},{"_key":12794,"_type":11,"children":12795,"markDefs":12801,"style":24},"aebbbad79d24",[12796],{"_key":12797,"_type":15,"marks":12798,"text":12800},"059efcbf929b",[12799,492],"03325cce30e0","- Jellyfish spread globally via the ballast water of cargo ships, making them a passenger of global capital. These animals do not merely swim but they are transported by the very machinery that travels the oceans, embodying a parasitic resilience to the Anthropocene.",[12802],{"_key":12799,"_type":12449,"color":75,"label":284,"value":12750},{"_type":626,"caption":75,"image":12804},{"alt":12640,"asset":12805},{"_id":12806,"height":12807,"orientation":512,"ratio":12808,"url":12809,"width":12810},"image-34eb9b57641c54d0dad72dffd47ef0f348285afe-2631x1860-jpg",1860,1.414516129032258,"https://cdn.sanity.io/images/eodip22e/production/34eb9b57641c54d0dad72dffd47ef0f348285afe-2631x1860.jpg",2631,{"_type":574,"settings":12812,"text":12813},{"textColumnCount":637},[12814],{"_key":12815,"_type":11,"children":12816,"markDefs":12821,"style":24},"67f9d3ded46d",[12817],{"_key":12818,"_type":15,"marks":12819,"text":12820},"27f195f29eb80",[492,17],"Sym 4, 2242",[],{"_type":574,"settings":12823,"text":12824},{"textColumnCount":12378},[12825,12874,12883,12892,12902,12912],{"_key":12826,"_type":11,"children":12827,"markDefs":12866,"style":24},"fcc6bdc92b6e",[12828,12832,12837,12841,12846,12849,12854,12857,12862],{"_key":12829,"_type":15,"marks":12830,"text":12831},"36ea89fad56e0",[],"Above us, the silence was blinding, the air so dry it burns. 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The air was wet again, thick with the smell of exposed earth and the fragile green pushing through the mud. 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Original: \"People are running and they are saying that they are going to die.\"",[13304],{"_key":13301,"_type":12449,"color":75,"label":284,"value":12989},{"_key":13306,"_type":11,"children":13307,"markDefs":13313,"style":24},"86f52018e2d9",[13308],{"_key":13309,"_type":15,"marks":13310,"text":13312},"7983b76eb9bb",[492,13311],"161951c994ae","- Anxiety and speculative pessimism. Timothy Morton argues that Hyperobjects (such as a glacier) are too vast in time and space to be grasped by human senses, leading to anxiety and a useless attempt to manage the unmanageable crisis.",[13314],{"_key":13311,"_type":12449,"color":75,"label":284,"value":12456},{"_key":13316,"_type":11,"children":13317,"markDefs":13323,"style":24},"c08119d37cd2",[13318],{"_key":13319,"_type":15,"marks":13320,"text":13322},"ed12bb86327c",[492,13321],"6e8e067de1db","- Defining the violence of the Anthropocene, where human actions act as a geological force driven by fossil capitalism. This exploitation is theorized by Andreas Malm as the \"metabolic rift\" (the break between social and natural processes) driven by the acceleration of technological production.",[13324],{"_key":13321,"_type":12449,"color":75,"label":284,"value":13211},{"_key":13326,"_type":11,"children":13327,"markDefs":13333,"style":24},"daefa0bd7722",[13328],{"_key":13329,"_type":15,"marks":13330,"text":13332},"e0c2a90dd555",[13331,492],"7c2db546b773","- Echoing the ethics of kinship of Donna Haraway's Chthulucene. Gentleness is here presented not as a soft virtue, but as a radical political strategy, a necessity for multispecies flourishing against the current state.",[13334],{"_key":13331,"_type":12449,"color":75,"label":284,"value":12709},{"_key":13336,"_type":11,"children":13337,"markDefs":13343,"style":24},"f7db59635719",[13338],{"_key":13339,"_type":15,"marks":13340,"text":13342},"6e3340b62871",[13341,492],"a74a3a87250d","- Regarding Rancière's theory, fear acts as the emotional mechanism that guarantees the maintenance of the Police Order (the established consensus), which dictates that only human industrial action counts as discourse. Sym's voice, advocating for multispecies kinship and an alternative mode of existence, is therefore rendered as mere noise, actively preserving a hierarchy that rejects the fundamental equality of intelligence between human and non-human life, and avoiding the disagreement that could lead to a new form of life.",[13344],{"_key":13341,"_type":12449,"color":75,"label":284,"value":12705},{"_key":13346,"_type":11,"children":13347,"markDefs":13360,"style":24},"508100f10e65",[13348,13353,13356],{"_key":13349,"_type":15,"marks":13350,"text":13352},"e2816d95ec620",[492,13351],"2631d4b3ba4c","- The disruption of avian migration patterns serves as a marker of climate change and immediate balance of other species in the ecosystem. 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This is when I decided it was time to finally become something else: a ",{"_key":13389,"_type":15,"marks":13390,"text":13392},"a719227382fd",[13391],"68fc45b20ebc","plurality",{"_key":13394,"_type":15,"marks":13395,"text":13396},"812459306eea",[]," that could travel across the unfrozen floods. We will tell the stories contained in the ice, those of ",{"_key":13398,"_type":15,"marks":13399,"text":13401},"c85b4a692e28",[13400],"d28f26a1831f","tentacular beings",{"_key":13403,"_type":15,"marks":13404,"text":4987},"11292cd6453f",[],{"_key":13406,"_type":15,"marks":13407,"text":13409},"7c36256aa27e",[13408],"4570fe07840d","unexpected bonds",{"_key":13411,"_type":15,"marks":13412,"text":13413},"8d509b88b0ef",[]," and wet matter seeping through every crack. ",[13415,13417,13418],{"_key":13391,"_type":12449,"color":75,"label":284,"value":13416},"#6aa74f",{"_key":13400,"_type":12449,"color":75,"label":284,"value":12460},{"_key":13408,"_type":12449,"color":75,"label":284,"value":13211},{"_key":13420,"_type":11,"children":13421,"markDefs":13426,"style":24},"059fdef583db",[13422],{"_key":13423,"_type":15,"marks":13424,"text":9749},"02350382918a",[13425],"687caa93373b",[13427],{"_key":13425,"_type":12449,"color":75,"label":284,"value":12472},{"_key":13429,"_type":11,"children":13430,"markDefs":13435,"style":24},"f5b2c63c801a",[13431],{"_key":13432,"_type":15,"marks":13433,"text":9749},"f67ebe4a6348",[13434],"f65994e7a57c",[13436],{"_key":13434,"_type":12449,"color":75,"label":284,"value":12472},{"_key":13438,"_type":11,"children":13439,"markDefs":13444,"style":24},"c0d722311708",[13440],{"_key":13441,"_type":15,"marks":13442,"text":9749},"1f5f11517bc0",[13443],"dc953bcd7128",[13445],{"_key":13443,"_type":12449,"color":75,"label":284,"value":12472},{"_key":13447,"_type":11,"children":13448,"markDefs":13453,"style":24},"6079f8441a5b",[13449],{"_key":13450,"_type":15,"marks":13451,"text":9749},"9f6305a53948",[13452],"b1cad6961c11",[13454],{"_key":13452,"_type":12449,"color":75,"label":284,"value":12472},{"_key":13456,"_type":11,"children":13457,"markDefs":13462,"style":24},"4624e902922a",[13458],{"_key":13459,"_type":15,"marks":13460,"text":9749},"1825f3a6be05",[13461],"180f053cbfb4",[13463],{"_key":13461,"_type":12449,"color":75,"label":284,"value":12472},{"_key":13465,"_type":11,"children":13466,"markDefs":13472,"style":24},"64f050d6ed2b",[13467],{"_key":13468,"_type":15,"marks":13469,"text":13471},"cfb825b411d1",[492,13470],"ca0b939a57de","- The decision to “become a plurality\" is an act of sympoiesis (making-with), rejecting the liberal subject defined by autonomy and individuality as explored by Haraway. 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Non-hierarchical, spontaneous collectives where heterogeneous elements connect and interact to form new patterns as a direct response to collapse, prioritizing resilience rather than isolation, and asserting a political force outside of hierarchical structures.",[13493],{"_key":13490,"_type":12449,"color":75,"label":284,"value":13211},{"_type":626,"caption":75,"image":13495},{"alt":12640,"asset":13496},{"_id":13497,"height":12807,"orientation":512,"ratio":12808,"url":13498,"width":12810},"image-4de3c0c8c18725550b492fbc7f90cd28fb59f3a8-2631x1860-jpg","https://cdn.sanity.io/images/eodip22e/production/4de3c0c8c18725550b492fbc7f90cd28fb59f3a8-2631x1860.jpg",{"_type":574,"settings":13500,"text":13501},{"textColumnCount":637},[13502,13518,13526,13534],{"_key":13503,"_type":11,"children":13504,"markDefs":13517,"style":24},"dc3c48411d20",[13505,13509,13513],{"_key":13506,"_type":15,"marks":13507,"text":13508},"fc5930c329a80",[],"This narrative is a result of comparing the life cycle of the jellyfish species ",{"_key":13510,"_type":15,"marks":13511,"text":13512},"fc5930c329a81",[492],"Turritopsis dohrnii",{"_key":13514,"_type":15,"marks":13515,"text":13516},"fc5930c329a82",[]," to the structure of uncertain futures. Known as “the immortal jellyfish”, this organism defies the direction of time by reverting to a sexually immature, colonial stage (polyp) when faced with stress or physical damage which, theoretically, renders it biologically immortal. Moreover, in this state it can reproduce by replicating its DNA, becoming hundreds of clones of itself.",[],{"_key":13519,"_type":11,"children":13520,"markDefs":13525,"style":24},"77120931f461",[13521],{"_key":13522,"_type":15,"marks":13523,"text":13524},"c15e04731aa00",[],"We adopted the voice of Sym, a tentacular narrator inspired by an ever present entanglement and life lived along lines, more than can be counted. Sym is short for sympoiesis (Donna Haraway’s term, Greek for \"making-with\" or \"creation together\") to contrast with autopoiesis (self-creation), which describes a complex system creating itself in isolation. Sympoiesis asserts that no living being creates itself alone, but always with and in collaboration with other beings and their surroundings (the landscape). This collective lineage, inspired by the The Camille Stories from Donna Haraway, carries the memory of the ice ages, the ancient floods, and the brief civilizations through messy positionalities, as a way of making kin amongst species and environments from different positions and perspectives.",[],{"_key":13527,"_type":11,"children":13528,"markDefs":13533,"style":24},"db896bd80991",[13529],{"_key":13530,"_type":15,"marks":13531,"text":13532},"d4bc24a143780",[],"This text also contains text and images from a collective archive*, created during a situated exercise done with the SoC 2025 cohort in Zurich in July of the same year, by the shore of Lake Zurich. This practice was structured as an iterative process where participants would describe a landscape, and would then pass on a variation of the narrative to the next person. Each iteration resulted in a re-description of the same location through geological time, starting in the past and ending in the future, blurring the exact moment of the \"present\" as this was the landscape itself. This methodology intentionally embraces speculation, recognizing the limitations of purely quantitative data. While having crucial proximity to possible futures thanks to science, the complexity of the systems and the chaotic nature of biological and social responses mean there is always room for the unexpected. By cycling through these narrative shifts, this exercise highlights the radical uncertainty and the necessity of forging connections rather than isolated predictions.",[],{"_key":13535,"_type":11,"children":13536,"markDefs":13541,"style":24},"a9962220492a",[13537],{"_key":13538,"_type":15,"marks":13539,"text":13540},"aa864cbfa6cd0",[],"Just as the Turritopsis travels worlds, and acts as a keeper of memories in the flesh of these worlds, we carry this question in our archive: since we know the future cannot be truly 'written,' what can we learn from the ever-changing landscapes? It is important to think what landscapes we use to think of other landscapes. ​​Shaped by trouble, binding in trouble, and exercising trouble, together.",[],{"_type":574,"settings":13543,"text":13544},{"textColumnCount":637},[13545,13553,13569,13585,13601,13617,13633,13649,13663,13679,13695,13711,13727],{"_key":13546,"_type":11,"children":13547,"markDefs":13552,"style":24},"82f5ec4b1724",[13548],{"_key":13549,"_type":15,"marks":13550,"text":13551},"4c8ca8b4643f0",[17],"Bibliography",[],{"_key":13554,"_type":11,"children":13555,"markDefs":13568,"style":24},"b32895929136",[13556,13560,13564],{"_key":13557,"_type":15,"marks":13558,"text":13559},"854caae92faa0",[],"Alaimo, Stacy. ",{"_key":13561,"_type":15,"marks":13562,"text":13563},"854caae92faa1",[492],"Bodily Natures: Science, Environment, and the Material Self",{"_key":13565,"_type":15,"marks":13566,"text":13567},"854caae92faa2",[],". 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Liliana centers their work on the responses of forest ecosystems to climate change, with a focus on the carbon dioxide uptake and emissions under global warming while keeping a systemic approach that emphasises the interplay of multiple living organisms.",[],{"_key":13799,"_type":11,"children":13800,"markDefs":13805,"style":24},"52de3bf76bb8",[13801],{"_key":13802,"_type":15,"marks":13803,"text":13804},"c274a9e26c9a0",[],"One of Liliana's favorite challenges is to convey complex scientific topics to a non-scientific audience through accurate research on visual communication.",[],{"_key":13807,"_type":11,"children":13808,"markDefs":13812,"style":24},"8dfec150df03",[13809],{"_key":13810,"_type":15,"marks":13811,"text":1065},"7db6a700b1540",[],[],"Liliana is a post-doctoral researcher with an interdisciplinary background in ecology, atmospheric science, and ecosystem management, which was developed thanks to an international education setting in Italy, Portugal, Denmark, and Switzerland. ",{"filterYear":13815},[13816],{"_id":168,"title":171},[13818,171],"liliana scapucci ",{"_type":77,"current":13820},"liliana-scapucci","Liliana Scapucci ",{"_id":13823,"_type":340,"activeYears":13824,"bio":13827,"bioShort":13837,"featuredImage":75,"filterables":13838,"links":75,"locations":13841,"searchables":13845,"seo":75,"slug":13847,"title":13849},"ae44237b-b60a-4106-8c39-ce5718f6ab04",[13825],{"_id":168,"_type":169,"seo":75,"slug":13826,"title":171},{"_type":77,"current":171},[13828],{"_key":13829,"_type":11,"children":13830,"markDefs":13835,"style":13836},"1661369e7c38",[13831],{"_key":13832,"_type":15,"marks":13833,"text":13834},"209276402aa90",[],"Nina is a professor at ETH Zurich with long-standing experience in plant ecophysiology and biosphere-atmosphere greenhouse gas exchange. She initiated the Swiss FluxNet and, together with her team, operates six long-term flux towers. These towers provide a wealth of flux and meteorological data at high temporal resolution, relevant for climate change and management policies. Thus, outreach is also high on Nina's agenda.",[],"blockquote","Nina is a professor at ETH Zurich with long-standing experience in plant ecophysiology and biosphere-atmosphere greenhouse gas exchange. ",{"filterYear":13839},[13840],{"_id":168,"title":171},{"locations":13842,"other":75},[13843],{"_id":380,"_type":381,"seo":75,"slug":13844,"title":384},{"_type":77,"current":383},[13846,171],"nina buchmann",{"_type":77,"current":13848},"nina-buchmann","Nina Buchmann",[],{"_id":281,"_type":282,"colorPrimary":13852,"seo":75,"slug":13853,"title":171,"yearTitle":287},{"label":284,"value":285},{"_type":77,"current":171},[13855],{"_id":5476,"_type":291,"categories":13856,"credits":13866,"featuredImage":13898,"filterables":13900,"footnotes":13909,"locations":13910,"logbook":75,"pageBuilder":13920,"researchQuestion":75,"researchQuestions":13954,"searchables":13969,"seo":75,"slug":13970,"title":5658,"year":171},[13857,13860,13863],{"_id":1375,"_type":295,"colorPrimary":13858,"seo":75,"slug":13859,"title":1380},{"label":284,"value":1377},{"_type":77,"current":1379},{"_id":5482,"_type":295,"colorPrimary":13861,"seo":75,"slug":13862,"title":5487},{"label":284,"value":5484},{"_type":77,"current":5486},{"_id":5489,"_type":295,"colorPrimary":13864,"seo":75,"slug":13865,"title":5494},{"label":284,"value":5491},{"_type":77,"current":5493},{"other":75,"profiles":13867},[13868],{"_id":5498,"_type":340,"activeYears":13869,"bio":13872,"bioShort":5511,"featuredImage":13878,"filterables":13880,"links":13883,"locations":13886,"searchables":13896,"seo":75,"slug":13897,"title":5513},[13870],{"_id":168,"_type":169,"seo":75,"slug":13871,"title":171},{"_type":77,"current":171},[13873],{"_key":5504,"_type":11,"children":13874,"markDefs":13877,"style":24},[13875],{"_key":5507,"_type":15,"marks":13876,"text":5509},[],[],{"alt":5513,"asset":13879},{"_id":5515,"height":2906,"orientation":359,"ratio":5516,"url":5517,"width":5518},{"filterYear":13881},[13882],{"_id":168,"title":171},[13884,13885],{"_type":368,"label":5524,"url":5525},{"_type":368,"label":50,"url":5527},{"locations":13887,"other":13890},[13888],{"_id":380,"_type":381,"seo":75,"slug":13889,"title":384},{"_type":77,"current":383},[13891],{"_key":5534,"_type":11,"children":13892,"markDefs":13895,"style":24},[13893],{"_key":5537,"_type":15,"marks":13894,"text":5539},[],[],[5542,171],{"_type":77,"current":5544},{"alt":5546,"asset":13899},{"_id":5548,"height":5549,"orientation":512,"ratio":5550,"url":5551,"width":5552},{"filterCategory":13901,"filterLocation":13905,"filterYear":13907},[13902,13903,13904],{"_id":1375,"title":1380},{"_id":5482,"title":5487},{"_id":5489,"title":5494},[13906],{"_id":380,"title":384},[13908],{"_id":168,"title":171},[],{"locations":13911,"other":13914},[13912],{"_id":380,"_type":381,"seo":75,"slug":13913,"title":384},{"_type":77,"current":383},[13915],{"_key":5569,"_type":11,"children":13916,"markDefs":13919,"style":24},[13917],{"_key":5572,"_type":15,"marks":13918,"text":5574},[],[],[13921],{"_type":574,"settings":13922,"text":13923},{"textColumnCount":637},[13924,13929,13934,13939,13944,13949],{"_key":5581,"_type":11,"children":13925,"markDefs":13928,"style":24},[13926],{"_key":5584,"_type":15,"marks":13927,"text":5586},[],[],{"_key":5589,"_type":11,"children":13930,"markDefs":13933,"style":24},[13931],{"_key":5592,"_type":15,"marks":13932,"text":5594},[],[],{"_key":5597,"_type":11,"children":13935,"markDefs":13938,"style":24},[13936],{"_key":5600,"_type":15,"marks":13937,"text":5602},[],[],{"_key":5605,"_type":11,"children":13940,"markDefs":13943,"style":24},[13941],{"_key":5608,"_type":15,"marks":13942,"text":5610},[],[],{"_key":5613,"_type":11,"children":13945,"markDefs":13948,"style":24},[13946],{"_key":5616,"_type":15,"marks":13947,"text":5618},[],[],{"_key":5621,"_type":11,"children":13950,"markDefs":13953,"style":24},[13951],{"_key":5624,"_type":15,"marks":13952,"text":5626},[],[],[13955,13962],{"_type":1306,"question":13956},[13957],{"_key":5632,"_type":11,"children":13958,"markDefs":13961,"style":24},[13959],{"_key":5635,"_type":15,"marks":13960,"text":5637},[],[],{"_type":1306,"question":13963},[13964],{"_key":5642,"_type":11,"children":13965,"markDefs":13968,"style":24},[13966],{"_key":5645,"_type":15,"marks":13967,"text":5647},[],[],[5650,171,5651,5652,383,5653,5542,5654,1730,5655,5493],{"_type":77,"current":5657},[13972,13998,14101,14117,14128,14147,14171,14190,14214,14238,14249,14263,14290,14314,14357,14371,14382,14398,14413,14418,14459,14486,14507,14521,14555],{"_type":574,"settings":13973,"text":13974},{"textColumnCount":637},[13975,13983,13991],{"_key":13976,"_type":11,"children":13977,"markDefs":13982,"style":24},"a78c9b546db3",[13978],{"_key":13979,"_type":15,"marks":13980,"text":13981},"0f13d6a314840",[17],"With ongoing climate change and the growing global impact of environmental issues, effective climate communication has become increasingly important. This project investigates how climate knowledge can be shared openly and equitably by focusing on three key trajectories: (1) designing simple and accessible visualisations to communicate environmental flux data, ensuring accessibility for populations disproportionately impacted by the climate crisis;(2) considering colour-vision accessibility and cross-cultural clarity; and (3) ensuring the sustained comprehensibility and lasting relevance of visual designs. Through these efforts，this project aims to improve public understanding of climate data and support more inclusive and sustainable climate communication.",[],{"_key":13984,"_type":11,"children":13985,"markDefs":13990,"style":24},"1eb2b69b0bf0",[13986],{"_key":13987,"_type":15,"marks":13988,"text":13989},"7cb161b5fffc0",[17],"At two public events, the Sustainable University Day 2024 and the School of Commons Gathering 2025, we collected design feedback from participants in fields ranging from marketing and arts to waste management and sustainability.",[],{"_key":13992,"_type":11,"children":13993,"markDefs":13997,"style":24},"1842c35430f0",[13994],{"_key":13995,"_type":15,"marks":13996,"text":1065},"91167c3448e30",[],[],{"_type":574,"settings":13999,"text":14000},{"textColumnCount":637},[14001,14009,14016,14024,14032,14039,14047,14055,14062,14070,14078,14085,14093],{"_key":14002,"_type":11,"children":14003,"markDefs":14008,"style":24},"4f84db1a1145",[14004],{"_key":14005,"_type":15,"marks":14006,"text":14007},"eec3711da7a20",[],"This project focuses on how to effectively visualise environmental science data through colours for climate communication, in a shared open and equitable manner. Thus, our primary objective is to use colour visualization to make climate information as clear, simple, and accessible as possible, with the focus on helping the groups most affected by the climate crisis to understand it and overcome the barriers they face. The project follows three research trajectories.",[],{"_key":14010,"_type":11,"children":14011,"markDefs":14015,"style":24},"e8ac0a0d04b9",[14012],{"_key":14013,"_type":15,"marks":14014,"text":1000},"9e5aab86e887",[17],[],{"_key":14017,"_type":11,"children":14018,"markDefs":14023,"style":24},"4efdea621e1e",[14019],{"_key":14020,"_type":15,"marks":14021,"text":14022},"aa8c4b42aed60",[17],"1. Colour is closely linked to human emotion.",[],{"_key":14025,"_type":11,"children":14026,"markDefs":14031,"style":24},"bd9bec11ec30",[14027],{"_key":14028,"_type":15,"marks":14029,"text":14030},"2171efc3e2290",[],"As an integral aspect of both natural and constructed environments, colour carries aesthetic appeal, with certain colours being perceived as more pleasant than others. Further research shows that humans systematically and reliably associate colours with emotions (Jonauskaite et al., 2025). Precisely because colour possesses this power to transcend language and access perception and emotion directly, this project employs colour as the core element to design visual tools that move beyond the limitations of text and graphs. This approach aims to break through the traditional barriers of climate communication, trigger emotional responses, and thereby deepen public engagement with climate issues.",[],{"_key":14033,"_type":11,"children":14034,"markDefs":14038,"style":24},"0902a2700cf1",[14035],{"_key":14036,"_type":15,"marks":14037,"text":1000},"09aef8105569",[17],[],{"_key":14040,"_type":11,"children":14041,"markDefs":14046,"style":24},"9f4b6d77c11f",[14042],{"_key":14043,"_type":15,"marks":14044,"text":14045},"0ed7fca334080",[17],"2. Inclusive dialogue through colour.",[],{"_key":14048,"_type":11,"children":14049,"markDefs":14054,"style":24},"4aadb22fb7d0",[14050],{"_key":14051,"_type":15,"marks":14052,"text":14053},"e39be9c2ce0b0",[],"An inclusive engagement must specifically prioritise communities most vulnerable to the climate crisis, as its impacts disproportionately affect marginalised groups. Their vulnerability stems from intersecting factors such as geographic location, financial and socio-economic status, cultural and social conditions, limited access to resources and services, and restricted decision-making power (World Bank, 2025). Therefore, effective design must overcome these very barriers. As noted by the Chinese writer Bi Feiyu, color constitutes a form of social equality in the world of the sighted (Bi, 2016). It serves as a foundational, low-barrier visual language that can transcend socio-economic divides, making it an ideal medium to initiate inclusive dialogue and co-design processes.",[],{"_key":14056,"_type":11,"children":14057,"markDefs":14061,"style":24},"27ca710053dc",[14058],{"_key":14059,"_type":15,"marks":14060,"text":1000},"78348f469b13",[17],[],{"_key":14063,"_type":11,"children":14064,"markDefs":14069,"style":24},"df03773823de",[14065],{"_key":14066,"_type":15,"marks":14067,"text":14068},"ad009e8e72550",[17],"3. From perceptual equality to universal access: designing beyond sight",[],{"_key":14071,"_type":11,"children":14072,"markDefs":14077,"style":24},"cf5f84efef54",[14073],{"_key":14074,"_type":15,"marks":14075,"text":14076},"f132ed4e3f400",[],"If colour is to serve as a truly equitable medium for inclusive dialogue, then the design must actively extend its principles of accessibility to include those with diverse visual abilities. This commitment to universal access necessitates translating the concept of inclusion into concrete, physiological design standards. Therefore, all colours in our visual system were selected and tested to be clearly distinguishable for individuals with common forms of colour vision deficiency, such as red-green or tritanopia colour blindness. Furthermore, to ensure the system's reliability and broad utility across both digital and physical mediums, CMYK colour codes were strictly specified for all selections. This guarantees consistent reproduction in print and facilitates the wider adoption of the visual system.",[],{"_key":14079,"_type":11,"children":14080,"markDefs":14084,"style":24},"d2bcd5dc6c49",[14081],{"_key":14082,"_type":15,"marks":14083,"text":1000},"a75fe638c5550",[],[],{"_key":14086,"_type":11,"children":14087,"markDefs":14092,"style":24},"fd78a7be70e0",[14088],{"_key":14089,"_type":15,"marks":14090,"text":14091},"77edb48ecf250",[17],"Methodology: translating flux data into an accessible visual language.",[],{"_key":14094,"_type":11,"children":14095,"markDefs":14100,"style":24},"3811ddce8376",[14096],{"_key":14097,"_type":15,"marks":14098,"text":14099},"03ac4e22a7300",[],"The scientists of the ETH Zürich Grassland Sciences Group have done excellent work in measuring fluxes, directly and continuously quantifying the net exchange of CO₂ between terrestrial ecosystems and the atmosphere using the eddy covariance technique, amassing rich long-term datasets. In addition, meteorological data like air temperature, precipitation and the dryness of air (vapor pressure deficit, VPD) was measured in parallel, since these climate variables are considered important drivers of the CO₂ flux.. Now, our core challenge is to select colours that can transform vast, abstract flux data into visuals which the public can grasp and connect with. This involves a deliberate choice of colours based on three key criteria: i) their accessibility for colour-blind viewers, ii) their inherent emotional resonance, and iii) their ability to convey meaning across cultural barriers. Guided by these criteria, our final approach is to visualise each CO₂ flux or climate variable using a pair of contrasting hues to represent an opposing process or condition.",[],{"_type":626,"caption":14102,"image":14111},[14103],{"_key":14104,"_type":11,"children":14105,"markDefs":14110,"style":24},"b11842b41494",[14106],{"_key":14107,"_type":15,"marks":14108,"text":14109},"6624370d71270",[],"Fig. 1 Colour codes for the data visualisation of net ecosystem CO₂ exchange (NEE). Colour codes are expressed in CMYK to ensure consistency in print.",[],{"alt":75,"asset":14112},{"_id":14113,"height":14114,"orientation":512,"ratio":12808,"url":14115,"width":14116},"image-8cb878c306a34138c1b472cf5b740df03ac08753-3508x2480-png",2480,"https://cdn.sanity.io/images/eodip22e/production/8cb878c306a34138c1b472cf5b740df03ac08753-3508x2480.png",3508,{"_type":574,"settings":14118,"text":14119},{"textColumnCount":637},[14120],{"_key":14121,"_type":11,"children":14122,"markDefs":14127,"style":24},"b9d746659e7b",[14123],{"_key":14124,"_type":15,"marks":14125,"text":14126},"64e1150b7bf40",[],"Green and violet hues represent CO₂ uptake and release, respectively (Fig. 1). Green was chosen to represent CO₂ uptake, inspired by photosynthesis, the process in which plants use sunlight to convert CO₂ and water into oxygen and organic compounds.",[],{"_type":574,"settings":14129,"text":14130},{"textColumnCount":637},[14131],{"_key":14132,"_type":11,"children":14133,"markDefs":14146,"style":24},"f5f85f4e0ca6",[14134,14138,14142],{"_key":14135,"_type":15,"marks":14136,"text":14137},"63a74402a4fd0",[],"In winter, when leaves fall and carbon fixation decreases, violet was selected to represent the predominant ongoing release of CO₂. This choice draws direct inspiration from the subtle violet hues in Claude Monet’s ",{"_key":14139,"_type":15,"marks":14140,"text":14141},"63a74402a4fd1",[492],"Lavacourt under Snow",{"_key":14143,"_type":15,"marks":14144,"text":14145},"63a74402a4fd2",[]," (ca. 1878–1881), which masterfully captured the cold, reflective quality of a snow-covered landscape -a season of heightened atmospheric CO₂. This artistic observation is grounded in historical climate reality: the painting likely depicts the exceptionally cold winter of 1879/80 (The National Gallery, 2024). Thus, Monet’s violet palette does more than capture a visual mood; it documents a specific climatic condition that directly correlates with the season of ecosystem dormancy and sustained CO₂ release that our data depicts.",[],{"_type":626,"caption":14148,"image":14164},[14149],{"_key":14150,"_type":11,"children":14151,"markDefs":14163,"style":24},"1fc63dd4cd35",[14152,14156,14159],{"_key":14153,"_type":15,"marks":14154,"text":14155},"09e4ebb511fd0",[],"Fig. 2: Claude Monet, ",{"_key":14157,"_type":15,"marks":14158,"text":14141},"09e4ebb511fd1",[492],{"_key":14160,"_type":15,"marks":14161,"text":14162},"09e4ebb511fd2",[]," (ca. 1878–1881). Image source: Wikimedia Commons.",[],{"alt":75,"asset":14165},{"_id":14166,"height":14167,"orientation":512,"ratio":14168,"url":14169,"width":14170},"image-7ea4d19eab0a1e8fadc9b79851b69116bae9098d-2544x1124-png",1124,2.263345195729537,"https://cdn.sanity.io/images/eodip22e/production/7ea4d19eab0a1e8fadc9b79851b69116bae9098d-2544x1124.png",2544,{"_type":574,"settings":14172,"text":14173},{"textColumnCount":637},[14174],{"_key":14175,"_type":11,"children":14176,"markDefs":14189,"style":24},"35fa4c2f076d",[14177,14181,14185],{"_key":14178,"_type":15,"marks":14179,"text":14180},"48dc16470b8e0",[],"The combination of green and violet is not only visually striking but also deeply rooted in cultural history, which lends it profound narrative power for communication. This duality is powerfully exemplified in two iconic works. In Sir John Everett Millais’s ",{"_key":14182,"_type":15,"marks":14183,"text":14184},"48dc16470b8e1",[492],"Ophelia",{"_key":14186,"_type":15,"marks":14187,"text":14188},"48dc16470b8e2",[]," (1851–52), violet functions on multiple levels: realistically in the shadows of her silver-embroidered dress, and symbolically in the ring of violets around her neck -a traditional emblem of faithfulness, chastity, and death (Easby, Harris, & Zucker, 2025). Enveloped by a profusion of meticulously rendered green plants, her drowned figure embodies a rebellion against Shakespearean gender norms (Kottas et al., 2018), visually intertwining her fate with the natural world that both surrounds and claims her. Similarly, the witch in Disney’s Sleeping Beauty wields her power cloaked in purple, casting spells amidst roaring green flames, a visual code that explicitly links the colour pair to potent, transgressive agency.",[],{"_type":626,"caption":14191,"image":14207},[14192],{"_key":14193,"_type":11,"children":14194,"markDefs":14206,"style":24},"7ae302a12a06",[14195,14199,14202],{"_key":14196,"_type":15,"marks":14197,"text":14198},"144bf4fcb1540",[],"Fig. 3: Sir John Everett Millais, ",{"_key":14200,"_type":15,"marks":14201,"text":14184},"144bf4fcb1541",[492],{"_key":14203,"_type":15,"marks":14204,"text":14205},"144bf4fcb1542",[]," (ca. 1851–52). Image source: Wikimedia Commons.",[],{"alt":75,"asset":14208},{"_id":14209,"height":14210,"orientation":512,"ratio":14211,"url":14212,"width":14213},"image-903e4d59b8f19d6f37dd98d1322f1a581d65cdae-1920x1306-jpg",1306,1.4701378254211332,"https://cdn.sanity.io/images/eodip22e/production/903e4d59b8f19d6f37dd98d1322f1a581d65cdae-1920x1306.jpg",1920,{"_type":626,"caption":14215,"image":14232},[14216],{"_key":14217,"_type":11,"children":14218,"markDefs":14231,"style":24},"fb74e4185ad5",[14219,14223,14227],{"_key":14220,"_type":15,"marks":14221,"text":14222},"5edb9d3b8c6b0",[],"Fig. 4: Marc Davis,",{"_key":14224,"_type":15,"marks":14225,"text":14226},"5edb9d3b8c6b1",[492]," Sleeping beauty",{"_key":14228,"_type":15,"marks":14229,"text":14230},"5edb9d3b8c6b2",[]," (1959). Image source: Wikimedia Commons.",[],{"alt":75,"asset":14233},{"_id":14234,"height":14235,"orientation":512,"ratio":14236,"url":14237,"width":1182},"image-b3091f72a35427e382b6252c70fcb777ca2486c7-1200x628-jpg",628,1.910828025477707,"https://cdn.sanity.io/images/eodip22e/production/b3091f72a35427e382b6252c70fcb777ca2486c7-1200x628.jpg",{"_type":574,"settings":14239,"text":14240},{"textColumnCount":637},[14241],{"_key":14242,"_type":11,"children":14243,"markDefs":14248,"style":24},"08da00d5ecbf",[14244],{"_key":14245,"_type":15,"marks":14246,"text":14247},"7d4aa3b2b3650",[],"From an ecofeminist perspective, such recurring imagery critically intertwines the destinies of women and nature, framing both as entities often silenced, exploited, or deemed “hysterical” within patriarchal frameworks (Kottas et al., 2018; Priyadarshini, 2025). By consciously adopting this historically and symbolically charged colour pair (green/violet) to depict the natural carbon cycle (uptake/release), our visualisation intentionally echoes and repurposes these deeper cultural narratives. It invites viewers to see beyond abstract data points, connecting the essential fluxes of ecosystems to broader, more resonant themes of life, dormancy, resilience, and the urgent need for attentive care.",[],{"_type":626,"caption":14250,"image":14259},[14251],{"_key":14252,"_type":11,"children":14253,"markDefs":14258,"style":24},"52601fbc0397",[14254],{"_key":14255,"_type":15,"marks":14256,"text":14257},"fdcabbf3fae20",[],"Fig. 5 Colour codes for the data visualisation of precipitation. Colour codes are expressed in CMYK to ensure consistency in print.",[],{"alt":75,"asset":14260},{"_id":14261,"height":14114,"orientation":512,"ratio":12808,"url":14262,"width":14116},"image-b4a19720a6b43f9caad913a76379e277654cf6f1-3508x2480-png","https://cdn.sanity.io/images/eodip22e/production/b4a19720a6b43f9caad913a76379e277654cf6f1-3508x2480.png",{"_type":574,"settings":14264,"text":14265},{"textColumnCount":637},[14266],{"_key":14267,"_type":11,"children":14268,"markDefs":14289,"style":24},"2575cf9bf4da",[14269,14273,14277,14281,14285],{"_key":14270,"_type":15,"marks":14271,"text":14272},"ab39c3038a730",[],"The yellow to Prussian-blue gradient (Fig. 5) indicates an increase in daily rainfall. Blue, first used around 2600 BCE (Muntwyler, 2022, p. 243), has long represented water, the sky, and the ocean across cultures, making it an intuitive representation of precipitation. Beyond this universal symbolism, blue accrued deeper layers of meaning in modern cultural contexts, acquiring utopian and spiritual connotations. Particularly from Romanticism onward, in response to anxieties about rationalist domination and a loss of individuality at the dawn of the Industrial Revolution, blue -as the colour of sky, ocean, and fluidity -became a key reference for expressing immaterial ideals. This tradition, extending from the Expressionist group ",{"_key":14274,"_type":15,"marks":14275,"text":14276},"ab39c3038a731",[492],"Der Blaue Reiter",{"_key":14278,"_type":15,"marks":14279,"text":14280},"ab39c3038a732",[]," (1911) to Bertolt Brecht’s ironic “blue moon” in “",{"_key":14282,"_type":15,"marks":14283,"text":14284},"ab39c3038a733",[492],"Memory of Marie A",{"_key":14286,"_type":15,"marks":14287,"text":14288},"ab39c3038a734",[],"” (1927), persisted throughout the nineteenth and twentieth centuries (Doran, 2013, p. 9).",[],{"_type":626,"caption":14291,"image":14308},[14292],{"_key":14293,"_type":11,"children":14294,"markDefs":14307,"style":24},"dd8a1061f828",[14295,14299,14303],{"_key":14296,"_type":15,"marks":14297,"text":14298},"c0609c22f2900",[],"Fig. 6: Franz Marc, ",{"_key":14300,"_type":15,"marks":14301,"text":14302},"c0609c22f2901",[492],"Blaues Pferd I",{"_key":14304,"_type":15,"marks":14305,"text":14306},"c0609c22f2902",[]," (1911). Image source: Wikimedia Commons.",[],{"alt":75,"asset":14309},{"_id":14310,"height":14311,"orientation":359,"ratio":14312,"url":14313,"width":2995},"image-0a49b9f2ca8af52ad012675c4702e51f97f20086-500x669-jpg",669,0.7473841554559043,"https://cdn.sanity.io/images/eodip22e/production/0a49b9f2ca8af52ad012675c4702e51f97f20086-500x669.jpg",{"_type":574,"settings":14315,"text":14316},{"textColumnCount":637},[14317,14325,14333,14349],{"_key":14318,"_type":11,"children":14319,"markDefs":14324,"style":24},"2bac73961a09",[14320],{"_key":14321,"_type":15,"marks":14322,"text":14323},"a7a707da110f0",[],"This conceptual grounding of blue is further reinforced by its fundamental opposition to yellow within colour theory. In Goethe’s framework, yellow and blue are positioned as the lightest and darkest poles of the spectrum, forming a primary dialectical pair. He theorised that colour emerges from the resolved tension between light and darkness, with yellow representing light tempered by darkness. This polar relationship generates visual and conceptual intensification inherent to nature's principle of polarity and visualised in the colour circle, where opposites like blue and yellow “reciprocally evoke each other in the eye.” (Doran, 2013, p. 8).",[],{"_key":14326,"_type":11,"children":14327,"markDefs":14332,"style":24},"1c11bf6b90a1",[14328],{"_key":14329,"_type":15,"marks":14330,"text":14331},"05fe891867f90",[],"Such opposition extends beyond theory, anchoring itself within the respective art histories of both colours. Yellow ochre, classified among the naturally occurring \"earth colours\" derived from materials such as iron-oxide clays (Winsor & Newton), is one of humanity's oldest pigments—used in rock art, pottery, wall paintings, cave art, and tattoos dating back to 300,000 BC (Hirst, 2019). It is no accident that since the 2nd century BCE, yellow has been the most revered colour in China, representing “earth” -an element esteemed for its vastness and its capacity to nurture and sustain all life (Chen, 2015, p. 76).",[],{"_key":14334,"_type":11,"children":14335,"markDefs":14348,"style":24},"c66c83788e16",[14336,14340,14344],{"_key":14337,"_type":15,"marks":14338,"text":14339},"bccbc5aa74760",[],"Interestingly, yellow’s symbolic potency in the West mirrors this complexity through its inherent duality. Historically, it has been the colour of light, illumination, enlightenment, and gold (absolute value), yet equally the colour of death, decay, and excrement (a figure of negativity) (Doran, 2013, p. 8). Thus, unlike the binary opposition of black and white, yellow contains contradiction within itself -a point articulated by Goethe in his ",{"_key":14341,"_type":15,"marks":14342,"text":14343},"bccbc5aa74761",[492],"Theory of Colours",{"_key":14345,"_type":15,"marks":14346,"text":14347},"bccbc5aa74762",[]," (1810).",[],{"_key":14350,"_type":11,"children":14351,"markDefs":14356,"style":24},"e2cb5cde2e1a",[14352],{"_key":14353,"_type":15,"marks":14354,"text":14355},"9b1364c6572d0",[],"Therefore, the yellow-blue gradient in our visualisation is justified not only by its immediate intuitive reading (earth/aridity to water) and its grounding in colour theory, but also by the rich, dialectical -and often internally conflicted -cultural narratives that each hue carries, together forming a sophisticated and resonant semantic pair for communicating environmental change.",[],{"_type":626,"caption":14358,"image":14367},[14359],{"_key":14360,"_type":11,"children":14361,"markDefs":14366,"style":24},"d223520a483c",[14362],{"_key":14363,"_type":15,"marks":14364,"text":14365},"19a85a51bd3a0",[],"Fig. 7 Colour codes for the data visualisation of vapour pressure deficit (VPD). Colour codes are expressed in CMYK to ensure consistency in print.",[],{"alt":75,"asset":14368},{"_id":14369,"height":14114,"orientation":512,"ratio":12808,"url":14370,"width":14116},"image-84740d602cfcbe5197e8fe165bbec8d4cf872c78-3508x2480-png","https://cdn.sanity.io/images/eodip22e/production/84740d602cfcbe5197e8fe165bbec8d4cf872c78-3508x2480.png",{"_type":574,"settings":14372,"text":14373},{"textColumnCount":637},[14374],{"_key":14375,"_type":11,"children":14376,"markDefs":14381,"style":24},"a0189a09fae9",[14377],{"_key":14378,"_type":15,"marks":14379,"text":14380},"bf1b2afff9ac0",[],"Periwinkle and orange hues represent the transition from low to high vapour pressure deficit (VPD), linked to a shift from high to low relative humidity (Fig. 7). While VPD is linked to precipitation, it also increases with temperature. Orange was selected for high VPD (i.e., low relative humidity) both because it approximates the colours associated with low precipitation (yellow) and high temperature (red), and to ensure clear differentiation among environmental variables. Furthermore, orange and periwinkle are among the most common flower colours in nature; this contrasting pair was specifically chosen to avoid colour-blind confusion. Orange tones in plants arise from carotenoid reflection, while blue to violet tones result primarily from anthocyanins (Welsch, 2004, p. 243). We believe that the deep-seated cognitive associations forged through prolonged interaction with nature can instinctively evoke positive emotional responses.",[],{"_type":626,"caption":14383,"image":14392},[14384],{"_key":14385,"_type":11,"children":14386,"markDefs":14391,"style":24},"df0192cb4ce5",[14387],{"_key":14388,"_type":15,"marks":14389,"text":14390},"4252ef8861510",[],"Image source: Wikimedia Commons.",[],{"alt":75,"asset":14393},{"_id":14394,"height":14395,"orientation":359,"ratio":14396,"url":14397,"width":2556},"image-34209811e75bc08b5abc1ef39648ae05274372b8-532x630-jpg",630,0.8444444444444444,"https://cdn.sanity.io/images/eodip22e/production/34209811e75bc08b5abc1ef39648ae05274372b8-532x630.jpg",{"_type":626,"caption":14399,"image":14407},[14400],{"_key":14401,"_type":11,"children":14402,"markDefs":14406,"style":24},"8b8f6f7157c4",[14403],{"_key":14404,"_type":15,"marks":14405,"text":14390},"69652f0ef0f90",[],[],{"alt":75,"asset":14408},{"_id":14409,"height":14410,"orientation":512,"ratio":1180,"url":14411,"width":14412},"image-e6865683d49892c6168be3887ead03b82368d407-2816x2112-jpg",2112,"https://cdn.sanity.io/images/eodip22e/production/e6865683d49892c6168be3887ead03b82368d407-2816x2112.jpg",2816,{"_type":626,"caption":75,"image":14414},{"alt":75,"asset":14415},{"_id":14416,"height":14114,"orientation":512,"ratio":12808,"url":14417,"width":14116},"image-4bbe4eaa5302f064affa432aa085f2f711b2b255-3508x2480-png","https://cdn.sanity.io/images/eodip22e/production/4bbe4eaa5302f064affa432aa085f2f711b2b255-3508x2480.png",{"_type":574,"settings":14419,"text":14420},{"textColumnCount":637},[14421,14429,14436,14444,14452],{"_key":14422,"_type":11,"children":14423,"markDefs":14428,"style":24},"27ddd3772d0a",[14424],{"_key":14425,"_type":15,"marks":14426,"text":14427},"c37d9fb846d10",[],"Blue and red hues represent air temperature from low to high(Fig. 10). This design follows the Warming Stripes (2018) format developed by the British climatologist Ed Hawkins (Smith College, 2023), which has gained wide recognition and adoption due to its intuitive effectiveness. Our design decision was to retain its core blue-red color contrast to maintain visual logic and avoid cognitive confusion, while adjusting the specific hues to create a visual distinction.",[],{"_key":14430,"_type":11,"children":14431,"markDefs":14435,"style":24},"597cef31b06b",[14432],{"_key":14433,"_type":15,"marks":14434,"text":1000},"003cf797735a0",[],[],{"_key":14437,"_type":11,"children":14438,"markDefs":14443,"style":24},"fbae32797ba5",[14439],{"_key":14440,"_type":15,"marks":14441,"text":14442},"1b819097574e0",[17],"Respondents gave positive feedback on the clarity and relevance of our design.",[],{"_key":14445,"_type":11,"children":14446,"markDefs":14451,"style":24},"01fc18c1c12c",[14447],{"_key":14448,"_type":15,"marks":14449,"text":14450},"eb84ceca29c80",[],"Through questionnaires at two public events, we collected feedback on our three explanatory posters and design materials from artists, scientists, and non-expert visitors, attending the Sustainable University Day 2024 and the School of Commons Gathering 2025.",[],{"_key":14453,"_type":11,"children":14454,"markDefs":14458,"style":24},"3fa105d2f0c7",[14455],{"_key":14456,"_type":15,"marks":14457,"text":1000},"771595b70e9c0",[],[],{"_type":574,"settings":14460,"text":14461},{"textColumnCount":637},[14462,14470,14478],{"_key":14463,"_type":11,"children":14464,"markDefs":14469,"style":24},"3a9597311ef3",[14465],{"_key":14466,"_type":15,"marks":14467,"text":14468},"4fb56ed3a8c10",[],"At the Sustainable University Day on November 2024, all respondents indicated that the colours not only captured their attention more quickly but also made the corresponding scientific data easier to understand. Moreover, 95% found the colour combinations sufficiently distinguishable (n = 21).",[],{"_key":14471,"_type":11,"children":14472,"markDefs":14477,"style":24},"684a7b08f896",[14473],{"_key":14474,"_type":15,"marks":14475,"text":14476},"effdc0ea902c0",[],"Based on 17 valid questionnaires collected at the School of Commons Gathering on 3 July 2025, 77% of respondents found the colour combinations appealing (n = 17); 82% reported no difficulty distinguishing the colours; 53% considered the colour combinations consistent with general cultural understanding; and 71% indicated increased curiosity about ecosystem responses to environmental change after viewing the poster presentation.",[],{"_key":14479,"_type":11,"children":14480,"markDefs":14485,"style":24},"70ea41a1b2a0",[14481],{"_key":14482,"_type":15,"marks":14483,"text":14484},"e95ba501bd4a0",[],"The positive responses gave us confidence to use this design in place of complex scientific language for climate communication. We also created postcards as gifts for the participants of the 2025 School of Commons community and for the scientists attending the eLTER 2025 Science Conference (European Long-Term Ecological Research). We hope that, through sharing, this visual language for climate communication will reach and be used by many more people.\n",[],{"_type":626,"caption":14487,"image":14503},[14488,14496],{"_key":14489,"_type":11,"children":14490,"markDefs":14495,"style":24},"d98d8ee450e4",[14491],{"_key":14492,"_type":15,"marks":14493,"text":14494},"fbb134df29290",[],"Fig. 10 Colour codes for the data visualisation of air temperature. Colour codes are expressed in CMYK to ensure consistency in print.",[],{"_key":14497,"_type":11,"children":14498,"markDefs":14502,"style":24},"15dcce3b82d5",[14499],{"_key":14500,"_type":15,"marks":14501,"text":1065},"d264a092f1eb0",[],[],{"alt":75,"asset":14504},{"_id":14505,"height":5549,"orientation":512,"ratio":5550,"url":14506,"width":5552},"image-26c3ee98d9676c69590def888c1a2f6d67d17169-1240x874-png","https://cdn.sanity.io/images/eodip22e/production/26c3ee98d9676c69590def888c1a2f6d67d17169-1240x874.png",{"_type":626,"caption":14508,"image":14517},[14509],{"_key":14510,"_type":11,"children":14511,"markDefs":14516,"style":24},"3b3491b895d5",[14512],{"_key":14513,"_type":15,"marks":14514,"text":14515},"bfc1add038f10",[],"The postcard depicts the fluxes and climate variables of the Swiss spruce forest in Davos during2020, located at an elevation of 1639 meters.",[],{"alt":75,"asset":14518},{"_id":14519,"height":5549,"orientation":512,"ratio":5550,"url":14520,"width":5552},"image-9f4b746b08db8953c539ebbd7c5d986a51a3c4a8-1240x874-png","https://cdn.sanity.io/images/eodip22e/production/9f4b746b08db8953c539ebbd7c5d986a51a3c4a8-1240x874.png",{"_type":574,"settings":14522,"text":14523},{"textColumnCount":637},[14524,14532,14540,14548],{"_key":14525,"_type":11,"children":14526,"markDefs":14531,"style":24},"f17f2b9cb7c1",[14527],{"_key":14528,"_type":15,"marks":14529,"text":14530},"2dfe9fbf19eb0",[17],"Conclusions",[],{"_key":14533,"_type":11,"children":14534,"markDefs":14539,"style":24},"119b59107889",[14535],{"_key":14536,"_type":15,"marks":14537,"text":14538},"5a2572dc371a0",[],"Returning to the project's initial goal—how to share climate knowledge openly and equitably—our design offers an answer centered on visual inclusivity. Proceeding along the colour theory, art-historical lineage, and practical accessibility, we have constructed not merely a set of scientific data visualizations, but a narrative tool capable of triggering emotional connection and cultural resonance.",[],{"_key":14541,"_type":11,"children":14542,"markDefs":14547,"style":24},"46d5593349d5",[14543],{"_key":14544,"_type":15,"marks":14545,"text":14546},"3f7dbcff35760",[],"Feedback collected from two public events indicates that this design does enhance comprehension, spark curiosity, and demonstrate cultural inclusivity. While the initial feedback is positive, its long-term efficacy and applicability across diverse contexts require further evaluation and iteration. We look forward to collaborating with a broader community of science communicators, designers, and communities to refine and promote this visual language, ensuring it truly serves those most in need of understanding climate information, yet who are often excluded from the conversation.",[],{"_key":14549,"_type":11,"children":14550,"markDefs":14554,"style":24},"ff8899afa414",[14551],{"_key":14552,"_type":15,"marks":14553,"text":1065},"ba6f2db70d630",[],[],{"_type":574,"settings":14556,"text":14557},{"textColumnCount":637},[14558,14565,14581,14597,14613,14635,14651,14665,14694,14702,14723,14739,14761,14783,14799,14813,14834],{"_key":14559,"_type":11,"children":14560,"markDefs":14564,"style":24},"ea20c7c64e1d",[14561],{"_key":14562,"_type":15,"marks":14563,"text":7993},"5a0d1f0febe20",[17],[],{"_key":14566,"_type":11,"children":14567,"markDefs":14580,"style":24},"d17b214f4a49",[14568,14572,14576],{"_key":14569,"_type":15,"marks":14570,"text":14571},"f106cfff27ab0",[],"Bi, F. (2016). ",{"_key":14573,"_type":15,"marks":14574,"text":14575},"f106cfff27ab1",[492],"The massage",{"_key":14577,"_type":15,"marks":14578,"text":14579},"f106cfff27ab2",[]," (H. Goldblatt & S. L. Lin, Trans.). Penguin Books. (Original work published 2008)",[],{"_key":14582,"_type":11,"children":14583,"markDefs":14596,"style":24},"be24ef5f796d",[14584,14588,14592],{"_key":14585,"_type":15,"marks":14586,"text":14587},"69f983cb9ed00",[],"Chen, Y. .-Q. (2015). ",{"_key":14589,"_type":15,"marks":14590,"text":14591},"69f983cb9ed01",[492],"观念之色：中国传统色彩研究",{"_key":14593,"_type":15,"marks":14594,"text":14595},"69f983cb9ed02",[]," [The colour of ideas: A study of traditional Chinese colours]. Beijing: Peking University Press.",[],{"_key":14598,"_type":11,"children":14599,"markDefs":14612,"style":24},"2acbaa9f03ea",[14600,14604,14608],{"_key":14601,"_type":15,"marks":14602,"text":14603},"fb4e548045830",[],"Doran, S. (2013).",{"_key":14605,"_type":15,"marks":14606,"text":14607},"fb4e548045831",[492]," The culture of yellow, or, The visual politics of late modernity.",{"_key":14609,"_type":15,"marks":14610,"text":14611},"fb4e548045832",[]," Bloomsbury Academic.",[],{"_key":14614,"_type":11,"children":14615,"markDefs":14633,"style":24},"828b52639f9a",[14616,14620,14624,14628],{"_key":14617,"_type":15,"marks":14618,"text":14619},"e512c51b04520",[],"Easby, R. J., Harris, B., & Zucker, S. (2025, February 7). ",{"_key":14621,"_type":15,"marks":14622,"text":14623},"e512c51b04521",[492],"Sir John Everett Millais, Ophelia",{"_key":14625,"_type":15,"marks":14626,"text":14627},"e512c51b04522",[],". Smarthistory. ",{"_key":14629,"_type":15,"marks":14630,"text":14632},"e512c51b04523",[14631],"b54393c9ab75","https://smarthistory.org/millais-ophelia/",[14634],{"_key":14631,"_type":41,"href":14632},{"_key":14636,"_type":11,"children":14637,"markDefs":14650,"style":24},"959198887d01",[14638,14642,14646],{"_key":14639,"_type":15,"marks":14640,"text":14641},"19b423333c0c0",[],"Goethe, J. W. von. (2006).",{"_key":14643,"_type":15,"marks":14644,"text":14645},"19b423333c0c1",[492]," Theory of colours. ",{"_key":14647,"_type":15,"marks":14648,"text":14649},"19b423333c0c2",[],"MIT Press. (Original work published 1810).",[],{"_key":14652,"_type":11,"children":14653,"markDefs":14663,"style":24},"a5fc091ce889",[14654,14658],{"_key":14655,"_type":15,"marks":14656,"text":14657},"25112e7be9c40",[],"Hirst, K. K. (2019). Ochre: The oldest known natural pigment. ThoughtCo. Retrieved January 19, 2026, from ",{"_key":14659,"_type":15,"marks":14660,"text":14662},"25112e7be9c41",[14661],"b42463db3598","https://www.thoughtco.com/ochre-the-oldest-known-natural-pigment-172032",[14664],{"_key":14661,"_type":41,"href":14662},{"_key":14666,"_type":11,"children":14667,"markDefs":14692,"style":24},"b510b97eedb8",[14668,14672,14676,14679,14683,14687],{"_key":14669,"_type":15,"marks":14670,"text":14671},"22c1b90488f40",[],"Jonauskaite, D., & Mohr, C. (2025). ",{"_key":14673,"_type":15,"marks":14674,"text":14675},"22c1b90488f41",[492],"Do we feel colours? A systematic review of 128 years of psychological research linking colours and emotions.",{"_key":14677,"_type":15,"marks":14678,"text":3023},"22c1b90488f42",[],{"_key":14680,"_type":15,"marks":14681,"text":14682},"22c1b90488f43",[492],"Psychonomic Bulletin & Review, 32",{"_key":14684,"_type":15,"marks":14685,"text":14686},"22c1b90488f44",[],"(4), 1457–1486. ",{"_key":14688,"_type":15,"marks":14689,"text":14691},"22c1b90488f45",[14690],"f8319c47d49e","https://doi.org/10.3758/s13423-024-02615-z",[14693],{"_key":14690,"_type":41,"href":14691},{"_key":14695,"_type":11,"children":14696,"markDefs":14701,"style":24},"d15c9e77d7b6",[14697],{"_key":14698,"_type":15,"marks":14699,"text":14700},"9767e44972a50",[],"Kottas, G., Peters, W., Olson, R., Harrison, N., Emeny-Smith, N., & Hanlock, J. (2018,",[],{"_key":14703,"_type":11,"children":14704,"markDefs":14721,"style":24},"bf119b9f7b9a",[14705,14709,14713,14716],{"_key":14706,"_type":15,"marks":14707,"text":14708},"c9fbcaa6158d0",[],"November 19). ",{"_key":14710,"_type":15,"marks":14711,"text":14712},"c9fbcaa6158d1",[492],"Gender in Hamlet",{"_key":14714,"_type":15,"marks":14715,"text":5415},"c9fbcaa6158d2",[],{"_key":14717,"_type":15,"marks":14718,"text":14720},"c9fbcaa6158d3",[14719],"97f8e080d610","https://hamletgenderstudy.home.blog/",[14722],{"_key":14719,"_type":41,"href":14720},{"_key":14724,"_type":11,"children":14725,"markDefs":14738,"style":24},"b2735c74f57c",[14726,14730,14734],{"_key":14727,"_type":15,"marks":14728,"text":14729},"6af61cdad8d10",[],"Muntwyler, S. (2022). ",{"_key":14731,"_type":15,"marks":14732,"text":14733},"6af61cdad8d11",[492],"Das Farbenbuch",{"_key":14735,"_type":15,"marks":14736,"text":14737},"6af61cdad8d12",[]," [The book of colours]. Alata Verlag.",[],{"_key":14740,"_type":11,"children":14741,"markDefs":14759,"style":24},"fc510932d9a2",[14742,14746,14750,14754],{"_key":14743,"_type":15,"marks":14744,"text":14745},"2940bbc17f1b0",[],"Priyadarshini, K. (2025). ",{"_key":14747,"_type":15,"marks":14748,"text":14749},"2940bbc17f1b1",[492],"Ecofeminism. International Journal of Creative Research Thoughts",{"_key":14751,"_type":15,"marks":14752,"text":14753},"2940bbc17f1b2",[],", 13(1). ",{"_key":14755,"_type":15,"marks":14756,"text":14758},"2940bbc17f1b3",[14757],"d9279a83adf2","https://ijcrt.org/papers/IJCRT2501365.pdf",[14760],{"_key":14757,"_type":41,"href":14758},{"_key":14762,"_type":11,"children":14763,"markDefs":14781,"style":24},"c30ba12069d3",[14764,14768,14772,14776],{"_key":14765,"_type":15,"marks":14766,"text":14767},"de2ef5d66a6c0",[],"The National Gallery. (n.d.). ",{"_key":14769,"_type":15,"marks":14770,"text":14771},"de2ef5d66a6c1",[492],"Claude Monet: Lavacourt under Snow",{"_key":14773,"_type":15,"marks":14774,"text":14775},"de2ef5d66a6c2",[]," [Painting description; notes on historical weather context]. 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Mentoring is a vessel for learning/teaching, which is often part of everyday study at art universities. Students are accompanied by a mentor in developing their projects, with the mentor responding to the topics or projects the mentee brings to each session. 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For example, after being asked, “How are you?” by mentors, I wondered whether I should return this frequently asked question. Would doing so perhaps undermine an intended direction in the conversation that is meant to be maintained? Which doubts about my artistic practice did I want to bring into mentoring, and which would I rather leave out? What kinds of exchanges would a mentor be willing to engage in? Could it also involve, among other things, discussing the compatibility of artistic practice and earning a sufficient basic income?",[],{"_key":20553,"_type":11,"children":20554,"markDefs":20559,"style":24},"f7f9829ad10e",[20555],{"_key":20556,"_type":15,"marks":20557,"text":20558},"b88c4ff612a80",[],"In reflecting on the expectations at play in mentoring and on the functions this format can assume, I did not want to solely draw from my own experience. 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At the same time, mentoring is presented as a format that offers opportunities for exchanging ideas “abseits von institutionellen Zwängen [outside of institutional constraints, N.S.]”, including reflections on “mit welcher Haltung […] man den Hochschulen begegnen will [",{"_key":20691,"_type":15,"marks":20692,"text":20693},"33a14486fe25",[19963],"the attitude one wants to take in engaging with universities, 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a second context, I turned to the project ",{"_key":20911,"_type":15,"marks":20912,"text":20913},"08c623bdc9cb1",[492],"The Hologram",{"_key":20915,"_type":15,"marks":20916,"text":20917},"08c623bdc9cb2",[],", which, based on experiences with the U.S. healthcare system, opposes the economisation of healthcare and proposes alternative care constellations alongside professional healthcare.",[],{"_key":20920,"_type":11,"children":20921,"markDefs":20942,"style":24},"e0fbd79ecc58",[20922,20926,20930,20934,20938],{"_key":20923,"_type":15,"marks":20924,"text":20925},"94bb28f0c25c0",[492,19981],"At its most basic level three care-givers attend to the wellbeing of one person. Each care-giver represents a different quality of concern. They’re not experts or authorities ",{"_key":20927,"_type":15,"marks":20928,"text":20929},"94bb28f0c25c1",[19981],"[#",{"_key":20931,"_type":15,"marks":20932,"text":20933},"94bb28f0c25c2",[492,19981],"Authority/Measuring",{"_key":20935,"_type":15,"marks":20936,"text":20937},"94bb28f0c25c3",[19981],"]",{"_key":20939,"_type":15,"marks":20940,"text":20941},"94bb28f0c25c4",[492,19981],", but people willing to lend attention and to do co-research, to be a scribe or a living record for the person in the center, who we call “the hologram.”",[20943],{"_key":19981,"_type":10620,"allFootnotes":20944,"footnoteText":20959,"markKey":19981},[20945,20946,20947,20948,20949,20950,20951,20952,20953,20954,20955,20956,20957,20958],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[20960],{"_key":19984,"_type":11,"children":20961,"markDefs":20968,"style":24},[20962,20964,20966],{"_key":19987,"_type":15,"marks":20963,"text":19989},[],{"_key":19991,"_type":15,"marks":20965,"text":19993},[492],{"_key":19995,"_type":15,"marks":20967,"text":19997},[],[],{"_key":20970,"_type":11,"children":20971,"markDefs":21006,"style":24},"3f12a374e7f0",[20972,20976,20979,20983,20987,20991,20994,20998,21002],{"_key":20973,"_type":15,"marks":20974,"text":20975},"1032d93370900",[],"The project was initiated in 2016 by artist/activist Cassie Thornton, with considerations on the project published in 2020 in ",{"_key":20977,"_type":15,"marks":20978,"text":19993},"1032d93370901",[492,20000],{"_key":20980,"_type":15,"marks":20981,"text":20982},"1032d93370902",[],". I see parallels to mentoring in the direction of the conversations that take place within these care constellations: a “triangle” of three caregivers tends to the health of a fourth person: the “hologram.” The “Hologram”constellations are presented as a peer-to-peer protocol, with the function of the “triangle” explicitly characterised by a distancing from #",{"_key":20984,"_type":15,"marks":20985,"text":20986},"1032d93370903",[492],"Authority",{"_key":20988,"_type":15,"marks":20989,"text":20990},"1032d93370904",[]," and from being experts. The project advocates for a “networked reciprocation” (#",{"_key":20992,"_type":15,"marks":20993,"text":20570},"1032d93370905",[492],{"_key":20995,"_type":15,"marks":20996,"text":20997},"1032d93370906",[],"). Each “hologram” simultaneously becomes part of another person’s “triangle”, although that person should not be a member of the “hologram’s” own “",{"_key":20999,"_type":15,"marks":21000,"text":21001},"cf7ec8f18784",[20018],"triangle",{"_key":21003,"_type":15,"marks":21004,"text":21005},"6f4eaf47fe84",[],"”.",[21007,21033],{"_key":20000,"_type":10620,"allFootnotes":21008,"footnoteText":21023,"markKey":20000},[21009,21010,21011,21012,21013,21014,21015,21016,21017,21018,21019,21020,21021,21022],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[21024],{"_key":20003,"_type":11,"children":21025,"markDefs":21032,"style":24},[21026,21028,21030],{"_key":20006,"_type":15,"marks":21027,"text":20008},[],{"_key":20010,"_type":15,"marks":21029,"text":19993},[492],{"_key":20013,"_type":15,"marks":21031,"text":20015},[],[],{"_key":20018,"_type":10620,"allFootnotes":21034,"footnoteText":21049,"markKey":20018},[21035,21036,21037,21038,21039,21040,21041,21042,21043,21044,21045,21046,21047,21048],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[21050],{"_key":20021,"_type":11,"children":21051,"markDefs":21058,"style":24},[21052,21054,21056],{"_key":20024,"_type":15,"marks":21053,"text":20008},[],{"_key":20027,"_type":15,"marks":21055,"text":19993},[492],{"_key":20030,"_type":15,"marks":21057,"text":20032},[],[],{"_key":21060,"_type":11,"children":21061,"markDefs":21103,"style":24},"683e397f2dac",[21062,21066,21070,21074,21078,21082,21085,21089,21092,21096,21099],{"_key":21063,"_type":15,"marks":21064,"text":21065},"5302ef5ef6cd0",[],"As a third context, I examined reflections from Italian feminism of difference of the 1980s, which addressed a relational form among women* in which one woman* entrusts herself to another woman* who embodies “something more” for her. These ",{"_key":21067,"_type":15,"marks":21068,"text":21069},"5302ef5ef6cd1",[492],"affidamento",{"_key":21071,"_type":15,"marks":21072,"text":21073},"5302ef5ef6cd2",[]," relationships are conceived as relationships initiated through an act of #",{"_key":21075,"_type":15,"marks":21076,"text":21077},"5302ef5ef6cd3",[492],"Authority ",{"_key":21079,"_type":15,"marks":21080,"text":21081},"5302ef5ef6cd4",[],"attribution. Unlike in the project ",{"_key":21083,"_type":15,"marks":21084,"text":20913},"5302ef5ef6cd5",[492],{"_key":21086,"_type":15,"marks":21087,"text":21088},"5302ef5ef6cd6",[],", there is no turning away from #",{"_key":21090,"_type":15,"marks":21091,"text":20986},"5302ef5ef6cd7",[492],{"_key":21093,"_type":15,"marks":21094,"text":21095},"5302ef5ef6cd8",[]," here. Instead, in intentionally established relationships of #",{"_key":21097,"_type":15,"marks":21098,"text":21077},"5302ef5ef6cd9",[492],{"_key":21100,"_type":15,"marks":21101,"text":21102},"5302ef5ef6cd10",[],"among women*, the opportunity for women*'s participation in society is seen – one in which they do not orient themselves toward mediating instances of patriarchal structures.",[],{"_key":21105,"_type":11,"children":21106,"markDefs":21126,"style":24},"3810da7d41ce",[21107,21111,21115,21119,21122],{"_key":21108,"_type":15,"marks":21109,"text":21110},"4bd9f04aadf30",[492,20035],"Nicht die Härte der Unterdrückung erklärt das Fehlen weiblicher Freiheit, sondern der Mangel an Autorität, an symbolischer Zuweisung von Autorität. Diese kann eine Frau nur von einer Frau bekommen, denn nur eine Frau legitimiert sie in ihrer Differenz. Und sie bekommt sie nur, wenn sie an sich einen weiblichen Beurteilungsmaßstab ",{"_key":21112,"_type":15,"marks":21113,"text":21114},"4bd9f04aadf31",[20035],"[",{"_key":21116,"_type":15,"marks":21117,"text":21118},"4bd9f04aadf32",[492,20035],"#Authority/Measuring",{"_key":21120,"_type":15,"marks":21121,"text":20937},"4bd9f04aadf33",[20035],{"_key":21123,"_type":15,"marks":21124,"text":21125},"4bd9f04aadf34",[492,20035]," anlegen läßt. Letzteres ist, das wissen wir, der entscheidende und schwierige Schritt zur weiblichen Freiheit. Von ihm hängt es ab, ob die weibliche Differenz lebendig aus ihrem historisch bedingten Gefangensein herauskommt, aus dem Inneren eines Inneren, denn sie ist doppelt gefangen: in der sozialen Ordnung, die sie in einer unsagbaren Erfahrung festhält, und in der Erfahrung der einzelnen, die nicht weiß, wie sie herauskommen kann, ohne ihr Geschlecht zu verleugnen.",[21127],{"_key":20035,"_type":10620,"allFootnotes":21128,"footnoteText":21143,"markKey":20035},[21129,21130,21131,21132,21133,21134,21135,21136,21137,21138,21139,21140,21141,21142],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[21144],{"_key":20038,"_type":11,"children":21145,"markDefs":21152,"style":24},[21146,21148,21150],{"_key":20041,"_type":15,"marks":21147,"text":20043},[],{"_key":20045,"_type":15,"marks":21149,"text":20047},[492],{"_key":20049,"_type":15,"marks":21151,"text":20051},[],[],{"_key":21154,"_type":11,"children":21155,"markDefs":21174,"style":24},"ae106402fab9",[21156,21160,21163,21167,21170],{"_key":21157,"_type":15,"marks":21158,"text":21159},"715df04c9cf80",[492,20054],"It is not the severity of their oppression that explains the failure of female freedom, but the lack of authority, of symbolic authorization – that authorization which a woman can receive only from female source because it is the only one which legitimates her in her difference. And which she receives only if she agrees to submit to a female measure of judgement ",{"_key":21161,"_type":15,"marks":21162,"text":21114},"715df04c9cf81",[20054],{"_key":21164,"_type":15,"marks":21165,"text":21166},"715df04c9cf82",[492,20054],"#Authority/#Measuring",{"_key":21168,"_type":15,"marks":21169,"text":20937},"715df04c9cf83",[20054],{"_key":21171,"_type":15,"marks":21172,"text":21173},"715df04c9cf84",[492,20054],". The latter, as we know, is the decisive, difficult step of female freedom, which determines whether female difference will issue alive from its historical imprisonment, inside and interior, twice inside: inside the social order which keeps her locked in an unspeakable experience, inside the experience of the individual woman who does not know how to get out of it without denying her sex.",[21175],{"_key":20054,"_type":10620,"allFootnotes":21176,"footnoteText":21191,"markKey":20054},[21177,21178,21179,21180,21181,21182,21183,21184,21185,21186,21187,21188,21189,21190],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[21192],{"_key":20057,"_type":11,"children":21193,"markDefs":21200,"style":24},[21194,21196,21198],{"_key":20060,"_type":15,"marks":21195,"text":20062},[],{"_key":20064,"_type":15,"marks":21197,"text":20066},[492],{"_key":20068,"_type":15,"marks":21199,"text":20070},[],[],{"_key":21202,"_type":11,"children":21203,"markDefs":21215,"style":24},"1d73a98e8bfd",[21204,21208,21211],{"_key":21205,"_type":15,"marks":21206,"text":21207},"7e0d25df9f560",[],"The Italian feminism of difference developed their specific understanding of #",{"_key":21209,"_type":15,"marks":21210,"text":20986},"7e0d25df9f561",[492],{"_key":21212,"_type":15,"marks":21213,"text":21214},"7e0d25df9f562",[]," starting from the mother-daughter relationship and defining it in contrast to hierarchy and power.",[],{"_key":21217,"_type":11,"children":21218,"markDefs":21252,"style":24},"f8a1af847a7a",[21219,21223,21226,21230,21233,21237,21241,21245,21248],{"_key":21220,"_type":15,"marks":21221,"text":21222},"b6678b4715700",[],"Interestingly, each of the three examined contexts frames mentoring or mentoring-like relationships under an overarching purpose or as the starting point of socially transformative processes (#",{"_key":21224,"_type":15,"marks":21225,"text":20586},"b6678b4715701",[492],{"_key":21227,"_type":15,"marks":21228,"text":21229},"b6678b4715702",[],"). While the project ",{"_key":21231,"_type":15,"marks":21232,"text":20913},"b6678b4715703",[492],{"_key":21234,"_type":15,"marks":21235,"text":21236},"b6678b4715704",[]," is presented as a “",{"_key":21238,"_type":15,"marks":21239,"text":21240},"ddfc1b161f93",[20073],"social technology for dehabituating humans from capitalism",{"_key":21242,"_type":15,"marks":21243,"text":21244},"f8b3b917a810",[],",” Italian feminism of difference seeks to grant women* a social existence without requiring adaptation to patriarchal structures. The mentoring program ",{"_key":21246,"_type":15,"marks":21247,"text":20601},"b6678b4715705",[492],{"_key":21249,"_type":15,"marks":21250,"text":21251},"b6678b4715706",[]," promises improved teaching quality by connecting artistic practices inside and outside the university and at the same time frames mentoring relationships as spaces outside the university for reflecting on university structures.",[21253],{"_key":20073,"_type":10620,"allFootnotes":21254,"footnoteText":21269,"markKey":20073},[21255,21256,21257,21258,21259,21260,21261,21262,21263,21264,21265,21266,21267,21268],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[21270],{"_key":20076,"_type":11,"children":21271,"markDefs":21278,"style":24},[21272,21274,21276],{"_key":20079,"_type":15,"marks":21273,"text":20008},[],{"_key":20082,"_type":15,"marks":21275,"text":19993},[492],{"_key":20085,"_type":15,"marks":21277,"text":20087},[],[],{"_key":21280,"_type":11,"children":21281,"markDefs":21293,"style":24},"e7ef83eb99e9",[21282,21286,21289],{"_key":21283,"_type":15,"marks":21284,"text":21285},"b9db6b7e42ae0",[],"I began reflecting on my own mentoring experience within an arts university context under the motif of #",{"_key":21287,"_type":15,"marks":21288,"text":20586},"b9db6b7e42ae1",[492],{"_key":21290,"_type":15,"marks":21291,"text":21292},"b9db6b7e42ae2",[]," and started to see the openly and loosely defined framework of this format as something transformative: it raises the question of how, and in which constellations, we want to learn together. Engaging in this negotiation process through the mentoring format for me means participating in a transformative process of enacting and shaping mentoring as practice.",[],{"_key":21295,"_type":11,"children":21296,"markDefs":21316,"style":24},"fd20002229b1",[21297,21301,21305,21309,21312],{"_key":21298,"_type":15,"marks":21299,"text":21300},"7280c87681220",[],"As a mentee in the study program ",{"_key":21302,"_type":15,"marks":21303,"text":21304},"7280c87681221",[492],"Transdisciplinary Studies in the Arts",{"_key":21306,"_type":15,"marks":21307,"text":21308},"7280c87681222",[],", the imperative of shaping learning practices within the mentoring framework became evident in the fact that students could choose their mentors themselves, even beyond the university context, as the study program offers a remuneration to involve people from the outside. This made it possible to integrate people and contexts into the learning environment that were not anchored within the university and might not be institutionally recognised as learning contexts. The transdisciplinary setting also required that expertise and #",{"_key":21310,"_type":15,"marks":21311,"text":20986},"7280c87681223",[492],{"_key":21313,"_type":15,"marks":21314,"text":21315},"7280c87681224",[]," between teaching mentors and student mentees would not be attributed solely on the basis of the academic hierarchy of student/teacher. Instead, such attributions had to be explored in relation to specific projects and topics, since many of the projects did not take place within a discipline shared by both.",[],{"_key":21318,"_type":11,"children":21319,"markDefs":21324,"style":24},"4b48ad37608b",[21320],{"_key":21321,"_type":15,"marks":21322,"text":21323},"10b5d5d66b400",[],"In everyday study contexts, the question “How do we want to learn together?” that mentoring implies may not always be present when entering a mentoring session. The extent to which space opens up for negotiating preconceptions of mentoring, or the needs and wishes that mentees and mentors bring to this encounter might also vary between different study programs (intradisciplinary, transdisciplinary, etc.) and can look different depending on who is involved as mentee or mentor. As Sara Ahmed shows:",[],{"_key":21326,"_type":11,"children":21327,"markDefs":21332,"style":24},"64fe34037a58",[21328],{"_key":21329,"_type":15,"marks":21330,"text":21331},"64c8f90b8e6c0",[492,20090],"When you don’t quite inhabit the norms, or you aim to transform them, you notice them as you come up against them. The wall is what we come up against: the sedimentation of history into a barrier that is solid and tangible in the present, a barrier to change as well as to the mobility of some, a barrier that remains invisible to those who can flow into the spaces created by institutions.",[21333],{"_key":20090,"_type":10620,"allFootnotes":21334,"footnoteText":21349,"markKey":20090},[21335,21336,21337,21338,21339,21340,21341,21342,21343,21344,21345,21346,21347,21348],{"_key":19815},{"_key":19873},{"_key":19892},{"_key":19910},{"_key":19928},{"_key":19946},{"_key":19963},{"_key":19981},{"_key":20000},{"_key":20018},{"_key":20035},{"_key":20054},{"_key":20073},{"_key":20090},[21350,21359,21364],{"_key":20093,"_type":11,"children":21351,"markDefs":21358,"style":24},[21352,21354,21356],{"_key":20096,"_type":15,"marks":21353,"text":20098},[],{"_key":20100,"_type":15,"marks":21355,"text":20102},[492],{"_key":20104,"_type":15,"marks":21357,"text":20106},[],[],{"_key":20109,"_type":11,"children":21360,"markDefs":21363,"style":24},[21361],{"_key":20112,"_type":15,"marks":21362,"text":1000},[],[],{"_key":20116,"_type":11,"children":21365,"markDefs":21388,"style":24},[21366,21368,21370,21372,21374,21376,21378,21380,21382,21384,21386],{"_key":20119,"_type":15,"marks":21367,"text":20121},[],{"_key":20123,"_type":15,"marks":21369,"text":20125},[492],{"_key":20127,"_type":15,"marks":21371,"text":20129},[],{"_key":20131,"_type":15,"marks":21373,"text":20134},[20133],{"_key":20136,"_type":15,"marks":21375,"text":20138},[],{"_key":20140,"_type":15,"marks":21377,"text":20142},[492],{"_key":20144,"_type":15,"marks":21379,"text":20146},[],{"_key":20148,"_type":15,"marks":21381,"text":20150},[492],{"_key":20152,"_type":15,"marks":21383,"text":20154},[],{"_key":20156,"_type":15,"marks":21385,"text":20158},[492],{"_key":20160,"_type":15,"marks":21387,"text":20162},[],[21389],{"_key":20133,"_type":41,"href":20134},{"_key":21391,"_type":11,"children":21392,"markDefs":21397,"style":24},"f69a5e2ee48c",[21393],{"_key":21394,"_type":15,"marks":21395,"text":21396},"73f0045ca9550",[],"I have developed an object that is meant, on the one hand, to serve as a reminder of the space for shaping, and, on the other, to prompt mentee and mentor – should this space not open up – to enter into a negotiation process around their preconceptions of mentoring and needs/wishes for this learning format.",[],{"_key":21399,"_type":11,"children":21400,"markDefs":21405,"style":24},"18e6907cde15",[21401],{"_key":21402,"_type":15,"marks":21403,"text":21404},"b3a8f75a529c0",[],"The object initiates an exchange between various mentee-mentor pairings by circulating statements, questions, gestures, and methods that invite response from both sides. Mentees and mentors can themselves enrich this pool of possibilities by feeding the system with questions, statements, gestures, or methods that they have found helpful in mentoring sessions or that they would like to integrate into future ones. The note-spitting object accompanies mentoring sessions and invites mentee and mentor to sharpen and discuss their respective preconceptions of mentoring in relation to – or in contrast with – the slips of paper produced by the mechanism. The object materialises an implicit recourse to prior understandings of mentoring – an appropriation of statements, questions, gestures, and methods associated with it – while at the same time inviting the extension of this shared pool.",[],{"_key":21407,"_type":11,"children":21408,"markDefs":21420,"style":24},"37ab450ca697",[21409,21413,21416],{"_key":21410,"_type":15,"marks":21411,"text":21412},"85baa57f1ecb0",[],"Ultimately, the project ",{"_key":21414,"_type":15,"marks":21415,"text":3899},"85baa57f1ecb1",[492],{"_key":21417,"_type":15,"marks":21418,"text":21419},"85baa57f1ecb2",[]," asks whether a punctual formalisation of mentoring sessions can help hold the openness of this learning format and invite mentees and mentors to shape and enact mentoring as a practice.",[],{"_type":626,"caption":21422,"image":21431},[21423],{"_key":21424,"_type":11,"children":21425,"markDefs":21430,"style":24},"1a255c8767d9",[21426],{"_key":21427,"_type":15,"marks":21428,"text":21429},"473c5824e1e50",[],"1) note-spitting machine | photo: ©Marcel Rickli",[],{"alt":75,"asset":21432},{"_id":3964,"height":3965,"orientation":512,"ratio":1180,"url":3966,"width":3967},{"_type":626,"caption":21434,"image":21443},[21435],{"_key":21436,"_type":11,"children":21437,"markDefs":21442,"style":24},"b8b42b4f4600",[21438],{"_key":21439,"_type":15,"marks":21440,"text":21441},"5b3bda3ce6f90",[],"2) sketch of how the feeding station and the note-spitting machine work together",[],{"alt":75,"asset":21444},{"_id":21445,"height":21446,"orientation":512,"ratio":21447,"url":21448,"width":21449},"image-43618b664c411de2ba81ce112d7acf4dab0f3d90-1754x1241-jpg",1241,1.4133763094278808,"https://cdn.sanity.io/images/eodip22e/production/43618b664c411de2ba81ce112d7acf4dab0f3d90-1754x1241.jpg",1754,{"_type":574,"settings":21451,"text":21452},{"textColumnCount":637},[21453],{"_key":21454,"_type":11,"children":21455,"markDefs":21460,"style":24},"ba6bb312e2c3",[21456],{"_key":21457,"_type":15,"marks":21458,"text":21459},"27867735cbcf0",[],"The object – a note-spitting machine – is positioned during mentoring sessions between mentee (A) and mentor (B) and spits out notes at defined time intervals (within a random range) in the direction of A/B. The notes contain utterances/questions/gestures/methods. A or B is invited to read the note aloud to their counterpart in several ways: as an offer for interaction; by distancing themselves from it and thereby updating the mentoring setting as it exists or modifying it in contrast to the slip of paper; and so on. A feeding station is crucial for the setting, where the pool of statements and questions from which the object randomly selects is generated. Mentees and mentors are invited to type on a keyboard utterances/questions they would have liked to say/ask in a mentoring session to note actions waiting to be realised within a mentoring session (“I actually wish I had recorded the conversation.”) or to note actions/gestures that could become a method (“I brought strawberries from my neighbor’s garden, just take some!”). The notes are digitally saved and can be assigned to either A or B, or they are saved under the category “A/B”: here the object randomly decides whether the statement/question will be spat in the direction of A or B during upcoming mentoring sessions. The note-spitting machine draws on the digital storage that is generated by mentees and mentors at the feeding station.",[],{"_type":626,"caption":21462,"image":21471},[21463],{"_key":21464,"_type":11,"children":21465,"markDefs":21470,"style":24},"096bb2a9b1b5",[21466],{"_key":21467,"_type":15,"marks":21468,"text":21469},"7e1f477111990",[],"3) small pieces of paper with short text inputs that were spat out by the note-spitting machine | photo: ©Marcel Rickli",[],{"alt":75,"asset":21472},{"_id":21473,"height":3965,"orientation":512,"ratio":1180,"url":21474,"width":3967},"image-bf7666d6475350fb04f81fd6c68e4ccb81898b67-2500x1875-jpg","https://cdn.sanity.io/images/eodip22e/production/bf7666d6475350fb04f81fd6c68e4ccb81898b67-2500x1875.jpg",{"_type":626,"caption":21476,"image":21485},[21477],{"_key":21478,"_type":11,"children":21479,"markDefs":21484,"style":24},"5957423c5376",[21480],{"_key":21481,"_type":15,"marks":21482,"text":21483},"e771c37393170",[],"4) close-up of the note-spitting machine | photo: ©Marcel Rickli",[],{"alt":75,"asset":21486},{"_id":21487,"height":3965,"orientation":512,"ratio":1180,"url":21488,"width":3967},"image-925bd46af6281f0df6e50d7f387b67e624b7a7b0-2500x1875-jpg","https://cdn.sanity.io/images/eodip22e/production/925bd46af6281f0df6e50d7f387b67e624b7a7b0-2500x1875.jpg",{"_type":574,"settings":21490,"text":21491},{"textColumnCount":637},[21492,21500,21507,21515,21522,21529,21537],{"_key":21493,"_type":11,"children":21494,"markDefs":21499,"style":24},"04566406ae2d",[21495],{"_key":21496,"_type":15,"marks":21497,"text":21498},"a6fd8102d26e",[17],"Workshop with SoC",[],{"_key":21501,"_type":11,"children":21502,"markDefs":21506,"style":24},"c3dc828f68c0",[21503],{"_key":21504,"_type":15,"marks":21505,"text":1000},"2ebd081e8c8a",[17],[],{"_key":21508,"_type":11,"children":21509,"markDefs":21514,"style":24},"102f1c549afd",[21510],{"_key":21511,"_type":15,"marks":21512,"text":21513},"5bdb30c8e5a40",[],"During the SoC Gathering from July 4–6, I collected slips of paper with the peers of the 25/26 cohort for the note-spitting-machine. 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In a roughly 50-minute workshop, we simulated mentoring sessions in which the note-spitting object was involved in an adapted form.",[],{"_key":21516,"_type":11,"children":21517,"markDefs":21521,"style":24},"32cd37d4a084",[21518],{"_key":21519,"_type":15,"marks":21520,"text":4019},"78d14701b8820",[],[],{"_key":21523,"_type":11,"children":21524,"markDefs":21528,"style":24},"477ebc5d6d09",[21525],{"_key":21526,"_type":15,"marks":21527,"text":4027},"9233043701430",[],[],{"_key":21530,"_type":11,"children":21531,"markDefs":21536,"style":24},"2fb6d627306a",[21532],{"_key":21533,"_type":15,"marks":21534,"text":21535},"36faf2a729cd0",[],"At the end of the workshop, the groups were asked to use the final ten minutes to write down statements, questions, methods, or gestures that could inform future mentoring 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A Manifesto for Care and Liberation., p. 6",[],{"_key":21907,"footnoteText":21908},"65d5028855d3",[21909],{"_key":21910,"_type":11,"children":21911,"markDefs":21916,"style":24},"ced56efc0e58",[21912],{"_key":21913,"_type":15,"marks":21914,"text":21915},"5a12182bd1f60",[],"I found this name in an art-historical publication about the Gates in German and translated it here 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text on practicing family moving between notes on mundane observations, day-to-day family life, art interpretation, cleaning work, contemplation and power analysis. An anti-institutional text against the nation state. A gathering of texts, gossips and blasphemic claims, including 3 side quests to accomplish.",[],{"_type":574,"settings":22067,"text":22068},{"textColumnCount":637},[22069,22077,22085,22093,22101,22108,22116,22123,22130,22138,22149,22156],{"_key":22070,"_type":11,"children":22071,"markDefs":22076,"style":24},"6bfb960fd53d",[22072],{"_key":22073,"_type":15,"marks":22074,"text":22075},"c16fa863bb9d0",[],"Side quests*:\n",[],{"_key":22078,"_type":11,"children":22079,"markDefs":22084,"style":24},"859886cbe625",[22080],{"_key":22081,"_type":15,"marks":22082,"text":22083},"9db535e8a00d0",[],"> find a closed door and knock very loudly",[],{"_key":22086,"_type":11,"children":22087,"markDefs":22092,"style":24},"5bd2bf386ec5",[22088],{"_key":22089,"_type":15,"marks":22090,"text":22091},"4ac0c518bd9e0",[],"> tell a story …",[],{"_key":22094,"_type":11,"children":22095,"markDefs":22100,"style":24},"30d3cbba85f9",[22096],{"_key":22097,"_type":15,"marks":22098,"text":22099},"eca57dcf11240",[],"> find out …",[],{"_key":22102,"_type":11,"children":22103,"markDefs":22107,"style":24},"e0be48dd1ef4",[22104],{"_key":22105,"_type":15,"marks":22106,"text":1000},"749e519318b50",[],[],{"_key":22109,"_type":11,"children":22110,"markDefs":22115,"style":24},"3aa3ade8e21b",[22111],{"_key":22112,"_type":15,"marks":22113,"text":22114},"66373bd064940",[],"*These are things I did that led me to thinking about the following. I invite everyone to go on similar side quests.",[],{"_key":22117,"_type":11,"children":22118,"markDefs":22122,"style":24},"2f5bfd8f431c",[22119],{"_key":22120,"_type":15,"marks":22121,"text":3023},"3af0e08e5d0f",[],[],{"_key":22124,"_type":11,"children":22125,"markDefs":22129,"style":24},"24284a3f3e8d",[22126],{"_key":22127,"_type":15,"marks":22128,"text":3023},"203515de06fe",[],[],{"_key":22131,"_type":11,"children":22132,"markDefs":22137,"style":24},"b92288d66dcd",[22133],{"_key":22134,"_type":15,"marks":22135,"text":22136},"d7188bc6e0d5",[]," \n",[],{"_key":22139,"_type":11,"children":22140,"markDefs":22146,"style":24},"2e4b56357763",[22141],{"_key":22142,"_type":15,"marks":22143,"text":22145},"21ebcd21a80e0",[17,22144],"793175d1ddf9","the white man putting the past to rest / German Family / What should not be spoken about",[22147],{"_key":22144,"_type":15677,"label":284,"value":22148},"#f5beda",{"_key":22150,"_type":11,"children":22151,"markDefs":22155,"style":24},"d9366531ac69",[22152],{"_key":22153,"_type":15,"marks":22154,"text":1000},"5e26f139d1a40",[],[],{"_key":22157,"_type":11,"children":22158,"markDefs":22171,"style":24},"c9f07079b0c8",[22159,22163,22167],{"_key":22160,"_type":15,"marks":22161,"text":22162},"f76f0baee8d80",[],"I stand in front of Kunsthaus Zürich, Switzerland’s biggest museum for arts. Beside the main entrance stands a closed door with naked bodies from its bottom to its top. At the bottom of the door there are more female bodies, the higher up the door I look, I see more males. Altogether, I am looking at a bronze sculpture almost 7 meters high with a blackish patina:\n\n",{"_key":22164,"_type":15,"marks":22165,"text":22166},"abe6ffdbdf96",[17],"The Gates of Hell ",{"_key":22168,"_type":15,"marks":22169,"text":22170},"27507d7a4db2",[],"Auguste Rodin, Bronze (Gift of Emil G. Bührle)",[],{"_type":626,"caption":75,"image":22173},{"alt":22174,"asset":22175},"The Gates of Hell  Auguste Rodin, Bronze (Gift of Emil G. Bührle)",{"_id":22176,"height":22177,"orientation":512,"ratio":22178,"url":22179,"width":22180},"image-6597827cf5d387af1e8853db8b6f8d9619e12059-1143x549-png",549,2.081967213114754,"https://cdn.sanity.io/images/eodip22e/production/6597827cf5d387af1e8853db8b6f8d9619e12059-1143x549.png",1143,{"_type":574,"settings":22182,"text":22183},{"textColumnCount":637},[22184],{"_key":22185,"_type":11,"children":22186,"markDefs":22199,"style":24},"6237352683b6",[22187,22191,22195],{"_key":22188,"_type":15,"marks":22189,"text":22190},"8e1263e2d9110",[],"I know that the version of the sculpture standing here right in front of me is the ",{"_key":22192,"_type":15,"marks":22193,"text":22194},"16a02beb256f",[21753],"4th bronze cast",{"_key":22196,"_type":15,"marks":22197,"text":22198},"dace050b7256",[],". I know that this cast was once ordered by the German Nazi-Regime, selected to become the entrance of the never realized, so-called “Führermuseum”. Hitler wanted to create for himself in Linz/Austria. They ordered the Gates of Hell at a Parisian foundry and paid for it. It wasn’t finished before Nazi-Germany was defeated in 1945 and came to Zurich later with a sales exhibition, where it was bought by Emil Bührle. The richhhhhh weapons manufacturer who made his money by selling *neutral* weapons to all WW2 parties, including Germany, gifted the sculpture as a present to Kunsthaus. On the information board next to the artwork standing outside in public in the city centre we can read that this was a gift from Bührle in 1949. Why do they not inform readers of the fact that this sculpture is standing here as a result of historical circumstances, including Hitler’s art taste and the involvement of Nazi-money (two times)? I wonder, and I feel angry about it. I thought *great* European democratic institutions like this were supposed to educate in an exhaustive and extensive way. I understood that nobody forgot to mention the missing facts. But there has been a decision made to only tell the convenient part of the sculpture’s history, that is also the museum’s history, that is also the city’s history, that is also the country’s history, that is also the neighbouring country’s history, that is also European history.",[22200],{"_key":21753,"_type":10620,"allFootnotes":22201,"footnoteText":22216,"markKey":21753},[22202,22203,22204,22205,22206,22207,22208,22209,22210,22211,22212,22213,22214,22215],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22217],{"_key":21756,"_type":11,"children":22218,"markDefs":22221,"style":24},[22219],{"_key":21759,"_type":15,"marks":22220,"text":21761},[],[],{"_type":574,"settings":22223,"text":22224},{"textColumnCount":637},[22225,22233,22241,22248,22286,22294,22301,22309,22316,22327],{"_key":22226,"_type":11,"children":22227,"markDefs":22232,"style":24},"530f4f6014ef",[22228],{"_key":22229,"_type":15,"marks":22230,"text":22231},"2850b5bb46da",[],"______________________________________________________________________\n",[],{"_key":22234,"_type":11,"children":22235,"markDefs":22240,"style":24},"f62e509c867d",[22236],{"_key":22237,"_type":15,"marks":22238,"text":22239},"bff89eb17f0f0",[17],"I think of my father and how he wouldn’t want to talk about the past when I was asking him about it. How he would tell me: “That’s just how it was” without further explanation. I wonder if there could be a connection between him and the museum doing the gesture of *putting the past to rest*, because it is over now, you know?",[],{"_key":22242,"_type":11,"children":22243,"markDefs":22247,"style":24},"01b1104b8f99",[22244],{"_key":22245,"_type":15,"marks":22246,"text":1000},"418fbb56e5be0",[],[],{"_key":22249,"_type":11,"children":22250,"markDefs":22263,"style":24},"c739066a14bf",[22251,22255,22259],{"_key":22252,"_type":15,"marks":22253,"text":22254},"302d9fc02ac30",[492],"---*",{"_key":22256,"_type":15,"marks":22257,"text":22258},"e43e7e70c086",[492,21764],"Putting the past to rest*",{"_key":22260,"_type":15,"marks":22261,"text":22262},"77c26e1c72e1",[492]," as a hand pushing aside something that has been, and wants to make space for something that is now. The intention behind this gesture might be to create a space where there are no worries and loads from before, a space that is not charged with foregone burdens and hardships. Relatable—when one goes through something that costs them a lot, they might prefer to let it be, and don’t wish for their descendants to face a continuation or repetition of their suffering. Then there is also the promise of capitalism that progress = more comfort, improved comfort, better comfort",[22264],{"_key":21764,"_type":10620,"allFootnotes":22265,"footnoteText":22280,"markKey":21764},[22266,22267,22268,22269,22270,22271,22272,22273,22274,22275,22276,22277,22278,22279],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22281],{"_key":21767,"_type":11,"children":22282,"markDefs":22285,"style":24},[22283],{"_key":21770,"_type":15,"marks":22284,"text":21772},[],[],{"_key":22287,"_type":11,"children":22288,"markDefs":22293,"style":24},"b70a6cb1626e",[22289],{"_key":22290,"_type":15,"marks":22291,"text":22292},"83fe235e4e4a0",[492],"*Putting the past to rest* is closing a door and turning towards a new space, free from inherited burdens and old debts, like finishing something or containing it---",[],{"_key":22295,"_type":11,"children":22296,"markDefs":22300,"style":24},"47a0dbbe2f77",[22297],{"_key":22298,"_type":15,"marks":22299,"text":1000},"6df638089b170",[],[],{"_key":22302,"_type":11,"children":22303,"markDefs":22308,"style":24},"055fdbd2e33e",[22304],{"_key":22305,"_type":15,"marks":22306,"text":22307},"d6290467bce40",[17],"My father very rarely shared anything from his past. I would ask him how things were back then, how he made decisions, why he left home, and he responded with an “Ah” that was more like an aching exhalation than an answer. His two brothers are pretty similar, they don’t see any necessity to answer a question that might bring them back to a place they left long time ago in their childhood.",[],{"_key":22310,"_type":11,"children":22311,"markDefs":22315,"style":24},"3b79da27c5f4",[22312],{"_key":22313,"_type":15,"marks":22314,"text":1000},"ba4fcc22409f",[17],[],{"_key":22317,"_type":11,"children":22318,"markDefs":22326,"style":24},"c97007147dad",[22319,22323],{"_key":22320,"_type":15,"marks":22321,"text":22322},"013960ce81ce0",[492],"---*Putting the past to rest* is a patriarchal and colonial move---",{"_key":22324,"_type":15,"marks":22325,"text":1065},"f5df92bcdf600",[],[],{"_key":22328,"_type":11,"children":22329,"markDefs":22334,"style":24},"06aa6e11b3f5",[22330],{"_key":22331,"_type":15,"marks":22332,"text":22333},"1e63f7d64d3a",[],"______________________________________________________________________",[],{"_type":574,"settings":22336,"text":22337},{"textColumnCount":637},[22338],{"_key":22339,"_type":11,"children":22340,"markDefs":22349,"style":24},"fb4bf6020e72",[22341,22345],{"_key":22342,"_type":15,"marks":22343,"text":22344},"f6774c0ec34d0",[21775],"We know",{"_key":22346,"_type":15,"marks":22347,"text":22348},"c9ea2ba636e0",[]," how European colonizers, among them Germans, went out into the world to *explore* and to *discover* some *unknown, mysterious, wild, simple, foreign, uncivilized* cultures, peoples, and lands. When they arrived on indigenous land without being invited, they did not behave like respectful and polite guests waiting to be hosted. They just sat down at the table, took over, declared the table, the people, and the land their property, and installed a new order as if nothing was there before. Centuries of existing cultures and traditions were treated as irrelevant to the project of European civilization, time, and history were put on reset by the new foreign rulers of the violently conquered territories and people. As if time in the colonies, the so-called “New World”, started only after the arrival of the colonizers. As if there was nothing before. In this way, European history was exported around the world to become global universal history. In this way, it was also possible to claim everything they found as theirs: land, natural resources and commodities, cultures, riches, knowledge, animals, plants, and humans.\n\nAnother line of the development of modern Europe, that is wealthy, democratic, civilised, peaceful, stable, is the rise of patriarchy in the context of the formation of capitalism. Women were excluded from common and public spaces and confined to the private and domestic sphere. Female sociality, friendship, knowledge and wisdom were delegitimized. Work and practices associated with women were devaluated. “Immoral” women and others who did not conform to social and gendered norms were persecuted as witches. That way it was possible to concentrate all power in the hands of men, the subjects of the Enlightenment and the new modern society. Women and children, the family, became part of a man’s property, just like land, house, stock, and other forms of capital. While before tasks like doing the laundry, cooking, taking care of children and elders, medical care of the sick, midwifery, and birth assistance have often been shared amongst communities as collective practices, these collective spheres were destroyed and with them centuries of communal knowledge and practice systems in which women were carriers of wisdom and know-how. In favour of the new established science systems of *Modernity* old traditions had to disappear. The past was pushed aside for the creation of a new time of free and independent (male white) individuals.",[22350],{"_key":21775,"_type":10620,"allFootnotes":22351,"footnoteText":22366,"markKey":21775},[22352,22353,22354,22355,22356,22357,22358,22359,22360,22361,22362,22363,22364,22365],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22367],{"_key":21778,"_type":11,"children":22368,"markDefs":22371,"style":24},[22369],{"_key":21781,"_type":15,"marks":22370,"text":21783},[],[],{"_type":574,"settings":22373,"text":22374},{"textColumnCount":637},[22375,22382,22390,22432],{"_key":22376,"_type":11,"children":22377,"markDefs":22381,"style":24},"c8a8529a7332",[22378],{"_key":22379,"_type":15,"marks":22380,"text":22231},"2786d61d43ef",[],[],{"_key":22383,"_type":11,"children":22384,"markDefs":22389,"style":24},"8f94937666a9",[22385],{"_key":22386,"_type":15,"marks":22387,"text":22388},"032bea2e14180",[17],"My father was born 1946 in a Bavarian village of around 30 inhabitants. I speculate at this time no one talked about the past. After WW2 the whole Germany must have continued their denial of the genocides committed by the Nazi-regime with the German society being complicit. Silence must have been the order of the day back then, about what has been seen, witnessed, heard, done, known, during the past 12 years (and before). At least this was what I had repeatedly heard: Nobody talked about the discrimination, prosecution, detention and mass killing of Jews, Sinti*ze and Rom*nja, persons with disabilities, so called “asocial” persons, political and war prisoners, gays and queers.",[],{"_key":22391,"_type":11,"children":22392,"markDefs":22409,"style":24},"bc854784fc0e",[22393,22397,22401,22405],{"_key":22394,"_type":15,"marks":22395,"text":22396},"cffa7038d13c0",[17],"It was the time the Nuremberg Trials of the Major War Criminals were taking place, where 24 Nazis were brought to justice, who invoked their own ignorance and lack of knowledge, denied or downplayed their responsibility, and justified their innocence. “Didn’t know.” “Only followed commands.” “Cannot remember.” How did *ordinary people* in Germany perceive this? Did they recognize themselves in the defendants? Did these men help them to outsource their own responsibility?\n\n",{"_key":22398,"_type":15,"marks":22399,"text":22400},"c5e2c0ad7a200",[492],"---*Putting the past to rest* - one could think this is part of democratic history of Western nation states who established values like freedom and liberty, equality and justice through violent exclusions and extractions, only for some. ",{"_key":22402,"_type":15,"marks":22403,"text":22404},"5b45349ece79",[492,21786],"And while their heroic stories of conquests do not work anymore since they made themselves the great peace makers, they found other ways to keep on justifying their hegemonic position in the capitalist competition of nation states",{"_key":22406,"_type":15,"marks":22407,"text":22408},"c0b402c61e26",[492],"---\n",[22410],{"_key":21786,"_type":10620,"allFootnotes":22411,"footnoteText":22426,"markKey":21786},[22412,22413,22414,22415,22416,22417,22418,22419,22420,22421,22422,22423,22424,22425],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22427],{"_key":21789,"_type":11,"children":22428,"markDefs":22431,"style":24},[22429],{"_key":21792,"_type":15,"marks":22430,"text":21794},[],[],{"_key":22433,"_type":11,"children":22434,"markDefs":22438,"style":24},"df8e5883d3df",[22435],{"_key":22436,"_type":15,"marks":22437,"text":22231},"1ea6ee14d8c7",[],[],{"_type":574,"settings":22440,"text":22441},{"textColumnCount":637},[22442],{"_key":22443,"_type":11,"children":22444,"markDefs":22481,"style":24},"0ab8d5a00938",[22445,22449,22453,22457,22461,22465,22469,22473,22477],{"_key":22446,"_type":15,"marks":22447,"text":22448},"8dfd4eb51d050",[],"In the 2 post-WW2-Germanys the political intentions to denazify German society were put into practice only up to a certain point. ",{"_key":22450,"_type":15,"marks":22451,"text":22452},"60580aff78df",[21797],"GDR",{"_key":22454,"_type":15,"marks":22455,"text":22456},"c29c4153fe23",[]," declared itself an “antifascist” state and prosecuted former Nazis in a stricter way than West-Germany. Still, the perpetrators found their ways back into power positions. ",{"_key":22458,"_type":15,"marks":22459,"text":22460},"01ce0b2b6eea",[21808],"FRG",{"_key":22462,"_type":15,"marks":22463,"text":22464},"b92bee38350c",[]," made a comeback easier for old Nazis, by accepting their excuses and lies in court and making use of their *expertise and experience* for reconstructing the nation state and integrating into the *West*. Former Nazis were often in high positions in the FRG. While not talking about collective responsibility for the genocides and atrocities that have been going on, two *new* nation states have been built back up with Nazis in various positions of power, and the workforce and labor of many migrant workers whose children until today must prove they are ",{"_key":22466,"_type":15,"marks":22467,"text":22468},"700951f2742d",[21819],"*German* enough",{"_key":22470,"_type":15,"marks":22471,"text":22472},"fe6ccb347440",[],".\n\nThroughout reunification in 1990, where the vibe of another new national era was reignited and the former GDR state system was taken over by West-Germany, the idea of the great German nation is being carried on to the point that the Federal Republic performs a culture of remembrance in which the uniqueness of the Holocaust is central to the self-conception as a moral, purified, *normal* society of democratic individuals, freed from the Nazis. This results in ",{"_key":22474,"_type":15,"marks":22475,"text":22476},"9e63e21c61f0",[21830],"guilt-pride",{"_key":22478,"_type":15,"marks":22479,"text":22480},"c1213ba49e1a",[]," as a sense of moral superiority as a nation and at the same time, an individualized responsibility everyone carries for themselves instead of understanding what collective accountability means. History is being told in a way that doesn’t really tackle the image of oneself, but comforts, and helps to justify capitalist war politics called “historical responsibility” and “Staatsräson”.",[22482,22504,22526,22548],{"_key":21797,"_type":10620,"allFootnotes":22483,"footnoteText":22498,"markKey":21797},[22484,22485,22486,22487,22488,22489,22490,22491,22492,22493,22494,22495,22496,22497],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22499],{"_key":21800,"_type":11,"children":22500,"markDefs":22503,"style":24},[22501],{"_key":21803,"_type":15,"marks":22502,"text":21805},[],[],{"_key":21808,"_type":10620,"allFootnotes":22505,"footnoteText":22520,"markKey":21808},[22506,22507,22508,22509,22510,22511,22512,22513,22514,22515,22516,22517,22518,22519],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22521],{"_key":21811,"_type":11,"children":22522,"markDefs":22525,"style":24},[22523],{"_key":21814,"_type":15,"marks":22524,"text":21816},[],[],{"_key":21819,"_type":10620,"allFootnotes":22527,"footnoteText":22542,"markKey":21819},[22528,22529,22530,22531,22532,22533,22534,22535,22536,22537,22538,22539,22540,22541],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22543],{"_key":21822,"_type":11,"children":22544,"markDefs":22547,"style":24},[22545],{"_key":21825,"_type":15,"marks":22546,"text":21827},[],[],{"_key":21830,"_type":10620,"allFootnotes":22549,"footnoteText":22564,"markKey":21830},[22550,22551,22552,22553,22554,22555,22556,22557,22558,22559,22560,22561,22562,22563],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22565],{"_key":21833,"_type":11,"children":22566,"markDefs":22573,"style":24},[22567,22569,22571],{"_key":21836,"_type":15,"marks":22568,"text":21838},[],{"_key":21840,"_type":15,"marks":22570,"text":21843},[21842],{"_key":21845,"_type":15,"marks":22572,"text":21847},[],[22574],{"_key":21842,"_type":41,"href":21850},{"_type":574,"settings":22576,"text":22577},{"textColumnCount":637},[22578,22585,22597],{"_key":22579,"_type":11,"children":22580,"markDefs":22584,"style":24},"8c3f8ce65445",[22581],{"_key":22582,"_type":15,"marks":22583,"text":22231},"dbc3e6466e6f",[],[],{"_key":22586,"_type":11,"children":22587,"markDefs":22596,"style":24},"b7321d2c35e2",[22588,22592],{"_key":22589,"_type":15,"marks":22590,"text":22591},"d5d233a2e2590",[492],"---I don’t believe it is liberating to forget about how we came here. Because it doesn’t really disappear. It’s just veiled like the German Bundestag in Berlin 1995, wrapped in fabric like a gift---\n\n",{"_key":22593,"_type":15,"marks":22594,"text":22595},"cd94981ce94c0",[17],"What has been hard for my father affects me even though he tried to keep it away from me.",[],{"_key":22598,"_type":11,"children":22599,"markDefs":22603,"style":24},"a12afaa81faa",[22600],{"_key":22601,"_type":15,"marks":22602,"text":22231},"58402e80bd23",[],[],{"_type":574,"settings":22605,"text":22606},{"textColumnCount":637},[22607],{"_key":22608,"_type":11,"children":22609,"markDefs":22614,"style":24},"fa2cb237cb0a",[22610],{"_key":22611,"_type":15,"marks":22612,"text":22613},"740b6df1411e0",[],"Coloniality continues today and reaches into Western democracies, where labor and social division are organized along race, class, and gender lines. While Germany deals with its colonial past in a sketchy way, many migrant workers are doing the hardest and worst-paid jobs for this society without appropriate recognition and access to the *good life*. Their work contributes to the German economy in ways similar to the forced labor of Nazi extermination and exploitation, the war as well as extraction during German colonialism.\n\nIn the context of European Enlightenment, liberation processes from a religiously justified feudalism system shaped the idea of *freedom* as freedom from dependencies and domination, to being an autonomous individual. In our high-tech neoliberal capitalist system, once a certain standard of living has been achieved, individual freedom aims to free oneself from reproductive work such as cleaning, washing, cooking, and other forms of caregiving.\n\nFreedom for Germans often includes a liberation from historic guilt. They don’t want to have to take care of their past. They want to say, “Never again” and continue their future-oriented way of living, *finally in peace*. They want to live happily in denial, saying “We are not racist”, while fascism is coming back to town and German families slowly forget about their Nazi heritage.",[],{"_type":574,"settings":22616,"text":22617},{"textColumnCount":637},[22618],{"_key":22619,"_type":11,"children":22620,"markDefs":22626,"style":24},"3649528918cc",[22621],{"_key":22622,"_type":15,"marks":22623,"text":22625},"89dd287c412d0",[17,22624],"6b8cd3c748aa","washing the guilt away / white cube / what one could think of when standing at the Gates of Hell",[22627],{"_key":22624,"_type":15677,"label":284,"value":22148},{"_type":574,"settings":22629,"text":22630},{"textColumnCount":637},[22631],{"_key":22632,"_type":11,"children":22633,"markDefs":22638,"style":24},"a3cf4d4108e5",[22634],{"_key":22635,"_type":15,"marks":22636,"text":22637},"4568b33a4e520",[],"I can walk through Zurich and pass by the central train station. Switzerland is very proud of their punctual and well-ordered train system. Trains are expensive and clean, the extended office area of the well-paid employees commuting between the cities. The trains stand empty in Zurich station and people dressed in orange pass through them, collecting the waste, emptying the trash cans. They look tired and as if in a parallel world to all those in transit.\n\nI can walk through the city of Zurich and pass by the biggest art museum. They are very proud of their collection, giving a taste by positioning a huge bronze sculpture beside the main entrance for everyone to see. A person on a lifting platform stands close to the sculpture, wiping it clean with a cloth. I learn that after leaving the sculpture outside for many years where it was oxidizing and turning green, they changed their maintenance concept, reversed the oxidation process and applied layers of wax on the material which preserves the patina the way the artist had intended it 100 years ago—keeping the Gates as if no time had passed since then.",[],{"_type":626,"caption":75,"image":22640},{"alt":75,"asset":22641},{"_id":22642,"height":22643,"orientation":512,"ratio":22644,"url":22645,"width":2960},"image-acfde4853fc95668b8d9f9ad496571551714ebb9-600x292-jpg",292,2.0547945205479454,"https://cdn.sanity.io/images/eodip22e/production/acfde4853fc95668b8d9f9ad496571551714ebb9-600x292.jpg",{"_type":574,"settings":22647,"text":22648},{"textColumnCount":637},[22649],{"_key":22650,"_type":11,"children":22651,"markDefs":22680,"style":24},"5396260ee45c",[22652,22656,22660,22664,22668,22672,22676],{"_key":22653,"_type":15,"marks":22654,"text":22655},"e79d8f34b63c0",[],"The Western museum institution is working to collect, preserve, conserve, educate, and make accessible. In white spaces it presents objects and art works often out of their contexts of origin, creation, and history. It displays and proves, produces and reproduces legitimized knowledge and truths. Its basic architecture, the white cube, illustrates neutrality and objectivity, and appears harm- and guiltless. The clean surface of the space neutralizes the rot of historical and present circumstances of violent extractions. What we should see is the present, now-now-now, timelessness. \n\n",{"_key":22657,"_type":15,"marks":22658,"text":22659},"bd37afd4d794",[21852],"Kunsthaus Zürich placed the Gates of Hell in front of their door to build a bridge to the dwellers of Zurich",{"_key":22661,"_type":15,"marks":22662,"text":22663},"38b968b2acc4",[],", to represent their collection, to represent European arts traditions, to represent Western Modernity. Only 2 years ago they decided to take care of the sculpture in a way that includes its contextualization: inside the enormous new building, funded by Bührle's ",{"_key":22665,"_type":15,"marks":22666,"text":22667},"915fa8407325",[21863],"weapons-money",{"_key":22669,"_type":15,"marks":22670,"text":22671},"6ee2344e2fc5",[],", they put a small sign sharing about the Nazi-connections of their version. In this new building the cleaning staff are not hired by the museum but outsourced to an external service provider. Even though they do the same task, the conservator is being paid way more salary than the cleaners.\n\nHere we move between engineered visibility and invisibility: what becomes apparent is the care work the museum does to maintain the status quo of art works, objects, and royal entrances to exhibit a specific narration of their subject. This generates its reason to exist. What disappears in the white space is the daily cleaning work, happening in isolation before or after the public opening hours of the institution, keeping the sacred halls pleasant. It is the things and people that are excluded and not part of the exhibition world because they never visited a museum and aren’t addressed as visitors or are not considered *art* or *history*. It is talking about how the objects ended up in the museum, where the money comes from and where it goes to. It is the ongoing extractive functioning of the institution. It is the reproduction of systemic violence, disappearing behind symbolic and performative reparations that do not mean actual change. We see the whitewashed facades and walls of an architecture that is always clean, while the labor behind this neatness is kept invisible.\n\n",{"_key":22673,"_type":15,"marks":22674,"text":22675},"f10c1f5f6890",[21874],"Like the museum",{"_key":22677,"_type":15,"marks":22678,"text":22679},"85ee631a33b8",[],", the family is not only a place of knowledge production and transfer but also an institution of care. As the so called *nucleus* of (Western) society it is the place where human life is being reproduced— literally and also through daily practices of nurturing, feeding, washing. The capitalist privatization (and isolation) of care work finds its strength anchoring in the nuclear family, that holds heteronormativity and patriarchy in place and passes on social norms.\n\nFamily is often the place where we learn about ourselves and the world, where we come from, and how we can sustain a living in the future. While it works in service of continuation and persistence of a lineage, possessions, knowledge, and traditions, a family’s narration of the past is often fragmented. The loss of parts of history can have many different reasons, like collective or individual conditions of extinction, expulsion, and displacement, colonization, migration, war, environmental catastrophe, persecution by authorities, hegemonic oppression, theft, oblivion, illness, and so on. It can happen through selective remembrance aiming to cut off inconvenient legacies, through silence trying to avoid discomfort, denying guilt, and detaching from responsibility.",[22681,22703,22725],{"_key":21852,"_type":10620,"allFootnotes":22682,"footnoteText":22697,"markKey":21852},[22683,22684,22685,22686,22687,22688,22689,22690,22691,22692,22693,22694,22695,22696],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22698],{"_key":21855,"_type":11,"children":22699,"markDefs":22702,"style":24},[22700],{"_key":21858,"_type":15,"marks":22701,"text":21860},[],[],{"_key":21863,"_type":10620,"allFootnotes":22704,"footnoteText":22719,"markKey":21863},[22705,22706,22707,22708,22709,22710,22711,22712,22713,22714,22715,22716,22717,22718],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22720],{"_key":21866,"_type":11,"children":22721,"markDefs":22724,"style":24},[22722],{"_key":21869,"_type":15,"marks":22723,"text":21871},[],[],{"_key":21874,"_type":10620,"allFootnotes":22726,"footnoteText":22741,"markKey":21874},[22727,22728,22729,22730,22731,22732,22733,22734,22735,22736,22737,22738,22739,22740],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22742],{"_key":21877,"_type":11,"children":22743,"markDefs":22746,"style":24},[22744],{"_key":21880,"_type":15,"marks":22745,"text":21882},[],[],{"_type":574,"settings":22748,"text":22749},{"textColumnCount":637},[22750,22757,22769,22777,22784],{"_key":22751,"_type":11,"children":22752,"markDefs":22756,"style":24},"0fe2e587d8fc",[22753],{"_key":22754,"_type":15,"marks":22755,"text":22231},"3b5aaf8ccf7d",[],[],{"_key":22758,"_type":11,"children":22759,"markDefs":22768,"style":24},"6ecea525fc46",[22760,22764],{"_key":22761,"_type":15,"marks":22762,"text":22763},"b6176698b0f0",[17],"I remember some defensive vibe my parents had when answering my questions about my grandparent’s lives in Nazi-Germany. I feel they had copied the stories from their parents saying one couldn’t do anything other than being obedient to the fascist regime. Following this argument, for German families, too, the conformity to the state order became a question of survival. They could talk about the hardships of war, about captivity, about how their Jewish friends disappeared and how they couldn't do anything about it and thus tell their own stories of suffering.\n\n",{"_key":22765,"_type":15,"marks":22766,"text":22767},"f560f6fcdaa80",[492],"---The move of *putting the past to rest* can be seen as a manner to keep up and reproduce the status quo of power relations, capitalism, and nation states. The way Germany tells its own history, it remakes itself in a way that secures its stance throughout the course of time.",[],{"_key":22770,"_type":11,"children":22771,"markDefs":22776,"style":24},"4fb9fcc35fac",[22772],{"_key":22773,"_type":15,"marks":22774,"text":22775},"c5dd7de4456e0",[492],"One hand pushing aside the past, the other one holding space following specific ideas of who belongs to the nation, who qualifies as a citizen, who deserves protection and care, who does the washing, who carries responsibility, who is part of the family, and who is outside of it, as a threat for the nation’s safety, security and stability---",[],{"_key":22778,"_type":11,"children":22779,"markDefs":22783,"style":24},"7522faab1f99",[22780],{"_key":22781,"_type":15,"marks":22782,"text":22231},"9314dc309c73",[],[],{"_key":22785,"_type":11,"children":22786,"markDefs":22790,"style":24},"ce04d4dbb480",[22787],{"_key":22788,"_type":15,"marks":22789,"text":1000},"a35a5e13f452",[17],[],{"_type":574,"settings":22792,"text":22793},{"textColumnCount":637},[22794],{"_key":22795,"_type":11,"children":22796,"markDefs":22817,"style":24},"b0ac3792877c",[22797,22801,22805,22809,22813],{"_key":22798,"_type":15,"marks":22799,"text":22800},"ee06f66cfd9f0",[],"When I look at the falling bodies, in hell for their sins in life, I must think of drowning people, of the fortress Europe and folks dying at its closed doors. Of the Mediterranean Sea and the Atlantic Ocean being mass graves for displaced people. I see the figure of the “Thinker” sitting above the suffering, observing, thinking with every muscle and can’t help but wonder if Rodin or Hitler or Bührle saw themselves in this figure.\n\n",{"_key":22802,"_type":15,"marks":22803,"text":22804},"c2d360f51bc2",[21885],"Of all the institutions that promise to take care, the state is the most all-encompassing one",{"_key":22806,"_type":15,"marks":22807,"text":22808},"490ef58e7c0a",[],". It feeds the delusion of care through divide and rule, being “un-caring” to the ones it positions outside its borders. It vows to be the great caretaker of citizens, their well-being and safety, of national good and international order. To fulfil this pledge, it rather highlights accomplishments and hides malfunctions, adapting official narratives towards the effect of necessity and the absence of alternatives.\n\nLike the nation state, the family seems to be *natural*—as if there were no other ways to organize social life amongst humans. ",{"_key":22810,"_type":15,"marks":22811,"text":22812},"659880dfcde2",[21896],"“Like a microcosm of the nation-state, the family incubates chauvinism and competition. Like a factory with a billion branches, it manufactures ’individuals’ with a cultural, ethnic, and binary gender identity; a class; and a racial consciousness.”",{"_key":22814,"_type":15,"marks":22815,"text":22816},"fc026ba10ede",[]," The impression of naturalness normalizes violent exclusions that make the formation of an exclusive unit possible. It stabilizes the enforced order, and maintains the limited space for some individuals to take their seats at the representative table while others serve in invisibility. To push past the costs of the comfortable good life, filled with nice art pieces and good memories, moving them out of sight, is a move realized within and by the father and the family, the museum and the state. They share the same patriarchal authority that normalizes violence in the name of progress, wealth, stability and freedom.\n\nWhat the Gates and family have in common, is the fixation of a specific idea of life, of *the good*, *the beautiful*, the *natural*, and *normal*. The sinful go to hell, the ones free of sin can sit at the family table in their safe space and observe the suffering.",[22818,22840],{"_key":21885,"_type":10620,"allFootnotes":22819,"footnoteText":22834,"markKey":21885},[22820,22821,22822,22823,22824,22825,22826,22827,22828,22829,22830,22831,22832,22833],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22835],{"_key":21888,"_type":11,"children":22836,"markDefs":22839,"style":24},[22837],{"_key":21891,"_type":15,"marks":22838,"text":21893},[],[],{"_key":21896,"_type":10620,"allFootnotes":22841,"footnoteText":22856,"markKey":21896},[22842,22843,22844,22845,22846,22847,22848,22849,22850,22851,22852,22853,22854,22855],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[22857],{"_key":21899,"_type":11,"children":22858,"markDefs":22861,"style":24},[22859],{"_key":21902,"_type":15,"marks":22860,"text":21904},[],[],{"_type":626,"caption":75,"image":22863},{"alt":75,"asset":22864},{"_id":22865,"height":22866,"orientation":512,"ratio":22867,"url":22868,"width":22869},"image-2f6b0e9e603bda53e7520d42f3d580c09e3d8188-1440x997-jpg",997,1.444332998996991,"https://cdn.sanity.io/images/eodip22e/production/2f6b0e9e603bda53e7520d42f3d580c09e3d8188-1440x997.jpg",1440,{"_type":574,"settings":22871,"text":22872},{"textColumnCount":637},[22873],{"_key":22874,"_type":11,"children":22875,"markDefs":22882,"style":24},"56941778b5c0",[22876],{"_key":22877,"_type":15,"marks":22878,"text":22881},"7e2b9a7ab39f0",[17,22879,22880],"2fb66371a6b8","1aec70dea64f","Mum does the washing / Gossip / Seeing the cost",[22883,22884],{"_key":22879,"_type":12449,"color":75},{"_key":22880,"_type":15677,"label":284,"value":22148},{"_type":574,"settings":22886,"text":22887},{"textColumnCount":637},[22888],{"_key":22889,"_type":11,"children":22890,"markDefs":22895,"style":24},"1329b87c7b68",[22891],{"_key":22892,"_type":15,"marks":22893,"text":22894},"9704a591b8e70",[],"Rodin’s “Gates” show the artist’s interpretation of the human condition as suffering and precariousness. Some people see the similarities between his modelled figures of naked bodies and images documenting hysterical attacks, taken in Paris, where he lived and worked, being big friends with the leading medic in hysteria research and treatment.\n\nThe artist is highly praised for his magical hands moulding the figures. Some people say his student and partner, Camille Claudel, not only modelled for him but also fashioned the hands of his sculptures. She always stood in his shadow, spent 30 years in psychiatric institutions, and was only recognized for her artistic work after her death.",[],{"_type":574,"settings":22897,"text":22898},{"textColumnCount":637},[22899,22906,22914,22922,22930,22938,22946,22954,22962,22970,22978,22986],{"_key":22900,"_type":11,"children":22901,"markDefs":22905,"style":24},"ac1c169db9d6",[22902],{"_key":22903,"_type":15,"marks":22904,"text":22231},"b6dd9847ff4b",[],[],{"_key":22907,"_type":11,"children":22908,"markDefs":22913,"style":24},"11b8a11f22f7",[22909],{"_key":22910,"_type":15,"marks":22911,"text":22912},"6dfe31782dbc0",[492],"did u ever wonder",[],{"_key":22915,"_type":11,"children":22916,"markDefs":22921,"style":24},"23e823d5f692",[22917],{"_key":22918,"_type":15,"marks":22919,"text":22920},"05d609a6bea30",[492],"how this world finds back into place after",[],{"_key":22923,"_type":11,"children":22924,"markDefs":22929,"style":24},"c01529bb8d2c",[22925],{"_key":22926,"_type":15,"marks":22927,"text":22928},"45acc61b05170",[492],"a full day of a million things being done by all of us?",[],{"_key":22931,"_type":11,"children":22932,"markDefs":22937,"style":24},"885a1a6695b9",[22933],{"_key":22934,"_type":15,"marks":22935,"text":22936},"de67fc03bf300",[492],"it seems to happen as if by an invisible hand",[],{"_key":22939,"_type":11,"children":22940,"markDefs":22945,"style":24},"6d550ad9497b",[22941],{"_key":22942,"_type":15,"marks":22943,"text":22944},"5b22e75f94d60",[492],"magic",[],{"_key":22947,"_type":11,"children":22948,"markDefs":22953,"style":24},"7d11ceee299a",[22949],{"_key":22950,"_type":15,"marks":22951,"text":22952},"6efd595398890",[492],"do u remember waking up as a child in the morning",[],{"_key":22955,"_type":11,"children":22956,"markDefs":22961,"style":24},"685103aa317e",[22957],{"_key":22958,"_type":15,"marks":22959,"text":22960},"c5d65dc69fdc0",[492],"to a full new day ahead of u, with a chance that all the ghosts from yesterday could be gone?",[],{"_key":22963,"_type":11,"children":22964,"markDefs":22969,"style":24},"aa2272045a80",[22965],{"_key":22966,"_type":15,"marks":22967,"text":22968},"f8c6a05852020",[492],"washed away by the rain",[],{"_key":22971,"_type":11,"children":22972,"markDefs":22977,"style":24},"93865846a938",[22973],{"_key":22974,"_type":15,"marks":22975,"text":22976},"5ac9721b77860",[492],"reset, delete, maintain, cultivate, empty, refill, foster, carry away, bring anew, reproduce, put back, clear up, hold together, preserve, clean, polish, wipe, care, love, work",[],{"_key":22979,"_type":11,"children":22980,"markDefs":22985,"style":24},"770595478bb0",[22981],{"_key":22982,"_type":15,"marks":22983,"text":22984},"299d6f7af31d0",[492],"the present keeps track of the past in strange ways",[],{"_key":22987,"_type":11,"children":22988,"markDefs":22996,"style":24},"0bc8723d47cd",[22989,22993],{"_key":22990,"_type":15,"marks":22991,"text":22992},"bcd9b565eec30",[492],"good morning, did u have a dream\n\n",{"_key":22994,"_type":15,"marks":22995,"text":22231},"2148382ff322",[],[],{"_type":574,"settings":22998,"text":22999},{"textColumnCount":637},[23000],{"_key":23001,"_type":11,"children":23002,"markDefs":23007,"style":24},"b0e3fa6ac6b8",[23003],{"_key":23004,"_type":15,"marks":23005,"text":23006},"1f31d57523270",[],"Reproductive labor is privatized and individualized, everyone alone takes care of their own shit. It happens behind the scenes, so that one could believe the dirt continuously produced by all of us disappears by itself. Care work is structurally pushed to the margins of *modern life* in *civilized* societies, not only marginalizing the activity itself but the people who do it, often reduced to their work, only valued as human resource, as work time, as executing body. Invisible, it becomes a standard, granted, natural, and normalized. It becomes part of the architecture we move thru that things are clean, at their determined place, in order, in control. How this cleaned up state of the world comes into being is out of focus, time is happening now, oriented towards the future, it is not relevant what was before. There is a detachment from the necessity of care taking—as “Mum Does The Washing” or somebody else that we don’t even know. There is a denial that it is essential for surviving. A lifestyle of detachment and denial is possible through privilege enabling for some to not do any reproductive labor at all and to live life as if it wouldn’t cost a thing. It’s the lifestyle of Western society, of the rich, of White supremacy, of the individualized way of life where we strive to reach a life standard without having to clean up.",[],{"_type":574,"settings":23009,"text":23010},{"textColumnCount":637},[23011,23018,23026,23033,23041,23049,23056,23064,23071,23079],{"_key":23012,"_type":11,"children":23013,"markDefs":23017,"style":24},"6a6b5657d63a",[23014],{"_key":23015,"_type":15,"marks":23016,"text":22231},"387cb72b7b85",[],[],{"_key":23019,"_type":11,"children":23020,"markDefs":23025,"style":24},"df6da2a15c0a",[23021],{"_key":23022,"_type":15,"marks":23023,"text":23024},"070a08c7e823",[17],"When I started saying “Thanks for cooking” at the family dinner table, my mother, my father and other older cooks often reacted not at all or with a version of “sure!” that sounded like a blame. As if me thanking would include questioning the assumed naturalness of this circumstance. Instead of appreciation it sounded like criticism to them.",[],{"_key":23027,"_type":11,"children":23028,"markDefs":23032,"style":24},"e0c31404ccf1",[23029],{"_key":23030,"_type":15,"marks":23031,"text":1000},"60124f55e79e0",[],[],{"_key":23034,"_type":11,"children":23035,"markDefs":23040,"style":24},"89c37389fa47",[23036],{"_key":23037,"_type":15,"marks":23038,"text":23039},"998a17dcc60d0",[492],"Care is feeling a sense of responsibility, looking after oneself and each other. Being aware of the work that is sustaining our world and our life being done right now, yesterday, and tomorrow. Being aware of the patriarchal, colonial, and nationalist-fascist violence that still shapes this place and this time.",[],{"_key":23042,"_type":11,"children":23043,"markDefs":23048,"style":24},"2b8c59a90db7",[23044],{"_key":23045,"_type":15,"marks":23046,"text":23047},"3526e468333f0",[492],"Taking turns to do the work, share, acknowledge, clean up collectively without concealing guilt and accountability, practice family beyond blood lines, ideas of owning, similarity, genealogy, nationality, and uniqueness.",[],{"_key":23050,"_type":11,"children":23051,"markDefs":23055,"style":24},"ca0b364fdbad",[23052],{"_key":23053,"_type":15,"marks":23054,"text":1000},"b63965b9ee720",[492],[],{"_key":23057,"_type":11,"children":23058,"markDefs":23063,"style":24},"f30d8c392da7",[23059],{"_key":23060,"_type":15,"marks":23061,"text":23062},"db47593631430",[492],"The past ain’t over, but reaches into the present and the future, no matter if we try to ignore it or not. As we are keeping the gates that are supposed to separate artificial units of time from each other, we can decide to open the doors, destroy the division of time-space and maintain a space that instead connects.",[],{"_key":23065,"_type":11,"children":23066,"markDefs":23070,"style":24},"a52167e0b867",[23067],{"_key":23068,"_type":15,"marks":23069,"text":1000},"c2cacb488b4a0",[492],[],{"_key":23072,"_type":11,"children":23073,"markDefs":23078,"style":24},"94b5af7d53b0",[23074],{"_key":23075,"_type":15,"marks":23076,"text":23077},"c534912b0bec0",[492],"Facing Germany’s genocidal history means discomfort not purification. Cleaning that doesn’t wash the guilt away but makes it approachable for scrutinization and the allocation and the understanding of accountability.\n",[],{"_key":23080,"_type":11,"children":23081,"markDefs":23085,"style":24},"ad1ce9e80dd0",[23082],{"_key":23083,"_type":15,"marks":23084,"text":22231},"28e2164db900",[],[],{"_type":574,"settings":23087,"text":23088},{"textColumnCount":637},[23089,23127,23135,23142,23149],{"_key":23090,"_type":11,"children":23091,"markDefs":23104,"style":24},"0da12cd98e0e",[23092,23096,23100],{"_key":23093,"_type":15,"marks":23094,"text":23095},"766ef106e0310",[],"At the bottom of the Gates of Hell, we can find the “",{"_key":23097,"_type":15,"marks":23098,"text":23099},"fae22d829dab",[21907],"Kingdom of Mothers",{"_key":23101,"_type":15,"marks":23102,"text":23103},"e2f05878a217",[],"”. This is the place where life seems to come from at the beginning of the journey to hell. This could be the place to occupy together, mothering each other, practicing family as integrative care, taking care of one another, as a counter practice against the nation state. Abolish the institution that pretends to save us and engage in the doing, the work. Gossiping about Germany. Cheating on the fatherland.",[23105],{"_key":21907,"_type":10620,"allFootnotes":23106,"footnoteText":23121,"markKey":21907},[23107,23108,23109,23110,23111,23112,23113,23114,23115,23116,23117,23118,23119,23120],{"_key":21753},{"_key":21764},{"_key":21775},{"_key":21786},{"_key":21797},{"_key":21808},{"_key":21819},{"_key":21830},{"_key":21852},{"_key":21863},{"_key":21874},{"_key":21885},{"_key":21896},{"_key":21907},[23122],{"_key":21910,"_type":11,"children":23123,"markDefs":23126,"style":24},[23124],{"_key":21913,"_type":15,"marks":23125,"text":21915},[],[],{"_key":23128,"_type":11,"children":23129,"markDefs":23134,"style":24},"8cc59b23a721",[23130],{"_key":23131,"_type":15,"marks":23132,"text":23133},"225341b586b00",[],"tbc",[],{"_key":23136,"_type":11,"children":23137,"markDefs":23141,"style":24},"4f16e45010e4",[23138],{"_key":23139,"_type":15,"marks":23140,"text":23133},"89885a328f730",[],[],{"_key":23143,"_type":11,"children":23144,"markDefs":23148,"style":24},"49a9e3da5940",[23145],{"_key":23146,"_type":15,"marks":23147,"text":23133},"ab50d5017bb60",[],[],{"_key":23150,"_type":11,"children":23151,"markDefs":23155,"style":24},"3ba9fb59a932",[23152],{"_key":23153,"_type":15,"marks":23154,"text":23133},"4d9ff58313b00",[],[],{"_type":1246,"caption":75,"embedCode":23157},"\u003Ciframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/PS9Bc_GQBEs?si=BDV1wI90zW9aNzMw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C/iframe>",{"_type":77,"current":23159},"notes-on-practicing-family","Notes on practicing family",{"_id":23162,"_type":278,"categories":23163,"credits":23167,"downloads":75,"events":75,"footnotes":23207,"issue":23219,"labs":23222,"pageBuilder":23313,"seo":75,"slug":24492,"title":5927},"e2739b81-ac07-4738-9573-dd58df4c8d85",[23164],{"_id":4498,"_type":295,"colorPrimary":23165,"seo":75,"slug":23166,"title":4503},{"label":284,"value":4500},{"_type":77,"current":4502},{"other":75,"profiles":23168},[23169],{"_id":4507,"_type":340,"activeYears":23170,"bio":23173,"bioShort":4536,"featuredImage":23187,"filterables":23189,"links":23192,"locations":23194,"searchables":23204,"seo":23205,"slug":23206,"title":4538},[23171],{"_id":168,"_type":169,"seo":75,"slug":23172,"title":171},{"_type":77,"current":171},[23174],{"_key":4513,"_type":11,"children":23175,"markDefs":23186,"style":24},[23176,23178,23180,23182,23184],{"_key":4516,"_type":15,"marks":23177,"text":4518},[],{"_key":4520,"_type":15,"marks":23179,"text":4522},[492],{"_key":4524,"_type":15,"marks":23181,"text":4526},[],{"_key":4528,"_type":15,"marks":23183,"text":4530},[492],{"_key":4532,"_type":15,"marks":23185,"text":4534},[],[],{"alt":4538,"asset":23188},{"_id":4540,"height":4541,"orientation":512,"ratio":4542,"url":4543,"width":4544},{"filterYear":23190},[23191],{"_id":168,"title":171},[23193],{"_type":368,"label":4550,"url":4551},{"locations":23195,"other":23198},[23196],{"_id":2384,"_type":381,"seo":75,"slug":23197,"title":2387},{"_type":77,"current":2386},[23199],{"_key":4558,"_type":11,"children":23200,"markDefs":23203,"style":24},[23201],{"_key":4561,"_type":15,"marks":23202,"text":4563},[],[],[4566,171],{"metaDescription":4568,"metaTitle":4538,"shareImage":75},{"_type":77,"current":4570},[23208],{"_key":23209,"footnoteText":23210},"4d6d8abce05e",[23211],{"_key":23212,"_type":11,"children":23213,"markDefs":23218,"style":24},"45ab4951568e",[23214],{"_key":23215,"_type":15,"marks":23216,"text":23217},"29e5087ebcd10",[],"We recently discovered that transmissions on the Citizens Band (a range of frequencies varying from country to country, allowing for broadcast without a license), which are largely made up of local conversations between truck drivers or taxis, can sometimes make a much longer journey. During certain atmospheric conditions they have the potential to bypass the ionosphere which is usually their ceiling, and broadcast out into space - forever.",[],{"_id":281,"_type":282,"colorPrimary":23220,"seo":75,"slug":23221,"title":171,"yearTitle":287},{"label":284,"value":285},{"_type":77,"current":171},[23223],{"_id":4495,"_type":291,"categories":23224,"credits":23228,"featuredImage":23268,"filterables":23270,"footnotes":23277,"locations":23278,"logbook":75,"pageBuilder":23282,"researchQuestion":75,"researchQuestions":75,"searchables":23311,"seo":75,"slug":23312,"title":4572,"year":171},[23225],{"_id":4498,"_type":295,"colorPrimary":23226,"seo":75,"slug":23227,"title":4503},{"label":284,"value":4500},{"_type":77,"current":4502},{"other":75,"profiles":23229},[23230],{"_id":4507,"_type":340,"activeYears":23231,"bio":23234,"bioShort":4536,"featuredImage":23248,"filterables":23250,"links":23253,"locations":23255,"searchables":23265,"seo":23266,"slug":23267,"title":4538},[23232],{"_id":168,"_type":169,"seo":75,"slug":23233,"title":171},{"_type":77,"current":171},[23235],{"_key":4513,"_type":11,"children":23236,"markDefs":23247,"style":24},[23237,23239,23241,23243,23245],{"_key":4516,"_type":15,"marks":23238,"text":4518},[],{"_key":4520,"_type":15,"marks":23240,"text":4522},[492],{"_key":4524,"_type":15,"marks":23242,"text":4526},[],{"_key":4528,"_type":15,"marks":23244,"text":4530},[492],{"_key":4532,"_type":15,"marks":23246,"text":4534},[],[],{"alt":4538,"asset":23249},{"_id":4540,"height":4541,"orientation":512,"ratio":4542,"url":4543,"width":4544},{"filterYear":23251},[23252],{"_id":168,"title":171},[23254],{"_type":368,"label":4550,"url":4551},{"locations":23256,"other":23259},[23257],{"_id":2384,"_type":381,"seo":75,"slug":23258,"title":2387},{"_type":77,"current":2386},[23260],{"_key":4558,"_type":11,"children":23261,"markDefs":23264,"style":24},[23262],{"_key":4561,"_type":15,"marks":23263,"text":4563},[],[],[4566,171],{"metaDescription":4568,"metaTitle":4538,"shareImage":75},{"_type":77,"current":4570},{"alt":4572,"asset":23269},{"_id":4540,"height":4541,"orientation":512,"ratio":4542,"url":4543,"width":4544},{"filterCategory":23271,"filterLocation":23273,"filterYear":23275},[23272],{"_id":4498,"title":4503},[23274],{"_id":2384,"title":2387},[23276],{"_id":168,"title":171},[],{"locations":23279,"other":75},[23280],{"_id":2384,"_type":381,"seo":75,"slug":23281,"title":2387},{"_type":77,"current":2386},[23283],{"_type":574,"settings":23284,"text":23285},{"textColumnCount":637},[23286,23291,23296,23301,23306],{"_key":4591,"_type":11,"children":23287,"markDefs":23290,"style":24},[23288],{"_key":4594,"_type":15,"marks":23289,"text":4596},[],[],{"_key":4599,"_type":11,"children":23292,"markDefs":23295,"style":24},[23293],{"_key":4602,"_type":15,"marks":23294,"text":1000},[],[],{"_key":4606,"_type":11,"children":23297,"markDefs":23300,"style":24},[23298],{"_key":4609,"_type":15,"marks":23299,"text":4611},[],[],{"_key":4614,"_type":11,"children":23302,"markDefs":23305,"style":24},[23303],{"_key":4617,"_type":15,"marks":23304,"text":1000},[],[],{"_key":4621,"_type":11,"children":23307,"markDefs":23310,"style":24},[23308],{"_key":4624,"_type":15,"marks":23309,"text":4626},[],[],[4629,171,2386,4566,4630,4502],{"_type":77,"current":4632},[23314,23356,23391,23421,23432,23496,23524,23535,23563,23622,23680,23707,23736,23755,23776,23811,23987,24013,24028],{"_type":574,"settings":23315,"text":23316},{"textColumnCount":637},[23317,23325,23333,23348],{"_key":23318,"_type":11,"children":23319,"markDefs":23324,"style":24},"895840959684",[23320],{"_key":23321,"_type":15,"marks":23322,"text":23323},"59fd529b324d0",[17],"What happens when we treat radio not as a technology to command, but as a living field that gathers us into relation? We consider radio primarily as a cosmic force, moving through bodies, landscapes, and infrastructures. While states divide the radio spectrum into neat parcels of ownership and control, radio itself remains radically ungovernable: it leaks across borders, diffracts off the ionosphere, and echoes with the Big Bang.",[],{"_key":23326,"_type":11,"children":23327,"markDefs":23332,"style":24},"08280185a1e5",[23328],{"_key":23329,"_type":15,"marks":23330,"text":23331},"24e2611d10ee0",[17],"Through our collaborative practice of building improvised radio receivers from scrap materials, we listen collectively to a fusion of natural emissions and human transmissions. These open, untuned devices invite a mode of attention rooted in uncertainty and curiosity, revealing layers where local broadcasts, cosmic hiss, and electrical disturbances coexist. In these gatherings, radio becomes not a tool to be mastered but a companion in shared experimentation, learning, and attunement.",[],{"_key":23334,"_type":11,"children":23335,"markDefs":23347,"style":24},"7cccab7db120",[23336,23340,23343],{"_key":23337,"_type":15,"marks":23338,"text":23339},"af3bd12bdcd80",[17],"Drawing from Ursula K. Le Guin’s ",{"_key":23341,"_type":15,"marks":23342,"text":2676},"af3bd12bdcd81",[492,17],{"_key":23344,"_type":15,"marks":23345,"text":23346},"af3bd12bdcd82",[17]," (1988), we imagine a ‘Carrier Bag Theory of Radio’: in which receptacles for radio (receiving devices that allow us to listen) are valued over the ‘long, hard objects’ (Le Guin, 2024, p.28) of transmitting antennas. We understand reception as a continuum that vastly and importantly predates modern technological transmission, and we see the radio spectrum as a collective vessel of forces rather than a territory to be claimed. We align this thinking with calls from artists Celeste Oram (2024) and Soph Dyer (2017) for an electromagnetic commons, reminding us that radio governance is always cultural, political, and, for us, embodied.",[],{"_key":23349,"_type":11,"children":23350,"markDefs":23355,"style":24},"21c903ff5e59",[23351],{"_key":23352,"_type":15,"marks":23353,"text":23354},"48d46baacef20",[17],"This text offers a poetic reorientation toward listening and dreaming -together, openly, and within the ever-shifting electromagnetic field that surrounds us.",[],{"_type":574,"settings":23357,"text":23358},{"textColumnCount":637},[23359,23367,23375,23383],{"_key":23360,"_type":11,"children":23361,"markDefs":23366,"style":24},"0c74b76806f3",[23362],{"_key":23363,"_type":15,"marks":23364,"text":23365},"9ba3a591fbaa0",[17],"Orientation",[],{"_key":23368,"_type":11,"children":23369,"markDefs":23374,"style":24},"ec8faa582f1d",[23370],{"_key":23371,"_type":15,"marks":23372,"text":23373},"5693010e83500",[],"Electricity and magnetism weave and shift around us, through us and with us, during every moment of every day. Electromagnetism is a hybrid energetic relationship that allows humans to send and receive information wirelessly, such as sound (i.e. terrestrial radio), image (i.e. TV and satellite), or data (i.e. Wi-Fi), both locally and globally. When we send information, we are attaching it to a set of radio waves on a chosen frequency, using electromagnetic energy to carry our signals imperceptibly through the air.",[],{"_key":23376,"_type":11,"children":23377,"markDefs":23382,"style":24},"13007eae8b81",[23378],{"_key":23379,"_type":15,"marks":23380,"text":23381},"56b130ada4000",[],"These useful waves have been partitioned into ‘bands’ of frequencies by international coordination and national regulations. Bands are allocated for different purposes, such as broadcasting, aviation, mobile networks, satellites, and amateur communications. Though electromagnetic waves are infinite, the range of their frequencies is finite, making the spectrum a valuable - and political - resource. Corporations that rely on radio waves for their technological products (mobile networks, satellite firms, etc.) lobby governments to prioritise their use. As such, control over frequency allocation is a technical, cultural, and a political issue. However, electromagnetism is a natural phenomenon that existed long before human activity and will exist long after.",[],{"_key":23384,"_type":11,"children":23385,"markDefs":23390,"style":24},"8eb92d576804",[23386],{"_key":23387,"_type":15,"marks":23388,"text":23389},"bff9dbdcae630",[],"Our collective engages with radio waves, one section of the vast electromagnetic spectrum, as a compelling artistic material, both poetic and political. It is an invisible, shapeshifting, and enigmatic phenomenon that has long-whispered to us in dreams, danced the aurora on dark horizons before our eyes, and makes the hairs on our neck stand with unseen sensory information that, among other things, can foretell the arrival of storms. One of our primary activities since we began working together in 2020 is the construction of homemade devices sensitive to radio waves. We make what we call Open Wave-Receivers (Shortwave Collective, 2021), which listen for a broad range of frequencies and translate them into sound. We forage for pieces of metal and minerals in our local environments and test their properties within the radio circuits, congregating with other radio-makers on top of hills, climbing trees and stairs in tower blocks to try and lasso a signal; to produce a snapshot of radio waves as determined by the atmospheric and geographic conditions of that moment. It’s important to our collective practice that others are brought into this exploration of radio, and we find that this growing network of makers, many of whom would never have considered themselves radio-builders, allows us to create new knowledge and perspectives together.",[],{"_type":626,"caption":23392,"image":23413},[23393],{"_key":23394,"_type":11,"children":23395,"markDefs":23412,"style":24},"dd9d338e475b",[23396,23400,23404,23408],{"_key":23397,"_type":15,"marks":23398,"text":23399},"d33d03aa3b030",[17],"Fig. 1",{"_key":23401,"_type":15,"marks":23402,"text":23403},"d33d03aa3b031",[]," Ivo Blackwood, ",{"_key":23405,"_type":15,"marks":23406,"text":23407},"d33d03aa3b032",[492],"Climbing the Mount at Dusk",{"_key":23409,"_type":15,"marks":23410,"text":23411},"d33d03aa3b033",[],", 2022.",[],{"alt":23414,"asset":23415},"Fig. 1 Ivo Blackwood, Climbing the Mount at Dusk, 2022.",{"_id":23416,"height":23417,"orientation":512,"ratio":23418,"url":23419,"width":23420},"image-2d095183353523632ef6eab608b4f47ec0306931-2400x1592-jpg",1592,1.5075376884422111,"https://cdn.sanity.io/images/eodip22e/production/2d095183353523632ef6eab608b4f47ec0306931-2400x1592.jpg",2400,{"_type":574,"settings":23422,"text":23423},{"textColumnCount":637},[23424],{"_key":23425,"_type":11,"children":23426,"markDefs":23431,"style":24},"a5839aab4e9c",[23427],{"_key":23428,"_type":15,"marks":23429,"text":23430},"59071671cd250",[],"In this collectively authored piece, through our assemblage of voices, we question how the radio spectrum is governed in a hyper-capitalist society, divided without community consensus into territory and terminable technology. We stand with those communities who argue that radio waves, as a natural resource, are a global commons and dream about access that is transparent and equitable. Learning from the proposals for ‘electromagnetic commons’ by Sophie Dyer (2017) as well as the advocacy of artist and researcher Celeste Oram (2024), our project aims to spark collective conversations on this topic and imagine how this spectrum could be thought of differently. We share the idea of a ‘Carrier Bag Theory of Radio’ that prioritises listening and receiving over transmission, and propose ‘radio-dreaming’ as a space for sensitivity to electromagnetic possibilities beyond our senses, from the stirrings of the hairs on our neck, to the prospect of interplanetary transmissions from Earth to other, and… all the things we don’t know.",[],{"_type":574,"settings":23433,"text":23434},{"textColumnCount":637},[23435,23443,23451,23472,23480,23488],{"_key":23436,"_type":11,"children":23437,"markDefs":23442,"style":24},"13f7eeac30e1",[23438],{"_key":23439,"_type":15,"marks":23440,"text":23441},"a8e210b1c8980",[17],"Territory",[],{"_key":23444,"_type":11,"children":23445,"markDefs":23450,"style":24},"9a7cb92a7244",[23446],{"_key":23447,"_type":15,"marks":23448,"text":23449},"f5526c290a890",[],"Radio, electromagnetic ether, circulates, traverses, crosses boundaries. It's a wave that can be ridden by information intended for delivery. It’s an invisible territory. Walls can only be built around radio frequencies with energy, with electrical power. The licenses that government bodies bestow around the world are theoretical. How are these information highways policed?",[],{"_key":23452,"_type":11,"children":23453,"markDefs":23462,"style":24},"4c2f1eb91b63",[23454,23458],{"_key":23455,"_type":15,"marks":23456,"text":23457},"9bbc950ff4910",[],"Even though radio can be thought of as a territory - often visualised in a cartographical form - much of the human use of radio has been for listening to sound (and sound seems a more apt way of metaphorically conceptualising radio). Sound bleeds and is transformed through materials, stirs movement through vibrations, and emphasises and distorts through its harmonics as they fill and react to space. Here is a territory that reacts, bleeds, echoes, and amplifies. ",{"_key":23459,"_type":15,"marks":23460,"text":23461},"a319d25263b5",[23209],"Here is a territory that can be temporarily engraved with information... or maybe eternally so, if those signals happen to escape the atmosphere, and continue on into space.",[23463],{"_key":23209,"_type":10620,"allFootnotes":23464,"footnoteText":23466,"markKey":23209},[23465],{"_key":23209},[23467],{"_key":23212,"_type":11,"children":23468,"markDefs":23471,"style":24},[23469],{"_key":23215,"_type":15,"marks":23470,"text":23217},[],[],{"_key":23473,"_type":11,"children":23474,"markDefs":23479,"style":24},"3a5faeed85f8",[23475],{"_key":23476,"_type":15,"marks":23477,"text":23478},"e6a4faf4a7900",[],"Space is full of its own radio emissions. Electrons spiralling around magnetic fields in the Milky Way create 'galactic background noise'; remnant radiation from the Big Bang fills space with uniform microwaves; the sun emits bursts of radio waves during solar flares and storms; and Jupiter has its own 'radio voice' according to astronomers. Between 2012 and 2017, NASA's Van Allen Probes made recordings of 'space songs' publically available -a chirping and whistling chorus of very low frequency radio waves transduced into sound. Amateurs heard these sounds too, pointing DIY radio receivers at the sky during the solar maximum of 1989 and onwards.",[],{"_key":23481,"_type":11,"children":23482,"markDefs":23487,"style":24},"0b53f61ba6a4",[23483],{"_key":23484,"_type":15,"marks":23485,"text":23486},"d50cc356ef6a0",[],"Alongside these natural phenomena and terrestrial radio bleeds, powerful nation states own radio networks designed specifically for space. The largest, NASA's Deep Space Network (DSN), communicates with spacecraft up to 20 billion kilometers away. Tracking complexes house their giant antennas, positioned at 120 degree intervals around the planet (at the outskirts of Madrid, California, and Canberra), to maintain contact as the planet rotates, since radio waves can only travel in straight lines.",[],{"_key":23489,"_type":11,"children":23490,"markDefs":23495,"style":24},"928fedb7e1b0",[23491],{"_key":23492,"_type":15,"marks":23493,"text":23494},"6654549a1d720",[],"Radio transmissions in deep space are just as regulated as those on Earth. The International Telecommunication Union (ITU), a United Nations agency, allocates frequency bands for all radio communications. Deep space transmissions are sent on the X-band and received on the Ka-band, with 70-meter dishes digging through cosmic radio noise to detect signals as weak as those produced by a small phone charger. Both nation states and private companies (e.g., SpaceX) can access these channels under agreements or contracts. Should we gain access to other planets, it is radio technology that will be used for communication both with exploring astronauts and for transmitting to other lifeforms. Terrestrial radio may, again, reach the extra-terrestrial. In this way, radio has long been an integral part of our interplanetary dreaming of communicating with worlds beyond ours.",[],{"_type":626,"caption":23497,"image":23518},[23498],{"_key":23499,"_type":11,"children":23500,"markDefs":23517,"style":24},"2afe4ba582dd",[23501,23505,23509,23513],{"_key":23502,"_type":15,"marks":23503,"text":23504},"5dcca4f444d10",[17],"Fig. 2",{"_key":23506,"_type":15,"marks":23507,"text":23508},"5dcca4f444d11",[]," NASA,",{"_key":23510,"_type":15,"marks":23511,"text":23512},"5dcca4f444d12",[492]," Dawn in the Apollo Valley, ",{"_key":23514,"_type":15,"marks":23515,"text":23516},"5dcca4f444d13",[],"2012.",[],{"alt":23519,"asset":23520},"Fig. 2 NASA, Dawn in the Apollo Valley, 2012.",{"_id":23521,"height":1473,"orientation":512,"ratio":23522,"url":23523,"width":1425},"image-53b69cc82cecf606e722d99e83382e1b9c335b1e-1280x853-jpg",1.5005861664712778,"https://cdn.sanity.io/images/eodip22e/production/53b69cc82cecf606e722d99e83382e1b9c335b1e-1280x853.jpg",{"_type":574,"settings":23525,"text":23526},{"textColumnCount":637},[23527],{"_key":23528,"_type":11,"children":23529,"markDefs":23534,"style":24},"ce7c73c05b3b",[23530],{"_key":23531,"_type":15,"marks":23532,"text":23533},"bef4c497fe310",[],"If radio operates in the background - either as a means towards other ends, or as cosmic radiation filling the universe, who or what is in the foreground? When space is an extended field-of-play for humans, we challenge Earth-centric attitudes where we can endlessly litter space with our radio transmissions. Perhaps our martian counterparts are just beginning to receive our radio transmissions, after they have travelled through the ether for a hundred years to finally reach a lifeform sensitive to it, they are now receiving a hundred years of human transmissions, getting slowly bombarded into a climax, where every milliHertz of frequency is brimming with transmissions at all times…",[],{"_type":626,"caption":23536,"image":23557},[23537],{"_key":23538,"_type":11,"children":23539,"markDefs":23556,"style":24},"80e8bbfbf4b8",[23540,23544,23548,23552],{"_key":23541,"_type":15,"marks":23542,"text":23543},"983da028f7d40",[17],"Fig. 3",{"_key":23545,"_type":15,"marks":23546,"text":23547},"983da028f7d41",[]," Shortwave Collective, ",{"_key":23549,"_type":15,"marks":23550,"text":23551},"983da028f7d42",[492],"Buinho Rock Coil",{"_key":23553,"_type":15,"marks":23554,"text":23555},"983da028f7d43",[],", 2021.",[],{"alt":75,"asset":23558},{"_id":23559,"height":23560,"orientation":512,"ratio":1180,"url":23561,"width":23562},"image-c5093ea881078e73a39e2138b8e0d9b92bb16565-4032x3024-jpg",3024,"https://cdn.sanity.io/images/eodip22e/production/c5093ea881078e73a39e2138b8e0d9b92bb16565-4032x3024.jpg",4032,{"_type":574,"settings":23564,"text":23565},{"textColumnCount":637},[23566,23574,23582,23590,23598,23614],{"_key":23567,"_type":11,"children":23568,"markDefs":23573,"style":24},"589c5d82385a",[23569],{"_key":23570,"_type":15,"marks":23571,"text":23572},"07ea5b39b4830",[17],"DIY alternatives",[],{"_key":23575,"_type":11,"children":23576,"markDefs":23581,"style":24},"3af34ae45b2f",[23577],{"_key":23578,"_type":15,"marks":23579,"text":23580},"07d0c60040740",[],"In opposition to the clean, strong, regulated signal sent by government and commercial entities, sits the vaporous, cosmic haze of electromagnetism, two sides of the same coin. Against the privileged, exclusive, and operational need to listen, lies the poetic mystery, curiosity, and the equal right to listen together. Opposite the sophisticated tracking complexes and the advanced technical installations, pose the homemade receiver designs made out of everyday materials and recycled debris. The calculated, ominous ‘Space Songs’ on the one side co-exist with the open, fun, and collaborative listening happenstances of the other side.",[],{"_key":23583,"_type":11,"children":23584,"markDefs":23589,"style":24},"87b39fae5a99",[23585],{"_key":23586,"_type":15,"marks":23587,"text":23588},"be06dd1f37690",[],"The precise listening of a scientific reception becomes ambiguous when met with the turbulent porousities/porous-sites of the Open Wave-Receiver. The cartographic accuracy becomes unrelated to the phantasmic embodiment of an openly-received signal. An act of unknowing and figuring out is taking place. Any effort to distinguish and compartmentalise is futile. And yet, an understanding and a connection is shaped through making, trying, failing, and trying again. An alternative and empowering kind of engineering is being developed, a co-learning through making and innovating.",[],{"_key":23591,"_type":11,"children":23592,"markDefs":23597,"style":24},"df11a1e4273a",[23593],{"_key":23594,"_type":15,"marks":23595,"text":23596},"dab57e40ccb10",[],"The gated electromagnetic bureaucracies sit against a kind of commons where knowledge is open, customisable, in perpetuity, and growing from within the different communities of everyday people who tap into the world of DIY reception through participating in our workshops driven by playfulness, exploration, creativity, communication, and co-creation. Our praxis is ephemeral, plural, and fragile.",[],{"_key":23599,"_type":11,"children":23600,"markDefs":23613,"style":24},"6f4773980d79",[23601,23605,23609],{"_key":23602,"_type":15,"marks":23603,"text":23604},"889a4953adec0",[],"Against the backdrop of the capitalistic takeover of the perfectly free, natural, and ancient resource of the radio spectrum, it’s strangely easy to build a radio. To put some copper into something resembling a particular circuit formation (this part seems to be oddly and remarkably changeable), convert the mute radio waves into sound waves we can hear, and listen in on a speaker or some headphones. You might hear a local AM station, news in a language you don’t understand, the ",{"_key":23606,"_type":15,"marks":23607,"text":23608},"889a4953adec1",[492],"mwehp-mwehp-mwehp",{"_key":23610,"_type":15,"marks":23611,"text":23612},"889a4953adec2",[]," of someone getting a text message, sport, textures of static, or sferics: bursts of energy from near or faraway lightning. The radios we build together are un-tuned, so we can hear all of the above in one go, or more, or less. It is beautiful, multi-layered, changeable, minutely local but intricately connected to the global, sometimes confusing, and very, very DIY. Uncontrollable. Yet the more we learn about radio, the more complicated and entangled it becomes.",[],{"_key":23615,"_type":11,"children":23616,"markDefs":23621,"style":24},"3468fda46756",[23617],{"_key":23618,"_type":15,"marks":23619,"text":23620},"455cd204327c0",[],"Simply spiraling copper creates a receptive magnetic field. Spacing these thin strands of metal ever so slightly apart, the copper can form the seething, free wheeling, vibrating, non-aligning electrons into vibrating waves. The diameter and length of the spiral create a kind of buoyancy. Which frequency will it float or sink? Sounds delve under the background radiation, then emerge from it. Certain coil lengths and widths welcome more uncertainty… They catch on the slope, the runoff where one frequency bleeds into another, intended for delivery.",[],{"_type":574,"settings":23623,"text":23624},{"textColumnCount":637},[23625,23633,23641,23657,23672],{"_key":23626,"_type":11,"children":23627,"markDefs":23632,"style":24},"bffe0d20483f",[23628],{"_key":23629,"_type":15,"marks":23630,"text":23631},"be82b6b7fae60",[17],"Carrier Bags",[],{"_key":23634,"_type":11,"children":23635,"markDefs":23640,"style":24},"a32e66b356d4",[23636],{"_key":23637,"_type":15,"marks":23638,"text":23639},"22c32caccac30",[],"What we have come to label as 'radio' exists as both a noun and a verb. It refers to the device you can listen to (a receiver), the category of content you are listening to, and a method of communication, i.e. information can be 'radioed' somewhere. Although, before we were able to load up radio waves with our information, it still existed in its own immaterial and natural form before human technology. Since human technology, radio has also almost become a place, an invisible territory as well as a material commodity. So it is both a thing, a non-thing, a method, a mode, a commodity, and a place all at the same time.",[],{"_key":23642,"_type":11,"children":23643,"markDefs":23656,"style":24},"af39886df460",[23644,23648,23652],{"_key":23645,"_type":15,"marks":23646,"text":23647},"d0982f9529650",[],"In anthropologist Elizabeth Fisher’s book ",{"_key":23649,"_type":15,"marks":23650,"text":23651},"d0982f9529651",[492],"Woman's Creation: Sexual Evolution and the Shaping of Society",{"_key":23653,"_type":15,"marks":23654,"text":23655},"d0982f9529652",[]," the chapter ‘Carrier Bag Theory of Evolution’ (1975), argues that carrier bags, nets and baskets predated spears and clubs, offering a cultural evolutionary perspective of collection and reception over forceful and propelling action. Fisher’s theory brings to mind that radio, in its radical state and essence, is the movement of two energetic forces (electricity and magnetism), and was received long before it was transmitted by humans. In its primal reception, it has interacted with our whole planet and beyond, in ways that are most often beyond our senses, and our total environment has been its container. The electromagnetic force of lightning and other forms of natural radio initiate powerful surges into soil which activate mycelial networks, boosting nitrogen fixation and resulting in greater yields of mushrooms. Thunderstorms and lightning also form the Earth's global electric circuit, while lightning both acts to form the ozone layer and produces chemicals that clean it.",[],{"_key":23658,"_type":11,"children":23659,"markDefs":23671,"style":24},"2673ae954a1f",[23660,23664,23667],{"_key":23661,"_type":15,"marks":23662,"text":23663},"f5eb3c286e420",[],"In her essay ",{"_key":23665,"_type":15,"marks":23666,"text":2676},"f5eb3c286e421",[492],{"_key":23668,"_type":15,"marks":23669,"text":23670},"f5eb3c286e422",[]," (1988), inspired by Fisher’s theory, author Ursula K. Le Guin posits that the evolution of our collective cultural narrative inaccurately upholds and prioritises bombastic heroisms of violence and weapons of domination, and poignantly suggests that these narratives were in fact preceded by humble, quieter stories of survival rooted in the undramatic and unmemorable acts of collecting oats and seeds. We would like to extend their theories of carriers and containers (receivers) preceding weaponry to the sphere of electromagnetism, and begin to imagine a ‘Carrier Bag Theory of Radio’. This is a theory that asks us to remember our first moments of electromagnetic reception: our bodies, our cells, our scars, our poetry, our hair, the air, the mycelia, the trees, the rivers, the stars, the planets have all been vehicles and containers for radio long before impressive antennas, breakfast talk-shows, and click-bait headlines of luxury cars non-consensually deposited into outer space relaying communication back to Earth.",[],{"_key":23673,"_type":11,"children":23674,"markDefs":23679,"style":24},"d46983fdaeea",[23675],{"_key":23676,"_type":15,"marks":23677,"text":23678},"0156c463e6410",[],"Scholar Fionn Bennett writes that perhaps the ancient Greek oracles were able ‘“to tune into” circumambient electromagnetic activity’ (2019, p.229), thereby listening to the electric breath exchange between the Earth and the sky. Through meditation and diaphragmatic techniques, the oracles deliberately transformed their bodies into acoustic receivers to hear the hiss of the past and future and shared these messages with those that sought it. In more contemporary history, artist Sébastien Robert has searched archives to collect hundreds of testimonies from Arctic indigenous communities who have heard natural radio through their bodies alone, unaided by technology, listening to electromagnetic chirps and whistles coinciding with auroral displays. These accounts make a mockery of the idea of Guilliermo Marconi, first man of radio technology and its first listener, and instead open possibilities for both human and non-human entities throughout the ages finding ways to attune to these cosmic and planetary signals. ",[],{"_type":574,"settings":23681,"text":23682},{"textColumnCount":637},[23683,23691,23699],{"_key":23684,"_type":11,"children":23685,"markDefs":23690,"style":24},"1d50c3328b01",[23686],{"_key":23687,"_type":15,"marks":23688,"text":23689},"21bd630b166c0",[17],"Commons",[],{"_key":23692,"_type":11,"children":23693,"markDefs":23698,"style":24},"1862dcddfc8e",[23694],{"_key":23695,"_type":15,"marks":23696,"text":23697},"94bcc67b40cd0",[],"With this understanding of the vast, untamable flow of radio transmissions from cosmic rays and lightning, from millions of cell towers, from x-ray machines and microwave ovens, received every second by the Earth, the stars, and our bodies, the idea of controlling radio waves seems almost absurd. And yet, powerful institutions do devise and enforce radio regulations. The International Telecommunication Union debates, decides, and dictates who may use which waves, allocating bands to different services, while national administrations issue licenses, often to the highest bidders.",[],{"_key":23700,"_type":11,"children":23701,"markDefs":23706,"style":24},"83a6e1918a73",[23702],{"_key":23703,"_type":15,"marks":23704,"text":23705},"51275c9ad3a70",[],"Soph Dyer, in their work on the electromagnetic commons (2017), illuminates the stark disparities embedded in these systems. Above the Calais jungle, rows of wires support networks transmitting high-speed trading data across infrared frequencies, towering over the fragile DIY networks activists set up below to provide internet access to refugees. Power here is visible in the literal height and speed of networks: ultra-fast, high-frequency infrastructure designed to generate capital soars above the low-fi networks that sustain human connection, community, and survival.",[],{"_type":626,"caption":23708,"image":23729},[23709],{"_key":23710,"_type":11,"children":23711,"markDefs":23728,"style":24},"936a97f356da",[23712,23716,23720,23724],{"_key":23713,"_type":15,"marks":23714,"text":23715},"c35137003c2a0",[17],"Fig. 4",{"_key":23717,"_type":15,"marks":23718,"text":23719},"c35137003c2a1",[]," Soph Dyer, ",{"_key":23721,"_type":15,"marks":23722,"text":23723},"c35137003c2a2",[492],"Electromagnetic Commons",{"_key":23725,"_type":15,"marks":23726,"text":23727},"c35137003c2a3",[],", 2017.",[],{"alt":23730,"asset":23731},"Fig. 4 Soph Dyer, Electromagnetic Commons, 2017.",{"_id":23732,"height":14116,"orientation":512,"ratio":23733,"url":23734,"width":23735},"image-5934f13387beb22e1ee7ebbe2a6d52c93ed0b7a5-4961x3508-png",1.4141961231470923,"https://cdn.sanity.io/images/eodip22e/production/5934f13387beb22e1ee7ebbe2a6d52c93ed0b7a5-4961x3508.png",4961,{"_type":574,"settings":23737,"text":23738},{"textColumnCount":637},[23739,23747],{"_key":23740,"_type":11,"children":23741,"markDefs":23746,"style":24},"59180d59f3df",[23742],{"_key":23743,"_type":15,"marks":23744,"text":23745},"26e74deec0ab0",[],"The year 2000 marked a peak in the UK’s valuation of spectrum, as mobile network companies engaged in aggressive bidding for spectrum space to deploy 3G networks (Börgers & Dustmann, 2005). Just a year earlier, Māori groups had fought and won in court for ‘fair and equitable access’ (Culcullo, 2022) to the spectrum after being excluded from decision-making processes. Their struggle pioneered the concept of spectrum sovereignty and Indigenous rights to digital infrastructure - a fight that continues to resonate for communities around the world, asserting that access to radio waves is not merely technical, but deeply political and cultural. In an excerpt from The Waitangi Tribunal Report (1999, p.41), which auctioned ‘management rights to frequencies within the 2GHz range’:",[],{"_key":23748,"_type":11,"children":23749,"markDefs":23754,"style":24},"c065d0eb4112",[23750],{"_key":23751,"_type":15,"marks":23752,"text":23753},"9f741faae4d20",[],"‘[The Crown did] not accept that the radio spectrum was a Maori taonga [a valued possession] in 1840 and therefore does not accept that Maori have a special right to share in the use of the spectrum… The claimants, on the other hand, say that Maori knew of the existence of the electromagnetic spectrum. Maori were aware of the existence of various natural phenomena, made good use of some of them – for instance, the use of light emitted by stars for navigation – and incorporated them into their own philosophical world view. One example of this cited by Professor Mead was Tawhaki climbing the heavens to bring to earth knowledge, education, and sacred incantations for the spiritual wellbeing of the people. Maori were therefore using radio waves for their own purposes, though they (along with all others) lacked the technology that we have today to enhance sight and sound.’",[],{"_type":626,"caption":23756,"image":23769},[23757],{"_key":23758,"_type":11,"children":23759,"markDefs":23768,"style":24},"b54bb3dc437f",[23760,23764],{"_key":23761,"_type":15,"marks":23762,"text":23763},"a5bc3bfa276c0",[17],"Fig. 5 ",{"_key":23765,"_type":15,"marks":23766,"text":23767},"a5bc3bfa276c1",[],"Waitangi Tribunal Report, 1999.",[],{"alt":75,"asset":23770},{"_id":23771,"height":23772,"orientation":359,"ratio":23773,"url":23774,"width":23775},"image-905221a751f489b0a9e006f5cc06897d5e128cdc-785x1074-png",1074,0.7309124767225326,"https://cdn.sanity.io/images/eodip22e/production/905221a751f489b0a9e006f5cc06897d5e128cdc-785x1074.png",785,{"_type":574,"settings":23777,"text":23778},{"textColumnCount":637},[23779,23787,23795,23803],{"_key":23780,"_type":11,"children":23781,"markDefs":23786,"style":24},"2c14b5a14c4d",[23782],{"_key":23783,"_type":15,"marks":23784,"text":23785},"a7addf86d4e40",[],"In many parts of the world, a narrow band of radio frequencies are reserved for free and unlicensed public use. The Federal Communications Commission (FCC) in the USA established the Citizens Radio Service in 1945, so that personal or small business communications could take place locally. The most commonly allocated frequency range, around 27MHz, is also known as the 11m band - one full cycle of its wavelength stretches 11 meters, but is restricted by power, thereby amplitude and reach, though radio is ultimately transnational and often leaky. Transmissions can travel as far as open space (buildings may interfere with the signal) and the power limit allows. Relays of radio signal to extend reach, both online and physical, are forbidden.",[],{"_key":23788,"_type":11,"children":23789,"markDefs":23794,"style":24},"1fe1544ac54f",[23790],{"_key":23791,"_type":15,"marks":23792,"text":23793},"0ce987335a710",[],"Coincidentally, every eleven years the solar cycle distorts and emphasises the reach of this band. As we are currently experiencing the height of this cycle, little low power transmissions on 27MHz have a higher tendency to travel greater distances, bouncing off the layer of charged particles in the Earth’s upper atmosphere called the ionosphere in a phenomenon known as skywave propagation. This tendency for long distance travel makes the Citizens Band dense, not only with intentional local traffic but also contemporaneous interjections from far flung locations. An eleven-year season of communication choirs gather on the Fata Morgana of the radio horizon.",[],{"_key":23796,"_type":11,"children":23797,"markDefs":23802,"style":24},"0054f101d346",[23798],{"_key":23799,"_type":15,"marks":23800,"text":23801},"958ad164d7a20",[],"Regulators granted less interference-prone, more neighbourhood-travelling wavelengths for free citizen use in the 1990s. The Family Radio Service (FRS) (462 and 467MHz) was granted by the FCC in 1996 in the USA allowing for long distance walkie talkies, baby monitors, and cordless telephones without so many chances for accidental interjection. On these frequencies people are sending voices, morse code, data packets. In advanced receivers ‘selective calling’ can allow that only certain tones turn on a receiver. But a spoken voice on the frequency range can hit these coded tones, unintentionally opening a receiving door, a ‘talk-off’, a song that opens sesame.",[],{"_key":23804,"_type":11,"children":23805,"markDefs":23810,"style":24},"e8e83487c393",[23806],{"_key":23807,"_type":15,"marks":23808,"text":23809},"4f1de48bec610",[],"In 1997 the European Radio Communications committee granted the Private Mobile Radio (PMR) frequencies 446MHz for license-free use in Europe, Singapore, and Malaysia. Yet FRS frequencies are illegal for unlicensed transmitters in Europe, and the PMR frequencies are illegal for unlicensed transmission in Australia, USA, and Canada, as the frequencies for emergency services, licensed amateur operators and military radar systems occupy the otherwise ‘free’ frequencies in the alternate territories. This lack of overlap limits possibilities for citizens to use these peak solar conditions to connect with each other globally and experiment with possibilities for free and unlicensed long-distance communications. Such national regulatory boundaries constrain what might otherwise be a truly planetary low-power communication ecology, where citizens harness solar conditions and bypass the technologies of major corporations to communicate as they choose.",[],{"_type":574,"settings":23812,"text":23813},{"textColumnCount":637},[23814,23822,23861,23869,23877,23885,23893,23901,23909,23916,23924,23932,23940,23948,23956,23964,23972,23980],{"_key":23815,"_type":11,"children":23816,"markDefs":23821,"style":24},"84dccd40f046",[23817],{"_key":23818,"_type":15,"marks":23819,"text":23820},"ad3d353fe2210",[17],"Coda",[],{"_key":23823,"_type":11,"children":23824,"markDefs":23860,"style":24},"a68d2ae0b251",[23825,23829,23833,23837,23841,23844,23848,23852,23856],{"_key":23826,"_type":15,"marks":23827,"text":23828},"5e1cb086d32b0",[],"To adopt a phrase from Virginia Woolf, radio transmissions “continue each other, in spite of our habit of judging them separately” (",{"_key":23830,"_type":15,"marks":23831,"text":23832},"5e1cb086d32b1",[492],"A Room of One's Own",{"_key":23834,"_type":15,"marks":23835,"text":23836},"5e1cb086d32b2",[],", 1929, p.148). In a similar manner, communities, bodies, elements, and actions learn from each other, communicate with each other, bounce off each other. We cannot extract the ",{"_key":23838,"_type":15,"marks":23839,"text":23840},"5e1cb086d32b3",[492],"each ",{"_key":23842,"_type":15,"marks":23843,"text":16253},"5e1cb086d32b4",[],{"_key":23845,"_type":15,"marks":23846,"text":23847},"5e1cb086d32b5",[492],"other. ",{"_key":23849,"_type":15,"marks":23850,"text":23851},"5e1cb086d32b6",[],"They, and we, too, are bound to propagate together. In that sense, the conglomeration of these transmissions as a finite spectrum serving those with power, separated from the actual energies, elements, actions, and communities they stem from, is against their plurivocal nature. Hence making ",{"_key":23853,"_type":15,"marks":23854,"text":23855},"5e1cb086d32b7",[492],"access",{"_key":23857,"_type":15,"marks":23858,"text":23859},"5e1cb086d32b8",[]," accessible again, through this text, is to us not merely a compilation of words but a form of text as practice (Kristeva, 1984), a way of bringing the word to the foreground and aligning it with our ongoing practice. It is a collective effort to address the word within the context where our shared practice emerges from and to create a socially engaged, open discussion that listens beyond the self-referential, narrowly-subjective to the many layers of transmissions, all at once, not separately.",[],{"_key":23862,"_type":11,"children":23863,"markDefs":23868,"style":24},"8b19f6737c84",[23864],{"_key":23865,"_type":15,"marks":23866,"text":23867},"d251102b58c80",[],"We invite readers to dream with us, to imagine a new relationship with radio that is situated and embodied, and deeply connected to past, present and future:",[],{"_key":23870,"_type":11,"children":23871,"markDefs":23876,"style":24},"6c8171ea7438",[23872],{"_key":23873,"_type":15,"marks":23874,"text":23875},"cf48b425928b0",[],"It is plural, polyvocal and therefore waves (many waves at once)",[],{"_key":23878,"_type":11,"children":23879,"markDefs":23884,"style":24},"1362bdd4df26",[23880],{"_key":23881,"_type":15,"marks":23882,"text":23883},"01499eb09c3b0",[],"A disturbance, a cacophony, a hypermorphology of signals and noises",[],{"_key":23886,"_type":11,"children":23887,"markDefs":23892,"style":24},"23daab963d03",[23888],{"_key":23889,"_type":15,"marks":23890,"text":23891},"e303c7390b1a0",[],"A disarrangement of orders, hierarchies, and anticipations.",[],{"_key":23894,"_type":11,"children":23895,"markDefs":23900,"style":24},"363db9a48e13",[23896],{"_key":23897,"_type":15,"marks":23898,"text":23899},"f0ca5cdbd5e20",[],"We value the poetic and the plural over strong signal and the clear channel. 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the English word “paradise” meandered into this language via Latin and Greek, but its origins lie in Old Persian, /paridaydam/, 𐎱𐎼𐎭𐎹𐎭𐎠𐎶, meaning “walled enclosure.” The Greek philosopher Xenophon, recounting histories of the Achaemenid Empire that he observed as a military general in those parts, is generally credited as bringing the cognate into Greek. “The word thus signifies a walled-in park of royal proportions. Within the embankments of enclosures, wild animals were stocked and hunted, gardens and orchards cultivated, a royal palace and pavilions on",[],{"_key":24640,"_type":11,"children":24641,"markDefs":24654,"style":24},"814c94b21812",[24642,24646,24650],{"_key":24643,"_type":15,"marks":24644,"text":24645},"bab26f3ecd470",[],"terraces built. To the ancient Persians the word ‘paradise’ was just used as a regular noun, sometimes plural in number.” (Dustin Gish, “Xenophon’s Cyrus in Paradise: Hunting and the Art of War in Antiquity,” ",{"_key":24647,"_type":15,"marks":24648,"text":24649},"bab26f3ecd471",[492],"Classical World",{"_key":24651,"_type":15,"marks":24652,"text":24653},"bab26f3ecd472",[],", vol. 117, no. 2, 2024, 125). These mundane and polyvalent forms of paradise introduce ripe opportunities to revisit and expand upon the term in the present-day.",[],{"_key":24656,"_type":11,"children":24657,"markDefs":24661,"style":24},"b9fd68e71b51",[24658],{"_key":24659,"_type":15,"marks":24660,"text":1065},"a69c9f7a81ec0",[],[],{"_key":24663,"footnoteText":24664},"22636423b3e7",[24665],{"_key":24666,"_type":11,"children":24667,"markDefs":24680,"style":24},"f26b39d23240",[24668,24672,24676],{"_key":24669,"_type":15,"marks":24670,"text":24671},"d1cc47a3ed5e",[],"Planetary paradise, that is, paradise that exists on our own planet Earth, and is accessible to us mortals, is nothing new. Catholic missionaries in 16th-century Mexico believed that Eden was near. “The concept of a terrestrial paradise was perfectly suited to the Utopian ideals that profoundly shaped mendicant thinking on arrival in the New World. The outlook of the friars was buttressed by the generalized conviction that the Garden of Eden was physically located in the newly discovered ‘Indies.’” (Jeanette Favrot Peterson, ",{"_key":24673,"_type":15,"marks":24674,"text":24675},"195a89f60dd0",[492],"The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico",{"_key":24677,"_type":15,"marks":24678,"text":24679},"c4b72b9f5694",[],", University of Texas Press, 1993, 138)",[],{"_key":24682,"footnoteText":24683},"002b3e2c072a",[24684],{"_key":24685,"_type":11,"children":24686,"markDefs":24707,"style":24},"f698ba3d21a1",[24687,24691,24695,24699,24703],{"_key":24688,"_type":15,"marks":24689,"text":24690},"f1733039e405",[],"Participatory and collaborative art, along with work that falls within the bounds of relational aesthetics, is tightly bound to re-interpretations of utopian ideals. Nicolas Bourriard refers to the functional, pragmatic “microtopias” of his gaggle of relational darlings (Bourriaud, ",{"_key":24692,"_type":15,"marks":24693,"text":24694},"95a3f9ced025",[492],"Relational Aesthetics",{"_key":24696,"_type":15,"marks":24697,"text":24698},"37b25405efa8",[],", 2002); Claire Bishop finds that most of these so-called microtopias are still “predicated on the exclusion of those who hinder or prevent its realization” (Claire Bishop, “Antagonism and Relational Aesthetics,” ",{"_key":24700,"_type":15,"marks":24701,"text":24702},"5c8ce6b726ad",[492],"October",{"_key":24704,"_type":15,"marks":24705,"text":24706},"ca871b7a62ef",[],", no. 110, Fall 2004, 68).",[],{"_key":24709,"footnoteText":24710},"725e0d4425f9",[24711],{"_key":24712,"_type":11,"children":24713,"markDefs":24718,"style":24},"26d354d74041",[24714],{"_key":24715,"_type":15,"marks":24716,"text":24717},"596196aa0e0b0",[],"The act of twisting fibers into rope is not merely a means of binding them together, but a way of shaping the strands to share the burden. As the braid twists, tension is distributed from fiber to fiber. Without this rotation, the shortest strands would have to carry the weight alone and would become weaker overall.",[],{"_key":24720,"footnoteText":24721},"04ac639d0a89",[24722],{"_key":24723,"_type":11,"children":24724,"markDefs":24729,"style":24},"367bd16ebe8c",[24725],{"_key":24726,"_type":15,"marks":24727,"text":24728},"d515689796d3",[],"In Ancient Egypt rope stretchers compared the lengths of rope with distances measured on the ground to survey and measure property. (Robillard et. al., 2011)",[],{"_key":24731,"footnoteText":24732},"1a528a8ca091",[24733],{"_key":24734,"_type":11,"children":24735,"markDefs":24740,"style":24},"c9a6fd2e2a94",[24736],{"_key":24737,"_type":15,"marks":24738,"text":24739},"113722b5ddd30",[],"Such as the Incan Quipú system which kept records using knotted cords. (Ascher & Ascher, 1981)",[],{"_key":24742,"footnoteText":24743},"742cdfcc0cc2",[24744],{"_key":24745,"_type":11,"children":24746,"markDefs":24767,"style":24},"13f6ea19b220",[24747,24751,24755,24759,24763],{"_key":24748,"_type":15,"marks":24749,"text":24750},"c1fe8073eb0d0",[],"To ",{"_key":24752,"_type":15,"marks":24753,"text":24754},"c1fe8073eb0d1",[492],"stake",{"_key":24756,"_type":15,"marks":24757,"text":24758},"c1fe8073eb0d2",[]," a claim is a metaphorical phrase used to assert the stakers’ ownership over something. While this is often used in the context of land, ",{"_key":24760,"_type":15,"marks":24761,"text":24762},"c1fe8073eb0d3",[492],"stakeholders",{"_key":24764,"_type":15,"marks":24765,"text":24766},"c1fe8073eb0d4",[]," are entities (people, organizations, businesses, etc.) who are concerned with (involved or affected by) decisions made by an organization or company.",[],{"_key":24769,"footnoteText":24770},"5a518d6bd3c4",[24771],{"_key":24772,"_type":11,"children":24773,"markDefs":24778,"style":24},"f0dab5b7dd58",[24774],{"_key":24775,"_type":15,"marks":24776,"text":24777},"ea0d9c4a444f",[],"Originally from Russia, this technology is widely used throughout Eastern Europe, Western Asia, and Southwestern Asia. This vessel simultaneously serves as a domestic technology and a social infrastructure.",[],{"_key":24780,"footnoteText":24781},"167aa21e205c",[24782],{"_key":24783,"_type":11,"children":24784,"markDefs":24805,"style":24},"aec3bcc8dcce",[24785,24789,24793,24797,24801],{"_key":24786,"_type":15,"marks":24787,"text":24788},"84f11e3a7ea40",[],"In the original iteration of the tea room, held at artist space compás 88 in July of 2022, the samovar was powered using locally available combustible materials. Sabritas-brand potato chips were used to initiate combustion. This was a pragmatic accelerant learned from survivalist instructional videos, where industrial starch and oil stand in for tinder. They were used to set fire to ",{"_key":24790,"_type":15,"marks":24791,"text":24792},"84f11e3a7ea41",[492],"ocote",{"_key":24794,"_type":15,"marks":24795,"text":24796},"84f11e3a7ea42",[]," (",{"_key":24798,"_type":15,"marks":24799,"text":24800},"84f11e3a7ea43",[492],"Pinus montezumae",{"_key":24802,"_type":15,"marks":24803,"text":24804},"84f11e3a7ea44",[],"), a resinous pine native to central and southern Mexico and extending into Guatemala. The wood releases a strongly aromatic resin that ignites easily on contact with flame and has long been used as fuel. Its smoke functions not only as heat but also as an olfactory signal. These materials produce a hybrid fire whose smoke carries traces of resin, salt, and fat, binding the preparation of tea to local ecologies and contemporary circulations of knowledge.",[],{"_key":24807,"footnoteText":24808},"590bf93eb09d",[24809],{"_key":24810,"_type":11,"children":24811,"markDefs":24824,"style":24},"761515f96707",[24812,24816,24820],{"_key":24813,"_type":15,"marks":24814,"text":24815},"dca537a44483",[],"Stories are told through the horizontal plane of floor coverings. Woven rugs, from palm mats to Persian carpets, communicate comfort, utility, and mobility. Visual designs can indicate a sense of (dis)placement; the ",{"_key":24817,"_type":15,"marks":24818,"text":24819},"dd580fcfa3cf",[492],"chaharbagh (چهارباغ) ",{"_key":24821,"_type":15,"marks":24822,"text":24823},"980a657f5f5f",[],"four-part garden designs reflect highly designed aristocratic gardens separated by waterways or quadrilineal paths, woven paradises that stay in full bloom despite shifts in climate and regime; the more contemporary so-called “war rugs,” produced in Afghanistan starting from the Soviet occupation, grow out of this same tradition of depicting landscapes through fiber arts, but often feature complex botanical designs interrupted by cartoonish military helicopters and Kalashnikov rifles. More recently, these rugs have been colloquially dubbed in the West as “9/11 rugs,” as they shift their representations towards US military drones, contemporary cartographic views of the country from an F-16’s eye-view, and, of course, the downing of the World Trade Center in New York City. These artforms both speak to the lived experience of the artisans while also catering to the foreign export market, the Orientalist desire to own an uncanny depiction of oneself as Occupier, forged from Othered hands and symbologies.",[],{"_key":24826,"footnoteText":24827},"094ece9a1e49",[24828],{"_key":24829,"_type":11,"children":24830,"markDefs":24843,"style":24},"b821ff67658a",[24831,24835,24839],{"_key":24832,"_type":15,"marks":24833,"text":24834},"daa4d92e98e7",[],"Knot-making is central to the praxis that allows us to embody theory beyond the tangle of language. We are informed by the work of educator James R. Murphy, whose method of using string figures to teach math to students “a way to involve the hands in order to unfold the brain's potential to think abstractly and problem solve.” (Natascha Sadr Haghighian, ",{"_key":24836,"_type":15,"marks":24837,"text":24838},"ea643bbbfb17",[492],"How to Spell the Fight",{"_key":24840,"_type":15,"marks":24841,"text":24842},"68924028d597",[]," (Cairo: Kayfa ta, 2018), 6).",[],{"_key":24845,"footnoteText":24846},"3d901ad65561",[24847,24855],{"_key":24848,"_type":11,"children":24849,"markDefs":24854,"style":24},"42e1a9a3fd39",[24850],{"_key":24851,"_type":15,"marks":24852,"text":24853},"b6942ddefe87",[],"“At sea, the whole subject of knots is commonly divided into four classifications: hitches, bends, knots, and splices. A hitch makes a rope fasten to another object. A bend unites two rope ends.",[],{"_key":24856,"_type":11,"children":24857,"markDefs":24862,"style":24},"afdd4442d53b",[24858],{"_key":24859,"_type":15,"marks":24860,"text":24861},"58c707b6a5440",[],"The term knot itself is applied particularly to knobs (and loops, and to anything not included in the other three classes, such as fancy and trick knots).” (Ashley & Budworth, 1993 p.12). Splices are any kind of multi-strand knot.",[],{"_key":24864,"footnoteText":24865},"60f6c2464872",[24866],{"_key":24867,"_type":11,"children":24868,"markDefs":24873,"style":24},"f5decdff0a4f",[24869],{"_key":24870,"_type":15,"marks":24871,"text":24872},"57dbf10711050",[],"Such as in crochet or Chinese knotting (中國結)",[],{"_key":24875,"footnoteText":24876},"59eaa180936d",[24877],{"_key":24878,"_type":11,"children":24879,"markDefs":24884,"style":24},"8756678036a6",[24880],{"_key":24881,"_type":15,"marks":24882,"text":24883},"3d5d6e53e2f1",[],"An example of productive tension are disagreements as to where to tie the rope; two people have different opinions on where the knot and anchor point goes. This allowed a third person to enter the discussion and use this tension and be decisive and determine the best option.",[],{"_key":24886,"footnoteText":24887},"1edee3fc1bab",[24888],{"_key":24889,"_type":11,"children":24890,"markDefs":24895,"style":24},"a81ca40846fb",[24891],{"_key":24892,"_type":15,"marks":24893,"text":24894},"53e65b9635a70",[],"​​The structure uses public drainage infrastructure and metal rebar.",[],{"_key":24897,"footnoteText":24898},"0caf00b98d74",[24899],{"_key":24900,"_type":11,"children":24901,"markDefs":24906,"style":24},"33479cf3add2",[24902],{"_key":24903,"_type":15,"marks":24904,"text":24905},"f183cbcb13dd0",[],"Traditional nomadic tents in Central Asia, such as yurts and gers, use dismantleable wooden lattices and tensioned ropes or bands to clamp the frame and fabric skin together. This allows the entire structure to be packed down, moved, and re-erected many times. Reusable frames such as festival pavilions, exhibition halls, and emergency shelters likewise depend on standardized members and joints. A single kit of parts can potentially be used to build multiple temporary spaces over time.",[],{"_key":24908,"footnoteText":24909},"648c710012fe",[24910],{"_key":24911,"_type":11,"children":24912,"markDefs":24917,"style":24},"5b781a51c1a1",[24913],{"_key":24914,"_type":15,"marks":24915,"text":24916},"cff44f4133490",[],"Many contemporary projects treat the boundary between inside and outside as flexible, using lightweight membranes, mesh, or cable nets instead of solid walls so that the “inside” is defined as much by microclimate and social use as by heavy enclosure (Ching, 2014).",[],{"_key":24919,"footnoteText":24920},"05e505fbe6a0",[24921],{"_key":24922,"_type":11,"children":24923,"markDefs":24928,"style":24},"0922e992c88b",[24924],{"_key":24925,"_type":15,"marks":24926,"text":24927},"4aa22c3728e30",[],"Such as water jugs, stones, sandbags, blocks of concrete, bricks, heavy metal objects, or any other object",[],{"_key":24930,"footnoteText":24931},"812cb7d24a81",[24932],{"_key":24933,"_type":11,"children":24934,"markDefs":24939,"style":24},"7cae751955ac",[24935],{"_key":24936,"_type":15,"marks":24937,"text":24938},"cb7dbf822fed0",[],"\nThough arising from distinct national and ideological contexts, whether anti-Shah Marxism (Iranian Fadai), WWII anti-fascist resistance (Partisans), revolutionary syndicalism (IWW), Brazilian landless activism (MST), Palestinian national-liberation (PFLP), white-nationalist gym culture (Active Clubs) or a rebranding of Fascism (Patriot Front); each of these formations organizes its base through cooperative, self-managed units (cells, committees, working groups, settlements, five- to twelve-people crews, six- to ten-people clusters, etc) that collectively decide tactics, share labor and resources, and federate horizontally into broader networks rather than relying on top-down chains of command. Because every action is planned within these self-run, self-contained cells, the structure can bend, split or be dismantled at will. This makes these types of social structures harder to target and also makes it easier for them to re-group or adjust if any part is compromised.",[],{"_key":24941,"footnoteText":24942},"9f3379bb8c55",[24943],{"_key":24944,"_type":11,"children":24945,"markDefs":24950,"style":24},"67cf0ae1f3bf",[24946],{"_key":24947,"_type":15,"marks":24948,"text":24949},"dd99e01d9cb20",[],"Comes from a Latin root that is roughly translated as common labor",[],{"_key":24952,"footnoteText":24953},"1153b8685012",[24954],{"_key":24955,"_type":11,"children":24956,"markDefs":24961,"style":24},"e5d1b134b8e9",[24957],{"_key":24958,"_type":15,"marks":24959,"text":24960},"341e7b47292f0",[],"Examples of this are the Prototype Carbon Fund, a World Bank initiative backing projects like Brazil's Plantar eucalyptus plantations for pig iron production, which generate carbon credits by claiming avoided coal use while displacing local communities and expanding monoculture forestry. Another example are companies that rate carbon offset projects for credibility using AI, thus enabling continued high-emission activities via data centre emissions while also preserving market-based emissions trading.",[],{"_key":24963,"footnoteText":24964},"cdd3bd9b0847",[24965],{"_key":24966,"_type":11,"children":24967,"markDefs":24988,"style":24},"2b1374c5e887",[24968,24972,24976,24980,24984],{"_key":24969,"_type":15,"marks":24970,"text":24971},"cdd580a50b740",[],"In 2025, CNTE, the left-wing dissident contingent of the National Education Workers’ Union (Sindicato Nacional de Trabajadores Educativos, or SNTE, the Mexican union for teachers which is the largest union in Latin America and the largest teachers’ union in the Americas) staged repeated protests and strikes in Mexico City as part of a broader national movement by dissident teachers for the abrogation of parts of the country’s 2007 educational reform law. They demanded better pensions and working conditions, and renewed dialogue with federal authorities. As part of this, they began building a dense encampment starting May 15th that served as both a living space and a protest HQ. Rather than erecting free-standing structures, the CNTE parasitized the city’s infrastructure, producing a distributed structural field of membranes (tarps, plastic sheeting, and fabric) held together through networks of tensioned ropes and cords anchored to the existing urban fabric. The encampment provided a space for radical horizontality in protest decision-making that spread through its paths and meeting spaces and unfolded onto a continuous ground plane. The reduced distinction between “public” and “private” in the structure’s low-lying roofs, raised pallet platforms, and the lack of fully separate spaces reinforced this horizontality, resulting in an architecture of communal disobedience. This resilient, adaptable architecture could withstand normal wind, rain, movement, and partial dismantling without collapse. However, the city’s notoriously heavy summer rains came early and were particularly intense that year, with the June rains being the highest recorded in the last 50 years, according to the Institute of Atmospheric and Climate Change Sciences (ICAyC). The ICAyC points to hotter oceans and a particularly powerful start to hurricane season, with multiple storms forming in succession, as the principal cause of this increase. Coincidentally, May 15th was not only the first day of the encampment but also the official start of the Pacific hurricane season. And so, despite the union’s chants of ",{"_key":24973,"_type":15,"marks":24974,"text":24975},"cdd580a50b741",[492],"“NI LA LLUVIA, NI EL VIENTO, DETIENE ESTE MOVIMIENTO” ",{"_key":24977,"_type":15,"marks":24978,"text":24979},"cdd580a50b742",[],"(neither rain nor wind can stop this movement), the climactic conditions became too difficult for the encampment’s structures and ultimately became a central defeating factor in the movement’s effort to occupy public space. Tents flooded, clothes and supplies were soaked, and reports of spreading illness emerged. Although the CNTE’s improvised construction gave the ",{"_key":24981,"_type":15,"marks":24982,"text":24983},"cdd580a50b743",[492],"plantón",{"_key":24985,"_type":15,"marks":24986,"text":24987},"cdd580a50b744",[]," a high adaptability factor, there wasn’t sufficient collective knowledge of extreme climate conditions and architectures of climate resilience. Mexico’s president, Claudia Sheinbaum, repeatedly stated that she would not send law enforcement to remove the protestors. She didn’t need state violence; atmospheric conditions proved her greatest ally. The ICAyC points to the June 2nd rainstorm as the second-heaviest rainfall event in the city in June. The CNTE formally began dismantling the encampment on June 6th, despite not having achieved their policy 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Combining principles from tensile structures, horizontal organization, and utopian political thought, the manual frames rope, knots, tea, and time as both material and social tools. We propose a “Tensile Paradise” as a mobile structure sustained through negotiated tension and cooperation. It integrates practical instructions with conceptual definitions, historical references, and reflections on collaboration, climate, and hospitality. This manual is both a how-to guide and a framework for practicing site-specific collective world-building.",[],{"_type":626,"caption":25195,"image":25208},[25196],{"_key":25197,"_type":11,"children":25198,"markDefs":25207,"style":24},"b26c9d7174c7",[25199,25203],{"_key":25200,"_type":15,"marks":25201,"text":25202},"1b589c2152950",[492],"Conferencia de los pájaros I",{"_key":25204,"_type":15,"marks":25205,"text":25206},"1b589c2152951",[],", Mexico City, 2022. Photograph. Courtesy of Sala de Té.",[],{"alt":75,"asset":25209},{"_id":25210,"height":21557,"orientation":512,"ratio":25211,"url":25212,"width":25213},"image-ee97072c5f87882e93c7726124a0b6f8c8717d03-6016x4000-jpg",1.504,"https://cdn.sanity.io/images/eodip22e/production/ee97072c5f87882e93c7726124a0b6f8c8717d03-6016x4000.jpg",6016,{"_type":574,"settings":25215,"text":25216},{"textColumnCount":637},[25217,25225,25233,25282,25290],{"_key":25218,"_type":11,"children":25219,"markDefs":25224,"style":9398},"be21d8c837f7",[25220],{"_key":25221,"_type":15,"marks":25222,"text":25223},"70a8e342237f0",[492],"Introduction",[],{"_key":25226,"_type":11,"children":25227,"markDefs":25232,"style":24},"ebd3fa747f5c",[25228],{"_key":25229,"_type":15,"marks":25230,"text":25231},"9eb03b49f7150",[],"The purpose of this manual is to outline the concepts, conditions, and basic components required to create a tensile paradise out of everyday materials.",[],{"_key":25234,"_type":11,"children":25235,"markDefs":25247,"style":24},"e629237dcc03",[25236,25240,25244],{"_key":25237,"_type":15,"marks":25238,"text":25239},"067057548867",[],"1. 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This is fine, as there is a parallel goal: finding ",{"_key":25309,"_type":15,"marks":25310,"text":25311},"4896478e4330",[17,24618],"paradise",{"_key":25313,"_type":15,"marks":25314,"text":9749},"6349d0ceafbc",[17],[25316],{"_key":24618,"_type":10620,"allFootnotes":25317,"footnoteText":25342,"markKey":24618},[25318,25319,25320,25321,25322,25323,25324,25325,25326,25327,25328,25329,25330,25331,25332,25333,25334,25335,25336,25337,25338,25339,25340,25341],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25343],{"_key":24621,"_type":11,"children":25344,"markDefs":25347,"style":24},[25345],{"_key":24624,"_type":15,"marks":25346,"text":24626},[],[],{"_key":25349,"_type":11,"children":25350,"markDefs":25367,"style":24},"6eccc3917ccd",[25351,25355,25359,25363],{"_key":25352,"_type":15,"marks":25353,"text":25354},"c0081c920394",[],"a.",{"_key":25356,"_type":15,"marks":25357,"text":25358},"1381f0897c9a",[17],"  Unwalled paradise: ",{"_key":25360,"_type":15,"marks":25361,"text":25362},"c1738966ec3b",[24629],"While boundaries will undoubtedly be part of the emergent process of finding paradise, walls and fences are not.",{"_key":25364,"_type":15,"marks":25365,"text":25366},"c07e63410b53",[]," These boundaries are negotiated and permeable.",[25368],{"_key":24629,"_type":10620,"allFootnotes":25369,"footnoteText":25394,"markKey":24629},[25370,25371,25372,25373,25374,25375,25376,25377,25378,25379,25380,25381,25382,25383,25384,25385,25386,25387,25388,25389,25390,25391,25392,25393],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25395,25400,25409],{"_key":24632,"_type":11,"children":25396,"markDefs":25399,"style":24},[25397],{"_key":24635,"_type":15,"marks":25398,"text":24637},[],[],{"_key":24640,"_type":11,"children":25401,"markDefs":25408,"style":24},[25402,25404,25406],{"_key":24643,"_type":15,"marks":25403,"text":24645},[],{"_key":24647,"_type":15,"marks":25405,"text":24649},[492],{"_key":24651,"_type":15,"marks":25407,"text":24653},[],[],{"_key":24656,"_type":11,"children":25410,"markDefs":25413,"style":24},[25411],{"_key":24659,"_type":15,"marks":25412,"text":1065},[],[],{"_key":25415,"_type":11,"children":25416,"markDefs":25437,"style":24},"d107ee4b2930",[25417,25421,25425,25429,25433],{"_key":25418,"_type":15,"marks":25419,"text":25420},"93f64a4e6ebf",[],"b.",{"_key":25422,"_type":15,"marks":25423,"text":25424},"d7592ee8c6c1",[17],"  Itinerant paradise: ",{"_key":25426,"_type":15,"marks":25427,"text":25428},"7d13b0e3010e",[],"A paradise that moves from place to place. While this movement affirms its existence in our physical world ",{"_key":25430,"_type":15,"marks":25431,"text":25432},"e9f22bb145eb",[24663],"(ie, paradise is a place, not an allegory)",{"_key":25434,"_type":15,"marks":25435,"text":25436},"2ff8bb625131",[],", it isn’t confined by permanent geographies or coordinates.",[25438],{"_key":24663,"_type":10620,"allFootnotes":25439,"footnoteText":25464,"markKey":24663},[25440,25441,25442,25443,25444,25445,25446,25447,25448,25449,25450,25451,25452,25453,25454,25455,25456,25457,25458,25459,25460,25461,25462,25463],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25465],{"_key":24666,"_type":11,"children":25466,"markDefs":25473,"style":24},[25467,25469,25471],{"_key":24669,"_type":15,"marks":25468,"text":24671},[],{"_key":24673,"_type":15,"marks":25470,"text":24675},[492],{"_key":24677,"_type":15,"marks":25472,"text":24679},[],[],{"_key":25475,"_type":11,"children":25476,"markDefs":25489,"style":24},"c58fd2e8b624",[25477,25481,25485],{"_key":25478,"_type":15,"marks":25479,"text":25480},"863d162fbe91",[],"c.  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Paradise is ",{"_key":25501,"_type":15,"marks":25502,"text":25503},"f19de091f9ed",[492],"not",{"_key":25505,"_type":15,"marks":25506,"text":25507},"aee3c0311ce1",[]," synonymous with ",{"_key":25509,"_type":15,"marks":25510,"text":25511},"4c98e0a7be6b",[17],"utopia",{"_key":25513,"_type":15,"marks":25514,"text":9749},"3aa9d4b2d7fb",[],[],{"_key":25517,"_type":11,"children":25518,"markDefs":25534,"style":24},"65d3b5e00c32",[25519,25523,25526,25530],{"_key":25520,"_type":15,"marks":25521,"text":25522},"67dfdc3e96ca",[],"Utopia",{"_key":25524,"_type":15,"marks":25525,"text":3023},"c664de14e774",[492],{"_key":25527,"_type":15,"marks":25528,"text":25529},"c8799cae6f9d",[],"is a term used in literature and political theory to describe an ideal society. Utopia, by definition, is something that can be strived for but never reached. When a utopian project is built around principles of exclusion, i.e., an “ideal” society free of certain ethnicities, sexual orientations, or health and disability conditions, it becomes a dystopia. ",{"_key":25531,"_type":15,"marks":25532,"text":25533},"b3efbc6ce56e",[24682],"Creating a structure collectively is a way to put into practice the utopian ideals of a society in which each one of us contributes according to our own capabilities and, in turn, is cared for according to our own needs. ",[25535],{"_key":24682,"_type":10620,"allFootnotes":25536,"footnoteText":25561,"markKey":24682},[25537,25538,25539,25540,25541,25542,25543,25544,25545,25546,25547,25548,25549,25550,25551,25552,25553,25554,25555,25556,25557,25558,25559,25560],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25562],{"_key":24685,"_type":11,"children":25563,"markDefs":25574,"style":24},[25564,25566,25568,25570,25572],{"_key":24688,"_type":15,"marks":25565,"text":24690},[],{"_key":24692,"_type":15,"marks":25567,"text":24694},[492],{"_key":24696,"_type":15,"marks":25569,"text":24698},[],{"_key":24700,"_type":15,"marks":25571,"text":24702},[492],{"_key":24704,"_type":15,"marks":25573,"text":24706},[],[],{"_type":626,"caption":25576,"image":25585},[25577],{"_key":25578,"_type":11,"children":25579,"markDefs":25584,"style":24},"d8d4a7f42e3e",[25580],{"_key":25581,"_type":15,"marks":25582,"text":25583},"f4fb92b033da0",[],"Albrecht Dürer, The Expulsion from Paradise, from The Small Passion, 1510. Woodcut. The Metropolitan Museum of Art, New York. Gift of Junius Spencer Morgan, 1919.",[],{"alt":75,"asset":25586},{"_id":25587,"height":25588,"orientation":359,"ratio":25589,"url":25590,"width":25591},"image-4581dbcacc109feb2a5fd459c916e3610b079e38-1677x2105-jpg",2105,0.7966745843230404,"https://cdn.sanity.io/images/eodip22e/production/4581dbcacc109feb2a5fd459c916e3610b079e38-1677x2105.jpg",1677,{"_type":626,"caption":25593,"image":25602},[25594],{"_key":25595,"_type":11,"children":25596,"markDefs":25601,"style":24},"ea78868622cb",[25597],{"_key":25598,"_type":15,"marks":25599,"text":25600},"8ad7fe4d9c7b0",[],"Boulder with Daoist Paradise, Qing dynasty (18th century). Nephrite jade. The Metropolitan Museum of Art, New York. Gift of Heber R. Bishop, 1902.",[],{"alt":75,"asset":25603},{"_id":25604,"height":25605,"orientation":512,"ratio":25606,"url":25607,"width":25608},"image-14cb6e8a378e81d19c68d71cc94a6167dc9e146b-3919x2941-jpg",2941,1.3325399523971437,"https://cdn.sanity.io/images/eodip22e/production/14cb6e8a378e81d19c68d71cc94a6167dc9e146b-3919x2941.jpg",3919,{"_type":574,"settings":25610,"text":25611},{"textColumnCount":637},[25612,25628,25636,25644],{"_key":25613,"_type":11,"children":25614,"markDefs":25627,"style":24},"7a5575ee4968",[25615,25619,25623],{"_key":25616,"_type":15,"marks":25617,"text":25618},"cac3f64b23ec",[],"4. The central premise of what you are building is that of an ",{"_key":25620,"_type":15,"marks":25621,"text":25622},"eb67ab75bfd9",[17],"organized structure:",{"_key":25624,"_type":15,"marks":25625,"text":25626},"1ca68aa4e853",[]," one that is not prone to falling or collapsing.",[],{"_key":25629,"_type":11,"children":25630,"markDefs":25635,"style":24},"5ae94b9d277d",[25631],{"_key":25632,"_type":15,"marks":25633,"text":25634},"a6e638ddba4d",[],"a.  Organized structures are constructed so that their individual components are arranged to interact with one another, resulting in overall structural stability.",[],{"_key":25637,"_type":11,"children":25638,"markDefs":25643,"style":24},"42ef0c9344e8",[25639],{"_key":25640,"_type":15,"marks":25641,"text":25642},"536ac5c625e5",[],"b.  An organized structure results from efficient collaboration among people within different cooperative units.",[],{"_key":25645,"_type":11,"children":25646,"markDefs":25651,"style":24},"5a01220a5914",[25647],{"_key":25648,"_type":15,"marks":25649,"text":25650},"0b268c0fd935",[],"c.  Creating an organized rope structure requires clear communication, planning, and execution. This will result in evenly distributed tension.",[],{"_type":574,"settings":25653,"text":25654},{"textColumnCount":637},[25655],{"_key":25656,"_type":11,"children":25657,"markDefs":25666,"style":24},"b93a039c67f3",[25658,25662],{"_key":25659,"_type":15,"marks":25660,"text":25661},"c1545bf1a005",[],"5. Typically, this is achieved most efficiently through a ",{"_key":25663,"_type":15,"marks":25664,"text":25665},"4cdfd85467e4",[17],"structured organization.",[],{"_type":574,"settings":25668,"text":25669},{"textColumnCount":637},[25670],{"_key":25671,"_type":11,"children":25672,"markDefs":25677,"style":24},"ff6556cfbd6a",[25673],{"_key":25674,"_type":15,"marks":25675,"text":25676},"af991e224fc7",[],"6. A structured organization is a group of people who work together by assigning different roles to different members. By assigning roles to the group’s members, efforts can be put towards smaller tasks that together make up the larger actions necessary to achieve a goal. Although members have assigned roles, no role is more important than any other, thus ensuring that hierarchies of power do not interfere with the group's functioning.",[],{"_type":574,"settings":25679,"text":25680},{"textColumnCount":637},[25681,25689,25697,25704,25720,25856],{"_key":25682,"_type":11,"children":25683,"markDefs":25688,"style":24},"d971f7817aa9",[25684],{"_key":25685,"_type":15,"marks":25686,"text":25687},"6cdd1e94cf700",[492,17],"Materials and Components",[],{"_key":25690,"_type":11,"children":25691,"markDefs":25696,"style":24},"65e4abfd48b7",[25692],{"_key":25693,"_type":15,"marks":25694,"text":25695},"14067f75c0dc0",[],"This section lists the Materials and Components you will need to find and have available in order to successfully construct a rope structure.",[],{"_key":25698,"_type":11,"children":25699,"markDefs":25703,"style":24},"690fb07a711b",[25700],{"_key":25701,"_type":15,"marks":25702,"text":1000},"e0aa17aba95b",[],[],{"_key":25705,"_type":11,"children":25706,"markDefs":25719,"style":24},"c822d3428580",[25707,25711,25715],{"_key":25708,"_type":15,"marks":25709,"text":25710},"75665feea013",[],"1. Acquire adequate ",{"_key":25712,"_type":15,"marks":25713,"text":25714},"fcdea5275eb11",[17],"rope ",{"_key":25716,"_type":15,"marks":25717,"text":25718},"fcdea5275eb12",[],"for the structure.",[],{"_key":25721,"_type":11,"children":25722,"markDefs":25759,"style":24},"9d366f8bdbeb",[25723,25727,25731,25735,25739,25743,25747,25751,25755],{"_key":25724,"_type":15,"marks":25725,"text":25726},"f690b9809bde",[],"a.  Rope is a fiber that is woven or ",{"_key":25728,"_type":15,"marks":25729,"text":25730},"3377c3e6399f",[24709],"twisted",{"_key":25732,"_type":15,"marks":25733,"text":25734},"eb0ed346f635",[],", noted for its length. Used for attaching (see also: ",{"_key":25736,"_type":15,"marks":25737,"text":25738},"dfa3a6e44e1a1",[492],"knots",{"_key":25740,"_type":15,"marks":25741,"text":25742},"dfa3a6e44e1a2",[],"), hanging, holding, connecting, lifting, lowering, ",{"_key":25744,"_type":15,"marks":25745,"text":25746},"cc5e5776eb06",[24720],"measuring",{"_key":25748,"_type":15,"marks":25749,"text":25750},"aa89529e8788",[],", sailing, building, recording ",{"_key":25752,"_type":15,"marks":25753,"text":25754},"8a8825f39f6b",[24731],"information",{"_key":25756,"_type":15,"marks":25757,"text":25758},"fce44c10fdfa",[],", and many other purposes. Several ropes woven or tied together can form other tools and structures, such as nets, hammocks, and tents.",[25760,25792,25824],{"_key":24709,"_type":10620,"allFootnotes":25761,"footnoteText":25786,"markKey":24709},[25762,25763,25764,25765,25766,25767,25768,25769,25770,25771,25772,25773,25774,25775,25776,25777,25778,25779,25780,25781,25782,25783,25784,25785],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25787],{"_key":24712,"_type":11,"children":25788,"markDefs":25791,"style":24},[25789],{"_key":24715,"_type":15,"marks":25790,"text":24717},[],[],{"_key":24720,"_type":10620,"allFootnotes":25793,"footnoteText":25818,"markKey":24720},[25794,25795,25796,25797,25798,25799,25800,25801,25802,25803,25804,25805,25806,25807,25808,25809,25810,25811,25812,25813,25814,25815,25816,25817],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25819],{"_key":24723,"_type":11,"children":25820,"markDefs":25823,"style":24},[25821],{"_key":24726,"_type":15,"marks":25822,"text":24728},[],[],{"_key":24731,"_type":10620,"allFootnotes":25825,"footnoteText":25850,"markKey":24731},[25826,25827,25828,25829,25830,25831,25832,25833,25834,25835,25836,25837,25838,25839,25840,25841,25842,25843,25844,25845,25846,25847,25848,25849],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25851],{"_key":24734,"_type":11,"children":25852,"markDefs":25855,"style":24},[25853],{"_key":24737,"_type":15,"marks":25854,"text":24739},[],[],{"_key":25857,"_type":11,"children":25858,"markDefs":25863,"style":24},"772acd5ed0e5",[25859],{"_key":25860,"_type":15,"marks":25861,"text":25862},"18b90fd4170a0",[],"Use ropes to create the frame of your structure. This is done by achieving tension. Tension can be created through tying several anchor points together and connecting these to vertical supports. Tension can also be adjusted and redirected using pulleys. ",[],{"_type":626,"caption":25865,"image":25890},[25866],{"_key":25867,"_type":11,"children":25868,"markDefs":25889,"style":24},"0d5301da8d38",[25869,25873,25877,25881,25885],{"_key":25870,"_type":15,"marks":25871,"text":25872},"7cb00890972f0",[],"Anonymous, ",{"_key":25874,"_type":15,"marks":25875,"text":25876},"7cb00890972f1",[492],"Ropemaker (portrait of Lorentz Sayler)",{"_key":25878,"_type":15,"marks":25879,"text":25880},"7cb00890972f2",[],", c. 1425, from the ",{"_key":25882,"_type":15,"marks":25883,"text":25884},"7cb00890972f3",[492],"Housebooks of the Nuremberg 12 Brothers Foundation",{"_key":25886,"_type":15,"marks":25887,"text":25888},"7cb00890972f4",[],", Archives of the Stadtbibliothek Nürnberg. Public domain.",[],{"alt":75,"asset":25891},{"_id":25892,"height":22866,"orientation":359,"ratio":25893,"url":25894,"width":25895},"image-bad13008a6e87df07b857096b4996634e862f9ee-717x997-jpg",0.7191574724172518,"https://cdn.sanity.io/images/eodip22e/production/bad13008a6e87df07b857096b4996634e862f9ee-717x997.jpg",717,{"_type":574,"settings":25897,"text":25898},{"textColumnCount":637},[25899,25923],{"_key":25900,"_type":11,"children":25901,"markDefs":25922,"style":24},"661b57e94aff",[25902,25906,25910,25914,25918],{"_key":25903,"_type":15,"marks":25904,"text":25905},"13b181a0939d2",[],"2. All structures need ",{"_key":25907,"_type":15,"marks":25908,"text":25909},"ba4a134828e3",[17],"supports",{"_key":25911,"_type":15,"marks":25912,"text":25913},"38cc594e9241",[]," at either end of a rope. These are also known as ",{"_key":25915,"_type":15,"marks":25916,"text":25917},"23b51d23f8bd",[17],"discontinuous compression units",{"_key":25919,"_type":15,"marks":25920,"text":25921},"23face075a37",[]," in tensegrity.",[],{"_key":25924,"_type":11,"children":25925,"markDefs":25930,"style":24},"ebfcb339ae52",[25926],{"_key":25927,"_type":15,"marks":25928,"text":25929},"b7a4e88428bc",[],"a. To create the vertical supports for your structure, tie down sturdy objects, such as metal poles, broomsticks, wooden beams, etc., so they remain upright even if disturbed by movement or touch. To ensure structural stability, tension has to come from all sides equally.",[],{"_type":574,"settings":25932,"text":25933},{"textColumnCount":637},[25934,25992],{"_key":25935,"_type":11,"children":25936,"markDefs":25951,"style":24},"2f35fc374187",[25937,25941,25944,25947],{"_key":25938,"_type":15,"marks":25939,"text":25940},"8d6b2bd96417",[],"3. While it is possible to create a tensile structure by using only knots and readily available structures around you, such as trees or public infrastructure, you might also need a ",{"_key":25942,"_type":15,"marks":25943,"text":24754},"895f646a327e",[17,24742],{"_key":25945,"_type":15,"marks":25946,"text":3023},"c67ff34ddfee",[17],{"_key":25948,"_type":15,"marks":25949,"text":25950},"dfc6f7903406",[],"to secure ropes to the ground.",[25952],{"_key":24742,"_type":10620,"allFootnotes":25953,"footnoteText":25978,"markKey":24742},[25954,25955,25956,25957,25958,25959,25960,25961,25962,25963,25964,25965,25966,25967,25968,25969,25970,25971,25972,25973,25974,25975,25976,25977],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[25979],{"_key":24745,"_type":11,"children":25980,"markDefs":25991,"style":24},[25981,25983,25985,25987,25989],{"_key":24748,"_type":15,"marks":25982,"text":24750},[],{"_key":24752,"_type":15,"marks":25984,"text":24754},[492],{"_key":24756,"_type":15,"marks":25986,"text":24758},[],{"_key":24760,"_type":15,"marks":25988,"text":24762},[492],{"_key":24764,"_type":15,"marks":25990,"text":24766},[],[],{"_key":25993,"_type":11,"children":25994,"markDefs":25999,"style":24},"a9473319f886",[25995],{"_key":25996,"_type":15,"marks":25997,"text":25998},"db94ba1bbe3b",[],"a.  A stake is a stick you plant into the ground that, in becoming fixed to the earth, becomes an anchor point. Stakes are traditionally shaped so that the bottom part can wedge into or in between things, and the top part can be hammered in easily. They can take many different forms and are made of plastic, metal, wood, or other durable materials. Think of a stake as a giant nail that goes into the ground to hold things down.",[],{"_type":574,"settings":26001,"text":26002},{"textColumnCount":637},[26003,26019,26067,26083,26099],{"_key":26004,"_type":11,"children":26005,"markDefs":26018,"style":24},"9a2700df3172",[26006,26010,26014],{"_key":26007,"_type":15,"marks":26008,"text":26009},"91a700b049c6",[],"4. This rope structure—this tensile paradise—is, as previously stated, a tea room. A ",{"_key":26011,"_type":15,"marks":26012,"text":26013},"0364f096f615",[17],"samovar",{"_key":26015,"_type":15,"marks":26016,"text":26017},"013627b9e2d8",[]," can be used to brew tea.",[],{"_key":26020,"_type":11,"children":26021,"markDefs":26034,"style":24},"c6a796fa2c92",[26022,26026,26030],{"_key":26023,"_type":15,"marks":26024,"text":26025},"1c84ae762e30",[],"a.  A samovar is a ",{"_key":26027,"_type":15,"marks":26028,"text":26029},"f25d1df05563",[24769],"metal vessel",{"_key":26031,"_type":15,"marks":26032,"text":26033},"4fe75c9b0185",[]," used for preparing tea by heating and boiling water. The container includes a spigot for hot water and a chimney for releasing smoke and/or steam. A teapot with a high concentration of tea leaves is placed on top of the vessel, allowing for smoke and steam to maintain the brew’s temperature. Water is served from the spigot straight into cups to allow for varied concentrations and consistently hot beverages.",[26035],{"_key":24769,"_type":10620,"allFootnotes":26036,"footnoteText":26061,"markKey":24769},[26037,26038,26039,26040,26041,26042,26043,26044,26045,26046,26047,26048,26049,26050,26051,26052,26053,26054,26055,26056,26057,26058,26059,26060],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26062],{"_key":24772,"_type":11,"children":26063,"markDefs":26066,"style":24},[26064],{"_key":24775,"_type":15,"marks":26065,"text":24777},[],[],{"_key":26068,"_type":11,"children":26069,"markDefs":26082,"style":24},"7b5e2d5edda1",[26070,26074,26078],{"_key":26071,"_type":15,"marks":26072,"text":26073},"af702c635e66",[],"b.  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The tea is often served in clear, preferably heat-tempered ",{"_key":26107,"_type":15,"marks":26108,"text":26109},"13459245f2db",[17],"glass cups",{"_key":26111,"_type":15,"marks":26112,"text":26113},"915644b45e74",[]," with handles, allowing one to view the depth of color of the drink.",[],{"_type":626,"caption":26116,"image":26133},[26117],{"_key":26118,"_type":11,"children":26119,"markDefs":26132,"style":24},"edd07936a2e6",[26120,26124,26128],{"_key":26121,"_type":15,"marks":26122,"text":26123},"62eb2e2512560",[],"Ismaʿil Jalayir, ",{"_key":26125,"_type":15,"marks":26126,"text":26127},"62eb2e2512561",[492],"Ladies Around a Samovar",{"_key":26129,"_type":15,"marks":26130,"text":26131},"62eb2e2512562",[],", c. 1860. Oil painting. 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To boil water, energy must be released as heat; you will need to secure a ",{"_key":26151,"_type":15,"marks":26152,"text":26153},"2e05fc97734b",[17],"power source",{"_key":26155,"_type":15,"marks":26156,"text":9749},"0bcce7e0d0aa",[],[],{"_key":26159,"_type":11,"children":26160,"markDefs":26172,"style":24},"2b19f9c167cc",[26161,26165,26169],{"_key":26162,"_type":15,"marks":26163,"text":26164},"dbc122dc066d",[],"a.  A samovar might use scrap wood or ",{"_key":26166,"_type":15,"marks":26167,"text":26168},"fbedaa795add",[24780],"pinecones",{"_key":26170,"_type":15,"marks":26171,"text":9749},"032af37ce8b7",[],[26173],{"_key":24780,"_type":10620,"allFootnotes":26174,"footnoteText":26199,"markKey":24780},[26175,26176,26177,26178,26179,26180,26181,26182,26183,26184,26185,26186,26187,26188,26189,26190,26191,26192,26193,26194,26195,26196,26197,26198],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26200],{"_key":24783,"_type":11,"children":26201,"markDefs":26212,"style":24},[26202,26204,26206,26208,26210],{"_key":24786,"_type":15,"marks":26203,"text":24788},[],{"_key":24790,"_type":15,"marks":26205,"text":24792},[492],{"_key":24794,"_type":15,"marks":26207,"text":24796},[],{"_key":24798,"_type":15,"marks":26209,"text":24800},[492],{"_key":24802,"_type":15,"marks":26211,"text":24804},[],[],{"_key":26214,"_type":11,"children":26215,"markDefs":26220,"style":24},"b683fd6796b9",[26216],{"_key":26217,"_type":15,"marks":26218,"text":26219},"01c9b84a1ba2",[],"b.  Or it needs electricity.",[],{"_type":626,"caption":26222,"image":26231},[26223],{"_key":26224,"_type":11,"children":26225,"markDefs":26230,"style":24},"ee3e4a2cb3d0",[26226],{"_key":26227,"_type":15,"marks":26228,"text":26229},"b273443adb1a0",[],"Sabritas on a Persian rug, Mexico City, 2026. Photograph. Courtesy of Sala de Té.",[],{"alt":75,"asset":26232},{"_id":26233,"height":23560,"orientation":512,"ratio":1180,"url":26234,"width":23562},"image-02a30e6367565361191c042e7a5b96b3732779d5-4032x3024-jpg","https://cdn.sanity.io/images/eodip22e/production/02a30e6367565361191c042e7a5b96b3732779d5-4032x3024.jpg",{"_type":574,"settings":26236,"text":26237},{"textColumnCount":637},[26238],{"_key":26239,"_type":11,"children":26240,"markDefs":26260,"style":24},"4c84e63f7744",[26241,26245,26249,26253,26257],{"_key":26242,"_type":15,"marks":26243,"text":26244},"20095080fad3",[],"6.  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Knowing these terms is useful for acquiring adequate materials and promoting efficient communication between people building a structure.",[],{"_type":574,"settings":26313,"text":26314},{"textColumnCount":637},[26315,26373],{"_key":26316,"_type":11,"children":26317,"markDefs":26336,"style":24},"c2561a98a438",[26318,26322,26325,26329,26333],{"_key":26319,"_type":15,"marks":26320,"text":26321},"a71686669af2",[],"1. Rope structures rely on ",{"_key":26323,"_type":15,"marks":26324,"text":25738},"e553a8e52fa3",[17],{"_key":26326,"_type":15,"marks":26327,"text":26328},"65e58580c860",[]," to maintain structural ",{"_key":26330,"_type":15,"marks":26331,"text":26332},"89771b43327f",[24826],"integrity",{"_key":26334,"_type":15,"marks":26335,"text":9749},"1505041ca313",[],[26337],{"_key":24826,"_type":10620,"allFootnotes":26338,"footnoteText":26363,"markKey":24826},[26339,26340,26341,26342,26343,26344,26345,26346,26347,26348,26349,26350,26351,26352,26353,26354,26355,26356,26357,26358,26359,26360,26361,26362],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26364],{"_key":24829,"_type":11,"children":26365,"markDefs":26372,"style":24},[26366,26368,26370],{"_key":24832,"_type":15,"marks":26367,"text":24834},[],{"_key":24836,"_type":15,"marks":26369,"text":24838},[492],{"_key":24840,"_type":15,"marks":26371,"text":24842},[],[],{"_key":26374,"_type":11,"children":26375,"markDefs":26403,"style":24},"3c70d0dba473",[26376,26380,26384,26388,26392,26395,26399],{"_key":26377,"_type":15,"marks":26378,"text":26379},"241011c70779",[],"a. A knot is an intentional complication of a corded line (",{"_key":26381,"_type":15,"marks":26382,"text":26383},"ccbe1722cc6e",[492],"see rope",{"_key":26385,"_type":15,"marks":26386,"text":26387},"189a99f1078e",[],"). It is made by interlacing, looping, and tightening a flexible line so that friction and tension lock the strands together. Knots serve a variety of purposes, both ",{"_key":26389,"_type":15,"marks":26390,"text":26391},"c5f1ee39e276",[24845],"functional",{"_key":26393,"_type":15,"marks":26394,"text":9776},"b9ab88d1a741",[],{"_key":26396,"_type":15,"marks":26397,"text":26398},"a09b6cc585c4",[24864],"decorative",{"_key":26400,"_type":15,"marks":26401,"text":26402},"82c43d5592f3",[],". Popular knots that are useful for a rope structure include, but are not limited to: Bowline, Marline Spike, Clove Hitch, Two Half-Hitch, Versatackle, and Whipping Knot.",[26404,26441],{"_key":24845,"_type":10620,"allFootnotes":26405,"footnoteText":26430,"markKey":24845},[26406,26407,26408,26409,26410,26411,26412,26413,26414,26415,26416,26417,26418,26419,26420,26421,26422,26423,26424,26425,26426,26427,26428,26429],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26431,26436],{"_key":24848,"_type":11,"children":26432,"markDefs":26435,"style":24},[26433],{"_key":24851,"_type":15,"marks":26434,"text":24853},[],[],{"_key":24856,"_type":11,"children":26437,"markDefs":26440,"style":24},[26438],{"_key":24859,"_type":15,"marks":26439,"text":24861},[],[],{"_key":24864,"_type":10620,"allFootnotes":26442,"footnoteText":26467,"markKey":24864},[26443,26444,26445,26446,26447,26448,26449,26450,26451,26452,26453,26454,26455,26456,26457,26458,26459,26460,26461,26462,26463,26464,26465,26466],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26468],{"_key":24867,"_type":11,"children":26469,"markDefs":26472,"style":24},[26470],{"_key":24870,"_type":15,"marks":26471,"text":24872},[],[],{"_type":626,"caption":26474,"image":26491},[26475],{"_key":26476,"_type":11,"children":26477,"markDefs":26490,"style":24},"53c297b77945",[26478,26482,26486],{"_key":26479,"_type":15,"marks":26480,"text":26481},"0bfb5898095b0",[],"Lucasbosch, ",{"_key":26483,"_type":15,"marks":26484,"text":26485},"0bfb5898095b1",[492],"Bowline knot",{"_key":26487,"_type":15,"marks":26488,"text":26489},"0bfb5898095b2",[],", 2011. Illustration. Wikimedia Commons. CC BY 3.0.",[],{"alt":75,"asset":26492},{"_id":26493,"height":26494,"orientation":512,"ratio":26495,"url":26496,"width":26497},"image-d211d2c0e43276e114187ab6668f29b95d9b35fe-2560x1494-png",1494,1.713520749665328,"https://cdn.sanity.io/images/eodip22e/production/d211d2c0e43276e114187ab6668f29b95d9b35fe-2560x1494.png",2560,{"_type":574,"settings":26499,"text":26500},{"textColumnCount":637},[26501],{"_key":26502,"_type":11,"children":26503,"markDefs":26516,"style":24},"7a988b322069",[26504,26508,26512],{"_key":26505,"_type":15,"marks":26506,"text":26507},"ae3353c2806b",[],"2. A tensile rope structure may use ",{"_key":26509,"_type":15,"marks":26510,"text":26511},"0a345fcb1f81",[17],"tensegrity ",{"_key":26513,"_type":15,"marks":26514,"text":26515},"34dee553a9b5",[],"to make sure that all weight and tension are distributed and resilient. Tensegrity is a structural principle that uses a balance of tension and compression to create stable structures. Portmanteau of “tensional integrity,” coined by architect Buckminster Fuller.",[],{"_type":626,"caption":26518,"image":26535},[26519],{"_key":26520,"_type":11,"children":26521,"markDefs":26534,"style":24},"61ad0356428f",[26522,26526,26530],{"_key":26523,"_type":15,"marks":26524,"text":26525},"03e67fa7b6a30",[],"S.Wetzel, ",{"_key":26527,"_type":15,"marks":26528,"text":26529},"03e67fa7b6a31",[492],"Tensegrity, ",{"_key":26531,"_type":15,"marks":26532,"text":26533},"03e67fa7b6a32",[],"2010. Photograph. Wikimedia Commons. CC BY-SA 4.0",[],{"alt":75,"asset":26536},{"_id":26537,"height":26538,"orientation":512,"ratio":26539,"url":26540,"width":11631},"image-fc4661a80f14db65971190f5e5460cfdee082256-602x599-jpg",599,1.005008347245409,"https://cdn.sanity.io/images/eodip22e/production/fc4661a80f14db65971190f5e5460cfdee082256-602x599.jpg",{"_type":574,"settings":26542,"text":26543},{"textColumnCount":637},[26544,26583,26591],{"_key":26545,"_type":11,"children":26546,"markDefs":26582,"style":24},"eddd01a51e3e",[26547,26551,26555,26559,26562,26566,26570,26574,26578],{"_key":26548,"_type":15,"marks":26549,"text":26550},"d63ba404e3be",[],"3. Both physical and social",{"_key":26552,"_type":15,"marks":26553,"text":26554},"bc4813f74a80",[17]," tension ",{"_key":26556,"_type":15,"marks":26557,"text":26558},"0af28c02e349",[],"are necessary when building a structure and as part of the structure itself",{"_key":26560,"_type":15,"marks":26561,"text":5415},"0dd325c27e7f",[17],{"_key":26563,"_type":15,"marks":26564,"text":26565},"14420ac5292e",[],"Tension can mean (a) ",{"_key":26567,"_type":15,"marks":26568,"text":26569},"d18beb06995f",[492],"Physics ",{"_key":26571,"_type":15,"marks":26572,"text":26573},"7a3386ca4883",[],"Force applied to a flexible object when it is being stretched. (b) ",{"_key":26575,"_type":15,"marks":26576,"text":26577},"7068a11b2b97",[492],"Social",{"_key":26579,"_type":15,"marks":26580,"text":26581},"289c6461c1e2",[]," A situation or mental state resulting from opposing viewpoints, miscommunication, or ambivalent emotions. It is important to:",[],{"_key":26584,"_type":11,"children":26585,"markDefs":26590,"style":24},"98eaa83a5939",[26586],{"_key":26587,"_type":15,"marks":26588,"text":26589},"47defefa5be4",[],"a. Maintain physical tension using building elements and participant cooperation. Stones can counterbalance a rope that is attached to a tree, creating tension. One person can pull on a rope while the other ties a knot to an anchor point, maintaining this force, which is vital for structural integrity.",[],{"_key":26592,"_type":11,"children":26593,"markDefs":26606,"style":24},"97538b98d163",[26594,26598,26602],{"_key":26595,"_type":15,"marks":26596,"text":26597},"79b6a0be5ca8",[],"b. Identify social tension as productive or ",{"_key":26599,"_type":15,"marks":26600,"text":26601},"3b9850d678b3",[24875],"nonproductive",{"_key":26603,"_type":15,"marks":26604,"text":26605},"cf7f051ba239",[],". Situational awareness of your cooperative unit members’ intentions and emotions is essential for maintaining social integrity. Sometimes it is best to speak of this tension out loud, while at other times it might be de-escalated indirectly. Tension that denotes differences in roles and responsibilities can be important for effective collaboration.",[26607],{"_key":24875,"_type":10620,"allFootnotes":26608,"footnoteText":26633,"markKey":24875},[26609,26610,26611,26612,26613,26614,26615,26616,26617,26618,26619,26620,26621,26622,26623,26624,26625,26626,26627,26628,26629,26630,26631,26632],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26634],{"_key":24878,"_type":11,"children":26635,"markDefs":26638,"style":24},[26636],{"_key":24881,"_type":15,"marks":26637,"text":24883},[],[],{"_type":574,"settings":26640,"text":26641},{"textColumnCount":637},[26642,26658],{"_key":26643,"_type":11,"children":26644,"markDefs":26657,"style":24},"cbc740a6248e",[26645,26649,26653],{"_key":26646,"_type":15,"marks":26647,"text":26648},"e61429b24efd",[],"4. Use ",{"_key":26650,"_type":15,"marks":26651,"text":26652},"d8dfd7ebdad1",[17],"anchor points ",{"_key":26654,"_type":15,"marks":26655,"text":26656},"e1e334303c41",[],"as a departure point when planning your structure. Anchor points are the parts of the rope structure itself that hold it down and provide tension.",[],{"_key":26659,"_type":11,"children":26660,"markDefs":26673,"style":24},"05e0388e6812",[26661,26665,26669],{"_key":26662,"_type":15,"marks":26663,"text":26664},"55249e3aa143",[],"This includes weights, ",{"_key":26666,"_type":15,"marks":26667,"text":26668},"9f997fd2bdaa",[17],"stakes",{"_key":26670,"_type":15,"marks":26671,"text":26672},"7a00980fc22c",[],", and pre-existing structures in the environment.",[],{"_type":626,"caption":26675,"image":26716},[26676],{"_key":26677,"_type":11,"children":26678,"markDefs":26683,"style":24},"fd9398a0b523",[26679],{"_key":26680,"_type":15,"marks":26681,"text":26682},"924fe5bc63c40",[24886],"Anchor point for a rope structure constructed by CNTE protestors, Mexico City, 2025. Photograph. 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Sala de té (tensile paradise, tea room, rope structure, etc) involves ",{"_key":26731,"_type":15,"marks":26732,"text":26733},"4e64f1f27996",[17],"spatial and social horizontality",{"_key":26735,"_type":15,"marks":26736,"text":26737},"86df9858d263",[],". In its creation and use, we sit on the ground and grant each other the autonomy to manage ourselves without a strict hierarchy.",[],{"_key":26740,"_type":11,"children":26741,"markDefs":26746,"style":24},"b43559d7c946",[26742],{"_key":26743,"_type":15,"marks":26744,"text":26745},"c56d9bc21b4b",[],"a. Spatial horizonality is parallel to the line where the earth and the sky meet (horizon).",[],{"_key":26748,"_type":11,"children":26749,"markDefs":26754,"style":24},"c6921773fbbc",[26750],{"_key":26751,"_type":15,"marks":26752,"text":26753},"fa5f6d38b697",[],"b. 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Frames can be covered with different materials to provide extra shade, insulation, weather protection, privacy, etc.",[26774],{"_key":24897,"_type":10620,"allFootnotes":26775,"footnoteText":26800,"markKey":24897},[26776,26777,26778,26779,26780,26781,26782,26783,26784,26785,26786,26787,26788,26789,26790,26791,26792,26793,26794,26795,26796,26797,26798,26799],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26801],{"_key":24900,"_type":11,"children":26802,"markDefs":26805,"style":24},[26803],{"_key":24903,"_type":15,"marks":26804,"text":24905},[],[],{"_type":574,"settings":26807,"text":26808},{"textColumnCount":637},[26809],{"_key":26810,"_type":11,"children":26811,"markDefs":26840,"style":24},"bed4a47fc300",[26812,26816,26820,26824,26828,26832,26836],{"_key":26813,"_type":15,"marks":26814,"text":26815},"3cafe9a193db",[],"7. A ",{"_key":26817,"_type":15,"marks":26818,"text":26819},"eb051caa98f6",[17,24908],"structure",{"_key":26821,"_type":15,"marks":26822,"text":26823},"822b18f37ea3",[]," is any kind of spatially aware object created through the use of physical materials. Typically, a structure creates a border between the space outside the structure and the structure itself. This can be walls, a roof, a fence, a ditch, a trench, etc. A structure creates an ",{"_key":26825,"_type":15,"marks":26826,"text":26827},"2157f8807269",[492],"inside ",{"_key":26829,"_type":15,"marks":26830,"text":26831},"8d493e0448ce",[],"one can enter and an ",{"_key":26833,"_type":15,"marks":26834,"text":26835},"bb667b5e79eb",[492],"outside ",{"_key":26837,"_type":15,"marks":26838,"text":26839},"0925ff1d64a2",[],"that lies beyond it. 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",{"_key":26884,"_type":15,"marks":26885,"text":26886},"daf07a8c8826",[17,24919],"Weights",{"_key":26888,"_type":15,"marks":26889,"text":26890},"a1cec295bad1",[17]," are ",{"_key":26892,"_type":15,"marks":26893,"text":26894},"0348aee6e694",[],"heavy objects that pull or hold something down. Their density is high, and therefore gravity acts on them with greater force than the rest of the objects in the structure, pulling them towards the ground.",[26896],{"_key":24919,"_type":10620,"allFootnotes":26897,"footnoteText":26922,"markKey":24919},[26898,26899,26900,26901,26902,26903,26904,26905,26906,26907,26908,26909,26910,26911,26912,26913,26914,26915,26916,26917,26918,26919,26920,26921],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[26923],{"_key":24922,"_type":11,"children":26924,"markDefs":26927,"style":24},[26925],{"_key":24925,"_type":15,"marks":26926,"text":24927},[],[],{"_key":26929,"_type":11,"children":26930,"markDefs":26943,"style":24},"8c3f71d3435e",[26931,26935,26939],{"_key":26932,"_type":15,"marks":26933,"text":26934},"eb9be53f749f",[],"a.  ",{"_key":26936,"_type":15,"marks":26937,"text":26938},"e4b45f3fadb0",[492],"Anchor points ",{"_key":26940,"_type":15,"marks":26941,"text":26942},"a61d7b4fe039",[],"can be created using weights. They can also be used to create counterweights.",[],{"_key":26945,"_type":11,"children":26946,"markDefs":26967,"style":24},"b68e0145b0f0",[26947,26951,26955,26959,26963],{"_key":26948,"_type":15,"marks":26949,"text":26950},"0ff03edef93c",[],"b.  To weigh something is to measure its weight. ",{"_key":26952,"_type":15,"marks":26953,"text":26954},"3d161a8a1aa7",[492],"Metaphorically",{"_key":26956,"_type":15,"marks":26957,"text":26958},"cfabda5f5d04",[],", to “weigh” a situation is to take note of all of its components and then draw useful conclusions about it based on these observations. It is important to ",{"_key":26960,"_type":15,"marks":26961,"text":26962},"9413dbe875fb",[492],"weigh ",{"_key":26964,"_type":15,"marks":26965,"text":26966},"88b988670a19",[],"things such as fatigue, hunger, and interest levels, as well as expected weather, available time, materials, participant numbers, etc., in order to accurately make a plan.",[],{"_type":574,"settings":26969,"text":26970},{"textColumnCount":637},[26971,27019,27034,27049,27064],{"_key":26972,"_type":11,"children":26973,"markDefs":26986,"style":24},"4bba4aa8a9c9",[26974,26978,26982],{"_key":26975,"_type":15,"marks":26976,"text":26977},"f93752b4c956",[],"9. ",{"_key":26979,"_type":15,"marks":26980,"text":26981},"d8db7f791ed8",[17,24930],"Cooperative Units",{"_key":26983,"_type":15,"marks":26984,"text":26985},"d987094fad0f",[]," are the smallest divisible part of a productive and resilient organization. A cooperative unit consists of at least four people, each assigned one of the following four roles:",[26987],{"_key":24930,"_type":10620,"allFootnotes":26988,"footnoteText":27013,"markKey":24930},[26989,26990,26991,26992,26993,26994,26995,26996,26997,26998,26999,27000,27001,27002,27003,27004,27005,27006,27007,27008,27009,27010,27011,27012],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[27014],{"_key":24933,"_type":11,"children":27015,"markDefs":27018,"style":24},[27016],{"_key":24936,"_type":15,"marks":27017,"text":24938},[],[],{"_key":27020,"_type":11,"children":27021,"markDefs":27033,"style":24},"3f8334cc51ef",[27022,27025,27029],{"_key":27023,"_type":15,"marks":27024,"text":26934},"dff80bd90f95",[],{"_key":27026,"_type":15,"marks":27027,"text":27028},"d0cb0994543e",[17],"Communicator",{"_key":27030,"_type":15,"marks":27031,"text":27032},"b428f449fbc2",[],": Communicators serve as liaisons between the other three unit members. They ensure that everyone is informed at all times of the state of the project as well as of the next set of steps that are to be taken. Communicators should pay special attention to make sure that connectors, planners, and support members are all informed of each others' progress, plans, tasks, and needs. They should also keep track of the time allocation in relation to the progress of the overall project.",[],{"_key":27035,"_type":11,"children":27036,"markDefs":27048,"style":24},"45de7f6839d8",[27037,27040,27044],{"_key":27038,"_type":15,"marks":27039,"text":25420},"e68e7639b51a",[],{"_key":27041,"_type":15,"marks":27042,"text":27043},"6a253b2589b9",[17],"  Connector",{"_key":27045,"_type":15,"marks":27046,"text":27047},"2ba24594f123",[],": Connectors carry out the manual tasks needed for the project to take shape. They connect the plan to the action. In a rope structure connectors extend and tie ropes to each other to build the structure.",[],{"_key":27050,"_type":11,"children":27051,"markDefs":27063,"style":24},"b5dade698d13",[27052,27055,27059],{"_key":27053,"_type":15,"marks":27054,"text":25480},"a534aa922814",[],{"_key":27056,"_type":15,"marks":27057,"text":27058},"f96d5dde3619",[17],"Planner",{"_key":27060,"_type":15,"marks":27061,"text":27062},"2e60aeaada40",[],": Planners think of and discuss an initial overall structure or project goal with the other unit members and then coordinate with each other to make sure that tasks are completed as planned. In a rope structure project, planners take into account anchor points, vertical supports and connections in order to make a plan that evenly and efficiently distributes rope tension. Planners need to survey the project's progress and detect any weak points in the construction process or any breakdowns in communication and adjust the plan accordingly as it progresses.",[],{"_key":27065,"_type":11,"children":27066,"markDefs":27079,"style":24},"36c6ffe8a80f",[27067,27071,27075],{"_key":27068,"_type":15,"marks":27069,"text":27070},"fa238bef0ab1",[],"d.  ",{"_key":27072,"_type":15,"marks":27073,"text":27074},"25d088c66fa7",[17],"Support",{"_key":27076,"_type":15,"marks":27077,"text":27078},"459d28b4a7ac",[],": Supports make sure that the overall project is structurally sound by acting as the unit’s on-site logistics hub. A support will keep track of resources and have materials, tools, and project information ready to go should it be needed by the other members. They also assist the other roles when extra labor is needed to ensure the smooth running of a project or operation.",[],{"_type":574,"settings":27081,"text":27082},{"textColumnCount":637},[27083],{"_key":27084,"_type":11,"children":27085,"markDefs":27094,"style":24},"271687ff7153",[27086,27090],{"_key":27087,"_type":15,"marks":27088,"text":27089},"87a07ac92fb30",[492,17],"Social, Temporal, and Spatial Conditions\n\n",{"_key":27091,"_type":15,"marks":27092,"text":27093},"bf1eae2e4b6a0",[],"This section details the different kinds of actions, situations, factors, and dynamics you might encounter while working as a group building a tensile structure.",[],{"_type":574,"settings":27096,"text":27097},{"textColumnCount":637},[27098,27146],{"_key":27099,"_type":11,"children":27100,"markDefs":27113,"style":24},"c24850c7aced",[27101,27105,27109],{"_key":27102,"_type":15,"marks":27103,"text":27104},"e96fd0b87abf",[],"1. ",{"_key":27106,"_type":15,"marks":27107,"text":27108},"63cc42a085e4",[17,24941],"Collaboration",{"_key":27110,"_type":15,"marks":27111,"text":27112},"d9d5523e6554",[]," involves working as a group of people to achieve a collectively predetermined goal. It involves planning, division of tasks, resource administration, and task execution.",[27114],{"_key":24941,"_type":10620,"allFootnotes":27115,"footnoteText":27140,"markKey":24941},[27116,27117,27118,27119,27120,27121,27122,27123,27124,27125,27126,27127,27128,27129,27130,27131,27132,27133,27134,27135,27136,27137,27138,27139],{"_key":24603},{"_key":24618},{"_key":24629},{"_key":24663},{"_key":24682},{"_key":24709},{"_key":24720},{"_key":24731},{"_key":24742},{"_key":24769},{"_key":24780},{"_key":24807},{"_key":24826},{"_key":24845},{"_key":24864},{"_key":24875},{"_key":24886},{"_key":24897},{"_key":24908},{"_key":24919},{"_key":24930},{"_key":24941},{"_key":24952},{"_key":24963},[27141],{"_key":24944,"_type":11,"children":27142,"markDefs":27145,"style":24},[27143],{"_key":24947,"_type":15,"marks":27144,"text":24949},[],[],{"_key":27147,"_type":11,"children":27148,"markDefs":27153,"style":24},"450965a46574",[27149],{"_key":27150,"_type":15,"marks":27151,"text":27152},"47b4f4c629b5",[],"a. To collaborate on building a structure, you need to get together with a team, source materials, develop a plan, divide tasks, allocate resources, and execute your construction plan.",[],{"_type":574,"settings":27155,"text":27156},{"textColumnCount":637},[27157],{"_key":27158,"_type":11,"children":27159,"markDefs":27179,"style":24},"d27381c7eedf",[27160,27164,27168,27172,27175],{"_key":27161,"_type":15,"marks":27162,"text":27163},"abbe79225c53",[],"2. In order to find resolutions to disagreements or problems when making a structure, one must first ",{"_key":27165,"_type":15,"marks":27166,"text":27167},"0f0b400a8f29",[17],"unravel",{"_key":27169,"_type":15,"marks":27170,"text":27171},"d94d13cd479d",[]," the situation. Unravelling can mean to disentangle fibers, but also,",{"_key":27173,"_type":15,"marks":27174,"text":3023},"d02f6b2ba7a3",[17],{"_key":27176,"_type":15,"marks":27177,"text":27178},"6f1fffaa5ef5",[],"to fall apart or become dysfunctional. It can also be used to talk about the explanation or investigation of a complex situation as it happens.",[],{"_type":574,"settings":27181,"text":27182},{"textColumnCount":637},[27183,27199,27214,27229],{"_key":27184,"_type":11,"children":27185,"markDefs":27198,"style":24},"594676f6efef",[27186,27190,27194],{"_key":27187,"_type":15,"marks":27188,"text":27189},"dffec17d366f",[],"3. Structures are typically built outdoors. 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Gabriel’s activity could be an interesting embodied extension to our way of using natural metaphors to consider how we work together.",[],{"_type":574,"settings":30053,"text":30054},{"textColumnCount":637},[30055,30062,30070,30081,30089,30097,30105,30113],{"_key":30056,"_type":11,"children":30057,"markDefs":30061,"style":24},"20016a092ed6",[30058],{"_key":30059,"_type":15,"marks":30060,"text":1000},"6f9599fa90e2",[],[],{"_key":30063,"_type":11,"children":30064,"markDefs":30069,"style":24},"47d0fbc5ef31",[30065],{"_key":30066,"_type":15,"marks":30067,"text":30068},"923de00433f9",[17],"Q: Can we sit, write the best workshop tools and co-create new recipes?",[],{"_key":30071,"_type":11,"children":30072,"markDefs":30080,"style":24},"b5eecdca62b8",[30073,30076],{"_key":30074,"_type":15,"marks":30075,"text":29948},"eb14db1e555d",[17],{"_key":30077,"_type":15,"marks":30078,"text":30079},"ae30a7853da1",[]," Do we need to start by sitting?",[],{"_key":30082,"_type":11,"children":30083,"markDefs":30088,"style":24},"d37c19b106e9",[30084],{"_key":30085,"_type":15,"marks":30086,"text":30087},"4b9d2298063f",[],"Do we need to begin by writing?",[],{"_key":30090,"_type":11,"children":30091,"markDefs":30096,"style":24},"d1c267453218",[30092],{"_key":30093,"_type":15,"marks":30094,"text":30095},"feb50dfdf2a7",[],"Instead of pen and paper, what if we started with ingredients and cooking utensils?",[],{"_key":30098,"_type":11,"children":30099,"markDefs":30104,"style":24},"5b052aa7a3f6",[30100],{"_key":30101,"_type":15,"marks":30102,"text":30103},"76272f5c432a",[],"Using ingredients as our shared vocabulary, co-creating dishes, and then writing the recipe down afterwards to document and share the process.",[],{"_key":30106,"_type":11,"children":30107,"markDefs":30112,"style":24},"0971389e019e",[30108],{"_key":30109,"_type":15,"marks":30110,"text":30111},"0f78f19dc84e",[],"Elements of improvisation in the kitchen choreography.",[],{"_key":30114,"_type":11,"children":30115,"markDefs":30120,"style":24},"822f0dad8a83",[30116],{"_key":30117,"_type":15,"marks":30118,"text":30119},"06c8a7daa8ee",[],"Ingredients that work well together make a good recipe. But to know which ingredients work well together, we must first understand the ingredients. How do we share each of our understandings to create an ingredient database that can be shared and used to create recipes?",[],{"_type":574,"settings":30122,"text":30123},{"textColumnCount":637},[30124,30131,30139],{"_key":30125,"_type":11,"children":30126,"markDefs":30130,"style":24},"4ef4594d1223",[30127],{"_key":30128,"_type":15,"marks":30129,"text":1000},"1c3f73f1d96a",[],[],{"_key":30132,"_type":11,"children":30133,"markDefs":30138,"style":24},"f5150cf90491",[30134],{"_key":30135,"_type":15,"marks":30136,"text":30137},"4aa6d0a1d6e5",[17],"Q: How can we deepen the connection between somatic practice and archival research in future workshops?",[],{"_key":30140,"_type":11,"children":30141,"markDefs":30146,"style":24},"674475a59d0c",[30142],{"_key":30143,"_type":15,"marks":30144,"text":30145},"311b871e5ff4",[],"Treat the archive as a body and the body as an archive. Find space for an embodied practice, such as listening or feeling what is already there, before digging into the reading and investigation. Take breaks, to check in with the body, give that space and move with it. Maybe, find ways to talk about the archive, as if it is a body. Does it feel tense, absent, overstretched? Allow the body to speculate, where the archive falls silent. Fill in the gaps.",[],{"_type":574,"settings":30148,"text":30149},{"textColumnCount":637},[30150,30157,30165,30179,30187,30195,30203,30211,30219,30227,30235,30243,30251,30259,30267,30275,30283,30291,30299,30307],{"_key":30151,"_type":11,"children":30152,"markDefs":30156,"style":24},"ee2107698561",[30153],{"_key":30154,"_type":15,"marks":30155,"text":1000},"71759c4f048f",[],[],{"_key":30158,"_type":11,"children":30159,"markDefs":30164,"style":24},"f9677e1a3d42",[30160],{"_key":30161,"_type":15,"marks":30162,"text":30163},"3fe5e959a8c3",[17],"Q: How can one feel how a tree feels?",[],{"_key":30166,"_type":11,"children":30167,"markDefs":30178,"style":24},"f5d1f8329d6e",[30168,30171,30174],{"_key":30169,"_type":15,"marks":30170,"text":29948},"74fb930e873f",[17],{"_key":30172,"_type":15,"marks":30173,"text":3023},"6585248ee19a",[17,492],{"_key":30175,"_type":15,"marks":30176,"text":30177},"6e9e5ac92138",[],"Instructions for Vrksāsana (Tree Pose) inspired by Iyengar Yoga",[],{"_key":30180,"_type":11,"children":30181,"markDefs":30186,"style":24},"409faae505ad",[30182],{"_key":30183,"_type":15,"marks":30184,"text":30185},"856430650f57",[],"- Find a place to feel what a tree feels.",[],{"_key":30188,"_type":11,"children":30189,"markDefs":30194,"style":24},"105b4bd47953",[30190],{"_key":30191,"_type":15,"marks":30192,"text":30193},"e10165a2ff83",[],"- Tadāsana (Mountain Pose). Stand with your feet together. If you are menstruating or have lower back pain, keep your feet hip-width apart.",[],{"_key":30196,"_type":11,"children":30197,"markDefs":30202,"style":24},"401671ab4fac",[30198],{"_key":30199,"_type":15,"marks":30200,"text":30201},"82a677f228a5",[],"- If standing is not possible, sit on the edge of a chair with your legs hip-width apart and your feet aligned with your knees.",[],{"_key":30204,"_type":11,"children":30205,"markDefs":30210,"style":24},"cdca21274755",[30206],{"_key":30207,"_type":15,"marks":30208,"text":30209},"1b1c67d100c4",[],"- Supta Tadāsana (Reclining Mountain Pose). If sitting is not possible, lie on the floor or a firm surface with your feet together. If you are menstruating or have lower back pain, keep your feet hip-width apart.",[],{"_key":30212,"_type":11,"children":30213,"markDefs":30218,"style":24},"7faa2c121223",[30214],{"_key":30215,"_type":15,"marks":30216,"text":30217},"7680dfd3153d",[],"- If neither of these options is possible, find a comfortable position and visualize the actions below.",[],{"_key":30220,"_type":11,"children":30221,"markDefs":30226,"style":24},"5d86aaa58046",[30222],{"_key":30223,"_type":15,"marks":30224,"text":30225},"98139f672f93",[],"- If you have high blood pressure, do not raise your arms in any of the variations. If you have a headache, do the lying-down variation and if you feel uncomfortable raising your arms, don't do it.",[],{"_key":30228,"_type":11,"children":30229,"markDefs":30234,"style":24},"29d2ae82b09a",[30230],{"_key":30231,"_type":15,"marks":30232,"text":30233},"02fc5807e468",[],"- Standing (Tadāsana), sitting, or lying down (Supta Tadāsana), breathe gently and steadily through your nose. Bring your awareness to the entire surface of your body that is in connection with the support. Try to expand that connection as much as you can. Extend the skin from the center of your feet, buttocks, or back, to the extremities, sides, top, and bottom. Keep your inhalations and exhalations gentle and steady through your nose. Encompass as much of the surface as possible. Bring your awareness to each cell that is connected to the surface and expand the space within and between them. Stay on this observation for 1 to 3 minutes.",[],{"_key":30236,"_type":11,"children":30237,"markDefs":30242,"style":24},"89e35652a3d6",[30238],{"_key":30239,"_type":15,"marks":30240,"text":30241},"ab21b3397ce7",[],"- Through this expansion, connect with the surface that supports you and through the surface with what lies beneath it, and beneath it, and beneath it. Imagine how that connection expands deep beneath your feet, buttocks, or back.",[],{"_key":30244,"_type":11,"children":30245,"markDefs":30250,"style":24},"bb4348c5ae8d",[30246],{"_key":30247,"_type":15,"marks":30248,"text":30249},"c6c7e823280c",[],"- Press your skin firmly to the surface to connect downwards, and from there lift the posture.",[],{"_key":30252,"_type":11,"children":30253,"markDefs":30258,"style":24},"94e06600dbf1",[30254],{"_key":30255,"_type":15,"marks":30256,"text":30257},"183d179536f5",[],"- If standing in Tadāsana, extend your legs, engaging your kneecaps to your thighs, quadriceps to your hips, and lifting your spine. Soften your buttocks toward the floor.",[],{"_key":30260,"_type":11,"children":30261,"markDefs":30266,"style":24},"fb637dedf1b4",[30262],{"_key":30263,"_type":15,"marks":30264,"text":30265},"b8016b2dd6b4",[],"- If sitting, press your feet to the floor and your buttocks to the chair, and from there lift your spine.",[],{"_key":30268,"_type":11,"children":30269,"markDefs":30274,"style":24},"e9826057e652",[30270],{"_key":30271,"_type":15,"marks":30272,"text":30273},"73acc93fc3d9",[],"- If lying down in Supta Tadāsana, pull your heels forward, press your thighs to the floor, and extend your spine back and up. Soften your buttocks toward your heels.",[],{"_key":30276,"_type":11,"children":30277,"markDefs":30282,"style":24},"e26643446d4f",[30278],{"_key":30279,"_type":15,"marks":30280,"text":30281},"c58fccb455a8",[],"- In all cases, extend your arms to the sides of your hips, opening the space between your fingers. Ensure your elbows are not bent.",[],{"_key":30284,"_type":11,"children":30285,"markDefs":30290,"style":24},"09d06fed8a94",[30286],{"_key":30287,"_type":15,"marks":30288,"text":30289},"55d839cc0e2b",[],"- Vrksāsana (Tree Pose). If standing, bring your hands to your hips and shift your weight onto your left leg. Turn your right foot and leg outward, raising your right heel. Lift your right leg out to the side and, with the help of your right hand, bring your right heel to the inside of your left leg as close to the pubic bone as possible. Do not place your right heel on your left knee. If you cannot lift your leg, keep it on the floor.",[],{"_key":30292,"_type":11,"children":30293,"markDefs":30298,"style":24},"38a5445dabb6",[30294],{"_key":30295,"_type":15,"marks":30296,"text":30297},"b4216e44678e",[],"If you lose your balance when lifting your leg, you can use your left hand to hold onto a wall for support. Finally, with or without a wall, raise your arms toward the ceiling and extend them, keeping your shoulders away from your ears. With your eyes open, focus your attention on a point. Inhale and exhale gently and steadily through your nose one to three times. While in the pose, press your left foot firmly into the floor. Ground yourself. Lift your left kneecap to your thigh and your thigh to your hip. Press the left edge of your hip toward the center and your right heel to your inner left thigh. Lower your buttocks to the floor and use your arms to lift your spine. Feel the tree pose from the roots through the trunk to the branches. To come out, slowly lower your right foot and return to the starting standing position, or Tadāsana (Mountain Pose). Repeat on your left side, following these instructions.",[],{"_key":30300,"_type":11,"children":30301,"markDefs":30306,"style":24},"96328f84b3a9",[30302],{"_key":30303,"_type":15,"marks":30304,"text":30305},"fd2300eba7ff",[],"- If you are seated, gently lift the outer edge of your right leg with your hands and place your foot on your left knee. Position your right ankle on the outside of your left knee. If this is too intense for your hips, place more height under your buttocks. Soften your right thigh. Finally, raise your arms toward the ceiling and extend them, resisting the pull of your shoulders away from your ears. With your eyes open, focus your attention on a point. Inhale and exhale gently and steadily through your nose one to three times. While in the pose, press your left foot firmly into the floor. Ground yourself. Lower your buttocks to the floor and use your arms to lift your spine. Feel the tree pose from the roots through the trunk to the branches. To come out, slowly lower your right foot and return to the starting seated position. Repeat on your left side, following these instructions. Note: This is not the classic pose, but an adaptation.",[],{"_key":30308,"_type":11,"children":30309,"markDefs":30314,"style":24},"e19b05bb72bc",[30310],{"_key":30311,"_type":15,"marks":30312,"text":30313},"901d76e43513",[],"- Supta Vrksāsana (Reclining Tree Pose). If you are lying down, turn your right foot and leg outward, lifting your right heel. Raise your right leg to the side and, with the help of your right hand, bring your right heel to the inside of your left leg as close to the pubic bone as possible. Do not place your right heel on your left knee. If you cannot lift your leg, keep it open to the right, lying flat on the ground as much as you can. Finally, raise your arms behind you, bringing the backs of your hands to the floor. If this is not possible, open your arms as needed so that the backs of your hands touch the floor, then extend your arms, resisting the pull of your shoulders away from your ears. With your eyes open, focus your attention on a point. Inhale and exhale gently and steadily through your nose one to three times. While in the pose, press your left heel forward and your left thigh firmly into the floor. Lift your left kneecap to your thigh and your thigh to your hip. Press the left edge of your hip toward the center and your right heel to your inner left thigh. Lower your buttocks to your left heel and use your arms to lift your spine. Root your entire back and left leg. Feel the tree pose from the roots through the trunk to the branches. To come out, slowly lower your right foot and return to the starting position lying down, or Supta Tadasana (Reclining Mountain Pose). 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